August 2004 • H-1-5205t
TECHNICAL DATA / COLOR NEGATIVE FILM
KODAK VISION2 250D Color
Negative Film 5205 / 7205
Give your story more detail—in any light.
KODAK VISION2 250D Color Negative Film 5205 / 7205
is an advanced, medium-speed film that delivers superior
imaging in natural daylight, artificial daylight, and a variety
of mixed lighting situations. Expect beautiful fleshtones,
accurate color reproduction, and-thanks to its wider
latitude-increased detail in shadow and highlight areas. Add
seamless intercutting with other KODAK VISION2 Films
and you have a versatile addition to your storytelling toolkit.
The VISION2 Film family is the first line of products
created specifically for both film and digital postproduction.
What's more, all VISION2 Films provide excellent tone
scale and flesh-to-neutral reproduction. With superior
shadow and highlight detail and very fine grain. VISION2
Films also maintain neutrality through the full range of
exposure. So you can convey exactly the look you intended
all the way from capture to post.
STORAGE
Store unexposed film at 13°C (55°F) or lower. For extended
storage, store at -18°C (0°F) or lower. Process exposed film
promptly. Store processed film according to the
recommendations in ANSI/PIMA IT9.11-1998: for
medium-term storage (minimum of ten years), store at
10°C (50°F) or lower at a relative humidity of 20 to 30
percent; for extended-term storage (for preservation of
material having permanent value), store at 2°C (35°F) or
lower at a relative humidity of 20 to 30 percent. For active
use, store at 25°C (77°F) or lower, at a relative humidity of
50 +/- 5 percent. This relates to optimized film handling
rather than preservation; static, dust-attraction and
curl-related problems are generally minimized at the higher
relative humidity. After usage, the film should be returned to
the appropriate medium- or long-term storage conditions as
soon as possible.
For more information about medium- and long-term
storage, see ANSI/PIMA IT9.11-1998,
SMPTE RP131-2002, and KODAK Publications No. H-1,
KODAK Motion Picture Film available online at http://
The Book of Film Care.
BASE
KODAK VISION2 250D Film 5205 / 7205 has an acetate
safety base with rem-jet backing.
DARKROOM RECOMMENDATIONS
Do not use a safelight. Handle unprocessed film in total
darkness.
EXPOSURE INDEXES
Daylight (5500 K)—250 Tungsten (3200 K)—64 (with
KODAK WRATTEN Gelatin Filter No. 80A)
Use these indexes with incident- or reflected-light
exposure meters and cameras marked for ISO or ASA speeds
or exposure indexes. These indexes apply for meter readings
of average subjects made from the camera position or for
readings made from a gray card of 18-percent reflectance
held close to and in front of the subject. For unusually light-
or dark-colored subjects, decrease or increase the exposure
indicated by the meter accordingly.
©Eastman Kodak Company, 2004
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FILM-TO-VIDEO TRANSFERS
CURVES
When you transfer the film directly to video, you can set up
the telecine using the negative Telecine Analysis Film (TAF)
supplied by Eastman Kodak Company. The TAF consists of
a neutral density scale and an eight-bar color test pattern with
a LAD gray surround.
The TAF gray scale provides the telecine operator
(colorist) with an effective way to adjust subcarrier balance
and to center the telecine controls before timing and
transferring a film. The TAF color bars provide the utility of
electronic color bars, even though they do not precisely
match the electronically generated color bars. Using the TAF
will help obtain optimum quality and consistency in the
film-to-video transfer. For more information regarding TAF,
see KODAK Publication No. H-9, TAF User's Guide.
Sensitometric Curves
LOG EXPOSURE (lux-seconds)
-4
-3.2
-2
-1
-0.2
3.0
Exposure: 5500 K Daylight 1/50 sec
Process: ECN-2
Densitometry: Status M
2.0
1.0
B
IMAGE STRUCTURE
G
The modulation-transfer curves, and the diffuse rms
granularity data were generated from samples of 5205 Film
exposed with daylight illumination and processed as
recommended in Process ECN-2 chemicals. For more
information on image-structure characteristics, see KODAK
Publication No.H-1, KODAK Motion Picture Film.
R
0.0
-10
-8
-6
-4
-2
0
2
4
6
H15205TAF
Camera Stops
The curves describe this film's response to red, green, and
blue light. Sensitometric curves determine the change in
density on the film for a given change in log exposure.3
MTF:
Refer to curve.
Modulation-Transfer Function Curves
The "perceived" sharpness of any film depends on various
components of the motion picture production system. The
camera and projector lenses and film printers, among other
factors, all play a role. But the specific sharpness of a film
can be measured and charted in the Modulation Transfer
Curve.
1000
Exposure: Daylight 5500 K
Process: ECN-2
Densitometry: Status M
100
rms Granularity:
Refer to curve.
Read with a microdensitometer, (red, green, blue) using a
48-micrometer aperture.
The "perception" of the graininess of any film is highly
dependent on scene content, complexity, color, and density.
Other factors, such as film age, processing, exposure
conditions, and telecine transfer may also have significant
effects.
B
G
R
10
1
1
10
100
1000
SPATIAL FREQUENCY (cycles/mm)
H15205TB
This graph shows a measure of the visual sharpness of this
film. The x-axis, "Spatial Frequency," refers to the number
of sine waves per millimeter that can be resolved. The y-axis,
"Response," corresponds to film sharpness. The longer and
flatter the line, the more sine waves per millimeter that can
be resolved with a high degree of sharpness—and, the
sharper the film.
KODAK VISION2 250D Color Negative Film 5205 / 7205 • H-1-5205t
3
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Diffuse rms Granularity Curves
modifying, and optimizing exposure for blue- and
green-screen special-effects work.
3.0
2.0
Spectral Dye Density Curves
Process: ECN-2
1.8
Typical densities for a midscale neutral subject
and D-min.
Process: ECN-2
D-mins subtracted
0.10
1.4
1.0
Midscale Neutral
0.03
0.01
1.0
0.0
0.6
0.004
0.003
Minimum Density
0.2
0.001
0.0
1.0
2.0
3.0
4.0
H15205TC
LOG EXPOSURE (lux-seconds)
-0.2
300 350 400 450 500 550 600 650 700 750 800
To find the rms Granularity value for a given density, find
the density on the left vertical scale and follow horizontally
to the characteristic curve and then go vertically (up or
down) to the granularity curve. At that point, follow
horizontally to the Granularity Sigma D scale on the right.
Read the number and multiply by 1000 for the rms value.
H15205TE
WAVELENGTH (nm)
These curves depict the spectral absorptions of the dyes
formed when the film is processed. They are useful for
adjusting or optimizing any device that scans or prints the
film.
Note: This curve represents granularity based on modified
measuring techniques.3
Note: Cyan, Magenta, and Yellow Dye Curves are
peak-normalized.
Spectral Sensitivity Curves
NOTICE: The sensitometric curves and data in this
publication represent product tested under the conditions of
exposure and processing specified. They are representative
of production coatings, and therefore do not apply directly to
a particular box or roll of photographic material. They do not
represent standards or specifications that must be met by
Eastman Kodak Company. The company reserves the right
to change and improve product characteristics at any time.
4.0
Effective exposure: 1/25 sec
Process: ECN-2
Densitometry: Status M
D=0.2>D-min
3.0
Yellow-
Forming
Layer
2.0
1.0
0.0
Cyan-
Forming
Layer
Magenta-
Forming
Layer
250 300 350 400 450
500 550 600 650 700 750
WAVELENGTH (nm)
*Sensitivity = reciprocal of exposure (erg/cm2 ) required
to produce specified density
H15205TD
These curves depict the sensitivity of this film to the
spectrum of light. They are useful for determining,
3.NOTE: Sensitometric and Diffuse RMS Granularity curves are
produced on different equipment. A slight variation in curve shape may
be noticed.
4
KODAK VISION2 250D Color Negative Film 5205 / 7205 • H-1-5205t
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STANDARD PRODUCTS AVAILABLE
Format and
Specification
No.
Length
Meters (Feet)
Core
Description
Perforation/Pitch
Metric (Imperial)
35 mm SP417
35 mm SP718
35 mm SP718
35 mm SP718
16 mm SP449
16 mm SP451
16 mm SP455
16 mm SP445*
16 mm SP457
16 mm SP458
65 mm SP332
30 (100)
61 (200)
S-83 100-ft. spool
BH-4740 (BH-1866)
BH-4740 (BH-1866)
BH-4740 (BH-1866)
BH-4740 (BH-1866)
2R-7605 (2R-2994)
2R-7605 (2R-2994)
1R-7605 (1R-2994)
1R-7605 (1R-2994)
1R-7605 (1R-2994)
1R-7605 (1R-2994)
KS-4740 (KS-1866)
U
122 (400)
305 (1000)
30 (100)
U
U
R-90 100-ft. spool
122 (400)
30 (100)
T
R-90 100-ft. spool
Winding B
Winding A
Winding B
Winding B
Emulsion In
61 (200)
A
T
Z
P
122 (400)
244 (800)
305 (1000)
*for AATON A-MINIMA Cameras
MORE INFORMATION
Outside the United States and Canada, please contact your Kodak representative.
bookmark our location so you can find us easily the next time.
Films
Cinematographer’s Field Guide
KODAK Publication No. H-2
Image
KODAK Motion Picture Film
Structure
KODAK Publication No. H-1
Specification Cinematographer’s Field Guide
Numbers
KODAK Publication No. H-2
Storage
KODAK Motion Picture Film
KODAK Publication No. H-1
The Book of Film Care
KODAK Publication No. H-23
LAD
LAD—Laboratory Aim Density
KODAK Publication No. H-61
Transfer
KODAK Telecine Analysis Film User’s Guide
KODAK Publication No. H-822
KODAK Telecine Exposure Calibration Film
User’s Guide
KODAK Publication No. H-807
KODAK VISION2 250D Color Negative Film 5205 / 7205 • H-1-5205t
5
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KODAK VISION2 250D Color Negative Film 5205 / 7205
Kodak Locations
FOR DIRECT ORDERING IN THE UNITED STATES
AND CANADA: 1-800-621-FILM
EUROPEAN, AFRICAN, AND ME
REGION
Eastman Kodak Company
Kodak Ltd. Kodak House
Hemel Hempstead
Herts, HP1 1JU England
Local: 01442-845-945
Fax: 01442-844-458
HOLLYWOOD, CALIFORNIA
6700 Santa Monica Boulevard
Los Angeles, California
90038-1203
Orders: 1-800-621-FILM (3456)
Information: 323-464-6131
Eastman Kodak SA
29-31 Route de l'aeroport
Case postale 271
NEW YORK, NEW YORK
360 West 31st Street
New York, New York
10001-2727
Orders: 1-800-621-FILM (3456)
Le grand Sacconex, 1215
Geneve 15
Information: +41-22-747-2000
Fax: +41-22-747-2200
Information: 212-631-3418
ASIA PACIFIC REGION
LATIN AMERICA REGION
8600 NW 17th Street
Suite 200
Miami, Florida 33126-1006
Phone: 305-378-0566
305-229-0422
AUSTRALIA
Melbourne: 613-9353-2561
Toll free: 1-800-337-935
CHINA (Peoples Republic)
Beijing: 8610-6561-6561
Shanghai: 8621-6350-0888
Guangzhou: 8620-8319-8888
TORONTO, ONTARIO
Kodak Canada Inc.
3500 Eglinton Avenue West
Toronto, Ontario
HONG KONG
Tel: 852-2564-9352
Canada M6M 1V3
Phone: 416-761-4922
Orders: 1-800-621-FILM (3456)
Fax Orders: 1-866-211-6311
INDIA
91-22-5641-6762
INDONESIA
62-21-570-5212
VERDUN, QUEBEC
Kodak Canada, Inc.
4 Place du Commerce, Suite 100
Ile des Soeurs
Verdun, Quebec
Canada H3E 1J4
Information: 514-761-7001
Fax: 514-768-1563
JAPAN
813-5540-2280
KOREA
82-2-708-5561
MALAYSIA
60-3-757-2722
Orders: 1-800-621-FILM (3456)
Fax Orders: 1-866-211-6311
NEW ZEALAND
64-9-302-8665
BURNABY, BRITISH COLUMBIA
Kodak Canada, Inc.
4185 Still Creek Drive
Suite C150
Burnaby, British Columbia
Canada V5C 6G9
PAKISTAN
92-21-561-0150
PHILIPPINES
632-810-0331
Orders: 1-800-621-FILM (3456)
Fax: Orders: 1-866-211-6311
SINGAPORE
65-476-9688
TAIWAN
886-2-2893-8108
THAILAND
66-2-271-3040 Ext. 310
KODAK VISION2 250D Color
Negative Film 5205 / 7205
Kodak, Keykode, Vision2, and Wratten are trademarks.
New 8-04
Printed in U.S.A.
KODAK Publication No. H-1-5205t
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