Sherwood Stereo Receiver R 671 User Manual

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SAFETY INSTRUCTION  
1. Read Instructions - All the safety and operating instructions should  
be read before the product is operated.  
2. Retain instructions - The safety and operating instructions should  
be retained for future reference.  
grounding conductors, location of antenna-discharge unit,  
connection to grounding electrodes, and requirements for the  
grounding electrode. See Figure 1.  
3. Heed Warnings - All warnings on the product and in the operating  
instructions should be adhered to.  
4. Follow Instructions - All operating and use instructions should be  
followed.  
5. Cleaning - Unplug this product from the wall outlet before cleaning.  
Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for  
cleaning.  
6. Attachments - Do not use attachments not recommended by the  
product manufacturer as they may cause hazards.  
7. Water and Moisture - Do not use this product near water - for  
example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in  
a wet basement, or near a swimming pool; and the like.  
8. Accessories - Do not place this product on an unstable cart, stand,  
tripod, bracket, or table. The product may fall, causing serious injury  
to a child or adult, and serious damage to the product. Use only with  
a cart, stand, tripod, bracket, or table recommended by the  
manufacturer, or sold with the product. Any mounting of the product  
should follow the manufacturer’s instructions, and should use a  
mounting accessory recommended by the manufacturer.  
9. A product and cart combination should be  
15. Lightning - For added protection for this product during a lightning  
storm, or when it is left unattended and unused for long periods of  
time, unplug it from the wall outlet and disconnect the antenna or  
cable system. This will prevent damage to the product due to  
lightning and power-line surges.  
moved with care. Quick stops, excessive  
force, and uneven surfaces may cause the  
product and cart combination to overturn.  
10. Ventilation - Slots and openings in the  
16. Power Lines - An outside antenna system should not be located in  
the vicinity of overhead power lines or other electric light or power  
circuits, or where it can fall into such power lines or circuits. When  
installing an outside antenna system, extreme care should be taken  
to keep from touching such power lines or circuits as contact with  
them might be fatal.  
cabinet are provided for ventilation and to  
ensure reliable operation of the product  
and to protect it from overheating, and  
these openings must not be blocked or  
17. Overloading - Do not overload wall outlets, extension cords, or  
integral convenience receptacles as this can result in a risk of fire  
or electric shock.  
18. Object and Liquid Entry - Never push objects of any kind into this  
product through openings as they may touch dangerous voltage  
points or short-out parts that could result in a fire or electric shock.  
Never spill liquid of any kind on the product.  
covered. The openings should never be blocked by placing the  
product on a bed, sofa, rug, or other similar surface. This product  
should not be placed in a built-in installation such as a bookcase or  
rack unless proper ventilation is provided or the manufacturer’s  
instructions have been adhered to.  
11. Power Sources - This product should be operated only from the  
type of power source indicated on the marking label. If you are not  
sure of the type of power supply to your home, consult your product  
dealer or local power company. For products intended to operate  
from battery power, or other sources, refer to the operating  
instructions.  
19. Servicing - Do not attempt to service this product yourself as  
opening or removing covers may expose you to dangerous voltage  
or other hazards. Refer all servicing to qualified service personnel.  
20. Damage Requiring Service - Unplug this product form the wall  
outlet and refer servicing to qualified service personnel under the  
following conditions:  
12. Grounding or Polarization - This product may be equipped with a  
polarized alternating-current line plug (a plug having one blade  
wider than the other). This plug will fit into the power outlet only one  
way. This is a safety feature. If you are unable to insert the plug  
fully into the outlet, try reversing the plug. If the plug should still fail  
to fit, contact your electrician to replace your obsolete outlet. Do not  
defeat the safety purpose of the polarized plug.  
a) When the power-supply cord or plug is damaged,  
b) If liquid has been spilled, or objects have fallen into the product,  
c) If the product has been exposed to rain or water,  
d) If the product does not operate normally by following the  
operating instructions. Adjust only those controls that are  
covered by the operating instructions as an improper adjustment  
of other controls may result in damage and will often require  
extensive work by a qualified technician to restore the product to  
its normal operation.  
Alternate Warnings - This product is equipped with a three-wire  
grounding-type plug, a plug having a third(grounding) pin. This plug  
will only fit into a grounding-type power outlet. this is a safety  
feature. If you are unable to insert the plug into the outlet, contact  
your electrician to replace your obsolete outlet. Do not defeat the  
safety purpose of the grounding-type plug.  
e) If the product has been dropped or damaged in any way, and  
f) When the product exhibits a distinct change in performance - this  
indicates a need for service.  
21. Replacement Parts - When replacement parts are required, be  
sure the service technician has used replacement parts specified  
by the manufacturer or have the same characteristics as the  
original part. Unauthorized substitutions may result in fire, electric  
shock, or other hazards.  
22. Safety Check - Upon completion of any service or repairs to this  
product, ask the service technician to perform safety checks to  
determine that the product is in proper operating condition.  
23. Wall or Ceiling Mounting - The product should be mounted to a  
wall or ceiling only as recommended by the manufacturer.  
24. Heat - The product should be situated away from heat sources  
such as radiators, heat registers, stoves, or other products  
(including amplifiers) that produce heat.  
13. Power-Cord Protection - Power-supply cords should be routed so  
that they are not likely to be walked on or pinched by items placed  
upon or against them, paying particular attention to cords at plugs,  
convenience receptacles, and the point where they exit from the  
product.  
14. Outdoor Antenna Grounding - If an outside antenna or cable  
system is connected to the product, be sure the antenna or cable  
system is grounded so as to provide some protection against  
voltage surges and built-up static charges. Article 810 of the  
National Electrical Code, ANSI/NFPA 70, provides information with  
regard to proper grounding of the mast and supporting structure,  
grounding of the lead-in wire to an antenna discharge unit, size of  
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CONTENTS  
Introduction  
• READ THIS BEFORE OPERATING YOUR UNIT .............................................................................................................. 1  
• SAFETY INSTRUCTION .................................................................................................................................................... 2  
System Connections ..................................................................................................................................................... 4  
Front Panel Controls .....................................................................................................................................................10  
Universal Remote Controls .........................................................................................................................................12  
• OPERATING COMPONENTS WITH REMOTE CONTROL ............................................................................................. 14  
• REMOTE CONTROL OPERATION RANGE .................................................................................................................... 14  
• LOADING BATTERIES ..................................................................................................................................................... 14  
• USING FUNCTIONS OF REMOTE CONTROL ............................................................................................................... 15  
Speaker Setup ................................................................................................................................................................ 18  
• SETTING THE SPEAKER SETUP MANUALLY ............................................................................................................... 19  
• SETTING THE SPEAKER SETUP AUTOMATICALLY (AUTO SPEAKER SETUP ......................................................... 21  
Operations  
• LISTENING TO A PROGRAM SOURCE ......................................................................................................................... 24  
• SURROUND SOUND ...................................................................................................................................................... 27  
• ENJOYING SURROUND SOUND .................................................................................................................................... 29  
• LISTENING TO RADIO BROADCASTS ........................................................................................................................... 34  
• RECORDING .................................................................................................................................................................... 36  
• DIGITAL AUDIO RECORDING WITH MD RECORDER .................................................................................................. 37  
• OTHER FUNCTIONS ...................................................................................................................................................... 38  
Using the OSD  
• CURRENT STATUS DISPLAY ......................................................................................................................................... 39  
OSD Menu Settings ....................................................................................................................................................... 39  
• SETTING THE SPEAKER SETUP .................................................................................................................................. 41  
• SELECTING THE FUNCTION ......................................................................................................................................... 44  
• SELECTING THE SURROUND MODE ........................................................................................................................... 46  
• SETTING THE CH LEVEL SETUP ................................................................................................................................. 47  
Troubleshooting Guide .............................................................................................................................................. 49  
Specifications ................................................................................................................................................................ 50  
Setup Code Table ......................................................................................................................................................... 51  
3
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System Connections  
• Do not plug the AC input cord into the wall AC outlet until all connections are completed.  
• Be sure to observe the color coding when connecting audio, video and speaker cords.  
• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the receiver.  
EXTERNAL IN  
1. CONNECTING ANTENNAs  
• A 75outdoor FM antenna may be used to fur-  
ther improve the reception. Disconnect the indoor  
antenna before replacing it with the outdoor one.  
• Change the position of the FM indoor antenna until you  
get the best reception of your favorite FM stations.  
• Place the AM loop antenna as far as possible  
from the receiver, TV set, speaker cords and  
the AC input cord and set it to a direction for  
the best reception.  
• If the reception is poor with the AM loop anten-  
na, an AM outdoor antenna can be used in  
place of the AM loop antenna.  
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2. CONNECTING VIDEO COMPONENTS  
• There are three types of video jacks(COMPONENT, S-VIDEO, (composite) VIDEO) for connecting video components.  
Connect them to the corresponding video jacks according to their capability.  
• For your reference, the excellence in picture quality is as follows : “COMPONENT” > “S-VIDEO” > “(composite) VIDEO”.  
• When making COMPONENT VIDEO connections, connect “Y” to “Y”, “PB/CB” to “CB”(or “B-Y”, “PB”) and “PR/CR” to “CR”(or “R-  
Y”, “PR” ).  
• When connecting to video recording component such as video deck, DVD recorder, etc., you must use the same type of video  
jacks that you did connect to video playback components such as DVD player, LD player, etc.  
• This unit is equipped with a function that up-converts composite video or S-Video signals to component video signals or down-  
converts S-Video signals to composite video signals and outputs them from the MONITOR OUTs. Because of this, one of  
three types of MONITOR OUT jacks can be connected to the monitor TV regardless of how the video components are  
connected to VIDEO IN jacks of this unit.  
• Connect the video components, referring to the following table.  
Relationship between the video input signal and video output signal  
Video input signals  
MONITOR OUTs  
COMPONENT  
S-VIDEO (COMPOSITE) VIDEO  
COMPONENT  
Composite video  
S-Video  
S-VIDEO  
(COMPOSITE) VIDEO  
Composite video  
S-Video  
×
×
×
×
×
×
×
×
×
Composite video  
S-Video  
S-Video  
S-Video  
Composite video  
×
Component  
Component  
Component  
Component  
×
Composite video  
S-Video  
Composite video  
S-Video  
S-Video  
Composite video  
Notes :  
• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a  
movie via MONITOR COMPONENT OUTs, if the OSD menu operation is performed with the OSD, CURSOR control(, ,  
, ), ENTER buttons, etc., the picture is automatically turned off and only the OSD menu is displayed.  
• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is  
performed, the OSD menu cannot be displayed via MONITOR COMPOSITE OUT.  
• When Sherwood DVD player such as V-768, etc. is connected to the DIGI-LINK jack for system control, you should connect  
the DVD player to the “ VIDEO 2” jacks of this unit.  
Because, if the PLAY button, etc. is pressed on the DVD player, the VIDEO 2 is automatically selected as an input source on  
this unit. Then playback, etc. starts.  
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3. CONNECTING AUDIO COMPONENTS  
• The AUX jacks may be connected to an additional audio component such as a CD player, a tape deck, etc.  
4. CONNECTING EXTERNAL INs  
• Use these jacks to connect the corresponding outputs of a DVD  
player or external decoder, etc. that has 6 or 7 channel analog  
audio outputs  
• In case of 6 channel outputs, do not connect this SURROUND  
BACK input to your audio component.(For details, refer to the  
operating instructions of the component to be connected.)  
5. CONNECTING DIGITAL INs and OUT  
• The OPTICAL and the COAXIAL DIGITAL OUTs of the  
components that are connected to CD and VIDEO 1~ VIDEO 3 of  
this unit can be connected to these DIGITAL INs.  
• A digital input should be connected to the components such as a  
CD player, LD player, DVD player, etc. capable of outputting DTS  
Digital Surround, Dolby Digital or PCM format digital signals, etc.  
• If the component with OPTICAL IN jack is connected to the  
OPTICAL OUT jack of this unit, you can record the high quality  
sound of CDs, etc. without degradation.  
• For details, refer to the operating instructions of the component  
connected.  
• When making the COAXIAL DIGITAL connection, be sure to use a  
75 COAXIAL cord, not a conventional AUDIO cord.  
• All of the commercially available optical fiber cords cannot be used  
for the equipment. If there is an optical fiber cord which cannot be  
connected to your equipment, consult your dealer or nearest  
service organization.  
Note :  
• Be sure to make either a OPTICAL or a COAXIAL DIGITAL  
connection on each component. (You don’t need to do both.)  
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6. CONNECTING SYSTEM CONTROL  
• Connect this jack to the DIGI LINK jack of the external  
Sherwood component that uses the DIGI LINK II or III  
remote control system.  
7. SUBWOOFER PREOUT connection  
• To emphasize the deep bass sounds, connect a powered  
subwoofer.  
8. CONNECTING SPEAKERS  
• Be sure to connect speakers firmly and correctly according  
to the channel(left and right) and the polarity(+ and -). If the  
connections are faulty, no sound will be heard from the  
speakers, and if the polarity of the speaker connection is  
incorrect, the sound will be unnatural and lack bass.  
• For installing the speakers, refer to “Speaker placement” on  
page 8.  
• After installing the speakers, first adjust the speaker settings  
according to your environment and speaker layout.(For  
details, refer to “Speaker Setup” on page 18.)  
Caution :  
• Be sure to use the speakers with the impedance of 6 ohms  
or above.  
• Do not let the bare speaker wires touch each other or any  
metal part of this unit. This could damage this unit and/or  
the speakers.  
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Speaker placement  
Ideal speaker placement varies depending on the size of your  
room and the wall coverings, etc. The typical example of  
speaker placement and recommendations are as follows :  
Front left and right speakers and center speaker  
• Place the front speakers with their front surfaces as flush with TV or  
monitor screen as possible.  
• Place the center speaker between the front left and right speakers  
and no further from the listening position than the front speakers.  
• Place each speaker so that sound is aimed at the location of the  
listener’s ears when at the main listening position.  
Surround left and right speakers  
• Place the surround speakers approximately 1 meter (40 inches)  
above the ear level of a seated listener on the direct left and right of  
them or slightly behind.  
Surround back speaker  
• Place the surround back speaker at the rear center facing the front at  
a slightly higher position (0 to 10 inches) than the surround speakers.  
• We recommend installing the surround back speaker at a slightly  
downward facing angle. This effectively prevents the surround back  
channel signals from reflecting off the TV or screen at the front center,  
resulting in interference and making the sense of movement from the  
front to the back less sharp.  
Subwoofer  
• The subwoofer reproduces powerful deep bass sounds.  
Place a powered subwoofer anywhere in the front as desired.  
Notes :  
• When using a conventional TV , to avoid interference with the TV  
picture, use only magnetically shielded front left and right and center  
speakers.  
• To obtain the best surround effects, the speakers except the  
subwoofer should be full range speakers.  
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9. CONNECTING MICROPHONE  
• To use Auto Speaker Setup function, connect the microphone  
to the SETUP MIC jack.(For details, refer to “SETTING THE  
SPEAKER SETUP AUTOMATICALLY(AUTO SPEAKER  
SETUP)” on page 21.)  
Note:  
• Because the microphone for Auto Speaker Setup is designed  
for use with this receiver, do not use a microphone other than  
the one supplied with this receiver.  
10. SWITCHED AC OUTLETs  
• Theses outlets are switched on(power-on mode) and  
off(standby mode) according to power control as  
follows(Maximum total capacity is 100 W, 1 A).  
Standby mode - Switched AC outlet off  
Power-on mode - Switched AC outlet on  
11. AC INPUT CORD  
• Plug this cord into a wall AC outlet.  
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Front Panel Controls  
1. POWER switch  
2. STANDBY button/indicator  
16. AUTO button  
17. DSP MODE UP/DOWN(/) buttons  
3. HEADPHONE jack  
18. STEREO button  
4. SPEAKER button/indicator  
5. CHANNEL SELECTOR button  
6. ADJUST UP/DOWN(/) buttons  
7. TONE MODE button  
19. VIDEO 3 INPUT jacks  
- For details, see next page.  
20. PARAMETER button  
21. DIGITAL INPUTS button  
22. MASTER VOLUME CONTROL knob  
23. FLUORESCENT DISPLAY  
- For details, see below.  
8. SPEAKER SETUP button  
9. DYNAMIC RANGE button  
10. CINEMA EQ button  
11. MEMORY/ENTER button  
12. TUNING/PRESET UP/DOWN(/) buttons  
13. TUNING/PRESET MODE button  
14. FM MODE button  
24. REMOTE SENSOR  
25. AUDIO INPUT SELECTOR button  
26. VIDEO INPUT SELECTOR button  
27. EXTERNAL IN button  
15. BAND button  
FLUORESCENT DISPLAY  
1. Input, frequency, volume level, operating information, etc.  
2. Surround mode indicators  
7. MEMORY indicator  
8. PRESET indicator  
3. AUTO indicator  
9. SLEEP indicator  
10. TUNED indicator  
11. STEREO indicator  
4. DIGITAL INPUT indicator  
5. DIRECT indicator  
6. Preset number, sleep time, speaker distance display  
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VIDEO 3 INPUT JACKS  
• The VIDEO 3 jacks may be also connected to an  
additional video component such as a camcorder,  
LD player, video game player, etc.  
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Universal Remote Controls  
This universal remote control can operate not only this receiver but also most popular brands of audio and video  
components such as CD players, cassette decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.  
• To operate 7 components other than this receiver, you should enter the setup code for each component.  
(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 15.)  
Digi link system remote controls  
This remote control can also operate Sherwood compatible components bearing the DIGI LINK (II or III) logo.  
• For digi link system remote control operation, first make the DIGI LINK connections between Sherwood  
components.  
• The numbered buttons on the remote control have different functions in different device modes. For details,  
refer to “FUNCTION TABLE of the NUMBERED BUTTONS” on the following page 13.  
12  
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FUNCTION TABLE of the NUMBERED BUTTONS  
Notes:  
• Some functions for each component may not be available or may work differently.  
• Depending on other kinds of components that are available for each DEVICE button, some functions may not  
be available or may work differently, too.  
• For details about functions, refer to the operating instructions of each component.  
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OPERATING COMPONENTS WITH REMOTE CONTROL  
REMOTE CONTROL OPERATION RANGE  
Enter the setup code for each  
component other than this receiver you  
1
• Use the remote control unit within a range of  
about 7 meters (23 feet) and angles of up to  
30 degrees aiming at the remote sensor.  
wish to control. For details, refer to  
“Entering a setup code” on page 15.  
Turn on the component you want to  
operate.  
2
Press the DEVICE button on the  
remote control corresponding to the  
3
component you wish to operate.  
Aim the remote control at the REMOTE  
SENSOR of the component you wish to  
control and press the button  
corresponding to the operation you  
want.  
4
• When operating a Sherwood CD player or tape  
deck using digi link system remote control, aim  
the remote control at the REMOTE SENSOR of  
this receiver.  
However, to operate a Sherwood DVD player, aim  
at the REMOTE SENSOR of the corresponding  
component.  
LOADING BATTERIES  
• When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries within several  
minutes after removing old batteries.  
• If the batteries are removed or have been exhausted for a longer period of time, memorized contents will be cleared. Should  
this happen, you should memorize them again.  
Remove the cover.  
Load two batteries(“AAA” size)  
matching the polarity.  
1
2
• Remove the batteries when they are not used for a  
long time.  
• Do not use the rechargeable batteries(Ni-Cd type).  
• Be sure to use alkaline batteries.  
14  
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USING FUNCTIONS OF REMOTE CONTROL  
• This remote control can control up to 8 different components.  
• Before operating audio and video components other than this receiver with using this remote control, the setup code for each  
component should be entered.  
• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for Sherwood CD  
player, “DVD” for Sherwood DVD player and “AUX” for Sherwood tape deck respectively as its factory setup code. So, you  
don’t need to enter its code for each Sherwood component except in such a case that its code does not work.  
Entering a setup code  
Turn on the component you want to  
control.  
Find the setup codes according to the  
type and the brand name of your  
component, referring to “Setup Code  
Table” on page 51.  
1
3
2
4
Press and hold down both the “ENTER”  
button and the desired one of the  
DEVICE buttons for more than 1  
second.  
Enter a 3 digit code, aiming the remote  
control at the remote sensor on the  
component.  
Example) When entering “001”.  
• If entering is performed successfully, the LED will  
flicker twice.  
• The LED will flicker once.  
• To be sure that the setup code is correct, press the  
POWER(or STANDBY) button.  
If your component is tuned off, the setup code is  
correct.  
Note:  
• The “AUD” button is unavailable for the audio  
components other than this receiver.  
• When your component is not turned off, repeat the  
above steps to , trying each code for your  
component until you find one that works.  
Notes:  
• If the LED did not flicker twice, then repeat the  
above steps to and try entering the same  
code again.  
• Manufacturers may use different setup codes for  
the same product category. For that reason, it is  
important that you check to see if the code you  
have entered operates as many controls as  
possible. If only a few functions operate, check  
to see if another code will work with more  
buttons.  
Repeat the above steps to for  
each of your components.  
5
• When operating a Sherwood CD player or tape  
deck using the system remote control, aim the  
remote control at the REMOTE SENSOR on this  
receiver.  
However, in case of Sherwood DVD player and  
MD recorder, aim it at the REMOTE SENSOR on  
the corresponding component.  
15  
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Using a punch-through function  
Removing a punch-through function  
• When removing the AUDIO volume punch-  
through, press and hold down both “AUD”  
This remote control may be programmed to  
operate either the AUDIO volume punch-through  
or the TV volume and/or TV channel punch-  
through in conjunction with any of the eight  
components controlled by this remote control.  
For example, since this receiver will likely be used  
as the sound system while watching TV, you may  
want to adjust this receiver’s volume although this  
remote control is set to control the TV.  
button and “VOLUME ” button for more than  
1 second.  
• When programming this remote control for the  
AUDIO volume punch-through, press and hold  
down both “AUD” button and “VOLUME ”  
button for more than 1 second.  
• If removing is performed successfully, the LED  
will flicker twice.  
When you want to remove either TV volume or  
TV channel punch-through, press and hold  
down both “TV” button and either “VOLUME  
” or “CH/LEVEL  
second.  
” button for more than 1  
Removing all punch-through functions  
Press and hold down both “AUD” button and  
“AUTO” button for more than 1 second.  
• If programming is performed successfully, the  
LED will flicker twice.  
When you want either TV volume or TV  
channel punch-through, press and hold down  
both “TV” button and either “VOLUME ” or  
“CH/LEVEL ” button for more than 1 second.  
Note :  
• If you use one of AUDIO and TV volume  
punch-through functions, you cannot use the  
other.  
• If removing all punch-through functions is  
performed successfully, the LED will flicker twice.  
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Press the operation buttons you want to  
program in order.  
Programming a macro function  
2
Note:  
• The macro function enables you to program a series  
of button operations(up to 10) on this remote control  
into a single button.  
• You can store up to three separate macro command  
sequences into “M1”, “M2” and “M3” buttons.  
You should press the corresponding DEVICE  
buttons before pressing each operation button.  
Example) When playing a DVD on the DVD player  
connected to VIDEO 2 jacks of this  
Press and hold down both “ENTER” button  
and one of three NUMERIC buttons  
(“1”~“3”) corresponding to “M1”~“M3”  
receiver.  
1
1. Press “AUDIO” button to control this receiver.  
2. Press “POWER” button to turn this receiver on.  
3. Press “AUDIO” button to control this receiver.  
4. Press “VIDEO 2(7)” button to select the desired  
input source.  
buttons for more than 1 second.  
Example) When programming a series of button  
operations into “M1” button.  
5. Press “DVD” button to control the DVD player.  
6. Press “POWER” button to turn the DVD player  
on.  
7. Press “DVD” button to control the DVD player.  
8. Press “” button to start playback.  
• If the macro mode is entered, the LED will flicker once.  
Press “ENTER” button.  
To remove a macro program  
• When removing a macro program, perform the  
3
above steps and , but ignore the step .  
To change a macro program  
• When a new macro program is stored into a  
MACRO button with performing the above steps  
to , the previous macro program is cleared  
from the memory of the MACRO button.  
• If the programming is performed successfully, the  
LED will flicker twice.  
Operating a macro function  
Notes:  
• The codes programmed into a MACRO button  
will be transmitted at an interval of 0.5 seconds.  
However, some components may not be able to  
complete one operation in 0.5 seconds and  
may miss the next code.  
• Aim the remote control at the REMOTE SENSORs  
of the components to be controlled and press the  
MACRO button you want.  
Example) When pressing “M1” button.  
In this case, the macro function cannot control  
the corresponding components correctly.  
• Be sure to use the remote control within the  
remote control operation range of the  
components.  
• Depending on the operation status of the  
components, etc., the macro function cannot  
control the corresponding components  
correctly.  
17  
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Speaker Setup  
• After you have installed this receiver and connected all the components, you should adjust the speaker settings  
for the optimum sound acoustics according to your environment and speaker layout.  
• Even when you change speakers, speaker positions, or the layout of your listening environment, you should  
adjust the speaker settings, too.  
About the speaker size  
• Depending or relationship between speakers,  
settings possible for each speaker are as follows:  
The composition of the signals output from the different  
channels and the frequency response are adjusted  
automatically according to the combination of speakers  
actually being used.  
Front L/R Center Surr. L/R Surr. Back Subwoofer  
Large  
• Select “Large” or “Small” not according to the actual size  
of the speaker but according to the speaker’s capacity  
for playing low frequency (bass sound below frequency  
set for the Crossover Frequency mode and below)  
signals.  
Large  
Small  
None  
Small  
None  
X
Large  
Small  
None  
Large  
Small  
None  
Small  
None  
X
Large : Select this when connecting speakers that can fully reproduce  
sounds below crossover frequency(*) of your speaker.  
Small : Select this when connecting speakers that cannot fully  
reproduce sounds below crossover frequency.  
When this setting is selected, sounds below crossover  
frequency are sent to the subwoofer or speakers which are set  
to “Large”(when not using a subwoofer).  
None : Select this when no speakers are connected.  
When this is selected, sounds are sent to the speakers which  
are not set to None.  
Large  
Yes  
or  
Large  
Small  
None  
None  
Small  
None  
Large  
Small  
None  
Small  
None  
X
Large  
Yes / None : Select the desired depending on whether a subwoofer is  
connected or not.  
Small  
None  
Small  
None  
Small  
• (*) : Crossover frequency is the frequency (Hz) below which the bass  
sound of each main speakers is to output from the subwoofer or  
from speakers which are set to “Large” (when not using a  
subwoofer).  
• Refer to the operating instructions of the speakers to be connected. If  
the frequency range of your speaker is 100 Hz ~ 20 kHz, the crossover  
frequency have to be set to 100 Hz(or slightly higher).  
• If you do not know, try comparing the sound at both settings (setting  
the volume to a level low enough so as not to damage the speakers) to  
determine the proper setting.  
Small  
None  
X
Small  
None  
Small  
Yes  
Small  
None  
X
None  
About the speaker distance  
When enjoying multi-channel surround playback with Dolby Digital and DTS sources, etc., it is ideal that the center  
and surround speakers, etc. should be the same distance from the main listening position as the front speakers. By  
entering the distance between the listening position and each speaker, the delay times of center and surround  
speakers are automatically adjusted to create an ideal listening environment virtually as if the center and surround  
speakers were at their ideal locations respectively as below:  
18  
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SETTING THE SPEAKER SETUP MANUALLY  
Note: When the SPEAKER button is set to off or the EXTERNAL IN is selected as an input source, the speaker setup  
procedure cannot be performed.  
Before setting the speaker setup  
• Press the POWER switch to enter the standby mode and then turn the power on.  
When selecting each setting mode,  
When adjusting the selected mode  
to the desired setting,  
1
2
• Each time the SPEAKER SETUP button is  
pressed, the speaker setting mode changes in  
succession and is displayed for several seconds  
as follows.  
• Each time the ADJUST UP(/) or DOWN(/)  
button is pressed, one of the settings is selected  
and displayed for several seconds as follows.  
• When the speaker setting mode disappears, press  
the SPEAKER SETUP button repeatedly to select  
the desired mode.  
Y(es)  
N(one)  
• When selecting the subwoofer,  
“SUB-W Y”  
• When the subwoofer is set to “N”, the front speaker  
is automatically set to “L”.  
• You can select one of 2 different speaker settings.  
• When selecting the front speaker size,  
“FRONT L”  
L
S
(L: Large, S: Small)  
• When selecting the center speaker size,  
“CENTER L”  
• You can select one of 3 different speaker settings.  
(L: Large, S: Small, N: None)  
• When selecting the surround speaker size,  
“SURR L ”  
• You can select one of 3 different speaker settings.  
• You can select one of 3 different speaker settings.  
• When selecting the surround back speaker size,  
“SURR-B L”  
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Continued  
• When selecting the distance of front left speaker,  
“FRONT L 10 (ft)”  
• You can adjust the distance within the range of 1  
~ 30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• You can adjust the distance within the range of 1  
~ 30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the distance of front right  
speaker,  
“FRONT R 10 (ft)”  
• You can adjust the distance within the range of 1  
~ 30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the distance of center speaker,  
“CENTER 10 (ft)”  
• When selecting the distance of surround left  
speaker,  
• You can adjust the distance within the range of 1  
~ 30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
“SURR L 05 (ft)”  
• You can adjust the distance within the range of 1  
~ 30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the distance of surround right  
speaker,  
“SURR R 05 (ft)”  
• You can adjust the distance within the range of 1  
~ 30 feet in 1 foot intervals.  
1 (ft) ~ 30 (ft)  
• When selecting the distance of surround back  
speaker,  
“SURR-B 05 (ft)”  
• You can adjust the crossover frequency within  
the range of 40 ~ 130 Hz in 10 Hz intervals.  
40 Hz ~ 130 Hz  
• When selecting the crossover frequency,  
“FC 80 Hz”  
Notes:  
• You cannot adjust the distances of subwoofer and the speakers set to “None”.  
• When speakers are set to “Small”, you should set the crossover frequency according to their frequency characteristics.  
Memorize the adjusted speaker settings.  
3
• The adjusted settings are  
memorized in the memory.  
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SETTING THE SPEAKER SETUP AUTOMATICALLY (AUTO SPEAKER SETUP)  
• Auto Speaker Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound.  
You should connect the microphone to the SETUP MIC jack so that this receiver can analyze the information from a series of  
test tones emitted from speakers and can adjust the size, distance and sound level of each speaker automatically.  
• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform the  
“SETTING THE SPEAKER SETUP MANUALLY” procedure on page 19, “Adjusting each channel level with test tone”  
procedure on page 31 and “Adjusting the current channel level” procedure on page 32.  
Note:  
• Because the microphone for Auto Speaker Setup is designed for use with this receiver, to use the auto speaker setup  
function, do not use a microphone other than the one supplied with this receiver.  
Before setting the speaker setup  
• Press the POWER switch to enter the standby mode and then turn the power on.  
Connect the optional microphone to the  
SETUP MIC jack on the rear panel.(For  
details, refer to “CONNECTING  
Place the microphone on a flat level  
surface at your normal listening  
position.  
1
3
2
MICROPHONE” on page 9.)  
• If possible, use a tripod, etc. to attach the  
microphone at the same height as your ears  
would be when you are seated in your listening  
position.  
• Ensure there are no obstacles between the  
speakers and the microphone.  
Press and hold down the SPEAKER SETUP button on the front panel for more than 2 seconds  
to enter the auto speaker setup mode.  
• Then “SET ALL S” is displayed.  
• For your reference, the default settings for auto  
speaker setup are as follows:  
Speaker layout: ALL channels, Subwoofer: Yes,  
CUToff frequency: 80 Hz  
• When performing auto speaker setup  
according to the default settings, skip the step  
and perform the step .  
• However, you can specify these settings  
according to the number of speakers installed  
and speakers’ frequency characteristics with  
performing the step .  
• To cancel the auto speaker setup mode, press  
and hold down the SPEAKER SETUP button on  
the front panel for more than 2 seconds again.  
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Specify the setting condition.  
4
When specifying the number of speakers installed.  
• Each time this button is pressed, the speaker layout  
changes as follows:  
When specifying the subwoofer or the crossover frequency.  
• Each time the ADJUST UP() or CURSOR RIGHT()  
button is pressed, the subwoofer changes as follows:  
S No display  
(None)  
(Subwoofer: Yes)  
• Each time the ADJUST DOWN() or CURSOR  
LEFT() button is pressed, the crossover  
frequency(“CUT”) changes within the range of 40~130  
Hz in 10 Hz intervals.  
• In case that the subwoofer setting is  
“S”(Subwoofer:Yes), if it is possible to adjust the  
volume and crossover frequency on your subwoofer,  
set the volume to about medium level (or slightly less),  
and set the crossover frequency to the maximum.  
Start the auto speaker setup procedure.  
5
• Loud test tones are output from each speaker.  
• To stop the auto speaker setup procedure, press the  
(MEMORY/) ENTER button.  
To retry the procedure, press the (MEMORY/)  
ENTER button again.  
•After the auto speaker setup procedure has been  
completed, “SET MEMO” will be displayed.  
• If “>ERROR<” is displayed, there may be a problem  
with the speaker or microphone connection.  
While displaying “>ERROR<”, to retry the procedure,  
press the ADJUST UP() or CURSOR RIGHT()  
button and to exit from the procedure, press the  
ADJUST DOWN() or CURSOR LEFT() button.  
• If retrying the procedure does not fix the problem, turn  
off the power and check the speaker or microphone  
connections.  
Notes:  
• Because the test tones are very loud, ensure  
there are no infants or small children in the  
room.  
• For best results, ensure the room is as quiet as  
possible during the auto speaker setup  
procedure.  
If there is too much ambient noise, the results  
may not be satisfactory.  
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While displaying “SET MEMO”, check  
the result of each adjustment.  
Confirm the results.  
6
7
• Each time this button is pressed, the result  
changes as follows:  
Example)  
• Then “COMPLETE” is displayed and the results  
are memorized.  
• You cannot check the channel level results.  
To check the channel level results, perform the  
auto speaker setup procedure, using the OSD  
menu setting procedure.(For details, refer to  
“When selecting the AUTO SPEAKER SETUP”  
on page 41.)  
• If the results are not satisfactory, set the speaker  
setup manually.(For details, refer to “SETTING  
THE SPEAKER SETUP MANUALLY” on page  
19.)  
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Operations  
• Note : Before operating this receiver with the supplied remote control, refer to “Universal Remote Controls” on  
page 12 for details about operation.  
LISTENING TO A PROGRAM SOURCE  
Select the desired input source.  
Before operation  
3
• Enter the standby mode.  
• The STANDBY indicator lights up.  
When the power operation switch  
is in the OFF or STANDBY state,  
the apparatus is still connected on  
some AC line voltages.  
Please be sure to unplug the cord when  
you leave home for, say, a vacation.  
• To switch the power off, push the POWER switch  
again.  
• Then the power is cut off and the STANDBY  
indicator goes off.  
• Each time the “AUDIO” button on the front panel  
is pressed, the input source changes as follows;  
In the standby mode, turn the power  
on.  
• Each time the “VIDEO” button on the front panel  
is pressed, the input source changes as follows;  
1
When selecting the EXTERNAL IN as desired,  
• In the operating mode, if the STANDBY button on  
the remote control is pressed, the receiver is  
turned off and enters the standby mode.  
• In the standby mode, if the INPUT SELECTOR  
button on the remote control is pressed, the  
• “EXT IN” is displayed and the 7 or 6 separate  
receiver is turned on automatically and the  
analog signals from the component connected to  
desired input is selected.  
this input can be controlled only by channel  
level(s) and volume depending on the surround  
back speaker setting.  
Switch the speakers on.  
• Press the EXTERNAL IN button or select the  
desired input source to cancel the external in  
function.  
• These analog signals can be heard only, not  
recorded.  
2
• Then the SPEAKER indicator lights up and the  
sound can be heard from the speakers connected  
to the speaker terminals.  
• When using the headphone for private listening,  
press the SPEAKER button again to switch the  
speakers off.  
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To compensate for edgy or shrill movie  
sound tracks.  
When CD, VIDEO 1~3 is selected as  
an input source  
7
Select the digital or analog input  
connected as desired.  
4
• Then “C-EQ OFF” is scrolled.  
• Press it again to work, the “C-EQ ON” is scrolled.  
• When 96 kHz PCM(2 CH stereo) signals are input  
or the SPEAKER button is set to off, the cinema  
EQ function does not work.  
• Each time this button is pressed, the  
corresponding input is selected as follows ;  
To mute the sound.  
• When TUNER, TAPE, AUX or EXTERNAL IN is  
selected as an input source, the digital input  
cannot be selected.  
8
Notes :  
• When the selected optical or coaxial digital  
input is not connected, the “DIGITAL” indicator  
flickers, meaning no sound. (Refer to  
“ENJOYING SURROUND SOUND” on page  
29.)  
• “MUTE” will flicker.  
• To resume the previous sound level, press it again.  
• The sound from the component connected to  
the selected digital input can be heard  
regardless of the selected input source.  
Operate the selected component for  
playback.  
To listen with the headphones.  
5
9
• When playing back the program sources with  
surround sound, refer to “ENJOYING  
SURROUND SOUND” on page 29.  
Adjust the (overall) volume.  
6
• Ensure that the SPEAKER button is set to off.  
• Depending on the signal format which is being  
input, you can listen in different Dolby  
Headphone modes, stereo mode, etc. with  
pressing the DSP MODE (<) /(>)  
buttons.(For details, refer to “Listening in a Dolby  
Headphone mode” on page 30).  
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At the desired tone mode, adjust the  
tone as desired.  
Adjusting the tone(bass and treble)  
11  
Enter the tone mode.  
10  
• At “TONE ON” mode, you can select “TONE  
OFF” mode and vice versa.  
TONE ON : When adjusting the tone for your taste.  
(“DIRECT” indicator goes off.)  
• Each time this button is pressed, the  
corresponding tone mode is selected and  
shown for several seconds as follows:  
TONE OFF : When listening to a program source  
without the tone effect.  
(“DIRECT” indicator lights up.)  
• In general, we recommend the bass and the  
treble to be set to 0(flat) level.  
• When the tone mode is off, “TONE OFF” is  
shown.  
Notes:  
• If the tone display disappears, start from the  
step again.  
• Extreme settings at high volume may damage  
your speakers.  
• When the digital signals from DTS, Dolby  
Digital or MPEG program sources are input or  
the EXTERNAL IN is selected as an input  
source, you cannot adjust the tone and can  
hear a program source without the tone effect.  
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SURROUND SOUND  
This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound  
atmosphere in your personal Home Theater.  
Surround modes  
DTS Digital Surround  
• DTS Neo : 6 Cinema  
DTS Digital Surround(also called simply DTS) is a multi-  
channel digital signal format which can handle higher data  
This mode is optimum for playing movies. Decoding is  
performed with emphasis on separation performance to  
achieve the same atmosphere with 2-channel sources as with  
6.1-channel sources.  
rates. Discs bearing the “  
” include the recording of  
up to 5.1 channels of digital signals, which can be generally  
thought to provide better sound quality due to the lower audio  
compression required.  
It also provides wide dynamic range and separation, resulting  
in magnificent sound.  
• DTS Neo : 6 Music  
This mode is suited mainly for playing music. The front left  
and front right signals bypass the decoder and are played  
directly so there is no loss of sound quality, and the effect of  
the surround signals from the center, surround left, surround  
right and surround back channels adds a natural sense of  
expansion to the sound field.  
DTS - ES Extended Surround™ (  
)
This is a new multi channel digital signal format which greatly  
improves the 360- degree surround impression and space  
expression thanks to further expanded surround signals,  
offering high compatibility with the conventional DTS format.  
In addition to the 5.1 channels, DTS-ES Extended Surround  
also offers the surround back (sometimes also referred to as  
“surround center”) channel for surround playback with a total  
of 6.1 channels. DTS-ES Extended Surround includes two  
signal formats with different surround signal recording  
methods as follows:  
DTS 96/24  
Conventional surround formats used sampling frequencies of  
48 or 44.1 kHz, so 20 kHz was about the maximum playback  
signal frequency. With DTS 96/24, the sampling frequency is  
increased to 96 or 88.2 kHz to achieve a wide frequency  
range of over 40 kHz. In addition, this format has a resolution  
of 24 bits, resulting in the same frequency band and dynamic  
range as 96kHz / 24 bit PCM signals.  
• DTS-ES™ Discrete 6.1  
As with conventional DTS surround, DTS 96/24 is compatible  
with a maximum of 5.1 channels. DTS 96/24 is fully  
compatible with the conventional DTS surround format, so  
DTS 96/24 sources can be played using a conventional DTS  
5.1 channel decoder.  
Because the signals for 6.1 channels (including the surround back  
channel) are fully independent, it is possible to achieve a sense  
that the acoustic image are moving about freely among the  
background sounds surrounding the listener from 360 degrees.  
Though maximum performance is achieved when sound  
tracks recorded with this system are played using a DTS -ES  
decoder, when played with a conventional DTS decoder, the  
surround back channel signals are automatically downmixed  
to the surround left and surround right channels so that none  
of the signal components are lost.  
“DTS”, “DTS-ES”, “DTS 96/24” and “Neo:6” are trademarks of  
Digital Theater Systems, Inc.  
Dolby Digital  
Dolby Digital is the multi- channel digital signal format  
developed by Dolby Laboratories. Discs bearing the  
• DTS - ES™ Matrix 6.1  
With this format, the additional surround back channel  
signals undergo matrix encoding and are input to the  
surround left and surround right channels beforehand. During  
playback, they are decoded to the surround left, surround  
right and surround back channels.  
” includes the recording of up to 5.1 channels of  
digital signals, which can reproduce much better sound  
quality, spatial expansion and dynamic range characteristics  
than the previous Dolby Surround effect.  
Because the bit stream format is 100% compatible with  
conventional DTS signals, the effect of the DTS-ES Matrix 6.1  
format can be achieved even with DTS 5.1- channel signal  
sources. Of course, it is possible to play DTS-ES Matrix 6.1 -  
channel signal sources with a DTS 5.1 - channel decoder.  
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded  
with a DTS - ES decoder, the format is automatically detected  
upon decoding and the optimum surround mode is selected.  
However, some DTS - ES Matrix 6.1 sources may be detected  
as DTS sources. In this case, the DTS - ES Matrix mode  
should be selected manually to play these sources.  
Dolby Digital EX  
This mode creates the back (sometimes also referred to as  
“surround center”) signals from the surround left and right  
signals in Dolby Digital 5.1 channel source using a matrix  
decoder and provides 6.1 channel surround playback. For the  
best results, this mode should be selected during playback of  
sources(bearing the “  
”) recorded in Dolby Digital  
EX. With this additional channel, you can experience more  
dynamic and realistic moving sound especially.  
When Dolby Digital EX sources are decoded with a Dolby  
Digital EX decoder, the format is automatically detected upon  
decoding and the Dolby Digital EX mode is selected.  
However, some Dolby Digital EX sources may be detected as  
Dolby Digital sources. In this case, the Dolby Digital EX mode  
should be selected manually to play these sources.  
DTS Neo : 6™ surround  
This mode applies conventional 2-channel signals such as  
digital PCM or analog stereo signals to the high precision digital  
matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-  
channel surround playback. DTS Neo : 6 surround includes two  
modes for selecting the optimum decoding for the signal source.  
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Dolby Pro Logic IIx surround  
Dolby Headphone  
Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1  
channel sources and extends to 7.1channel surround  
playback. It delivers the most natural, full range and  
immersing 7.1 channel listening experience. Dolby Pro Logic  
IIx surround includes two modes as follows :  
The Dolby Headphone function simulates 5.1 channel  
surround sound, which allows you to enjoy 5.1 channel  
surround sound through 2 channel headphones, just like  
listening from 5.1 channel speakers.  
This mode is effective not only for 5.1 channel sources but  
also for stereo(2 channel) sources.  
• Dolby Pro Logic IIx Movie  
When enjoying movies, this mode allows you to further  
enhance the cinematic quality by adding processing that  
emphasizes the sounds of the action special effects.  
Manufactured under license from Dolby Laboratories.  
“Dolby”, “Pro Logic” and the double-D symbol are trademarks  
of Dolby Laboratories.  
• Dolby Pro Logic IIx Music  
When listening to music, this mode allows you to further  
enhance the sound quality by adding processing that  
emphasizes the musical effects.  
MPEG Multichannel  
This mode is a surround system which faithfully reproduces  
the ambience and dynamics of movie soundtracks and music  
alike. Though the number of audio channels are same as  
Dolby Pro Logic II surround  
Dolby Digital, discs bearing the “  
” provides  
This mode applies conventional 2-channel signals such as  
digital PCM or analog stereo signals as well as Dolby  
Surround signals, etc. to surround processing to offer  
improvements over conventional Dolby Pro Logic circuits.  
Dolby Pro Logic II surround includes Dolby Pro Logic II Movie  
and Dolby Pro Logic II Music like Dolby Pro Logic IIx  
surround.  
much better at locating individual sounds to the correct and  
stable position in the sound stage.  
• The following modes apply conventional 2-channel signals  
such as digital PCM or analog stereo signals to high  
performance Digital Signal Processor to recreate sound  
fields artificially. Select one of the 3 provided surround  
modes according to the program source you want to play.  
Dolby Virtual Speaker  
This mode creates a virtual surround sound field using as few  
as two front speakers, allowing you to experience listening  
from 5.1 channel speakers.  
This mode is effective not only for 5.1 channel sources but  
also for stereo(2 channel) sources.  
Dolby VIrtual Speaker includes two listening mode as follows:  
Theater  
This mode provides the effect of being in a movie theater  
when watching a movie.  
Hall  
This mode provides the ambience of a concert hall for  
classical music sources such as orchestral, chamber music  
or an instrumental solo.  
• Dolby Virtual Speaker Reference  
The width of the front sound image is defined by the actual  
distance between front speakers.  
Stadium  
• Dolby Virtual Speaker Wide  
The width of the front sound image seems to extend beyond  
the front speakers.  
This mode provides the expansive sound field to achieve the  
true stadium effect when watching baseball or soccer games.  
• When using the EXTERNAL INs to play back the sound from the additional multi-channel decoder for surround sound, you can  
enjoy the corresponding surround sound, too.( For details, refer to the operating instructions of the component to be  
connected.)  
For your reference, the sound from each channel can be reproduced according to the surround modes as follows:  
Modes  
Channels  
FRONT L/R  
CENTER  
SURROUND L/R  
SURROUND BACK  
SUBWOOFER  
DTS, DTS 96/24  
DTS ES DISCRETE/MATRIX  
DTS NEO 6: CINEMA/MUSIC  
DOLBY DIGITAL  
(*)  
DOLBY DIGITAL EX  
(*)  
DOLBY PRO LOGIC IIx MOVIE/MUSIC  
DOLBY PRO LOGIC II MOVIE/MUSIC  
DOLBY VIRTUAL SPEAKER  
MPEG  
(*)  
(*)  
(*)  
Other Surrounds  
(*)  
STEREO  
EXTERNAL IN  
(*): Depending on the subwoofer mode setting, the sound from the subwoofer channel may be reproduced.  
• Depending on the speaker settings and the number of the encoded channels, etc., the sound from the corresponding channels  
cannot be reproduced.(For details, refer to “Speaker Setup” on page 18.)  
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ENJOYING SURROUND SOUND  
Note:  
• Before surround playback, first perform the SPEAKER SETUP procedure, etc. for optimum performance. (For details, refer to  
“Speaker Setup” on page 18.)  
Depending on the input digital signal format, select the desired decoding mode.  
1
• Each time the AUTO button is pressed, the decoding mode  
changes as follows :  
Notes :  
• Only when the digital input is selected as signal input for the input sources except TUNER, TAPE, AUX  
and EXTERNAL IN, the decoding mode can be selected.  
• Noise may be generated at the beginning of playback and while searching during DTS playback in the IN-  
AUTO mode. In this case, try playing in the IN-DTS mode.  
Select the desired surround mode.  
2
• Each time the DSP MODE (<) or (>) button is pressed,  
the surround mode changes depending on the input signal  
format and the selected decoding mode as follows :  
Signal format being input  
Selected decoding mode  
Selectable surround mode  
Dolby Digital EX 6.1 channel sources  
Dolby Digital 5.1 channel sources  
Dolby Digital 2 channel sources  
IN-AUTO mode  
DOLBY DIGITAL EX, DOLBY D VS REF, DOLBY D VS WIDE  
<DOLBY D PLIIx MUSIC>, DOLBY DIGITAL, DOLBY D VS REF, DOLBY D VS WIDE  
<DOLBY D PLIIx MOVIE, DOLBY D PLIIx MUSIC,> / [DOLBY D PLII MOIVE,  
DOLBY D PLII MUSIC,] DOLBY PRO LOGIC, DOLBY D VS REF, DOLBY D VS  
WIDE  
DTS sources  
IN-AUTO, IN-DTS mode  
IN-AUTO mode  
(DTS +NEO: 6,) corresponding DTS mode, DOLBY VS REF, DOLBY VS WIDE  
MPEG  
MPEG sources  
96 kHz PCM(2 channel) sources  
IN-AUTO, IN-PCM mode  
DOLBY PLII MOVIE, DOLBY PLII MUSIC, DOLBY PRO LOGIC, DOLBY VS  
REF, DOLBY VS WIDE  
PCM( 2 channel ) sources  
Analog stereo sources  
<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC,> / [DOLBY PLII MOVIE, DOLBY  
PLII MUSIC,] DOLBY PRO LOGIC, DOLBY VS REF, DOLBY VS WIDE, NEO: 6  
CINEMA, NEO: 6 MUSIC, THEATER, HALL, STADIUM  
• Depending on surround back speaker setting, some surround modes can be selected or not as follows:  
< >: Possible only when surround back speaker is not set to “None”.  
[ ] : Possible only when surround back speaker is set to “None”.  
( ): Possible only when surround back speaker is not set to “None” while playing the digital signals from DTS sources except DTS ES 6.1 channel sources.  
Notes:  
• When the selected decoding mode is not matched to the input signal format, the “DIGITAL” indicator  
flickers and no sound is heard. Therefore, be sure to select the required decoding mode and the available  
surround mode according to the input signal format.  
• When the EXTERNAL IN is selected as an input source, the decoding and surround modes cannot be  
selected.  
• When the digital signals are not inputted, the desired surround mode cannot be selected.  
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Continued  
To cancel the surround mode for stereo operation  
• Depending on the signal format which is being input, either the  
stereo mode or the 2CH downmix mode is selected.  
• To cancel either the stereo mode or the 2 CH downmix mode,  
select the desired surround mode with using the DSP MODE (<)  
or (>) button.  
2CH downmix mode  
• This mode allows the multi-channel signals encoded in DTS, Dolby Digital or MPEG format to be mixed down  
into 2 front channels and to be reproduced through only two front speakers or through headphones.  
• When the SPEAKER button is set to off to listen with headphones, if the STEREO button is pressed while playing  
the multi- channel digital signals from DTS or Dolby Digital sources, it will enter the 2 CH downmix mode  
automatically.  
• To cancel the 2 CH downmix mode, select the desired Dolby Headphone mode with using the DSP MODE ◀  
(<) or (>) button.(For details, refer to the following “Listening in a Dolby Headphone mode” procedure.)  
Listening in a Dolby Headphone mode  
• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel  
surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.  
Note : Only when the SPEAKER button is set to off, the Dolby Headphone mode can be selected. However, in  
case of playing the digital signals from MPEG source, either the stereo mode or the 2CH downmix  
mode will be automatically selected depending on its signal format.  
• While listening with headphones, select the desired Dolby Headphone mode.  
• Each time the DSP MODE (<) or (>) button is pressed, the  
mode changes as follows :  
In case of playing analog stereo, PCM 2 channel or Dolby Digital 2 channel source in a Dolby Headphone  
mode, press the PARAMETER button to select the desired listening mode.  
• Each time this button is pressed, the mode changes as follows :  
Adjusting the Dolby Pro Logic IIx/Dolby Pro Logic II Music parameters  
• When selecting the Dolby Pro Logic IIx Music mode or the Dolby Pro Logic II Music mode, you can adjust the  
various surround parameters for optimum surround effect.  
• Each time this button is pressed, the parameter changes and is  
Press the PARAMETER button  
displayed for several seconds as follows;  
to select the desired parameter.  
1
Panorama mode(“PANO”, default value : OFF)  
This mode extends the front stereo image to include the surround speakers for  
an exciting “wraparound” effect with side wall imaging. Select “OFF” or “ON”.  
Center width control(“C-WID”, default value : 0)  
This adjusts the center image so it may be heard only from the center  
speaker, only from the left/right speakers as a phantom image, or from all  
three front speakers to varying degrees.  
The control can be set in 8 steps from 0 to 7.  
Dimension control(“DIMEN”, default value : -1)  
This gradually adjusts the soundfield either towards the front or towards the  
rear. The control can be set in 7 steps from -4 to +2.  
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At the desired parameter, adjust it as  
desired.  
Repeat the above steps and to  
adjust other parameters.  
2
3
• If the parameter display disappears, start from  
the step again.  
Selecting the desired speaker layout for Dolby Virtual Speaker mode  
• When selecting the Dolby Virtual Speaker Reference mode(“DOLBY (D) VS REF”) or the Dolby Virtual  
Speaker Wide mode(“DOLBY (D) VS WIDE”), you can select the desired one of different speaker layouts  
for actual speakers to be used.  
• Press the PARAMETER button to select the desired speaker layout.  
• Each time this button is pressed, the speaker layout mode  
changes depending on the selected Dolby Virtual Speaker  
mode as follows:  
* In case of Dolby Virtual Speaker Reference mode,  
* In case of Dolby Virtual Speaker Wide mode,  
Note : When the speakers are set to “None”, the corresponding speaker layout modes cannot be  
selected.  
Adjusting each channel level with test tone  
• The volume level of each channel can be adjusted easily with the test tone function.  
Note : When the EXTERNAL IN is selected as an input source, the SPEAKER button is set to off or it  
is in the stereo mode, the test tone function does not work.  
Enter the test tone mode.  
• The test tone will be heard from the speaker of each  
channel for 2 seconds as follows:  
1
• When the speaker setting is “N”, the test tone of the  
corresponding channel is not available.  
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Cancel the test tone function.  
At each channel, adjust the level as  
desired until the sound level of each  
speaker is heard to be equally loud.  
3
2
• You can select the desired channel and adjust its  
level with repeating the steps and in  
“Adjusting the current channel level” procedure.  
Adjusting the current channel level  
• After adjusting each channel level with test tone, adjust the channel levels either according to the  
program sources or to suit your tastes.  
• You can adjust the current channel levels as desired. These adjusted levels are just memorized into  
user’s memory(“USER”), not into preset memory(“REF. 1”, “REF. 2”).  
Press the CHANNEL SELECTOR button.  
1
• Each time this button is pressed, “REF. 1” (or  
“USER”) is displayed and the corresponding  
channel is selected as follows:  
< >: Possible only when the digital signals from Dolby Digital or DTS  
program sources that include LFE signal are input.  
• Depending on the speaker setting and surround mode, etc., some channels cannot be selected.  
• When the SPEAKER button is set to off, only the front L/R channel can be selected.  
Adjust the level of the selected channel as  
desired.  
• The LFE level can be adjusted within the range of  
-10~0 dB and other channel levels within the range  
of -15~+15 dB.  
2
• In general, we recommend the LFE level to be  
adjusted to 0 dB.(However, the recommended LFE  
level for some early DTS software is -10 dB.) If the  
recommended levels seem too high, lower the  
setting as necessary.  
• If the channel display disappears, start from the  
step again.  
Repeat the above steps and to adjust each channel level.  
3
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Memorizing the adjusted channel levels  
• You can memorize the adjusted channel levels into preset memory(“REF. 1”, “REF. 2”) and recall the  
memorized whenever you want.  
After performing the steps ~in “Adjusting the current channel level” procedure on  
page 32, press the (MEMORY/) ENTER button.  
1
• The “1” of “REF. 1” indication flickers.  
Select the desired one of REF. 1  
and REF. 2.  
Confirm your selection.  
2
3
• The adjusted channel levels have now been  
memorized into the selected memory.  
Select the desired one of REF. 1  
and REF. 2.  
Recalling the memorized channel levels  
2
Press the CHANNEL SELECTOR button.  
1
• “REF.1” (or “USER”) is displayed for several  
seconds.  
• Then the channel levels memorized into the  
selected preset memory are recalled.  
• If the channel level mode display disappears,  
press the CHANNEL SELECTOR button  
again.  
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LISTENING TO RADIO BROADCASTS  
Auto tuning  
Select the desired band.  
2
Select the tuner.  
1
• Each time this button is pressed, the band is  
changed to FM or AM.  
• When pressing the BAND button without  
selecting the TUNER, the tuner will be selected  
automatically.  
Press the TUNING/PRESET /▼  
buttons briefly or press the TUNE +/-  
buttons for more than 0.5 second.  
Select the auto tuning mode.  
4
3
• Each time this button is pressed, the mode  
changes as follows;  
• The tuner will now search until a station of  
sufficient strength has been found. The display  
shows the tuned frequency and “TUNED”.  
• If the station found is not the desired one, simply  
repeat this operation.  
• Weak stations are skipped during auto tuning.  
• When pressing the TUNE +/- buttons for more  
than 0.5 second on the remote control, you need  
not select the auto tuning mode on step .  
Manual tuning  
Presetting radio stations  
• Manual tuning is useful when you already know the  
frequency of the desired station.  
• You can store up to 30 preferred stations in the  
memory.  
• Select the manual tuning mode performing the  
steps to in “Auto tuning” procedure and press  
the TUNING/PRESET /or TUNE +/- buttons  
repeatedly until the right frequency has been  
reached.  
Tune in the desired station with auto or  
manual tuning.  
1
• When pressing the TUNE +/- buttons repeatedly  
on the remote control, you need not select the  
manual tuning mode on step in “Auto tuning”  
procedure.  
Press the MEMORY/ENTER button.  
2
• “MEM” is flickering for several seconds.  
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Select the desired preset number  
(1~30) and press the MEMORY/ENTER  
button.  
Repeat the above steps to to  
memorize other stations.  
4
3
MEMORY BACKUP FUNCTION  
• The station has now been stored in the memory.  
• A stored frequency is erased from the memory  
by storing another frequency in its place.  
• If “MEM” goes off, start again from the above  
step .  
The following items, set before the receiver is  
turned off, are memorized.  
• INPUT SELECTOR settings  
• Surround mode settings  
• Preset stations,etc.  
Select the desired preset number.  
Tuning to preset stations  
2
After selecting the tuner as an input  
source, select the preset tuning mode.  
1
• When pressing the PRESET +/- buttons on the  
remote control, you need not select the preset  
tuning mode on step .  
• Then “PRESET” lights up.  
Listening to FM stereo broadcasts  
Scanning preset stations in sequence  
• While listening to FM broadcasts.  
• Each time this button is pressed, the FM mode  
changes as follows;  
• The receiver will start scanning the stations in the  
preset sequence and each station is received for 5  
seconds.  
• When FM stereo broadcasts are poor because  
of weak broadcast signals, select the FM mono  
mode to reduce the noise, then FM broadcasts  
are reproduced in monaural sound.  
• At the desired station, press this button again to  
stop scanning.  
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RECORDING  
• The analog signals from the EXTERNAL INs as well as the digital signals from the coaxial or optical digital input can be heard  
but cannot be recorded.  
• The volume and tone (bass, treble) settings have no effect on the recording signals.  
Recording with TAPE  
Start recording on the TAPE.  
2
3
Select the desired input as a recording  
source except for TAPE.  
1
Start play on the desired input.  
Start recording on the VIDEO 1.  
Dubbing from video components onto  
VIDEO 1  
2
3
Select VIDEO 2 or VIDEO 3 as a  
recording source.  
1
Start play on the VIDEO 2 or the VIDEO 3.  
• The audio and video signals from the VIDEO 2 or  
the VIDEO 3 will be dubbed onto the VIDEO 1 and  
you can enjoy them on the TV set and from the  
speakers.  
Select CD as an audio recording  
source.  
Dubbing the audio and video signals  
separately onto VIDEO 1  
2
Example) When dubbing the VIDEO 2 video signal and  
the CD audio signal separately onto VIDEO 1.  
Select VIDEO 2 as a video recording  
source.  
1
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Start play on the VIDEO 2 and the CD  
respectively.  
Start recording on the VIDEO 1.  
4
3
• The audio signal from the CD and the video  
signal from the VIDEO 2 will be dubbed and you  
can enjoy them on the TV set and from the  
speakers.  
Note : Be sure to observe the order of the above  
steps and .  
DIGITAL AUDIO RECORDING WITH MD RECORDER  
• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD  
recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to “CONNECTING  
VIDEO COMPONENTS”, “CONNECTING AUDIO COMPONENTS” and “CONNECTING DIGITAL INs and OUT” on pages  
5~6 and the operating instructions of the MD recorder or CD recorder.  
Notes:  
• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.  
• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.  
• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of  
your digital recording equipment to know what restrictions are imposed.  
Select a desired input of CD, VIDEO  
1~3 as a recording source.  
For digital recording, select the desired  
digital input as recording signal input.  
1
2
• Each time this button is pressed, the  
corresponding input is selected as follows:  
Note : When the selected digital input is not  
connected, “DIGITAL” indicator flickers.  
There will be no recording as well as no  
sound.  
Start play on the desired input.  
Start recording on the component  
connected to OPTICAL DIGITAL  
OUT.  
4
3
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OTHER FUNCTIONS  
Compressing the dynamic range (Dolby Digital sources only)  
• This function compresses the dynamic range of  
previously specified parts of the Dolby Digital  
sound track(with extremely high volume) to  
minimize the difference in volume between the  
specified and non-specified parts.  
• Each time this button is pressed, the mode  
changes and the display scrolls.  
This makes it easy to hear all of the sound track  
when watching movies at night at low levels.  
• When the digital signals from Dolby Digital  
program source are input in available surround  
mode.  
• In some Dolby Digital softwares, this function  
may not be available.  
Operating the sleep timer  
Adjusting the brightness of the  
fluorescent displays  
• The sleep timer allows the system to continue  
to operate for a specified period of time before  
automatically shutting off.  
• To set the receiver to automatically turn off  
after the specified period of time.  
• Each time this button is pressed, the  
brightness of all fluorescent displays of  
Sherwood components connected by the DIGI  
LINK III changes together as follows;  
• Each time this button is pressed, the sleep time  
changes as follows:  
• While operating the sleep timer "  
" lights up.  
• In the display OFF mode, pressing any button  
will restore the display ON mode.  
• When the sleep time is selected, all display  
panels of Sherwood components connected by  
the DIGI LINK III are dimly lit.  
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Using the OSD  
This unit incorporates an OSD(On-screen display) function to provide information about basic operation of this unit and  
to simplify the setup procedures.  
The OSD function uses a monitor TV connected to this unit as a display and has two kinds of display modes such as  
current status display and menu screen.  
Notes: • Any on-screen display shown on the monitor TV will not be recorded.  
• Because this unit cannot support the OSD function for the progressively scanned video signal, the OSD for  
current status and menu settings may be displayed abnormally or may not be displayed.  
CURRENT STATUS DISPLAY  
This mode shows the status corresponding to each operation.  
• The on-screen display will automatically disappear in several seconds.  
• For examples, there are 2 status displays as follows.  
Notes  
• When watching a movie earnestly, if you want to turn off the current status display function, set the OSD auto display mode to  
Off(For details, refer to “When selecting the AUTO OSD” on page 40)  
Current status display function might not operate as expected if :  
• You view a movie via MONITOR COMPONENT OUTs while component video signals are input into this receiver.  
• You view a movie via MONITOR COMPOSITE OUT while S-Video signals and composite video signals are input into this receiver.  
When selecting the desired input source  
When selecting the TEST TONE mode  
• When adjusting overall volume, the volume level display will be shown.  
• The test tone display will be shown until the test tone mode is canceled.  
OSD Menu Settings  
• The OSD menu allows you to perform the setup procedures easily. In most situations, you will only need to set this  
once during the installation and layout of your home theater, and it rarely needs to be changed later. The OSD menu  
consists of 5 main menus : speaker setup, function select, surround mode, CH level setup and auto OSD. Some of  
these menus are divided into sub-menus.  
• The OSD menu settings are performed easily with the CURSOR control(, , , ), OSD and ENTER buttons.  
Notes :  
• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while  
viewing a movie via the MONITOR COMPONENT OUTs, if the OSD menu operation is performed, the picture is  
automatically turned off and only the OSD menu is displayed.  
• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is  
performed, the OSD menu cannot be displayed via MONITOR COMPOSITE OUT.  
Turn the menu screen on.  
1
• In the bottom of the display, “OSD” stands for the  
OSD button. “ENTER” for “ENTER”, “”, “”,  
”, and “” for CURSOR UP(), DOWN(),  
• The main menu will be shown.  
• To turn the menu screen off, press this button again.  
LEFT() and RIGHT().  
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Select the desired menu using the  
CURSOR UP()/DOWN() buttons.  
2
3
Confirm your selection.  
When selecting the SPEAKER SETUP  
When selecting the SURROUND MODE  
• For the setting details, see page in ⇨ .  
When selecting the FUNCTION SELECT  
When selecting the CH LEVEL SETUP  
• Adjust the setting(s) in each setting category to your preference.  
• When the OSD button is pressed on a sub-menu, the previous menu is resumed.  
When selecting the AUTO OSD  
• Each time the ENTER button is pressed, the AUTO OSD mode is set to ON to turn on the current display or OFF to  
turn it off.  
• When the AUTO OSD mode is set to ON, the current status display overlays the program image on the monitor TV  
and may interference with your movie enjoyment. In such a case, set it to OFF.  
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SETTING THE SPEAKER SETUP  
• After you have installed this receiver and connected all the components, you should adjust the speaker settings for the  
optimum sound acoustics according to your environment and speaker layout.  
• Even when you change speakers, speaker positions, or the layout of your listening environment, you should adjust the  
speaker settings, too.  
Note:  
• Because the microphone for Auto Speaker Setup is designed for use  
with this receiver, to use the auto speaker setup function, do not use a  
microphone other than the one supplied with this receiver.  
When selecting the AUTO SPEAKER SETUP  
• Auto Speaker Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound.  
You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the  
information from a series of test tones emitted from speakers and can adjust the size, distance and sound level of  
each speaker automatically.  
• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform  
the “When selecting the MANUAL SPEAKER SETUP” procedure on page 42, “Adjusting each channel level with  
test tone” procedure on page 31 and “Adjusting the current channel level”on page 32.  
Preparations  
2. Place the microphone on a flat level surface at your  
normal listening position.  
• If possible, use a tripod, etc. to attach the microphone  
at the same height as your ears would be when you  
are seated in your listening position.  
1. Connect the supplied microphone to the SETUP MIC  
jack on the rear panel,(For details, refer to  
“CONNECTING MICROPHONE” on page 9)  
• Ensure there are no obstacles between the speakers  
and the microphone.  
Press the CURSOR UP()/DOWN()  
buttons to select the AUTO SPEAKER  
SETUP, then press the ENTER button.  
Press the CURSOR UP()/DOWN()/  
LEFT()/RIGHT() buttons to specify  
the setting condition according to the  
number of speakers installed and  
speakers’ frequency characteristics.  
1
2
• To specify the layout of the installed speakers, press  
the CURSOR UP() or DOWN() button.  
• To specify the crossover frequency, press the  
CURSOR LEFT() button.  
You can specify the crossover frequency with the  
range of 40~130 Hz in 10 Hz intervals.  
• To specify the subwoofer, press the CURSOR  
RIGHT() button.  
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Press the ENTER button to start the auto speaker setup procedure.  
3
• Loud test tones are output from each speaker and then if the auto speaker setup procedure has been  
completed, the results of each adjustment will be displayed.  
• To stop the auto speaker setup procedure while outputting the test tones, press the ENTER button.  
• If the polarity is incorrect, “-” will be displayed.  
• If there may be a problem with the speaker or microphone connection, “ERROR ◀◀ ” message will be  
displayed.  
• When “ERROR ◀◀ ” message is displayed, press the CURSOR RIGHT() button to retry the auto  
speaker setup procedure.  
• If retrying the procedure dose not fix the problem, turn off the power and check the speaker or microphone  
connections.  
Notes :  
• For details on speaker size, crossover frequency and speaker distance, refer to “About the speaker size”  
and “About the speaker distance” on page 18.  
• Because the test tones are very loud, ensure there no infants or small children in the room.  
• It is possible to lower the volume of the test tomes, but this could result in incorrect speaker settings.  
• For best results, ensure the room is as quiet as possible during the auto speaker setup procedure.  
If there is too much ambient noise, the results may not be satisfactory.  
• If the results are not satisfactory, set the speaker setup manually. (For details, refer to “When selecting the  
MANUAL SPEAKER SETUP” on page 42)  
Confirm the results.  
4
• Then the results are memorized.  
When selecting the MANUAL SPEAKER SETUP  
Press the CURSOR UP()/DOWN() buttons to select the MANUAL SPEAKER SETUP,  
then press the ENTER button.  
1
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Press the CURSOR UP()/DOWN() buttons to select the desired item.  
2
3
Press the CURSOR LEFT()/RIGHT() buttons to set the selected item as desired.  
In case of speaker size, you can select one of these following types.  
YES/NONE: Select the desired depending on whether a subwoofer is connected or  
not.  
LARGE: Select this when connecting speakers that can fully reproduce sounds  
below crossover frequency.  
AUD  
DEVICE  
S
ELECT  
VOLUM  
E
SMALL: Select this when connecting speakers that can not fully reproduce sounds  
below crossover frequency. When this is selected, sounds below crossover  
frequency are sent to the subwoofer or speakers which are set to  
LARGE(when not using a subwoofer)  
NONE: Select this when no speakers are connected. When this is selected, sounds  
are sent to the speakers which are not set to NONE.  
TUNER  
CD  
AUX  
T
AP  
E
VIDEO  
1
VIDEO  
2
VIDEO  
3
EXT IN  
.
• Crossover frequency is the frequency(Hz) below which the bass  
sound of each main speakers is to output from the subwoofer or  
from speakers which are set to LARGE(when not using a  
subwoofer).  
• Refer to the operating instructions of the speakers to be  
connected. If the frequency range of your speaker is  
100Hz~20kHz, the crossover frequency have to be set to  
100Hz(or slightly higher)  
In case of speaker distance, you can adjust the distance between the  
listening position and each speaker within the range of 1~30 feet in 1 foot  
intervals.  
In case of crossover frequency, you can adjust the crossover frequency  
within the range of 40~130Hz in 10Hz intervals.  
Notes :  
• When speakers are set to “SMALL”, you should set the CROSSOVER FREQUENCY correctly according  
to their frequency characteristics.  
• When “SUBWOOFER” is set to “NONE”, “FRONT” is automatically set to “LARGE”.  
• When the “FRONT” is set to “SMALL”, “CENTER”, ”SURR” , ”SURR B” cannot be set to “LARGE”.  
• When the “SURR” is set to “SMALL”, “SURR B” cannot be set to “LARGE”.  
• You cannot adjust the distances of subwoofer and the speakers set to “NONE”.  
Confirm your selection.  
Repeat the above steps and ③  
until the items are all set to the  
desired.  
4
5
• The adjusted settings are memorized.  
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SELECTING THE FUNCTION  
When selecting the DIGITAL INPUT  
Note: When TUNER, TAPE, AUX or EXTERNAL IN is selected as an input source, the DIGITAL  
INPUT cannot be selected.  
Press the CURSOR UP()/DOWN() buttons to select the DIGITAL INPUT, then press the  
ENTER button.  
1
Press the CURSOR UP()/DOWN() buttons to select the digital or analog input as  
desired.  
2
• The sound from the component connected to  
the selected digital input can be heard  
regardless of the selected input source.  
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When selecting the VIDEO SELECT  
• Only when one of TUNER, CD, TAPE, AUX and EXTERNAL IN is selected, you can select a video  
input source on the VIDEO SELECT menu and enjoy the audio and video signals separately.  
• When dubbing them onto VIDEO 1, select either VIDEO2 or VIDEO 3 on the VIDEO SELECT menu.  
Press the CURSOR UP()/DOWN() buttons to select the VIDEO SELECT, then press the  
ENTER button.  
1
Press the CURSOR UP()/DOWN() buttons to select the desired video input  
source.  
2
When selecting the TONE CONTROL  
Note: When the digital signals from DTS, Dolby Digital or MPEG program sources are input or the  
EXTERNAL IN is selected as an input source, you cannot select the TONE CONTROL and can  
hear a program source without the tone effect.  
Press the CURSOR UP()/DOWN() buttons to select the TONE CONTROL, then press the  
ENTER button.  
1
Press the CURSOR UP()/DOWN() buttons to select the desired mode.  
2
Note :  
• Only when the TONE CONTOL mode is set to  
on, the tone(BASS and TREBLE)modes can be  
select.  
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Set the selected mode as desired.  
3
When the TONE CONTROL mode is selected, press  
the ENTER button to select the desired mode.  
When the BASS or TREBLE mode is selected, press  
the CURSOR LEFT()/RIGHT() buttons to adjust  
the tone as desired.  
• Each time this button is pressed, the mode  
changes as follows:  
ON: When adjusting the tone for your taste.  
• The tone level can be adjusted within the range  
of -10 ~+10 dB  
(“DIRECT” indicator goes off.)  
OFF: When listening to a program source without the  
tone effect.(“DIRECT”indicator lights up.)  
• In general, we recommend the bass and treble  
to be adjusted to 0 dB(flat level)  
• Extreme settings at high volume may damage  
your speakers.  
• To complete tone adjustment, repeat the above  
steps and .  
SELECTING THE SURROUND MODE  
Example) When digital signals from Dolby Digital EX 6.1 channel source are input.  
Notes :  
• Depending on the input signal format, surround back speaker setting  
and the selected decoding mode, the selectable surround modes may  
differ.  
• When the EXTERNAL IN is selected as input source, the  
SURROUND MODE cannot be selected.  
• Press the CURSOR UP()/DOWN() buttons to select the desired surround mode.  
• In case of playing analog stereo, PCM 2  
channel or Dolby Digital 2 channel source in a  
Dolby Headphone mode, press the CURSOR  
LEFT()/ RIGHT() buttons to select the  
desired listening mode.  
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SETTING THE CH LEVEL SETUP  
Notes :  
• Depending on the speaker settings and surround mode, etc., some channels cannot be selected.  
• When the SPEAKER button is set to off, only the Front Left and Right channels can be selected.  
• Only when the digital signals from Dolby Digital or DTS program sources that include LFE signal are input, “DD L”(Dolby  
Digital LFE) or “DTS L” can be selected.  
Adjusting the current channel level  
• You can adjust the current channel levels as desired. These adjusted levels are just memorized into  
user’s memory(“USER”), not into preset memory(“REF. 1”, “REF. 2”)  
• After adjusting each channel level with test tone, adjust the channel levels either according to the  
program sources or to suit your tastes.(For details, refer to “Adjusting each channel level with test tone”  
on page 31.)  
Press the CURSOR UP()/DOWN() buttons to select the desired channel.  
1
Press the CURSOR LEFT()/RIGHT() buttons to adjust the level of the selected channel as  
desired.  
2
AUD  
• The LFE level can be adjusted within the range of -  
10 ~ 0 dB and other channel levels within the range  
of -15 ~ +15 dB  
DEVICE  
S
ELECT  
VOLUM  
E
• In general, we recommend the LFE level to be  
adjusted to 0 dB.(However, the recommended LFE  
level for some early DTS software is -10 dB.) If the  
recommended levels seem too high, lower setting  
as necessary.  
TUNER  
CD  
AUX  
T
AP  
E
VIDEO  
1
VIDEO  
2
VIDEO  
3
EXT IN  
.
Repeat the above steps and to adjust each channel level.  
3
47  
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Memorizing the adjusted channel levels  
• You can memorize the adjusted channel levels into preset memory(“REF. 1”, “REF. 2”) and recall the  
memorized whenever you want.  
After performing the steps ~in “Adjusting the current channel level” procedure on page  
47, press the ENTER button.  
1
• The “1” of “REF. 1” indication flickers.  
Press the CURSOR LEFT()/RIGHT() buttons to select the desired preset memory,  
then press the ENTER button.  
2
• Each time the CURSOR LEFT() or  
RIGHT() button is pressed, “REF. 1” or “REF.  
2” is selected.  
• The adjusted channel levels has now been  
memorized into the selected memory.  
Recalling the memorized channel levels  
Press the CURSOR LEFT()/  
RIGHT() buttons to select the  
desired one of REF. 1 and REF. 2.  
Press the CURSOR  
UP()/DOWN() buttons to select  
the preset memory mode.  
1
2
AUD  
DEVICE  
S
ELECT  
VOLUM  
E
TUNER  
CD  
AUX  
TAP  
E
VIDEO  
1
VIDEO  
2
VIDEO  
3
EXT. IN  
• “USER” may be displayed instead of “REF. 1”  
or “REF. 2”.  
• Then the channel levels memorized into the  
selected preset memory are recalled.  
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Troubleshooting Guide  
If a fault occurs, run through the table below before taking your receiver for repair.  
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation,  
consult your dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the  
warranty.  
PROBLEM  
POSSIBLE CAUSE  
REMEDY  
No power  
• The AC input cord is disconnected.  
• Poor connection at AC wall outlet or the outlet  
is inactive.  
• Connect the cord securely.  
• Check the outlet using a lamp or another  
appliance.  
No sound  
• The speaker cords are disconnected.  
• The master volume is adjusted too low.  
• The MUTE button on the remote control is  
pressed to ON.  
• Check the speaker connections.  
• Adjust the master volume.  
• Press the MUTE button to cancel the muting  
effect.  
• Speakers are not switched on.  
• Incorrect selection of the input source.  
• Press the SPEAKER button to ON.  
• Select the desired input source correctly.  
• Incorrect connections between the components. • Make connections correctly.  
No sound from the surround  
speakers  
• Surround mode is switched off(stereo mode).  
• Select a surround mode.  
• Master volume and surround level are too low. • Adjust master volume and surround level.  
• A monaural source is used.  
• Surround speaker setting is “N”.  
• Select a stereo or surround source.  
• Select the desired surround speaker setting.  
No sound from the center  
speaker  
• Dolby Virtual Speaker, stereo mode, etc. is  
selected.  
• Select the desired surround.  
• Center speaker setting is “N”.  
• Master volume and center level are too low.  
• Select the desired center speaker setting.  
• Adjust master volume and center level.  
No sound from the surround  
back speaker  
• The input signal format or the current surround  
mode cannot support the 6.1 surround playback.  
• Master volume and surround back level are  
too low.  
• Under the proper situations, perform the 6.1  
surround playback.  
• Adjust master volume and surround back  
level.  
• Surround back speaker setting is “N”.  
• Select the desired surround back speaker  
setting.  
Stations cannot be received  
• No antenna is connected.  
• The desired station frequency is not tuned in.  
• The antenna is in wrong position.  
• Connect an antenna.  
• Tune in the desired station frequency.  
• Move the antenna and retry tuning.  
Preset stations cannot be  
received  
• An incorrect station frequency has been  
memorized.  
• The memorized stations are cleared.  
• Memorize the correct station frequency.  
• Memorize the stations again.  
Poor FM reception  
• No antenna is connected.  
• The antenna is not positioned for the best  
reception.  
• Connect an antenna.  
• Change the position of the antenna.  
Change the position of the antenna.  
Install an outdoor antenna.  
Continuous hissing noise during  
FM reception, especially when a  
stereo broadcast is received.  
• Weak signals.  
Continuous or intermittent  
hissing noise during AM  
reception, especially at night.  
• Noise is caused by motors, fluorescent lamps  
or lightning, etc.  
• Keep the receiver away from noise sources.  
• Install an outdoor AM antenna.  
Remote control unit does not  
operate.  
• Batteries are not loaded or exhausted.  
• The remote sensor is obstructed.  
• Replace the batteries.  
• Remove the obstacle.  
Other Sherwood components do  
not react to remote control  
commands.  
• DIGI LINK connections are not made properly. • Make proper DIGI LINK connections.  
OSD function is not available  
• Video connections between this unit and the  
TV monitor are not made correctly.  
• Make proper video connections.  
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Specifications  
AMPLIFIER SECTION  
• Power output stereo mode, 6, THD 0.2%, 40Hz ~ 20 KHz.......................................................................................... 2 X 100 W  
• Total harmonic distortion, 6, 95 W, 1 KHz ........................................................................................................................ 0.09 %  
• Intermodulation distortion  
60 Hz : 7 KHz = 4 : 1 SMPTE,6, 95 W ........................................................................................................................ 0.1 %  
• Input sensitivity / impedance  
Line (CD, TAPE, VIDEO) ................................................................................................................................. 230 mV/47 K  
• Signal to noise ratio, IHF "A" weighted  
Line (CD, TAPE, VIDEO) .............................................................................................................................................. 90 dB  
• Frequency response  
Line (CD, TAPE, VIDEO), 20 Hz~50 KHz ........................................................................................................ 230 mV/47 KΩ  
• Out put level  
TAPE REC, 2.2 k...................................................................................................................................................... 200 mV  
• Bass/Treble control, 100 Hz/10 kHz ................................................................................................................................. ±10 dB  
• Surround mode, only channel driven  
Front power output, 6 ,1 kHz, THD 0.7 ............................................................................................................ 110 W+110 W  
Center power output, 6 , 1 kHz, THD 0.7 % ................................................................................................................. 110 W  
Surround power output, 6 , 1 kHz, THD 0.7 % ................................................................................................... 110 W+110 W  
Surround back power output, 6 , 1 kHz, THD 0.7 % .................................................................................................... 110 W  
DIGITAL AUDIO SECTION  
• Sampling frequency ....................................................................................................................................... 32, 44.1, 48, 96 kHz  
• Digital input level  
Coaxial, 75 ................................................................................................................................................................. 0.5 Vp-p  
Optical, 660 nm ................................................................................................................................................. -15~-21 dBm  
VIDEO SECTION  
• Video format .......................................................................................................................................................................... NTSC  
• Input sensitivity(=Output level), 75 Ω  
Video (Composite(normal)) ............................................................................................................................................ 1 Vp-p  
S-Video (luminance signal) ............................................................................................................................................ 1 Vp-p  
(chrominance signal) ................................................................................................................................ 0.286 Vp-p  
Component video (R-Y signal) ................................................................................................................................... 0.5 Vp-p  
(B-Y signal) .................................................................................................................................. 0.5 Vp-p  
(Y signal) ...................................................................................................................................... 1.0 Vp-p  
FM TUNER SECTION  
• Tuning frequency range .......................................................................................................................................... 87.5~108 MHz  
• Usable sensitivity, THD 3%, S/N 30 dB ............................................................................................................................. 12.8 dBf  
• 50 dB quieting sensitivity, mono/stereo ................................................................................................................... 20.2 / 45.3 dBf  
• Signal to noise ratio, 65 dBf, mono/stereo ...................................................................................................................... 70 / 65 dB  
• Total harmonic distortion, 65 dBf,1 kHz, mono/stereo ................................................................................................... 0.5 / 0.8 %  
• Frequency response, 30 Hz~15 kHz .................................................................................................................................... ±3 dB  
• Stereo separation, 1 kHz ....................................................................................................................................................... 32 dB  
• Capture ratio ........................................................................................................................................................................ 4.0 dB  
• IF rejection ratio ..................................................................................................................................................................... 60 dB  
AM TUNER SECTION  
• Tuning frequency range ........................................................................................................................................... 520~1710 kHz  
• Usable sensitivity ............................................................................................................................................................. 500 µV/m  
• Signal to noise ratio .............................................................................................................................................................. 40 dB  
• Selectivity .............................................................................................................................................................................. 25 dB  
GENERAL  
• Power supply ............................................................................................................................................................ 120 V ~ 60 Hz  
• Power consumption ................................................................................................................................................................ 2.7 A  
• Switched AC outlets ................................................................................................................................ TOTAL 100 W, 1 A max.  
• Dimensions (W×H×D) .................................................................................... 440×141×330 mm(17-3/8×5-1/2×13 inches)  
• Weight (Net) ....................................................................................................................................................... 10.1 kg (22.3 Ibs)  
Note: Design and specifications are subject to change without notice for improvements.  
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Setup Code Table  
TV  
AOC  
Admiral  
005 003  
041 031  
Goldstar  
Gradiente  
005 025 003 011  
009 011  
Aiko  
014  
Grunpy  
Hallmark  
Harley Davidson  
Harman/Kardon  
Havard  
Hitachi  
Infinity  
027 026  
Akai  
005  
025  
Alaron  
026  
026  
Ambassador  
America Action  
Ampro  
024  
010  
027  
027  
043  
016 011 018  
Anam  
027 047 048 049  
010  
Audiovox  
Baysonic  
Belcor  
030 027 014 034  
Inteq  
002  
027  
JBL  
010  
003  
JCB  
050  
Bell & Howell  
Bradford  
Brockwood  
Broksonic  
CXC  
019 001  
JVC  
009 046  
027  
KEC  
027  
003  
KTV  
027 005 006  
028 031  
Kenwood  
LG  
005 003  
027  
011 003  
Candle  
005 011  
LXI  
007 010 019 020 025  
Carnivale  
Carver  
005  
Logik  
001  
010  
Luxman  
MGA  
011  
Celebrity  
Cineral  
050  
017 005 025 003  
030 014  
MTC  
012 005 003 011  
Citizen  
012 005 011 006 014  
Magnavox  
Magestic  
Marantz  
Matsushita  
Magatron  
Memorex  
010 005 026  
Concerto  
Contec  
011  
001  
027  
010 005  
Craig  
027  
042  
Crosley  
Crown  
010  
025 016  
027 006  
019 042 031 017 025 011  
Curtis Mathes  
007 010 019 008 030 041  
001  
012 005 016 011 001 006  
Midland  
Minutz  
Mitsubishi  
Motorola  
Multitech  
NAD  
007 002 008 006 015  
022 032 038 040  
004  
Daewoo  
Daytron  
Denon  
030 003 006 014 034 035  
041 017 025 003  
003  
041  
016  
027  
Dumont  
Dwin  
002 003  
020 025 022  
005 003 011  
014  
044 036  
NEC  
Electroband  
Emerson  
050  
NTC  
019 028 031 027 029 025  
Nikko  
005 025 014  
027  
003 026 006 024 034 035  
Onwa  
Envision  
Fisher  
Fujitsu  
Funai  
005  
Optimus  
Optonica  
Orion  
019 042 022  
041 021  
019  
026  
028 031 026  
008 042  
027 026 023  
Panasonic  
Penney  
Futuretech  
GE  
027  
007 020 008 012 005 025  
004 003 011 006 015 040  
010 031 005 016 003  
010  
007 008 030 041 029 025  
004 015 038 040  
002 005 003  
Pilco  
Gibralter  
Philips  
51  
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Vidtech  
Wards  
025 003  
010 021 005 025 004 003  
Pilot  
Pioneer  
005 003 006  
022  
026 011 001  
031 034 035  
005 003  
Portland  
Prism  
003 006 014  
White Westinghouse  
Yamaha  
008  
Proscan  
Proton  
Pulsar  
Quasar  
RCA  
007  
Zenith  
002 031 001 014  
025 032  
002 003  
008 042 021  
007 008 041 003 013 015  
VCR  
037 038 039 040  
Radio Shack  
Realistic  
007 019 021 027 005 025  
Admiral  
Adventura  
027 021  
000  
003 011 006  
019 021 027 005 025 003  
Aiko  
025  
011 006  
Aiwa  
005 000  
Runco  
SSS  
002 005 033  
Akai  
026  
027 003  
America Action  
America High  
Asha  
025  
Sampo  
Samsung  
Samsux  
Sansei  
Sansui  
Sanyo  
Scimitsu  
Scotch  
Scott  
005 006  
004  
012 005 025 003 011 045  
023  
006  
Audiovox  
Beaumark  
Bell & Howell  
Brocksonic  
Broksonic  
CCE  
005  
030  
023  
031  
017  
019  
021  
003  
020 018 021 001  
025  
015 025  
028 027 025 003 026  
Calix  
005  
Sears  
007 010 019 020 025 026  
Canon  
004  
011 006  
Carver  
081  
Semivox  
Semp  
027  
Cineral  
025  
020  
Citizen  
005 025  
Sharp  
041 021 006  
Colt  
015  
Sherwood  
Shogun  
000  
Craig  
005 012 023 015 024  
003  
Curtis Mathes  
Cybernex  
Daewoo  
Denon  
013 004 026 028  
Signature  
Sony  
001  
023  
050  
010 025  
Soundesign  
Squareview  
Starlite  
027 025 026  
008  
023  
Dynatech  
Electrohome  
Electrophonic  
Emerex  
Emerson  
000  
027  
005  
Supreme  
Sylvania  
Symphonic  
TMK  
050  
005  
010 005  
002  
023  
005 020 000 018 009 021  
025 011 024  
001 025  
Tandy  
041  
Fisher  
012 017  
Technics  
Technoi Ace  
Techwood  
Teknika  
008 042  
Fuji  
004 003  
026  
Funai  
000  
008 011  
GE  
013 004 027 023  
010 027 017 012 003 026  
Garrard  
Go Video  
GoldStar  
Gradiente  
HI-Q  
000  
011 001 006 014  
052  
Telefunken  
Toshiba  
011  
005 006  
000  
019 020 012  
Totevision  
Vector Research  
Victor  
006  
005  
009  
010  
012  
Harley Davidson  
Harman/Kardon  
Harwood  
000  
016 006  
015  
Vidikron  
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Realistic  
004 005 027 012 000 017  
011  
Headquarter  
Hitachi  
011  
000 008 026  
Runco  
STS  
007  
Hughes Net.Sys  
JVC  
008  
008  
014 026  
Samsung  
Sanky  
Sansui  
Sanyo  
Scott  
023 010 033  
Jensen  
KEC  
026  
027 007  
005 025  
000 014 021 026 024  
KLH  
015  
012 023 017 011  
Kenwood  
Kodak  
014 026 006  
020 010 018 009  
004 005  
Sears  
004 005 012 000 008 017  
LXI  
005  
011  
Lloyd’s  
000  
Semp  
010  
Logik  
015  
Sharp  
027  
MEI  
004  
Shintom  
Shogun  
Singer  
015  
MGA  
023 009  
023  
MGN Technology  
MTC  
023  
015  
023 000  
Sony  
004 002 000 003  
Magnasonic  
Magnavox  
Magnin  
Marantz  
Marta  
025  
Syvania  
Symphonic  
TMK  
004 016 000 009  
004 007 016 000 019  
000  
023  
023  
004 016  
Tatung  
026  
005  
Teac  
000 026  
Matsushita  
Memorex  
004 028 029  
Technics  
Teknika  
Thomas  
Toshiba  
Totevision  
Unitech  
Vector  
004 028  
004 005 027 007 012 023  
004 005 000  
000 017 021 011 031 032  
000  
Minolta  
Mitsubishi  
Motorola  
Multitech  
NEC  
008  
010 009  
027 014 009  
005 023  
004 027  
023  
000 015  
010  
017 014 026 006  
Vector Research  
Video Concepts  
Videosonic  
Wards  
006  
Nikko  
005  
010  
Noblex  
Olympus  
Opimus  
023  
023  
004  
013 004 027 012 016 023  
005 027 017 028 029 030  
000 008 015 019  
031 032  
White WestingHouse  
XR-100  
021 025  
Orion  
020 021 001  
004 000 015  
Panasonic  
Penny  
004 028 022 029 031  
Yamaha  
Zenith  
006  
004 005 023 008 006  
007 000 021 003  
Pentax  
Philco  
008  
Ameira High  
Brocksonic  
Colt  
004 (TV use 008)  
004 021  
001  
Philips  
Pilot  
004 016  
015  
005  
Cutis Mathes  
Daewoo  
Emerson  
Funai  
004 (TV use 008)  
Pioneer  
Profitronic  
Proscan  
Protec  
014  
025  
023  
001  
013  
000  
015  
GE  
004 (TV use 008) 013 (TV use 012)  
Pulsar  
007  
027 (TV use 041) 023  
Quarter  
Quartz  
Quasar  
RCA  
011  
Hitachi  
HQ  
004 (TV use 008) 000  
011  
000  
004 028 029 031  
Lloyds  
MGA  
000  
013 004 027 023 008 019  
023  
Radio Shack  
Radix  
000  
005  
005  
Megavox  
016 (TV use 010) 004 (TV use 008)  
000  
Randex  
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Magnin  
Memorex  
023  
005 028 (TV use 025)  
CBL  
Mitsubishi  
Orion  
027 (TV use 041)  
001  
ABC  
002 003 009 030  
007 006 008  
Panasonic  
Penney  
004 (TV use 008) 028 (TV use 042)  
Allegro  
018 021  
004 (TV use 008) 023  
Archer  
018 026  
028 (TV use 042)  
Bell&Howell  
Century  
Citizen  
009  
Quasar  
RCA  
004 (TV use 008) 028 (TV use 042)  
018  
013 (TV use 012) 004 (TV use 008)  
018 021  
027 (TV use 041)  
Comtronics  
Contec  
014  
Sansui  
Sanyo  
Sear  
000  
011  
023  
Easten  
001  
000 005  
027 (TV use 041)  
002 (TV use 000)  
000  
Emerson  
Everquest  
Focus  
026  
Sharp  
010 014  
Sony  
022  
Symphonic  
Zenith  
Garrard  
Gemini  
018  
000  
010  
General Instrument  
GoldStar  
Goodmind  
Hamlin  
033 276 006 034  
DVD  
017 040  
026  
012 020 004 013  
Harman/Kardon  
JVC  
009  
008  
Hitachi  
006  
Hytex  
007  
Kenwood  
Megavox  
Mitsubishi  
Onkyo  
005  
Jasco  
010 018 021  
011  
Jerrold  
002 007 033 032 009 010  
016  
006 034  
011  
Memolex  
Movie Time  
NSC  
000  
Panasonic  
Philips  
013  
015  
011 006  
015  
Pioneer  
Proscan  
RCA  
003 014 026  
Oak  
011  
002  
Optimus  
Panasonic  
Paragon  
Philips  
031  
002  
000 016 031  
000  
Samsung  
Sherwood  
017  
001 012 000 018 019  
018  
020 021 022 023 025  
Pioneer  
017 025  
Sony  
004  
Popular Mechanics 022  
Technics  
Theta Digital  
Toshiba  
Yamaha  
Zenith  
013  
Pulsar  
000  
014  
Quasar  
000  
011  
RCA  
031  
013 007  
011 010  
Radio Shack  
Recoton  
Regal  
010 021 026 028  
022  
012 020  
Regency  
Rembrandt  
Runco  
001  
006  
000  
SL Marx  
Smasung  
Scientific Atlanta  
Signal  
014  
017 014  
003 023 030 027  
010 014  
006  
Signature  
Sprucer  
031  
Starcom  
002 010  
54  
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Stargate  
Starquest  
010 014 026  
010  
AUX-LD  
TV86  
015  
Denon  
Mitsubishi  
007  
007  
Teleview  
Tocom  
014  
007 008  
000  
NAD  
007  
Toshiba  
Tusa  
Pioneer  
Sony  
007  
010  
017 018  
Unika  
018  
United Artists  
Universal  
Viewstar  
Zenith  
007  
153 019  
015  
AUX-TAPE  
000 024  
022  
Zentek  
Aiwa  
Carver  
004 034  
004  
Harman/Kardon  
JVC  
016 004  
022 024  
008  
SAT  
Kenwood  
Megavox  
Marantz  
Onkyo  
004  
AlphaStar  
Chaparral  
008  
001  
004  
Echostar  
Expreevu  
General Instrument  
HTS  
009  
012 025  
002 020  
038  
009  
Opimus  
Panasonic  
Pioneer  
Sansui  
016 015 018  
009  
002 020 011  
004  
Hitachi  
011  
Hughes Net.Sys  
JVC  
007  
Sony  
021 014 026  
038  
009  
Technics  
Victor  
Jerrold  
016 015  
024  
Megavox  
Memorex  
Next Level  
Panasonic  
Philips  
006 005  
Wards  
002  
006  
Yamaha  
010 009  
006  
017  
006 005  
AUX-AMP  
Primestar  
RCA  
016 015  
003 000 002 012  
Radio Shack  
Realistic  
Sony  
018  
Awia  
Carver  
029  
023  
014  
Curtis Mathes  
Denon  
027  
004  
037  
Star Choice  
Toshiba  
Uniden  
018  
Harman/Kardon  
Linn  
040  
010  
023  
006 005 014  
013  
Megavox  
Marantz  
Panasonic  
Philips  
023  
Zenith  
023  
039  
023 040  
003 027  
019 033  
039  
AUX-TAPE/MD  
Pioneer  
Sony  
Technics  
Wards  
Sherwood  
000 (for tape deck)  
035 (for MD recorder)  
003  
Yamaha  
028  
55  
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Kenwood  
Krell  
003 029 016 024 025  
010  
AUX-HOME AUTOMATION  
LXI  
035  
GE  
Lutron  
043  
044  
Linn  
010  
MCS  
002  
One For All  
Radio Shack  
Security System  
Universal X10  
X10  
042  
043  
042  
042  
042  
MTC  
019  
Megavox  
Marantz  
Mission  
NSM  
010 035  
002 010 013  
010  
010  
Nikko  
Onkyo  
Opimus  
033  
008 026  
001 004 012 035 029  
AUX-DBS  
019 009 021 020  
Panasonic  
Parasound  
Philips  
Pioneer  
Proton  
QED  
002 031  
Awia  
Fisher  
045 059 029  
005  
019  
010 023  
Harman/Kardon  
JBL  
046  
046  
047  
031  
006  
032  
045  
031  
004 035 021 017  
010  
JVC  
010  
Jerrold  
Quasar  
RCA  
002  
RCA  
012 035 006 036  
Scientific Artlanta  
Sony  
Realistic  
Rotel  
012 019 013  
010 019  
Starcom  
SAE  
010  
Sansui  
Sanyo  
Scott  
010 035  
012  
035  
AUX-ACCESSARY  
Sears  
035  
Sharp  
029 013 037  
Archer  
GC Electronics  
013  
013  
Sherwood  
013 027 038 039 040 041  
000  
Jebsee  
013  
036  
013  
Sony  
001 014 022  
Rabbit  
Soundesign  
Tascam  
Teac  
009  
Radio Shack  
019  
019 018 033 013  
002 031  
007  
Technics  
Victor  
CD  
Wards  
Yamaha  
Yorx  
010 006  
005 015  
032  
Awia  
Burmester  
010 030  
019  
California Audio Lab  
Carver  
002  
010 012 020  
001  
DKK  
Denon  
028 034  
035  
Emerson  
Fisher  
012 033  
019 018  
004 035  
010 011  
004  
Garrard  
Genexxa  
Harman/Kardon  
Hitachi  
JVC  
007  
56  
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Download from Www.Somanuals.com. All Manuals Search And Download.  

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