Owner’s Manual
Thank you, and congratulations on your choice of the Roland Digital Piano HP107.
Main Features
Piano Sounds with Rich Resonance and Wide-ranging Expressiveness
The stereo sampling piano sound generator realistically reproduces even the sound of the
hammers striking the strings, producing the tones of a high-quality concert grand piano.
Maximum polyphony of 128 notes ensures that you can use the pedal freely without running
out of notes.
This instrument is receptive to all the subtle nuances that a performer might use, and skillfully
reproduces them—whether it be slight variations in touch or the resonance in the strings when
the keys are released, or the type of resonance heard when the pedals are released (Piano
Resonance). In addition, this instrument features a “Grand Sound” speaker system, and
simulates the full, three-dimensional nature of a concert grand piano (Grand Space), which
together help to deliver a sound with even greater clarity and power (Dynamic Emphasis).
Pursuing the Playing Feel of a Grand Piano
This instrument features a progressive hammer action keyboard, which duplicates the touch
of a grand piano, with a heavier touch in the lower register, and a lighter touch in the upper
register. In addition, on the HP107, even the distinctive “click” that you feel when pressing a
key on a grand piano has been faithfully simulated (escapement mechanism).
The instrument features two kinds of key touch control; key response, which changes the
keys’ apparent weighting, and “hammer response function,” which reproduces the piano
hammers’ subtle movements. The pedal is designed for good-feeling response, and allows
subtle performance nuances to be expressed.
Before using this unit,
Expressiveness Only a Digital Instrument Can Provide
The HP107 lets you add just the right sounds to the piano for an effect that is full and rich.
You can layer different instrument sounds over the piano sound, layer sounds one octave
higher, and use a pedal to control the volume.
carefully read the sections
entitled: “USING THE
UNIT SAFELY” and
“IMPORTANT NOTES”
(p. 4; p. 6). These sections
provide important
Comfortable for Use with Headphones
Special effects applied to the sound when headphones are used make listening through
headphones comfortable, not fatiguing. And in addition to an indicator on the Front panel that
lights up when you connect a pair of headphones, the HP107 also provides a convenient hook
where you can keep your headphones when they’re not in use.
information concerning the
proper operation of the unit.
Additionally, in order to feel
assured that you have
gained a good grasp of every
feature provided by your
new unit, Owner’s manual
should be read in its
A Variety of Helpful Practice Features and Built-in Piano Songs
A metronome function and “two-track recorder,” the built-in songs for a collection of scores
(60 songs included), and other features let you experience piano lessons in ways possible only
with a digital piano.
entirety. The manual should
be saved and kept on hand
as a convenient reference.
Copyright © 2004 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in
any form without the written permission of ROLAND CORPORATION.
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions
Used for instructions intended to alert
the user to the risk of death or severe
injury should the unit be used
improperly.
or warnings.The specific meaning of the symbol is
determined by the design contained within the
triangle. In the case of the symbol at left, it is used for
general cautions, warnings, or alerts to danger.
Used for instructions intended to alert
the user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic
animals or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
008e
•
•
001 Before using this unit, make sure to read the
Use only the attached power-supply cord. Also,
the supplied power cord must not be used with
any other device.
instructions below, and the Owner’s Manual.
..........................................................................................................
..........................................................................................................
009 Do not excessively twist or bend the power cord,
002a
•
Do not open or perform any internal modifica-
tions on the unit.
•
nor place heavy objects on it. Doing so can
damage the cord, producing severed elements and
short circuits. Damaged cords are fire and shock
hazards!
..........................................................................................................
003 Do not attempt to repair the unit, or replace parts
•
within it (except when this manual provides
specific instructions directing you to do so). Refer
all servicing to your retailer, the nearest Roland
Service Center, or an authorized Roland
..........................................................................................................
•
010 This unit, either alone or in combination with an
amplifier and headphones or speakers, may be
capable of producing sound levels that could
cause permanent hearing loss. Do not operate for
a long period of time at a high volume level, or at
a level that is uncomfortable. If you experience
any hearing loss or ringing in the ears, you should
immediately stop using the unit, and consult an
audiologist.
distributor, as listed on the “Information” page.
..........................................................................................................
004 Never use or store the unit in places that are:
•
• Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or
are
..........................................................................................................
•
011 Do not allow any objects (e.g., flammable material,
• Damp (e.g., baths, washrooms, on wet floors);
or are
coins, pins); or liquids of any kind (water, soft
drinks, etc.) to penetrate the unit.
• Humid; or are
• Exposed to rain; or are
• Dusty; or are
..........................................................................................................
012a:
• Subject to high levels of vibration.
•
Immediately turn the power off, remove the
power cord from the outlet, and request servicing
by your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page when:
..........................................................................................................
005 This unit should be used only with a rack or stand
•
that is recommended by Roland.
..........................................................................................................
007 Make sure you always have the unit placed so it is
• The power-supply cord, or the plug has been
damaged; or
•
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
• If smoke or unusual odor occurs
• Objects have fallen into, or liquid has been
spilled onto the unit; or
..........................................................................................................
008a
• The unit has been exposed to rain (or otherwise
has become wet); or
• The unit does not appear to operate normally or
exhibits a marked change in performance.
•
The unit should be connected to a power supply
only of the type described in the operating instruc-
tions, or as marked on the bottom of unit.
..........................................................................................................
..........................................................................................................
3
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•
013 In households with small children, an adult
•
104 Try to prevent cords and cables from becoming
should provide supervision until the child is
capable of following all the rules essential for the
safe operation of the unit.
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
..........................................................................................................
106 Never climb on top of, nor place heavy objects on
..........................................................................................................
014 Protect the unit from strong impact.
•
•
the unit.
(Do not drop it!)
..........................................................................................................
107b
..........................................................................................................
015 Do not force the unit’s power-supply cord to share
•
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from,
an outlet or this unit.
•
an outlet with an unreasonable number of other
devices. Be especially careful when using
..........................................................................................................
108d: Selection
extension cords—the total power used by all
devices you have connected to the extension
cord’s outlet must never exceed the power rating
(watts/amperes) for the extension cord. Excessive
loads can cause the insulation on the cord to heat
up and eventually melt through.
•
If you need to move the instrument, take note of
the precautions listed below. At least two persons
are required to safely lift and move the unit. It
should be handled carefully, all the while keeping
it level. Make sure to have a firm grip, to protect
yourself from injury and the instrument from
damage.
..........................................................................................................
016 Before using the unit in a foreign country, consult
•
• Check to make sure the screws securing the unit
to the stand have not become loose. Fasten them
again securely whenever you notice any
loosening.
with your retailer, the nearest Roland Service
Center, or an authorized Roland distributor, as
listed on the “Information” page.
..........................................................................................................
023 DO NOT play a CD-ROM disc on a conventional
• Disconnect the power cord.
•
• Disconnect all cords coming from external
devices.
audio CD player. The resulting sound may be of a
level that could cause permanent hearing loss.
Damage to speakers or other system components
may result.
• Raise the adjusters on the stand (p. 14).
• Close the lid.
..........................................................................................................
• Fold down the music rest.
•
026 Do not put anything that contains water (e.g.,
..........................................................................................................
109a
flower vases) on this unit. Also, avoid the use of
insecticides, perfumes, alcohol, nail polish, spray
cans, etc., near the unit. Swiftly wipe away any
liquid that spills on the unit using a dry, soft cloth.
•
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet (p. 12).
..........................................................................................................
110a
•
..........................................................................................................
Whenever you suspect the possibility of lightning
in your area, pull the plug on the power cord out
of the outlet.
001-50
•
Connect mains plug of this model to a mains
socket outlet with a protective earthing
connection.
..........................................................................................................
•
116 Be careful when opening/closing the lid so you do
..........................................................................................................
not get your fingers pinched (p. 13). Adult super-
vision is recommended whenever small children
use the unit.
101a
..........................................................................................................
118 Should you remove the music rest’s attachment
•
The unit should be located so that its location or
position does not interfere with its proper venti-
lation.
•
screws, screws of stand, and wing nut, make sure
to put them in a safe place out of children’s reach,
so there is no chance of them being swallowed
accidentally.
..........................................................................................................
102b
•
Always grasp only the plug on the power-supply
cord when plugging into, or unplugging from, an
outlet or this unit.
..........................................................................................................
..........................................................................................................
103a:
•
At regular intervals, you should unplug the power
plug and clean it by using a dry cloth to wipe all
dust and other accumulations away from its
prongs. Also, disconnect the power plug from the
power outlet whenever the unit is to remain
unused for an extended period of time. Any
accumulation of dust between the power plug and
the power outlet can result in poor insulation and
lead to fire.
..........................................................................................................
4
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IMPORTANT NOTES
291b
In addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 3,
4 and 5, please read and observe the following:
356
Power Supply
• Do not allow rubber, vinyl, or similar materials to remain
on the unit for long periods of time. Such objects can
discolor or otherwise harmfully affect the finish.
301
• Do not connect this unit to same electrical outlet that is
being used by an electrical appliance that is controlled by
an inverter (such as a refrigerator, washing machine,
microwave oven, or air conditioner), or that contains a
motor. Depending on the way in which the electrical
appliance is used, power supply noise may cause this unit
to malfunction or may produce audible noise. If it is not
practical to use a separate electrical outlet, connect a power
supply noise filter between this unit and the electrical
358
• Do not allow objects to remain on top of the keyboard. This
can be the cause of malfunction, such as keys ceasing to
produce sound.
359
• Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
outlet.
307
Maintenance
• To clean the unit, use a dry, soft cloth; or one that is
• Before connecting this unit to other devices, turn off the
401b
power to all units. This will help prevent malfunctions
and/or damage to speakers or other devices.
slightly dampened. Try to wipe the entire surface using an
equal amount of strength, moving the cloth along with the
grain of the wood. Rubbing too hard in the same area can
308
• Although the LCD and LEDs are switched off when the
POWER switch is switched off, this does not mean that the
unit has been completely disconnected from the source of
power. If you need to turn off the power completely, first
turn off the POWER switch, then unplug the power cord
from the power outlet. For this reason, the outlet into
which you choose to connect the power cord’s plug should
be one that is within easy reach and readily accessible.
damage the finish.
402
• Never use benzine, thinners, alcohol or solvents of any
kind, to avoid the possibility of discoloration and/or
deformation.
• The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural
oxidization process. If the brass becomes tarnished, polish
it using commercially available metal polisher.
Placement
351
• Using the unit near power amplifiers (or other equipment
Repairs and Data
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
452
move it farther away from the source of interference.
• Please be aware that all data contained in the unit’s
352a
memory may be lost when the unit is sent for repairs.
Important data should always be backed up in another
MIDI device (e.g., a sequencer), or written down on paper
(when possible). During repairs, due care is taken to avoid
the loss of data. However, in certain cases (such as when
circuitry related to memory itself is out of order), we regret
that it may not be possible to restore the data, and Roland
assumes no liability concerning such loss of data.
• This device may interfere with radio and television
reception. Do not use this device in the vicinity of such
receivers.
352b
• Noise may be produced if wireless communications
devices, such as cell phones, are operated in the vicinity of
this unit. Such noise could occur when receiving or initi-
ating a call, or while conversing. Should you experience
such problems, you should relocate such wireless devices
so they are at a greater distance from this unit, or switch
Additional Precautions
• Please be aware that the contents of memory can be
them off.
354b
551
• Do not expose the unit to direct sunlight, place it near
devices that radiate heat, leave it inside an enclosed
vehicle, or otherwise subject it to temperature extremes.
Also, do not allow lighting devices that normally are used
while their light source is very close to the unit (such as a
piano light), or powerful spotlights to shine upon the same
area of the unit for extended periods of time. Excessive
irretrievably lost as a result of a malfunction, or the
improper operation of the unit. To protect yourself against
the risk of loosing important data, we recommend that you
periodically save a backup copy of important data you
have stored in the unit’s memory in another MIDI device
(e.g., a sequencer).
heat can deform or discolor the unit.
552
• Unfortunately, it may be impossible to restore the contents
355b
• When moved from one location to another where the
of data that was stored in the unit’s memory and another
MIDI device (e.g., a sequencer) once it has been lost.
Roland Corporation assumes no liability concerning such
temperature and/or humidity is very different, water
droplets (condensation) may form inside the unit. Damage
or malfunction may result if you attempt to use the unit in
this condition. Therefore, before using the unit, you must
allow it to stand for several hours, until the condensation
has completely evaporated.
loss of data.
553
• Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
5
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IMPORTANT NOTES
556
• When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you
will avoid causing shorts, or damage to the cable’s
internal elements.
557
• A small amount of heat will radiate from the unit during
normal operation.
558a
• To avoid disturbing your neighbors, try to keep the unit’s
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about
those around you (especially when it is late at night).
559b
• When you need to transport the unit, pack it in shock-
absorbent material. Transporting the unit without doing
so can cause it to become scratched or damaged, and
could lead to malfunction.
560
• Do not apply undue force to the music rest while it is in
use.
562
• Use a cable from Roland to make the connection. If using
some other make of connection cable, please note the
following precautions.
• Some connection cables contain resistors. Do not use
cables that incorporate resistors for connecting to this
unit. The use of such cables can cause the sound level
to be extremely low, or impossible to hear. For infor-
mation on cable specifications, contact the manufac-
turer of the cable.
5•65Before opening or closing the keyboard lid, always make sure that
no pets or other small animals are located on top of the
instrument (in particular, they should be kept away from the
keyboard and its lid). Otherwise, due to the structural design of
this instrument, small pets or other animals could end up getting
trapped inside it. If such a situation is encountered, you must
immediately switch off the power and disconnect the power cord
from the outlet. You should then consult with the retailer from
whom the instrument was purchased, or contact the nearest
Roland Service Center.
Handling CD-ROMs
801
• Avoid touching or scratching the shiny underside
(encoded surface) of the disc. Damaged or dirty CD-ROM
discs may not be read properly. Keep your discs clean
using a commercially available CD cleaner.
6
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(Acoustic Layering)..........................................................................28
Changing the Volume Balance When Performing with
Front Panel ........................................................................................10
Rear Panel..........................................................................................11
Bottom Panel.....................................................................................11
Opening/Closing the Lid ...............................................................13
Notes regarding recording.......................................................36
Erasing a performance from the specified track...................40
Erasing a song............................................................................40
Chapter 1. Enjoying the Built-in Songs.................15
Listening to Built-in Songs..............................................................15
Listening to the Demo Songs..........................................................16
Changing the Pitch by Octaves (Octave Shift)......................43
area..............................................................................................43
Chapter 2. Performance..........................................18
Performing with a Variety of Sounds ...........................................18
Making Fine Adjustments to the Piano Sound
Playing Sounds When the Keys Are Released (Key Off) ....19
Producing the Resonance of the Strings When the Keys
Having Resonance Played When You Press the Damper
(Factory Reset) ..................................................................................44
Off (Memory Backup)......................................................................45
(Grand Space) ...................................................................................24
Adding Liveliness to the Sound (Dynamic Emphasis)...............25
Applying Effects to the Sound .......................................................26
Adding reverberation to the sound (Reverb)........................26
Adding richness to the sound (Chorus).................................26
Changing the amount of effect applied .................................26
Transposing the Key of the Keyboard (Transpose).....................27
Using the V-LINK function.............................................................46
Making the Settings for the USB Driver ................................46
Chapter 6. Connecting External Devices............. 47
Connecting to Audio Equipment...................................................47
Connecting to the USB Connector .................................................47
Connecting MIDI Devices...............................................................48
7
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Contents
Tone List ............................................................................................52
Built-in Song List..............................................................................53
Easy Operation List..........................................................................55
Parameters Stored in Memory Backup .........................................56
MIDI Implementation Chart...........................................................57
Main Specifications..........................................................................58
Index.........................................................................59
8
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MEMO
9
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Panel Descriptions
Front Panel
18
20
21 22
23 24
6 7 8
12 13 14
17
19
15
4 5
2
3
9 10 11
25 26 27
16
Power On 1
1
[Power On] switch
16 Tone buttons
Turns the power on/off (p. 14).
by the keyboard (p. 18).
2
3
4
[Volume] knob
Adjusts the overall volume level (p. 14).
17 Display
The display indicates values for various settings, including the
tone variation, song number, and tempo. Usually these will
appear as in the figure above.
[Brilliance] knob
Adjusts the tone brightness (p. 14).
[Demo] button
You can listen to a demo of the instrument’s tones as well as a
18 [Song/Tempo] Button
Used to select from the built-in songs (p. 15, p. 34).
Furthermore, you can press this button to alternately display
the tempo and the currently selected song number (indicated by
demo of the various functions (p. 16).
5
[
(Headphones)] indicator
This indicator lights up when headphones are connected to the
headphone jack (p. 13).
19 [-] [+] buttons
6
7
[Transpose] button
Transposes the pitch of the keyboard (p. 27).
Allow you to select the value of various settings.
Pressing both the [-] and [+] buttons simultaneously returns the
setting of a particular item or function to its original value.
[Split] button
allowing you to play a different sound in each area (p. 30). You
can also set a number of different functions when this button
and the [Chorus] button are held down (p. 41–p. 46, p. 48–p. 49).
20 [Metronome/Count In] Button
Turns the metronome on/off (p. 32). Also featured is the count-
in sound, which can be played before the song starts, allowing
you to begin playing with the song with perfect timing (p. 34).
8
9
[Chorus] button
Adds richness to the sound (p. 26).
Track
[Grand Space] button
Adds a sense of depth to the sound (p. 23, p. 24).
21 [Left] button
10 [Dynamic Emphasis] button
The left-hand performances of the built-in songs are assigned to
this button. This button and the following [Right] button are
collectively referred to as the “track buttons.”
Creates brilliance and liveliness in the sound (p. 25).
11 [Reverb] button
22 [Right] button
Piano Resonance
(p. 35, p. 38–p. 40).
12 [Key Off] button
The right-hand performances of the built-in songs are assigned
to this button.
Plays the sound produced when the keys are released (p. 19).
13 [String] button
23 [Play] button
keyboard (p. 19).
Starts and stops playback of built-in songs and recorded
14 [Damper] button
performances (p. 15, p. 34).
Changes the resonance produced when the damper pedal is
Also starts/stops recording of a performance (p. 37–p. 39).
pressed (p. 20).
24 [Rec] button
15 [Acoustic Layering] button
Puts the HP107 in recording-standby mode (p. 36–p. 40).
You can layer and play recommended tones that complement
the piano’s own sound (p. 28).
10
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Panel Descriptions
Key Touch
27 [Center Pedal] button
Switches the center pedal function (p. 31).
25 [Touch] button
Modifies the playing feel of the keyboard (p. 21).
26 [Hammer] button
Adjusts how variations in your keyboard playing strength will
modify the timing at which notes are sounded (p. 22).
Front Panel
Rear Panel
Bottom Panel
Rear Panel
28 Pedal connector
Connect the pedal cable of the special stand to this connector
(p. 12).
28 29 30
29 Input jacks
device or an audio device, so that the sound of that device will
be output from the HP107’s speakers (p. 47).
30 Output jacks
Allows you to output the piano’s sound to sound reinforcement
equipment to obtain a more powerful sound. These can also be
a performance (p. 47).
Bottom Panel
31 Phones jacks
A set of headphones can be connected here (p. 13).
32 MIDI Out/In connectors
Connect to external MIDI devices to exchange performance data
(p. 48).
31
32
33
33 USB connector
You can connect a computer and exchange performance data
between the instrument and the computer (p. 47).
11
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Before You Start Playing
Connecting the Pedal Cord
Connect the Power Cord
Insert the pedal cord into the Pedal connector on the
1. Insert the included power cord into the AC inlet on the
rear panel of the HP107.
bottom panel of the HP107.
fig.00-01
2. Plug the power cord into a power outlet.
NOTE
Use only the attached power-supply cord.
fig.00-02
Connecting the Speaker
Cable
Setting Up the Music Rest
As shown in the diagram, connect the speaker cable
leading from the speaker box of the stand to the
speaker connector located on the rear bottom of the
HP107.
1. Grasping the music rest with both hands, lift it toward
you until its in the upright position.
2. Use the support on the back of the music rest to keep
Push the speaker cable in until it clicks into position.
the stand in place.
The angle of the music rest can be set to any of three
positions.
fig.mu_stand
1
2
Speaker connector
Clip portion
Speaker cable
NOTE
Do not put anything that contains water (e.g., flower vases) on
this unit. Also, avoid the use of insecticides, perfumes, alcohol,
nail polish, spray cans, etc., near the unit.
■ Folding down the music rest
The speakers of this piano are mounted beneath the upper
surface, and face upwards. Malfunctions or accidents may occur
if liquids contact any part of the speakers.
Raise the support located on the back of the music rest,
then gently fold down the music rest.
■ Using the music holders
Speakers
You can use the holders to hold pages in place.
When not using the holders, leave them folded down.
fig.mu_stand4
12
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Before You Start Playing
fig.00-04.e
■ Removing the music rest
Phones jack x 2
You can remove the music rest from the piano.
This allows you to place a notebook computer on the piano.
Position the music rest so it’s upright, then remove the
three screws, as shown.
You can remove the screws using a coin.
fig.mu_stand3
When headphones are connected, the [ (Headphones)]
indicator (p. 10) lights up, and sounds stop playing from
the speakers of the HP107.
The headphone volume is adjusted by the [Volume]
knob (p. 14) of the HP107.
NOTE
NOTE
Be careful not to lose the screws that you removed from the
music rest, or put them where they might be swallowed by
small children.
Use Stereo headphones.
Make sure to use only Roland headphones. Headphones from
other manufacturers may be unable to provide sufficient
volume.
Some notes on using headphones
Opening/Closing the Lid
•
To prevent damage to the cord, handle the headphones only by
the headset or the plug.
To open the lid, use both hands to lift it lightly, and
slide it away from yourself.
•
Connecting the headphones when the volume of connected
equipment is turned up may result in damage to the
headphones. Lower the volume on the HP107 before plugging
in the headphones.
To close the lid, pull it gently toward yourself, and
lower it softly after it has been fully extended.
fig.00-05
•
Listening at excessively high volume levels will not only
damage the headphones, but may also cause hearing loss. Use
the headphones at a moderate volume level.
■ Using the headphones hook
NOTE
Whenever you are not using the headphones, you can hang
them on the headphone hook at the lower left of the HP107.
When opening and closing the lid, be careful not to let your
fingers get caught. If small children will be using the HP107,
adult supervision should be provided.
Attaching the Headphone Hook
Press and twist the headphone hook included with the
HP107 into the hole in the bottom of the HP107 (refer to the
figure below). Turn the wing nut of headphone hook to
secure the headphone hook.
NOTE
If you need to move the piano, make sure the lid is closed first
to prevent accidents.
Connecting Headphones
The HP107 has two jacks for plugging in headphones. This
allows two people to listen through headphones
simultaneously, making it very useful for lessons and when
performing piano pieces for four hands. Additionally, this
allows you to play without having to worry about bothering
others around you, even at night.
Wing Nut
Headphone Hook
Plug the headphones into the Phones jacks located at
the bottom left of the piano.
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Before You Start Playing
Turning the Power On and
Off
About the Pedals
The pedals have the following functions, and are used
mainly for piano performance.
fig.00-08.e
NOTE
Turn on power to your various devices in the order
specified. By turning on devices in the wrong order, you
risk causing malfunction and/or damage to speakers
and other devices.
Soft Pedal
Damper Pedal
To turn the power on, turn the [Volume] knob all the
way down, and then press the [Power On] switch.
Sostenuto Pedal
Damper pedal (right pedal)
While this pedal is pressed, notes will be sustained even after
The power will turn on, and the Power indicator at the
left front of the HP107 will light.
you take your fingers off the keys.
The length of sustain will change subtly depending on how
deeply you press the pedal.
After a few seconds, you will be able to play the
keyboard to produce sound.
On an acoustic piano, holding down the damper pedal will
sounds that you played from the keyboard, adding a rich
resonance.
Use the [Volume] knob to adjust the volume.
*
This unit is equipped with a protection circuit. A brief interval
(a few seconds) after power up is required before the unit will
operate normally.
The HP107 simulates this damper resonance.
fig.00-06.e
Power On
You can change the amount of resonance applied with
Sostenuto pedal (center pedal)
This pedal sustains only the sounds of the keys that were
already played when you pressed the pedal.
Power Indicator
way to the left, and press the [Power On] switch.
You can switch the function of the sostenuto pedal (p.
31).
The Power indicator at the left front of the HP107 will go
dark, and the power will be turned off.
Soft pedal (left pedal)
When you hold down this pedal and play the keyboard, the
sound will have a softer tone.
*
If you need to turn off the power completely, first turn off the
[POWER] switch, then unplug the power cord from the power
outlet. Refer to “Power Supply” (p. 5).
The softness of the tone can be varied subtly by the depth to
which you press the pedal.
About the adjuster
Be sure to use the adjusters underneath the pedals whenever
the instrument is moved or when the pedals appear to be
unstable.
f
Adjusting the Sound’s
Volume and Brilliance
❍
Rotate the adjuster to lower it so that it is in firm contact
with the floor. If there is a gap between the pedals and
the floor, the pedals may be damaged. In particular
when placing the instrument on carpet, adjust this so
that the pedals firmly contact the floor.
Turn the [Volume] knob to adjust the overall volume.
Turn the [Brilliance] knob to adjust the brightness of
the sound.
fig.00-09.j
fig.00-07.e
Min
Max
Mellow
Bright
Adjuster
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Chapter 1. Enjoying the Built-in Songs
Listening to Built-in Songs
The HP107 comes with 68 piano songs onboard.
“Chapter 3. Playing Along
with the Built-in Songs” (p.
34), “Tone List” (p. 52)
■ Playing back all songs continuously (All Song Play)
The built-in songs can be played back consecutively.
fig.panel1-1
12
1
Hold down the [Song/Tempo] button, and press the [Play] button.
The [Song/Tempo] button’s indicator will light, the [Play] button’s indicator will
blink, and the songs will play back successively, starting with the currently selected
song.
The song number appears in the display for several seconds.
You can press the [-] or [+] button to select the song that you want to play back.
When all songs have been played, playback will return to the first song and resume.
Stopping the playback
2
Press the [Play] button.
Playback will stop.
■ Selecting a song and playing it
fig.panel1-2
3, 4
2
1
Choosing the song to play back
built-in songs
USr (user) … The location
where you can record your
performance. (For details on
recording → p. 37)
1
Press the [Song/Tempo] button, getting its indicator to light in red.
The song number appears in the display for several seconds.
fig.disp-USr
S.1–S.68 … Built-in songs
S. U … Song saved with Song
Backup (p. 45)
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Chapter 1. Enjoying the Built-in Songs
2
Press the [-] or [+] button to select a song.
Select backed up songs with
the following procedure.
Holding down the button causes the numbers to change continuously.
Playing back
Press the [Play] button.
1 Simultaneouslypressthe
[-] and [+] buttons so that
“USr” appears in the
display.
3
The button’s indicator will light, and the selected song will play.
Stopping the playback
4
Press the [Play] button.
2 Press the [-] button so
that “S. U” is displayed.
The button’s indicator goes out, and playback stops.
The next time you press the [Play] button, the song that was stopped is played from
the beginning.
Listening to the Demo Songs
You can listen to various demo songs, including those demonstrating the piano and
other tones, as well as the function applied to the piano tones.
■ Playing Back the Tone Demo Songs
1
Press the [Demo] button.
The button’s indicator flashes, and playback of the tone demo songs starts.
When playback of the last song is finished, playback then returns to the first song.
When you press any of the tone buttons while the [Demo] button is flashing, the
demo song corresponding to that tone button is played.
Button assigned
Demo content
tone demo
[Piano]
Piano tone demo songs
[E. Piano]
[Harpsichord]
[Organ]
E. Piano tone demo songs
Harpsichord tone demo songs
Organ tone demo songs
[Strings]
Strings tone demo songs
[Acoustic Layering]
[Split]
Demo songs using the Acoustic Layering function (p. 28)
Demo songs using the Split function (p. 30)
Stopping the Tone Demo Songs
2
Press the [Demo] button.
The [Demo] button’s indicator goes off, and the demo quits.
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Chapter 1. Enjoying the Built-in Songs
■ Listening to a Demo of the Functions
You can listen to the demo of the functions that can be applied to the piano tones.
1
2
Press the [Demo] button.
The button’s indicator flashes, and playback of the tone demo songs starts.
Press any of the following buttons.
Button assigned function
demo
Demo content
Grand Space demo
Page
[Grand Space]
p. 23
p. 25
p. 19
p. 19
p. 20
p. 22
[Dynamic Emphasis]
Piano Resonance [Key Off]
Piano Resonance [String]
Piano Resonance [Damper]
Key Touch [Hammer]
Dynamic Emphasis demo
Key off demo
String Resonance demo
Damper Resonance demo
Hammer Response demo
When a button is pressed, the demo assigned to the button is played.
When you press the button
pressed in Step 2, you can
switch between demos both
with the function switched on
and off.
Two versions of the demo will be played—one includes the function provided by the
button you’ve pressed, the other doesn’t.
About the Hammer Response Function Demo
The performance stops when the Hammer Response function demo is selected.
Hammer Response is alternately switched on and off each time you press the Key
Touch [Hammer] button.
The Hammer Response
function demo makes it easy to
hear how the sound will be
with the function both on and
off.
Try playing the keyboard and see how the Hammer Response function feels.
When Hammer Response is switched on, the sounds are expressed more slowly as
you play the keys with greater force.
Stopping the Demo of the Functions
3
Press the [Demo] button.
The [Demo] button’s indicator goes off, and the demo quits.
17
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Chapter 2. Performance
Performing with a Variety of Sounds
The HP107 contains 36 different built-in tones. The tones are organized into five tone
groups, which are assigned to the Tone buttons.
fig.panel2-1
1
2
Selecting a tone group
Press any Tone button.
For more details, refer to
“Tone List” (p. 52).
1
The indicator of the button you pressed will light.
When you play the keyboard, you will hear a sound in the selected tone group.
Selecting variation tones
2
Press the [-] or [+] button.
The song number appears in the display for several seconds.
The tone you’ve selected is heard when you finger the keyboard.
18
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Chapter 2. Performance
Making Fine Adjustments to the Piano
Sound (Piano Resonance)
You can make fine adjustments to the sound of the piano as desired.
fig.panel2-8
■ Playing Sounds When the Keys Are Released
(Key Off)
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
You can play the “key off” sound (the subtle sound produced when the keys are
released) obtained when playing an acoustic piano.
1
Press the Piano Resonance [Key Off] button, getting its indicator to light.
A distinctive sound results when you release the keys.
Press the Piano Resonance [Key Off] button once more, causing the button’s
indicator to go off, and the effect is cancelled.
For more about the tones with
which this setting is enabled,
refer to the “Tone List” (p. 52).
Adjusting the Volume of the Key Off Sound
2
Hold down the Piano Resonance [Key Off] button and press the [-] or [+]
button.
You can set the volume of the sound heard when the keys are released to any of ten
different levels.
The volume increases as the value is raised.
■ Producing the Resonance of the Strings When
the Keys Are Played (String Resonance)
NOTE
When you play the keys on an acoustic piano, the strings that are already playing
resonate as well. The function that reproduces this effect is called “String
Resonance.”
This setting is enabled only
with the piano tones. You
1
Press the Piano Resonance [Sting] button, getting its indicator to light.
The String Resonance function is switched on.
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
Press the Piano Resonance [String] button once more, causing the button’s indicator
to go off, and the effect is cancelled.
Adjusting the Depth of the Resonance
2
Hold down the Piano Resonance [String] button and press the [-] or [+]
button.
You can adjust the resonance depth (the volume of the resonance) to any of ten
levels.
More resonance effect is applied as the value is increased.
19
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Chapter 2. Performance
■ Having Resonance Played When You Press the
Damper Pedal (Damper Resonance)
You can change the volume of the damper pedal resonance.
NOTE
This setting is enabled only
with the piano tones. You
cannot set this for other tones.
On an acoustic piano, depressing the damper pedal makes the notes you play
resonate with other strings, adding rich reverberations and fatness to the sound. The
damper pedal on the HP107 recreates this resonance (damper resonance) when
depressed.
1
Hold down the Piano Resonance [Damper] button, getting its indicator to
light.
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
The Damper Resonance function is switched on.
Press the Piano Resonance [Damper] button once more, causing the button’s
indicator to go off, and the effect is cancelled.
Adjusting the Depth of the Resonance
2
Hold down the Piano Resonance [Damper] button, and press the [-] or [+]
button.
You can select from ten levels of depth for the resonant sound (resonance level).
Larger values will produce a deeper effect.
20
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Chapter 2. Performance
Adjusting the Keyboard Touch
(Key Touch)
You can adjust the touch (playing feel) of the keyboard.
fig.panel2-7
1
1
Press the Key Touch [Touch] button.
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
Each time you press the Key Touch [Touch] button, the indicator that is lit switches,
and the touch changes.
Indicator
Settings
Fortissimo (ff) can be produced by playing less
strongly than usual, making the keyboard feel
lighter. This setting makes it easy to play, even
for children.
“Light” Lit
Light
This allows you to play using the most natural
touch. This is the closest to the touch of an
acoustic piano.
“Medium” Lit
“Heavy” Lit
Medium
Fortissimo (ff) cannot be produced unless you
play more strongly than usual, making the
keyboard feel heavier. Dynamic fingering adds
even more feeling to what you play.
Heavy
Fixed
All Indicators
Off
Sounds at a fixed volume, regardless of your
keyboard playing strength.
21
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Chapter 2. Performance
■ Changing the Timing of Sounds According to the
Force Used to Press the Keys
(Hammer Response)
This adjusts how your playing strength will affect the timing at which the note
sounds. This is called the “Hammer Response” function.
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
On an acoustic piano, pressing a key moves a hammer, which strikes a string to
produce sound. If you press the key softly, the hammer will move slowly, meaning
that it will take slightly longer (in comparison to a strongly-played note) from the
moment you press the key until the sound is produced.
If the Hammer Response function is turned on, the time between the moment you
press a key until the sound is heard will change depending on the strength with
which you play. As you play more softly, this time will become longer.
fig.panel2-7
1
1
Press the Key Touch [Hammer] button to get the appropriate indicator to
light.
Indicator
“Light” Lit
Setting
The response is faster when the keys are pressed gently.
The regular timing is used when the keys are pressed gently.
“Medium” Lit
The timing of the sounds is delayed when the keys are
pressed gently.
“Heavy” Lit
The Hammer Response function is cancelled.
The sound is played immediately, regardless of the force with
which the keys are played (velocity).
All Indicators
Off
22
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Chapter 2. Performance
Adding a Sense of Depth to the Sound
(Grand Space)
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
The HP107 includes a “Grand Space” function that allows you to get sounds that
have a sense of depth like you get by playing an acoustic piano. Using this function
gives you the natural-sounding reverberation and breadth of sound that an acoustic
piano provides.
fig.panel2-8
1
2
1
Press the [Grand Space] button, getting its indicator to light.
The Grand Space function is switched on, giving the sound a greater sense of depth.
When Grand Space Mode (p.
43) is set to “1” and a pair of
headphones is connected, the
sense of depth is optimized for
headphones, and when no
headphones are connected, the
optimal depth for speakers is
selected.
To cancel the Grand Space function, press the [Grand Space] button once more so its
illumination is turned off.
Changing the Grand Space Settings
2
Hold down the [Grand Space] button, and press the [-] or [+] button.
You can adjust the sense of depth to any of four levels.
A greater sense of depth is produced as the value is increased.
23
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Chapter 2. Performance
Adding the Right Sense of Depth for
Headphones (Grand Space)
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
You can achieve the kind of sonic depth produced with a grand piano through
headphones as well. Using this function provides you with the natural reverberation
and breadth in the sound provided by an acoustic piano.
fig.panel2-8
1
2
1
Press the [Grand Space] button, getting its indicator to light.
The Grand Space function is switched on, giving the sound a greater sense of depth.
When Grand Space Mode (p.
43) is set to “1” and a pair of
headphones is connected, the
sense of depth is optimized for
headphones, and when no
headphones are connected, the
optimal depth for speakers is
selected.
To cancel the Grand Space function, press the [Grand Space] button once more so its
illumination is turned off.
Changing the Grand Space Settings
2
Hold down the [Grand Space] button, and press the [-] or [+] button.
You can adjust the sense of depth to any of four levels.
A greater sense of depth is produced as the value is increased.
The [
(Headphones)]
indicator lights up when
headphones are connected.
24
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Adding Liveliness to the Sound
(Dynamic Emphasis)
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
You can add liveliness to the sound to give it superb clarity and distinctness.
fig.panel2-8
1
2
1
Press the [Dynamic Emphasis] button, getting its indicator to light.
The Dynamic Emphasis function is switched on, enlivening the sound.
To cancel the Dynamic Emphasis function, press the [Dynamic Emphasis] button
once more so its illumination is turned off.
Changing the Dynamic Emphasis Settings
2
Hold down the [Dynamic Emphasis] button, and press the [-] or [+]
button.
Indicator
Description
1
2
3
Creates a sound with boosted bass and treble.
Produces a sound with chords in the low registers that are
clear and distinct.
Creates a sound with boosted bass.
25
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Chapter 2. Performance
Applying Effects to the Sound
fig.panel2-5
■ Adding reverberation to the sound (Reverb)
You can save the reverb on/off
setting as well as the setting for
the amount of reverb applied
in the HP107’s memory using
the Memory Backup function
(p. 45).
By applying the reverb effect you can produce a pleasant reverberation, making it
sound as though you were performing in a concert hall.
1
Press the [Reverb] button.
The button’s indicator will light, and a reverb effect will be applied to the sound.
To cancel the reverb effect, press the [Reverb] button, getting its indicator to go dark.
■ Adding richness to the sound (Chorus)
You can save separate chorus
effect on/off settings to each
tone individually. The original
settings are restored when the
power is turned off.
By adding the chorus effect, you can give the sound greater dimension, with more
fatness and breadth.
1
Press the [Chorus] button.
The button’s indicator will light, and a chorus effect will be applied to the sound.
To cancel the chorus effect, press the [Chorus] button, getting its indicator to go dark.
■ Changing the amount of effect applied
The amount (depth) of the reverb and chorus effects can be set to any of ten levels.
With the factory settings, the
reverb and chorus are set to
“5.”
Changing the depth of the reverb effect
1
Hold down the [Reverb] button and press the [-] or [+] button.
The currently specified value will be displayed.
Higher values will produce a deeper effect.
NOTE
Changing the depth of the chorus effect
You cannot save separate
reverb settings to each tone
individually.
1
Hold down the [Chorus] button and press the [-] or [+] button.
The currently specified value will be displayed.
Higher values will produce a deeper effect.
26
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Chapter 2. Performance
Transposing the Key of the Keyboard
(Transpose)
By using the “Transpose function,” you can transpose your performance without
changing the notes you play. For example, even if the song is in a difficult key with
numerous sharps ( ) or flats ( ), you can transpose it to a key that is easier for you
to play.
When accompanying a vocalist, you can easily transpose the pitch to a range that is
comfortable for the singer, while still playing the notes as written (i.e., with the same
fingering positions).
fig.panel2-6
1
1
Continue to hold down the [Transpose] button, and press a note to
indicate the tonic of the key to which you want to transpose.
The button’s indicator will light, and the keyboard will be transposed.
When you hold down the
[Transpose] button, the
currently specified value will
You can also transpose by holding down the [Transpose] button and pressing the [-
] or [+] button.
be displayed.
If you hold down the [Transpose] button and press the [-] and [+] buttons
simultaneously, the setting will return to the original value (0).
This can be set in a range of -6–0–5 (semitone steps).
For example, if you want the E pitch to sound when you play the C key, hold down
the [Transpose] button and press the E key.
Counting from C as a reference point, one moves up four keys, including the black
keys, to reach E, thus “4” appears in the display.
fig.trans.e
If you play C E G
It will sound E G#
B
When the transpose value is set to “0,” the button’s indicator will remain dark even
if you press the [Transpose] button.
To cancel the transpose function, press the [Transpose] button, extinguishing its
indicator.
This setting returns to the
original value (0) when you
turn off the power.
When you press the [Transpose] button once again, getting its indicator to light, the
keyboard will be transposed to the note you specified here.
27
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Chapter 2. Performance
Layering Complementary Sounds with
the Piano Tones (Acoustic Layering)
With the HP107, you can easily select the perfect tones to complement the piano tone
and play together with the piano tone. This feature is called the “Acoustic Layering
function.”
You can change the pitch of the
Layer tone in octave steps (p.
43).
1 2
First have a piano tone selected (p. 18).
When you want to layer
sounds to tones other than the
piano tone, press the tone
button, then select the tone to
be used as the basis.
1
Press the [Acoustic Layering] button, getting its indicator to light.
When you play the keyboard, the piano tone and the tone complementing it are
layered and played together.
Selecting the Tone to Be Layered with the Piano Tone
2
Use the [-] and [+] buttons to select the layered tone.
The song number appears in the display for several seconds.
When “Layer” is selected as
the center pedal setting, the
Acoustic Layering function is
switched on automatically (p.
28). In this case, you can adjust
the volume of the tone layered
with the piano tone with the
pedal.
The number for the tone layered with the piano tone (the layer tone) has “L.”
appended to it.
When you play the keyboard, the piano tone and the tone you have selected are
layered and played together.
■ Changing the Volume Balance When Performing
with Acoustic Layering
You can adjust the balance in volume between the two selected tones when
performing with Acoustic Layering.
When the volume balance is
changed with Acoustic
Layering in effect, the Dual
Balance also changes to the
same volume balance settings
(p. 29).
1
Hold down the [Acoustic Layering] button and press the [-] or [+] button.
The volume balance changes.
To return to the original volume balance, press the [-] and [+] buttons
simultaneously.
fig.disp-dualbal.e
Volume of the Piano tone
Volume of Layer Tone
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Chapter 2. Performance
Playing Two Sounds Together
(Dual Performance)
Simultaneously playing two tones when one key is pressed is called “Dual
performance.” You can select the tone you want to have layered by pressing the
corresponding tone button.
1
Simultaneously press the two Tone buttons that you want to play
together.
The indicator of the button you pressed will light.
When you play the keyboard, the tones of the two Tone buttons you selected will
sound simultaneously.
To cancel Dual performance, press any Tone button.
To change the tone of the right button of the two selected tones
You can change the pitch of the
tone of the right button in
octave steps (p. 43).
2
Press the [-] or [+] button.
Dual performance now features the tone of the left side’s tone button along with the
newly selected tone.
To change the tone of the left button of the two selected tones
Cancel the Dual performance, and then re-select the tone. Press the two Tone buttons
that you want to play together.
■ Adjusting the volume balance in Dual
performance (Dual Balance)
You can change the volume balance between the two layered sounds in Dual
performance.
fig.panel2-2
1
2
1
2
Hold down the [Transpose] button, and press the [Split] button.
You can save this setting in the
HP107’s memory using the
Memory Backup function (p.
45).
The indicators of the buttons you pressed will blink.
The current volume balance appears in the display.
Press the [-] or [+] button to change the value.
The volume balance changes.
To return to the original volume balance, press the [-] and [+] buttons simultaneously.
fig.disp-dualbal.e
You can also change the
volume balance by holding
down the [Acoustic Layering]
button and pressing the [+] or
[-] button.
Volume of the left button tone
Volume of the right button tone
Press any button other than the [-] [+] buttons, and the button’s indicator will return
to the previous state.
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Chapter 2. Performance
Playing Different Tones with the Left
and Right Hands (Split Performance)
The split point key is included
in the left-hand keyboard area.
Dividing the keyboard into right-hand and left-hand areas, then playing different
sounds in each is called “Split performance.” The boundary key is called the “split
point.”
fig.splitpoint.e
When using Dual
performance, press the
[Split] button
Split Point (Factory setting: F 3)
The right hand will play the
tone of the left button of Dual
performance, and the left hand
will play a suitable match for
the right-hand tone.
…
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C3
C4
C5
B7 C8
Left-hand Tone
Right-hand Tone
fig.panel2-3
1
1
Press the [Split] button.
You can change the pitch of the
tones on the left side of the
keyboard in octave steps (p.
43).
The button’s indicator will light.
The keyboard is divided into right-hand and left-hand areas.
The tone played on the right side is the tone in use before the [Split] button is
pressed, while the bass tone is played on the left side when the power is turned on,
with a different tone selected when the left-hand tone is changed.
To cancel Split performance, press the [Split] button, getting its indicator to go dark.
For more about the tones, refer
to the “Tone List” (p. 52).
Changing tone played by the left hand
1
2
Press any Tone button.
Press the [-] or [+] button.
Each time you press the [-] or [+] button, the left-hand tone will change.
Changing tone played by the right hand
damper pedal will be applied
only to the right-hand area of
the keyboard. If you want the
damper pedal to be applied to
the left-hand area, refer to
“Applying the damper pedal
to the left-hand keyboard
area” (p. 43).
Cancel Split performance, and then re-select the tone.
30
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Chapter 2. Performance
■ Changing the keyboard’s split point
You can change the location where the keyboard is divided (the split point) within
the range of B1 through B6.
This is set at the factory to
“F#3.”
1
While continuing to hold the [Split] button, press the key that you want
to specify as the split point.
The split point key is
displayed as follows.
The key you pressed becomes the split point, and belongs to the left-hand section of
the keyboard.
Display
C
C
C
C
F
d
E_
E
You can also change the setting by pressing the [-] or [+] button while continuing to
hold down the [Split] button.
Letter
name
D
Display
E
F
G
G
b
If you hold down the [Split] button and simultaneously press the [-] and [+] buttons,
Letter
name
E
F
F
the setting will return to its original value (F#3).
fig.disp-splitpoint
Display
A_
A
A
b_
B
Letter
name
A
B
When you continue holding
the [Split] button, the currently
specified split point value will
be displayed.
Changing How the Center Pedals Work
With the factory setting, the center pedal functions as a sostenuto pedal (p. 14).
However, the center pedal setting can be changed to any of a variety of different
functions.
1
1
Press the [Center Pedal] button to get the appropriate indicator to light.
Lighted
Description
Indicator
Sostenuto
Sets function to sostenuto pedal (p. 14).
When you play a key while pressing on the center pedal, a suitable
tone to match the piano tone is selected, and the two tones are
layered and played together.
The volume of the layer tone is adjusted according to how much
you press the pedal.
If Acoustic Layering (p. 26)
and Dual function are
switched off, the Acoustic
Layering function is then
switched on.
Layer
When you play a key while pressing on the center pedal, the note
for the key being pressed and the note one octave above it are
layered and played together.
Octave
You can adjust the volume of the sound one octave above the layer
tone by changing the pressure used on the pedal.
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Chapter 2. Performance
Using Metronome
■ Sounding the metronome
The HP107 features a built-in metronome. While a song plays back, the metronome
will sound at the tempo and time signature (Beat) of that song.
fig.panel2-4
3 4 1,5 2
Sounding the metronome
2
Press the [Metronome/Count In] button.
The metronome will sound.
The button’s indicator flashes in red and green in time with the beat selected at that
time. The indicator lights in red on the downbeats, and in green on weak beats.
Changing the tempo
3
4
Press the [Song/Tempo] button; the button’s indicator lights in green.
Press the [-] or [+] button to adjust the tempo.
Changing the beat of metronome
5
Hold down the [Song/Tempo] button, and press the [-] or [+] button.
NOTE
It is not possible to change the
beat during song playback or
recording.
The currently selected beat will be displayed.
If you hold down the [Song/Tempo] button and press the [-] or [+] button, the beat
will change.
If you hold down the [Song/Tempo] button and press the [-] and [+] buttons
simultaneously, the beat will go back to what it was before you changed it.
fig.disp-beat
Correspondence between
beat and tempo display
Display
beat
2/2
Display
4.4
beat
4/4
Display
3.8
beat
3/8
Beat
2/2
x/4
3/8
Tempo Value
=5–250
2.2
Only weak
beats
=10–500
0.4
5.4
5/4
6.8
6/8
=20–999
2.4
3.4
2/4
3/4
6.4
7.4
6/4
7/4
9.8
9/8
6/8
9/8
12.8
12/8
= 7–333
12/8
Stopping the metronome
6
Once again press the [Metronome/Count In] button, getting its indicator
to go dark.
The metronome will stop.
32
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Chapter 2. Performance
■ Changing the metronome volume
The volume of the metronome can be adjusted, with ten volume levels available.
1
While holding down the [Metronome/Count In] button, press the [-] or
[+] button.
This is set to “4” when the
instrument is turned on.
The currently specified volume will be displayed.
Continue to hold down the [Metronome/Count In] button, and press the [-] or [+]
When the metronome volume
is set to “0,” the metronome
sound does not play.
button to sound the metronome, and change the volume.
fig.disp-metrovol
Splitting the Keyboard Into Two Sections for
Four-Hand Performances (Twin Piano Mode)
You can divide the keyboard into two separate sections, allowing two people to
perform in the same registers.
C1
C2
C3
C5
C4
C6
C5
C6
C7
C8
C3
C4
C3
C4
C5
C6
1
While holding down the [Split] button and press the [Piano] button.
The [Split] button’s indicator will light, and Twin Piano Mode is switched on.
The following occur when Twin Piano Mode is switched on:
• The keyboard is divided into two separate sections, and the pitch
changes.
• The right pedal now functions as the damper pedal for the right
keyboard section, and the left pedal functions as the damper pedal for
the left keyboard section.
• The center pedal now functions as the Sostenuto pedal for the right
keyboard section.
• If recording is in progress or the instrument is in recording standby,
recording is stopped or recording standby is cancelled. The [Rec] button
is disabled while Twin Piano Mode is active.
• If the Split function happens to be on, it is switched off.
• The same tone and effects are used on both the left and right sides. If the
piano is in Split Play before switching Twin Piano Mode on, then the
tone selected for the right hand in Split Play is used.
* The damper resonance function is not operational in Twin Piano Mode.
2
To exit the function, while holding down the [Split] button and press the
[Piano] button.
33
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Chapter 3.
Here’s how you can play along with the built-in songs.
You can slow down the playback tempo of the song, or play back each hand
separately. Before you try playing the song, listen to it several times to get a general
feel for the song.
If you turn on the metronome
while the song plays back, the
metronome will sound at the
beat and tempo of the song.
For details on operation, refer to “Selecting a song and playing it” (p. 15).
Changing the Tempo
Some of the built-in songs
have tempos that change
during the song.
If the song has a rapid tempo, you can slow down the tempo so that you can practice
it more easily. It is effective to gradually raise the tempo as you practice.
fig.panel3-1
1
2
First select the song that you want to play back (p. 15).
Correspondence between
beat and tempo display
1
2
Press the [Song/Tempo] button, getting its indicator to light in green.
The tempo appears in the display.
Beat
2/2
x/4
3/8
Tempo Value
=5–250
Each time you press the [Song/Tempo] button, the tempo and the currently selected
song number (prefixed by “S.”) will be displayed alternately.
=10–500
While the tempo is displayed, the [Song/Tempo] button indicator will light in green.
While the song number is displayed, it will light in red.
=20–999
6/8
9/8
= 7–333
Press the [-] or [+] button to adjust the tempo.
12/8
The tempo can be adjusted in a range of =10–500.
You can also change the tempo during playback.
built-in songs
USr (user) … The location
where you can record your
performance. (For details on
recording → p. 37)
S.1–S.68 … Built-in songs
S. U … Song saved with Song
Backup (p. 45)
Pressing the [+] button once increases the tempo by one unit. Holding down the
button increases the tempo continuously.
Pressing the [-] button once decreases the tempo by one unit. Holding down the
button makes the tempo change (slow down) continuously.
If you press the [-] and [+] buttons simultaneously, you will return to the basic tempo
of the song (the tempo before you modified it).
■ Adding a count-in to match the timing (Count-In)
When you’re playing along with a song, you can make sure that your playing is in
time with the song by sounding a count before the song starts playing.
measure is indicated in the
display as “-2” then “-1.”
Sounding a “count sound” leading up to playback of a song is called “Count-In.”
On the HP107, if you playback a song while the metronome is sounding, two
measures of lead-in count will be heard at the beginning of the song.
“Sounding the metronome”
(p. 32)
34
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Chapter 3. Playing Along with the Built-in Songs
Playing Each Hand Separately
The built-in songs allow you to select the performance part that will be played back.
The left-hand performance of the built-in songs is assigned to the [Left] button, while
the right-hand performance is assigned to the [Right] button. The place where each
part of the performance is held is called a “track,” and the [Left] and [Right] buttons
are called “track buttons.”
fig.trackbuttons.e
Track buttons
Left-hand Right-hand
Part
Part
Here’s how to practice each hand separately along with the song.
fig.panel3-2
2, 3 1
First select the song that you want to play back (p. 15).
Selecting the part that you yourself will play
1
Press the [Left] or [Right] button.
The indicator of the button you’ve pressed goes out, and the sound of the selected
part will no longer be heard.
For example, if you want to practice the right hand, press button [Right] and get its
indicator to go dark. When you play back the song, the right-hand performance will
not sound.
Playing back a song
Press the [Play] button, getting its indicator to light.
2
The song will begin playing back. The part you selected in step 1 will not sound.
Practice your right-hand performance along with the left-hand playback.
Once again press the button you selected in step 1. The button’s indicator will light,
and the sound will be heard once again.
Even while the song is playing, you can press the track buttons to mute or un-mute
the sound.
Stopping the song
Press the [Play] button, getting its indicator to go dark.
3
The song will stop.
35
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You can easily record your performances.
additional parts.
The following types of recording can be done using the HP107.
• Recording just your own keyboard performance (→ “Recording a New Song” p.
37)
• Recording along with a built-in song (→ “Recording Along with a Song” p. 38)
• Recording each hand separately (→ “Selecting and Recording the Track for Each
Hand Separately” p. 39)
■ Notes regarding recording
• The HP107 includes a “Song Backup function” (p. 45), which allows you to store
the song recorded with the HP107 in the instrument itself. Recorded
performance that have not been backed up with Song Backup is erased with the
power is turned off. Be sure to use Song Backup for any performance you want
to keep. You can either record it on an external audio device, or use an external
MIDI device to save the performance data on a floppy disk. For details, refer to
“Chapter 6. Connecting External Devices” (p. 47).
If you see the following...
If you attempt to select a song when another performance has already been recorded,
the following appears in the display and the [Record] button’s indicator flashes.
fig.disp-del
If it is OK to erase the performance, press the [Rec] button.
If you do not want to erase the performance, press the [Play] button.
About the Recorded Tracks
A. Recording without specifying the track to be recorded
If there is no data recorded on the left and right track, the data is then recorded to
the right track. If there is any data recorded to either the left or right track, the data
is then recorded to the empty track.
B. Recording while using the Dual, Acoustic Layering, or Split functions
Function
Dual
Acoustic Layering Layer tone
Split Left (keyboard) tone
Left Track
Right Track
Tone from right tone button Tone from left tone button
Original tone (piano tone)
Right (keyboard) tone
C. Recording while the “Layer” or “Octave” function is assigned to the center pedal
Function
Layer
Left Track
Layer tone
Right Track
Original tone (piano tone)
Layer tone
(one octave higher)
Octave
Original tone
* When using method B or C above to layer a recording to a song, press both the
[Left] and [Right] buttons before recording so that the buttons flash.
36
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Chapter 4. Recording Your Performance
Recording a New Song
Record only the keyboard performance without playing along with a built-in song.
fig.panel4-1
1
3
2 4 6,8 5,7
Recording settings (select “USr”)
NOTE
1
2
Press the [Song/Tempo] button, getting its indicator to light in red.
If you layer a newly recorded
performance without erasing
the recorded song, the song
tempo and beat will be stored
with the settings that were
recorded first.
The song number appears in the display.
Press [-] and [+] buttons simultaneously, and “USr” appears in the
display.
Specifying the tone and tempo for recording
3
4
Select the tone that you want to play (p. 18).
The HP107 includes a “Song
Backup function” (p. 45),
which allows you to store the
song recorded with the HP107
in the instrument itself.
If necessary, turn on the metronome.
Sound the metronome while you set the tempo and beat of the song (p. 32).
5
Press the [Rec] button.
The [Rec] button’s indicator will light, the [Play] button’s indicator will blink, and
you will be in recording-standby mode.
About the “USr” display
When you stop recording, the
Start recording
Recording will start when you either press the [Play] button or play the
“
” display will change
6
to “
.”
keyboard.
The “.” in the lower right of the
display indicates that there is
already a recorded
Two measures of the count sound are played, and the recording begins.
Note that recording will also begin as soon as you play anything on the keyboard,
even if you do not press the [Play] button. There is no count sound played when you
start in this manner.
performance.
When recording begins, the [Play] button and [Rec] button indicators will light.
Go ahead and perform on the keyboard.
Stop recording
Press the [Play] or [Rec] button.
7
recorded to the [Right] button.
If you want to record the right
and left hands separately on
separate recording tracks, refer
to “Selecting and Recording
the Track for Each Hand
Separately” (p. 39).
Recording will stop, and the indicators for the [Play] and [Rec] buttons will go dark.
Play back the recorded performance
8
Press the [Play] button.
You will hear the recorded performance.
Once again press the [Play] button, and playback will stop.
37
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Chapter 4. Recording Your Performance
Recording Along with a Song
The HP107 includes a “Song
Backup function” (p. 45),
which allows you to store the
song recorded with the HP107
in the instrument itself.
You can record a performance that you play along with an built-in song.
Using the [Left] or [Right] buttons, you can (for example) perform and record just the
right-hand part of a song while listening to the left-hand playback of a built-in song.
fig.panel4-3
1
2 3 6,8 4,7 5
Selecting the song to record
1
Press the [Song/Tempo] button, getting its indicator to light in red.
The display will indicate the song number.
2
3
4
Use the [-] or [+] button to select the song that you want to play.
As necessary, set the metronome and tempo (p. 32).
Press the [Rec] button.
The [Rec] button’s indicator will light.
If “dEL” appears in the
display, refer to p. 36.
Selecting the track to record
5
Press the [Left] or [Right] button.
When you want to record the left-hand performance, press the [Left] button; to
record that of the right hand, press the [Right] button.
The indicators of the button you pressed and of the [Play] button will blink, and the
HP107 enters recording-standby mode.
Starting to record
Press the [Play] button.
6
Recording begins after two measures of count sound.
Play along with the song.
Stop recording
Press the [Play] or [Rec] button.
7
Recording will stop, and the indicators for the [Play] and [Rec] buttons will go dark.
The recorded performance is stored in “USr (User).”
Play back the recorded performance
8
Press the [Play] button.
You will hear the recorded performance.
Once again press the [Play] button, and playback will stop.
38
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Chapter 4. Recording Your Performance
Selecting and Recording the Track for Each
Hand Separately
The HP107 includes a “Song
Backup function” (p. 45),
which allows you to store the
song recorded with the HP107
in the instrument itself.
The recorder of the HP107 has two recording tracks, allowing you to record the right
and left hands separately. Use the [Left] button or [Right] button to specify the
recording track.
If you want to re-do the recording, you can re-record just a specific track.
fig.panel4-4
1 4,6 2,5 3
When recording a new song, first follow the instructions in Steps 1 and 2 of
“Recording a New Song” (p. 37) to select “USr.” When layering recordings with
built-in songs or songs that have been backed up, select the built-in or backed up
song as described in Steps 1 and 2 of “Selecting a song and playing it” (p. 15).
NOTE
If you go on to record
additional material without
erasing the recorded song, the
song tempo, beat, and
1
2
As necessary, turn on the metronome (p. 32).
Press the [Rec] button.
metronome settings of the
original recording will be used
for the new material as well.
The [Rec] button’s indicator will light, the [Play] button’s indicator will blink, and
you will be in recording-standby mode.
The button indicators of tracks that are already recorded will light.
The track button for which you will next be recording will be blinking.
3
Press the [Left] or [Right] button to turn off the button for the track not to
be recorded.
The track buttons allow you to
record to either the [Left] or
the [Right] button, one at a
time.
Start recording
Press the [Play] button.
4
Two measures of the count sound are played, and the recording begins. Go ahead
and perform on the keyboard.
Note that recording will also begin as soon as you play anything on the keyboard,
even if you do not press the [Play] button. There is no count sound played when you
start in this manner.
Stop recording
Press the [Play] or [Rec] button.
5
Recording will stop, and the indicators for the [Play] and [Rec] buttons will go dark.
Your performance has been recorded to the specified track button.
If you want to record on the other track, return to step 2 to record your performance
again. You can record while you listen to the previously recorded performance.
Play back the recorded performance
6
Press the [Play] button.
You will hear the recorded performance.
Press the [Play] button once again, and playback will stop.
39
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Chapter 4. Recording Your Performance
Erasing Recorded Performances
You can erase a recorded performance.
■ Erasing a performance from the specified track
You can select a recorded track and erase it.
1
Hold down either the [Left] or [Right] button, and press the [Rec] button.
The indicator of the button you pressed will go dark, and the performance of the
selected track will be erased.
■ Erasing a song
You can erase a song you’ve recorded.
1
Hold down the [Song/Tempo] button and press the [Rec] button.
The following display will appear, and the [Rec] button’s indicator will blink.
fig.disp-del
If you decide not to erase the performance, press the [Play] or [Song/Tempo] button.
2
Once again press the [Rec] button.
The recorded performance is erased.
40
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Chapter 5. Changing Various Settings
Button
Function
Local Control
Page
Making Detailed Settings
(Function)
You can make performance-related settings such as tuning
and temperament.
Piano
Resonance
[Key Off]
p. 49
MIDI send channel
USB Driver Setting
Memory Backup
Song Backup
How to enter function mode
Piano
Resonance
[Strings]
p. 49
p. 46
p. 45
p. 45
p. 46
1. Hold down the [Split] button, and press the [Chorus]
button.
The HP107 switches to the function mode.
Piano
Resonance
[Damper]
The indicators for the [Split] and [Chorus] buttons and
the button to which the function is assigned start
flashing.
[Metronome/
Count In]
Setting the various functions
2. Press the button to which the desired function is
[Song/Tempo]
[Right]
assigned.
The indicators for pressed button, [Split] button, and
[Chorus] button flash.
V-LINK
The name of the function assigned to the button appears
in the display for as long as the button is held down.
Button
Function
Master Tuning
Page
Transmitting a recorded
performance
[Left]
p. 49
[Piano]
p. 42
Grand Space Mode
Factory Reset
Temperament
Stretch Tuning
Octave Shift
[Grand Space]
p. 43
p. 44
[E. Piano]
[Harpsichord]
[Organ]
p. 42
p. 43
p. 43
Key Touch
[Touch]
For details on each function, refer to the explanations
below.
3. Press the [-] or [+] button to change the value.
Pressing the [-] and [+] buttons simultaneously restores
the factory values.
Applying the damper pedal
to the left-hand keyboard
area
How to exit function mode
[Strings]
p. 43
4. Press the [Split] or [Chorus] button.
The button’s indicator will return to the previous state.
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Chapter 5. Changing Various Settings
■ Tuning to other instruments’
Dis-
play
Temper-
ament
Qualities
pitches (Master Tuning)
This tuning eliminates ambiguities in
the fifths and thirds. It is unsuited to
playing melodies and cannot be
transposed, but is capable of beauti-
ful sonorities.
In situations such as when playing ensemble with other
pitch of another instrument. The standard pitch generally
refers to the pitch of the note that’s played when you finger
the middle A key. This tuning of all the instruments to a
standard pitch is called “tuning.”
Just
Major
2
The Just tunings differ from major
and minor keys. You can get the
same effect with the minor scale as
with the major scale.
Just
Minor
3
4
If you press the [Piano] button in step 2 of “Making
This tuning is suitable for the music
of Arabia.
Detailed Settings (Function)” (p. 41), a display like the
Arabic
following will appear.
fig.disp-tune
This is an improvement of the Mean
Tone and Just tunings that provides a
high degree of freedom of modula-
tion. Performances are possible in all
keys (III).
Kirn-
berger
5
6
is indicated in the figure above.
This scale makes some compromises
in just intonation, enabling transposi-
tion to other keys.
Mean
Tone
Value
415.3 Hz–440.0 Hz–466.2 Hz
440.0 Hz
This tuning, devised by the philoso-
pher Pythagoras, eliminates disso-
nance in fourths and fifths.
Dissonance is produced by third-in-
terval chords, but melodies are eu-
phonious.
Factory setting
This setting remains in effect until you turn off the power.
Pythagor
ean
7
8
→ You can save this setting in the HP107’s memory using the Memory
Backup function (p. 45).
■ Changing the temperament
This temperament combines the
Mean Tone and Pythagorean tun-
ings. Performances are possible in all
keys (first technique, III).
Werck-
meister
You can play classical styles such as Baroque using historic
temperaments (tuning methods).
Today, compositions are generally created with equal
temperament in mind and are played using equal
temperament. However in past ages of classical music, a
variety of temperaments were used. Playing a composition
with its original tuning lets you enjoy the sonorities of the
chords that the composer originally intended.
Factory setting
1 C
Tonic
When playing with tuning other than equal temperament,
you need to specify the tonic note for tuning the song to be
performed (that is, the note that corresponds to C for a major
key or to A for a minor key).
If you press the [E.Piano] button in step 2 of “Making
While hold down the [E. Piano] button, and press a note to
Detailed Settings (Function)” (p. 41), a display like the
specify the desired tonic key.
following will appear.
fig.disp-temp.j
The tonic note you specify will be displayed as follows.
fig.Chart_note2.j
Display
C
C
C
C
d
E_
E
E
E
F
F
F
F
G
G
A_
A
A
A
b_
B
b
Letter
name
D
B
Temperament Tonic
If you choose an equal temperament, there’s no need to select
a tonic note.
You can choose from among the eight temperaments
described below.
*
If you record with a temperament other than equal temperament
selected, and then want to play back that performance, use this setting
to select the same temperament for playback as the temperament you
used when recording.
Dis-
play
Temper-
ament
Qualities
*
When performing in ensemble with other instruments, be aware that
depending on the key, there may be some shifting of the pitch. Tune the
HP107 to the fundamental pitch of the other instruments.
In this tuning, each octave is divided
into twelve equal steps. Every inter-
val produces about the same amount
of slight dissonance.
1
Equal
→ You can save this setting in the HP107’s memory using the Memory
Backup function (p. 45).
42
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Chapter 5. Changing Various Settings
A piano is generally tuned to a pitch with a lower bass range
and a higher treble range than equal temperament. This
special tuning method for pianos is called “Stretch Tuning.”
When you are using Split performance (p. 30), you can apply
the damper pedal effect to the sound played by the left-hand
keyboard range.
If you press the [Harpsichord] button in step 2 of “Making
If you press the [String] button in step 2 of “Making
Detailed Settings (Function)” (p. 41), a display like the
Detailed Settings (Function)” (p. 41), a display like the
following will appear.
fig.disp-On
following will appear.
fig.disp-Off
Indication
Description
Indication
Description
This is the standard tuning curve. This is the
right choice when using Dual performance
(p. 29), or when playing in ensemble with
other instruments.
The damper pedal effect will be applied to
the sound of the left and right hand
keyboard area.
On
OFF
The damper pedal effect will not be applied
to the sound of the left-hand keyboard area.
OFF
This tuning curve expands the bass and tre-
ble ends somewhat. It is suitable for perfor-
mances such as piano solos.
On
Factory setting
→ You can save this setting in the HP107’s memory using the Memory
Factory setting
On
Backup function (p. 45).
→ This effect works only with the piano tones.
■ Changing How Grand Space is
Backup function (p. 45).
Applied (Grand Space Mode)
If you press the [Grand Space] button in step 2 of “Making
following will appear.
You can change the pitch of the left tone in Split Play (p. 30),
the right tone in Dual Play (p. 29), and the Layer tone in
Acoustic Layering Play (p. 28) in octave increments. This
function is called “Octave Shift.”
If you press the [Organ] button in step 2 of “Making
Detailed Settings (Function)” (p. 41), a display like the
following will appear.
Indication
Description
When the headphones are connected, the
depth effect is optimized for headphones,
and when no headphones are connected, the
optimal depth for speakers is applied.
1
The optimal depth for speakers is used,
regardless of whether or not headphones are
connected.
You can alter the pitch in a range from two octaves below (-2)
to two octaves above (+2) the original pitch.
Grand Space is also applied to the sound
output from the Output connectors, making
through speakers connected to the Output
connectors.
2
3
*
Certain Octave Shift settings may result in tones that exceed the
recommended range, are difficult to hear well, or that have unnatural
tonal qualities or pitches.
The optimal depth for headphones is used,
regardless of whether or not headphones are
connected.
→ You can save this setting in the HP107’s memory using the Memory
Backup function (p. 45).
43
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Chapter 5. Changing Various Settings
Disabling Everything Except
Piano Play (Panel Lock)
The “Panel Lock” function locks the HP107 in a state where
only piano performance can be used, and all buttons will be
disabled. This prevents the settings from being inadvertently
modified even if children press the buttons accidentally.
Factory Condition
(Factory Reset)
The settings stored in the HP107 can be returned to their
factory settings.
→ Songs secured with the Song Backup procedure (p. 45) are not deleted
In the Panel Lock state, only the grand piano sound can be
played.
when Factory Reset is executed.
1. Hold down the [Split] button, and press the [Chorus]
1. Turn the volume to the minimum, and press the [Power
button.
On] switch to turn off the power.
The HP107 switches to the set mode.
2. Hold down the [Piano] button, and press the [Power
2. Press the Key Touch [Touch] button.
On] switch to turn on the power.
The following appears in the display.
Then, continue to hold down these two buttons for a few
seconds.
fig.factory-reset
The following display will appear.
fig.disp—-
3. Press the [Rec] button.
Factory Reset is executed.
When Factory Reset is finished, the following appears in
the display. Turn off the power at this time.
All buttons are disabled.
Adjust the volume.
When you play the keyboard, the grand piano sound
will be heard.
To defeat the Panel Lock function, turn the volume
down to the minimum, and turn on the power once
again.
*
Do not turn off the power until “End” is displayed in the screen.
Turning off the power before this is displayed may damage the
HP107’s internal memory, rendering the instrument unusable.
44
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Chapter 5. Changing Various Settings
3. Press the [Rec] button.
Remembering the Settings
Even When the Power is
Song backup is executed.
When Song Backup is finished, the display and buttons
return to their normal appearance.
Normally, the various settings revert to their default values
when the power is turned off. However, you can specify that
the settings will be remembered even when the power is
turned off. This function is called “Memory Backup.”
You can select and play songs that have been backed up
in the same way as you do with the built-in songs (p. 15).
Songs that have been backed up are indicated in the
display as shown below.
→ For more on the settings stored using Memory Backup, refer to
“Parameters Stored in Memory Backup” (p. 56).
1. Hold down the [Split] button, and press the [Chorus]
button.
The HP107 switches to the set mode.
2. Press the [Metronome/Count In] button.
The button’s indicator flashes.
■ Deleting backed up songs
You can delete backed up songs only when you have no
songs recorded.
The following appears in the display.
fig.
1. Hold down the [Split] button, and press the [Chorus]
button.
2. Press the [Song/Tempo] button.
3. Press the [Rec] button.
The following appears in the display.
Memory backup is executed.
When Memory Backup is finished, the display and
buttons return to their normal appearance.
To cancel the procedure, press the [Play] button.
3. Press the [Rec] button.
Saving Recorded Songs Even
with the Power Turned Off
(Song Backup)
The backed up song is deleted.
The display and buttons return to their normal
appearance.
Normally, any songs you have recorded are deleted when
you turn off the power to the HP107. However, if you wish,
you can have such recorded songs be saved even while the
power is turned off. This function is called “Song Backup.”
*
You cannot use the Song Backup function unless you have recorded
song.
1. Hold down the [Split] button, and press the [Chorus]
button.
The HP107 switches to the set mode.
2. Press the [Song/Tempo] button.
The button’s indicator flashes.
The following appears in the display.
fig.
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Chapter 5. Changing Various Settings
■ Making the Settings for the
Using the V-LINK function
Connecting the HP107 to a V-LINK compatible image device
allows you to control the images with the HP107.
USB Driver
If you intend to connect to a computer using the USB
connector, you need to make the following setting before you
make the connection.
V-LINK
V-LINK (
) is functionality promoted by Roland
1. Hold down the [Split] button, and press the [Chorus]
that allows linked performance of music and visual material.
By using V-LINK-compatible video equipment, visual effects
can be easily liked to, and made part of the expressive
elements of a performance.
button.
The HP107 switches to the function mode.
2. Press the Piano Resonance [Damper] button.
The button’s indicator flashes.
How to Use the V-LINK
The following appears in the display.
1. Hold down the [Split] button, and press the [Chorus]
fig.
button.
The HP107 switches to the set mode.
2. Press the [Right] button.
3. Press the [-] and [+] buttons to set the driver.
The button’s indicator flashes.
The following appears in the display.
Indication
Description
fig.
Select this when using the supplied
driver with a USB connection.
vdr (Vendor)
Select this when using a generic USB
driver included with the OS with a USB
connection.
GEn (Generic)
Indication
OFF
Description
The V-LINK function is switched off.
The V-LINK function is switched on.
How to exit function mode
On
4. Press the [Split] or [Chorus] button.
The button’s indicator returns to its original state.
Factory setting
OFF
3. Press the [-] and [+] buttons to switch the V-LINK
function on and off.
You can control images using the twelve keys at the left
end of the keyboard.
The following appears in the display, while V-LINK is
switched on.
*
While V-LINK is switched on, no sound is produced when you press
any of the twelve keys at the left end of the keyboard.
How to exit function mode
4. Press the [Split] or [Chorus] button.
The button’s indicator returns to its original state.
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Chapter 6. Connecting External Devices
❍ Use the following procedure when turning on the power.
Connecting to Audio Equipment
You can connect audio devices to play the sound of the
1. Turn on the power of the connected device.
HP107 through the speakers of your audio system, or to
2. Turn on the power of the HP107.
record your performance on a tape recorder or other
3. Adjust the volume of each device.
recording device.
When connecting, please use an audio cable with a standard
*
You cannot use the HP107 to adjust the volume of the connected
sound generating device.
phone plug (sold separately).
Connection examples
Turning off the power
*
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
1. Set the volume of the HP107 and of the connected
devices to the minimum position.
2. Turn off the power to the HP107.
3. Turn off the connected equipment.
Playing the sound of the HP107 through the
speakers of an audio system/Recording the
performance of the HP107 on a recording device
fig.audio1.e
Input R/L
(Line In, Aux In)
Connecting to the USB
Connector
HP107
You can use a USB connector to connect the HP107 to your
computer. For more details, refer to the separate “USB
Installation Guide.”
*
Connecting your computer to the HP107 for the first time requires
installation of the “USB Driver” (on the included CD-ROM) to the
computer. For more details, refer to the separate “USB Installation
Guide.”
❍ Use the following procedure when turning on the power.
1. Turn on the power of the HP107.
*
*
Only MIDI data can be transmitted using USB.
2. Turn on the power of the connected device.
3. Adjust the volume of each device.
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
→ You can adjust the volume of a connected sound module with
the HP107.
*
USB cables are not included. Consult your Roland dealer if you need
to purchase.
When Recording HP107 Performances on a Recording
Device
*
*
Use a USB cable no longer than 3 meters.
4. Start recording with the connected device.
5. Perform on the HP107.
Turn on the power to the HP107 before starting up MIDI applications
on the computer. Do not turn the HP107 on or off while any MIDI
application is running.
6. When the performance ends, stop recording on the
connected equipment.
*
Do not connect or disconnect the USB cable while the HP107’s power
is on.
Playing the sound of an audio device through the
speakers of the HP107
fig.audio2.e
*
*
If not using USB, disconnect the USB cable from the HP107.
Output R/L
(Line Out, Aux Out)
If during the transmission/reception of data, the computer switches to
energy-saving mode or suspended mode, or if the HP107’s power is
switched on or off, the computer may freeze, or the HP107’s operation
may become unstable.
HP107
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Chapter 6. Connecting External Devices
Perform on the HP107 to play a MIDI sound
generator
fig.midi1.e
Connecting MIDI Devices
By connecting an external MIDI device and exchanging
performance data, you can control the performances on one
device from the other. For instance, you can output sound
from the other instrument or switch tones on the other
instrument.
Sound Module
MIDI
THRU
OUT
IN
HP107
■ What’s MIDI?
MIDI stands for Musical Instrument Digital Interface, an
international standard which allows performance
information to be communicated among electronic musical
instruments and computers.
The HP107 provides MIDI connectors, which allow
performance data to be exchanged with external devices.
When these connectors are used to connect the HP107 to
external devices, an even wider range of possibilities
becomes available.
Making MIDI-related Settings
Here’s how you can set the transmit channel and other MIDI-
related settings.
How to enter function mode
*
A separate publication titled “MIDI Implementation” is also available.
It provides complete details concerning the way MIDI has been
implemented on this unit. If you should require this publication (such
as when you intend to carry out byte-level programming), please
contact the nearest Roland Service Center or authorized Roland
distributor.
1. Hold down the [Split] button, and press the [Chorus]
button.
The HP107 switches to the set mode.
The indicators for the [Split] and [Chorus] buttons and
the button to which the function is assigned start
flashing.
Connection examples
*
To prevent malfunction and/or damage to speakers or other devices,
always turn down the volume, and turn off the power on all devices
before making any connections.
Setting various functions
2. Press the button to which the desired function is
assigned.
Playing the HP107 from a MIDI sequencer/
Recording an HP107 performance on a MIDI
sequencer
fig.midi2.e
The indicators for pressed button, [Split] button, and
[Chorus] button flash.
For details on the contents of each function, refer to the
explanations that follow.
MT Series
* MT-90s/80s has no MIDI Out
connector.
3. Press the [-] or [+] button to change the value.
Out
MIDI
In
If you press the [-] and [+] buttons simultaneously, the
setting will return to the original value.
HP107
How to exit function mode
4. Press the [Split] or [Chorus] button.
The button’s indicator will return to the previous state.
*
Set Local Off if you have connected the HP107 to a MIDI sequencer.
Refer to “Switching Local Control on and off” (p. 49). Also set your
MIDI sequencer to MIDI Thru mode (so that messages received at
MIDI IN will be re-transmitted without change from MIDI OUT).
For details, refer to the owner’s manual of your MIDI sequencer.
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Chapter 6. Connecting External Devices
Local Control OFF: The keyboard and the internal sound
produced by the keyboard when it is played.
■ MIDI send channel settings
MIDI features sixteen MIDI channels, numbered 1–16.
Simply connecting a cable is not enough for communication
to take place. The connected devices must be set to use the
same MIDI channels. Otherwise, no sound will be produced,
and no sounds can be selected.
fig.localoff.e
No sound produced
Sound Generator
Local Off
*
*
The HP107 receives all channels 1–16.
When using the HP107 in Dual mode (p. 29) or Split mode (p. 30), the
left hand of the performance is transmitted on Channel 5 in Dual mode
and in on Channel 3 in Split mode. These MIDI Transmit channel
settings are fixed and cannot be changed. When connecting an
external MIDI device while using Dual or Split modes, use channels
other than 3 and 5 for the MIDI device.
*
When a Roland MT series instrument is connected, it is not necessary
to make the Local Off setting. MT units transmit Local Off messages
when their power is switched on. If you turn on the power in the order
of the HP107 → MT series, Local Off will be set automatically.
If you press the Piano Resonance [Key Off] button in step
If you press the Piano Resonance [String] button in step 2
2 of “Making MIDI-related settings,” a display like the
of “Making MIDI-related settings,” a display like the
following will appear.
fig.disp-on
following will appear.
fig.disp-1
Value
On, OFF
On
Value
1–16
1
Factory setting
Factory setting
■ Transmitting a performance
■ Switching Local Control on and
you recorded
off
If you want to transmit a performance recorded on the
HP107 to an external MIDI device or computer, turn this
setting “On.” If this is “OFF,” the data will not be
transmitted.
When connecting a MIDI sequencer, set Local Control to
“OFF.”
As illustrated, information describing what has been played
on the keyboard is passed to the internal sound generator
over two different routes, (1) and (2). As a result, you hear
overlapping or intermittent sounds. To prevent this from
happening, route (1) must be severed, by setting the unit to
If you press the [Left] button in step 2 of “Making MIDI-
related settings,” a display like the following will appear.
fig.disp-Off
what is known as “Local Off.”
fig.localcont.e
Local On
(1)
Sequencer
Memory
Value
On, OFF
OFF
MIDI
OUT
MIDI
IN
Factory setting
Sound
Generator
If you wish to save the performance recorded on the HP107,
use the following procedure. In this situation, your external
sequencer is set its MIDI Thru feature to be OFF. For details,
refer to the owner’s manual of your MIDI sequencer.
MIDI
OUT
MIDI
IN
(2) Thru function On
Each note played
is sounded twice
1
2
3
4
5
6
Connect a MIDI sequencer such as the MT series (p. 48).
Record the performance on the HP107 (p. 36).
Set this setting to “On.”
Local Control ON: The keyboard and the internal sound
generator are in a linked state.
fig.localon.e
Sound is emitted
Start recording with the connected MIDI sequencer.
Start playback of the recorded song on the HP107.
Sound Generator
Local On
When playback ends, stop recording with the connected
MIDI sequencer.
7
Use a connected MIDI sequencer to save the data on a
floppy disk or other media.
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Appe
ndice
s
If you think there’s a problem, read this first.
Case
Song doesn’t play
back/ Only the
Are the indicator for the Track buttons ([Left]
and [Right] buttons) extinguished? (p. 35)
Case
The power doesn’t
come on
Is the power cord connected and plugged in
correctly? (p. 12)
sound of a particular If the button indicator is out, the music on that
track is not heard. Press the track button so the
indicator is illuminated.
instrument in a song
does not play
The button doesn’t
work
Is the panel locked? (p. 44)
Turn the power off, then back on.
Has the track buttons for recording been
selected? (p. 36–p. 39)
Can’t record
Is the volume level of the HP107 turned all the
way down? (p. 14)
If you select an built-in song in which the
tempo changes during the song, and then
record, the tempo will change in the same way
for the performances. The tempo of the
metronome will also change in the same way.
Are headphones plugged in? (p. 13)
Has a plug remained connected to the Phones
jack?
Tempo of recorded
song or metronome
is off
When headphones are connected, the
keyboard’s speaker stops playing.
If you record additional material without
erasing the previously recorded song, the song
will be recorded at the first-recorded tempo.
Please erase the previously recorded song
before you re-record (p. 40).
No sound is heard
Is Local Off selected?
When Local Control is set to OFF, no sound is
produced by playing the keyboard. Set Local
Control to “ON” (p. 49).
Recorded performance that have not been
backed up with Song Backup is erased with the
power is turned off. A performance cannot be
restored once it’s been deleted.
Is V-LINK switched on?
While V-LINK is switched on, no sound is
produced when you press any of the twelve
keys at the left end of the keyboard.
The recorded
disappeared
The HP107 includes a “Song Backup function”
(p. 45), which allows you to store song
itself. Use the Song Backup function to save
any performance you do not want deleted to
the HP107.
Have all devices been switched on?
No sound is heard
(when a MIDI
instrument is
connected)
Are the MIDI cables connected correctly?
Does the MIDI channel match the connected
instrument? (p. 49)
Is the HP107 in Dual performance? (p. 29)
Depressing a pedal
has no effect, or the
pedal effect doesn’t
stop
Sounds are heard
twice (doubled)
when the keyboard
is played
Is the pedal connected correctly?
When the HP107 is connected to an external
sequencer, set it to the Local OFF mode (p. 49).
Alternatively, the sequencer could be set so its
Make sure the pedal cable extending from the
stand is securely connected to the pedal jack on
the rear of the unit (p. 12).
Adjust the adjuster underneath the pedal so
that the adjuster presses firmly against the
floor surface (p. 14).
Is the panel locked? (p. 44)
The pedal rattles
Turn the power off, then back on.
Are the indicators for the [Split] and [Chorus]
buttons flashing?
Tone doesn’t
change
Since the H107’s piano sounds accurately
reproduce the depth and reverberation of the
original acoustic piano, you may find that
reverberation is audible when the Key Off
function and Grand Space are enabled.
If you want to eliminate the reverberation, turn
off the Key Off function (p. 19) and Grand Space
(p. 23–24).
Setting of functions is in progress. Press the
[Split] or [Chorus] button to exit function mode
(p. 41, p. 48).
Reverberation still
audible even with
Reverb turned off
The maximum number of notes that the HP107
can play simultaneously is 128.
Not all played notes
are sounded
Frequent use of the damper pedal when
playing along with a song may result in
performance data with too many notes,
causing some notes to drop out.
On an acoustic piano, notes in the upper one
and a half octaves of the keyboard continue to
sound until they decay naturally, regardless of
the damper pedal. There is a difference in the
timbre as well. Roland pianos faithfully
simulate such characteristics of the acoustic
piano. On the HP107, the range that is
In the upper range,
the sound changes
abruptly beyond a
certain key
Have you set Transpose? (p. 27)
The tuning or pitch
of the keyboard or
song is off
Are the settings for the “Temperament” and
“Stretch Tuning” correct? (p. 42)
Is the setting for the “Master Tuning” correct?
(p. 42)
unaffected by the damper pedal will change
depending on the Key Transpose setting.
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Appendices
Case
Cause/Remedy
Case
Cause/Remedy
When listening through headphones:
Some of the more flamboyant and
effervescent piano tones feature an ample
high-end component, which may make the
sound appear to have metallic
When listening through speakers:
Playing at loud volumes may cause
instruments near the HP107 to resonate.
Resonation can also occur with fluorescent
light tubes, glass doors, and other objects.
In particular, this problem occurs more
easily when the bass component is
increased, and when the sound is played at
higher volumes. Use the following
measures to suppress such resonance.
• Place speakers so they are 10–15 cm from
walls and other surfaces.
reverberation added. Since this
reverberation becomes particularly
audible when supplemented by heavy
reverb, you may be able to diminish the
problem by reducing the amount of reverb
applied to the sound.
A High-pitched
The bass range
sounds odd, or
there is a vibrating
resonance
whine is produced
When listening through speakers:
Here, a different cause (such as resonance
produced by the HP107) would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
• Reduce the volume.
• Move the speakers away from any
resonating objects.
When listening through headphones:
Here, a different cause would be suspect.
Consult your Roland dealer or nearest
Roland Service Center.
The volume level of
the instrument
Could you be using a connection cable that
contains a resistor?
Use a connection cable that does not contain a
resistor.
connected to Input
jacks is too low
Display
Meaning
USr
User Song. Stores recorded performances (p. 37).
The “.” in the display indicates that there is performance material already
recorded (p. 37).
Usr.
S.1–68
S. U
Built-in song number (p. 15).
This is a song backed up with the Song Backup function (p. 45).
This appears when a song with a pickup (a song that does not start on the first
beat) is played back.
PU
dEL
E.32
This appears when you attempt to delete a recorded song (p. 36, p. 40, p. 45).
The amount of performance information is too large, and further recording is
not possible.
A problem such as a loose MIDI cable occurred. Make sure the MIDI cables
are correctly hooked up.
E.41
_._._.
V-LINK function is On (p. 46).
*
Error messages are indicated by an “E.” before the number. Press any button, and you can cancel the error message.
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Tone List
Piano
Strings
1
2
3
4
5
6
7
Grand Piano 1
Mellow Piano 1
Honky-tonk
*1
*1
*2
*2
*2
*2
*2
*2
*2
1
2
3
4
5
6
7
8
9
Strings 1
Jazz Scat
Orchestra
Mellow Piano 2
Grand Piano 2
Detuned Piano
Rock Piano
*1
*1
Choir
Strings 2
Voice Oohs
Glittery Pad
Acoustic Bass
Acoustic Bass + Cymbal
*1
10 Fingered Bass
11 Vox Bass
E.Piano
1
2
3
4
5
6
Electric Piano 1
Electric Piano 2
Vibraphone
Morning Lite
Celesta
Acoustic Layering Tones
1
2
3
4
Strings
Choir
Pad
Electric Grand
Bell Pad
Harpsichord
1
2
3
4
5
Harpsichord 1
Nylon Guitar
Harp
*1
*1
Coupled Harpsichord
Harpsichord 2
Organ
1
2
3
4
5
6
7
Church Organ 1
Rotary Organ
Theater Organ
Accordion
*1 Tones that can be used with the Key Off Resonance
function
Church Organ 2
Nason Flute 8'
Lower Organ
*2 Tones that can be used with the String Resonance and
Damper Resonance functions
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Built-in Song List
Song
Song Name
No.
Composer
Copyright
S. 1
S. 2
S. 3
Scherzo No.2 (Except)
La Fille aux Cheveux de Lin
La Campanella
F. Chopin
© 2004 Roland Corporation
© 2004 Roland Corporation
© 2004 Roland Corporation
C. Debussy
F. Liszt
F. Chopin/
S. 4
S. 5
S. 6
Late Night Chopin
Fly Free
© 2002 Roland Corporation
© 1998 Roland Corporation
© 2000 Roland Corporation
Arranged by John Maul
John Maul
Masashi & Kazuko
Hirashita
L'éveil del l'amour
S. 7
Sonate für Klavier No. 15
Liebesträume III
Étude, op.10-3
W. A. Mozart
F. Liszt
© 1996 Roland Corporation
© 2001 Roland Corporation
© 2001 Roland Corporation
© 1997 Roland Corporation
© 2001 Roland Corporation
© 1995 Roland Corporation
© 2001 Roland Corporation
© 1995 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1995 Roland Corporation
© 1997 Roland Corporation
© 1995 Roland Corporation
© 1998 Roland Corporation
© 2001 Roland Corporation
© 1995 Roland Corporation
© 1995 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
S. 8
S. 9
F. Chopin
S. 10
S. 11
S. 12
S. 13
S. 14
S. 15
S. 16
S. 17
S. 18
S. 19
S. 20
S. 21
S. 22
S. 23
S. 24
S. 25
S. 26
S. 27
S. 28
S. 29
S. 30
S. 31
S. 32
S. 33
S. 34
S. 35
S. 36
S. 37
S. 38
S. 39
S. 40
S. 41
S. 42
Je te veux
E. Satie
Valse, op.64-1
F. Chopin
Golliwog’s Cake walk
Fantaisie-Impromptu
1ére Arabesque
C. Debussy
F. Chopin
C. Debussy
J. Strauss (II)
F. Mendelsshon
F. Chopin
An der schönen, blauen Donau
Auf Flügeln des Gesanges
Mazurka No.5
1ère Gymnopédie
Étude, op.25-1
E. Satie
F. Chopin
Clair de Lune
C. Debussy
F. Chopin
Étude, op.10-5
Doctor Gradus ad Parnassum
Grande Valse Brillante
La prière d'une Vierge
Course en Troïka
To The Spring
C. Debussy
F. Chopin
T. Badarzewska
P. Tchaikovsky
E. Grieg
Valse, op.64-2
F. Chopin
Radetzky Marsch
Träumerei
J. Strauss (I)
R. Schumann
F. Schubert
F. Chopin
Moments Musicaux III
Prélude, op.28-15
The harmonious blacksmith
Ungarische Tänze V
Türkischer Marsch (Beethoven)
Nocturne No.2
G. Handel
J. Brähms
L. v. Beethoven
F. Chopin
Frühlingslied
F. Mendelsshon
J. S. Bach
Präludium
Jägerlied
F. Mendelsshon
M. Ravel
Menuet Antique
Für Elise
L. v. Beethoven
W. A. Mozart
F. Schubert
Türkischer Marsch (Mozart)
Ständchen
S. 43
Humoreske
© 1996 Roland Corporation
A. Dvorák
53
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Appendices
Song
No.
Song Name
Composer
Copyright
S. 44
S. 45
S. 46
S. 47
S. 48
S. 49
S. 50
S. 51
S. 52
S. 53
S. 54
S. 55
S. 56
S. 57
S. 58
S. 59
S. 60
S. 61
S. 62
S. 63
S. 64
S. 65
S. 66
Blumenlied
Alpenglöckchen
G. Lange
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1992 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
© 1996 Roland Corporation
T. Oesten
Menuett G dur (Beethoven)
Venezianisches Gondellied
Alpenabendröte
L. v. Beethoven
F. Mendelsshon
T. Oesten
Farewell to the Piano
Brautchor
L. v. Beethoven
R. Wagner
Battle of Waterloo
Wiener Marsch
W. Anderson
C. Czerny
Le Coucou
L. C. Daquin
J. S. Bach
Menuett G dur (Bach)
Spinnerlied
A. Ellmenreich
F. Gossec
Gavotte
Heidenröslein
G. Lange
Zigeuner Tanz
H. Lichner
G. Marie
La Cinquantaine
Csikos Post
H. Necke
Dolly’s Dreaming Awakening
La Violette
T. Oesten
L. Streabbog
R. Schumann
M. Clementi
F. Kuhlau
Fröhlicher Landmann
Sonatine op.36-1 (Clementi)
Sonatine op.20-1 (Kuhlau)
Sonatine No.5 (Beethoven)
L. v. Beethoven
Hungarian Rag: Hungarian Dance No. 5 Ragtime Arrangement For
Solo Piano
J. Brahms/
S. 67
S. 68
© 1996 Roland Corporation
© 1998 Roland Corporation
Arranged by John Maul
Paganini Boogie: Jazz Variation Based on “Caprice No. 24 in A
Minor”
N. Paganini/
Arranged by John Maul
*
All rights reserved. Unauthorized use of this material for purposes other than private, personal enjoyment is a violation of applicable laws.
Profile
John Maul
John Maul is a musician, composer and arranger having graduated from the Royal Academy of Music in London. John’s work
encompasses studio recordings and live performances including work with top UK Jazz artists.
His writing credits include commercial music for BBC radio and television, as well as scoring jazz and classical works.
Having been a product specialist for Roland U.K., John is now actively involved in music software composing/programming for
both Roland Japan and various music publishers. Quite recently his “Musical Picture Book,” a volume of original piano music
encompassing all standards of musical ability, which included the piano and orchestral accompaniment data in SMF format, was
published and printed.
54
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Easy Operation List
1
1
2
3
3
10
12 13
11
7
6
5
4
1
4
5
6
7
8
9
11
14
10
9
8
2
No.
You want to
Buttons
Page
Hold down the [Split] button and press the [Piano] button.
[Split] + [Piano]
p. 33
Twin Piano
1
Press the [Split] and [Chorus] buttons simultaneously, and press the [●] button.
[Split] + [Chorus] → Piano Resonance [Key Off]
[Split] + [Chorus] → Piano Resonance [String]
[Split] + [Chorus] → Piano Resonance [Damper]
[Split] + [Chorus] → [Grand Space]
p. 49
p. 49
p. 46
p. 43
p. 42
Local Control
1
2
3
4
5
MIDI send channel settings
USB Driver Setting
Grand Space Mode
Master Tuning
[Split] + [Chorus] → [Piano]
Selecting a temperament
Specifying the keynote
[Split] + [Chorus] → [E. Piano]→
p. 42
6
[E. Piano] + key
[Split] + [Chorus] → [Harpsichord]
[Split] + [Chorus] → [Organ]
p. 43
p. 43
p. 43
p. 45
p. 45
p. 49
p. 46
p. 44
Stretch tuning
7
Octave Shift
8
[Split] + [Chorus] → [Strings]
Applying the damper pedal to the left-hand keyboard area
9
[Split] + [Chorus] → [Song/Tempo]
[Split] + [Chorus] → [Metronome/Count In]
[Split] + [Chorus] → [Left]
Song Backup
10
11
12
13
14
Memory Backup
Transmitting a recorded performance
V-LINK
[Split] + [Chorus] → [Right]
[Split] + [Chorus] → Key Touch [Touch]
Factory Reset
Hold down the [ ] button and press the [-] or [+] button.
[Song/Tempo] + [-] [+]
p. 32
p. 33
Beat of metronome
1
2
[Metronome/Count In] + [-] [+]
[Acoustic Layering] + [-] [+]
Piano Resonance [Damper] + [-] [+]
Piano Resonance [String] + [-] [+]
Piano Resonance [Key Off] + [-] [+]
[Chorus] + [-] [+]
Metronome volume
p. 28
Layer Balance (Dual Balance)
Damper pedal’s resonance level
String’s resonance level
Key Off volume
3
p. 20
4
p. 19
5
p. 19
6
p. 26
Depth of the Chorus effect
Depth of the Reverb effect
Dynamic Emphasis setting
Grand Space setting
7
[Reverb] + [-] [+]
p. 26
8
[Dynamic Emphasis] + [-] [+]
[Grand Space] + [-] [+]
p. 25
9
p. 23, p. 24
10
Press the [ ] button, and press the [-] or [+] button.
[Transpose] + [Split] → [-] [+]
p. 29
Dual Balance (Layer Balance)
11
Hold down the [Split] or [Transpose] button and press the key.
[Split] + key
p. 31
p. 27
Split Point
Key Transpose
[Transpose] + key
55
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Parameters Stored in Memory Backup
Key Off Resonance (On/Off, Volume)
String Resonance (On/Off, Depth)
Damper Resonance (On/Off, Depth)
Key Touch
p. 19
p. 19
p. 20
p. 21
Hammer Response
p. 22
Piano Tone-Related Settings in Effect
When the Power is Turn On
Temperament (Temperament, Tonic)
Stretch Tuning
p. 42
p. 43
Grand Space (On/Off, Depth)
Dynamic Emphasis (On/Off, Depth)
Master Tuning
p. 23, p. 24
p. 25
p. 42
Reverb (On/Off, Depth)
p. 26
USB Driver Setting
p. 46
Applying the damper pedal to the left-hand keyboard area
Grand Space Mode
p. 43
Other Settings
p. 43
Split Point
p. 31
Dual Balance, Layer Balance
p. 28, p. 29
56
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Appendices
MIDI Implementation Chart
DIGITAL PIANO
Date : Mar. 1, 2004
Version : 1.00
Model HP107
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1–16
1–16
1–16
Default
Messages
Altered
Mode 3
x
Mode 3
x
Mode
**************
Note
Number :
0–127
**************
0–127
0–127
True Voice
Note ON
Note OFF
O
O
O
O
Velocity
After
Touch
Key’s
Ch’s
x
x
x
x
Pitch Bend
x
O
0, 32
O
x
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
Bank Select
1
Modulation
Portamento time
Data entry
5
x
6, 38
O
O
x
O
O
x
O
O
x
O
O
O
7
Volume
Panpot
Control
Change
10
11
Expression
Hold 1
64
65
Portamento
Sostenuto
66
67
Soft
84
Portamento control
Effect 1 (Reverb)
Effect 3 (Chorus)
RPN LSB, MSB
91
93
100, 101
Prog
Change
0...100
**************
O (0–127)
0...100
: True Number
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
x
x
x
x
x
x
x
x
O
x
O
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–127)
O
x
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
57
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Main Specifications
Keyboard
Keyboard
88 keys (Progressive Hammer Action Keyboard with Escapement)
Touch: Light, Medium, Heavy, Fixed
Touch Sensitivity
Hammer: Light, Medium, Heavy, Off
Keyboard Mode
Sound Generator
Max. Polyphony
Tones
Whole, Layer/Dual (volume balance adjustable), Split (split point adjustable)
128 voices
5 groups 36 variations+ 4 tones for Layer
8 types, selectable tonic
2 types
Temperament
Stretched Tuning
Master Tuning
Transpose
415.3 Hz–466.2 Hz (0.1 Hz Step)
-6–+5 (in semitones)
Grand Space, Dynamic Emphasis, Piano Resonance (Key Off Resonance, String Resonance,
Damper Resonance), Reverb (10 levels), Chorus (10 levels)
Effects
Metronome
Beat
2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
10 levels
Volume
Recorder
Tracks
2 tracks
Song
1 song (Rememberable)
Note Storage
Tempo
Approx. 10,000 notes
Quarter note = 10–500
Resolution
Control
120 ticks per quarter note
Play/Stop, Rec, Tempo, All Song Play, Track Select
68 songs + 14 Tone Demo songs
Built-in Songs
Others
Rated Power Output
Speakers
50 W x 2
20 cm x 2 (Speaker Box), 10cm x 2
Beat LED
Display
7 segments, 3 characters (LED)
Headphones indicator
Control
Volume, Brilliance
Pedals
Damper (half-pedal recognition), Soft (half-pedal recognition), Sostenuto (function assignable)
Panel Lock, Song backup, Memory backup, Factory Reset
Other Functions
USB connector (MIDI), Output jacks (L/Mono, R), Input jacks (L/Mono, R), Headphone jack x 2 (Stereo),
MIDI connectors (In, Out)
Connectors
Power supply
AC 117 V/AC 230 V/AC 240 V
Power Consumption
110 W
1,421 (W) x 526 (D) x 894 (H) mm/56 (W) x 20-3/4 (D) x 35-1/4 (H) inches
Dimensions
1,421 (W) x 526 (D) x 1,098 (H) mm/56 (W) x 20-3/4 (D) x 43-1/4 (H) inches
(including music rest)
(including piano stand)
Weights
79 kg / 175 lbs
(including Piano Stand)
Owner’s manual, Roland 60 Classical Piano Masterpieces, USB Installation Guide,
CD-ROM (Roland Digital Piano USB Driver), Power Cord, Headphone Hook
Accessories
*
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without prior notice.
58
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A
Adjuster .......................................................................... 14
All Song Play .................................................................. 15
B
Beat .................................................................................. 32
[Brilliance] knob ............................................................ 14
P
C
D
All Songs Continuously .......................................... 15
Along with the built-in songs ................................ 34
Damper pedal .......................................................... 14, 43
Damper Resonance .................................................14, 20
Demo
Dual Balance .................................................................. 29
Dual Performance ......................................................... 29
E
Effects .............................................................................. 26
Amount of effect applied ........................................ 26
F
G
Sostenuto pedal ............................................................. 14
H
Hammer Response ........................................................ 22
K
Key Off ............................................................................ 19
Key Touch ...................................................................... 21
L
Tone button .................................................................... 18
Tone Group .................................................................... 18
Track button ............................................................. 35, 39
Transpose ........................................................................ 27
[Transpose] button ........................................................ 27
Tuning Curve ................................................................. 43
Lid .................................................................................... 13
Local Control ................................................................. 49
M
Master Tuning ............................................................... 42
Memory Backup ............................................................ 45
Metronome ..................................................................... 32
Volume ...................................................................... 33
59
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Index
U
USB Driver ..................................................................... 46
V
Variation tone ................................................................ 18
V-LINK ........................................................................... 46
Volume ............................................................................ 14
Metronome ............................................................... 33
[Volume] knob ............................................................... 14
60
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MEMO
61
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
COSTA RICA
TRINIDAD
NORWAY
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
JUAN Bansbach Instrumentos
AMR Ltd
Roland Scandinavia Avd.
MUSIC HOUSE CO. LTD.
Ground Floor
Musicales
Kontor Norge
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
Ave.1. Calle 11, Apartado 10237,
San Jose, COSTA RICA
TEL: 258-0211
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
TEL: (02) 899 9801
TEL: 2273 0074
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
URUGUAY
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
CURACAO
Zeelandia Music Center Inc.
Orionweg 30
Curacao, Netherland Antilles
TEL:(305)5926866
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
POLAND
MX MUSIC SP.Z.O.O.
UL. Gibraltarska 4.
PL-03664 Warszawa POLAND
TEL: (022) 679 44 19
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
CRISTOFORI MUSIC PTE LTD
Blk 3014, Bedok Industrial Park E,
#02-2148, SINGAPORE 489980
TEL: 6243-9555
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
REUNION ISLAND
TEL: (0262) 218-429
SOUTH AFRICA
That Other Music Shop(PTY)Ltd.
11 Melle St., Braamfontein,
Johannesbourg,
SOUTH AFRICA
TEL: (011) 403 4105
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
OMAN
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
FAX: (011) 403 1234
EUROPE
TEL:(593-4)2302364
TEL: (02) 2561 3339
TEL: (266) 364 609
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
THAILAND
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
Theera Music Co. , Ltd.
330 Verng NakornKasem, Soi 2,
Bangkok 10100, THAILAND
TEL: (02) 2248821
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
VIETNAM
SAIGON MUSIC
DISTRIBUTOR
(TAN DINH MUSIC)
138 Tran Quang Khai Street
Dist. 1, Ho Chi Minh City
VIETNAM
TEL: 262-0788
TEL: 4423-554
SPAIN
ASIA
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
GUATEMALA
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
TEL:(502) 599-2888
TEL: (08) 848-4068
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
TEL: (014) 575811
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
CZECH REP.
K-AUDIO
Kardasovska 626.
CZ-198 00 Praha 9,
CZECH REP.
AUSTRALIA/
NEW ZEALAND
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
AUSTRALIA/
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
TEL: (2) 666 10529
TEL: (010) 6426-5050
DENMARK
Roland Shanghai Electronics
Co.,Ltd.
(GUANGZHOU OFFICE)
2/F., No.30 Si You Nan Er Jie
Yi Xiang, Wu Yang Xin Cheng,
Guangzhou 510600, CHINA
TEL: (020) 8736-0428
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
TEL: (011) 223-5384
UKRAINE
TIC-TAC
Mira Str. 19/108
P.O. Box 180
295400 Munkachevo,
UKRAINE
TEL: (03131) 414-40
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: 3916 6200
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
UNITED KINGDOM
MEXICO
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
CENTRAL/LATIN
AMERICA
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
TEL: 2415 0911
TEL: (04) 3360715
UNITED KINGDOM
TEL: (01792) 702701
TEL: (55) 5668-6699
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
Parsons Music Ltd.
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
NORTH AMERICA
MIDDLE EAST
GREECE
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
CANADA
Roland Canada Music Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
TEL: (505)277-2557
PANAMA
TEL: (604) 270 6626
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
TEL: 17 211 005
HUNGARY
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
CYPRUS
Radex Sound Equipment Ltd.
17, Diagorou Street, Nicosia,
CYPRUS
Roland Canada Music Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
TEL: 315-0101
TEL: (23) 511011
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
TEL: (022) 66-9426
TEL: (905) 362 9707
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
U. S. A.
KOREA
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: (021) 285-4169
TEL: (323) 890 3700
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
MALAYSIA
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
Lima - Peru
TEL: (511) 4461388
TEL: (574)3812529
As of August 1, 2005 (ROLAND)
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For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
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–
–
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Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
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This owner’s manual is printed on recycled paper.
03670601
’05-8-2N
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