Q-SPAND PRO
Featuring:
User Guide
and Reference Manual
4295 Charter Street
Los Angeles Ca. 90058
12/06
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Q-SPAND PRO
ELECTRICAL SAFETY PRECAUTIONS
LINE VOLTAGE SELECTION
For Dual Voltage models only!
• The desired voltage may be set with the
VOLTAGE SELECTOR switch on the rear
panel (using a flat head screw driver).
• Do not force the VOLTAGE SELECTOR
switch as this may cause damage
WARNING: TO PREVENT FIRE OR ELECTRIC
SHOCK HAZARD, DO NOT EXPOSE THIS
UNIT TO RAIN, LIQUIDS, OR MOISTURE
• If the VOLTAGE SELECTOR switch does
not move smoothly, please contact a quali-
fied service technician.
CAUTION: TO PREVENT ELECTRIC SHOCK
DO NOT USE THIS (POLARIZED) PLUG WITH
AN EXTENSION CORD, RECEPTACLE, OR
OTHER TYPE OF ELECTRICAL OUTLET
UNLESS THE WIDE BLADES CAN BE
CAREFULLY INSERTED INTO A MATCHING
WIDE SLOT.
ATTENTION: POUR PREVENIR LES CHOCS
ELECTRIQUES NE PAS UTILISER CETTE
FICHE POLARISEE AVEC UN PROLON-
GATEUR, UNE PRISE DE COURANT OU
UNE AUTRE SORTIE DE COURANT, SAUF
SI LES LAMES PEUVENT ETRE INSEREES A
FOND SANS EN LAISSER AUCUNE PARTIE A
DECOUVERT.
VOLTAGE SELECTOR SWITCH
The serial and model number for this unit is
located on the rear panel. Please write down
the numbers here and retain for future refer-
ence.
Model No._____________________________
Serial No._____________________________
NOTE: This product satisfies FCC
regulations when shielded cables
and connectors are used to con-
nect the unit to other equipment.
To prevent electromagnetic inter-
ference with electrical appliances
such as radios and televisions, use
shielded cables and connectors
for connections.
Purchase Notes:
Date of Purchase_______________________
Dealer Name__________________________
Dealer Address_________________________
_____________________________________
_____________________________________
Dealer Phone__________________________
©American Audio®
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Q-SPAND PRO Instruction Manual Page 3
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Q-SPAND PRO
ELECTRICAL SAFETY PRECAUTIONS
ELECTRICAL PRECAUTIONS
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated "dangerous voltage" within the
product'senclosurethatmaybeofsufficientmagnitude
to constitute a risk of electric shock to persons.
The exclamation point within an equilateral triangle is
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in
the literature accompanying the appliance.
CAUTION: TO REDUCE THE RISK OF ELECTRIC
SHOCK, DO NOT REMOVE THE COVER (OR BACK).
THERE ARE NO USER SERVICEABLE PARTS
INSIDE REFER SERVICE TO YOUR AUTHORIZED
AMERICAN AUDIO® SERVICE TECHNICIAN.
IMPORTANT SAFETY INSTRUCTIONS
OBJECT AND LIQUID ENTRY - Never push objects of
READ INSTRUCTIONS — All the safety and operating
GROUNDING OR POLARIZATION
instructions should be read before the product is
operated.
•
Ifthisproductisequippedwithapolarizedalternating
current line plug (a plug having one blade wider than
theother), itwillfitintotheoutlet onlyoneway. This
isasafetyfeature.Ifyouareunabletoinserttheplug
fullyintotheoutlet, tryreversingtheplug. Iftheplug
should still fail to fit, contact your electrician to
replace your obsolete outlet. Do not defeat the
safety purpose of the polarized plug.
any kind into this product through openings as they
may touch dangerous voltage points or short-out
parts that could result in a fire or electric shock.
Never spill liquid of any kind on the product.
RETAIN INSTRUCTIONS — The safety and operating
instructionsshouldberetainedforfuturereference.
HEED WARNINGS — All warnings on the product and
in the operating instructions should be adhered to.
FOLLOW INSTRUCTIONS — All operating and use
instructions should be followed.
SERVICING — Do not attempt to service this product
yourself as opening or removing covers may expose
you to dangerous voltage or other hazards. Refer all
servicing to qualified service personnel.
CLEANING — The product should be cleaned only with
a polishing cloth or a soft dry cloth. Never clean with
furniture wax, benzine, insecticides or other volatile
liquids since they may corrode the cabinet.
ATTACHMENTS — Do not use attachments not
recommendedbytheproductmanufacturerasthey
may cause hazards.
WATER AND MOISTURE — Do not use this product
near water — for example, near a bathtub, wash
bowl,kitchensink,orlaundrytub;inawetbasement;
or near a swimming pool; and the like.
ACCESSORIES — Do not place this product on an
unstable cart, stand, tripod, bracket, or table. The
product may fall, causing serious injury to a child or
adult, and serious damage to the product. Use only
•
If this product is equipped with
a
three-wire
DAMAGEREQUIRINGSERVICE - Unplugthisproduct
from the wall outlet and refer servicing to qualified
service personnel under the following conditions:
groundingtypeplug,aplughavingathird(grounding)
pin, itwillonlyfitintoagroundingtypepoweroutlet.
Thisisasafetyfeature.Ifyouareunabletoinsertthe
plug into the outlet, contact your electrician to
replace your obsolete outlet. Do not defeat the
safety purpose of the grounding type plug.
•
•
When the power-supply cord or plug is damaged.
If liquid has been spilled, or objects have fallen into
the product.
•
•
If the product has been exposed to rain or water.
Iftheproductdoesnotoperatenormallybyfollowing
theoperatinginstructions.Adjustonlythosecontrols
that are covered by the operating instructions as an
improper adjustment of other controls may result in
damage and will often require extensive work by a
qualified technician to restore the product to its
normal operation.
POWER-CORD PROTECTION - Power-supply cords
should be routed so that they are not likely to be
walked on or pinched by items placed upon or
against them, paying particular attention to cords at
plugs,conveniencereceptacles,andthepointwhere
they exit from the product.
OUTDOOR ANTENNA GROUNDING — If an outside
antennaorcablesystemisconnectedtotheproduct,
be sure the antenna or cable system is grounded so
astoprovidesomeprotectionagainstvoltagesurges
andbuilt-upstaticcharges.Article810oftheNational
ElectricalCode,ANSI/NFPA70,providesinformation
with regard to proper grounding of the mast and
supporting structure, grounding of the lead-in wire
to an antenna discharge unit, size of grounding
conductors, location of antenna-discharge unit,
connection to grounding electrodes, and
requirementsforthegroundingelectrode.SeeFigure
A.
LIGHTNING — For added protection for this product
duringalightningstorm,orwhenitisleftunattended
and unused for long periods of time, unplug it from
the wall outlet and disconnect the antenna or cable
system. This will prevent damage to the product
due to lightning and power-line surges.
POWER LINES —An outside antenna system should
notbelocatedinthevicinityofoverheadpowerlines
or other electric light or power circuits, or where it
can fall into such power lines or circuits. When
installing an outside antenna system, extreme care
should be taken to keep from touching such power
lines or circuits as contact with them might be fatal.
OVERLOADING — Do not overload wall outlets,
extensioncords,orintegralconveniencereceptacles
as this can result in a risk of fire or electric shock.
•
•
If the product has been dropped or damaged in any
way.
When the product exhibits a distinct change in
performance — this indicates a need for service.
with
a
cart, stand, tripod, bracket, or table
recommended by the manufacturer, or sold with
the product. Any mounting of the product should
follow the manufacturer’s instructions, and should
use a mounting accessory recommended by the
manufacturer.
REPLACEMENT PARTS -- When replacement parts
arerequired,besuretheservicetechnicianhasused
replacement parts specified by the manufacturer or
have the same characteristics as the original part.
Unauthorizedsubstitutionsmayresultinfire,electric
shock, or other hazards.
SAFETY CHECK - Upon completion of any service or
repairs to this product, ask the service technician to
performsafetycheckstodeterminethattheproduct
is in proper operating condition.
WALL OR CEILING MOUNTING — The product should
not be mounted to a wall or ceiling.
HEAT —The product should be situated away from heat
sources such as radiators, heat registers, stoves, or
other products (including amplifiers) that produce
heat.
CART — A product and cart combination should be
moved with care. Quick stops, excessive force, and
uneven surfaces may cause the product and cart
combination to overturn.
VENTILATION — Slots and openings in the cabinet are
provided for ventilation and to ensure reliable
operation of the product and to protect it from
overheating, and these openings must not be
blocked or covered. The openings should never be
blocked by placing the product on a bed, sofa, rug,
or other similar surface. This product should not be
placed in a built-in installation such as a bookcase or
rack unless proper ventilation is provided or the
manufacturer’s instructions have been adhered to.
POWER SOURCES —This product should be operated
only from the type of power source indicated on the
marking label. If you are not sure of the type of
power supply to your home, consult your product
dealer or local power company.
ANTENNA
LEAD IN
WIRE
GROUND
CLAMP
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810-20)
LOCATION – The appliance should be installed in a
stable location.
NONUSE PERIODS – The power cord of the appliance
should be unplugged from the outlet when left un-
used for a long period of time.
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
Fig. A
NEC — NATIONAL ELECTRICAL CODE
©American Audio®
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Q-SPAND PRO
SAFETY PRECAUTIONS
8. Never plug this mixer in to a dimmer pack.
1. For adult use only - Keep out of the reach
of children.
9. Do not let insecticides, benzene, or thinner
come in contact with the surface of the unit.
2. Water and Moisture - The player should not
be used near water - for example, near a bath
tub, kitchen sink, laundry tub, in a wet base-
ment or near a swimming pool, etc. Do not
spill water or other liquids in to or on to your
mixer.
10. This unit is intended for indoor use only, use
of this product outdoors voids all warranties.
11. Always mount this unit in safe and stable
matter.
12. Disconnect from main power before making
any type of connection.
3. Ventilation - The Mixer should be situated
so that its location or position does not inter-
fere with its proper ventilation. For example,
the Mixer should not be situated on a bed,
sofa, rug, or similar surface that may block the
ventilation openings; or, placed in a built-in
installation, such as a bookcase or cabinet that
may impede the flow of air through the ventila-
tion openings.
13. Cleaning - The mixer should be cleaned
only as recommended by the manufacturer.
Use a soft cloth to wipe down the outside of the
unit. For stubborn stains moisten a soft cloth
with glass cleaner or other mild detergent to
wipe away any stains. Use a soft cloth to wipe
any residual cleaner. Never use volatile clean-
ers such as benzene, solvent, or thinner to clean
your unit, these cleaners will damage the units
surface.
4. Heat - The Mixer should be situated away
from heat sources such as radiators, heat reg-
isters, stoves, or other appliances (including
amplifiers) that produce heat.
14. Handle the power supply cord carefully. Do
not damage or deform; it may cause electric
shock or malfunction when used. Hold plug
attachment when removing from wall outlet.
Do not pull on the cord.
5. Power Sources - The Mixer should be con-
nected to a power supply (wall outlet) only of
the type described in the operating instructions
or as marked on the Mixer.
15. To avoid electric shock, do not open the
top cover when the unit is plugged in. If prob-
lems occur with the unit, call American Audio®
customer support.
6. Servicing -The user should not attempt to
service the Mixer beyond that described in the
operating instructions. There are no user ser-
viceable parts inside. All other servicing should
be referred to qualified service personnel. The
Player should be serviced by qualified service
personnel when:
16. Do not place metal objects or spill any liq-
uids inside or on the mixer. Electric shock or
malfunction may occur.
A. The power-supply cord or the plug has
been damaged.
B. Objects have fallen, or liquid has been
spilled into the Mixer.
C. The Mixer has been exposed to rain
or water.
D. The Mixer does not appear to operate
normally or exhibits a marked change
in performance.
17. Power Cord Protection - Power supply
cords should be routed so that they are not
likely to be walked on or pinched by items
placed upon or against them, paying particular
attention to cords at plugs, convenience recep-
tacles, and the point where they exit from the
mixer. Route your power cord out of the way of
foot traffic.
18. Always have the front gain controls set to
their lowest level during initial power-up to pre-
vent speaker damage.
7. Never disassemble or modify your unit in
any way, doing so will void your manufactures
warranty.
©American Audio®
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Q-SPAND PRO
INTRODUCTION
Introductions: Congratulations and thank you for purchasing the American Audio® Q-SPAND PRO
mixer. This mixer is a representation of American Audio’s continuing commitment to produce the best
and highest quality audio products possible at an affordable price. Please read and understand this
manual completely before attempting to operate your new mixer. Please carefully read and understand
the instructions in this manual thoroughly before attempting to operate this unit. These instructions
contain important safety information regarding the use and maintenance of this unit. Take special care
to follow all warning symbols and labels both on the unit and printed in this manual. Also, Please keep
this manual with the unit, for future reference.
Customer Support:
American Audio® provides a toll free customer support line, to provide set up help and answer any
question should you encounter problems during your initial set up or operation. You may also visit us
through Friday 9:00 a.m. to 5:30 p.m. Pacific Standard Time.
Voice:
Fax:
(800) 322-6337
(323) 582-2941
E-mail:
Caution! There are no user serviceable parts inside this mixer. Do not attempt any repairs yourself,
without being instructed to do so by an authorized American Audio service technician. Doing so will
void your manufactures warranty. In the unlikely event your mixer may require service, please contact
American Audio® customer support.
Do not discard the packing carton in the trash. Please recycle when ever possible.
Q-SPAND PRO
SET-UP PRECAUTIONS
Please be sure to make any connections before plugging the mixer in to an electrical outlet. All fader
and volume controls should be set to zero or minimum position, before the mixer is switched on. If the
mixer has been exposed to drastic temperature fluctuation (e.g. after transportation), do not switch on
the mixer immediately. The arising condensation of water might damage your device. Leave the device
switched off until it has reached room temperature.
Operating Determinations:
• When installing this mixer, please make sure that the device is not exposed or will not be
exposed to extreme heat, moisture or dust!
• Do not operate the mixer in extremely hot (more than 30°/100°F) or extremely cold (less than
5°C/40°F) surroundings.
• Keep the unit out of direct sunlight and away from heaters.
• Operate the mixer only after becoming familiar with its functions. Do not permit operation by
persons not qualified for operating the mixer. Most damages are the result of unprofessional
operation!
• Do not attempt to operate this mixer if the power cord has been frayed or damaged.
• Disconnect from main power before making any type of connection.
• Do not attempt to operate this mixer, if it becomes damaged in any way.
• Never operate this mixer when it’s covers are removed.
• To reduce the risk of electrical shock or fire, do not expose this mixer to rain or moisture.
• This mixer is intended for indoor use only, use of this product outdoors voids all warranties.
• During long periods of non-use, disconnect the mixer’s main power.
©American Audio®
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Q-SPAND PRO
UNPACKING
Every Q-SPAND PRO has been thoroughly tested and has been shipped in perfect operating condi-
tion. Carefully check the shipping carton for damage that may have occurred during shipping. If the
carton appears to be damaged, carefully inspect your mixer for any damage and be sure all equipment
necessary to operate the mixer has arrived intact. In the event damage has been found or parts are
missing, please contact our toll free customer support number for further instructions. Please do not
return the mixer to your dealer without first contacting American Audio® customer support.
Q-SPAND PRO
QUICK START INSTRUCTIONS
QUICK START: American Audio® would like to thank you for your purchase of this great audio product.
For those of you that don't have the time to read the entire user manual we have compiled these quick
start instructions. We hope that you will at least read through these instructions to familiarize yourself
with the basics of this mixer. The Q-SPAND PRO is part of American Audio’s continuing evolution in
audio technology. This unit has been built and designed to meet the needs of a typical DJ. We have
attempted to provide you with the most reliable product on the market by using only components con-
structed of the finest material.
MASTER LEVEL - Use this level to control your main volume output. Try never to send an output of
more than +4dB to your system. Signal at levels higher than this will start to distort and may cause
damage to your system and speakers. Remember that a distorted signal from you mixer will only be
multiplied throughout your system.
CHANNEL GAIN LEVEL - The channel gain levels are not to be used as volume controls. Never use
the channel trim to set the output volume. These controls are used to aid in distortion control. Use
these control to preset your signal level before the crossfader. With your channel faders in the maxi-
mum position, use the channel trim level to set an average output level of about +4dB on you master
level meter.
HEADPHONES - To avoid damaging your headphones always be sure the headphone volume level
(31) is set to minimum before plugging them in. To avoid sever hearing damage, never put the head-
phone on without making sure the headphone level is turned down.
MAIN MIC - The main mic connector uses a combo plug that allows you to connect either a 1/4”
unbalanced jack or by a standard 3-pin XLR balanced connector. The main mic also has an indepen-
dent volume control. When feedback occurs when using the mic, try lowering the level this may reduce
the feedback. Always leave the mic level to it’s minimum level when not in use. Note: We recommend
that you use a 500-600ohm microphone for the best sound quality.
PHONO/AUX LINE LEVEL SELECTOR SWITCH - This switch is used to change the selected input
from phono to line and vice versa. The switch selectors are on the rear panel.
©American Audio®
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Q-SPAND PRO
FRONT PANEL - CONTROLS AND FUNCTIONS
1 2
3
4
5
6
7
8
9
10
11 12 13 14 15
31 30
29
28
27 26 25 24
23 22 21 20 19 18 17 16
1. MICROPHONE EQ SECTION -
MICROPHONE TREBLE CONTROL - This knob is used to adjust the treble levels of the
Microphone with a maximum signal gain of +12dB or maximum signal decrease of -30dB. Turning the
knob in a counter-clockwise direction will decrease the amount of treble applied to the microphone
signal, turning the knob in a clockwise direction will increase the amount of treble applied to micro-
phone signal.
MICROPHONE BASS CONTROL - This knob is used to adjust the low frequency levels of the
microphone with a maximum signal gain of +12dB or maximum signal decrease of -30dB. Turning the
knob in a counter-clockwise direction will decrease the amount of bass applied to the microphone
signal, turning the knob in a clockwise direction will increase the amount of bass applied to micro-
phone signal.
2. TALKOVER CONTROL - This function decreases all signal output except the microphone signal.
The amount of decrease is preset to -14dB and is not user selectable.
3. MICROPHONE 1 - This combo jack will accept a standard 1/4 plug or XLR 3-pin balanced male
plug. The volume output level for this microphone will be controlled by its own respective VOLUME
KNOB (31). Note: We recommend that you use a 500-600ohm microphone for the best sound
quality.
4. SOURCE SELECTOR SWITCH - These switches are used to select the input source assigned to
each channel. Each channel may only be assigned one input source at a time. This switch must be in
©American Audio®
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Q-SPAND PRO
FRONT PANEL - CONTROLS AND FUNCTIONS CONT.
the “phono” position for turntable operation.
5. CHANNEL GAIN CONTROL - This adjustment is used to adjust the audio source signal input gain
for a channel. Never use the gain control to adjust a channels output volume. Setting the gain level
properly will ensure a clean output signal. An improper gain level adjustment will send a distorted
signal throughout the entire audio line which may damage speakers and amplifiers. To properly set a
channels gain level control:
1. Be sure the MASTER VOLUME CONTROL (22) is set to level 8.
2. Set the CHANNEL FADER (25) to level 8.
3. Begin playback on an audio source connected to the channel you are adjusting.
4. Use the Gain Control to adjust an average output volume of +4 dB.
5. Repeat this step for all channels
6. Q-START ON/OFF BUTTON - This function works in conjunction with a compatible American DJ®
or American Audio® “Q” Start CD player. When used with a compatible CD player, you can use the
crossfader to start and stop a CD Player with the slide of the mixer’s CROSSFADER (28). The ON/OFF
“Q" START BUTTTON activates the FADER “Q" START feature. When in the ON position (RED LED
WILL BE LIT), the FADER “Q" START automatically returns the CD player to the preset CUE POINT.
For example; Assuming you have two compatible American Audio™ CD players or a
compatible dual CD player connected to channels one and two. When the Fader "Q" Start
option is turned on, sliding the crossfader to the far left position will trigger playback on CD
player 1. When the crossfader is pushed to the far right position, playback on CD player 2 will
begin, and CD player 1 will return to the cue position. Refer to your American Audio CD player
user manual for setting CUE POINTS. Turn the ON/OFF BUTTON to the OFF position (RED
LED IS NOT LIT) to disengaged “Q” Start function and resume to a normal fader.
7. CHANNEL EQ SECTION -
CHANNEL TREBLE CONTROL - This knob is used to adjust the treble levels of a channel
allowing for a maximum treble gain of +12dB or maximum decrease of -30dB. Turning the knob in a
counter-clockwise direction will decrease the amount of treble applied to a channel signal, turning the
knob in a clockwise direction will increase the amount of treble applied to a channel signal.
CHANNEL MIDRANGE CONTROL - This knob is used to adjust the midrange levels of a chan-
nel allowing for a maximum midrange gain of +12dB or maximum decrease of -30dB. Turning the knob
in a counter-clockwise direction will decrease the amount of midrange applied to a channel signal,
turning the knob in a clockwise direction will increase the amount of midrange applied to a channel
signal.
CHANNEL BASS CONTROL - This knob is used to adjust the low frequency levels of a channel
allowing for a maximum bass gain of +12dB or maximum signal decrease of -30dB. Turning the knob
in a counter-clockwise direction will decrease the amount of bass applied to a channel signal, turning
the knob in a clockwise direction will increase the amount of bass applied to a channel signal.
8. CHANNEL VOLUME LEVEL INDICATORS - The LED indicators that run along each channels EQ
section are used to measure incoming signal levels. Use these indicator to visually maintain an average
signal output of +4dB. A consistent average output level of +4dB will produce a clean output signal.
9. MASTER VOLUME LEVEL INDICATORS - The dual MASTER LEVEL LED indicators are used to
detail the master fader output level. The meters will detail the output level of both the left and right
channels.
10. MASTER OUTPUT BALANCE CONTROL - This knob is used to control the pan, adjust how much
©American Audio®
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Q-SPAND PRO
FRONT PANEL - CONTROLS AND FUNCTIONS CONT.
of the signal is sent to the left and right output level. For true stereo imaging, maintain the knob in the
12 o’ clock position.
11. BNC JACK - This jack is used to supply a 12V DC signal to a gooseneck light, such as the
American Audio® GNL-14.
12. POWER SWITCH - This is the main power ON/OFF button. A blue LED next to the power switch
will glow when power is ON. Before you turn the power on be sure you have made all connections to the
mixer. Also be sure you amplifiers are turned off. Remember mixer on first and turned off last.
13. WIDTH CONTROL - This knob is used to control the amount of SRS 3D process is applied to the
output source signal.
14. 3D ST CONTROL - This button is used to activate the SRS® (Sound Retrieval System®) 3D Stereo
Process. SRS retrieves the spatial information from recordings and restores the original three-dimen-
sional sound field. As a result, the reproduced sound is much closer to a live performance. Like live
performances, SRS has no critical listening position (sweet spot). Listeners can move around the room
and continue to be immersed in full three-dimensional sound. A microphone does not possess the
ability to interpret the direction a sound is coming from in the same way that the human ear does. How-
ever, when the audio source is recorded, directional audio cues are still present in the recording. By
breaking down the stereo signal into its various signal components, it is possible to isolate and restore
these spatial cues and place them in the proper space relative to the direct sounds, such as a soloist
or dialogue. These spatial cues are restored by the use of Head Related Transfer Functions (HRTFs),
which process ambient sounds via patented frequency response correction curves.
15. TRU BASS CONTROL - This button is used to activate the SRS® (Sound Retrieval System®) TRU
BASS™ Process. TruBass circuity actively monitors the low-frequency content of an audio signal and
optimizes the frequency and amplitude spectrum of the output signal to enhance bass perception.
Whether you are limited by space, cost or implementation, for bass previously believed impossible.
This process creates deep, rich bass in headphones and speaker systems that have poor or little bass
response. Sub-woofer performance will be enhanced substantially. Unprecedented bass response will
virtually eliminates the need for large speakers to create low frequency fundamental tones and will in
several case eliminate the need for a sub-woofer all together. Be sure that the TRU BASS™ process
will not color the midrange or create bass not present on recordings. This process will only define any
bass present on a recording.
16. TRUE BASS LEVEL - This knob is used to control the amount of "TRU BASS" process is applied
to the output source signal.
17. WOW CONTROL - This button is used to activate the SRS® WOW Process created by SRS Labs.
The WOW™ process is a combination of 3D Stereo Process and the TRU BASS™ Process. WOW cre-
ates extraordinary enhancement to the listening experience. Ordinary stereo presents a limited spatial
presentation, and often lack-luster bass (low frequency) performance. Any sound system can deliver
an audio performance with drastically improved image size, dynamics and immersion when playing a
signal processed with WOW. Because the WOW™ effect combines the 3D Stereo™ Process and the
TRU BASS™ Process, the processing of the spatial cues surrounds the listener with a holographic
representation of the performance. In addition bass becomes deep, rich and controlled through means
that don’t require a speaker with a large woofer or cabinet size. In essence you may eliminate the need
of a separate sub-woofer.
18. AUX 4 INPUT JACK - This Aux input is for the use of a Mp3 player, or XM or Sirius satellite radio.
Input volume will be controlled by the channel four fader.
©American Audio®
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Q-SPAND PRO
FRONT PANEL - CONTROLS AND FUNCTIONS CONT.
19. HEADPHONE JACK - This jack is used to connect your headphones to the mixer allowing you to
monitor the cue source. Use headphones only rated at 8 ohms to 32 ohms. Most DJ headphones are
rated at 16 ohm, these are highly recommended. Always be sure the CUE LEVEL VOLUME (23) is set
to minimum before you put the headphones on.
20. ZONE LEVEL VOLUME OUTPUT CONTROL - This rotary knob is used to control the zone level
volume. The zone level is not PFL, it is essentially a second master output volume with separate out-
put volume control.
21. SPLIT CUE - This button will activate the "Split Cue" function. When used with a set of stereo
headphones, the Split Cue function will assign the Cue signal to the left channel of the headphones
and the Program (main output) signal to the right channel of the headphones. Essentially splitting the
cue signal in half. This process will allow for headphones mixing. The CUE MIXING CONTROL (24) will
also work in conjunction with function. Please note that this function will only work with a set of stereo
headphones.
22. MASTER VOLUME CONTROL - This slider is used to control the master output level (main
volume). To avoid distorted output try to maintain an average output signal level no greater than +4
dB. To avoid speaker damage that may be caused by excessive volume, be sure this slider is always
set to zero (completely down) before turning the unit on.
23. CUE LEVEL VOLUME CONTROL - This knob is used to adjusts the headphone volume output
level. Turn the knob in a clockwise direction to increase the headphone volume.
24. CUE MIXING CONTROL - This functions allows you to monitor the Cue level as well as the
Program (main output) level in your headphones. A channels Cue Level may only be monitored if the
channels CUE (27) function is selected. To select a channels cue function press the CUE BUTTON
(27) that is directly associated with the specific channel you wish to monitor. You may use the mixing
function to blend both the Cue level and the Program level together. You can vary the output level
to either hear more or less of either of the two levels. Sliding the Cue Mixing fader to the CUE posi-
tion (left) will allow you to hear more of the Cue level. Sliding the knob to the PGM position (right) will
allow you to hear more of the Program level (main output). You may also use the Cue Mixing Control
to hear either the Cue level or the Program level exclusively. If the fader is in the full CUE position you
will only hear the cue level, if the fader is in the full PGM position you will only hear the main output.
This function is especially useful when mixing without an monitor.
25. CHANNEL VOLUME FADER - These faders are used to control the output signal of any source
assigned to its particular channel. However, master volume is controlled by the MASTER VOLUME
CONTROL (22).
26. FADER ASSIGN SWITCH - This is a five position switch that assigns a channel to the CROSS-
FADER (28). When a channel is assigned to the left side of the CROSSFADER (28) that channels
output level is routed to and controlled by the CROSSFADER (28). Sliding the CROSSFADER (28) to
left position will send the volume output of the assigned channel to the MASTER VOLUME LEVEL (22),
siding the CROSSFADER (28) to right position will cut that channels volume to MASTER VOLUME
LEVEL (22). The reverse is true for the right channel fader assign switch. When the assign switch is set
to the "OFF" position the crossfader will have no function.
27. CUE BUTTON - These buttons are used to activate a channels “CUE” mode. A red LED around
the Cue button will glow when a channels cue mode is activated. The Cue function sends a channels
incoming signal to the headphones. The cue level is adjusted by the CUE LEVEL KNOB (23). Be sure
the CUE MIXING KNOB (24) is set to the “CUE” position to hear a selected channel source.
©American Audio®
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FRONT PANEL - CONTROLS AND FUNCTIONS CONT.
28. FEATHER FADER PLUS CROSSFADER - This fader is used to blend the output signals of chan-
nels one and two together. When the fader is in the full left position (channel 1), the output signal of
channel one will be controlled by the master volume level. The same fundamentals will apply for chan-
nel two. Sliding the fader from one position to another will vary the output signals of channels one
and two respectively. When the crossfader is set in the center position, the output signals of both the
channels one and channels two will be even.
29. CROSSFADER CURVE ADJUSTMENT - This rotary knob is used to change the way the cross-
fader will operate. The crossfader can operate in different modes, “NORMAL CURVE”, “QUICK CURVE”
or any variation of the two. (Quick Curve usually used for scratching).
30. MIC 2 VOLUME CONTROL - This knob controls the output volume of MICROPHONE 2 (34).
However, master volume is controlled by the MASTER VOLUME CONTROL (22).
31. MIC 1 VOLUME CONTROL - This knob controls the output volume of MICROPHONE 1 (3).
However, master volume is controlled by the MASTER VOLUME CONTROL (22).
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REAR PANEL - CONTROLS AND FUNCTIONS
32
33
48
47
46
45 44
43 42 41 40 39 36 38 36 37 36 35 34
32. GND (GROUND TERMINAL) - Be sure to connect turntable ground leads to either or both of
the two available ground terminals. This will reduce the humming and popping noises associated
with magnetic phono cartridges.
33. MICROPHONE 3 CONNECTOR - This jack is used to a connect a microphone to the mixer. Con-
nect you microphone via this 1/4 inch (6.3mm) jack. This microphone will be controlled through the
channel 4 fader. The channel 4 EQ will also effect the microphone output. Be sure to flip the SOURCE
SELECTOR SWITCH (4) to the “MIC 3” position to operate this microphone’s input signal.
34. MICROPHONE 2 CONNECTOR - This jack is used to a connect a microphone to the mixer.
Connect you microphone via this 1/4 inch (6.3mm) jack. The volume output level for this microphone
will be controlled by its own respective VOLUME KNOB (30).
35. MIC ATTENUATOR - This knob is used to adjust the MIC 1 and MIC 2 input level.
36. CHANNEL LINE LEVEL SELECTOR SWITCHES - These switches are used to change the volt-
age line levels of there respected Phono / Aux RCA inputs jacks. When connecting turntables with
magnetic cartridges to these jacks be sure the corresponding switch is in the “PHONO” position,
and when using line level input devices be sure this switch is in the “AUX” position. Always be sure
main power is shut off before change the position of the Line Level Selector Switch.
37. CHANNEL 1: PHONO 1/AUX 1 INPUT - The type of input must directly reflect the selected mode
of the LINE LEVEL SELECTOR SWITCH (36). Turntables equipped with MM pickup cartridge (All DJ
turntable use MM pick-up cartridges) may be connected to these jacks as long as the LINE LEVEL
SELECTOR SWITCH (36) is in the “PHONO 1” position. CD players, Tape Decks and other line level
instruments may only be connected to these jacks as long as the LINE LEVEL SELECTOR SWITCH
(36) is in the “AUX 1” position. Never connect line level instruments (CD players, tape decks, etc.)
to these jacks when the LINE LEVEL SELECTOR SWITCH (36) is in the “PHONO 1” position, THIS
MAY SERIOUSLY DAMAGE YOUR MIXER! The red colored RCA jack represents the right channel
input and the white represents the left channel input. Input volume will be controlled by the channel
one fader. The channel SOURCE SELECTOR SWITCH (4) must be in the "Phono 1/Aux 1" position,
to monitor any source connected to these jacks.
CHANNEL 1: LINE 1 INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS!
CD players, Tape Decks and other line level instruments may be connected to these jacks. The red
colored RCA jack represents the right channel input and the white represents the left channel input.
Input volume will be controlled by channel one fader. The channel SOURCE SELECTOR SWITCH (4)
must be in the "Line 1" position, to monitor any source connected to these jacks.
38. CHANNEL 2: PHONO 2/AUX 2 INPUT - The type of input must directly reflect the selected mode
©American Audio®
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REAR PANEL - CONTROLS AND FUNCTIONS CONT.
of the LINE LEVEL SELECTOR SWITCH (36). Turntables equipped with MM pickup cartridge (All DJ
turntable use MM pick-up cartridges) may be connected to these jacks as long as the LINE LEVEL
SELECTOR SWITCH (36) is in the “PHONO 2” position. CD players, Tape Decks and other line level
instruments may only be connected to these jacks as long as the LINE LEVEL SELECTOR SWITCH
(36) is in the “AUX 2” position. Never connect line level instruments (CD players, tape decks, etc.)
to these jacks when the LINE LEVEL SELECTOR SWITCH (36) is in the “PHONO 2” position, THIS
MAY SERIOUSLY DAMAGE YOUR MIXER! The red colored RCA jack represents the right channel
input and the white represents the left channel input. Input volume will be controlled by the channel
two fader. The channel SOURCE SELECTOR SWITCH (4) must be in the "Phono 2/Aux 2" position,
to monitor any source connected to these jacks.
CHANNEL 2: LINE 2 INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS!
CD players, Tape Decks and other line level instruments may be connected to these jacks. The red
colored RCA jack represents the right channel input and the white represents the left channel input.
Input volume will be controlled by channel two fader. The channel SOURCE SELECTOR SWITCH (4)
must be in the "Line 2" position, to monitor any source connected to these jacks.
39. CHANNEL 3: PHONO 3/AUX 3 INPUT - The type of input must directly reflect the selected mode
of the LINE LEVEL SELECTOR SWITCH (36). Turntables equipped with MM pickup cartridge (All DJ
turntable use MM pick-up cartridges) may be connected to these jacks as long as the LINE LEVEL
SELECTOR SWITCH (36) is in the “PHONO 3” position. CD players, Tape Decks and other line level
instruments may only be connected to these jacks as long as the LINE LEVEL SELECTOR SWITCH
(36) is in the “AUX 3” position. Never connect line level instruments (CD players, tape decks, etc.)
to these jacks when the LINE LEVEL SELECTOR SWITCH (36) is in the “PHONO 3” position, THIS
MAY SERIOUSLY DAMAGE YOUR MIXER! The red colored RCA jack represents the right channel
input and the white represents the left channel input. Input volume will be controlled by the channel
three fader. The channel SOURCE SELECTOR SWITCH (4) must be in the "Phono 3/Aux 3" position,
to monitor any source connected to these jacks.
CHANNEL 3: LINE 3 INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS!
CD players, Tape Decks and other line level instruments may be connected to these jacks. The red
colored RCA jack represents the right channel input and the white represents the left channel input.
Input volume will be controlled by channel three fader. The channel SOURCE SELECTOR SWITCH
(4) must be in the "Line 3" position, to monitor any source connected to these jacks.
40. CHANNEL 4: RCA LINE INPUT JACKS - DO NOT CONNECT TURNTABLES TO THESE JACKS!
These Jacks are used for line level inputs. Connect CD players or Tape Decks to line level inputs.
Line level musical instruments with stereo outputs such as Rhythm Machines or Samplers should
also be connected to line level inputs. The red colored RCA jack represents the right channel input
and the white represents the left channel input. Input volume will be controlled by the channel four
fader. The channel SOURCE SELECTOR SWITCH (4) must be in the "Line 4" position, to monitor
any source connected to these jacks.
41. REC OUT - This is a low current unbalanced output source designed for various tape and CD
recorders. The Record Out (REC OUT) level is dictated by the CHANNEL FADER LEVEL (25), it is not
influenced by the MASTER VOLUME CONTROL (22).
42. ZONE LEVEL OUTPUT - Use this separate output signal to drive a booth monitor or separate
sound system. The output level for these jacks will be controlled by the ZONE VOLUME KNOB
(20). These RCA jacks send a low current, unbalanced output signal. These jacks should only be
used for shorter cable runs (under 15 feet) to signal processors or looping to another mixer.
©American Audio®
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REAR PANEL - CONTROLS AND FUNCTIONS CONT.
43. RCA MASTER OUTPUTS - The Master Output includes a pair XLR BALANCED JACKS (46)
as well as a pair of RCA Unbalanced Jacks. The RCA jacks send a low current unbalanced output
signal. These jacks should only be used for shorter cable runs to signal processors or looping to
another mixer. For cable runs greater than 15 feet use the XLR BALANCED JACKS (46).
44. PLAYER CONTROL CHANNELS 1 - 4 - This jack is used to control the “Q-Start” function
between the mixer and a compatible American Audio® or American DJ® CD Player. Using the mini
plug included with your CD player, connect from the CD player controller out jack to this jack. Chan-
nels 1 and 3 “Q-Start” functionallity will be controlled by the left side of the CROSSFADER (28).
Channels 2 and 4 “Q-Start” functionallity will be controlled by the right side of the CROSSFADER
(28). For more information on “Q-Start” functionallity refer to the user manual included with your CD
player. Be sure to only use the mono tip mini plug included with your CD player to avoid damage to
the mixer and/or the CD player.
45. TRIM OUTPUT - This knob is used to adjust the maximum voltage output level. Output voltage
wil range from 0v ~ 9v. This function may be used to limit the maximum siganl output level.
46. BALANCED XLR MASTER OUTPUTS JACKS - The Master Output includes a pair of XLR
Balanced jacks as well as a pair of RCA UNBALANCED JACKS (43). The 3-pin XLR jacks send a
high current balanced output signal. These jacks should be used when you will be driving an amp or
other audio equipment with a balanced input, or whenever you will be running a signal line greater
than 15 feet. Always, use these jacks whenever possible.
47. AC CONNECTION - This connector is used to supply main power to the unit via the included
detachable power cord. The power connection uses an I.E.C. type connector, use only the supplied,
polarized AC power cord. Use only a power cord that matches this type of connection. Be sure to
only connect this unit to a power outlet that matches the printed power label on the unit. Never use
a power cord when the ground prong has been removed or broken off. The ground prong is used to
reduce the risk of electrical shock in case of an electrical short. This cord is designed to fit in one
direction only. Do not attempt to force a cord if it does not fit, be sure the cord is being inserted
properly.
48. AC VOLTAGE SELECTOR - This switch is used to change the operating voltage. Operating
voltage can be toggled between 115v or 230v/50~60Hz. Be sure the selector is set to the proper
voltage for your area before attempting to operate the unit. Always be sure main power is shut off
before change the position of the Voltage Selector Switch.
*Only dual voltage units have this switch.
©American Audio®
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Q-SPAND PRO
TYPICAL MIXER SET-UP
CASSETTE DECK
TURNTABLE
This image details a typical DJ Set Up consisting of a microphone, turn-
tables, CD players, and a tape deck.
Note: Turntables can only be connected to the PHONO LEVEL RCA
JACKS. Be sure the LINE LEVEL SELECTOR SWITCHES are in the
"PHONO" position when using turntables.
TURNTABLE
©American Audio®
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Q-SPAND PRO
TYPICAL MIXER SET-UP
RCA to RCA Patch Cables
Balanced XLR male to XLR female Cables
CASSETTE DECK
American Audio V4001™
Speaker Cables
Typical Balanced Output Set-up
This image details a typical stereo output layout. Note the use of the Balanced XLR Jacks on both
the mixer and the amplifier. Always use the balanced output jacks whenever possible. The balanced
output jacks should always be used for cable runs in excess of 15 feet.
Using the balanced jacks will ensure a clean signal through out the entire audio system.
©American Audio®
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Q-SPAND PRO
CLEANING
Due to fog residue, smoke, and dust, cleaning the mixer should be carried out periodically to residue
build up.
1. Use normal glass cleaner and a soft cloth to wipe down the outside casing.
2. Use a cleaner specially designed for electronics to spray in and around the knobs and switch.
This will reduce small particle built up that can effect the proper operation of the mixer.
3. Cleaning should be carried out every 30-60 days to prevent heavy built up.
4. Always be sure to dry all parts completely before plugging the mixer in.
Cleaning frequency depends on the environment in which the mixer operates (i.e. smoke, fog residue,
dust, dew).
Q-SPAND PRO
CROSSFADER REPLACEMENT
The crossfader is “Hot Swapable” which means it may be replaced at any time, even when power is
applied. Only replace with American Audio Part Feather Fader Plus. Replacing with any other model
fader may seriously damage your mixer.
Replacing the Crossfader:
1. Disconnect the mixers main power supply
2. Using a number two Phillips screw driver, unscrew the each of the stainless steel retain screws
that hold the crossfader in place.
3. Gently remove the crossfader from its seated position. You may need to wiggle the crossfader
slightly to remove it.
4. After removing the crossfader, disconnect the ribbon cable that attaches the crossfader to the
PC board. Grasp the crossfader by its base and pull the ribbon cable by its connector not the
actual cables. The connector is designed to only fit one way, so don’t worry about the connec-
tors orientation.
5. Connect the new crossfader to the ribbon cable and replace in reverse order.
©American Audio®
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Q-SPAND PRO
TROUBLESHOOTING
Trouble Shooting: Listed below are common problems you may encounter, and solutions.
There is no power to the unit:
1. Be sure you have connected the power cord to a correct wall outlet.
There is little or no sound:
1. Check the input selector switch. Make sure it is set to the device that is currently playing.
2. Check to see if the connection cables are connected properly.
3. Check the Trim Output level control on the rear panel, make sure it is not set to low.
The sound is distorted:
1. Check the Trim Output level control on the rear panel, make sure it is not set to high.
2. Make sure that the Gain level control is not set to high.
Crossfader is not working:
1. Check and see if any channels have been assigned to the crossfader.
©American Audio®
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Q-SPAND PRO
WARRANTY
The Q-SPAND PRO carries a one year limited warranty. We recommend you fill out the enclosed warranty
card to validate your purchase. All returned service items whether under warranty or not, must be freight
pre-paid and accompany a R.A. (return authorization) number. If the mixer is under warranty, you must
provide a proof of purchase invoice. You may obtain a R.A. number by contacting our customer support
team on our toll free number. Please contact American Audio® customer support at (800) 322-6337
for a R.A. number. All package not displaying a R.A. number on the outside of the package will
be returned to the shipper.
1-YEAR LIMITED WARRANTY
A. American Audio® hereby warrants, to the original purchaser, American Audio® products to be free
of manufacturing defects in material and workmanship for a period of 1 Year (365 days) from the date
of purchase. This warranty shall be valid only if the product is purchased within the United States of
America, including possessions and territories. It is the owner’s responsibility to establish the date and
place of purchase by acceptable evidence, at the time service is sought.
B. For warranty service, send the product only to the American Audio® factory. All shipping charges
must be pre-paid. If the requested repairs or service (including parts replacement) are within the terms
of this warranty, American Audio® will pay return shipping charges only to a designated point within
the United States. If the entire instrument is sent, it must be shipped in its original package. No acces-
sories should be shipped with the product. If any accessories are shipped with the product, American
Audio® shall have no liability whatsoever for loss of or damage to any such accessories, nor for the
safe return thereof.
C. This warranty is void if the serial number has been altered or removed; if the product is modified in
any manner which American Audio® concludes, after inspection, affects the reliability of the product;
if the product has been repaired or serviced by anyone other than the American Audio® factory unless
prior written authorization was issued to purchaser by American Audio®; if the product is damaged
because not properly maintained as set forth in the instruction manual.
D. This is not a service contract, and this warranty does not include maintenance, cleaning or peri-
odic check-up. During the period specified above, American Audio® will replace defective parts at
its expense, and will absorb all expenses for warranty service and repair labor by reason of defects
in material or workmanship. The sole responsibility of American Audio® under this warranty shall be
limited to the repair of the product, or replacement thereof, including parts, at the sole discretion of
American Audio®. All products covered by this warranty were manufactured after January 1, 1990, and
bear identifying marks to that effect.
E. American Audio® reserves the right to make changes in design and/or improvements upon its prod-
ucts without any obligation to include these changes in any products theretofore manufactured.
F. No warranty, whether expressed or implied, is given or made with respect to any accessory sup-
plied with products described above. Except to the extent prohibited by applicable law, all implied
warranties made by American Audio® in connection with this product, including warranties of mer-
chantability or fitness, are limited in duration to the warranty period set forth above. And no warran-
ties, whether expressed or implied, including warranties of merchantability or fitness, shall apply to
this product after said period has expired. The consumer’s and or Dealer’s sole remedy shall be such
repair or replacement as is expressly provided above; and under no circumstances shall American
Audio® be liable for any loss or damage, direct or consequential, arising out of the use of, or inability
to use, this product.
G. This warranty is the only written warranty applicable to American Audio® Products and supersedes
all prior warranties and written descriptions of warranty terms and conditions heretofore published.
©American Audio®
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TECHNICAL SPECIFICATIONS
Model: Q-SPAND PRO 4 Channel Mixer
Dual Voltage:
POWER SUPPLY:
AC 115v~60Hz/230v-50Hz, User Selectable
Single Voltage:
AC 100V, 50Hz (For Japan)
AC 110V, 60Hz (For Colombia)
AC 120V, 60Hz (For USA, and Canada)
AC 127V, 60Hz (For Mexico)
AC 220V, 50Hz (For Chile, and Argentina)
AC 220V, 60Hz (For Philippines, and Korea)
AC 230V, 50Hz (For Europe, U.K., New Zealand, South Africa,
and Singapore)
AC 240V, 50Hz (For Australia)
DIMENSIONS:
WEIGHT:
482.6mm (W) x 177mm (D) x 109.6mm (H)
8.37 Lbs. / 3.8Kgs.
CROSSFADER:
Feather Fader Plus - VCA detecting fader start control -
Low grounding impedance crossfader
21W typical, 31W w/ full headphone output
16 Ohms
5 to 35 deg. C; Humidity: 25 to 85% RH
(non-condensing); Storage Temperature: -20 to 60 deg. C
POWER CONSUMPTION:
HEADPHONE IMPEDANCE:
OPERATING TEMPERATURE:
Input Sensitivity (Level/Impedence): Note: 0dBV output, load = 100K OHM
LINE:
10K OHM / -14dBV (200mV) +/-2dB
AUX:
PHONO:
MICROPHONE 1, 3:
MICROPHONE 2:
47K OHM / -14dBV (200mV) +/-2dB
47K OHM / -54dBV (2mV) +/-2dB
2.2K OHM / -54dBV (2mV) +/-2dB
2.2K OHM / -60dBV (1mV) +/-2dB
Output Sensitivity (Level/Impedence): Note: 0dBV=1Vrms
MASTER:
520 OHM
ZONE:
1K OHM / 0dBV (1V) +/-2dB
MASTER OUT (XLR):
REC OUT (RCA):
PHONES: (LOAD=32 OHMS)
600 OHM / 2.21dBm (1V) +/-2dB
2.2K OHM / -10dBV (316mV) +/-2dB
33 OHM / 0dBV (1V) +/-2dB
Maximum Output: (LOAD = 47K, THD = 1%)
MASTER/ZONE:
PHONES: (LOAD=32 ohms)
MORE THAN +18 dBV (8.0V)
MORE THAN +4dBV (1.6V)
CHANNEL BALANCE:
WITHIN 3dB
Frequency Response: (Master Output, EQ Flat, Assign Off, SRS Off)
LINE/AUX:
PHONO:
MICROPHONE:
20 - 20KHz +/-2dB
20 - 20KHz +2 /-3dB (RIAA)
20 - 20KHz +2 /-3dB
Noise: (maximum output) JIS-A weighted
LINE/AUX:
LESS THAN -90dBV (VCA OFF)
LESS THAN -82dBV (VCA ON)
LESS THAN -65dBV
LESS THAN -64dBV
LESS THAN -60dBV
PHONO:
MIC 1,3:
MIC 2:
THD - Total Harmonic Distortion: (MASTER = 0dBV OUTPUT, w/ 20KHz LPF):
LINE:
LESS THAN 0.02% 20 - 20KHz
CROSS TALK:
LINE:
(MASTER = 0dBV OUTPUT)
MORE THAN 65dB AT 1KHz BETWEEN L AND R
MORE THAN 70dB AT 1KHz BETWEEN CHANNELS
Channel Equalizer:
BASS:
+12 +/-2dB at 70Hz
©American Audio®
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TECHNICAL SPECIFICATIONS
Below -23dB at 70Hz
+12 +/-2dB at 1KHz
Below -23dB at 1KHz
+12 +/-2dB at 13KHz
-14 +/-3dB at 13KHz
MID:
TREBLE:
Microphone Equalizer:
BASS:
TREBLE:
+12 +/-2dB at 100Hz, -22 +/-3dB at 100Hz
+12 +/-2dB at 10KHz, -15 +/-3dB at 10KHz
TALKOVER:
- 14 dB +/- 2dB
SRS Gain (Line -24dBV input, maximum gain, trubass and width at maximum position)
TRUBASS:
3D ST:
WoW:
+14.5 +/-4dB at 100Hz
+8.5 +/-4dB at 100Hz (Single L or R input)
+15.5 +/-4dB at 100 & 10KHz (Single L or R input)
SRS Output Noise (A-Weighted, Master Fader min.)
TRUBASS:
3D ST:
WoW:
LESS THAN -66dBV (Trubass vr max)
LESS THAN -80dBV (Width vr max)
LESS THAN -65dBV (All vr max)
Fader Kill:
CHANNEL FADER:
CROSSFADER:
MORE THAN 80dB at 1KHz
MORE THAN 80dB at 1KHz
©American Audio®
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©American Audio® World Headquarters:
4295 Charter Street Los Angeles, CA 90058 USA
Tel: 323-582-3322 Fax: 323-582-3311
are trademarks of SRS Labs, Inc. SRS technology is incorporated under license from SRS Labs, Inc.
SRS, WOW and the symbol
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