Yamaha Stereo Receiver htr 5890 User Manual
U
HTR-5890  
AV Receiver  
OWNER'S MANUAL  
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IMPORTANT SAFETY INSTRUCTIONS  
IMPORTANT SAFETY INSTRUCTIONS  
10 Ventilation – Slots and openings in the cabinet are provided  
for ventilation and to ensure reliable operation of the  
product and to protect it from overheating, and these  
openings must not be blocked or covered. The openings  
should never be blocked by placing the product on a bed,  
sofa, rug, or other similar surface. This product should not  
be placed in a built-in installation such as a bookcase or rack  
unless proper ventilation is provided or the manufacturer’s  
instructions have been adhered to.  
CAUTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
CAUTION: TO REDUCE THE RISK OF  
ELECTRIC SHOCK, DO NOT REMOVE  
COVER (OR BACK). NO USER-SERVICEABLE  
PARTS INSIDE. REFER SERVICING TO  
QUALIFIED SERVICE PERSONNEL.  
11 Power Sources – This product should be operated only from  
the type of power source indicated on the marking label. If  
you are not sure of the type of power supply to your home,  
consult your product dealer or local power company. For  
products intended to operate from battery power, or other  
sources, refer to the operating instructions.  
12 Grounding or Polarization – This product may be equipped  
with a polarized alternating current line plug (a plug having  
one blade wider than the other). This plug will fit into the  
power outlet only one way. This is a safety feature. If you  
are unable to insert the plug fully into the outlet, try  
reversing the plug. If the plug should still fail to fit, contact  
your electrician to replace your obsolete outlet. Do not  
defeat the safety purpose of the polarized plug.  
13 Power-Cord Protection – Power-supply cords should be  
routed so that they are not likely to be walked on or pinched  
by items placed upon or against them, paying particular  
attention to cords at plugs, convenience receptacles, and the  
point where they exit from the product.  
14 Lightning – For added protection for this product during a  
lightning storm, or when it is left unattended and unused for  
long periods of time, unplug it from the wall outlet and  
disconnect the antenna or cable system. This will prevent  
damage to the product due to lightning and power-line  
surges.  
15 Power Lines – An outside antenna system should not be  
located in the vicinity of overhead power lines or other  
electric light or power circuits, or where it can fall into such  
power lines or circuits. When installing an outside antenna  
system, extreme care should be taken to keep from touching  
such power lines or circuits as contact with them might be  
fatal.  
16 Overloading – Do not overload wall outlets, extension  
cords, or integral convenience receptacles as this can result  
in a risk of fire or electric shock.  
17 Object and Liquid Entry – Never push objects of any kind  
into this product through openings as they may touch  
dangerous voltage points or short-out parts that could result  
in a fire or electric shock. Never spill liquid of any kind on  
the product.  
18 Servicing – Do not attempt to service this product yourself  
as opening or removing covers may expose you to  
dangerous voltage or other hazards. Refer all servicing to  
qualified service personnel.  
•
Explanation of Graphical Symbols  
The lightning flash with arrowhead symbol, within an  
equilateral triangle, is intended to alert you to the  
presence of uninsulated “dangerous voltage” within  
the product’s enclosure that may be of sufficient  
magnitude to constitute a risk of electric shock to  
persons.  
The exclamation point within an equilateral triangle  
is intended to alert you to the presence of important  
operating and maintenance (servicing) instructions in  
the literature accompanying the appliance.  
1
2
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Read Instructions – All the safety and operating instructions  
should be read before the product is operated.  
Retain Instructions – The safety and operating instructions  
should be retained for future reference.  
Heed Warnings – All warnings on the product and in the  
operating instructions should be adhered to.  
Follow Instructions – All operating and use instructions  
should be followed.  
Cleaning – Unplug this product from the wall outlet before  
cleaning. Do not use liquid cleaners or aerosol cleaners. Use  
a clean, dry cloth for cleaning.  
Attachments – Do not use attachments not recommended by  
the product manufacturer as they may cause hazards.  
Water and Moisture – Do not use this product near water –  
for example, near a bath tub, wash bowl, kitchen sink, or  
laundry tub; in a wet basement; or near a swimming pool;  
and the like.  
Accessories – Do not place this product on an unstable cart,  
stand, tripod, bracket, or table. The product may fall,  
causing serious injury to a child or adult, and serious  
damage to the product. Use only with a cart, stand, tripod,  
bracket, or table recommended by the manufacturer, or sold  
with the product. Any mounting of the product should  
follow the manufacturer’s instructions, and should use a  
mounting accessory recommended by the manufacturer.  
A product and cart combination should be moved with care.  
Quick stops, excessive force, and uneven  
6
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surfaces may cause the product and cart  
combination to overturn.  
19 Damage Requiring Service – Unplug this product from the  
wall outlet and refer servicing to qualified service personnel  
under the following conditions:  
a) When the power-supply cord or plug is damaged,  
b) If liquid has been spilled, or objects have fallen into the  
product,  
c) If the product has been exposed to rain or water,  
i
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IMPORTANT SAFETY INSTRUCTIONS  
d) If the product does not operate normally by following  
the operating instructions. Adjust only those controls  
that are covered by the operating instructions as an  
improper adjustment of other controls may result in  
damage and will often require extensive work by a  
qualified technician to restore the product to its normal  
operation,  
24 Outdoor Antenna Grounding – If an outside antenna or  
cable system is connected to the product, be sure the antenna  
or cable system is grounded so as to provide some  
protection against voltage surges and built-up static charges.  
Article 810 of the National Electrical Code, ANSI/NFPA 70,  
provides information with regard to proper grounding of the  
mast and supporting structure, grounding of the lead-in wire  
to an antenna discharge unit, size of grounding conductors,  
location of antenna discharge unit, connection to grounding  
electrodes, and requirements for the grounding electrode.  
e) If the product has been dropped or damaged in any  
way, and  
f)  
When the product exhibits a distinct change in perfor-  
mance - this indicates a need for service.  
EXAMPLE OF ANTENNA GROUNDING  
20 Replacement Parts – When replacement parts are required,  
be sure the service technician has used replacement parts  
specified by the manufacturer or have the same  
characteristics as the original part. Unauthorized  
substitutions may result in fire, electric shock, or other  
hazards.  
ANTENNA  
LEAD IN  
WIRE  
MAST  
21 Safety Check – Upon completion of any service or repairs to  
this product, ask the service technician to perform safety  
checks to determine that the product is in proper operating  
condition.  
GROUND  
CLAMP  
ANTENNA  
DISCHARGE UNIT  
(NEC SECTION 810–20)  
22 Wall or Ceiling Mounting – The unit should be mounted  
to a wall or ceiling only as recommended by the  
manufacturer.  
23 Heat – The product should be situated away from heat  
sources such as radiators, heat registers, stoves, or other  
products (including amplifiers) that produce heat.  
ELECTRIC  
SERVICE  
EQUIPMENT  
GROUNDING CONDUCTORS  
(NEC SECTION 810–21)  
GROUND CLAMPS  
POWER SERVICE GROUNDING  
ELECTRODE SYSTEM  
(NEC ART 250. PART H)  
Note to CATV system installer:  
This reminder is provided to call the CATV system  
installer’s attention to Article 820-40 of the NEC that  
provides guidelines for proper grounding and, in  
particular, specifies that the cable ground shall be  
connected to the grounding system of the building, as  
close to the point of cable entry as practical.  
NEC – NATIONAL ELECTRICAL CODE  
FCC INFORMATION (for US customers)  
1
IMPORTANT NOTICE: DO NOT MODIFY THIS  
UNIT!  
Compliance with FCC regulations does not guarantee that  
interference will not occur in all installations. If this  
product is found to be the source of interference, which  
can be determined by turning the unit “OFF” and “ON”,  
please try to eliminate the problem by using one of the  
following measures:  
This product, when installed as indicated in the  
instructions contained in this manual, meets FCC  
requirements. Modifications not expressly approved by  
Yamaha may void your authority, granted by the FCC, to  
use the product.  
IMPORTANT: When connecting this product to  
accessories and/or another product use only high quality  
shielded cables. Cable/s supplied with this product MUST  
be used. Follow all installation instructions. Failure to  
follow instructions could void your FCC authorization to  
use this product in the USA.  
NOTE: This product has been tested and found to comply  
with the requirements listed in FCC Regulations, Part 15  
for Class “B” digital devices. Compliance with these  
requirements provides a reasonable level of assurance that  
your use of this product in a residential environment will  
not result in harmful interference with other electronic  
devices.  
Relocate either this product or the device that is being  
affected by the interference.  
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3
Utilize power outlets that are on different branch (circuit  
breaker or fuse) circuits or install AC line filter/s.  
In the case of radio or TV interference, relocate/reorient  
the antenna. If the antenna lead-in is 300 ohm ribbon lead,  
change the lead-in to coaxial type cable.  
If these corrective measures do not produce satisfactory  
results, please contact the local retailer authorized to  
distribute this type of product. If you can not locate the  
appropriate retailer, please contact Yamaha Electronics  
Corp., U.S.A. 6660 Orangethorpe Ave, Buena Park, CA  
90620.  
The above statements apply ONLY to those products  
distributed by Yamaha Corporation of America or its  
subsidiaries.  
This equipment generates/uses radio frequencies and, if  
not installed and used according to the instructions found  
in the users manual, may cause interference harmful to the  
operation of other electronic devices.  
ii  
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.  
CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.  
1
To assure the finest performance, please read this manual  
carefully. Keep it in a safe place for future reference.  
Install this sound system in a well ventilated, cool, dry, clean  
place — away from direct sunlight, heat sources, vibration,  
dust, moisture, and/or cold. Allow ventilation space of at least  
30 cm on the top, 20 cm on the left and right, and 20 cm on  
the back of this unit.  
WARNING  
TO REDUCE THE RISK OF FIRE OR ELECTRIC  
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN  
OR MOISTURE.  
2
This unit is not disconnected from the AC power  
source as long as it is connected to the wall outlet,  
even if this unit itself is turned off. This state is called  
the standby mode. In this state, this unit is designed to  
consume a very small quantity of power.  
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4
Locate this unit away from other electrical appliances, motors,  
or transformers to avoid humming sounds.  
Do not expose this unit to sudden temperature changes from  
cold to hot, and do not locate this unit in an environment with  
high humidity (i.e. a room with a humidifier) to prevent  
condensation inside this unit, which may cause an electrical  
shock, fire, damage to this unit, and/or personal injury.  
Avoid installing this unit where foreign object may fall onto  
this unit and/or this unit may be exposed to liquid dripping or  
splashing. On the top of this unit, do not place:  
FOR CANADIAN CUSTOMERS  
To prevent electric shock, match wide blade of plug to  
wide slot and fully insert.  
This Class B digital apparatus complies with Canadian  
ICES-003.  
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Other components, as they may cause damage and/or  
discoloration on the surface of this unit.  
Burning objects (i.e. candles), as they may cause fire,  
damage to this unit, and/or personal injury.  
Containers with liquid in them, as they may fall and liquid  
may cause electrical shock to the user and/or damage to  
this unit.  
IMPORTANT  
Please record the serial number of this unit in the space  
below.  
MODEL:  
Serial No.:  
6
Do not cover this unit with a newspaper, tablecloth, curtain,  
etc. in order not to obstruct heat radiation. If the temperature  
inside this unit rises, it may cause fire, damage to this unit,  
and/or personal injury.  
The serial number is located on the rear of the unit.  
Retain this Owner’s Manual in a safe place for future  
reference.  
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9
Do not plug in this unit to a wall outlet until all connections  
are complete.  
Do not operate this unit upside-down. It may overheat,  
possibly causing damage.  
Do not use force on switches, knobs and/or cords.  
10 When disconnecting the power cord from the wall outlet,  
grasp the plug; do not pull the cord.  
11 Do not clean this unit with chemical solvents; this might  
damage the finish. Use a clean, dry cloth.  
12 Only voltage specified on this unit must be used. Using this  
unit with a higher voltage than specified is dangerous and may  
cause fire, damage to this unit, and/or personal injury.  
YAMAHA will not be held responsible for any damage  
resulting from use of this unit with a voltage other than  
specified.  
13 To prevent damage by lightning, disconnect the power cord  
from the wall outlet during an electrical storm.  
14 Do not attempt to modify or fix this unit. Contact qualified  
YAMAHA service personnel when any service is needed. The  
cabinet should never be opened for any reasons.  
15 When not planning to use this unit for long periods of time  
(i.e. vacation), disconnect the AC power plug from the wall  
outlet.  
16 Be sure to read the “TROUBLESHOOTING” section on  
common operating errors before concluding that this unit is  
faulty.  
17 Before moving this unit, press STANDBY/ON to set this unit  
in the standby mode, and disconnect the AC power plug from  
the wall outlet.  
iii  
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CONTENTS  
INTRODUCTION  
SOUND FIELD PROGRAMS  
SOUND FIELD PROGRAM  
FEATURES............................................................. 2  
GETTING STARTED............................................ 3  
Supplied accessories.................................................. 3  
Installing batteries in the remote control ................... 3  
CONTROLS AND FUNCTIONS ......................... 4  
Front panel................................................................. 4  
Remote control........................................................... 6  
Using the remote control ........................................... 8  
Front panel display .................................................... 9  
Rear panel................................................................ 11  
DESCRIPTIONS...............................................46  
For movie/video sources.......................................... 46  
For music sources .................................................... 49  
ADVANCED OPERATION  
ADVANCED OPERATIONS ..............................50  
Selecting the OSD mode.......................................... 50  
Using the sleep timer ............................................... 50  
Manually adjusting speaker levels........................... 51  
Using the test tone ................................................... 52  
SET MENU............................................................53  
Using SET MENU................................................... 54  
Using SOUND MENU ............................................ 55  
Using INPUT MENU .............................................. 60  
Using OPTION MENU ........................................... 62  
REMOTE CONTROL FEATURES ...................65  
Control area ............................................................. 65  
Setting remote control codes ................................... 66  
Programming codes from other remote controls  
(Learn)................................................................. 68  
Changing source names in the display window....... 70  
Using the Macro feature .......................................... 71  
Clearing function sets .............................................. 73  
Clearing individual functions .................................. 74  
Controlling each component.................................... 76  
ZONE 2/ZONE 3...................................................77  
Zone 2/Zone 3 connections...................................... 77  
Remote controlling Zone 2/Zone 3.......................... 78  
PREPARATION  
SPEAKER SETUP ............................................... 12  
Speaker placement................................................... 12  
Speaker connections ................................................ 13  
CONNECTIONS .................................................. 17  
Before connecting components................................ 17  
Connecting video components................................. 18  
Connecting audio components................................. 21  
Connecting the antennas.......................................... 23  
Connecting the power supply cord .......................... 24  
Speaker impedance setting ...................................... 25  
Turning on the power............................................... 25  
AUTO SETUP....................................................... 26  
Introduction.............................................................. 26  
Optimizer microphone setup.................................... 26  
Starting the setup ..................................................... 27  
BASIC SETUP...................................................... 31  
Using BASIC MENU .............................................. 31  
PLAYBACK.......................................................... 33  
ADDITIONAL INFORMATION  
BASIC OPERATION  
EDITING SOUND FIELD PARAMETERS ......80  
What is a sound field? ............................................. 80  
Changing parameter settings ................................... 80  
SOUND FIELD PARAMETER  
DESCRIPTIONS...............................................82  
TROUBLESHOOTING .......................................86  
GLOSSARY...........................................................91  
Audio formats.......................................................... 91  
Sound field programs............................................... 92  
Audio information ................................................... 93  
Video signal information......................................... 94  
SPECIFICATIONS...............................................95  
Basic operations....................................................... 33  
Selecting sound field programs ............................... 34  
Additional operations............................................... 35  
Selecting input modes.............................................. 40  
TUNING ................................................................ 41  
Automatic and manual tuning.................................. 41  
Presetting stations.................................................... 42  
Selecting preset stations........................................... 44  
Exchanging preset stations ...................................... 44  
RECORDING ....................................................... 45  
1
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FEATURES  
FEATURES  
Built-in 7-channel power amplifier  
◆ Minimum RMS output power  
(0.04% THD, 20 Hz – 20 kHz, 8 Ω)  
Front: 120 W + 120 W  
Other features  
◆ YPAO: YAMAHA Parametric Room Acoustic  
Optimizer for automatic speaker setup  
◆ 192-kHz/24-bit D/A converter  
◆ SET MENU to optimize this unit for your audio/video  
system  
Center: 120 W  
Surround: 120 W + 120 W  
Surround Back: 120 W + 120 W  
◆ 6 or 8-channel additional input jacks for discrete multi  
channel input  
◆ On-screen display function helpful in controlling this  
unit  
◆ PURE DIRECT for pure fidelity sound with analog and  
PCM sources  
◆ S-video signal input/output capability  
◆ Component video input/output capability  
◆ Video signal conversion (composite video ↔  
S-video → component video) capability for monitor  
out  
Sound field features  
◆ Proprietary YAMAHA technology for the creation of  
sound fields  
◆ THX Select  
◆ Dolby Digital/Dolby Digital EX decoder  
◆ DTS/DTS-ES Matrix 6.1, Discrete 6.1, DTS  
Neo:6 decoder, DTS 96/24  
◆ Dolby Pro Logic/Dolby Pro Logic II/Dolby Pro Logic  
IIx Decoder  
◆ Virtual CINEMA DSP  
◆ Optical and coaxial digital audio signal jacks  
◆ Sleep timer  
™
◆ SILENT CINEMA  
◆ Cinema and music night listening mode  
◆ Remote control with preset remote control codes and  
learning/macro capability  
Sophisticated AM/FM tuner  
◆ 40-station random access preset tuning  
◆ Automatic preset tuning  
◆ Zone 2/Zone 3 custom installation facility  
◆ Preset station shifting capability (preset editing)  
• yindicates a tip for your operation.  
• Some operations can be performed by using either the buttons on the main unit or on the remote control. In cases when the button  
names differ between the main unit and the remote control, the button name on the remote control is given in parentheses.  
• This manual is printed prior to production. Design and specifications are subject to change in part as a result of improvements, etc. In  
case of differences between the manual and product, the product has priority.  
Manufactured under license from Dolby Laboratories.  
“Dolby”, “Pro Logic”, “Surround EX”, and the double-D symbol  
are trademarks of Dolby Laboratories.  
“DTS”, “DTS-ES”, “Neo:6” and “DTS 96/24” are trademarks of  
Digital Theater Systems, Inc.  
“SILENT CINEMA” is a trademark of YAMAHA  
CORPORATION.  
THX and the THX logo are registered trademarks of THX Ltd.  
Surround EX is a jointly developed technology of THX and  
Dolby Laboratories, Inc. and is a trademark of Dolby  
Laboratories, Inc. All rights reserved. Used under authorization.  
We Want You Listening For A Lifetime  
YAMAHA and the Electronic Industries Association’s Consumer Electronics Group want you to get the most out of your  
equipment by playing it at a safe level. One that lets the sound come through loud and clear without annoying blaring or  
distortion – and, most importantly, without affecting your sensitive hearing. Since hearing damage from loud sounds is  
often undetectable until it is too late, YAMAHA and the Electronic Industries Association’s Consumer Electronics Group  
recommend you to avoid prolonged exposure from excessive volume levels.  
2
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GETTING STARTED  
GETTING STARTED  
Supplied accessories  
Please check that you received all of the following parts.  
Batteries (4)  
(AAA, R03, UM-4)  
Power Cord  
Indoor FM antenna  
Remote control  
SYSTEM  
POWER  
POWER  
STANDBY  
POWER  
TV  
AV  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
-
V
AUX  
CBL/SAT  
MD/TAPE  
DTV  
VCR  
1
DVR/VCR2  
DVD  
SELECT  
AMP  
SOURCE  
TV  
+
TV VOL  
+
CH  
+
VOL  
Speaker terminal wrench  
AM loop antenna  
Optimizer microphone  
–
–
–
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
LEVEL  
TITLE  
SET MENU  
MENU  
PURE DIRECT  
NIGHT  
AUDIO  
ENTER  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
EFFECT  
ROCK  
4
STEREO  
1
HALL  
2
JAZZ  
3
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
FREQ/RDS  
EON  
MODE PTY SEEK START  
REC  
DISC SKIP  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
Notes on batteries  
Installing batteries in the remote  
control  
• Change all of the batteries if you notice conditions such as the  
operation range of the remote control decreases, the indicator  
does not flash, or its light or display window become dim.  
• Do not use old batteries together with new ones.  
• Do not use different types of batteries (such as alkaline and  
manganese batteries) together. Read the packaging carefully as  
these different types of batteries may have the same shape and  
color.  
• If the batteries have leaked, dispose of them immediately. Avoid  
touching the leaked material or letting it come into contact with  
clothing, etc. Clean the battery compartment thoroughly before  
installing new batteries.  
• Do not throw away batteries with general house waste; dispose  
of them correctly in accordance with your local regulations.  
2
1
3
If the remote control is without batteries for more than  
2 minutes, or if exhausted batteries remain in the  
remote control, the contents of the memory may be  
cleared. When the memory is cleared, insert new  
batteries, set up the remote control code and program  
any acquired functions that may have been cleared.  
1
2
Press the  
compartment cover off.  
part and slide the battery  
Insert the four supplied batteries (AAA, R03,  
UM-4) according to the polarity markings on  
the inside of the battery compartment.  
3
Slide the cover back until it snaps into place.  
3
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CONTROLS AND FUNCTIONS  
CONTROLS AND FUNCTIONS  
Front panel  
1
2
3 4 5  
6
7
8
9
0
A
VOLUME  
PURE DIRECT  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
AUTO/MAN'L MONO  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
B
C
D
E
F
G
H
I
J
K
1 STANDBY/ON  
Turns on this unit or sets it to the standby mode. When  
7 A/B/C/D/E  
Selects one of the 5 preset station groups (A to E).  
you turn on this unit, you will hear a click and there will  
be a 6 to 7-second delay before this unit can reproduce  
sound.  
8 PRESET/TUNING l/ h  
Selects preset station number 1 through 8 when a colon (:)  
is displayed next to the band indication in the front panel  
display.  
Selects the tuning frequency when the colon (:) is not  
displayed.  
Note  
In standby mode, this unit consumes a small amount of power in  
order to receive infrared-signals from the remote control.  
9 MEMORY (MAN’L/AUTO FM)  
Stores a station in the memory. Hold down this button for  
more than 3 seconds to start automatic preset tuning.  
2 PURE DIRECT  
Turns on or off the PURE DIRECT mode. Lights up when  
turned on (see page 37).  
0 TUNING MODE (AUTO/MAN’L MONO)  
Switches the tuning mode between automatic (AUTO  
indicator on) and manual (AUTO indicator off).  
3 Remote control sensor  
Receives signals from the remote control.  
4 Front panel display  
Shows information about the operational status of this  
unit.  
A VOLUME  
Controls the output level of all audio channels.  
This does not affect the REC OUT level.  
5 PRESET/TUNING EDIT  
Switches the function of PRESET/TUNING l/ h  
between selecting preset station numbers and tuning.  
B OPTIMIZER MIC jack  
Use to connect and input audio signals from the supplied  
microphone for use with the AUTO SETUP function (see  
page 26).  
6 FM/AM  
Switches the reception band between FM and AM.  
4
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CONTROLS AND FUNCTIONS  
C
PHONES (SILENT CINEMA) jack  
Outputs audio signals for listening with headphones.  
When you connect headphones, no signals are output to  
the PRE OUT jacks or to the speakers.  
All Dolby Digital and DTS audio signals are mixed down  
to the left and right headphone channels.  
D SPEAKERS A/B  
Turn on or off the set of front speakers connected to the A  
and/or B terminals on the rear panel each time the  
corresponding button is pressed.  
E STRAIGHT/EFFECT  
Switches the sound fields off or on. When STRAIGHT is  
selected, input signals (2-channel or multi-channel) are  
output directly from their respective speakers without  
effect processing.  
F PROGRAM  
Use to select sound field programs or adjust bass/treble  
balance (in conjunction with TONE CONTROL).  
G TONE CONTROL  
Use to adjust the bass/treble balance for the front left/right  
and center channels (see page 35).  
H INPUT MODE  
Sets the priority (AUTO, DTS, ANALOG) for the type of  
signals received when one component is connected to two  
or more of this unit’s input jacks (see page 40).  
I INPUT selector  
Selects the input source you want to listen to or watch.  
J MULTI CH INPUT  
Selects the source connected to the MULTI CH INPUT  
jacks. When selected, the MULTI CH INPUT source takes  
priority over the source selected with INPUT (or the input  
selector buttons on the remote control).  
K VIDEO AUX jacks  
Input audio and video signals from an external source  
such as a game console. To reproduce source signals from  
these jacks, select V-AUX as the input source.  
5
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CONTROLS AND FUNCTIONS  
Remote control  
This section describes the function of each control on the  
remote control used to control this unit. To operate other  
components, see “REMOTE CONTROL FEATURES” on  
page 65.  
3 Input selector buttons  
Select the input source and change the control area.  
4 Display window  
Shows the name of the selected source component that  
you can control.  
1
2
C
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
5 PRESET +/–  
Selects preset station numbers when this unit is in tuner  
mode.  
D
E
F
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
6 A/B/C/D/E  
Selects preset groups when this unit is in tuner mode.  
PHONO  
TUNER  
G
-
V AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
3
7 LEVEL  
Selects the speaker channel to be adjusted and sets the  
level.  
DTV  
DVR/VCR2  
DVD  
8 Cursor buttons k/ n/ l/ h/ ENTER  
Use to select and adjust DSP program parameters or SET  
MENU items.  
SELECT  
4
5
H
I
J
PRESET  
+
AMP  
SOURCE  
TV  
9 TEST  
+
TV VOL  
+
VOL  
Outputs the test tone to adjust the speaker levels.  
CH  
–
–
–
0 Sound field program/Numeric buttons  
Use to select sound field programs or input numbers.  
Use numbers 1 through 8 to select preset stations when  
this unit is in tuner mode.  
A / B / C / D / E  
6
TV MUTE  
TV INPUT  
MUTE  
K
SET MENU  
MENU  
LEVEL  
TITLE  
PURE DIRECT  
L
M
7
8
9
NIGHT  
AUDIO  
A MACRO ON/OFF  
Turns the macro function on and off.  
ENTER  
N
O
P
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
B MACRO  
EFFECT  
ROCK  
4
Use to program a series of operations for control by a  
single button (see page 71).  
STEREO  
1
HALL  
2
JAZZ  
3
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
C STANDBY  
Sets this unit in the standby mode.  
0
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
Q
D SYSTEM POWER  
FREQ/RDS  
EON  
MODE PTY SEEK START  
Turns on the power of this unit.  
REC  
E INPUT MODE  
Sets the priority (AUTO, DTS, ANALOG) for the type of  
signals received when one component is connected to two  
or more of this unit’s input jacks (see page 40).  
DISC SKIP  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
R
S
t
A
B
F SLEEP  
Sets the sleep timer.  
G MULTI CH IN  
Selects MULTI CH INPUT when using an external  
decoder (etc.).  
1 Infrared window  
Outputs infrared control signals. Aim this window at the  
component you want to operate.  
2 Transmission indicator  
Flashes while the remote control is sending signals.  
6
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CONTROLS AND FUNCTIONS  
H SELECT k/n  
Selects another component that you can control  
independently of the input component selected with the  
input selector buttons.  
I VOL +/–  
Increases or decreases the volume level.  
J AMP/SOURCE/TV  
Selects the component you want to control with the  
remote control.  
AMP: Set to this position to operate this unit.  
SOURCE: Set to this position to operate the component  
selected with an input selector button.  
TV: Set to this position to operate the television.  
To set the remote control codes for components, see  
page 66.  
K MUTE  
Mutes the sound. Press again to restore the audio output to  
the previous volume level. You can adjust how much the  
mute function reduces the output volume in the MUTE  
menu of the SET MENU mode (see page 59).  
L PURE DIRECT  
Turns on or off PURE DIRECT mode (see page 37).  
M SET MENU  
Selects the SET MENU mode.  
N NIGHT  
Turns on or off the night listening modes (see page 38).  
O ON SCREEN  
Selects the display mode of the on-screen display (OSD)  
this unit sends to your monitor.  
P STRAIGHT/EFFECT  
Switches the sound fields off or on. When STRAIGHT is  
selected, input signals (2-channel or multi-channel) are  
output directly from their respective speakers without  
effect processing.  
Q EXTD. SUR  
Switches between 5.1 or 6.1/7.1 channel playback of  
multi-channel software.  
R RE-NAME  
Used to change the input source name in the display  
window (see page 70).  
S CLEAR  
Used to clear functions acquired when using the learn and  
rename features, or setting remote control codes (see  
page 73).  
T LEARN  
Used to set up the remote control code or program  
functions from other remote controls (see pages 66 and  
68).  
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CONTROLS AND FUNCTIONS  
Using the remote control  
The remote control transmits a directional infrared beam.  
Be sure to aim the remote control directly at the remote  
control sensor on the main unit during operation.  
VOLUME  
PURE DIRECT  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
SILENT CINEMA  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
Approximately 6 m (20 ft)  
30  
30  
TRANSMIT  
R
E
–
N
A
M
E
C
L
E
A
R
L
E
A
R
N
SYSTEM  
POWER  
STANDBY  
SLEEP  
I
N
P
U
T
M
O
D
E
PHONO  
V-AUX  
TUNER  
CD  
MULTI CH IN  
CD-R  
CBL/SAT  
MD/TAPE  
DVR/VCR2  
DTV  
VCR  
1
DVD  
SELECT  
AMP  
POWER  
TV  
POWER  
AV  
REC  
AUDIO  
D
I
S
C
S
K
I
P
VOL  
LEVEL  
TITLE  
SET MENU  
MENU  
MUTE  
TV  
VOL  
T
V
I
N
P
U
T
A/B/C/D/E  
CH  
CH  
TV MUTE  
SELECT  
PRESET  
PRESET  
TEST  
O
N
S
C
R
E
E
N
STRAIGHT  
EFFECT  
T
V
V
O
L
RETURN  
DISPLAY  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
E
N
T
E
R
T
A
I
N
M
U
S
I
C
TV THTR  
7
MOVIE  
8
5
6
THX  
9
/DTS  
0
NIGHT  
+10  
EX/ES  
ENTER  
CHP/INDEX  
■ Handling the remote control  
•
Do not spill water or other liquids on the remote  
control.  
•
•
Do not drop the remote control.  
Do not leave or store the remote control in the  
following types of conditions:  
– high humidity such as near a bath  
– high temperature such as near a heater or stove  
– extremely low temperature  
– dusty places  
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CONTROLS AND FUNCTIONS  
Front panel display  
1
2
3
4
5
6
7 8  
9
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
EON AUTO STEREO  
MEMORY TUNED  
NIGHT  
VIRTUAL  
YPAO  
HiFi DSP  
SILENT  
CINEMA  
96  
MATRIX  
SP  
A B  
dB  
24 DISCRETE  
VOLUME  
MUTE  
96/24  
THX  
PCM  
DIGITAL  
ZONE2  
ZONE3  
ZONE4  
SLEEP  
L C R  
LFE SL SB SR  
ft  
PL  
EX  
PL  
PL  
mS  
dB  
x
0
A
B
C
D E  
F
G
H
I J K L MNO  
P
1 Decoder indicators  
A PCM indicator  
When any of this unit’s decoders function, the respective  
indicator lights up.  
Lights up when this unit is reproducing PCM (pulse code  
modulation) digital audio signals.  
2 Sound field indicators  
B SLEEP indicator  
Light to indicate the active DSP sound fields.  
Lights up while the sleep timer is on.  
Presence DSP sound field  
Listening position  
C VIRTUAL indicator  
Lights up when Virtual CINEMA DSP is active (see  
page 39).  
Left surround  
Right surround  
DSP sound field  
DSP sound field  
D Headphones indicator  
Lights up when headphones are connected.  
Surround back DSP sound field  
3 NIGHT indicator  
Lights up when you select night listening mode.  
E SP A B indicators  
Light up according to the set of front speakers selected.  
Both indicators light up when both sets of speakers are  
selected, or when bi-wiring.  
4 Input source indicators  
A cursor lights to show the current input source.  
F SILENT CINEMA indicator  
Lights up when headphones are connected and a sound  
field program is selected (see page 35).  
5 CINEMA DSP indicator  
Lights up when you select a CINEMA DSP sound field  
program.  
G Multi-information display  
6 YPAO indicator  
Shows the current sound field program name and other  
information when adjusting or changing settings.  
Lights up during the auto setup procedure and when the  
auto setup speaker settings are used without any  
modifications.  
H HiFi DSP indicator  
Lights up when you select a HiFi DSP sound field  
program.  
7 AUTO indicator  
Lights up when this unit is in the automatic tuning mode.  
I MEMORY indicator  
Blinks to show a station can be stored.  
8 STEREO indicator  
Lights up when this unit is receiving a stereo signal for an  
FM stereo broadcast while the AUTO indicator is lit.  
J TUNED indicator  
Lights up when this unit is tuned into a station.  
9 VOLUME level indicator  
Indicates the volume level.  
K MUTE indicator  
Blinks while the MUTE function is on.  
0 THX indicator  
Lights up when a THX program is selected.  
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CONTROLS AND FUNCTIONS  
L 96/24 indicator  
Lights up when a DTS 96/24 signal is input to this unit.  
M LFE indicator  
Lights up when the input signal contains an LFE signal.  
N Input channel indicators  
Indicate the channel components of current digital input  
signal.  
O Presence and surround back speaker  
indicators  
Indicate the connection of presence and/or surround back  
speakers when using the SPEAKERS setting (page 32) or  
SP LEVEL setting (page 57).  
P ZONE 2/ZONE 3 indicators  
Light up when Zone 2 or Zone 3 power is on.  
10  
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CONTROLS AND FUNCTIONS  
Rear panel  
1
2
3
4
5
6
7
8
AUDIO  
AUDIO  
VIDEO  
VIDEO  
DIGITAL OUTPUT  
OPTICAL  
COMPONENT VIDEO  
RS-232C  
REMOTE  
CONTROL OUT  
S VIDEO  
R
L
R
L
PR  
PB  
Y
MD/TAPE  
IN  
OUT  
DVD  
DTV  
IN  
DVD  
DTV  
(
)
PLAY  
+12V 15mA MAX.  
+
MD/TAPE  
OUT  
CD-R  
+
+
–
–
–
R
L
A
B
(
)
REC  
DIGITAL INPUT  
CD  
IN  
CBL  
/SAT  
(
)
PLAY  
FRONT  
CENTER  
+
CD-R  
OUT  
–
+
–
MONITOR OUT  
TUNER  
DVD  
DTV  
IN  
(
)
REC  
VCR  
1
AC OUTLETS  
AM  
ANT  
CD  
PHONO  
OUT  
L
L
R
GND  
SURROUND  
CBL/SAT  
AC OUTLETS  
FRONT  
+
+
–
–
–
–
+
+
R
R
L
L
IN  
R
FM ANT  
R
L
75Ω  
DVR/  
UNBAL.  
FRONT (6CH)/SB (8CH)  
SURROUND  
VCR  
2
COAXIAL  
CD  
SURROUND  
OUT  
+
–
CD-R  
ZONE  
2
SUB  
WOOFER  
CENTER  
DVD  
DVR/  
R
L
SURROUND BACK  
VCR  
2
SURROUND BACK  
SPEAKERS  
SINGLE  
/PRESENCE  
PRE OUT  
PRESENCE/ZONE  
2
SUB  
ZONE  
3
WOOFER CENTER  
MULTI CH INPUT  
MONITOR OUT  
OUTPUT  
GND  
9
0
A
B
C
D
E
1 DIGITAL OUTPUT jacks  
A ZONE 2/ZONE 3 OUTPUT jacks  
See page 21 for details.  
See page 77 for connection information.  
2 Audio component jacks  
B Antenna terminals  
See page 21 for connection information.  
See page 23 for connection information.  
3 Video component jacks  
C PRE OUT jacks  
See pages 18 and 20 for connection information.  
See page 22 for connection information.  
4 RS-232C terminal  
D Speaker terminals  
This is a control expansion terminal for commercial use.  
Consult your dealer for details.  
See page 13 for connection information.  
E PRESENCE/ZONE 2 speaker terminals  
5 REMOTE IN/OUT jacks  
See page 14 for connection information.  
See page 77 for connection information.  
6 CONTROL OUT jack  
See page 77 for connection information.  
7 AC OUTLET(S)  
Use to supply power to your other A/V components (see  
page 24).  
8 AC INLET  
Use this inlet to plug in the supplied power cable (see  
page 24).  
9 DIGITAL INPUT jacks  
See pages 18, 20 and 21 for details.  
0 MULTI CH INPUT jacks  
See page 19 for connection information.  
11  
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SPEAKER SETUP  
SPEAKER SETUP  
Surround speakers (SR and SL)  
Speaker placement  
For best results, place the speakers as illustrated below.  
The surround speakers are used for effect and surround  
sounds. Place these speakers behind your listening  
position, facing slightly inwards, about 1.8 m (6 ft) above  
the floor.  
PL  
PR  
C
Surround back speakers (SBR and SBL)  
The surround back speakers supplement the surround  
speakers and provide for more realistic front-to-back  
transitions. Place these speakers directly behind the  
listening position and at the same height as the surround  
speakers. They should be positioned at least 30 cm (12 in)  
apart. Ideally, they should be positioned at the same width  
as the front speakers.  
FL  
FR  
30˚  
SL  
SL  
SR  
SR  
60˚  
80˚  
Subwoofer  
The use of a subwoofer, such as the YAMAHA Active  
Servo Processing Subwoofer System, is effective not only  
for reinforcing bass frequencies from any or all channels,  
but also for high fidelity reproduction of the LFE (low-  
frequency effect) channel included in Dolby Digital and  
DTS software. The position of the subwoofer is not so  
critical, because low bass sounds are not highly  
directional. But it is better to place the subwoofer near the  
front speakers. Turn it slightly toward the center of the  
room to reduce wall reflections.  
SBL  
SBR  
More than 30 cm (12 in)  
.
1.8 m (6 ft)  
1.8 m (6 ft)  
Presence speakers (PR and PL)  
Presence speakers supplement the sound from the front  
speakers with extra ambient effects produced by CINEMA  
DSP (see page 46). These effects include sounds that  
filmmakers intend to locate a little farther back behind the  
screen in order to create more theater-like ambience. Place  
these speakers at the front of the room about 0.5 - 1 m  
(1 - 3 ft) outside the front speakers, facing slightly  
inwards, and about 1.8 m (6 ft) above the floor.  
y
The illustrations show the standard speaker setting recommended  
by the ITU-R (see page 93). You can use it to enjoy CINEMA  
DSP, multi-channel audio sources, and THX.  
Note  
Front speakers (FR and FL)  
Surround back and presence speakers do not output sound  
simultaneously. You can set to prioritize either set of speakers in  
SOUND MENU (see page 60).  
The front speakers are used for the main source sound plus  
effect sounds. Place these speakers an equal distance from  
the ideal listening position. The distance of each speaker  
from each side of the video monitor should be the same.  
Center speaker (C)  
The center speaker is for the center channel sounds  
(dialog, vocals, etc.). If for some reason it is not practical  
to use a center speaker, you can do without it. Best results,  
however, are obtained with the full system. Align the front  
face of the center speaker with the front face of your video  
monitor. Place the speaker centrally between the front  
speakers and as close to the monitor as possible, such as  
directly over or under it.  
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SPEAKER SETUP  
■ Di-pole speaker layout  
Speaker connections  
Either di-pole or direct radiating speaker types can be used  
for THX surround. If you choose di-pole speakers, please  
place the surround and surround back speakers according  
to the speaker layout below.  
Be sure to connect the left channel (L), right channel (R),  
“+” (red) and “–” (black) properly. If the connections are  
faulty, no sound will be heard from the speakers, and if the  
polarity of the speaker connections is incorrect, the sound  
will be unnatural and lack bass.  
FL  
FR  
C
CAUTION  
•
If you will use 6 ohm speakers, be sure to set  
this unit’s speaker impedance setting to 6  
ohms before using (see page 25).  
•
•
Before connecting the speakers, make sure that the  
power of this unit is off.  
Do not let the bare speaker wires touch each other or  
do not let them touch any metal part of this unit. This  
could damage this unit and/or speakers.  
SL  
SR  
30˚ 30˚  
SBL  
SBR  
•
Use magnetically shielded speakers. If this type of  
speakers still creates the interference with the monitor,  
place the speakers away from the monitor.  
: Di-pole speaker  
: Direction of di-pole speaker  
A speaker cord is actually a pair of insulated cables  
running side by side. One cable is colored or shaped  
differently, perhaps with a stripe, groove or ridges.  
Connect the striped (grooved, etc.) cable to the “+” (red)  
terminals on this unit and your speaker. Connect the plain  
cable to the “–” (black) terminals.  
10 mm (3/8 in)  
1
2
1
2
3
Remove approximately 10 mm (3/8 in) of  
insulation from each of the speaker cables.  
Twist the exposed wires of the cable together  
to prevent short circuits.  
Loosen the knob.  
The supplied speaker terminal wrench is useful for  
loosening or tightening knobs.  
4
Insert one bare wire into the hole in the side  
of each terminal.  
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SPEAKER SETUP  
5
Tighten the knob to secure the wire.  
Speaker terminal wrench  
5
4
3
Red: positive (+)  
Black: negative (–)  
■ Connecting to PRESENCE/ZONE 2 or  
PRESENCE speaker terminals  
1
3
2
1
2
Open the tab.  
Insert one bare wire into the hole of each  
terminal.  
3
Return the tab to secure the wire.  
■ Banana plug connections  
First, tighten the knob and then insert the banana plug  
connector into the end of the corresponding terminal.  
Banana plug  
y
You can also use banana plugs with the PRESENCE/ZONE 2 and  
PRESENCE speaker terminals. Open the tab, then insert one  
banana plug connector into the hole of each terminal. Do not  
attempt to close the tabs after connecting the banana plugs.  
14  
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SPEAKER SETUP  
9
10  
2
4
1
Front speakers (A)  
7
3
Right  
Left  
5
8
6
Subwoofer with  
built-in amplifier  
Front  
speakers  
(B)  
Center  
speaker  
Speaker layout  
4
1
2
3
RC-232C  
+
+
–
–
–
–
+
+
R
L
FRONT  
CENTER  
+
–
SURROUND  
+
+
–
–
–
–
+
+
R
R
L
L
R
L
+
–
SUB  
WOOFER  
SURROUND BACK  
SPEAKERS  
SINGLE  
PRESENCE/ZONE  
2
PRE OUT  
7
8
6
10  
5
9
Right  
Surround speakers  
Right  
Left  
Right  
Left  
Left  
Surround back speakers  
Presence speakers  
• You can connect both surround back and presence speakers to this unit, but they do not output sound simultaneously.You can set  
to prioritize either set of speakers in SOUND MENU (see page 60).  
• The surround back speakers output the surround back channel included in Dolby Digital EX and DTS-ES software and only  
operate when the Dolby Digital EX, DTS-ES or Dolby Pro Logic IIx decoder is turned on.  
• The presence speakers output ambient effects created by the DSP sound fields. They do not output sound when other sound fields  
are selected.  
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SPEAKER SETUP  
■ FRONT terminals  
■ CENTER terminals  
Connect one or two speaker systems to these terminals. If  
you use only one speaker system, connect it to either the  
FRONT A or B terminals.  
Connect a center speaker to these terminals.  
■ SURROUND terminals  
Connect surround speakers to these terminals.  
Note  
■ SUBWOOFER jack  
The Canada model cannot output to two separate speaker systems  
simultaneously.  
Connect a subwoofer with a built-in amplifier, such as the  
YAMAHA Active Servo Processing Subwoofer System,  
to this jack.  
Bi-wired connection  
The unit also allows you to make bi-wired connections to  
one speaker system. Use two pairs of speaker cables for  
each speaker (one pair for the woofer and one pair for the  
tweeter/mid-range). To use the bi-wired connections, press  
SPEAKERS A and SPEAKERS B on the front panel so  
that both SP A and B light up in the front panel display.  
■ SURROUND BACK terminals  
Connect surround back speakers to these terminals. If you  
only connect one surround back speaker, connect it to the  
left (L) terminals.  
■ PRESENCE terminals  
Connect presence speakers to these terminals.  
Bi-wired connection  
y
• You can specify the location of speakers connected to the  
SPEAKERS B terminals in the SP B menu of the SET MENU  
mode (See page 64).  
• You can select how the volume control operate with regard to  
the ZONE 2 OUTPUT and ZONE 3 OUT PUT in the ZONE 2  
SET and ZONE 3 SET menus of the SET MENU mode (See  
page 64).  
• You can select how the ZONE 2 will be amplified in the ZONE  
2 AMP menu of the SET MENU mode (See page 64).  
+
+
–
–
–
–
+
+
R
L
A
B
FRONT  
This unit  
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CONNECTIONS  
CONNECTIONS  
Dust protection cap  
Before connecting components  
Pull out the cap from the optical jack before you connect  
the fiber optic cable. Do not discard the cap. When you are  
not using the optical jack, be sure to put the cap back in  
place. This cap protects the jack from dust.  
CAUTION  
Do not connect this unit or other components to the mains  
power until all connections between components are  
complete.  
■ Cable indications  
For analog signals  
■ Video jacks  
L
left analog cables  
This unit has three types of video jacks. Connection  
depends on the availability of input jacks on your monitor.  
The signals input through the S VIDEO jacks on this unit  
are automatically converted for output through the  
VIDEO jacks. When V CONV. is set to “ON” (see  
page 63), signals input through the VIDEO jacks can be  
output through the S VIDEO and COMPONENT VIDEO  
jacks. Likewise, signals input through the S VIDEO jacks  
can also be output through the COMPONENT VIDEO  
jacks.  
R
right analog cables  
For digital signals  
optical cables  
O
coaxial cables  
C
For video signals  
video cables  
V
S-video cables  
S
COMPONENT VIDEO  
S VIDEO  
VIDEO  
P
R
P
B
Y
V
■ Analog jacks  
VIDEO jack  
For conventional composite video signals.  
You can input analog signals from audio components by  
connecting audio pin cables to the analog jacks on this  
unit. Connect red plugs to the right jacks and white plugs  
to the left jacks.  
S VIDEO jack  
For S-video signals, separated into luminance (Y) and  
color (C) video signals to achieve high-quality color  
reproduction.  
■ Digital jacks  
This unit has digital jacks for direct transmission of digital  
signals through either coaxial or fiber optic cables. You  
can use the digital jacks to input PCM, Dolby Digital and  
DTS bitstreams. When you connect components to both  
the COAXIAL and OPTICAL jacks, priority is given to  
the input signals from the COAXIAL jack. All digital  
input jacks are compatible with 96-kHz sampling digital  
signals.  
COMPONENT VIDEO jacks  
For component signals, separated into luminance (Y) and  
color difference (PB, PR) to provide the best quality in  
picture reproduction.  
Signal flow inside this unit  
Output  
Input  
(MONITOR OUT)  
Note  
COMPONENT  
VIDEO  
This unit handles digital and analog signals independently. Thus  
audio signals input to the analog jacks are only output to the  
analog OUT (REC) jacks. Likewise audio signals input to the  
digital (OPTICAL or COAXIAL) jacks are only output to the  
DIGITAL OUTPUT jacks.  
S VIDEO  
VIDEO  
Only when V CONV. is set to ON  
(see page 63)  
Note  
When signals are input through both the S VIDEO and VIDEO  
jacks, signals input through the S VIDEO jack have priority.  
17  
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CONNECTIONS  
Connecting video components  
■ Connections for DVD playback  
Coaxial out  
Optical out  
Video out  
DVD player  
Audio out  
R
L
C
O
AUDIO  
AUDIO  
VIDEO  
VIDEO  
COMPONENT VIDEO  
DIGITAL OUTPUT  
S VIDEO  
OPTICAL  
R
L
R
L
P
R
P
B
Y
MD/TAPE  
DVD  
IN  
DVD  
(
)
PLAY  
MD/TAPE  
OUT  
CD-R  
(
)
REC  
DIGITAL INPUT  
CD  
Video in  
Video  
monitor  
IN  
(
)
PLAY  
CD-R  
OUT  
MONITOR OUT  
DVD  
TUNER  
(
)
REC  
AM  
ANT  
CD  
PHONO  
M
GND  
CBL/SAT  
MAIN/SURROUND BACK  
SURROUND  
FM ANT  
COAXIAL  
CD  
SUR  
75Ω  
UNBAL.  
ZONE 2  
SUB  
WOO  
DVD  
DTV  
SUB  
ZONE 3  
OUTPUT  
WOOFER CENTER  
MONITOR OUT  
MULCH CH INPUT  
GND  
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CONNECTIONS  
■ Connecting to the MULTI CH INPUT jacks  
This unit is equipped with 6 additional input jacks (left and right FRONT, CENTER, left and right SURROUND and  
SUBWOOFER) for discrete multi-channel input from a multi-format player, external decoder, sound processor or pre-  
amplifier.  
If you set MULTI CH INPUT 6ch/8ch to “8ch” (see page 62), you can use input jacks assigned as MULTI CH INPUT  
FRONT (page 62) together with the MULTI CH INPUT jacks to input 8 channels.  
Connect the output jacks on your multi-format player or external decoder to the MULTI CH INPUT jacks. Be sure to  
match the left and right outputs to the left and right input jacks for the front and surround channels.  
For 6-channel input  
For 8-channel input  
FRONT(6CH)/SB(8CH)  
SURROUND  
FRONT(6CH)/SB(8CH)  
AUDIO  
AUDIO  
R
L
R
L
IN  
SURROUND  
DVD  
DTV  
(
)
PLAY  
MD/TAPE  
SUB  
SUB  
IN  
CBL  
/SAT  
WOOFER CENTER  
(
)
PLAY  
WOOFER CENTER  
MULTI CH INPUT  
MULTI CH INPUT  
CD-R  
IN  
VCR 1  
R
L
R
L
R
L
R
L
Subwoofer  
out  
Subwoofer  
out  
CD  
Center  
out  
Center  
out  
IN  
Surround  
out  
DVR/  
VCR 2  
Multi-format player/  
External decoder  
Multi-format player/  
External decoder  
R
L
Front  
out  
Surround  
out  
Surround  
back out  
Front out  
Notes  
• When you select MULTI CH INPUT as the input source, this unit automatically turns off the digital sound field processor, and you  
cannot select sound field programs.  
• This unit does not redirect signals input to the MULTI CH INPUT jacks to accommodate for missing speakers. We recommend that  
you connect at least a 5.1-channel speaker system before using this feature.  
• When headphones are used, only front L/R channels are output.  
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CONNECTIONS  
■ Connections for other video components  
Optical out  
Video out  
Cable TV or  
satellite tuner  
Audio out  
R
L
O
AUDIO  
AUDIO  
VIDEO  
VIDEO  
COMPONENT VIDEO  
DIGITAL OUTPUT  
S VIDEO  
OPTICAL  
R
L
R
L
PR  
P
B
Y
MD/TAPE  
IN  
(
)
PLAY  
MD/TAPE  
OUT  
CD-R  
DTV  
(
)
REC  
DIGITAL INPUT  
CD  
IN  
CBL  
/SAT  
(
)
PLAY  
CD-R  
OUT  
CD-R  
DVD  
IN  
TUNER  
(
)
REC  
VCR 1  
OUT  
AM  
ANT  
CD  
PHONO  
MA  
GND  
CBL/SAT  
IN  
DVR/  
MAIN/SURROUND BACK  
SURROUND  
FM ANT  
VCR 2  
COAXIAL  
CD  
SURR  
OUT  
75Ω  
UNBAL.  
ZONE 2  
CD-R  
SUB  
WOOF  
Connect a YAMAHA  
CD recorder that  
DVD  
outputs OSD signals.  
DVR/  
VCR2  
SUB  
ZONE 3  
OUTPUT  
WOOFER CENTER  
MULCH CH INPUT  
GND  
C
R
L
R
L
Audio in  
Video in  
DVD recorder  
or VCR  
Audio out  
Video out  
Coaxial out  
■ VIDEO AUX jacks (on the front panel)  
Use these jacks to connect any video source, such as  
a game console or camcorder, to this unit.  
L
AUDIO  
R
OPTICAL  
S VIDEO  
VIDEO  
VIDEO AUX  
L
S
V
O
R
Optical out  
Audio out R  
Audio out L  
Game  
console or  
video camera  
Video out  
S-video out  
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CONNECTIONS  
Connecting audio components  
■ Connections for audio components  
Optical in  
MD recorder or  
tape deck  
Audio out  
Audio in  
R
L
R
L
O
AUDIO  
AUDIO  
DIGITAL OUTPUT  
OPTICAL  
R
L
R
L
MD/TAPE  
IN  
(
)
PLAY  
MD/TAPE  
OUT  
Optical in  
CD-R  
O
(
)
REC  
DIGITAL INPUT  
CD  
Optical out  
Audio out  
IN  
O
(
)
PLAY  
L
CD-R  
OUT  
R
CD recorder*  
(
)
REC  
L
R
DVD  
Audio out  
CD  
PHONO  
Audio in  
L
CD player  
CBL/SAT  
R
*
Some CD recorders can  
be connected to the  
VIDEO CD-R jacks  
(see page 20).  
MAIN/SURROUND BACK  
SURROUND  
COAXIAL  
CD  
C
Coaxial out  
ZONE 2  
DVD  
DTV  
Audio out  
L
SUB  
ZONE 3  
OUTPUT  
WOOFER CENTER  
MULCH CH INPUT  
R
GND  
GND  
Turntable  
y
■ Connecting a turntable  
Connect your turntable to the GND terminal to reduce noise in  
the signal. However, you may hear less noise without the  
connection to the GND terminal for some record players.  
PHONO jacks are for connecting a turntable with an MM  
or high-output MC cartridge. If you have a turntable with  
a low-output MC cartridge, use an in-line boosting  
transformer or MC-head amplifier when connecting to  
these jacks.  
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CONNECTIONS  
■ Connecting to an external amplifier  
If you want to increase the power output to the speakers,  
or want to use another amplifier, connect an external  
amplifier to the PRE OUT jacks as follows.  
Notes  
• When audio pin plugs are connected to the PRE OUT jacks for  
output to an external amplifier, it is not necessary to use the  
corresponding SPEAKERS terminals. Set the volume of the  
external amplifier connected to this unit to the maximum.  
• The signal output through the FRONT PRE OUT and CENTER  
PRE OUT jacks are affected by the TONE CONTROL settings.  
• If SPEAKERS A is turned off and SP B is set to ZONE B (see  
page 64), signals will only be output from the FRONT PRE  
OUT jacks.  
L
L
R
1
2
FRONT  
R
SURROUND  
5
3
4
SUB  
WOOFER  
CENTER  
R
L
SURROUND BACK  
/PRESENCE  
PRE OUT  
1 FRONT PRE OUT jacks  
Front channel line output jacks.  
2 SURROUND PRE OUT jacks  
Surround channel line output jacks.  
3 SUBWOOFER PRE OUT jack  
Connect a subwoofer with built-in amplifier, such as the  
YAMAHA Active Servo Processing Subwoofer System,  
to this jack.  
4 SURROUND BACK/PRESENCE PRE OUT  
jacks  
Surround back or presence channel line output jacks.  
5 CENTER PRE OUT jack  
Center channel line output jack.  
Notes  
• Each PRE OUT jack outputs the same channel signal as the  
corresponding speaker terminals. However, when both surround  
back and presence speakers are setup in this unit, the signals  
output from SURROUND BACK/PRESENCE PRE OUT jacks  
may not correspond to the correct speakers.  
• Adjust the volume level of the subwoofer with the control on  
the subwoofer. It is also possible to adjust the volume level by  
using the remote control (see “Manually adjusting speaker  
levels” on page 51).  
• Some signals may not be output from the SUBWOOFER PRE  
OUT jack depending on the SPEAKER SET (see page 55) and  
LFE/BASS OUT (see page 56) settings.  
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CONNECTIONS  
Connecting the antennas  
Both AM and FM indoor antennas are included with this  
unit. In general, these antennas should provide sufficient  
signal strength. Connect each antenna correctly to the  
designated terminals.  
Notes  
• The AM loop antenna should be placed away from this unit.  
• The AM loop antenna should always be connected, even if an  
outdoor AM antenna is connected to this unit.  
• A property installed outdoor antenna provides clearer reception  
than an indoor one. If you experience poor reception quality, an  
outdoor antenna may improve the quality. Consult the nearest  
authorized YAMAHA dealer or service center about outdoor  
antennas.  
AM loop antenna  
(included)  
Indoor FM antenna  
(included)  
COMPONENT VIDEO  
PR  
PB  
Y
VD  
TV  
ONITOR OUT  
TUNER  
AM  
ANT  
MAIN  
GND  
FM ANT  
75Ω  
UNBAL.  
SURRO  
SUB  
WOOFE  
Ground (GND terminal)  
For maximum safety and minimum interference,  
connect the antenna GND terminal to a good earth  
ground. A good earth ground is a metal stake driven  
into moist earth.  
■ Connecting the AM loop antenna  
1
Set up the AM loop antenna, then connect it  
to the terminals on this unit.  
2
3
Press and hold the tab to insert the AM loop  
antenna lead wires into the AM ANT and GND  
terminals.  
Orient the AM loop antenna for the best  
reception.  
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CONNECTIONS  
Connecting the power supply cord  
■ Connecting the AC power cord  
Plug the power cord into the AC inlet after all other  
connections are complete, then plug the power cord to an  
AC wall outlet.  
CAUTION  
Do not use other AC power cords. Use the one provided.  
Use of other power cords may result in fire hazard or  
electrical shock.  
AC OUTLETS  
■ AC OUTLET(S) (SWITCHED)  
Use outlets to connect the power cords from your other  
components to this unit. Power to the AC OUTLET is  
controlled by this unit’s STANDBY/ON (or SYSTEM  
POWER and STANDBY). These outlets will supply  
power to any connected component whenever this unit is  
turned on. The maximum power (total power consumption  
of components) that can be connected to the AC OUTLET  
is 100 W.  
■ Memory back-up  
The memory back-up circuit prevents the stored data from  
being lost even if this unit is in the standby mode.  
However if the power cord is disconnected from the AC  
wall outlet, or the power supply is cut for more than one  
week, the stored data will be lost.  
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CONNECTIONS  
Speaker impedance setting  
Turning on the power  
When all connections are complete, turn on the power of  
this unit.  
CAUTION  
If you are using 6 ohm speakers, set the impedance to  
6 ohms as follows before turning on the power.  
1
Be sure this unit is in the standby mode.  
VOLUME  
PURE DIRECT  
1
On the front panel, while holding down  
SPEAKERS A, press STANDBY/ON.  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A
A
/
/
B
B
/
/
C
C
/
/
D
D
/
/
E
E
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
“SP IMP.SET” appears in the front panel display for a  
few seconds, then “Minimum 8ohms” appears.  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
SPEAKERS  
A
STANDBY  
/ON  
SYSTEM  
POWER  
POWER  
POWER  
AV  
STANDBY  
TV  
A
1
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
-
V
AUX  
CBL/SAT  
MD/TAPE  
DTV  
VCR  
1
DVR/VCR2  
DVD  
SP IMP.SET  
SELECT  
AMP  
+
+
+
1
2
Press STANDBY/ON (SYSTEM POWER on the  
remote control) to turn on the power of this  
unit.  
Minimum 8ohms  
SYSTEM  
2
Press SPEAKERS A or SPEAKERS B to  
select the impedance of your speakers.  
You can select either 6 ohms or 8 ohms.  
POWER  
STANDBY  
/ON  
or  
Front panel  
Remote control  
3
Press STANDBY/ON to exit the setting.  
This unit will be set to the standby mode.  
Turn on the video monitor connected to this  
unit.  
y
You can also use SP IMP.SET (see page 63) to set the speaker  
impedance.  
Note  
Press STANDBY/ON again (STANDBY on the remote control)  
to enter the standby mode.  
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AUTO SETUP  
AUTO SETUP  
Introduction  
Optimizer microphone setup  
This receiver employs YAMAHA Parametric Room  
Acoustic Optimizer (YPAO) technology which lets you  
avoid troublesome listening-based speaker setup and  
achieves highly accurate sound adjustments. The supplied  
optimizer microphone collects and analyzes the sound  
your speakers produce in your actual listening  
environment.  
1
Connect the supplied optimizer microphone  
to the OPTIMIZER MIC jack on the front  
panel.  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
y
SILENNEMA  
The basic setup feature (page 31) is useful if you want to set up  
your system quickly and with minimal effort. However, we  
recommend that you come back and perform auto setup later to  
take advantage of YPAO and enjoy even higher fidelity.  
Notes  
Notes  
• Please be advised that it is normal for loud test tones to be  
output during the auto setup procedure.  
• If auto setup stops and error messages appear on the screen,  
follow the troubleshooting on page 29.  
• After you have completed the auto setup procedure, be  
sure to disconnect the optimizer microphone.  
• The optimizer microphone is sensitive to heat.  
–Keep it away from direct sunlight.  
–Do not place it on top of this unit.  
YPAO performs the following checks and makes  
appropriate adjustments to give you the best possible  
sound from your system.  
2
Place the optimizer microphone on a flat  
level surface with the omni-directional  
microphone head upward, at your normal  
listening position.  
WIRING  
Checks which speakers are connected and the polarity of  
each speaker.  
If possible, use a tripod (etc.) to affix the optimizer  
mic at the same height as your ears would be when  
you are seated in your listening position.  
DISTANCE  
Checks the distance of each speaker from the listening  
position and adjusts the timing of each channel.  
SIZE  
Optimizer microphone position  
Checks the speaker’s frequency response and sets the  
appropriate low frequency crossover for each channel.  
EQUALIZING  
Adjusts frequency and levels of each channel’s parametric  
equalizer to reduce coloration across the channels and  
create a cohesive sound field. This is particularly  
important if you use different brands or sizes of speakers  
for some channels or have a room with unique sonic  
characteristics.  
YPAO equalizing calibration incorporates three  
parameters (frequency, level and Q factor) for each of the  
seven bands in its parametric equalizer to provide highly  
precise automatic adjustment of frequency characteristics.  
LEVEL  
Checks and adjusts the sound level (volume) of each  
speaker.  
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AUTO SETUP  
Starting the setup  
For best results, make sure the room is as quiet as possible  
during the auto setup procedure (YPAO). If there is too  
much ambient noise, the results may not be satisfactory.  
4
5
Press k/ nrepeatedly to select WIRING,  
DISTANCE, SIZE, EQUALIZING or LEVEL.  
1 AUTO:MENU  
.ꢀWIRING;;;;;CHECK  
ꢀꢀDISTANCE;;;CHECK  
ꢀꢀSIZE;;;;;;;CHECK  
ꢀꢀEQUALIZING;;FLAT  
ꢀꢀLEVEL;;;;;;CHECK  
ꢀꢀSETUP;;;;;;;AUTOꢀ  
y
If your subwoofer can adjust the output volume and the crossover  
frequency, set the volume to about half way (or slightly less) and  
set the crossover frequency to the maximum.  
>
ꢀꢀSTART PUSH  
/
: Up/Down  
: Select  
</>  
CROSSOVER/  
HIGH CUT  
VOLUME  
When WIRING, DISTANCE, SIZE or LEVEL is  
selected, press l/ hto select:  
MIN  
MAX  
MIN  
MAX  
CHECK To automatically check and adjust the selected  
item.  
Subwoofer  
SKIP To skip the selected item and perform no  
adjustments.  
1
2
Switch on this unit and video monitor.  
Make sure the OSD is displayed (see page 50).  
Note  
When using THX speakers, set SIZE to SKIP and make sure  
that “SMALL” or “SMLx2” is selected in SPEAKER SET  
(page 55) and that 80Hz (THX) is selected in CROSS  
OVER (page 57).  
Set AMP/SOURCE/TV to AMP, then press  
SET MENU to enter the SET MENU.  
SET MENU  
AMP  
When EQUALIZING is selected, press l/ h  
then  
MENU  
SOURCE  
TV  
to select:  
FRONT  
To adjust the frequency response of  
each speaker in accordance with the  
sound of your front speakers.  
Recommended if your front speakers  
are of much higher quality than your  
other speakers.  
3
Press k/ nto select AUTO SETUP, then  
press honce to enter the main menu.  
FLAT  
LOW  
To average the frequency response of  
all speakers. Recommended if all of  
your speakers are of similar quality.  
To average the frequency response of  
all speakers, giving priority to the  
accuracy of bass frequencies.  
ENTER  
MID  
To average the frequency response of  
all speakers, giving priority to the  
accuracy of mid-range frequencies.  
To average the frequency response of  
all speakers, giving priority to the  
accuracy of high frequencies.  
ꢀꢀSET MENU  
HIGH  
SKIP  
. ;AUTO SETUP  
;MANUAL SETUPꢀꢀꢀ  
/
: Up/Down  
: Enter  
To skip the selected item and perform  
no adjustments.  
</>  
6
Press nto select SETUP, then press l/ hto  
select:  
AUTO  
To automatically perform the entire  
auto setup procedure.  
ENTER  
STEP  
To pause for confirmation between  
each check in the auto setup procedure.  
To restore the last auto setup setting.  
RELOAD  
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AUTO SETUP  
y
• Press k/ nrepeatedly to move between each display.  
• If you are not satisfied with the result or want to manually  
adjust each setup parameter, use the manual setup parameters  
(see page 55).  
7
Press nto select START PUSH i, then press  
h.  
Loud test tones will be output from each speaker and  
WAIT appears during the auto setup procedure.  
Notes  
Note  
• If you change speakers, speaker positions, or the layout of your  
listening environment, perform AUTO SETUP again to re-  
calibrate your system.  
If “E-10:OTHER ERROR” appears during testing, restart the  
procedure from step 3.  
• In the DISTANCE results, the distance displayed may be longer  
than the actual distance depending on the characteristics of your  
subwoofer.  
• In the EQUALIZING results, different values may be set for the  
same band to provide finer adjustments.  
If you selected “AUTO” in step 6  
The RESULT display appears for a few seconds after each  
check, then settings of the next item will start. The  
RESULT:EXIT display appears after all items are set.  
y
If you selected “RELOAD” in step 6  
You can display each result by pressing konce and pressing h  
repeatedly before exiting. Pressing nreturns to the  
RESULT:EXIT display.  
The RESULT:EXIT display appears.  
y
You can display each result by pressing konce and pressing h  
repeatedly before exiting. Pressing nreturns to the  
RESULT:EXIT display.  
8
To apply the changes, press l/ hto select  
SET, then press nto exit.  
To cancel the auto setup procedure, press  
l/ hto select CANCEL, then press nto exit.  
8
Press l/ hto select “SET”, then press nto  
exit.  
If you selected “STEP” in step 6  
The RESULT display appears after each check.  
8
Press l/ hto display RESULT:EXIT, then  
press l/ hto select:  
NEXT Then press nto proceed and check the next item.  
EXIT Then press nto exit the auto setup.  
RESULT:WIRING  
FRONT L;;;;;;;OK  
RESULT:EQUALIZI.  
EQ;;;;;FRONT L  
63Hz;;;-2.0dB  
125Hz;;;-5.0dB  
500Hz;;;;;;0dB  
630Hz;;;;;;0dB  
1.0kHz;;;;;;0dB  
3.15kHz;;;+3.0dB  
10.0kHz;;;+1.0dB  
/ : Up/Down  
</> : Back/Next  
/
: Up/Down  
RESULT:DISTANCE1  
RESULT:LEVEL 1  
. FRONT L;;;;3.20m  
CENTER;;;;;3.30m  
FRONT R;;;;2.90m  
PRES L;;;;;1.70m  
PRES R;;;;;1.50m  
. FRONT L;;;+5.0dB  
CENTER;;;;-4.5dB  
FRONT R;;;+5.5dB  
PRESENCE;;-3.0dB  
/ : Up/Down  
</> : Back/Next  
/ : Up/Down  
</> : Back/Next  
RESULT:SIZE 1  
FRONT L;;;;;;LRG  
/ : Up/Down  
</> : Back/Next  
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AUTO SETUP  
■ Troubleshooting for auto setup procedure  
Before auto setup  
Error message  
Cause  
Remedy  
Optimizer microphone is not connected.  
• Connect the supplied optimizer microphone to the  
OPTIMIZER MIC jack on the front panel.  
Connect MIC!  
Headphones are connected.  
• Unplug the headphones.  
Unplug HP!  
During auto setup  
Press l/ hto display the detailed information about individual errors. Select “RETRY” to try auto setup procedure  
again.  
Error message  
Cause  
Remedy  
Front L/R channel signal(s) is (are) not  
detected.  
• Select the front speakers with SPEAKER A or B.  
• Check the front L/R speaker connections.  
E-1:NO FRONT SP  
A surround channel signal is not detected.  
A presence channel signal is not detected.  
• Check the surround speaker connections.  
• Check the presence speaker connections.  
E-2:NO SURR.SP  
E-3:NO PRES. SP  
E-4:SBR->SBL  
Only right surround back channel signal is  
detected.  
• Connect the surround back speaker to the LEFT  
SURROUND BACK SPEAKERS terminal if you  
only have one surround back speaker.  
Background noise is too loud.  
• Try auto setup procedure in a quiet environment.  
• Turn off noisy electric equipment like air conditioners  
(etc.) or move them away from the optimizer  
microphone.  
E-5:NOISY  
Surround back speaker(s) is (are) connected,  
though surround L/R speakers are not.  
• Connect surround speakers when you use (a)  
surround back speaker(s).  
E-6:CHECK SURR.  
E-7:NO MIC  
The optimizer microphone was unplugged  
during the auto setup procedure.  
• Connect the supplied optimizer microphone to  
OPTIMIZER MIC jack on the front panel.  
The optimizer microphone does not detect test  
tones.  
• Check the microphone setting.  
• Check the speaker connections and placement.  
E-8:NO SIGNAL  
E-9:USER CANCEL  
E-10:OTHER ERROR  
The auto setup procedure was cancelled due to  
user activity.  
• Perform the auto setup procedure again.  
• Perform the auto setup procedure again.  
An internal error occurred.  
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AUTO SETUP  
After auto setup  
Press l/ hto display the detailed information about individual warnings.  
Warning message  
Cause  
Remedy  
Speaker polarity is not correct. This message  
may appear depending on the speakers even  
when the speakers are connected correctly.  
• Check the speaker connections for proper polarity  
(+ or –).  
W-1:OUT OF PHASE  
The distance between the speaker and the  
listening position is over 24 m (80 ft).  
• Bring the speaker closer to the listening position.  
W-2:OVER 24m  
(80ft)  
The difference of volume level among speakers • Readjust the speaker installation so that all speakers  
W-3:LEVEL ERROR  
is excessive. (No level correction is made.)  
are set in locations with similar conditions.  
• Check the speaker connections.  
• Use speakers of similar quality.  
• Adjust the output volume of the subwoofer.  
The phase polarity of the subwoofer is not  
correct.  
• Select the opposite phase on the subwoofer if the  
subwoofer has a phase switch.  
W-4:SWFR PHASE  
W-5:VOL ERROR  
The result may not be correct because the  
volume was changed during the auto setup  
procedure.  
• Perform the auto setup procedure again. Do not  
change the volume during the auto setup procedure.  
• If the ERROR or WARNING screens appears, check the cause of the problem, then perform the auto setup procedure again.  
• If warning W-1, W-4 or W-5 appears, corrections are made, but they may not be optimal.  
• If warning W-2 or W-3 appears, no corrections are made.  
• If error E-10 occurs repeatedly, please contact a qualified YAMAHA service center.  
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BASIC SETUP  
BASIC SETUP  
The basic system parameters are set automatically when  
you run auto setup (page 26). Basic setup is useful if you  
want to quickly setup your speakers or to manually adjust  
some of the items set in auto setup.  
3
4
Press l/ hto enter BASIC MENU.  
When ROOM is selected, press l/ hto  
change the setting.  
Select the size of the room you have installed your  
speakers in. Roughly speaking, the room sizes are  
defined as follows:  
y
If you wish to configure the unit manually using more precise  
adjustments, use the detailed parameters in SOUND MENU  
(page 55) instead of BASIC MENU.  
Note  
2
2
S(small)  
16 x 13 ft, 200 ft (4.8 x 4.0 m, 20 m )  
Altering any parameters in BASIC MENU will reset all  
parameters in SOUND MENU.  
2
2
M(medium) 20 x 16 ft, 300 ft (6.3 x 5.0 m, 30 m )  
2
2
L(large)  
26 x 19 ft, 450 ft (7.9 x 5.8 m, 45 m )  
Using BASIC MENU  
1 BASIC MENU 1/2  
.ꢀROOMꢀ:ꢀꢀ Sꢀ[MꢀꢀL  
ꢀꢀSWFRꢀ:ꢀ[YESꢀNONE  
ꢀꢀPRESENCE;;;;NONE  
ꢀꢀSPEAKERS;;;;7spkꢀ  
SELECT  
AMP  
+
TV VOL  
+
CH  
+
VOL  
SOURCE  
TV  
–
–
–
A
/
B
/
C
/
D
/
E
1
TV MUTE  
TV INPUT  
MUTE  
LEVEL  
TITLE  
SET MENU  
PURE DIRECT  
MENU  
NIGHT  
AUDIO  
ENTER  
2-9  
5
6
Press nto select SWFR, then press l/ hto  
select:  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
EFFECT  
YES  
If you have a subwoofer in your system.  
NONE If you do not have a subwoofer in your system.  
1
2
Set AMP/SOURCE/TV to AMP, then press  
SET MENU to enter the SET MENU.  
Press nto select PRESENCE, then press  
l/ hto select:  
AMP  
SET MENU  
SOURCE  
MENU  
then  
TV  
YES  
If you have presence speakers in your system.  
NONE If you do not have presence speakers in your  
system.  
Press k/ nrepeatedly to select MANUAL  
SETUP, then press l/ hto enter the  
selected category.  
then  
ENTER  
ENTER  
ꢀꢀSET MENU  
;AUTO SETUP  
. ;MANUAL SETUPꢀꢀꢀ  
/
: Up/Down  
: Enter  
</>  
If kis pressed when AUTO SETUP is selected, or if  
nis pressed when MANUAL SETUP is selected,  
SET MENU will be closed. Press SET MENU to  
open SET MENU again.  
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BASIC SETUP  
7
Press nto select SPEAKERS, then press  
l/ hto select the number of speakers  
connected to the unit.  
The choices vary as follows depending on the  
PRESENCE setting:  
9
Press nto select CHECK OK?, then press  
l/ hto select:  
YES  
NO  
To exit the setup if the test tones were  
satisfactory.  
To adjust each speaker level (see page 57).  
PRESENCE setting  
Choices  
1 BASIC MENU 2/2  
NONE  
YES  
. CHECK OK?;;;;YES  
Front L/R  
L C R  
SL SB SR  
—
—
—
—
2
3
4
5
Front L/R,  
Center  
L C R  
SL SB SR  
(when “NO” is selected)  
Presence L/R,  
Front L/R  
Front L/R,  
Surround L/R  
L C R  
SL SB SR  
L
R
B)SPEAKER LEVEL  
-
FR  
C
+
Presence L/R,  
Front L/R,  
Center  
Front L/R,  
Center,  
Surround L/R  
.
L C R  
SL SB SR  
L C R  
SL  
Presence L/R,  
Front L/R,  
Surround L/R  
Front L/R,  
Center,  
Surround L/R,  
Surround back  
L C R  
SL SB SR  
L
SL  
R
SR  
6
7
Presence L/R,  
Front L/R,  
Center,  
Front L/R,  
Center,  
Surround L/R,  
Surround back  
L/R  
L C R  
SL SB SR  
L C R  
SL  
Memory back-up  
SR  
The memory back-up circuit prevents the stored data  
from being lost even if this unit is in the standby mode.  
However, if the power cord is disconnected from the  
AC outlet, or the power supply is cut for more than one  
week, the stored data will be lost. If so, adjust the  
items again.  
Surround L/R  
Presence L/R,  
Front L/R,  
Center,  
Surround L/R,  
Surround back  
L C R  
SL SB SR  
—
—
—
8
9
*
Presence L/R,  
Front L/R,  
Center,  
Surround L/R,  
Surround back  
L C R  
SL SB SR  
—
*
L/R  
*
Surround back and presence speakers do not output sound  
simultaneously. You can set to prioritize either set of speakers  
in SOUND MENU (see page 60).  
8
After you have finished the settings, press n,  
then press l/ hto select:  
SET  
CANCEL  
To apply the changes.  
To cancel the setup.  
1 BASIC MENU 2/2  
.
[SET CANCEL  
ROOM SIZE=MEDIUM  
If you select “SET”, you will hear a test tone from  
each speaker.  
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PLAYBACK  
PLAYBACK  
Basic operations  
4
Select the input source.  
Use INPUT (or press one of the input selector buttons  
on the remote control) to select the input you desire.  
1
6
INPUT  
PHONO  
TUNER  
CBL/SAT  
VCR 1  
CD  
MULTI CH IN  
-
V
AUX  
MD/TAPE  
DVR/VCR2  
CD-R  
VOLUME  
or  
PURE DIRECT  
STANDBY  
/ON  
DTV  
DVD  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
Front panel  
Remote control  
The current input source name and input mode appear  
in the front panel display and video monitor for a few  
seconds.  
3
7
4
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
SP  
A
dB  
VOLUME  
1
TV MUTE  
TV INPUT  
MUTE  
L
R
LEVEL  
TITLE  
SET MENU  
PURE DIRECT  
SYSTEM  
POWER  
DVD AUTO  
POWER  
TV  
POWER  
AV  
STANDBY  
MENU  
NIGHT  
AUDIO  
A
B
INPUT MODE  
CD  
SLEEP  
ENTER  
Selected input source  
Input mode  
PHONO  
TUNER  
MULTI CH IN  
CD-R  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
EFFECT  
ROCK  
4
-
V
AUX  
CBL/SAT  
MD/TAPE  
STEREO  
1
HALL  
2
JAZZ  
3
4
DTV  
VCR  
1
DVR/VCR2  
DVD  
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
7
5
6
Start playback or select a broadcast station  
on the source component.  
Refer to the operation instructions for the component.  
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
SELECT  
FREQ/RDS  
EON  
MODE PTY SEEK START  
6
7
AMP  
SOURCE  
TV  
REC  
+
TV VOL  
+
CH  
+
VOL  
DISC SKIP  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
–
–
–
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
Adjust the volume to the desired output level.  
VOLUME  
LEVEL  
TITLE  
SET MENU  
MENU  
PURE DIRECT  
+
VOL  
1
Press STANDBY/ON (SYSTEM POWER on the  
remote control) to turn on the power.  
or  
–
SYSTEM  
POWER  
STANDBY  
/ON  
or  
Remote control  
Front panel  
Front panel  
Remote control  
2
3
Turn on the video monitor connected to this  
unit.  
Press SPEAKERS A or B on the front panel.  
Each press turns the respective speakers on or off.  
SPEAKERS  
A
B
When bi-wiring, select both A and B.  
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PLAYBACK  
Selecting sound field programs  
■ Front panel operation  
7
Select a sound field program if desired.  
Use PROGRAM (or set AMP/SOURCE/TV to AMP,  
then press one of the sound field program buttons  
repeatedly) to select a sound field program. See  
page 46 for details about sound field programs.  
VOLUME  
PURE DIRECT  
STEREO  
HALL  
JAZZ  
ROCK  
STANDBY  
/ON  
PROGRAM  
AMP  
SOURCE  
TV  
1
2
3
4
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
ENTERTAIN MUSIC  
TY THTR  
7
MOVIE  
8
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
or  
5
6
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
+10  
Front panel  
Remote control  
PROGRAM  
Note  
Rotate PROGRAM to select the desired program.  
The name of the selected program appears in the front  
panel display and video monitor.  
PROGRAM  
When this unit detects Dolby Digital signals, the following  
display appears for a few seconds. This shows how the signal  
level is being corrected to become –27 dB (THX  
recommendation).  
DialNorm;;+4dB  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
HiFi DSP  
A
dB  
VOLUME  
L
R
JAZZ CLUB  
Program name  
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PLAYBACK  
■ Remote control operation  
Additional operations  
AMP  
+
TV VOL  
+
CH  
+
VOL  
SOURCE  
TV  
AMP/SOURCE/TV  
–
–
–
■ To adjust the tone  
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
TONE CONTROL  
You can adjust the bass/treble  
LEVEL  
TITLE  
SET MENU  
PURE DIRECT  
MENU  
balance for the front left/right and  
center channels.  
NIGHT  
AUDIO  
ENTER  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
Press TONE CONTROL  
repeatedly on the front panel to  
select TREBLE or BASS.  
Select TREBLE, then rotate  
PROGRAM to the right or left to  
increase or decrease the high-  
frequency response.  
EFFECT  
ROCK  
4
STEREO  
1
HALL  
2
JAZZ  
3
Sound field  
program  
buttons  
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
PROGRAM  
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
Set AMP/SOURCE/TV to AMP, then press one of  
the sound field program buttons repeatedly to  
select the desired program.  
The name of the selected program appears in the front  
panel display and video monitor.  
Select BASS, then rotate PROGRAM to the right or left to  
increase or decrease the low-frequency response.  
To cancel the tone control, press TONE CONTROL  
repeatedly to select BYPASS.  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
AMP  
SOURCE  
TV  
Notes  
ENTERTAIN MUSIC  
TV THTR  
7
OVIE  
8
5
6
• If you increase or decrease the high-frequency or the low-  
frequency sound to an extreme level, the tonal quality of the  
surround speakers may not match that of the front left/right and  
center speakers.  
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
• TONE CONTROL is not effective when THX (page 46) or  
PURE DIRECT (page 37) is selected, or when MULTI CH  
INPUT is selected.  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
HiFi DSP  
A
dB  
VOLUME  
L
R
JAZZ CLUB  
• TONE CONTROL is not effective for headphones. Use HP  
TONE CTRL to adjust bass/treble balance for the headphones  
(page 59).  
Program name  
y
■ To mute the sound  
Press MUTE on the remote control.  
Choose a sound field program based on your listening preference,  
and not on the name of the program.  
MUTE  
The MUTE indicator flashes in the  
Notes  
front panel display.  
To resume the audio output, press  
MUTE again. (or press VOL –/+). The MUTE indicator  
disappears from the display.  
• When you select an input source, this unit automatically selects  
the last sound field program used with that source.  
• Sound field programs cannot be selected when the MULTI CH  
INPUT is selected.  
y
You can adjust the muting level (see page 59).  
■ To listen with headphones  
(“SILENT CINEMA”)  
“SILENT CINEMA” allows you to enjoy multi-channel  
music or movie sound, including Dolby Digital and DTS  
surround, through ordinary headphones. “SILENT  
CINEMA” activates automatically whenever you connect  
headphones to the PHONES jack while listening to  
CINEMA DSP or HiFi DSP sound field programs. When  
activated, the “SILENT CINEMA” indicator lights up in  
the front panel display.  
Notes  
• This unit will not be set to “SILENT CINEMA” when MULTI  
CH INPUT is selected as the input source.  
• “SILENT CINEMA” is not effective when PURE DIRECT or a  
2ch stereo program is selected, or in STRAIGHT mode.  
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PLAYBACK  
Decoders (select with l/ h)  
■ Selecting the MULTI CH INPUT  
Press MULTI CH INPUT so that “MULTI CH INPUT”  
appears in the front panel display and video monitor.  
You can select from the following modes depending on  
the format of the software you are playing.  
PLIIxMovie  
For playing back Dolby Digital or DTS signals in 7.1  
channels using the Pro Logic IIx movie decoder.  
PLIIxMusic  
For playing back Dolby Digital or DTS signals in 6.1/7.1  
channels using the Pro Logic IIx music decoder.  
EX/ES  
MULTI CH  
INPUT  
MULTI CH IN  
or  
Front panel  
Remote control  
For playing back Dolby Digital signals in 6.1/7.1 channels  
using the Dolby Digital EX decoder.  
DTS signals are played back in 6.1/7.1 channels using the  
DTS-ES decoder.  
Note  
EX  
For playing back Dolby Digital or DTS signals in 6.1/7.1  
channels using the Dolby Digital EX decoder.  
When “MULTI CH INPUT” is shown in the front panel display  
and/or the video monitor, no other source can be played. To select  
another input source with INPUT (one of the input selector  
buttons), press MULTI CH INPUT to turn off “MULTI CH  
INPUT” from the front panel display and the video monitor.  
OFF (OFF)  
For playing back Dolby Digital or DTS signals in 5.1  
channels.  
■ Enjoying multi-channel software in  
6.1/7.1 channel surround  
y
If you connected one or two surround back speakers, use  
this feature to enjoy 6.1/7.1-channel playback for multi-  
channel sources using the Dolby Pro Logic IIx, Dolby  
Digital EX or DTS-ES decoders.  
When SURR B L/R SP is set to “LRGx1” or “SMLx1” (see  
page 56), the surround back channel will output from the left  
SURROUND BACK speaker terminals.  
Notes  
Set AMP/SOURCE/TV to AMP, then press EXTD.  
SUR on the remote control to switch between 5.1-  
and 6.1/7.1 channel playback.  
• Some 6.1-channel compatible discs do not have a signal (flag)  
which this unit can automatically detect. When playing these  
kinds of discs with 6.1-channel, select decoders (PLIIxMovie,  
PLIIx Music, EX/ES or EX) manually.  
EXTD. SUR  
• 6.1-channel playback is not possible even if EXTD. SUR is  
pressed in the following cases:  
ENT.  
– When SURR L/R SP or SURR B L/R SP is set to “NONE”  
(see page 56).  
– When the source connected to the MULTI CH INPUT jack is  
being played.  
To select a decoder, press l/ hrepeatedly  
when PLIIxMovie (etc.) is displayed.  
– When the source being played does not contain surround L/R  
channel signals.  
– When a Dolby Digital KARAOKE source is being played.  
– When 2ch Stereo or PURE DIRECT is selected.  
• When the power of this unit is turned off, the input mode will be  
reset to AUTO.  
• When the DTS-ES decoder is applied to DTS 96/24 signals, this  
unit decodes the DTS 96/24 signals using DTS-ES Matrix  
decoder.  
AUTO (AUTO)  
When a signal (flag) that can be recognized by the unit is  
input, the unit selects the optimum decoder for playing  
back the signal in 6.1/7.1 channels.  
If the unit cannot recognize the flag or no flag is present in  
the input signal, it cannot automatically be played in 6.1/  
7.1 channels.  
• The Pro Logic IIx decoder is not available when SURR B L/R  
SP is set to “NONE” (see page 56).  
• “PLIIxMovie” cannot be selected when SURR B L/R SP is set  
to “LRGx1” or “SMLx1” (see page 56).  
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PLAYBACK  
■ Enjoying 2-channel software in surround ■ Listening to high fidelity stereo sound  
Signals input from 2-channel sources can also be played  
back on multiple channels.  
with PURE DIRECT  
PURE DIRECT bypasses this unit’s decoders and DSP  
processors as well as shuts down the video circuitry,  
allowing you to enjoy the highest possible sound fidelity  
from analog and PCM sources.  
Press STANDARD on the remote control to select  
the decoder.  
STANDARD  
0
Press PURE DIRECT to activate pure direct.  
The button lights up and the front panel display  
automatically goes out.  
You can select from the following modes depending on  
the type of software you are playing and your personal  
preference.  
PURE DIRECT  
PURE DIRECT  
or  
PRO LOGIC SUR. STANDARD  
Standard processing for Dolby Surround sources.  
Front panel  
Remote control  
PRO LOGIC SUR. ENHANCED  
CINEMA DSP enhanced processing for Dolby Surround  
sources  
y
The front panel display switches on momentarily when an  
operation is performed.  
PRO LOGIC IIx Movie*  
To cancel, press PURE DIRECT again.  
The indicator around the front panel button goes out and  
the previous settings are restored.  
Dolby Pro Logic II/IIx processing for movie software.  
PRO LOGIC IIx Music*  
Dolby Pro Logic II/IIx processing for music software.  
Notes  
PRO LOGIC IIx Game*  
• To avoid unexpected noise, do not play DTS-encoded CDs in  
this mode.  
Dolby Pro Logic II/IIx processing for game software.  
• When a multi-channel signal (Dolby Digital or DTS) is input,  
this unit automatically switches to the corresponding analog  
input. (When DTS is selected as an input mode, no sound will  
be heard.)  
DTS Neo:6 Cinema  
DTS processing for movie software.  
DTS Neo:6 Music  
• No sound will be output from the subwoofer.  
• TONE CONTROL (page 35) and SET MENU (page 53)  
settings are not effective.  
• The following operations are not possible during PURE  
DIRECT operation:  
DTS processing for music software.  
* Use the PLII/PLIIx parameter to select the Pro Logic II or  
Pro Logic IIx decoders (see page 85).  
Note  
– switching the sound field program  
– displaying the OSD  
– adjusting SET MENU parameters  
– all video functions (video conversion etc.)  
• PURE DIRECT is automatically cancelled whenever this unit is  
set to the standby mode.  
The Pro Logic IIx decoder is not available when SURR B L/R SP  
is set to “NONE” (see page 56).  
37  
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PLAYBACK  
■ Listening to high fidelity stereo sound  
with Direct Stereo  
Direct Stereo bypasses this unit’s decoders and DSP  
processors, allowing you to enjoy high fidelity sound from  
2-channel PCM and analog sources.  
■ Night listening modes  
The night listening modes are designed to improve  
listenability at lower volumes or at night. Choose either  
NIGHT:CINEMA or NIGHT:MUSIC depending on the  
type of material you are playing.  
Press NIGHT on the remote control repeatedly to  
select cinema or music.  
When night listening is selected, the NIGHT indicator in  
the front panel display lights up.  
y
This operation is recommended for use when high fidelity stereo  
sound is desired with playback of a video source. Otherwise,  
PURE DIRECT is recommended for the highest possible sound  
fidelity (see page 37).  
NIGHT  
AUDIO  
Rotate PROGRAM (or press STEREO repeatedly)  
to select DIRECT STEREO.  
The front panel display automatically dims.  
Remote control  
STEREO  
HALL  
JAZZ  
3
ROCK  
4
PROGRAM  
1
2
•
Select NIGHT:CINEMA when watching films to  
reduce the dynamic range of film soundtracks and  
make dialog easier to hear at lower volumes.  
Select NIGHT:MUSIC when listening to music sources  
to preserve ease-of-listening for all sounds.  
ENTERTAIN USIC  
TV THTR  
7
MOVIE  
8
or  
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
•
•
Front panel  
Remote control  
Select OFF if you do not want to use this function.  
Press l/ hto adjust the effect level while  
NIGHT:CINEMA or NIGHT:MUSIC is displayed.  
This adjusts the level of compression.  
Direct Stereo  
Notes  
• To avoid unexpected noise, do not play DTS-encoded CDs in  
this mode.  
• When multi-channel signals (Dolby Digital and DTS) are input,  
this unit automatically selects an analog signal input. (When  
DTS is selected as an input mode, no sound will be heard.)  
• No sound will be output from the subwoofer.  
• TONE CONTROL (page 35) and SET MENU (page 53)  
settings are not effective.  
ENTER  
Remote control  
Effect.Lvl:MID  
•
•
•
Select “MIN” for minimum compression.  
Select “MID” for standard compression.  
Select “MAX” for maximum compression.  
y
NIGHT:CINEMA and NIGHT:MUSIC adjustments are stored  
independently.  
Notes  
• You cannot use the night listening modes with PURE DIRECT,  
MULTI CH INPUT, or when headphones are connected (even  
though the NIGHT indicator lights up when PURE DIRECT is  
selected).  
• The night listening modes may vary in effectiveness depending  
on the input source and surround sound settings you use.  
38  
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PLAYBACK  
■ Downmixing to 2 channels  
You can enjoy 2-channel stereo playback from multi-  
channel sources.  
■ Playing video sources in the  
background  
You can combine images from a video source with sound  
from an audio source. For example, you can enjoy  
listening to classical music while having beautiful scenery  
from the video source on the video monitor.  
Rotate PROGRAM (or press STEREO on the  
remote control) to select 2ch Stereo.  
STEREO  
HALL  
JAZZ  
ROCK  
PROGRAM  
1
2
3
4
Use the input selector buttons to select a video  
source, then select an audio source.  
ENTERTAIN USIC  
TV THTR  
7
MOVIE  
8
or  
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
Audio sources  
Front panel  
Remote control  
PHONO  
TUNER  
CBL/SAT  
VCR 1  
CD  
MULTI CH IN  
CD-R  
-
V
AUX  
MD/TAPE  
DVR/VCR2  
DTV  
DVD  
Video sources  
2ch Stereo  
Note  
You can use a subwoofer with this program when “SWFR” or  
“BOTH” is selected in LFE/BASS OUT.  
Note  
If you want to enjoy an audio source connected to the MULTI CH  
INPUT jacks together with a video source, first select the video  
source and then press MULTI CH INPUT.  
■ Listening to unprocessed input signals  
In STRAIGHT mode, two channel stereo sources are  
output from only the front left and right speakers. Multi-  
channel sources are decoded straight into the appropriate  
channels without any additional effect processing.  
Press STRAIGHT/EFFECT to select STRAIGHT.  
STRAIGHT  
STRAIGHT  
or  
EFFECT  
EFFECT  
Front panel  
Remote control  
Press STRAIGHT/EFFECT again so that “STRAIGHT”  
disappears from the display when you want to turn the  
sound effect back on.  
■ Virtual CINEMA DSP  
Virtual CINEMA DSP allows you to enjoy the CINEMA  
DSP programs without surround speakers. It creates  
virtual speakers to reproduce a natural sound field.  
If you set SURR L/R SP to “NONE”, Virtual CINEMA  
DSP activates automatically whenever you select a  
CINEMA DSP sound field program.  
Note  
Virtual CINEMA DSP will not activate, even when SURR L/R  
SP is set to “NONE” (see page 56) in the following cases:  
– When MULTI CH INPUT is selected as the input source.  
– When headphones are connected to the PHONES jack.  
39  
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PLAYBACK  
■ Displaying information about the input  
source  
You can display the type, format and sampling frequency  
of the current input signal.  
Selecting input modes  
This unit comes with a variety of input jacks. Do the  
following to select the type of input signal you want to  
use.  
1
Select the input source.  
PHONO  
TUNER  
CBL/SAT  
VCR 1  
CD  
MULTI CH IN  
CD-R  
1
Select the input source.  
-
V
AUX  
MD/TAPE  
DVR/VCR2  
INPUT  
PHONO  
TUNER  
CBL/SAT  
VCR 1  
CD  
MULTI CH IN  
CD-R  
DTV  
DVD  
-
V
AUX  
MD/TAPE  
DVR/VCR2  
or  
DTV  
DVD  
2
Set AMP/SOURCE/TV to AMP, then press  
STRAIGHT/EFFECT so that “STRAIGHT”  
appears in the display.  
Front panel  
Remote control  
2
Press INPUT MODE to select an input mode.  
In most cases, use AUTO.  
AMP  
STRAIGHT  
SOURCE  
then  
TRANSMIT  
EFFECT  
SYSTEM  
POWER  
TV  
POWER  
TV  
POWER  
AV  
STANDBY  
INPUT MODE  
A
B
INPUT MODE  
CD  
SLEEP  
or  
PHONO  
TUNER  
LTI CH IN  
3
Press k/ nto display the following  
information about the input signal.  
Front panel  
Remote control  
ENTER  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
A
dB  
VOLUME  
L
R
DVD AUTO  
Input mode  
(Format)  
Signal format display. When the unit  
cannot detect a digital signal it  
AUTO  
Automatically selects input signals in  
the following order:  
1) Digital signals*  
automatically switches to analog input.  
Number of source channels in the input  
signal. For example, a multi-channel  
soundtrack with 3 front channels, 2  
surround channels and LFE, is  
displayed as “3/2/LFE”.  
Sampling frequency. When the unit is  
unable to detect the sampling  
frequency “Unknown” appears.  
Bit rate. When the unit is unable to  
detect the bit rate “Unknown” appears.  
Flag data encoded with DTS or Dolby  
Digital signals that cue this unit to  
automatically switch decoders.  
in  
2) Analog signals  
DTS  
Selects only digital signals encoded in  
DTS. If no DTS signals are input, no  
sound is output.  
Selects only analog signals. If no  
analog signals are input, no sound is  
output.  
fs  
ANALOG  
rate  
flg  
*
If this unit detects a Dolby Digital or DTS signal, the  
decoder automatically switches to the appropriate sound  
field program.  
y
• You can adjust the default input mode this unit selects when the  
power is turned on (see page 61).  
• DTS mode is recommended for playback of a CD or LD  
encoded in DTS.  
Note  
The display shows “3/2/LFE” even when you play DTS-ES  
Discrete 6.1 sources that include 3 surround channels.  
Note  
If the digital output data of the player has been processed in any  
way, you may not be able to perform DTS decoding even if you  
make a digital connection between this unit and the player.  
40  
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TUNING  
TUNING  
Automatic and manual tuning  
There are 2 tuning methods; automatic and manual.  
Automatic tuning is effective when station signals are  
strong and there is no interference.  
4
Press PRESET/TUNING l/ honce to begin  
automatic tuning.  
Press hto tune into a higher frequency, or press l  
to tune into a lower frequency.  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TU  
PRESET/TUNING  
AUTO  
■ Automatic tuning  
TUNED  
A
A~~AM~1530 kHz  
VOLUME  
When tuned into a station, the TUNED indicator  
lights up and the frequency of the received station is  
shown in the front panel display.  
PURE DIRECT  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
■ Manual tuning  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
If the signal from the station you want to select is weak,  
you must tune into it manually. Manually tuning into an  
FM station will automatically change the reception mode  
to monaural to increase the signal quality.  
3 2  
4 1 3  
1
Rotate INPUT to select TUNER as the input  
1
Select TUNER and the reception band  
following steps 1 and 2 as described in  
“Automatic tuning”.  
source.  
INPUT  
2
Press TUNING MODE (AUTO/MAN’L MONO)  
so that the AUTO indicator disappears from  
the front panel display.  
Front panel  
TUNING MODE  
AUTO  
2
3
Press FM/AM to select the reception band.  
“FM” or “AM” appears in the front panel display.  
Disappears  
AUTO/MAN'L MON
If a colon (:) appears in the front panel display, this  
unit is in PRESET mode and tuning is not possible.  
Press PRESET/TUNING (EDIT) to turn it off.  
FM/AM  
or  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TU  
Press TUNING MODE (AUTO/MAN’L MONO)  
so that the AUTO indicator lights up in the  
front panel display.  
PRESET/TUNING  
EDIT  
A
A~~AM~1440 kHz  
TUNING MODE  
AUTO  
Lights up  
3
Press PRESET/TUNING l/ hto tune into  
the desired station manually.  
AUTO/MAN'L MON
If a colon (:) appears in the front panel display, this  
unit is in PRESET mode and tuning is not possible.  
Press PRESET/TUNING (EDIT) to turn it off.  
Hold down the button to  
continue searching.  
PRESET/TUNING  
VCR 1  
CBL/SAT  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TU  
PRESET/TUNING  
AUTO  
SP  
A
EDIT  
A~~AM~1440 kHz  
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TUNING  
Notes  
Presetting stations  
• Any stored station data existing under a preset number is  
cleared when you store a new station under that preset number.  
• If the number of the received stations does not reach 40 (E8),  
automatic preset tuning has automatically stopped after  
searching all stations.  
• Only FM stations with sufficient signal strength are stored  
automatically by automatic preset tuning. If the station you  
want to store is weak in signal strength, tune into it manually  
and store it by following the procedure in “Manually presetting  
stations”.  
■ Automatically presetting FM stations  
You can use the automatic preset tuning feature to store  
FM stations. This function enables this unit to  
automatically tune into FM stations with strong signals,  
and to store up to 40 (8 stations in 5 groups, A1 through  
E8) of those stations in order. You can then recall any  
preset station easily by selecting the preset station number.  
VOLUME  
Automatic preset tuning options  
You can select the preset number from which this unit will  
store FM stations and/or begin tuning toward lower  
frequencies.  
PURE DIRECT  
STANDBY  
/ON  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
After pressing MEMORY in step 3:  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
1 Press A/B/C/D/E, then PRESET/TUNING l/ hto  
select the preset number under which the first station  
will be stored. Automatic preset tuning will stop when  
stations have all been stored up to E8.  
1
3 2  
2 Press PRESET/TUNING (EDIT) to turn off the colon  
(:) and then press PRESET/TUNING lto begin  
tuning toward lower frequencies.  
1
2
Press FM/AM to select the FM band.  
FM/AM  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost even if this unit is set in the standby  
mode, the power cord is disconnected from the AC  
outlet, or the power supply is temporarily cut due to  
power failure. However, if the power is cut for more  
than one week, the preset stations may be cleared. If  
so, store the stations again by using the presetting  
station methods.  
Press TUNING MODE (AUTO/MAN’L MONO)  
so that the AUTO indicator lights up in the  
front panel display.  
TUNING MODE  
AUTO  
Lights up  
AUTO/MAN'L MON
3
Press and hold MEMORY (MAN’L/AUTO FM)  
for more than 3 seconds.  
The preset number, the MEMORY and AUTO  
indicators flash. After about 5 seconds, automatic  
presetting starts from the frequency currently  
displayed and proceeds toward the higher  
frequencies.  
MEMORY  
MAN'L/AUTO FM  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
AUTO  
MEMORY  
A
dB  
VOLUME  
L
R
A1:FM 87.5 MHz  
When automatic preset tuning is completed, the front  
panel display shows the frequency of the last preset  
station.  
42  
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TUNING  
■ Manually presetting stations  
You can also store up to 40 FM or AM stations (8 stations  
in 5 groups, A1 through E8) manually.  
4
Press PRESET/TUNING l/ hto select a  
preset station number (1 through 8) while the  
MEMORY indicator is flashing.  
Press hto select a higher preset station number.  
Press lto select a lower preset station number.  
VOLUME  
PURE DIRECT  
STANDBY  
/ON  
PRESET/TUNING  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
3
4
2,5  
MEMORY TUNED  
A
dB  
VOLUME  
L
R
C3:AM 630 kHz  
1
Tune into a station.  
See page 41 for tuning instructions.  
5
Press MEMORY (MAN’L/AUTO FM) on the  
front panel while the MEMORY indicator is  
flashing.  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
TUNED  
PHONO  
SP  
A
dB  
VOLUME  
L
R
A :AM 630 kHz  
The station band and  
frequency appear in the front  
panel display with the preset  
MEMORY  
When tuned into a station, the front panel display  
shows the frequency of the station received.  
MAN'L/AUTO FM  
group and number you have  
selected.  
2
3
Press MEMORY (MAN’L/AUTO FM).  
The MEMORY indicator flashes for about 5 seconds.  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
TUNED  
PHONO  
SP  
MEMORY  
A
dB  
VOLUME  
L
R
MEMORY  
C3:AM 630 kHz  
MAN'L/AUTO FM  
Flashes  
Shows the displayed station has been stored as C3.  
6
Repeat steps 1 through 5 to store other  
stations.  
Press A/B/C/D/E repeatedly to select a preset  
station group (A through E) while the  
MEMORY indicator is flashing.  
Notes  
The group letter appears. Check that the colon (:)  
appears in the front panel display.  
A/B/C/D/E  
• Any stored station data existing under a preset number is  
cleared when you store a new station under that preset number.  
• The reception mode (stereo or monaural) is stored along with  
the station frequency.  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
MEMORY TUNED  
A
dB  
VOLUME  
L
R
C :AM 630 kHz  
43  
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TUNING  
Selecting preset stations  
Exchanging preset stations  
You can tune any desired station simply by selecting the  
preset station number under which it was stored.  
You can exchange the assignment of two preset stations  
with each other. The example below describes the  
procedure for exchanging preset station “E1” with “A5”.  
VOLUME  
PURE DIRECT  
VOLUME  
STANDBY  
/ON  
PURE DIRECT  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
STANDBY  
/ON  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
1
2
2,4  
1,3 1,3  
AMP  
2
1
+
TV VOL  
+
CH  
+
VOL  
SOURCE  
TV  
1
2
Select preset station “E1” using  
A/B/C/D/E and PRESET/TUNING l/ h.  
See “Selecting preset stations”.  
–
–
–
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
When performing this operation with the remote  
control, first set AMP/SOURCE/TV to SOURCE  
then press TUNER to set the remote to tuner  
mode.  
Press and hold PRESET/TUNING (EDIT) for  
more than 3 seconds.  
“E1” and the MEMORY indicator flash in the front  
panel display.  
PRESET/TUNING  
1
Press A/B/C/D/E to select the preset station  
group.  
The preset group letter appears in the front panel  
display and changes each time you press the button.  
CR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
MEMORY TUNED  
A
EDIT  
E1:FM 87.5 MHz  
A/B/C/D/E  
A / B / C / D / E  
3
4
Select preset station “A5” by using  
A/B/C/D/E and PRESET/TUNING l/ h.  
“A5” and the MEMORY indicator flash in the front  
panel display.  
TV INPUT  
or  
Front panel  
Remote control  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
SP  
MEMORY TUNED  
2
Press PRESET/TUNING l/ h(PRESET +/–  
on the remote control) to select a preset  
station number (1 through 8).  
The preset group and number appear in the front  
panel display along with the station band, frequency  
and the TUNED indicator lights up.  
A
dB  
VOLUME  
L
R
A5:FM 90.6 MHz  
Press PRESET/TUNING (EDIT) again.  
The stations stored at the two preset assignments are  
exchanged.  
PRESET  
PRESET/TUNING  
PRESET/TUNING  
+
CH  
or  
EDIT  
–
Front panel  
Remote control  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
TUNED  
PHONO  
A
dB  
VOLUME  
L
R
EDIT E1-A5  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
TUNED  
A
E1:FM 87.5 MHz  
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RECORDING  
RECORDING  
Recording adjustments and other operations are  
performed from the recording components. Refer to the  
operation instructions for those components.  
Notes  
• When this unit is set in the standby mode, you cannot record  
between other components connected to this unit.  
• The setting of TONE CONTROL, VOLUME, SPEAKER  
LEVEL (page 57) and programs does not affect recorded  
material.  
VOLUME  
• A source connected to the MULTI CH INPUT jacks of this unit  
cannot be recorded.  
PURE DIRECT  
STANDBY  
/ON  
• S-video and composite video signals pass independently  
through this unit’s video circuits. Therefore, when recording or  
dubbing video signals, if your video source component is  
connected to provide only an S-video (or only a composite  
video) signal, you can record only an S-video (or only a  
composite video) signal to your VCR.  
PRESET/TUNING  
EDIT  
FM/AM  
A/B/C/D/E  
PRESET/TUNING  
MEMORY  
TUNING MODE  
AUTO/MAN'L MONO  
OPTIMIZER  
MIC  
MAN'L/AUTO FM  
PROGRAM  
INPUT  
PHONES  
SPEAKERS  
VIDEO AUX  
A
B
STRAIGHT  
EFFECT  
TONE CONTROL  
INPUT MODE  
MULTI CH  
INPUT  
S
VIDEO  
VIDEO  
L
AUDIO  
R
OPTICAL  
SILENT CINEMA  
• Digital signals input to the DIGITAL INPUT jacks are not  
output to the analog AUDIO OUT (L/R) jacks for recording.  
Likewise, analog signals input to the AUDIO IN (L/R) jacks are  
not output to the DIGITAL OUTPUT jack. Therefore, if your  
source component is connected to provide only digital (or  
analog) signals, you can only record digital (or analog) signals.  
• A given input source is not output on the same REC OUT  
channel. (For example, the signal input from VCR 1 IN is not  
output on VCR 1 OUT.)  
1
2
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
1
2
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
-
V
AUX  
CBL/SAT  
MD/TAPE  
DTV  
VCR  
1
DVR/VCR2  
DVD  
• Check the copyright laws in your country to record from  
records, CDs, radio, etc. Recording of copyrighted material may  
infringe copyright laws.  
1
2
Turn on the power of this unit and all  
connected components.  
If you playback a video source that uses scrambled or  
encoded signals to prevent it from being dubbed, the  
picture itself may be disturbed due to those signals.  
Select the source component you want to  
record from.  
INPUT  
■ Special considerations when recording  
DTS software  
PHONO  
TUNER  
CBL/SAT  
VCR 1  
CD  
MULTI CH IN  
-
V
AUX  
MD/TAPE  
DVR/VCR2  
CD-R  
or  
The DTS signal is a digital bitstream. Attempting to  
digitally record the DTS bitstream will result in noise  
being recorded. Therefore, if you want to use this unit to  
record sources that have DTS signals recorded on them,  
the following considerations and adjustments need to be  
made.  
DTV  
DVD  
Front panel  
Remote control  
For DVDs and CDs encoded with DTS, when your player  
is compatible with the DTS format, follow its operation  
instruction to make a setting so that the analog signal will  
be output from the player.  
3
4
Start playback (or select a broadcast station)  
on the source component.  
Start recording on the recording component.  
y
Always do a test recording before you start an actual recording.  
45  
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SOUND FIELD PROGRAM DESCRIPTIONS  
SOUND FIELD PROGRAM DESCRIPTIONS  
This unit is equipped with a variety of precise digital decoders that allow you to enjoy multi-channel playback from  
almost any sound source (stereo or multi-channel). This unit is also equipped with a YAMAHA digital sound field  
processing (DSP) chip containing several sound field programs which you can use to enhance your playback experience.  
Most of these sound field programs are precise digital recreations of actual acoustic environments found in famous  
concert halls, music venues, and movie theaters.  
y
The YAMAHA CINEMA DSP modes are compatible with all Dolby Digital, DTS, and Dolby Surround sources. Set the input mode to  
AUTO (see page 40) to enable this unit to automatically switch to the appropriate digital decoder according to the input signal.  
Notes  
• This unit’s DSP sound field programs are recreations of real-world acoustic environments made from precise measurements taken in  
actual halls, etc. Thus you may notice variations in the strength of the reflections coming from the front, back, left and right.  
• Feel free to choose a sound field program based on your listening preference, and not purely on the name of the program itself.  
For movie/video sources  
You can select from the following sound fields when playing movie or video sources. The sound fields marked “MULTI”  
can be used with multi-channel sources, like DVD, digital TV, etc. Those marked “2-CH” can be used with 2-channel  
(stereo) sources like TV programs, video tapes, etc.  
Program  
STEREO:  
2ch Stereo  
Features  
Sources  
Downmixes multi-channel sources to 2 (left and right) channels or plays back 2-channel  
sources as is.  
This program lends an enthusiastic atmosphere to the sound, giving you the feeling that you  
are at an actual jazz or rock concert.  
MUSIC VIDEO  
This program adds a deep and spatial feeling to video game sounds.  
ENTERTAINMENT:  
Game  
This program is provided for reproducing monaural video sources (such as old movies). The  
program produces the optimum reverberation to create sound depth using only the presence  
sound field.  
TV THEATER:  
Mono Movie  
Though the presence sound field is relatively narrow, the surround sound field employs the  
sound environment of a large concert hall. This effect enhances the experience of watching  
various TV programs such as news, variety shows, music programs or sports programs.  
TV THEATER:  
Variety/Sports  
CINEMA DSP processing. This program creates the extremely wide sound field of a 70-mm  
movie theater. It precisely reproduces the source sound in detail, making both the video and the  
sound field incredibly real. This is ideal for any kind of video source encoded with Dolby  
Surround, Dolby Digital or DTS (especially large-scale movie productions).  
MOVIE THEATER:  
Spectacle  
MULTI  
2-CH  
CINEMA DSP processing. This program clearly reproduces dialog and sound effects in the  
latest sound form for science fiction films, thus creating a broad and expansive cinematic space  
amid silence. You can enjoy science fiction films in a virtual-space sound field that includes  
Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced  
techniques.  
MOVIE THEATER:  
Sci-Fi  
CINEMA DSP processing. This program is ideal for precisely reproducing the sound design of  
the newest 70-mm and multi-channel soundtrack films. The sound field is made to be similar  
to that of the newest movie theaters, so the reverberations of the sound field itself are  
restrained as much as possible.  
MOVIE THEATER:  
Adventure  
CINEMA DSP processing. This program is for reproducing sounds from 70-mm and multi-  
channel soundtrack films, and is characterized by soft and extensive sound field. The presence  
sound field is relatively narrow. It spatially spreads all around and toward the screen,  
restraining the echo effect of conversations without losing clarity.  
MOVIE THEATER:  
General  
THX processing for any multi-channel source. 2-channel sources are decoded by the PRO  
LOGIC, PRO LOGIC II, PRO LOGIC IIx or DTS Neo: 6 decoder before THX processing.  
THX:  
THX Cinema  
46  
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SOUND FIELD PROGRAM DESCRIPTIONS  
Program  
Features  
Sources  
THX processing for Dolby Digital and Dolby Digital EX sources. This program is available  
only when surround back L/R speakers are connected to this unit and when the input source  
contains surround back channel signals.  
THX:  
THX Surr. EX  
THX processing for DTS-ES sources.  
THX:  
dts ES + THX  
Standard 5.1 channel processing for Dolby Digital sources.  
CINEMA DSP enhanced processing for Dolby Digital sources.  
Standard 7.1 channel processing for Dolby Digital sources.  
CINEMA DSP enhanced 7.1 channel processing for Dolby Digital sources.  
Standard 6.1 channel processing for Dolby Digital sources.  
DOLBY DIGITAL:  
SUR. STANDARD  
DOLBY DIGITAL:  
SUR. ENHANCED  
q D+PLIIxMovie:  
SUR. STANDARD  
q D+PLIIxMovie:  
SUR. ENHANCED  
DOLBY D EX:  
SUR. STANDARD  
CINEMA DSP enhanced 6.1 channel processing (Dolby Digital EX) for Dolby Digital  
sources.  
DOLBY D EX:  
SUR. ENHANCED  
Standard 5.1 channel processing for DTS sources.  
DTS:  
SUR. STANDARD  
CINEMA DSP enhanced processing for DTS and 96kHz/24-bit DTS sources.  
Standard 5.1 channel processing for 96kHz/24-bit DTS sources.  
DTS:  
SUR. ENHANCED  
MULTI  
DTS 96/24:  
SUR. STANDARD  
Standard 7.1 channel processing (Dolby Pro Logic IIx) for DTS sources.  
CINEMA DSP enhanced 7.1 channel processing (Dolby Pro Logic IIx) for DTS sources.  
Standard 6.1 channel processing (Dolby Digital EX) for DTS sources.  
CINEMA DSP enhanced 6.1 channel processing (Dolby Digital EX) for DTS sources.  
Standard 6.1 channel processing (DTS-ES Matrix) for DTS sources.  
DTS+PLIIx Movie:  
SUR. STANDARD  
DTS+PLIIx Movie:  
SUR. ENHANCED  
DTS+DOLBY EX:  
SUR. STANDARD  
DTS+DOLBY EX:  
SUR. ENHANCED  
DTS ES Mtrx6.1:  
SUR. STANDARD  
CINEMA DSP enhanced processing (DTS-ES Matrix) for DTS and 96kHz/24-bit DTS  
sources.  
DTS ES Mtrx6.1:  
SUR. ENHANCED  
Standard 6.1 channel processing (DTS-ES Discrete) for DTS sources.  
CINEMA DSP enhanced processing (DTS-ES Discrete) for DTS sources.  
Standard 6.1 channel processing (DTS-ES Matrix) for 96kHz/24-bit DTS sources.  
DTS ES Disc6.1:  
SUR. STANDARD  
DTS ES Disc6.1:  
SUR. ENHANCED  
DTS 96/24 ES:  
SUR. STANDARD  
47  
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SOUND FIELD PROGRAM DESCRIPTIONS  
Program  
Features  
Sources  
Standard processing for Dolby Surround sources.  
PRO LOGIC:  
SUR. STANDARD  
CINEMA DSP enhanced precessing for Dolby Surround sources.  
PRO LOGIC:  
SUR. ENHANCED  
*
PRO LOGIC IIx:  
PLIIx Movie  
Dolby Pro Logic IIx processing for movie software.  
*
PRO LOGIC II:  
PLII Movie  
Dolby Pro Logic II processing for movie software.  
2-CH  
*
PRO LOGIC IIx:  
PLIIx Game  
Dolby Pro Logic IIx processing for game software.  
*
PRO LOGIC II:  
PLII Game  
Dolby Pro Logic II processing for game software.  
DTS processing for movie software.  
DTS:  
Neo:6 Cinema  
*
You can select either Pro Logic IIx or Pro Logic II processing using the PLII/PLIIx parameter on page 85.  
48  
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SOUND FIELD PROGRAM DESCRIPTIONS  
For music sources  
You can select from the following sound fields when playing music sources, like CD, FM/AM broadcasting, tapes, etc.  
Program  
Features  
Sources  
HiFi DSP processing. A classic shoe-box type concert hall with approximately 1700 seats.  
Pillars and ornate carvings create extremely complex reflections which produce a very full,  
rich sound.  
CONCERT HALL  
HiFi DSP processing. This is the sound field at stage front in “The Bottom Line”, a famous  
New York jazz club. The floor can seat 300 people to the left and right in a sound field offering  
a real and vibrant sound.  
JAZZ CLUB  
MULTI  
2-CH  
HiFi DSP processing. The ideal program for lively, dynamic rock music. The data for this  
program was recorded at LA’s “hottest” rock venue. The listener’s virtual seat is at the center-  
left of the hall.  
ROCK CONCERT  
HiFi DSP processing. This program recreates the acoustic environment of a lively disco in the  
heart of a big city. The sound is dense and highly concentrated. It is also characterized by a  
high-energy, “immediate” sound.  
ENTERTAINMENT:  
Disco  
Standard Dolby Digital and Dolby Pro Logic IIx processing for music sources.  
DSP enhanced Dolby Digital and Dolby Pro Logic IIx processing for music sources.  
Standard DTS and Dolby Pro Logic IIx processing for music sources.  
DSP enhanced DTS and Dolby Pro Logic IIx processing for music sources.  
2 (left and right) channel playback.  
q D+PLIIxMusic:  
SUR. STANDARD  
q D+PLIIxMusic:  
SUR. ENHANCED  
MULTI  
DTS+PLIIx Music:  
SUR. STANDARD  
DTS+PLIIx Music:  
SUR. ENHANCED  
STEREO:  
2ch Stereo  
Use to output stereo sources to only the front left and right speakers without any processing.  
STEREO:  
Direct Stereo  
Use to increase the output stereo sources (in stereo) from all speakers. This provides a larger  
sound field and is ideal for background music at parties, etc.  
STEREO:  
7ch Stereo  
2-CH  
*
PRO LOGIC IIx:  
PLIIx Music  
Dolby Pro Logic IIx processing for music software.  
*
PRO LOGIC II:  
PLII Music  
Dolby Pro Logic II processing for music software.  
DTS processing for music software.  
DTS:  
Neo:6 Music  
*
You can select either Pro Logic IIx or Pro Logic II processing using the PLII/PLIIx parameter on page 85.  
49  
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ADVANCED OPERATIONS  
ADVANCED OPERATIONS  
Selecting the OSD mode  
Using the sleep timer  
You can display this unit’s operating information on a  
video monitor. If you display the SET MENU and sound  
field program parameter settings on a monitor, it is much  
easier to see the available options and parameters than it is  
by reading this information in the front panel display.  
Use this feature to automatically set this unit in the  
standby mode after a certain amount of time. The sleep  
timer is useful when you are going to sleep while this unit  
is playing or recording a source. The sleep timer also  
automatically turns off any external components  
connected to the AC OUTLETS.  
1
2
Turn on the video monitor connected to this  
unit.  
■ Setting the sleep timer  
TRANSMIT  
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
Press ON SCREEN repeatedly to change the  
OSD mode.  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
2
PHONO  
TUNER  
The OSD mode changes in the  
-
V
AUX  
CBL/SAT  
MD/TAPE  
ON SCREEN  
following order: full display, short  
DTV  
VCR  
1
DVR/VCR2  
DVD  
DISPLAY  
display, and display off.  
SELECT  
Full display  
Always shows the sound field program parameter  
settings as well as the contents of the front panel  
display.  
1
2
Select a source and start playback on the  
source component.  
Short display  
Briefly shows the contents of the front panel display  
at the bottom of the screen each time you operate this  
unit.  
Press SLEEP repeatedly to  
SLEEP  
set the amount of time.  
Each time you press SLEEP, the front  
panel display changes as shown  
below. The SLEEP indicator flashes  
while switching the amount of time for  
the sleep timer.  
Display off  
Only operations performed using ON SCREEN are  
displayed. The OSD is displayed when using SET  
MENU or the test tone feature, even if the OSD mode  
is set to “Display off”.  
SLEEP 120 min.  
SLEEP 90 min.  
SLEEP OFF SLEEP 30 min. SLEEP 60 min.  
P08  
Sci-Fi  
.ꢀDSPꢀLEVEL;;;;0dB  
ꢀꢀP.INITꢀDLY;;16ms  
ꢀꢀP.ROOMꢀSIZE;;1.0  
ꢀꢀS.INITꢀDLY;;20ms  
ꢀꢀS.ROOMꢀSIZE;;1.0  
V–AUX  
DVR/VCR2  
SLEEP  
VCR 1  
CBL/SAT  
SP  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
A
dB  
VOLUME  
L
R
SLEEP 120min  
P08ꢀꢀMOVIE THEATER  
Sci-Fiꢀꢀꢀꢀ  
The SLEEP indicator lights up in the front panel  
display, and the display returns to the selected sound  
field program.  
Full display  
Short display  
Notes  
V–AUX  
DVR/VCR2  
VCR 1  
CBL/SAT  
DTV  
DVD  
MD/TAPE  
CD–R  
CD  
TUNER  
PHONO  
SP  
• The OSD signal is not output to the REC OUT jack, and will  
not be recorded.  
• When the component video signals are input, short display is  
not output to the COMPONENT VIDEO MONITOR OUT  
jacks.  
A
dB  
VOLUME  
L
R
SLEEP  
CONCERT HALL  
• You can set the OSD to turn on (gray background) or off when a  
video source is not being reproduced (or the source component  
is turned off) by using DISPLAY SET (see page 62).  
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ADVANCED OPERATIONS  
■ Canceling the sleep timer  
Press SLEEP repeatedly until “SLEEP OFF” appears in  
the front panel display.  
After a few seconds, “SLEEP OFF” disappears, and the  
SLEEP indicator goes off.  
Manually adjusting speaker levels  
You can adjust the output level of each speaker while  
listening to a music source. This is also possible when  
playing sources through the MULTI CH INPUT jacks.  
Please note that this operation will override the level  
adjustments made in “AUTO SETUP” (page 26),  
“Speaker level” (page 57) and “Using the test tone”  
(page 52).  
SLEEP  
y
The sleep timer setting can also be canceled by pressing  
STANDBY on the remote control (or STANDBY/ON on the front  
panel) to set this unit to the standby mode.  
AMP  
+
TV VOL  
+
CH  
+
VOL  
SOURCE  
TV  
1
3
–
–
–
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
LEVEL  
TITLE  
SET MENU  
PURE DIRECT  
MENU  
2
NIGHT  
AUDIO  
ENTER  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
EFFECT  
1
2
Set AMP/SOURCE/TV to AMP.  
Press LEVEL repeatedly to select the  
speaker you want to adjust.  
FRONT L  
CENTER  
FRONT R  
SUR.R  
Front left speaker level  
Center speaker level  
Front right speaker level  
Surround right speaker level  
SUR.B.R Surround back right speaker level  
SUR.B.L Surround back left speaker level  
SUR.L  
SWFR  
PRES  
Surround left speaker level  
Subwoofer level  
Presence speaker level  
y
Once you press LEVEL, you can also select the speaker by  
pressing k/ n.  
3
Press l/ hto adjust the speaker output  
level.  
The control range is from +10 dB to –10 dB.  
51  
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ADVANCED OPERATIONS  
Using the test tone  
6
Press k/ nrepeatedly to select the  
speaker(s) you want to output the test tone.  
You can use the test tone feature to manually balance your  
speaker levels. Please note that this operation will override  
the level adjustments made in “AUTO SETUP” (page 26),  
“Speaker level” (page 57) and “Manually adjusting  
speaker levels” (page 51). Use the test tone to set speaker  
levels so that the volume from each speaker is identical  
when heard from your listening position.  
TEST FRONT  
Front speakers  
TEST PRESENCE  
TEST PRES L  
TEST PRES R  
Presence speakers  
Presence left speaker  
Presence right speaker  
7
8
Press l/ hto adjust the presence speaker  
volumes.  
Note  
You cannot activate the test tone if headphones are connected to  
the PHONES jack. Remove the headphones from the PHONES  
jack.  
Press TEST when you have completed your  
adjustment.  
The test tone stops.  
AMP  
+
TV VOL  
+
CH  
+
VOL  
SOURCE  
TV  
1
y
–
–
–
A
/
B
/
C
/
D
/
E
• If you use a handheld SPL meter, hold at arms length and point  
upwards so that the meter is in the listening position. With the  
meter set to the 70 dB scale and to C SLOW, calibrate each  
speaker to 75 dB.  
• Before outputting the test tone, we recommend that you set the  
output volume to 0 dB.  
TV MUTE  
TV INPUT  
MUTE  
LEVEL  
TITLE  
SET MENU  
PURE DIRECT  
MENU  
NIGHT  
AUDIO  
4,7  
ENTER  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
EFFECT  
3,6  
2,5,8  
1
2
Set AMP/SOURCE/TV to AMP.  
Press TEST.  
The unit outputs a test tone.  
3
Press k/ nrepeatedly to select the speaker  
you want to adjust.  
TEST LEFT  
Front left speaker  
Center speaker  
Front right speaker  
Surround right speaker  
TEST CENTER  
TEST RIGHT  
TEST SUR. R  
TEST SUR. B. R Surround back right speaker  
TEST SUR. B. L Surround back left speaker  
TEST SUR. L  
Surround left speaker  
TEST SUBWOOFER Subwoofer  
4
5
Press l/ hto adjust speaker volumes.  
Press TEST when you have completed your  
adjustment.  
If PRESENCE SP in SPEAKER SET is set to “YES”  
(see page 56), proceed to step 6 to adjust the presence  
speaker volumes.  
If PRESENCE SP in SPEAKER SET is set to  
“NONE”, the test tone stops.  
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SET MENU  
SET MENU  
You can use the following parameters in SET MENU to adjust a variety of system settings and customize the way this  
unit operates. Change the initial settings (indicated in bold under each parameter) to reflect the needs of your listening  
environment.  
■ AUTO SETUP  
Use to specify which speaker parameters auto setup will adjust, and to activate the auto setup procedure (see page 26).  
■ MANUAL SETUP  
Use to manually adjust speaker and system settings.  
BASIC MENU  
Use to quickly setup basic system parameters (see page 31).  
SOUND MENU  
Use to manually adjust any speaker setting, alter the quality and tone of the sound output by the system or compensate for  
video signal processing delays when using LCD monitors or projectors.  
y
Most of the parameters described in SOUND MENU are set automatically when you run auto setup (see page 26). You can use SOUND  
MENU to make further adjustments, but we recommend running auto setup first.  
Item  
Features  
Page  
Selects the size of each speaker, the speakers for low-frequency signal output, and the cross over  
frequency.  
55  
A)SPEAKER SET  
Adjusts the output level of each speaker.  
57  
57  
58  
58  
58  
59  
59  
59  
B)SPEAKER LEVEL  
C)SP DISTANCE  
D)GRAPHIC EQ  
Adjusts the delay time of each speaker.  
Adjusts the tonal quality of each speaker.  
Adjusts the output level of the LFE channel for Dolby Digital or DTS signals.  
Adjusts the dynamic range for Dolby Digital or DTS signals.  
Matches the subwoofer level with the level of the other speakers.  
Adjusts the tonal balance of the headphones.  
E)LFE LEVEL  
F)DYNAMIC RANGE  
G)LOW FRQ. TEST  
H)HP TONE CTRL  
I)AUDIO SET  
Customizes overall audio settings of this unit.  
Selects priority to either surround back or presence speakers when both sets of speakers are  
connected to this unit.  
60  
J)PR/SBch SELECT  
INPUT MENU  
Use to reassign digital input/outputs, select the input mode, rename your inputs, or specify external input settings.  
Item  
Features  
Assigns jacks according to the component to be used.  
Selects the initial input mode of the source.  
Changes the name of the inputs.  
Page  
60  
A)I/O ASSIGNMENT  
B)INPUT MODE  
C)INPUT RENAME  
61  
61  
Sets the direction of the signals input into the center, subwoofer and surround channels for the  
source component connected to the MULTI CH INPUT jacks.  
62  
D)MULTI CH INPUT  
53  
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SET MENU  
OPTION MENU  
Use to adjust the optional system settings.  
Item  
Features  
Page  
62  
Adjusts the settings of the OSD and the front panel display and converts video signals.  
Locks sound field program parameters and other SET MENU settings.  
Initializes the parameters of a group of sound field programs.  
Selects the impedance of your speakers.  
A)DISPLAY SET  
B)MEMORY GUARD  
C)PARAM. INI  
D)SP IMP. SET  
E)ZONE SET  
63  
63  
63  
Specifies the location of the speakers connected to the SPEAKERS B terminals.  
Selects the Zone 2 mode.  
64  
64  
F)ZONE2 SET  
G)ZONE3 SET  
Selects the Zone 3 mode.  
64  
Using SET MENU  
Use the remote control to access and adjust each  
parameter.  
1
2
Set AMP/SOURCE/TV to AMP, then press  
SET MENU to enter the SET MENU.  
AMP  
SET MENU  
SOURCE  
MENU  
then  
AMP  
+
+
+
VOL  
SOURCE  
TV  
TV VOL  
CH  
TV  
–
–
–
A
/
B
/
C
/
D
/
E
1
TV MUTE  
TV INPUT  
MUTE  
LEVEL  
TITLE  
SET MENU  
PURE DIRECT  
MENU  
NIGHT  
AUDIO  
2,3,4  
5
ENTER  
Press k/ nto select AUTO SETUP or  
MANUAL SETUP, then press l/ hto enter  
the selected category.  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
2,3,5  
EFFECT  
ROCK  
4
STEREO  
1
HALL  
2
JAZZ  
3
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
5
6
THX  
9
SURROUND  
0
SUR. BACK  
ENT.  
+10  
y
then  
ENTER  
ENTER  
You can change SET MENU parameters while the unit is  
reproducing sound.  
Note  
You cannot change some SET MENU parameters while the unit  
is in either cinema or music night listening mode.  
ꢀꢀSET MENU  
. ;AUTO SETUP  
;MANUAL SETUPꢀꢀꢀ  
/
: Up/Down  
: Enter  
</>  
Note  
If kis pressed when AUTO SETUP is selected, or if nis  
pressed when MANUAL SETUP is selected, SET MENU  
will be closed. Press SET MENU to open SET MENU  
again.  
3
Press k/ nrepeatedly to select a menu,  
then press l/ hto enter the menu item.  
Repeat this operation to navigate to and enter the  
setup mode of the item you want to adjust.  
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SET MENU  
Using SOUND MENU  
4
5
Press l/ hrepeatedly to change the setting  
of the item you want to adjust.  
Use to manually adjust any speaker setting or compensate  
for video signal processing delays when using LCD  
monitors or projectors. Most of the SOUND parameters  
are set automatically when you run auto setup (see  
page 26).  
To exit, press k/ nrepeatedly until the menu  
disappears or just press one of the sound  
field program group buttons.  
2 SOUND MENU 1/3  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
. A)SPEAKERꢀSET  
B)SPEAKERꢀLEVEL  
C)SPꢀDISTANCE  
D)GRAPHICꢀEQ  
/
ENTERTAIN MUSIC  
TY THTR  
7
MOVIE  
8
or  
ENTER  
5
6
ꢀ
: Up/Down  
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
</>  
: Enter  
+10  
■ Speaker set A)SPEAKER SET  
Use to manually adjust any speaker setting.  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost even if this unit is in the standby mode.  
However, if the power cord is disconnected from the  
AC outlet, or the power supply is cut for more than one  
week, the stored data will be lost. If so, adjust the  
items again.  
y
If you are not satisfied with the bass sounds from your speakers,  
you can change these settings according to your preference.  
Note  
Set any THX speakers to SMALL (SML).  
Center speaker CENTER SP  
Choices: NONE, SML, LRG  
CENTER SP  
NONE [SML LRG  
•
•
•
Select “NONE” if you do not have a center speaker.  
The unit directs all of the center channel signal to the  
front left and right speakers.  
Select “SML” if you have a small center speaker. The  
unit directs the low-frequency signals of the center  
channel to the speakers selected in LFE/BASS OUT.  
Select “LRG” if you have a large center speaker. The  
unit directs the entire range of the center channel signal  
to the center speaker.  
Front speakers FRONT SP  
Choices: SMALL, LARGE  
FRONT SP  
[SMALL  
LARGE  
•
•
Select “SMALL” if you have small front speakers. The  
unit directs the low-frequency signals of the front  
channel to the speakers selected in LFE/BASS OUT.  
Select “LARGE” if you have large front speakers. The  
unit directs the entire range of the front left and right  
channel signals to the front left and right speakers.  
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SET MENU  
Surround left/right speakers SURR L/R SP  
Choices: NONE, SML, LRG  
Presence speakers PRESENCE SP  
Choices: NONE, YES  
SURR L/R SP  
PRESENCE SP  
NONE [SML LRG  
[NONE  
YES  
•
•
•
Select “NONE” if you do not have surround speakers.  
This will set the unit to the Virtual CINEMA DSP  
mode (see page 39) and automatically set the surround  
back speaker setting (SURR B L/R SP) to “NONE”.  
Select “SML” if you have small surround left and right  
speakers. The low-frequency signals of the surround  
channel are directed to the speakers selected in LFE/  
BASS OUT.  
Select “LRG” if you have large surround left and right  
speakers or if a rear subwoofer is connected to the  
surround speakers. The entire range of the surround  
channel signal is directed to the surround left and right  
speakers.  
•
•
Select “YES” if you have presence speakers.  
Select “NONE” if you do not have presence speakers.  
LFE/bass out LFE/BASS OUT  
Low-frequency (bass) signals can be directed to the  
subwoofer and/or the front left and right speakers  
according to the characteristics of your system. This  
setting also determines the routing of the LFE (low-  
frequency effect) signals found in Dolby Digital or DTS  
sources.  
Choices: SWFR (subwoofer), FRNT, BOTH  
THX recommendation: SWFR  
LFE/BASS OUT  
Surround back speakers SURR B L/R SP  
Choices: LRGx2, LRGx1, SMLx2, SMLx1, NONE  
SURR B L/R SP  
[SWFR FRNT BOTH  
•
•
Select “SWFR” if you connect a subwoofer. LFE and  
low-frequency signals from other channels are directed  
to the subwoofer according to the speaker settings.  
Select “FRNT” if you do not use a subwoofer. LFE and  
low frequency signals from other channels are directed  
to the front speakers according to the speaker settings  
(even if you have previously set front speakers to  
SML).  
Select “BOTH” if you connect a subwoofer and you  
want to output low-frequency signals from front  
channels to both the front speakers and subwoofer.  
LFE and low-frequency signals from other channels  
are also directed to the subwoofer according to the  
speaker settings. Use this function to reinforce low-  
frequency signals using the subwoofer when playing  
back sources such as CDs.  
SMLx1 [SMLx2  
•
•
•
•
Select “LRGx2” if you have 2 large surround back  
speakers. The unit directs the entire range of the  
surround back channel signal to the surround back  
speakers.  
Select “LRGx1” if you have a large surround back  
speaker. The unit directs the entire range of the  
surround back channel signal to the left surround back  
speaker.  
Select “SMLx2” if you have 2 small surround back  
speakers. The low-frequency signals of the surround  
back channels are directed to the speakers selected in  
LFE/BASS OUT.  
Select “SMLx1” if you have a small surround back  
speaker. The low-frequency signals of the surround  
back channel are directed to the speakers selected in  
LFE/BASS OUT, and the rest of the frequency signals  
are directed to the left surround back speaker.  
Select “NONE” if you do not have a surround back  
speaker. The unit directs all of the surround back  
channel signal to the surround left and right speakers.  
•
•
Note  
If you select “LRGx1” or “SMLx1”, connect the speaker to the  
left SURROUND BACK speaker terminals.  
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SET MENU  
Cross over CROSS OVER  
■ Speaker distance C)SP DISTANCE  
Use this feature to select a cross-over (cut-off) frequency  
for all low-frequency signals. All frequencies below the  
selected frequency will be sent to the subwoofer.  
Choices: 40Hz, 60Hz, 80Hz (THX), 90Hz, 100Hz,  
110Hz, 120Hz, 160Hz, 200Hz  
Use this feature to manually input the distance of each  
speaker and adjust the delay applied to respective channel.  
Ideally, each speaker should be the same distance from the  
main listening position. However, this is not possible in  
most home situations. Thus, a certain amount of delay  
must be applied to the sound from each speaker so that all  
sounds arrive at the listening position at the same time.  
THX recommendation: “80Hz”  
CROSS OVER  
C)SP DISTANCE  
. UNIT;;;;;;meters  
FRONTꢀL;;;;3.00m  
FRONTꢀR;;;;3.00m  
CENTER;;;;;3.00m  
FREQ;;;80Hz(THX)  
/
: Up/Down  
: Adjust  
</>  
■ Speaker level B)SPEAKER LEVEL  
Use these settings to manually balance the speaker levels  
between the front left (or surround left) speaker and each  
speaker selected in SPEAKER SET (page 55).  
Choices: –10.0 dB to +10.0 dB  
Unit UNIT  
Choices: meters (m), feet (ft)  
Initial setting: feet (ft)  
•
•
Select “meters” to input speaker distances in meters.  
Select “feet” to input speaker distances in feet.  
B)SPEAKER LEVEL  
-
FR  
C
+
Speaker distances  
Choices: 0.3 to 24.00 m (1 to 80 ft)  
.
SL  
•
•
•
•
•
•
•
•
•
•
*
FRONT L adjusts the distance of the front left speaker.  
Initial setting: 3.0 m (10.0 ft)  
FRONT R adjusts the distance of the front right  
speaker. Initial setting: 3.0 m (10.0 ft)  
CENTER adjusts the distance of the center speaker.  
Initial setting: 3.0 m (10.0 ft)  
SURR L adjusts the distance of the surround left  
speaker. Initial setting: 3.0 m (10.0 ft)  
•
•
•
•
•
•
•
•
*
FR adjusts the balance of the front left and front right  
speakers.  
C adjusts the balance of the front left and center  
speakers.  
SL adjusts the balance of the front left and surround  
left speakers.  
SURR R adjusts the distance of the surround right  
speaker. Initial setting: 3.0 m (10.0 ft)  
*
SBL adjusts the balance of the surround left and  
*
SB L adjusts the distance of the surround back left  
surround back left speakers.  
speaker. Initial setting: 2.10 m (7.0 ft)  
*
SBR adjusts the balance of the surround left and  
*
SB R adjusts the distance of the surround back right  
surround back right speakers.  
SR adjusts the balance of the surround left and  
surround right speakers.  
SWFR adjusts the balance of the front left speaker and  
subwoofer.  
PRES adjusts the balance of the front and presence  
speakers.  
speaker. Initial setting: 2.10 m (7.0 ft)  
SWFR adjusts the distance of the subwoofer. Initial  
setting: 3.0 m (10.0 ft)  
PRES L adjusts the distance of the presence left  
speaker. Initial setting: 3.0 m (10.0 ft)  
PRES R adjusts the distance of the presence right  
speaker. Initial setting: 3.0 m (10.0 ft)  
SB will be displayed if you selected only one surround back  
speaker in SURR B L/R SP (page 56).  
“SURR B” will be displayed if you selected only one surround  
back speaker in SURR B L/R SP (page 56).  
y
If you use a handheld SPL meter, hold at arms length and point  
upwards so that the meter is in the listening position. With the  
meter set to the 70 dB scale and to C SLOW, calibrate each  
speaker to 75 dB.  
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SET MENU  
■ Graphic equalizer D)GRAPHIC EQ  
Use this feature to select parametric (PEQ) or graphic  
equalizer (GEQ).  
■ Dynamic range F)DYNAMIC RANGE  
Use to select the amount of dynamic range compression to  
be applied to your speakers or headphones. This setting is  
effective only when the unit is decoding Dolby Digital and  
DTS signals.  
Choices: MIN (minimum), STD (standard),  
MAX (maximum)  
Equalizer select EQ SELECT  
Choices: PEQ, GEQ  
D) GRAPHIC EQ  
. EQ SELECT....PEQ  
F)DYNAMIC RANGE  
. SP: MIN STD[MAX  
HP: MIN STD[MAX  
/ : Up/Down  
</> : Select  
/ : Up/Down  
</> : Select  
•
•
Select “PEQ” to use the equalizer adjusted in auto  
setup.  
Select “GEQ” to adjust the built-in 7-band graphic  
equalizer (see “Equalizer” below).  
Speaker SP  
Select to adjust the speaker compression.  
Equalizer  
Headphone HP  
Select to adjust the headphone compression.  
Use to match the tonal quality of the center, surround L/R  
and surround back L/R speakers with that of the front L/R  
speakers.  
Choices: –6 to +6 (dB)  
•
Select “MIN” if you regularly listen at low volume  
levels.  
•
•
Select “STD” for general use.  
Select “MAX” to preserve the greatest amount of  
dynamic range.  
D)GRAPHIC EQ  
. CHANNEL;;FRONT L  
-
+
63Hz  
160Hz  
400Hz  
1kHz  
2.5kHz  
6.3kHz  
16kHz  
0dB  
0dB  
0dB  
0dB  
0dB  
0dB  
0dB  
You can adjust 7 frequency bands: 63Hz, 160Hz, 400Hz,  
1kHz, 2.5kHz, 6.3kHz, 16kHz  
■ Low-frequency effect level E)LFE LEVEL  
Use to adjust the output level of the LFE (low-frequency  
effect) channel according to the capacity of your  
subwoofer or headphones. The LFE channel carries low-  
frequency special effects which are only added to certain  
scenes. This setting is effective only when this unit  
decodes Dolby Digital or DTS signals.  
Choices: –20 to 0 (dB)  
E)LFE LEVEL  
. SPEAKER;;;;;;0dB  
HEADPHONE;;;;0dB  
/ : Up/Down  
</> : Adjust  
Speaker SPEAKER  
Select to adjust the speaker LFE level.  
Headphone HEADPHONE  
Select to adjust the headphone LFE level.  
Note  
Depending on the settings of LFE LEVEL, some signals may not  
be output from the SUBWOOFER PRE OUT jack.  
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SET MENU  
■ Low frequency test G)LOW FRQ. TEST  
Use this feature to adjust the output level of the subwoofer  
so it matches your other speakers.  
■ Headphone tone control H)HP TONE CTRL  
Use to adjust the amount of bass and treble output to your  
headphones.  
Choices: –6 to +6 (dB)  
G)LOW FRQ.TEST  
. TEST TONE;;;;OFF  
OUTPUT;FRONT L/R  
FRQ;;;;;;;;;88Hz  
H)HP TONE CTRL  
. BASS  
TRBL  
-
+
0dB  
: Up/Down  
</> : Adjust  
/
1
Press l/ hto set TEST TONE to ON, and  
adjust the volume with VOL –/+ so you can  
hear the tone.  
Do not turn up the volume too high. If no test tone is  
heard, turn down the volume, set this unit in the  
standby mode and make sure all the necessary  
connections are correct.  
•
•
Use BASS to adjust the headphone bass level.  
Use TRBL to adjust the headphone treble level.  
■ Audio set I)AUDIO SET  
Use to customize this unit’s overall audio settings.  
I)AUDIO SET  
The tone generator produces a narrow-band noise  
centered on a specified frequency by the band pass  
filter, as well as a wide-band noise.  
. AUDIO MUTE;;MUTE  
AUDIO DELAY;;0ms  
DIALG.LIFT;;;OFF  
/ : Exit  
</> : Select  
2
3
Press nto go to OUTPUT and press l/ hto  
select the speaker you want to compare with  
the subwoofer.  
Choices: FRONT L/R, FRONT L, CENTER,  
FRONT R, SUR.R, SBR*, SBL*, SUR.L, SWFR,  
PRESENCE  
Mute MUTE  
Use to adjust how much the mute function reduces the  
output volume.  
Choices: MUTE, –20 dB  
•
•
Select “MUTE” to completely halt all output of sound.  
Select “–20 dB” to reduce the current volume by 20  
dB.  
* “SB” will be displayed if you selected only one surround  
back speaker in SURR B L/R SP (page 56).  
Press nto go to FRQ and press l/ hto  
select the frequency you want to use.  
Choices: 35 to 250 (Hz), WIDE  
Initial: 88 Hz  
Audio Delay AUDIO DELAY  
Use to delay the sound output and synchronize it with the  
video image. This may be necessary when using certain  
LCD monitors or projectors.  
Choices: 0 to 240 (ms)  
4
Adjust the volume of the subwoofer with the  
controls on the subwoofer so it matches that  
of the speaker you are comparing it to.  
Dialog lift DIALG.LIFT  
Use to turn on/off the DIALG.LIFT parameter (see  
page 85). This parameter adjusts the height of the front  
and center channel sounds (dialog, vocals, etc.) by  
assigning some of the front and center channel elements to  
the presence speakers.  
y
You can use the test tone not only for adjusting the subwoofer  
level, but also for checking the low-frequency characteristics of  
your listening room. Low-frequency sounds are especially  
affected by the listener’s position, speaker placement, subwoofer  
polarity and other conditions.  
Choices: ON, OFF  
•
Select “ON” to turn on DIALG.LIFT effect.  
•
Select “OFF” to turn off DIALG.LIFT effect.  
Note  
DIALG.LIFT appears only when PRESENCE is set to “YES”  
(see page 31).  
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SET MENU  
■ Presence/surround back channel select  
J)PR/SBch SELECT  
Using INPUT MENU  
Use to reassign digital input/outputs, select the input mode  
or rename your inputs.  
Surround back and presence speakers do not output sound  
simultaneously. You can select to prioritize either speaker  
set when playing sources that contain surround back  
channel signals using CINEMA DSP sound field  
programs.  
3 INPUT MENU  
. A)I/OꢀASSIGNMENT  
B)INPUTꢀMODE  
C)INPUTꢀRENAME  
D)MULTI CH INPUT  
Choices: PRch, SBch  
/
: Up/Down  
: Enter  
</>  
J)PR/SBch SELECT  
PRch [SBch  
■ Input/output assignment  
A)I/O ASSIGNMENT  
/ : Exit  
</> : Select  
You can assign jacks according to the component to be  
used if this unit’s initial settings do not correspond to your  
needs. Change the following parameters to reassign the  
respective jacks and effectively connect more  
components.  
Once the inputs have been reassigned, you can select the  
corresponding component by using INPUT on the front  
panel or the input selector buttons on the remote control.  
•
•
Select “PRch” to use presence speakers even when  
surround back channel signals are input. The signals  
for the surround back channel will be output from  
surround speakers.  
Select “SBch” to use surround back speakers when a  
surround back channel signal is detected in a CINEMA  
DSP program. Presence channel signals will be output  
from front speakers.  
Note  
The default settings are displayed with parentheses on the OSD.  
CMPNT-V IN for COMPONENT VIDEO INPUT  
jacks [A] and [B]  
Choices: DVD, V-AUX, DVR/VCR 2, VCR 1, CBL/SAT,  
DTV, CD-R  
CMPNT-V INPUT  
. [A];;;;; DVD  
(
DVD  
[B];;;;; DTV  
)
ꢀꢀꢀ(ꢀꢀDTVꢀꢀꢀ)  
OPTICAL OUT for OPTICAL OUTPUT jacks (1)  
and (2)  
Choices: MD/TAPE, CD-R, CD, PHONO, V-AUX,  
DVR/VCR 2, VCR 1, CBL/SAT, DTV, DVD  
OPTICAL OUT  
. (1);;;;;MD/TAPE  
(MD/TAPE )  
(2);;;;; CD-R  
ꢀꢀꢀ(ꢀꢀCD-Rꢀꢀ)  
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SET MENU  
OPTICAL IN for OPTICAL INPUT jacks (3), (4), (5)  
and (6)  
Choices: CD, PHONO, DVR/VCR 2, VCR 1, CBL/SAT,  
DTV, DVD, MD/TAPE, CD-R  
■ Input rename C)INPUT RENAME  
Use this feature to change the name of the inputs on the  
OSD and front panel display.  
C)INPUT RENAME  
DVD -> DVD  
OPTICAL IN  
. (3);;;;;  
CD  
CD  
(4);;;;; DVD  
ꢀꢀꢀ(ꢀꢀDVD ꢀꢀ)  
(5);;;;; DTV  
(
)
</> : Position  
: Character  
/
ꢀꢀꢀ(ꢀꢀDTV ꢀꢀ)  
COAXIAL IN for COAXIAL INPUT jacks (7), (8) and  
(9)  
1
Press an input selector button to select the  
input you want to change the name of.  
Choices: CD, PHONO, V-AUX, DVR/VCR 2, VCR 1,  
CBL/SAT, DTV, DVD, MD/TAPE, CD-R  
2
3
Set AMP/SOURCE/TV to AMP.  
COAXIAL IN  
Press l/ hto place the _ (under-bar) under  
the space or the character you want to edit.  
. (7);;;;;  
CD  
CD  
(8);;;;; DVD  
(
)
ꢀꢀꢀ(ꢀꢀDVD ꢀꢀ)  
(9);;;;;DVR/VCR2  
ꢀꢀꢀ(DVR/VCR2)  
4
Press k/ nto select the character you want  
to use and l/ hto move to the next one.  
• You can use up to 8 characters for each input.  
• Press nto change the character in the following  
order, or press kto go in the reverse order:  
A to Z, space, 0 to 9, space, a to z, space, #, *, +,  
etc.  
Notes  
• You cannot select a specific item more than once for the same  
type of jack.  
• When you connect a component to both the COAXIAL and  
OPTICAL jacks, priority is given to the input signals from the  
COAXIAL jack.  
5
6
Repeat steps 1 through 4 to rename each  
input.  
■ Input mode B)INPUT MODE  
Use this feature to designate the input mode for sources  
connected to the DIGITAL INPUT jacks when you turn on  
this unit (see page 40 for details about the input mode).  
Choices: AUTO, LAST  
Press hrepeatedly to exit from INPUT  
RENAME.  
B)INPUT MODE  
[AUTO LAST  
/ : Exit  
</> : Select  
•
•
Select “AUTO” to allow this unit to automatically  
detect the type of input signal and select the  
appropriate input mode.  
Select “LAST” to set this unit to automatically select  
the last input mode used for that source.  
Note  
The last setting for the EXTD. SUR button will not be recalled,  
even when “LAST” is selected.  
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SET MENU  
■ Multi Channel Input D)MULTI CH INPUT  
Use this feature to set the direction of the signals input  
into the center, subwoofer and surround channels when a  
source component is connected to the MULTI CH INPUT  
jacks. If you are inputting 8-channel signals from an  
external decoder, use this feature to select jacks for the  
additional front signals.  
Using OPTION MENU  
4 OPTION MENU1/2  
. A)DISPLAYꢀSET  
B)MEMORYꢀGUARD  
C)PARAM.ꢀINI  
D)SP IMP. SET  
/
: Up/Down  
: Enter  
</>  
D)MULTI CH INPUT  
. [6CH  
(FRNT/SB-> FRNT)  
CENTER ->CENTER  
8CH  
■ Display set A)DISPLAY SET  
SWFR  
SL/SR  
( ---  
-> SWFR  
-> SL/SR  
-> SB  
)
</> : Select  
: Up/Down  
A)DISPLAY SET  
/
. DIMMER;;;;;;;;;0  
OSD SHIFT;;;;;;0  
GRAY BACK;;;AUTO  
V CONV.;;;;;;;ON  
CMPNT OSD;;;;;ON  
6ch/8ch  
/ : Up/Down  
</> : Select  
This setting is used to select the number of channels input  
from an external decoder.  
Choices: 6ch, 8ch  
Dimmer DIMMER  
Use to adjust the brightness of the front panel display.  
Note  
Choices: –4 to 0  
If ZONE2 AMP (page 64) is set to “ON”, no sound is output  
from the surround back speakers even if you select “8ch”. In this  
case select “6ch” and set the output setting of the external  
decoder to 6 channels.  
OSD shift OSD SHIFT  
Use to adjust the vertical position of the OSD.  
Choices: +5 (downward) to –5 (upward)  
FRNT  
•
•
Press hto lower the position of the OSD.  
Press lto raise the position of the OSD.  
If you selected “8ch”, you can select analog audio jacks to  
which front signals from an external decoder will be input.  
Choices: DVD, DTV, CBL/SAT, VCR 1, DVR/VCR 2,  
MD/TAPE, CD-R, CD, V-AUX  
Gray back GRAY BACK  
Selecting “AUTO” for the on-screen display setting  
displays a gray background when there’s no video signal  
input.  
CENTER  
Use to select where the signals input to the CENTER jack  
will be output.  
Choices: CENTER, FRONT  
If “OFF” is selected, information can only be displayed on  
the screen when a video signal is being input.  
Choices: AUTO, OFF  
•
Select “CENTER” to output the signals from the center  
Note  
speaker.  
•
Select “FRONT” to output the signals from the front  
left and right speakers.  
If GRAY BACK is set to “OFF”, information cannot be displayed  
when only component signals are being input.  
SWFR  
Use to select where the signals input to the  
SUBWOOFER jack will be output.  
Choices: SWFR, FRONT  
•
Select “SWFR” to output the signals from the  
subwoofer.  
•
Select “FRONT” to output the signals from the front  
left and right speakers.  
SL/SR  
Use to select where the signals input to the SURROUND  
jacks will be output.  
Choices: SL/SR, FRONT  
•
•
Select “SL/SR” to output the signals from the surround  
speakers.  
Select “FRONT” to output the signals from the front  
left and right speakers.  
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SET MENU  
Video conversion V CONV.  
■ Parameter initialization C)PARAM. INI  
Use this feature to turn on/off conversion of composite  
(VIDEO) signals to both S-video and component signals.  
This allows you to output converted video signals from  
the S VIDEO or COMPONENT VIDEO jacks when no  
S-video or component signals are input. This feature also  
converts S-video signals to component signals when no  
component signals are input.  
Use this feature to initialize the parameters for each sound  
field program within a sound field program group. When  
you initialize a sound field program group, all of the  
parameter values within that group revert to their initial  
settings.  
Press the corresponding numeric button for the sound field  
program that you want to initialize.  
Choices: ON, OFF  
An asterisk (*) next to a program number means that the  
parameter values have been changed from their initial  
settings.  
•
Select “OFF” not to convert any signals.  
Select “ON” to convert composite signals to S-video  
and component signals, and to convert S-video signals  
to component signals.  
•
C)PARAM. INI  
1
*5  
9
2
3
*4  
8
Notes  
6
7
• Converted video signals are only output to the MONITOR OUT  
jacks. When recording you must make the same type of video  
connections (composite or S-video) between each component.  
• When converting composite video or S-video signals from a  
VCR to component video signals, the picture quality may suffer  
depending on your VCR.  
*0  
Notes  
• You cannot automatically revert to the previous parameter  
settings once you initialize a sound field program group.  
• You cannot separately initialize individual sound field  
programs.  
• You cannot initialize any program groups when MEMORY  
GUARD is set to ON.  
Component OSD CMPNT OSD  
Use this feature to turn on/off OSD output to the  
COMPONENT VIDEO MONITOR OUT jacks when  
using SET MENU, the test tone or the parameter  
functions.  
Choices: ON, OFF  
■ Speaker impedance setting  
D)SP IMP.SET  
•
Select “ON” to output the OSD signals from  
COMPONENT VIDEO MONITOR OUT jacks.  
Select “OFF” if you do not want to output the OSD  
signals from COMPONENT VIDEO MONITOR OUT  
jacks.  
Use to select the impedance of your speakers.  
Choices: 6ohms, 8ohms  
•
D)SP IMP.SET  
Minimum 8ohms  
Note  
SET MENU functions even when “OFF” is selected.  
/ : Exit  
</> : Select  
■ Memory guard B)MEMORY GUARD  
Use this feature to prevent accidental changes to DSP  
program parameter values and other system settings.  
Choices: OFF, ON  
B)MEMORY GUARD  
[OFF  
ON  
/ : Exit  
</> : Select  
Select “ON” to protect:  
•
•
•
•
DSP program parameters  
All SET MENU items  
All speaker levels  
The on-screen display (OSD) mode  
Note  
When MEMORY GUARD is set to “ON”, you cannot use the test  
tone or select any other SET MENU items.  
63  
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SET MENU  
Zone 2 amplifier ZONE2 AMP  
Use to select how the ZONE 2 speakers will be amplified.  
Choices: ON, OFF  
■ Zone set E)ZONE SET  
E)ZONE SET  
•
Select “OFF” if you do not use Zone 2 speakers or if  
you connect your Zone 2 speakers through an external  
amplifier connected to this unit’s ZONE 2 OUTPUT  
jacks.  
SP B;;;;;;MAIN  
/ : Exit  
</> : Main  
•
Select “ON” to use this unit’s internal amplifier if you  
connect your Zone 2 speakers directly to this unit’s  
PRESENCE/ZONE 2 speaker terminals.  
Speakers B SP B  
Use to specify the location of speakers connected the  
SPEAKERS B terminals.  
■ Zone 3 set G)ZONE3 SET  
Choices: MAIN, ZONE B  
G)ZONE3 SET  
•
Select “MAIN” to turn on/off SPEAKERS A and B  
when the speakers connected to the SPEAKERS B  
terminals are set in the main room.  
OUTPUT VOL;;VAR.  
/ : Exit  
</> : Select  
•
Select “ZONE B” if the speakers connected to the  
SPEAKERS B terminals are set in another room. If  
SPEAKERS A is turned OFF and SPEAKERS B is  
turned ON, all the speakers including the subwoofer in  
the main room are muted and the unit outputs sound  
from SPEAKERS B only.  
Output volume OUTPUT VOL  
Use to select how the volume control will operate with  
regard to the ZONE 3 OUTPUT jacks.  
Choices: VAR., FIX  
Notes  
• If you select “ZONE B” and connect headphones to the  
PHONES jack on the unit, the sound is output from both  
headphones and SPEAKERS B.  
• When a DSP program is selected, the unit automatically enters  
the Virtual CINEMA DSP mode.  
•
Select “VAR.” to adjust the ZONE 3 OUTPUT volume  
simultaneously with VOL –/+ on the remote control.  
Select “FIX” to fix the ZONE 3 OUTPUT volume  
level to a standard line level.  
•
■ Zone 2 set F)ZONE2 SET  
F)ZONE2 SET  
OUTPUT VOL;;VAR.  
ZONE2 AMP....OFF  
/ : Up/Down  
</> : Select  
Output volume OUTPUT VOL  
Use to select how the volume control will operate with  
regard to the ZONE 2 OUTPUT jacks.  
Choices: VAR., FIX  
•
Select “VAR.” to adjust the ZONE 2 OUTPUT volume  
simultaneously with VOL –/+ on the remote control.  
Select “FIX” to fix the ZONE 2 OUTPUT volume  
level to a standard line level.  
•
64  
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REMOTE CONTROL FEATURES  
REMOTE CONTROL FEATURES  
In addition to controlling this unit, the remote control can also operate other audio and video components made by  
YAMAHA and other manufacturers. To control these other components, you must set up the remote control with the  
appropriate remote control codes. This remote control also has a Learn feature which allows the remote to acquire  
functions from other remote controls equipped with an infrared remote control transmitter.  
Control area  
■ Controlling this unit  
■ Controlling other components  
The shaded areas below can be used to control this unit  
after setting AMP/SOURCE/TV to AMP to activate the  
AMP mode.  
The shaded areas below can be used to control other  
components. Each button has a different function  
depending on the selected components. Select the  
component you want to control by pressing an input  
selector button or SELECT k/n. The name of the selected  
component appears in the display window.  
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
A/B buttons and the input  
The buttons inside  
the dotted lines  
control this unit in  
any mode  
SYSTEM  
POWER  
POWER  
POWER  
STANDBY  
selector buttons switch the  
function of the component  
control area below.  
PHONO  
TUNER  
POWER  
SLEEP  
-
V
AUX  
CBL/SAT  
MD/TAPE  
POWER  
PHONO  
TU
TV  
IN  
AV  
*
Use the A/B buttons to  
(SYSTEM  
DTV  
VCR  
1
DVR/VCR2  
DVD  
control other components  
regardless of whether they  
are connected to this unit.  
Factory setting:  
A...LD player  
B...Tape deck  
SELECT k/nswitches  
control to another  
component without  
changing the input source  
on this unit.  
POWER,  
STANDBY,  
-
V
AUX  
CBL/SAT  
MD/TAPE  
CD-R  
DVD  
Display  
window  
DTV  
VCR  
1
DVR/VCR2  
SELECT  
SLEEP, INPUT  
MODE, VOLUME  
+/–, MUTE, PURE  
DIRECT and  
STRAIGHT/  
EFFECT).  
PRESET  
+
AMP  
SOURCE  
TV  
+
TV VOL  
+
VOL  
SELECT  
AMP/SOURCE/  
TV  
CH  
PRESET  
–
–
–
AMP  
Set to AMP to  
operate this unit.  
Set to SOURCE  
to operate the  
component  
selected with an  
input selector  
button.  
A / B / C / D / E  
+
SOURCE  
TV MUTE  
TV INPUT  
MUTE  
LEVEL  
TITLE  
SET MENU  
MENU  
PURE DIRECT  
V  
+
PRESET  
+
CH  
NIGHT  
AUDIO  
TV VOL  
ENTER  
–
–
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
A / B / C / D / E  
TV MUTE  
TV INPUT  
Display  
window  
EFFECT  
ROCK  
4
LEVEL  
SET MENU  
STEREO  
1
HALL  
2
JAZZ  
3
TITLE  
MENU  
Set to TV to  
operate the  
television.  
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
NIGHT  
AUDIO  
ENTER
5
6
TEST  
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
ON SCREEN  
DISPLAY  
+10  
RETURN  
E
FREQ/RDS  
EON  
MODE PTY SEEK START  
Component  
STEREO  
HALL  
JAZZ  
3
ROCK  
4
2
control area  
1
REC  
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
You can control up to 14  
different components by  
setting appropriate remote  
control codes (see  
page 76).  
DISC SKIP  
5
6
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
EON  
FREQ/RDS  
MODE PTY SEEK START  
OF
REC  
DISC SKIP  
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REMOTE CONTROL FEATURES  
■ Controlling optional components  
(OPTN area)  
Setting remote control codes  
You can control other components by setting the  
appropriate remote control codes. Codes can be set up for  
each input area.  
OPTN is an additional component control area that can be  
programmed with remote control functions independently  
from any input source. This area is useful for  
programming commands that are to be used only as a part  
of a macro function or for components that do not have a  
valid remote control code.  
The following table shows the default component  
(Library: component category) and the remote control  
code for each input area.  
To select the OPTN control area, press nrepeatedly until  
OPTN appears in the display window.  
Remote Control Code Default Settings  
Notes  
Library  
Default YAMAHA  
• You cannot set a remote control code for this area. See page 68  
to program buttons operated within this component control  
area.  
• The OPTN area cannot be used when AMP1Z or NO is selected  
in the amplifier library (see page 67).  
Input area  
(Component  
category)  
code*  
A
B
LD  
TAPE  
TV  
2200  
2700, (2701)  
–
PHONO  
2600, (0203, 1203,  
1358, 2601)  
TUNER  
CD  
TUNER  
CD  
2300, (2301)  
MULTI CH  
INPUT  
2102, (0517, 0566,  
0572, 2100, 2101)  
DVD  
V-AUX  
CBL/SAT  
MD/TAPE  
CD-R  
VCR  
CABLE  
MD  
–
–
2500, (2501, 2502)  
CD-R  
TV  
2400  
–
DTV  
VCR 1  
VCR  
DVR  
–
DVR/VCR2  
2807  
2102, (0517, 0566,  
0572, 2100, 2101)  
DVD  
DVD  
*
Additional YAMAHA codes available are given in  
parentheses.  
Note  
You may not be able to operate your YAMAHA component even  
if a YAMAHA remote control code is preset as listed above. In  
this case, try setting another YAMAHA remote control code.  
1
Set AMP/SOURCE/TV to SOURCE.  
AMP  
SOURCE  
TV  
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REMOTE CONTROL FEATURES  
2
3
Press an input selector button to select the  
source component you want to set up.  
4
5
Press ENTER.  
The four-digit code set for the selected component  
appears in the display window.  
A
B
INPUT MODE  
SLEEP  
MULTI CH IN  
CD-R  
Note  
PHONO  
TUNER  
CD  
“0000” appears in the display window if no code has been  
set.  
-
V
AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
DTV  
DVR/VCR2  
DVD  
Press the numeric buttons to enter the four-  
digit remote control code for the component  
you want to use.  
For a complete list of available remote control codes,  
refer to “LIST OF REMOTE CONTROL CODES” at  
the end of this manual.  
Press and hold LEARN for about 3 seconds  
using a ballpoint pen or similar object.  
The library name (ex. “L:DVD”) and the selected  
component name (ex. “DVD”) appear alternately in  
the display window.  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
ENTERTAIN MUSIC  
TTHTR  
7
MOVIE  
8
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
LEARN  
+10  
6
7
Press ENTER to set the number.  
“OK” appears in the display window if setting was  
successful.  
“NG” appears in the display window if the setting  
was unsuccessful. In this case, start over from step 3.  
y
If you want to setup for another component, press the input  
selector button or SELECT k/nto select the component.  
Notes  
y
• Be sure to press and hold LEARN for at least 3 seconds,  
otherwise the learning process will start.  
• If you do not complete each of the following steps within  
30 seconds, the setting mode will be automatically  
canceled. In this case, press LEARN again.  
If you continuously want to set up another code for another  
component, press the input selector button or SELECT k/n  
to select the component, then repeat steps 4 through 6.  
Press LEARN again to exit from the setup  
mode.  
If you want to change a library (component  
category), press l/ h. You can set a  
different type of component.  
LEARN  
Library choices: L:DVD, L:DVR, L:LD, L:CD,  
L:CDR, L:MD, L:TAP (tape), L:TUN (tuner),  
L:AMP*, L:TV, L:CAB (cable), L:SAT (satellite),  
L:VCR  
*
The amplifier library (L:AMP) code is preset to “AMP1”  
(2000) in order to operate this unit. However, you can  
switch by entering one of the following five codes if  
necessary.  
Function  
Code  
To operate this unit.  
AMP1  
2000  
To operate ZONE 2 or ZONE 3  
features.  
AMP1Z  
2001  
2004  
To operate other manufacturers’  
receivers / amplifiers using this  
unit’s remote control  
NO  
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REMOTE CONTROL FEATURES  
Programming codes from other  
remote controls (Learn)  
8
Press one of the buttons shaded below to  
see if you can control your component. If you  
can, the remote control code is correct.  
Use the Learn feature if you want to program functions  
not included in the basic operations covered by remote  
control codes, or an appropriate remote control code is not  
available. You can program any of the buttons available in  
the component control area (see page 65). The buttons can  
be programmed independently for each component.  
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
TRANSMIT  
+10  
SYSTEM  
POWER  
POWER  
TV  
POWER  
STANDBY  
FREQ/RDS  
REC  
EON  
MODE PTY SEEK START  
AV  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
DISC SKIP  
PHONO  
TUNER  
CBL/SAT  
VCR 1  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
-
V
AUX  
MD/TAPE  
DTV  
DVR/VCR2  
DVD  
Note  
This remote control transmits infrared beams. If the other remote  
control also uses infrared beams, this remote control can learn  
most of its functions. However, you may not be able to program  
some special signals or extremely long transmissions. (Refer to  
the operating instructions for the other remote control.)  
y
If the manufacturer of your component has more than one  
code, try each of them until you find the correct one.  
Notes  
• “ERROR” appears in the display window if you press a button  
not indicated in the respective step, or when you press more  
than one button simultaneously.  
• The supplied remote control does not contain all possible codes  
for commercially available audio and video components  
(including YAMAHA components). If operation is not possible  
with any of the remote control codes, program the new remote  
control function using the Learn feature (see “Programming  
codes from other remote controls (Learn)”) or use the remote  
control supplied with the component.  
1
Set AMP/SOURCE/TV to SOURCE.  
AMP  
SOURCE  
TV  
2
Press an input selector button to select a  
source component.  
• Function programmed using the learn feature take priority over  
remote control code functions.  
A
B
INPUT MODE  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
CD  
-
V
AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
DTV  
DVR/VCR2  
DVD  
3
Place this remote control about 5 to 10 cm  
(2 to 4 in) apart from the other remote control  
on a flat surface so that their infrared  
transmitters are aimed at each other.  
5 to 10 cm (2 to 4 in)  
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REMOTE CONTROL FEATURES  
4
Press LEARN using a ballpoint pen or similar  
object.  
7
Press LEARN again to exit the learning  
mode.  
“LEARN” and the selected component name (ex.  
“DVD”) appear alternately in the display window.  
LEARN  
Notes  
LEARN  
• “ERROR” appears in the display window if you press a button  
not indicated in the respective step, or when you press more  
than one button simultaneously.  
• This remote control can learn approximately 200 functions.  
However, depending on the signals learned, “FULL” may  
appear in the display before you program 200 functions. In this  
case, clear unnecessary programmed functions to make room  
for further learning.  
Notes  
• Do not press and hold LEARN. If you hold it down for  
more than 3 seconds, the remote enters the remote control  
code setting mode.  
• Learning may not be possible in the following cases:  
– When the batteries in the remote control for this unit or other  
components are weak.  
• If you do not complete each of the following steps within  
30 seconds, the learning mode will be automatically  
canceled. In this case, press LEARN again.  
– When the distance between the two remote controls is too  
great or too small.  
– When the remote control infrared windows are not facing  
each other at the appropriate angle.  
5
Press the button for which you want to  
program the new function.  
“LEARN” appears in the display window.  
– When the remote control is exposed to direct sunlight.  
– When the function to be programmed is continuous or  
uncommon.  
6
Press and hold the button you want to  
program on the other remote control until  
“OK” appears in the display window.  
“NG” appears in the display window if learning was  
unsuccessful. In this case, start over from step 5.  
y
• If you want to program another function, repeat steps 5  
and 6.  
• If you continuously want to program another function for  
another component, press the input selector button or  
SELECT k/nto select the component, then repeat steps 3  
through 6.  
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REMOTE CONTROL FEATURES  
Changing source names in the  
display window  
You can change the name that appears in the display  
window on the remote control if you want to use a  
different name than the factory preset. This is useful when  
you have set the input selector to control a different  
component.  
5
6
Press l/ hto move the cursor to the next  
position.  
1
Set AMP/SOURCE/TV to AMP or SOURCE.  
Press ENTER to set the new name.  
“OK” appears in the display window if renaming was  
successful.  
“NG” appears in the display window if renaming was  
unsuccessful. In this case, start over from step 4.  
AMP  
SOURCE  
TV  
y
If you continuously want to rename another component,  
press the input selector button or SELECT k/nto select the  
component, then repeat steps 4 through 6.  
2
Press an input selector button to select the  
source component you want to rename.  
The selected component name appears in the display  
window.  
7
Press RE-NAME again to exit the renaming  
mode.  
A
B
INPUT MODE  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
CD  
RE-NAME  
-
V
AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
DTV  
DVR/VCR2  
DVD  
Note  
“ERROR” appears in the display window if you press a  
button not indicated in the respective step, or when you  
press more than one button simultaneously.  
3
4
Press RE-NAME using a ballpoint pen or  
similar object.  
RE-NAME  
Note  
If you do not complete each of the following steps within 30  
seconds, the renaming mode will be automatically canceled.  
In this case, press RE-NAME again.  
Press k/ nto select and enter a character.  
Pressing nchanges the character as follows: A to Z,  
1 to 9, 0, + (plus), – (hyphen), ; (semicolon), / (slash),  
and space.  
(Pressing kchanges the characters in reverse order.)  
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REMOTE CONTROL FEATURES  
Using the Macro feature  
The Macro feature makes it possible to perform a series of operations with the press of a single button. For example,  
when you want to play a CD, normally you would turn on the components, select the CD input, and press the play button  
to start playback. The Macro feature lets you perform all of these operations simply by pressing the CD macro button.  
The buttons listed as macro buttons below are factory set with macro programs. You can also program your own macros  
(see page 72).  
Press a macro button  
To automatically transmit these signals in order  
SYSTEM  
POWER  
CD  
CD  
(CD area)  
Macro buttons  
First  
Second  
Third  
STANDBY  
STANDBY  
—
—
SYSTEM  
POWER  
SYSTEM  
POWER  
POWER  
TV  
(*4)  
—
—
—
—
—
A
B
—
—
—
—
PHONO  
PHONO  
TUNER  
CD  
TUNER  
CD  
(*3)  
*
(CD area) ( 2)  
MULTI CH IN  
MULTI CH IN  
—
—
—
-
V
AUX  
-
V AUX  
CBL/SAT  
CBL/SAT  
MD/TAPE  
SYSTEM  
POWER  
MD/TAPE  
CD-R  
*
(MD/TAPE area) ( 2)  
*
( 1)  
CD-R  
DTV  
*
(CD-R area) ( 2)  
DTV  
—
VCR 1  
VCR 1  
*
(VCR 1 area) ( 2)  
DVR/VCR2  
DVR/VCR2  
DVD  
*
(DVR/VCR 2 area) ( 2)  
DVD  
*
(DVD area) ( 2)  
*1 You can turn on some components (including YAMAHA components) connected to this unit by connecting them to the AC  
OUTLET(S) on the rear panel of this unit. (Power control may not be synchronized with this unit depending on the component. For  
details, refer to the operating instructions for the connected component.)  
*2 Playback can be started for any YAMAHA remote control-compatible MD recorder, CD player, CD recorder, DVD player, or DVD  
recorder. When using macros to operate other components, you will need to program the play button on the control area of that  
component (see page 68) or set a remote control code (see page 66).  
*3 When TUNER is selected as the input source, this unit plays the last station received before the unit was set in the standby mode.  
*4 TV POWER will operate your TV without switching the input if the remote control code for your TV is set up in the DTV or PHONO  
area. If the remote control code for your TV is set up in both the DTV and PHONO areas, priority is given to signal in the DTV area.  
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REMOTE CONTROL FEATURES  
■ Macro operations  
■ Programming macro operations  
You can program your own macros and use the macro  
feature to transmit several remote control commands in  
sequence at the press of a button. Be sure to set up remote  
control codes or perform learning operations before  
programming the macro. We do not recommend  
programming continuous operations such as volume  
control in a macro.  
Macro buttons  
TRANSMIT  
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
FREQ/RDS  
REC  
EON  
MODE PTY SEEK START  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
DISC SKIP  
PHONO  
TUNER  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
-
V
AUX  
CBL/SAT  
MD/TAPE  
DTV  
VCR  
1
DVR/VCR2  
DVD  
Notes  
MACRO ON/OFF MACRO  
• The default macro is not cleared when a new macro is  
programmed for a button. The default macro can be used again  
when the programmed macro is cleared.  
• It is not possible to add a new signal (macro step) to the default  
macro. Programming a macro changes all macro contents.  
1
2
Set MACRO ON/OFF to ON.  
Press a macro button.  
1
Set AMP/SOURCE/TV to AMP or SOURCE.  
Notes  
AMP  
SOURCE  
TV  
• When you have finished using the Macro feature, set MACRO  
ON/OFF to OFF.  
• While the remote is carrying out a Macro program, it will not  
accept any other button’s function until the macro operation is  
complete (the transmission indicator stops flashing).  
• Continue to aim the remote control at the component the macro  
is operating until the macro operation is complete.  
2
Press MACRO using a ballpoint pen or  
similar object.  
“MCR ?” appears in the display window.  
MACRO  
Note  
If you do not complete each of the following steps within 30  
seconds, the macro programming mode will be  
automatically canceled. In this case, press MACRO again.  
3
Press the macro button you want to use to  
operate the macro.  
The macro button name (ex. “M:DVD”) and the  
selected component name (ex. “DVD”) appear  
alternately in the display window.  
A
B
INPUT MODE  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
CD  
-
V
AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
DTV  
DVR/VCR2  
DVD  
Note  
“AGAIN” appears in the display window if you press a  
button other than a macro button.  
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REMOTE CONTROL FEATURES  
Clearing function sets  
You can clear all changes made in each function set, such  
as learned functions, renamed source names and setup  
remote control codes.  
4
Press the buttons for the functions you want  
to include in the macro operation in  
sequence.  
You can set up to 10 steps (10 functions). After you  
have set 10 steps, “FULL” appears and the remote  
control automatically exits the macro mode.  
1
Set AMP/SOURCE/TV to AMP or SOURCE.  
AMP  
SOURCE  
TV  
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
MCR 2: AV POWER  
2
A
B
T MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
-
V
AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
2
Press CLEAR by using a ballpoint pen or  
similar object.  
DTV  
DVR/VCR2  
DVD  
MCR 1: DVD  
1
“CLEAR” appears in the display window.  
FREQ/RDS  
REC  
EON  
MODE PTY SEEK START  
CLEAR  
DISC SKIP  
3
MCR 3: h  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
Note  
If you do not complete each of the following steps within 30  
seconds, the clearing mode will be automatically canceled.  
In this case, press CLEAR again.  
Indicates the  
3
Press k/ nto select the clear mode.  
number of macro  
steps entered  
L:DVD (L: name of a component)  
Clears all learned functions in the respective  
component control area. Press an input selector  
button to select the component.  
L:AMP Clears all learned functions for this unit’s control  
area.  
Flashes alternately so you can  
set the next step  
L:ALL Clears all learned functions.  
M:ALL Clears all programmed macros  
RNAME Clears all renamed source names.  
FCTRY Clears all remote functions and returns the remote  
to the factory settings.  
Note  
• The macro operation may not work for a component  
which takes time to start up.  
• To change the selected source component, press SELECT k/  
n. Pressing the input selector buttons will program a macro  
step, whereas SELECT k/nonly changes the selected  
component and corresponding component control area.  
4
Press and hold CLEAR again for about 3  
seconds.  
“WAIT” appears in the display window. If clearing  
was successful, “C:OK” appears in the display  
window.  
5
Press MACRO again when the operation  
sequence you want to program is complete.  
CLEAR  
Note  
y
“ERROR” appears in the display window if you press a  
button not indicated in the respective step, or if you press  
more than one button simultaneously.  
Once you have cleared a learned function for a button, the  
button reverts to the factory setting (or to the manufacturer  
setting, if you have set remote control codes).  
Memory back-up  
Note  
If the remote control is without batteries for more than  
2 minutes, or if exhausted batteries remain in the  
remote control, the contents of the memory may be  
cleared. If the memory is cleared, insert new batteries,  
set up the remote control code(s) and program any  
acquired functions that may have been cleared.  
“L:ALL” and “FCTRY” may take about 30 seconds to  
complete.  
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REMOTE CONTROL FEATURES  
Clearing individual functions  
5
Press CLEAR to exit from the clearing mode.  
CLEAR  
■ Clearing a learned function  
You can clear the function learned for a certain button in  
each control area.  
Notes  
• “C:NG” appears in the display window if clearing was  
unsuccessful. In this case, start over from step 3.  
• “ERROR” appears in the display window if you press a button  
not indicated in the respective step, or if you press more than  
one button simultaneously.  
1
2
Set AMP/SOURCE/TV to SOURCE.  
AMP  
SOURCE  
TV  
Press an input selector button to select the  
source component containing the function  
you want to clear.  
The selected component name appears in the display  
window.  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
PHONO  
TUNER  
-
V
AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
DTV  
DVR/VCR2  
DVD  
3
Press LEARN using a ballpoint pen or similar  
object.  
“LEARN” and the selected component name (ex.  
“DVD”) appear alternately in the display window.  
LEARN  
Notes  
• Do not press and hold LEARN. If you hold it down for  
more than 3 seconds, the remote control enters the remote  
control code setting mode.  
• If you do not complete each of the following steps within  
30 seconds, the learning mode will be automatically  
canceled. In this case, press LEARN again.  
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REMOTE CONTROL FEATURES  
■ Clearing a macro function  
You can clear the function programmed for a certain  
macro button.  
4
Press and hold CLEAR using a ballpoint pen  
or similar object, then press the button you  
want to clear for about 3 seconds.  
“C:OK” appears in the display window if clearing  
was successful.  
1
Set AMP/SOURCE/TV to AMP or SOURCE.  
AMP  
SOURCE  
TV  
DTV  
VCR 1  
DVR/VCR2  
DVD  
REC  
DISC SKIP  
OFF ON  
MACRO LEARN CLEAR  
AME  
2
Press MACRO using a ballpoint pen or  
similar object.  
“MCR ?” appears in the display window.  
y
MACRO  
• If you continuously want to clear another function, repeat  
step 4.  
• Once you clear a learned function, the button reverts to the  
factory setting (or to the manufacturer setting if you have  
set remote control codes).  
Note  
If you do not complete each of the following steps within 30  
seconds, the macro programming mode will be  
automatically canceled. In this case, press MACRO again.  
5
6
Press CLEAR to exit the clearing mode.  
The remote control returns to the learning mode.  
3
Press and hold CLEAR using a ballpoint pen  
or similar object, then press the macro  
button you want to clear for about 3 seconds.  
“C:OK” appears in the display window if clearing  
was successful.  
Press LEARN again to exit.  
Notes  
• “C:NG” appears in the display window if clearing was  
unsuccessful. In this case, start over from step 4.  
• “ERROR” appears in the display window if you press a button  
not indicated in the respective step, or if you press more than  
one button simultaneously.  
DTV  
VCR 1  
DVR/VCR2  
DVD  
REC  
DISC SKIP  
OFF ON  
MACRO LEARN CLEAR  
AME  
y
• If you continuously want to clear another function, repeat  
step 3.  
• Once you clear a programmed function, the button reverts  
to the factory setting (or to the manufacturer setting if you  
have set remote control codes).  
4
5
Press CLEAR to exit the clearing mode.  
The remote control returns to the macro  
programming mode.  
Press MACRO again to exit.  
Notes  
• “C:NG” appears in the display window if clearing was  
unsuccessful. In this case, start over from step 3.  
• “ERROR” appears in the display window if you press a button  
not indicated in the respective step, or if you press more than  
one button simultaneously.  
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REMOTE CONTROL FEATURES  
Controlling each component  
SOURCE  
TV  
TV VOL  
CH  
VOL  
Once you set the appropriate remote control codes, you can use  
this remote to control your other components. Note that some  
buttons may not correctly operate the selected component. Use  
the input selector buttons to select the component you want to  
operate. The remote control automatically switches to the  
appropriate control mode for that component.  
TRANSMIT  
1
2
SYSTEM  
POWER  
POWER  
TV  
POWER  
STANDBY  
–
–
–
AV  
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
LEVEL  
TITLE  
SET MENU  
PURE DIRECT  
MENU  
PHONO  
TUNER  
NIGHT  
AUDIO  
-
ENTER  
V
AUX  
CBL/SAT  
MD/TAPE  
6
7
0
A
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
DTV  
VCR  
1
DVR/VCR2  
DVD  
EFFECT  
ROCK  
4
STEREO  
1
HALL  
2
JAZZ  
3
SELECT  
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
8
9
5
6
PRESET  
AMP  
SOURCE  
TV  
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+
TV VOL  
+
CH  
+
VOL  
+10  
B
FREQ/RDS  
EON  
MODE PTY SEEK START  
3
4
–
–
–
REC  
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
DISC SKIP  
LEVEL  
TITLE  
SET MENU  
MENU  
PURE DIRECT  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
5
NIGHT  
AUDIO  
ENTER  
TEST  
ON SCREEN  
STRAIGHT  
DVD player/  
DVD recorder  
Cable TV/  
Satellite tuner  
MD recorder/  
CD recorder  
VCR  
TV  
LD player  
*1  
CD player  
Tape deck  
Tuner  
*1  
*1  
*1  
*3  
*1  
*1  
*1  
*1  
Power  
Power  
Power  
Power  
VCR power  
Power  
TV power  
Power  
Power  
Power  
1
2
3
AV POWER  
TV POWER  
TV VOL +  
*2  
*2  
*2  
*1  
*2  
*2  
*2  
*2  
*2  
TV power  
TV power  
TV power  
TV power  
Power  
TV power  
TV power  
TV power  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
Volume +  
TV volume +  
TV volume –  
TV volume +  
TV volume +  
TV volume +  
TV volume –  
TV volume +  
TV volume –  
TV volume +  
TV volume –  
TV volume +  
TV volume –  
TV volume +  
*2  
*2  
*2  
*2  
TV VOL –  
CH +  
Volume –  
Channel +  
Channel –  
TV volume –  
Channel +  
TV volume –  
Channel +  
TV volume –  
PRESET +  
PRESET –  
*2  
*2  
*2  
*2  
TV channel +  
TV channel –  
TV channel +  
TV channel –  
TV channel +  
TV channel –  
TV channel +  
TV channel –  
TV channel +  
*2  
TV channel –  
*2  
*2  
*2  
*2  
CH –  
Channel –  
Channel –  
TV INPUT/  
A/B/C/D/E  
*2  
*2  
*2  
*2  
*2  
*2  
Input  
A/B/C/D/E  
TV input  
TV input  
TV input  
TV input  
TV input  
TV input  
Direction A/B  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
*2  
TV MUTE  
TITLE  
Mute  
Title  
TV mute  
TV mute  
TV mute  
TV mute  
TV mute  
TV mute  
TV mute  
TV mute  
Title  
Title  
Title  
4
5
6
Menu  
Menu  
Menu  
MENU  
Menu enter  
Menu select  
Menu select  
ENTER  
Menu up  
Menu up  
Menu up  
k
Menu down  
Menu left  
Menu right  
Menu down  
Menu left  
Menu right  
Menu down  
Menu left  
Menu right  
n
l
h
Return  
Return  
Return  
Return  
7
8
RETURN  
Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons Numeric buttons  
Preset stations (1-8)  
1-9, 0, +10  
*4  
VCR search  
backward  
VCR search  
backward  
Search  
backward  
Search  
backward  
Search  
backward  
Search  
backward  
Search  
backward  
Search  
backward  
9 ll  
*3  
*3  
VCR search  
backward  
VCR search  
backward  
*4  
*4  
*4  
Search forward Search forward  
Skip backward  
Search forward Search forward Search forward Search forward  
hh  
b
*3  
*3  
Chapter/Skip  
Skip backward Skip backward Direction back  
backward  
Chapter/Skip  
forward  
Direction  
forward  
Skip forward  
Skip forward  
Disc skip  
Skip forward  
Rec  
a
Disc skip (player)  
Rec  
REC/  
*3  
*3  
Rec  
VCR rec  
VCR rec  
DISC SKIP  
Rec (recorder)  
*3  
*3  
s
e
Stop  
Pause  
Play  
Stop  
Pause  
Play  
Stop  
Pause  
Play  
Stop  
Pause  
Play  
Stop  
Pause  
Play  
Stop  
Pause  
Play  
VCR stop  
VCR stop  
*3  
*3  
VCR pause  
VCR pause  
*3  
*3  
h
VCR play  
VCR play  
Audio  
Audio  
0
A
B
AUDIO  
DISPLAY  
ENTER  
Display  
Display  
Display  
Display  
Display  
Index  
Display  
Index  
Enter/  
numeric button  
Title/Index  
Enter  
Enter/recall  
Chapter/Time  
*1  
*2  
This button functions only when the original remote control of the component has a POWER button.  
These buttons can operate your TV without switching the input if the remote control code is set in DTV or PHONO. When the remote control  
code for your TV is set up in both the DTV and PHONO areas, priority is given to the signal in the DTV area.  
*3  
*4  
These buttons can operate your VCR without switching the input to VCR 1 if the remote control code is set in VCR 1.  
For U.S.A. and Canada models, button functions printed above these buttons are not available. They function as described in the table only.  
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ZONE 2/ZONE 3  
ZONE 2/ZONE 3  
This unit allows you to configure a multi-room audio system. The Zone 2 and Zone 3 features enable you to set this unit  
to reproduce separate input sources in the main room, second room (Zone 2) and third room (Zone 3). You can control  
this unit from the second or third room using the supplied remote control.  
Only analog signals are sent to the second and third rooms. Any source you want to listen to in the second or third  
room must be connected using the analog (AUDIO L/R) input jacks on this unit.  
Zone 2/Zone 3 connections  
You need the following additional equipment to use the multi-room functions of this unit:  
•
•
An infrared signal receiver in the second and/or third room.  
An infrared emitter in the main room. This emitter transmits the infrared signals from the remote control in the second  
and/or third room to the main room (to a CD player or DVD player, for example).  
An amplifier and speakers for the second and/or third room.  
•
y
• Since there are many possible ways to connect and use this unit in a multi-room configuration, we recommend that you consult with  
your nearest authorized YAMAHA dealer or service center for the Zone 2/Zone 3 connections that best meet your requirements.  
• Some YAMAHA models are able to connect directly to the CONTROL OUT jack on this unit. If you own these products, you may not  
need to use an infrared emitter. Up to six YAMAHA components can be connected as shown.  
OUT  
IN  
OUT  
IN  
CONTROL OUT  
This unit  
■ System configuration and connection example  
Using external amplifiers  
To use an external amplifier in Zone 2, set ZONE 2 AMP to “OFF” in SET MENU.  
ZONE 3 AUDIO OUT  
ZONE 2 AUDIO OUT  
SP OUT  
Amplifier  
Amplifier  
MONITOR OUT  
CD player  
(or other component)  
This unit  
SYSTEM  
Remote control  
Remote control  
MAIN  
ZONE 2  
ZONE 3  
AUDIO IN  
Infrared signal  
receiver  
Infrared signal  
receiver  
Infrared emitter  
Main room  
Second room  
Third room  
REMOTE OUT  
ZONE 2 REMOTE IN  
ZONE 3 REMOTE IN  
Notes  
• When not using the main room, turn down the volume of this unit in the main room. Adjust the Zone 2/Zone 3 volume by using the  
amplifier in the second/third room.  
• To avoid unexpected noise, DO NOT USE the Zone 2/Zone 3 feature with CDs encoded in DTS.  
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ZONE 2/ZONE 3  
Using this unit’s internal amplifier  
To use this unit’s internal amplifier, set ZONE 2 AMP to ON in SET MENU (see page 64).  
R
L
+
–
PRESENCE/ ZONE  
2
Second room  
This unit  
■ To control Zone 2/Zone 3  
Remote controlling Zone 2/Zone 3  
1
Press SELECT krepeatedly to display  
“ZONE 2” or “ZONE 3” in the display window.  
The supplied remote control can be used to control  
Zone 2/Zone 3. You can even select the input source and  
control components located in the main room directly  
from the second/third room regardless of the listening  
condition in the main room.  
SELECT  
■ To enable Zone mode on the remote  
control  
You will be able to switch the remote control mode from  
one room to another, and use the input selector,  
STANDBY, SYSTEM POWER, MUTE and VOLUME +/  
– to control the selected room.  
or  
1
2
Repeat steps 1 and 2 of the procedure in  
“Setting remote control codes” on page 66.  
2
3
Press SYSTEM POWER to turn Zone 2 or  
Zone 3 power on.  
Press l/ hto select “L:AMP”.  
Press an input selector button to select the  
input source you want to listen to in the  
second/third room.  
The display window shows “2: name of selected  
input” or “3: name of selected input” if the remote  
control is in the Zone 2/Zone 3 mode.  
A
B
INPUT MODE  
SLEEP  
MULTI CH IN  
CD-R  
3
Press ENTER.  
“2000” appears in the display window.  
PHONO  
TUNER  
CD  
-
V
AUX  
CBL/SAT  
VCR 1  
MD/TAPE  
DTV  
DVR/VCR2  
DVD  
4
5
Enter the code number “2001”.  
Press ENTER to set the number.  
“OK” appears in the display window if setting was  
successful.  
Note  
Signals input to V-AUX and PHONO jacks cannot be sent  
to Zone 2/Zone 3.  
6
Press LEARN to complete the Zone setup.  
The remote control will be able to operate this unit  
from Zone 2 or Zone 3.  
LEARN  
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ZONE 2/ZONE 3  
■ Turning this unit to either on or standby  
SYSTEM POWER and STANDBY work differently  
depending on the selected mode that appears on the  
display window.  
4
You can control the unit from Zone 2 or Zone  
3 by using the input selector, STANDBY,  
SYSTEM POWER, MUTE and VOLUME +/–  
buttons.  
•
When normal, Zone 2 or Zone 3 mode is selected, you  
can turn the main unit, Zone 2 or Zone 3 to on/standby  
individually.  
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
SELECT  
•
When System mode is selected, or when “AMP1” is  
selected as the amplifier library (L:AMP) code, you  
can turn the main unit, Zone 2 and Zone 3 to on/  
standby simultaneously.  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
AMP  
+
TV VOL  
+
CH  
+
VOL  
PHONO  
TUNER  
SOURCE  
TV  
*
-
–
–
–
V
AUX  
CBL/SAT  
MD/TAPE  
A
/
B
/
C
/
D
/
E
TV MUTE  
TV INPUT  
MUTE  
DTV  
VCR  
1
DVR/VCR2  
DVD  
LEVEL  
TITLE  
SET MENU  
MENU  
PURE DIRECT  
SYSTEM POWER/  
LCD display  
STANDBY  
*
VOLUME +/– can be used only when OUTPUT VOL is  
set to VAR. in SET MENU (see page 64).  
Turns the main unit  
Normal mode*  
Name of component  
on/standby  
“ZONE2” or “2:name  
of component”  
Turns Zone 2 to on/  
standby  
5
Press SELECT k/nto exit from the Zone 2/  
Zone 3 mode.  
Zone 2 mode  
Zone 3 mode  
“ZONE3” or “3:name  
of component”  
Turns Zone 3 to on/  
standby  
Notes  
Turns everything (the  
main unit, Zone 2,  
Zone 3) on/standby  
• The source in Zone 2 and the source available for recording are  
always the same.  
System mode “SYSTM”  
• “ZONE2” or “ZONE3” will appear in the display window only  
when kis pressed, and “SYSTM” only when nis pressed.  
*
“MAIN” appears for a few seconds when SYSTEM POWER  
or STANDBY is pressed.  
■ Special considerations for DTS software  
The DTS signal is a digital bitstream. If you attempt to  
send the DTS signal to the second/third room you will  
only hear digital noise (that may damage your speakers).  
Thus, the following considerations and adjustments need  
to be made when playing DTS encoded discs.  
For DVDs encoded with DTS  
Only 2 channel analog audio signals may be sent to the  
second/third room.  
Use the disc menu to set the DVD player’s mixed 2-  
channel left and right audio outputs to the PCM or Dolby  
Digital soundtrack.  
For CDs encoded in DTS  
To avoid unexpected noise, DO NOT USE the Zone 2/  
Zone 3 feature with CDs encoded in DTS.  
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EDITING SOUND FIELD PARAMETERS  
EDITING SOUND FIELD PARAMETERS  
What is a sound field?  
Changing parameter settings  
A significant factor that creates the rich, full tones of a live  
instrument are the multiple reflections from the walls of  
the room. In addition to making the sound “live”, these  
reflections enable us to tell where the player is situated,  
and the size and shape of the room in which we are sitting.  
You can enjoy good quality sound with the factory preset  
parameters. Although you do not have to change the initial  
settings, you can change some of the parameters to better  
suit the input source or your listening room.  
TV MUTE  
TV INPUT  
LEVEL  
TITLE  
SET MENU  
MENU  
PURE DIRECT  
SYSTEM  
POWER  
POWER  
TV  
POWER  
AV  
STANDBY  
4,5  
2
NIGHT  
AUDIO  
A
B
INPUT MODE  
CD  
SLEEP  
MULTI CH IN  
CD-R  
■ Elements of a sound field  
ENTER  
PHONO  
TUNER  
TEST  
RETURN  
ON SCREEN  
DISPLAY  
STRAIGHT  
In any environment, in addition to the direct sound coming  
straight to our ears from the player’s instrument, there are  
two distinct types of sound reflections that combine to  
make up the sound field:  
EFFECT  
ROCK  
4
-
V
AUX  
CBL/SAT  
MD/TAPE  
STEREO  
1
HALL  
2
JAZZ  
3
DTV  
VCR  
1
DVR/VCR2  
DVD  
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
3
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
SELECT  
FREQ/RDS  
EON  
MODE PTY SEEK START  
AMP  
SOURCE  
TV  
Early reflections  
REC  
+
TV VOL  
+
CH  
+
VOL  
DISC SKIP  
1
Reflected sounds reach our ears extremely rapidly (50 ms  
– 100 ms after the direct sound), after reflecting from one  
surface only — for example, from the ceiling or a wall.  
Early reflections help add clarity to the direct sound.  
OFF ON  
MACRO LEARN CLEAR  
RE–NAME  
–
–
–
A
/
B
/
C
/
D
/
E
1
2
3
Set AMP/SOURCE/TV to AMP.  
AMP  
SOURCE  
TV  
Reverberations  
These are caused by reflections from more than one  
surface — walls, ceiling, the back of the room — so  
numerous that they merge together to form a continuous  
sonic “afterglow”. They are non-directional, and lessen  
the clarity of the direct sound.  
Turn on the video monitor and press ON  
SCREEN repeatedly to select the full display  
mode.  
Direct sound, early reflections and subsequent  
reverberation taken together help us to determine the  
subjective size and shape of the room, and it is this  
information that the digital sound field processor  
reproduces in order to create sound fields.  
ON SCREEN  
DISPLAY  
If you could create the appropriate early reflections and  
subsequent reverberations in your listening room, you  
would be able to create your own listening environment.  
The acoustics in your room could be changed to those of a  
concert hall, a dance floor, or virtually any size room at  
all. This ability to create sound fields at will is exactly  
what YAMAHA has done with the digital sound field  
processor.  
Select the sound field program you want to  
adjust.  
STEREO  
1
HALL  
2
JAZZ  
3
ROCK  
4
ENTERTAIN MUSIC  
TV THTR  
7
MOVIE  
8
5
6
THX  
9
STANDARD  
0
EXTD. SUR  
ENT.  
+10  
Program No.  
Program name  
P04  
ROCK CONCERT  
DSP LEVEL;;;;0dB  
INIT.DLY;;;;15ms  
ROOM SIZE;;;;1.0  
LIVENESS;;;;;;;5  
REV.TIME;;;;1.6s  
REV.DELAY;;120ms  
Cursor  
>
Parameters  
Parameter values  
80  
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EDITING SOUND FIELD PARAMETERS  
4
5
Press k/ nto select the  
parameters.  
ENTER  
Press l/ hto change  
the parameter value.  
When you set a parameter to a  
value other than the factory  
preset, an asterisk mark (*)  
appears by the parameter name  
on the video monitor.  
ENTER  
6
Repeat steps 3 through 5 as necessary to  
change other program parameters.  
Notes  
• The available parameters may be displayed on more than one  
OSD page for some of the programs. To scroll through pages,  
press k/ n.  
• You cannot change parameter values when MEMORY GUARD  
is set to “ON”. If you want to change the parameter values, set  
MEMORY GUARD to “OFF” (see page 63).  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost even if this unit is set in the standby  
mode, the power cord is disconnected from the AC  
outlet, or the power supply is temporarily cut due to  
power failure. However, if the power is cut for more  
than one week, the parameter values will return to the  
factory settings. If this happens, edit the parameter  
value again.  
■ Resetting parameters to the factory  
values  
To reset a certain parameter  
Select the parameter you want to reset, then press l/ h  
repeatedly until the asterisk mark (*) next to the parameter  
name disappears from the video monitor.  
To reset all parameters  
Use PARAM.INI (see page 63).  
81  
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SOUND FIELD PARAMETER DESCRIPTIONS  
SOUND FIELD PARAMETER DESCRIPTIONS  
You can adjust the values of certain digital sound field parameters so the sound fields are recreated accurately in your  
listening room. Not all of the following parameters are found in every program.  
■ DSP LEVEL  
Function:  
This parameter adjusts the level of all the DSP effect sounds within a narrow range.  
Depending on the acoustics of you listening room, you may want to increase or decrease the DSP effect  
level relative to the level of the direct sound.  
Description:  
Control range: –6 dB – +3 dB  
■ INIT. DLY/P. INIT. DLY (Initial delay)  
Function:  
This parameter changes the apparent distance the sound source is from the reflection face by adjusting  
the delay between the direct sound and the first reflection heard by the listener.  
Description:  
The smaller the value, the closer the reflection face seems to the sound source. The larger the value, the  
farther it seems. For a small room, set to a small value. For a large room, set to a large value.  
Control range: 1 – 99 msec  
Source Sound  
Early  
Reflections  
Time  
Time  
Time  
INIT. DLY  
INIT. DLY  
INIT. DLY  
Sound Source  
Reflection Face  
Small value = 1 ms  
Large value = 99 ms  
■ ROOM SIZE/P. ROOM SIZE (Room size)  
Function:  
This parameter adjusts the apparent size of the surround sound field. The larger the value, the larger the  
surround sound field becomes.  
Description:  
As the sound is repeatedly reflected around a room, the larger the hall is, the longer the time between  
the original reflected sound and the subsequent reflections. By controlling the time between the  
reflected sounds, you can change the apparent size of the virtual venue. Changing this parameter from  
one to two, doubles the apparent length of the room.  
Control range: 0.1 – 2.0  
Source Sound  
Early  
Reflections  
Time  
Time  
Time  
Sound Source  
Large value = 2.0  
Small value = 0.1  
82  
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SOUND FIELD PARAMETER DESCRIPTIONS  
■ LIVENESS  
Function:  
This parameter adjusts the reflectivity of the virtual walls in the hall by changing the rate at which the  
early reflections decay.  
Description:  
The early reflections of a source sound decay much faster in a room with acoustically absorbent wall  
surfaces than in one which has highly reflective surfaces. A room with acoustically absorbent surfaces  
is referred to as “dead”, while a room with highly reflective surfaces is referred to as “live”. The  
LIVENESS parameter lets you adjust the early reflection decay rate, and thus the “liveness” of the  
room.  
Control range: 0 – 10  
Source Sound  
Live  
Dead  
Time  
Time  
Time  
Small Reflected  
Sound  
Large Reflected  
Sound  
Small value = 0  
Large value = 10  
■ S. INIT. DLY (Surround initial delay)  
Function:  
This parameter adjusts the delay between the direct sound and the first reflection on the surround side of  
the sound field. You can only adjust this parameter when at least two front channels and two surround  
channels are used.  
Control Range: 1 – 49 msec  
■ S. ROOM SIZE (Surround room size)  
Function:  
This parameter adjusts the apparent size of the surround sound field.  
Control Range: 0.1 – 2.0  
■ S. LIVENESS (Surround liveness)  
Function:  
This parameter adjusts the apparent reflectivity of the virtual walls in the surround sound field.  
Control Range: 0 – 10  
■ SB INI. DLY (Surround back initial delay)  
Function:  
This parameter adjusts the delay between the direct sound and the first reflection in the surround back  
sound field.  
Control Range: 1 – 49 msec  
■ SB ROOM SIZE (Surround back room size)  
Function:  
This parameter adjusts the apparent size of the surround back sound field.  
Control Range: 0.1 – 2.0  
■ SB LIVENESS (Surround back liveness)  
Function:  
This parameter adjusts the apparent reflectivity of the virtual wall in the surround back sound field.  
Control Range: 0 – 10  
83  
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SOUND FIELD PARAMETER DESCRIPTIONS  
■ REV.TIME (Reverberation time)  
Function:  
This parameter adjusts the amount of time it takes for the dense, subsequent reverberation sound to  
decay by 60 dB (at 1 kHz). This changes the apparent size of the acoustic environment over an  
extremely wide range.  
Description:  
The longer the reverberation time, the more “live” the listening room environment seems. The shorter  
the reverberation time, the more “dead” the listening room environment seems.  
Control Range: 1.0 – 5.0 sec  
Reverberation  
Source Sound  
Reverberation  
Early Reflections  
60 dB  
60 dB  
60 dB  
REV.TIME  
REV.TIME  
REV.TIME  
Sound Source  
Short  
Reverberation  
Long  
Reverberation  
Small value = 1.0 s  
Large value = 5.0 s  
■ REV.DELAY (Reverberation delay)  
Function:  
This parameter adjusts the time difference between the beginning of the direct sound and the beginning  
of the reverberation sound.  
Description:  
The larger the value, the later the reverberation sound begins. A later reverberation sound makes you  
feel like you are in a larger acoustic environment.  
Control Range: 0 – 250 msec  
Source Sound  
(dB)  
60 dB  
Reverberation  
Time  
REV.DELAY  
REV.TIME  
■ REV. LEVEL (Reverberation level)  
Function:  
Description:  
This parameter adjusts the volume of the reverberation sound.  
The larger the value, the stronger the reverberation becomes.  
Control Range: 0 – 100%  
Source Sound  
REV. LEVEL  
Time  
84  
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SOUND FIELD PARAMETER DESCRIPTIONS  
■ DIALG.LIFT (Dialog lift)  
Function:  
This parameter adjusts the height of the front and center channel sounds by assigning some of the front  
and center channel elements to the presence speakers.  
Description:  
Choices:  
The larger the parameter, the higher the position of the front and center channel sound.  
0/1/2/3/4/5, initial setting is 3.  
For 7ch Stereo  
Function:  
These parameters adjust the volume level for each channel in 7-channel stereo mode.  
Control Range: 0 – 100%  
■ CT LEVEL (Center level)  
■ SL LEVEL (Surround left level)  
■ SR LEVEL (Surround right level)  
■ SB LEVEL (Surround back level)  
■ PL LEVEL (Presence left level)  
■ PR LEVEL (Presence right level)  
For PRO LOGIC IIx Music and PRO LOGIC II Music  
■ PANORAMA  
Function:  
Choices:  
Extends the front stereo image to include the surround speakers for a wraparound effect.  
OFF/ON, initial setting is OFF.  
■ DIMENSION  
Function:  
Gradually adjusts the sound field either towards the front or towards the rear.  
Control range: –3 (towards the rear) to +3 (towards the front), initial setting is STD (standard).  
■ CENTER WIDTH  
Function:  
Adjusts the center image from all three front speakers to varying degrees. A larger value adjusts the  
center image towards the front left and right speakers.  
Control range: 0 (center channel sound is output only from center speaker) to 7 (center channel sound is output only  
from front left and right speakers), initial setting is 3.  
For PRO LOGIC IIx Music, Movie and Game  
■ PLII/PLIIx (Pro Logic II/Pro Logic IIx)  
Function:  
Switches the type of Pro Logic decoding to be used. PLII decoding creates 5.1-channel sound from 2-  
channel sources. PLIIx decoding creates 6.1/7.1-channel sound from 2-channel sources.  
PLII, PLIIx  
Choices:  
For DTS Neo:6 Music  
■ C. IMAGE (Center image)  
Function:  
This parameter adjusts the center image from all three front speakers to varying degrees.  
Control range: 0 – 1.0  
For THX Cinema  
■ DEC (2ch Decoder Select)  
Function:  
Choices:  
Selects the decoder used to playback 2-channel sources using THX Cinema.  
PRO LOGIC / PLII Movie / Neo:6 Cinema  
85  
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TROUBLESHOOTING  
TROUBLESHOOTING  
Refer to the chart below when this unit does not function properly. If the problem you are experiencing is not listed below  
or if the instruction below does not help, set this unit to the standby mode, disconnect the power cord, and contact the  
nearest authorized YAMAHA dealer or service center.  
■ General  
Referto  
page  
Problem  
Cause  
Remedy  
This unit fails to turn  
on when STANDBY/  
ON (or SYSTEM  
POWER) is pressed,  
or enters in the  
standby mode soon  
after the power has  
been turned on.  
The power cord is not connected or the  
plug is not completely inserted.  
Connect the power cord firmly.  
—
The impedance setting is incorrect.  
Set the impedance to match your speakers.  
25  
The protection circuitry has been  
activated.  
Make sure all speaker wire connections on this unit  
and on all speakers are secure and that the wire for  
each connection does not touch anything other than  
its respective connection.  
13–16  
This unit has been exposed to a strong  
external electric shock (such as lightning  
and strong static electricity).  
Set this unit in the standby mode, disconnect the  
power cord, plug it back in after 30 seconds, then use  
it normally.  
—
On-screen display  
does not appear.  
The setting for the on-screen display is set Select the full or short display mode.  
to “DISPLAY OFF”.  
50  
62  
GRAY BACK in the SET MENU is set to Set GRAY BACK to “AUTO” to always show the  
“OFF”, and no video signal is currently  
being received.  
OSD.  
No sound  
Incorrect input or output cable  
connections.  
Connect the cables properly. If the problem persists,  
the cables may be defective.  
18–21  
The optimizer microphone is connected.  
Disconnect the optimizer microphone.  
Set the input mode to “AUTO”.  
—
40  
The input mode is set to “DTS” or  
“ANALOG”.  
No appropriate input source has been  
selected.  
Select an appropriate input source with INPUT,  
MULTI CH INPUT or the input selector buttons.  
33  
Speaker connections are not secure.  
Secure the connections.  
13  
33  
The front speakers to be used have not  
been selected properly.  
Select the front speakers with SPEAKERS A and/or  
B.  
The volume is turned down.  
The sound is muted.  
Turn up the volume.  
—
35  
Press MUTE or any operation buttons of this unit to  
cancel a mute and adjust the volume.  
The input mode is set to “ANALOG”  
while playing a source encoded with a  
DTS signal.  
Set the input mode to “AUTO” or “DTS”.  
40  
—
63  
The signals this unit cannot reproduce are Play a source whose signals this unit can reproduce.  
being received from a source component  
e.g.: a CD-ROM.  
No picture  
The output and input for the picture are  
connected to different types of video  
jacks.  
Turn on the video conversion function.  
86  
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TROUBLESHOOTING  
Referto  
page  
Problem  
Cause  
Remedy  
The sound suddenly  
goes off.  
The protection circuitry has been activated Check that the impedance selector setting is correct.  
25  
—
because of a short circuit, etc.  
Check the speaker wires are not touching each other  
and then turn this unit back on.  
The sleep timer has turned the unit off.  
The sound is muted.  
Turn on the power, and play the source again.  
Press MUTE to cancel a mute.  
—
35  
13  
Only the speaker on  
one side can be  
heard.  
Incorrect cable connections.  
Connect the cables properly. If the problem persists,  
the cables may be defective.  
Incorrect balance settings in the SET  
MENU.  
Adjust the SPEAKER LEVEL settings.  
57  
Only the center  
speaker outputs  
substantial sound.  
When playing a monaural source with a  
CINEMA DSP program, the source signal  
is directed to the center channel, and the  
front and surround speakers output effect  
sounds.  
No sound from the  
effect speakers.  
The sound field programs are turned off.  
Press STRAIGHT/EFFECT to turn them on.  
Try another sound field program.  
39  
34  
You are using a source or program  
combination that does not output sound  
from all channels.  
No sound from the  
center speaker.  
The output level of the center speaker is  
set to minimum.  
Raise the level of the center speaker.  
57  
55  
34  
57  
56  
—
CENTER SP in the SET MENU is set to  
“NONE”.  
Select the appropriate setting for the center speaker.  
One of the HiFi DSP programs (except for Try another sound field program.  
7ch Stereo) has been selected.  
No sound from the  
surround speakers.  
The output level of the surround speakers  
is set to minimum.  
Raise the output level of the surround speakers.  
SURR L/R SP in the SET MENU is set to Select the appropriate setting for the surround left and  
“NONE”.  
right speakers.  
A monaural or stereo source is being  
played with STRAIGHT.  
Press STRAIGHT/EFFECT to turn on the sound  
fields.  
No sound from the  
surround back  
speakers.  
Presence speakers are selected.  
Select surround back speakers in PR/SBch SELECT.  
60  
56  
SURR L/R SP in the SET MENU is set to If the surround left and right speakers are set to  
“NONE”.  
“NONE”, surround back speakers are automatically  
set to “NONE”. Select the appropriate setting for the  
surround left and right speakers.  
SURR B L/R SP in the SET MENU is set Select “SMLx1”, “SMLx2”, “LRGx1” or “LRGx2”.  
to “NONE”.  
56  
56  
No sound from the  
subwoofer.  
LFE/BASS OUT in the SET MENU is set Select “SWFR” or “BOTH”.  
to “FRNT” when a Dolby Digital or DTS  
signal is being played.  
LFE/BASS OUT in the SET MENU is set Select “BOTH”.  
to “SWFR” or “FRNT” when a 2-channel  
source is being played.  
56  
The source does not contain low bass  
signals.  
87  
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TROUBLESHOOTING  
Referto  
page  
Problem  
Cause  
Remedy  
Dolby Digital or DTS  
sources cannot be  
played. (Dolby Digital  
or DTS indicator in  
the front panel  
The connected component is not set to  
output Dolby Digital or DTS digital  
signals.  
Make an appropriate setting following the operations  
instructions for your component.  
—
The input mode is set to “ANALOG”.  
Set the input mode to “AUTO” or “DTS”.  
40  
display does not light  
up.)  
A “humming” sound  
can be heard.  
Incorrect cable connections.  
Firmly connect the audio plugs. If the problem  
persists, the cables may be defective.  
—
21  
21  
No connection from the turntable to the  
GND terminal.  
Connect the grounding cord of your turnable to the  
GND terminal of this unit.  
The volume level is  
low while playing a  
record.  
The record is being played on a turntable  
with an MC cartridge.  
The turntable should be connected to this unit through  
an MC-head amplifier.  
The volume level  
cannot be increased,  
or the sound is  
distorted.  
The component connected to the OUT  
(REC) jacks of this unit is turned off.  
Turn on the power to the component.  
—
The sound effect  
cannot be recorded.  
It is not possible to record the sound effect  
with a recording component.  
A source cannot be  
recorded by a digital  
recording component  
connected to this  
DIGITAL OUTPUT  
jack.  
The source component is not connected to Connect the source component to the DIGITAL  
18–21  
this unit’s DIGITAL INPUT jacks.  
INPUT jacks.  
Some components cannot record Dolby  
Digital or DTS sources.  
A source cannot be  
recorded by an  
analog component  
connected to the  
AUDIO OUT jacks.  
The source component is not connected to Connect the source component to the analog AUDIO  
this unit’s analog AUDIO IN jacks. IN jacks.  
18–21  
63  
The sound field  
MEMORY GUARD in the SET MENU is Select “OFF”.  
parameters and some set to “ON”.  
other settings on this  
unit cannot be  
changed.  
This unit does not  
operate properly.  
The internal microcomputer has been  
Disconnect the AC power cord from the outlet and  
frozen by an external electric shock (such then plug it in again after about 30 seconds.  
as lightning or excessive static electricity)  
—
13  
or by a power supply with low voltage.  
“CHECK SP WIRES”  
appears in the front  
panel display.  
Speaker cables are short circuited.  
Make sure all speaker cables are connected correctly.  
88  
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TROUBLESHOOTING  
Referto  
page  
Problem  
Cause  
Remedy  
Move this unit further away from such equipment.  
There is noise  
This unit is too close to the digital or  
radio-frequency equipment.  
—
interference from  
digital or radio-  
frequency equipment,  
or this unit.  
The picture is  
disturbed.  
The video source uses scrambled or  
encoded signals to prevent dubbing.  
There is noise when  
the OSD is displayed. displaying OSD through component video  
The OSD may be disturbed when  
Select OFF in CMPNT OSD.  
63  
—
connections.  
This unit suddenly  
The internal temperature becomes too  
Wait for about 1 hour until this unit cools down and  
then turn it back on.  
turns into the standby high and the overheat protection circuitry  
mode.  
has been activated.  
■ Tuner  
Referto  
page  
Problem  
Cause  
Remedy  
FM stereo reception is  
noisy.  
The characteristics of FM stereo  
broadcasts may cause this problem  
when the transmitter is too far away  
or the antenna input is poor.  
Check the antenna connections.  
Try using a high-quality directional FM  
antenna.  
23  
Use the manual tuning method.  
41  
—
There is distortion, and  
clear reception cannot  
be obtained even with a  
good FM antenna.  
There is multipath interference.  
Adjust the antenna position to eliminate  
multipath interference.  
FM  
The desired station  
cannot be tuned in with  
the automatic tuning  
method.  
The signal is too weak.  
Use a high-quality directional FM antenna.  
Use the manual tuning method.  
23  
41  
Previously preset  
stations can no longer  
be tuned in.  
This unit has been disconnected for a  
long period.  
Preset the stations again.  
42  
—
The desired station  
cannot be tuned in with  
the automatic tuning  
method.  
The signal is weak or the antenna  
connections are loose.  
Tighten the AM loop antenna connections  
and orient it for best reception.  
Use the manual tuning method.  
41  
—
There are continuous  
crackling and hissing  
noises.  
Noises result from lightning,  
fluorescent lamps, motors,  
thermostats and other electrical  
equipment.  
Use an outdoor antenna and a ground wire.  
This will help somewhat, but it is difficult to  
eliminate all noise.  
AM  
There are buzzing and  
whining noises.  
A TV set is being used nearby.  
Move this unit away from the TV.  
—
89  
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TROUBLESHOOTING  
■ Remote control  
Referto  
page  
Problem  
Cause  
Remedy  
The remote control  
does not work nor  
function properly.  
Wrong distance or angle.  
The remote control will function within a maximum  
range of 6 m (20 ft) and no more than 30 degrees off-  
axis from the front panel.  
8
Direct sunlight or lighting (from an  
inverter type of fluorescent lamp, etc.) is  
striking the remote control sensor of this  
unit.  
Reposition this unit.  
—
The batteries are weak.  
Replace all batteries.  
3
AMP/SOURCE/TV is set incorrectly  
Set AMP/SOURCE/TV correctly.  
—
When operating this unit, set it to the AMP position.  
When operating the component selected by the input  
selector button, set it to the SOURCE position.  
When operating the TV set in the DTV or PHONO  
area, set it to the TV position.  
The remote control code was not correctly Set the remote control code correctly.  
set.  
66  
66  
68  
Try setting another code of the same manufacturer.  
Even if the remote control code is  
correctly set, there are some models that  
do not respond to the remote control.  
Program the necessary functions independently into  
the programmable buttons using the Learn feature.  
The remote control  
does not “learn” new  
functions.  
The batteries of this remote control and/or Replace the batteries.  
the other remote control are too weak.  
3
The distance between the two remote  
controls is too much or too little.  
Place the remote controls at the proper distance.  
68  
—
The signal coding or modulation of the  
other remote control is not compatible  
with this remote control.  
Learning is not possible.  
Memory capacity is full.  
Delete other unnecessary functions to make room for  
the new functions.  
73  
90  
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GLOSSARY  
GLOSSARY  
■ Dolby Surround  
Audio formats  
■ Dolby Digital  
Dolby Surround uses a 4 channel analog recording system  
to reproduce realistic and dynamic sound effects: 2 front  
left and right channels (stereo), a center channel for dialog  
(monaural), and a surround channel for special sound  
effects (monaural). The surround channel reproduces  
sound within a narrow frequency range.  
Dolby Digital is a digital surround sound system that gives  
you completely independent multi-channel audio. It  
provides 5 full-range audio channels; 3 front channels  
(left, center, and right), and 2 surround stereo channels.  
An additional channel especially for bass effects, called  
LFE (low frequency effect) is also provided giving the  
system a total of 5.1-channels (LFE is counted as a 0.1  
channel). By using 2-channel stereo for the surround  
speakers, more accurate moving sound effects and  
surround sound environment are possible than with Dolby  
Surround. The wide dynamic range (maximum to  
minimum volume) reproduced by the 5 full-range  
channels and the precise sound orientation generated  
using digital sound processing provide listeners with a  
previously unheard of excitement and realism.  
Dolby Surround is widely used with nearly all video tapes  
and laser discs, and in many TV and cable broadcasts as  
well. The Dolby Pro Logic decoder built into this unit  
employs a digital signal processing system that  
automatically stabilizes the volume on each channel to  
enhance moving sound effects and directionality.  
■ DTS 96/24  
DTS 96/24 offers an unprecedented level of audio quality  
for multi-channel sound on DVD-Video, and is fully  
backward-compatible with all DTS decoders. “96” refers  
to a 96 kHz sampling rate (compared to the typical 48 kHz  
sampling rate). “24” refers to 24-bit word length. DTS 96/  
24 offers sound quality transparent to the original 96/24  
master, and 96/24 5.1-channel sound with full-quality full-  
motion video for music programs and motion picture  
soundtracks on DVD-video.  
■ Dolby Digital EX  
Dolby Digital EX creates 6 full-bandwidth output  
channels from 5.1-channel sources. This is done by using  
a matrix decoder that derives 3 surround channels from  
the 2 in the original recording. For best results, Dolby  
Digital EX should be used with movie sound tracks  
recorded with Dolby Digital Surround EX. With this  
additional channel, you can experience more dynamic and  
realistic moving sound especially with scenes that have  
“flyover” and “fly-around” effects.  
■ DTS (Digital Theater Systems)  
Digital Surround  
DTS digital surround was developed to replace the analog  
soundtracks of movies with a 6-channel digital sound  
track, and is now rapidly gaining popularity in movie  
theaters around the world. Digital Theater Systems Inc.  
has developed a home theater system so that you can  
enjoy the depth of sound and natural spatial representation  
of DTS digital surround in your home. This system  
produces practically distortion-free 6-channel sound  
(technically, left, right and center channels, 2 surround  
channels, plus an LFE 0.1 channel as a subwoofer, for a  
total of 5.1-channels). This unit incorporates a DTS-ES  
decoder that enables 6.1- channel reproduction by adding  
a surround back channel to the existing 5.1-channel  
format.  
■ Dolby Pro Logic II  
Dolby Pro Logic II is an improved technique used to  
decode vast numbers of existing Dolby Surround  
software. This new technology enables a 5-channel  
playback with 2 front left and right channels, 1 center  
channel, and 2 surround left and right channels (instead of  
only 1 surround channel for conventional Pro Logic  
technology). Music and Game modes are also available  
for 2-channel sources in addition to the Movie mode.  
■ Dolby Pro Logic IIx  
Dolby Pro Logic IIx is a new technology enabling 6.1 or  
7.1 multi-channel playback from 2-channel or multi-  
channel sources. There is a Music mode for music, a  
Movie mode for movies and a Game mode for games.  
■ Neo:6  
Neo:6 decodes conventional 2-channel sources for 6  
channel playback by. It enables playback with the full-  
range channels with higher separation comparable to  
digital discrete signal playback. Two modes are available;  
“Music mode” for playing music sources and “Cinema  
mode” for movies.  
91  
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GLOSSARY  
■ PCM (Linear PCM)  
Sound field programs  
■ CINEMA DSP  
Linear PCM is a signal format under which an analog  
audio signal is digitized, recorded and transmitted without  
using any compression. This is used as a method of  
recording CDs and DVD audio. The PCM system uses a  
technique for sampling the size of the analog signal per  
very small unit of time. Standing for “pulse code  
modulation”, the analog signal is encoded as pulses and  
then modulated for recording.  
Since the Dolby Surround and DTS systems were  
originally designed for use in movie theaters, their effect  
is best felt in a theater having many speakers and designed  
for acoustic effects. Since home conditions, such as room  
size, wall material, number of speakers, and so on, can  
differ so widely, it’s inevitable that there are differences in  
the sound heard. Based on a wealth of actually measured  
data, YAMAHA CINEMA DSP uses YAMAHA original  
sound field technology to combine Dolby Pro Logic,  
Dolby Digital and DTS systems to provide the visual and  
audio experience of a movie theater in the listening room  
of your own home.  
■ SILENT CINEMA  
YAMAHA has developed a natural, realistic sound effect  
DSP algorithm for headphones.  
Parameters for headphones have been set for each sound  
field so that accurate representations of all the sound field  
programs can be enjoyed on headphones.  
■ Virtual CINEMA DSP  
YAMAHA has developed a Virtual CINEMA DSP  
algorithm that allows you to enjoy DSP sound field  
surround effects without any surround speakers by using  
virtual surround speakers.  
It is even possible to enjoy Virtual CINEMA DSP using a  
minimal two-speaker system that does not include a center  
speaker.  
92  
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GLOSSARY  
■ THX Cinema processing  
Audio information  
■ ITU-R  
ITU-R is the radio communication sector of the ITU  
(International Telecommunication Union). ITU-R  
recommends a standard speaker placement which is used  
in many critical listening rooms, such as mastering  
studios.  
THX is an exclusive set of standards and technologies  
established by the world-renowned film production  
company, Lucasfilm Ltd. THX grew from George Lucas’  
personal desire to make your experience of the film  
soundtrack, in both movie theatres and in your home  
theatre, as faithful as possible to what the director  
intended.  
Movie soundtracks are mixed in special movie theatres  
called dubbing stages and are designed to be played back  
in movie theatres with similar equipment and conditions.  
This same soundtrack is then transferred directly onto  
Laserdisc, VHS tape, DVD, etc., and is not changed for  
playback in a small home theatre environment.  
THX engineers developed patented technologies to  
accurately translate the sound from the movie theatre  
environment into the home, correcting the tonal and  
spatial errors that occur. On this product, when the THX  
indicator is on, THX features are automatically added in  
Cinema modes (e.g. THX Cinema, THX Surround EX).  
■ LFE 0.1 channel  
This channel is for the reproduction of low bass signals.  
The frequency range for this channel is 20 Hz to 120 Hz.  
This channel is counted as 0.1 because it only enforces a  
low frequency range compared to the full-range  
reproduced by the other 5/6 channels in Dolby Digital or  
DTS 5.1/6.1-channel systems.  
■ Sampling frequency and number of  
quantized bits  
When digitizing an analog audio signal, the number of  
times the signal is sampled per second is called the  
sampling frequency, while the degree of fineness when  
converting the sound level into a numeric value is called  
the number of quantized bits.  
The range of rates that can be played back is determined  
based on the sampling rate, while the dynamic range  
representing the sound level difference is determined by  
the number of quantized bits. In principle, the higher the  
sampling frequency, the wider the range of frequencies  
that can be played back, and the higher the number of  
quantized bits, the more finely the sound level can be  
reproduced.  
Adaptive decorrelation  
In a movie theatre, a large number of surround speakers  
help create an enveloping surround sound experience, but  
in a home theatre there are usually only two speakers. This  
can make the surround speakers sound like headphones  
that lack spaciousness and envelopment. The surround  
sounds will also collapse into the closest speaker as you  
move away from the middle seating position. Adaptive  
decorrelation slightly changes one surround channel's time  
and phase relationship with respect to the other surround  
channel. This expands the listening position and creates –  
with only two speakers – the same spacious surround  
experience as in a movie theatre.  
Re-equalization  
The tonal balance of a film soundtrack will be excessively  
bright and harsh when played back over audio equipment  
in the home because film soundtracks were designed to be  
played back in large movie theatres using very different  
professional equipment. Re-equalization restores the  
correct tonal balance for watching a movie soundtrack in a  
small home environment.  
Timbre matching  
The human ear changes our perception of sound  
depending on the direction from which it is coming. In a  
movie theatre, there is an array of surround speakers so  
that the surround information is all around you. In a home  
theatre, you use only two speakers located to the side of  
your head. The timbre matching feature filters the  
information going to the surround speakers so that they  
more closely match the tonal characteristics of the sound  
coming from the front speakers. This ensures seamless  
panning between the front and surround speakers.  
93  
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GLOSSARY  
■ THX Select  
Video signal information  
■ Component video signal  
Before any home theatre component can be THX Select  
certified, it must incorporate pass a rigorous series of  
quality and performance tests. Only then can a product  
feature the THX Select logo, which is your guarantee that  
the Home Theatre products you purchase will give you  
superb performance for many years to come. THX Select  
requirements cover every aspect of the product including  
power amplifier and pre-amplifier performance and  
operation, and hundreds of other parameters in both the  
digital and analog domain.  
With the component video signal system, the video signal  
is separated into the Y signal for the luminance and the PB  
and PR signals for the chrominance. Color can be  
reproduced more faithfully with this system because each  
of these signals is independent. The component signal is  
also called the “color difference signal” because the  
luminance signal is subtracted from the color signal.  
A monitor with component input jacks is required in order  
to use the component signal for output.  
■ THX Surround EX  
THX Surround EX - Dolby Digital Surround EX is a joint  
development of Dolby Laboratories and the THX Ltd.  
In a movie theater, film soundtracks that have been  
encoded with Dolby Digital Surround EX technology are  
able to reproduce an extra channel which has been added  
during the mixing of the program. This channel, called  
Surround Back, places sounds behind the listener in  
addition to the currently available front left, front center,  
front right, surround right, surround left and subwoofer  
channels. This additional channel provides the opportunity  
for more detailed imaging behind the listener and brings  
more depth, spacious ambience and sound localization  
than ever before.  
Movies that were created using the Dolby Digital  
Surround EX technology, when released into the home  
consumer market may exhibit wording to that effect on the  
packaging. A list of movies created using this technology  
can be found on the Dolby web site at www.dolby.com. A  
list of available DVD software titles encoded with this  
technology can be found at www.thx.com.  
■ Composite video signal  
With the composite video signal system, the video signal  
is composed of three basic elements of a video picture;  
color, brightness and synchronization data. A composite  
video jack on a video component transmits these three  
elements combined.  
■ S-video signal  
With the S-video signal system, the video signal normally  
transmitted using a pin cable is separated and transmitted  
as the Y signal for the luminance and the C signal for the  
chrominance through the S-video cable. Using the S  
VIDEO jack eliminates video signal transmission loss and  
allows recording and playback of even more beautiful  
images.  
Only receiver and controller products bearing the THX  
Surround EX logo, when in the THX Surround EX mode,  
faithfully reproduce this new technology in the home.  
This product may also engage the THX Surround EX  
mode during the playback of 5.1 channel material that is  
not Dolby Digital Surround EX encoded. In such cases the  
information delivered to the Surround Back channel will  
be program dependent and may or may not be pleasing  
depending on the particular soundtrack and the tastes of  
the individual listener.  
94  
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SPECIFICATIONS  
SPECIFICATIONS  
AUDIO SECTION  
• Minimum RMS Output Power for Front, Center, Surround,  
Surround back  
VIDEO SECTION  
• Video Signal Type ....................................................................NTSC  
• Signal to Noise Ratio .............................................................. 60 dB  
20 Hz to 20 kHz, 0.04% THD, 8 Ω ..................................... 120 W  
1 kHz, 0.7% THD, 8 Ω........................................................ 140 W  
• Frequency Response (MONITOR OUT)  
Composite, S-video................................... 5 Hz to 10 MHz, –3 dB  
Component ............................................... 5 Hz to 60 MHz, –3 dB  
• Dynamic Power (IHF)  
8/6/4/2 Ω .........................................................155/195/250/330 W  
• Damping Factor (IHF)  
FM SECTION  
• Tuning Range ..................................................... 87.5 to 107.9 MHz  
20 Hz to 20 kHz, 8 Ω................................................... 140 or more  
• Frequency Response  
• Usable Sensitivity (IHF) ....................................... 1.0 µV (11.2 dBf)  
CD to Front L/R ..................................... 10 Hz to 100 kHz, –3 dB  
• Signal to Noise Ratio (IHF)  
• Total Harmonic Distortion  
Mono/Stereo .............................................................. 76 dB/70 dB  
PHONO to REC OUT (20 Hz to 20 kHz, 1 V) .................. 0.02%  
CD, etc. to Front L/R (20 Hz to 20 kHz, 60 W, 8 Ω) .......... 0.04%  
• Harmonic Distortion (1 kHz)  
Mono/Stereo ................................................................ 0.2%/0.3%  
• Signal to Noise Ratio (IHF-A Network)  
• Stereo Separation (1 kHz) ....................................................... 42 dB  
• Frequency Response ........................... 20 Hz to 15 kHz +0.5, –2 dB  
PHONO (5 mV) to Front L/R................................................86 dB  
CD (250 mV) to Front L/R, Effect Off................................100 dB  
• Residual Noise (IHF-A Network)  
AM SECTION  
Front L/R ............................................................... 150 µV or less  
• Tuning Range ........................................................ 530 to 1710 kHz  
• Channel Separation (1 kHz/10 kHz)  
• Usable Sensitivity ............................................................. 300 µV/m  
PHONO (terminated) to Front L/R ........................... 60 dB/55 dB  
CD (5.1 kΩ terminated) to Front L/R ....................... 60 dB/45 dB  
GENERAL  
• Tone Control (Front L/R)  
• Power Supply ......................................................... AC 120 V/60 Hz  
BASS Boost/Cut ....................................................... ±6 dB/50 Hz  
BASS Turnover Frequency..................................................350 Hz  
TREBLE Boost/Cut ................................................ ±6 dB/20 kHz  
TREBLE Turnover Frequency........................................... 3.5 kHz  
• Power Consumption.................................................. 500 W/630 VA  
• Standby Power Consumption ...................................... 0.5 W or less  
• AC Outlets.................................... 2 (Total 100 W/0.8 A maximum)  
• Phones Output .......................................................... 150 mV/100 Ω  
• Dimensions (W x H x D) ................................. 435 x 171 x 424 mm  
(17-1/8” x 6-3/4” x 16-11/16”)  
• Input Sensitivity/Input Impedance  
PHONO .................................................................. 3.5 mV/47 kΩ  
CD, etc. ................................................................. 200 mV/47 kΩ  
MULTI CH INPUT ............................................... 200 mV/47 kΩ  
• Weight .................................................................. 15.0 kg (33.1 lbs)  
• Output Level/Output Impedance  
REC OUT ............................................................. 200 mV/1.2 kΩ  
PRE OUT ................................................................... 1.0 V/500 Ω  
SUBWOOFER ........................................................... 2.0 V/500 Ω  
ZONE 2 OUTPUT..................................................... 1.0 V/1.2 kΩ  
ZONE 3 OUTPUT..................................................... 1.0 V/1.2 kΩ  
95  
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LIST OF REMOTE CONTROL CODES  
PULSAR  
QUASAR  
REGAL  
RUNCO  
SAGEM  
SAMSUNG  
SCIENTIFIC ATLANTA  
0035, 0504, 0904,  
0027  
0027  
0300, 0306  
0027  
0844  
PROTON  
QED  
QUAD  
QUASAR  
RCA  
REALISTIC  
REVOX  
ROTEL  
SAE  
SANSUI  
SANYO  
SCOTT  
SEARS  
SHARP  
SIMAUDIO  
SONIC FRONTIERS 0184  
SONY 0027  
SYMPHONIC 0332  
TAG MCLAREN  
0184  
0184  
0184  
0056  
0059, 0206, 0332  
0206  
0184  
0184  
0184  
0184, 0332  
0206  
0332  
0332  
0064  
KOSS  
LG  
LIMIT  
0678  
0768  
0795  
AMPLIFIER  
AMSTRAD  
0105  
ARCAM  
0296  
0296  
0296  
0105  
0422  
0296  
MAGNAVOX 0530, 0702  
AUDIOLAB  
CARVER  
GE  
GENEXXA  
GRUNDIG  
MARANTZ  
MEMOREX  
MICO  
MICROSOFT 0549  
MINTEK 0744  
MITSUBISHI 0548  
MUSTEK  
NESA  
ONKYO  
ORITRON  
PALSONIC  
0566  
0858  
0750  
0027, 0171  
1904  
1033  
0030  
HARMAN/KARDON  
0919  
SONY  
STARCOM  
SUPERCABLE  
TS  
TELE+1  
TELEWEST  
TORX  
TOSHIBA  
TRANS PX  
UNITED CABLE  
ZENITH  
0757  
0744  
0530  
0678  
0699  
JVC  
LEFT COAST 0919  
LINN 0296  
MAGNAVOX 0296  
0358  
0303  
0030  
0470  
1095  
0030  
0027  
0303  
0184  
MARANTZ  
0296, 0919  
PANASONIC 0517, 0659, 1389  
PHILIPS  
MICROMEGA 0296  
0530, 0566, 0673,  
0881  
0552, 0598, 0658,  
0659  
MYRYAD  
OPTIMUS  
0296  
0422  
0030  
0184  
PIONEER  
PANASONIC 0335  
0027, 0552, 0926  
TANDY  
0059  
0056  
0184  
0184  
PHILIPS  
PIONEER  
0296, 0919  
0040  
TECHNICS  
THORENS  
THULE  
POLK AUDIO 0566  
PROSCAN  
QWESTAR  
RCA  
ROTEL  
SM ELECTRONIC 0757  
SAMSUNG  
SANYO  
SHARP  
SHERWOOD 0797  
SHINSONIC 0560  
SLIM ART  
SONY  
SYLVANIA  
TATUNG  
TEAC  
TECHNICS  
THETA DIGITAL  
THOMSON  
TOSHIBA  
URBAN CONCEPTS 0530  
XBOX  
YAMAHA  
0549  
0678  
0549, 0598, 0744  
0650  
CD PLAYER  
AIWA  
ARCAM  
AUDIO RESEARCH 0184  
AUDIO TON 0184  
AUDIOLAB  
AUDIOMECA 0184  
CAIRN 0184  
CALIFORNIA AUDIO LABS  
0056  
CARVER  
CYRUS  
DKK  
DMX ELECTRONICS  
0184  
POLK AUDIO 0296, 0919  
REALISTIC  
REVOX  
SONY  
0422  
0296  
0247  
0184  
0184  
UNIVERSUM 0184  
VICTOR  
WARDS  
YAMAHA  
0099  
0184  
2300, 2301  
SOUNDESIGN 0105  
0600  
0697  
0657  
TECHNICS  
THORENS  
VICTOR  
0335  
0296  
0358  
0184  
CD RECORDER  
KENWOOD  
MARANTZ  
PHILIPS  
WARDS  
YAMAHA  
0040, 0105  
0381  
0653  
0653  
0653  
2400  
0811  
0560, 0891  
0702  
0797  
0598, 0744  
0517  
0184, 0206  
0184  
0027  
YAMAHA  
CABLE  
ABC  
0030, 0035  
DVD PLAYER  
ACOUSTIC SOLUTIONS  
AMERICAST 0926  
BELL SOUTH 0926  
BIRMINGHAM CABLE  
COMMUNICATIONS  
0303  
BRITISH TELECOM 0030  
CABLE & WIRELESS  
1095  
DENON  
DYNAMIC BASS  
EMERSON  
FISHER  
GENEXXA  
0900  
0598  
0206  
0757  
0744  
0740  
0699, 0744,  
0782, 0821, 0823,  
0857, 1127  
0549  
0530  
0332  
0206  
0059, 0332  
ALBA  
AMSTRAD  
APEX DIGITAL  
0549  
GOODMANS 0332  
GRUNDIG 0184  
HARMAN/KARDON  
0184, 0200  
0059  
0517, 0566, 0572,  
2100, 2101, 2102  
0530, 0618, 0768  
0811  
DAERYUNG 0035, 0504, 0904,  
1904  
BLAUPINKT 0744  
BLUE PARADE  
BUSH  
CENTREX  
CLATRONIC 0815  
CYBERHOME 0741  
DVD2000  
DAEWOO  
DANSAI  
ZENITH  
ZEUS  
0598  
DIRECTOR  
FILMNET  
0503  
0470  
HITACHI  
JVC  
0740  
0699  
0099  
0055, 0064  
0184  
0332  
0184  
DVD RECORDER  
PANASONIC 2800, 2801, 2802  
PHILIPS  
PIONEER  
TOSHIBA  
YAMAHA  
GENERAL INSTRUMENT  
0030, 0303, 0503,  
0837,  
GOLDSTAR 0171  
KENWOOD  
KRELL  
LXI  
LINN  
MCS  
0548  
0811, 0797  
0797  
2808  
2804, 2805, 2806  
2803  
HAMLIN  
JERROLD  
0036, 0300  
0030, 0303, 0503,  
0056  
MAGNAVOX 0184, 0332  
DECCA  
0797  
2807  
0837  
0171  
0470  
0027  
MARANTZ  
MATSUI  
MEMOREX  
MERIDIAN  
0056, 0184  
0184  
0332  
DENON  
0517  
0795  
0699  
0618  
LG  
MNET  
MEMOREX  
DIAMOND  
DIGITREX  
EMERSON  
LD PLAYER  
0184  
CARVER  
0091  
MOTOROLA 0303, 0503, 0837,  
1133  
MICROMEGA 0184  
ENTERPRISE 0618  
DENON  
MARANTZ  
MITSUBISHI 0086  
NAD  
NAGSMI  
OPTIMUS  
PHILIPS  
PIONEER  
SALORA  
SONY  
0086  
0091  
MIRO  
0027  
FISHER  
GE  
GO VIDEO  
0697  
0549, 0744  
0742  
NTL  
NOOS  
ONO  
1095  
0844  
1095  
MISSION  
MYRYAD  
NAD  
0184  
0184  
0027  
0086  
0086  
0086  
0091  
0086  
0091  
0228  
GOLDSTAR 0768  
GRADIENTE 0678  
GREENHILL 0744  
PVP STEREO VISUAL MATRIX  
0030  
NSM  
0184  
NAIM  
0184  
PACE  
0264, 1087, 1095  
OPTIMUS  
0027, 0059, 0064,  
0206, 0332  
GRUNDIG  
HITACHI  
HITEKER  
JVC  
0566  
0600, 0691  
0699  
0585, 0650  
0744  
PANASONIC 0027, 0035, 0134  
PARAGON  
PHILIPS  
PIONEER  
0027  
PANASONIC 0056  
0332, 0344  
0171, 0560, 0904,  
1904  
PHILIPS  
0184  
TELEFUNKEN  
YAMAHA  
0086  
PIONEER  
0059, 0332  
KLH  
2200  
POLK AUDIO 0184  
KENWOOD  
0517, 0561  
i
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VENTURER  
VICTOR  
WARDS  
1417  
0101  
0041, 0185  
0203, 1203, 1358,  
2600, 2601  
MANHATTAN  
0482, 1044,  
PHILIPS  
PIONEER  
POLK AUDIO 0056  
RCA  
REVOX  
SANSUI  
SONY  
THORENS  
WARDS  
YAMAHA  
0056  
0054  
MD RECORDER  
1110  
0227  
0880  
0751  
0111  
KENWOOD  
ONKYO  
SHARP  
0708  
0895  
0888  
MARANTZ  
MEDIASAT  
MEMOREX  
METRONIC  
MITSUBISHI 0776  
MOTOROLA 0896  
MYRYAD  
NEXT LEVEL 0896  
NOKIA  
YAMAHA  
0054  
0056  
0056  
0270  
0056  
0054  
2700,2701  
SONY  
0517  
YAMAHA  
2500, 2501, 2502  
SATELLITE TUNER  
@SAT  
ABSAT  
ALBA  
ALPHASTAR 0799  
AMSTRAD  
ASTON  
ASTRO  
ATSAT  
AVALON  
BLAUPUNKT 0200  
BRITISH SKY BROADCASTING  
0874, 1202  
CANAL DIGITAL  
CANAL SATELLITE 0880  
CANAL+ 0880  
CHAPARRAL 0243  
CITYCOM  
CONNEXIONS  
CROSSDIGITAL  
1327  
0150  
0482  
0227  
RECEIVER (TUNER)  
ADC  
0558  
0482, 0750, 0778,  
1154, 1250, 1750  
1032  
AIWA  
0185, 1116, 1415,  
1432, 1668  
1417  
TV  
AGB  
AOC  
0874  
0169, 1156  
0200  
1327  
0423  
OCTALTV  
ORBITECH  
PACE  
ALCO  
1127  
0543  
ANAM  
1636  
0482, 0874, 1202,  
1350  
0036, 0057, 0087,  
0119, 0120, 0135,  
0205, 0207, 0478  
0131  
0036  
0036  
0119, 0135, 0680  
0120, 0190, 0490  
0788  
APEX DIGITAL  
AUDIOLAB  
AUDIOTRONIC  
1284  
1216  
PANASONIC 0274, 0728, 0874,  
1347  
PANDA  
PAYSAT  
PHILIPS  
1216  
ASA  
AWA  
AUDIOVOX 1417  
BOSE 1256  
CAMBRIDGE SOUNDWORKS  
1397  
0482  
0751  
ACURA  
ADDISON  
ADMIRAL  
ADVENT  
AIKO  
0880  
0160, 0227, 0482,  
0749, 0751, 0776,  
0880, 1103, 1169,  
1776  
CAPETRONIC 0558  
CARVER  
CENTREX  
DENON  
1116, 1216  
1284  
1387  
0119  
1203  
PIONEER  
PROMAX  
PROSCAN  
RCA  
0880  
0482  
AKAI  
0036, 0057, 0235,  
0388, 0543, 0729,  
0839  
0291  
0036, 0064, 0398,  
0695  
0423  
1136  
FERGUSON 0558  
0419, 0593  
0170, 0419, 0593,  
0882  
FINE ARTS  
GRUNDIG  
1216  
1216  
CYRUS  
D-BOX  
DMT  
0227  
0750, 1154  
1102  
AKURA  
ALBA  
HARMAN/KARDON  
0137, 1331  
RFT  
0227  
DNT  
0227, 0423  
RADIOSHACK  
RADIOLA  
RADIX  
0896  
AMERICA ACTION 0207  
AMPRO  
AMSTRAD  
INTEGRA  
JBL  
JVC  
0162, 1325  
0137, 1333  
0101, 0558, 1401,  
1522  
DAERYUNG 0423  
0227  
0423  
0778  
DAEWOO  
DIGENIUS  
DIRECTV  
1323  
0326  
0274, 0419, 0593,  
0666, 0751, 0776,  
0846, 1103, 1136,  
1169, 1776, 1883  
0036, 0064, 0198,  
0398, 0439, 0460,  
0543  
SKY  
0874, 0883, 1202  
SM ELECTRONIC 1227  
SABRE  
SAGEM  
SAMSUNG  
KLH  
KENWOOD  
MCS  
1417, 1439  
1054, 1340  
0066  
0482  
ANAM  
0036, 0207, 0277  
0847, 1141, 1280  
1044, 1136, 1303,  
1319  
ANAM NATIONAL 0277, 0677  
ANITECH 0036  
APEX DIGITAL  
0794  
MAGNAVOX 0558, 1116, 1216,  
1296,  
DISH NETWORK SYSTEM  
0802, 1032  
0775, 0792,  
SAT CONTROL  
1327  
MARANTZ  
0066, 1116, 1216,  
1316  
DISHPRO  
0802, 1032  
SATSTATION 1110  
SCHWAIGER 1138  
AUDIOSONIC 0064, 0136  
BANG & OLUFSEN 0592  
DISTRATEL 0111  
DREAM MULTIMEDIA  
1264  
ECHOSTAR 0194, 0423, 0637,  
0802, 0880, 0898,  
1032, 1113  
ENGEL  
EXPRESSVU 0802  
FTE  
FINLUX  
FRACARRO 0898  
FUBA  
GE  
GOI  
GALAXIS  
GENERAL INSTRUMENT  
0896  
GOLD BOX  
GRUNDIG  
HTS  
MICROMEGA 1216  
MUSICMAGIC  
MYRYAD  
NAD  
NORCENT  
ONKYO  
OPTIMUS  
PANASONIC 0066, 1315, 1545,  
1790  
SEEMANN  
SIEMENS  
SONY  
STAR CHOICE  
STRONG  
TPS  
0423  
0200  
0666, 0874, 1666  
0896  
1327  
BASIC  
0036  
1116  
BAUR  
BAYSONIC  
0064, 0388, 0539  
0207  
1216  
0347  
1416  
0162, 0869, 1325  
0558, 1050  
BEAUMARK 0205  
BEKO 0397, 0513, 0741,  
0742  
BELL & HOWELL 0181  
BEON 0064  
BLAUPUNKT 0222  
1044  
0847, 1280  
0482  
TANTEC  
0890  
0482  
TECHNISAT 1126, 1127  
TELESTAR  
THOMSON  
1127  
0482, 0880, 1073,  
1318  
PHILIPS  
1116, 1216, 1293,  
1295, 1296, 1310,  
1316  
0041, 0558, 1050,  
1411  
BLUE SKY  
0695, 1064  
0423  
0593  
0802  
0890, 1138  
BONDSTEC 0274  
BRADFORD 0207  
TOPFIELD  
TOSHIBA  
ULTIMATETV  
UNIDEN  
1233  
PIONEER  
0776, 0817, 1776  
0419, 0666  
0749, 0751  
BRANDT  
0136, 0362  
BROKSONIC 0263, 0490  
POLK AUDIO 1316  
BUSH  
0036, 0064, 0398,  
PROSCAN  
QUASAR  
RCA  
1281  
0066  
0558, 1050, 1281,  
1417, 1636,  
0558  
UNIVERSUM 0200  
0401, 0695, 1064  
0880  
0200, 0874  
0802  
0200, 0423  
0482, 0846  
VENTANA  
WISI  
XSAT  
0227  
0200, 0423, 0482  
0150  
CCE  
CGE  
CTC  
CXC  
0064  
0274  
0274  
0207  
0057  
SABA  
SANSUI  
HIRSCHMANN  
HITACHI  
ZEHNDER  
ZENITH  
1102  
0883, 1883  
1116  
CANDLE  
SCHNEIDER 0558  
SONY 0185, 1085, 1185,  
1685, 1785  
STEREOPHONICS 1050  
HUGHES NETWORK SYSTEM  
0776, 1169, 1776  
CARNIVALE 0057  
CARVER  
CASCADE  
CATHAY  
0081, 0197  
0036  
0064  
TAPE DECK  
HUMAX  
INVIDEO  
JVC  
0890, 1203  
0898  
0802  
AIWA  
0056  
SUNFIRE  
TEAC  
1340  
1417  
CARVER  
GRUNDIG  
0056  
0056  
CELEBRITY 0027  
CELERA 0792  
CENTURION 0064  
CHANGHONG 0792  
KATHREIN  
0150, 0200, 0227,  
0276, 0685, 1248  
TECHNICS  
0066, 1335, 1336,  
HARMAN/KARDON  
0056  
MAGNAVOX 0056  
1545  
0558  
1281  
1216  
0558  
KREISELMEYER  
0200  
TELEFUNKEN  
THOMSON  
THORENS  
UHER  
LABGEAR  
LOGIX  
1323  
1044  
CHING TAI  
CHUN YUN  
0036, 0119  
0027, 0036, 0119,  
0207  
MARANTZ  
MYRYAD  
OPTIMUS  
0056  
0056  
0054  
LORENZEN 0326  
MAGNAVOX 0749, 0751  
CHUNG HSIN 0080, 0135, 0207  
ii  
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CIMLINE  
CINERAL  
CITIZEN  
CLARION  
CLARIVOX  
0036  
GOLDSTAR 0057, 0064, 0136,  
0181, 0205, 0404  
GOODMANS 0064, 0398, 0401,  
0661  
M ELECTRONIC  
0036, 0064,  
PENNEY  
0057, 0074, 0078,  
0087, 0183, 0205,  
1374  
0119, 0478  
0057, 0087, 0119  
0207  
0131, 0132, 0136,  
0190, 0314, 0373,  
0401, 0507  
PERDIO  
PHILCO  
0347  
0064  
GOREMJE  
0397  
MGA  
MTC  
MAGNADYNE  
0057, 0177, 0205  
0057, 0087, 0539  
0274, 0543  
0057, 0064, 0081,  
0172, 0205, 0207,  
0274, 0490, 1688  
0027, 0057, 0064,  
0078, 0081, 0119,  
0135, 0205, 0401,  
0583, 0717, 1481  
0064  
CLATRONIC 0274, 0397  
GRADIENTE 0080, 0197  
CONDOR  
CONRAC  
CONTEC  
CRAIG  
CROSLEY  
CROWN  
0347, 0397  
0835  
0036, 0207  
0207  
0081  
0036, 0064, 0207,  
0397, 0445  
GRAETZ  
GRANADA  
0190, 0388  
0064, 0235, 0366,  
0543  
MAGNAFON 0543  
MAGNAVOX 0057, 0081, 1281,  
1481  
PHILIPS  
GRANDIN  
GRUNDIG  
0637  
0064, 0222, 0514,  
0583, 0614  
0207  
MANESTH  
MARANTZ  
0291, 0347  
0057, 0064, 0081,  
0583  
PHONOLA  
PILOT  
PIONEER  
GRUNPY  
HCM  
0057  
CURTIS MATHES 0057, 0074,  
0081, 0087, 0120,  
0172, 0181, 0193,  
0478, 0729, 1174,  
1374  
0036, 0439  
MARK  
0064  
0136, 0190, 0193,  
0314, 0706, 0787,  
0893  
HALLMARK 0205  
MATSUI  
0036, 0064, 0235,  
0398, 0514, 0543  
0277, 0677  
HANKOOK  
0057, 0205, 0207  
HANSEATIC 0064, 0347, 0388,  
0455, 0583  
HANTAREX 0543  
HARMAN/KARDON 0081  
MATSUSHITA  
PORTLAND 0119  
PRANDONI-PRINCE  
0543  
PRIMA  
PRISM  
PROFEX  
PROSCAN  
PROTECH  
MEDIATOR 0064  
DAEWOO  
0036, 0057, 0064,  
0119, 0135, 0181,  
0197, 0205, 0207,  
0401, 0478, 0650,  
0661, 1688  
0064  
MEDION  
0695, 0835, 1064  
MEGATRON 0172, 0205  
0788  
0078  
HARVARD  
HAVERMY  
HELLO KITTY  
HINARI  
0207  
0120  
MEMOREX  
0036, 0177, 0181,  
0205, 0277, 0490,  
0036, 0388  
0074  
0036, 0064, 0274,  
0291, 0445, 0695  
0036, 0057, 0205  
0044  
0078, 0277, 0677  
0064, 0131, 0388,  
0539  
0478  
1064  
0474  
0835  
DANSAI  
DAYTON  
DE GRAAF  
DECCA  
DENON  
DIGATRON  
DIXI  
DUMONT  
DWIN  
ECE  
ELBE  
ELECTROBAND  
ELIN  
ELITE  
ELTA  
EMERSON  
0036, 0064  
0482  
METZ  
MICROMAXX  
0036  
HISAWA  
0235, 0575  
0064, 0543  
0172  
0064  
0036, 0064  
0044  
0747, 0801  
0064  
0286  
HITACHI  
0036, 0057, 0119,  
0132, 0136, 0172,  
0190, 0205, 0252,  
0383, 0508, 0575,  
0605, 1172, 1283  
0036  
MICROSTAR 0835  
PROTON  
PULSAR  
QUASAR  
QUELLE  
MIDLAND  
MINERVA  
MINOKA  
0044, 0074, 0078  
0514  
0439  
MITSUBISHI 0057, 0120, 0135,  
0177, 0181, 0205,  
HUA TUN  
HUANYU  
HYPSON  
ICE  
R-LINE  
RCA  
0064  
0401  
0207, 0263, 0277,  
0539, 0863, 1277  
0027, 0057, 0074,  
0117, 0119, 0205,  
0706, 1074, 1174,  
1274, 1374, 1474,  
1481, 1574  
0455  
0057, 0074,  
0181, 0205, 0207  
0064  
0543  
0057, 0181, 0205,  
0207  
0388  
0741  
0064, 0291  
0291, 0398  
0398  
MIVAR  
0318,0319, 0543,  
0636  
0027  
ITS  
0064, 0575  
0347  
0036  
0181, 0205, 0207,  
0263, 0388, 0490,  
0650  
0057,0840  
0860  
ITT  
0190, 0388, 0575  
0274, 0397, 0445  
0064  
0081  
0190  
0543  
0064  
0044  
MOTOROLA 0120  
MULTITECH 0036, 0207  
IMPERIAL  
INDIANA  
INFINITY  
INGELEN  
INNO HIT  
INNOVA  
INTEQ  
RFT  
RADIOSHACK  
MYRYAD  
NAD  
0583  
0183, 0205, 0388,  
0893  
RADIOLA  
RADIOMARELLI  
REALISTIC  
NEC  
0036, 0057, 0078,  
0181, 0183, 0197,  
0205, 0482, 0524,  
1731  
ENVISION  
EPSON  
ERRES  
ETHER  
ETRON  
EUROPHON 0543  
FERGUSON 0064, 0100, 0136,  
0265, 0314, 0362,  
0064  
0036, 0057  
0036  
INTERFUNK 0064, 0190, 0274,  
0388, 0539  
REDIFFUSION  
REOC  
REVOX  
REX  
ROADSTAR 0036, 0291, 0445  
RUNCO  
NEI  
0064  
INTERVISION  
0064, 0291,  
NTC  
0119  
0064  
0190, 0286, 0291  
0404  
0081  
0027  
0080, 0398, 0490,  
0680, 0710  
0036, 0078, 0119,  
0183, 0263  
0788  
NECKERMANN  
NETSAT  
NEWAVE  
0064, 0583  
JBL  
JCB  
JVC  
0064  
0036, 0119, 0120,  
0205  
0044, 0057, 0524,  
0630  
0064  
0291, 0695  
0543  
0064  
0207  
0136, 0190, 0314,  
0362  
0265  
0637  
0587  
0388  
FIDELITY  
FINLANDIA 0235, 0373  
FINLUX  
NIKKAI  
NIKKO  
NOKIA  
0064, 0291  
0057, 0119, 0205  
0388, 0500, 0507,  
0575, 0658  
0775, 0851  
0136, 0314,  
0587  
SBR  
SEG  
SEI  
SKY  
SSS  
JEAN  
0064, 0131, 0132,  
0373, 0543  
0036, 0263  
0036, 0274, 0695  
0131, 0181, 0235,  
0397  
0482  
0064, 0347  
0120  
JENSEN  
KEC  
FIRSTAR  
FIRSTLINE  
FISHER  
0207  
NORCENT  
NORDMENDE  
KTV  
KAISUI  
0057, 0207  
0036  
SABA  
KAPSCH  
KARCHER  
KATHREIN  
KENDO  
KENWOOD  
KNEISSEL  
KOLIN  
0190  
0637  
0583  
0064  
OCEANIC  
ONWA  
OPTIMUS  
0190, 0388  
0207, 0460  
0181, 0193, 0277,  
0677  
SACCS  
FLINT  
FORMENTI  
FORTRESS  
FRONTECH 0190, 0274, 0291  
FUJITSU  
FUNAI  
SAGEM  
SAISHO  
SALORA  
0036, 0291, 0543  
0190, 0380, 0388,  
0575  
0057  
OPTONICA  
ORION  
0120  
0710, 0836  
0207, 0198, 0291  
0207  
0057, 0074, 0078,  
0119, 0205, 0207,  
0478, 0587, 1174,  
1374, 1481  
0064, 0543  
1782, 1783  
0036  
0286, 0462  
0080, 0135, 0207  
0064  
0064, 0263, 0347,  
0490, 0543  
0291, 0439  
SAMBERS  
SAMPO  
0543  
0036, 0057, 0119,  
0120, 0181, 0198,  
0205, 0677, 1782  
0036, 0057, 0064,  
0087, 0117, 0119,  
0181, 0205, 0291,  
0397, 0583, 0614,  
0645, 0729, 0793,  
0839, 0841  
0478  
FUTURETECH  
GE  
KORPEL  
KOYODA  
OSAKI  
0036  
OTTO VERSAND  
0539, 0583  
PALLADIUM 0397, 0445  
PANAMA 0291  
PANASONIC 0064, 0078, 0081,  
0190, 0277, 0677,  
1437  
0064, 0347,  
L&S ELECTRONIC 0835  
SAMSUNG  
LG  
0057, 0064, 0087,  
0135, 0205, 0741  
0074, 0081, 0181,  
0183, 0205  
GEC  
LXI  
GATEWAY  
GELOSO  
GENEXXA  
LEYCO  
0064, 0291  
0190  
LIESENK & TTER 0064  
PATHE CINEMA  
PAUSA 0036  
0265, 0347  
SANSEI  
SANSUI  
GIBRALTER 0044, 0057  
LOEWE  
LUXOR  
0539  
0383, 0388  
0490  
iii  
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SANYO  
0131, 0181, 0207,  
0235, 0366, 0826  
THORN  
0064, 0131, 0388,  
0539  
0087, 0181, 0183,  
0535, 0645, 0677,  
0859, 1283, 1383,  
1683, 1731  
0543  
0036, 0057, 0119  
0347  
CIMLINE  
CINERAL  
CITIZEN  
COLT  
COMBITECH 0379  
CRAIG  
0099  
0305  
0064, 0305, 1305  
0099  
JVC  
JENSEN  
KEC  
0068, 0072, 0094  
0068  
0064, 0305  
0099  
SCHAUB LORENZ 0388  
SCHNEIDER 0064, 0274, 0398,  
0695  
SCOTCH  
SCOTT  
SEARS  
TOSHIBA  
KLH  
KAISUI  
KENWOOD  
KODAK  
KOLIN  
KORPEL  
LG  
0099  
0205  
0064, 0074, 0099,  
0267  
0099, 0305  
0068, 0094  
0062, 0064  
0068, 0070  
0099  
0064, 0069, 0072,  
0507  
0064  
0305  
0099  
0027  
0205, 0207, 0263  
0074, 0081, 0181,  
0183, 0198, 0205  
0190, 0286  
0207  
TRIUMPH  
TUNTEX  
UHER  
CROWN  
CURTIS MATHES 0062, 0068,  
0087, 1062  
CYBERNEX 0267  
CYRUS  
SELECO  
SEMIVOX  
SEMP  
SHARP  
SHEN YING 0036, 0119  
SHENG CHIA 0036, 0120, 0263  
SIAREM  
SIEMENS  
SINUDYNE  
SKANTIC  
SKYGIANT  
UNIVERSUM 0064, 0131, 0132,  
0291, 0373, 0397,  
0183  
0057, 0120, 0677  
0519  
VECTOR RESEARCH  
0057  
VESTEL  
VICTOR  
0108  
LXI  
DAEWOO  
0072, 0131, 0305,  
0669, 1305  
0099  
0069  
0027, 0108  
0069  
LENCO  
LEYCO  
LLOYD’S  
LOEWE  
LOGIK  
LUXOR  
0064  
0080, 0277, 0677,  
0680  
0274  
0081  
0205  
DANSAI  
DE GRAAF  
DECCA  
DENON  
DUAL  
0543  
0064, 0222  
0543  
0383  
0207  
0064, 0108, 1589  
0099, 0267  
0070, 0075, 0131  
VIDEOSAT  
VIDIKRON  
VIDTECH  
0068  
0027, 0108, 0131  
M ELECTRONIC  
MEI  
0027  
DUMONT  
0062  
SKYWORTH 0064  
VIEWSONIC 1782  
DYNATECH 0027  
MGA  
0070, 0267  
SOLAVOX  
SONITRON  
SONOKO  
SONOLOR  
SONTEC  
SONY  
0190  
0235  
VISION  
0347  
0190  
0383  
0057, 0081, 0205,  
0893  
ESC  
ELCATECH  
ELECTROHOME  
ELECTROPHONIC 0064  
EMEREX  
EMERSON  
0267, 0305  
0099  
MGN TECHNOLOGY  
0267  
VOXSON  
WALTHAM  
WARDS  
0036, 0064  
0190, 0235  
0064  
0027, 0677, 0861,  
1127, 1532, 1678  
0205, 0207  
0064, 0445  
0078, 0087, 0119,  
0183, 0205  
0198  
0064  
MTC  
MAGNASONIC  
0027, 0267  
1305  
0059  
MAGNAVOX 0027, 0062, 0066,  
0108, 1808  
WATSON  
WAYCON  
WHITE WESTINGHOUSE  
0064, 0347, 0490,  
0064, 0347  
0183  
0027, 0062, 0064,  
0070, 0072, 0211,  
0267, 0305, 1305,  
1506  
MAGNIN  
0267  
SOUNDESIGN  
SOUNDWAVE  
SOWA  
MANESTH  
MARANTZ  
MARTA  
0072, 0099  
0062, 0108  
0064  
0650  
FERGUSON 0068, 0347  
FIDELITY 0027  
FINLANDIA 0108, 0131  
YAMAHA  
0057, 0796, 0860,  
2900, 2901, 2902  
0277  
0064, 0291  
0044, 0119, 0205,  
0490  
MATSUI  
MATSUSHITA  
MEDION  
0375, 0379  
0062  
0375  
SQUAREVIEW  
STANDARD 0036  
STARLITE  
STERN  
SUPREME  
SYLVANIA  
YAPSHE  
YOKO  
ZENITH  
FINLUX  
0027, 0069, 0108,  
0131  
0207  
0190, 0286  
0027  
MEMOREX  
0027, 0062, 0064,  
0066, 0074, 0075,  
0131, 0267, 0334,  
0375, 1264  
0099  
FIRSTLINE  
0064, 0070, 0072,  
0099  
0074, 0131  
0060, 0062  
0027, 0072  
0027  
0062, 0087, 0267,  
0834, 1062, 1087  
0108  
0057, 0081, 0198  
FISHER  
FUJI  
FUJITSU  
FUNAI  
GE  
SYMPHONIC 0198, 0207  
SYNCO  
MEMPHIS  
METZ  
MINOLTA  
VCR  
ASA  
ADMIRAL  
ADVENTURA 0027  
AIKO  
AIWA  
0027, 0087, 0119,  
0120, 0205, 0478  
0064  
0474  
0835  
0205  
0044  
0490  
0036, 0119, 0205  
0036  
0120, 0190  
0119, 0677  
0036, 0064, 0078,  
0081, 0087, 0181,  
0183, 0543  
0036, 0064, 0291,  
0439, 0445, 0482,  
0695, 1064  
0274  
0064, 0374, 1589  
0069  
0064, 0108  
0075  
SYSLINE  
T + A  
TCM  
TMK  
TNCI  
MITSUBISHI 0068, 0070, 0094,  
0108, 0834  
MOTOROLA 0062, 0075  
MULTITECH 0027, 0099  
0305  
GEC  
0027, 0064, 0334,  
0375, 0379  
0068, 0342  
0099  
0099, 0305, 0342,  
0379  
GARRARD  
GENERAL  
GO VIDEO  
GOLDHAND 0099  
GOLDSTAR 0064, 0252, 0507,  
1264  
GOODMANS 0027, 0064, 0099,  
0305  
GRADIENTE 0027  
0027  
0072  
0459  
MURPHY  
MYRYAD  
NAD  
0027  
0108  
0131  
TVS  
AKAI  
AKIBA  
ALBA  
TACICO  
TAI YI  
TANDY  
TASHIKO  
TATUNG  
NEC  
0062, 0064, 0068,  
0075, 0094, 0131  
0253  
AMERICA ACTION 0305  
AMERICAN HIGH 0062  
AMSTRAD  
ANAM  
NATIONAL  
NECKERMANN  
NESCO  
0108  
0027  
0064, 0253, 0267,  
0305, 0507  
0099  
GRAETZ  
0068, 0131, 0267  
0108, 0131  
0027, 0064, 0099  
0099, 0108, 0253,  
0374  
NEWAVE  
NIKKO  
0064  
0064  
TEAC  
TEC  
TECHNEMA 0347  
TECHNICS  
GRANADA  
GRANDIN  
GRUNDIG  
ANAM NATIONAL 0253, 1589  
ANITECH  
ASHA  
ASUKA  
AUDIOVOX 0064, 0305  
NOBLEX  
0267  
0099  
0267  
0064  
NOKIA  
0068, 0131, 0267  
0068, 0347  
0027, 0068  
0342, 0375  
0062, 0253  
0064, 0075, 0131,  
0459  
NORDMENDE  
OCEANIC  
OKANO  
OLYMPUS  
OPTIMUS  
HCM  
HI-Q  
0099  
0074  
0078, 0277, 0677  
TECHWOOD 0078  
TECO  
BAIRD  
0027, 0068, 0131  
HANSEATIC 0064  
HARLEY DAVIDSON  
0027  
HARMAN/KARDON 0108  
HARWOOD  
HINARI  
0036, 0078, 0119,  
0120, 0205, 0291,  
0680  
0081, 0087, 0119,  
0177, 0207  
0136, 0289,  
0362, 0652, 0729  
0347  
0036  
0347  
0057  
0136, 0314, 0587,  
0652, 1474  
BASIC LINE 0099, 0305  
BEAUMARK 0267  
BELL & HOWELL 0131  
BLAUPUNKT 0253  
BRANDT  
BRANDT ELECTRONIC  
0068  
BROKSONIC 0211, 0375, 1506  
BUSH  
CCE  
ORION  
OSAKI  
0211, 0375, 0379,  
1506  
0027, 0064, 0099  
TEKNIKA  
0099  
0347  
0099, 0267, 0379  
0027, 0064, 0068,  
0069, 0267  
TELEFUNKEN  
HITACHI  
OTTO VERSAND  
0108  
PALLADIUM 0064, 0068, 0099  
PANASONIC 0062, 0252, 0253,  
0643, 1062, 1589  
TELEMEISTER  
TELETECH  
TENSAI  
TERA  
THOMSON  
HUGHES NETWORK SYSTEMS  
0069  
HYPSON  
ITT  
ITV  
IMPERIAL  
0099, 0305, 0379  
0099, 0305  
0027  
0064  
0062  
0099  
PATHE MARCONI 0068  
CGE  
0068, 0131, 0267  
0064, 0305  
0027  
PENNEY  
0062, 0064, 0069,  
0267, 1062, 1264  
0069  
CALIX  
CANON  
CARVER  
PENTAX  
PERDIO  
0108  
INTERFUNK 0108  
0027  
iv  
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PHILCO  
PHILIPS  
0062  
SONY  
0027, 0059, 0060,  
0062, 0663, 1259  
0375  
0062, 0108, 0645,  
1108, 1208  
0108  
0064  
0069, 0094, 0108  
SUNKAI  
SUNSTAR  
SUNTRONIC 0027  
SYLVANIA 0027, 0062, 0108,  
0070, 1808  
SYMPHONIC 0027  
PHONOLA  
PILOT  
PIONEER  
POLK AUDIO 0108  
PROFITRONIC  
0027  
0267  
PROLINE  
PROSCAN  
PROTEC  
PULSAR  
PYE  
QUASAR  
QUELLE  
RCA  
0027  
0087, 1087  
0099  
0066  
0108  
0062, 1062  
0108  
0062, 0069, 0087,  
0267, 0834, 1062,  
1087  
TMK  
0267  
TANDY  
TASHIKO  
TATUNG  
0027, 0131  
0027, 0064  
0027, 0068, 0072,  
0094, 0108  
0027, 0068, 0305,  
0334, 0669  
0062, 0253  
0062, 0064, 0068,  
0075  
TEAC  
TECHNICS  
TECO  
RADIOSHACK  
RADIOLA  
RADIX  
RANDEX  
REALISTIC  
0027  
TEKNIKA  
TELEAVIA  
TELEFUNKEN  
TENOSAL  
TENSAI  
0027, 0062, 0064  
0068  
0068, 0347  
0099  
0027  
0027  
0068, 0087, 0094,  
0347  
0068, 0131  
0645, 0663  
0068, 0070, 0072,  
0094, 0108, 0872  
0108  
0064  
0064  
0027, 0062, 0064,  
0074, 0075, 0131  
0375  
0641, 0643  
0068  
THOMAS  
THOMSON  
REOC  
REPLAYTV  
REX  
ROADSTAR 0064, 0099, 0267,  
0305  
RUNCO  
SBR  
THORN  
TIVO  
TOSHIBA  
0066  
0108  
TOTEVISION 0064, 0267  
SEG  
SEI  
0267  
0108  
UHER  
UNITECH  
0267  
0267  
STS  
SABA  
0069  
0068, 0347  
0070  
0064, 0075  
0072, 0267, 0459  
0066, 0075  
0027, 0068, 0094,  
1506  
UNIVERSUM 0027, 0064, 0108,  
0267  
SALORA  
SAMPO  
SAMSUNG  
SANKY  
SANSUI  
VECTOR  
VICTOR  
0072  
0068, 0094  
VIDEO CONCEPTS 0072  
VIDEOMAGIC  
0064  
VIDEOSONIC 0267  
VILLAIN  
WARDS  
0027  
SANYO  
SAVILLE  
SCHAUB LORENZ 0027,0068,  
0131  
SCHNEIDER 0027, 0099, 0108  
0074, 0131, 0267  
0379  
0027, 0062, 0069,  
0074, 0075, 0087,  
0099, 0108, 0267  
WHITE WESTINGHOUSE  
0099  
SCOTT  
SEARS  
0070, 0072, 0211  
0027, 0062, 0064,  
0069, 0074, 0131,  
1264  
0068  
0072  
0075, 0834  
0099, 0131  
0064, 0108, 0131  
0064  
XR-1000  
YAMAHA  
YAMISHI  
YOKAN  
YOKO  
0027, 0062, 0099  
0068  
0099  
0099  
0267  
0027, 0060, 0066,  
1506  
SELECO  
SEMP  
SHARP  
SHINTOM  
SIEMENS  
SILVA  
ZENITH  
SINGER  
SINUDYNE  
0072, 0099  
0108  
SONIC BLUE 0641, 0643  
SONTEC 0064  
© 2005  
All rights reserved.  
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.  
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA  
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, GERMANY  
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE  
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD18 7GQ, ENGLAND  
YAMAHA SCANDINAVIA A.B. J A WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN  
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA  
Printed in Malaysia  
WE64820  
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