-
R 965
Audio/Video Receiver
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SAFETY INSTRUCTION
1. Read Instructions - All the safety and operating instructions should
be read before the product is operated.
2. Retain instructions - The safety and operating instructions should
be retained for future reference.
3. Heed Warnings - All warnings on the product and in the operating
instructions should be adhered to.
4. Follow Instructions - All operating and use instructions should be
followed.
5. Cleaning - Unplug this product from the wall outlet before cleaning.
Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for
cleaning.
grounding conductors, location of antenna-discharge unit,
connection to grounding electrodes, and requirements for the
grounding electrode. See Figure 1.
Figure 1
Example of antenna grounding as per
National Electrical Code, ANSI/NFPA 70
ANTENNA
LEAD IN
WIRE
GROUND
CLAMP
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810-20)
6. Attachments - Do not use attachments not recommended by the
product manufacturer as they may cause hazards.
7. Water and Moisture - Do not use this product near water - for
example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in
a wet basement, or near a swimming pool; and the like.
8. Accessories - Do not place this product on an unstable cart, stand,
tripod, bracket, or table. The product may fall, causing serious injury
to a child or adult, and serious damage to the product. Use only with
a cart, stand, tripod, bracket, or table recommended by the
manufacturer, or sold with the product. Any mounting of the product
should follow the manufacturer’s instructions, and should use a
mounting accessory recommended by the manufacturer.
9. A product and cart combination should be
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
NEC - NATIONAL ELECTRICAL CODE
15. Lightning - For added protection for this product during a lightning
storm, or when it is left unattended and unused for long periods of
time, unplug it from the wall outlet and disconnect the antenna or
cable system. This will prevent damage to the product due to
lightning and power-line surges.
moved with care. Quick stops, excessive
force, and uneven surfaces may cause the
product and cart combination to overturn.
10. Ventilation - Slots and openings in the
cabinet are provided for ventilation and to
ensure reliable operation of the product and
to protect it from overheating, and these
openings must not be blocked or covered.
The openings should never be blocked by placing the product on a
bed, sofa, rug, or other similar surface. This product should not be
placed in a built-in installation such as a bookcase or rack unless
proper ventilation is provided or the manufacturer’s instructions
have been adhered to.
16. Power Lines - An outside antenna system should not be located in
the vicinity of overhead power lines or other electric light or power
circuits, or where it can fall into such power lines or circuits. When
installing an outside antenna system, extreme care should be taken
to keep from touching such power lines or circuits as contact with
them might be fatal.
17. Overloading - Do not overload wall outlets, extension cords, or
integral convenience receptacles as this can result in a risk of fire
or electric shock.
18. Object and Liquid Entry - Never push objects of any kind into this
product through openings as they may touch dangerous voltage
points or short-out parts that could result in a fire or electric shock.
Never spill liquid of any kind on the product.
PORTABLE CART WARNING
11. Power Sources - This product should be operated only from the
type of power source indicated on the marking label. If you are not
sure of the type of power supply to your home, consult your product
dealer or local power company. For products intended to operate
from battery power, or other sources, refer to the operating
instructions.
19. Servicing - Do not attempt to service this product yourself as
opening or removing covers may expose you to dangerous voltage
or other hazards. Refer all servicing to qualified service personnel.
20. Damage Requiring Service - Unplug this product form the wall
outlet and refer servicing to qualified service personnel under the
following conditions:
12. Grounding or Polarization - This product may be equipped with a
polarized alternating-current line plug (a plug having one blade
wider than the other). This plug will fit into the power outlet only one
way. This is a safety feature. If you are unable to insert the plug
fully into the outlet, try reversing the plug. If the plug should still fail
to fit, contact your electrician to replace your obsolete outlet. Do not
defeat the safety purpose of the polarized plug.
a) When the power-supply cord or plug is damaged,
b) If liquid has been spilled, or objects have fallen into the product,
c) If the product has been exposed to rain or water,
d) If the product does not operate normally by following the
operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper adjustment
of other controls may result in damage and will often require
extensive work by a qualified technician to restore the product to
its normal operation.
e) If the product has been dropped or damaged in any way, and
f) When the product exhibits a distinct change in performance - this
indicates a need for service.
Alternate Warnings - This product is equipped with a three-wire
grounding-type plug, a plug having a third(grounding) pin. This plug
will only fit into a grounding-type power outlet. this is a safety
feature. If you are unable to insert the plug into the outlet, contact
your electrician to replace your obsolete outlet. Do not defeat the
safety purpose of the grounding-type plug.
21. Replacement Parts - When replacement parts are required, be
sure the service technician has used replacement parts specified
by the manufacturer or have the same characteristics as the
original part. Unauthorized substitutions may result in fire, electric
shock, or other hazards.
22. Safety Check - Upon completion of any service or repairs to this
product, ask the service technician to perform safety checks to
determine that the product is in proper operating condition.
23. Wall or Ceiling Mounting - The product should be mounted to a
wall or ceiling only as recommended by the manufacturer.
24. Heat - The product should be situated away from heat sources
such as radiators, heat registers, stoves, or other products
(including amplifiers) that produce heat.
13. Power-Cord Protection - Power-supply cords should be routed so
that they are not likely to be walked on or pinched by items placed
upon or against them, paying particular attention to cords at plugs,
convenience receptacles, and the point where they exit from the
product.
14. Outdoor Antenna Grounding - If an outside antenna or cable
system is connected to the product, be sure the antenna or cable
system is grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides information with
regard to proper grounding of the mast and supporting structure,
grounding of the lead-in wire to an antenna discharge unit, size of
3
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CONTENTS
• Introduction
READ THIS BEFORE OPERATING YOUR UNIT
|
2
SAFETY INSTRUCTION
|
3
• System Connections | 5
• Front Panel Controls | 15
• Universal Remote Controls | 17
OPERATING COMPONENTS WITH REMOTE CONTROL | 20
REMOTE CONTROL OPERATION RANGE | 20
LOADING BATTERIES | 20
ENTERING A SETUP CODE | 21
• ROOM 2 Remote Controls
REMOTE CONTROL OPERATION RANGE | 23
LOADING BATTERIES | 23
• Operations
LISTENING TO A PROGRAM SOURCE | 24
SURROUND SOUND | 27
ENJOYING SURROUND SOUND | 30
LISTENING TO RADIO BROADCASTS | 35
RECORDING | 38
DIGITAL AUDIO RECORDING WITH MD RECORDER | 39
OTHER FUNCTIONS
|
40
ROOM 2 SOURCE PLAYBACK
|
42
• Using the OSD
CURRENT STATUS DISPLAY | 43
• OSD Menu Settings | 43
SETTING THE POWER AMP ASSIGN | 45
SETTING THE SPEAKER SETUP | 45
SETTING THE SYSTEM SETUP | 53
SETTING THE SURROUND SETUP | 60
SETTING THE CH LEVEL SETUP | 63
SETTING THE ROOM2 FEED SETUP | 66
• Troubleshooting Guide | 68
• Specifications | 69
4
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System Connections
• Pleas be certain that this unit is unplugged from the AC outlet before making any connections.
• Since different components often have different terminal names, carefully read the operating instructions of the component
connected.
• Be sure to observe the color coding when connecting audio, video and speaker cords.
• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the unit.
3
12
8
1
14
9
10 11
4,12
7
7
SER. NO
6
5
4
2
3
5
13
1. CONNECTING ANTENNAS
FM Outdoor Antenna
FM Indoor Antenna
• Change the position of the FM indoor antenna until you
get the best reception of your favorite FM stations.
• A 75Ω outdoor FM antenna may be used to fur-
ther improve the reception. Disconnect the indoor
antenna before replacing it with the outdoor one.
AM Outdoor Antenna
AM Loop Antenna
AM Loop Antenna
• Place the AM loop antenna as far as possible
from the receiver, TV set, speaker cords and
the AC input cord and set it to a direction for
the best reception.
• If the reception is poor with the AM loop anten-
na, an AM outdoor antenna can be used in
place of the AM loop antenna.
5
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2. CONNECTING AUDIO COMPONENTS
Note:
• Do not connect the turntable with MC type cartridge directly. If you have it, use a separate head amplifier or set-up
transformer.
AUX CD recorder, MD recorder, etc.
L
AUDIO
IN
TAPE MONITOR Tape deck, MD recorder, etc.
R
L
AUDIO
OUT
L
AUDIO
IN
R
R
L
AUDIO
OUT
R
CD CD player, etc.
L
AUDIO
OUT
PHONO Turntable with MM type cartridge
R
GND
GND
L
AUDIO
OUT
R
• The TAPE MONITOR IN/OUT jacks may also be connected to the LINE OUT/IN jacks of an optional graphic equalizer.
3. CONNECTING VIDEO COMPONENTS
• There are three types of video jacks (COMPONENT, S-VIDEO, COMPOSITE) for connecting video components.
Connect them to the corresponding video jacks according to their capability.
• For your reference, the excellence in picture quality is as follows : “COMPONENT” >“S-VIDEO”>“COMPOSITE” .
• When making COMPONENT VIDEO connections, connect “Y” to “Y”, “CB” to “CB”(or “B-Y”, “PB”) and “CR” to “CR”(or “R-Y”,
“PR” ).
• When connecting to video recording component such as video deck, DVD recorder, etc . or TV for ROOM 2, you must use
the same type of video jacks that you did connect to video playback components such as DVD player, LD player, etc.
• This unit is equipped with a function that up-converts composite video or S-Video signals to component video signals or down-
converts S-Video signals to composite video signals and outputs them from the MONITOR OUTs. Because of this, one of
three types of MONITOR OUT jacks can be connected to the monitor TV regardless of how the video components are
connected to VIDEO IN jacks of this unit.
• Connect the video components, referring to the following table.
Relationship between the video input signal and video output signal
Video input signals
S-VIDEO
MONITOR OUTs
S-VIDEO
VIDEO 2 / ROOM 2 OUTs
COMPONENT
COMPOSITE
COMPONENT
Composite
S-Video
COMPOSITE
Composite
S-Video
S-VIDEO
COMPOSITE
Composite
Composite
S-Video
S-Video
S-Video
S-Video
S-Video
Composite
Composite
Composite
Composite
Component
Component
Component
Component
Composite
S-Video
Composite
S-Video
S-Video
S-Video
S-Video
Composite
Notes :
• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a
movie via MONITOR COMPONENT OUTs, if the OSD menu operation is performed with the OSD, CURSOR control(
), ENTER buttons, etc., the picture is automatically turned off and only the OSD menu is displayed.
,
,
,
• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is
performed, the OSD menu cannot be displayed via MONITOR COMPOSITE OUT.
• When sherwood DVD player such as V-768, etc. is connected to the DIGI-LINK jack for system control, you should connect
the DVD player to the “ VIDEO 2” jacks of this unit.
Because, if the PLAY button, etc. is pressed on the DVD player, the VIDEO 2 is automatically selected as an input source on
this unit. Then playback, etc. starts.
6
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VIDEO 1 Video deck, DVD recorder, etc.
VIDEO 2 DVD player, DVD recorder, etc.
Y
C
C
COMPONENT
OUT
Y
C
C
COMPONENT
OUT
B
R
B
R
AUDIO
OUT
AUDIO
IN
(COMPOSITE)
VIDEO
OUT IN
S-VIDEO
OUT IN
AUDIO
OUT
AUDIO
IN
(COMPOSITE)
VIDEO
S-VIDEO
OUT IN
R
L
R
L
R
L
R
L
OUT
IN
• The jacks of VIDEO 1 / VIDEO 2 may also be connected to a DVD recorder or other digital video recording
component. For details , refer to the operating instructions of the component to be connected.
• For ROOM 2 playback, the VIDEO 2 / ROOM 2 OUT jacks can be connected to the amplifier, TV , etc. installed in
another room. (For details , refer to “ROOM 2 connections” on page 12.)
VIDEO 3 DVD player, LD player, Video deck, etc.
MONITOR TV, Projector, etc.
Y
C
C
COMPONENT
OUT
Y
C
C
COMPONENT
IN
B
R
B
R
AUDIO
OUT
(COMPOSITE)
VIDEO
OUT
S-VIDEO
OUT
(COMPOSITE)
VIDEO
IN
S-VIDEO
IN
R
L
• The jacks of VIDEO 3 / VIDEO 4 / VIDEO 5 can also be connected to an additional video component such as a
cable TV tuner, an LD player or satellite system .
• Connect the jacks of VIDEO 4 / VIDEO 5 to the video components in the same way.
Component video input default settings : (*)
• If you connect the COMPONENT VIDEO INs to your video components, it is easier to do so following the default
settings.
• If your component video connections are different from the default setting , you should assign the COMPONENT
VIDEO INs you used with the “When selecting the COMPONENT VIDEO SETUP” procedure on page 56.
• The default settings are as follows :
COMPONENT IN 1 : VIDEO 1, COMPONENT IN 2 : VIDEO 2, COMPONENT IN 3 : VIDEO 3
7
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4. CONNECTING DIGITAL INs and OUTs
• The OPTICAL and the COAXIAL DIGITAL OUTs of the
components that are connected to CD, AUX and VIDEO
1~ VIDEO 6 of this unit can be connected to these
DIGITAL INs.
• A digital input should be connected to the components
such as a CD player, LD player, DVD player, etc. capable
of outputting DTS Digital Surround, Dolby Digital or PCM
format digital signals, etc.
• If the component with OPTICAL or COAXIAL IN jack is
connected to the OPTICAL or COAXIAL OUT jack of this
unit, you can record the high quality sound of CDs , etc.
without degradation.
• For ROOM 2 playback, the COAXIAL DIGITAL OUT can
be connected to the amplifier, etc. installed in another
room.(For details, refer to “ROOM 2 connections” on page
12.)
PC with USB port
Component with
OPTICAL DIGITAL OUT
Component with
OPTICAL DIGITAL OUT
Component with
OPTICAL DIGITAL OUT
Component with
OPTICAL DIGITAL OUT
Component such as an
MD recorder, CD recorder
with OPTICAL DIGITAL IN
Component such as an
MD recorder, CD recorder
with COAXIAL DIGITAL IN
• For details, refer to the operating instructions of the
component connected.
• When making the COAXIAL DIGITAL connection, be sure
to use a 75 Ω COAXIAL cord, not a conventional AUDIO
cord.
Component with
COAXIAL DIGITAL OUT
Component with
• All of the commercially available optical fiber cords cannot
be used for the equipment. If there is an optical fiber cord
which cannot be connected to your equipment, consult
your dealer or nearest service organization.
Note :
COAXIAL DIGITAL OUT
• Be sure to make either a OPTICAL or a COAXIAL
DIGITAL connection on each component. (You don’t need
to do both.)
USB audio connection
• The USB audio connection feature allows you connect a PC to this receiver to hear soundtracks from your PC. USB device
controls on the computer (such as volume ) may or may not work. In either case, we recommend leaving all volume controls on
the computer max and controlling volume from this receiver.
• You may update the operating software through this USB connection in the future.(For details, refer to “ CONNECTING PC
FOR UPGRADES” on page 14.)
Notes:
• This USB terminal only supports 2 channel PCM signals. In case of other digital signals, loud noise or no sound may be heard
from the speakers, and it may be harmful to your ears and damages the speakers.
• The digital signals being input into this USB terminal will not be output from the COAXIAL OUT jack.
• Some operating systems(OSs) may or may not work with this USB terminal.
• The sound may be interrupted, degraded or played back incorrectly due to your PC settings and PC specifications. Refer to the
operating instructions of your PC concerning USB devices, etc.
• Don’t use other applifications on your PC when playing back through this USB connection.
• Sherwood cannot be held responsible for damage to your computer system, software crashes or failures or any other possible
computer problems due to this configuration.
• Do not disconnect the USB cable while playing a soundtrack or updating the operating software, etc.
Should this happen, it may be result in malfunction or cause damage to the unit.
Digital input default settings
• If you connect the DIGITAL INs to your components, it is easier to do so following the default settings.
• If your DIGITAL connections are different from default settings, you should assign the DIGITAL INs you used with the “When
selecting the DIGITAL INPUT SETUP” procedure on page 53.
• The default settings are as follows :
OPTICAL IN 1 : VIDEO 1, OPTICAL IN 2 : VIDEO 2, OPTICAL IN 3 : VIDEO 3, OPTICAL IN 4 : VIDEO 5, COAXIAL IN 1 : CD,
COAXIAL IN 2 : VIDEO 4, (Front) OPTICAL IN 5 : VIDEO 6, USB : AUX.
8
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5. CONNECTING 8CH DIRECT INs
• Use these jacks to connect the corresponding analog audio
and video outputs of a DVD player or a external decoder,
etc. that has 6, 7 or 8 channel audio and video outputs.
• In case of 6 or 7 channel outputs, do not connect both of
the SURROUND BACK L and R inputs or the SURROUND
BACK R input of this unit . (For details, refer to the
Decoder with 6, 7 or 8 channel outputs
S-VIDEO
OUT
8 CH DIRECT OUTs
(COMPOSITE)
VIDEO OUT
SURROUND SURR.BACK
FRONT
CENTER SUBWOOFER
R
L
R
L
R
L
operating instructions of the component to be connected.)
6. CONNECTING PREOUTs
Additional powered
subwoofer
powered
subwoofer
Power amplifiers
CENTER
L
Center speaker
FRONT
R
Front speakers
L
SURROUND
R
Surround speakers
L
SURROUND BACK
R
Surround back speakers
• Use these jacks when adding additional power amplifiers.
• Connect the PREOUT jacks to the powered speakers or the power amplifiers connected to speakers respectively.
• When using only one surround back speaker, connect the SURROUND BACK LEFT jack to the power amplifier.
• If this is the case, you can connect the subwoofer without built-in amplifier to SURROUND BACK RIGHT terminals of the
power amplifier.(For details, refer to “When selecting the SUBWOOFER” on page 49.)
• To emphasize the deep bass sounds, connect a powered subwoofer.
• To enjoy deeper bass sounds, connect an additional powered subwoofer to the SUBWOOFER 2 jack.
Notes :
• After installing the speakers , first adjust the speaker settings according to your environment and speaker layout (For details,
refer to “SETTING THE SPEAKER SETUP” on page 45.)
• According to speaker settings, you cannot use either SURROUND BACK RIGHT jack or both of SURROUND BACK jacks.
9
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7. CONNECTING SPEAKERS
Front right
Center
Front left
CENTER
FRONT
SPEAKER R
SPEAKER L
FRONT
SURROUND A
SURROUND A
Surround A
right
Surround A
left
SURROUND B
SURROUND
B
Surround B
Surround B
left
SURROUND
BACK
right
SURROUND
BACK/SW
Surround back left
Surround back right
(or "Passive" subwoofer)
• Be sure to connect speakers firmly and correctly according to the channel(left and right) and the polarity(+ and -). If the
connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connection is incorrect, the
sound will be unnatural and lack bass.
• For installing the speakers, refer to “Speaker placement” on page 11.
• After installing the speakers, first adjust the speaker settings according to your environment and speaker layout.(For details,
refer to “SETTING THE SPEAKER SETUP” on page 45.)
• You can connect the surround and the surround back speakers with various combinations according to the usage purpose.
Surround speakers A and B
• This unit allows you to connect two different sets of surround speakers and to place them in the appropriate locations in your
room, resulting in enjoying both movie soundtracks and music listening with optimum surround sound and no compromise.
• However, if you have only a set of surround speakers , connect them to either SURROUND A or SURROUND B SPEAKER
terminals according to your taste.
Surround back speakers
• When using only one surround back speaker, you should connect it to SURROUND BACK LEFT channel. In this case , you
can connect a subwoofer without built-in amplifier to SURROUND BACK RIGHT channel.(For details, refer to “When selecting
the SUBWOOFER” on page 49.)
• If you assign the power amplifier for the surround back channels to the ROOM 2, this unit can drive the speakers in another
room (ROOM 2).
(For details, refer to “ROOM 2 connections” on page 12. and “SETTING THE POWER AMP ASSIGN” on page 45.)
Caution :
• For safe amplifier operation , in case of using either surround A or surround B speakers, use all the speakers with impedance
of over 6 ohms. However, in case of using both surround A and surround B speakers, use only these speakers with
impedance of over 12 ohms and other speakers with impedance of over 6 ohms.
• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or the
speakers.
10
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Speaker placement
Ideal speaker placement varies depending on the size of your room
and the wall coverings, etc. The typical example of speaker placement
and recommendations are as follows :
1
4
3
Front left and right speakers and center speaker
• Place the front speakers with their front surfaces as flush with TV or
monitor screen as possible.
• Place the center speaker between the front left and right speakers and
no further from the listening position than the front speakers.
• Place each speaker so that sound is aimed at the location of the
listener’s ears when at the main listening position.
6
7
Surround speakers A and B
13
12
• To achieve more effective surround sound for both movies and music ,
connect two different sets of surround speakers and place them in the
appropriate locations for two types of sources as follows :
• Surround speakers A :
10
1. TV or screen
11
For watching movies, place the surround speakers A approximately 1
meter (40 inches ) above the ear level of a seated listener on the
direct left and right of them or slightly behind.
8. Surround left speaker B
9. Surround right speaker B
10. Surround back left speaker
11. Surround back right speaker
12. Surround center speaker
13. Listeing position
2. Front left speaker
3. Subwoofer
• Surround speakers B :
For playing multi-channel music , place the surround speakers B at
the same height as the front speakers and slightly at an angle to the
rear of the listening position , and point them toward the listening
position .
4. Center speaker
5. Front right speaker
6. Surround left speaker A
7. Surround right speaker A
Surround back left and right speakers
• Place the surround back speakers at the back facing the front at a
narrower distance than front speakers.
• When using a single surround back speaker, place it at the rear center
facing the front at a slightly higher position (0 to 20 cm ) than the
surround speakers.
Surround speaker A
Front speaker
Surround back
speaker
Point slightly
downward
• We recommend installing the surround back speaker(s) at a slightly
downward facing angle. This effectively prevents the surround back
channel signals from reflecting off the TV or screen at the front center,
resulting in interference and making the sense of movement from the
front to the back less sharp.
60 to 90 cm
Surround
speaker B
Subwoofer
• The subwoofer reproduces powerful deep bass sounds.
Place a powered subwoofer anywhere in the front as desired.
Notes :
When using a conventional TV , to avoid interference with the TV
picture, use only magnetically shielded front left and right and center
speakers.
To obtain the best surround effects, the speakers except the
subwoofer should be full range speakers.
11
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8. CONNECTING SYSTEM CONTROL
• Connect this jack to the DIGI LINK jack of the external
Sherwood component that uses the DIGI LINK II or III
remote control system.
Sherwood component
with DIGI LINK II or III
CD player
Tape deck
DVD player
System
control
cord
9. CONNECTING DC TRIGGER OUTs
• Connect components that need to be triggered by DC
under certain conditions as follows :
• Connect a component to DC TRIGGER OUT 1 jack that
allows DC 12 V to turn on or off when this unit’s power is
turned on or off.
• Connect a component to DC TRIGGER OUT 2 jack that
allows DC 12 V to turn on or off when a specific input
source is selected or not.
Component to be triggered
by DC when this unit's power
is turned on
Component to be triggered
by DC when a specific input
source is selected
1
2
DC TRIGGER OUT
12V d.c. 100
m
A
• For details, refer to the operating instructions of the
components to be connected.
• To link DC TRIGGER OUT 2 with a specific input source, refer to “When selecting the DC TRIGGER 2 SETUP” on page 57.
Notes :
• This output voltage (12 V d.c., 100mA ) is for (status) control only, it is not sufficient for drive capability.
• When making DC TRIGGER connection, you should use the stereo mini cord, not a mono mini cord.
ROOM 2 connections
• ROOM 2 playback feature allows you to play a different program source in another room as well as one source in the main
room at the same time.
• For ROOM 2 playback, connect the VIDEO 2 / ROOM 2 OUT jacks and the COAXIAL DIGITAL OUT to the amplifier, TV. etc.
installed in another room, or connect the SURROUND BACK speaker terminals to the speakers.
• In case of using a pair of speakers only, you should assign the power amplifier for surround back channels to the ROOM 2.
(For details, refer to “SETTING THE POWER AMP ASSIGN” on page 45.)
Note :
• To minimize hum or noise, use high quality connection cords.
Main room
Another room(Room 2)
• When connecting VIDEO 2/ROOM 2 OUTs to the components.
This receiver
IN
IN
S-VIDEO
VIDEO
(COMPOSITE)
TV or projector
L
AUDIO
IN
R
COAXIAL
DIGITAL IN
Speakers
Amplifier
• When connecting SURROUND BACK speaker terminals to
the speakers.
This receiver
Speakers
left right
12
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10. CONNECTING MULTI-ROOM SYSTEM KIT
• The multi-room system kit(sold separately ) is essential for operation from a remote location .
• IR IN jack allow you to control this receiver from another room with the remote control unit.
• To control this receiver from another room with the remote control unit, connect the IR IN jack to the output of the connecting
block.
• If this receiver is located inside a cabinet or other enclosure where the infrared beams from the remote control unit cannot
enter, then operation with the remote control unit will not be possible. In such a case, connect the IR IN jack to the output of
the connecting block.
• To control other compatible component from another room with the universal remote control unit, connect the IR OUT jack to
the IR emitter.
Note:
• Remote operation may become unreliable if the IR receiver is exposed to strong light such as direct sunlight or inverted fluorescent.
Main room
Another room(Room 2)
Connecting block
(Multi-room system kit)
output
IR receiver
(Multi-room system kit)
This receiver
DVD player
MULTI CONTROL
MASTER VOLUME
INPUT SELECTOR
POWER
STANDBY
DECODING
STEREO
DIGITAL/ANALOG
PURE AUDIO
VIDEO
AUDIO
T.MON
8CH DIRECT
O
N
/
O
F
F
IR emitter
(Multi-room system kit)
• When this receiver is located inside a cabinet.
In the cabinet
output
IR receiver
(Multi-room system kit)
Connecting block
(Multi-room system kit)
This receiver
MULTI CONTROL
MASTER VOLUME
INPUT SELECTOR
AUDIO .MON
POWER
STANDBY
DECODING
STEREO
DIGITAL/ANALOG
PURE AUDIO
VIDEO
T
8CH DIRECT
O
N
/
O
F
F
11. CONNECTING MICROPHONE
• To use Auto Speaker Setup function, connect the supplied
microphone to the SETUP MIC jack.(For details, refer to
“When selecting the AUTO SPEAKER SETUP” on page
51.)
Notes:
• Because the microphone for Auto Speaker Setup is
designed for use with this receiver, do not use a
microphone other than the one supplied with this receiver.
• After you have completed the auto speaker setup
procedure, disconnect the microphone.
Microphone
13
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12. CONNECTING PC FOR UPGRADES
• This receiver incorporates USB as well as RS-232C
terminal that may be used in the future to update the
operating software so that it will be able to support new
digital audio formats, external control by using an
external device and the like.
PC with USB
or RS-232C port
• Connect either USB or RS-232C terminal to your PC(You
don’t need to do both).
UPGRADE switch
Notes :
• Be sure to set the UPGRADE switch to “SVC”(service)
before updating.
• This switch should be set to “OPR”(operation) during
normal operation except for upgrades.
If not, this unit will not operate normally.
• Programming for upgrades and external control requires specialized programming knowledge and for that reason we
recommend that it only be done by qualified installers. For more information on future upgrades and external control, visit the
• Do not disconnect the connection cable while updating the operating software, etc.
Should this happen, it may be result in malfunction or cause damage to the unit.
13. SWITCHED AC OUTLETS
• Theses outlets are switched on(power-on mode) and
off(standby mode) according to power control as
follows(Maximum total capacity is 100 W, 1 A).
Standby mode - Switched AC outlet off
Power-on mode - Switched AC outlet on
14. AC INLET
• Plug the supplied AC input cord into this AC INLET and
then into the wall AC outlet.
Note:
• Do not use an AC input cord other than the one supplied
with this unit. The AC input cord supplied is designed for
use with this unit and should not be used with any other
device.
To a wall AC outlet.
14
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Front Panel Controls
13
14
12
1
11
15
2
3
4
5
6
7
8
9
10
• To open the panel door, push gently on
the lower third of the panel door.
16 17 18 19 20 21 22 23
24
25 26 27 28 29 30 31
32
33
1. POWER switch
20. LABEL button
2. STANDBY button/indicator
3. DECODING MODE button
4. STEREO button
5. DIGITAL/ANALOG button
6. PURE AUDIO button
7. VIDEO SELECTOR button
8. AUDIO SELECTOR button
9. TAPE MONITOR button
10. 8 CH DIRECT button
21. ENTER/MEMORY button
22. BAND button
23. TUNING UP(+)/DOWN( ) buttons
24. HEADPHONE jack
25. HEADPHONE SELECTOR button
26. CHANNEL SELECTOR button
27. DOLBY PL II MUSIC PARAMETER
button
28. CINEMA EQ button
11. MASTER VOLUME CONTROL knob
12. MULTI CONTROL knob
13. REMOTE SENSOR
29. TONE MODE button
30. ROOM 2 button
31. FM MODE button
14. FLUORESCENT DISPLAY
For details, see next page.
15. PANEL DOOR
32. PRESET UP(+)/DOWN(-) buttons
33. VIDEO 6 INPUT jacks
For details, see next page.
16. DOLBY HEADPHONE button
17. DOLBY VIRTUAL SPEAKER button
18. DOLBY PL IIx button
19. DYNAMIC RANGE button
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FLUORESCENT DISPLAY
1
2
3
4
5
6 7
3
8
DOLBY H DIGITAL EX VIRTUAL DIRECT AUTO DTS ES 96/24 NEO:
6
VIDEO SET
1 2 3 4 5 6
9
Z
PCM PRO LOGIC
SOUND TAPE MON STEREO
RE-MASTERING TUNED
L
C
R
19
20
21
R2 MUTE
CINE-EQ
MEMORY
MPEG PURE ANALOG DIGITAL
PRESET
SL SW SR
A B
22
LFE
SB
AP-SW
23
10 11
12
13 14 15
16
17
18
1. CHANNEL indicators
2. PCM SIGNAL indicator
3. SURROUND MODE indicators
4. TAPE MONITOR indicator
5. DIRECT indicator
13. DIGITAL INPUT indicator
14. Input, frequency, volume level, operating
information, etc.
15. RE-MASTERING indicator
16. TUNED indicator
6. STEREO indicator
17. PRESET indicator
7. AUTO indicator
18. ROOM 2 indicator
8. SLEEP indicator
19. MUTE indicator
9. VIDEO INPUT indicators
10. MPEG SIGNAL indicator
11. PURE AUDIO indicator
12. ANALOG INPUT indicator
20. CINEMA EQ indicator
21. MEMORY indicator
22. SURROUND A/B indicators
23. SUBWOOFER indicators
VIDEO 6 INPUT JACKS
VIDEO
6
• The VIDEO 6 input jacks may be also connected to an
additional video component such as a camcorder, a
video game player, etc.
OPTICAL IN5
VIDEO
L
-
AUDIO
-
R
S-VIDEO
• If the OPTICAL IN 5 is connected to the component
connected to VIDEO 6, it is easier to do so following the
default settings.(For details, refer to “Digital input default
settings” on page 8.)
• If the OPTICAL IN 5 connection is different from the
default settings, you should assign the DIGITAL INs you
used with the “When selecting the DIGITAL INPUT
SETUP” procedure on page 53.
OPTICAL
DIGITAL OUT
S-VIDEO
OUT
VIDEO
OUT
L
R
AUDIO OUT
VIDEO 6 Camcorder, video game player, etc.
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Universal Remote Controls
This universal remote control can operate not only this receiver but also most popular brands of audio and video components
such as CD players, DVD players, tape decks, TVs, VCRs, satellite receivers, cable boxes, etc.
• To operate 8 components other than this receiver, you should enter the setup code for each component. (For details, refer to
“ENTERING A SETUP CODE” on page 21)
• The numbered buttons on the remote control have different functions in different device modes.
For details, refer to “FUNCTION TABLE of the NUMBERED BUTTONS” on the next page.
Note :
• This section explains the basic operations to control this receiver and other Sherwood components with this remote control.
For various and convenient functions of this remote control , refer to the operating manual inclosed with this remote
control.
DIGI LINK system remote controls
This remote control can also operate Sherwood compatible components bearing the DIGI LINK(II or III) logo.
• For DIGI LINK system remote control operation, first make the DIGI LINK connections between Sherwood components.
• In the DIGI LINK III remote control system, if pressing PLAY, etc. on CD player or tape deck, CD or TAPE MONITOR is
selected automatically on the receiver without selecting the input source. Then PLAY, etc. starts.
LCD SCREEN
POWER ON
STANDBY
STANDBY button
POWER ON button
MAIN
AUD1
AUD2
TV
LCD(FUNCTION) buttons
LIGHT button
CD
Activates the backlighting of the remote control
for a specified time(up to 99 sec.) If any other
button is pressed while the backlighting is on,
the remote control will remain backlit for an
additional period.
DVD
TAPE
AUX
VCR
SAT
MAIN button
CABLE
Enters the MAIN menu mode.
AUD1
LCD(FUNCTION) buttons
PAGE button
FAVORITE button
Enters the favorite channel mode.
Each time this button is pressed, its page changes.
While displaying the page menu of the
selected device or the favorite channel menu,
each time this button is pressed, its page changes.
MAIN
CH.
SEL
CH/
ADJUST
VOL
VOLUME UP/DOWN(
/
) buttons
CHANNEL LEVEL / ADJUST
MUTE
UP/DOWN(
/
) buttons
DECODE
DSP
DSP
CURSOR CONTROL(
ENTER( ) buttons
),
RETURN
STEREO
1
3
6
9
2
NUMERIC(1~0) buttons
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
MACRO buttons
To operate a macro function,
press the corresponding
MACRO button.
RNC-510
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FUNCTION TABLE of the NUMBERED BUTTONS.
Device to
be controlled
AUDIO 1("AUD1")
AUDIO 2("AUD2")
CD
TAPE
TV
Button
symbol
(for receiver, "001")
(for receiver, "001")
(for CD player, "001")
(for tape deck, "001")
(for TV, "001")
POWER ON
STANDBY
POWER ON
STANDBY
POWER ON
STANDBY
POWER ON
STANDBY
<POWER ON>
<STANDBY>
<POWER ON>
<STANDBY>
CH.
SEL
PREVIOUS CHANNEL
CHANNEL SELECTOR
CH LEVEL/ADJUST UP(
CHANNEL SELECTOR
CH LEVEL/ADJUST UP(
<CHANNEL SELECTOR>
<CH LEVEL/ADJUST UP( )>
<CH LEVEL/ADJUST DOWN( )>
<VOLUME UP( )>
<CHANNEL SELECTOR>
<CH LEVEL/ADJUST UP( )>
<CH LEVEL/ADJUST DOWN( )>
<VOLUME UP( )>
<VOLUME DOWN( )>
<MUTE>
CHANNEL UP(
)
)
)
CH/
ADJUST
CHANNEL DOWN(
)
CH LEVEL/ADJUST DOWN( ) CH LEVEL/ADJUST DOWN(
VOLUME UP( VOLUME UP(
)
VOLUME UP(
VOLUME DOWN(
MUTE
)
)
)
VOL
)
VOLUME DOWN(
MUTE
)
VOLUME DOWN(
MUTE
)
<VOLUME DOWN( )>
<MUTE>
MUTE
DECODE
DECODING MODE
DSP MODE UP(
DECODING MODE
DSP MODE UP(
FORWARD PLAY
PLAY
DSP
DSP
SURROUND MODE
)
)
DSP MODE DOWN(
)
DSP MODE DOWN(
)
FAST FORWARD
REWIND
FORWARD SKIP
REVERSE SKIP
PAUSE
PAUSE
RETURN
STEREO
CURSOR CONTROL
ENTER
RETURN
STEREO
RECORD
RETURN
STEREO
LANGUAGE
STOP
STOP
<CURSOR CONTROL>
<ENTER>
CURSOR CONTROL
CURSOR CONTROL
ENTER
<CURSOR CONTROL>
<ENTER>
ENTER
0~9
0~9
0~9
<0~9>
0~9
0
9
DISPLAY
OSD
DISPLAY
<DISPLAY>
<OSD>
DISP
<DISPLAY>
<OSD>
OSD/MENU
ENT
MENU
OSD
TUNER
SLEEP
DECK SELECTOR A
REVERSE PLAY
RECORD
PLAY
(Left 1)
(Left 2)
(Left 3)
(Left 4)
(Left 5)
SLEEP
CD
DIMMER
REVERSE SKIP
STOP
CAPTION
TAPE MONITOR
AUX
ROOM 2
P
A
G
E
1
TEST TONE
OSD
REWIND
REPEAT A< >B
PHONO
VIDEO 1
VIDEO 2
VIDEO 3
VIDEO 4
VIDEO 5
VIDEO 6
DTS
STOP
DIGITAL/ANALOG
SURROUND A/B
SURROUND BACK
PURE AUDIO
DECK SELECTOR B
FORWARD PLAY
PAUSE
(Right 1)
(Right 2)
(Right 3)
(Right 4)
(Right 5)
(Left 1)
PAUSE
AUTO SET
FORWARD SKIP
INTRO SCAN
ADD/ERASE
FAST FORWARD
PL II MUSIC PARAMETER
SEARCH MODE
PTY SELECT
PIP
<SLEEP>
<DIMMER>
<SLEEP>
<DIMMER>
SWAP
(Left 2)
SOURCE
(Left 3)
DOLBY DIGITAL
PCM
MEMORY
<ROOM 2>
<ROOM 2>
P
A
G
E
2
(Left 4)
TUNING UP(+)
TUNING DOWN(-)
EON TA
<TEST TONE>
<TEST TONE>
(Left 5)
MPEG
<OSD>
<OSD>
(Right 1)
(Right 2)
(Right 3)
(Right 4)
(Right 5)
8 CH DIRECT("7.1 IN")
PL II MOVIE
<DIGITAL/ANALOG>
<SURROUND A/B>
<SURROUND BACK>
<PURE AUDIO>
<PL II MUSIC PARAMETER>
<DIGITAL/ANALOG>
<SURROUND A/B>
<SURROUND BACK>
<PURE AUDIO>
<PL II MUSIC PARAMETER>
STILL
EON PTY
PL II MUSIC
PRESET SCAN
PRESET UP(+)
PRESET DOWN(-)
NEO 6 CINEMA
NEO 6 MUSIC
Notes :
• To control this receiver completely with this remote control, you should use “AUD 1” and “AUD 2” both and “001” should be
entered respectively as their setup codes.
• The functions in < > work for this receiver, not for the CD player or tape deck.
18
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Continued
Device to
DVD(for DVD player)
VD-4106, etc.("091")
POWER
be controlled
Button
symbol
V-768, etc.("001")
POWER ON
STANDBY
VD-8300, etc.("116")
POWER
POWER ON
STANDBY
CH.
SEL
DIGEST
CH/
ADJUST
VOLUME UP(
)
VOL
VOLUME DOWN(
)
MUTE
DECODE
PLAY
FORWARD SKIP
REVERSE SKIP
FORWARD SEARCH
REVERSE SEARCH
PAUSE
PLAY
FORWARD SKIP
REVERSE SKIP
FORWARD SEARCH
REVERSE SEARCH
PAUSE
PLAY/PAUSE
DSP
DSP
FORWARD SKIP
REVERSE SKIP
FORWARD SEARCH
REVERSE SEARCH
STEP
RETURN
RETURN
RETURN
STEREO
STOP
STOP
STOP/RETURN
CURSOR CONTROL
ENTER/SELECT
0~9
CURSOR CONTROL
ENTER
CURSOR CONTROL
ENTER/SELECT
0~9
0~9
0
9
DISPLAY
DISPLAY
DISPLAY
DISP
OSD/MENU
ENT
MENU
SETUP
SETUP
TITLE
SETUP
TITLE
(Left 1)
(Left 2)
(Left 3)
(Left 4)
(Left 5)
TITLE
AUDIO
AUDIO
AUDIO
P
A
G
E
1
SUBTITLE
DISC SKIP
OPEN/CLOSE
ZOOM
SUBTITLE
SOUND
SUBTITLE
3D SOUND
OPEN/CLOSE
ZOOM
OPEN/CLOSE
ZOOM
(Right 1)
(Right 2)
(Right 3)
(Right 4)
(Right 5)
(Left 1)
SEARCH
SEARCH
REPEAT A< >B
REPEAT
MARKER
RESUME
RANDOM
PBC
REPEAT A< >B
REPEAT MODE
MARKER
REPEAT A< >B
REPEAT
MARKER
INTRO SCAN
RANDOM
SUBTITLE
ANGLE
(Left 2)
(Left 3)
SHUFFLE
P
A
G
E
2
(Left 4)
(Left 5)
ANGLE
PROGRAM
ANGLE
PROGRAM
CLEAR
(Right 1)
(Right 2)
(Right 3)
(Right 4)
(Right 5)
PROGRAM
CLEAR
CLEAR
TIME
REVERS SLOW
FORWARD SLOW
SLOW
PAL/NTSC
Notes :
• Some functions for each component may not be available or may work differently .
• For details about functions , refer to the operating instructions of each component .
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OPERATING COMPONENTS WITH REMOTE CONTROL
REMOTE CONTROL OPERATION RANGE
Enter the setup code of the components
respectively, referring to “ENTERING A
SETUP CODE” (page 21).
• Use the remote control within a range of about 7
meters (23 feet) and angles of up to 30 degrees
aiming at the remote sensor.
1
Turn on the components you want to
operate.
2
Select the device on the main menu of the
remote control corresponding to the
component you want to operate.
3
Example) When selecting “AUD 1” or “AUD 2” to
operate this receiver.
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
MAIN
CH.
SET
CH/
ADJUST
VOL
AUD1
CD
AUD2
TV
MUTE
DECODE
DSP
DSP
DVD
TAPE
VCR
SAT
RETURN
1
STEREO
2
3
4
7
6
9
5
8
AUX CABLE
AUD1
OSD/MENU
ENT
DISP
MI
0
The device selected presentl
M2
M3
RNC-510
• Then the page menu of the selected device will be
displayed.
LOADING BATTERIES
Press the button corresponding to the
operation you want while aiming the
When the remote control does not operate or “LOW
BATTERY” is displayed on the LCD screen, etc., the old
batteries should be replaced.
4
remote control at the REMOTE SENSOR
on the component.
• When operating a Sherwood CD player or tape deck
using the system remote control, aim the remote
control at the REMOTE SENSOR on this unit.
• However, in case of Sherwood DVD player or TV,
aim it at the REMOTE SENSOR on the
corresponding component.
In case of selecting a function on the page menu of
the selected device.
Remove the cover.
1
• Find a function with pressing the PAGE button
repeatedly and then press the button corresponding
to the desired function.
Example) when selecting a function on the AUD 1’s
page menu.
Load four alkaline batteries (“AAA” size,
1.5V) matching the polarity.
Functions on the page 1
Functions on the page 2
2
AUD1
AUD1
TUNER VID1
VID6 7.1IN
CD
T.MON VID3
AUX VID4
VID2
DTS
DOLBY PL2MS
PCM NOE6C
PL2MV
PHONO VID5
PAGE1
MPEG NEO6M
PAGE2
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ENTERING A SETUP CODE
• This remote control can control up to ten different components.
• Before operating audio and video components using the remote control supplied with this receiver, the setup code for each
component should be entered.
• For system remote control operation between Sherwood components , “001” was stored previously in the memory of each
device such as “AUD 1” and “AUD 2” for this receiver, “CD” for CD player, “TAPE” for tape deck, “TV” for TV and “DVD” for
DVD player.
So, you don’t need to enter its code for each Sherwood component except in such a case that its code does not work.(When
entering each setup code for Sherwood CD player and tape deck, do from the below step .)
Find the setup code for your component
referring to “Set-Up Code Table” in the
operating manual of this remote control.
Turn on the component you want to control.
2
1
Example) The 3 digit setup codes for the Sherwood
“Audio” are 001,024, ...(Hint:The correct
setup code for this receiver is “001”.)
Note:
• If your component has the discrete POWER ON and
OFF(STADNBY) buttons, please do not turn on the
component manually.
Example) When entering the setup code for this
receiver, turn off this receiver.
Press both the MAIN and OSD/MENU
(/ENTER) buttons simultaneously for 3
seconds.
Select the Pre-PROgramming mode.
3
4
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
SETUP
MAIN
P-PRO LEARN
CH.
SET
CH/
VOL
FAV
PUNCH RECAL
ERASE EDIT
MACRO
ADJUST
MUTE
DECODE
DSP
DSP
LIGHT CLONE
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• Then the setup menu will be displayed on the LCD
screen.
• Then the Pre-PROgramming menu will be displayed.
Note:
• If the display of the corresponding mode disappears,
start again from the above step or the current mode.
Select the device corresponding to the
component you want to control.
Example) When selecting the “AUD 1” for
Select the device from which the appropriate
3 digit setup code table will be selected.
Example) If it is the “AUD 1” code table,
5
6
this receiver or amplifier, etc.
select the “AUD 1”.
POWER ON
STANDBY
POWER ON
STANDBY
AUD1
AUD1
P-PRO
AUD1
001
AUD2
TV
AUD1
CD
AUD2
TV
SAVE
EXIT
UP
CD
DVD
TAPE
AUX
VCR
DVD
TAPE
AUX
VCR
SAT
SAT
CABLE
CABLE
SELECT
TABLE
DOWN
ENTER
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Confirm that it is the right code by selecting
the SAVE.
Enter the 3 digit setup code aiming the
remote control at the REMOTE SENSOR
on the component.
8
7
POWER ON
STANDBY
AUD
001
1
SAVE
EXIT
UP
POWER ON
STANDBY
DOWN
ENTER
AUD 1
MAIN
001
SAVE
EXIT
UP
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
For "001" :
For "102" :
0
1
0
0
1
2
DOWN
RETURN
1
STEREO
2
3
6
9
ENTER
4
7
5
8
SD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• Your component will be turned off(or on in case of
this receiver, etc.) when the right code is entered.
• Continue to enter the corresponding codes until your
component turns off(or on).
• The code is saved and the Pre-PROgramming mode is
resumed.
• When you do not want to save the code, select the
EXIT on the LCD screen or press the MAIN button.
To resume the MAIN menu mode, press the
MAIN button twice briefly.
Operate the component using the
corresponding function buttons.
10
9
• If any of the buttons fails to operate as they should,
POWER ON
STANDBY
start from the step again to enter the next setup
code.
MAIN
MAIN
Notes:
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
• If the Manufacturer/Brand for your component is not
listed in “Set-Up Code Table” in the operating
manual of this remote control, please use the “ 2 Auto
Scan Method” on page 13 in the operating manual of
this remote control.
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
The selected device
RNC-510
• Although each setup code is designed to work with
many different modes, certain codes may not work
with some models.( Also, certain codes may only
operate some of the functions available on a given
model.)
• Each time the MAIN button is pressed, the previous
mode is resumed.
Repeat the above steps to
for each of your other components.
11
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ROOM 2 Remote Controls
This remote control unit is an additional remote control unit for the ROOM 2 source playback only.
• You can use the ROOM 2 functions with this remote control unit more conveniently in another room than with the universal
remote control unit.
REMOTE CONTROL OPERATION RANGE
• Aim the ROOM 2 remote control(or the
universal remote control) at the IR receiver
installed in another room.(For details, refer to
“CONNECTING MULTI-ROOM SYSTEM
KIT” on page 13.)
ROOM2
ROOM 2 BUTTON
Each time this button is pressed,
the ROOM 2 function is activated or
canceled.
PHONO
AUX
CD
TUNER
AUDIO
ROOM 2 INPUT SELECTOR
BUTTONS
When one of these buttons is pressed,
the corresponding input source is
selected.
VIDEO 1
VIDEO 4
VIDEO 2
VIDEO 5
VIDEO 3
Another room(Room 2)
VIDEO 6
To main room
VIDEO
IR receiver
(Multi-room system kit)
MUTE BUTTON
Mutes the sound of the ROOM2 source.
• To resume the previous sound level,
press it again.
MUTE
• When you operate the ROOM 2 function in the
main room, aim the universal remote control(or
the ROOM 2 remote control) at the remote
sensor of this receiver.
VOLUME UP/DOWN(
BUTTONS
)
VOLUME
Adjust the sound volume of the
ROOM 2 source.
LOADING BATTERIES
Remove the cover.
1
Load two batteries (“AAA” size, 1.5V )
matching the polarity.
2
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Operations
Notes : • Before operating this receiver with the supplied remote control, refer to “ Universal Remote Controls” on page 17 for
details about operation.
• Before operating this receiver, first set this unit as desired for optimum performance, doing the OSD menu setting
procedures. (For details, refer to “OSD Menu Settings” on page 43.)
LISTENING TO A PROGRAM SOURCE
Select the desired input source.
Before operation
POWER ON
STANDBY
3
• Enter the standby mode.
AUD1
TUNER
CD
VID1
VID2
VID3
VID4
VID5
T.MON
AUX
• The STANDBY button lights up in amber.
This means that the receiver is not
PHONO
or
PAGE1
disconnected from the AC mains and a
small amount of current is retained to
support the operation readiness.
• To switch the power off, push the POWER switch again.
• Each time the “AUDIO” button is pressed, the input
source changes as follows:
• Then power is cut off and the STANDBY button goes off.
PHONO
TUNER
(frequency display)
CD
AUX
• Each time the “VIDEO” button is pressed, the input
source changes as follows:
In the standby mode, turn the power on.
VIDEO 1
VIDEO 2
-------
VIDEO 6
1
POWER ON
STANDBY
• When the TAPE MONITOR button is set to on so that
“TAPE MON” lights up, other inputs can not be heard
from the speakers.
STANDBY
POWER ON
STANDBY
MAIN
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
To listen to an input source except TAPE MONITOR, be sure
to set the TAPE MONITOR button to off.
or
RETURN
1
STEREO
2
3
6
9
4
7
5
8
TAPE MONITOR function
OSD/MENU
ENT
DISP
MI
0
M2
M3
You can connect either a tape deck or a graphic equalizer to the
RNC-510
receiver’s TAPE MONITOR jacks.
Only when you listen to the component connected to these
jacks, set the TAPE MONITOR button to on.
If you connect a 3-head tape deck, you can listen to the sound
being recorded during recording, not the source sound.
For further details, refer to the operating instructions of the
component connected.
• Each time the STANDBY button on the front panel
is pressed, the receiver is turned on to enter the
operating mode (the STANDBY button lights up in
blue) or off to enter the standby mode(the
STANDBY button lights up in amber).
• On the remote control, press the POWER ON button
to enter the operating mode or press the STANDBY
button to enter the standby mode.
When selecting the 8 CH DIRECT as desired
POWER ON
STANDBY
• In the standby mode, if the INPUT SELECTOR
button is pressed, the receiver is turned on
automatically and the desired input is selected.
AUD1
VID6
DTS
7.1IN
PL2MV
DOLBY PL2MS
or
PCM
NEO6C
NEO6M
MPEG
PAGE2
Switch the speakers on.
• Depending on the power amplifier setting for the surround
back channels and the surround back speaker setting, “8(, 7 or
6) CH DIRECT” is displayed and the 8(/7/6) separate analog
signals from the component connected to this input pass
through the tone, volume and bass management(if selected)
circuits only and can be heard from your speakers.(In case
that the TAPE MONITOR button is set to on, the TAPE
MONITOR button is automatically set to off.)
• Press the 8 CH DIRECT button or select the desired input
source to cancel the 8 CH direct function.
• These analog signals can be heard only. They cannot be
recorded.
2
• Then the SPEAKER indicator ( ) lights up and the
sound can be heard from the speakers.
• When using the headphones for private listening,
press this button again to switch the speakers off,
then the SPEAKER indicator ( ) goes off(speaker
off mode).
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When CD, AUX or VIDEO 1~ VIDEO 6 is
selected
Adjusting the tone (bass and treble)
Select the tone mode as desired.
Select the digital or the analog input as
desired.
7
4
POWER ON
STANDBY
AUD2
SLEEP
DIMM
D/A
S.A/B
ROOM2 SUR.B
or
T.TON
OSD
PURE
PARA.
PAGE1
• Each time this button is pressed, the corresponding
input is selected as follows:
• Each time this button is pressed, the tone mode
changes as follows:
BASS
TREBLE
DEFEAT OFF(or ON)
DIGITAL
ANALOG
• The tone display is shown for several seconds.
• If the tone display disappears, press the TONE
MODE button again.
• ( ) : When the tone defeat function is activated
(“DEFEAT ON”), bass and treble modes
cannot be selected
• When PHONO, TUNER or TAPE MONITOR is
selected as an input source, the analog input is
automatically selected.
Notes:
• When the selected digital input is not connected,
“DIGITAL” is flickering, meaning no sound.(Refer
to “ENJOYING SURROUND SOUND” on page
30.)
Note:
• When the pure audio function is activated, the tone
mode cannot be selected.
• To select the digital input, you should assign the
connected DIGITAL IN to the corresponding input
source. (For details, refer to “When selecting the
DIGITAL INPUT SETUP” on page 53.)
At the desired tone mode, adjust as
desired.
8
Operate the selected component for
playback.
5
At the tone defeat mode, each time the MULTI
CONTROL knob is rotated, the tone defeat mode
changes as follows:
• When playing back the program sources with
surround sound, refer to “ENJOYING SURROUND
SOUND” on page 30.
DEFEAT ON : When listening to a program source
without the tone effect.
DEFEAT OFF : When adjusting the tone for your taste.
Adjust the (overall) volume.
6
At the desired tone (bass or treble), each time the
MULTI CONTROL knob is rotated, the tone level
can be adjusted within the range of +10~ -10 dB.
• In general, we recommend the bass and treble to be
adjusted to 0(flat) level.
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
VOL
DECODE
or
DSP
DSP
• To complete tone adjustment, repeat the above steps
RETURN
1
and
.
STEREO
2
3
4
7
6
9
5
8
DOWN
UP
• Extreme settings at high volume may damage your
OSD/MENU
ENT
DISP
MI
0
M2
M3
speakers.
RNC-510
25
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Achieving higher purity of sound quality
Compensating for edgy or shrill movie
sound tracks
POWER ON
STANDBY
AUD2
SLEEP
DIMM
D/A
S.A/B
ROOM2 SUR.B
or
T.TON
OSD
PURE
PARA.
PAGE1
• Only when playing program sources recorded in
either analog stereo or 2 channel PCM format, the
pure audio function can be selected.
• When the pure audio function is selected, the cinema
EQ function can not be selected.
• “CINEMA-EQ ON” will scroll on the display.
• “PURE” lights up and the stereo mode is
automatically selected and all the video-related
circuits as well as the digital processing circuits are
turned off.
• Press it again to cancel, then “CINEMA-EQ OFF”
will scroll on the display.
• Press this button again to cancel the pure audio
function.
• When you select other input source or the other
between digital and analog inputs, the pure audio
function is automatically canceled.
Muting the sound
Listening with the headphones
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• Ensure that the HEADPHONE SELECTOR button is
set to the speaker off mode.
• “MUTE” lights up.
• To resume the previous sound level, press the button
again.
• Depending on the signal format which is being input,
you can listen in different Dolby Headphone modes,
stereo mode, etc. with pressing the DOLBY
HEADPHONE button. (For details, refer to “To listen
in a Dolby Headphone mode” on page 32).
26
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SURROUND SOUND
• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound
atmosphere in your personal Home Theater.
Surround modes
• DTS Neo : 6 Cinema
DTS Digital Surround
This mode is optimum for playing movies. Decoding is
performed with emphasis on separation performance to
achieve the same atmosphere with 2-channel sources as with
6.1-channel sources.
DTS Digital Surround(also called simply DTS) is a multi-channel
digital signal format which can handle higher data rates. Discs
bearing the “
” include the recording of up to
5.1 channels of digital signals, which can be generally thought
to provide better sound quality due to the lower audio
compression required.
It also provides wide dynamic range and separation, resulting
in magnificent sound.
• DTS Neo : 6 Music
This mode is suited mainly for playing music. The front left
and front right signals bypass the decoder and are played
directly so there is no loss of sound quality, and the effect of
the surround signals from the center, surround left, surround
right and surround back channels adds a natural sense of
expansion to the sound field.
(
)
DTS - ES Extended Surround™
This is a new multi channel digital signal format which greatly
improves the 360- degree surround impression and space
expression thanks to further expanded surround signals,
offering high compatibility with the conventional DTS format.
In addition to the 5.1 channels, DTS-ES Extended Surround
also offers the surround back (sometimes also referred to as
“surround center”) channel for surround playback with a total
of 6.1 channels. DTS-ES Extended Surround includes two
signal formats with different surround signal recording
methods as follows:
DTS 96/24
Conventional surround formats used sampling frequencies of
48 or 44.1 kHz, so 20 kHz was about the maximum playback
signal frequency. With DTS 96/24, the sampling frequency is
increased to 96 or 88.2 kHz to achieve a wide frequency
range of over 40 kHz. In addition, this format has a resolution
of 24 bits, resulting in the same frequency band and dynamic
range as 96kHz / 24 bit PCM signals.
As with conventional DTS surround, DTS 96/24 is compatible
with a maximum of 5.1 channels. DTS 96/24 is fully
compatible with the conventional DTS surround format, so
DTS 96/24 sources can be played using a conventional DTS
5.1 channel decoder.
• DTS-ES™ Discrete 6.1
Because the signals for 6.1 channels (including the surround back
channel) are fully independent, it is possible to achieve a sense
that the acoustic image are moving about freely among the
background sounds surrounding the listener from 360 degrees.
Though maximum performance is achieved when sound
tracks recorded with this system are played using a DTS -ES
decoder, when played with a conventional DTS decoder, the
surround back channel signals are automatically downmixed
to the surround left and surround right channels so that none
of the signal components are lost.
“DTS”, “DTS-ES”, “DTS 96/24” and “Neo:6” are trademarks
of Digital Theater Systems, Inc.
Dolby Digital
Dolby Digital is the multi- channel digital signal format
developed by Dolby Laboratories. Discs bearing the
DOLBY
“
” includes the recording of up to 5.1 channels of
D I G I T A L
• DTS - ES™ Matrix 6.1
digital signals, which can reproduce much better sound
quality, spatial expansion and dynamic range characteristics
than the previous Dolby Surround effect.
With this format, the additional surround back channel
signals undergo matrix encoding and are input to the
surround left and surround right channels beforehand. During
playback, they are decoded to the surround left, surround
right and surround back channels.
Dolby Digital EX
Because the bit stream format is 100% compatible with
conventional DTS signals, the effect of the DTS-ES Matrix 6.1
format can be achieved even with DTS 5.1- channel signal
sources. Of course, it is possible to play DTS-ES Matrix 6.1 -
channel signal sources with a DTS 5.1 - channel decoder.
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded
with a DTS - ES decoder, the format is automatically detected
upon decoding and the optimum surround mode is selected.
However, some DTS - ES Matrix 6.1 sources may be detected
as DTS sources. In this case, the DTS - ES Matrix mode
should be selected manually to play these sources.
This mode creates the back (sometimes also referred to as
“surround center”) signals from the surround left and right
signals in Dolby Digital 5.1 channel source using a matrix
decoder and provides 6.1 channel surround playback. For the
best results, this mode should be selected during playback of
DOLBY
sources(bearing the “
”) recorded in Dolby Digital
EX. With this additional channel, you can experience more
dynamic and realistic moving sound especially.
When Dolby Digital EX sources are decoded with a Dolby
Digital EX decoder, the format is automatically detected upon
decoding and the Dolby Digital EX mode is selected.
However, some Dolby Digital EX sources may be detected as
Dolby Digital sources. In this case, the Dolby Digital EX mode
should be selected manually to play these sources.
DTS Neo : 6™ surround
This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals to the high precision digital
matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-
channel surround playback. DTS Neo : 6 surround includes two
modes for selecting the optimum decoding for the signal source.
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• The following modes apply conventional 2-channel signals
such as digital PCM or analog stereo signals to high
performance Digital Signal Processor to recreate sound
fields artificially. Select one of the 13 provided surround
modes according to the program source you want to play.
Dolby Pro Logic IIx surround
Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1
channel sources and extends to 7.1channel surround
playback. It delivers the most natural, full range and
immersing 7.1 channel listening experience. Dolby Pro Logic
IIx surround includes two modes as follows :
• Dolby Pro Logic IIx Movie
Theater
When enjoying movies, this mode allows you to further
enhance the cinematic quality by adding processing that
emphasizes the sounds of the action special effects.
This mode provides the effect of being in a theater -in-the
round when watching a play.
Movie
• Dolby Pro Logic IIx Music
This mode provides the effect of being in a movie theater
when watching a movie.
When listening to music, this mode allows you to further
enhance the sound quality by adding processing that
emphasizes the musical effects.
Hall 1/2
This mode provides the ambience of a chamber hall for
chamber music or an instrumental solo (Hall 1) or a concert
hall for orchestral music or an opera (Hall 2).
Dolby Pro Logic II surround
This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals as well as Dolby
Surround signals, etc. to surround processing to offer
improvements over conventional Dolby Pro Logic circuits.
Dolby Pro Logic II surround includes Dolby Pro Logic II Movie
and Dolby Pro Logic II Music like Dolby Pro Logic IIx
surround.
Stadium
This mode provides the expansive sound field to achieve the
true stadium effect when watching baseball or soccer games.
Church
This mode provides the ambience of a church for baroque,
string orchestral or choral group music.
Dolby Virtual Speaker
This mode creates a virtual surround sound field using as few
as two front speakers, allowing you to experience listening
from 5.1 channel speakers.
Club 1/2
This mode creates the sound field of a jazz club with a low
ceiling and hard walls (Club 1) or a live house with a relatively
spacious floor (Club 2).
This mode is effective not only for 5.1 channel sources but
also for stereo ( 2 channel ) sources.
Dolby Headphone
Arena 1/2
The Dolby Headphone function simulates 5.1 channel
surround sound , which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like
listening from 5.1 channel speakers.
This mode provides the feeling of a live concert in a medium -
sized (Arena 1) or large (Arena 2) arena.
Game
This mode is effective not only for 5.1 channel sources but
also for stereo ( 2 channel ) sources.
Use this mode to enjoy video game sources.
4CH Stereo
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic” and the double-D symbol are trademarks
of Dolby Laboratories.
This mode creates a wider, deeper and more natural
soundstage from 2 channel PCM or analog stereo sources.
The front left channel signals are output to the surround left
channel and the front right channel signals are output to the
surround right channel.
MPEG Multichannel
This mode is a surround system which faithfully reproduces
the ambience and dynamics of movie soundtracks and music
alike. Though the number of audio channels are same as
Matrix
This mode reproduces a delayed signals from the surround
channels to emphasize the sense of expansion for music
sources.
Dolby Digital, discs bearing the “
” provides
much better at locating individual sounds to the correct and
stable position in the sound stage.
• When using the 8 CH DIRECT INs to play back the sound
from the additional multi-channel decoder for surround
sound, you can enjoy the corresponding surround sound,
too.( For details, refer to the operating instructions of the
component to be connected.)
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For your reference, the sound from each channel can be reproduced according to the surround modes as follows:
Channels
SURROUND
L/R
SURROUND BACK
L/R
FRONT L/R
CENTER
SUBWOOFER
Modes
DTS, DTS 96/24
DTS ES DISCRETE/MATRIX
DTS NEO 6: CINEMA/MUSIC
DOLBY DIGITAL
DOLBY DIGITAL EX
DOLBY PRO LOGIC IIx MOVIE/MUSIC
DOLBY PRO LOGIC II MOVIE/MUSIC
DOLBY VIRTUAL SPEAKER
MPEG
4CH STEREO
Other Surrounds
STEREO
8 CH DIRECT
(*): Depending on the subwoofer mode setting, the sound from the subwoofer channel may be reproduced.
• Depending on the speaker settings and the number of the encoded channels, etc. the sound from the corresponding channels
cannot be reproduced.(For details, refer to “SETTING THE SPEAKER SETUP” on page 45.)
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ENJOYING SURROUND SOUND
• Surround sound effect will not work properly if the signal passes through a graphic equalizer.
Please refer to your equalizer operating instructions for guidance on switching off (or defeating) the equalizer.
Note: Before surround playback, first perform the SPEAKER SETUP procedure, etc. on the OSD menu for optimum
performance. (For details, refer to “SETTING THE SPEAKER SETUP” on page 45.)
Depending on the input digital signal format, select the desired decoding mode.
• You can select the “DTS”, “DOLBY DIGITAL”, “PCM” or
1
POWER ON
STANDBY
“MPEG” mode directly on the remote control.
AUD1
VID6
DTS
7.1IN
PL2MV
• Each time the DECODING MODE button is pressed, the
DOLBY PL2MS
decoding mode changes as follows :
PCM
NEO6C
NEO6M
MPEG
or
* Auto mode(“AUTO” lights up): The input digital signal format
(DTS, Dolby Digital, MPEG or PCM( 2 channel stereo), etc.)
used by the selected digital input source is detected
automatically to perform the necessary decoding process for
optimum surround mode.
PAGE2
MAIN
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
DECODE
* Dolby Digital mode(“DOLBY DIGITAL” lights up): The Dolby
Digital signal processing is performed only when Dolby Digital
signals are input.
* DTS mode(“ DTS” lights up): The DTS signal processing is
performed only when DTS signals are input.
* MPEG mode(“MPEG” lights up): The MPEG signal processing
is performed only when MPEG signals are input.
* PCM mode(“PCM” lights up): The PCM signal processing is
performed only when PCM signals are input.
Notes :
• Only when the digital input is selected as signal input for the
input sources except PHONO, TUNER and TAPE
MONITOR, the decoding mode can be selected.
• Noise may be generated at the beginning of playback and
while searching during DTS playback in the auto mode. In this
case, try playing in the DTS mode.
POWER ON
STANDBY
Select the desired surround mode.
AUD1
VID6
DTS
7.1IN
PL2MV
DOLBY PL2MS
or
2
PCM
NEO6C
NEO6M
MPEG
PAGE2
MAIN
CH.
SET
• Each time the MULTI CONTROL knob is rotated or the DSP MODE UP(
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
) or DOWN( ) button is pressed , the surround mode changes
depending on the input signal format and the selected decoding mode as
follows :
DSP
DSP
Signal format being input
Dolby Digital 5.1,
Dolby Digital EX 6.1 channel sources
Dolby Digital 2 channel sources
Selected decoding mode
Auto, Dolby Digital mode
Selectable surround mode
(DOLBY DIGITAL EX,)
DOLBY DIGITAL
(DOLBY DIGITAL EX,) DOLBY DIGITAL, PL II MOVIE,
PL II MUSIC
DTS sources
DTS 96/24 sources
MPEG sources
PCM ( 2 channel ) sources
Analog stereo sources
Auto, DTS mode
(DTS ES MATRIX or DTS ES DISCRETE,) DTS
DTS 96/24
MPEG
PL II MOVIE, PL II MUSIC, BYPASS,
DTS NEO 6 : CINEMA, DTS NEO 6 : MUSIC, THEATER,
MOVIE, HALL 1/2, STADIUM, CHURCH, CLUB 1/2,
ARENA 1/2, GAME, 4CH STEREO, MATRIX
Auto, MPEG mode
Auto, PCM mode
( ): Possible only when surround back channel is not set to “None”.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 45.)
BYPASS mode: Audio signals bypass signal processing circuits for surround sound and are played in stereo mode.
If Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode is combined with BYPASS mode, you will enjoy its original surround
effects, not affected by other surround modes.
• You can select the “PL II MOVIE”(or “PL IIx MOVIE”), “PL II MUSIC”(or “PL IIx MUSIC”), “DTS NEO: 6 CINEMA” or “DTS
NEO : 6 MUSIC” mode directly on the remote control depending on the input signal format, the selected decoding mode and the
surround back channel setting.
• When MPEG signals are input in the required decoding mode, the corresponding surround mode will be automatically selected
regardless of using the MULTI CONTROL knob or DSP MODE UP( ) or DOWN( ) button.
Notes:
• When the selected decoding mode is not matched to the input signal format, the indicator of the signal being input flickers, meaning
the required process cannot be performed and no sound is heard. Therefore, be sure to select the required decoding mode and the
available surround mode according to the input signal format.
• When the 8 CH DIRECT is selected as an input source, the decoding and surround modes cannot be selected.
• When the pure audio function is activated, the surround mode cannot be selected.
• When 96 kHz PCM signals are input, only the stereo mode can be selected.
• When DTS 96/24 or MPEG signals are input, the Dolby Pro Logic IIx, Dolby Virtual Speaker and Dolby Headphone modes cannot
be selected.
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Continued
When canceling the surround mode for normal stereo operation.
POWER ON
STANDBY
• Depending on the signal format which is being input, either the
stereo mode or the 2CH downmix mode is selected.
MAIN
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
• To cancel either the stereo mode or the 2 CH downmix mode,
select the desired surround mode with using the MULTI
or
RETURN
1
STEREO
2
STEREO
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
CONTROL knob or DSP MODE UP/DOWN (
/
) buttons.
M2
M3
RNC-510
2CH downmix mode
• This mode allows the multi-channel signals encoded in DTS, Dolby Digital or MPEG format to be mixed down into
2 front channels and to be reproduced through only two front speakers or through headphones.
• When the HEADPHONE SELECTOR button is set to the speaker off mode to listen with headphones, if the Dolby
Headphone off mode is selected while playing the digital signals from DTS, Dolby Digital or MPEG sources, it will
enter the 2CH downmix mode automatically.
To cancel the 2CH downmix mode, select the desired Dolby Headphone mode with pressing the DOLBY
HEADPHONE button.(For details, refer to “To listen in a Dolby Headphone mode” on page 32.)
Listening in a Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode
To listen in a Dolby Pro Logic IIx mode
Note : When the power amplifier for the surround back channels is assigned to the “ROOM2” or the surround back
channel is set to “None”, the Dolby Pro Logic IIx mode cannot be selected.
• While listening in a surround mode, select the desired Dolby Pro Logic IIx mode.
POWER ON
STANDBY
MAIN
CH.
SET
• Each time this button is pressed, the mode changes as follows:
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
or
PL IIx MOVIE
PL IIx MUSIC
Off(original surround mode)
RETURN
1
STEEO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• Combined with the original surround mode, Dolby Pro Logic IIx decoding creates 6.1 or 7.1 channel surround
sound depending on whether the surround back channel is set to “1CH” or “2CH”.
• In case of playing in the stereo or 2CH downmix mode, it is canceled and the selected Dolby Pro Logic IIx mode
will be combined with the previous surround mode.
• The desired mode can be selected with pressing the CURSOR RIGHT( ) button only when the OSD menu
operation is not performed.
To listen in a Dolby Virtual Speaker mode
• This mode creates a virtual surround sound field using as few as two front speakers, allowing you to experience
listening from 5.1 channel speakers.
Note : Before using Dolby Virtual Speaker function, first set the speaker layout and virtualization mode as
desired.(For details, “When selecting the VIRTUAL SPEAKER SETUP” on page 48.)
• While playing in a surround mode,
• “DOLBY VS ~” is displayed and combined with the original
POWER ON
STANDBY
surround mode, this mode is activated.
• In case of playing in the stereo or 2CH downmix mode, it is
canceled and the selected Dolby Virtual Speaker mode will be
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
combined with the previous mode.
• To cancel the Dolby Virtual Speaker mode, press this button again.
Then it returns to the previous mode.
or
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
• The desired mode can be selected with pressing the CURSOR LEFT
RNC-510
(
) button only when the OSD menu operation is not performed.
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Continued
To listen in a Dolby Headphone mode
• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.
Note : Only when the HEADPHONE SELECTOR button is set to the speaker off mode, the Dolby Headphone
mode can be selected.
• While listening with headphones, select the desired Dolby Headphone mode.
• Each time this button is pressed, the mode changes as follows :
POWER ON
STANDBY
DOLBY HEADPHONE 1: This simulates the soundfield as if you were in a
relatively small room with less reverberations.
MAIN
DOLBY HEADPHONE 2: This simulates the soundfield as if you were in a
CH.
SET
CH/
ADJUST
VOL
MUTE
typical listening room with moderate reverberations.
DOLBY HEADPHONE 3: This simulates the soundfield as if you were in a
large space like theater.
Off : Depending on the signal format which is being input, either the stereo
mode or the 2CH downmix mode is selected.
DECODE
DSP
DSP
or
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• Combined with the current mode, the selected Dolby Headphone
mode is activated.
• The desired mode can be selected with pressing the CURSOR UP(
button only when the OSD menu operation is not performed.
)
Notes :
• In case of that the original surround mode is “DOLBY DIGITAL EX” or “DTS ES” mode, it will be automatically
changed to “DOLBY DIGITAL” or “DTS” mode.
• Only when playing a stereo (2 channel) source in “PL IIx”, “DOLBY VS” or “DOLBY HEADPHONE” mode, you
can select the original surround mode to be combined with use of the MULTI CONTROL knob or the DSP MODE
UP( )/DOWN( ) buttons.(However, in case of “PL IIx” mode, you cannot select “PL II”mode.)
• When “PL IIx” mode is selected while playing in “PL II” mode, it will be automatically changed to “DOLBY
DIGITAL” or “BYPASS” mode depending on the signal format which is being input.
Selecting the desired surround speakers for different program sources
• When two sets of surround speakers are connected to the SURROUND A and B speaker terminals and are installed
as described in “Speaker placement” on page 11, to achieve more effective surround sound depending on whether
program source is movie or music and the different surround modes for the two types of sources, you can select the
desired surround speakers.
• Each time this button is pressed, the surround speakers are selected
as follows :
POWER ON
STANDBY
AUD2
Surround A : When using surround speakers A for watching movies.
SLEEP
DIMM
D/A
(“
” lights up)
S.A/B
ROOM2 SUR.B
Surround B : When using surround speakers B for playing multi-channel
music.
T.TON
OSD
PURE
PARA.
(“
” lights up)
PAGE1
Surround A and B : When using both surround speakers A and B.
(“
” light up)
Selecting the surround back channel mode as connected
• You can set the surround back channel mode according to surround back speaker connection.
• Each time this button is pressed, the mode changes as follows :
POWER ON
STANDBY
1 channel : When a surround back speaker is connected.
AUD2
SLEEP
(“
” lights up)
D/A
SB
DIMM
S.A/B
ROOM2 SUR.B
2 channel : When two surround back speakers are connected.
T.TON
OSD
PURE
PARA.
(“
SB
” lights up)
PAGE1
None : When surround back speakers are not connected.
Note: When the power amplifier for surround back channels is assigned to “ROOM2” or the surround speakers
are all set to “None”, the surround back channel is automatically set to None.
32
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Adjusting each channel level with test tone
• The volume level of each channel can be adjusted easily with the test tone function.
Note: When speakers are switched off , the test tone function does not work.
Enter the test tone mode.
• The test tone will be heard from the speaker of each
channel for 2 seconds as follows:
FL
FC
FR
SR
1
2
Front Left
Center
Front Right
Surround Right
POWER ON
STANDBY
SUB
SL
(
SC) or
(
B L
BR)
AUD2
SUBwoofer Surround Left (Surround Center)
(Surr. Back Left Surr. Back Right)
SLEEP
DIMM
D/A
S.A/B
ROOM2 SUR.B
• Depending on the speaker setting(None or No), the
test tone of the corresponding channel is not
available.
• ( ): possible depending on whether the surround back
channel is set to 2 CH or 1 CH.
T.TON
OSD
PURE
PARA.
PAGE1
At each channel, adjust the level as desired
until the sound level of each speaker is
heard to be equally loud.
Cancel the test tone function.
3
POWER ON
STANDBY
POWER ON
STANDBY
AUD2
SLEEP
DIMM
D/A
S.A/B
MAIN
CH.
SET
ROOM2 SUR.B
CH/
ADJUST
VOL
CH/
ADJUST
MUTE
DECODE
T.TON
OSD
PURE
DSP
DSP
or
PARA.
PAGE1
RETURN
1
STEREO
2
3
4
7
6
9
5
8
DOWN
UP
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• You can select the desired channel and adjust its
level with repeating the steps and in
“Adjusting the current channel levels” procedure.
Adjusting the current channel levels
• After adjusting each channel level with test tone, adjust the channel levels either according to the program sources
or to suit your tastes.
• If you have performed the CH LEVEL SETUP procedure on the OSD menu, you can memorize the adjusted
channel levels into preset memory(PRESET 1, PRESET 2) and recall the memorized whenever you want.(Refer
to “SETTING THE CH LEVEL SETUP” on page 63.)
Select the desired channel.
• Each time this button is pressed, the corresponding
channel is selected as follows:
FRONT-L FRONT-C FRONT-R SURR-R
1
POWER ON
STANDBY
SUBWOOFER SURR-L ( SURR-C) or ( BACK-L BACK-R)
MAIN
CH.
CH.
SET
CH/
SEL
VOL
ADJUST
MUTE
DECODE
DSP
DSP
• Depending on the speaker settings and surround
mode, etc., some channels cannot be selected.
• ( ): possible depending on whether the surround back
channel is set to 2 CH or 1 CH.
or
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
Note: When speakers are switched off, only
FRONT-L and FRONT-R channels can be
selected.
33
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Adjust the level of the selected channel as
desired.
Repeat the above steps
each channel level.
and to adjust
3
2
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
CH/
ADJUST
MUTE
DECODE
DSP
DSP
or
RETURN
1
STEREO
2
3
4
7
6
9
5
8
DOWN
UP
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
Adjusting the Dolby Pro Logic IIx / Dolby Pro Logic II Music parameters
• When selecting either the Dolby Pro Logic IIx Music mode or the Dolby Pro Logic II Music mode depending on
whether “S/B CH” is set to “None” or not, you can adjust the various surround parameters for optimum surround
effect.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 45.)
• In case of PL IIx MUSIC mode, only when original surround mode is “BYPASS” mode or 2 channel digital
signals from Dolby Digital sources, etc. are input, these parameter settings affect the surround effects.
Press the DOLBY PL II MUSIC PARAMETER button to select the desired parameter.
1
• Each time this button is pressed, the parameter changes and is
displayed for several seconds as follows;
Panorama mode(“PANORAMA”, default value : OFF)
This mode extends the front stereo image to include the
surround speakers for an exciting “wraparound” effect with
side wall imaging. Select “OFF” or “ON”.
POWER ON
STANDBY
AUD2
SLEEP
DIMM
D/A
S.A/B
ROOM2 SUR.B
or
T.TON
OSD
PURE
Center width control(“C-WIDTH”, default value : 0)
This adjusts the center image so it may be heard only from the
center speaker, only from the left/right speakers as a phantom
image, or from all three front speakers to varying degrees.
The control can be set in 8 steps from 0 to 7.
PARA.
PAGE1
Dimension control(“DIMENSION”, default value : 0)
This gradually adjusts the soundfield either towards the front
or towards the rear. The control can be set in 7 steps from -3
to +3.
Repeat the above steps
adjust other parameters.
and
to
At the desired parameter, adjust it as desired.
3
2
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
CH/
ADJUST
MUTE
DECODE
DSP
DSP
or
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• If the parameter display disappears, start from the
step again.
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LISTENING TO RADIO BROADCASTS
Select the desired band.
Auto tuning
2
Select the tuner.
1
POWER ON
STANDBY
AUD1
BAND
FREQUENCY
TUNER
CD
VID1
VID2
VID3
VID4
VID5
T.MON
AUX
or
• Each time this button is pressed, the band is changed
to FM or AM.
PHONO
PAGE1
• When pressing the BAND button without selecting
the TUNER, the tuner will be selected automatically.
Press the TUNING UP(+) or DOWN(-) button for more than 0.5 second.
3
• Then “ AUTO” appears on the display. The tuner
POWER ON
STANDBY
will now search until a station of sufficient strength
has been found. The display shows the tuned
frequency and “TUNED”.
• If the station found is not the desired one, simply
repeat this operation.
+
AUD2
SCH.M
E.TA
E.PTY
P.SCA
PTY
S
MEMO
TUNE+ PSET+
or
TUNE- PSET-
PAGE2
• Weak stations are skipped during auto tuning.
Manual tuning
POWER ON
STANDBY
• Manual tuning is useful when you already know the
frequency of the desired transmitter.
+
AUD2
SCH.M
E.TA
E.PTY
P.SCA
PTY
S
MEMO
• Perform the steps
~
in “Auto tuning” procedure and
TUNE+ PSET+
or
press the TUNING UP(+) or DOWN(-) button
TUNE- PSET-
PAGE2
repeatedly until the right frequency has been reached.
Auto presetting
• Auto presetting function automatically searches for FM stations only and store them in the memory.
• While listening to radio broadcasts, press and hold down the (ENTER/)MEMORY button for more than 3 seconds.
• Then “AUTO” lights up and this unit starts auto
presetting.
POWER ON
STANDBY
• Up to 30 FM stations can be stored.
Notes:
AUD2
SCH,M
E.TA
E.PTY
P.SCA
PTY
S
MEMO
or
• FM stations of weak strength cannot be memorized.
• To memorize AM stations or weak stations,
perform “Manual presetting” procedure with using
“Manual tuning” operation.
TUNE+ PSET+
TUNE- PSET-
PAGE2
• When performing auto presetting with the remote
control, first be sure to turn off the OSD menu
display.
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Press the (ENTER/) MEMORY button.
Manual presetting
• You can store up to 30 preferred stations in the
memory.
2
POWER ON
STANDBY
Tune in the desired station with auto or
manual tuning.
AUD2
SCH,M
E.TA
E.PTY
P.SCA
PTY
S
MEMO
1
or
TUNE+ PSET+
TUNE- PSET-
PAGE2
Note :
• When performing manual presetting with the remote
control, first be sure to turn off the OSD manu
display.
• “MEMORY” is flickering for several seconds.
Select the desired preset number (1~30) and press the (ENTER/)MEMORY button.
3
• When using the NUMERIC buttons on the remote
control.
Examples) For “3” :
3
within 2 seconds
For “15” :
For “30” :
1
0
5
• The station has now been stored in the memory.
• When using the NUMERIC buttons, the station is
stored automatically without pressing the
(ENTER/)MEMORY button.
• A stored frequency is erased from the memory by
storing another frequency in its place.
POWER ON
POWER ON
STANDBY
STANDBY
AUD2
SCH.M
AUD2
SCH.M
E.TA
E.PTY
P.SCA
E.TA
E.PTY
P.SCA
PTY
S
PTY
S
MEMO
MEMO
TUNE+ PSET+
TUNE+ PSET+
TUNE- PSET-
PAGE2
TUNE- PSET-
PAGE2
• If “MEMORY” goes off, start again from the above
step
.
MEMORY BACKUP FUNCTION
The following items, set before the receiver is turned
off, are memorized.
Repeat the above steps
memorize other stations.
to to
4
• INPUT SELECTOR settings
• Surround mode settings
• Preset stations, etc.
Tuning to preset stations
• After selecting the tuner as input source, select the desired preset number.
• When using the NUMERIC buttons on the remote
POWER ON
STANDBY
control.
Examples) For “3”:
+
AUD2
SCH.M
E.TA
E.PTY
P.SCA
3
PTY
S
within 2 seconds
MEMO
TUNE+ PSET+
or
1
0
5
For “15”:
For “30”:
TUNE- PSET-
PAGE2
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Scanning preset stations in sequence
Listening to FM stereo broadcasts
• While listening to FM broadcasts.
POWER ON
STANDBY
AUD2
SCH.M
E.TA
E.PTY
P.SCA
• Each time this button is pressed,
the FM mode changes as follows;
PTY
S
MEMO
TUNE+ PSET+
TUNE- PSET-
PAGE2
Stereo mode : “STEREO” lights up.
Mono mode : “STEREO” goes off.
• The receiver will start scanning the stations in the
preset sequence and each station is received for 5
seconds.
• At the desired station, press this button again to
stop scanning.
• When FM stereo broadcasts are poor because of weak
broadcast signals, select the FM mono mode to reduce
the noise, then FM broadcasts are reproduced in
monaural sound.
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RECORDING
• The analog signals from the 8 CH DIRECT inputs as well as the digital signals from DIGITAL inputs or USB can be heard but
cannot be recorded.
• The volume, channel level, tone(bass, treble) settings, etc. have no effect on the recording signals.
Start recoding on the component
Recording with TAPE MONITOR
connected to TAPE MONITOR.
2
Select the desired input as a recording source
except TAPE MONITOR.
1
Start play on the desired input.
POWER ON
STANDBY
AUD1
3
TUNER
VID1
VID2
VID3
VID4
VID5
CD
T.MON
AUX
or
• For tape monitor function, refer to “TAPE MONITOR
function” on page 24.
PHONO
PAGE1
• When the AUX IN/OUT jacks are connected to audio
recording component such as MD recorder, tape
deck, etc., in the same manner, recording with AUX
can be performed.
• You can select “VID 6” on the page 2 of “AUD 1” on
the remote control.
Start recording on the component
connected to VIDEO 1.
Dubbing from video components onto
VIDEO 1
2
Select the desired input of VIDEO 2~ 6 as
a recording source except VIDEO 1.
1
Start play on the desired input.
3
POWER ON
STANDBY
• The audio and video signals from the desired input will be
dubbed onto the VIDEO 1and you can enjoy them on the
TV set and from the speakers.
AUD1
TUNER
CD
VID1
VID2
VID3
VID4
VID5
T.MON
AUX
or
PHONO
• When the VIDEO 2(/ROOM 2) IN/OUT jacks are
connected to video recording component such as video
deck, etc., in the same manner, recording with VIDEO 2
can be performed.
(If this is the case, be sure to deactivate the ROOM 2
function and to set the VIDEO 2 OUT to On. For details,
refer to “When selecting the VIDEO 2 OUT” on page 57.)
PAGE1
• You can select “VID 6” on the page 2 of “AUD 1” on
the remote control.
Select VIDEO 2 as a image recording
source with performing “When selecting
the CURRENT VIDEO” procedure on
Dubbing the sound and image signals
separately onto VIDEO 1
2
page 55.
E
xample) When dubbing the VIDEO 2 image signal and
the CD sound signal separately onto VIDEO 1.
Select CD as an sound recording source.
Image source
Sound source
1
POWER ON
STANDBY
AUD1
TUNER
CD
VID1
VID2
VID3
VID4
VID5
T.MON
AUX
or
PHONO
PAGE1
Image source
Sound source
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Start recording on the component
connected to VIDEO 1.
Start play on the components connected to
VIDEO 2 and CD respectively.
3
4
• The audio signal from the CD and the video signal
from the VIDEO 2 will be dubbed and you can
enjoy them on the TV set and from the speakers.
• When the VIDEO 2(/ROOM 2) IN/OUT jacks are
connected to video recording component such as
video deck, etc., in the same manner, recording with
VIDEO 2 can be performed.
(If this is the case, be sure to deactivate the ROOM
2 function and to set the VIDEO 2 OUT to On. For
details, refer to “When selecting the VIDEO 2
OUT” on page 57.)
DIGITAL AUDIO RECORDING WITH MD RECORDER
• Only when the OPTICAL or COAXIAL DIGITAL OUT of this receiver is connected to the OPTICAL or COAXIAL DIGITAL IN of
the MD recorder or CD recorder, you can enjoy high-quality sound of digital recording without converting the original signals.
Refer to “ CONNECTING AUDIO COMPONENTS” and “CONNECTING DIGITAL INs and OUTs” on page 6 and 8 and the
operating instructions of the MD recorder or CD recorder.
• However, when the COAXIAL DIGITAL OUT is connected to the component installed in another room for ROOM 2 playback,
the digital signals from the COAXIAL DIGITAL OUT will be used for ROOM 2 playback.
• In this case that the COAXIAL DIGITAL OUT is connected to the MD recorder or CD recorder for digital recording, be sure to
deactivate the ROOM 2 function.
Notes:
• The digital signals being input into the USB terminal will not be output from the COAXIAL DIGITAL OUT.
• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.
• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.
• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of
your digital recording equipment to know what restrictions are imposed.
Select a desired input of CD, AUX and
VIDEO 1~VIDEO 6 as a recording source.
For digital recording, select the desired
digital input as recording signal input.
1
3
2
POWER ON
STANDBY
AUD2
SLEEP
DIMM
D/A
S.A/B
POWER ON
STANDBY
ROOM2 SUR.B
or
T.TON
OSD
PURE
AUD1
TUNER
CD
VID1
VID2
VID3
VID4
VID5
PARA.
PAGE1
or
T.MON
AUX
PHONO
PAGE1
• Each time this button is pressed, the corresponding
input is selected as follows:
DIGITAL
ANALOG
Note : When the selected digital input is not
connected, “DIGITAL” is flickering,
meaning no recording as well as no sound.
Start play on the desired input.
Start recording on the component
connected to OPTICAL or COAXIAL
DIGITAL OUT.
4
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OTHER FUNCTIONS
Adjust the dynamic range as desired.
Compressing the dynamic range
(Dolby Digital sources only)
2
• This function compresses the dynamic range of
previously specified parts of the Dolby Digital sound
track(with extremely high volume)to minimize the
difference in volume between the specified and non-
specified parts.
This makes it easy to hear all of the sound track when
watching movies at night at low levels.
• Each time the MULTI CONTROL knob is rotated,
the compression rate changes as follows:
While the digital signals from the Dolby
Digital program source are being input.
1
• In some Dolby Digital software, this function may
not be available.
• “DYNAMIC : ~” is displayed for several seconds.
• If the dynamic range mode disappears, start again
from the above step
.
Operating the sleep timer
Adjusting the brightness of the
fluorescent displays
• The sleep timer allows the system to continue to
operate for a specified period of time before
automatically shutting off.
• To set the receiver to automatically turn off after the
specified period of time.
POWER ON
STANDBY
AUD2
SLEEP
DIMM
D/A
S.A/B
POWER ON
STANDBY
ROOM2 SUR.B
T.TON
OSD
PURE
AUD2
PARA.
SLEEP
DIMM
D/A
PAGE1
S.A/B
ROOM2 SUR.B
T.TON
OSD
PURE
PARA.
PAGE1
• Each time this button is pressed, the brightness of all
fluorescent displays of Sherwood components
connected by the DIGI LINK III changes together as
follows:
• Each time this button is pressed, the sleep time
changes and disappears in several seconds as follows:
10
20
30
60
90
OFF
Unit : minutes
ON
dim
OFF
• While operating the sleep timer, “
• When the sleep time is selected,
all display panels of Sherwood components connected
by the DIGI LINK III are dimly lit.
” lights up.
• In the display OFF mode, pressing any button will
restore the display ON mode.
40
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Press the LABEL button to enter the label
input mode.
Example ) When selecting VIDEO 1.
Entering a label
2
4
• This function can be operated on the input sources
except TUNER, TAPE MONITOR and 8 CH
DIRECT.
Select the desired input source to enter its
label.
1
POWER ON
STANDBY
AUD1
TUNER
CD
VID1
VID2
VID3
VID4
VID5
Confirm your selection.
T.MON
AUX
or
PHONO
PAGE1
• You can select “VID 6” on the page 2 of “AUD 1”
on the remote control.
• Then the next digit will flicker.
Select the character on the flickering digit.
3
Repeat the above steps
the desired characters on the rest of the
digits.
and to enter
5
• On up to 9 digits, the desired characters can be entered.
• Each time the MULTI CONTROL knob is rotated,
the characters change as follows:
Note: If any of INPUT SELECTOR buttons is
pressed while entering a label, the label input
mode will be canceled.
Blank (
)
Memorize the desired label.
Alphabets: A~Z, a~z
Numerals: 0~9
Symbols:
6
o
Repeat the steps
label” procedure.
~
in “Entering a
Correcting or clearing a label
2
Select the desired input source to be
rectified or cleared.
1
POWER ON
STANDBY
• To clear a label, make a blank on each digit and
memorize it, then the label is cleared and its factory
input source will be displayed.
• If the LABEL button is pressed for more than 3
seconds, blanks will be made on all the digits at
once.
AUD1
TUNER
VID1
VID2
VID3
VID4
VID5
CD
T.MON
AUX
or
PHONO
PAGE1
• You can select “VID 6” on the page 2 of “AUD 1”
on the remote control.
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ROOM 2 SOURCE PLAYBACK
• This function allows enjoying one source in the main room and playing another in a different room at the same time.
• The analog signals from the 8 CH DIRECT inputs and TAPE MONITOR INs cannot be output from the (VIDEO 2/) ROOM 2 OUTs and the
digital signals from the USB terminal cannot be output from the COAXIAL DIGITAL OUT, meaning no playback in a different room.
• When you connect the multi-room system kit to the IR IN jack of this receiver, you can control this receiver with not only the universal remote
control unit but also the ROOM 2 remote control unit in a different room, too.
(For details, refer to “CONNECTING MULTI-ROOM SYSTEM KIT” on page 13 and “ROOM 2 Remote Controls” on page 23.)
CAUTION : Even when the ROOM 2 function is deactivated, if the VIDEO 2 OUT is set to On, the signals of the selected source as a
main room source will be output from the VIDEO 2/ROOM 2 OUTs.(For details, refer to “When selecting the VIDEO 2 OUT”
on page 57.)
When using the ROOM 2 remote control unit
• You can use the ROOM 2 function with the ROOM 2
remote control unit more conveniently.
When using the universal remote control unit or the
buttons on the front panel.
Press the ROOM 2 button.
Press the ROOM 2 button.
ROOM2
ROOM2
PHONO
AUX
CD
TUNER
1
AUDIO
POWER ON
STANDBY
VIDEO
VIDEO
1
VIDEO
VIDEO
2
5
VIDEO
3
4
VIDEO
6
1
AUD2
VIDEO
SLEEP
DIMM
D/A
MUTE
S.A/B
VOLUME
ROOM2 SUR.B
T.TON
OSD
PURE
or
PARA.
• “R2” lights up and “(R2)~” is displayed for several
seconds and the ROOM 2 function is activated.
• To cancel the ROOM 2 function, press it again.
Then “R2” goes off.
• In the operating mode, when one of the ROOM 2 INPUT
SELECTOR buttons on this remote control is pressed, the
ROOM 2 function is automatically activated without
pressing the ROOM 2 button and the desired input is
selected.
PAGE1
• “R2” lights up and “(R2)~” is displayed for several seconds
and the ROOM 2 function is activated.
• To cancel the ROOM 2 function, press it again.
Then “R2” goes off.
• You can cancel the ROOM 2 function with using these
buttons even in the standby mode.
ROOM2
Select the desired
input as a ROOM 2
source.
Select the desired input as a ROOM 2 source
while displaying “(R2)~”.
PHONO
AUX
CD
TUNER
PHONO
AUX
CD
TUNER
AUDIO
VIDEO
VIDEO
1
VIDEO
VIDEO
2
5
VIDEO
3
4
VIDEO
6
AUDIO
VIDEO
2
VIDEO
VIDEO
1
VIDEO
VIDEO
2
5
VIDEO
3
2
MUTE
4
VIDEO
6
VOLUME
VIDEO
• The selected ROOM 2 source is
displayed for several seconds as
follows: (R2) PHONO, (R2) TUNER,
(R2) CD, (R2) AUX, (R2) VIDEO 1~6.
• Only these sources can be played in another room.
• When an audio program source is selected, as a ROOM 2
source, the image of the video program source selected
previously can be played separately, too. (For details, refer to
“ SETTING THE ROOM2 FEED SETUP” on page 66.)
• The selected ROOM 2 source is displayed for several
seconds.
• Only while displaying “(R2)~”, the volume level for the
ROOM 2 source can be adjusted.
• The MUTE and VOLUME UP/DOWN(
remote control can be available only when the ROOM 2
/
) buttons on this
• When “(R2)~” is not displayed, press the ROOM 2 button
briefly twice.
function is operating.
Note:
• When the muting effect for the ROOM 2 source is operating,
“MUTE” is flickering.
Start play on the component related to the
ROOM 2 source.
Start play on the component related to the
ROOM 2 source.
3
3
Notes:
• When the pure audio function is activated for the main room source, the video signals of the ROOM 2 source cannot be output, too.
• Even when this receiver enters the standby mode, in such a case that “R2” lights up still and the STANDBY button lights up in blue
as it does in the operating mode, meaning only the ROOM 2 circuitry operates, the ROOM 2 source can be played independently.
• When the ROOM 2 function is operating in the standby mode, only the ROOM 2 remote control unit is available.
• When you do not use the ROOM 2 function, cancel the ROOM 2 function to save electricity.
• For ROOM 2 volume adjustment, refer to “SETTING THE ROOM 2 FEED SETUP” on page 66.
42
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Using the OSD
This unit incorporates an OSD(On-screen display) function to provide information about basic operation of this unit and to simplify the
setup procedures.
The OSD function uses a monitor TV connected to this unit as a display and has two kinds of display modes such as current status display
and menu screen.
Notes
• Any on-screen display shown on the monitor TV will not be recorded.
• Because this unit cannot support the OSD function for the progressively scanned video signal, the OSD for current status and menu settings may be
displayed abnormally or may not be displayed.
CURRENT STATUS DISPLAY
This mode shows the status corresponding to each operation.
• The on-screen display will automatically disappear in several seconds.
• For examples, there are 2 status displays as follows.
Notes :
• When watching a movie earnestly, if you want to turn off the current status display function, set the OSD auto display mode to Off.(For
details, refer to “When selecting the OSD AUTO DISPLAY” on page 55.)
Current status display function might not operate as expected if :
• You view a movie via MONITOR COMPONENT OUTs while component video signals are input into this receiver.
• You view a movie via MONITOR COMPOSITE OUT while S-Video signals and composite video signals are input into this receiver.
When selecting the desired input source.
When selecting the TEST TONE mode.
VIDEO 1 (OPTICAL 1)
Channel level or
overall volume display
FL
:
------ ------
:
0 dB
Input source
Signal input
• When adjusting overall volume, the volume level display will be shown.
• The test tone display will be shown until the test tone mode is canceled.
OSD Menu Settings
• The OSD menu allows you to perform the setup procedures easily. In most situations, you will only need to set this once during the installation
and layout of your home theater, and it rarely needs to be changed later. The OSD menu consists of 6 main menus: power amp assign, speaker
setup, system setup, surround setup, CH level setup and room 2 feed setup. Some of these menus are divided into various sub-menus.
• The OSD menu settings are performed easily with the CURSOR control(
Notes:
,
,
,
), OSD, RETURN and ENTER buttons.
• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a movie via
the MONITOR COMPONENT OUTs, if the OSD menu operation is performed, the picture is automatically turned off and only the OSD
menu is displayed.
• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is performed, the
OSD menu cannot be displayed via MONITOR COMPOSITE OUT.
Turn the menu screen on.
M A I N
ME N U
1
POWER ON
STANDBY
POWE R A MP A S S I G N
S P E A K E R
S Y S T E M
S U R R O U N D
C H L E V E L
S E T U P
S E T U P
S E T U P
S E T U P
MAIN
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
R OOM 2 F E E D S E T U P
,
: M o v e
RETURN
1
STEREO
2
3
6
9
OSD/MENU
ENT
O S D : Q u i t
E N TE R : S e l e c t
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• In the bottom of the display, “OSD” stands for the OSD button,
“RETURN” for “RETURN”, “ENTER” for “ENTER”, “ ”,
“
”, “ ” and “ ” for CURSOR UP( ), DOWN( ),
• The main menu will be shown.
• To turn the menu screen off, press this button again.
LEFT( ) and RIGHT( ).
43
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POWER ON
STANDBY
Select the desired menu using the CURSOR
UP( )/DOWN( ) buttons.
2
3
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Confirm your selection.
POWER ON
STANDBY
• The selected category or item will provide the needed
setting details using the subsequent screens.
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
5
8
9
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
When selecting the POWER AMP ASSIGN
When selecting the SPEAKER SETUP
S P E AKE R
S E T U P
P O WE R
AMP A S S I G N
S P E A K E R C O N F I G U R A T I O N
S P E A K E R D I S T A N C E
V I R T UA L S P E A K E R S E TUP
SUBWOOFER : A C T I V E
SUBWOOFER M O D E : L F E
C R O S S O V E R F R E Q . : 8 0 H z
A U T O S P E A K E R S E T UP
S / B AC K
ROOM 2
45
45
,
: Mo v e
R E T U R N : B a c k
,
: S e l e c t
R E T U R N : B a c k E N T E R : S e l e c t
When selecting the SYSTEM SETUP
When selecting the SURROUND SETUP
S Y S T E M
SE T U P
S URROUN D
S E T UP
D I G I T A L I NP U T S E T U P
TO NE C O N T RO L
OSD A U T O D I S P L A Y :
DE C O D I NG M O D E
S U R R OUN D M O D E
:
:
A U T O
On
VID 1
CURR E N T V I D EO :
DO L B Y D I G I T A L E X
N O N E
DY N A M I C R A N G E
P L I MUS I C P A R AME TE R
60
53
COMPON E N T V I DE O S E T U P
Off
+
V I DE O
2
OU T :
:
0 . 0
D C T R I G G ER 2 S E T U P
D . R E - M A S T E R I N G :
I
x
Off
R E T U R N : B a c k
,
: S e l e c t
R E T URN : B a c k E N T E R : S e l e c t
When selecting the CH LEVEL SETUP
When selecting the ROOM2 FEED SETUP
R OO M 2 F E E D S E T U P
C H
L E V E L
S E T U P
Variable
V O L U M E MOD E
R O O M 2 F E E D
T U N E R
C D
A U X
:
:
P R E SE T 1
P R E SE T 1
P R E SE T 2
P R E SE T 2
:
:
C AL L
T R I M
C AL L
T R I M
Off
V I D E O
V I D E O
V I D E O
V I D E O
V I D E O
V I D E O
1
2
3
4
5
6
66
63
C H
L E V E L T R I M
P H O N O
L F E L E V E L T R I M
,
: S e l e c t
R E T U R N : B a c k
E N T E R : C a l l
R E T U R N : B a c k
,
: S e l e c t
• For the setting details, see page in
.
• Adjust the setting(s) in each setting category to your preference.
• When the RETURN button is pressed on a sub-menu, the previous menu is resumed.
44
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SETTING THE POWER AMP ASSIGN
• You can assign the power amplifier for the surround back channels to the ROOM 2.
In this case, you need not use the power amplifier to drive the speakers additionally in a different room (ROOM 2).
P O WE R
AMP A S S I G N
S / B AC K
ROOM 2
R E T U R N : B a c k
,
: S e l e c t
Press the CURSOR LEFT( )/RIGHT( ) buttons to use the power amplifier as desired.
POWER ON
STANDBY
• Each time these buttons are pressed, the power amplifier is
assigned as follows :
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
S /BACK : Select this to use power amplifier for the surround back
channels.
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
ROOM 2 : Select this to use it for the ROOM 2.
DISP
MI
0
M2
M3
RNC-510
SETTING THE SPEAKER SETUP
• After you have installed this unit and connected all the components, you first perform the speaker setup settings for the optimum
sound acoustics according to your environment and speaker layout.
• Even when you change speakers, speaker positions, or the layout of your listening environment, you should perform the speaker
setup settings, too.
• When performing the AUTO SPEAKER SETUP procedure, you need not perform the SPEAKER CONFIGURATION, SPEAKER
DISTANCE and CH LEVEL SETUP procedures.
To select the sizes of the speakers that are connected.
S P E AKE R
S E T U P
To enter the distance between the listening position and each speaker to set
the delay time automatically for the optimum surround playback.
To adjust the Dolby Virtual Speaker setting modes as desired.
To select the type of the subwoofer that is connected.
To select the desired subwoofer mode.
S P E A K E R C O N F I G U R A T I O N
S P E A K E R D I S T A N C E
V I R T UA L S P E A K E R S E TUP
SUBWOOFER : A C T I V E
SUBWOOFER M O D E : L F E
C R O S S O V E R F R E Q . : 8 0 H z
A U T O S P E A K E R S E T UP
,
: Mo v e
To select the desired crossover frequency.
R E T U R N : B a c k E N T E R : S e l e c t
To set the speaker setup and channel level setup automatically.
When selecting the SPEAKER CONFIGURATION
Press the CURSOR UP( )/DOWN( ) buttons to select the SPEAKER CONFIGURATION, then press
the ENTER button.
1
POWER ON
STANDBY
S P E A K E R CON F I G UR A T I O N
Yes
SU BWOO F E R :
Large
F R ON T
CE N T E R
SU R R . A / B
SU R R . ( A )
SU R R . ( B )
:
:
:
:
:
:
:
MAIN
Large
CH.
SET
CH/
VOL
ADJUST
MUTE
A + B
Large
Large
2CH
DECODE
DSP
DSP
RETURN
1
STEREO
2
S /
SU R R . B A CK
R E T U R N : B a c k
B
C H
3
6
9
4
7
5
8
Large
OSD/MENU
ENT
DISP
MI
0
,
: S e l e c t
M2
M3
RNC-510
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Press the CURSOR UP( )/DOWN( ) buttons to select the desired speaker.
2
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
• Each time these buttons are pressed, “ ” and “ ” are
moved to the corresponding speaker mode.
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.
3
• Depending on your speaker type, you can select one of these following speaker types.
POWER ON
STANDBY
• Yes/No : Select the desired depending on whether a subwoofer is connected or not.
• Large : Select this when connecting speakers that can fully reproduce sounds below
crossover frequency.
MAIN
• Small : Select this when connecting speakers that cannot fully reproduce sounds below
crossover frequency.When this is selected, sounds below crossover frequency
are sent to the subwoofer.
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
• None : Select this when no speakers are connected. When this is selected, sounds are
sent to the speakers which are not set to None.
• A/B/A+B : Select the desired depending on surround speaker connections (and whether
program source is movie or music in such a case that two sets of surround
speakers are connected).
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
• 2CH/1CH : Select the desired depending on the number of surround back speakers.
Notes :
• When speakers are set to “Small”, you should set the CROSSOVER FREQUENCY correctly according to their
low frequency playback capacity. (Refer to “When selecting the CROSSOVER FREQUENCY” on page 50.)
• When “FRONT’ is set to “Small”, “SUBWOOFER” is automatically set to “Yes”, and when “SUBWOOFER” is
set to “No”, “FRONT” is automatically set to “Large”.
• When “FRONT” is set to “Small”, “CENTER”, “SURROUND” and “SURR. BACK” cannot be set to “Large”.
• When the power amplifier for surround back channels is assigned to “ROOM2” or the surround speakers are all set
to None, “S/B CH” is automatically set to “None”.
• When “SURR. (A)” or “SURR. (B)” is set to “Small”, “SURR. BACK” cannot be set to “Large”.
• If either “SURR. (A)” or “SURR. (B)” is set to “Small”, the output is the same as when “SURR. (A)” and “SURR.
(B)” are both set to “Small”.
Repeat the above steps
and until the speakers are all set to the desired mode.
4
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When selecting the SPEAKER DISTANCE
Press the CURSOR UP( )/DOWN( ) buttons to select the SPEAKER DISTANCE, then press the
ENTER button.
1
POWER ON
STANDBY
S P E A K E R D I S T A N C E
Feet
UN I T
:
F L : 1 0
R : 1 0
MAIN
F C : 1 0
CH.
SET
CH/
VOL
SURR . ( A )
L
:
1 0
ADJUST
MUTE
DECODE
DSP
DSP
SURR . ( A ) R : 1 0
SURR . ( B ) 1 0
SURR . ( B ) R : 1 0
L
:
RETURN
1
STEREO
2
3
6
9
4
7
B L
:
1 0
R : 1 0
5
8
OSD/MENU
ENT
DISP
MI
0
R E T U R N : B a c k
,
: S e l e c t
M2
M3
RNC-510
Press the CURSOR UP( )/DOWN(
buttons to select the unit.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired unit.
)
2
3
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
MAIN
CH.
SET
CH.
SET
CH/
ADJUST
VOL
CH/
ADJUST
VOL
MUTE
MUTE
DECODE
DSP
DSP
DECODE
DSP
DSP
RETURN
1
STEREO
2
RETURN
1
STEREO
2
3
3
4
7
6
9
5
8
4
7
6
9
5
8
OSD/MENU
ENT
OSD/MENU
ENT
DISP
MI
0
DISP
MI
0
M2
M3
M2
M3
RNC-510
• Each time these buttons are pressed, “Meters” or
“Feet” is selected.
• Then “ ” and “ ” are moved to the unit mode.
• Once a unit is selected, the distances are
automatically changed in the selected unit.
Press the CURSOR UP( )/DOWN(
buttons to select the desired speaker.
4
)
Press the CURSOR LEFT( )/RIGHT(
buttons to enter the distance from the
selected speaker to the listening position.
)
5
• You can set the distance within the range of 0.3~9
meters in 0.3 meter intervals(or 1~30 feet in 1 feet
intervals)
Repeat the above steps
distances are all entered.
and until the
• Then “ ” and “ ” are moved to its distance.
• You cannot select the subwoofer and the speakers
set to “None”.
6
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When selecting the VIRTUAL SPEAKER SETUP
Press the CURSOR UP( )/DOWN( ) buttons to select the VIRTUAL SPEAKER SETUP, then press
the ENTER button.
1
POWER ON
STANDBY
V I R T U A L S P E A K E R S E T U P
DO L B Y V S : Off
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
S P E A K E R L A Y OU T :
DECODE
DSP
DSP
2 - SPE A K E R
MOD E :
RETURN
1
STEREO
2
W I DE
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
R E T U R N : B a c k
,
: S e l e c t
M2
M3
RNC-510
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the DOLBY VS(Virtual Speaker) mode
as desired.
2
3
POWER ON
STANDBY
• Each time these buttons are pressed, the Dolby
MAIN
Virtual Speaker mode changes as follows :
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
On : Select this to activate the Dolby Virtual Speaker
function.
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
Off : Select this to cancel it.
M2
M3
RNC-510
Press the CURSOR UP( )/DOWN(
buttons to select the SPEAKER LAYOUT
mode.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
4
)
POWER ON
STANDBY
MAIN
POWER ON
STANDBY
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
MAIN
STEREO
2
3
CH.
SET
4
7
6
9
CH/
VOL
5
8
ADJUST
MUTE
DECODE
DSP
DSP
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
• You can select the desired one of four speaker
layouts for actual speakers to be used .
DISP
MI
0
M2
M3
• Each time these buttons are pressed , the speaker
layout mode changes as follows :
2- SPEAKER : Select this when using 2 front speakers.
3- SPEAKER : Select this when using 2 front and
center speakers.
4- SPEAKER : Select this when using 2 front and 2
surround speakers.
5- SPEAKER : Select this when using 2 front, center
and 2 surround speakers.
Note :
• When the speakers are set to “None”, the corresponding
speaker layout modes cannot be selected.
48
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Press the CURSOR UP( )/DOWN(
buttons to select the virtualization mode.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
5
6
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
MAIN
RETURN
1
STEREO
2
CH.
SET
3
CH/
ADJUST
VOL
4
7
6
9
MUTE
5
8
DECODE
DSP
DSP
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
• Each time these buttons are pressed, the virtualization
mode changes as follows:
WIDE: This mode expands the front channel sound
field.
REFERENCE: This is the standard mode.
Notes :
• When “WIDE” is selected as virtualization mode,
you can select “2-SPEAKER”, “3-SPEAKER”, “4-
SPEAKER” or “5-SPEAKER”.
• When “REFERENCE” is selected as virtualization
mode, you can select “2-SPEAKER” or “3-
SPEAKER” only.
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the SUBWOOFER
2
• When the subwoofer without built-in amplifier is
connected to “SURROUND BACK / SW”
terminals, you should set “SUBWOOFER” to
“PASSIVE”.
POWER ON
STANDBY
MAIN
CH.
Press the CURSOR UP( )/DOWN(
buttons to select the SUBWOOFER.
1
)
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
POWER ON
STANDBY
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
• Depending on your subwoofer type , you can select
one of following types.
RETURN
1
STEREO
2
3
4
7
6
9
5
8
ACTIVE: Select this when connecting the powered
OSD/MENU
ENT
DISP
MI
0
subwoofer to “SW” of PREOUT jacks.
M2
M3
PASSIVE: Select this when connecting the subwoofer
without built-in amplifier to “SURROUND
BACK / SW” terminals.
Note :
• When “S/B CH” is set to “2 CH” on the SPEAKER
CONFIGURATION menu, the SUBWOOFER
cannot be selected.
Note :
• If “SUBWOOFER” is set to “PASSIVE”, the
SURROUND BACK RIGHT channel of the speaker
terminals and the PREOUT jacks is automatically
changed to SUBWOOFER channel.
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Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the SUBWOOFER MODE
2
Press the CURSOR UP( )/DOWN(
buttons to select the SUBWOOFER
MODE.
)
POWER ON
STANDBY
1
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
POWER ON
STANDBY
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
MAIN
CH.
SET
RNC-510
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
• Each time these buttons are pressed, the mode
changes as follows :
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
LFE: Select this when the subwoofer reproduces only
the low Frequency Effects from multi-channel
sources that contain LFE channel, also called
the “.1” channel.
LFE + SW: Select this when the subwoofer reproduces
not only the Low Frequency Effects but
also the bass sounds from stereo(2
channel) analog or PCM sources only.
• Regardless of subwoofer mode setting, the bass
sounds of the speakers set to “Small” can be sent to
the subwoofer.
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired crossover
frequency.
)
When selecting the CROSSOVER
FREQUENCY
2
• Crossover frequency is the frequency (Hz) below
which the bass sound of each main speakers is to
output from the subwoofer or from front speakers
which are set to “Large”(when not using a
subwoofer).
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
Press the CURSOR UP( )/DOWN(
buttons to select the CROSSOVER
FREQUENCY.
)
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
1
RNC-510
POWER ON
STANDBY
• You can select the desired within 40~120 Hz in 20 Hz
intervals(default value: 80 Hz).
• For speakers set to “Small”, sound with a frequency
below the selected crossover frequency is cut, and
instead the cut bass sound is output from the
subwoofer or speakers which are set to “Large”.
Example) When 100 Hz is selected , the bass sound
below 100 Hz is output from the subwoofer
or large front speakers(when not using a
subwoofer).
MAIN
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
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When selecting the AUTO SPEAKER SETUP
• Auto Speaker Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound.
You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the
information from a series of test tones emitted from speakers and can adjust the size, distance and sound level of
each speaker automatically.
• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform
the “When selecting the SPEAKER CONFIGURATION” procedure on page 45, “When selecting the
SPEAKER DISTANCE” procedure on page 47, “Adjusting each channel level with test tone” and “Adjusting
the current channel levels” procedures on page 33.
2. Place the microphone on a flat level surface at your
normal listening position.
Preparations
1. Connect the supplied microphone to the SETUP
MIC jack on the rear panel.(For details, refer to
“CONNECTING MICROPHONE” on page 13.)
Note:
• If possible, use a tripod, etc. to attach the microphone at
the same height as your ears would be when you are
seated in your listening position.
• Ensure there are no obstacles between the speakers and
the microphone.
• After you have completed the auto speaker setup
procedure, be sure to disconnect the microphone.
3. For the speakers to be set to “Small”, select the desired
crossover frequency performing the “CROSSOVER
FREQ.” procedure.(For details, refer to “When selecting
the CROSSOVER FREQUENCY” on page 50.)
Press the CURSOR UP( )/DOWN( ) buttons to select the AUTO SPEAKER SETUP, then press
the ENTER button.
1
POWER ON
STANDBY
AUTO SPEAKER SETUP
S T AR T
F L :
F C :
F R :
AS R :
B S R :
B R :
0
0
0
0
0
0
0
0
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
t
t
t
t
t
t
t
t
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
B L :
B S L :
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
R E T U R N : B a c k E NTER : S e l e c t
RNC-510
Channel level
Speaker size
• For your reference, “ASR” / “ASL” stands for Surround A
Right/Left and “BSR” / “BSL” for Surround B Right/Left.
Speaker distance
Press the ENTER button to start the auto speaker setup procedure.
Result report
2
POWER ON
STANDBY
AUTO SPEAKER SETUP
ME MORY
F R :
AS R :
B S R :
B R :
0
1
dB , L , 1 0 f
dB , S , 1 0 f
t
t
t
MAIN
dB , N ,
f
CH.
SET
CH/
ADJUST
VOL
1
dB , S , 0 9 f
t
MUTE
DECODE
DSP
DSP
B L : + 2 dB , S , 0 9 f
t
t
t
B S L :
AS L :
dB , N ,
dB , S , 0 9 f
f
RETURN
1
STEREO
2
1
3
6
9
4
7
5
8
SW: + 8 dB
OSD/MENU
ENT
DISP
MI
0
R E T U R N : B a c k ENTER : S e l e c t
M2
M3
RNC-510
• Loud test tones are output from each speaker and then if auto speaker setup procedure has been completed, the
results of each adjustment will be displayed.
• Each time the ENTER button is pressed, the auto speaker setup procedure will start or stop.
• If there may be a problem with speaker or microphone connection, error message will be displayed. In this case,
turn off the power, check the connection as illustrated in error message and then retry the auto speaker setup
procedure.
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Continued
Notes:
• For your reference, other channel levels displayed are the relative levels as compared with FL channel, not
adjusted levels.
• Depending on “POWER AMP ASSIGN” and “SUBWOOFER” settings, etc., some channels may be excluded.
(For details, refer to “SETTING THE POWER AMP ASSIGN” and “SETTING THE SPEAKER SETUP” on
page 45.)
• Because the test tones are loud, ensure there no infants or small children in the room.
• For best results, ensure the room is as quiet as possible during the auto speaker setup procedure.
If there is too much ambient noise, the results may not be satisfactory.
• If the results are not satisfactory, you can also personalize your speaker setup and channel level setup by making
the settings manually.(For details, refer to “When selecting the SPEAKER CONFIGURATION” on page 45,
“When selecting the SPEAKER DISTANCE” on page 47, “Adjusting each channel level with test tone” and
“Adjusting the current channel levels” on page 33.)
To confirm the results, press the CURSOR LEFT( )/RIGHT( ) buttons to select the “MEMORY”,
then press the ENTER button.
3
POWER ON
STANDBY
AUTO SPEAKER SETUP
S T AR T
F L :
0
dB , L , 1 0 f
t
t
t
t
t
t
t
t
F C : + 4 dB , S , 1 0 f
MAIN
F R :
AS R :
B S R :
B R : + 1 dB , S , 0 9 f
B L : + 2 dB , S , 0 9 f
0
1
dB , L , 1 0 f
dB , S , 1 0 f
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
dB , N ,
f
RETURN
1
STEREO
2
3
6
9
4
7
5
8
B S L :
dB , N ,
f
OSD/MENU
ENT
DISP
MI
0
R E T U R N : B a c k E NTER : S e l e c t
M2
M3
RNC-510
• Then the results are memorized.
• Each time the CURSOR LEFT( ) or RIGHT( ) button is pressed, the “MEMORY” or “START” is selected.
• However, if error message is displayed, the results cannot be memorized due to incorrect speaker connections,
etc.. In this case, turn off the power, check the connections or change speakers as illustrated in error message
and then retry the auto speaker setup procedure(, or memorize the result suggested in error message).
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SETTING THE SYSTEM SETUP
To assign the connected DIGITAL INs to the desired input sources respectively
To adjust the tone as desired or to select the desired cinema EQ mode.
To set the OSD AUTO DISPLAY mode as desired .
S Y S T E M
D I G I T A L I NP U T S E T U P
TO NE C O N T RO L
SE T U P
On
OSD A U T O D I S P L A Y :
VID 1
CURR E N T V I D EO :
To select a video input source
COMPON E N T V I DE O S E T U P
Off
To assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1~6.
To set the VIDEO 2 OUT mode as desired.
V I DE O
2
OU T :
D C T R I G G ER 2 S E T U P
D . R E - M A S T E R I N G :
Off
To select the desired input source that uses the DC trigger 2 function.
To select the desired digital re-mastering mode.
R E T URN : B a c k E N T E R : S e l e c t
Off
D . R E - M A S T E R I N G :
A / V S Y N C : 0 F r a m e
To adjust the A/V SYNC as desired.
R E T URN : B a c k
,
: S e l e c t
Note:
• When the pure audio function is activated, the TONE CONTROL cannot be selected.
When selecting the DIGITAL INPUT SETUP
• You should assign the connected DIGITAL INs to the desired of CD, AUX and VIDEO 1~6.
(For details, refer to “CONNECTING DIGITAL INs and OUTs” on page 8.)
Press the CURSOR UP( )/DOWN( ) buttons to select the DIGITAL INPUT SETUP, then press the
ENTER button.
1
POWER ON
STANDBY
D I G I TA L I N P U T S E T U P
COAX1
U S B
OPT1
CD
A UX
:
:
:
:
:
:
:
:
MAIN
V I DE O 1
V I DE O 2
V I DE O 3
V I DE O 4
V I DE O 5
V I DE O 6
R E T U R N : B a c k
CH.
SET
CH/
VOL
OPT2
ADJUST
MUTE
DECODE
DSP
DSP
OPT3
COAX2
OPT4
RETURN
1
STEREO
2
3
6
9
4
7
OPT5
5
8
OSD/MENU
ENT
,
: S e l e c t
DISP
MI
0
M2
M3
RNC-510
Press the CURSOR LEFT( )/RIGHT(
)
Press the CURSOR UP( )/DOWN(
)
buttons to select the desired DIGITAL IN.
buttons to select the desired input source.
3
2
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
MAIN
CH.
CH.
SET
SET
CH/
ADJUST
VOL
CH/
ADJUST
VOL
MUTE
MUTE
DECODE
DECODE
DSP
DSP
DSP
DSP
RETURN
1
RETURN
1
STEREO
2
STEREO
2
3
3
4
7
6
9
4
7
6
9
5
8
5
8
OSD/MENU
ENT
OSD/MENU
ENT
DISP
MI
0
DISP
MI
0
M2
M3
M2
M3
RNC-510
• Each time these buttons are pressed, the DIGITAL
INs change.
• Each time these buttons are pressed, “ ” and “
are moved to the corresponding DIGITAL IN.
”
Notes:
• When you select “None” instead of a DIGITAL IN
for an input source, the analog input is automatically
selected.
• In such a case that a DIGITAL IN is assigned to two
input sources or more, when these input sources are
selected, the digital audio signals can be heard from
the same DIGITAL IN.
Repeat the above steps and
connected DIGITAL INs are assigned to
the desired input sources respectively.
until the
4
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When selecting the TONE CONTROL
Press the CURSOR UP( )/DOWN( ) buttons to select the TONE CONTROL, then press the
ENTER button.
1
POWER ON
STANDBY
TONE C ON TR OL
Off
C I N EMA E Q
:
:
MAIN
CH.
SET
CH/
VOL
ADJUST
Off
MUTE
T O N E D E F E A T
DECODE
DSP
DSP
B A S S
T R E B L E
----- -----
----- -----
0
0
dB
dB
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
R E T U R N : B a c k
,
: S e l e c t
DISP
MI
0
M2
M3
RNC-510
Note:
• When the pure audio function is activated, the TONE CONTROL cannot be selected.
Press the CURSOR UP( )/DOWN( ) buttons to select the desired item.
2
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
• Each time these buttons are pressed, “ ” and “
are moved to the corresponding mode.
”
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.
3
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
• Each time these buttons are pressed, the modes change
as follows:
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
When CINEMA EQ mode is selected
• When the pure audio function is activated, the cinema
When the tone defeat mode is set to Off to
adjust the tone (bass and treble)
EQ function cannot be activated.
On : Select this to compensate for edgy or shrill movie
sound tracks.
1. Press the CURSOR UP( )/DOWN( ) buttons to
select the desired tone mode.
2. At the desired tone mode, press the CURSOR
LEFT( )/RIGHT( ) buttons to adjust the selected
tone as desired.
Off : Select this to cancel the cinema EQ function.
• The tone level can be adjusted within the range of -10
~+10 dB.
• In general, we recommend the bass and treble to be
adjusted to 0 dB(flat level).
When TONE DEFEAT mode is selected
On : Select this when listening to a program source
without the tone effect.
• Extreme settings at high volume may damage your
speakers.
3. To complete tone adjustment, repeat the above steps 1
and 2.
Off : Select this when adjusting tone for your taste.
Note :
• When the tone defeat mode is set to On, the tone (bass
and treble) cannot be adjusted.
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Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the OSD AUTO DISPLAY
2
• When the OSD AUTO DISPLAY is set to On, the
current status display overlaps the program image on
the monitor TV and may interfere with your movie
enjoyment. In such a case, set the OSD AUTO
DISPLAY to Off.
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
Press the CURSOR UP( )/DOWN(
buttons to select the OSD AUTO
DISPLAY.
)
RETURN
1
STEREO
2
3
4
7
6
9
5
8
1
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
POWER ON
STANDBY
• Each time these buttons are pressed, the mode
changes as follows:
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
On : To turn on the current status display.
RETURN
1
STEREO
2
3
Off : To turn off the current status display.
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired video input
source.
)
When selecting the CURRENT VIDEO
2
• You can select a video input source on the OSD
menu and enjoy its image.
POWER ON
STANDBY
Press the CURSOR UP( )/DOWN(
)
buttons to select the CURRENT VIDEO.
1
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
POWER ON
STANDBY
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
MAIN
DISP
MI
0
CH.
SET
M2
M3
CH/
ADJUST
VOL
MUTE
DECODE
RNC-510
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
• Each time these buttons are pressed, the video
input source changes.
OSD/MENU
ENT
DISP
MI
0
M2
M3
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When selecting the COMPONENT VIDEO SETUP
• You should assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1~6.
(For details, refer to “CONNECTING VIDEO COMPONENTS” on page 6~7.)
Press the CURSOR UP( )/DOWN( ) buttons to select the COMPONENT VIDEO SETUP, then press
the ENTER button.
1
POWER ON
STANDBY
COMP ONE NT V I D E O S E T U P
V I D E O 1
V I D E O 2
V I D E O 3
V I D E O 4
V I D E O 5
V I D E O 6
:
:
:
:
:
:
I N 1
I N 2
I N 3
None
None
None
MAIN
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
R E T U R N : B a c k
,
: S e l e c t
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
Press the CURSOR UP( )/DOWN(
buttons to select the desired input source.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired
)
2
3
COMPONENT VIDEO IN.
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
MAIN
CH.
CH.
SET
SET
CH/
ADJUST
VOL
CH/
ADJUST
VOL
MUTE
MUTE
DECODE
DECODE
DSP
DSP
DSP
DSP
RETURN
1
RETURN
1
STEREO
2
STEREO
2
3
3
4
7
6
9
4
7
6
9
5
8
5
8
OSD/MENU
ENT
OSD/MENU
ENT
DISP
MI
0
DISP
MI
0
M2
M3
M2
M3
RNC-510
• Each time these buttons are pressed , the
COMPONENT VIDEO INs change .
• Each time these buttons are pressed, “ ” and
” are moved to the corresponding
COMPONENT VIDEO IN.
“
Note :
• In such a case that a COMPONENT VIDEO IN is
assigned to two input sources or more, when these
input sources are selected, the component video
signals can be viewed from the same COMPONENT
VIDEO IN.
Repeat the above steps and
until the connected COMPONENT VIDEO INs are assigned to
the desired input sources respectively.
4
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Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the VIDEO 2 OUT
2
• When performing recording with the video
recording component connected to VIDEO 2
(/ROOM 2) IN/OUT jacks, you should set the
VIDEO 2 OUT to On and deactivate the ROOM 2
function.
POWER ON
STANDBY
MAIN
Note: When the ROOM 2 function is activated,
ROOM 2 source playback will be
performed regardless of the VIDEO 2 OUT
setting.
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR UP( )/DOWN(
buttons to select the VIDEO 2 OUT.
)
RNC-510
1
POWER ON
STANDBY
• Each time these buttons are pressed, the mode
changes as follows:
On : Select this to output the signals of the selected
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
source as a recording (main room) source from
the VIDEO 2/ROOM 2 OUTs.
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
Off : Select this not to output the signals.
OSD/MENU
ENT
DISP
MI
0
M2
M3
When selecting the DC TRIGGER 2 SETUP
• To turn on the component connected to DC TRIGGER OUT 2 jack when the desired input source is selected,
you should link DC TRIGGER 2 with the desired input source.
Press the CURSOR UP( )/DOWN( ) buttons to select the DC TRIGGER 2, then press the ENTER
button.
1
POWER ON
STANDBY
D C T R I GGE R 2 S E T UP
Off
D C T R I GGE R
T UNER
C D
:
MAIN
V I DEO
V I DEO
V I DEO
1
2
3
4
5
6
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
A U X
T A PE MON . V I DEO
P H ONO
RETURN
1
V I DEO
V I DEO
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
E N T E R : S e t
,
,
,
: M o v e
DISP
MI
0
M2
M3
RNC-510
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the DC TRIGGER 2 mode as desired.
2
POWER ON
STANDBY
• Each time these buttons are pressed, the DC
TRIGGER 2 mode changes as follows:
MAIN
CH.
SET
CH/
ADJUST
VOL
On : Select this to activate the DC trigger function.
MUTE
DECODE
DSP
DSP
Off : Select this to cancel the DC trigger function.
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
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Continued
When the DC TRIGGER 2 mode is set to On
Press the CURSOR UP( )/DOWN( )/LEFT( )/RIGHT( ) buttons to select the desired input
source that uses the DC trigger 2 function, then press the ENTER button.
3
• Each time the CURSOR CONTROL buttons are
pressed, “ ” is moved to the corresponding input
POWER ON
STANDBY
source.
When the ENTER button is pressed at the desired
input source, “+” is marked it with.
MAIN
CH.
SET
CH/
ADJUST
VOL
• When the input sources marked with “+” on this
menu are selected with the AUDIO and VIDEO
SELECTOR buttons, etc.,the DC trigger function is
automatically activated. (For details, refer to
“CONNECTING DC TRIGGER OUTs” on page 12.)
• When the ENTER button is pressed at the input
source marked with “+”, “+” is cleared and the DC
trigger 2 function is canceled for this input source.
• Repeat this step until the desired input sources are all
selected.
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
When selecting the DIGITAL RE-MASTERING
Press the CURSOR UP( )/DOWN( ) buttons to select the DIGITAL RE-MASTERING.
1
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.
2
POWER ON
STANDBY
• Each time these buttons are pressed, the digital re-
mastering mode changes as follows:
MAIN
CH.
SET
On : Select this to process the input signal digitally and to
convert its sampling frequency to 192 kHz for an
more detailed sound reproduction.
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
Off : Select this to cancel the digital re-mastering function.
DISP
MI
0
M2
M3
RNC-510
Notes :
• The digital re-mastering function does affect on the front left and right signals only.
However, it does not affect on the digital signals that are output from the DIGITAL OUTs of this unit.
• When the stereo mode or the pure audio function is selected while playing analog stereo sources, the digital re-
mastering function cannot be activated.
58
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When selecting the A/V SYNC
• There may be a slight delay between the video and audio signals in case that some video playback equipments
may process the video signals later than the audio signals due to signal processing procedure, etc..
Should this happen, you can adjust the A/V SYNC to synchronize sound with image.
Press the CURSOR UP( )/DOWN( ) buttons to select the A/V SYNC.
1
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the A/V SYNC as desired.
2
POWER ON
STANDBY
MAIN
• Each time these buttons are pressed, the A/V SYNC can
be adjusted within the range of 0~6 frame.
CH.
SET
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
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SETTING THE SURROUND SETUP
S URROUN D
S E T UP
To select the desired decoding mode.
To select the desired surround mode.
DE C O D I NG M O D E
S U R R OUN D M O D E
:
:
A U T O
DO L B Y D I G I T A L E X
N O N E
DY N A M I C R A N G E
P L I MUS I C P A R AME TE R
To select the desired Dolby surround mode.
To adjust the dynamic range as desired.
+
:
0 . 0
I
x
To adjust the PL IIx MUSIC PARAMETER as desired.
R E T U R N : B a c k
,
: S e l e c t
Notes :
• Only when the digital input is selected as signal input, the decoding mode and the surround mode can be both selected as
desired.
• When the analog input is selected, only the surround mode can be selected as desired.
• When the 8 CH DIRECT is selected as an input source, you cannot perform the surround setup.
When selecting the DECODING MODE, SURROUND MODE, DYNAMIC RANGE
Press the CURSOR UP( )/DOWN( ) buttons to select the desired item.
POWER ON
STANDBY
1
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
• Each time these buttons are pressed, “ ” and “ ” are
moved to the corresponding mode.
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.
POWER ON
STANDBY
2
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
• Each time these buttons are pressed, the modes change as
follows according to the selected item :
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
When DECODING MODE is selected
• Depending on the input digital signal format, you can select the desired decoding mode.
AUTO : Select this for automatic detection of a digital input signal format.
The input digital signal format (DTS, Dolby Digital, MPEG or PCM(2 channel stereo), etc.) used by the
selected digital input source is detected automatically to perform the necessary decoding process for
optimum surround modes.
DOLBY DIGITAL : Select this for Dolby Digital signal processing. The decoding process is preformed only when
Dolby Digital signals are input.
DTS : Select this for DTS signal processing. The decoding process is performed only when DTS signals are input.
MPEG : Select this for MPEG signal processing. The decoding process is performed only when MPEG signals are
input.
PCM : Select this for PCM signal processing. The decoding process is performed only when PCM signals are input.
Notes :
• Surround sound effect will not work properly if the signal passes through a graphic equalizer.
Please refer to your equalizer operating instructions for guidance on switching off(or defeating) the equalizer.
• Only when the digital input is selected as signal input for the input sources except PHONO, TUNER and TAPE
MONITOR, the decoding mode can be selected.
• Noise may be generated at the beginning of playback and while searching during DTS playback in the auto mode.
In this case, try playing in the DTS mode.
60
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When the SURROUND MODE is selected
• Depending on the input signal format and the selected decoding mode, you can select the desired surround mode as
follows:
Signal format being input
Dolby Digital 5.1,
Selected decoding mode
Auto, Dolby Digital mode
Selectable surround mode
(DOLBY DIGITAL EX,)
Dolby Digital EX 6.1 channel sources
Dolby Digital 2 channel sources
DOLBY DIGITAL
(DOLBY DIGITAL EX,) DOLBY DIGITAL, PL II MOVIE,
PL II MUSIC
DTS sources
DTS 96/24 sources
MPEG sources
PCM ( 2 channel ) sources
Analog stereo sources
Auto, DTS mode
(DTS ES MATRIX or DTS ES DISCRETE,) DTS
DTS 96/24
MPEG
PL II MOVIE, PL II MUSIC, BYPASS,
DTS NEO 6 : CINEMA, DTS NEO 6 : MUSIC, THEATER,
MOVIE, HALL 1/2, STADIUM, CHURCH, CLUB 1/2,
ARENA 1/2, GAME, 4CH STEREO, MATRIX
Auto, MPEG mode
Auto, PCM mode
( ): Possible only when surround back channel is not set to “None”.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 45.)
BYPASS mode: Audio signals bypass signal processing circuits for surround sound and are played in stereo mode.
If Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode is combined with BYPASS mode, you will enjoy
its original surround effects, not affected by other surround modes.
Notes:
• When the selected decoding mode is not matched to the input signal format, the indicator of the signal being input flickers,
meaning the required process cannot be performed and no sound is heard. Therefore, be sure to select the required
decoding mode and the available surround mode according to the input signal format.
• When the pure audio function is activated, the surround mode cannot be selected.
• When 96 kHz PCM signals are input, only the stereo mode can be selected.
• When DTS 96/24 or MPEG signals are input, the Dolby Pro Logic IIx, Dolby Virtual Speaker and Dolby Headphone modes
cannot be selected.
When thez Dolby surround mode is selected
* In case that the HEADPHONE SELECTOR button is set to speaker on mode.
• Combined with the original surround mode, the Dolby surround mode can be selected as follows:
(PL IIx MOVIE
PL IIx MUSIC
DOLBY VS~
NONE(Dolby surround off)
(original surround mode)
( ) : Impossible only when the power amplifier for the surround back channels is assigned to the “ROOM2” or surround back channel
is set to “None”.
• In case of playing in the stereo or 2CH downmix mode, it is canceled and the selected “PL IIx” or “DOLBY VS” mode
will be combined with the previous mode.
* In case that the HEADPHONE SELECTOR button is set to speaker off mode.
• Combined with the current mode, the Dolby Headphone mode can be selected as follows:
DOLBY HEADPHONE 1 DOLBY HEADPHONE 2 DOLBY HEADPHONE 3 NONE(Dolby Headphone off)
• If you select the Dolby Headphone off mode, either the stereo mode or the 2 CH downmix mode will be selected
depending on the signal format which is being input.
Notes :
• In case of that the original surround mode is “DOLBY DIGITAL EX” or “DTS ES” mode, it will be automatically changed
to “DOLBY DIGITAL” or “DTS” mode.
• Only when playing a stereo(2 channel) source in “PL IIx”, “DOLBY VS” or “DOLBY HEADPHONE” mode, you can
select the original surround mode to be combined.(However, in case of “PL IIx” mode, you cannot select “PL II”mode.)
• When “PL IIx” mode is selected while playing in “PL II” mode, it will be automatically changed to “DOLBY DIGITAL”
or “BYPASS” mode depending on the signal format which is being input.
When the DYNAMIC RANGE is selected
• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track (with extremely
high volume) to minimize the difference in volume between the specified and non-specified parts.
This makes it easy to hear all of the sound track when watching movies at night at low levels.
• The compression rate changes as follows :
Notes :
• Only while the digital signals from the Dolby Digital program source are being input, the dynamic range function can be activated.
• In some Dolby Digital software, this function may not be available.
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When selecting the PL IIx MUSIC PARAMETER(or the PL II MUSIC PARAMETER)
Notes:
• Depending on whether “S/B CH” is set to “None” or not, you can select either the Dolby Pro Logic II surround
or the Dolby Pro Logic IIx surround and can adjust its parameters as desired only while listening in either the PL
II MUSIC mode or the PL IIx MUSIC mode.
(Refer to “When selecting the SPEAKER CONFIGURATION” on page 45.)
• In case of PL IIx MUSIC mode, only when original surround mode is “BYPASS” mode or 2 channel digital
signals from Dolby Digital sources, etc. are input, these parameter settings affect the surround effects.
Press the CURSOR UP( )/DOWN( ) buttons to select the PL II(x) MUSIC PARAMETER, then press
the ENTER button.
1
POWER ON
STANDBY
P L I I x MU S I C P A R A ME T E R
Off
P A N OR AMA
:
MAIN
CH.
SET
CH/
ADJUST
VOL
C EN T E R W I D T H
D I ME NS I O N
+
-------
0
0
MUTE
DECODE
DSP
DSP
----
-
+
0
--
+
RETURN
1
STEREO
2
3
6
9
4
7
5
8
R E T U R N : B a c k
,
: S e l e c t
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
Press the CURSOR UP( )/DOWN(
buttons to select the desired parameter.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to adjust the selected parameter as
desired.
)
2
3
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
MAIN
DECODE
DSP
DSP
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
RETURN
1
STEREO
2
3
OSD/MENU
ENT
DISP
MI
0
4
7
6
9
5
8
M2
M3
OSD/MENU
ENT
DISP
MI
0
RNC-510
M2
M3
When selecting the PANORAMA mode
This mode extends the front stereo image to include the
surround speakers for an exciting “wraparound” effect
with side wall imaging. Select “Off” or “On”(default
value:Off).
When selecting the CENTER WIDTH control
This adjusts the center image so it may be heard only
from the center speaker, only from the left/right
speakers as a phantom image, or from all three front
speakers to varying degrees.
The control can be set in 8 steps from 0 to 7(default
value : 0).
When selecting the DIMENSION control
This gradually adjusts the soundfield either towards the
front or towards the rear. The control can be set in 7
steps from -3 to +3(default value : 0).
Repeat the above steps
and to adjust other parameters.
4
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SETTING THE CH LEVEL SETUP
To recall the channel levels memorized into preset memory or to memorize
the channel levels adjusted in the CH LEVEL TRIM menu, etc.
C H
L E V E L
S E T U P
P R E SE T 1
P R E SE T 1
P R E SE T 2
P R E SE T 2
:
:
C AL L
T R I M
C AL L
T R I M
To memorize the adjusted channel levels into preset memory.
C H
L E V E L T R I M
To adjust the current channel levels as desired.
L F E L E V E L T R I M
,
: S e l e c t
To adjust LFE (Low Frequency Effect) levels included in Dolby Digital,
DTS and MPEG program sources.
R E T U R N : B a c k
E N T E R : C a l l
Press the CURSOR
LEFT( )/RIGHT( ) buttons to select
the desired mode, then press the ENTER
button.
When selecting the PRESET 1 or
PRESET 2
2
• You can recall the memorized channel levels
whenever you want or can memorize the channel
levels adjusted in the CH LEVEL TRIM men, etc.
into preset memory.
POWER ON
STANDBY
MAIN
CH.
SET
Press the CURSOR UP( )/DOWN(
buttons to select the PRESET 1 or
PRESET 2 .
)
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
1
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
POWER ON
STANDBY
RNC-510
• Each time these buttons are pressed , the mode
changes as follows :
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
CALL : Select this to recall the channel levels
memorized into preset memory .
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
SAVE : Select this to memorize the channel levels
adjusted in the CH LEVEL TRIM menu or in
“Adjusting the current channel levels”
procedure on page 33.
M2
M3
When selecting the PRESET 1 TRIM or PRESET 2 TRIM
• You can adjust the channel levels directly in the PRESET TRIM menu and can memorize them into preset
memory.
Press the CURSOR UP( )/DOWN( ) buttons to select the PRESET 1TRIM or PRESET 2 TRIM,
then press the ENTER button.
1
Example) When the PRESET 2 TRIM is selected .
POWER ON
STANDBY
P R E S E T 2
T R I M
F L
:
:
:
:
:
:
:
:
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
:
:
:
:
:
:
:
:
0
0
0
0
0
0
0
0
dB
dB
dB
dB
dB
dB
dB
dB
F C
F R
S R
B R
B L
S L
SW
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
R E T U R N : B a c k
,
: S e l e c t
0
M2
M3
RNC-510
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Press the CURSOR UP( )/DOWN(
buttons to select the desired channel.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to adjust the level of the selected
channel as desired.
)
2
3
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
MAIN
CH.
CH.
SET
SET
CH/
ADJUST
CH/
ADJUST
VOL
VOL
MUTE
MUTE
DECODE
DECODE
DSP
DSP
DSP
DSP
RETURN
1
RETURN
1
STEREO
2
STEREO
2
3
3
4
7
6
9
4
7
6
9
5
8
5
8
OSD/MENU
ENT
OSD/MENU
ENT
DISP
MI
DISP
MI
0
0
M2
M3
M2
M3
RNC-510
• Each time these buttons are pressed, the channel
level can be adjusted within the range of -15~+15
dB.
• Each time these buttons are pressed, “ ” is moved
to the corresponding channel.
Note :
• Depending on the speaker settings and surround
mode, etc., some channels cannot be selected.
Repeat the above steps
and to adjust each channel level until the sound level of each speaker
is heard to be equally loud.
4
When selecting the CHANNEL LEVEL TRIM
• You can adjust the current channel levels as desired. These adjusted levels are just memorized, not into preset
memory.
Press the CURSOR UP( )/DOWN( ) buttons to select the CH LEVEL TRIM, then press the
ENTER button.
1
POWER ON
STANDBY
C H
L E V E L T R I M
F L
:
:
:
:
:
:
:
:
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
:
:
:
:
:
:
:
:
0
0
0
0
0
0
0
0
dB
dB
dB
dB
dB
dB
dB
dB
F C
F R
S R
B R
B L
S L
SW
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
R E T U R N : B a c k
,
: S e l e c t
DISP
MI
0
M2
M3
RNC-510
Preform the steps
the previous page.
~
in “When selecting the PRESET 1 TRIM or PRESET 2 TRIM” procedure on
2
• You can memorize the current channel levels into preset memory with performing “When selecting the PRESET
1 or PRESET 2 ” procedure on the previous page.
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When selecting the LFE LEVEL TRIM
Press the CURSOR UP( )/DOWN( ) buttons to select the LFE LEVEL TRIM, then press the ENTER
button.
1
POWER ON
STANDBY
L F E L E V E L T R I M
MAIN
CH.
SET
CH/
VOL
DOL B Y
D T S
MPE G
-----
----------
----- -----
+
0
dB
ADJUST
MUTE
DECODE
DSP
DSP
+ 10 dB
0
+
dB
RETURN
1
STEREO
2
3
6
9
4
7
5
8
R E T U R N : B a c k
,
: S e l e c t
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
Press the CURSOR UP( )/DOWN( ) buttons to select the desired LFE level mode.
2
3
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
• Each time these buttons are pressed, “ ” is moved to
the corresponding LFE level mode.
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the selected LFE level as desired.
• Each time these buttons are pressed, the LFE level can be
POWER ON
STANDBY
adjusted within the range of either -10~0 dB for Dolby
Digital program sources or -10~+10 dB for DTS and
MAIN
MPEG program sources.
CH.
SET
CH/
ADJUST
VOL
MUTE
• In general, we recommend the LFE level for Dolby
DECODE
DSP
DSP
Digital program sources to be set at 0 dB and at +10 dB
for DTS program sources.(However, the recommended
LFE level for some early DTS program sources is 0 dB.)
If the recommended levels seem too high, lower the
setting as necessary.
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
Repeat the above steps and
until each level is adjusted as desired.
4
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SETTING THE ROOM2 FEED SETUP
R OO M 2 F E E D S E T U P
Variable
V O L U M E MOD E
R O O M 2 F E E D
T U N E R
:
To select the desired volume mode.
To select the desired ROOM 2 source.
:
Off
V I D E O
V I D E O
V I D E O
V I D E O
V I D E O
V I D E O
1
C D
A U X
P H O N O
2
3
4
5
6
R E T U R N : B a c k
,
: S e l e c t
• The ROOM 2 function allows enjoying one source in the main room while playing another in a different room at the same time.
• The analog signals from the 8 CH DIRECT inputs and TAPE MONITOR INs cannot be output from the VIDEO 2 / ROOM 2
(audio) OUTs.
When selecting the VOLUME MODE
Press the CURSOR UP( )/DOWN( ) buttons to select the VOLUME MODE.
1
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired volume mode for the ROOM 2
source.
2
• Each time these buttons are pressed, the volume mode
POWER ON
STANDBY
changes as follows:
Variable : Select this when an power amplifier is connected
to the VIDEO 2/ROOM 2(audio) OUTs for ROOM
MAIN
CH.
SET
2 source playback. You can adjust the ROOM 2
CH/
VOL
ADJUST
MUTE
DECODE
DSP
DSP
volume level with the MASTER VOLUME
CONTROL knob of this receiver or the VOLUME
UP/DOWN buttons on the remote control.
RETURN
1
STEREO
2
3
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
Fixed : Select this when an integrated amplifier, etc. is
connected to the VIDEO 2/ROOM 2(audio) OUTs.
You can adjust the ROOM 2 volume level on the
connected integrated amplifier, etc.
0
M2
M3
RNC-510
Notes :
• When you assign the power amplifier for the surround back channels to the ROOM 2, the volume mode is
automatically set to Variable.
• In case that an integrated amplifier, etc. is connected to the VIDEO 2/ROOM 2(audio) OUTs and the volume
mode is set to Variable, if the ROOM 2 volume level is adjusted to high level on both this receiver and the
connected amplifier, the ROOM 2 speaker and the connected amplifier may be damaged.
Therefore, be sure to set the volume mode to Fixed for safe operation when using amplifier with its own volume
control for ROOM2.
• When selecting the Fixed mode, first adjust the volume level as desired in the Variable mode and select the Fixed
mode. Then the volume level will be fixed to the adjusted level.
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Press the CURSOR LEFT( )/RIGHT(
buttons to select the ROOM 2 FEED
mode as desired.
)
When selecting the ROOM 2 FEED mode
2
Press the CURSOR UP( )/DOWN(
buttons to select the ROOM 2 FEED
mode.
)
1
POWER ON
STANDBY
POWER ON
STANDBY
MAIN
CH.
SET
CH/
ADJUST
VOL
MUTE
DECODE
DSP
DSP
MAIN
CH.
SET
RETURN
1
CH/
ADJUST
STEREO
2
VOL
3
MUTE
DECODE
DSP
DSP
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RETURN
1
STEREO
2
3
RNC-510
4
7
6
9
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
• Each time these buttons are pressed, the ROOM 2
FEED mode is changed to “On” or “Off”.
• When the ROOM 2 FEED mode is set to “Off”, the
ROOM 2 source cannot be selected.
• When you do not use the ROOM 2 function, set the
ROOM 2 FEED mode to Off to save electricity.
When the ROOM 2 FEED mode is set to On
Press the CURSOR UP( )/DOWN( )/LEFT( )/RIGHT( ) buttons to select the desired ROOM 2
source, then press the ENTER button.
3
POWER ON
STANDBY
• Each time the CURSOR CONTROL buttons are
pressed, “+” is moved to the corresponding input
MAIN
source.
CH.
SET
CH/
ADJUST
VOL
MUTE
• When the audio and video input sources are both
marked with “+” , you can enjoy the sound of the
audio input source and the image of the video input
source separately.
DECODE
DSP
DSP
RETURN
1
STEREO
2
3
6
9
4
7
5
8
OSD/MENU
ENT
DISP
MI
0
M2
M3
RNC-510
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Troubleshooting Guide
If a fault occurs, run through the table below before taking your unit for repair.
If the fault persists, attempt to solve it by switching the unit off and on again. If this fails to resolve the situation, consult
your dealer. Under no circumstances should you repair the unit yourself as this could invalidate the warranty!
PROBLEM
POSSIBLE CAUSE
REMEDY
• Connect cord securely.
• Check the outlet using a lamp or another
appliance.
No power
No sound
• The AC input cord is disconnected.
• Poor connection at AC wall outlet or the outlet is
dead or off.
• Check the speaker connections.
• Adjust the master volume.
• Press the MUTE button to cancel the muting effect.
• Select the available decoding mode.
• The speaker wires are disconnected.
• The master volume is adjusted too low.
• The MUTE button is pressed to ON.
• The selected decoding mode is not matched to
the input signal format.
• Select the desired input source correctly.
• Make connections correctly.
• Incorrect selection of input source.
• Incorrect connections between the components.
• Select a surround mode.
No sound from the surround
speakers
• Surround mode is switched off(normal stereo mode).
• Master volume and surround level are too low.
• Monaural source is used.
• Adjust master volume and surround level.
• Select a stereo or surround source.
• Select the desired surround speaker setting.
• Surround speaker setting is “None”.
• Select the desired surround mode.
No sound from the center
speaker
• Dolby Virtual Speaker, normal stereo mode, etc
is selected.
• Select the desired center speaker setting.
• Adjust master volume and center level.
• Center speaker setting is “None”.
• Master volume and center level are too low.
• Under the proper situations, perform the 7.1(or
6.1) surround playback.(For details, refer to
“ENJOYING SURROUND SOUND” on page 30.)
• Assign the power amplifier to the surround back
channels.(For details, refer to “SETTING THE
POWER AMP ASSIGN” on page 45.)
No sound from the surround back
speakers
• The input signal format or the current surround
mode cannot support the 7.1(or 6.1) surround.
• The power amplifier for the surround back
channels is assigned to the ROOM 2.
• Adjust master volume and surround back level.
• Select the desired surround back speaker setting.
• Master volume and surround back level are too low.
• Surround back speaker setting is “None”.
• Connect an antenna.
Stations cannot be received
• No antenna is connected.
• Tune in the desired station frequency.
• Move antenna and retry tuning.
• The desired station frequency is not tuned in.
• Antenna is in wrong position.
• Memorize the correct station frequency.
• Memorize the stations again.
Preset stations cannot be
received
• An incorrect station frequency has been memorized.
• The memorized stations are cleared.
• Connect an antenna.
Poor FM reception
• No antenna is connected.
• Change the position of the antenna.
• The antenna is not positioned for the best reception.
• Change the position of the antenna.
• Install an outdoor FM antenna.
Continuous hissing noise during
FM reception, especially when a
stereo broadcast is received.
• Weak signals.
• Keep the receiver away from noise sources.
Continuous or intermittent hissing
noise during AM reception,
especially at night.
• Noise is caused by motors, fluorescent lamps or
lightning, etc.
• Install an outdoor AM antenna.
• Replace the batteries.
• Remove the obstacle.
Remote control unit does not
operate.
• Batteries are not loaded or exhausted.
• The remote sensor is obstructed.
• Make proper DIGI LINK connections.
Other Sherwood components do
not react to remote control
commands.
• DIGI LINK connections are not made properly.
• Clear it using “To clear a label”. (Refer to
“Correcting or clearing a label” on page 41)
A label cannot be displayed.
OSD function is not available.
• Malfunction due to external influences such as
static electricity, etc.
• Make proper video connections.
• Video connections between this unit and the
monitor TV are not made correctly.
68
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Specifications
AMPLIFIER SECTION
• Power output, stereo mode, 8 Ω, THD 0.05%, 20 Hz~20 kHz
• Total harmonic distortion, 8 Ω, 120 W, 1 kHz
• Intermodulation distortion
|
2
120 W
|
0.05 %
60 Hz : 7 kHz = 4 : 1 SMPTE, 8 Ω, 120 W
• Input sensitivity/impedance
Phono (MM) 2.5 mV/47 kΩ
|
0.09 %
|
Line (CD, TAPE MONITOR, VIDEO)
|
200 mV/47 kΩ
• Signal to noise ratio, IHF “A” weighted
Phono (MM)
Line (CD, TAPE MONITOR, VIDEO)
• Frequency response
Phono (MM), RIAA, 30~20, 000Hz
|
80 dB
|
105 dB
1.0 dB
|
LINE (CD, TAPE MONITOR, VIDEO), 10~100,000 Hz
• Output level
TAPE MONITOR REC, 1 kΩ
PRE OUT(Front, Center, Surround, Surround back, Subwoofer), 1 kΩ
|
+0, -3 dB
|
200 mV
|
1.0 V
• Bass/Treble control, 100 Hz/10 kHz
|
10 dB
• Surround mode, only channel driven
Front power output, 8 Ω, 1 kHz, THD 0.7 %
Center power output, 8 Ω, 1 kHz, THD 0.7 %
Surround power output, 8 Ω, 1 kHz, THD 0.7 %
Surround back/ROOM 2 power output, 8 Ω, 1 kHz, THD 0.7 %
|
140 W+140 W
140 W
|
|
140 W+140 W
|
140 W+140 W
DIGITAL AUDIO SECTION
• Sampling frequency
• Digital input level
Coaxial, 75 Ω
|
32, 44.1, 48, 96, 192 kHz
|
0.5 Vp-p
Optical, 660 nm
|
-15~-21 dBm
VIDEO SECTION
• Video format
|
NTSC
• Input sensitivity(=Output level), 75 Ω
Video(Composite (normal))
S-Video(luminance signal)
(chrominance signal)
|
1 Vp-p
1 Vp-p
|
|
0.286 Vp-p
Component video(R-Y signal)
(B-Y signal)
|
|
0.5 Vp-p
0.5 Vp-p
(Y signal)
|
1.0 Vp-p
FM TUNER SECTION
• Tuning frequency range
|
87.5~108 MHz
• Usable sensitivity, THD 3 %, S/N 30 dB
• 50 dB quieting sensitivity, mono/stereo
• Signal to noise ratio, 65 dBf, mono/stereo
|
17.2 dBf
25.2/43.2 dBf
|
|
72/68 dB
• Total harmonic distortion, 65 dBf, 1 kHz, mono/stereo
• Frequency response, 20 Hz~15 kHz 1.5 dB
• Stereo separation, 1 kHz 45 dB
|
0.2/0.3 %
|
|
• Capture ratio
• IF rejection ratio
|
3.0 dB
120 dB
|
AM TUNER SECTION
• Tuning frequency range
|
520~1710 kHz
12.5 mV
| 51 dB
• Usable sensitivity
|
• Signal to noise ratio
• Selectivity
|
30 dB
GENERAL
• Power supply
• Power consumption
• Switched AC outlets
• Dimensions(W
• Weight(Net)
|
120 V~60 Hz
7 A
|
|
TOTAL 100 W, 1A max.
440 196 450 mm(17-3/8 7-3/4 17-3/4 inches)
23.5 kg(51.8 lbs)
H
D)
|
|
Note: Design and specifications are subject to change without notice for improvements.
69
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-
R 965
Audio/Video Receiver
5707-04744-001-1
Download from Www.Somanuals.com. All Manuals Search And Download.
|