Sherwood Stereo Receiver R 772 User Manual

OPERATING INSTRUCTIONS  
MANUEL DUTILISATION  
BEDIENUNGSANLEITUNG  
Audio/Video Receiver  
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Introduction  
READ THIS BEFORE OPERATING YOUR UNIT  
This symbol is intended to alert the user to the presence of  
uninsulated "dangerous voltage" within the product's  
enclosure that may be of sufficient magnitude to constitute  
a risk of electric shock to persons.  
: TO REDUCE THE RISK OF ELECTRIC  
SHOCK, DO NOT REMOVE COVER (OR  
BACK). NO USER-SERVICEABLE PARTS  
INSIDE. REFER SERVICING TO  
This symbol is intended to alert the user to the presence of  
important operating and maintenance (servicing)  
instructions in the literature accompanying the appliance.  
CAUTION  
QUALIFIED SERVICE PERSONNEL.  
WARNING : TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,  
DO NOT EXPOSE THIS APPLIANCE TO RAIN OR MOISTURE.  
Caution regarding installation  
Note : For heat dispersal, do not install this unit in a confined space such as a bookcase or similar enclosure.  
Do not block ventilation openings or stack other equipment on the top.  
FOR YOUR SAFETY  
Units shipped to Australia are designed for operation on 240 V AC only.  
To ensure safe operation, the three-pin plug supplied must be inserted only into a standard three-  
pin power point which is effectively earthed through the normal household wiring. Extension cords  
used with the equipment must be three-core and be correctly wired to provide connection to earth.  
220 V  
EUROPE  
AUSTRALIA  
Improper extension cords are a major cause of fatalities. The fact that the equipment  
operates satisfactorily does not imply that the power point is earthed and that the installation  
is completely safe. For your safety, if in any doubt about the effective earthing of the power  
point, consult a qualified electrician.  
-
240 V  
PAN-EUROPEAN UNIFIED VOLTAGE  
All units are suitable for use on supplies 220-240 V AC.  
CAUTION  
Leave a space around the unit for sufficient ventilation.  
Avoid installation in extremely hot or cold locations, or in an area that is exposed to direct sunlight or heating equipment.  
Keep the unit free from moisture, water, and dust.  
Do not let foreign objects in the unit.  
The ventilation should not be impeded by covering the ventilation openings with items, such as newspapers, table-cloths,  
curtains, etc.  
No naked flame sources, such as lighted candles, should be placed on the unit.  
Please be care the environmental aspects of battery disposal.  
The unit shall not be exposed to dripping or splashing for use.  
No objects filled with liquids, such as vases, shall be placed on the unit.  
.
• Do not let insecticides, benzene, and thinner come in contact with the set  
Never disassemble or modify the unit in any way.  
Notes on the AC power cord and the wall outlet.  
The unit is not disconnected from the AC power source(mains) as long as it is connected to the wall outlet, even if the unit  
has been turned off.  
To completely disconnect this product from the mains, disconnect the plug from the wall socket outlet.  
When setting up this product, make sure that the AC outlet you are using is easily acceptable.  
Disconnect the plug from the wall outlet when not using the unit for long periods of time.  
Note on recycling  
This product’s packaging materials are recyclable and can be reused. Please dispose of any materials  
in accordance with the local recycling regulations.  
When discarding the unit, comply with local rules or regulations.  
Batteries should never be thrown away or incinerated but disposed of in accordance with the local  
regulations concerning chemical waste.  
This product and the accessories packed together constitute the applicable product according to the  
WEEE directive except batteries.  
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CONTENTS  
• Introduction  
READ THIS BEFORE OPERATING YOUR UNIT . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2  
• System Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4  
• Front Panel Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13  
• Universal Remote Controls . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15  
OPERATING COMPONENTS WITH REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . 17  
REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17  
LOADING BATTERIES . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17  
USING FUNCTIONS OF REMOTE CONTROL . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18  
• ROOM 2 Remote Controls  
REMOTE CONTROL OPERATION RANGE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21  
LOADING BATTERY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21  
• Operations  
LISTENING TO A PROGRAM SOURCE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22  
SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24  
ENJOYING SURROUND SOUND . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 26  
LISTENING TO RADIO BROADCASTS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30  
LISTENING TO RDS BROADCASTS(FM ONLY) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 32  
(RDS Tuner(Regional Option for some countries in Europe, etc.))  
OTHER FUNCTIONS . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 34  
ROOM 2 SOURCE PLAYBACK . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35  
RECORDING . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 36  
DIGITAL AUDIO RECORDING WITH MD RECORDER . . . . . . . . . . . . . . . . . . . . . . . . . 37  
• OSD Menu Settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38  
SETTING THE SYSTEM SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40  
SETTING THE INPUT SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44  
SETTING THE SPEAKER / ROOM EQ SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48  
SETTING THE CH LEVEL SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55  
SETTING THE SOUND PARAMETER . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 57  
SETTING THE MULTI ROOM SETUP . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 61  
• Troubleshooting Guide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 62  
• Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 63  
• Setup Code Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 64  
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2. CONNECTING VIDEO COMPONENTS  
• The jacks of VIDEO 1 may also be connected to a DVD recorder or other digital video recording  
component.  
For details, refer to the operating instructions of the component to be connected.  
• The jacks of VIDEO 2/VIDEO 3 can also be connected to an additional video component such as a cable  
TV tuner or satellite system.  
• Connect the jacks of VIDEO 3 to the video component in the same way.  
• There are three types of video jacks (COMPONENT, S-  
VIDEO, (composite) VIDEO) for analog video connections  
and the HDMI connectors for digital video and audio  
connections. Connect them to the corresponding video  
jacks according to their capability.  
• For your reference, the excellence in picture quality is as  
follows : "HDMI” > "COMPONENT" > "S-VIDEO" >  
"(composite) VIDEO" .  
• When making COMPONENT VIDEO connections, connect  
"Y" to "Y", "PB/CB" to "CB"(or "B-Y", "PB") and "PR/CR" to  
"CR"(or "R-Y", "PR").  
• When recording video program sources through VIDEO 1 OUT jacks or viewing ROOM 2 source through  
ROOM 2 OUT jacks, you must connect the (composite) VIDEO IN jacks to video playback components such  
as DVD player, cable TV tuner, etc.  
• This unit is equipped with a function that up-converts composite video signals to S-Video signals or down-  
converts S-Video signals to composite video signals and outputs them from the MONITOR OUTs.  
• After connecting the video components, you should set the video mode correctly, referring to the following  
table on page 6. (For details, refer to "When selecting the VIDEO MODE" on page 45.)  
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Continued  
Relationship between the video input signal and the video output signal  
Video Mode  
Setting  
Auto  
Video input signals  
MONITOR OUTs  
S-VIDEO  
COMPONENT  
S-VIDEO (COMPOSITE) VIDEO  
COMPONENT*1  
(COMPOSITE) VIDEO  
Composite video*2  
×
Component  
S-Video  
Component  
S-Video  
Composite  
Auto  
Component  
×
×
×
×
×
S-Video  
S-Video  
×
×
×
×
×
×
×
Component  
Component  
Component  
×
Composite video  
S-Video  
Composite video  
S-Video  
Auto  
Composite video  
×
Composite video  
×
Auto  
Auto  
S-Video  
Composite video*2  
S-Video  
Auto  
×
S-Video  
Auto  
×
Composite video  
Composite video  
*
*
1 : Component video signal can be output from the COMPONENT MONITOR OUT jacks only.  
2 : The OSD menu and the momentary OSD cannot be displayed via (COMPOSITE) VIDEO MONITOR OUT jack.  
Note :  
• The OSD menu and the momentary OSD cannot be displayed via the COMPONENT MONITOR OUT and the HDMI  
MONITOR OUT jacks.  
HDMI (High Definition Multimedia Interface) connection : (*1)  
• You can connect the source component (DVD player, etc.) to the display component (TV, projector, etc.) through this receiver  
with using a commercially available HDMI cord.  
• The HDMI connection can carry uncompressed digital video signals and digital audio signals.  
• The HDMI video stream signals (video signals) are theoretically compatible with DVI-D. When connecting to a TV monitor,  
etc., equipped with DVI-D connector, it is possible to connect using a commercially available HDMI-DVI converter cord.  
Since the HDMI-to-DVI connection cannot carry any audio signals, you should make audio connections to play the audio  
signals on the component equipped with DVI-D connector. (For details, refer to the operating instructions of its.)  
• If you connect the HDMI INs to your video components, it is easier to do so following the default settings.  
• If your HDMI connection is different from the default setting, you should assign the HDMI INs you used with the "When  
selecting the HDMI ASSIGN" procedure on page 45.  
• The default settings are as follows :  
HDMI 1 : VIDEO 1, HDMI 2 : VIDEO 2  
Copyright protection system  
• This unit supports HDCP (High-bandwidth Digital Contents Protection), technology to protect copyright of digital video signals  
against illegal duplication. HDCP must also be supported on the components connected to this unit.  
• This unit is HDMI Ver. 1.3 compatible.  
• HDMI, the HDMI logo and High-Definition Multimedia Interface are trademarks or registered trademarks of HDMI licensing  
LLC.  
Notes :  
• For stable signal transfer, we recommend using HDMI cords that are a maximum of 5 meters in length.  
• Among the components that support HDMI, some components can control other components via the HDMI connector.  
However, this unit cannot be controlled by another component via the HDMI connector.  
• The audio signals from the HDMI connector (including the sampling frequency and bit length) may be limited by the  
component that is connected.  
• The video signals will not be output properly if a component incompatible with HDCP is connected.  
• If the resolutions of the video signals which are output from the HDMI MONITOR OUT and your monitor TV are not matched,  
the picture is not clear, natural or displayed. In this case, change the setting of the resolution on the source component (DVD  
player, etc.) to one which the monitor TV can handle. (For details, refer to the operating instructions of the source  
component.)  
• When you want to enjoy only the picture on your TV, not the sound, you should set the HDMI AUDIO OUT to OFF not to  
output the digital audio signal from the HDMI MONITOR OUT of this receiver. (For details, refer to "When selecting the HDMI  
AUDIO OUT" on page 41.)  
Component video input default settings: (*2)  
• If you connect the COMPONENT VIDEO INs to your video components, it is easier to do so following the default settings.  
• If your component video connections are different from the default setting, you should assign the COMPONENT VIDEO INs  
you used with the “When selecting the VIDEO ASSIGN” procedure on page 45.  
• The default settings are as follows:  
COMPONENT IN 1 : VIDEO 1, COMPONENT IN 2 : VIDEO 2.  
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3. CONNECTING AUDIO COMPONENTS  
• For analog audio recording, the  
ROOM 2 OUT jacks can be connected  
to audio recording equipment such as  
a tape deck, an MD recorder, etc. as  
shown beside.  
4. CONNECTING EXTERNAL INS  
• Use these jacks to connect the corresponding outputs  
of a DVD player or external decorder, etc. that has 6,  
7 or 8 channel analog audio outputs.  
• In case of 6 or 7 channel outputs, do not connect both  
of the SURROUND BACK L and R inputs or the  
SURROUND BACK R input of this unit. (For details,  
refer to the operating instructions of the component to  
be connected.)  
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5. CONNECTING DIGITAL INS AND OUT  
• The OPTICAL and the COAXIAL DIGITAL OUTs  
of the components that are connected to this unit  
can be connected to these DIGITAL INs.  
• A digital input should be connected to the  
components such as a CD player, DVD player,  
etc. capable of outputting DTS Digital Surround,  
Dolby Digital or PCM format digital signals, etc.  
• If the component with OPTICAL IN jack is  
connected to the OPTICAL OUT jack of this unit,  
you can record the high quality sound of CDs, etc.  
without degradation.  
• For details, refer to the operating instructions of  
the component connected.  
• When making the COAXIAL DIGITAL connection,  
be sure to use a 75 Ω COAXIAL cord, not a  
conventional AUDIO cord.  
• All of the commercially available optical fiber cords  
cannot be used for the equipment. If there is an  
optical fiber cord which cannot be connected to your equipment, consult your dealer or nearest service  
organization.  
Notes:  
• Be sure to make either a OPTICAL or a COAXIAL DIGITAL connection on each component. (You don’t need to  
do both.)  
• Depending on the digital audio signal format input into HDMI IN connector, some digital signals cannot be  
output from the OPTICAL OUT jack.  
Digital input default settings  
• If you connect the DIGITAL INs to your components, it is easier to do so following the default settings.  
• If your DIGITAL connections are different from default settings, you should assign the DIGITAL INs you used  
with the “When selecting the AUDIO ASSIGN” procedure on page 45.  
• The default settings are as follows :  
OPTICAL IN 1 : VIDEO 1, OPTICAL IN 2 : VIDEO 2, COAXIAL IN 1 : CD, COAXIAL IN 2 : AUX.  
6. CONNECTING DC TRIGGER OUT  
• Connect a component to DC TRIGGER OUT jack  
that allows DC 12V to turn on when a specific  
input source is selected.  
• For details, refer to the operating instructions of  
the components to be connected.  
• To link DC TRIGGER OUT with a specific input  
source, refer to "When selecting the DC  
TRIGGER" on page 46.  
Note:  
• This output voltage (12V d.c., 100mA) is for (status) control only, it is not sufficient for drive capability.  
• When making DC TRIGGER connection, you should use the stereo mini cord, not a mono mini cord.  
7. CONNECTING SUBWOOFER PREOUT  
• To emphasize the deep bass sounds, connect a  
powered subwoofer.  
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8. CONNECTING SPEAKERS  
• Be sure to connect speakers firmly and correctly  
according to the channel(left and right) and the  
polarity (+ and -). If the connections are faulty, no  
sound will be heard from the speakers, and if the  
polarity of the speaker connection is incorrect, the  
sound will be unnatural and lack bass.  
• For installing the speakers, refer to “Speaker  
placement” on page 10.  
• After installing the speakers, first adjust the speaker  
settings according to your environment and speaker  
layout. (For details, refer to “SETTING THE  
SPEAKER/ROOM EQ SETUP” on page 48.)  
Surround back speakers  
• When using only one surround back speaker, you  
should connect it to SURROUND BACK/MULTI  
LEFT channel.  
• Because this receiver cannot drive the surround back  
speakers and the ROOM 2 speakers simultaneously,  
you should assign their power amplifier correctly  
depending on how to use them.  
(For details, refer to “CONNECTING ROOM 2  
OUTS” on page 11 and “When selecting the AMP  
ASSIGN” on page 40.)  
Front Bi-Amp Connections.  
• Some speakers are equipped with two sets of input  
terminals, for bi-amplification.  
• If no other surround back speakers are used, you  
can connect the FRONT and the SURROUND BACK  
/MULTI channels to the bi-amp-capable speakers.  
(For details, refer to the operating instructions of your  
bi-amp-capable speakers.)  
• To drive the bi-amp-capable speakers, you should  
assign the power amplifier to "BI-AMP".  
Note :  
• Before making bi-amp connections, remove the  
short-circuiting bars from the terminals of your  
speakers.  
Caution :  
• Be sure to use the speakers with the impedance of 6  
ohms or above.  
• Do not let the bare speaker wires touch each other or  
any metal part of this unit. This could damage this  
unit and/or the speakers.  
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Speaker placement  
Ideal speaker placement varies depending on the  
size of your room and the wall coverings, etc. The  
typical example of speaker placement and  
recommendations are as follows :  
Front left and right speakers and center  
speaker  
• Place the front speakers with their front surfaces  
as flush with TV or monitor screen as possible.  
• Place the center speaker between the front left  
and right speakers and no further from the  
listening position than the front speakers.  
• Place each speaker so that sound is aimed at the  
location of the listener’s ears when at the main  
listening position.  
Surround left and right speakers  
• Place the surround speakers approximately 1  
meter (40 inches) above the ear level of a seated  
listener on the direct left and right of them or  
slightly behind.  
1. TV or Screen  
2. Front left speaker  
3. Subwoofer  
4. Center speaker  
5. Front right speaker  
6. Surround left speaker  
7. Surround right speaker  
8. Surround back left speaker  
9. Surround back right speaker  
10. Surround center speaker  
11. Listening position  
Surround back left and right speakers  
• Place the surround back speakers at the back  
facing the front at a narrower distance than front  
speakers.  
• When using a single surround back speaker, place  
it at the rear center facing the front at a slightly  
higher position (0 to 20 cm ) than the surround  
speakers.  
• We recommend installing the surround back  
speaker(s) at a slightly downward facing angle.  
This effectively prevents the surround back  
channel signals from reflecting off the TV or  
screen at the front center, resulting in interference  
and making the sense of movement from the front  
to the back less sharp.  
Subwoofer  
• The subwoofer reproduces powerful deep bass  
sounds.  
Place a subwoofer anywhere in the front as desired.  
Notes :  
When using a conventional TV, to avoid interference with the TV picture, use only magnetically shielded front  
left and right and center speakers.  
To obtain the best surround effects, the speakers except the subwoofer should be full range speakers.  
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9. CONNECTING ROOM 2 OUTS  
• ROOM 2 playback feature allows you to play a different program source in another room as well as one source  
in the main room at the same time.  
• For ROOM 2 playback, connect the ROOM 2 OUT jacks to the amplifier, TV, etc. installed in another room, or  
connect the ROOM 2 speaker terminals to the speakers.  
• Because this receiver cannot drive the surround back speakers and the ROOM 2 speakers simultaneously, you  
should assign their power amplifier correctly depending on how to use them. (For details, refer to "When  
selecting the AMP ASSIGN" on page 40.)  
• When the ROOM 2 (AUDIO) OUT jacks are not connected to the ROOM 2 amplifier, you can connect these  
jacks to audio recording equipment such as a tape deck, an MD recorder, etc. for analog audio recording. (For  
details, refer to "CONNECTING AUDIO COMPONENTS" on page 7.)  
Notes :  
• To minimize hum or noise, use high quality connection cords.  
• You cannot use the digital audio signal for ROOM 2 playback.  
10. CONNECTING PC FOR UPGRADES  
• This receiver incorporates USB as well as RS-232C terminal  
that may be used in the future to update the operating  
software so that it will be able to support new digital audio  
formats, external control by using an external device and the  
like.  
• Connect either USB or RS-232C terminal to your PC (you  
don't need to do both).  
Notes:  
• Programming for upgrades and external control requires  
specialized programming knowledge and for that reason we recommend that it only be done by qualified  
installers. For more information on future upgrades and external control, visit the Sherwood web site at  
• Do not disconnect the connection cable while updating the operating software, etc.  
Should this happen, it may be result in malfunction or cause damage to the unit.  
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11. CONNECTING MULTI-ROOM SYSTEM KIT  
• The multi-room system kit(sold separately ) is essential for operation from a remote location .  
For information on the multi-room system kit, contact the Xantech corporation at 1-800-843-5465 or  
• IR IN jack allows you to control this receiver from another room with the remote control unit.  
• To control this receiver from another room with the remote control unit, connect the IR IN jack to the output of  
the connecting block.  
• If this receiver is located inside a cabinet or other enclosure where the infrared beams from the remote control  
unit cannot enter, then operation with the remote control unit will not be possible. In such a case, connect the IR  
IN jack to the output of the connecting block.  
• To control other compatible component from another room with the universal remote control unit, connect the IR  
OUT jack to the IR emitter.  
Note:  
Remote operation may become unreliable if the IR receiver is exposed to strong light such as direct sunlight or  
inverted fluorescent.  
12. SWITCHED AC OUTLET  
This outlet is switched on (power-on mode) and off  
(standby mode) according to power control as follows  
(Maximum total capacity is 100 W (0.43A)).  
Standby mode - Switched AC outlet off  
Power - on mode - Switched AC outlet on  
13. AC INPUT CORD  
Plug this cord into a wall AC outlet.  
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Front Panel Controls  
1. POWER switch  
16. MEMORY/ENTER button  
17. TUNING UP/DOWN(+/-) buttons  
18. PRESET UP/DOWN(+/-) buttons  
19. AUDIO ASSIGN button  
20. MULTI CONTROL knob  
21. REMOTE SENSOR  
2. POWER ON/STANDBY button/indicator  
3. VIDEO INPUT SELECTOR button  
4. AUDIO INPUT SELECTOR button  
5. EXTERNAL IN button  
6. TUNER button  
7. MASTER VOLUME CONTROL knob  
8. HEADPHONE jack  
22. FLUORESCENT DISPLAY  
For details, see below.  
9. SPEAKER button/indicator  
10. SURROUND MODE button  
11. STEREO button  
23. SETUP MIC jack  
For details, see next page.  
24. AUX IN jack  
12. SETUP button  
For details, see next page.  
25. VIDEO 4 IN jacks  
13. CHANNEL LEVEL button  
14. CONTROL UP/DOWN (/) buttons  
15. ROOM 2 button  
For details, see next page.  
FLUORESCENT DISPLAY  
1. Input, frequency, volume level, operating information, etc.  
2. Surround mode indicators  
3. AUTO indicator  
8. PRESET indicator  
9. SLEEP indicator  
10. ROOM 2 indicator  
11. TUNED indicator  
12. STEREO indicator  
13. RDS indicators  
4. DIGITAL INPUT indicator  
5. DIRECT indicator  
6. Preset number, sleep time display  
7. MEMORY indicator  
(Regional option for Europe, etc.)  
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SETUP MIC JACK  
• To use Auto Setup function, connect the supplied  
microphone to the SETUP MIC jack.(For details, refer  
to "When selecting the AUTO SETUP" on page 48.)  
Notes:  
• Because the microphone for Auto Setup is designed  
for use with this receiver, do not use a microphone  
other than the one supplied with this receiver.  
• After you have completed the auto setup procedure,  
disconnect the microphone.  
AUX IN JACK  
• The AUX IN jack can be connected to an additional  
audio component such as an MP3 player, etc.  
Note :  
• When connecting this jack to an MP3 player, etc., you  
should use the stereo mini cord, not a mono mini cord.  
VIDEO 4 IN JACKS  
• The VIDEO 4 IN jacks may be also  
connected to an additional video  
component such as a camcorder,  
a video game player, etc.  
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Universal Remote Controls  
This universal remote control can operate not only this receiver but also most popular brands of audio and video  
components such as CD players, tape decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.  
• To operate 7 components other than this receiver , you should enter the setup code for each component.  
(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 18.)  
• The numbered buttons on the remote control have different functions in different device modes. For details,  
refer to "FUNCTION TABLE of the NUMBERED BUTTONS" on the next page.  
Note :  
• In such a case that some components do not have the REMOTE SENSOR which receives the remote signals,  
this remote control cannot operate them.  
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FUNCTION TABLE of the NUMBERED BUTTONS.  
Notes :  
• Some functions for each component may not be available or may work differently.  
• Depending on other kinds of components that are available for each DEVICE button, some functions may not be  
available or may work differently, too.  
• For details about functions, refer to the operating instructions of each component.  
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OPERATING COMPONENTS WITH REMOTE CONTROL  
REMOTE CONTROL OPERATION RANGE  
• Use the remote control within a range of about 7  
meters (23 feet) and angles of up to 30 degrees  
aiming at the remote sensor.  
1. Enter the setup code for each component other  
than this receiver. For detalis, refer to “Entering  
a setup code” on page 18.  
2. Turn on the component you want to operate.  
3. Press the DEVICE button on the remote control  
corresponding to the component you wish to  
operate.  
4. Aim the remote control at the REMOTE  
SENSOR of the component you wish to control  
and press the button corresponding to the  
operation you want.  
LOADING BATTERIES  
When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries  
within several minutes after removing old batteries.  
If the betteries are removed or have been exhausted for a longer period of time, memorized contents will be  
cleared. Should this happen, you should memorize them again.  
2. Load two batteries (“AAA” size) matching the  
1. Remove the cover.  
polarity.  
• Remove the batteries when they are not used  
for a long time.  
• Do not use the rechargeable batteries (Ni-Cd  
type).  
• Be sure to use alkaline batteries.  
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USING FUNCTIONS OF REMOTE CONTROL  
• This remote control can control up to 8 different components.  
• Before operating audio and video components other than this receiver with using this remote control, the  
setup code for each component should be entered.  
• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for  
Sherwood CD player, “DVD” for Sherwood DVD player, "AUX" for Sherwood tape deck and "TV" for Sherwood TV  
respectively as its factory setup code. So, you don’t need to enter its code for each Sherwood component except  
in such a case that its code does not work.  
Entering a setup code  
4. Enter a 3 digit code, aiming the remote control at  
1. Turn on the component you want to control.  
the remote sensor on the component.  
Example) When entering "001".  
2. Find the setup codes according to the type and  
the brand name of your component, referring to  
“Setup Code Table” on page 64.  
3. Press and hold down both the "ENTER" button  
and the desired one of the DEVICE buttons for  
more than 1 second.  
• If entering is performed successfully, the LED will  
flicker twice.  
• To be sure that the setup code is correct, press the  
POWER ON(or STANDBY) button.  
If your component is tuned off, the setup code is  
correct.  
• When your component is not turned off, repeat the  
above steps 2 to 4, trying each code for your  
component until you find one that works.  
Notes:  
• If the LED did not flicker twice, then repeat the  
above steps 3 to 4 and try entering the same  
code again.  
• The LED will flicker once.  
• Manufacturers may use different setup codes for  
the same product category. For that reason, it is  
important that you check to see if the code you  
have entered operates as many controls as  
possible. If only a few functions operate, check to  
see if another code will work with more buttons.  
Note :  
• The "AUD" button is unavailable for the audio  
components other than this receiver.  
5. Repeat the above steps 1 to 4 for each of your  
components.  
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Using a punch-through function  
Removing a punch-through function  
• When removing the AUDIO volume punch-through,  
press and hold down both "AUD" button and  
This remote control may be programmed to  
operate either the AUDIO volume punch-through  
or the TV volume and/or TV channel punch-  
through in conjunction with any of the eight  
components controlled by this remote control.  
For example, since this receiver will likely be used  
as the sound system while watching TV, you may  
want to adjust this receiver’s volume although this  
remote control is set to control the TV.  
"VOLUME " button for more than 1 second.  
• When programming this remote control for the  
AUDIO volume punch-through, press and hold  
down both "AUD" button and "VOLUME "  
button for more than 1 second.  
• If removing is performed successfully, the LED will  
flicker twice.  
When you want to remove either TV volume or TV  
channel punch-through, press and hold down both  
"TV" button and either "VOLUME  
" or  
"CHANNEL " button for more than 1 second.  
Removing all punch-through functions  
Press and hold down both "AUD" button and  
"AUDIO ASSIGN" button for more than 1 second.  
• If programming is performed successfully, the  
LED will flicker twice.  
When you want either TV volume or TV  
channel punch-through, press and hold down  
both "TV" button and either "VOLUME  
" or  
"CHANNEL " button for more than 1 second.  
Note:  
• If you use one of AUDIO and TV volume  
punch-through functions, you cannot use the  
other.  
• If removing all punch-through functions is  
performed successfully, the LED will flicker twice.  
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Programming a macro function  
• The macro function enables you to program a  
series of button operations(up to 10) on this  
remote control into a single button.  
• You can store up to three separate macro  
command sequences into “M1”, “M2” and “M3”  
buttons.  
3. Press "ENTER" button.  
1. Press and hold down both "ENTER" button and  
one of three NUMERIC buttons ("1"~"3")  
corresponding to "M1"~"M3" buttons for more  
than 1 second.  
Example) When programming a series of button  
operations into "M1" button.  
• If the programming is performed successfully, the  
LED will flicker twice.  
To remove a macro program  
• When removing a macro program, perform the  
above steps 1 and 3, but ignore the step 2.  
To change a macro program  
• When a new macro program is stored into a  
MACRO button with performing the above steps  
1 to 3, the previous macro program is cleared  
from the memory of the MACRO button.  
• If the macro mode is entered, the LED will  
flicker once.  
Operating a macro function  
• Aim the remote control at the REMOTE  
SENSORs of the components to be controlled  
and press the MACRO button you want.  
Example) When pressing “M1” button.  
2. Press the operation buttons you want to  
program in order.  
Note:  
You should press the corresponding DEVICE  
buttons before pressing each operation button.  
Example) When playing a DVD on the DVD player  
connected to VIDEO 2 jacks of this  
receiver.  
. Press "AUD" button to control this receiver.  
. Press "POWER ON" button to turn this  
receiver on.  
. Press "AUD" button to control this receiver.  
. Press "VIDEO 2(7)" button to select the  
desired input source.  
. Press "DVD" button to control the DVD player.  
. Press "POWER ON" button to turn the DVD  
player on.  
Notes:  
• The codes programmed into a MACRO button will  
be transmitted at an interval of 0.5 seconds.  
However, some components may not be able to  
complete one operation in 0.5 seconds and may  
miss the next code.  
. Press "DVD" button to control the DVD player.  
. Press "" button to start playback.  
In this case, the macro function cannot control the  
corresponding components correctly.  
• Be sure to use the remote control within the remote  
control operation range of the components.  
• Depending on the operation status of the  
components, etc., the macro function cannot  
control the corresponding components correctly.  
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ROOM 2 Remote Controls  
This remote control unit is an additional remote control unit for the ROOM 2 source playback only.  
• You can use the ROOM 2 functions with this remote control unit more conveniently in another room than with  
the universal remote control unit.  
• For details on ROOM 2 operation, refer to "ROOM 2 SOURCE PLAYBACK" on page 35.  
REMOTE CONTROL OPERATION RANGE  
• Aim the ROOM 2 remote control(or the universal  
remote control) at the IR receiver installed in  
another room.(For details, refer to  
“CONNECTING MULTI-ROOM SYSTEM KIT” on  
page 12.)  
• When you operate the ROOM 2 function in the  
main room, aim the universal remote control (or  
the ROOM 2 remote control) at the remote  
sensor of this receiver.  
LOADING BATTERY  
1. Remove the cover.  
2. Load the battery(CR2025) matching the polarity.  
• Remove the battery when it is not used for a long  
time.  
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Operations  
Notes:  
• Before operating this receiver with the supplied remote control, refer to "Universal Remote Controls" on page  
15 for details about operation.  
• Before operating this receiver, first set this unit as desired for optimum performance, doing the OSD menu  
setting procedures. (For details, refer to "OSD Menu Settings" on page 38.)  
LISTENING TO A PROGRAM SOURCE  
Before operation  
3. Select the desired input source.  
• Enter the standby mode.  
• The POWER ON/STANDBY button  
lights up amber. This means that the  
receiver is not disconnected from the  
AC mains and a small amount of  
current is retained to support the  
operation readiness.  
• To switch the power off, push the  
POWER switch again.  
Then the power is cut off and the  
POWER ON/STANDBY button goes off.  
• Each time the "AUDIO" button on the front panel  
is pressed, the input source changes as follows:  
CD AUX TAPE  
1. In the standby mode, turn the power on.  
• Each time the "VIDEO" button on the front panel  
is pressed, the input source changes as follows:  
VIDEO 1VIDEO 2VIDEO 3 VIDEO 4  
• Each time the "TUNER" button is pressed, the  
band changes as follows:  
FM STereo FM MONO AM  
• Each time the POWER ON/STANDBY button on  
the front panel is pressed, the receiver is turned on  
When selecting the EXTERNAL IN as desired,  
to enter the operating mode (the POWER ON/  
STANDBY button lights up blue) or off to enter the  
standby mode(the POWER ON/STANDBY button  
lights up amber).  
• On the remote control, press the POWER ON  
button to enter the operating mode or press the  
STANDBY button to enter the standby mode.  
• In the standby mode, if the INPUT SELECTOR  
button is pressed, the receiver is turned on  
automatically and the desired input is selected.  
• Depending on the power amplifier setting for the  
surround back channels and the surround back  
speaker setting, "EXT. IN" is displayed and 8(/7/6)  
2. Switch the speakers on.  
• Then the SPEAKER indicator lights up  
and the sound can be heard from the  
speakers connected to the speaker  
terminals.  
• When using the headphones for private  
listening, press the SPEAKER button  
again to switch the speakers off.  
separate analog signals from the component  
connected to this input pass through the tone and  
volume circuits only and can be heard from your  
speakers.  
• Select the desired input source to cancel the  
external in function.  
• These analog signals can be heard only, not  
recorded.  
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6. Operate the selected component for playback.  
When CD, AUX, VIDEO 1~ 4 is selected as  
an input source  
• When playing back the program sources with  
surround sound, refer to “ENJOYING  
SURROUND SOUND” on page 26.  
• If the AUDIO MODE is set to the mode other  
than "DIGITAL" for the corresponding input  
source on the INPUT SETUP menu, you cannot  
hear the sound from the selected digital input.  
(For details, refer to "SETTING THE INPUT  
SETUP" on page 44.)  
7. Adjust the (overall) volume.  
4. Press the AUDIO ASSIGN button.  
Muting the sound  
• "AUD ~" is displayed for several seconds.  
• "AUD ~" disappears, press the AUDIO ASSIGN  
button again.  
5. Select the desired of the digital inputs connected  
while displaying "AUD ~".  
• "MUTE" flickers.  
• To resume the previous sound level, press it again.  
Listening with headphones  
• Each time the MULTI CONTROL knob is rotated  
or the CURSOR LEFT()/RIGHT() buttons are  
pressed, the corresponding input is selected as  
follows :  
• Ensure that the SPEAKER button is set to off.  
• Depending on the signal format which is being  
input, you can listen in Dolby Headphone mode,  
stereo mode, etc. (For details, refer to "Listening  
in Dolby Headphone mode" on page 27).  
• When the EXTERNAL IN is selected as an input  
source, only front left and front right channel  
signals can be reproduced through the  
headphones.  
Notes:  
• When the selected digital input is not connected  
or assigned, "o1", "c1", etc. (, meaning no digital  
signal input from it) or "d" (, meaning no audio  
assignment) flickers and no sound will be heard.  
• The selected digital input is automatically  
assigned to the corresponding input source on  
the INPUT SETUP menu. (For details, refer to  
"SETTING THE INPUT SETUP" on page 44.)  
• The sound from the component connected to the  
selected digital input can be heard regardless of  
the selected input source.  
Note:  
• Be careful not to set the volume too high when  
using headphones.  
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SURROUND SOUND  
• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound  
atmosphere in your personal Home Theater.  
Surround modes  
• DTS Neo : 6 Cinema  
DTS Digital Surround  
This mode is optimum for playing movies. Decoding is  
performed with emphasis on separation performance to  
achieve the same atmosphere with 2-channel sources as with  
6.1-channel sources.  
DTS Digital Surround(also called simply DTS) is a multi-channel  
digital signal format which can handle higher data rates. Discs  
bearing the “  
” include the recording of up to  
5.1 channels of digital signals, which can be generally thought  
to provide better sound quality due to the lower audio  
compression required.  
It also provides wide dynamic range and separation, resulting  
in magnificent sound.  
• DTS Neo : 6 Music  
This mode is suited mainly for playing music. The front left  
and front right signals bypass the decoder and are played  
directly so there is no loss of sound quality, and the effect of  
the surround signals from the center, surround left, surround  
right and surround back channels adds a natural sense of  
expansion to the sound field.  
(
)
DTS - ES Extended Surround™  
This is a new multi channel digital signal format which greatly  
improves the 360- degree surround impression and space  
expression thanks to further expanded surround signals,  
offering high compatibility with the conventional DTS format.  
In addition to the 5.1 channels, DTS-ES Extended Surround  
also offers the surround back (sometimes also referred to as  
“surround center”) channel for surround playback with a total  
of 6.1 channels. DTS-ES Extended Surround includes two  
signal formats with different surround signal recording  
methods as follows:  
DTS 96/24  
Conventional surround formats used sampling frequencies of  
48 or 44.1 kHz, so 20 kHz was about the maximum playback  
signal frequency. With DTS 96/24, the sampling frequency is  
increased to 96 or 88.2 kHz to achieve a wide frequency  
range of over 40 kHz. In addition, this format has a resolution  
of 24 bits, resulting in the same frequency band and dynamic  
range as 96kHz / 24 bit PCM signals.  
As with conventional DTS surround, DTS 96/24 is compatible  
with a maximum of 5.1 channels. DTS 96/24 is fully  
compatible with the conventional DTS surround format, so  
DTS 96/24 sources can be played using a conventional DTS  
5.1 channel decoder.  
• DTS-ES™ Discrete 6.1  
Because the signals for 6.1 channels (including the surround back  
channel) are fully independent, it is possible to achieve a sense  
that the acoustic image are moving about freely among the  
background sounds surrounding the listener from 360 degrees.  
Though maximum performance is achieved when sound  
tracks recorded with this system are played using a DTS -ES  
decoder, when played with a conventional DTS decoder, the  
surround back channel signals are automatically downmixed  
to the surround left and surround right channels so that none  
of the signal components are lost.  
"DTS" and "DTS-ES I Neo:6" are registered trademarks of  
DTS, Inc. "96/24" is a trademarks of DTS, Inc.  
Dolby Digital  
Dolby Digital is the multi- channel digital signal format  
developed by Dolby Laboratories. Discs bearing the  
” includes the recording of up to 5.1 channels of  
• DTS - ES™ Matrix 6.1  
digital signals, which can reproduce much better sound  
quality, spatial expansion and dynamic range characteristics  
than the previous Dolby Surround effect.  
With this format, the additional surround back channel  
signals undergo matrix encoding and are input to the  
surround left and surround right channels beforehand. During  
playback, they are decoded to the surround left, surround  
right and surround back channels.  
Dolby Digital EX  
Because the bit stream format is 100% compatible with  
conventional DTS signals, the effect of the DTS-ES Matrix 6.1  
format can be achieved even with DTS 5.1- channel signal  
sources. Of course, it is possible to play DTS-ES Matrix 6.1 -  
channel signal sources with a DTS 5.1 - channel decoder.  
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded  
with a DTS - ES decoder, the format is automatically detected  
upon decoding and the optimum surround mode is selected.  
However, some DTS - ES Matrix 6.1 sources may be detected  
as DTS sources. In this case, the DTS - ES Matrix mode  
should be selected manually to play these sources.  
This mode creates the back (sometimes also referred to as  
“surround center”) signals from the surround left and right  
signals in Dolby Digital 5.1 channel source using a matrix  
decoder and provides 6.1 channel surround playback. For the  
best results, this mode should be selected during playback of  
sources(bearing the “  
”) recorded in Dolby Digital  
EX. With this additional channel, you can experience more  
dynamic and realistic moving sound especially.  
When Dolby Digital EX sources are decoded with a Dolby  
Digital EX decoder, the format is automatically detected upon  
decoding and the Dolby Digital EX mode is selected.  
However, some Dolby Digital EX sources may be detected as  
Dolby Digital sources. In this case, the Dolby Digital EX mode  
should be selected manually to play these sources.  
DTS Neo : 6™ surround  
This mode applies conventional 2-channel signals such as  
digital PCM or analog stereo signals to the high precision digital  
matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-  
channel surround playback. DTS Neo : 6 surround includes two  
modes for selecting the optimum decoding for the signal source.  
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Dolby Pro Logic IIx surround  
Dolby Headphone  
Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1  
The Dolby Headphone function simulates 5.1 channel  
surround sound , which allows you to enjoy 5.1 channel  
surround sound through 2 channel headphones, just like  
listening from 5.1 channel speakers.  
channel sources and extends to 7.1channel surround  
playback. It delivers the most natural, full range and  
immersing 7.1 channel listening experience. Dolby Pro Logic  
IIx surround includes three modes as follows :  
This mode is effective not only for 5.1 channel sources but  
also for stereo ( 2 channel ) sources.  
• Dolby Pro Logic IIx Movie  
When enjoying movies, this mode allows you to further  
enhance the cinematic quality by adding processing that  
emphasizes the sounds of the action special effects.  
Manufactured under license from Dolby Laboratories.  
“Dolby”, “Pro Logic” and the double-D symbol are trademarks  
of Dolby Laboratories.  
• Dolby Pro Logic IIx Music  
• The following modes apply conventional 2-channel signals  
such as digital PCM or analog stereo signals to high  
performance Digital Signal Processor to recreate sound  
fields artificially. Select one of the 7 provided surround  
modes according to the program source you want to play.  
When listening to music, this mode allows you to further  
enhance the sound quality by adding processing that  
emphasizes the musical effects.  
• Dolby Pro Logic IIx Game  
When playing games, this mode allows you to further  
enhance the dynamic surround effects by adding processing  
that emphasizes the surrounded and exciting sound.  
Theater  
This mode provides the effect of being in a movie theater  
when watching a play.  
Dolby Pro Logic II surround  
Hall  
This mode applies conventional 2-channel signals such as  
digital PCM or analog stereo signals as well as Dolby  
Surround signals, etc. to surround processing to offer  
improvements over conventional Dolby Pro Logic circuits.  
Dolby Pro Logic II surround includes Dolby Pro Logic II  
Movie, Dolby Pro Logic II Music and Dolby Pro Logic II  
Game like Dolby Pro Logic IIx surround.  
This mode provides the ambience of a concert hall for  
classical music sources such as orchestral, chamber music  
or an instrumental solo.  
Stadium  
This mode provides the expansive sound field to achieve the  
true stadium effect when watching baseball or soccer games.  
Dolby Virtual Speaker  
Room  
This mode creates a virtual surround sound field using as few  
as two front speakers, allowing you to experience listening  
from 5.1 channel speakers.  
This mode provides the sound field of a house with a low  
ceiling and hard walls for jazz music.  
This mode is effective not only for 5.1 channel sources but  
also for stereo(2 channel) sources.  
Dolby VIrtual Speaker includes two listening mode as follows:  
Panorama  
This mode provides a dynamic and broad sound space to  
highten the overall impact of the sound track.  
Classic  
• Dolby Virtual Speaker Reference  
The width of the front sound image is defined by the actual  
distance between front speakers.  
This mode provides the acoustic effects of a large concert  
hall for classical music.  
Multi CH Stereo  
• Dolby Virtual Speaker Wide  
The width of the front sound image seems to extend beyond  
the front speakers.  
This mode is designed for playing background music. The  
front, surround and surround back channels create a stereo  
image that encompasses the entire area.  
• When using the EXTERNAL INs to play back the sound from the additional multi-channel decoder for surround sound, you can  
enjoy the corresponding surround sound, too.( For details, refer to the operating instructions of the component to be  
connected.)  
For your reference, the sound from each channel can be reproduced according to the surround modes as follows:  
Modes  
Channels  
FRONT L/R  
CENTER  
SURROUND L/R  
SURROUND BACK L/R SUBWOOFER  
DTS, DTS 96/24  
DTS ES DISCRETE/MATRIX  
DTS NEO: 6 CINEMA/MUSIC  
DOLBY DIGITAL  
(*)  
DOLBY DIGITAL EX  
DOLBY PRO LOGIC IIx MOVIE/MUSIC/GAME  
DOLBY PRO LOGIC II MOVIE/MUSIC/GAME  
DOLBY VIRTUAL SPEAKER  
MULTI PCM  
(*)  
/  
(*)  
Other Surrounds  
(*)  
STEREO  
EXTERNAL IN  
(*): Depending on the subwoofer setting, the sound from the subwoofer channel may be reproduced.  
• Depending on the speaker settings and the number of the encoded channels, etc., the sound from the corresponding channels  
cannot be reproduced.(For details, refer to "SETTING THE SPEAKER / ROOM EQ SETUP" on page 48.)  
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ENJOYING SURROUND SOUND  
Notes:  
• Before surround playback, first perform the speaker setup procedure, etc. on the OSD menu for optimum performance.  
(For details, refer to "SETTING THE SPEAKER/ROOM EQ SETUP" on page 48.)  
• When playing digital signals from the Dolby Digital program source or selecting the surround mode such as Dolby Pro Logic II  
/Dolby Pro Logic IIx Music, Dolby Headphone, Dolby Virtual Speaker modes, you can adjust their parameters for optimum  
surround effect. (For details, refer to "SETTING THE SOUND PARAMETER" on page 57.)  
• When the EXTERNAL IN is selected as an input source, the surround modes cannot be selected.  
Depending on how to select a surround mode, select the auto surround mode or the manual surround mode.  
• Each time this button is pressed, the mode changes as  
follows :  
Auto surround mode : The optimum surround mode will be  
("AUTO" lights up.)  
automatically selected depending on the signal  
format being input.  
Manual surround mode : You can select the desired of different  
("AUTO" goes off.)  
surround modes selectable for the signal  
being input with using the MULTI  
CONTROL knob or the SURROUND MODE  
UP/DOWN ( /) buttons.  
Notes :  
• Even when the auto surround mode is selected and the same type of digital signal format is being input, the  
optimum surround mode may vary depending on whether the speaker type is set to "NO" or not.  
• When the auto surround mode is selected, the surround modes other than the optimum surround mode  
cannot be selected.  
When selecting the manual surround mode with pressing the SURROUND MODE button on the front panel.  
Select the desired surround mode.  
• Each time the MULTI CONTROL knob is rotated or  
the SURROUND MODE UP / DOWN ( >/< ) buttons  
are pressed, the surround mode changes depending  
on the input signal format as follows :  
Selectable surround mode  
Signal format being input  
<DOLBY DIGITAL EX, DOLBY D + PLIIx MUSIC>, (DOLBY D + PLIIx MOVIE),  
DOLBY DIGITAL, DOLBY VS REF, DOLBY VS WIDE  
Dolby Digital EX 6.1 channel sources,  
Dolby Digital 5.1 channel sources  
Dolby Digital 2 channel sources  
<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE,  
DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE  
<corresponding DTS ES mode, DTS + PLIIx MUSIC>, (DTS + PLIIx MOVIE), DTS,  
DOLBY VS REF, DOLBY VS WIDE  
DTS ES Discrete/Matrix 6.1 channel  
sources  
DTS sources,  
corresponding DTS mode, DOLBY VS REF, DOLBY VS WIDE, <DTS + NEO:6, DTS + PLIIx  
MUSIC>, (DTS + PLIIx MOVIE)  
DTS 96/24 sources  
PCM (multi-channel) sources*  
MULTI PCM, <DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC>, DOLBY VS REF, DOLBY VS WIDE  
<DOLBY PLIIx MOVIE, DOLBY PLIIx MUSIC, DOLBY PLIIx GAME>, [DOLBY PLII MOVIE,  
DOLBY PLII MUSIC, DOLBY PLII GAME], DOLBY VS REF, DOLBY VS WIDE,  
NEO:6 CINEMA, NEO:6 MUSIC, THEATER, HALL, STADIUM, ROOM, PANORAMA, CLASSIC,  
MULTI CH STEREO  
96 kHz PCM (2 channel) sources  
PCM (2 channel) sources,  
Analog stereo sources  
• Depending on surround back speaker setting, some surround modes can be selected or not as follows:  
< >: Possible only when surround back speaker is not set to "NO".  
[ ] : Possible only when surround back speaker is set to "NO".  
( ): Possible only when surround back speaker is set to " 2CH".  
* : Depending on the signal format being input, the Dolby Pro Logic IIx modes and the Dolby Virtual Speaker modes may not be selected.  
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Continued  
To cancel the surround mode for stereo operation  
• Depending on the signal format which is being input, either the stereo  
mode or the 2CH downmix mode is selected.  
• To cancel either the stereo mode or the 2CH downmix mode, select  
the surround mode with using the MULTI CONTROL knob on the  
front panel or the SURROUND MODE UP/DOWN ( >/< ) buttons on  
the remote control.  
2CH downmix mode  
• This mode allows the multi-channel signals encoded in DTS or Dolby Digital format, etc. to be mixed down into  
2 front channels and to be reproduced through only two front speakers or through headphones.  
• When the SPEAKER button is set to off to listen with headphones, if the STEREO button is pressed while  
playing the multi-channel digital signals from DTS or Dolby Digital sources, etc., it will enter the 2CH downmix  
mode automatically.  
• To cancel the 2CH downmix mode, select the Dolby Headphone mode with using the MULTI CONTROL knob  
on the front panel or the SURROUND MODE UP/DOWN ( >/< ) buttons on the remote control.  
Listening in Dolby Headphone mode  
• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel  
surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.  
Note :  
• Only when the SPEAKER button is set to off, the Dolby Headphone mode can be selected.  
• Switch the speakers off to listen with headphones.  
• Then "DOLBY HEADPHONE" (or "DOLBY H ~ ") is displayed and  
the Dolby Headphone mode is selected.  
• To cancel the Dolby Headphone mode, press the SPEAKER  
button again.  
Adjusting each channel level with test tone  
• The volume level of each channel can be  
adjusted easily with the test tone function.  
Note : When the SPEAKER button is set to off,  
2. At each channel, adjust the level as desired until  
the sound level of each speaker is heard to be  
equally loud.  
the test tone function does not work.  
1. Enter the test tone mode.  
• You can select the desired channel with pressing  
the CONTROL UP/DOWN (▲/▼) buttons or the  
CURSOR UP/DOWN (▲/▼) buttons.  
• The test tone will be heard from the speaker of  
each channel for 2 seconds as follows:  
3. Cancel the test tone function.  
Front Left  
Center  
Front Right  
Surround Right  
Subwoofer Surround Left Surround Back Surr.Back Left Surr.Back Right  
When the speaker setting is "NO", the test tone of the  
corresponding channel is not available.  
• ( ) : Possible depending on whether the surround  
back channel is set to "2 CH" or "1 CH".  
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Adjusting the current channel level  
• After adjusting each channel level with test tone, adjust the channel levels either according to the program  
sources or to suit your tastes.  
• You can adjust the current channel levels as desired. These adjusted levels are just memorized into user’s  
memory ("CAL"), not into preset memory("REF 1", "REF 2").  
1. Press the CHANNEL LEVEL button.  
3. Adjust the level of the selected channel as  
desired.  
• Then the memory mode ("CAL" or "REF 1") is  
displayed for several seconds.  
• The LFE level can be adjusted within the range of  
• When the memory mode or channel level  
-10~0 dB and other channel levels within the  
disappears, press this button again.  
range of -15~+15 dB.  
• In general, we recommend the LFE level to be  
adjusted to 0 dB.(However, the recommended  
2. Select the desired channel.  
LFE level for some early DTS software is -10 dB.)  
If the recommended levels seem too high, lower  
the setting as necessary.  
4. Repeat the above steps 2 and 3 to adjust each  
channel level.  
• Each time these buttons are pressed, the  
corresponding channel is selected as follows:  
(
): Possible depending on whether the surround back channel is  
set to "2 CH" or "1 CH".  
< >: Possible only when the digital signals from Dolby Digital or  
DTS program sources that include LFE signal are input.  
• Depending on the speaker settings("NO", etc.)  
and surround mode, etc., some channels cannot  
be selected.  
• When the SPEAKER button is set to off, only the  
Front Left, Front Right (and LFE) channels can  
be selected.  
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Recalling the memorized channel levels  
Memorizing the adjusted channel levels  
• You can memorize the adjusted channel levels into  
preset memory("REF 1", "REF 2") and recall the  
memorized whenever you want.  
1. Press the CHANNEL LEVEL button.  
1. After performing the steps 1 ~ 4 in "Adjusting the  
current channel level" procedure on page 28,  
press the (MEMORY/) ENTER button.  
• "REF 1" (or "CAL") is displayed for several  
seconds.  
• If the channel level mode display disappears,  
press this button again.  
• The "1" of "REF 1" indication flickers for several  
seconds.  
2. Select the desired one of REF 1 and REF 2.  
2. Select the desired one of REF 1 and REF 2.  
• Then the channel levels memorized into the  
selected preset memory are recalled.  
• If the preset memory disappears, perform the  
above step 1 again.  
3. Confirm your selection.  
• The adjusted channel levels have now been  
memorized into the selected memory.  
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LISTENING TO RADIO BROADCASTS  
Manual tuning  
Auto tuning  
• Manual tuning is useful when you already know  
the frequency of the desired station.  
1. Select the desired band.  
• After selecting the desired band, press the  
TUNING UP(+) / DOWN(-) buttons repeatedly until  
the right frequency has been reached.  
Auto presetting  
• Each time this button is pressed, the band  
changes as follows :  
FM STereo FM MONO AM  
• Auto presetting function automatically searches  
for FM stations only and store them in the  
memory.  
("ST" lights up)  
("ST" goes off)  
• While listening to radio broadcasts, press and  
hold down the MEMORY/ENTER button for more  
than 2 seconds.  
• When FM stereo broadcasts are poor because of  
weak broadcast signals, select the FM mono  
mode to reduce the noise, then FM broadcasts  
are reproduced in monaural sound.  
• Then "AUTO MEM" flickers and  
this receiver starts auto  
presetting.  
• Up to 30 FM stations can be  
stored.  
Notes:  
2. Press the TUNING UP(+)/DOWN(-) buttons for  
more than 0.5 second.  
• FM stations of weak strength  
cannot be memorized.  
• To memorize AM stations or weak stations,  
preform "Manual presetting" procedure with using  
"Manual tuning" operation.  
• The tuner will now search until a station of  
sufficient strength has been found. The display  
shows the tuned frequency and "TUNED".  
• If the station found is not the desired one, simply  
repeat this operation.  
• Weak stations are skipped during auto tuning.  
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Manual presetting  
Tuning to preset stations  
• You can store up to 30 preferred stations in the  
memory.  
• After selecting the tuner as an input source, select  
the desired preset number.  
1. Tune in the desired station with auto or manual  
tuning.  
2. Press the MEMORY/ENTER button.  
Scanning preset stations in sequence  
• "MEM" is flickering for several seconds.  
3. Select the desired preset number (1~30) and  
press the MEMORY/ENTER button.  
• The receiver will start scanning the stations in the  
preset sequence and each station is received for 5  
seconds.  
• At the desired station, press this button again to  
stop scanning.  
• The station has now been stored in the memory.  
• A stored frequency is erased from the memory  
by storing another frequency in its place.  
• If "MEM" goes off, start again from the above  
step 2.  
4. Repeat the above steps 1 to 3 to memorize  
other stations.  
MEMORY BACKUP FUNCTION  
The following items, set before the receiver is  
turned off, are memorized.  
• INPUT SELECTOR settings  
• Surround mode settings  
• Preset stations,etc.  
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RDS Tuner(Regional Option for some countries in Europe, etc.)  
LISTENING TO RDS BROADCASTS (FM ONLY)  
RDS(Radio Data System) is a method for sending information signals together with the transmitter signals. Your  
tuner is capable of translating these signals and putting the information on the display. These codes contain the  
following informations. Program Service name(PS), A list of Program Types(PTY), Traffic Announcement(TA),  
Clock Time(CT), Radio Text(RT).  
Note :  
• In the other countries, RDS tuner function cannot be available.  
RDS search  
TP search  
• Use this function to automatically search and  
receive the stations offering RDS services.  
• Use this function to automatically search and  
receive the stations broadcasting the traffic  
program.  
1. In the FM mode, select the RDS search mode.  
1. In the FM mode, select the TP search mode  
• Each time this button is pressed, the search  
mode changes as follows :  
• "TP SRCH" is displayed.  
RDS SRCH TP SRCH PTY SRCH OFF  
2. While displaying "TP SRCH".  
2. While displaying "RDS SRCH"  
• The tuner automatically searches stations  
broadcasting the traffic program.  
• "NO TRAFF"is displayed if the signal is too weak  
or there are no stations broadcasting the traffic  
program.  
• The tuner automatically searches stations  
offering RDS services and the station name is  
displayed.  
• If no other RDS station is found, "NO RDS" is  
displayed.  
• When "TP SRCH" is not displayed, repeat again  
from the above step 1.  
• When "RDS SRCH" is not displayed, repeat  
again from the above step 1.  
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PTY search  
• Use this function to automatically search and  
receive the stations broadcasting the desired  
program type.  
3. While displaying the desired program type.  
1. In the FM mode, select the PTY search mode.  
• The tuner automatically searches a station  
offering PTY services.  
• If no station is found, "NO PROG" is displayed.  
• "PTY SRCH" is displayed.  
DISPLAY  
2. While displaying "PTY SRCH", select the  
desired program type.  
• In the FM mode,  
• Each time the DISPLAY button is pressed, the  
display mode changes as follows:  
• Each time these buttons are pressed, one of 32  
different types of programs is selected.  
(NEWS, AFFAIRS, INFO, SPORT, EDUCATE,  
DRAMA, CULTURE, SCIENCE, VARIED, POP M,  
ROCK M, EASY M, LIGHT M, CLASSICS, OTHER M,  
WEATHER, FINANCE, CHILDREN, SOCIAL,  
RELIGION, PHONE IN, TRAVEL, LEISURE, JAZZ,  
COUNTRY, NATION M, OLDIES, FOLK M,  
DOCUMENT, TEST, ALARM, NONE)  
Program  
Service name  
(PS)  
Program  
Type  
(PTY)  
Clock  
Time  
(CT)  
Radio  
Text  
(RT)  
Frequency  
Surround  
mode  
Input  
signal  
Volume  
• When "PTY SRCH" is not displayed, repeat again  
from the above step 1.  
• If the signals are too weak or no RDS service is  
available, "NO NAME", "NO PTY", "NO TIME" or  
"NO TEXT" will be displayed.  
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R-772(G)2007.9.174:43PM페이34  
OTHER FUNCTIONS  
Operating the sleep timer  
Displaying the audio information  
• The sleep timer allows the system to continue to  
operate for a specified period of time before  
automatically shutting off.  
• You can check the audio information on the input  
source.  
• To set the receiver to automatically turn off after  
the specified period of time.  
• During playback,  
• Each time this button is pressed, the display  
mode changes as follows :  
• Each time this button is pressed, the sleep time  
changes as follows:  
10 20 30 --- 90 OFF  
Unit : minutes  
Input  
signal  
Surround  
mode  
Input  
source  
Volume  
• While operating the sleep timer, "  
" lights up.  
• When the EXTERNAL IN is selected as an input  
source, the surround mode is not displayed.  
• When RDS tuner function is available in your  
country, for details on the FM mode information,  
see "DISPLAY" on page 33.  
Adjusting the brightness of the  
fluorescent display  
• Each time this button is pressed, the brightness  
of the fluorescent display changes as follows:  
ON dimmer OFF  
• In the display OFF mode, pressing any button will  
cancel the display OFF mode.  
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ROOM 2 SOURCE PLAYBACK  
• This function allows enjoying one source in the main room and playing another in a different room at the same time.  
• When you connect the multi-room system kit to the IR IN jack of this receiver, you can control this receiver with not only the  
universal remote control unit but also the ROOM 2 remote control unit in a different room, too. (For details, refer to  
"CONNECTING MULTI-ROOM SYSTEM KIT" on page 12 and "ROOM 2 Remote Controls" on page 21.)  
Notes:  
• The analog signals from the EXTERNAL INs and the digital signals cannot be output to the different room, meaning no  
playback in a different room.  
• You cannot play the ROOM 2 source in any surround mode.  
When using the buttons on the front panel.  
Press the ROOM 2 button to enter the ROOM 2 mode.  
When using the buttons on the remote control unit.  
1.  
Press the ROOM 2 button.  
1.  
• ROOM 2 ~ is displayed for several  
seconds.  
• ROOM 2 ~ is displayed for  
several seconds.  
• When the ROOM 2 setting mode  
disappears, press the ROOM 2 button  
again.  
• Each time this button is  
pressed, the ROOM 2  
mode changes as follows :  
OFF : To turn off the ROOM 2  
2.  
Select the desired mode while displaying the ROOM 2  
setting mode.  
function. ("R2" goes off .)  
ON : To turn it on. ("R2" lights up.)  
Note :  
• Each time these buttons are  
pressed, the mode changes as  
follows :  
• When the ROOM 2 mode is set to OFF, you cannot  
adjust the ROOM 2 volume.  
ROOM 2 ~  
(ROOM 2 mode) off the ROOM 2  
function.  
: To turn on or  
2.  
Select the desired input as a ROOM 2 source.  
IN ~ : To select the desired ROOM 2 source.  
(ROOM 2 input)  
• Each time the INPUT button  
on the universal remote  
control unit is pressed, the  
ROOM 2 input can be  
selected among MAIN  
source, TUNER, CD, AUX,  
TAPE, VIDEO 1 ~ VIDEO 4.  
VOL ~  
: To adjust the volume on the power  
(ROOM 2 volume) amplifier assigned to "BACK ← →  
ROOM 2" or "ROOM 2".  
Note : When the ROOM 2 mode is set to OFF,  
the ROOM 2 input and the ROOM 2 volume  
cannot be selected  
3.  
Adjust the ROOM 2 volume.  
3.  
Set the selected mode as desired.  
When selecting the ROOM 2 mode.  
OFF : To turn off the ROOM 2  
• You can adjust the volume  
on the power amplifier  
assigned to "BACK ← →  
function. ("R2" goes off.)  
ROOM 2" or "ROOM 2"  
ON : To turn it on. ("R2" lights up.)  
when the ROOM 2 speaker  
terminals are connected to  
the speakers in a different  
room. (For details, refer to "When selecting the AMP  
ASSIGN" on page 40.)  
When selecting the ROOM 2 input.  
• You can select the desired among  
MAIN source, TUNER, CD, AUX,  
TAPE, VIDEO 1 ~ VIDEO 4 as a ROOM 2 source.  
When selecting the ROOM 2 volume.  
• You can adjust the volume on the power amplifier  
assigned to "BACK ← → ROOM 2" or "ROOM 2" when  
the ROOM 2 speaker terminals are connected to the  
speakers in a different room. (For details, refer to  
"When selecting the AMP ASSIGN" on page 40.)  
• The MUTE button on the ROOM 2 remote control unit can  
be available only when the ROOM 2 function is operating.  
4.  
Start play on the component related to the ROOM 2  
source.  
4.  
Start play on the component related to the ROOM 2  
source.  
Notes:  
• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input, no audio signal can  
be heard in the different room (ROOM 2).  
• Even when this receiver enters the standby mode, in such a case that "R2" lights up still and the POWER ON/STANDBY  
button lights up blue as it does in the operating mode, meaning only the ROOM 2 circuitry operates, the ROOM 2 source can  
be played independently.  
• When you do not use the ROOM 2 function, turn off the ROOM 2 function to save electricity.  
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RECORDING  
• The analog signals from the EXTERNAL INs as well as the digital signals from the coaxial or optical digital input can be  
heard but cannot be recorded.  
• When recording the analog signals from CD, AUX, VIDEO 1 ~ 4, be sure to select the "ANALOG" for the AUDIO MODE.  
(For details, refer to "When selecting the AUDIO MODE" on page 45.)  
• The volume and tone (bass, treble) settings have no effect on the recording signals.  
Dubbing the audio and video signals  
separately onto VIDEO 1  
Recording with TAPE  
• To record the analog signals onto the recording  
equipment, be sure to connect the ROOM2 OUT  
jacks to the recording equipment. (For details,  
refer to "CONNECTING AUDIO COMPONENTS"  
on page 7.)  
Example: When dubbing the VIDEO 2 video signal and  
the CD audio signal separately onto VIDEO 1.  
1. Select VIDEO 2 as a video recording source.  
1. Select the desired input as a recording source  
except for TAPE.  
2. Select CD as an audio recording source.  
2. Turn on the ROOM 2.  
3. Select the MAIN as a ROOM 2 input.  
3. Start recording on the VIDEO 1.  
4. Start play on the VIDEO 2 and the CD  
respectively.  
• The audio signal from the CD and the video  
signal from the VIDEO 2 will be dubbed and you  
can enjoy them on the TV set and from the  
speakers.  
Note : Be sure to observe the order of the above  
steps 1 and 2.  
4. Start recording on the TAPE.  
5. Start play on the desired input.  
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Dubbing from video components onto  
VIDEO 1  
1. Select the desired of CD, AUX, VIDEO 1~4 as a  
recording source.  
1. Select the desired of VIDEO 2 ~ 4 as a recording  
source except VIDEO 1.  
In case of recording the digital audio signal input  
into a HDMI IN connector  
• Select the desired recording source to which the HDMI  
IN is connected and assigned and then perform the  
steps 3 and 4 (, but ignore the step 2).  
Note :  
• If the AUDIO MODE is set to the mode other than  
"HDMI" for the corresponding recording source on the  
INPUT SETUP menu, the digital audio signals will not  
be output and there will be no recording. (For details,  
refer to "When selecting the AUDIO MODE" on page  
45.)  
2. Start recording on the VIDEO 1.  
3. Start play on the desired input.  
• The audio and video signals from the desired  
input will be dubbed onto the VIDEO 1 and you  
can enjoy them on the TV set and from the  
speakers.  
2. For digital recording, select the digital input as  
recording signal input.  
DIGITAL AUDIO RECORDING WITH MD RECORDER  
• Only when the OPTICAL DIGITAL OUT of this receiver is  
connected to the OPTICAL DIGITAL IN of the MD recorder  
or CD recorder, you can enjoy high-quality sound of digital  
recording without converting the original signals. Refer to  
"CONNECTING VIDEO COMPONENTS", "CONNECTING  
AUDIO COMPONENTS" and "CONNECTING DIGITAL  
INS AND OUT" on pages 5~8 and the operating  
instructions of the MD recorder or CD recorder.  
Notes:  
• Depending on the digital audio signal format input into the  
HDMI IN connector, some digital signals cannot be output  
from the OPTICAL DIGITAL OUT jack.  
• Digital recording is available for the digital audio program  
sources such as CDs, MDs, some DVDs, etc.  
• In most DVDs and SACDs as well as some CDs, etc.,  
digital recording may not be available depending on the  
signal format.  
Note :  
• If the AUDIO MODE is set to the mode other than  
"DIGITAL" for the corresponding recording source  
on the INPUT SETUP menu, the digital audio  
signals from the selected digital input will not be  
output and there will be no recording. (For details,  
refer to "When CD, AUX, VIDEO 1~ 4 is selected  
as an input source" on page 23 and "When  
selecting the AUDIO MODE" on page 45.)  
• There are some restrictions on recording digital signals.  
When making digital recordings, refer to the operating  
instructions of your digital recording equipment to know  
what restrictions are imposed.  
3. Start recording on the component connected to  
the OPTICAL DIGITAL OUT.  
4. Start play on the desired input.  
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OSD Menu Settings  
• The OSD (On-Screen Display) menu is a setting menu that is displayed on the monitor TV and allows you to perform  
the setup procedures easily. In most situations, you will only need to set this once during the installation and layout of  
your home theater, and it rarely needs to be changed later.  
The OSD menu consists of 6 main menus ; system setup, input setup, speaker / room EQ setup, CH level setup,  
sound parameter and multi room setup. These menus are then divided up into various sub-menus.  
Notes:  
• The OSD menu and the momentary OSD cannot be displayed via the COMPONENT MONITOR OUT and the  
HDMI MONITOR OUT jacks.  
• Depending on the VIDEO MODE setting and the video connections between this receiver and the video component,  
the OSD menu and the momentary OSD cannot be displayed via (COMPOSITE) MONITOR OUT jack, (For details,  
refer to "Relationship between the video input signal and the video output signal" on page 6.)  
Navigating through the OSD menu  
• The explanations here assume you are using the buttons on the remote control when performing the OSD menu  
operation. However, you can use the buttons on the front panel as well.  
The buttons on the front panel correspond to those on the remote control as shown below.  
1. Turn the menu screen on.  
MULTI  
• The main menu will be shown.  
• To turn the menu screen off, press this button again.  
2. Select the desired menu using the CURSOR UP()/DOWN() buttons.  
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3. Confirm your selection.  
When selecting the SYSTEM SETUP  
When selecting the INPUT SETUP  
When selecting the SPEAKER /ROOM EQ SETUP  
When selecting the CH LEVEL SETUP  
When selecting the SOUND PARAMETER  
When selecting the MULTI ROOM SETUP  
• For the setting details, see page in .  
• Adjust the setting(s) in each setting category to your preference.  
• When the SETUP button is pressed on a sub-menu, the menu screen will be turned off.  
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SETTING THE SYSTEM SETUP  
• AMP ASSIGN : To assign the surround back channels' power  
amplifier correctly depending on how to use the  
speakers.  
• SUBWOOFER MODE : To select the desired subwoofer mode.  
• HDMI AUDIO OUT : To output the digital audio signals from the  
HDMI MONITOR OUT connector.  
• TONE CONTROL : To adjust the tone (bass and treble) as  
desired.  
• CINEMA EQ : To select the desired cinema EQ mode.  
• BACKGROUND : To select the desired background color of the  
momentary OSD and the OSD menu.  
• MOMENTARY OSD : To turn on or off the OSD that shows the  
status corresponding to each operation  
momentarily.  
• OSD POSITION ADJUST : To adjust the position of the  
momentary OSD and the OSD menu.  
When selecting the AMP ASSIGN  
When selecting the items other than OSD  
POSITION ADJUST  
• The surround back channels' power amplifier can  
drive the surround back speakers, the ROOM 2  
speakers or the front bi-amp capable speakers.  
Depending on how to use the speakers, you  
should assign the power amplifier correctly. (For  
details, refer to "CONNECTING SPEAKERS" on  
page 9 and "CONNECTING ROOM 2 OUTS" on  
page 11.)  
1. Press the CURSOR UP()/DOWN() buttons  
to select the desired item.  
BACK ← → ROOM 2 : When connecting this  
receiver to the surround back  
speakers and the ROOM 2 speakers  
both, the power amplifier  
automatically drives the surround  
back speakers or the ROOM 2  
speakers depending on whether the  
ROOM 2 function is turned off or on.  
BI - AMP : To drive the front bi-amp capable  
speakers when connecting the FRONT  
and the SURROUND BACK/MULTI  
channels to them.  
2. Press the CURSOR LEFT()/RIGHT()  
buttons to set the selected item as desired.  
SURR BACK : To drive the surround back  
speakers when connecting the  
SURROUND BACK/MULTI  
channels to them.  
ROOM 2 : To drive the ROOM 2 speakers when  
connecting the ROOM 2 channels to  
them.  
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Continued  
When selecting the SUBWOOFER MODE  
• "SW PLUS" mode is valid only when "FRONT" and "CENTER" are set to "FULL RANGE" and  
"SUBWOOFER" is set to "YES" on the SPEAKER/ROOM EQ SETUP menu. (For details, refer to "SETTING  
THE SPEAKER/ ROOM EQ SETUP" on page 48.)  
NORMAL : When the low frequency signals of channels set to "FULL RANGE" are reproduced from those  
channels only. In this mode, the low frequency signals that are reproduced from the subwoofer  
channel is only the low frequency signals of LFE (from the multi-channel sources that contains LFE  
(Low Frequency Effects) channel, also called the ".1" channel) and the channels set to the setting  
value other than "FULL RANGE".  
SW PLUS: When the low frequency signals of channels set to "FULL RANGE" are reproduced  
simultaneously from those channels and the subwoofer channel.  
In this mode, the low frequency range expands more uniformly through the room, but depending  
on the size and shape of the room, interference may result in a decrease of the actual volume of  
the low frequency range.  
When selecting the HDMI AUDIO OUT  
• The HDMI connection can carry uncompressed digital video signals and digital audio signals.  
Depending on whether these digital audio signals are output from the HDMI MONITOR OUT of this receiver  
or not, you should set the HDMI AUDIO OUT correctly.  
OFF : Not to output the digital audio signals from the HDMI MONITOR OUT of this receiver, meaning these  
signals are heard from the speakers connected to this receiver.  
ON : To output the digital audio signals, meaning these signals are heard from the speakers of your TV.  
Notes:  
• When the HDMI AUDIO OUT is set to ON, no sound will be heard from the speakers connected to this  
receiver (except ROOM 2 speakers) even though any input source is selected.  
• If your TV cannot support some digital audio formats, no sound may be heard from its speakers even when  
the HDMI AUDIO OUT is set to ON.  
When selecting the TONE CONTROL  
OFF : To listen to a program source without the tone effect. ("DIRECT" indicator lights up.)  
ON : To adjust the tone for your taste. ("DIRECT" indicator goes off.)  
When the TONE CONTROL is set to ON to adjust the tone (bass and treble)  
. Press the ENTER button to enter the tone adjustment mode.  
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Continued  
. Press the CURSOR UP()/DOWN() buttons to select the desired tone mode.  
. Press the CURSOR LEFT()/RIGHT() buttons to adjust the selected tone as desired.  
• The tone level can be adjusted within the range of -10 ~  
+10 dB.  
• In general, we recommend the bass and treble to be  
adjusted to 0 dB (flat level).  
• Extreme settings at high volume may damage your  
speakers.  
• To complete tone adjustment, repeat the above steps ②  
and .  
When selecting the CINEMA EQ  
OFF : To turn off the cinema EQ function.  
ON : To compensate for edgy or shrill movie sound tracks.  
When selecting the BACKGROUND  
BLACK : To display the black as the color background of the momentary OSD and the OSD menu.  
BLUE : To display the blue.  
Note : Only when no video signals are input into this unit, the selected background color will be displayed.  
When selecting the MOMENTARY OSD  
ON : To turn on the OSD function that shows the status corresponding to each operation on this unit  
momentarily.  
OFF : To turn it off.  
Note : The momentary OSD cannot be displayed via the COMPONENT MONITOR OUT and the HDMI  
MONITOR OUT jacks.  
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When selecting the OSD POSITION ADJUST  
• You can adjust the position of the momentary OSD and the OSD menu that are displayed on the monitor TV.  
1. Press the CURSOR UP()/DOWN() buttons to select the OSD POSITION ADJUST, then press the  
ENTER button.  
2. Press the CURSOR UP()/DOWN()/LEFT()/RIGHT() buttons to adjust the position of the momentary  
OSD and the OSD menu as desired.  
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SETTING THE INPUT SETUP  
• This menu allows you to make the various settings  
depending on how to use the input sources connected to  
this receiver.  
When selecting the items other than NAME  
1. Press the CURSOR UP()/DOWN() buttons to select the desired input source, then press the ENTER  
button.  
Example: When selecting the VIDEO 1  
When selecting the menu of page 2 or page 1.  
• Press the CURSOR UP()/DOWN() buttons to  
select "GO TO NEXT ~ ", then press the ENTER  
button.  
2. Press the CURSOR UP()/DOWN() buttons to select the desired item.  
Note :  
• Depending on the input source, some items other than  
DC TRIGGER cannot be selected.  
3. Press the CURSOR LEFT()/RIGHT() buttons to set the selected item as desired.  
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Continued  
When selecting the HDMI ASSIGN  
• You should assign the connected HDMI INs to the desired of VIDEO 1 ~ VIDEO 4.  
(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 5 ~ 6.)  
• You can select HDMI 1 or HDMI 2.  
Note :  
• In such a case that a HDMI IN is assigned to two input sources or more, when these input sources are selected, the  
uncompressed digital video signals (and digital audio signals when the HDMI AUDIO OUT is set to ON) input into the same  
HDMI IN can be output from the HDMI MONITOR OUT of this receiver.  
When selecting the VIDEO ASSIGN  
• You should assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1 ~ 4.  
(For details, refer to "CONNECTING VIDEO COMPONENTS" on pages 5 ~ 6.)  
• You can select the desired of COMP 1 ~ 2.  
Note :  
• In such a case that a COMPONENT VIDEO IN is assigned to two input sources or more, when these input sources are  
selected, the component video signals can be viewed from the same COMPONENT VIDEO IN.  
When selecting the VIDEO MODE  
• You can select the video input signal to be output from the MONITOR OUTs.  
AUTO : When there are multiple video input signals, the video input signals are detected and the video input signal to be output  
from the MONITOR OUTs is selected automatically in the following order :  
component video, S-video, composite video.  
COMPOSITE : The signal that is input into the (COMPOSITE) VIDEO jack is always played. The composite video input signal is  
up-converted and output from the S-VIDEO MONITOR OUT jack.  
S-VIDEO : The signal that is input into the S-VIDEO jack is always played. The S-video input signal is down-converted and  
output from the (COMPOSITE) VIDEO MONITOR OUT jack.  
COMPONENT : The signals that are input into the COMPONENT jacks are always played.  
Because video conversion is not performed, no video signals are output from the MONITOR OUT jacks when  
there are no video signals that are input into the COMPONENT jacks.  
• For details, refer to "Relationship between the video input signal and the video output signal" on page 6.  
Note :  
• When selecting the VIDEO 4, S-VIDEO cannot be selected.  
When selecting the AUDIO ASSIGN  
• You should assign the connected DIGITAL INs to the desired of CD, AUX and VIDEO 1 ~ VIDEO 4.  
(For details, refer to "CONNECTING DIGITAL INS AND OUT" on page 8.)  
• You can select the desired of OPT 1, OPT 2, COAX1 and COAX 2.  
Note :  
• In such a case that a DIGITAL IN is assigned to two input sources or more, when these input sources are selected, the digital  
audio signals can be heard from the same DIGITAL IN.  
When selecting the AUDIO MODE  
• You can select the desired audio input signal to be played.  
Notes :  
• Be sure to set the AUDIO MODE to the audio input which is connected and assigned to the selected input source.  
• When the HDMI AUDIO OUT is set to ON, no sound will be heard from the speakers connected to this receiver (except ROOM  
2 speakers).  
• When the AUDIO MODE is set to HDMI, you should set the HDMI ASSIGN correctly. If not, "H1", "H2" (, meaning no digital  
audio signal input from it) or "Hd" (, meaning no HDMI assignment) flickers on the unit's display and no sound will be heard.  
• When the AUDIO MODE is set to DIGITAL, you should set the AUDIO ASSIGN correctly. If not, "o1", "c1", etc.(, meaning no  
digital signal input from it) or "d" (, meaning no audio assignment) flickers on the unit's display and no sound will be heard.  
AUTO : When there are multiple audio input signals, the audio input signals are detected and the audio input signal to be played  
is selected automatically in the priority order of them :  
HDMI audio > DIGITAL audio > ANALOG audio  
HDMI : The signal that is input into the HDMI IN is always played.  
DIGITAL : The signal that is input into the OPTICAL or the COAXIAL DIGITAL IN is always played.  
ANALOG : The signal that is input into the analog AUDIO INs is always played.  
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Continued  
When selecting the AUTO SURROUND  
• Depending on how to select a surround mode, you can select the auto surround mode or the manual  
surround mode.  
ON  
: The optimum surround mode will be automatically selected depending on the signal  
format being input.  
(Auto surround mode)  
OFF  
: You can select the desired of different surround modes selectable for the signal being  
(Manual surround mode) input with using the MULTI CONTROL knob or the SURROUND MODE UP/DOWN  
( >/< ) buttons. (For details, refer to "When selecting the manual surround mode with  
pressing the SURROUND MODE button on the front panel" on page 26.)  
Notes :  
• Even when the auto surround mode is selected and the same type of digital signal format is being input, the  
optimum surround mode may vary depending on whether the speaker type is set to "NO" or not.  
• When the auto surround mode is selected, the surround modes other than the optimum surround mode  
cannot be selected.  
When selecting the AUDIO REMASTER  
• The remastering processes the input signal digitally and converts its digital sampling frequency to twice the  
current frequency (88.2/96 kHz) for a more detailed sound reproduction.  
ON : To process the input signal digitally and to convert its sampling frequency to 88.2/96 kHz for a more  
detailed sound reproduction.  
OFF : To turn off the remastering function.  
Note :  
• The remastering function have no effect on the input digital signal from the 88.2/96 kHz source or higher as  
well as the digital signal that is output from the OPTICAL DIGITAL OUT of this receiver.  
When selecting the AV SYNC  
• There may be a slight time delay between the video and audio signals in case that some video playback  
equipments may process the video signals later than the audio signals due to signal processing procedure,  
etc.. Should this happen, you can adjust the time delay of audio signals to synchronize the sound with the  
picture.  
• The time delay can be adjusted within the range of 0 ~ 200 msec.  
When selecting the DC TRIGGER  
• To turn on the component connected to the DC TRIGGER OUT jack when this input source is selected, you  
should set the DC TRIGGER to ON for this input source.  
OFF : To turn off the DC trigger function.  
ON: To turn it on.  
• For details, refer to "CONNECTING DC TRIGGER OUT" on page 8.  
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When selecting the NAME  
• You can give names to the input sources other than  
tuner.  
• Up to 7 characters can be entered for each name.  
3. Press the CURSOR LEFT()/ RIGHT()  
buttons to select the desired digit.  
1. Press the CURSOR UP()/DOWN() buttons  
to select the desired input source, then press  
the ENTER button.  
• Then the selected digit will flicker.  
4. Press the CURSOR UP()/DOWN() buttons  
to enter the desired character on the flickering  
digit.  
Example: When selecting the VIDEO 1  
• You can enter the desired among blank, A ~ Z,  
a ~ z, 0 ~ 9, (, ), , +, , , -, ., /.  
2. Press the CURSOR UP()/DOWN() buttons  
to select the NAME, then press the ENTER  
button.  
5. Repeat the above steps 3 and 4 to enter the  
desired characters on the rest of the digits.  
6. Confirm your entry.  
• The name is stored in the memory.  
• The first digit flickers.  
To resume its factory input source name.  
• Make a blank on each digit and press the ENTER  
button.  
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SETTING THE SPEAKER / ROOM EQ SETUP  
• After you have installed this receiver and connected all the components, you should adjust the speaker  
settings for the optimum sound acoustics according to your environment and speaker layout.  
• Even when you change speakers, speaker positions, or the layout of your listening environment, you should  
adjust the speaker settings, too.  
• When performing the AUTO SETUP procedure, you need not perform the SPEAKER CONFIGURATION,  
SPEAKER DISTANCE, SPEAKER CROSSOVER and CH LEVEL SETUP procedures.  
• AUTO SETUP : To set the speaker setup and channel level setup  
automatically.  
• SPEAKER CONFIGURATION : To adjust the speakers depending on  
whether they are connected or not.  
• SPEAKER DISTANCE: To select the distance between the listening  
position and each speaker to set the delay  
time automatically for optimum surround  
playback.  
• SPEAKER CROSSOVER : To select the desired crossover  
frequency.  
• ROOM EQ SETUP : To adjust the room EQ as desired.  
When selecting the AUTO SETUP  
• Auto Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound. Auto  
Setup has the feature that provides the optimum listening environment at the listening position in your room,  
where there are often multiple listeners viewing programs together.  
You should connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the  
information from a series of test tones emitted from speakers at the listening position and can adjust the  
configuration, distance, sound level, crossover frequency and frequency response of each speaker  
automatically.  
• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform  
the "When selecting the SPEAKER CONFIGURATION" on page 50, "When selecting the SPEAKER  
DISTANCE" on page 51, "When selecting the SPEAKER CROSSOVER" on page 52, "Adjusting each channel  
level with test tone" on page 27 and "Adjusting the current channel level" on page 28.  
• After the auto setup has been completed, set the room EQ as desired. (For details, refer to "When selecting the  
ROOM EQ SETUP" on page 53.)  
Preparations  
Notes :  
. Check that the speakers are securely connected  
to this receiver.  
• If your subwoofer has adjustable volume and  
crossover frequency, set the volume halfway  
and set the crossover frequency to the  
maximum or the low pass filter off.  
• Because the microphone for Auto Setup is designed  
for use with this receiver, to use the auto setup  
function, do not use a microphone other than the  
one supplied with this receiver.  
• After you have completed the auto setup procedure,  
disconnect the microphone.  
. Connect the supplied microphone to the SETUP  
MIC jack on the front panel.(For details, refer to  
"SETUP MIC JACK" on page 14.)  
1. Place the microphone on a flat level surface at the listening position.  
• If possible, use a tripod, etc. to attach the microphone at the same height as your ears would be when you are  
seated in your listening position.  
• Ensure there are no obstacles between the speakers and the microphone.  
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Continued  
2. Press the CURSOR UP()/DOWN() buttons to select the AUTO SETUP, then press the ENTER button.  
3. Press the CURSOR UP()/DOWN() buttons to select the START, then press the ENTER button.  
When the auto setup has been completed.  
• Loud test tones are output successively and then if a series of auto setup procedure has been completed, "COMPLETED"  
will be displayed.  
• To stop the auto setup procedure while performing it, press the ENTER button.  
In such a case that the auto setup procedure is stopped before "COMPLETED" is displayed, the results of each adjustment  
may not be memorized.  
• If there may be a problem with speaker or microphone connection, error message will be displayed. In this case, turn off the  
power, check the connection and then retry the auto setup procedure.  
Notes :  
• Before starting auto setup, be sure not to set the HDMI AUDIO OUT to ON.  
• Because the test tones are loud, ensure there no infants or small children in the room.  
• For best results, ensure the room is as quiet as possible during the auto setup procedure.  
If there is too much ambient noise, the results may not be satisfactory.  
4. To memorize the results, press the CURSOR LEFT()/ RIGHT() buttons to select the APPLY, then press  
the ENTER button.  
• Then the results are memorized and the SPEAKER/ ROOM EQ SETUP  
menu is displayed.  
• Each time the CURSOR LEFT()/ RIGHT() buttons are pressed, the  
APPLY or the CANCEL is selected.  
• When the CANCEL is selected, the results are not memorized.  
• Check the results on each setup menu(SPEAKER CONFIGURATION  
menu on page 50, SPEAKER DISTANCE menu on page 51, SPEAKER  
CROSSOVER menu on page 52 and CH LEVEL SETUP menu for  
"CALIBRATE" mode on page 55).  
• If the results are not satisfactory, you can retry the auto setup  
procedure or personalize your speaker setup and channel level setup  
by making the settings manually. (For details, refer to "When selecting  
the SPEAKER CONFIGURATION" on page 50, "When selecting the  
SPEAKER DISTANCE" on page 51, "When selecting the SPEAKER  
CROSSOVER" on page 52, "Adjusting each channel level with test  
tone" on page 27 and "Adjusting the current channel level" on page 28.)  
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When selecting the SPEAKER CONFIGURATION  
1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER CONFIGURATION, then press the  
ENTER button.  
2. Press the CURSOR UP()/DOWN() buttons to select the desired speaker.  
3. Press the CURSOR LEFT()/ RIGHT(▶) buttons to set the selected speaker as desired.  
YES/NO: Select the desired depending on whether the  
speakers are connected or not.  
2CH/1CH: Select the desired depending on the number of  
speakers connected to SURROUND BACK/  
MULTI channels.  
Notes :  
• When speakers are not set to "NO", you should set their distances from listening position and crossover  
frequencies according to their frequency characteristics. (For details, refer to "When selecting the SPEAKER  
DISTANCE" on page 51 and "When selecting the SPEAKER CROSSOVER" on page 52.)  
• When the "SURROUND" is set to "NO", "BACK/MULTI" cannot be set to "2CH" or "1CH".  
• When the surround back channels' power amplifier is assigned to "BI-AMP" or "ROOM 2", the "BACK/MULTI"  
cannot be selected. (For details, refer to "When selecting the AMP ASSIGN" on page 40.)  
4. Repeat the above steps 2 and 3 until the speakers are all set as desired.  
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When selecting the SPEAKER DISTANCE  
1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER DISTANCE, then press the ENTER  
button.  
2. Press the CURSOR UP()/DOWN() buttons to select the desired item.  
Note :  
• You cannot select the subwoofer and the speakers  
set to "NO".  
3. Press the CURSOR LEFT()/RIGHT() buttons to set the selected item as desired.  
When selecting the desired unit  
• You can select either METERS or FEET.  
• Once a unit is selected, the distances are  
automatically changed in the selected unit.  
When setting the distance  
• You can set the distance within the range of 0.1 ~ 9.0  
meters in 0.1 meter intervals (or 0.5 ~ 30 feet in 0.5  
feet intervals).  
4. Repeat the above steps 2 and 3 until the distances are all set as desired.  
About the speaker distance  
When enjoying multi-channel surround playback with Dolby Digital and DTS sources, etc., it is ideal that the  
center, surround and surround back speakers should be the same distance from the main listening position as  
the front speakers. By entering the distance between the listening position and each speaker, the delay times of  
center, surround and surround back speakers are automatically adjusted to create an ideal listening environment  
virtually as if the center, surround and surround back speakers were at their ideal locations respectively.  
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When selecting the SPEAKER CROSSOVER  
• Set the crossover frequency according to the frequency characteristics of the speakers connected.  
(For details on the frequency characteristics, refer to the operating instructions of the speakers.)  
• If the frequency range of your speaker is 100 Hz ~ 20 kHz, the crossover frequency should be set to 100 Hz  
(or slightly higher).  
• The low frequencies below the crossover frequency are to output from subwoofer or the speakers which are  
set to "FULL RANGE" (when not using a subwoofer).  
1. Press the CURSOR UP()/DOWN() buttons to select the SPEAKER CROSSOVER, then press the  
ENTER button.  
2. Press the CURSOR UP()/DOWN() buttons to select the desired speaker.  
Note :  
• You cannot select the subwoofer and the speakers  
set to "NO".  
3. Press the CURSOR LEFT()/RIGHT() buttons to set the crossover frequency as desired.  
• You can adjust the crossover frequency within the  
range of 40 ~ 250 Hz.  
• Select "FULL RANGE" when the selected speaker  
can fully reproduce the low frequencies below 40 Hz.  
4. Repeat the above steps 2 and 3 until the crossover frequencies are all set as desired.  
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When selecting the ROOM EQ SETUP  
• The room EQ is a kind of room equalizer for your speakers. According to the acoustic characteristics of your  
room measured by the auto setup, the room EQ automatically adjusts the frequency response of your  
speakers.  
• If you use different brands or sizes of speakers for some channels or have a room with unique acoustic  
characteristics, such as walls, furniture, and the dimensions or the shape of the room, we recommend using  
the room EQ.  
Note :  
• To use the room EQ, first you should finish measuring the acoustic characteristics of your room performing  
the auto setup.  
(For details, refer to "When selecting the AUTO SETUP" on page 48.)  
1. Press the CURSOR UP()/DOWN() buttons to select the ROOM EQ SETUP, then press the ENTER  
button.  
Parameter  
mode  
2. Press the CURSOR UP()/DOWN() buttons to select the MODE.  
3. Press the CURSOR LEFT()/RIGHT() buttons to select the desired room EQ mode.  
OFF : When turning off the room EQ.  
FLAT : To adjust the frequency response of all speakers to  
the flattest response. This mode is suitable for multi  
channel music surround sound sources.  
FRONT : To adjust the frequency response of the surround  
and the surround back speakers to match the  
characteristics of the front speakers.  
USER : To adjust the tonal quality of the different speakers  
(except the subwoofer) manually.  
Note :  
• Only when the auto setup has been performed, the FLAT  
and the FRONT modes can be selected.  
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Continued  
When selecting the USER mode  
• You can adjust the parametric EQ settings to optimize the frequency characteristics of this unit's parametric  
equalizer to match the acoustic characteristics of your room.  
• The parametric equalizer uses a combination of the following three parameters to provide highly precise  
adjustment of the frequency characteristics.  
Frequency  
• This unit has 5 equalizer bands for each channel. You can adjust the specified frequency bands each  
within the following frequency ranges :  
20 Hz ~ 120 Hz, 130Hz ~ 500 Hz, 550 Hz ~ 1.9 kHz, 2 kHz ~ 7.5 kHz, 8 kHz ~ 20 kHz  
Gain  
• This parameter is adjustable within the range of -24 ~ +24 dB in 1 dB intervals.  
Q factor  
• The width of the specified frequency band is referred to as the Q factor. This parameter is adjustable within  
the range of 0 ~ 24 in 1 intervals.  
Notes :  
• When selecting the mode other than "USER" mode, you cannot select the EQ parameters for each channel.  
• You cannot select the channel of the subwoofer and the speakers set to "NO".  
. Press the CURSOR UP()/DOWN() buttons to select the CHANNEL, then press the CURSOR  
LEFT()/RIGHT() buttons to select the desired channel.  
. Press the CURSOR UP()/DOWN() buttons to select the parameter mode, then press the CURSOR  
LEFT()/RIGHT() buttons to select the Fc (Frequency) mode.  
. Press the CURSOR UP()/DOWN() buttons to select the desired frequency band, then press the  
CURSOR LEFT()/RIGHT() buttons to select the desired frequency.  
. Repeat the above step until the desired frequency is selected for each frequency band.  
. Repeat the above steps ~ to adjust the gain of each specified frequency band.  
. Repeat the above steps ~ to adjust the Q factor of each specified frequency band.  
. Repeat the above steps ~ until the EQ parameters of other channels are all adjusted as desired.  
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SETTING THE CH LEVEL SETUP  
Memory mode  
Note :  
• Depending on the speaker settings("NO", etc.),  
some channels cannot be selected.  
Adjusting the current channel level  
• You can adjust the current channel levels as desired. These adjusted levels are just memorized into user’s  
memory("CALIBRATE"), not into preset memory("REFERENCE 1", "REFERENCE 2").  
• After adjusting each channel level with test tone, adjust the channel levels either according to the program  
sources or to suit your tastes.(For details, refer to "Adjusting each channel level with test tone" on page 27.)  
1. Press the CURSOR UP()/DOWN() buttons to select the desired channel.  
When adjusting the LFE LEVEL  
. Press the CURSOR UP()/DOWN()buttons to select the LFE LEVEL SETUP, then press the ENTER  
button.  
. Press the CURSOR UP()/DOWN() buttons to select the desired program source.  
2. Press the CURSOR LEFT()/RIGHT() buttons to adjust the level of the selected channel or program  
source's LFE as desired.  
• The LFE level can be adjusted within the range of  
-10 ~ 0 dB and other channel levels within the  
range of -15 ~ +15 dB  
• In general, we recommend the LFE level to be  
adjusted to 0 dB.(However, the recommended  
LFE level for some early DTS software is -10 dB.)  
If the recommended levels seem too high, lower  
setting as necessary.  
3. Repeat the above steps 1 and 2 to adjust each channel level.  
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Memorizing the adjusted channel levels  
• You can memorize the adjusted channel levels into preset memory("REFERENCE 1", "REFERENCE 2") and  
recall the memorized whenever you want.  
1. After performing the steps 1 ~ 3 in "Adjusting the current channel level" procedure on page 55, press the  
CURSOR UP()/DOWN() buttons to select a channel (, not the MODE (memory mode) and the LFE  
LEVEL SETUP), then press the ENTER button.  
• The "REFERENCE 1" indication flickers.  
2. Press the CURSOR LEFT()/RIGHT() buttons to select the desired preset memory, then press the  
ENTER button.  
• Each time the CURSOR LEFT() or RIGHT()  
button is pressed, "REFERENCE 1" or  
"REFERENCE 2" is selected.  
• The adjusted channel levels have now been  
memorized into the selected memory.  
Recalling the memorized channel levels  
1. Press the CURSOR UP()/DOWN() buttons to select the MODE(memory mode).  
• "CALIBRATE" may be displayed instead of  
"REFERENCE 1" or "REFERENCE 2".  
2. Press the CURSOR LEFT()/RIGHT() buttons to select the desired one of REFERENCE 1 and  
REFERENCE 2.  
• Then the channel levels memorized into the  
selected preset memory are recalled.  
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SETTING THE SOUND PARAMETER  
• NIGHT MODE : To adjust the dynamic range compression that  
makes faint sound easier to hear at low volume  
levels.  
• DOLBY PLII MUSIC : To adjust the various surround  
parameters for optimum surround effect.  
• DOLBY HEADPHONE : To select the desired listening mode for  
Dolby Headphone mode.  
• DOLBY VIRTUAL SPEAKER : To select the speaker layout to be  
used actually for each Dolby  
Virtual Speaker mode.  
When selecting the NIGHT MODE  
• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track  
(with extremely high volume) to minimize the difference in volume between the specified and non-specified  
parts.  
This makes it easy to hear all of the sound track when watching movies at night at low levels.  
Notes:  
• The night mode setting is valid only when the digital signals from the Dolby Digital program source are being  
input.  
• In some Dolby Digital softwares, the night mode setting may not be valid.  
1. Press the CURSOR UP()/DOWN() buttons to select the NIGHT MODE, then press the ENTER button.  
2. Press the CURSOR LEFT()/ RIGHT() buttons to adjust the dynamic range compression as desired.  
0.0 (OFF)  
0.1  
Lower compression  
0.2  
:
:
:
0.9  
Higher compression  
1.0 (MAX)  
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When selecting the DOLBY PLII MUSIC  
• You can adjust the various surround parameters for optimum surround effect.  
Note:  
• The parameter settings are valid only when listening in either Dolby Pro Logic II Music mode or the Dolby Pro  
Logic IIx Music mode.  
1. Press the CURSOR UP()/DOWN() buttons to select the DOLBY PLII MUSIC, then press the ENTER  
button.  
2. Press the CURSOR UP()/DOWN() buttons to select the desired parameter.  
3. Press the CURSOR LEFT()/ RIGHT() buttons to adjust the selected parameter as desired.  
When selecting the PANORAMA mode  
This mode extends the front stereo image to include the  
surround speakers for an exciting "wraparound" effect with  
side wall imaging. Select "OFF" or "ON"(default value:OFF).  
When selecting the CENTER WIDTH control  
This adjusts the center image so it may be heard only from  
the center speaker, only from the left/right speakers as a  
phantom image, or from all three front speakers to varying  
degrees. The control can be set in 8 steps from 0 to 7  
(default value : 3).  
When selecting the DIMENSION control  
This gradually adjusts the soundfield either towards the  
front or towards the rear. The control can be set in 7 steps  
from -3 to +3(default value : 0).  
4. Repeat the above steps 2 and 3 to adjust other parameters.  
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When selecting the DOLBY HEADPHONE  
• You can select the desired listening mode for Dolby Headphone mode.  
Note:  
• The listening mode setting is valid only when playing analog stereo, PCM 2 channel or Dolby Digital 2  
channel source.  
1. Press the CURSOR UP()/DOWN() buttons to select the DOLBY HEADPHONE, then press the ENTER  
button.  
2. Press the CURSOR LEFT()/ RIGHT() buttons to select the desired listening mode.  
MOVIE : This provides the surround effect suitable for movie  
sources.  
MUSIC 1 : This provides the surround effect suitable for  
music sources.  
MUSIC 2 : This provides less surround effect compared to  
MUSIC 1 mode.  
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When selecting the DOLBY VIRTUAL SPEAKER  
• You can select the speaker layout to be used actually for each Dolby Virtual Speaker mode.  
Note:  
• The speaker layout settings are valid only when listening in a Dolby Virtual Speaker mode.  
1. Press the CURSOR UP()/DOWN() buttons to select the DOLBY VIRTUAL SPEAKER, then press the  
ENTER button.  
2. Press the CURSOR UP()/DOWN() buttons to select the desired Dolby Virtual Speaker mode.  
3. Press the CURSOR LEFT()/RIGHT() buttons to select the desired speaker layout.  
When selecting the Dolby Virtual Speaker Reference mode  
2 SPK : When using 2 front speakers only.  
3 SPK : When using 2 front and center speakers.  
When selecting the Dolby Virtual Speaker Wide mode  
2 SPK : When using 2 front speakers only.  
3 SPK : When using 2 front and center speakers.  
4 SPK : When using 2 front and 2 surround speakers.  
5 SPK : When using 2 front, center and 2 surround speakers.  
Note:  
• When the speakers are set to "NO", the corresponding speaker layouts cannot be selected.  
4. Repeat the above steps 2 and 3 to select the desired speaker layout for another Dolby Virtual Speaker  
mode.  
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SETTING THE MULTI ROOM SETUP  
• The ROOM 2 function allows enjoying one source in the main room while playing another in a different  
room at the same time.  
• ROOM 2 : To turn on or off the ROOM 2 function.  
• INPUT : To select the desired ROOM 2 source.  
• VOLUME : To adjust the volume on the power  
amplifier assigned to "BACK ← → ROOM 2"  
or "ROOM 2".  
Notes:  
• The analog signals from the EXTERNAL INs and the  
digital signals cannot be output to the different room,  
meaning no playback in a different room.  
• You cannot play the ROOM 2 source in any surround  
mode.  
1. Press the CURSOR UP()/DOWN() buttons to select the desired item.  
Note:  
• The VOLUME cannot be adjusted when the AMP ASSIGN  
is assigned to "BI-AMP" or "SURR BACK".  
(For details, refer to "When selecting the AMP ASSIGN" on  
page 40.)  
2. Press the CURSOR LEFT()/RIGHT() buttons to set the selected item as desired.  
When selecting the ROOM 2  
OFF : To turn off the ROOM 2 function.  
ON : To turn it on.  
Notes:  
• When the ROOM 2 is set to OFF, the INPUT and the VOLUME cannot be selected.  
• When you do not use the ROOM 2 function, set the ROOM 2 to OFF to save electricity.  
When selecting the INPUT  
• You can select the desired among MAIN source, TUNER, CD, AUX, TAPE, VIDEO 1 ~ VIDEO 4 as a  
ROOM 2 source.  
Note:  
• When the EXTERNAL IN is selected as a main input, if the MAIN source is selected as a ROOM 2 input,  
no audio signal can be heard in the different room (ROOM 2).  
When selecting the VOLUME  
• You can adjust the volume on the power amplifier assigned to "BACK ← → ROOM 2" or "ROOM 2" when  
the ROOM 2 speaker terminals are connected to the speakers in a different room.  
Note:  
• You can adjust the VOLUME only when the surround back channels' power amplifier is assigned to "BACK  
← → ROOM 2" or "ROOM 2". (For details, refer to "When selecting the AMP ASSIGN" on page 40.)  
61  
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Troubleshooting Guide  
If a fault occurs, run through the table below before taking your receiver for repair.  
If the fault persists, attempt to solve it by switching the receiver off and on again. If this fails to resolve the situation, consult your  
dealer. Under no circumstances should you attempt to repair the receiver yourself. This could void the warranty.  
PROBLEM  
POSSIBLE CAUSE  
REMEDY  
• Connect cord securely.  
• Check the outlet using a lamp or another  
appliance.  
No power  
No sound  
• The AC input cord is disconnected.  
• Poor connection at AC wall outlet or the outlet is  
dead or off.  
• Check the speaker connections.  
• Adjust the master volume.  
• The speaker wires are disconnected.  
• The master volume is adjusted too low.  
• The MUTE button is pressed to ON.  
• Incorrect selection of input source.  
• Incorrect connections between the components.  
• The HDMI AUDIO OUT is set to ON.  
• Press the MUTE button to cancel the muting effect.  
• Select the desired input source correctly.  
• Make connections correctly.  
• Set it to OFF. (For details, refer to "When  
selecting the HDMI AUDIO OUT" on page 41.)  
• Set the settings correctly. (For details, refer to  
"SETTING THE INPUT SETUP" on page 44.)  
• The settings related to audio are set incorrectly.  
• Select a surround mode.  
No sound from the surround  
speakers  
• Surround mode is switched off(stereo mode).  
• Master volume and surround level are too low.  
• Monaural source is used.  
• Adjust master volume and surround level.  
• Select a stereo or surround source.  
• Select the desired surround speaker setting.  
• Surround speaker setting is "NO".  
• Select the desired surround mode.  
No sound from the center  
speaker  
• Dolby Virtual Speaker, stereo mode, etc is  
selected.  
• Select the desired center speaker setting.  
• Adjust master volume and center level.  
• Center speaker setting is "NO".  
• Master volume and center level are too low.  
• Under the proper situations, perform the 7.1(or  
6.1) surround playback.(For details, refer to  
"ENJOYING SURROUND SOUND" on page 26.)  
• Assign the power amplifier to the surround back  
channels.(For details, refer to "When selecting  
the AMP ASSIGN"on page 40.)  
No sound from the surround back  
speakers  
• The input signal format or the current surround  
mode cannot support the 7.1(or 6.1) surround.  
• The surround back channels' power amplifier is  
assigned to "BI-AMP" or "ROOM 2".  
• Adjust master volume and surround back level.  
• Select the desired surround back speaker setting.  
• Master volume and surround back level are too low.  
• Surround back speaker setting is "NO".  
• Make proper video connections.  
• Select the input source correctly.  
No picture  
• Video connections between this unit and the  
monitor TV are not made correctly.  
• Incorrect selection of input source on the monitor  
TV.  
• Set the settings correctly. (For details, refer to  
"SETTING THE INPUT SETUP" on page 44.)  
• The settings related to video are set incorrectly.  
• Make proper HDMI connection.  
No picture with an HDMI  
connection  
• HDMI connection between this unit and the  
monitor TV are not made correctly.  
• The monitor TV or other equipments do not  
support HDCP.  
• This unit will not output video signal unless the  
connected equipments supports HDCP.  
• Connect an antenna.  
Stations cannot be received  
• No antenna is connected.  
• Tune in the desired station frequency.  
• Move antenna and retry tuning.  
• The desired station frequency is not tuned in.  
• Antenna is in wrong position.  
• Memorize the correct station frequency.  
• Memorize the stations again.  
Preset stations cannot be  
received  
• An incorrect station frequency has been memorized.  
• The memorized stations are cleared.  
• Connect an antenna.  
Poor FM reception  
• No antenna is connected.  
• Change the position of the antenna.  
• Install an outdoor FM antenna.  
• The antenna is not positioned for the best reception.  
• Weak signals.  
• Keep the receiver away from noise sources.  
• Install an outdoor AM antenna.  
Continuous or intermittent hissing  
noise during AM reception,  
especially at night.  
• Noise is caused by motors, fluorescent lamps or  
lightning, etc.  
• Replace the batteries.  
• Remove the obstacle.  
Remote control unit does not  
operate.  
• Batteries are not loaded or exhausted.  
• The remote sensor is obstructed.  
• Make proper video connections.  
OSD function is not available.  
• Video connections between this unit and the  
monitor TV are not made correctly.  
62  
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R-772(G)2007.9.174:43PM페이63  
Specifications  
AMPLIFIER SECTION  
• Power output, stereo mode, 6 Ω, THD 1.0 %, 40 Hz~20 kHz  
0.05%  
• Intermodulation distortion  
|
2×100 W  
• Total harmonic distortion, at -3 dB, 6 Ω, 1 kHz  
|
60 Hz : 7 kHz= 4 : 1 SMPTE, 6 Ω, 95 W  
• Input sensitivity/impedance  
|
0.05%  
Line (CD, TAPE, VIDEO)  
• Signal to noise ratio, IHF "A" weighted  
|
300 mV/47kΩ  
Line (CD, TAPE, VIDEO)  
• Frequency response  
|
100 dB  
Line (CD, TAPE, VIDEO), 10 Hz ~ 100 kHz  
• Output level  
ROOM 2 OUT, 2.2 kΩ  
• Bass/Treble control, 100 Hz/10 kHz  
• Surround mode, only channel driven  
|
|
+0, -3 dB  
|
300 mV  
|
±10 dB  
Front power output, 6 Ω, 1 kHz, THD 1.0 %  
110W/110W  
110W  
Center power output, 6 Ω, 1 kHz, THD 1.0 %  
|
Surround power output, 6 Ω, 1 kHz, THD 1.0 %  
|
110W/110W  
Surround back (/MULTI) / ROOM 2 power output, 6 Ω, 1 kHz, THD 1.0 %  
|
110W/110W  
DIGITAL AUDIO SECTION  
• Sampling frequency  
• Digital input level  
Coaxial, 75 Ω  
|
32, 44.1, 48, 96 kHz  
|
0.5 Vp-p  
|
Optical, 660 nm  
-15 ~ -21 dBm  
VIDEO SECTION  
• Video format  
|
PAL  
• Input sensitivity(=Output level), 75 Ω  
Video (Composite(normal))  
S-Video (luminance signal)  
(chrominance signal)  
|
|
1 Vp-p  
1 Vp-p  
|
0.286 Vp-p  
0.5 Vp-p  
0.5 Vp-p  
1.0 Vp-p  
Component video (R-Y signal)  
|
|
|
(B-Y signal)  
(Y signal)  
19 pin  
• HDMI connector  
|
FM TUNER SECTION  
• Tuning frequency range  
|
87.5~108 MHz  
• Usable sensitivity, THD 3%, S/N 26 dB  
• 46 dB quieting sensitivity, mono/stereo  
• Signal to noise ratio, 65 dBf, mono/stereo  
|
|
12.8 dBf  
20.2 / 45.3 dBf  
70 / 65 dB  
|
• Total harmonic distortion, 65 dBf,1 kHz, mono/stereo  
• Frequency response, 30 Hz~15 kHz ±3 dB  
• Stereo separation, 1 kHz 32 dB  
|
0.5 / 0.8 %  
|
|
• Capture ratio  
• IF rejection ratio  
|
4.0 dB  
60 dB  
|
AM TUNER SECTION  
• Tuning frequency range  
|
522~1611 kHz  
• Usable sensitivity  
• Signal to noise ratio  
|
500 µV/m  
40 dB  
|
• Selectivity  
|
25 dB  
GENERAL  
• Power supply  
|
230 V ~ 50 Hz  
• Power consumption  
• Switched AC outlet  
|
370 W  
|
TOTAL 100 W (0.43 A) max.  
• Dimensions (W×H×D, including protruding parts)  
• Weight (Net) 10.1 kg (22.3 Ibs)  
|
440×141×370 mm(17-3/8×5-1/2×14-1/2 inches)  
|
Note: Design and specifications are subject to change without notice for improvements.  
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Setup Code Table  
TV  
ADMIRAL  
050 134  
ELCIT  
046 097 103 050 109 127  
AKAI  
093 049 123  
132  
ALBA  
068  
ELMAN  
046 132  
ALBIRAL  
ALCATEL  
AMSTRAD  
ANAM  
116  
ELTA  
090  
022  
EMERSON  
ERRES  
158 098 050  
000 021  
049 142  
155 156 157  
EUROPHON  
098 046 097 099 051 115  
132  
ARC EN CIEL  
ARISTONA  
028 039 043 145 081  
099 049 050 019 142 149  
FERGUSON  
146 040 041 150 057 061  
116 149  
078  
ARTHUR MARTIN  
053 139 117 120 122 123  
FIDELITY  
FINLUX  
099 149  
125 128  
034 046 053 055 057 109  
113 073 074 079  
015 048 050 052 109 136  
149  
ASA  
050 055 057 113 134  
ATLANTIC  
AUDIOSONIC  
AUSIND  
099 111  
FISHER  
054  
FORGESTONE  
FORMENTI  
FORTRESS  
FRABA  
053  
099 053 109 111 125  
137  
AUTOVOX  
BAIRD  
099 144 055 019 057 069  
083  
075  
BASICLINE  
BAUR  
006  
FRONTECH  
FUJITSU  
FUNAI  
054  
011  
025  
BEKO  
023 049  
054 059  
BLAUPUNKT  
BRANDT  
BRION VEGA  
BRUNS  
094 100 102 111 114  
GBC  
109 132  
028 039 040 043 145 081  
GEC  
099 060 109 115 134 088  
103 109 132 134 090  
092 003 017 099 049 075  
076 077 090 152  
033 049 060 077  
066 136  
050  
GELOSO  
GOLDSTAR  
048 050  
BSR  
059 110 132  
BUSH  
033 068 124 074  
GOODMANS  
GORENJE  
GREATZ  
CENTURY  
CGE  
098 101 050 079 136  
016 101 124 079 132 136  
001 058 109 122 123 128  
129 130 134  
CIHAN  
065  
CLARIVOX  
CONDOR  
CONTEC  
CONTINENTAL  
EDITION  
CROSLEY  
CROWN  
CTC CLATRONIC  
DAEWOO  
DECCA  
048 116  
099 111  
087  
GRANADA  
GRUNDIG  
HANSEATIC  
033 099 049 058 060 142  
115 125 134  
094 100 057 058 108 112  
114 082  
028 039 040 043 145 081  
033 047 099 049 109 139  
111  
101 050 109  
147  
HANTAREX  
HEMMERMANN  
HIFIVOX  
097  
046  
127  
089  
028 039 043 145 081  
158 033 045 143 090  
014 033 034 036 099 145  
056 109 139 110 067 117  
132 134 084 091 081 088  
093 099  
099 060 063 115 118  
HINARI  
DEGRAAF  
DIXI  
036  
HITACHI  
049 090  
049  
DRYNATRON  
DUAL  
099 141  
096 099 132  
046 050 057 073  
016 116  
065  
HYPER  
DUAL-TEC  
DUMONT  
ELBE  
IMPERIAL  
INGELEN  
016 101 124 079 132 133  
001 058 109 122 128 129  
130 134  
ELBIT  
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INNO HIT  
093 098 097 099 143 077  
NORDMENDE  
028 032 039 043 145 131  
090  
091 081  
INTERFUNK  
047 049 050 145 058 109  
OCEANIC  
ONCEAS  
OPTONICA  
ORION  
109 064 123  
142 123 128 129 091  
099  
IRRADIO  
ITT  
093 143 053 077 090  
137  
001 140 058 105 109 122  
000 059 118 068 127 090  
123 128 148 129 130 134  
OSAKI  
060  
135 083 089  
OSIO  
077  
JVC  
033 154  
OSUME  
087  
KTV  
099  
OTTO VERSAND  
P.T ACTTRON  
PAEL  
033 047 049 109 139  
065  
KAISUI  
006  
KARCHER  
KENDO  
KENNEDY  
KORTING  
KRIESLER  
006  
099 053  
098  
PANASONIC  
030 042 095 104 107 109  
121 126  
144 019 109  
050 059 111  
PATHE CINEMA  
PERDIO  
099 111 116 132  
060  
099 049 050 019 142 149  
078  
PHILCO  
016 030 101 050 109 124  
079 132 136  
LENOIR  
099  
LOEWE OPTA  
008 097 047 049 050 115  
072  
PHILIPS  
009 010 013 018 024 099  
049 050 019 142 148 149  
078 088  
LOGIK  
LUMA  
118 149  
049 120 134  
PHOENIX  
PHONOLA  
099 053 109 111 125  
099 049 050 019 142 149  
078  
LUXOR  
058 139 117 120 123 129  
135 083  
MAGNADYNE  
046 097 103 050 109 115  
127 132  
PIONEER  
PRANDONI-  
PRINCE  
020 049 145 091  
MAGNAFON  
MARANTZ  
MATSUI  
046 097 099 051 053 115  
049  
098 097 053 115 134  
124  
PREMIER  
PRINCE  
158 099 106 060 118 068  
134 090  
098 097 053 134  
049 054  
PROTECH  
PYE  
McMICHAEL  
MEMOREX  
METZ  
088  
099 049 050 019 142 148  
149 078  
090  
094 050 114 133  
094 100 057 058 114  
149  
QUASAR  
QUELLE  
046 097 051 053 077  
047 099 100 049 053 055  
057 058 111 112 113 114  
118 123 073 074 128  
099 049 050 019 142 149  
078  
MINERVA  
MISTRAL  
MITSUBISHI  
033 035 047 049 050 062  
118 119 148 080 138  
097 099 115 077  
046 099 115 136  
134  
RADIOLA  
MIVAR  
MULTITECH  
MURPHY  
MAONIS  
NATIONAL  
NEC  
RADIOMARELLI  
046 097 103 050 109 062  
127 132  
096 144 019 110 134  
042 104 109  
RANK  
074  
RBM  
074  
033 085  
REDIFFUSION  
REX  
062 123 134  
NECKERMANN  
NEI  
099 050 139 120 136  
049  
096 144 019 141 110 069  
134  
NIKKAI  
060  
ROBOTRON  
RTF  
048 050  
NOBLEX  
NOBLIKO  
NOGAMATIC  
NOKIA  
015  
048 050  
098 046 099 053 057  
028 039 043 145 081  
001 140 058 105 109 122  
123 128 148 129 130 134  
135 083 089  
SABA  
028 031 032 037 039 040  
043 097 050 145 115 120  
086 091 081  
SAISHO  
SALORA  
158 099 118 119 068 090  
053 139 117 120 122 123  
125 128 135 083  
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SAMBERS  
SAMPO  
046 097 051 053 115 077  
UNIVERSUM  
UNIVOX  
092 034 054 077  
121  
116  
SAMSUNG  
015 026 099 054 077 136  
090 151 153  
VEGAVOX  
VOXSON  
WATSON  
WATT RADIO  
WEGA  
079  
050 134  
SANYO  
SBR  
001 002 005 033 044 048  
060 113 118 071 054 136  
049 142 148 149 088  
111  
046 099 051 109 116 127  
033  
SCHAUB LORENZ 001 058 109 122 123 128  
129 130 134  
WHITE  
WESTINGHOUSE  
YOKO  
099 111  
SCHNEIDER  
096 099 049 050 052 019  
099  
141 109 142 125 149 078  
ZANUSSI  
ZOPPAS  
096 144 019 110 069 134  
096 144 019 110 134  
132  
SEG  
046  
SEI  
158 059  
VCR  
SELECO  
016 096 144 019 141 110  
069 134  
SHARP  
033 087 137  
AKAI  
042 022 052 032 033  
Sherwood  
SIAREM  
SICATEL  
SIEMENS  
000  
ALBA  
008 020  
046 097 050 109 115  
AMSTRAD  
ANITSCH  
ARC EN CIEL  
ARISTONA  
ASA  
011  
116  
009  
005 094 036 100 111 114  
042 056 052  
087  
045 031  
SIERA  
099 049 050 019 142 149  
018  
078  
AWIA  
011 042  
SILVER  
054  
BAIRD  
042 033  
SINGER  
SINUDYNE  
SONOKO  
SONY  
016 046 050 109  
158 046 050 059 109 127  
049 090  
BAUER. BOSCH  
BLAUPUNKT  
BRANDT  
014 043  
014 043 055 031 054 040  
146 007 027 033 038 118  
096 144 019 110 069 134  
133  
ELECTRONIQUE  
BRIONVEGA  
BUSH  
042 056 052  
STERN  
041  
TANDBERG  
TANDY  
008 020  
099 060 137  
C.EDISON  
CANON  
041  
TASHIKO  
TATUNG  
TEC  
002 033  
014  
099 060 063 065 115 118  
096 099 132  
CAPEHART  
CGE  
020  
011 042 052  
TELEAVIA  
028 039 040 043 145 091  
081  
CONTINENTAL  
EDISON  
042 056 052  
TELEFUNKEN  
TELETECH  
TELEVIDEON  
TENSAI  
028 041 145 150 086 091  
090  
CRAIG  
000 013  
CURTIS MATHES  
DAEWOO  
DAYTRON  
DECCA  
019  
099 053 109 111 125  
049  
001 020 021  
020  
THOMSON  
012 028 032 039 040 043  
145 091 081  
011 042  
DEGRAAF  
DUAL  
003 006 011 045 018  
042 052  
THORN-  
FERGUSON  
014 040 041 054 150 057  
061 116 149 086  
029  
DUMONT  
DYNATECH  
EMERSON  
FERGUSON  
FIDELITY  
FINLANDIA  
FINLUX  
003 011 018  
011  
TOCOM  
002 010 011 019 025  
042 059 030 052 034 036  
011  
TOSHIBA  
TRANS  
004 016 033 070 074  
CONTINENTS  
TRIUMPH  
UHER  
098 097 053 134  
158  
003 018  
003 006 011 018  
000 003 005  
052 111 125  
FISHER  
ULTRA VOX  
098 046 099 050 109 120  
66  
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R-772(G)2007.9.174:43PM페이67  
FUNAI  
011  
OSAKI  
011  
GE  
019  
OTTO VERAND  
P. CINEMA  
PALLADIUM  
PANASONIC  
PATHE MARCONI  
PENTAX  
043  
GENERAL  
GOLDSTAR  
GOODMANS  
GRAETZ  
GRANADA  
GRUNDIG  
014  
014  
004 062  
041 014  
008 011 046  
023 051 040  
041 042 056 050 052 038  
042 056 052  
003 005 018  
006 007  
014 043 018 055 031 053  
PERDIO  
011  
054  
043  
PHILIPS  
012 014 045 046 018 029  
HANSEATIC  
HARMAN-  
KARDON  
HIFIVOX  
HINARI  
031  
PHONOLA  
PIONEER  
PORTLAND  
PROLINE  
PYE  
014 045 018 029 031  
004  
060  
042 056 052  
020  
002 008 024 027  
011  
HITACHI  
IMPERIAL  
INGELEN  
INGERSOL  
ITT  
006 007 011 042 057  
014 045 018 029 031  
005  
011  
QUARTZ  
QUELLE  
042 056 052 038  
002 044 054  
045 031  
027  
RADIOLA  
RADIOMARELLI  
RCA  
005 041 042 056 050 052  
041  
033 038  
019  
JENSEN  
042  
REALISTIC  
000 003 005 011 013 045  
046  
JVC  
042 056 060 030 052 063  
KENWOOD  
KRIESLER  
KUBA  
005 042 060  
REX  
042 056 052  
039 042 056 052 035  
002 010 025 027  
005 017  
045 031  
SABA  
043  
SAISHO  
SALORA  
SAMSUNG  
SANSUI  
SANYO  
SBR  
LLOYD  
011  
LOEWE OPTA  
LOGIK  
014 018 029 031  
008 027  
013 019 032 061  
042 060  
LUXOR  
033 038  
000 003 005 025 038  
018 029  
MAGNADYNE  
MAGNASONIC  
MAGNAVOX  
MARANTZ  
MATUI  
041  
038  
SCHAUB LORENZ 041 042 056 050 052 038  
019  
SCHNEIDER  
SEI-SINUDYNE  
SELECO  
SENTRA  
SHARP  
008 011 045 031  
004 014 046 018 031  
010 025 027  
000 003 005 011 045  
014 043 031 054 037  
017  
027  
042 056 052  
MEMOREX  
METZ  
020  
045 046 105 048  
MGA  
SHINTOM  
SIEMENS  
SIERA  
008  
MINERVA  
MINOLTA  
MITSUBISHI  
MTC  
055 054  
014 043 055 031 054 038  
006 007  
045 031  
060 017 049  
011 013  
SINUDYNE  
SONY  
027  
044 015 016 026 028  
MULTITECH  
MURPHY  
NAONIS  
008 011  
STERN  
042 056 052  
006  
011  
STS  
042 056 052  
040  
SUNKAI  
025  
NATIONAL  
NEC  
SYLVANIA  
SYMPHONIC  
TASHIKO  
TATUNG  
TEAC  
011 017  
011 017  
011  
004 042 060 052  
002 041 014 042 052  
042 056 052  
003 005 041 042 056 050  
052 033 038  
039 042 056 052 053 035  
045 046  
NECKERMANN  
NOGAMATIC  
NOKIA  
011 042  
011 042  
011  
TEKNIKA  
TELEAVIA  
TELEFUNKEN  
TENOSAL  
NORDMENDE  
OPTONICA  
ORION  
042 056 052  
042 056 052  
008  
002 010 025 027  
67  
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R-772(G)2007.9.174:43PM페이68  
THOMSON  
THORN-  
042 056 052  
CBL  
FERGUSON  
039 042 059 030 052 034  
ABC  
002 003 009 030  
036  
007 006 008  
TOSHIBA  
TOTELEVISION  
UHER  
001 042 056 017 058 052  
Allegro  
018 021  
013  
Archer  
018 026  
042  
Bell&Howell  
Century  
Citizen  
009  
ULTRA VOX  
UNITECH  
UNIVERSUM  
URANYA  
041  
018  
013  
018 021  
041 014 043  
Comtronics  
Contec  
014  
041  
011  
VECTOR  
004  
Easten  
001  
VICTOR  
042 060  
041  
Emerson  
Everquest  
Focus  
026  
VIDITAL  
010 014  
WESTING HOUSE 041  
022  
WARDS  
YAMAHA  
ZANUSSI  
ZENDER  
ZOPPAS  
019  
Garrard  
Gemini  
018  
004 042  
042 056 052  
052  
010  
General Instrument  
GoldStar  
Goodmind  
Hamlin  
033 276 006 034  
017 040  
042 056  
026  
012 020 004 013  
Hitachi  
006  
DVD  
Hytex  
007  
Jasco  
010 018 021  
DENON  
017  
Jerrold  
002 007 033 032 009 010  
GE  
003 004  
006 034  
015  
JVC  
007  
Movie Time  
NSC  
LG  
011 010  
015  
MAGNAVOX  
MITSUBISHI  
ONKYO  
019  
Oak  
011  
001  
Optimus  
Panasonic  
Philips  
031  
009  
016 031  
018  
PANASONIC  
PHILIPS  
PIONEER  
PROSCAN  
RCA  
015  
019  
Pioneer  
017 025  
002 023  
Popular Mechanics 022  
003 004  
RCA  
031  
003 004  
Radio Shack  
Recoton  
Regal  
010 021 026 028  
SAMSUNG  
SHERWOOD  
016 008  
022  
000 010 011 012 013 014  
012 020  
022 020 021  
005  
Regency  
Rembrandt  
Sherwood  
SL Marx  
Smasung  
Scientific Atlanta  
Signal  
001  
SONY  
006  
THOMSON  
TOSHIBA  
VIETA  
003 004  
006  
000  
014  
014  
017 014  
003 023 030 027  
010 014  
006  
YAMAHA  
ZENITH  
019  
011 010  
Signature  
Sprucer  
031  
Starcom  
002 010  
68  
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R-772(G)2007.9.174:43PM페이69  
Stargate  
Starquest  
TV86  
010 014 026  
MAGAI  
022  
010  
MARANTZ  
MASPRO  
METZ  
012  
015  
016  
Teleview  
Tocom  
014  
036  
007 008  
010  
MINERVA  
MULTISTAR  
MURATO  
NEC  
036  
Tusa  
022  
Unika  
018  
004  
United Artists  
Universal  
Viewstar  
Zenith  
007  
040  
153 019  
015  
NEIRU  
021  
NOKIA  
026 037  
024  
NORSAT  
PACE  
015  
Zentek  
022  
001 042 016 017 018 044  
PANASONIC  
PHILIPS  
032  
003 011 012 029  
PHONOLA  
PROSAT  
PYE  
016  
SAT  
030  
016  
ALBA  
030  
QUADRAL  
QUELLE  
RADIOLA  
REDIFFUSION  
SABA  
030  
AMSTRAD  
ARCON  
008 019 027  
036  
021  
016  
ARISTONA  
ASTRA  
016  
015  
028  
035  
BLAUPUNKT  
BUSH  
033  
SALORA  
SAMSUNG  
SAT PARTNER  
SATPORTNER  
026  
016  
003 022  
004  
CH.MASTER  
CITY COM  
DDC  
030  
005  
021  
030  
SCHAUB LORENZ 026 037  
DYNASAT  
ECHOSTAR  
EMME ESSE  
FAIT  
005  
SCHNEIDER  
SHERWOOD  
SIEMENS  
SIERA  
005 016  
000  
002 009 032 020  
005  
033 036  
016  
005  
FERGUSON  
FINLUX  
014 041 016 017 018  
SILVA  
004 021  
039  
006 007 013  
SKY  
FRACARRO  
FTE  
005  
STARCOM  
STARSAT  
TECHNISAT  
TELEFUNKEN  
TELESYSTEM  
THORN-  
038  
022  
022  
GOLDSTAR  
GRAETZ  
GROTHUSEN  
GRUNDIG  
HINARI  
004 021  
026 037  
004  
003  
025  
005  
033 016 018 036  
030  
FERGUSON  
010 014 041 016 017 018  
HIRSCHMANN  
HITACHI  
INGELEN  
ITT  
003 006  
013  
043  
TRIAD  
004  
026 037  
034  
UNIDEN  
022  
UNITED CABLE  
VTECHNOLOGY  
VORTEC  
038  
ITT-NOKIA  
JERROLD  
KATHREIN  
KOSMOS  
KRIESLER  
LENCO  
032 018 026 037  
038 014  
005 022 023  
004  
004  
003 024 025  
022  
ZENDER  
016  
004 021  
026 037  
LUXOR  
69  
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R-772(G)2007.9.174:43PM페이70  
CD  
AUX-TAPE/MD  
ADCOM  
AIWA  
021  
SHERWOOD  
000(for tape deck)  
045 039 022  
015 016(for MD recorder)  
AKAI  
046  
AUDIO  
016  
ARC EN CIEL  
036 014 027 030 031 018  
AUX-LD  
230  
DENON  
FISHER  
H/K  
054  
DAEWOO  
DENON  
002  
006  
012  
017 012 047 016  
GOLDSTAR  
KENWOOD  
MAGNAVOX  
OPTIMUS  
PANASONIC  
PHILIPS  
004  
JVC  
028 034 001  
003  
KENWOOD  
MARANTZ  
MONDIAL  
NAD  
003 020 010 029 006  
010  
015 014  
007  
033  
013  
048 002 042  
010  
NAKAMICHI  
NIKKO  
049  
POINNEER  
RCA  
000 009  
006  
016  
ONKYI  
013 037 011 021 038  
REALISTIC  
SAMSUNG  
SHARP  
007  
PANASONIC  
PHILPS  
PIONEER  
RCA  
051 052  
001 005  
003 011  
013  
014  
005 008 041  
TECHINCS  
TOSHIBA  
YAMAHA  
007 009  
003  
REALISTIC  
SANSUI  
SHARP  
045  
008  
040  
019 053  
SHERWOOD  
000 035 023 019 056 057  
058  
SONY  
050 024 025 026  
055 032  
TEAC  
TECHNICS  
VICTOR  
YAMAHA  
051 004 052  
001  
044 043 016  
70  
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