Parasound Stereo Amplifier P 7 User Manual

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3
INTRODUCTION  
Thank You for Choosing Parasound  
Your new Parasound® Halo P 7 preamplifier is the pinnacle of analog audio technology and value  
engineering for a stereo or surround sound music system. We’ve endowed the P 7 with unique  
connectivity and control features which enable it to be the centerpiece of a high-end stereo or  
surround sound system.  
We are proud to offer you this exceptionally versatile audio component, knowing that it will  
bring you many years of enjoyment and dependability.  
We appreciate you taking the time to read these instructions and thank you for selecting  
Parasound. For updates and corrections to this manual, we invite you to check our web site,  
Enjoy.  
The Parasound Staff  
Keeping Records for Future Reference  
Record the serial number located on the back panel or bottom of your P 7 in the space below.  
Also note your Parasound Dealer’s name and telephone number. Your purchase receipt/bill  
of sale is required to determine if your P 7 is eligible for Parasound warranty service. We  
recommend that you make an extra copy of your original purchase receipt/bill of sale and  
store it inside the P 7’s carton.  
OWNERSHIP REFERENCE INFORMATION  
Parasound P 7 Preamplifier Serial #:  
Parasound Dealer:  
(
)
-
Dealer Phone Number:  
Date of Purchase:  
/
/
Important Warranty Information  
There is no Parasound warranty for this unit if it was not purchased from an Authorized  
Parasound Dealer. Investigate warranty coverage statements made by an unauthorized dealer  
very carefully, as you will need to depend entirely upon your dealer, and NOT upon Parasound.  
Unauthorized dealers lack the capability to make repairs or arrange for repairs of Parasound  
equipment. A list of Authorized Parasound Dealers and detailed warranty information is available  
at www.parasound.com or you can call (415) 397-7100 between 8:30 am and 4 pm Pacific time.  
A missing or altered serial number could indicate that this unit was re-sold by an unauthorized  
dealer or is stolen merchandise. If this unit is missing its serial number or the serial number has  
been altered, you should return it to your dealer immediately for a full refund.  
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4
TABLE OF CONTENTS  
Important Safety Instructions  
Introduction  
2
3
Placement and Ventilation Guidelines  
Audio Input Connections  
5
6
Audio Output Connections  
8
Other Connections on your P 7  
Using the Bypass Mode With a Surround Receiver  
Making Adjustments in the Setup Menu  
Front Panel Operation  
10  
11  
14  
20  
21  
23  
25  
26  
Remote Control Operation  
Frequently Asked Questions  
If You Require Assistance or Warranty Repair  
Specifications  
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5
UNPACKING YOUR P 7 AND PLACEMENT GUIDLINES  
Unpacking Your P 7  
Carefully remove your P 7 from its shipping carton and locate all the enclosed accessories:  
Remote control and two AAA batteries  
AC power cord  
Stereo 3.5mm cable for front panel MP3 input  
Four trigger wires, two with 2.5 mm sub-mini plugs, two with a 2.5mm and a 3.5mm mini plug  
While you are unpacking your P 7, inspect it thoroughly for possible shipping damage and tell your  
Parasound dealer immediately if you find any. If possible, save and store both the inner and outer  
cartons and—most especially—the foam packing inserts, to protect the P 7 if you have to move it  
or ship it. You may wish to flatten the cardboard cartons to save room in storage after cutting the  
taped seams on the bottom flaps. This would be a good time to make a copy of your sales receipt  
to store with the P 7’s original packing.  
Placement Guidelines  
The P 7 will be easier to use and will last longer if you follow these simple guidelines:  
Place the P 7 on a shelf that will adequately support its weight.  
Unless you’ll control the P 7 through a remote infrared sensor/repeater system, put it on a shelf  
where you can aim the remote control handset directly at the P 7. (If you use a remote repeater  
sensor, be sure the remote handset’s signals can’t reach the P 7’s front panel IR remote sensor,  
otherwise the remote control might not function properly).  
If you’re installing the P 7 yourself, use input and output cables that are long enough to leave at  
least two feet of slack; that will enable you to pull the P 7 out of a cabinet to check or to change  
connections without inadvertently disconnecting cables. If you’re putting the P 7 in a cabinet, it  
needs a space that’s at least 22 inches wide so you’ll be able to turn it around for access to its rear  
panel connections.  
Ventilation Requirements  
To reduce the chances of your P 7 overheating please follow these guidelines:  
Install your P 7 away from heat sources such as heating ducts, radiators, or heat-producing  
electronics.  
Always position the P 7 horizontally.  
We do not recommend placing the P7 directly on top of a power amplifier because this could  
cause both components to overheat.  
Do not install the P 7 in an unventilated equipment cabinet or compartment. Pockets of stagnant  
hot air can build up even in cabinets with open front and back sides. A ventilation fan such as the  
Parasound Zbreeze is highly recommended to prevent “hot spots” in confined spaces.  
Rack Mounting Your Parasound P 7  
With its four feet removed, the P 7’s front panel height occupies two rack spaces: 3.5” or  
88.2 mm. (A single standard rack space occupies 1.75” vertical space.) For mounting in a  
standard 19” equipment rack, you must use the Parasound HRA 2 rack mount kit (purchased  
separately). The HRA 2 kit includes four bolts and eight plastic washers with raised “shoulders.”  
Slide one washer onto each mounting bolt with its raised shoulder pointing toward the panel hole.  
Carefully insert the bolt through the hole and slide the other washer on the bolt with its raised  
shoulder facing the rear side of the panel. The washers will sandwich the P 7 panel and the four  
mounting bolts to prevent metal-to-metal contact between the P 7 chassis, the equipment rack,  
and the other components mounted in the rack.  
Note: Tighten each bolt just enough to keep the unit secure in the rack to avoid deforming the  
shoulder washers. Eliminating metal-to-metal contact reduces the likelihood of creating a ground  
loop that might introduce hum into your system.  
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6
CONNECTING YOUR P 7  
Always disconnect the AC cords to your P 7 and power amplifier(s) before making or  
changing any input, output or trigger wire connections. Inserting or removing an input or  
output cable while the P 7 or power amplifiers are turned on can result in a blast of sound that can  
damage your loudspeakers. Make sure there is no strain or tension on any cables that could cause  
them to pull loose. The P 7 has many different types of audio and control connections and some  
of them may not be familiar. Please read this section thoroughly before making any connections.  
AUDIO INPUT CONNECTIONS  
The P 7 is equipped with a total of 10 audio inputs:  
1 phono input for connecting a turntable with either a moving magnet or moving coil cartridge  
(In 1/Phono)  
6 pairs of unbalanced line level RCA type input jacks (In 2 ~ In 7/Tape)  
1 pair of balanced XLR inputs (In 8/Balanced)  
2 multi-channel inputs for surround sound movies and music (In 9/Multi 1 and In 10/Multi 2)  
A front panel 3.5mm input jack for connecting a portable device such as an MP3 player is  
shared with the rear panel In 6 jack  
Phono Input (In 1/Phono) – Stereo  
The P 7 is equipped with a high quality phono preamplifier. If you wish to connect a  
turntable, set the Input 1 Phono Cartridge switch to MM (moving magnet) or  
MC (moving coil) depending on your cartridge. Select MM first if you are not sure  
if your phono cartridge is MM or MC; this will avoid excessive volume and distorted  
sound if you have an MM cartridge and the selector switch is set to MC. Input 1 is for  
use only with a turntable; a line level source such as a CD player or tape deck should  
never be connected to this input.  
Don’t forget to connect the ground wire from your turntable to the Phono Gnd (ground) terminal  
on the P 7. To connect the phono ground wire unscrew the knurled cap of the Gnd terminal to  
expose the hole in its shaft. Insert the bare end (or one leg of a spade lug) of the ground wire  
through the hole and twist the knurled cap clockwise to tighten it against the bare wire.  
Note: If the volume is far too low or far too high when you listen to your LPs, you have selected  
the incorrect setting for your type of phono cartridge.  
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7
CONNECTING YOUR P 7: AUDIO INPUT CONNECTIONS  
RCA Line Level Input Jacks (In 2 ~ In 7/Tape) – Stereo  
Inputs 2–7 are for stereo sources and they  
all have the same input sensitivity, input  
impedance and are compatible with any  
typical analog line level source such as a  
CD, tape deck, DVD or tuner. In 7/Tape  
has accompanying record output jacks  
for connecting an audio recorder.  
Note: The rear panel In 6/MP3 jacks and the front panel MP3 input jack are both for Input 6 so  
you should not connect a source to the rear panel In 6/MP3 jacks if you plan to use the front  
panel MP3 input jack. If you were to play an audio source through both the rear panel input 6 jack  
and the front panel MP3 jack you would hear both sources playing at the same time.  
Balanced Input Jacks (In 8/Balanced) – Stereo  
Input 8 is for a stereo source and uses balanced XLR type jacks.  
Use this input to connect a source which has balanced outputs,  
such as the Parasound model T 3 FM/AM tuner. A balanced line  
provides superior hum and noise cancellation, especially for long  
cable runs. Many serious listeners also prefer the sonic character-  
istics of balanced interconnects because the lower inherent noise  
floor contributes to a more defined and spacious soundstage. For  
more information on balanced connections see the Frequently  
Asked Questions section of this manual.  
Multichannel input jacks (In 9/Multi 1 and In 10/Multi 2) – Surround Sound  
Inputs 9 and 10 are for use with  
sources equipped with analog  
outputs for surround sound.  
These sources include many  
DVD players, some Blu-ray  
players, SACD and DVD-A  
players. Connect your source  
component’s analog audio  
output jacks to one set of the  
P 7’s multichannel input jacks.  
If you have a 5.1 system which only uses five speakers and a subwoofer then you will not  
connect anything to the L & R Back Input jacks.  
Note: Inputs 9 and 10 can also be used for additional stereo sources by using just their Front  
L & R input jacks. If you use Inputs 9 or 10 for stereo the P 7’s analog bass management and  
subwoofer output features are not available.  
Front Panel MP3 Input (Input 6) – Stereo  
For your convenience there is an input for a portable MP3 player on the front panel. Connect  
the included cable with the 3.5mm stereo plugs between the MP3 player’s headphone jack  
and the P 7’s MP3 input jack. For the best sound with an iPod® set the iPod’s volume to  
around 75% of its maximum. If you plan to use the front panel MP3 input jack you should  
not connect a source to the rear panel Input 6 jacks since they share the same circuitry.  
Note: If your portable MP3 player does not sound as loud as your other sources you can  
boost its volume by adjusting the Input Offset setting in the setup menu. See page 16 of  
this manual for more information about changing the Input Offset.  
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8
CONNECTING YOUR P 7: AUDIO OUTPUT CONNECTIONS  
AUDIO OUTPUT CONNECTIONS  
There are 2 sets of Main Output jacks, one set with RCA connectors and one set with balanced  
XLR connectors. There is also a fixed level record output for connecting an audio recorder. Read  
through this section to determine which connections should be used in your setup.  
MAIN OUTPUT JACKS  
The Main Output jacks connect to the inputs on your power amplifier(s).  
The P 7 is equipped with both balanced and unbalanced output jacks.  
The balanced and unbalanced output jacks are active simultaneously.  
Balanced connections provide superior hum and noise cancellation,  
especially for long cable runs. Many serious listeners also prefer the  
sonic characteristics of balanced interconnects because the lower  
inherent noise floor contributes to a more defined and spacious  
soundstage. For more information on balanced connections see the  
Frequently Asked Questions section of this manual.  
Main Left and Right Output Jacks – for a stereo system  
Connect only the Main Output Front Left & Right jacks to your stereo power amplifier.  
Main Sub Output Jack – for a stereo system with a subwoofer  
If your stereo system also includes a subwoofer, you will connect the P 7’s Sub Output jack to  
your subwoofer. The frequency characteristics of the subwoofer output is determined by choices  
you make in the P 7’s setup menu. For more information about the subwoofer output setup see  
page 17.  
Main Output Jacks – In a 5.1 or 7.1 Multichannel System  
If you also enjoy surround sound music and movies, you will connect your P 7’s Main Output  
Front Left & Right, Surround L & R, Center & Sub Out jacks to your power amplifier(s). If you have  
a 7.1 system, you will also connect the Main Output Back L & R jacks.  
Note: The P 7’s center, surround and back channel outputs reproduce signals only from sources  
that are connected to the center, surround and back channel input jacks of the multichannel inputs  
9 and 10. Because it is pure analog the P 7 cannot create surround sound from 2 channel sources.  
BASS MANAGEMENT FOR THE LEFT, RIGHT AND SUB OUTPUT JACKS  
The P 7 has built-in analog bass management for audio systems which include a subwoofer. The  
bass management for the left, right and subwoofer output jacks has two modes of operation. One  
mode is for the P 7’s stereo inputs (inputs 1-8) and the other mode is for its multichannel inputs  
(inputs 9 & 10). There are two modes of operation to maintain the tonal balance when you switch  
between stereo and multichannel sources.  
Mode 1: For Stereo Sources (Inputs 1–8)  
When inputs 1 through 8 are selected, the P 7 creates a subwoofer channel output by mixing the  
Left and Right channels then routing the L+R mix through a low-pass crossover. You can select  
the subwoofer crossover frequency in the P 7 Setup menu. If you have small front left and right  
speakers the P 7 also has a high-pass crossover to filter out bass frequencies from the Left and  
Right Out jacks. You can select the Left and Right crossover frequency in the P 7 Setup menu.  
For more information about adjusting the bass management settings see page 17.  
Mode 2: For Multichannel Sources (inputs 9 & 10)  
Inputs 9 & 10 are for the analog multichannel outputs from Blu-ray, HD-DVD, SACD and DVD  
players. These sources provide their own bass management and setup menus. Any subwoofer  
and speaker size/crossover settings should be selected in the source component’s setup menu.  
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CONNECTING YOUR P 7: AUDIO OUTPUT CONNECTIONS  
The frequency response of the Left, Right & Sub output jacks is not affected by the P 7.  
A subwoofer channel is not created by the P 7.  
Subwoofer Trim Adjustment:  
The subwoofer channel level can be adjusted from the P 7’s remote control or at the front panel.  
On the remote control, press the Enter button and then the Bass Up or Bass Down buttons. On  
the front panel, press the Select button twice then rotate the Volume/Select knob. There are two  
possible independent subwoofer level trim settings, one setting for the stereo inputs (Inputs 1–8)  
and another setting for the multichannel inputs (Inputs 9 and 10). This is useful because you may  
prefer to have different subwoofer levels for your stereo sources and your multichannel sources.  
TAPE RECORD OUT JACKS  
The Record Out jacks connect to the record Input jacks on your audio recorder. The Record Out  
jacks provide fixed level signals that are unaffected by the P 7’s volume control, balance control,  
tone controls or mute. The Record Out jacks of the P 7 are always “live” and there is no simulta-  
neous playback monitoring function. You could also use the Record Out jacks to send sound to a  
second room which has its own volume control and amplifier.  
Note: With stereo sources the Record Out jacks carry the L and R signals. For 5.1 or 7.1 channel  
sources the left Record Out carries a downmix of the L, C, LS, LB and Sub channels. The right  
Record Out carries a downmix of the R, C, RS, RB and Sub channels.  
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CONNECTING YOUR P 7: OTHER CONNECTIONS  
OTHER CONNECTIONS  
(HEADPHONE) JACK  
The headphone jack accepts a 1/8” (3.5 mm) mini plug. All of the Main Audio Outputs are muted  
when a headphone plug is inserted into this jack so you can listen privately. The Tape Record Out  
jacks remain active. With stereo sources the Headphone jack carries the L and R signals. For 5.1  
or 7.1 channel sources the left headphone channel carries a downmix of the L, C, LS, LB and Sub  
channels. The right headphone channel carries a downmix of the R, C, RS, RB and Sub channels.  
Note: Please check your listening level before unplugging your headphones to avoid an unexpected  
jump in loudness that could damage your speakers.  
12V TRIGGER EVENT  
There are three 12 volt trigger outputs on the P 7. The Output jack labeled “Main On” is active  
whenever the P 7 is turned on. The Output jack labeled “In 9/10” is active whenever Inputs 9 or  
10 (Multichannel 1 and Multichannel 2) are selected. The In 9/10 trigger can be useful for auto-  
matically turning on a second amplifier which drives your surround speakers only when you have  
selected a 7.1 channel source. The Output jack labeled “Remote” is activated or deactivated by  
pressing the Trigger On or Off buttons on the remote handset. The Remote Output jack could be  
useful for activating additional accessories such as a projection screen or room lighting.  
Any of these outputs can be used to turn on power amplifiers and other equip-  
ment that are equipped with automatic turn-on inputs. Connect the P 7’s 12V  
Output jack to the triggered component’s trigger input jack using the provided  
trigger wire with the 2.5 mm sub-mini plugs.  
Note: Most Parasound Power Amplifiers are equipped with a 2.5 mm 12V  
trigger input jack. The trigger voltage source is DC and the trigger plug tip is  
+ (positive) and its sleeve – (negative). The P 7 trigger output has a maximum current capability  
of 150mA. Refer to the owner’s manual of the components to be triggered to make sure their  
combined trigger current requirement is below 150mA.  
EXTERNAL REMOTE INPUT  
Your P 7 is compatible with most popular infrared (IR) repeater systems for  
remote control operation from another room or when the P 7 is installed in  
a cabinet where its remote handset signals cannot reach its front panel  
remote control sensor. The External Remote Input connector is a standard  
1/8” (3.5 mm) “mini” jack. The center conductor (plug tip) is for + and the  
outer conductor (plug sleeve) is for –. Your Authorized Parasound dealer or  
Custom Installer can recommend a compatible IR repeater system.  
RS-232 SERIAL PORT  
This 9-pin female DB9 connector is a full-duplex serial port. This permits the  
P 7 to communicate in two directions with home automation and control  
systems such as Crestron®, AMX®, Control4®, Niles® and Elan®. When the  
P 7 is connected to such a device, it can be controlled and its status  
monitored from keypads or touch-screen panels throughout your house.  
The capabilities of such connections, and the programming and interfacing  
needed will depend on the automation system you select; consult your  
Parasound dealer or custom installer for more information regarding interfacing an external con-  
trol system to your P 7. The complete RS-232 protocol can be found at: www.parasound.com  
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CONNECTING YOUR P 7: OTHER CONNECTIONS  
AC POWER CORD  
The IEC standard AC cord supplied with your P 7 is an audiophile-grade component.  
Please connect it directly to an AC wall outlet that is always “live.” If possible,  
plug your P 7 into the same AC outlet that your accompanying audio components  
(particularly your source components and power amplifiers) are plugged into. If  
different AC outlets are used the ground potential may be higher or lower between  
the outlets, resulting in audible hum.  
AC POWER SWITCH  
This switch is provided to turn the P 7 completely off when it will not be  
used for an extended time. Normally, this switch is left in the “on” position  
(upper section is pressed in).  
USING THE BYPASS MODE WITH A SURROUND RECEIVER  
The Theater Bypass feature of the P 7 allows you to integrate the all-analog P 7 into a system  
which also uses a digital surround sound receiver. By combining the P 7 with a high quality  
power amplifier and a surround receiver, you can achieve superior reproduction of your analog  
sources while continuing to use your surround receiver to decode digital sources. Because  
an external power amplifier will be of a higher quality than the amplifier stage built into your  
surround receiver, you will also be getting upgraded sound for all of your digital sources as well.  
When the P 7 Bypass mode is selected in the Setup menu (see page 15), the P 7 volume level is  
fixed at unity gain (unity gain means that the output level equals the input level) and the volume  
level knob and remote control buttons for volume are inactive. In this case, the system volume  
level is completely controlled by the separate digital surround receiver. The Theater Bypass mode  
can only be used with the multichannel inputs (Inputs 9 and 10).  
WARNING: Never connect a source component such as a DVD player directly to one of the  
P 7’s Multichannel Inputs with the Theater Bypass mode activated. Since the P 7 volume  
level is fixed the resulting sound level will be very high and could damage your speakers.  
The Theater Bypass mode is intended only for use with components such as surround  
sound receivers and processors which have their own volume controls  
For information about activating the Theater Bypass mode, see page 15.  
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12  
USING THE BYPASS MODE WITH A SURROUND RECEIVER  
USING THE P 7 BYPASS MODE WITH A 2 CHANNEL AMP  
By using a 2 channel power amplifier and your surround receiver you can dramatically upgrade  
the sound quality of your front L & R channels. Drive your Front L & R channels with the separate  
2 channel power amplifier while continuing to use your surround receiver to drive the Center and  
Surround speakers. In this case you’ll connect the surround receiver’s Front L, R and Sub preamp  
output jacks to the L, R & Sub jacks of the P 7’s Multichannel Inputs 9 or 10. The Main Outputs  
from the P 7 will connect to your power amplifier. Your Front L & R speakers will connect directly  
to the new 2 channel power amplifier instead of the L & R speaker terminals on your surround  
receiver. Your Center and Surround speakers will remain connected directly to the speaker termi-  
nals on your surround receiver. Connect your subwoofer to the Sub Out jack of the P 7.  
Note: When the P 7’s Bypass mode is selected, its volume level is fixed and the balance, trims and  
tone controls are all disabled; these adjustments should be made on the digital surround receiver.  
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13  
USING THE BYPASS MODE WITH A SURROUND RECEIVER  
USING THE BYPASS MODE WITH A 5 OR 7 CHANNEL AMP  
With a separate 5 channel power amplifier, or a 5 channel power amplifier plus a 2 channel  
power amplifier, you could power all of your speakers and not use the receiver’s built in power  
amplifier at all. Each channel’s speakers other than the sub would connect directly to the sepa-  
rate power amplifier. Connect the surround receiver’s preamp outputs to one of the P 7’s Mul-  
tichannel Inputs (Inputs 9 or 10). The Main Outputs from the P 7 will connect to your power  
amplifier(s). Do not connect any speakers to the speaker terminals on your surround receiver.  
Connect all speakers to your separate power amplifier(s) instead. Connect your powered sub-  
woofer to the Sub Out jack of the P 7. The diagram below shows a 5 channel power amplifier  
plus a 2 channel power amplifier hookup, but you could use just a 5 channel power amplifier by  
not connecting anything to the P 7’s Back RCA jacks.  
Note: When the P 7’s Bypass mode is selected, its volume level is fixed and the balance, trims and  
tone controls are all disabled; these adjustments should be made on the digital surround receiver.  
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14  
MAKING ADJUSTMENTS IN THE SETUP MENU  
The P 7 Setup menu gives you access to the following functions:  
Menu Function  
Rename Inputs  
Application-Purpose  
Replace “In 1 – In 10” with customized names.  
Theater Bypass  
Input Level Offsets  
Phones Level Offset  
Bass Management  
Limit Volume  
Integrate the P 7 into a system with a digital surround receiver.  
Match the listening level for sources whose output levels differ.  
Assure a safe volume level for headphone listening.  
Create a sub out channel and set crossovers for L & R channels.  
Add 10 dB to the P 7’s maximum output level.  
Zhd Input Assign  
Factory Reset  
If you own a Parasound Zhd HDMI selector.  
Erase all your Setup menu selections and restore factory defaults.  
Please read the full descriptions in the following pages to determine which functions/features are  
of interest to you.  
Note: If you plan to use the P 7 as a conventional stereo preamplifier with full range (“large”)  
front speakers, you may not need to make any adjustments in the Setup menu.  
USING THE SETUP MENU  
Enter the Setup menu by pressing the Setup button on your remote control.  
Note: Neither the Setup menu or any of these adjustments can be accessed from the front panel  
of the P 7. The remote control is required to make any adjustments in the Setup menu.  
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15  
MAKING ADJUSTMENTS IN THE SETUP MENU  
The Setup menu is organized in this order:  
Rename Inputs  
Theater Bypass  
Input Level Offsets  
Phones Level Offset  
Bass Management  
Limit Volume  
Zhd Input Assign  
Factory Reset  
Press the Setup button to step through each of these functions. Pressing the Enter button will  
access the selected setup option. Pressing the Exit Setup button will step back a menu level or  
exit the Setup menu.  
Rename Inputs  
You can change the name of each input here. For example, you might prefer Input 2 to show  
CD Player” instead of the factory default name “In 2.” Any input can have a custom name up  
to 14 characters long.  
Press the Enter button on the remote control to begin renaming your inputs.  
Press the VOL Up or VOL Down buttons to select a  
new character. Upper and lower case letters, numbers  
and many symbols are available.  
Press the BAL Right button to modify the next character.  
Press the BAL Left button to modify the previous character.  
After you’ve renamed this input press the Enter button  
to start renaming the next input.  
After you finish renaming inputs, press the Exit Setup button  
to return to the main Setup menu.  
Theater Bypass  
This setup option allows In 9/Multi 1 or In 10/Multi 2 to function as bypass inputs. This  
means they will pass the signals from the corresponding 7.1 channel inputs directly to the 7.1  
channel output, bypassing all P 7 volume, tone and trim controls. Bypass Yes (on) is only used  
when the P 7 multichannel input jacks are connected to a surround sound receiver with its own  
volume control. For more information about hooking up a component using the bypass mode,  
see page 11.  
WARNING: Do not select Bypass “Yes” for an input which is connected to a source  
component such as a DVD player. Since the P 7 Theater Bypass mode provides no volume  
control, the sound level would be very high and could damage your speakers. The Theater  
Bypass mode is suitable only for source components which have their own volume controls!  
Press the Enter button to set the Theater Bypass option for In 9/Multi 1.  
Press the VOL Up or VOL Down buttons to select  
Bypass Yes or No for In 9/Multi 1.  
Press the Enter button to set In 10/Multi 2.  
Press the VOL Up or VOL Down buttons to select  
Bypass Yes or No for In 10/Multi 2.  
After you finish, press the Exit Setup button to return  
to the main Setup menu.  
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16  
MAKING ADJUSTMENTS IN THE SETUP MENU  
Theater Bypass No – The selected input In 9/Multi 1 or In 10/Multi 2 is subject to  
P 7 volume control, balance and tone controls. This is the default setting.  
Theater Bypass Yes – The selected input In 9/Multi 1 or In 10/Multi 2 is routed directly to the  
P 7’s 7.1 output jacks, bypassing the volume, balance and tone controls.  
Note: When a Bypass mode is turned on (set to Yes), the controls for volume, balance, trims  
and tone are deactivated. All of these adjustments can be made on the surround sound receiver.  
For more information on the Bypass Mode see page 11.  
Input Level Offsets  
This setup menu allows you to increase or decrease each input’s volume level individually to  
compensate for different output levels among sources. If you notice a sound level change when  
switching from one source to another, you can raise or lower the corresponding P 7 input level  
offset over a range of +20 dB to –20 dB. The easiest way to determine your input level offset  
settings is to turn on and play all your source devices before entering the Setup menu. Once in  
the offset setup you can cycle through and compare all the sources by pressing the Enter button  
on the remote. After each input level offset is set, all of your sources should play at about the  
same level.  
Press the Enter button to proceed into the  
Input Level Offsets setup.  
Press the VOL Up or VOL Down buttons to adjust the input  
level offset for this input so it sounds about as loud as the  
previously selected input.  
Press the Enter button to select the next input and  
repeat this process.  
After you finish, press the Exit Setup button to return  
to the main Setup menu.  
Phones Level Offset  
It is important to take precautions to protect your hearing when you listen with head-  
phones. Many on-ear headphones and most “ear bud” headphones have very high sensitivity  
and will play much too loud relative to your speakers’ apparent volume level.  
If you find your headphones playing too loud, you can decrease their volume “offset” compared  
to your speakers by as much as -20 dB. If you find your headphones play too quietly compared to  
your speakers, you can increase the volume offset compared to your speakers by up to +20 dB.  
Press the Enter button to proceed into the  
Phones Level Offset setup.  
Press the VOL Up or VOL Down buttons to adjust the  
headphones offset level.  
After you finish, press the Exit Setup button to return  
to the main Setup menu.  
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17  
MAKING ADJUSTMENTS IN THE SETUP MENU  
Bass Management  
These settings only benefit systems which include a subwoofer. If your system does not  
include a subwoofer you can skip this section.  
Your P 7 is equipped with an analog bass management system for stereo playback (Inputs 1-8  
only). This provides both a high-pass filter for the front left and right speakers and also creates  
a subwoofer channel with a low-pass filter. The bass frequencies which it filters out of the left  
and right channels will be reproduced by your subwoofer, for the frequency range selected in the  
Bass Management Setup menu. This is especially significant if your system uses “small” (6.5”  
or smaller woofer cones) front left and right speakers and a subwoofer, rather than “large” (full  
range) left and right front speakers. Since small speakers cannot reproduce low frequencies, it is  
preferable to filter out these low frequencies and redirect them to the subwoofer where they can  
be reproduced.  
Note: The P 7’s bass management settings affect only the stereo inputs. Bass management  
for the multichannel inputs 9 and 10 should be set up in the setup menu of the source devices  
(DVD, Blu-ray, SACD and DVD-A players).  
Press the Enter button to proceed into the Bass Management setup.  
Press the VOL Up or VOL Down buttons to  
change the current setting  
Press the Enter button to change between the  
Left/Right settings and the Subwoofer settings.  
After you finish, press the Exit Setup button to return to the main Setup menu.  
During stereo playback, the Front Left and Right channel outputs can operate in 1 of 3 ways:  
1. L&R: Full Range – With this setting the left and right front  
speakers receive all frequencies. This setting should only  
be used if you have full range (“large”) front speakers and/  
or you are not using a subwoofer.  
2. L&R: Above 80Hz – This setting will filter bass frequencies below 80Hz from the left and  
right front speakers. 80Hz is suitable if your left and right  
speakers are small. This setting should only be used if you  
are using a subwoofer. When using this setting you will  
usually obtain the best results with the subwoofer output  
set to “L+R Below 80Hz”  
3. L&R: Above 50Hz – This setting will filter bass frequencies below 50Hz from the left and  
right front speakers. 50Hz is suitable if your left and right speakers are medium size rather  
than a small size. This setting should only be used if you  
are using a subwoofer. When using this setting you will  
usually obtain the best results with the subwoofer output  
set to “L+R Below 50Hz” but we encourage you to try  
“L+R Below 80Hz” as well.  
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18  
MAKING ADJUSTMENTS IN THE SETUP MENU  
During stereo playback, the subwoofer output can function in 1 of 4 ways:  
1. Sub: L+R Full Range – This setting creates a mono  
subwoofer output by combining the left and right channels  
without a low-pass filter. With this setting, the subwoofer  
output will be full range and you should use the crossover  
frequency adjustment on your subwoofer according to the  
manufacturer’s recommendations.  
2. Sub: L+R Below 80Hz – This setting creates a mono  
subwoofer output by combining the left and right  
channels with a low-pass filter at 80Hz. If your subwoofer  
has a built-in non-defeatable crossover, set it to its highest  
frequency to avoid double filtering  
3. Sub: L+R Below 50Hz – This setting creates a mono  
subwoofer output by combining the left and right  
channels with a low-pass filter at 50Hz. If your subwoofer  
has a built-in non-defeatable crossover, set it to its highest  
frequency to avoid double filtering.  
4. Sub: OFF – This setting disables the subwoofer output  
when a stereo input is selected. Use this option if you don’t  
have a subwoofer or if you don’t want your subwoofer to  
play when inputs 1-8 are selected. The subwoofer output  
will still be available when the multichannel inputs 9 & 10 are selected.  
Note: These settings for bass management only affect the stereo inputs (Inputs 1-8 only).  
The multichannel inputs (Inputs 9 & 10) have no bass management on the P 7. The bass  
management for the multichannel inputs is on your source components. For more information on  
setting up the bass management of your multichannel sources, refer to their owner’s manuals.  
Limit Volume  
This Setup menu allows you to increase the maximum volume  
level of your P 7 by 10 dB. The options are “100” or “110”. If  
your room is large (over 3000 cubic feet and your speakers are  
not very sensitive (less than 88 dB, 1 watt @ 1 meter) then you  
may find that a maximum volume of 100 is not loud enough. In  
this case you can raise the maximum to 110.  
Press the Enter button to proceed into the Limit Volume setup.  
Press the VOL Up or VOL Down buttons to change between  
“100” and “110”.  
After you finish, press the Exit Setup button to return to the main Setup menu.  
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19  
MAKING ADJUSTMENTS IN THE SETUP MENU  
Zhd Input Assign  
Since the P 7 is a pure analog preamplifier it does not offer any video switching. The P 7 does have  
the ability to link to the Parasound Zhd 5 input HDMI selector (sold separately). This feature gives  
you automatic switching of HDMI video sources as you select the audio sources on your P 7. In  
the Zhd Input Assign setup, you can assign any of the Zhd’s 5 inputs to be selected simultaneously  
with any of the P 7s 10 sources. Please note that this feature allows you to switch HDMI sources  
but does not enable your P 7 to decode digital audio carried in the HDMI signal.  
Press the Enter button to proceed into the Zhd Input Assignment.  
In the Assignment page you will select the P 7 input and the Parasound Zhd HDMI input  
association. For example you might want the HDMI input #3 to be selected when you select the  
P 7’s In 9/Multi 1 input. In this case you would want the Zhd Input Assign to look like this:  
In 9/Multi 1: Zhd3  
Press the VOL Up or VOL Down buttons to change HDMI input assignment in this order:  
None  
Zhd1  
Zhd2  
Zhd3  
Zhd4  
Zhd5  
(back to None)  
Press the Enter button to change the P 7 input you wish to  
associate. Each press of the Enter button will step to the  
next P 7 input.  
After you finish, press the Exit Setup button to return to the  
main Setup menu.  
Repeat the above procedure for each P 7 input you wish to  
associate with an HDMI input on the Zhd.  
Note: For more information on the Parasound Zhd HDMI selector,  
please contact your dealer or visit www.parasound.com  
Factory Reset  
Caution! This will permanently delete all your settings and custom input names and replaces  
them with the factory default settings.  
Press the Enter button to proceed into the Factory Reset conformation.  
When “Factory Reset?” appears on the P 7 display, press the  
Exit Setup button to exit the factory reset option and return to  
the main Setup menu. Press the Volume Up button to delete all  
of your settings and restore the factory defaults.  
Note: If you press the Volume Up button to delete your settings  
you cannot recall them and you will have to repeat the entire  
setup process.  
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20  
FRONT PANEL OPERATION  
The P 7 uses an elegant and simple front panel interface. With only two buttons and one Volume/  
Select knob you can control most P 7 features.  
On-Off Button  
A soft blue glow surrounds the On-Off button when the P 7 is turned off. The P badge also  
glows faintly red. Push the On-Off button once to turn on the P 7. The blue glow and red P badge  
will become brighter. When the P 7 is turned on, the front panel display will also illuminate. Push  
the On-Off button again to turn it off.  
Using the Multi-Function Volume/Select knob  
By using the Select button in conjunction with the Volume/Select knob you can control many of  
the features of the P 7 from the front panel. In normal operation the Volume/Select Knob adjusts  
the volume level of the P 7. Each press of the Select button changes the function of the knob  
from volume adjust to become the selector for the next function. This is the order of the  
functions you can adjust:  
Volume Control  
Adjust Bass  
Select Sources  
Adjust Treble  
Adjust Subwoofer Level Trim  
Adjust Left/Right Balance  
Adjust Front/Rear Balance  
Resume Volume Control  
If the Volume/Select knob isn’t turned to make an adjustment within 5 seconds after pressing  
the Select button it will revert to controlling the volume level.  
Source Select – Rotate the Selector knob right or left to cycle through the source inputs.  
Subwoofer Trim – Rotate the Selector knob right or left to increase or decrease  
the subwoofer level.  
Bass – Rotate the Selector knob right or left to increase or decrease bass response.  
Treble – Rotate the Selector knob right or left to increase or decrease treble response.  
Left/Right Balance – Rotate the Selector knob left or right to shift the balance to the  
left or right speaker.  
Front/Rear Balance – Rotate the Selector knob left or right to shift the multichannel sound-  
stage balance toward the front or the rear speakers. Front speakers include; Front Left, Front  
Right and the Center Channel. Rear speakers include; Left Surround, Right Surround, Left Back  
and Right Back.  
Note: Front/Rear Balance can only be adjusted when either In 9/Multi 1 or In 10/Multi 2 is selected.  
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21  
REMOTE CONTROL OPERATION  
The P 7 remote control has a maximum range of approximately 20 – 25 feet (6 – 7.5 meters).  
Use only AAA alkaline batteries in the handset and insert them according to the + and – polarity  
markings in its battery compartment.  
Off and On Buttons – These buttons have the same function  
as the On-Off button on the front panel. These separate buttons  
enable programming “hard” off and on commands into a system  
controller or to create a macro sequence for a learning-type  
remote control.  
Trigger Off and On Buttons – The 12V Trigger Event jack on  
the rear panel labeled “Remote” is activated by pressing these  
buttons. The Remote trigger jack could be useful for activating  
additional accessories such as a projection screen or lights.  
Treble and Bass Buttons – These offer precision adjustment of  
tonal balance. To preserve sonic clarity, use these controls sparingly.  
You will find that very slight adjustments can add a degree of  
warmth, richness, clarity or airiness. However, larger adjustments  
may obscure musical details, and even risk overloading your  
speakers. The bass and treble controls are only active when the  
tone controls are turned on by pressing the Tone Bypass button.  
Subwoofer Trim – Subwoofer level trim is adjusted by first  
pressing the Enter button and then the Bass Up or Bass Down  
buttons on the remote. There are two independent subwoofer trim  
memory settings, one level setting is for the stereo inputs (Inputs  
1-8) and another level setting is for the multichannel inputs (Inputs  
9 and 10). The subwoofer trim is only active when the trim  
In 6  
controls are turned on by pressing the Cancel Trims button.  
Cancel Trims Button – Pressing this button once disengages  
the subwoofer trim and balance settings. Pressing this button a  
second time re-engages the subwoofer trim and balance settings.  
Balance trim settings include both Left/Right balance and Front/  
Back balance.  
Tone Bypass Button – Pressing this button once engages  
the bass and treble tone control circuitry. Pressing this button a  
second time disengages the tone control circuitry. Turning the  
tone controls off will give greater audiophile purity by reducing the  
noise and distortion that is inherent in the tone control circuits.  
Dim Display Button – Each press of the Dim button decreases the brightness of the front  
panel display tube, the buttons and P badge illumination. After pressing the Dim button 4 times  
the front panel display tube will go completely dark. In this mode the display will remain  
completely dark until any button on the remote or front panel is pressed. The display will then  
turn back on at a dim setting.  
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22  
REMOTE CONTROL OPERATION  
Show Status Button – Press this button once to display your current bass, treble and  
subwoofer trim settings. Press it a second time to display your current Left/Right and Front/Rear  
balance trims. Press it a third time and the display reverts to source and volume indication.  
VOL Up ( ) and VOL Down ( 
) Buttons –
These buttons control the volume level of the P 7.  
BAL L and BAL R Buttons – These buttons adjust the Left/Right speaker balance. You may  
need to adjust the Left/Right balance to compensate for speaker placement, power amplifier  
channel gain imbalance or an imbalance in the recording. The Left/Right balance control is only  
active when the trim controls are turned on by pressing the Cancel Trims button.  
Bal Front and Bal Rear Buttons – These buttons adjust the Front/Rear speaker balance. Front  
speakers include; Front Left, Front Right and the Center Channel. Rear speakers include; Left  
Surround, Right Surround, Left Back Surround and Right Back Surround. The Front/Rear balance  
control is only active when the trim controls are turned on by pressing the Cancel Trims button.  
Note: Front/Rear Balance can only be adjusted when either In 9/Multi 1 or In 10/Multi 2 is selected.  
Mute Button – Pressing the Mute button once will attenuate (reduce) the volume by 20 db.  
Pressing the Mute button a second time within 2 seconds will mute the volume completely.  
A third press of the Mute button will return the volume to its normal level. Mute is also  
automatically turned off when you adjust the volume using the remote control or front panel  
knob. The mute affects the audio signals at all of the Output jacks except the Record Out.  
Setup Button – This enters the Setup menu of the P 7. See page 14 for info on the Setup menu.  
Exit Setup Button – This button Exits the Setup menu or steps up one level in the Setup menu.  
Enter Button – This button is used for making adjustments in the Setup menu. The Enter  
button is also used to adjust the subwoofer trim level. To adjust the subwoofer trim level,  
press the enter button then the Bass Up or Bass Down buttons.  
Source Input Buttons – Press the input button of the source that you wish to hear. Please note  
that In 6 is used for the front panel MP3 connection. In 9 and In 10 are the Multichannel inputs.  
Parasound Tuner Buttons – These buttons control the Parasound Halo T 3 Tuner. They select  
the FM or AM band and scroll up and down through station presets.  
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23  
FREQUENTLY ASKED QUESTIONS  
Why is there no sound from the speakers?  
- Is the AC power live? You should see a faint blue glow around the On-Off button and the  
P badge should glow faint red when the P 7 is turned off.  
- Check to see that the rear panel AC power switch is in its “on” position.  
- Check that input and output cables are secure at both ends.  
- Make sure your P 7 is switched to the correct input.  
What could cause the remote to not work?  
- Weak or dead batteries. (For information about battery recycling see www.Earth911.org)  
- Insure that the front panel IR receiver is not obscured or exposed to direct sunlight or to an LCD  
or a plasma TV screen.  
- IR signals might be received via the rear panel input jack and the front panel IR sensor. Insure  
that the IR signals are only reaching one of the two.  
- You are exceeding the maximum range of 25 feet or you are trying to operate the remote too  
far off-axis from the P 7’s front panel.  
I can hear a background hum from the speakers  
- Move audio cables and AC cords away from each other (while power is off).  
- Try to re-route audio cables and AC cords to be perpendicular to each other (while power is off).  
- Make sure insulating shoulder washers are used if P 7 is rack-mounted.  
- Reversing the direction of the other components’ AC plugs, one-by-one (while power is off).  
- Insure that the power amps and the P 7 are plugged into the same AC outlet.  
- The turntable ground wire must be attached to the GND terminal. In some rare cases, the hum  
might be reduced by disconnecting the turntable ground wire.  
The Sound is distorted and weak  
- Make sure the gain of the power amp is not set too low.  
- Are you trying to use the P 7 with a turntable? Make sure you have set the MM-MC phono  
selector switch to the correct cartridge type.  
- Make sure the stereo power amp’s stereo/mono switch is set to stereo.  
There is no sound from the subwoofer.  
- Make sure your subwoofer is turned on and the built in volume control is turned up full.  
- Check the connections from the P 7 Subwoofer output to your Subwoofer input.  
- Check the subwoofer level trim by pressing the Enter button on the remote control  
- Check the settings in the Setup menu of the P 7 under 2ch Bass Management to make sure  
the subwoofer is not turned off, for more information see page 17.  
- There is no bass management for the Multichannel inputs (Inputs 9 & 10). You must select the  
settings for the subwoofer on your source component (Blu-ray, DVD, SACD player, etc.).  
There is no sound from the surround and back speakers.  
- Make sure you are listening to a 5.1 or 7.1 channel source that is connected to Input 9 or 10.  
Stereo sources can only play through the Left speaker, Right speaker and Subwoofer.  
- Check the setting for Front/Rear balance by pressing the Status button on the remote control.  
If the Balance is set very high to the front you may not hear anything from the surround and  
back speakers.  
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24  
FREQUENTLY ASKED QUESTIONS  
I cannot adjust the Bass and Treble tone controls. The display shows “Tone Controls Off.”  
- The Tone controls are turned off. To re-activate the tone controls, press the Tone Bypass button  
on the remote control.  
I cannot adjust the Left/Right balance, the Front/Rear balance or the Subwoofer trim. The display  
shows “Trim Controls Off.”  
- The trim controls are turned off. To re-activate the trim controls, press the Cancel Trims button  
on the remote control.  
When I use one of the multichannel inputs the sound is very loud and cannot be turned down. The  
Display shows “Theater Bypass” instead of the volume level.  
- The multichannel input you have selected has been set for the Bypass mode. Go back to the  
Setup menu and change the Theater Bypass setting to “No.” When one of the Multichannel  
inputs is set to Bypass, it should never be connected directly to a source component (CD, DVD,  
SACD, HD disc player, etc.). The Theater Bypass Mode should only be used in conjunction with  
a surround sound receiver. The volume control on the surround sound receiver should be used  
to adjust the volume level when a Bypass input is selected. For more information on using the  
Bypass feature see page 11 and page 15.  
Should I Use Balanced or Unbalanced connections?  
Recording and broadcast studios use balanced connections almost exclusively because of bal-  
anced lines’ inherent ability to reject noise and hum, even when components are far apart and  
connected by long cables. Certain high-quality preamplifiers, amplifiers, and surround controllers  
built for residential use also include balanced connections with XLR jacks for the same reasons.  
The P 7’s balanced outputs enable you to take full advantage of the inherent noise-rejection  
capability and superior sound quality of Parasound Halo power amplifiers, especially when the  
power amplifiers are located near the speakers, far from the P 7. The balanced inputs on the P 7  
also insure the best possible analog connection to source components which are equipped with  
balanced outputs.  
We generally recommend balanced connections if your power amplifiers or source equipment  
are located more than 10 feet from your P 7. Many serious listeners prefer the sonic character-  
istics of balanced connections because their lower inherent noise floor contributes to a more  
defined and spacious soundstage.  
“Burning-in” Your P 7  
Like many other great high end preamplifiers, your P 7 should operate for at least 72 hours  
with music playing after it is first turned on before it will sound its best. Any volume level is ok.  
This gives various internal components and wiring a chance to “form” their optimum electron  
pathways so they can pass complex musical information with greater definition, smoothness and  
transparency. Although your P 7 will sound spectacular when you first turn it on, you will come  
to appreciate it even more as your listening hours accumulate. You’ll discover additional musical  
details you may not have known were present.  
Maintaining Your P 7  
Your P 7 requires no periodic maintenance and has no user-serviceable parts inside. To avoid risk  
of electric shock do not remove the top cover. To keep it clean use only a soft cloth moistened  
with a few drops of clear water or Windex. Never use any solvents or abrasives. The remote  
control handset batteries should be removed whenever it will be unused for an extended period.  
Remove the battery cover annually to inspect and remove leaking batteries.  
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25  
ARE YOU HAVING DIFFICULTY?  
Repair or Service  
Call your Parasound dealer first. If the dealer can’t help you with your problem we encourage you  
to call Parasound’s Technical Service Department, toll-free at 1-866-770-8324, Monday – Friday,  
8am – 4pm Pacific Time. We can suggest other diagnostic tests you can easily perform.  
If we determine that your P 7 should be returned to Parasound or an Authorized Parasound  
Warranty Center for inspection and possible servicing, we will provide the location of a warranty  
center near you or shipping instructions for the unit’s return to Parasound.  
Before You Return Any Unit to Parasound for Service  
Before you send your unit to Parasound, you will need to obtain a specific Return Authorization  
(RA) number and shipping instructions from Parasound’s Technical Department. The RA number  
must be clearly marked on the outer carton. Use the original factory packing materials and arrange  
adequate insurance to cover its value. You must include a copy of your purchase receipt, since this  
document establishes the validity of this unit’s warranty. Warranty repairs are only performed by  
Parasound or Parasound Authorized warranty centers when your purchase receipt is from a  
Parasound Authorized Dealer or Parasound Authorized Reseller.  
Shipments Will Be Refused by Parasound Under the Following Conditions:  
1. Unit was sent without the Parasound-assigned RA number marked on the carton.  
2. Unit was sent in an unsuitable shipping carton and is likely to have been damaged in transit.  
3. Unit has inadequate packing materials and is likely to have been damaged in transit.  
4. Unit was shipped collect for shipping charges. We do not accept collect shipments.  
5. Unit was shipped via the US Postal Service.  
6. Unit was sent to an address other than the address instructed by our Technical Department.  
Note: The Parasound Technical Department shipping address is not the same as Parasound’s office  
address. The Parasound office does not accept packages.  
Warranty Repair  
Read your accompanying Parasound Limited Warranty carefully to understand the applicable rights  
and limitations. This section provides instructions for obtaining repairs, both for units covered under  
the Parasound Limited Warranty and for units or situations which are outside the Warranty.  
Unit is not eligible for repair under the terms of the Parasound warranty if:  
1. Unit was not purchased from a Parasound Authorized Dealer.  
2. You do not have the original bill of sale or sales receipt from a Parasound Authorized Dealer.  
3. You are not the original owner. The Parasound warranty is not transferable.  
4. Unit’s serial number was removed, modified, or defaced.  
5. Unit shows evidence of abuse and/or misuse.  
6. Unit was modified in any way.  
7. A prior repair was attempted by an unauthorized repair station.  
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26  
P 7 SPECIFICATIONS  
Frequency Response  
XLR Pin Identification  
1 = Ground (Shield)  
2 = Positive  
5 Hz – 100 kHz, +0/-3 dB  
THD Distortion  
3 = Negative  
< 0.006% at 20 kHz  
AC Power Requirement  
S/N Ratio  
100 – 250 V 50 – 60 Hz  
> 110 dB, input shorted, IHF A-weighted  
(voltage is automatically selected)  
> 95 dB, input shorted, unweighted  
10 watts standby  
65 watts when turned on  
Crosstalk  
85 dB at 20 kHz  
Dimensions  
Width: 17-1/4” (437mm)  
Line Input Impedance  
Unbalanced: 14.2k
Ω
 
Balanced: 4.7k
Ω
per leg  
Depth: 13-3/4” (350mm)  
Height, with feet: 4-1/8” (105mm)  
Height, without feet: 3-1/2” (89mm)  
Phono Input Impedance  
MM setting: 47k
Ω  
MC setting: 100
Ω  
Weight  
Net: 13.5 lbs. (6.1 Kg)  
Shipping: 20.5 lbs. (9.3 Kg)  
Output Impedance  
Rack Mount Accessory  
Unbalanced: < 60
Ω  
HRA 2 (May be purchased separately)  
Balanced: < 60
Ω
per leg  
Input Sensitivity  
200 mV for 1 V output  
Total Gain: 14 db (Volume limiter set to 110)  
Maximum Output: 8 V (Vol. Limiter set to 110)  
Note: Specifications and features subject to change or improvement without notice.  
© 2008 Parasound Products, Inc. iPod, Crestron, AMX, Control4, Niles and Elan are registered trademarks. Rev. 0.9  
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27  
CONNECTION AND SETUP NOTES  
Notes:  
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