E
Digital Camera
EX-Z850
User’s Guide
Thank you for purchasing this CASIO
product.
• Before using it, be sure to read the
precautions contained in this User’s Guide.
• Keep the User’s Guide in a safe place for
future reference.
• For the most up-to-date information about
this product, visit the official EXILIM
Website at http://www.exilim.com/.
K844FCM1DMX
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INTRODUCTION
Monitor Screen Contents ........................................... 28
Contents
REC Modes
28
32
33
PLAY Mode
Changing the Contents of the Monitor Screen
2
INTRODUCTION
Attaching the Strap .................................................... 35
Power Requirements ................................................. 35
Unpacking .................................................................... 2
Features ..................................................................... 10
Precautions ................................................................ 14
Loading the Rechargeable Battery
To charge the battery
To replace the battery
Power Supply Precautions
Turning the Camera On and Off
Configuring Power Saving Settings
35
37
41
42
45
47
19 QUICK START GUIDE
Using the On-screen Menus ...................................... 48
Configuring Display Language and Clock Settings ... 51
First, charge the battery! ............................................ 19
To configure display language and clock settings ..... 20
To record an image .................................................... 21
To view a recorded image .......................................... 22
To delete an image..................................................... 22
To configure display language and clock settings
52
54 BASIC IMAGE RECORDING
Recording an Image ................................................... 54
Specifying the Recording Mode
Aiming the Camera
Recording an Image
54
55
56
23 GETTING READY
About This Manual ..................................................... 23
General Guide ............................................................ 24
Using the Optical Viewfinder...................................... 62
Using Zoom ................................................................ 63
Camera
24
27
Optical Zoom
Digital Zoom
63
65
USB Cradle
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3
INTRODUCTION
Using the Flash .......................................................... 67
Using Continuous Shutter .......................................... 97
Flash Unit Status
70
71
71
Using the Normal-Speed Continuous Shutter Mode
Using the High-Speed Continuous Shutter Mode
Using the Flash Continuous Shutter Mode
Using the Zoom Continuous Shutter Mode
25-shot Stop Action Images
98
99
99
Changing the Flash Intensity Setting
Using Flash Assist
100
Using the Self-timer ................................................... 73
Specifying Image Size ............................................... 76
Specifying Image Quality ........................................... 77
(Using the Multi Continuous Shutter Mode)
Continuous Shutter Precautions
101
102
Using the BEST SHOT Mode .................................. 103
Displaying Sample Scenes Individually
Creating Your Own BEST SHOT Setup
To delete a BEST SHOT user setup
105
106
108
79 OTHER RECORDING FUNCTIONS
Selecting the Focus Mode ......................................... 79
Reducing the Effects of Hand or Subject
Movement ................................................................. 108
Using Auto Focus
80
83
84
85
85
87
Using the Macro Mode
Using Pan Focus
Using the Infinity Mode
Using Manual Focus
Using Focus Lock
Shooting with High Sensitivity ..................................110
Recording Images of Business Cards and
Documents (Business Shot) ..................................... 111
Before recording with Business Shot
To use Business Shot
112
112
Exposure Compensation (EV Shift) ........................... 88
Adjusting White Balance ............................................ 89
Restoring an Old Photograph ...................................113
Configuring the White Balance Setting Manually
91
Before trying to restore an old photograph
To restore an old photograph
113
114
Specifying the Exposure Mode .................................. 92
Using Aperture Priority AE
92
94
96
97
Recording an ID Photo..............................................116
Using Shutter Speed Priority AE
Setting Exposure Settings Manually
Exposure Mode Recording Precautions
Printing an ID Photo
118
Recording a Movie ....................................................118
Specifying Movie Image Quality
Recording a Standard Movie (Movie Mode)
119
120
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4
INTRODUCTION
Instant Movie Setups
(MOVIE BEST SHOT Mode).................................... 123
150 PLAYBACK
Displaying MOVIE BEST SHOT Sample Scenes
Individually
Creating Your Own MOVIE BEST SHOT Setup
Recording a Short Movie
Recording a Past Movie
Basic Playback Operation ........................................ 150
124
125
126
129
Playing an Audio Snapshot
151
Zooming the Display Image ..................................... 152
Resizing an Image ................................................... 153
Cropping an Image................................................... 154
Keystone Correction ................................................ 156
Shooting with the REC Light .................................... 130
Recording Audio ....................................................... 131
Adding Audio to a Snapshot
Recording Your Voice
131
133
Using Color Restoration to Correct the Color
of an Old Photograph ............................................... 157
Using the Histogram ................................................ 134
REC Mode Camera Settings ................................... 137
Adjusting White Balance of a Recorded Image....... 159
Adjusting Image Brightness ..................................... 161
Playing and Editing a Movie .................................... 162
Assigning Functions to the [̇] and [̈] Keys
Turning the On-screen Grid On and Off
Turning Image Review On and Off
Using Icon Help
Specifying Power On Default Settings
Specifying ISO Sensitivity
Selecting the Metering Mode
Using the Filter Function
Specifying Outline Sharpness
Specifying Color Saturation
Specifying Contrast
137
138
139
139
140
142
143
145
145
146
146
147
148
Playing a Movie
Playing Back a Movie with Anti Shake
Editing a Movie
Capturing a Still Image from a Movie
(MOTION PRINT)
162
164
165
168
Displaying the 9-image View ................................... 170
Displaying the Calendar Screen .............................. 171
Playing a Slideshow ................................................. 172
Date Stamping Snapshots
Resetting the Camera
Using the Photo Stand Feature
174
Rotating the Display Image...................................... 175
Using the Shortcut Menu (EX Menu) ....................... 149
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5
INTRODUCTION
Adding Audio to a Snapshot .................................... 177
191 OTHER SETTINGS
To re-record audio
178
Configuring Sound Settings ..................................... 191
Playing Back a Voice Recording File ....................... 179
Displaying Camera Images on a TV Screen ........... 180
To configure sound settings
191
191
To set the confirmation tone volume level
To set the audio volume level for movie and audio
snapshot playback
Selecting the Video Output System
181
192
183 DELETING FILES
Specifying an Image for the Startup Screen ........... 192
Specifying the File Name Serial Number
Generation Method .................................................. 193
Deleting a Single File ............................................... 183
Deleting All Files ...................................................... 184
Setting the Clock ...................................................... 194
To select your Home Time zone
To set the current time and date
Changing the Date Format
194
195
195
185 FILE MANAGEMENT
Using World Time ..................................................... 196
Folders ..................................................................... 185
To display the World Time screen
To configure World Time settings
196
196
Memory Folders and Files
185
Protecting Files ........................................................ 186
Editing the Date and Time of an Image ................... 197
Changing the Display Language ............................. 198
Changing the Brightness of the Monitor Screen ..... 199
Changing the USB Port Protocol ............................. 200
To protect a single file
To protect all files in memory
186
187
Using the FAVORITE Folder .................................... 187
To copy a file to the FAVORITE folder
To display a file in the FAVORITE folder
To delete a file from the FAVORITE folder
To delete all files from the FAVORITE folder
187
189
190
190
Configuring [
] (REC) and [
] (PLAY) Power
On/Off Functions ...................................................... 201
Formatting Built-in Memory...................................... 202
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6
INTRODUCTION
203 USING A MEMORY CARD
220 VIEWING IMAGES ON A COMPUTER
Using a Memory Card .............................................. 204
Using the Camera with a Windows Computer ........ 220
Using the Camera with a Macintosh Computer....... 228
To insert a memory card into the camera
To replace the memory card
204
205
206
Using a Memory Card to Transfer Images to a
Formatting a Memory Card
Computer.................................................................. 233
Copying Files ........................................................... 207
To copy all the files in built-in memory to a
Memory Data ............................................................ 234
memory card
208
DCF Protocol
Memory Folder Structure
Image Files Supported by the Camera
234
235
236
To copy a specific file from a memory card to
built-in memory
209
210 PRINTING IMAGES
DPOF.........................................................................211
To configure print settings for a single image
To configure print settings for all images
212
213
Using PictBridge or USB DIRECT-PRINT ............... 214
Date Printing
218
PRINT Image Matching III ............................................ 219
Exif Print ................................................................... 219
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7
INTRODUCTION
238 USING THE CAMERA WITH A COMPUTER
259 APPENDIX
Using the Camera with a Windows Computer ........ 238
Menu Reference....................................................... 259
Indicator Lamp Reference ....................................... 262
Troubleshooting Guide ............................................. 265
Selecting the Software You Need
Computer System Requirements
Managing Images on a PC
Retouching, Reorienting, and Printing a Snapshot
Playing a Movie
238
240
242
245
247
250
252
252
252
If you have problems installing the USB driver...
Display Messages
270
271
Editing a Movie
Specifications ........................................................... 273
Viewing User Documentation (PDF Files)
User Registration
Exiting the Menu Application
Using the Camera with a Macintosh Computer....... 253
Selecting the Software You Need
Computer System Requirements
Managing Images on a Macintosh
Playing Back a Movie on your Macintosh
Viewing User Documentation (PDF Files)
To register as a camera user
253
254
255
256
258
258
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8
INTRODUCTION
IMPORTANT!
• Macintosh and QuickTime are trademarks of Apple
Computer, Inc.
• The contents of this manual are subject to change
without notice.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss resulting from
the use of this manual.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any loss or claims by third parties
which may arise due to the use or malfunction of the
EX-Z850.
• CASIO COMPUTER CO., LTD. shall not be held
liable for any damages or losses suffered by you or
any third party due to the use of Photo Loader and/or
Photohands.
• CASIO COMPUTER CO., LTD. assumes no
responsibility for any damage or loss caused by
deletion of data as a result of malfunction, repairs, or
battery replacement. Be sure to back up all important
data on other media to protect against its loss.
• Note that the example screens and product
illustrations shown in this User’s Guide may differ
somewhat by the screens and configuration of the
actual camera.
•
MultiMediaCard is a trademark of Infineon
Technologies AG of Germany, and licensed to the
MultiMediaCard Association (MMCA).
• Adobe and Reader are either registered trademarks
or trademarks of Adobe Systems Incorporated in the
United States and/or other countries.
• Ulead is a trademark of Ulead Systems,Inc.
• Other company, product and service names used
herein may also be trademarks or service marks of
others.
• Photo Loader and Photohands are the property of
CASIO COMPUTER CO., LTD. Except as stipulated
above, all copyrights and other related rights to these
applications revert to CASIO COMPUTER CO., LTD.
• The SD logo is a registered trademark.
• Windows, Internet Explorer, Windows Media, and
DirectX are registered trademarks of Microsoft
Corporation.
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9
INTRODUCTION
I LCD Panel
Features
The LCD panel is a product of the latest LCD
manufacturing technology that provides a pixel yield of
99.99%. This means that less than 0.01% of the total pixels
are defective (they do not turn on or always remain turned
on).
• 8.1 million effective pixels
The CCD provides 8.32 million total pixels for images of
outstanding resolution and detail.
• 2.5-inch TFT color LCD monitor screen
• 8.0MB built-in memory
Images can be recorded without using a memory card.
I Copyright Restrictions
Except for the purposes of your own personal enjoyment,
unauthorized copying of snapshot files, movie files, and
audio files violates copyright laws and international
contracts.
Distribution to third parties of such files over the Internet
without permission of the copyright holder, whether for
profit or for free, violates copyright laws and international
contracts.
• Bundled with a USB Cradle
The bundled USB cradle can be used to charge the
camera’s battery (page 37), to view images on a TV
screen (page 180), and to transfer images to a computer
(page 238). A Photo Stand feature lets you view images
while the camera is on the cradle (page 174).
• REC mode or PLAY mode power up (page 45)
Press [
] (REC) or [
] (PLAY) to turn on the camera
and enter the mode you want to use.
• AF assist light (page 59)
Improves auto focus accuracy when shooting under dim
lighting.
• 24X zoom (page 63)
3X optical zoom, 8X digital zoom
• Flash Assist (page 71)
This feature compensates when flash intensity is not
strong enough, so images are better illuminated.
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10
B
INTRODUCTION
• Triple Self-timer (page 73)
The self-timer can be set up to repeat three times,
automatically.
• Five continuous shutter modes (page 97)
In addition to normal-speed continuous shutter, you can
also select high-speed continuous shutter, flash
continuous shutter, zoom continuous shutter, or multi
continuous shutter.
• Auto Macro (pages 81, 83)
Auto Macro automatically switches to the macro mode
when the distance between the camera and subject it
shorter than the Auto Focus range.
• BEST SHOT (page 103)
Simply select one of a collection of built-in sample scenes
and the camera sets up for the scene you selected. It’s
the simple way to set up for beautiful snapshots quickly
and easily. New BEST SHOT sample scenes include
setups for High Sensitivity and Anti Shake.
• Quick Shutter (page 81)
When you press the shutter button all the way down
without pausing, the camera immediately records the
image without waiting for Auto Focus to be performed.
This helps to avoid missing a special moment while you
wait for the camera to Auto Focus.
• Business Shot (page 111)
Business Shot automatically corrects rectangular shapes
when recording the image of a business card, document,
whiteboard, or similar subjects from an angle.
• Auto Focus Area Selection (page 82)
When “
Multi” is selected for the Auto Focus area, the
camera takes simultaneous meter readings at nine
different points and automatically selects the best one.
• Restoring an Old Photograph (page 113)
You can use the procedure in this section to restore an
old, faded photograph with the color provided by modern
digital camera technology.
• Three exposure modes (page 92)
Three exposure modes control aperture and shutter
speed: aperture priority AE (A mode), shutter speed
priority AE (S mode), and manual exposure (M mode).
• ID Photo Feature (page 116)
After recording a portrait, you can print a page that
contains a number of different versions in standard ID
photo dimensions.
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11
INTRODUCTION
• Movie recording with audio (page 118)
• Keystone Correction (page 156)
VGA size, 30 fps, MPEG-4 format
A simple operation corrects for keystoning, which occurs
when you record the image of a blackboard or poster from
an angle.
• A choice of movie recording functions (page 118)
In addition to a Movie mode for normal movie recording,
you can also use the MOVIE BEST SHOT mode to select
one of the built-in sample movie scenes for setup for the
scene you selected. MOVIE BEST SHOT scenes include
“Short Movie” (for recording short-burst movies) and “Past
Movie” (whose recording starts from about five seconds
before the shutter button is pressed).
• Color Correction (page 157)
Simply record the image of an old photograph to restore
its colors.
• Built-in Image Editing Functions
Simple operations let you change the white balance
(page 159) and brightness (page 161) of images after
they are recorded.
• Audio Snapshot mode (page 131)
Use this mode to record snapshots that also include
audio.
• MOTION PRINT (page 168)
Capture frames from a movie and create still images that
• Voice Recording (page 133)
are suitable for printing.
Quick and easy recording of voice input.
• Calendar screen (page 171)
• Real-time RGB histogram (page 134)
An on-screen histogram lets you adjust exposure as you
view the effect on overall image brightness, which makes
shooting under difficult lighting conditions easier than
ever before.
A simple operation displays a full-month calendar on the
camera’s monitor screen. Each day of the full-month
calendar shows a thumbnail of the first file recorded for
that date, which helps to make searching for a particular
file quicker and easier.
• EX Menu (page 149)
• World Time (page 196)
EX Menu gives you short-cut menu access to four
frequently-used settings.
A simple operation sets the current time for your current
location. You can select from among 162 cities in 32 time
zones.
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12
INTRODUCTION
• Support for SD memory cards and MMC (MultiMedia
Cards) for memory expansion (page 203)
• Bundled with Photo Loader and Photohands
(pages 242, 245, 255)
Your camera comes bundled with Photo Loader, the
popular application that automatically loads images from
your camera to your PC. It also comes with Photohands,
and application that makes image retouching quick and
easy.
• Digital Print Order Format (DPOF) (page 211)
Images can be printed easily in the sequence you want
using a DPOF compatible printer. DPOF can also be used
when specifying images and quantities for printing by
professional print services.
• PictBridge and USB DIRECT-PRINT support
(page 214)
Connect directly to a PictBridge or USB DIRECT-PRINT
compatible printer and you can print images without going
through a computer.
• PRINT Image Matching III Compatible (page 219)
III
Images include PRINT Image Matching
setting and other camera setup information). A printer that
III
data (mode
supports PRINT Image Matching
reads this data and
adjusts the printed image accordingly, so your images
come out just the way you intended when you recorded
them.
• DCF Data Storage (page 234)
DCF (Design rule for Camera File system) data storage
protocol provides image compatibility between the digital
camera and printers.
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13
INTRODUCTION
• Never fire the flash while it is too close to the subject’s
eyes. Intense light from the flash can cause eye damage
if it is fired too close to the eyes. This is especially true
with young children. When using the flash, the camera
should be at least one meter (3.3´) from the eyes of the
subject.
Precautions
ꢀ General Precautions
Be sure to observe the following important precautions
whenever using the EX-Z850.
• Keep the camera away from water and other liquids, and
never let it get wet. Moisture creates the risk of fire and
electric shock. Never use the camera outdoors in the rain
or snow, at the seashore or beach, in the bathroom, etc.
• Should foreign matter or water ever get into the camera,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock.
• Should you ever notice smoke or a strange odor coming
out of the camera, immediately turn it off. Next, taking
care you do not burn your fingers, remove the camera’s
battery and/or unplug the AC adaptor power cord from the
power outlet, and contact your dealer or nearest CASIO
authorized service center. Using the camera under these
conditions creates the risk of fire and electric shock. After
making sure there is no more smoke coming from the
camera, take it to your nearest CASIO authorized service
center for repair. Never attempt your own maintenance.
All references in this manual to “camera” refer to the
CASIO EX-Z850 Digital Camera.
• Never try to take pictures or use the built-in display while
operating a motor vehicle or while walking. Doing so
creates the risk of serious accident.
• Never try to open the case of the camera or attempt your
own repairs. High-voltage internal components create the
risk of electric shock when exposed. Always leave
maintenance and repair work up to a CASIO authorized
service center.
• Keep the small parts and accessories of this camera out
of the reach of small children. If swallowed accidentally,
contact your physician immediately.
• Never fire the flash in the direction of a person operating
a motor vehicle. Doing so can interfere with the driver’s
vision and create the risk of accident.
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14
INTRODUCTION
• Never use the AC adaptor to power any other device
besides this camera. Never use any other AC adaptor
besides the one that comes with this camera.
• Never cover the AC adaptor with a quilt, blanket, or other
cover while it is in use, and do not use it near a heater.
• At least once a year, unplug the AC adaptor power cord
from the power outlet and clean the area around the
prongs of the plug. Dust build up around the prongs can
create the risk of fire.
• Never open the battery cover, disconnect the AC adaptor
from the camera, or unplug the AC adaptor from the wall
socket while an image is being recorded. Doing so will not
only make storage of the current image impossible, it can
also corrupt other image data already stored in file
memory.
• If the camera’s case should ever become cracked due to
dropping it or otherwise subjecting it to rough treatment,
immediately turn it off. Next, remove the camera’s battery
and/or unplug the AC adaptor power cord from the power
outlet, and contact your dealer or nearest CASIO
authorized service center.
• Never use the camera inside of an aircraft or in any other
area where its use is prohibited. Doing so creates the risk
of accident.
• Physical damage and malfunction of this camera can
cause the data stored in its memory to be deleted. Always
keep backup copies of data by transferring them to
personal computer memory.
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15
INTRODUCTION
ꢀ Test for proper operation before using the
ꢀ Data Error Precautions
camera!
• Your digital camera is manufactured using precision
digital components. Any of the following creates the risk
of corruption of data in file memory.
Before using the camera to record important images, make
sure you first record a number of test images and check the
results to ensure that the camera is configured correctly
and operating properly.
— Removing the battery or memory card, or setting the
camera onto the USB cradle while the camera is
performing a record or memory access operation
— Removing the battery, removing the memory card, or
placing the camera onto the USB cradle while the
green operation lamp is still flashing after you turn off
the camera
— Disconnecting the USB cable, removing the camera
from the USB cradle, or disconnecting the AC adaptor
from the USB cradle while a data communication
operation is being performed
— Low battery power
— Other abnormal operations
Any of the above conditions can cause an error message to
appear on the monitor screen (page 271). Follow the
instructions provided by the message to eliminate the
cause of the error.
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16
INTRODUCTION
ꢀ Operating conditions
ꢀ Condensation
• This camera is designed for use in temperatures ranging
from 0°C to 40°C (32°F to 104°F).
• When you bring the camera indoors on a cold day or
otherwise expose it to a sudden change of temperature,
there is the possibility that condensation can form on the
exterior or on interior components. Condensation can
cause malfunction of the camera, so you should avoid
exposing it to conditions that might cause condensation.
• To keep condensation from forming, place the camera
into a plastic bag before moving it into a location that is
much warmer or colder than your current location. Leave
it in the plastic bag until the air inside the bag has a
chance to reach the same temperature as the new
location. If condensation does form, remove the battery
from the camera and leave the battery cover open for a
few hours.
• Do not use or keep the camera in the following areas.
— In areas subject to direct sunlight
— In areas subject to high humidity or dust
— Near air conditioners, heaters, or other areas subject
to temperature extremes
— Inside of a closed vehicle, especially one parked in the
sun
— In areas subject to strong vibration
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17
INTRODUCTION
ꢀ Power Supply
ꢀ Caring for your camera
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type of
battery is not supported.
• This camera does not have a separate battery for the
clock. The date and time will reset whenever the camera
is not supplied power by the battery and/or the USB
cradle for about 24 hours. Be sure to reconfigure these
settings after power is interrupted (page 194).
• Fingerprints, dust, or any other soiling of the lens can
interfere with proper image recording. Never touch the
lens with your fingers. You can remove dust particles
from the lens surface by using a lens blower to blow them
off. Next, wipe the surface of the lens with a soft lens
cloth.
• Fingerprints, dirt, and other foreign matter on the flash
can interfere with proper operation of the camera. Avoid
touching the flash. If the flash becomes dirty, wipe it clean
with a soft, dry cloth.
ꢀ Lens
• If the exterior of the camera needs cleaning, wipe it with a
soft, dry cloth.
• Never apply too much force when cleaning the surface of
the lens. Doing so can scratch the lens surface and cause
malfunction.
• You may sometimes notice some distortion in certain
types of images, such as a slight bend in lines that should
be straight. This is due to the characteristics of lens, and
does not indicate malfunction of the camera.
ꢀ Other
• The camera may become slightly warm during use. This
does not indicate malfunction.
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18
QUICK START GUIDE
First, charge the battery!
1. Load the battery into the camera
(page 35).
2. Place the camera onto the USB cradle to charge the
battery (page 37).
• Note that the shape of the AC adaptor depends on the area where
you purchased the camera.
• It takes about 180 minutes to achieve a full charge.
1
1 Inlet Type
2
2
Stopper
1 Plug-in Type
[CHARGE] lamp
Charging: Lights red
Charging Complete: Lights green
3
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19
QUICK START GUIDE
To configure display language and clock settings
• Be sure to configure the following settings before
using the camera to record images.
See page 51 for details.
1. Press the power button to turn on the camera.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 198) or clock (page 194) settings.
2. Use [̆], [̄], [̇], and [̈] to select the language
you want.
3. Press [SET] to register the language setting.
4. Use [̆], [̄], [̇], and [̈] to select the geographical
1
area you want, and then press [SET].
5. Use [̆] and [̄] to select the city you want, and
then press [SET].
6. Use [̆] and [̄] to select the summer time (DST)
setting you want, and then press [SET].
7. Use [̆] and [̄] to select the date format setting
2, 3, 4, 5, 6, 7, 8, 9
you want, and then press [SET].
[̆]
8. Set the date and the time.
[̇]
[̄]
[̈]
[SET]
9. Press [SET] to register the clock settings and exit
the setting screen.
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20
C
QUICK START GUIDE
To record an image
See page 54 for details.
Snapshot mode icon
1. Press [ ] (REC).
• This enters the REC (recording) mode.
Green operation lamp
1
2. Align the mode dial with “ ” (Snapshot mode).
3
3. Point the camera at the subject, use the monitor
screen or viewfinder to compose the image, and
then press the shutter button half way.
4
Focus frame
• When the camera finishes its Auto Focus operation, the
focus frame will turn green and the green operation lamp
lights.
4. Holding the camera still, gently press the shutter
button all the way down.
2
Before using a commercially available memory
card, be sure to first format it using the camera’s
formatting procedure. For details about formatting
a memory card, see page 206.
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21
QUICK START GUIDE
To view a recorded image
To delete an image
See page 150 for details.
See page 183 for details.
1
1
2
2, 3, 4, 5
1. Press [ ] (PLAY).
1. Press [ ] (PLAY).
2. Press [̄] ( ).
• This enters the PLAY (playback) mode.
2. Use [̇] and [̈] to scroll through the
3. Use [̇] and [̈] to display the image you want to
images.
delete.
4. Use [̆] and [̄] to select “Delete”.
• To exit the image delete operation without deleting anything,
select “Cancel”.
5. Press [SET] to delete the image.
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22
GETTING READY
This section contains information about things you need to
know about and do before trying to use the camera.
This term as used in this
manual:
Means this:
“a REC mode”
The currently selected
recording mode (Snapshot,
BEST SHOT, Movie, MOVIE
BEST SHOT, Voice Recording)
About This Manual
This section contains information about the conventions
used in this manual.
“digital noise”
Tiny flecks or “snow” in a
recorded image or on the
monitor screen, which makes
the image look grainy.
I Terminology
The following table defines the terminology used in this
manual.
I Button Operations
Button operations are indicated by the button name inside
of brackets ([ ]).
This term as used in this
Means this:
manual:
“camera”
The CASIO EX-Z850 Digital
Camera
I On-screen Text
On-screen text is always enclosed by double quotation
marks (“ ”).
“file memory”
The location where the
camera is currently storing
images you record (page 56)
“battery”
“charger”
The NP-40 Rechargeable
Lithium Ion Battery
I Supplementary Information
•
IMPORTANT!
indicates very important
The optionally available CASIO
BC-30L charger
information you need to know in order to use the camera
correctly.
•
NOTE
indicates information that is useful when
operating the camera.
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23
GETTING READY
I File Memory
General Guide
The term “file memory” in this manual is a general term that
refers to the location where your camera is currently storing
the images you record. File memory can be any one of the
following three locations.
The following illustrations show the names of each
component, button, and switch on the camera.
Camera
• The camera’s built-in flash memory
• An SD memory card loaded in the camera
• A MultiMediaCard loaded in the camera
I Front
For more information about how the camera stores images,
see page 235.
2 3 4 5 6
1
8
7
1 Zoom controller
2 Shutter button
3 Power button
4 Flash
6 Finder
7 Lens
8 Microphone
5 AF assist light/REC light/
self-timer lamp
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24
GETTING READY
I Back
I Side
J Speaker
K [ ] (Continuous
shutter) button
L [EX] button
9 0 AB
C
J
K
L
D
E
[̆]
[̇]
[̄]
[̈]
I
H
[SET]
G
F
9 Finder
F [̆][̄][̇][̈]
0 Operation lamp
A [ ] (PLAY mode)
button
G [DISP] button
H [MENU] button
I Monitor Screen
B [ ] (REC mode)
button
C Mode dial
D Strap ring
E [SET] button
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25
GETTING READY
I Bottom
M Stopper
N Memory card slot
O Battery compartment
P Battery cover
Q Connector
R Tripod screw hole
* Use this hole when attaching to a tripod.
M
R
Q
P
ON
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26
GETTING READY
I Front
USB Cradle
Simply placing your CASIO digital camera onto the USB
cradle lets you perform the following tasks.
2
1
3
1 Camera connector
2 [USB] lamp
3 [USB] button
4 [CHARGE] lamp
5 [PHOTO] button
• Battery charging (page 37)
• Viewing of images using the Photo Stand slideshow
feature (page 174).
• TV connectability for viewing of images on a television
screen (page 180).
• Direct connection to a printer for printing (page 215)
• Automatic transfer of images to a computer (page 220)
5
4
IMPORTANT!
• Use only the USB cradle (CA-31) that comes with the
camera. Other USB cradles are not supported.
I Back
6 [DC IN 5.3V]
(AC adaptor connector)
7 [ ] (USB port)
8 [AV OUT]
(AV output port)
6
7
8
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27
GETTING READY
Monitor Screen Contents
The monitor screen uses various indicators and icons to keep you informed of the camera’s status.
• Note that the example screens in this chapter are for illustrative purposes only. They do not exactly match the screen
contents actually produced on the camera.
REC Modes
1 Flash mode indicator
(page 67)
•
•
appears only during
movie recording.
When you select Auto Focus
4 Continuous Shutter
mode (page 97)
Single shot
I Screen Indicators
1234567 8 9
None Auto Flash
with Key Customize (page
137),
appears only
Flash Off
Normal-speed
Continuous Shutter
briefly, and then disappears
from the display.
Flash On
0
A
F
E
High-speed
Continuous Shutter
High-power Flash
Soft Flash
3 White balance indicator
Flash Continuous
Shutter
(page 89)
Red-eye reduction
D
Auto
AWB
Zoom Continuous
Shutter
•
If the camera detects that flash
is required while auto flash is
selected, the flash on indicator
will appear when the shutter
button is pressed half way.
Z
Daylight
Cloudy
Shade
B
Multi Continuous
Shutter
C
5 Self-timer (page 73)
Day White
Daylight
2 Focus mode indicator
(page 79)
Auto Focus
None 1-Image
Self-timer 10 sec
10
s
Tungsten
Manual
Self-timer 2 sec
Triple self-timer
Macro
2
s
Pan Focus
•
When you select Auto with
Key Customize (page 137),
appears only briefly,
and then disappears from the
x3
Infinity
AWB
Manual Focus
display.
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28
GETTING READY
NOTE
6 REC modes (page 54)
0 • Snapshots: Image quality
(page 77)
Snapshot
• Changing the setting of any one of the following
functions will cause Icon Help (page 139) text to
appear on the monitor screen. You can turn off Icon
Help if you want.
— Focus mode, White balance, Self-timer, Metering,
REC modes
F : Fine
N : Normal
BEST SHOT
E : Economy
• Movies: Image quality
(page 119)
Aperture Priority AE
Shutter Speed Priority AE
Manual Exposure
Movie
HQ
NORMAL : Normal
LP : Long Play
: High Quality
— EX menu screen (page 149) image size, white
balance, AF area
MOVIE BEST SHOT
Short Movie
A REC Light indicator
(page 130)
Past Movie
Auto
Audio Snapshot
Voice Recording
On
None Off
•
and
appear when you
select the “Short Movie” or
“Past Movie” MOVIE BEST
SHOT scene (page 123).
B Date and time
(page 194)
7 Metering mode indicator
(page 143)
C Battery capacity
(page 40)
None Multi
D Histogram (page 134)
Center Weighted
Spot
E Anti Shake indicator
(page 108)
8 • Snapshots: Image size
(page 76)
F Focus frame
• Movies: Recording time
(page 121)
(page 57)
•
•
Focusing complete: Green
Focusing failed: Red
9 • Snapshots: Memory capacity
(pages 58, 273)
• Movies:
Remaining recording time
(page 120)
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29
GETTING READY
I Exposure Panel
G
The exposure panel is an area in the lower right corner of
the REC modes monitor screen that shows various
adjustable parameters. You can also use the exposure
panel to adjust exposure settings.
H
I
J
Exposure
Panel
K
G Digital zoom indicator (page 65)
H ISO sensitivity (page 142)
• The following explains the items that appear on the
exposure panel. Note that the current REC mode
determines which items appear.
I Aperture value (pages 31, 58, 93, 96)
J Shutter speed value (pages 31, 58, 95, 96)
K Zoom indicator (page 65)
•
•
Left side indicates optical zoom.
Right side indicates digital zoom.
NOTE
• An out of range shutter speed, aperture, or ISO
sensitivity setting causes the corresponding monitor
screen value to turn amber.
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30
GETTING READY
1 Aperture value (pages 93, 96)
Use this item to adjust the aperture.
• The aperture value is displayed in the
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “M”
(manual exposure).
3 EV shift (exposure compensation value)
(page 88)
Use this item to adjust the exposure
compensation (EV shift) value.
• The EV shift value appears in the
exposure panel when the mode dial is
set to “A” (aperture priority AE) or “S”
(shutter speed priority AE). The EV
shift value also appears when the
mode dial is set to any setting other
than “M” (manual exposure) when “EV
Shift” is assigned as the “L/R Key”
function (page 137).
Aperture value
Shutter speed
EV shift
2 Shutter speed (pages 95, 96)
Use this item to adjust the shutter
speed.
• The shutter speed is displayed in the
exposure panel when the mode dial is
set to “S” (shutter speed priority AE) or
“M” (manual exposure).
4 Manual Focus (MF) setting (page 85)
Use this item for adjust focus
manually.
• The manual focus setting item is
displayed in the exposure panel
when manual focus is selected
MF setting
(indicated by “
screen) using [̆] (
” on the monitor
).
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31
GETTING READY
5 • Snapshots: Image Size
PLAY Mode
Day White
Daylight
(page 76)
12
3
• Movies: Image quality
(page 119)
Tungsten
Manual
HQ
NORMAL : Normal
LP : Long Play
: High Quality
4
5
6
7
8
9
F
E
B Flash mode indicator
(page 67)
6 ISO sensitivity (page 142)
7 Aperture value
Flash On
(pages 58, 93, 96)
Flash Off
8 Shutter speed value
High-power Flash
Soft Flash
(pages 58, 95, 96)
D
C B A 0
Red-eye reduction
9 Date and time (page 194)
C REC modes (page 54)
Snapshot
0 Metering mode indicator
1 PLAY mode file type
Snapshot
3 Folder name/File name
(page 143)
(page 185)
Example : When a file named
CIMG0023.JPG is stored in a folder
named 100CASIO
BEST SHOT
Multi
Movie
Center Weighted
Spot
MOVIE BEST SHOT
Short Movie
D Battery capacity
(page 40)
100-0023
Past Movie
A White balance indicator
Folder name File name
E Histogram (page 134)
F EV value (page 88)
Audio Snapshot
Voice Recording
(pages 89, 159)
4 • Snapshots: Image quality
(page 77)
Auto
AWB
F : Fine
N : Normal
E : Economy
Daylight
Cloudy
Shade
2 Image protection
indicator (page 186)
• Movies: Recording time (page 121)
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32
GETTING READY
IMPORTANT!
Changing the Contents of the Monitor
Screen
Each press of [DISP] changes the contents of the monitor
screen as shown below.
• Some information may not display properly if you
display an image that was recorded using a different
digital camera model.
I REC Modes
Indicators on
Histogram on
Monitor screen off
Indicators off
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33
GETTING READY
IMPORTANT!
I PLAY Mode
• Pressing [DISP] will not change monitor screen
contents during standby or recording of an audio
snapshot.
• The monitors screen cannot be turned off while the
camera is in a REC mode using a BEST SHOT
scene or with movie recording paused.
• Pressing [DISP] in the Voice Recording REC mode
toggles the monitor screen on (“indicators on”) and
off. While a Voice Recording file is displayed in the
PLAY mode, pressing [DISP] toggles between
“indicators on” and “indicators off”.
Indicators on
Histogram/Details on
• When playing back the content of a Voice Recording
file while “indicators off” is selected (Voice Recording
file icon only on the monitor screen), the monitor
screen will go black about two seconds after you
press [SET] to start playback. The Voice Recording
file icon (indicators off) will reappear after playback is
complete.
Indicators off
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34
GETTING READY
Attaching the Strap
Power Requirements
Attach the strap to the strap ring as shown in the
illustration.
Your camera is powered by a rechargeable lithium ion
battery (NP-40).
Loading the Rechargeable Battery
1. Slide the battery cover in the direction
indicated by the arrow, and then swing it
open.
Strap ring
IMPORTANT!
• Be sure to keep the strap around your wrist when
using the camera to protect against accidentally
dropping it.
• The supplied strap is intended for use with this
camera only. Do not use it for any other purpose.
• Never swing the camera around by the strap.
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35
GETTING READY
2. Orienting the battery with its ̆ mark pointing
towards the battery compartment, push the
stopper out of the way with the side of the
battery as you load it into the camera.
3. Swing the battery cover closed, and then slide
it in the direction indicated by the arrow.
Stopper
IMPORTANT!
NP-40
• Use only the special NP-40 rechargeable lithium ion
battery to power this camera. Use of any other type
of battery is not supported.
• Push the bottom of the battery, and make sure that
the stopper securely locks the battery in place.
The battery is not fully charged when you use the
camera for the first time after purchasing it. You need
to charge the battery before using the camera for the
first time.
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36
GETTING READY
NOTE
To charge the battery
• The bundled AC adaptor is designed for operation
with any power supply in the range of 100V to 240V
AC. Note, however, that the shape of the AC power
cord plug varies according to country or geographic
area. If you plan to use the AC adaptor in a
geographic area where the power receptacle shape
is different from that in your area, replace the AC
power cord with one of the other ones that comes
with the camera, or purchase a commercially
available AC power cord that is compatible with the
power outlets in that area.
1. Connect the bundled AC adaptor to the [DC IN
5.3V] connector of the USB cradle, and then
plug it in to a household power outlet.
• Note the shape of the AC adaptor depends on the
area where you purchased the camera.
USB Cradle
[DC IN 5.3V]
• Never use the AC adaptor with a voltage converter.
AC Adaptor
USB Cradle
AC Adaptor
AC power cord
[DC IN 5.3V]
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37
GETTING READY
NOTE
• The [CHARGE] lamp on the USB cradle should turn
red, indicating that charging has started. When
charging is complete, the [CHARGE] lamp will turn
green.
• The AC adaptor is designed for operation on power
ranging from 100V AC to 240V AC. Note, however,
that the shape of the power cord plug varies
according to country or geographic area. It is up to
you to find out if the shape of the AC adaptor power
cord plug is compatible with local power outlets when
traveling abroad.
• It takes about 180 minutes to achieve a full charge.
Actual charging time depends on current battery
capacity and charging conditions.
• Never use the AC adaptor with a voltage converter.
4. After charging is complete, remove the
camera from the USB cradle.
2. Turn off the camera.
3. With the camera
positioned with the
monitor screen
facing forward as
shown in the
illustration, place it
onto the USB cradle.
• Do not place the camera
onto the USB cradle
while it is turned on.
[CHARGE] lamp
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GETTING READY
IMPORTANT!
• If the [CHARGE] lamp starts flashing red, it means
that an error occurs while charging. An error can be
caused by any of the following: a problem with the
USB cradle, a problem with the camera, or a problem
with the battery or how it is loaded. Remove the
camera from the USB cradle and see if it works
normally.
• The only operations that can be performed while the
camera is on the USB cradle are: battery charging,
Photo Stand, image output to a TV, and USB data
communication.
• Use only the USB cradle (CA-31) that comes with the
camera or the optionally available charger (BC-30L)
to charge the special NP-40 rechargeable lithium ion
battery. Never use any other charging device.
• Use only the bundled AC adaptor. Never use any
other type of AC adaptor. Do not use optionally
available AD-C30, AD-C40, AD-C620 and AD-C630
AC adaptors with this camera.
• Make sure that the camera connector of the USB
cradle is securely inserted into the camera’s
connector as far as it will go.
• The [CHARGE] lamp may remain amber colored and
the charge operation may not start right away if you
try to charge immediately after using the camera
(which causes battery to become warm) or when it is
too hot or too cold where you are performing the
charge operation. If this happens, simply wait until
the battery reaches normal temperature. The
[CHARGE] lamp will turn red and charging will start
when the battery temperature returns to the
allowable charging temperature range.
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39
GETTING READY
I If the camera does not work normally
I Low Battery Indicator
This can mean there is a problem with how the battery is
loaded. Perform the following steps.
The following shows how the battery capacity indicator on
the monitor screen changes as battery power is used. The
indicator means that remaining battery power is low.
Note that you will not be able to record images while the
1. Remove the battery from the camera and
check the battery contacts for dirt. If the
contacts are dirty, wipe them clean with a dry
cloth.
battery indicator is
. Charge the battery immediately
whenever either of these indicators appears.
Battery Level
Indicator
High
Low
2. Check to make sure that the AC adaptor’s
power cord is connected securely to the
power outlet and USB cradle.
IMPORTANT!
• If the same symptoms occur again when you place
the camera on the USB cradle after taking the above
steps, contact a CASIO authorized service center.
• See page 277 for information about battery life.
• Due to differences in the power requirements of each
mode, the battery indicator may show a lower level in
the PLAY mode than what it shows in a REC mode.
This is normal, and does not indicate malfunction.
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GETTING READY
I Tips to Make the Battery Last Longer
To replace the battery
• If you do not need the flash while recording, select
(flash off) for the flash mode. See page 67 for more
information.
1. Open the battery cover.
• Enable the Auto Power Off and the Sleep features (page
47) to protect against wasting battery power when you
forget to turn off the camera.
• Use the “0” monitor screen brightness setting to consume
less power (page 199).
2. Pull the stopper in the direction indicated by
the arrow.
• This will cause the battery to come part way out of
the slot.
Stopper
3. Release the stopper and pull the battery from
the camera.
• Take care so you do not drop the battery.
4. Load a new battery into the camera (page 35).
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GETTING READY
• Failure to observe any of the following precautions
while using the battery creates the risk of overheating,
fire, and explosion.
— Never use any other type of charger except the
optional charger specified for the battery.
— Never try to use the battery to power any device
other than this camera.
— Never use or leave the battery near open flame.
— Never place the battery in a microwave oven, throw
it into fire, or otherwise expose it to intense heat.
— Make sure the battery is oriented correctly when
you load it into the camera or attach it to the
optional charger.
— Never carry or store the battery together with items
that can conduct electricity (necklaces, pencil lead,
etc.)
Power Supply Precautions
Note the following precautions when handling or using the
battery and the optional charger.
I Battery Handling Precautions
G SAFETY PRECAUTIONS
Be sure to read the following Safety Precautions before
using the battery for the first time.
NOTE
• The term “battery” in this manual refers to the CASIO
NP-40 Rechargeable Lithium Ion Battery.
• Use only the USB cradle (CA-31) that comes with the
camera or the optionally available charger (BC-30L)
to charge the special NP-40 rechargeable lithium ion
battery. Never use any other charging device.
— Never try to take the battery apart, modify it in any
way, or expose it to strong impact.
— Do not immerse the battery in fresh water or salt
water.
— Do not use or leave the battery under direct
sunlight, in an automobile parked in the sun, or in
any other area subject to high temperatures.
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GETTING READY
• Should you ever notice any of the following conditions
while using, charging, or storing a battery, immediately
remove it from the camera or charger, and keep it away
from open flame:
— Fluid leaking
— Emission of a strange odor
— Heat emission
— Battery discoloration
— Battery deformation
— Any other battery abnormality
• If the battery does not achieve full charge after the
normal charging time has passed, stop charging.
Continued charging creates the risk of overheating, fire,
and explosion.
• Battery fluid can damage your eyes. Should battery
fluid get into your eyes accidentally, immediately rinse
them with clean tap water and then consult a physician.
• Be sure to read page 37 of this User’s Guide and the
instructions that come with the optional charger before
using or charging the battery.
G PRECAUTIONS DURING USE
• The battery is designed for use with this CASIO digital
camera only.
• Use only the USB cradle that comes with the camera or
the specified optional charger to charge the battery.
Never use any other type of charger for charging.
• Use of a battery in cold environments shortens the
operating time you can expect on a full charge. Charge
the battery in a location where the temperature is in the
range of 10°C to 35°C (50°F to 95°F). Charging outside
this temperature range can cause charging to take
longer than normal or even cause charging to fail.
• Very limited operation following a full charge indicates
that the battery has reached the end of its service life.
Replace the battery with a new one.
• Never wipe the battery with thinner, benzene, alcohol,
or other volatile agents or chemically treated rags.
Doing so can cause deformation of the battery and lead
to malfunction.
• If the battery is to be used by young children, make
sure that a responsible adult makes them aware of the
precautions and proper handling instructions and make
sure that they handle the battery correctly.
• Should fluid from the battery accidentally get onto
clothing or your skin, immediately rinse it off with clean
tap water. Prolonged contact with battery fluid can
cause skin irritation.
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43
GETTING READY
G BATTERY STORAGE PRECAUTIONS
I USB Cradle and AC Adaptor Precautions
• Make sure you remove the battery from the camera
when you do not plan to use it for a long time. A battery
left in the camera discharges very small amounts of
power even when power is turned off, which can lead to
a dead battery or the need for longer charging before
the next use.
• Never use an electrical outlet whose voltage
is outside the rating marked on the AC
adaptor. Doing so can create the risk of fire or
electric shock. Use only the AC adaptor
bundled with this camera.
• Do not allow the AC adaptor cord to become
cut or damaged, do not place heavy objects
on it, and keep it away from heat. A damaged
power cord creates the risk of fire and electric
shock.
• Store the battery in a cool, dry place (20°C (68°F) or
lower).
G USING THE BATTERY
• Never try to modify the AC adaptor cord, or
subject it to severe bending, twisting, or
pulling. Doing so creates the risk of fire and
• See page 37 of this manual or the instructions that
come with the optional charger for information about
charging procedures and charging times.
• When transporting a battery, keep it either loaded in
the camera or stored in its case.
Caution!
electric shock.
• Never touch the AC adaptor while your hands
are wet. Doing so creates the risk of electric
shock.
• Do not overload extension cords or wall
outlets. Doing so creates the risk of fire and
electric shock.
• Should the cord of the AC adaptor become
damaged (exposed internal wiring), contact
your dealer or nearest CASIO authorized
service center. A damaged AC adaptor cord
creates the risk of fire or electric shock.
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GETTING READY
• Use the AC adaptor where it will not be
Turning the Camera On and Off
splashed with water. Water creates the risk of
fire and electric shock.
I To turn on the camera
• Do not place a vase or any other container
filled with liquid on top of the AC adaptor.
Water creates the risk of fire and electric
shock.
Press the power button, [
] (REC) or [
] (PLAY). The
Caution!
green operation lamp will light momentarily, and then
power will turn on. The mode the camera enters depends
on which button you pressed to turn it on.
• Make sure you always remove the camera from the USB
cradle before connecting or disconnecting the AC
adaptor.
To enter this mode at
Press this button to turn on the camera:
startup:
• Charging, USB data communication, and using the Photo
Stand feature can cause the AC adaptor to become
warm. This is normal and does not indicate malfunction.
• Unplug the AC power cord from the power outlet
whenever you are not using it.
REC
Power button or [
[ ] (PLAY)
] (REC)
PLAY
Power button
Green operation lamp
• Never place a blanket or any other cover on the AC
adaptor. Doing so creates the risk of fire.
[
] (PLAY)
] (REC)
[
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45
GETTING READY
NOTE
I To turn off the camera
• Pressing [
the REC mode, while pressing [
] (REC) to turn on the camera enters
] (PLAY) enters
Press the power button to turn off the camera.
the PLAY mode.
NOTE
• Pressing [
] (PLAY) while in a REC mode switches
• You can setup the camera so it does not turn on
to the PLAY mode. The lens retracts about 10
seconds after switching modes.
when you press [
turn off when you press [
For details, see “Configuring [
] (REC) or [
] (PLAY), or to
] (REC) or [ ] (PLAY).
] (REC) and [
]
IMPORTANT!
(PLAY) Power On/Off Functions” on page 201.
• If camera power is turned off by the Auto Power Off
feature, press the power button, [
(PLAY) to turn it back on again.
• Pressing the power button or [
] (REC) or [
]
] (REC) to turn on
the camera also causes the lens to extend. Take
care to avoid any interference with the lens operation
or allowing anything to strike the lens when it is
extended.
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46
GETTING READY
G See “Using the On-screen Menus” (page 48) for
information about how to use menus.
Configuring Power Saving Settings
You can configure the settings described below to
conserve battery power.
To configure this feature:
Sleep
Select this setting:
Sleep
Sleep
: Automatically turns off the monitor
screen if no operation is performed for a
specified amount of time in a REC
mode. Performing any button operation
causes the monitor screen to turn back
on.
Auto Power Off
Auto Power Off
5. Use [̆] and [̄] to change the currently
selected setting, and then press [SET].
• Available Sleep settings are: “30 sec”, “1 min”, “2 min”,
and “Off”.
Auto Power Off : Turns off power if you do not perform
any operation for a specified amount of
time.
• Available Auto Power Off settings are: “2 min” and
“5 min”.
• Note that the Sleep feature does not operate in the
PLAY mode.
1. Turn on the camera.
2. Press [MENU].
• Pressing any button while the camera is in the Sleep
state immediately turns the monitor screen back on.
3. Use [̇] and [̈] to select the “Set Up” tab.
4. Use [̆] and [̄] to select the feature whose
setting you want to configure, and then press
[̈].
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47
GETTING READY
• The Auto Power Off and Sleep features are disabled
in the following cases.
Using the On-screen Menus
Pressing [MENU] displays menus on the monitor screen
that you can use to perform various operations. The menu
that appears depends on whether you are in a REC mode
or the PLAY mode. The following shows an example menu
procedure in a REC mode.
— When the camera is connected to a computer or
some other device through the USB cradle
— While a slideshow is in progress
— While playing back a voice recording file
— While a movie is being recorded
— While playing back a movie
Power button
1. Press the power
button or [ ] (REC).
NOTE
• If you want to enter the
• You also can conserve battery power by selecting “0”
PLAY mode instead,
for the monitor screen brightness setting (page 199).
press [
] (PLAY).
[
] [
]
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48
GETTING READY
Selection cursor (indicates
the currently selected item)
G Menu Screen Operations
2. Press [MENU].
When you want to do this:
Move between tabs
Do this:
[MENU]
Tab
Press [̇] and [̈].
Move from the tab to the
settings
Press [̄].
[̆]
[̇]
[̄]
[̈]
Move from the settings to
the tab
Press [̆].
Move between the settings
Press [̆] and [̄].
Display the options
available for a setting
Press [̈] or press [SET].
Press [̆] and [̄].
Select an option
[SET]
Settings
Apply the setting and exit
the menu screen
Press [SET].
Apply the setting and
return to tab selection
Press [̇].
Exit the menu screen
Press [MENU].
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49
GETTING READY
3. Press [̇] or [̈] to select the tab you want,
and then press [SET] to move the selection
cursor from the tab to the settings.
6. Perform one of the following operations to
apply the setting you configured.
To do this:
Perform this key operation:
Press [SET].
Apply the setting and exit
the menu screen.
4. Use [̆] and [̄] to
select the feature
whose setting you
want to configure,
and then press [̈].
Apply the setting and
return to feature selection
in step 4.
Press [̇].
Apply the setting and
return to tab selection in
step 3.
1. Press [̇].
2. Use [̆] to move back up to
tab selection.
• Instead of pressing [̈],
you could also press
Example: To select the
[SET].
“Self-timer” item.
• See “Menu Reference” on page 259 for more
information about menus.
5. Use [̆] and [̄] to change the currently
selected setting.
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50
GETTING READY
IMPORTANT!
Configuring Display Language and Clock
Settings
Be sure to configure the following settings before using the
camera to record images.
• Recording images without configuring the clock
settings causes incorrect time information to be
registered. Be sure to configure the clock settings
before using the camera.
• A built-in backup battery retains the date and time
settings of the camera for about 24 hours if the
camera is not supplied with power. Date and time
settings will be cleared when the backup battery
goes dead. The following are the conditions when
power is not being supplied to the camera.
• Display language
• Home city
• Date Style
• Date and time
Note that the current date and time settings are used by
the camera to generate the date and time that are stored
along with image data, etc.
— When the rechargeable battery is dead or
removed from the camera
— When power is not being supplied to the camera
from the USB cradle while the rechargeable
battery is dead or removed from the camera
• The date and time setting screen will appear on the
monitor screen the next time you turn on the camera
after the date and time settings have been cleared. If
this happens, reconfigure the date and time settings.
• If you make a mistake when setting the language or
clock with the following procedure, you will need to
use the camera’s menu to individually change the
language (page 198) or clock (page 194) settings.
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51
GETTING READY
3. Use [̆], [̄], [̇], and
[̈] to select the
To configure display language and clock
settings
geographical area
where you live, and
then press [SET].
1. Press the power button, [ ] (REC) or
[
] (PLAY) to turn on the camera.
2. Use [̆], [̄], [̇], and
[̈] to select the
4. Use [̆] and [̄] to
select the name of the
city where you live,
and then press [SET].
language you want,
and then press [SET].
: Japanese
English
: English
Français : French
Deutsch : German
Español : Spanish
5. Use [̆] and [̄] to select the summer time
(DST) setting you want, and then press [SET].
Italiano
Português : Portuguese
: Chinese (Complex)
: Italian
When you want to do this:
Select this setting:
Keep time using summer time
(Daylight Saving Time)
On
Off
: Chinese (Simplified)
: Korean
Keep time using standard time
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GETTING READY
6. Use [̆] and [̄] to
select the date format
setting you want, and
then press [SET].
7. Set the current date
and the time.
Example: December 24, 2006
To do this:
Do this:
Change the setting at the current
cursor location
To display the date like this:
06/12/24
Select this format:
Press [̆] and [̄].
Press [̇] and [̈].
YY/MM/DD
DD/MM/YY
MM/DD/YY
Move the cursor between settings
24/12/06
Toggle between 12-hour and 24-
hour timekeeping
Press [DISP].
12/24/06
8. Press [SET] to register the settings and exit
the setting screen.
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53
BASIC IMAGE RECORDING
This section describes the basic procedure for recording an
image.
•
•
(Snapshot)
Use this mode to record still images. This is the mode you
should normally use for image recording.
(BEST SHOT)
Recording an Image
Simply select one of a collection of built-in sample scenes
and the camera sets up for the scene you selected for
beautiful snapshots every time (page 103).
Specifying the Recording Mode
Your CASIO digital camera has eight recording modes,
each of which is described below. Before recording an
image, use the mode dial to select the recording mode that
suits the type of image you are trying to record.
• A (Aperture Priority AE)
In this mode, you select the aperture, and other settings
are adjusted accordingly (page 92).
• S (Shutter Speed Priority AE)
In this mode, you select the shutter speed, and other
settings are adjusted accordingly (page 94).
Snapshot
BEST SHOT
• M (Manual Exposure)
This mode gives you total control over aperture and
shutter speed settings (page 96).
Aperture Priority AE
Shutter Speed Priority AE
Manual Exposure
Voice Recording
MOVIE BEST SHOT
Movie
A
S
M
•
•
(Voice Recording)
Use this mode to record audio only (page 133).
Mode dial
(MOVIE BEST SHOT)
Simply select one of a collection of built-in sample movie
scenes and the camera sets up for the scene you
selected for beautiful movies every time (page 123).
•
(Movie)
Use this mode to record movies (page 120).
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54
BASIC IMAGE RECORDING
NOTE
Aiming the Camera
Use both hands to hold the camera still when shooting an
image. Holding the camera with one hand increases the
chance of movement, which can blur your images.
Snapshot mode icon
• The icon of the.
currently selected
recording mode (like
for the Snapshot
mode) is displayed on
the monitor screen.
• Horizontal
Hold the camera
still in both
hands, with your
arms firmly
against your
sides.
• Vertical
When holding
the camera
vertically, make
sure that the
flash is above
the lens. Hold
the camera still
with both hands.
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55
BASIC IMAGE RECORDING
IMPORTANT!
Recording an Image
• Make sure your fingers and the strap do not block
the flash, microphone, AF assist light/REC light/self-
timer lamp or lens.
Your camera automatically adjusts shutter speed in
accordance with the brightness of the subject. Images you
record are stored in the camera’s built-in memory, or to a
memory card if you have one loaded in the camera.
• When an optionally available SD memory card or
MultiMediaCard (MMC) is loaded in the camera, images
are stored on the card (page 203).
AF assist light/REC light/
self-timer lamp
Flash
After purchasing a memory card, be sure to load it into
the camera and format it before trying to use it (page
206).
Lens
Microphone
NOTE
• Moving the camera as you press the shutter button
or while the Auto Focus operation is being performed
(when you press the shutter button half way) can
cause blurring of the image. Press the shutter button
carefully, taking care to avoid camera movement.
This is especially important when available lighting is
low, which slows down the shutter speed.
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56
BASIC IMAGE RECORDING
Snapshot mode icon
1. Press the power button or [ ] (REC) to turn
on the camera.
2. Align the mode dial
with “ ” (Snapshot
mode) (page 54).
Power button
[
]
• The
(Snapshot
mode) icon is displayed
on the monitor screen
while the Snapshot
mode is selected.
Focus frame
3. Compose the image on the monitor screen so
the main subject is within the focus frame.
• This causes an image or a message to appear on
the monitor screen, and then enters the currently
selected recording mode.
• The focusing range of the camera depends on focus
mode you are using (page 79).
• If the camera is in the PLAY mode when it turns on,
the message “There are no files.” will appear if you
do not have any images stored in memory yet. In
• You can compose images using either the monitor
screen or the optical viewfinder (page 62).
addition, the
display. If this happens, press [
the currently selected recording mode.
icon will be visible at the top of the
• When using the optical viewfinder to compose
images, you can use [DISP] to turn off the monitor
screen and conserve battery power.
] (REC) to enter
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57
BASIC IMAGE RECORDING
G Green Operation Lamp and Focus Frame Operation
4. Press the shutter button half
way to focus the image.
When you see this:
It means this:
• When you press the shutter
button half way, the camera’s
Auto Focus feature automatically
focuses the image, and displays
the shutter speed value, the
aperture value, and the ISO
sensitivity.
Green focus frame
Green operation lamp
The image is in focus.
Red focus frame
Flashing green operation lamp
The image is not in focus.
Shutter button
• The monitor screen uses various indicators and
icons to keep you informed of the camera’s status.
Green operation lamp
• You can tell whether the
image is focused by
observing the focus frame
and the green operation
lamp.
Continuous
Shutter mode
Self-timer
Recording Mode
Metering mode indicator
White balance
Focus mode
Memory capacity
Flash
mode
Image quality
REC light indicator
Image size
Date and time
ISO sensitivity
Aperture value*1
Shutter speed value*2
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58
BASIC IMAGE RECORDING
*1 The size of the opening (aperture) that allows light
passing through the lens to reach the CCD. A larger
aperture value indicates a smaller opening for light to
pass through. The camera adjusts this setting
automatically.
*2 The amount of time the shutter remains open, allowing
light passing through the lens to reach the CCD. A
larger shutter speed value indicates that the shutter
remains open longer, which means more light reaches
the CCD. The camera adjusts this setting automatically.
IMPORTANT!
• When the “REC” tab’s “Quick Shutter” setting is
turned on (page 81), the camera immediately records
the image without waiting for Auto Focus to be
performed when you press the shutter release all the
way down without pausing. This helps to ensure that
you are able to capture exactly the moment you
want.
AF assist light/REC
light/self-timer lamp
I About AF Assist Light
The AF assist light/REC light/
self-timer lamp operates
automatically to assist the
Auto Focus operation
whenever you are shooting
where lighting is dim.
5. After making sure that the
image is focused properly,
press the shutter button the
rest of the way down to
record.
Shutter button
• The number of images you can
record depends on the image
size and the image quality setting
you are using
(pages 76, 77, 273).
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59
BASIC IMAGE RECORDING
You can turn the AF assist light on or off. It is
recommended that you turn off the AF assist light when
recording images of nearby people, etc.
I Recording Precautions
• Never open the battery cover or place the camera onto
the USB cradle while the green operation lamp is
flashing. Doing so not only causes the current image to
be lost, it can also corrupt images already stored in file
memory and even lead to malfunction of the camera.
• Never remove the memory card while an image is being
recorded to the memory card.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
• Fluorescent lighting actually flickers at a frequency that
cannot be detected by the human eye. When using the
camera indoors under such lighting, you may experience
some brightness or color problems with recorded images.
• When “Auto” is selected for the ISO sensitivity setting
(page 142), the camera automatically adjusts its
sensitivity in accordance with the brightness of the
subject. This can cause some digital noise (graininess) to
appear in images of relatively dark subjects.
3. Use [̆] and [̄] to select “AF Assist Light”,
and then press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Turn on the AF assist light
Turn off the AF assist light
On
Off
IMPORTANT!
• Do not look directly at the AF assist light/REC light/
self-timer lamp or point it directly at the subject’s
eyes.
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60
BASIC IMAGE RECORDING
• When recording a dimly lit subject while “Auto” is selected
for the ISO sensitivity setting (page 142), the camera
increases sensitivity and uses a faster shutter speed.
Because of this, you need to guard against camera
I About Auto Focus
• Proper focus may be difficult or even impossible when
shooting the following types of subjects.
— Solid color walls or subjects with little contrast
— Strongly backlit subjects
movement if you have flash turned off
(page 67).
• Bright light shining on the lens can cause images to
appear “washed out”. This tends to happen when
recording images outdoors in bright sunlight. To protect
against this, use your free hand to shade the lens from
the light.
— Very shiny objects
— Venetian blinds or other horizontally repeating patterns
— Multiple subjects that are varying distances from the
camera
— Subjects in poorly lit areas
— Moving subjects
— Subjects outside the shooting range of the camera
• Proper focus may also be difficult or impossible if the
camera is moving.
• Note that a green operation lamp and focus frame do not
necessarily guarantee that the resulting image will be in
focus.
• If Auto Focus does not produce the results you want for
some reason, try using focus lock (page 87) or manual
focus (page 85).
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61
BASIC IMAGE RECORDING
I About the REC Mode Monitor Screen
Using the Optical Viewfinder
• The image shown on the monitor screen in a REC mode
is a simplified image for composing purposes. The actual
image is recorded in accordance with the image quality
setting currently selected on your camera. The image
saved in file memory has much better resolution and
detail than the REC modes monitor screen image.
• Certain levels of subject brightness can cause the
response of the REC mode monitor screen to slow down,
which causes some digital noise (graininess) in the
monitor screen image.
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie (page
118).
You can conserve battery power by turning off the
camera’s monitor screen (page 33) and using the optical
viewfinder to compose images. The optical viewfinder also
comes in handy when shooting in areas where the monitor
screen is difficult to view because available lighting is dim,
etc.
IMPORTANT!
• The visible area framed by the viewfinder shows the
image that would be recorded at a distance of about
one meter (3.3˝). When recording a subject that is
closer to you than one meter, the recorded image will
be lower than what you can see inside the viewfinder
area.
Optical viewfinder
Area recorded at
Area visible in
distances less than the viewfinder
one meter (3.3˝)
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62
BASIC IMAGE RECORDING
• Since the monitor screen shows exactly what will be
recorded, always use it for composing images in the
Macro and Manual Focus modes.
Using Zoom
Your camera is equipped with two types of zoom: optical
zoom and digital zoom. Normally, the camera automatically
switches over to digital zoom after you reach the maximum
limit for optical zoom. You can, however, configure the
camera to disable digital zoom, if you want.
Optical Zoom
The optical zoom range is 1X to 3X.
Zoom controller
1. In a REC mode, move the
zoom controller left or
right to zoom.
• Moving the zoom controller
as far as it goes in either
direction will zoom at high
speed.
Move the zoom
To do this:
controller in this
direction:
Zoom out for a wider view
(main subject becomes smaller)
(Wide Angle)
(Telephoto)
Zoom in for a closer view (main
subject becomes larger)
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63
BASIC IMAGE RECORDING
NOTE
• The optical zoom factor also affects the lens
aperture.
• Use of a tripod is recommended to protect against
hand movement when using the telephoto setting
(zoom in).
• Whenever you perform an optical zoom operation
while recording with the Auto Focus mode, Macro
mode or manual focus, a value will appear on the
monitor screen to tell you the focusing range (pages
80, 83, 85).
Zoom out
Zoom in
2. Compose the image, and then press the
shutter button.
• Optical zoom is disabled during movie recording.
Digital zoom only is available. Make sure you select
the optical zoom setting you want to use before you
press the shutter button to start movie recording
(page 120).
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64
BASIC IMAGE RECORDING
I To record an image using digital zoom
Digital Zoom
Digital zoom digitally enlarges the part of the image at the
center of the image screen. The range of digital zoom is 3X
to 24X (in combination with optical zoom).
Digital zoom indicator
1. In a REC mode, hold
the zoom controller
towards
(telephoto) side.
IMPORTANT!
• This causes the zoom
indicator to appear on
the display.
• When you perform a digital zoom operation, the
camera manipulates the image data to enlarge the
center of the image. Unlike optical zoom, an image
enlarged with digital zoom appears coarser than the
original.
Zoom indicator
• Digital zoom is not supported while date stamping
(“Date” or “Date&Time”) is turned on (page 147).
2. When the zoom pointer reaches the optical/
digital zoom switch over point, it will stop.
Digital
Zoom range
Optical Zoom range
1X
3X
24X
Zoom pointer
Optical/digital zoom switch over point
• The above shows what the zoom indicator looks like
when digital zoom is turned on (page 66). The digital
zoom range is not displayed when digital zoom is
turned off.
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65
BASIC IMAGE RECORDING
3. Release the zoom controller momentarily, and
I To turn digital zoom on and off
then slide it towards
(telephoto) side again
to move the zoom pointer into the digital
zoom range.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
• The zoom pointer will also stop when you move the
pointer back to the switch over point to re-enter the
optical zoom range. Release the zoom controller and
3. Use [̆] and [̄] to select “Digital Zoom”, and
then press [̈].
then slide it towards
(wide angle) side again to
move into the optical zoom range.
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
4. Compose the image, and then press the
shutter button.
To do this:
Select this setting:
Turn on digital zoom
Turn off digital zoom
On
Off
• Only the optical zoom range is displayed in the zoom
indicator when digital zoom is turned off.
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66
BASIC IMAGE RECORDING
2. Use [̆] and [̄] to select the flash mode, and
Using the Flash
then press [SET] .
Perform the following steps to select the flash mode you
want to use.
• The approximate effective range of the flash is shown
below.
• This causes the flash mode indicator to appear on
the display.
Wide Angle Optical Zoom:
Approximately 0.1 to 4.3 meters
(0.33´ to 14.1´) (ISO Sensitivity: Auto)
Telephoto Optical Zoom:
Approximately 0.5 to 2.4 meters
(1.6´ to 7.9´) (ISO Sensitivity: Auto)
* Depends on zoom factor.
1. In a REC mode, press [̄] (
).
[̄] (
)
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67
B
BASIC IMAGE RECORDING
3. Press the shutter button to record the image.
IMPORTANT!
To do this:
Select this setting:
Have the flash fire automatically when
required (Auto Flash)
Turn off the flash (Flash Off)
• The flash unit of this camera fires a number of times
when you record an image. The initial flashes are
pre-flashes, which the camera uses to obtain
information that it uses for exposure settings. The
final flash is for recording. Make sure that you keep
the camera still until the shutter releases.
• Using the flash while “Auto” is selected for the ISO
Sensitivity setting increases sensitivity, which can
cause large amounts of digital noise to appear in the
image. You can reduce digital noise by using a lower
ISO Sensitivity setting. Note, however, that this also
has the effect of shortening the flash range (the
range that is covered by the light from the flash)
Always fire the flash (Flash On)
Always use high-intensity flash,
regardless of exposure (High-power
Flash)
• You can increase sensitivity, which
will brighten subjects that are further
away, as required.
Always use soft flash, regardless of
exposure conditions (Soft Flash)
Fire a pre-flash followed by image
recording with flash, reducing the
chance of red-eye in the image (Red-
eye reduction)
In this case, the flash fires automatically
when required
(page 142).
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68
BASIC IMAGE RECORDING
I Flash On
I Soft Flash
Select
(Flash On) as the flash mode when backlighting
Select
(Soft Flash) as the flash mode to suppress flash
causes your subject to appear dark, even though there is
enough light to keep the flash from firing automatically.
This will cause the flash to fire and illuminate your subject
whenever you press the shutter button (daylight synchro
flash).
intensity and shoot with a soft feel.
I About Red-eye Reduction
Using the flash to record at night or in a dimly lit room can
cause red spots inside the eyes of people who are in the
image. Red-eye reduction causes the camera’s AF assist
light/REC light/self-timer lamp to light, which causes the
irises in the eyes of any people in the image to close. This
reduces the chance of red-eye in the image.
I High-power Flash
Select
(High-power Flash) as the flash mode when the
subject is relatively far away from the camera.
IMPORTANT!
• Using High-power Flash can cause an increase in
digital noise in images.
• High-power Flash disabled when any setting other
than “Auto” is selected for the ISO sensitivity setting.
Make sure that the ISO setting is “Auto” (page 142)
when you want to use High-power Flash.
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69
C
BASIC IMAGE RECORDING
IMPORTANT!
Flash Unit Status
You can find out the current flash unit status by pressing
the shutter button half way and checking the monitor
screen and red operation lamp.
• Note the following important points when using red-
eye reduction.
— Red-eye reduction does not work unless the
people in the image are looking directly at the
camera during the pre-flash. Before pressing the
shutter button, call out to the subjects so they all
look at the camera while the pre-flash operation is
performed.
Red operation lamp*
— Red-eye reduction may not work very well if the
subjects are located far away from the camera.
The
indicator is also shown
on the monitor screen when the
flash unit is ready to fire.
* Red operation lamp
When the red operation
lamp is this:
It means this:
Flashing
Lit
Flash unit is charging
Flash unit is ready to fire
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70
BASIC IMAGE RECORDING
Changing the Flash Intensity Setting
Using Flash Assist
Perform the following steps to change the flash intensity
setting.
Recording a subject that is outside the flash range can
cause the subject to appear dark in the resulting image,
because not enough of the flash reaches the subject. When
this happens, you can use flash assist to correct the
brightness of the recorded subject, so it appears as if the
flash illumination was sufficient.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “Quality” tab.
3. Use [̆] and [̄] to select “Flash Intensity”,
and then press [̈].
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To make flash intensity:
Stronger
Select this setting:
Flash assist used
Flash assist not used
+2
+1
0
1. In a REC mode, press [MENU].
Normal
–1
–2
2. Use [̇] and [̈] to select the “Quality” tab.
Weaker
3. Use [̆] and [̄] to select “Flash Assist”, and
then press [̈].
IMPORTANT!
• Flash intensity may not change if the subject is too
far or too close to the camera.
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BASIC IMAGE RECORDING
Flash
4. Use [̆] and [̄] to select the setting you
I Flash Precautions
want, and then press [SET].
• Take care that your fingers
do not block the flash when
you hold the camera.
Covering the flash with your
finger can greatly reduce its
effectiveness.
To do this:
Select this setting:
Turn on flash assist
Turn off flash assist
Auto
Off
IMPORTANT!
• Flash assist may not produce the desired result for
some types of subjects.
• Flash assist may have little effect on your image if
you changed any of the following settings when you
recorded it.
— Flash intensity (page 71)
— Exposure compensation (EV shift) (page 88)
— ISO sensitivity (page 142)
• You may not be able to achieve the desired results using
the flash if the subject is too close or too far away.
• The flash takes anywhere from a few seconds to as long
as 10 seconds to attain full charge after being fired. The
actual time required depends on the battery level,
temperature, and other conditions.
• The flash does not fire in the modes listed below. The
(Flash Off) icon on the monitor screen indicates that flash
is turned off.
— Contrast (page 146)
• Using flash assist can cause an increase of digital
noise in recorded images.
Movie mode, MOVIE BEST SHOT mode
• The flash unit may not be able to charge when camera
battery power is low. If this happens, the flash will not fire
properly and you will not be able to obtain the desired
exposure. Be sure to charge the camera’s battery as soon
as possible when power goes low.
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BASIC IMAGE RECORDING
• When the flash is turned off (
), mount the camera on a
Using the Self-timer
tripod to record images in an area where available lighting
is dim. Recording images under dim lighting without the
flash can cause digital noise, which makes images
appear coarse.
The self-timer lets you select either a 2-second or 10-
second delay of the shutter release after you press the
shutter button. A Triple Self-timer feature lets you perform
three consecutive self-timer operations to record three
images.
• When red-eye reduction (
) is selected, flash intensity
is adjusted automatically in accordance with the
exposure. The flash may not fire at all when the subject is
brightly lit.
• Using flash in combination with another light source
(daylight, fluorescent light, etc.) can result in abnormal
image colors.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “REC” tab.
3. Use [̆] and [̄] to select “Self-timer”, and
then press [̈].
4. Use [̆] and [̄] to select the self-timer type
you want to use, and then press [SET].
• Selecting “Off” in step 4 disables the self-timer.
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BASIC IMAGE RECORDING
1. The camera performs a 10-second countdown
and then records the first image.
To do this:
Select this setting:
10 sec
Specify a 10-second self-timer
Specify a 2-second self-timer
Specify Triple Self-timer
Disable the self-timer
10
s
2. The camera prepares to record the next image.
The amount of time required for preparation
depends on the camera’s current “Size” and
“Quality” settings, the type of memory (built-in or
card) you are using for image storage, and
whether or not the flash is charging.
2 sec
X3
2
s
x3
Off
3. After preparation is complete, the indicator “1sec”
appears on the monitor screen, and another
image is recorded one second later.
• This causes an
indicator identifying the
selected self-timer type
to appear on the
4. Steps 2 and 3 are repeated once more to record
the third image.
monitor screen.
• With the Triple Self-timer,
the camera records a
series of three images in
the sequence described
below.
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BASIC IMAGE RECORDING
AF assist light/
REC light/self-timer lamp
NOTE
5. Press the shutter
button to record the
image.
• The “2 sec” self-timer setting is best when shooting
with a slow shutter speed, because it helps to avoid
blurring of images due to hand movement.
• The following functions are not available for use in
combination with the self-timer.
Normal-speed continuous shutter mode, Short
Movie, Past Movie, Voice Recording
• The following functions are not available for use in
combination with the Triple Self-timer.
BEST SHOT recording (“Business Cards and
Documents”, “Whiteboard, etc.”, “Old Photo”, “ID
Photo”), High-speed continuous shutter mode, Flash
continuous shutter mode, Movie mode, MOVIE BEST
SHOT mode
• When you press the
shutter button, the AF
assist light/REC light/
self-timer lamp flashes
and the shutter releases
after the self-timer
reaches the end of its
countdown (about 10
seconds or two
seconds).
• You can interrupt an ongoing self-timer countdown
by pressing the shutter button while the AF assist
light/REC light/self-timer lamp is flashing.
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BASIC IMAGE RECORDING
4. Use [̆] and [̄] to select the setting you
Specifying Image Size
want, and then press [SET].
“Image size” is the size of the image, expressed as the
number of vertical and horizontal pixels. A “pixel” is one of
the many tiny dots that make up the image. More pixels
provide finer detail when an image is printed, but a higher
pixel count also causes the image’s file size to be larger.
You can select an image size to suit your needs for greater
detail or smaller file size.
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
Image Size
Print Size
• Note that this setting is valid for snapshots only. For
information about movie image size, see page 119.
×
8M*
3264 2448 A3 Print
Larger
×
8M
(3:2) (3:2)
3264 2176 A3 Print (3:2 horizontal-to-
vertical ratio)
2816 2112 A3 Print
1. In a REC mode, press [MENU].
×
6M
4M
2M
×
2304 1728 A4 Print
2. Use [̇] and [̈] to select the “Quality” tab.
×
×
1600 1200 3.5˝ 5˝ Print
E-mail (optimum size when
attaching image to e-mail)
3. Use [̆] and [̄] to select “Size”, and then
press [̈].
×
VGA 640 480
Smaller
* “M” stands for “Mega.”
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BASIC IMAGE RECORDING
• The above print sizes are all approximate values when
printing at a resolution of 200 dpi (dots per inch). Use a
larger setting when you want to print at a higher
resolution or when you plan to produce a larger size print.
• In order to obtain the level of resolution for which your
camera is designed, recording at a maximum image size
(8M) is recommended. Use a smaller image size when
you want to conserve memory capacity.
Specifying Image Quality
Compressing an image before storage can cause a
deterioration of its quality. The more an image is
compressed, the greater the loss of quality. The image
quality setting specifies the compression ratio to be used
when an image is stored in memory. You can select an
image quality setting to suit your needs for higher quality or
smaller file size.
×
• Selecting the “3264 2176 (3:2)” image size records
• Note that this setting is valid for snapshots only. For
information about movie image quality, see page 119.
images with a 3:2 (horizontal:vertical) aspect ratio, which
is optimal for printing on photographic paper with an
aspect ratio of 3:2.
1. In a REC mode, press [MENU].
2. Use [̇] and [̈] to select the “Quality” tab.
3. Use [̆] and [̄] to select “
then press [̈].
Quality”, and
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
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BASIC IMAGE RECORDING
To get this:
Select this setting:
Fine
High image quality, large file
size
Higher
Quality
Normal image quality and
normal file size
Normal
Low image quality, small file
size
Lower
Quality
Economy
IMPORTANT!
• Actual file size depends on the type of image you
record. This means that the remaining image
capacity noted on the monitor screen may not be
exactly accurate (pages 29, 273).
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OTHER RECORDING FUNCTIONS
To set up the camera to do this:
Select this setting:
Selecting the Focus Mode
Focus automatically (Auto Focus)
Perform close-up focus (Macro)
Fix the focal distance (Pan Focus)*
Perform infinity focus (Infinity)
Focus manually (Manual Focus)
You can select one of five different focus modes: Auto
Focus, Macro, Pan Focus, Infinity, and Manual Focus.
[̆] (
)
1. In a REC mode, press [̆]
(
).
* Pan Focus can be selected in a movie mode (Movie,
MOVIE BEST SHOT) only.
• Each press of [̆] (
cycles thorough the focus
mode settings in the
)
sequence shown below.
Focus mode indicator
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OTHER RECORDING FUNCTIONS
Green operation lamp
Using Auto Focus
As its name suggests, Auto Focus focuses the image
automatically. The automatic focus operation starts when
you press the shutter button down half way. The following
is the Auto Focus range.
Range: 40cm to ∞ (1.3´ to ∞)
• Using optical zoom causes the above ranges to change.
Focus frame
When you see this:
It means this:
1. Press [̆] (
) to cycle through the focus
mode settings until “ ” is shown as the
focus mode indicator.
Green focus frame
Green operation lamp
The image is focused.
Red focus frame
Flashing green operation lamp
The image is not
focused.
2. Compose the image so the main subject is
within the focus frame, and then press the
shutter button half way.
3. Press the shutter button the rest of the way to
record the image.
• You can tell whether the image is focused by
observing the focus frame and the green operation
lamp.
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OTHER RECORDING FUNCTIONS
NOTE
I Quick Shutter
• When proper focusing is not possible because the
subject is closer than the Auto Focus range, the
camera automatically switches to the Macro mode
range (page 83).
• Whenever you perform an optical zoom operation
(page 63) while recording with Auto Focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
When Quick Shutter is turned on, the camera immediately
records the image without waiting for Auto Focus to be
performed when you press the shutter release all the way
down. This helps to avoid missing a special moment while
you wait for the camera to Auto Focus.
1. In a REC mode, press [MENU].
Example: AF ȚȚ cm - ∞
* ȚȚ will be replaced by the actual focusing range
value.
2. Select the “REC” tab, select “Quick Shutter”,
and then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Turn on Quick Shutter
Turn off Quick Shutter
On
Off
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OTHER RECORDING FUNCTIONS
I Specifying the Auto Focus Area
For this type of Auto Focus area:
Select this:
Spot
Very limited range in the center of the
screen
• This setting works well with focus lock
(page 87).
You can use the following procedure to change the Auto
Focus area used in the Auto Focus mode and the Macro
mode. Note that the configuration of the focus frame
changes in accordance with the Auto Focus area you
select.
Automatic selection of the focus area where
the subject closest to the camera is located
• With this setting, a wide focus frame,
which contains nine focus points, appears
on the monitor screen first. When you
press the shutter button half way, all of the
focus frames that are in focus among the
nine focus points become green.
1. In a REC mode, press [MENU].
Multi
2. On the “REC” tab, select “AF Area”, and then
press [̈].
• This setting works well for group photos.
3. Use [̆] and [̄] to select the Auto Focus area
Free movement of the focus point location
you want.
you want, and then press [SET].
• Selecting this setting initially displays the
focus point in the center of the monitor
screen. Then you can use the [̆], [̄],
[̇], and [̈] keys to move it to the location
you want. Finally, press [SET] to select
the current focus point location.
Free
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OTHER RECORDING FUNCTIONS
•
Spot
•
Multi
Using the Macro Mode
Use the Macro mode when you need to focus on close up
subjects. The following shows the approximate focus range
in the Macro mode.
Range: 10cm to 50cm (3.9˝ to 19.7˝)
• Using optical zoom causes the above range to change.
1. Press [̆] (
) to cycle through the focus
mode settings until “ ” is shown as the
focus mode indicator.
Focus frame
Focus frame
•
Free
2. Press the shutter button to record the image.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
[SET]
NOTE
• When the Macro mode cannot focus properly
because the subject is too far away, the camera
automatically switches to the Auto Focus range
(page 80).
Focus point
Focus frame
• Whenever you perform an optical zoom operation
(page 63) while recording with the Macro mode, a
value will appear on the monitor screen as shown
below to tell you the focusing range.
Example: ȚȚm - ȚȚm
* ȚȚ will be replaced by the actual focusing range
value.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using Pan Focus
• Use of the flash along with the Macro mode can
cause the light of the flash to become blocked, which
can produce unwanted shadows in your image.
Pan Focus can be used in a movie mode (Movie, MOVIE
BEST SHOT) to focus on a particular subject and record
without using Auto Focus. Pan Focus comes in handy
when recording under conditions where Auto Focus is
difficult for some reason, or in cases where Auto Focus
operation noise is too noticeable in the movie audio.
1. In a REC mode, enter a movie mode (pages
120, 123).
• You can perform this procedure in the Movie or
MOVIE BEST SHOT mode.
2. Press [̆] (
) to scroll through settings
until “ ” is displayed.
3. Press the shutter button to record the movie
with Pan Focus.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using Manual Focus
With the Manual Focus mode, you can adjust the focus of
an image manually. The following shows focus range in the
Manual Focus mode.
• Pan Focus can be used in a movie mode (Movie,
MOVIE BEST SHOT) only. It is disabled in all other
modes.
• Whenever you perform an optical zoom operation
(page 63) prior to movie recording, a value range will
appear on the monitor screen as shown below to tell
you the focusing range.
Optical Zoom Factor
Approximate Focus Range
10cm (3.9˝) to infinity (∞)
50cm (19.7˝) to infinity (∞)
1X
3X
Example: PF ȚȚcm - ∞
* ȚȚ will be replaced by the actual focusing range
value.
• Using optical zoom causes the above range to change.
1. Press [̆] (
) to
cycle through the
focus mode settings
until “ ” is shown
as the focus mode
indicator.
Using the Infinity Mode
The Infinity mode fixes focus at infinity (∞). Use this mode
when recording scenery and other faraway images.
1. Press [̆] (
) to cycle through the focus
mode settings until “ ” is shown as the
focus mode indicator.
• At this point, a
boundary also appears
on the display,
Boundary
indicating the part of the
image that will be used
for manual focus.
2. Press the shutter button to record the image.
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C
OTHER RECORDING FUNCTIONS
NOTE
2. While watching the
image on the monitor
screen, use [̇] and
[̈] to focus.
• Whenever you perform an optical zoom operation
(page 63) while recording with manual focus, a value
will appear on the monitor screen as shown below to
tell you the focusing range.
Example: MF ȚȚm - ∞
* ȚȚ will be replaced by the actual focusing range
value.
Manual focus position
To do this:
Do this:
Press [̇].
Press [̈].
Focus in on the subject
Focus out on the subject
• Pressing [̇] or [̈] causes the area inside of the
boundary displayed in step 1 to fill the monitor
screen momentarily to aid in focus. The normal
image will reappear a short while later.
3. Press the shutter button to record the image.
IMPORTANT!
• In the Manual Focus mode, the [̇] and [̈] keys
adjust focus, even if you used key customization to
assign other functions to them (page 137).
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86
OTHER RECORDING FUNCTIONS
2. Keeping the shutter
button pressed half
way down, re-
Using Focus Lock
Focus lock is a technique you can use to focus on a subject
that is not located within the focus frame when you record
an image. You can use focus lock in the Auto Focus mode
compose the image
as you like.
and the Macro mode (
).
Main subject
1. Using the monitor
screen, compose the
image so the main
subject is within the
focus frame, and then
press the shutter
Main subject
3. When the image is composed the way you
want, press the shutter button the rest of the
way to record it.
• The focus and image recording operations are
identical to those in the Auto Focus mode.
button half way.
• This locks the focus on
the subject that is
currently within the
focus frame.
NOTE
Focus frame
• Locking the focus also locks the exposure.
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OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to change the exposure
Exposure Compensation (EV Shift)
compensation value, and then press [SET].
Exposure compensation lets you change the exposure
setting (EV value) manually to adjust for the lighting of your
subject. This feature helps to achieve better results when
recording a backlit subject, a strongly lit subject indoors, or
a subject that is against a dark background.
• Pressing [SET] registers the displayed value.
[̆] : Increases the EV value. A higher EV value is best
used for light-colored subjects and backlight
subjects.
EV Shift Range: –2.0EV to +2.0EV
Steps: 1/3EV
1. In a REC mode, press [MENU].
2. Select the “Quality”
tab, select “EV Shift”,
and then press [̈].
[̄] : Decreases the EV value. A lower EV value is best
for dark-color subjects and for shooting outdoors
on a clear day.
Exposure compensation
value
• To cancel EV Shift, adjust the value until it becomes
0.0.
4. Press the shutter button to record the image.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Adjusting White Balance
• When shooting under very dark or very bright
conditions, you may not be able to obtain satisfactory
results even after performing exposure
compensation.
The wavelengths of the light produced by various light
sources (daylight, light bulb, etc.) can affect the color of a
subject when it is recorded. White balance lets you make
adjustments to compensate for different lighting types, so
the colors of an image appear more natural.
NOTE
• Performing an EV shift operation while using multi-
pattern metering (page 143) will cause the metering
mode to switch automatically to center weighted
metering. Returning the EV shift value to 0.0 causes
the metering mode to change back to multi-pattern
metering.
• You can use key customization (page 137) to
configure the camera to perform exposure
compensation whenever you press [̇] or [̈] while in
a REC mode. This comes in handy when adjusting
exposure compensation while viewing the on-screen
histogram (page 134).
1. In a REC mode, press [MENU].
2. Select the “Quality”
tab, select “White
Balance”, and then
press [̈].
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OTHER RECORDING FUNCTIONS
NOTE
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
• When “Auto” is selected for the white balance
setting, the camera automatically determines the
white point of the subject. Certain subject colors and
light source conditions can cause problems when the
camera tries to determine the white point, which
makes proper white balance adjustment impossible.
When this happens, use daylight, cloudy, or one of
the other fixed white balance settings to specify the
type of lighting available.
• You can use the key customization feature (page
137) to configure the camera so the white balance
setting changes whenever you press [̇] or [̈] while
in a REC mode.
When shooting under these conditions: Select this setting:
Normal conditions
Auto
Outdoor daylight on a clear day
Outdoor daylight on an overcast or
rainy day, in the shade of a tree, etc.
In the shade of a building or any other
area where the color temperature is
high
Under white or daylight white
fluorescent light
(suppresses color fogging)
N
D
• If you have key customization configured to control
white balance and you have Icon Help turned on
Under daylight fluorescent light
(suppresses color fogging)
(page 139), select “
Auto WB” to change the
AWB
white balance mode to auto.
Under incandescent lighting
Difficult lighting that requires manual
control (See “Configuring the White
Balance Setting Manually” (page 91).)
Manual
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90
OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to
select “Manual”.
Configuring the White Balance Setting
Manually
Certain complex light sources or other environmental
conditions can make it impossible to obtain good results
when “Auto” or one of the fixed light source settings is
selected for white balance. Manual white balance lets you
configure the camera for a particular light source and other
conditions.
Note that you must perform manual white balance under
the same conditions you will be shooting under. Have a
sheet of white paper on hand before starting the following
procedure.
• This causes the object
you last used to adjust
manual white balance to
appear on the monitor
screen. If you want to use
the same settings you
configured during a
previous manual white
balance setting
operation, skip step 4
and perform step 5.
4. Point the camera at a white paper or similar
object under the lighting conditions for which
you want to set the white balance, and then
press the shutter button.
1. In a REC mode, press [MENU].
2. Select a “Quality” tab, select “White
Balance”, and then press [̈].
White paper
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OTHER RECORDING FUNCTIONS
• This starts the white balance adjustment procedure.
The message “Complete” appears on the monitor
screen after white balance adjustment is complete.
Specifying the Exposure Mode
You can use the mode dial to select the exposure mode,
which controls the aperture and shutter speed settings
used during image recording.
5. Press [SET].
• This registers the white balance settings and returns
to the currently selected recording mode.
A mode : Aperture Priority AE
S mode : Shutter Speed Priority AE
M mode : Manual Exposure
NOTE
• After you adjust white balance manually, the setting
remains in effect until you change it or until you turn
off the camera.
Using Aperture Priority AE
When A mode (aperture priority AE) is selected as the
exposure mode, the camera adjusts the shutter speed
automatically in accordance with a fixed aperture value
specified by you. A wider aperture (a lower aperture value)
provides a shallow depth of field, while a small aperture (a
higher aperture value) provides a greater depth of field.
The shutter speed range in this mode is 1/1600 to 1
second.
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OTHER RECORDING FUNCTIONS
Wide Aperture
Small Aperture
2. Press [SET] to select the aperture value in the
exposure panel, and then use [̇] and [̈] to
change the setting.
Wide
Small
Aperture value
*
F2.8 ‚ F4.0
Depth of Field
Shallow
Deep
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
1. In a REC mode, align
the mode dial with “A”
(Aperture Priority).
• You could also press [SET] to select “EV Shift” here,
and then use [̇] and [̈] to specify an exposure
compensation value (pages 31, 88).
•
If you are using manual focus (pages 31, 85), you can
also press [SET] to select “FOCUS” (manual focus
adjustment), and then use [̇] and [̈] to focus
manually.
Aperture value EV shift
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OTHER RECORDING FUNCTIONS
3. Press the shutter button half way.
Using Shutter Speed Priority AE
When S mode (shutter speed priority AE) is selected as the
exposure mode, the camera adjusts the aperture
automatically in accordance with a fixed shutter speed
specified by you. You should specify a shutter speed in
accordance with how much your subject is moving.
• This causes the camera to configure shutter speed
automatically in accordance with the aperture value
you selected. Then it focuses the image.
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
Slow
Fast
4. When the image is focused, press the shutter
button all the way down to record.
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OTHER RECORDING FUNCTIONS
1. In a REC mode, align
the mode dial with “S”
(Shutter Speed
3. Press the shutter button half way.
• This causes the camera to configure the aperture
value automatically in accordance with the shutter
speed you selected. Then it focuses the image.
Priority).
• The shutter speed and aperture values on the
monitor screen will turn amber when you press the
shutter button half way if the image is over-exposed
or under-exposed.
Shutter speed
EV shift
4. When the image is focused, press the shutter
button all the way down to record.
2. Press [SET] to select the shutter speed value
in the exposure panel, and then use [̇] and
[̈] to change the setting.
Slow
60 seconds
Blurred
Fast
Shutter speed
Movement
1/1600 second
Stopped
• You could also press [SET] to select “EV Shift” here,
and then use [̇] and [̈] to specify an exposure
compensation value (pages 31, 88).
• If you are using manual focus (pages 31, 85), you
can also press [SET] to select “FOCUS” (manual
focus adjustment), and then use [̇] and [̈] to focus
manually.
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OTHER RECORDING FUNCTIONS
3. Press [SET] to select the shutter speed value
in the exposure panel, and then use [̇] and
[̈] to change the setting.
Setting Exposure Settings Manually
In the M mode (manual exposure), you can adjust shutter
speed and aperture manually.
Slow
60 seconds
Blurred
Fast
Shutter speed
Movement
1. In a REC mode, align
the mode dial with “M”
(Manual).
1/1600 second
Stopped
• If you are using manual focus (pages 31, 85), you
can also press [SET] to select “FOCUS” (manual
focus adjustment), and then use [̇] and [̈] to focus
manually.
ISO sensitivity Aperture value
Shutter speed
4. Press the shutter button half way.
•
This causes the camera to adjust focus automatically.
2. Press [SET] to select the aperture value in the
exposure panel, and then use [̇] and [̈] to
change the setting.
5. When the image is focused, press the shutter
button all the way down to record.
Wide
Small
F2.8‚ F4.0
Deep
Aperture value*
Depth of Field
Shallow
* The above values are full wide angle optical zoom.
Aperture values are different at other optical zoom
settings.
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OTHER RECORDING FUNCTIONS
Exposure Mode Recording Precautions
Using Continuous Shutter
• You may not be able to achieve the brightness you want
when recording an image that is very dark or very bright.
If this happens, use the M mode (manual exposure) to
adjust the aperture or shutter speed manually.
• Using slow shutter speeds can cause digital noise
(graininess) to appear in the image. Because of this, the
camera automatically performs a digital noise reduction
process whenever the shutter speed is 1/8 second or
slower. The slower the shutter speed, the greater the
possibility that digital noise will be generated in an image.
Also note that the digital noise reduction process can
cause it to take longer to record each image.
In addition to normal recording that records a single image
each time the shutter button is pressed, you can select one
of the five continuous shutter modes to record multiple
images.
• Normal-speed continuous shutter mode
You can continually record images until memory becomes
full.
• High-speed continuous shutter mode
Record up to three consecutive images at high speed.
• Flash continuous shutter mode
Use this mode to record up to three consecutive images,
firing the flash for each one.
• Zoom continuous shutter mode
In this mode, you can select an area on the monitor
screen with a selection boundary. Then when you press
the shutter button, the camera records the monitor screen
image and the area enclosed in the selection boundary,
digitally zoomed to twice its normal size.
• Multi continuous shutter mode
• At shutter speeds slower than 1/8 second, the brightness
of the recorded image may not be the same as the
brightness of the image that appears on the monitor
screen.
This mode records 25 consecutive stop-action shots at
high speed and combines them into a single image.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using the Normal-Speed Continuous
Shutter Mode
Holding down the shutter button continuously records
images, as long as there is memory available to store them.
• The speed of continuous shutter recording depends
on the type of memory card loaded in the camera.
When recording to built-in memory, continuous
shutter recording is relatively slow.
NOTE
1. In a REC mode, press
• You can also select a continuous shutter mode by
holding down [
with [̆] and [̄], and then releasing [
[
].
], selecting the mode you want
].
2. Use [̆] and [̄] to select “
Cont.”, and then press [SET].
Normal Speed
• This causes “
” to appear on the monitor screen.
3. Press the shutter button to record.
• Recording continues as long as you keep the shutter
button depressed. Release the shutter button to stop
recording.
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OTHER RECORDING FUNCTIONS
Using the Flash Continuous Shutter
Mode
Using the High-Speed Continuous
Shutter Mode
Holding down the shutter button while flash continuous
shutter is selected records up to three images, firing the
flash for each one.
Holding down the shutter button while high-speed
continuous shutter is selected records up to three images
at high speed.
1. In a REC mode, press [
].
1. In a REC mode, press [
].
2. Use [̆] and [̄] to select “
Flash Cont.”,
2. Use [̆] and [̄] to select “
Cont.”, and then press [SET].
High Speed
and then press [SET].
• This causes “
” to appear on the monitor screen.
• This causes “
” to appear on the monitor screen.
3. Press the shutter button to record.
3. Press the shutter button to record.
• Recording continues as long as you keep the shutter
button depressed. Shooting stops if you release the
shutter button before three images are recorded.
• Recording continues as long as you keep the shutter
button depressed. Shooting stops if you release the
shutter button before three images are recorded.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Using the Zoom Continuous Shutter
Mode
• Note with the above procedure, you do not need to
keep the shutter button depressed.
The zoom continuous shutter mode displays a selection
boundary that you can use to select an area in the monitor
screen. Then when you press the shutter button, the
camera records the monitor screen image and the area
enclosed in the selection boundary, digitally zoomed to
twice its normal size.
• Note that zoom continuous shutter operation is not
×
available when the image size setting is 3264 2176
×
(3:2) or 640 480.
• The size of the digitally processed images is smaller
than the camera’s current image size setting.
Example: When the camera’s current image size
×
setting is 3264 2448 pixels, the size of
the digitally processed images produced
by a zoom continuous shutter operation
1. In a REC mode, press [
].
×
will be 1600 1200 pixels.
2. Use [̆] and [̄] to select “
Zoom
Z
• When Auto Focus is selected as the focus mode, the
Auto Focus area is located automatically in the
center of the Zoom Continuous Shutter selection
boundary (Spot Auto Focus area, pages 79, 82).
Continuous”, and then press [SET].
• This displays a selection boundary in the center of
the monitor screen.
3. Use [̆], [̄], [̇], and [̈] to move the
selection boundary to the area of the monitor
screen you want, and then press [SET].
• This causes “
” to appear on the monitor screen.
Z
4. Press the shutter button once to record.
• This records two images: the image on the monitor
screen and the image within the selection boundary,
digitally zoomed to twice its normal size.
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100
OTHER RECORDING FUNCTIONS
IMPORTANT!
25-shot Stop Action Images (Using the
Multi Continuous Shutter Mode)
• Note with the above procedure, you do not need to
keep the shutter button depressed.
Use the following procedure to
record 25 consecutive stop-
action shots at high speed
and combine them into a
single image.
×
• The size of the 25-shot images is 1600 1200
pixels.
1. In a REC mode, press [
].
2. Use [̆] and [̄] to select “ Multi
Continuous”, and then press [SET].
• This causes “
” to appear on the monitor screen.
3. Press the shutter button once to record.
• After 25 shots are recorded, they are combined into
a single image, which is stored in memory.
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OTHER RECORDING FUNCTIONS
• You cannot use the self-timer in combination with the
normal-speed continuous shutter mode (page 73).
• Triple Self-timer (page 74) can be used in combination
with the zoom continuous shutter mode only.
• The slowest possible shutter speed setting when using
the multi continuous shutter mode is 1/15 second.
• Note that the resolution of images recorded with the high-
speed continuous shutter mode or flash continuous
shutter mode is somewhat lower resolution and more
prone to digital noise than images recorded with the
normal-speed continuous shutter mode.
• “Auto” ISO sensitivity always is used for the high-speed
continuous shutter mode or flash continuous shutter
mode, regardless of the current ISO sensitivity setting.
• With the flash continuous shutter mode, the flash range is
narrower than normal.
Continuous Shutter Precautions
• Starting a continuous shutter operation causes the
exposure and focus settings to be fixed at the levels for
the first image. The same settings are applied to all
subsequent images.
• Continuous shutter cannot be used in combination with
any of the following features.
BEST SHOT (“Business Cards and Documents”,
“Whiteboard, etc.”, “Old Photo”, “ID Photo”, “Pastel”,
“Illustration”, “Cross”), Movie mode, MOVIE BEST SHOT
mode
• When using a continuous shutter mode, keep the camera
still until all recording is finished.
• A continuous shutter operation may stop part way through
if memory capacity runs low.
• Using a slow shutter speed setting causes a longer
interval between images.
• The continuous shutter rate depends on the current
image size and image quality settings.
• You can select the flash mode you want with normal-
speed continuous shutter mode.
• With the normal-speed continuous shutter mode and multi
continuous shutter mode, the flash mode automatically
becomes
• With the flash continuous shutter mode, the flash mode
automatically becomes (flash on).
(flash off).
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OTHER RECORDING FUNCTIONS
1. In a REC mode, align
the mode dial with
Using the BEST SHOT Mode
Simply select one of a collection of built-in sample scenes
and the camera sets up for the scene you selected for
beautiful snapshots every time.
“
”, and then press
[SET].
• This enters the BEST
SHOT mode and
displays all 12 of the
BEST SHOT scenes.
I Example Sample Scene
• Portrait
• Scenery
• Sample scenes are arranged in sequence, starting
from the upper left corner.
• The currently selected sample scene is the one with
the selection boundary around it.
• Night Scene
• Night Scene Portrait
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OTHER RECORDING FUNCTIONS
IMPORTANT!
2. Use [̆], [̄], [̇], and [̈] to select the sample
scene you want, and then press [SET].
• BEST SHOT scenes were not recorded using this
camera. They are provided as samples only.
• Due to shooting conditions and other factors, an
image recorded using the setup of a BEST SHOT
scene may not produce exactly the results you
expect.
• Use [̆], [̄], [̇], and [̈] to move the selection
boundary around the display. Scrolling left while the
selection boundary is in the upper left or scrolling
right while it is in the lower right corner will scroll to
another screen of 12-sample scenes.
• You can change the camera settings that are
configured when you select a BEST SHOT scene.
The settings you can change are the same as those
that are saved when you save a BEST SHOT user
setup (page 106). Note, however, that some BEST
SHOT scenes do not allow you to change certain
settings. BEST SHOT scene settings revert to their
default presets whenever you select another BEST
SHOT scene or turn off the camera. If you want to
save your settings for later use, save them as a
BEST SHOT user setup (page 106).
3. Press the shutter button to record the image.
• Digital noise reduction processing is performed
automatically when you are recording a night scene,
fireworks, or other image that requires slow shutter
speeds. Because of this, it takes longer to record
images at lower shutter speeds. Make sure that you
do not perform any camera button operations until
the image recording operation is complete.
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OTHER RECORDING FUNCTIONS
• When recording the image of a night scene,
fireworks, or some other image using a slow shutter
speed, use of a tripod is recommended to prevent
hand movement.
Displaying Sample Scenes Individually
You can use the following procedure to display BEST
SHOT sample scenes individually, so you can view the
explanation about each scene’s settings.
NOTE
1. In a REC mode, align the mode dial with “ ”,
• Operation guidance and the currently selected BEST
SHOT scene appear on the display for about two
seconds if the camera is in the BEST SHOT mode
when you turn it on.
and then press [SET].
• This displays all 12 of the BEST SHOT scenes.
2. Move the zoom
controller.
• This displays the
sample scene that was
selected on the 12-
scene screen.
• To return to the 12-
sample scene screen,
move the zoom
controller again.
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OTHER RECORDING FUNCTIONS
3. Use [̇] and [̈] to select the sample scene
Creating Your Own BEST SHOT Setup
You can use the procedure below to save the setup of an
snapshot you recorded as a BEST SHOT scene. After that,
you can recall the setup whenever you want to use it.
you want, and then press [SET].
4. Press the shutter button to record the image.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
2. Use [̆], [̄], [̇], and [̈] to select “Register
User Scene”, and then press [SET].
3. Use [̇] and [̈] to
display the snapshots
whose setup you
want to register as a
BEST SHOT scene.
4. Use [̆] and [̄] to select “Save”, and then
press [SET].
• This registers the setup. Now you can use the
procedure on page 103 to select your user setup for
recording.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
NOTE
• BEST SHOT user setups are located in the camera’s
built-in memory following the built-in sample scenes.
• Selecting a user snapshot setup displays the
indicator “U” in the upper right corner of the monitor
screen, followed by a number (that indicates the
setup number).
• The following are the settings that are included in a
snapshot setup: focus mode, EV shift value, white
balance mode, flash mode, ISO sensitivity, Metering,
Flash Intensity, Flash Assist, Filter, Sharpness,
Saturation, and Contrast.
• Note that snapshots recorded with this camera only
can be used to create a BEST SHOT user setup.
• You can have up to 999 BEST SHOT user setups in
the camera’s built-in memory at one time.
• Note that formatting built-in memory (page 202)
deletes all BEST SHOT user setups.
• You can check the current setup of a scene by
displaying the various setting menus.
• BEST SHOT snapshot user setups are stored in
camera built-in memory in the folder named
“SCENE”. File names are assigned automatically
using the format “UZ850nnn.JPE”, where “nnn” is a
value from 000 through 999.
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107
OTHER RECORDING FUNCTIONS
To delete a BEST SHOT user setup
Reducing the Effects of Hand or Subject
Movement
1. In a REC mode, align the mode dial with “ ”,
You can reduce the effects of subject movement, and for
hand movement that tends to occur when shooting a far-
away subject using telephoto, a fast-moving subject, or
under dim lighting conditions.
• You can also use Anti Shake to reduce the effects of
hand movement only while recording a movie. The effects
of subject movement are not limited (page 118).
and then press [SET].
2. Move the zoom controller to switch from the
12-scene screen to the sample scene.
3. Use [̇] and [̈] to display the user setup you
want to delete.
1. Perform one of the procedures below to
enable Anti Shake.
4. Press [̄] (
) to delete the user setup.
5. Use [̆] and [̄] to select “Delete”.
Using the BEST SHOT mode
1. In a REC mode, align the mode dial with “
then press [SET].
”, and
6. Press [SET] to delete the file.
2. Use [̆], [̄], [̇], and [̈] to select the “Anti Shake”
scene, and then press [SET].
7. Select another scene, and then press [SET].
• This returns to the recording state.
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108
OTHER RECORDING FUNCTIONS
Using the Menu Screen
IMPORTANT!
1. In a REC mode, press [MENU].
• Anti Shake is disabled automatically when any
setting other than “Auto” is selected for ISO
sensitivity. If you want Anti Shake to be operational
after turning it on, be sure to change the ISO
sensitivity setting to “Auto” (page 142).
• Recording with Anti Shake can cause an image to
appear somewhat coarser than normal and can
cause slight deterioration of image resolution.
• The Anti Shake feature may not be able to eliminate
the effects of hand or subject movement when
shaking is severe.
2. Select the “REC” tab, select “Anti Shake”, and then
press [̈].
3. Use [̆] and [̄] to select “Auto”, and then press
[SET].
•
(Anti Shake indicator) is displayed on the
monitor screen while Anti Shake is turned on.
2. Press the shutter button to record the image.
• The Anti Shake feature may not work when using a
very low shutter speed. If this happens, use a tripod
to stabilize the camera.
• Though “
” (Anti Shake) is displayed on the
monitor screen while the flash setting is “Auto Flash”,
“Flash On”, or “Soft Flash”, Anti Shake is disabled.
• While recording with Anti Shake, the maximum digital
zoom factor is 4X (page 65).
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109
OTHER RECORDING FUNCTIONS
IMPORTANT!
Shooting with High Sensitivity
• High Sensitivity is disabled automatically when any
setting other than “Auto” is selected for ISO
sensitivity. If you want High Sensitivity to be
operational after turning it on, be sure to change the
ISO sensitivity setting to “Auto” (page 142).
• Recording with high sensitivity can cause an image
to appear somewhat coarser than normal and can
cause slight deterioration of image resolution.
• A desirable level of image brightness may not be
possible under very dark conditions.
Higher sensitivity makes it possible to record brighter
images, without using flash, even when there is not enough
lighting available to obtain normal exposure.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
2. Use [̆], [̄], [̇], and [̈] to select the “High
Sensitivity” scene, and then press [SET].
• When shooting with slow shutter speeds, use a
tripod to protect against the effects of hand
movement.
3. Press the shutter button to record the image.
• High Sensitivity is disabled while the flash setting is
“Auto Flash”, “Flash On”, or “Soft Flash”.
• While recording with High Sensitivity, the maximum
digital zoom factor is 4X (page 65).
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OTHER RECORDING FUNCTIONS
I Setup Sample Images
Recording Images of Business Cards and
Documents (Business Shot)
Recording a business card, document, whiteboard, or
similarly shaped object from an angle can cause the
subject to appear misshaped in the resulting image.
Business Shot automatically corrects the shape of
rectangular objects to make them appear like the camera
was positioned directly in front of them.
• Business cards and
documents
• White board, etc.
Before keystone
correction
After keystone
correction
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OTHER RECORDING FUNCTIONS
Before recording with Business Shot
To use Business Shot
• Before recording, compose the image so outline of the
item you want to record fits entirely within the monitor
screen.
• Make sure the object is against a background that allows
its outline to stand out, and that it fills the monitor screen
to the maximum extent possible.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
2. Use [̆], [̄], [̇] and [̈] to select the
Business Shot image you want, and then
press [SET].
NOTE
3. Press the shutter
button to record the
image.
• When the camera is at an angle to a business card
or document it is recording, the shape of the
business card or document may appear distorted in
the image. Auto keystone correction corrects for this
distortion, which means that subjects appear normal
even if you record at an angle.
• This displays a screen
that shows all of the
objects in the image that
qualify as candidates for
keystone correction. An
error message will
appear (page 271) if the
camera is unable to find
any suitable keystone
correction candidate in
the image. After a short
while, the original image
will be stored in memory,
as-is.
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112
OTHER RECORDING FUNCTIONS
4. Use [̇] and [̈] to select the candidate you
Restoring an Old Photograph
want to correct.
You can use the procedure in this section to restore an old,
faded photograph with the color provided by modern digital
camera technology.
5. Use [̆] and [̄] to
select “Correct”, and
then press [SET].
• Selecting “Cancel” in
place of “Correct” stores
the original image as-is,
without correcting it.
Before trying to restore an old
photograph
• Make sure the entire photograph you are trying to restore
is enclosed within the monitor screen.
• Make sure the object is against a background that allows
its outline to stand out, and that it fills the monitor screen
to the maximum extent possible.
• Make sure that light is not reflecting off the surface of the
original photograph.
• If the old photograph is portrait orientation, be sure to
compose the image with the camera in landscape
(horizontal) orientation.
IMPORTANT!
• Digital zoom is disabled while recording with
Business Shot. However, you can use optical zoom.
• The camera will not be able to recognize the subject
in the following cases.
— When part of the subject extends outside of the
monitor screen
— When the subject is the same color as the
background it is placed upon
×
• The maximum Business Shot image size is 1600
1200 pixels, even if the camera is configured for a
larger image size. An image size setting smaller than
×
1600 1200 pixels records images at the specified
size.
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OTHER RECORDING FUNCTIONS
NOTE
To restore an old photograph
• When the camera is at an angle to the old
photograph, one side of the recorded image may
appear longer than the side opposite from it. This is
called “keystoning,” which is caused by the
difference in distance from the camera lens to each
side of the photograph. The side of the photograph
that is closer to the camera looks longer and the side
further from the camera looks shorter. Auto keystone
correction corrects for this distortion, which means
that a photograph appears normal even if you record
it at an angle.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
2. Use [̆], [̄], [̇], and [̈] to select “Old
Photo”, and then press [SET].
3. Press the shutter
button to record the
image.
• This displays a
photograph contour
confirmation screen,
and then saves the
original recorded image.
An error message will
appear (page 271),
without displaying the
photograph contour
confirmation screen, if
the camera is unable to
find the contour of the
photograph.
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114
OTHER RECORDING FUNCTIONS
4. Use [̇] and [̈] to select the contour
7. Use [̆], [̄], [̇], and [̈] to move the
cropping boundary to the location you want,
and then press [SET].
candidate you want to correct.
5. Use [̆] and [̄] to
select “Trim”, and
then press [SET].
• The camera will restore color automatically and save
the image.
• If you do not want a border around the image,
configure the cropping boundary so it is slightly
inside of the boundary of the displayed image.
• This displays a cropping
boundary on the
monitor screen.
• To cancel the cropping operation at any point and
save the image as-is, press [MENU].
• If you do not want to
crop the image, select
“Cancel” to store the
image.
6. Use the zoom controller to make the cropping
boundary larger or smaller.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Recording an ID Photo
• Digital zoom is disabled while recording an old
photograph. However, you can use optical zoom.
• The camera will not be able to recognize an old
photograph in the following cases.
— When part of the photograph extends outside of
the monitor screen
You can use this procedure to record a portrait and then
print a variety of different standard size ID photos.
• Printing an ID photo produces a single sheet containing
five ID photos of the following sizes.
×
×
×
×
30 24 mm (1.2˝ 0.94˝), 40 30 mm (1.6˝ 1.2˝),
×
×
×
×
45 35 mm (1.8˝ 1.4˝), 50 40 mm (2.0˝ 1.6˝),
— When the old photograph is the same color as the
background it is placed upon
×
×
55 45 mm (2.2˝ 1.8˝)
• The maximum size when recording an old
×
photograph is 1600 1200 pixels, even if the camera
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
is configured for a larger image size. When the
camera is configured to record images smaller than
×
1600 1200 pixels, images will be in accordance
2. Use [̆], [̄], [̇], and [̈] to select the “ID
with the currently specified image size.
• Under certain conditions, restored colors may not
produce the desired results.
Photo” scene, and then press [SET].
3. On the monitor
screen, compose the
image by positioning
the subject within the
on-screen frame, and
then press the shutter
button to record an
initial temporary
image.
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OTHER RECORDING FUNCTIONS
• The initial temporary image is not stored in camera
memory. The final image is stored in camera
memory when you perform step 5.
5. After positioning the subject in the frame,
press [SET].
• Only the final image that is on the screen when you
press [SET] in step 5 is stored in camera memory.
4. Adjust the position of the subject as
described below.
IMPORTANT!
To do this:
Select this setting:
Press [̆] or [̄].
×
• The image size of an ID photo is always 3264 2448
pixels, regardless of the camera’s current image size
Shift the subject up or down
Shift the subject left or right
setting.
Press [̇] or [̈].
Zoom in on the subject
(to make it larger)
Move the zoom controller
towards “
”.
Zoom out on the subject
(to make it smaller)
Move the zoom controller
towards “
”.
Head line
Chin line
• Adjust the image so the head of the subject is
aligned with the head line at the top of the frame,
and the chin of the subject is aligned with the chin
line.
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OTHER RECORDING FUNCTIONS
Printing an ID Photo
Recording a Movie
Printing an ID photo will print five versions of the same
image in the sizes shown below on a single sheet of paper.
Then you can cut out the image(s) you want to use.
You can record high-resolution movies with audio. Movie
length is limited only by the amount of memory available for
storage. You can select a resolution setting to suit your
needs, and a variety of different movie recording functions
provide plenty of movie making versatility.
×
×
×
×
30 24 mm (1.2˝ 0.94˝), 40 30 mm (1.6˝ 1.2˝),
×
×
×
×
45 35 mm (1.8˝ 1.4˝), 50 40 mm (2.0˝ 1.6˝),
×
×
55 45 mm (2.2˝ 1.8˝)
• File Format: MPEG-4 AVI format
IMPORTANT!
• Maximum Movie Length :
• The above sizes are not exact. Actual image sizes
may differ slightly from those noted above.
The length of a movie is limited only by the amount of
memory available to store it.
×
• When printing an ID photo, be sure to print on 4˝ 6˝
• Approximate Movie File Size (1-minute movie) :
28.4MB (Quality Setting: HQ)
14.9MB (Quality Setting: Normal)
5.3MB (Quality Setting: LP)
size paper (page 216). Images may not print at the
proper sizes if another size of paper is used.
• Movie recording functions
—
Movie mode
Use this mode for normal movie recording (page 120).
—
MOVIE BEST SHOT mode
This mode makes camera setup as easy as selecting
the applicable sample scene. Select one of the MOVIE
BEST SHOT scenes and the camera automatically
configures itself with the setup for that scene (page
123).
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OTHER RECORDING FUNCTIONS
—
Short Movie
Specifying Movie Image Quality
Each press of the shutter button records a short movie
that starts before the button is pressed and ends after
the button is pressed (page 126).
The image quality setting determines how much the
camera compresses movie images before storing them.
Image quality is expressed as image size in pixels. A
“pixel” is one of the many tiny dots that make up an image.
More pixels (a larger image size) provide finer detail and
higher image quality when a movie is played back.
Before recording a movie, select the image quality setting
that suits your needs.
—
Past Movie
This function uses a 5-second buffer that is continually
updated. Pressing the shutter button starts recording
from five seconds prior to the point the button is
pressed. Use this function when you want to make
sure you do not miss fast-moving action (page 129).
1. In a REC mode, press [MENU].
NOTE
• Use MOVIE BEST SHOT to select “Short Movie” to
use short movie or “Past Movie” to use past movie.
• You can play movie files on your computer using
Windows Media Player 9.
• Installing CASIO AVI Importer component on your
Macintosh makes it possible to use QuickTime to
playback movies recorded with the camera (page
256).
2. Use [̇] and [̈] to select the “Quality” tab.
3. Use [̆] and [̄] to select “
then press [̈].
Quality” , and
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
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OTHER RECORDING FUNCTIONS
Approximate
Data Rate
Recording a Standard Movie
(Movie Mode)
Use the Movie Mode when you want to record a standard
movie.
Setting
Frame Rate
Higher HQ
4.0 megabits
30 frames/
second
×
Quality (640 480 pixels) per second
Normal 2.1 megabits
(640 480 pixels) per second
Lower LP 745 kilobits
Quality (320 240 pixels) per second
30 frames/
second
×
15 frames/
second
Remaining recording time
1. In a REC mode, align
×
the mode dial with
“
”.
• This enters the Movie
mode and causes “
appear on the monitor
screen.
” to
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OTHER RECORDING FUNCTIONS
Recording time
2. Point the camera at
the subject and then
press the shutter
button.
I Movie Recording Precautions
• This camera also records audio. Note the following points
when recording a movie.
— Take care that you do not
block the microphone
• This starts movie
recording, which is
REC
with your fingers.
— Good recording results
are not possible when the
camera is too far from the
subject.
indicated by “
” on the
monitor screen.
• Movie recording
continues as long as remaining memory capacity
allows.
Microphone
— Operating camera
buttons during recording
can cause button noise to
be included in the audio.
— Movie audio is recorded in monaural.
— The camera focuses automatically whenever you have
3. To stop movie recording, press the shutter
button again.
• When movie recording is complete, the movie file is
stored in file memory.
Auto Focus or Macro (
) (page 79) selected as the
focus mode. Note that the confirmation tone that
sounds during the Auto Focus operation will be
recorded in the audio. If you do not want confirmation
tones in your audio, keep Pan Focus (
focus mode, or select Manual Focus (
) as the
) and
manually focus the image before starting your
recording.
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OTHER RECORDING FUNCTIONS
— Auto Focus is not performed in the case of the Pan
• Images may be out of focus if the subject is outside the
shooting range of the camera.
Focus (
), Manual Focus (
) and Infinity (
)
focus modes, and so no confirmation tone sounds. In
the case of the Manual Focus mode, you cannot adjust
focus settings while recording is in progress. Be sure
to make all adjustments before beginning the record
operation.
• Entering the Movie mode or MOVIE BEST SHOT mode
automatically changes the focus mode to Pan Focus
(page 84), regardless of the current mode memory’s
(page 140) Focus setting.
• Certain types of subjects are difficult to focus (page 79)
and may cause blurry images. If this happens, try
changing the focus mode to Manual Focus (page 85) or
Pan Focus (page 84).
• Very bright light inside of an image can cause a vertical
band to appear in the monitor screen image. This is a
CCD phenomenon known as “vertical smear”, and does
not indicate malfunction of the camera. Note that vertical
smear is not recorded with the image in the case of a
snapshot, but it is recorded in the case of a movie.
• The movie recording capacity of built-in memory is very
small. Use of a memory card (page 203) is recommended
when recording movies.
• If images are out of focus when using Auto Focus, you
may be able to achieve proper focus by pointing the
camera at another subject momentarily.
• Certain types of memory cards take longer to record data,
which can cause movie frames to be dropped.
and
REC
flash on the monitor screen during recording to let
you know when a frame has been dropped.
• Optical zoom is disabled during movie recording. Digital
zoom only is available. Make sure you select the optical
zoom setting you want to use before you press the
shutter button to start movie recording (page 63).
• The effects of camera movement in an image become
more pronounced when you record close ups or recording
with a large zoom factor. Because of this, use of a tripod
is recommended when recording close ups or recording
with a large zoom factor.
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OTHER RECORDING FUNCTIONS
3. Point the camera at the subject and then
press the shutter button.
Instant Movie Setups
(MOVIE BEST SHOT Mode)
Simply select one of a collection of built-in sample movie
scenes and the camera sets up for the scene you selected.
4. To stop movie recording, press the shutter
button again.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
IMPORTANT!
• MOVIE BEST SHOT scenes were not recorded using
this camera. They are provided as samples only.
• Images recorded using a MOVIE BEST SHOT scene
may not produce the results you expected due to
shooting conditions and other factors.
• You can change the camera settings that are made
when you select a MOVIE BEST SHOT scene. Note,
however, that the MOVIE BEST SHOT settings
revert to their defaults when you select another
MOVIE BEST SHOT scene, change the recording
mode, or turn off the camera. If you want to save
your settings for later use, save them as a MOVIE
BEST SHOT user setup.
• This enters the MOVIE BEST SHOT mode and
displays a sample scene selection screen. A selection
boundary is located at the scene you last used.
• Sample scenes are arranged in sequence, starting
from the upper left corner.
• The currently selected sample scene is the one with
the selection boundary around it.
2. Use [̆], [̄], [̇], and [̈] to select the sample
scene you want, and then press [SET].
• If there are more than 12 scenes (because you have
added some custom scenes), the screen will scroll to
show the remaining scenes when you press [̆], [̄],
[̇], and [̈] while the selection boundary is located
at the left or right edge of the screen.
• Selecting “Night Scene” reduces the frame rate of
movie recording (page 120).
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OTHER RECORDING FUNCTIONS
NOTE
Displaying MOVIE BEST SHOT Sample
Scenes Individually
You can use the following procedure to display the MOVIE
BEST SHOT sample scenes individually, so you can view
the explanation about each scene’s settings.
• Turning on the camera while it is in the MOVIE BEST
SHOT Mode will cause operation guidance and the
currently selected sample scene to appear on the
monitor screen for about two seconds.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
• This displays a sample scene selection screen. A
selection boundary is located at the scene you last
used.
2. Move the zoom controller.
• This displays the explanation screen for the sample
scene where the selection boundary was located on
the selection screen.
• To return to the sample scene selection screen,
move the zoom controller again.
3. Use [̇] and [̈] to select the sample scene
you want, and then press [SET].
4. Press the shutter button to record the movie.
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Creating Your Own MOVIE BEST SHOT
Setup
You can use the procedure below to save the setup of a
movie you recorded as a MOVIE BEST SHOT scene. After
that, you can recall the setup whenever you want to use it.
• When selecting a user setup, scroll to the end of the
built-in MOVIE BEST SHOT scenes until “Recall
User Scene” appears on the display. Then scroll
further to see the user setup scenes.
• Formatting the camera’s built-in memory (page 202)
deletes all user MOVIE BEST SHOT setups.
• The following are the settings that are included in a
MOVIE BEST SHOT user setup.
Focus mode, white balance mode, sharpness,
saturation, contrast, EV shift
• Only the setup of a movie recorded with this camera
can be saved as a MOVIE BEST SHOT setup.
• You can register up to 999 MOVIE BEST SHOT user
setups.
• You can check the settings of the currently selected
MOVIE BEST SHOT scene by displaying the various
setting menus.
• MOVIE BEST SHOT user setups are stored in
camera built-in memory in the folder named
“MSCENE”. File names are assigned automatically
using the format shown below.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
2. Use [̆], [̄], [̇], and [̈] to display “Register
User Scene”, and then press [SET].
3. Use [̇] and [̈] to display the movie whose
setup you want to save.
4. Use [̆] and [̄] to select “Save”, and then
press [SET].
• The normal MOVIE BEST SHOT screen will
reappear after the save operation is complete. Now
you can use the procedure on page 123 to select
your user setup for recording.
UZ850nnn.JPE (n = 0 to 9)
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OTHER RECORDING FUNCTIONS
I To delete a MOVIE BEST SHOT user setup
Recording a Short Movie
Short Movie records a movie of preset length each time
you press the shutter button.
Short Movie consists basically of two parts, as shown in the
illustration below.
1. In a REC mode, align the mode dial with “ ”,
and then press [SET].
2. Move the zoom controller to switch from the
12-scene screen to the sample scene.
• When 4-second past part and 4-second future part is
specified
3. Use [̇] and [̈] to display the user setup you
Shutter
Release
want to delete.
Operation ➝
Record
Store
4. Press [̄] (
).
Action ➝ Stores the
previous
Recording
of the future
part starts.
Storage
complete.
5. Use [̆] and [̄] to select “Delete”, and then
4 seconds.
press [SET].
Recording stops automatically
4 seconds after the shutter
release button is pressed.
6. Select another scene, and then press [SET].
• This returns to the recording state.
You can specify the length of the past part and the future
part independently. The total length of the short movie can
be anywhere from two to eight seconds. A MOTION PRINT
feature (page 168) lets you capture still images from a
short movie as you store it.
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OTHER RECORDING FUNCTIONS
• You can specify 0 seconds for the length of the past
part or the future part.
I To record a Short Movie
• The length of the past part can be from 0 to five
seconds.
1. In a REC mode, align the mode dial with “ ”.
2. Use [̆], [̄], [̇], and [̈] to select the “Short
5. Use [̆] and [̄] to specify the length of the
future part (the after part the shutter button is
pressed), and then press [̈].
Movie” scene, and then press [SET].
• Selecting the “Short Movie” scene causes “
appear on the monitor screen.
” to
3. Press [
].
Past part
Future part
4. Use [̆] and [̄] to
specify the length of
the past part (the part
before the shutter
button is pressed),
and then press [̈].
• Times can be specified
in one-second units.
• The total short movie
length (past part plus
future part) can be the
range of two seconds to
eight seconds.
MOTION PRINT
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OTHER RECORDING FUNCTIONS
6. Use [̆] and [̄] to select the MOTION PRINT
7. Point the camera at the subject and then
press the shutter button.
layout format you want, and then press [SET].
• This will record a movie of the length specified by the
time values you specified in steps 3 and 4.
Recording stops automatically.
Select this
To do this:
setting:
Store a capture of the
image at the point the
shutter button is pressed
to start Short Movie
recording, and display it
on a background of eight
frames
• To stop recording part way through, press the shutter
button again.
9 frames
IMPORTANT!
• Note that Short Movie data is continually recorded
and stored in a buffer before you press the shutter
button. Be sure to keep the camera still and pointed
in the direction of the subject for some time before
you press the shutter button to start recording.
• When a Short Movie record operation starts future
part recording, the monitor screen will show a
countdown of the remaining recording time.
Recording continues until the end of the countdown
is reached.
Store a capture of the
image at the point the
shutter button is pressed
to start Short Movie
recording
1 frame
Turn off MOTION PRINT (no snapshot stored) Off
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OTHER RECORDING FUNCTIONS
3. Point the camera at the subject and then
press the shutter button.
Recording a Past Movie
Past Movie uses a 5-second buffer that is continually
updated. Pressing the shutter button starts recording from
five seconds prior to the point the button is pressed. Use
Past Movie when you want to make sure you do not miss
fast-moving action.
• This will record anything that went on in front of the
lens during the previous five seconds and continue
recording from the point that the shutter button was
pressed. Recording can continue as long as there is
memory available to store data.
Shutter
Release
Shutter
Release
Operation ➝
4. To stop recording, press the shutter button
again.
Record
Store
Action ➝ Stores the
Recording
Recording
ends.
Storage
complete.
IMPORTANT!
previous
of the future
5 seconds. part starts.
• When Past Movie is selected, the camera continually
updates an internal buffer that holds about five
seconds of movie images of what has happened in
front of the camera’s lens. When you press the
shutter button, your movie will start with the buffer’s
current contents and continue from there. Be sure to
keep the camera still and pointed in the direction of
the subject for some time before you press the
shutter button to start shooting.
1. In a REC mode, align the mode dial with “ ”.
2. Use [̆], [̄], [̇], and [̈] to select the “Past
Movie” scene, and then press [SET].
• Selecting the “Past Movie” scene causes “
appear on the monitor screen.
” to
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OTHER RECORDING FUNCTIONS
4. Use [̆] and [̄] to select the setting you
Shooting with the REC Light
want, and then press [SET].
AF assist light/REC light/
self-timer lamp
You can turn on the camera’s
REC light (AF assist light/REC
light/self-time lamp) when
shooting where lighting is dim.
You can turn on the REC light
while shooting snapshots to
help framing. You can turn on
the REC light while shooting a
movie to illuminate your
To have the REC light do this:
Select this setting:
Turn on only when available lighting is
dim when recording
Auto
Always turn on the REC light when
recording
On
Off
Turn off the REC light when recording
• The “
” or “
” appears on the monitor screen
subject.
while the REC light is auto or on.
5. Press the shutter button to record the image
or the movie.
1. In a REC mode, align the mode dial with “
or “ ”.
”
2. Press [MENU].
3. Select the “REC” tab, select “REC Light”,and
then press [̈].
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Recording Audio
• You also can use [̄] (
light settings (“Auto”
) to cycle through REC
“On” “Off”) while movie
Adding Audio to a Snapshot
recording is in progress.
You can add audio to a snapshot after you record it.
• Never look directly into the AF assist light/REC light/
self-timer lamp or point it directly into the eyes of
others.
• Image Format: JPEG
JPEG is an image format that provides efficient data
compression.
The file extension of a JPEG file is “.JPG”.
• Never point the AF assist light/REC light/self-timer
lamp in the direction of a person who is operating a
motor vehicle.
• The effectiveness of the REC light is reduced in the
case of faraway subjects.
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
• Recording Time:
Up to about 30 seconds per image
• Audio File Size:
Approximately 165KB (30-second recording of
approximately 5.5KB per second)
NOTE
• You can play back an audio file recorded in the
Audio Snapshot mode on your computer using
Windows Media Player.
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C
OTHER RECORDING FUNCTIONS
1. In a REC mode, press [MENU].
5. Press the shutter button to start audio
recording.
2. Select the “REC” tab, select “Audio Snap”,
• The green operation lamp will flash while recording is
in progress.
and then press [̈].
3. Use [̆] and [̄] to select “On” and then press
6. Recording stops after about 30 seconds or
when you press the shutter button.
[SET].
• This enters the Audio Snapshot mode.
IMPORTANT!
• Selecting “Off” enters the Normal Snapshot mode
(no audio).
• Audio snapshot recording is not supported (audio
cannot be recorded) for “X3” self-timer recording
(Triple Self-timer).
4. Press the shutter
button to record the
image.
• After the image is
recorded, the camera
enters audio recording
standby, with the image
you just recorded on the
monitor screen and
Remaining recording time
displays a
indicator.
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OTHER RECORDING FUNCTIONS
Recording time
1. In a REC mode, align
the mode dial with
“ ”.
Recording Your Voice
Voice Recording provides quick and easy recording of your
voice.
• Selecting the “Voice
Recording” scene
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
causes “
” to appear
on the monitor screen.
• Recording Time:
Approximately 24 minutes with built-in memory
Remaining recording time
• Audio File Size:
Approximately 165KB (30-second recording of
approximately 5.5KB per second)
2. Press the shutter button to start voice
recording.
• The remaining recording time value counts down on
the monitor screen and the green operation lamp
flashes as recording is performed.
NOTE
• You can play back files recorded with Voice
Recording on your computer using Windows Media
Player.
• Pressing [DISP] during voice recording turns off the
monitor screen.
• You can insert index marks while recording by
pressing [SET]. See page 179 for information about
jumping to an index mark during playback.
3. Recording stops when you press the shutter
button, when memory becomes full, or when
the battery goes dead.
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B
OTHER RECORDING FUNCTIONS
I Audio Recording Precautions
Using the Histogram
• Take care that you do not
block the microphone with
your fingers.
You can use [DISP] to display a histogram on the monitor
screen (page 33). The histogram lets you check exposure
conditions as you record images. You can also display the
histogram of a recorded image in the PLAY mode.
Microphone
• Good recording results are not possible when the camera
is too far from the subject.
• Pressing the power button or pressing [
] (PLAY) stops
recording and stores any audio recorded up to that point.
• You can also perform “after-recording” to add audio to a
snapshot after recording it, and also change the audio
recorded for an image. See page 177 for more
information.
Histogram
• A histogram is a graph that represents the lightness of an
image in terms of the number of pixels. The vertical axis
indicates the number of pixels, while the horizontal axis
indicates lightness. You can use the histogram to
determine whether an image includes the shadowing (left
side), mid tones (center), and highlighting (right) required
to bring out sufficient image detail. If the histogram
appears too lopsided for some reason, you can use EV
shift (exposure compensation) to move it left or right in
order to achieve better balance. Optimum exposure can
be achieved by correcting exposure so the graph is as
close to the center as possible.
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OTHER RECORDING FUNCTIONS
• An RGB histogram that shows the distribution of R (red),
G (green), and B (blue) components is also displayed.
This histogram can be used to determine whether there is
too much or too little of each of the color components in
an image.
• When the histogram is too far
to the left, it means that there
are too many dark pixels.
This type of histogram results
when the overall image is
dark. A histogram that is too
far to the left may result in
“black out” of the dark areas
of an image.
NOTE
• You can use key customization (page 137) to
configure the camera to perform exposure
compensation whenever you press [̇] or [̈] while in
a REC mode. If you do this, you can adjust exposure
compensation while viewing the on-screen histogram
(page 88).
• When the histogram is too far
to the right, it means that
there are too many light
pixels.
This type of histogram results
when the overall image is
light. A histogram that is too
far to the right may result in
“white out” of the light areas of
an image.
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OTHER RECORDING FUNCTIONS
• A centered histogram
indicates that there is good
distribution of light pixels and
dark pixels. This type of
histogram results when the
overall image is at optimal
lightness.
IMPORTANT!
• Note that the above histograms are shown for
illustrative purposes only. You may not be able to
achieve exactly the same shapes for particular
subjects.
• A centered histogram does not necessarily
guarantee optimum exposure. The recorded image
may be over-exposed or under-exposed, even
though its histogram is centered.
• You may not be able to achieve an optimum
histogram configuration due to the limitations of EV
shift.
• Use of the flash as well as certain shooting
conditions can cause the histogram to indicate
exposure that is different from the actual exposure of
the image when it was recorded.
• The RGB (color component) histogram is displayed
for snapshots only.
• The RGB (color component) histogram is displayed
for snapshots only. In the following modes, only the
luminance distribution histogram appears on the
monitor screen.
Movie mode, MOVIE BEST SHOT mode
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OTHER RECORDING FUNCTIONS
Assigning Functions to the [̇] and [̈]
REC Mode Camera Settings
Keys
The following are the settings you can configure before
recording an image using the REC mode.
A “key customization” feature lets you configure the [̇]
and [̈] keys so they change camera settings whenever
they are pressed in a REC mode. After you configure the
[̇] and [̈] keys, you can change the setting assigned to
them without going through the menu screen.
• L/R key setting (key customization)
• Grid on/off
• Image Review on/off
• Icon Help on/off
• Power on default settings
• ISO sensitivity
• Metering
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “L/R Key”, and
• Filter
• Sharpness
then press [̈].
• Saturation
• Contrast
• Timestamp
• Resetting the camera
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
• After you assign a function, you can change its
setting simply by pressing the [̇] and [̈] keys.
— EV Shift (page 88)
— White Balance (page 89)
— ISO (page 142)
— Metering (page 143)
— Self-timer (page 73)
— Off: No function assigned
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OTHER RECORDING FUNCTIONS
IMPORTANT!
Turning the On-screen Grid On and Off
You can display gridlines on the monitor screen to help you
compose images and ensure that the camera is straight
when recording.
• While recording a snapshot or movie, you can use
[̇] and [̈] to set the functions assigned to them.
However, you cannot set the self-timer during movie
recording.
1. In a REC mode, press [MENU].
2. Select the “REC” tab, select “Grid”, and then
press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
Display the grid
Hide the grid
On
Off
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OTHER RECORDING FUNCTIONS
Turning Image Review On and Off
Using Icon Help
Image review displays the images you record on the
monitor screen as soon as you record them. Use the
following procedure to turn image review on and off.
Icon Help displays guidance text about an icon when you
select it on the monitor screen while in a REC mode (page
29).
• Icon Help text is displayed for the following functions:
— Focus mode, white balance, self-timer, metering, REC
modes.
1. In a REC mode, press [MENU].
— EX menu screen (page 149) image size, white
balance, AF area.
Note, however, that metering, self-timer and white
balance icon help text appears only when “Metering”,
“Self-timer” or “White Balance” is assigned to the [̇] and
[̈] keys with the key customization feature (page 137).
2. Select the “REC” tab, select “Review”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
To do this:
Select this setting:
On
1. In a REC mode, press [MENU].
Display images on the monitor
screen for about one second
2. Select the “REC” tab, select “Icon Help”, and
immediately after they are recorded
then press [̈].
Do not display images immediately
after they are recorded
Off
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OTHER RECORDING FUNCTIONS
3. Use [̆] and [̄] to select the setting you
Specifying Power On Default Settings
want, and then press [SET].
The camera’s “mode memory” feature lets you specify the
power on default settings individually for the flash mode,
focus mode, white balance mode, ISO sensitivity, AF Area,
metering, self-timer, flash intensity, digital zoom mode,
manual focus position and zoom position. Turning on mode
memory for a mode tells the camera to remember the
status of that mode when you turn off the camera, and
restore it the next time you turn the camera back on. When
mode memory is turned off, the camera automatically
restores the initial factory default setting for the applicable
mode.
To do this:
Select this setting:
Display guidance text when you
select an icon on the monitor screen.
On
Off
Turn off Icon Help
IMPORTANT!
• The icons listed below do not appear on the display
while Icon Help is turned off.
— Focus mode
— White balance
icon (page 79)
icon (page 89)
— The following table shows what happens when you turn
mode memory on or off for each mode.
AWB
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OTHER RECORDING FUNCTIONS
1. In a REC mode, press [MENU].
Function
Flash
On
Off
Auto
Auto
Auto
Auto
2. Select the “REC” tab, select “Memory”, and
Focus
then press [̈].
White Balance
ISO
3. Use [̆] and [̄] to select the item you want to
change, and then press [̈].
AF Area
Spot
Setting when
camera is
turned off
Metering
Self-timer
Flash Intensity
Digital Zoom
Multi
Off
0
4. Use [̆] and [̄] to select the setting you
want, and then press [SET].
On
To do this:
Select this setting:
On
Last Auto Focus
position that was in
effect before you
switched to manual
focus
Turn on mode memory so settings
are restored at power on
MF Position
Turn off mode memory so settings
are initialized at power on
Off
Zoom Position*
Wide
* Only the optical zoom position is remembered.
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141
OTHER RECORDING FUNCTIONS
IMPORTANT!
Specifying ISO Sensitivity
• Note that BEST SHOT mode settings take priority
over mode memory settings. If you turn the camera
off while in the BEST SHOT mode, all settings
except for “Zoom Position” will be configured
according to the BEST SHOT sample scene when
you turn it back on again, regardless of mode
memory on/off settings.
You can change the ISO sensitivity setting for better
images in places where lighting is dim or when you are
using faster shutter speeds.
• ISO sensitivity is expressed in terms of values that
originally indicated the sensitivity to light for photographic
film. A larger value indicates higher sensitivity, which is
better for recording when available lighting is dim.
• In the following modes, “
” (Flash Off) is always
selected as the flash mode regardless of mode
memory on/off setting.
Movie mode, MOVIE BEST SHOT mode
1. In a REC mode, press [MENU].
2. Select the “Quality” tab, select “ISO”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you want
and then press [SET].
To get this:
Select this setting:
Auto
Automatic sensitivity selection
Lower sensitivity
ISO 50
ISO 100
ISO 200
Higher sensitivity
ISO 400
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142
OTHER RECORDING FUNCTIONS
IMPORTANT!
Selecting the Metering Mode
• Under certain conditions, a high shutter speed in
combination with a high ISO sensitivity setting can
cause digital noise (graininess), which makes an
image appear rough. For clean, good-quality images,
use the lowest ISO sensitivity setting possible.
• Using a high ISO sensitivity setting along with the
flash to shoot a nearby subject may result in
improper illumination of the subject.
The metering mode determines what part of the subject is
metered for exposure. You can use the following procedure
to change the camera’s metering mode.
1. In a REC mode, press [MENU].
2. Select the “Quality” tab, select “Metering”,
• “Auto” ISO sensitivity always is used in the following
cases, regardless of the current ISO sensitivity
setting.
and then press [̈].
3. Use [̆] and [̄] to select the setting you
Movie mode, MOVIE BEST SHOT mode
want, and then press [SET].
NOTE
• You can use the key customization feature (page
137) to configure the camera so the ISO sensitivity
setting changes whenever you press [̇] and [̈]
while in a REC mode.
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143
OTHER RECORDING FUNCTIONS
Multi (Multi pattern)
IMPORTANT!
Multi (Multi pattern) metering divides the
image into sections and measures the
light in each section for a balanced
exposure reading. The camera
automatically determines shooting
conditions according to the measured
lighting pattern, and makes exposure
settings accordingly. This type of
metering provides error-free exposure
settings for a wide range of shooting
conditions.
• When “Multi” is selected as the metering mode,
certain procedures cause the metering mode setting
to change automatically as described below.
• Changing the exposure compensation setting (page
88) to a value other than 0.0 changes the metering
mode setting to “Center Weighted.” The metering
mode changes back to “Multi” when you return the
exposure compensation setting to 0.0.
• When “Multi” is selected, the icon is not displayed
when you return to the REC modes information
display (page 29).
Center Weighted
Center weighted metering measures
light concentrating on the center of the
focus area. Use this metering method
when you want to exert some control
over exposure, without leaving settings
totally up to the camera.
Spot
Spot metering takes readings at a very
small area. Use this metering method
when you want exposure to be set
according to the brightness of a
particular subject, without it being
affected by surrounding conditions.
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144
OTHER RECORDING FUNCTIONS
Using the Filter Function
Specifying Outline Sharpness
The camera’s filter function lets you alter the tint of an
image when you record it.
Use the following procedure to control the sharpness of
image outlines.
1. In a REC mode, press [MENU].
1. In a REC mode, press [MENU].
2. Select the “Quality” tab, select “Filter”, and
2. Select the “Quality” tab, select “Sharpness”,
then press [̈].
and then press [̈].
3. Use [̆] and [̄] to select the setting you
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
want, and then press [SET].
• Available filter settings are: Off, B/W, Sepia, Red,
Green, Blue, Yellow, Pink, Purple
To get this:
Select this setting:
High sharpness
+2
+1
0
IMPORTANT!
Normal sharpness
Low sharpness
• Using the camera’s filter feature produces the same
effect as attaching a color filter to the lens.
–1
–2
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145
OTHER RECORDING FUNCTIONS
Specifying Color Saturation
Specifying Contrast
Use the following procedure to control the intensity of the
image you are recording.
Use this procedure to adjust the relative difference
between the light areas and dark areas of the image you
are recording.
1. In a REC mode, press [MENU].
1. In a REC mode, press [MENU].
2. Select the “Quality” tab, select “Saturation”,
2. Select the “Quality” tab, select “Contrast”,
and then press [̈].
and then press [̈].
3. Use [̆] and [̄] to select the setting you
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
want, and then press [SET].
To get this:
Select this setting:
To get this:
Select this setting:
High color saturation (intensity)
+2
+1
0
High contrast
+2
+1
0
Normal color saturation (intensity)
Low color saturation (intensity)
Normal contrast
Low contrast
–1
–2
–1
–2
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146
OTHER RECORDING FUNCTIONS
IMPORTANT!
Date Stamping Snapshots
• Once date information is stamped in a print, it cannot
be deleted.
• Use the “Date Style” setting (page 195) to specify the
format of the date.
You can have the snapshot’s recording date only, or date
and time stamped in the lower right corner of the image.
1. In a REC mode, press [MENU].
• The recording date and time are determined in
accordance with the camera’s clock settings (pages
51, 194) when the snapshot is recorded.
• Digital zoom is not supported while date stamping
(“Date” or “Date&Time”) is turned on (page 65).
• Date stamping is not supported for the following
types of images.
— Images recorded with certain BEST SHOT scenes
(“Business Cards and Documents”, “Whiteboard,
etc.”, “Old Photo”, “ID Photo”, “Pastel”,
“Illustration”, “Cross”)
2. Select the “Set Up” tab, select “Timestamp”,
and then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
Example: December 24, 2006, 1:25 p.m.
To include this date stamp information: Select this setting:
Recording date (2006/12/24)
Date
— Images recorded with the zoom continuous
shutter mode and multi continuous shutter mode
(pages 100, 101)
Recording date and time
(2006/12/24 1:25pm)
Date&Time
Off
Nothing
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147
B
OTHER RECORDING FUNCTIONS
IMPORTANT!
Resetting the Camera
• The following are not initialized when you reset the
camera (page 259).
— Home Time setup
— World Time setup
— Adjust
Use the following procedure to reset all of the camera’s
settings to their initial defaults as shown under “Menu
Reference” on page 259.
1. Press [MENU].
— Date Style
— Language
2. Select the “Set Up” tab, select “Reset”, and
— Video Out
then press [̈].
3. Use [̆] and [̄] to select “Reset”, and then
press [SET].
• To cancel the procedure without resetting, select
“Cancel” and press [SET].
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148
OTHER RECORDING FUNCTIONS
Using the Shortcut Menu (EX Menu)
Pressing [EX] displays a shortcut menu that you can use to
configure image size, white balance, ISO sensitivity, and
AF area settings.
1. In a REC mode, press
[EX].
2. Use [̇] and [̈] to select the item you want,
and then use [̆] and [̄] to scroll through the
available settings.
• Refer to the following pages for details about each of
the settings.
— Specifying Image Size (page 76)
— Adjusting the White Balance (page 89)
— Specifying ISO Sensitivity (page 142)
— Specifying the Auto Focus Area (page 82)
3. After configuring the settings you want, press
[SET] to exit the shortcut menu.
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149
PLAYBACK
You can use the camera’s built-in monitor screen to view
images after you record them.
2. Use [̈] (forward) or [̇] (back) to scroll
through files on the monitor screen.
Basic Playback Operation
Use the following procedure to scroll through files stored in
the camera’s memory.
NOTE
[
]
1. Press [ ] (PLAY) to turn
on the camera.
• Holding down [̇] or [̈] scrolls images at high
speed.
• In order to allow for faster playback image scrolling,
the image that initially appears on the monitor screen
is a preview image, which is of somewhat lower
quality than the actual display image. The actual
display image appears a short while after the preview
image. This does not apply to images copied from
another digital camera.
• This enters the PLAY mode
and causes an image or a
message to appear on the
monitor screen.
PLAY mode file type Folder name/ File name
Image quality
Image size
Date and time
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150
PLAYBACK
IMPORTANT!
Playing an Audio Snapshot
• Audio volume can be adjusted only when playback is
being performed or is paused.
Perform the steps below to display an audio snapshot
(indicated by
) and play its audio.
1. In the PLAY mode, use [̇] and [̈] until the
image you want is displayed.
2. Press [SET].
• This plays back the
audio that accompanies
the displayed image.
• You can perform the
following operations
while audio is playing.
To do this:
Do this:
Fast forward or fast reverse
the audio
Hold down [̇] or [̈].
Pause and unpause audio
playback
Press [SET].
Press [̄] and then use [̆]
and [̄].
Adjust audio volume
Changing display contents
Cancel playback
Press [DISP].
Press [MENU].
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151
PLAYBACK
3. Use [̆], [̄], [̇], and [̈] to shift the image
Zooming the Display Image
up, down, left, or right.
Perform the following procedure to zoom the image
currently on the monitor screen up to eight times its normal
size.
4. Press [MENU] to return the image to its
original size.
1. In the PLAY mode, use [̇] and [̈] to display
IMPORTANT!
the image you want.
• Depending on the original size of the recorded
image, you may not be able to zoom a display image
the full eight times normal size.
Current zoom factor
2. Shift the zoom
controller towards
Original image
(
) to enlarge the
image.
• This zooms the image.
• An indicator appears in
the lower right corner,
that shows what part of
the original image is
currently displayed on
the monitor screen.
Displayed part
• You can toggle display
of the zoom factor on
and off by pressing
[DISP].
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152
PLAYBACK
4. Use [̆] and [̄] to select the setting you
Resizing an Image
want, and then press [SET].
You can resize a recorded image to one of three sizes.
• When selecting the image size, the image size value
(pixels) will alternate on the display with a
corresponding print size. The print size indicates the
optimum paper size when you print an image that is
the image size you select.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY”
tab, select “Resize”,
and then press [̈].
Image Size
Print Size
×
6M
4M
2816 2112 A3 Print
Larger
• Note that this operation is
possible only when a
snapshot image is on the
monitor screen.
2304 × 1728 A4 Print
E-mail (optimum size when
attaching image to e-mail)
×
VGA 640 480
Smaller
* “M” stands for “Mega.”
3. Use [̇] and [̈] to scroll through images and
• To cancel the resize operation, select “Cancel”.
display the one you want to resize.
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153
PLAYBACK
IMPORTANT!
Cropping an Image
• Resizing an image creates a new file that contains
the image in the size you select. The file with the
original image also remains in memory.
• Note that you cannot resize the following types of
images.
You can use the following procedure to crop a portion of an
enlarged image.
1. In the PLAY mode, use [̇] and [̈] to scroll
through images and display the one you want
to crop.
×
— 640 480 pixel and smaller images
— Movie images and the voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• The resize operation cannot be performed when
there is not enough memory to store the resized
image.
• When you display a resized image on the camera’s
monitor screen, the date and time that appear when
the image is displayed indicate when the image was
originally recorded, not when the image was resized.
• When a resized image is displayed on the calendar
screen (page 171), it will appear on the date it was
resized.
2. Press [MENU].
Current zoom factor
3. Select the “PLAY”
tab, select
Original image
“Trimming”, and then
press [̈].
• An indicator appears in
the lower right corner,
that shows what part of
the original image is
currently displayed on
the monitor screen.
Displayed part
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154
PLAYBACK
IMPORTANT!
4. Move the zoom controller left and right to
zoom the image.
• Trimming an image causes the original (pre-trimmed)
image and the new (trimmed) version to be stored as
separate files.
• Note that you cannot crop the following types of
images.
— Movie images and the voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• The cropping operation cannot be performed when
there is not enough memory to store the cropped
image.
• When you display a cropped image on the camera’s
monitor screen, the date and time that appear when
the image is displayed indicate when the image was
originally recorded, not when the image was
cropped.
• The part of the image displayed on the monitor
screen is the cropped part.
5. Use [̆], [̄], [̇], and [̈] to to scroll the part
to be cropped up, down, left, and right.
6. Press [SET] to extract the part of the image
enclosed in the cropping boundary.
• If you want to cancel the procedure at any point,
press [MENU].
• When a cropped image is displayed on the calendar
screen (page 171), it will appear on the date it was
cropped.
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155
PLAYBACK
3. Use [̇] and [̈] to
select the candidate
you want to correct.
Keystone Correction
Use the following procedure to correct the snapshot of a
blackboard, document, poster, photograph, or other
rectangular object that is out of square because it was
recorded at an angle.
• Performing keystone correction on an image causes a
×
new (corrected) version (1600 1200 pixels) to be stored
as a separate file.
4. Use [̆] and [̄] to select “Correct”, and then
press [SET].
1. In the PLAY mode, use [̇] and [̈] to scroll
through images on the monitor screen and
display the one you want to correct.
• Select “Cancel” to exit the procedure without
performing keystone correction.
2. Select the “PLAY” tab, select “Keystone”, and
then press [̈].
• This causes a screen that shows all of the objects in
the image that qualify as candidates for keystone
correction to appear.
• Note that the above step is possible only when there
is a snapshot displayed on the monitor screen.
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156
PLAYBACK
IMPORTANT!
Using Color Restoration to Correct the
Color of an Old Photograph
Color restoration let you correct the old color of a
photograph shot with a digital camera. This function is
useful for correcting existing old photographs, posters, etc.
• Performing color restoration on an image causes a new
×
• If the original image is smaller than 1600 1200
pixels, the new (corrected) version is the same size
as the original one.
• Keystone correction cannot be performed on the
following types of images.
— Movie images and the voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• The keystone correction operation cannot be
performed if there is not enough memory to store the
corrected image.
• When you display a corrected image on the camera’s
monitor screen, the date and time indicate when the
image was originally recorded, not when the image
was corrected.
×
(restored) version (1600 1200 pixels) to be stored as a
separate file.
1. In the PLAY mode, use [̇] and [̈] to scroll
through images on the monitor screen and
display the one you want to correct.
2. Select the “PLAY” tab, select “Color
Correction”, and then press [̈].
• When a keystone corrected image appears on the
full-month calendar screen, it is displayed on the
date that it was corrected (page 171).
3. Use [̇] and [̈] to select the photograph
candidate you want.
4. Use [̆] and [̄] to select “Correct”, and then
press [SET].
• This displays a cropping boundary on the monitor
screen.
• To exit color restoration without storing anything,
select “Cancel”.
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157
PLAYBACK
IMPORTANT!
5. Move the zoom controller left and right to
zoom the cropping boundary.
×
• If the original image is smaller than 1600 1200
pixels, the new (restored) version is the same size as
the original one.
• Note that you cannot correct the following types of
images.
— Movie images and the voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• The color correct operation cannot be performed if
there is not enough memory to store the corrected
image.
• When you display a restored image on the camera’s
monitor screen, the date and time indicate when the
image was originally recorded, not when the image
was corrected.
• Resize the cropping boundary as required to crop the
area you want.
6. Use [̆], [̄], [̇], and [̈] to move the
cropping boundary to the location you want,
and then press [SET].
• The camera will correct color automatically and save
the image.
• If you do not want a border around the image,
configure the cropping boundary so it is slightly
inside of the boundary of the displayed image.
• To exit color restoration without saving anything,
press [MENU].
• When a corrected image appears on the full-month
calendar screen, it is displayed on the date that it
was corrected (page 171).
NOTE
• If you want to record the image of an old photograph
with this camera and restore the resulting image, see
“Restoring an Old Photograph” on page 113.
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158
PLAYBACK
4. Use [̆] and [̄] to select a white balance
Adjusting White Balance of a Recorded
Image
setting, and then press [SET] to apply it.
You can use the white balance setting to select a light
source type for a recorded image, which will affect the
colors of the image.
When you want the image to
appear like it was recorded
under these conditions:
Select this setting:
Outdoors, fair weather
1. In the PLAY mode, use [̇] and [̈] to display
the image whose white balance setting you
want to change.
Outdoors, cloudy to rain, in
tree shade, etc.
Under very high temperatures
light, such as building shade,
etc.
2. Press [MENU].
Under white or daylight white
fluorescent lighting, without
suppressing color cast
N
D
3. Select the “PLAY”
tab, select “White
Balance”, and then
press [̈].
Under daylight fluorescent
lighting, while suppressing
color cast
• Note that the above
step is possible only
when there is a
snapshot displayed on
the monitor screen.
Under incandescent lighting,
while suppressing color cast
Cancel white balance
adjustment
Cancel
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159
PLAYBACK
• Normally, the initially selected white balance setting
on the above menu is the one that was used when
you originally recorded the image. If you used the
“Auto” or “Manual” white balance setting when you
recorded the image, “Cancel” will be selected (page
89).
IMPORTANT!
• Adjusting the white balance of an image creates a
new image with the new white balance setting. The
original image also remains in memory.
• The white balance of the following types of images
cannot be adjusted.
• If you select the same white balance setting as the
one you selected when you originally recorded the
image, pressing [SET] will exit the white balance
adjustment menu without changing the image.
— Movie images and voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• You cannot adjust white balance when there is not
enough free memory available to save the resulting
image.
• When you display an image whose white balance
has been adjusted on the camera’s monitor screen,
the date and time indicates when the image was
originally recorded, not when the white balance was
adjusted.
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160
PLAYBACK
4. Use [̆] and [̄] to select the setting you
Adjusting Image Brightness
want, and then press [SET].
Use the following procedure to adjust the brightness of
snapshots.
To get this:
Brighter
Select this setting:
+2
+1
0
1. In the PLAY mode, use [̇] and [̈] to scroll
through images and display the one whose
brightness you want to adjust.
–1
–2
Darker
2. Press [MENU].
• To cancel the brightness adjustment operation, press
[̇] or [MENU].
3. Select the “PLAY” tab,
select “Brightness”,
and then press [̈].
• Note that the above step
is possible only when
there is a snapshot
displayed on the monitor
screen.
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161
PLAYBACK
IMPORTANT!
Playing and Editing a Movie
Playing a Movie
• Adjusting the brightness of an image creates a new
image with the new brightness level. The original
image also remains in memory.
Use the following procedure to play a movie you recorded
with this camera.
• The brightness of the following types of images
cannot be adjusted.
— Movie images and voice recording file icon
— Images created with MOTION PRINT
— Images recorded with another camera
• You cannot adjust brightness when there is not
enough free memory available to save the resulting
image.
• When you display a brightness adjusted image on
the camera’s monitor screen, the date and time
indicates when the image was originally recorded,
not when the brightness was adjusted.
Elapsed recording time
1. In the PLAY mode,
Movie icon
use [̇] and [̈] to
scroll through movies
on the monitor screen
and display the one
you want.
Image quality
2. Press [SET].
• This starts playback of the movie.
• You can perform the following operations while a
movie is playing.
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162
PLAYBACK
IMPORTANT!
To do this:
Do this:
• You can adjust the volume level of movie audio
during movie playback only.
• You can zoom a movie up to 8 times normal size.
Note, however, that maximum zoom becomes 4.5
times in the following cases.
— When the movie was shot with the “LP” quality
setting (page 119)
— When playing back any movie on a TV screen
• Playback may not be possible for movies not
recorded with this camera.
Fast forward or fast reverse
playback
• Each press increases the speed
one more step.
Press [̇] or [̈].
Return fast forward or fast
reverse movie playback to normal Press [SET].
speed
Pause movie playback
Press [SET].
Scroll paused playback one
frame
Press [̇] or [̈].
Stop movie playback
Press [MENU].
Adjust the movie audio volume
level
Press [̄] and then use
[̆] and [̄].
Toggle monitor screen indicators
on and off
Press [DISP].
Move the zoom
Zoom the movie image
controller towards
(
).
Scroll a zoomed movie image on
the monitor screen
Use [̆], [̄], [̇], [̈].
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163
PLAYBACK
NOTE
Playing Back a Movie with Anti Shake
• You can press [EX] to turn Anti Shake on and off
while the movie is stopped or playing.
• You can also use the following procedure to turn Anti
Shake on and off.
Use the following procedure when you want to play back a
movie with Anti Shake. Anti Shake is particularly useful
when you have the camera connected to a TV for viewing,
since the effects of camera movement are more evident on
a big screen.
1. While a movie is playing, press [MENU].
2. Select the “PLAY” tab, select “
Anti Shake”,
and then press [̈].
3. Use [̆] and [̄] to select “On”, and then press
[SET].
• When Anti Shake is turned on, the area of the
monitor screen used for playback is slightly smaller
than normal.
1. In the PLAY mode, use [̇] and [̈] to display
the movie you want to play with Anti Shake.
2. Press [EX] to turn on Anti Shake.
• Each press of [EX] toggles Anti Shake on and off.
•
(Anti Shake indicator) is displayed on the monitor
screen while Anti Shake is turned on.
3. After the setting is the way you want, press
[SET].
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164
PLAYBACK
I To cut everything before or after a specific
frame
Editing a Movie
Use the procedure in this section to edit and delete movies.
Editing operations let you cut everything before or after a
specific frame, or to cut everything between two frames.
1. While the movie you
are editing is playing,
press [SET].
IMPORTANT!
• Cut operations cannot be undone. Make sure you
really want to cut the part of the movie you are
specifying before executing the cut operation.
• Movie editing is not possible for movies not recorded
with this camera.
• This will pause movie
playback.
2. Press [̄].
• A movie that is shorter than five seconds cannot be
edited.
• You can also display the same screen while in the
PLAY mode, by pressing [MENU], selecting the
“PLAY” tab, selecting “Movie Editing”, and then
pressing [̈].
• Certain types of memory cards can cause the movie
cut operation to take considerable time. This is
normal and does not indicate malfunction.
• You will not be able to perform the cut operation if
the amount of memory available is less than the size
of the movie file you are cutting. If this happens,
delete any files you no longer need to free up more
memory.
3. Use [̆] and [̄] to select the operation you
want to perform.
To do this:
Select this setting:
Cut
Cut everything before a
specific frame
• Splicing of two different movies into a single movie or
cutting one movie into multiple parts are not
supported by camera operations.
Cut everything after a specific
frame
Cut
Exit the cut mode
Cancel
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4. Display the frame where you want the cut to
be located.
5. When the frame you
want is displayed,
press [̄].
To do this:
Do this:
Fast forward or fast reverse
playback
Press [̇] or [̈].
Pause or unpause movie
playback
Press [SET].
Scroll paused playback one
frame
Press [̇] or [̈].
6. Use [̆] and [̄] to select “Yes”, and then
Cancel the cut operation
Press [MENU].
press [SET].
• The message “Busy.... Please wait...” will remain on
the display as the cut operation is performed. Cutting
is complete when the message disappears.
• The red portion of the
indicator bar shows
what part will be cut.
• Select “No” to exit the cut mode.
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4. Display the starting frame where you want the
first cut to be located.
I To cut everything between two specific
frames
To do this:
Do this:
1. While the movie is
playing, press [SET].
Fast forward or fast reverse
playback
Press [̇] or [̈].
• This will pause movie
playback.
Pause or unpause movie
playback
Press [SET].
Scroll paused playback one
frame
Press [̇] or [̈].
Cancel the cut operation
Press [MENU].
2. Press [̄].
5. When the frame you
want is displayed,
press [̄].
• You can also display the same screen while in the
PLAY mode, by pressing [MENU], selecting the
“PLAY” tab, selecting “Movie Editing”, and then
pressing [̈].
3. Use [̆] and [̄] to select “
Cut”, and
then press [SET].
• Select “Cancel” to exit the cut mode.
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6. Referring to step 4,
search for the cut end
screen. When the cut
end screen is
Capturing a Still Image from a Movie
(MOTION PRINT)
The MOTION PRINT feature lets you capture a frame from
an existing movie and create a still image that is suitable
for printing. There are two layouts you can use when
capturing an image, and the layout you select determines
the final image size.
displayed, press [̄].
• The red portion of the
indicator bar shows what
part will be cut.
×
• 9 frames (1600 1200-pixel
final image size)
7. Use [̆] and [̄] to select “Yes”, and then
press [SET].
• The message “Busy.... Please wait...” will remain on
the display as the cut operation is performed. Cutting
is complete when the message disappears.
Background images
• Select “No” to exit the cut mode.
Selected main image
×
• 1 frame (640 480-pixel final
data size)
Selected main image
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5. Use [̇] and [̈] to display the frame that you
I To capture a still image from a movie
want to use as the main image.
1. In the PLAY mode, use [̇] and [̈] to scroll
through movies on the monitor screen and
display the one that contains the frames you
want.
• Holding down either button scrolls at high speed.
6. After selecting the
frame you want, press
[SET].
2. Press [MENU].
• This displays the
resulting still image.
3. Select the “PLAY” tab, select “MOTION
PRINT”, and then press [̈].
• If you selected “9
frames” for the layout,
the frame you selected
in step 4 will be the
main image, and the
frames on either side of
it will be used as the
background frames.
4. Use [̆] and [̄] to
select the layout (“1
frame” or “9 frames”)
you want to use.
• Select “Cancel” to exit
the MOTION PRINT
mode.
• If you selected “1 frame” in step 4, an image of the
frame you selected in step 6 appears here.
IMPORTANT!
• MOTION PRINT is not possible for movies not
recorded with this camera.
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Selection boundary
2. Use [̆], [̄], [̇], and
[̈] to move the
Displaying the 9-image View
The following procedure displays nine images on the
monitor screen at the same time.
selection boundary to
the image you want.
Pressing [̈] while
the selection
boundary is in the
right column or [̇]
while it is in the left
column scrolls to the
next full screen of
nine images.
1. In the PLAY mode, shift the zoom controller
towards ( ).
• This displays the 9-image screen with the image that
was on the monitor screen in step 2 in the center,
with a selection boundary around it.
• If there are fewer than nine images in memory, they
are displayed starting from the upper left corner. The
selection boundary is located at the image that was
on the display before you switched to the 9-image
view.
Example: When there are 20 images in memory, and
Image 1 is displayed first
• For a movie file (page 162), “
the top and bottom of the screen.
” is displayed at
1
4
7
2
5
8
3
6
9
10 11 12
13 14 15
16 17 18
19 20
• On the 9-image screen,
recording file (page 179).
indicates a voice
•
appears in place of the image when the date
contains data that cannot be displayed by this
camera.
3. Pressing any button besides [̆], [̄], [̇], or
[̈] displays the full-size version of the image
where the selection boundary is located.
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• On the calendar screen,
recording file (page 179).
indicates a voice
Displaying the Calendar Screen
Use the following procedure to display a 1-month calendar.
Each day shows the first file recorded on that day, which
makes it easy to find the file you want.
•
appears in place of the image when the date
contains data that cannot be displayed by this
camera.
2. Use [̆], [̄], [̇], and [̈] to move the
selection boundary to the date you want, and
then press [SET].
1. In the PLAY mode,
press [̆] (
).
• Use the procedure
under “Changing the
Date Format” on page
195 to specify the date
format.
• This displays an image of the first file that was
recorded on the selected date.
• The file displayed on
the calendar for each
date is the first file that
was recorded on that
date.
Year/Month
Date selection cursor
• To exit the calendar
screen, press [MENU]
or [DISP].
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3. Use the screen that appears to configure the
image, time, interval, and effect settings.
Playing a Slideshow
A slideshow automatically plays back images in sequence
at a fixed interval.
• All Images
Displays all images in camera memory.
•
•
OnIy
This icon appears only in the case of
snapshots and audio snapshots.
OnIy
Images
This icon appears only in the case of movies.
• One Image
Displays a particular image.
• Favorites
1. In the PLAY mode, press [MENU].
Displays all images in the FAVORITE folder.
2. Select the “PLAY” tab, select “Slideshow”,
and then press [̈].
Use [̇] and [̈] to specify the playback time you
want (1 to 5 minutes, or 10, 15, 30, or 60
minutes).
Time
Use [̇] and [̈] to specify the interval you want
(MAX, or 1 to 30 seconds).
Interval
• When playback reaches a movie file while
“MAX” is selected as the interval, only the first
frame of the movie is displayed.
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IMPORTANT!
• Pattern 1, 2, 3
Applies a preset effect when transitioning from
one image to another.
• Random
Randomly applies the preset patterns (1, 2,
and 3).
• OFF
• Note that all buttons are disabled while an image
change is in progress. Wait until an image is stopped
on the monitor screen before performing a button
operation, or hold down the button until the image
stops.
Effect
• Pressing [̇] during a slideshow will scroll to the
previous image, while [̈] scrolls to the next image.
• When the slideshow comes to a movie file, it plays
the movie and its audio once.
• When the slideshow comes to a voice recording file
or an audio snapshot, it plays the audio once.
• The audio of movies, audio snapshots, and voice
recording files is not played when “MAX” is specified
for the slideshow “Interval” setting. With all other
“Interval” settings, movies and all audio (movies,
audio snapshots, voice recording files) are played
back, regardless of their length.
Effects turned off.
4. Use [̆] and [̄] to select “Start”, and then
press [SET].
• This starts the slideshow.
5. To stop the slideshow, press [SET].
• The slideshow will also stop automatically after the
amount of time you specified for “Time” elapses.
• During audio playback, you can adjust volume by
pressing [̄] and then using [̆] and [̄].
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• Note that effect settings are disabled when the
Using the Photo Stand Feature
slideshow “Images” setting is “Favorites” or “
Only”, or when the slideshow “Interval” setting is
“MAX”, “1 sec”, or “2 sec”.
• Images copied from another digital camera or a
computer may take longer time to appear than the
slideshow interval time you specify.
• If there are indicators on the display, you can clear
them by pressing [DISP] (page 33).
• When the slideshow reaches a movie while “One
Image” is selected for “Images”, the movie will repeat
playback for the time specified by for “Time”.
The “Photo Stand” feature lets you specify what should
appear on the camera’s monitor screen while the camera is
on its USB cradle. You can play a Photo Stand slideshow
without worrying about remaining battery power, or you can
specify display of a particular image. Photo Stand feature
operations are performed in accordance with slideshow
setting. See page 172 for information about configuring
slideshow settings to suit your needs.
1. Turn off the camera.
2. Set the camera onto the USB cradle.
3. Press the USB
cradle’s [PHOTO]
button.
• This starts the Photo
Stand slideshow with
the images or image
you specified.
[PHOTO]
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• Pressing [MENU] displays a screen for configuring
slideshow settings. To restart the slideshow, press
[MENU] while the menu screen is displayed, or
select “Start” and then press [SET].
Rotating the Display Image
Use the following procedure to rotate the image 90 degrees
and register the rotation information along with the image.
After you do this, the image is always displayed in its
rotated orientation.
• During audio playback, you can adjust volume by
pressing [̄] and then using [̆] and [̄].
4. To stop the Phot Stand slideshow, press
[PHOTO] again.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Rotation”, and
then press [̈].
IMPORTANT!
• The battery is not charged while a Photo Stand
slideshow is in progress. To charge the battery, stop
the slideshow.
• Note that this operation is possible only when a
snapshot image is on the monitor screen.
3. Use [̇] and [̈] to scroll through images until
the one you want to rotate is on the monitor
screen.
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IMPORTANT!
4. Use [̆] and [̄] to
select “Rotate”, and
then press [SET].
• You cannot rotate an image that is protected. To
rotate such an image, first unprotect it.
• You may not be able to rotate a digital image that
was recorded with another type of digital camera.
• You cannot rotate the following types of images.
— Movie images and the voice recording file icon
— Zoomed images
— Images created with MOTION PRINT
• Image rotation is supported for single image only.
You cannot rotate a 9-image screen or an image on
the calendar screen.
• Each press of [SET]
rotates the image 90
degrees.
5. After you are finished configuring settings,
press [MENU] to exit the setting screen.
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1. In the PLAY mode, use [̇] and [̈] to scroll
through snapshots until the one to which you
want to add audio is displayed.
Adding Audio to a Snapshot
The “after-recording” feature lets you add audio to
snapshots after they are recorded. You can also re-record
the audio of an audio snapshot (one with a
icon on it).
2. Press [MENU].
• Audio Format: WAVE/ADPCM recording format
This is the Windows standard format for audio recording.
The file extension of a WAVE/ADPCM file is “.WAV”.
3. Select the “PLAY”
tab, select “Dubbing”,
and then press [̈].
• Recording Time:
Up to about 30 seconds per image
• Audio File Size:
Approximately 165KB (30-second recording of
approximately 5.5KB per second)
4. Press the shutter button to start audio
recording.
5. Recording stops after about 30 seconds or
when you press the shutter button.
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IMPORTANT!
To re-record audio
• Take care that you do
not block the
microphone with your
fingers.
• Good recording results
are not possible when
the camera is too far
from the subject.
1. In the PLAY mode, use [̇] and [̈] to scroll
through snapshots until the one whose audio
you want to re-record is displayed.
2. Press [MENU].
Microphone
3. Select the “PLAY” tab, select “Dubbing”, and
then press [̈].
• The
(Audio) icon appears on the monitor screen
after audio recording is complete.
• You will not be able to record audio when remaining
memory capacity is low.
• You cannot add audio to the following types of
images.
4. Use [̆] and [̄] to select “Delete”, and then
press [SET].
• If you merely want to delete the audio without re-
recording, press [MENU] here to complete the
procedure.
— Movie images
— Images created with MOTION PRINT
— Protected snapshot (page 186)
• Audio that is re-recorded or deleted cannot be
recovered. Make sure you no longer need audio
before re-recording or deleting it.
5. Press the shutter button to start audio
recording.
6. Recording stops after about 30 seconds or
when you press the shutter button.
• This deletes the existing audio and replaces it with
the new one.
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To do this:
Do this:
Playing Back a Voice Recording File
Perform the following steps to play back a voice recording
file.
Fast forward or fast reverse
the audio
Hold down [̇] or [̈].
Pause and unpause audio
playback
Press [SET].
1. In the PLAY mode, use [̇] and [̈] to display
Press [̄] and then use [̆]
and [̄].
Adjust audio volume
the voice recording file (a file with
you want to play.
on it)
Toggle monitor screen
indicators on and off
Press [DISP].
Press [MENU].
2. Press [SET].
Cancel playback
• This starts playback of
the voice recording file
through the camera’s
speaker.
IMPORTANT!
• Audio volume can be adjusted only when playback is
being performed or is paused.
• You can perform the
following operations
while audio is playing.
• If your recording has index marks (page 133) inside
it, you can jump to the index mark before or after the
current playback location by pausing playback and
then pressing [̇] or [̈]. Next, press [SET] to
resume playback from the index mark position.
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PLAYBACK
AV cable
Displaying Camera Images on a TV Screen
You can display recorded images on a TV screen. To
display camera images on a TV, you need a television
equipped with a video input terminal, USB cradle, and the
AV cable that comes with the camera.
TV
1. Connect one end of the AV cable that comes
with the camera to the [AV OUT] port of the
USB cradle, and the other end to the video
input terminal of the TV.
Video input terminal
[AV OUT] (AV output port)
• Connect the yellow plug of the AV cable to the video
input (yellow) terminal of the TV, and the white plug
to the TV’s audio input (white) terminal.
2. Turn off the camera.
3. Set the camera onto the USB cradle.
4. Turn on the TV and select its video input
mode.
5. Press [ ] to turn on the camera, and then
perform the required operation for playback.
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IMPORTANT!
Selecting the Video Output System
You can select either NTSC or PAL for the video system to
match the system of the TV you are using.
• Make sure that “Power On” or “Power On/Off” is
selected for the camera’s power on/off functions
(page 201) when you connect to a TV to view
images.
1. In a REC mode or the PLAY mode, press
[MENU].
• All icons and indicators that appear on the monitor
screen also appear on the TV screen.
• Note that the audio output is monaural.
• Pressing the USB cradle’s [PHOTO] button will
activate the Photo Stand feature (page 174) and
display images on the TV screen.
2. Select the “Set Up” tab, select “Video Out”,
and then press [̈].
• Depending on the size of the TV screen, recorded
images may not fill the entire screen.
• For video output, the audio volume level is initially
set to maximum. Perform volume level adjustment
using TV controls.
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
If you are using a TV designed
Select this setting:
for use in this area:
• After using an optionally available AV cable (EMC-
3A) to connect the camera’s USB cradle connector
directly to the AUDIO IN terminal of a TV (without
using the USB cable), you can view recorded images
on the TV and even use the TV screen to compose
images before recording them.
U.S., Japan, and other areas
that use the NTSC system
NTSC
Europe and other areas that
use the PAL system
PAL
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IMPORTANT!
• Images will not display properly if you select the
wrong video system.
• This camera supports the NTSC and PAL video
systems only. Images will not display properly if you
use a TV (monitor) that is designed for a different
video system.
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DELETING FILES
You can delete a single file, or you can delete all files
currently in memory.
Deleting a Single File
1. In the PLAY mode,
IMPORTANT!
press [̄] (
).
• Note that file deletion cannot be undone. Once you
delete a file, it is gone. Make sure you really do not
need a file anymore before you delete it. Especially
when deleting all files, make sure you check all the
files you have stored before proceeding.
• A protected file cannot be deleted. To delete a
protected file, unprotect it first (page 186).
• Delete cannot be performed when all files in memory
are protected (page 187).
2. Use [̇] and [̈] to scroll through files and
display the one you want to delete.
• Deleting an audio snapshot deletes both the image
file and the audio file attached to it.
• You cannot use the procedures in this section to
delete images from the FAVORITE folder. See the
procedures on page 190 for details about deleting
FAVORITE folder contents.
3. Use [̆] and [̄] to select “Delete”.
• To exit the file delete operation without deleting
anything, select “Cancel”.
4. Press [SET] to delete the file.
• Repeat steps 2 through 4 to delete other files, if you
want.
5. Press [MENU] to exit the menu screen.
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DELETING FILES
Deleting All Files
1. In the PLAY mode, press [̄] (
).
2. Use [̆] and [̄] to select “All Files Delete”,
and then press [SET].
3. Use [̆] and [̄] to select “Yes”.
• To exit the file delete operation without deleting
anything, select “No”.
4. Press [SET] to delete all the files.
• The message “There are no files.” appears on the
screen after all of the files are deleted.
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FILE MANAGEMENT
The file management capabilities of the camera make it
easy to keep track of images. You can protect files against
deletion and store the files you want in the camera’s built-in
memory.
Each folder can hold files numbered up to 9,999.
Trying to store the 10,000th file in a folder causes the next
serially numbered folder to be created. File names are
generated as shown below.
Example: Name of the 26th file
Folders
CIMG0026.JPG
Your camera automatically creates folders in its built-in
memory or on the memory card.
Extension
Serial number (4 digits)
Memory Folders and Files
• The folder and file names described here appear when
you view folders and files on a computer. See page 32 for
information about how the camera displays folder and file
names.
• The actual number of files you will be able to store on a
memory card depends on image size and quality, card
capacity, etc.
An image you record is automatically stored in a folder,
whose name is a serial number. You can have up to 900
folders in memory at the same time. Folder names are
generated as shown below.
Example: Name of the 100th folder.
100CASIO
• For details about the folder structure, see “Memory Folder
Structure” on page 235.
Serial number (3 digits)
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FILE MANAGEMENT
4. Use [̆] and [̄] to
select “On”, and then
press [SET].
Protecting Files
Once you protect a file it cannot be deleted (page 183).
You can protect files individually or you can protect all files
in memory with a single operation.
• A file that is protected is
indicated by the
mark.
IMPORTANT!
• To unprotect a file, select
“Off” in step 4, and then
press [SET].
• Even if a file is protected, it still will be deleted by a
memory card format operation (page 206) or a built-
in memory format operation (page 202).
5. Press [MENU] to exit the menu screen.
To protect a single file
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab,
select “Protect”, and
then press [̈].
3. Use [̇] and [̈] to scroll through files and
display the one you want to protect.
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FILE MANAGEMENT
To protect all files in memory
Using the FAVORITE Folder
You can copy photos of family members or other special
shots from the file storage folder (page 235) to the
FAVORITE folder in built-in memory. Images copied to the
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Protect”, and
then press [̈].
×
FAVORITE folder are automatically reduced to 320 240
pixels. Images in the FAVORITE folder are not displayed
during normal playback, so it helps to keep your personal
images private as you carry them around. FAVORITE
folder images are not deleted when you change memory
cards, so you can always keep them on hand.
3. Use [̆] and [̄] to select “All Files : On”, and
then press [SET].
• To unprotect all files, press [SET] in step 3 so the
setting shows “All Files : Off”.
To copy a file to the FAVORITE folder
4. Press [MENU] to exit the menu screen.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab,
select “Favorites”, and
then press [̈].
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FILE MANAGEMENT
NOTE
3. Use [̆] and [̄] to
select “Save”, and
then press [SET].
• Copying an image file with the above procedure
creates a 320 240-pixel QVGA-size image in the
FAVORITE folder.
×
• This displays the names
of the files in built-in
memory or on the loaded
memory card.
• A file copied into the FAVORITE folder is
automatically assigned a file name that is a serial
number. Though the serial number starts from 0001
and can go as high as 9999, the actual upper end of
the range depends on built-in memory capacity.
Remember that the maximum number of images that
can be stored in built-in memory depends on the size
of each image and other factors.
4. Use [̇] and [̈] to select the file you want to
copy to the FAVORITE folder.
5. Use [̆] and [̄] to select “Save”, and then
press [SET].
IMPORTANT!
• This copies the displayed file to the FAVORITE
folder.
• Note that an image that has been copied to the
FAVORITE folder and then resized cannot be
returned to its original size.
• Files in the FAVORITE folder cannot be copied to a
memory card.
6. After copying all of the files you want, use [̆]
and [̄] to select “Cancel”, and then press
[SET] to exit.
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FILE MANAGEMENT
IMPORTANT!
To display a file in the FAVORITE folder
• Note that a FAVORITE folder is created in the
camera’s built-in memory only. No FAVORITE folder
is created on a memory card when you use one. If
you want to view the contents of the FAVORITE
folder on your computer screen, you need to remove
the memory card from the camera (if you are using
one) before placing the camera onto the USB cradle
to start data communication (pages 205, 220).
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Favorites”, and
then press [̈].
3. Use [̆] and [̄] to select “Show”, and then
press [SET].
• If the FAVORITE folder is empty, the message “No
Favorites file!” appears.
File Name
4. Use [̈] (forward) and
[̇] (back) to scroll
through the files in the
FAVORITE folder.
FAVORITE folder icon
5. After you are finished viewing files, press
[MENU] twice to exit.
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FILE MANAGEMENT
To delete a file from the FAVORITE
folder
To delete all files from the FAVORITE
folder
1. In the PLAY mode, press [MENU].
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab, select “Favorites”, and
then press [̈].
2. Select the “PLAY” tab, select “Favorites”, and
then press [̈].
3. Use [̆] and [̄] to select “Show”, and then
3. Use [̆] and [̄] to select “Show”, and then
press [SET].
press [SET].
4. Press [̄] (
).
4. Press [̄] (
).
5. Use [̇] and [̈] to select the file you want to
5. Use [̆] and [̄] to select “All Files Delete”,
delete from the FAVORITE folder.
and then press [SET].
6. Use [̆] and [̄] to select “Delete”, and then
IMPORTANT!
press [SET].
• You cannot use the delete operations on page 183 to
delete images from the FAVORITE folder.
Performing the memory format operation (page 202),
however, does delete FAVORITE folder files.
• To exit the file delete operation without deleting
anything, select “Cancel”.
7. After deleting all of the files you want, use [̆]
and [̄] to select “Cancel”, and then press
[SET] to exit.
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190
OTHER SETTINGS
To set the confirmation tone volume
level
Configuring Sound Settings
You can configure different sounds to play whenever you
turn on the camera, press the shutter button half-way or all
the way, or perform a key operation.
1. Press [MENU].
2. Select the “Set Up” tab, select “Sounds”, and
To configure sound settings
then press [̈].
3. Use [̆] and [̄] to select “
Operation”.
1. Press [MENU].
4. Use [̇] and [̈] to specify the volume setting
2. Select the “Set Up” tab, select “Sounds”, and
you want, and then press [SET].
then press [̈].
• You can set the volume in the range of 0 (no sound)
to 7 (loudest).
3. Use [̆] and [̄] to select the sound whose
setting you want to configure, and then press
[̈].
IMPORTANT!
• The volume setting you make here also affects the
video output volume level (page 180).
4. Use [̆] and [̄] to change the setting, and
then press [SET].
To do this:
Select this setting:
Sound 1 through Sound 5
Off
Select a built-in sound
Turn off the sound
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191
OTHER SETTINGS
To set the audio volume level for movie
and audio snapshot playback
Specifying an Image for the Startup Screen
You can specify an image you recorded as the startup
screen image, which causes it to appear on the monitor
screen whenever you press the power button or [
(REC) to turn on the camera. The startup screen image
]
1. Press [MENU].
does not appear if you press [
camera.
] (PLAY) to turn on the
2. Select the “Set Up” tab, select “Sounds”, and
then press [̈].
3. Use [̆] and [̄] to select “
Play”.
1. Press [MENU].
4. Use [̇] and [̈] to specify the playback
volume setting you want, and then press
[SET].
2. Select the “Set Up” tab, select “Startup”, and
then press [̈].
3. Use [̇] and [̈] to display the image you want
• You can set the playback volume in the range of 0
(no sound) to 7 (loudest).
to use as the startup image.
4. Use [̆] and [̄] to change the setting, and
IMPORTANT!
then press [SET].
• The volume setting you make here does not affect
the video output volume level (page 180).
To do this:
Select this setting:
Use the currently displayed image
as the startup screen image
On
Off
Disable the startup screen
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192
OTHER SETTINGS
IMPORTANT!
Specifying the File Name Serial Number
Generation Method
Use the following procedure to specify the method for
• You can select any one of the following types of
image as the startup image.
— The camera’s built-in image
generating the serial number used for file names (page 185).
— A snapshot
— The image only of an audio snapshot
• Only one image can be stored in startup image
memory at one time. Selecting a new startup image
overwrites anything that is already stored in startup
image memory. Because of this, if you want to return
to a previous startup image, you need to have a
separate copy of that image in the camera’s standard
image memory.
1. Press [MENU].
2. Select the “Set Up” tab, select “File No.”, and
then press [̈].
3. Use [̆] and [̄] to change the setting, and
then press [SET].
• The startup image is deleted if you format built-in
memory (page 202).
To do this for a newly saved file:
Select this setting:
Continue
Store the last file number used and
increment it, regardless of whether
files are deleted or whether the
memory card is replaced with a new
one
Restart the serial number from 0001
whenever all files are deleted or the
memory card is replaced.
Reset
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193
OTHER SETTINGS
To select your Home Time zone
Setting the Clock
Use the procedures in this section to select a Home Time
Zone, and to change its date and time settings. If you want
to change the time and date setting only without changing
the Home Time Zone, perform the procedure under “To set
the current time and date” (page 195) only.
1. Press [MENU].
2. Select the “Set Up” tab, select “World Time”,
and then press [̈].
• This displays the current World Time zone.
IMPORTANT!
3. Use [̆] and [̄] to select “Home”, and then
press [̈].
• Make sure you select your Home Time zone (the
zone where you are currently located) before
changing the time and date settings. Otherwise, the
time and date setting will change automatically when
you select another time zone.
4. Use [̆] and [̄] to select “City”, and then
press [̈].
5. Use [̆], [̄], [̇], and [̈] to select the
geographical area that contains location you
want to select as your Home Time zone, and
then press [SET].
6. Use [̆] and [̄] to select the city you want,
and then press [SET].
7. After selecting the city you want, press [SET]
to register its zone as your Home Time zone.
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194
OTHER SETTINGS
To set the current time and date
Changing the Date Format
You can select from among three different formats for
display of the date.
1. Press [MENU].
2. Select the “Set Up” tab, select “Adjust”, and
1. Press [MENU].
then press [̈].
2. Select the “Set Up” tab, select “Date Style”,
3. Set the current date and the time.
and then press [̈].
To do this:
Do this:
3. Use [̆] and [̄] to change the setting, and
Change the setting at the current
cursor location
Press [̆] or [̄].
then press [SET].
Move the cursor between settings Press [̇] or [̈].
Example: December 24, 2006
Toggle between 12-hour and 24-
hour timekeeping
Press [DISP].
To display the date like this:
06/12/24
Select this format:
YY/MM/DD
24/12/06
DD/MM/YY
4. When all the settings are the way you want,
press [SET] to register them and exit the
setting screen.
12/24/06
MM/DD/YY
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195
OTHER SETTINGS
To configure World Time settings
Using World Time
You can use the World Time screen to select a time zone
and instantly change the time setting of the camera’s clock
when you go on a trip, etc. World Time lets you select one
of 162 cities in 32 time zones.
1. Press [MENU].
2. Select the “Set Up” tab, select “World Time”,
and then press [̈].
To display the World Time screen
3. Use [̆] and [̄] to select “World”, and then
press [̈].
1. Press [MENU].
4. Use [̆] and [̄] to
select “City”, and then
press [̈].
2. Select the “Set Up” tab, select “World Time”,
and then press [̈].
• To configure the summer
time setting, select
“DST”, and then select
either “On” or “Off”.
3. Use [̆] and [̄] to select “World”.
To do this:
Select this:
Home
Display the time in your home time zone
• Summer time is used in some geographical areas to
advance the current time setting by one hour during
the summer months.
Display the time in the zone currently
selected on the World Time screen
World
• Use of summer time depends on the local customs
and laws.
4. Press [SET] to exit the setting screen.
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196
OTHER SETTINGS
5. Use [̆], [̄], [̇], and
[̈] to select the
Editing the Date and Time of an Image
Use the procedure in this section to change the date and
time of a previously recorded image. This capability comes
in handy when the current date and time are wrong due to
the following reasons.
geographical area you
want, and then press
[SET].
• Because the camera’s clock settings were not configured
correctly when the image was recorded (page 51)
• Because the image was recorded using the wrong World
Time zone (page 196)
6. Use [̆] and [̄] to select the city you want,
and then press [SET].
1. In the PLAY mode, use [̇] and [̈] to display
the image whose date and time you want to
edit.
7. When the setting is the way you want, press
[SET] to apply it and exit the setting screen.
2. Press [MENU].
3. Select the “PLAY” tab, select “Date/Time”,
and then press [̈].
4. Set the date and the time you want.
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197
OTHER SETTINGS
To do this:
Do this:
Changing the Display Language
Change the value at the cursor
location
Press [̆] or [̄].
You can use the following procedure to select one of ten
languages as the display language.
Move the cursor between settings Press [̇] or [̈].
Toggle between 12-hour and 24-
hour timekeeping
Press [DISP].
1. Press [MENU].
2. Select the “Set Up” tab, select “Language”,
5. When all the settings are the way you want,
press [SET] to apply them.
and then press [̈].
• After editing the time and date, display the image to
confirm that the date and time are correct.
3. Use [̆], [̄], [̇], and [̈] to change the
setting, and then press [SET].
IMPORTANT!
• You cannot change the date of the following types of
files.
— Movies, Voice recordings
— Images created with MOTION PRINT
• The date and time stamped into an image using the
Time Stamp feature cannot be edited (page 147).
• You cannot edit the date and time of a image that is
protected. Unprotect the image and then edit the
date and time.
• You can specify any date in the range of January 1,
1980 to December 31, 2049.
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198
OTHER SETTINGS
When you want to do this:
Select this setting:
Auto 1 or Auto 2
Changing the Brightness of the Monitor
Screen
You can use the following procedure to change the
brightness of the monitor screen.
Automatic adjustment of monitor
screen brightness in accordance with
lighting conditions.
• Auto 2 adjusts to a brighter setting
more quickly than Auto 1.
• In the PLAY mode, monitor screen
brightness is fixed, regardless of
current lighting conditions.
1. Press [MENU].
2. Select the “Set Up” tab, select “Screen”, and
Higher monitor screen brightness than
the +1 setting
• This setting consumes more power.
then press [̈].
+2
3. Use [̆] and [̄] to select the setting you
Relatively higher monitor screen
brightness than the 0 setting (for
outdoor use)
want, and then press [SET].
+1
0
• This setting consumes more power.
Normal monitor screen brightness (for
indoor use)
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199
OTHER SETTINGS
• Mass Storage (USB DIRECT-PRINT) causes the camera
to see the computer as an external storage device. Use
this setting for normal transfer of images from the camera
to a computer (using the bundled Photo Loader
application).
Changing the USB Port Protocol
You can use the procedure below to change the
communication protocol of the camera’s USB port when
connecting to a computer, printer, or other external device.
Select the protocol that suits the device to which you are
connecting.
• PTP (PictBridge) simplifies the transfer of image data to
the connected device.
1. Press [MENU].
2. Select the “Set Up” tab, select “USB”, and
then press [̈].
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
When connecting to this type of
Select this setting:
device:
Computer or USB DIRECT-
Mass Storage (USB
PRINT-compatible printer (page
DIRECT-PRINT)
214)
PictBridge-compatible printer
(page 214)
PTP (PictBridge)*
* “PTP” stands for “Picture Transfer Protocol”.
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200
OTHER SETTINGS
To configure this operation:
Power turns on when [ ] (REC) or
] (PLAY) is pressed (but does not Power On
Select this setting:
Configuring [ ] (REC) and [ ] (PLAY)
Power On/Off Functions
You can use the following procedures to configure [
[
]
turn off)
(REC) and [
] (PLAY) so power turns on and/or off
Power turns on or off when [
]
whenever they are pressed.
Power On/Off
Disable
(REC) or [
Power does not turn on or off when
] (REC) or [ ] (PLAY) is
] (PLAY) is pressed
[
1. Press [MENU].
pressed
2. Select the “Set Up” tab, select “REC/PLAY”,
and then press [̈].
IMPORTANT!
• When “Power On/Off” is selected, pressing [
]
3. Use [̆] and [̄] to select the setting you
(REC) in a REC mode or [
mode turns off the camera.
] (PLAY) in the PLAY
want, and then press [SET].
• Pressing [
the currently selected recording mode, and pressing
] (PLAY) in a REC mode switches to the PLAY
] (REC) in the PLAY mode switches to
[
mode.
• When connecting the camera to a TV for viewing
camera images, “Power On” or “Power On/Off” must
be selected for the power on/off function.
NOTE
• The initial default setting is “Power On”.
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OTHER SETTINGS
1. Check to make sure there is no memory card
loaded in the camera.
Formatting Built-in Memory
Formatting built-in memory deletes any data stored in it.
• If there is a memory card loaded in the camera,
remove it (page 205).
IMPORTANT!
• Note that data deleted by a format operation cannot
be recovered. Check to make sure you do not need
any of the data in memory before you format it.
• Formatting built-in memory deletes the following.
— Protected images
2. Press [MENU].
3. Select the “Set Up” tab, select “Format”, and
then press [̈].
— FAVORITE folder images
— BEST SHOT mode user setups
— Startup screen image
• Before starting the format operation, check to make
sure that the camera’s battery is not low. Battery
power going low during formatting can cause
improper formatting and creates the risk of camera
malfunction.
4. Use [̆] and [̄] to select “Format”, and then
press [SET]. Entering the PLAY mode after
formatting built-in memory will cause the
message “There are no files.” to appear.
• To exit the format operation without formatting,
select “Cancel”.
• Never open the battery cover while the format
operation is being performed. Doing so creates the
risk of camera malfunction.
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202
USING A MEMORY CARD
You can expand the storage
• Certain types of cards can slow down processing
speeds. If you are using a slow memory card, you
may not be able to record a movie using the “HQ”
image quality setting. Because of this, use of an SD
memory card with a maximum transfer speed of at
least 10MB per second is recommended.
• Certain types of memory cards take longer to record
data, which can cause movie frames to be dropped.
REC
capabilities of your camera by using
a commercially available memory
card (SD memory card or
MultiMediaCard). You can also
copy files from built-in memory to a
memory card and from a built-in
memory card to built-in memory.
and
flash on the monitor screen during
• Normally, files are stored in built-in memory. When you
insert a memory card, however, the camera automatically
stores files to the card.
• Note that you cannot save files to built-in memory while a
memory card is installed in the camera.
recording to let you know when a frame has been
dropped. Use of an SD memory card with a
maximum transfer speed of at least 10MB per
second is recommended.
• SD memory cards have a write protect switch, which
you can use to protect against accidental deletion of
image data. Note, however, if you write protect an
SD memory card, you must remove write protection
whenever you want to record to it, format it, or delete
any of its files.
• Electrostatic charge, digital noise, and other
phenomena can cause data to become corrupted or
even lost. Always maintain backup copies of
important data on other media (CD-R, CD-RW, MO
disc, computer hard disk, etc.)
IMPORTANT!
• Use only an SD memory card or a MultiMediaCard
with this camera. Proper operation is not guaranteed
when any other type of card is used.
• See the instructions that come with the memory card
for information about how to use it.
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USING A MEMORY CARD
2. Positioning the
memory card so its
front is facing in the
same direction as the
camera’s monitor
screen, carefully
Using a Memory Card
IMPORTANT!
• Make sure you turn off the camera before inserting or
removing a memory card.
• Be sure to orient the card correctly when inserting it.
Never try to force a memory card into the slot when
you feel resistance.
slide it into the card
slot. Slide the card
all the way in until
you hear it click
To insert a memory card into the camera
securely into place.
Front
Back
1. Slide the battery cover
in the direction
indicated by the arrow,
and then swing it open.
3. Swing the battery cover
closed, and then slide it
in the direction
indicated by the arrow.
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204
USING A MEMORY CARD
IMPORTANT!
To replace the memory card
• Never try to insert anything that is not an SD memory
card or MMC (MultiMediaCard) into the camera’s
memory card slot. Doing so can cause malfunction of
the camera.
• Should water or any foreign object ever get into the
card slot, immediately turn off the camera, remove
the battery, and contact your dealer or nearest
CASIO authorized service center.
• Never remove a card from the camera while the
green operation lamp is flashing. Doing so can cause
the file save operation to fail, and even damage the
memory card.
• Certain types of memory cards or camera conditions
can cause the format operation to take considerable
time.
1. Press the memory
card into the
camera and then
release it. This will
cause the card to
come part way out
of the camera.
2. Pull the memory card out of the slot.
3. Load another memory card.
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205
USING A MEMORY CARD
I To format a memory card
Formatting a Memory Card
Formatting a memory card deletes any data already stored
on it.
1. Load the memory card into the camera.
2. Turn on the camera, and press [MENU].
IMPORTANT!
• Be sure to use the camera to format a memory card.
Formatting a memory card on a computer and then
using it in the camera can slow down data
processing by the camera. In the case of an SD card,
formatting on a computer can result in non-
conformity with the SD format, causing problems with
compatibility, operation, etc.
• Note that data deleted by a memory card format
operation cannot be recovered. Check to make sure
you do not need any of the data on the memory card
before you format it.
3. Select the “Set Up” tab, select “Format”, and
then press [̈].
4. Use [̆] and [̄] to select “Format”, and then
press [SET]. Entering the PLAY mode after
formatting the memory card will cause the
message “There are no files.” to appear.
• To exit the format operation without formatting,
select “Cancel”.
• Formatting a memory card that contains files deletes
all the files, even those that are protected (page
186).
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206
USING A MEMORY CARD
I Memory Card Precautions
Copying Files
• If a memory card starts to behave abnormally, you can
restore normal operation by reformatting it. However, we
recommend that you always take along more than one
memory card whenever using the camera far away from
the home or office.
Use the procedures below to copy files between built-in
memory and a memory card.
IMPORTANT!
• We recommend that you format a memory card before
using it for the first time after purchasing it, or whenever
the card you are using seems to be the cause of
abnormal images.
• As you record data to and delete data from an SD
memory card a number of times, it loses its ability to
retain data. Because of this, periodic re-formatting of an
SD memory card is recommended.
• Only snapshot, movie, audio snapshot, and voice
recording files recorded with this camera can be
copied. Other files cannot be copied.
• Files in the FAVORITE folder cannot be copied.
• Copying an audio snapshot copies both its image file
and the audio file.
• Before starting the format operation, check to make sure
that the camera’s battery is not low. Battery power going
low during formatting can cause improper formatting and
creates the risk of memory card malfunction.
• Never open the battery cover while the format operation
is being performed. Doing so creates the risk of memory
card malfunction.
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207
USING A MEMORY CARD
IMPORTANT!
To copy all the files in built-in memory to
a memory card
• Copy is not possible if there is not enough memory
capacity to hold all of the images you are trying to
copy.
1. Load the memory card into the camera.
2. Turn on the camera. Next, enter the PLAY
mode and press [MENU].
3. Select the “PLAY” tab,
select “Copy”, and
then press [̈].
4. Use [̆] and [̄] to select “Built-in
Card”,
and then press [SET].
• This starts the copy operation and displays the
message “Busy.... Please wait...”.
• After the copy operation is complete, the monitor
screen shows the last file in the folder.
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208
USING A MEMORY CARD
NOTE
To copy a specific file from a memory
card to built-in memory
• Files are copied to the folder in built-in memory
whose name has the largest number.
1. Perform steps 1 through 3 of the procedure
under “To copy all the files in built-in memory
to a memory card”.
2. Use [̆] and [̄] to select “Card
Built-in”,
and then press [SET].
3. Use [̇] and [̈] to select the file you want to
copy.
4. Use [̆] and [̄] to select “Copy”, and then
press [SET].
• This starts the copy operation and displays the
message “Busy.... Please wait...”.
• The file reappears on the monitor screen after the
copy operation is complete.
• Repeat steps 3 through 4 to copy other images, if
you want.
5. Press [MENU] to exit the copy operation.
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209
PRINTING IMAGES
A digital camera provides you with a variety of different
ways to print the images it records. The three main printing
methods are described below. Use the method that best
suits your needs.
I Printing Directly on a Printer Equipped with
a Card Slot, or a Printer that Supports USB
DIRECT-PRINT or PictBridge
After using the camera’s DPOF feature to specify the
images you want to print and how many copies of each
should be printed, you can plug the memory card into a
printer equipped with a card slot, or connect the camera to
a PictBridge or USB DIRECT-PRINT printer for printing.
For more information, see “DPOF” (page 211) and “Using
PictBridge or USB DIRECT-PRINT” (page 214).
I Professional Print Service
The camera’s DPOF feature lets you specify which images
you want to print and how many copies of each you want.
For more information, see “DPOF” (page 211).
NOTE
• Certain print service providers may not support
DPOF or may support different printing protocols. In
this case, use the protocol supported by your print
service to specify the images you want to have
printed.
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210
PRINTING IMAGES
I Printing with a Computer
Windows Users
The camera comes bundled with Photo Loader and
Photohands applications, which can be installed on a
Windows computer for image transfer, management, and
printing. For more information, see “Using the Camera with
a Windows Computer” (pages 220, 238).
DPOF
The letters “DPOF” stand for “Digital Print
Order Format”, which is a format for
recording on a memory card or other medium
which digital camera images should be
printed and how many copies of the image
should be printed. Then you can print on a
DPOF-compatible printer or at a professional
print service in accordance with the file name
and number of copies settings recorded on
the card.
Macintosh Users
The camera comes bundled with Photo Loader for the
Macintosh, which can be installed for image transfer and
management, but not for printing. Use commercially
available software for printing with a Macintosh. For more
information, see “Using the Camera with a Macintosh
Computer” (pages 228, 253).
With this camera, you can select images by viewing them
on the monitor screen without needing to remember file
names, their locations in memory, etc.
I DPOF Settings
File Name,
number of copies,
date
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211
PRINTING IMAGES
5. Use [̆] and [̄] to specify the number of
To configure print settings for a single
image
copies.
• You can specify up to 99 for the number of copies.
Specify 00 if you do not want to have the image
printed.
1. In the PLAY mode, press [MENU].
2. Select the “PLAY” tab,
select “DPOF”, and
then press [̈].
6. To turn on date
stamping for the
prints, press [DISP] so
“On” is displayed.
• “On” indicates that date
stamping is turned on.
• Turning on date stamping
while “00” is specified for
the number of copies will
3. Use [̆] and [̄] to select “Select images”,
and then press [̈].
cause the number of copies to change to “01”. Any
other number of copies setting will remain the same
when you turn on date stamping.
4. Use [̇] and [̈] to
display the image you
want.
• To turn off date stamping for the prints, press [DISP]
so “Off” is displayed.
• Repeat steps 4 through 6 if you want to configure
other images for printing.
7. After all the settings are the way you want,
press [SET] to apply them.
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212
PRINTING IMAGES
5. To turn on date stamping for the prints, press
To configure print settings for all images
[DISP] so “On” is displayed.
• “On” indicates that date stamping is turned on.
1. In the PLAY mode, press [MENU].
• Turning on date stamping while “00” is specified for
the number of copies will cause the number of copies
to change to “01”. Any other number of copies setting
will remain the same when you turn on date
stamping.
2. Select the “PLAY” tab, select “DPOF”, and
then press [̈].
3. Use [̆] and [̄] to select “All images”, and
then press [̈].
• To turn off date stamping for the prints, press [DISP]
so “Off” is displayed.
4. Use [̆] and [̄] to
specify the number of
copies.
6. After all the settings are the way you want,
press [SET] to apply them.
• You can specify up to 99
for the number of copies.
Specify 00 if you do not
want to have the image
printed.
IMPORTANT!
• DPOF settings are not cleared automatically after
printing is complete. This means that if you perform
another printing operation without clearing DPOF
settings, printing will be performed in accordance
with the last settings you configured. If you want to
prevent this from happening, perform the procedure
under “To configure print settings for all images” and
change the number of copies to “00”. After that, you
can configure new DPOF settings as required.
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PRINTING IMAGES
• If you take a memory card to a professional print
service, be sure to tell them that it includes DPOF
settings for the images to be printed and the number
of copies. If you don’t, the printing service may print
all images without regard to your DPOF settings, or
date printing may not be performed.
• Note that some professional print services do not
support DPOF printing. Check with your service
before ordering prints.
Using PictBridge or USB DIRECT-PRINT
You can connect the camera
directly to a printer that supports
PictBridge or USB DIRECT-PRINT,
and perform image selection and
printing using the camera monitor
screen and controls. DPOF support
(page 211) also lets you specify
which images you want to print and
how many copies of each should be
printed.
• Some printers may have settings that disable date
stamp and/or DPOF printing. See the user
documentation that comes with your printer for
details about how to enable these features.
• If you use the DPOF setting to turn on date stamping
for printing on an image that already has date/time
stamp data embedded in it (page 147), the two
stamps will be superimposed. Because of this, do not
turn on DPOF date stamping if an image already has
a date/time stamp embedded on it.
• PictBridge is a standard
established by the Camera and
Imaging Products Association
(CIPA).
• USB DIRECT-PRINT is a
standard proposed by Seiko
Epson Corporation.
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PRINTING IMAGES
1. Press [MENU].
4. Connect the USB cable that comes bundled
with the camera to the USB cradle and a
2. Select the “Set Up” tab, select “USB”, and
then press [̈].
printer.
USB cable
(bundled)
Connector B
USB port
3. Use [̆] and [̄] to select the setting you
want, and then press [SET].
When connecting to this type of
Connector A
Select this setting:
device:
Computer or USB DIRECT-
PRINT-compatible printer
Mass Storage (USB
DIRECT-PRINT)
PictBridge-compatible printer
PTP (PictBridge)
[
] (USB port)
• Mass Storage (USB DIRECT-PRINT) causes the
camera to see the computer as an external
storage device. Use this setting for normal transfer
of images from the camera to a computer (using
the bundled Photo Loader application).
• Also, connect the AC adaptor to the USB cradle and
plug the AC adaptor into an electrical outlet.
• If you are using battery power without the AC
adaptor, make sure that the battery is fully charged.
• Nothing appears on the camera’s monitor screen if
the camera is on the USB cradle while the bundled
AV cable is connected to the cradle. Be sure to
disconnect the AV cable from the cradle if you want
to use the camera’s monitor screen to view images.
• PTP (PictBridge) simplifies the transfer of image
data to the connected device.
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PRINTING IMAGES
5. Turn off the camera, and then set the camera
on the USB cradle.
9. Use [̆] and [̄] to select “Paper Size”, and
then press [̈].
6. Turn on the printer.
10. Use [̆] and [̄] to select the paper size you
want to use for printing, and then press [SET].
7. Load paper for printing the images into the
printer.
• The following are the print sizes that are available.
×
3.5˝ 5˝
×
×
5˝ 7˝
4˝ 6˝
8. Press the USB
cradle’s [USB] button.
A4
×
8.5˝ 11˝
• This displays the print
menu on the camera’s
monitor screen.
By Printer
• Selecting “By Printer” prints using the paper size
selected on the printer.
• Available paper size settings depend on the
connected printer. For full details, see the
instructions that come with your printer.
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PRINTING IMAGES
11. Use [̆] and [̄] to
specify the print option
you want.
12. On the camera’s monitor screen, use [̆] and
[̄] to select “Print”, and then press [SET].
• This starts printing and displays the message
“Busy.... Please wait...” on the monitor screen. The
message will disappear after a short while, even
though printing is still being performed. Pressing any
of the camera’s buttons while printing is in progress
will cause the message to reappear.
• To print a single image:
Select “1 Image” and then
press [SET]. Next, use
[̇] and [̈] to select the
image you want to print.
• The print menu will appear when printing is
complete.
• To print multiple images or all images: Select “DPOF
Printing”, and then press [SET]. Selecting this option
will print the images selected with the DPOF settings.
See page 212 for more information.
• If you selected “1 Image” in step 11, you can select
another image for printing and then repeat this step
to print.
• You can toggle date stamping of the image on and
off by pressing [DISP]. The date stamp will be printed
when “On” is indicated on the monitor screen.
“On” indicates that date stamping is turned on.
13. After you are finished printing, press the USB
cradle’s [USB] button, and then turn off the
camera.
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PRINTING IMAGES
• Specifying date printing when having printing done by a
print service
— Some print services do not support date printing.
Check with your service for more information.
Date Printing
Any one of the procedures described below can be used to
include the recording date in image prints. Correct date
printing requires that the current date be set on the camera
before the image is recorded.
• Before recording the image, turn on date stamping
(“Date” or “Date&Time”) (page 147).
I Printing Precautions
• See the documentation that comes with your printer for
information about print quality and paper settings.
• Contact your printer manufacturer for information about
models that support PictBridge and USB DIRECT-PRINT,
upgrades, etc.
• Never disconnect the USB cable, or perform any camera
or USB cradle operation while printing is in progress.
Doing so causes a printer error.
• Specifying date printing with DPOF settings (page 212)
— If you use the DPOF setting to turn on date stamping
for printing on an image that already has date/time
stamp data embedded in it (page 147), the two stamps
will be superimposed. Because of this, do not turn on
DPOF date stamping if an image already has a date/
time stamp embedded on it.
— Some printers may have settings that disable time
stamp and/or DPOF printing. See the user
documentation that comes with your printer for details
about how to enable these features.
— Note that some professional print services do not
support DPOF printing. Check with your service before
ordering prints.
• Specifying date printing with the Photohands software
that comes with the camera
— See page 23 of the Photohands User’s Guide for
details. The Photohands User’s Guide is provided as a
PDF file on the CD-ROM that comes bundled with your
camera.
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PRINTING IMAGES
PRINT Image Matching III
Exif Print
Images include PRINT Image Matching
III data (mode setting and other camera
setup information). A printer that
supports PRINT Image Matching III
reads this data and adjusts the printed
image accordingly, so your images
come out just the way you intended
when you recorded them.
Exif Print is an
internationally supported,
open standard file format
that makes it possible to
capture and display vibrant
digital images with accurate
colors. With Exif 2.2, files
include a wide range of
shooting condition
information that can be
interpreted by an Exif Print
printer to produce better-
looking prints.
* Seiko Epson Corporation holds the
copyright for PRINT Image Matching and
PRINT Image Matching III.
IMPORTANT!
• Information about the availability of Exif Print
compatible printer models can be obtained from each
printer manufacturer.
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VIEWING IMAGES ON A COMPUTER
After using the USB cradle to establish a USB connection
Using the Camera with a Windows
between the camera and your computer, you can use your
computer to view images in file memory and copy images
to your computer’s hard disk or other storage media. In
order to do this, you first need to install the USB driver
located on the CD-ROM that comes bundled with the
camera onto your computer.
Note that the procedure you need to perform depends on
whether you are using computer running under Windows
(see below) or a Macintosh (see page 228).
Computer
The following are the general steps for viewing and copying
files from a computer running under Windows. You can find
details about each operation in the procedures that follow
below. Note that you should also refer to the
documentation that comes with your computer for other
information about USB connections, etc.
1. If you are running Windows 98SE or 98, install the
USB driver onto your computer.
• You need to perform this step only once, the first
time you connect to your computer.
• If you are running Windows XP, 2000, or Me, you do
not need to install the USB driver.
2. Use the USB cradle to establish a connection between
the camera and computer.
3. View and copy the images you want.
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VIEWING IMAGES ON A COMPUTER
IMPORTANT!
Do not try to establish a connection between the
camera and computer before installing the USB
driver onto the computer. If you do, the computer will
not be able to recognize the camera.
• USB driver installation is required in the case of
Windows 98SE and 98. Do not connect the camera to
a computer running one of the above operating
systems without installing the USB driver first.
• USB driver installation is not required in the case of
Windows XP, 2000, and Me.
• Low battery power can cause the camera to power
down suddenly during data communication. Use of
the special AC adaptor is recommended to power the
camera during data communication.
• If you are using battery power without the AC
adaptor, make sure that the battery is fully charged.
• If you want to transfer files from the camera’s built-in
memory to a computer, make sure there is no
memory card loaded in the camera before you place
it onto the USB cradle.
• This camera supports USB 2.0 Hi-Speed protocol.
Though it can be used with a computer that supports
only USB 1.1 protocol, higher speed data transfer
becomes possible when USB 2.0 Hi-Speed is
supported. Note that certain computer models,
connecting through a USB hub, and other system
conditions can slow down data transfer and even
cause operational problems.
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VIEWING IMAGES ON A COMPUTER
1. What you should do first depends on whether
your computer is running under Windows XP,
2000, Me, 98SE, or 98.
2. Set the bundled CD-ROM into the CD-ROM
drive of your computer.
• Use the CD-ROM whose contents label shows “USB
driver”.
Windows 98SE/98 Users
• Start from step 2 to install the USB driver.
3. On the menu screen that appears, click
“English”.
• Note that the example installation presented here
uses Windows 98.
4. Click [USB driver B] and then [Install].
Windows XP/2000/Me Users
• This starts installation.
• Installation of the USB driver is not required, so jump
directly to step 6.
• Follow the instructions that appear on your computer
screen to complete the installation.
• The following steps show installation under the
English version of Windows.
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VIEWING IMAGES ON A COMPUTER
5. When the final setup screen appears, click the
[Exit] button on the CD-ROM menu to exit the
menu, and then remove the CD-ROM from
your computer.
[DC IN 5.3V]
• With some computer operating systems, a message
prompting you to restart your computer may appear.
If this happens, restart your computer. The CD-ROM
menu will appear again after your computer restarts.
Click the [Exit] button on the CD-ROM menu to exit
the menu, and then remove the CD-ROM from your
computer.
6. Connect the bundled AC adaptor to the [DC IN
5.3V] connector of the USB cradle, and then
plug it in to a household power outlet.
• If you are using battery power without the AC
adaptor, make sure that the battery is fully charged.
• Note that the shape of the AC adaptor depends on
the area where you purchased the camera.
[DC IN 5.3V]
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VIEWING IMAGES ON A COMPUTER
7. Connect the USB cable that comes bundled
with the camera to the USB cradle and your
computer’s USB port.
8. Press the camera’s power button to turn it on,
and then press its [MENU] button.
9. Select the “Set Up” tab, select “USB”, and
USB cable
(bundled)
then press [̈].
Connector B
USB port
10. Use [̆] and [̄] to select “Mass Storage (USB
DIRECT-PRINT)”, and then press [SET].
Connector A
11. Turn off the camera.
[
] (USB port)
• Take care when connecting the USB cable to the
USB cradle or your computer. USB ports and cable
plugs are shaped for proper positioning.
• Plug the USB cable plugs into the ports securely, as
far as they will go. Proper operation is not possible if
connections are not correct.
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VIEWING IMAGES ON A COMPUTER
• Pressing the [USB] button enters the USB mode,
which causes the USB cradle’s [USB] lamp to light
green (page 264).
12. Place the camera onto the USB cradle.
• Do not place the camera onto the USB cradle while it
is turned on.
• At this point, some operating systems will display a
“Removable Disk” dialog box. If your operating
system does, close the dialog box.
13. Press the USB cradle’s [USB] button.
[USB] lamp
[USB] button
• This will cause your computer to create a hardware
profile for camera’s built-in memory or the memory
card loaded in the camera. You do not need to install
the USB driver every time. After you install it once,
your computer will recognize the camera’s built-in
memory or its memory card when you establish a
USB connection between the camera and your
computer.
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VIEWING IMAGES ON A COMPUTER
14. On your computer, double-click “My
Computer”.
19. Depending on your operating system, perform
one of the following procedures to save the
files, if you want.
• If you are running Windows XP, click [Start] and then
[My Computer].
Windows 2000, Me, 98SE, 98
1. In the camera’s file memory (Removable Disk), right-
click the “DCIM” folder.
15. Double-click “Removable Disk”.
• Your computer sees the camera’s file memory as a
removable disk.
2. On the shortcut menu that appears, click [Copy].
3. Double click [My Documents] to open it.
16. Double-click the “DCIM” folder.
4. On the My Documents [Edit] menu, click [Paste].
• This copies the “DCIM” folder (which contains the
image files) to your “My Documents” folder.
17. Double-click the folder that contains the
image you want.
Windows XP
18. Double-click the file that contains the image
you want to view.
1. In the camera’s file memory (Removable Disk), right-
click the “DCIM” folder.
• For information about file names, see “Memory
Folder Structure” on page 235.
2. On the shortcut menu that appears, click [Copy].
3. Click [Start] and then [My Documents].
NOTE
4. On the My Documents [Edit] menu, click [Paste].
• If you open a rotated image on your computer, the
original unrotated version will appear (page 175).
This is true both for a rotated image opened from
camera memory and for a rotated image that has
been copied to your computer’s hard disk.
• This copies the “DCIM” folder (which contains the
image files) to your “My Documents” folder.
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VIEWING IMAGES ON A COMPUTER
NOTE
20. Depending on the version of Windows you are
running, use one of the following procedures
to terminate the USB connection.
• If you already have a folder named “DCIM” in your
computer’s “My Documents” folder, performing the
procedures under step 19 above will overwrite the
existing “DCIM” folder with the newly saved folder. If
you want to save the contents of the existing “DCIM”
folder, change its name or move it to another location
before saving a new “DCIM” folder.
Windows XP/98SE/98 Users
• After pressing the USB cradle’s [USB] button and
making sure that the [USB] lamp is not lit, remove
the camera from the USB cradle.
Windows 2000/Me Users
IMPORTANT!
• Click card services in the task tray on your computer
screen, and disable the drive number assigned to the
camera. After pressing the USB cradle’s [USB]
button and making sure that the [USB] lamp is not lit,
remove the camera from the USB cradle.
• Never use your computer to edit, delete, move, or
rename images stored in the camera’s file memory.
Doing so can cause problems with the image
management data used by the camera, which may
make it impossible to display images on the camera
or it may cause large error in the number of images
value displayed by the camera. Always copy images
to your computer before performing any edit, delete,
move, or rename operation.
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VIEWING IMAGES ON A COMPUTER
I USB Connection Precautions
Using the Camera with a Macintosh
Computer
The following are the general steps for viewing and copying
files from a Macintosh.
You can find details about each operation in the
procedures that follow below. Note that you should also
refer to the documentation that comes with your Macintosh
for other information about USB connections, etc.
• Do not leave the same image displayed on your computer
screen for a long time. Doing so can cause the image to
“burn in” on the screen.
• Never disconnect the USB cable, or perform any camera
or USB cradle operation while data communication is in
progress. Doing so can cause data to become corrupted.
IMPORTANT!
•
This camera does not support operation on a
computer running Mac OS 8.6 or lower, or Mac OS X
10.0. If you have a Macintosh running Mac OS 9 or
OS X (10.1, 10.2, 10.3 or 10.4), use the standard
USB driver that comes with your OS.
1. Use the USB cradle to establish a connection between
the camera and your Macintosh.
2. View and copy the images you want.
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VIEWING IMAGES ON A COMPUTER
IMPORTANT!
1. Connect the bundled AC adaptor to the [DC IN
5.3V] connector of the USB cradle, and then
plug it in to a household power outlet.
• If you want to transfer files from the camera’s built-in
memory to a computer, make sure there is no
memory card loaded in the camera before you place
it onto the USB cradle.
• If you are using battery power without the AC
adaptor, make sure that the battery is fully charged.
• This camera supports USB 2.0 Hi-Speed protocol.
Though it can be used with a computer that supports
only USB 1.1 protocol, higher speed data transfer
becomes possible when USB 2.0 Hi-Speed is
supported. Note that certain computer models,
connecting through a USB hub, and other system
conditions can slow down data transfer and even
cause operational problems.
• Note that the shape of the AC adaptor depends on
the area where you purchased the camera.
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VIEWING IMAGES ON A COMPUTER
2. Connect the USB cable that comes bundled
with the camera to the USB cradle and your
computer’s USB port.
[DC IN 5.3V]
USB cable
(bundled)
Connector B
USB port
Connector A
[
] (USB port)
• Take care when connecting the USB cable to the
USB cradle or your computer. USB ports and cable
plugs are shaped for proper positioning.
• Plug the USB cable plugs into the ports securely, as
far as they will go. Proper operation is not possible if
connections are not correct.
[DC IN 5.3V]
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VIEWING IMAGES ON A COMPUTER
3. Press the camera’s power button to turn it on,
and then press its [MENU] button.
8. Press the USB cradle’s [USB] button.
• Pressing the [USB] button enters the USB mode,
which causes the USB cradle’s [USB] lamp to light
green (page 264).
4. Select the “Set Up” tab, select “USB”, and
then press [̈].
9. Your Macintosh will see the camera’s file
memory as a drive.
5. Use [̆] and [̄] to select “Mass Storage (USB
DIRECT-PRINT)”, and then press [SET].
• The appearance of the drive icon depends on the
Mac OS version you are using.
6. Turn off the camera.
• Your Macintosh will see the camera’s file memory as
a drive whenever you establish a USB connection
between the camera and your Macintosh.
7. Place the camera onto the USB cradle.
• Do not place the camera onto the USB cradle while it
is turned on.
10. Double-click the drive icon for the camera’s
file memory, the “DCIM” folder, and then the
folder that contains the image you want.
[USB] lamp
[USB] button
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VIEWING IMAGES ON A COMPUTER
IMPORTANT!
11. Double-click the file that contains the image
you want to view.
• Never use your computer to edit, delete, move, or
rename images stored in the camera’s file memory.
Doing so can cause problems with the image
management data used by the camera, which may
make it impossible to display images on the camera
or it may cause large error in the number of images
value displayed by the camera. Always copy images
to your computer before performing any edit, delete,
move, or rename operation.
• For information about file names, see “Memory
Folder Structure” on page 235.
NOTE
• If you open a rotated image on your Macintosh, the
original unrotated version will appear (page 175).
This is true both for a rotated image opened from
camera memory and for a rotated image that has
been copied to your Macintosh hard disk.
13. To terminate the USB connection, drag the
drive icon that represents the camera to
Trash.
12. To copy all the files in file memory to your
Macintosh hard disk, drag the “DCIM” folder
to the folder to which you want to copy it.
14. Press the USB cradle’s [USB] button. After
making sure the [USB] lamp is not lit, remove
the camera from the USB cradle.
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VIEWING IMAGES ON A COMPUTER
I USB Connection Precautions
Using a Memory Card to Transfer Images
to a Computer
The procedures in this section describe how to transfer
images from the camera to your computer using a memory
card.
• Do not leave the same image displayed on your computer
screen for a long time. Doing so can cause the image to
“burn in” on the screen.
• Never disconnect the USB cable, or perform any camera
or USB cradle operation while data communication is in
progress. Doing so can cause data to become corrupted.
Using a Computer with a Built-in SD Memory Card Slot
Insert the SD memory card directly into the slot.
Using a Computer with a Built-in PC Card Slot
Use a commercially available PC card adaptor (for an SD
memory card or MMC). For full details, see the user
documentation that comes with the PC card adaptor and
your computer.
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VIEWING IMAGES ON A COMPUTER
Using a Commercially Available SD Memory Card
Reader/Writer
See the user documentation that comes with the SD
Memory Data
Images recorded with this camera and other data are
stored in memory using DCF (Design rule for Camera File
system) protocol. DCF protocol is designed to make it
easier to exchange image and other data between digital
cameras and other devices.
memory card reader/writer for details about how to use it.
DCF Protocol
DCF devices (digital cameras, printers, etc.) can exchange
images with each other. DCF protocol defines a format for
image file data and the folder structure for file memory, so
images can be viewed using another manufacturer’s DCF
camera or printed on a DCF printer.
Using a Commercially Available PC Card Reader/Writer
and PC Card Adaptor (for an SD memory card or MMC)
See the user documentation that comes with the PC card
reader/writer and PC card adaptor for details about how to
use them.
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VIEWING IMAGES ON A COMPUTER
Memory Folder Structure
I Folder Structure
I Folder and File Contents
• DCIM folder
Folder that stores all of the digital camera files
DCIM
(DCIM Folder)
• Storage folder
100CASIO
CIMG0001.JPG
(Storage folder)
(Image file)
Folder for storing files created by the digital camera
CIMG0002.AVI
CIMG0003.WAV
CIMG0004.JPG
CIMG0004.WAV
(Movie file)
• Image file
(Audio file)
(Audio snapshot image file)
(Audio snapshot audio file)
File that contains an image recorded with the digital
camera (File Name Extension: JPG)
101CASIO
102CASIO
(Storage folder)
(Storage folder)
• Movie file
File that contains a movie recorded with the digital
camera (File Name Extension: AVI)
FAVORITE
(FAVORITE folder)
*
• Audio file
CIMG0001.JPG
CIMG0002.JPG
(Storage file)
(Storage file)
File that contains an audio recording (File Name
Extension: WAV)
MISC
AUTPRINT.MRK
(DPOF file folder)
(DPOF file)
• Audio snapshot image file
File that contains the image part of an audio snapshot
(File Name Extension: JPG)
SCENE
(BEST SHOT folder)
*
• Audio snapshot audio file
File that contains the audio part of an audio snapshot
(File Name Extension: WAV)
UZ850001.JPE
UZ850002.JPE
(User setup file)
(User setup file)
MSCENE
(MOVIE BEST SHOT Folder)
*
UZ850001.JPE
UZ850002.JPE
(MOVIE BEST SHOT user setup file)
(MOVIE BEST SHOT user setup file)
* These folders are created in built-in memory only.
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VIEWING IMAGES ON A COMPUTER
• FAVORITE folder (Built-in memory only)
Folder that contains Favorites image files
Image Files Supported by the Camera
• Image files recorded with this camera
• DCF protocol image files
×
(Image Size: 320 240 pixels)
• DPOF file folder
Folder that contains DPOF files
Certain DCF functions may not be supported. When
displaying an image recorded on another camera model, it
may take a long time for the image to appear on the
display.
• BEST SHOT folder (Built-in memory only)
Folder that contains BEST SHOT user setup files
• User setup file (Built-in memory only)
Files that contain BEST SHOT user setups
• MOVIE BEST SHOT folder (Built-in memory only)
Folder that contains MOVIE BEST SHOT user setup files
• MOVIE BEST SHOT user setup files (Built-in memory
only)
Files that contain MOVIE BEST SHOT user setups
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VIEWING IMAGES ON A COMPUTER
I Built-in Memory and Memory Card
Precautions
• Note that the folder named “DCIM” is the parent (top)
folder of all the files in memory. When transferring
memory contents to a hard disk, CD-R, MO disk, or other
external storage, treat all the contents inside a DCIM
folder as a set and always keep them together. You can
change the name of the DCIM folder on your computer.
Changing the name to a date is a good way to keep track
of multiple DCIM folders. However, if you even want to
copy the folders back to the camera’s file memory, be
sure you change the name of the DCIM folder back to
“DCIM” first. The camera does not recognize any folder
name other than DCIM.
• Memory Folders and files must be stored in accordance
with the “Memory Folder Structure” shown on page 235 in
order for the camera to be able to recognize them
correctly.
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237
USING THE CAMERA WITH A COMPUTER
This section explains the software and applications on the CD-ROM that comes bundled with the camera, and provides an
overview of what you can do with them.
Note that the procedure you need to perform depends on whether you are using computer running under Windows (see below)
or a Macintosh (see page 253).
Using the Camera with a Windows Computer
Your digital camera comes bundled with useful applications for using it in combination with a computer. Install the applications
you need on your computer.
Selecting the Software You Need
Install the software on your computer that allows you to perform the type of operations you want.
Purpose
Software Name
Supported Windows Versions
XP/2000/Me
Required Operation
USB connection to a computer for
image transfer
–
Use the USB cradle to establish a
connection between the camera and
computer. Installation of the USB driver
is not required (page 220).
USB driver Type B
98SE/98
Use the USB cradle to establish a
connection between the camera and
computer. Install the USB driver Type
B
(page 220).
Management of images transferred
to a computer
Photo Loader 2.3
* DirectX 9.0c
XP/2000/Me/98SE/98
Install Photo Loader 2.3 (page 242).
* If the computer does not have
DirectX 9.0 or higher installed, install
DirectX 9.0c (page 244).
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USING THE CAMERA WITH A COMPUTER
Purpose
Software Name
Photohands 1.0
Supported Windows Versions
XP/2000/Me/98SE/98
Required Operation
Snapshot retouching,
reorientation, printing
Install Photohands 1.0 (page 245).
Movie playback
Windows Media Player 9
* DirectX 9.0c
XP/2000/Me/98SE
• If you can connect to the Internet, connect to
the Internet for automatic installation for the
applicable codec (page 247).
• If you cannot connect to the Internet, install
Windows Media Player 9 (page 248).
*If you are running Windows 2000 or 98SE
with a DirectX version that is lower than 9.0,
install DirectX 9.0c (page 244).
Windows 98
WMP6.4 codec
98
• If you can connect to the Internet, connect to
the Internet for automatic installation for the
applicable codec (page 247).
• If you cannot connect to the Internet, install the
Windows 98 WMP6.4 codec (page 249).
Movie editing
Ulead Movie Wizard SE
VCD
XP/2000
Install Ulead Movie Wizard SE VCD (page 250).
–
Me/98SE/98
–
Viewing of user
documentation (PDF) files
Adobe Reader 6.0
XP/2000/Me/98SE
If your computer does not already have Adobe
Reader or Adobe Acrobat Reader installed,
install Adobe Reader 6.0 (page 252).
–
98
If your computer does not already have Adobe
Reader or Adobe Acrobat Reader installed, go to
the Adobe Systems Incorporated website and
install Acrobat Reader 5.0.5.
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USING THE CAMERA WITH A COMPUTER
USB driver Type B
OS: 98SE/98
Computer System Requirements
Computer system requirements are different for each of the
applications. Be sure to check the requirements for the
particular application you are trying to use. Note that the
values provided here are minimum requirements for
running each application. Actual requirements are greater,
depending on the number of images and the sizes of the
images being handled.
• In the case of Windows XP, 2000, or Me, connect the
camera to the computer using the bundled USB cradle.
You do not need to install the USB driver from the
bundled CD-ROM.
• Correct operation is not guaranteed on a computer that
has been upgraded from Windows 95 or 3.1.
Photo Loader 2.3
OS: XP/2000/Me/98SE/98
Memory: At least 16MB
HD: At least 7MB
Other: Internet Explorer 5.5 or higher; DirectX 9.0 or higher
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USING THE CAMERA WITH A COMPUTER
Photohands 1.0
Windows Media Player 9
OS: XP/2000/Me/98SE
CPU: 233 MHz Intel Pentium II, AMD, etc.
Memory: 64MB
OS: XP/2000/Me/98SE/98
Memory: At least 64MB
HD: At least 10MB
HD: 100MB
×
DirectX 9.0c
Other: Sound card; 800 600 or greater display resolution;
OS: XP/2000/Me/98SE/98
Internet Explorer 5.01 or higher
HD: At least 65MB free space during installation, 18MB
after installation is complete.
• If you are running Windows 98, install the Windows 98
WMP6.4 codec from the CD-ROM.
Adobe Reader 6.0
OS: XP/2000/Me/98SE
CPU: Pentium
Memory: 32MB
HD: 60MB
Ulead Movie Wizard SE VCD
OS: XP/2000
CPU: Pentium III 800MHz
Memory: 256MB
HD: 250MB
Other: 1024 768 or higher display resolution
Other: Internet Explorer 5.01 or higher
×
IMPORTANT!
• For details about Windows minimum system
requirements, see the “Read me” file on the CD-
ROM that comes bundled with the camera.
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USING THE CAMERA WITH A COMPUTER
I Getting Started
Managing Images on a PC
Start up your computer and insert the CD-ROM into its CD-
ROM drive. This will automatically launch the menu
application, which displays a menu screen on your
computer.
To manage images on a PC, you need to install the Photo
Loader application from the CD-ROM that comes with the
camera.
• Use the CD-ROM whose contents label shows “Photo
Loader”.
• The menu application may not start up automatically on
some computers. If this happens, navigate to the CD-
ROM and double-click “menu.exe” to launch the menu
application.
NOTE
• If you already have Photo Loader installed on your
computer, check its version. If the bundled version is
newer than the one you have, uninstall the old
version of Photo Loader and then install the newer
version.
I Selecting a Language
First select a language. Note that some software is not
available in all languages.
The CD-ROM includes the software and user
documentation for various languages. Check the CD-ROM
menu screen to see if applications and user documentation
are available for a particular language.
1. On the menu screen, click the tab for the
language you want.
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USING THE CAMERA WITH A COMPUTER
I Viewing the Contents of the “Read me” File
I Installing Photo Loader
You should always read the “Read me” file for “Photo
Loader” before installing it. The “Read me” file contains
information you need to know when installing the
application.
1. Click the “Install” button for “Photo Loader”.
2. Follow the instructions that appear on your
computer screen.
1. Click the “Read me” button for “Photo
Loader”.
IMPORTANT!
• Be sure to follow the instructions carefully and
completely. If you make a mistake when installing
Photo Loader, you may not be able to browse your
existing library information and HTML files that are
created automatically by Photo Loader. In some
cases, image files may be lost.
IMPORTANT!
• Before upgrading or reinstalling Photo Loader, or
before installing it onto another computer, be sure to
read the “Read me” file for information about
retaining existing libraries.
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USING THE CAMERA WITH A COMPUTER
4. Click [Exit] to exit DirectX Diagnostic Tool.
I Checking for the Proper Version of DirectX
• If your PC already has DirectX 9.0 or higher
installed, you do not need to install DirectX 9.0c from
the bundled CD-ROM.
In order to manage images using Photo Loader, your
computer also needs to have DirectX 9.0 or higher
installed. You can check the installed version of DirectX
using your PC’s DirectX Diagnostic Tool.
• If your PC does not have DirectX 9.0 or higher
installed, install DirectX 9.0c from the bundled CD-
ROM.
1. On your PC, click [Start], [All Programs],
[Accessories], [System Tools], and then
[System Information].
2. On the [Tools] menu of the window that
appears, select [DirectX Diagnostic Tool].
3. On the [System] tab, check to make sure that
the version shown for the “DirectX Version”
item is 9.0 or higher.
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USING THE CAMERA WITH A COMPUTER
I Getting Started
Retouching, Reorienting, and Printing a
Snapshot
In order to retouch, reorient, or print snapshots on your PC,
you need to install Photohands from the CD-ROM that
comes bundled with the camera.
Start up your computer and insert the CD-ROM into its CD-
ROM drive. This will automatically launch the menu
application, which displays a menu screen on your
computer.
• Use the CD-ROM whose contents label shows
“Photohands”.
• The menu application may not start up automatically on
some computers. If this happens, navigate to the CD-
ROM and double-click “menu.exe” to launch the menu
application.
NOTE
• If you already have Photohands installed on your
computer, check its version. If the bundled version is
newer than the one you have, uninstall the old
version of Photohands and then install the newer
version.
I Selecting a Language
First select a language. Note that some software is not
available in all languages.
The CD-ROM includes the software and user
1. On the menu screen, click the tab for the
language you want.
documentation for various languages. Check the CD-ROM
menu screen to see if applications and user documentation
are available for a particular language.
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USING THE CAMERA WITH A COMPUTER
I Viewing the Contents of the “Read me” File
I Installing Photohands
You should always read the “Read me” file for
“Photohands” before installing it. The “Read me” file
contains information you need to know when installing the
application.
1. Click the “Install” button for “Photohands”.
2. Follow the instructions that appear on your
computer screen.
1. Click the “Read me” button for “Photohands”.
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USING THE CAMERA WITH A COMPUTER
NOTE
Playing a Movie
• If your PC already has MPEG-4 codec installed, it
will start playing the movie as soon as you click it.
• Note the following important precautions when
playing back a movie using Windows Media Player 9.
— When using a high-speed type SD memory card
Use Windows Media Player as-is, without
changing its basic settings.
In order to play a movie recorded with this camera on your
PC using Windows Media Player, you need to install
MPEG-4 codec.
I To install the codec on a PC that can
connect to the Internet
— When using an SD memory card that is not a
high-speed type
1. Connect the PC to the Internet.
Change Windows Media Player settings as shown
below. These settings will enable more stable
movie display.
2. Click the movie file that was recorded with the
camera.
1. On the Windows Media Player [Tools] menu,
select [Options]. On the dialog box that appears,
open the [Performance] tab.
2. In the “Video acceleration” area click [Advanced].
3. In the “Video acceleration” area, clear the “Use
video mixing renderer” check box.
4. In the “Legacy video renderer” area, clear the
“Use YUV Flipping” check box.
• Be sure to move the movie data to the hard disk of
your PC before trying to play it. Proper movie
playback may not be possible for data accessed over
a network, from a memory card, etc.
3. If your PC does not have MPEG-4 codec
installed, it will connect to the Microsoft
website automatically and download the
codec.
4. Install the downloaded MPEG-4 codec.
5. This will cause the movie file recorded with
the camera to start playing.
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USING THE CAMERA WITH A COMPUTER
G Getting Started
I To install the codec on a PC that cannot
Start up your computer and insert the CD-ROM into its CD-
ROM drive. This will automatically launch the menu
application, which displays a menu screen on your
computer.
connect to the Internet
If your PC cannot connect to the Internet, install Windows
Media Player 9 from the CD-ROM that comes bundled with
the camera.
• Use the CD-ROM whose contents label shows “Windows
Media Player”.
• The menu application may not start up automatically on
some computers. If this happens, navigate to the CD-
ROM and double-click “menu.exe” to launch the menu
application.
G Selecting a Language
First select a language. Note that some software is not
available in all languages.
1. On the menu screen, click the tab for the
language you want.
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USING THE CAMERA WITH A COMPUTER
G Viewing the Contents of the “Read me” File
You should always read the “Read me” file for “Windows
Media Player 9” before installing it. The “Read me” file
contains information you need to know when installing the
application.
IMPORTANT!
• If your PC is running Windows 98, install the
Windows 98 WMP6.4 codec instead of Windows
Media Player 9.
• In the case of Windows 2000 or 98SE, you need to
install DirectX 9.0c. For information about
determining the version of DirectX on your PC, see
page 244.
• Note the following important precautions when
playing back a movie using Windows Media Player 9.
— When using a high-speed type SD memory card
Use Windows Media Player as-is, without
changing its basic settings.
1. Click the “Read me” button for “Windows
Media Player 9”.
G Installing Windows Media Player 9
1. Click the “Install” button for “Windows Media
Player 9”.
— When using an SD memory card that is not a
high-speed type
Change Windows Media Player settings as shown
below. These settings will enable more stable
movie display.
2. Follow the instructions that appear on your
computer screen.
1. On the Windows Media Player [Tools] menu,
select [Options]. On the dialog box that appears,
open the [Performance] tab.
2. In the “Video acceleration” area click [Advanced].
3. In the “Video acceleration” area, clear the “Use
video mixing renderer” check box.
4. In the “Legacy video renderer” area, clear the
“Use YUV Flipping” check box.
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USING THE CAMERA WITH A COMPUTER
I Movie Playback Precaution
Editing a Movie
The recommended system requirements described below
are necessary to use your computer to play back movies
recorded with this camera.
In order to edit movies on your PC, you need to install
Ulead Movie Wizard SE VCD from the bundled CD-ROM.
• Use the CD-ROM whose contents label shows “Ulead
Movie Wizard SE VCD”.
OS: XP
CPU: Pentium M 1GHz or higher
Pentium 4 2GHz or higher
Required software: Windows Media Player 9 (bundled with
camera)
IMPORTANT!
• Operation of Ulead Movie Wizard SE VCD is not
supported under Windows Me, 98SE, or 98.
DirectX 9.0c (bundled with camera)
NOTE
IMPORTANT!
• The Ulead Movie Wizard SE VCD application that
comes on the bundled CD-ROM can create Video-
CDs, but it cannot created DVDs. If you want to be
able to create DVDs, you need to upgrade to the
commercial version. See the “Read me” file on the
CD-ROM for information about Ulead Movie Wizard
SE VCD, and what you need to do to upgrade to the
commercial version.
• The above is the recommended environment.
Configuring this environment does not guarantee
proper operation.
• Even if your computer meets the recommended
requirements described above, certain settings and
other installed software may interfere with proper
playback of movies.
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USING THE CAMERA WITH A COMPUTER
I Getting Started
I Viewing the Contents of the “Read me” File
Start up your computer and insert the CD-ROM into its CD-
ROM drive. This will automatically launch the menu
application, which displays a menu screen on your
computer.
You should always read the “Read me” file for “Ulead
Movie Wizard SE VCD” before installing it. The “Read me”
file contains information you need to know when installing
the application.
• The menu application may not start up automatically on
some computers. If this happens, navigate to the CD-
ROM and double-click “menu.exe” to launch the menu
application.
1. Click the “Read me” button for “Ulead Movie
Wizard SE VCD”.
I Installing Ulead Movie Wizard SE VCD
I Selecting a Language
First select a language. Note that some software is not
available in all languages.
1. Click the “Install” button for “Ulead Movie
Wizard SE VCD”.
2. Follow the instructions that appear on your
computer screen.
1. On the menu screen, click the tab for the
language you want.
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USING THE CAMERA WITH A COMPUTER
Viewing User Documentation (PDF Files)
User Registration
You can perform user registration over the Internet. To do
so, of course, you need to be able to connect to the
Internet with your computer.
1. In the “Manual” area, click the name of the
manual you want to read.
IMPORTANT!
1. Click the “Register” button.
• You must have Adobe Reader or Adobe Acrobat
Reader installed on your computer in order to view
the contents of a PDF file. If you do not already have
Adobe Reader installed, you can install it from the
bundled CD-ROM.
• This starts up your Web browser and accesses the
user registration website. Follow the instructions that
appear on your computer screen to register.
Exiting the Menu Application
1. On the menu screen, click “Exit” to exit the
menu.
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USING THE CAMERA WITH A COMPUTER
Using the Camera with a Macintosh Computer
Your digital camera comes bundled with useful applications for using it in combination with a computer. Install the applications
you need on your computer.
Selecting the Software You Need
Install the software on your Macintosh that allows you to perform the type of operations you want.
Purpose
Software Name
Mac OS Versions
OS 9/OS X
Required Operation
USB connection to a Macintosh for
image transfer
–
Use the USB cradle to establish a
connection between the camera
and your Macintosh. USB driver is
not required (page 228).
Managing of Images on a Macintosh
Photo Loader 1.1
OS 9
OS X
Install Photo Loader 1.1 (page
255).
–
Use iPhoto, which comes bundled
with your operating system (page
255).
Movie playback
CASIO AVI Importer
component 1.0
OS X
Installing CASIO AVI Importer
component 1.0 makes it possible to
play back movies using the
QuickTime application that comes
bundled with your operating system
(page 256)
Viewing of user documentation
(PDF) files
–
OS 9/OS X
Use Adobe Reader or Adobe
Acrobat Reader, which comes
bundled with your operating system
(page 258).
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USING THE CAMERA WITH A COMPUTER
Photo Loader 1.1
OS: OS 9
Memory: 32MB
HD: At least 3MB
Computer System Requirements
Computer system requirements are different for each of the
applications. Be sure to check the requirements for the
particular application you are trying to use. Note that the
values provided here are minimum requirements for
running each application. Actual requirements are greater,
depending on the number of images and the sizes of the
images being handled.
• USB connection is supported on a Macintosh running OS
9 or X. Operation is supported using the standard USB
driver that comes with the operating system, so all you
need to do is connect the camera to your Macintosh using
the USB cable.
CASIO AVI Importer component 1.0
OS: OS X 10.2.8 or greater
QuickTime: QuickTime 6.5.2 or greater
IMPORTANT!
• For details about Macintosh minimum system
requirements, see the “Readme” file on the CD-ROM
that comes bundled with the camera.
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USING THE CAMERA WITH A COMPUTER
IMPORTANT!
Managing Images on a Macintosh
• If you are upgrading to the new version of Photo
Loader from a previous version and you want to use
library management data and HTML files created
using the old version of Photo Loader, be sure to
read the “Important” file in the “Photo Loader” folder.
Follow the instructions in the file to use your existing
library management files. Failure to follow this
procedure correctly can result in loss or corruption of
your existing files.
I To manage images on a Macintosh running
OS 9
Install the Photo Loader application from the CD-ROM that
comes with the camera.
• Use the CD-ROM whose contents label shows “Photo
Loader”.
G To install Photo Loader
1. Open the folder named “Photo Loader”.
I To manage images on a Macintosh running
OS X
Use iPhoto, which comes bundled with the operating
system. iPhoto enables management of snapshots.
2. Open the folder named “English”, and then
open the file named “Important”.
3. Open the folder named “Installer”, and then
open the file named “readme”.
4. Follow the instructions in the “readme” file to
install Photo Loader.
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USING THE CAMERA WITH A COMPUTER
G To install CASIO AVI Importer component
Playing Back a Movie on your Macintosh
To playback movies on your Macintosh using QuickTime,
install CASIO AVI Importer component from the CD-ROM
that comes bundled with the camera.
• Installing CASIO AVI Importer component makes it
possible to play back AVI format (MPEG-4 standard)
movie data recorded on a High Quality Movie digital
camera on a Macintosh, using the QuickTime application
that comes bundled with the Macintosh operating system.
1. Place the CD-ROM that comes bundled with
the camera into your Macintosh CD-ROM
drive.
2. On the CD-ROM, open the folder named
“Movie Component”. There you will find a file
named “CASIO AVI Importer. component”.
3. Double-click the “Library” folder on the
startup disk.
4. In the “Library” folder, double-click
“QuickTime”.
5. Drag “CASIO AVI Importer. component” to the
“QuickTime” folder.
• This installs “CASIO AVI Importer. component” in the
“QuickTime” folder.
• If there are any other AVI components in the
[QuickTime] folder, it can make proper movie
playback impossible. Move the other AVI
components to another location outside the
[QuickTime] folder.
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USING THE CAMERA WITH A COMPUTER
6. Restart your Macintosh and confirm that
QuickTime can play the movies properly.
I Movie Playback Precaution
The minimum system requirements described below are
necessary to use your Macintosh to play back movies
recorded with this camera.
IMPORTANT!
OS: OS X 10.2.8 or greater
Required Software: QuickTime 6.5.2 or greater
• Be sure to move the movie data to the hard disk of
your Macintosh before trying to play it. Proper movie
playback may not be possible for data accessed over
a network, from a memory card, etc.
IMPORTANT!
• The above is the recommended environment.
Configuring this environment does not guarantee
proper operation.
• Even if your computer meets the minimum
requirements described above, certain settings and
other installed software may interfere with proper
playback of movies.
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USING THE CAMERA WITH A COMPUTER
I To view the Photo Loader user’s guide
1. On the CD-ROM, open the “Manual” folder.
Viewing User Documentation (PDF Files)
You must have Adobe Reader or Adobe Acrobat Reader
installed on your computer in order to view the contents of
a PDF file.
If you don’t, go to the Adobe Systems Incorporated website
and install Acrobat Reader.
2. Open the “Photo Loader” folder and then
open the “English” folder.
3. Open “PhotoLoader_english”.
I To view the camera user’s guide
1. On the CD-ROM, open the “Manual” folder.
To register as a camera user
Internet registration only is supported. Visit the following
CASIO website to register:
2. Open the “Digital Camera” folder, and then
open the folder for the language whose user’s
guide you want to view.
http://world.casio.com/qv/register/
3. Open the file named “camera_xx.pdf”.
• “xx” is the language code (Example: camera_e.pdf is
for English.)
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258
APPENDIX
Memory
Flash: On / Off
Menu Reference
Focus: On / Off
The following shows lists of menus that appear in a REC
mode and the PLAY mode, and their settings.
• The settings that are underlined in the following table are
initial defaults.
White Balance: On / Off
ISO: On / Off
AF Area: On / Off
Metering: On / Off
Self-timer: On / Off
Flash Intensity: On / Off
Digital Zoom: On / Off
MF Position: On / Off
Zoom Position: On / Off
I REC Modes
G REC Tab Menu
Self-timer
Anti Shake
REC Light
10 sec / 2 sec / X3 / Off
Auto / Off
Auto / On / Off
AF Area
Spot /
On / Off
Multi /
Free
AF Assist Light
L/R Key
EV Shift / White Balance / ISO / Metering /
Self-timer / Off
On / Off
Quick Shutter
Audio Snap
Grid
On / Off
On / Off
Digital Zoom
Review
On / Off
On / Off
Icon Help
On / Off
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APPENDIX
G Quality Tab Menu
G Set Up Tab Menu
×
Size
8M (3264 2448) /
Screen
Sounds
Auto 2 / Auto 1 / +2 / +1 / 0
Startup / Half Shutter /Shutter / Operation /
Operation / Play
×
8M (3:2) (3264 2176 (3:2)) /
×
×
6M (2816 2112) / 4M (2304 1728) /
×
×
2M (1600 1200) / VGA (640 480)
Fine / Normal / Economy
Startup
On (Selectable image) / Off
Continue / Reset
Quality
File No.
(Snapshots)
Quality
World Time
Home / World
HQ / Normal / LP
Home Time setup (city, DST, etc.)
World Time setup (city, DST, etc.)
Date / Date&Time / Off
Time setting
(Movies)
EV Shift
–2.0 / –1.7 / –1.3 / –1.0 / –0.7 / –0.3 / 0.0 /
Timestamp
Adjust
+0.3 / +0.7 / +1.0 / +1.3 / +1.7 / +2.0
White Balance
Auto /
(Daylight) /
(Cloudy) /
Date Style
Language
YY/MM/DD / DD/MM/YY / MM/DD/YY
/ English / Français / Deutsch /
Español / Italiano / Português /
/
(Shade) /
N
(Day White) /
D
(Daylight) /
(Tungsten) / Manual
/
ISO
Auto / ISO 50 / ISO 100 / ISO 200 / ISO 400
Center weighted / Spot
Sleep
30 sec / 1 min / 2 min / Off
2 min / 5 min
Metering
Filter
/
Multi
Auto Power Off
REC / PLAY
USB
Off / B/W / Sepia / Red / Green / Blue /
Yellow / Pink / Purple
+2 / +1 / 0 / –1 / –2
+2 / +1 / 0 / –1 / –2
+2 / +1 / 0 / –1 / –2
+2 / +1 / 0 / –1 / –2
Auto / Off
Power On / Power On/Off / Disable
Mass Storage (USB DIRECT- PRINT) /
PTP (PictBridge)
Sharpness
Saturation
Contrast
Video Out
Format
Reset
NTSC / PAL
Format / Cancel
Flash Intensity
Flash Assist
Reset / Cancel
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APPENDIX
G Set Up Tab Menu
• The contents of the PLAY mode set up tab menu are
identical to those of the REC modes set up tab menu.
I PLAY Mode
G PLAY Tab Menu
Slideshow
Start / Images / Time / Interval / Effect /
Cancel
MOTION PRINT
Movie Editing
9 frames / 1 frame / Cancel
Cut (Before) /
Cut
(Between) /
On / Off
Cut (After) / Cancel
Anti Shake
White Balance
(Daylight) /
(Shade) /
(Daylight) /
(Cloudy) /
N
(Day White) /
(Tungsten) / Cancel
D
Brightness
Keystone
Color Correction
Favorites
DPOF
+2 / +1 / 0 / –1 / –2
–
–
Show / Save / Cancel
Select images / All images / Cancel
Protect
On / All Files : On / Cancel
Date/Time
Rotation
Resize
–
Rotate / Cancel
6M / 4M / VGA / Cancel
Trimming
Dubbing
Copy
–
–
Built-in
Card / Card
Built-in / Cancel
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APPENDIX
I REC Modes
Indicator Lamp Reference
The camera has three indicator lamps: a green operation
lamp, a red operation lamp, and a AF assist light/REC light/
self-timer lamp. These lamps light and flash to indicate the
current operational status of the camera.
AF assist
light/REC
light/self-
timer
Operation Lamp
Meaning
lamp
Green
Lit
Red
White
Operation lamp
AF assist light/REC
light/self-timer lamp
Operational (Power on, recording
enabled)
Pattern 3
Lit
Flash is charging.
Flash charging is complete.
Auto Focus operation was
successful.
Lit
Green
Red
Pattern 3
Lit
Cannot Auto Focus.
Monitor screen is off. / Sleep state
Storing image
Pattern 2
Storing movie data / processing
image data
Pattern 1
* There are three lamp flash patterns. Pattern 1 flashes once per
second, Pattern 2 flashes twice per second, and Pattern 3 flashes
four times per second. The table below explains what each flash
pattern indicates.
Self-timer countdown
(10 to 3 seconds)
Pattern 1
Pattern 2
Self-timer countdown
(3 to 0 seconds)
Pattern 1
Pattern 2
Cannot charge flash.
Memory card problem / Memory card
is unformatted. / BEST SHOT setup
cannot be registered.
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C
APPENDIX
IMPORTANT!
AF assist
light/REC
light/self-
timer
lamp
White
• When you are using a memory card, never remove
the card from the camera while the green operation
lamp is flashing. Doing so will cause recorded
images to be lost.
Operation Lamp
Meaning
Green
Red
Lit
Memory card is locked. /
Cannot create folder. /
Memory is full. / Write error
Low battery alert
Pattern 3
Pattern 3
Pattern 3
Formatting card
Powering down
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APPENDIX
I PLAY Mode
I USB Cradle Indicator Lamps
The USB cradle has two indicator lamps: a [CHARGE]
lamp and a [USB] lamp. These lamps light and flash to
indicate the current operational status of the USB cradle
and camera.
AF assist
light/REC
light/self-
timer
Operation Lamp
Meaning
lamp
Green
Lit
Red
White
Operational (Power on, recording
enabled)
One of the following operations is
being performed: delete, DPOF,
image protect, copy, format, power
down, image resizing, image
trimming, after recording, keystone
correction, color correction,
MOTION PRINT, movie editing
Memory card problem / Memory
card is unformatted.
[CHARGE] lamp
[USB] lamp
Pattern 3
[CHARGE] lamp
[USB] lamp
Meaning
Charging
Color
Red
Status
Lit
Color
Status
Pattern 2
Memory card is locked. / Cannot
create folder. / Memory is full.
Low battery alert
Green
Amber
Red
Lit
Charging complete
Charge standby
Charge error
Lit
Lit
Pattern 3
Flashing
Green
Lit
USB connection
Green Flashing Accessing memory
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APPENDIX
Troubleshooting Guide
Symptom
Possible Cause
Action
Power does not turn on.
1) The battery is not oriented correctly.
2) The battery is dead.
1) Orient the battery correctly (page 35).
2) Charge the battery (page 37). If the battery
goes dead soon after being charged, it means
the battery has reached the end of its life and
needs to be replaced. Purchase a separately
available NP-40 rechargeable lithium ion
battery.
Camera suddenly powers
down.
1) Auto Power Off activated (page 47).
2) The battery is dead.
1) Turn power back on.
2) Charge the battery (page 37).
Image is not recorded
when the shutter button is
pressed.
1) The camera is in the PLAY mode.
2) Flash unit is being charged.
3) Memory is full.
1) Press [
] (REC) to enter the REC mode.
2) Wait until the flash unit finishes charging.
3) Transfer files you want to keep to your
computer and then delete files from image
memory, or use a different memory card.
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APPENDIX
Symptom
Possible Cause
1) The lens is dirty.
2) The subject is not located in the center of the
focus frame when you compose the image.
3) The subject you are shooting is a type that is
not compatible with Auto Focus operation (page
61).
Action
Auto Focus does not focus
properly.
1) Clean the lens.
2) Make sure the subject is centered in the focus
frame when composing the image.
3) Use manual focus (page 85).
4) You are moving the camera.
4) Turn on Anti Shake or mount the camera on a
tripod (page 108).
The subject is out of focus
in the recorded image.
The image is not focused properly.
1) The image is not focused properly.
When composing the image, make sure the
subject on which you want to focus is located
inside the focus frame (page 57).
Scenery shots are out of
focus.
1) When composing the image, make sure the
subject on which you want to focus is located
inside the focus frame (page 57).
2) The wrong focus mode is selected.
2) Change the focus mode to “ ” (Auto Focus,
page 80) or “ ” (infinity, page 85).
3) The wrong BEST SHOT scene is selected.
3) Change the BEST SHOT scene to “Scenery”
(page 103).
The flash does not fire.
1) “
” (flash off) is selected as the flash mode.
1) Select a different flash mode (page 67).
2) Charge the battery (page 37).
2) The battery is dead.
3) A scene that selects “
flash mode is selected in the BEST SHOT
mode.
” (flash off) as the
3) Select a different flash mode (page 67) or
BEST SHOT scene (page 103).
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APPENDIX
Symptom
Possible Cause
The battery is dead.
Action
Camera powers down
during self-timer
countdown.
Charge the battery (page 37).
Monitor screen image is
out of focus.
1) You are using the Manual Focus mode and
have not focused the image.
1) Focus the image (page 86).
2) You are trying to use the Macro mode (
when shooting a scenery or portrait shot.
3) You are trying to use Auto Focus or the Infinity
)
2) Use Auto Focus for scenery and portrait shots.
3) Use the Macro mode (
) for close-ups.
mode (
) when shooting a close-up shot.
Recorded images are not
saved in memory.
1) Camera powers down before the save
operation is complete.
2) Removing the memory card before the save
operation is complete.
1) When the battery indicator shows
“
”, charge
the battery as soon as possible (page 37).
2) Do not remove the memory card before the
save operation is complete.
Though available lighting is
bright, the faces of human
subjects appear dark.
Not enough light is reaching the subjects.
•
•
•
•
Change the flash mode setting to “
on) for daylight synchro flash (page 69).
Increase the EV shift value (page 88).
” (flash
Subjects are too dark when
recording images on a
seashore or at a ski area.
Sunlight reflected by water, sand, or snow, can
cause underexposure of images.
Change the flash mode setting to “
on) for daylight synchro flash (page 69).
Increase the EV shift value (page 88).
” (flash
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APPENDIX
Symptom
Possible Cause
Action
Vertical lines on the
monitor screen.
Recording a very brightly lit subject can cause a
vertical band to appear in the monitor screen
image.
This is a CCD phenomenon known as “vertical
smear”, and does not indicate malfunction of the
camera. Note that vertical smear is not recorded
with the image in the case of a snapshot, but it is
recorded in the case of a movie.
Out of focus images.
The subject is outside the shooting range of the
camera.
Record within the allowable shooting range.
Digital noise in images.
Sensitivity is increased automatically for dark
subjects. Greater sensitivity increases the chance
of digital noise.
Use a light or some other means to illuminate the
subject.
Color of the playback
image is different from the
image on the monitor
screen during recording.
Sunlight or light from another source is shining
directly into the lens during recording.
Position the camera so sunlight does not shine
directly into the lens.
Images are not displayed.
A memory card with non-DCF images recorded
with another camera is loaded in the camera.
This camera cannot display non-DCF images
recorded onto a memory card using another digital
camera.
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APPENDIX
Symptom
Possible Cause
Action
All buttons and switches
are disabled.
Circuit problem caused by electrostatic charge,
impact, etc. while the camera was connected to
another device.
Remove the battery from the camera, reinsert it,
and then try again.
Monitor screen is off.
USB communication is in progress.
After confirming that the computer is not
accessing camera memory, disconnect the USB
cable.
1) Camera is not set securely on the USB cradle.
1) Check the connection between the camera and
USB cradle.
Cannot transfer files over a
USB connection.
2) USB cable is not connected securely.
3) USB driver is not installed.
2) Check all connections.
3) Install the USB driver on your computer (page
220).
4) Camera is turned off.
4) Press the [USB] button on the USB cradle.
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APPENDIX
If you have problems installing the USB driver...
You may not be able to install the USB driver properly if you use the USB cable to connect the camera to a computer running
Windows 98SE/98 before installing the USB driver from the bundled CD-ROM, or if you have another type of driver installed.
This will make it impossible for the computer to recognize the digital camera when it is connected. If this happens, you will
need to re-install the camera’s USB driver. For information about how to re-install the USB driver, see the USB driver’s “Read
me” file on the CD-ROM that comes bundled with the camera.
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APPENDIX
Display Messages
Battery is low.
The battery is dead.
Check connections! • You are attempting to connect the camera to a
printer while the camera’s USB settings are not
compatible with the USB system of the printer
(page 200).
Cannot correct
image!
Keystone correction cannot be performed for some
reason. The image will be stored as-is, without
correction (pages 112, 114).
• You are attempting to connect to a computer that
does not have a USB driver installed (page 220).
Can not find the file. The camera cannot find a image specified by the
slideshow “Images” setting. Specify another image
(page 172).
File could not be
saved because
battery is low.
The battery is dead, so the recorded image could
not be saved.
Cannot register any • You are attempting to save a BEST SHOT scene
more files.
when there are already 999 scenes in the
“SCENE” folder, or a MOVIE BEST SHOT when
there are already 999 scenes in the “MSCENE”
folder (pages 107, 125).
Folder cannot be
created.
This message appears when you try to record an
image while there are 9,999 files stored in the
999th folder. If you want to record more files,
delete files you no longer need (page 183).
• You are attempting to copy a FAVORITE file
when the “FAVORITE” folder already contains
9999 files (page 188).
LENS ERROR
This message appears and the camera turns off
whenever lens performs some unexpected
operation. If the same message appears after you
turn power back on, contact your retailer or a
CASIO service center.
Card ERROR
Some problem occurred with the memory card.
Turn off the camera, and remove and then reinsert
the memory card. If the same message appears,
format the memory card (page 206).
Load paper!
The camera is in the Printer mode, and the printer
is out of paper.
IMPORTANT!
Formatting the memory card deletes all files on
the memory card. Before formatting, try
transferring recoverable files to a computer or
some other storage device.
Memory Full
Memory is full. If you want to record more files,
delete files you no longer need (page 183).
No Favorites file!
There is no FAVORITE file.
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APPENDIX
Printing Error
One of the following problems occurred during
printing.
There are no printing There are no DPOF settings specifying images
images.
and the number of copies of each for printing.
• Printer power off
Set up DPOF.
Configure the required DPOF settings (page 211).
• Printer internal error
There is no image to The image or movie whose setup you are trying to
Record Error
Image compression could not be performed during
image data storage for some reason. Record the
image again.
register.
save is not supported by BEST SHOT.
This card is not
formatted.
The memory card loaded in the camera is not
formatted. Format the memory card (page 206).
Replenish ink!
The camera is in the Printer mode, and the printer
is running low on ink or is out of ink.
This file cannot be
played.
The image file or audio file is corrupted, or is a
type that cannot be displayed by this camera.
RETRY POWER ON If the lens comes into contact with some obstacle,
this message appears and the camera turns off. Take
action to remove the obstacle, and try turning on
power again.
This function cannot You attempted to copy files from built-in memory
be used.
to a memory card loaded in the camera while there
is no memory card in the camera (page 207).
SYSTEM ERROR
Your camera system is corrupted. Contact your
retailer or a CASIO service center.
This function is not The function you are trying to perform is not
supported for this
file.
supported for the file on which you are trying to
perform it.
The card is locked.
The LOCK switch of the SD memory card is locked.
You cannot store images to or delete images from
a memory card that is locked.
There are no files.
• There are no files in built-in memory or on the
memory card.
• This message will appear if you rename the files
or folders in camera memory or if you move them
to different locations. If this happens, move the
files or folders back to their original locations in
camera memory and return them to their original
preset names (pages 235, 237).
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APPENDIX
Data Size
Specifications
• Snapshots
Product ............................... Digital Camera
Model .................................. EX-Z850
File Size
(pixels)
Approximate
Built-in
SD Memory
Quality
Image File Size memory 8.0MB Card 256MB*
8M
Fine
Normal
Economy
Fine
4.8MB
3.18MB
1.63MB
4.34MB
2.89MB
1.45MB
3.63MB
2.3MB
1 shot
2 shots
4 shots
1 shot
48 shots
72 shots
×
3264 2448
140 shots
54 shots
I Camera Functions
8M (3:2)
Image Files Format
×
3264 2176
Normal
Economy
Fine
2 shots
5 shots
2 shots
3 shots
6 shots
3 shots
4 shots
8 shots
6 shots
9 shots
17 shots
20 shots
30 shots
57 shots
81 shots
Snapshots ....................... JPEG (Exif Ver.2.2); DCF (Design rule
for Camera File system) 1.0 standard;
DPOF compliant
Movies ............................. AVI (MPEG-4)
Audio ............................... WAV
(3:2)
6M
157 shots
65 shots
×
2816 2112
Normal
Economy
Fine
101 shots
186 shots
97 shots
1.21MB
2.43MB
1.62MB
810KB
1.17MB
780KB
390KB
360KB
240KB
120KB
4M
Recording Media ............... 8.0MB built-in memory
SD Memory Card
×
2304 1728
Normal
Economy
Fine
143 shots
271 shots
196 shots
286 shots
530 shots
625 shots
938 shots
1742 shots
MultiMediaCard
2M
×
1600 1200
Normal
Economy
Fine
VGA
×
640 480
Normal
Economy
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APPENDIX
• Movies
Delete .................................. Single-file, all files (with protection)
Effective Pixels .................. 8.1 million
Image
Size
(Pixels)
Maximum
Approximate
Data Rate
(Frame Rate)
Approximate
Recording
Time for Built-
in Memory
8.0MB
Approximate
Recording
Time for SD
Memory
Recording
Time Per
File
Imaging Element ................ 1/1.8-inch square pixel color CCD
(Total pixels: 8.32 million)
Card 256MB
Lens/Focal Distance
HQ
Until
memory
full
4.0 megabits
per second
(30 frames /
second)
16 seconds
8 minutes
and 21
seconds
Lenses ............................. F2.8 (W) to 5.1 (T); f=7.9 (W) to
23.7mm (T) (equivalent to
approximately 38 (W) to 114mm (T) for
35mm film)
×
640 480
7 lenses in 5 groups, with aspherical
lens
Normal
Until
memory
full
2.1 megabits
per second
(30 frames /
second)
31 seconds
15 minutes
and 52
seconds
×
640 480
Zoom ................................... 3X optical zoom; 8X digital zoom
(24X in combination with optical zoom)
LP
Until
memory
full
745 kilobits
per second
(15 frames /
second)
1 minute and
27 seconds
44 minutes
and 17
seconds
Focusing ............................. Contrast Detection Auto Focus
Focus Modes: Auto Focus, Macro
mode, Pan Focus, Infinity mode,
manual focus
×
320 240
AF Area: spot, multi, free; AF Assist
Light
* Based on Matsushita Electric Industrial Co., Ltd. products.
Capacity depends on card manufacturer.
* To determine the number of images that can be stored on a
memory card of a different capacity, multiply the capacities in the
table by the appropriate value.
Approximate Focus Range (from lens surface)
Auto Focus ...................... 40cm to ∞ (1.3´ to ∞)
Macro .............................. 10cm to 50cm (3.9˝ to 19.7˝)
Infinity Mode .................... ∞
Manual ............................. 10cm to ∞ (3.9˝ to ∞)
• Using optical zoom causes the above
ranges to change.
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APPENDIX
Exposure Control
Light Metering ................. Multi-pattern, center-weighted, spot by
CCD
Sensitivity........................... Snapshots: Auto, ISO 50, ISO 100,
ISO 200, ISO 400
Movies: Auto
Exposure ......................... Program AE, Shutter Speed Priority
AE, Aperture Priority AE, Manual
Self-timer ............................ 10 seconds, 2 seconds, Triple Self-
timer
Exposure
Exposure Compensation ..... –2EV to +2EV (1/3EV units)
Built-in Flash
Flash Modes.................... Auto Flash, ON, OFF, High-power
Flash, Soft Flash, Red eye reduction
Flash Range .................... Wide Angle Optical Zoom:
0.1 to 4.3 meters (0.33´ to 14.1´)
Telephoto Optical Zoom:
Shutter ................................ CCD electronic shutter; mechanical
shutter
Program AE: 1/2 to 1/1600 second
Manual Exposure / Shutter Speed
Priority AE: 60 to 1/1600 second
Aperture Priority AE: 1 to 1/1600
second
• Above shutter speeds do not apply
when using a BEST SHOT scene.
0.5 to 2.4 meters (1.6´ to 7.9´)
• Flash Continuous Shutter
Wide Angle Optical Zoom:
0.4 to 3.3 meters (1.3´ to 10.8´)
Telephoto Optical Zoom:
0.5 to 1.8 meters (1.6´ to 5.9´)
* ISO Sensitivity: “Auto”
* Depends on zoom factor.
Aperture .............................. Program AE/Shutter Speed Priority
AE: F2.8 to 8.0*, auto switching
* Brightness converted
Manual Exposure/Aperture Priority
AE: F2.8/4.0, auto switching
• Using optical zoom causes the
aperture to change.
White Balance .................... Auto WB, fixed (6 modes), manual
switching
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APPENDIX
Recording Functions ....... Snapshot; audio snapshot; macro; self-
timer; Continuous shutter (Normal-
speed Continuous Shutter, High-speed
Continuous Shutter, Flash Continuous
Shutter, Zoom Continuous Shutter,
Multi Continuous Shutter); BEST
Input/Output Terminals .... Cradle connector
USB ..................................... USB 2.0 Hi-Speed compatible
Microphone ........................ Monaural
Speaker ............................... Monaural
SHOT; movie with audio (Movie,
MOVIE BEST SHOT, Short Movie,
Past Movie) ; voice recording
• Audio recording is monaural.
Audio Recording Time
Audio Snapshot............... Approximately 30 seconds maximum
per image
Voice Recording.............. Approximately 24 minutes with built-in
memory
After Recording ............... Approximately 30 seconds maximum
per image
Monitor Screen .................. 2.5-inch TFT color LCD
×
115,200 (480 240)
Viewfinder .......................... Monitor screen and optical viewfinder
Timekeeping Functions .... Built-in digital quartz clock
Date and Time ................ Recorded with image data
Auto Calendar ................. To 2049
World Time ...................... City; Date; Time; Summer time;
162 cities in 32 time zones
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APPENDIX
*2 Continuous Recording Conditions
I Power Requirements
•
•
•
•
Temperature: 23°C (73°F)
Monitor screen: On
Flash: Off
Image recorded every 15 seconds, alternating full wide-angle and full
telephoto zoom
Power Requirements ........ Rechargeable lithium ion battery
×
(NP-40)
1
Approximate Battery Life:
The values below indicate the amount of time under the conditions defined
below, until power automatically turns off due to battery failure. They do not
guarantee that you will be able to achieve this level of operation. Low
temperatures shorten battery life.
*3 Continuous Snapshot Playback Conditions
•
•
Temperature: 23°C (73°F)
Scroll one image about every 10 seconds
*4 Approximate time for continuous movie recording, without using zoom.
*5 Voice recording times are based on continuous recording.
Operation
Approximate Battery Life
440 shots (220 minutes)
Number of Shots (CIPA Standard)*1
Power Consumption ......... 3.7V DC Approximately 3.7W
(Recording Time)
Number of Shots, Continuous
×
×
Dimensions ........................ 89(W) 58.5(H) 23.7(D) mm
950 shots (245 minutes)
Recording*2 (Recording Time)
×
×
(3.5˝(W) 2.3˝(H) 0.93˝(D))
(excluding projections; 19.9mm (0.78˝)
at thinnest part)
Continuous Snapshot Playback*3
420 minutes
200 minutes
500 minutes
4
*
Continuous Movie Recording
Weight ................................. Approximately 130 g (4.6 oz)
Continuous Voice Recording*5
(excluding battery and accessories)
Supported Battery: NP-40 (Rated Capacitance: 1230 mAh)
Storage Medium: SD Memory Card
Bundled Accessories........ Rechargeable lithium ion battery (NP-
40); USB cradle (CA-31); Special AC
adaptor; AC power cord; USB cable;
AV Cable; Strap; CD-ROM; Basic
Reference
*1 Number of Shots (CIPA Standard)
•
•
•
Temperature: 23°C (73°F)
Monitor Screen: On
Zoom operation between full wide to full telephoto every 30 seconds,
during which two images are recorded, one image with flash; power
turned off and back on every time 10 images are recorded.
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APPENDIX
I Rechargeable Lithium Ion Battery (NP-40)
Rated Voltage .................... 3.7 V
I Special AC Adaptor (Inlet Type) (AD-C52G)
Power Requirement .......... 100 to 240V AC, 50/60Hz, 83 mA
Output ................................. 5.3V DC, 650 mA
Rated Capacitance ............ 1230 mAh
×
×
Dimensions ........................ 50(W) 20(H) 70(D) mm
Operating Temperature
Range .................................. 0°C to 40°C (32°F to 104°F)
×
×
(2.0˝(W) 0.8˝(H) 2.8˝(D))
(excluding projections and cable)
×
×
Dimensions ........................ 38.5(W) 38.0(H) 9.3(D) mm
×
×
Weight ................................. Approximately 90 g (3.2 oz)
(1.53˝(W) 1.50˝(H) 0.37˝(D))
Weight ................................. Approximately 34 g (1.2 oz)
I Special AC Adaptor (Plug-in Type) (AD-C52J)
Power Requirement .......... 100 to 240V AC, 50/60Hz, 83mA
Output ................................. 5.3V DC, 650mA
I USB Cradle (CA-31)
Input/Output Terminals .... Camera connector; USB port; AC
adaptor terminal (DC IN 5.3V) /
×
×
Dimensions ........................ 50(W) 18(H) 70(D) mm
AV output port (Special mini port,
NTSC / PAL)
×
×
(2.0˝(W) 0.7˝(H) 2.8˝(D))
(excluding projections and cable)
Power Consumption ......... 5.3V DC Approximately 3.2W
Weight ................................. Approximately 90 g (3.2 oz)
×
×
Dimensions ........................ 107(W) 33(H) 66(D) mm
×
×
(4.2˝(W) 1.3˝(H) 2.6˝(D))
(excluding projections)
Weight ................................. Approximately 67 g (2.4 oz)
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CASIO COMPUTER CO.,LTD.
6-2, Hon-machi 1-chome
Shibuya-ku, Tokyo 151-8543, Japan
MA0604-C
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