Yamaha Musical Instrument CLP 124 User Manual

CLP-124

Owner’s Manual

Page 2 — 21

English

Bedienungsanleitung

Mode d’emploi

Seite 22 — 41

Deutsch

Français

Español

Pages 42 — 61

Manual de instrucciones

Páginas 62 — 81

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Contents

The Control Panel ................................................................................................... 4

Connections ............................................................................................................. 6

Selecting & Playing Voices .................................................................................. 7

G Playing the Demonstration Tunes .......................................................................... 8

The Dual Mode......................................................................................................... 9

G Adjusting the Balance Between the Dual-mode Voices..................................... 9

G Shifting a Dual-mode Voice Up One Octave ..................................................... 9

G Slow-attack Strings ............................................................................................ 9

G Memorizing the Balance, Strings Type, & Octave Shift Settings ....................... 9

Reverb...................................................................................................................... 10

G Adjusting Reverb Depth ................................................................................... 10

G Memorizing the Reverb Type & Depth Settings............................................... 10

Effects ...................................................................................................................... 11

G Memorizing Effects for Each Voice .................................................................. 11

The Pedals .............................................................................................................. 11

G Soft (Left) Pedal ............................................................................................... 11

G Sostenuto (Center) Pedal ................................................................................ 11

G Damper (Right) Pedal ...................................................................................... 11

Touch Sensitivity .................................................................................................. 12

G Memorizing the Touch Sensitivity Setting ........................................................ 12

Transposition......................................................................................................... 12

Pitch Control .......................................................................................................... 13

G Tuning Up ........................................................................................................ 13

G Tuning Down.................................................................................................... 13

G To Restore Standard Pitch .............................................................................. 13

Individual Key Tuning.......................................................................................... 14

G To Lower the Pitch of a Single Key.................................................................. 14

G To Raise the Pitch of a Single Key .................................................................. 14

G To Restore Standard Tuning For A Single Key ............................................... 14

G To Turn the Individual Key Tune Mode ON or OFF ......................................... 15

G To Restore Standard Tuning For All Keys ....................................................... 15

Factory Preset Recall .......................................................................................... 15

MIDI Functions ...................................................................................................... 16

G A Brief Introduction to MIDI .............................................................................. 16

G MIDI “Messages” Transmitted & Received by the Clavinova .......................... 16

G MIDI Transmit & Receive Channel Selection................................................... 17

G MIDI Transmit Transpose ................................................................................ 17

G Other MIDI Functions ............................................................................................. 18

G Local Control ON/OFF ..................................................................................... 18

G Program Change ON/OFF ............................................................................... 18

G Control Change ON/OFF ................................................................................. 19

G The Multi-Timbre Mode.................................................................................... 19

G The MIDI Split & Left Local OFF Mode ............................................................ 20

G The MIDI Split & Right Local Off Mode ............................................................ 20

G Transmitting the Panel Settings ....................................................................... 20

Troubleshooting.................................................................................................... 21

Options & Expander Modules ........................................................................... 21

Keyboard Stand Assembly ................................................................................ 82

MIDI Data Format .................................................................................................. 90

MIDI Implementation Chart ................................................................................ 92

Specifications ........................................................................................................ 93

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The Control Panel

BRILLIANCE

REVERB

ROOM

EFFECT

TOUCH

SENSITIVITY

MELLOW

NORMAL

BRIGHT

HALL 1

HALL 2

COSMIC

DETUNE

CHORUS

TREMOLO

HARD

MEDIUM

SOFT

MASTER VOLUME

MIDI/

TRANSPOSE

PIANO

PIANO CLAVINOVA E. PIANO E. PIANO

TONE

HARPSI-

CHORD

VIBES

STRINGS

ORGAN

MIN

MAX

A-1 B-1 C0 D0 E0 F0 G0 A0 B0 C1 D1 E1 F1 G1 A1 B1 C2 D2 E2 F2 G2 A2 B2 C3 D3 E3 F3 G3 A3 B3 C4 D4 E4 F4 G4 A4

Pitch control keys

(See page 13)

Transpose keys

(See page 12)

HEADPHONES Jacks

(Bottom Panel)

Left voice shift up key

(See page 9)

Balance/Depth keys (See page 9, 10)

1 [POWER] Switch

4 [REVERB] Button

Press the [POWER] switch once to turn the power

ON, a second time to turn the power OFF. When the

power is initially turned ON, the [PIANO 1] voice

selector LED will light.

The [REVERB] button selects a number of digital

reverb effects that you can use for extra depth and

expressive power.

G See page 10 for details.

2 [MASTER VOLUME] Control

5 [EFFECT] Button

The [MASTER VOLUME] control adjusts the vol-

ume (level) of sound produced by the Clavinova’s

internal stereo sound system. The [MASTER VOL-

UME] control also adjusts headphone volume when a

pair of headphones is plugged into the HEADPHONES

jack (page 6).

The [EFFECT] button selects a range of three effects

— detune, chorus, and tremolo — that you can use in

addition to the REVERB effects.

G See page 11 for details.

6 [TOUCH SENSITIVITY] Button

The [TOUCH SENSITIVITY] button selects three

different types of keyboard touch sensitivity —

HARD, MEDIUM or SOFT — to match different play-

ing styles and preferences.

3 [BRILLIANCE] Button

This button can be used to change the tonality or “tim-

bre” of the selected voice. Three settings are provided:

MELLOW, NORMAL, and BRIGHT. To select one of

these settings, press the [BRILLIANCE] button a few

times until the indicator corresponding to the desired

setting lights. The NORMAL setting produces the

“normal” tone of the selected voice. The BRIGHT

setting creates a brighter or “sharper” tone, while the

MELLOW setting produces a “rounder” more mellow

tone.

G See page 12 for details.

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Soft pedal

Sostenuto pedal

Damper pedal

B4 C5 D5 E5 F5 G5 A5 B5 C6 D6 E6 F6 G6 A6 B6 C7

Demonstration key (See page 8)

Memory key (See page 9, 10, 11, 12, 13)

Right voice shift up key

(See page 9)

7 [MIDI/TRANSPOSE] Button

The [MIDI/TRANSPOSE] button allows access to the

Clavinova’s TRANSPOSE function (to shift the pitch

of the entire keyboard up or down) and MIDI func-

tions. For details refer to the “TRANSPOSITION” and

“MIDI FUNCTIONS” sections on pages 12 and 16,

respectively.

G The Music Stand

8 Voice Selectors

The CLP-124 has ten voice selectors. Simply press any

of the voice selectors to select the corresponding

voice. The LED indicator above the voice selector will

light to indicate which voice is currently selected.

The CLP-124 also has a DUAL mode in which two

voices can be played simultaneously across the full

range of the keyboard — see page 9 for details.

If you will be using sheet music with your

Clavinova, raise the music stand built into its top

panel by lifting the rear edge of the music stand,

then flip down the music stand braces and engage

them with the corresponding recesses.

The music stand can be lowered after slightly

lifting it and folding the two brackets which support

it against the back of the stand.

Note: The PIANO 1 voice is automatically selected when-

ever the [POWER] switch is initially turned ON.

9 Pedals

The CLP-124’s soft (left), sostenuto (center), and

damper (right) pedals provide a range of expressive

control capabilities similar to the pedal functions on an

acoustic piano.

G See page 11 for details.

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Connections

1 OPTIONAL IN L/R Jacks

These jacks are intended for use with an external tone generator module

such as the Yamaha DOM-30 Disk Orchestra Module. The stereo outputs

from the external tone generator module are connected to the OPTIONAL

IN L and R jacks, allowing the sound of the tone generator to be reproduced

via the Clavinova’s internal sound system and speakers.

OPTIONAL IN

DOM-30

The AUX OUT R and L/L+R jacks deliver the output of the Clavinova

for connection to an instrument amplifier, mixing console, PA system, or

recording equipment. If you will be connecting the Clavinova to a monaural

sound system, use only the L/L+R jack. When a plug is inserted into the L/

L+R jack only, the left- and right-channel signals are combined and deliv-

ered via the L/L+R jack so you don’t lose any of the Clavinova’s sound.

2 AUX OUT R and L/L+R Jacks

AUX. OUT

L/L+R

The Internal Amplifier & Speaker System

The CLP-124 features a powerful stereo amplifier delivering 50 watts per channel,

driving a speaker system that puts out exceptionally rich sound with natural re-

sponse from powerful lows to shimmering highs. The speaker system includes

two 16-centimeter speaker units, two 10-centimeter units, and two 5-centimeters

speaker units.

Stereo System

Note: The AUX OUT jack signal must never be returned to the OPTIONAL IN jacks,

either directly or through external equipment.

The MIDI IN connector receives MIDI data from an external MIDI de-

vice (such as the DRC-20 Disk Recorder, or DOM-30 Disk Orchestra Mod-

ule) which can be used to control the Clavinova. The MIDI THRU connec-

tor re-transmits any data received at the MIDI IN connector, allowing

“chaining” of several MIDI instruments or other devices. The MIDI OUT

connector transmits MIDI data generated by the Clavinova (e.g. note and

velocity data produced by playing the Clavinova keyboard).

3 MIDI IN, THRU and OUT

Connectors

MIDI

OUT

THRU

More details on MIDI are given in “MIDI FUNCTIONS” on page 16.

Tone Generator

DRC-20

Two pairs of standard pair of stereo headphones can be plugged in here

for private practice or late-night playing. The internal speaker system is

automatically shut off when a pair of headphones is plugged into either of

the HEADPHONES jacks.

G HEADPHONES Jacks (Bottom Panel)

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Selecting & Playing Voices

ZTurn Power On

After making sure that the Clavinova’s AC plug is properly inserted into

a convenient AC wall outlet, press the [POWER] switch located to the left

of the keyboard to turn the power ON.

POWER

When the power is turned ON, the [PIANO 1] voice selector LED will

light (the PIANO 1 voice is automatically selected whenever the power is

turned ON).

Initially set the [MASTER VOLUME] control about half way between

the “MIN” and “MAX” settings. Then, when you start playing, re-adjust the

[MASTER VOLUME] control for the most comfortable listening level.

XSet the Volume

MASTER VOLUME

MIN

MAX

Select the desired voice by pressing one of the voice selectors.

CSelect a Voice

PIANO

PIANO CLAVINOVA E. PIANO E. PIANO

TONE

HARPSI-

CHORD

VIBES

STRINGS

ORGAN

All CLP-124 voices have 32-note polyphony, which means you can play

up to 32 notes at once. The Clavinova also offers keyboard touch response,

so the volume and timbre of notes played can be controlled according to

how “hard” you play the keys. The amount of variation available depends

on the selected voice.

VPlay

* The total number of notes that can be played simultaneously is reduced from 32

to 16 when the DUAL play mode is used. See page 9 for information on the

DUAL play mode.

You can also change the overall tone or add reverb and/or effects as de-

sired by using the [BRILLIANCE], [REVERB] and [EFFECT] buttons

(see page 4 for [BRILLIANCE] button operation, “Reverb” on page 10,

and “Effects” on page 11).

BAdjust Tone & Add Effects

As Required

BRILLIANCE

REVERB

ROOM

EFFECT

MELLOW

NORMAL

BRIGHT

HALL 1

HALL 2

COSMIC

DETUNE

CHORUS

TREMOLO

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Selecting & Playing Voices

Playing the Demonstration Tunes

The CLP-124 features 10 demonstration tunes that effectively demonstrate it’s sound

capabilities. Here’s how you can select and play the demo tunes.

ZEngage the Demo Mode

Press the C7 key while holding the [MIDI/TRANSPOSE] button. The

voice selectors will begin flashing in sequence to indicate that the demo

mode is engaged.

MIDI/

TRANSPOSE

The 10 demo tunes are selected via the voice selectors. Press a selector to

start playback of the corresponding tune, featuring the voice normally se-

lected by that voice selector button. The demo tunes will play in sequence

until stopped, starting with the selected tune. The voice selector indicator

will flash during demo playback.

XSelect a Demo Tune

PIANO

PIANO CLAVINOVA E. PIANO E. PIANO

TONE

HARPSI-

CHORD

VIBES

STRINGS

ORGAN

Use the [MASTER VOLUME] control to adjust the volume, and play

along on the keyboard if you like.

CSet the Volume

MASTER VOLUME

MIN

MAX

Press the [MIDI/TRANSPOSE] button when you want to stop demo

playback and return to the normal play mode.

VStop the Demo

MIDI/

TRANSPOSE

The Demo Tunes

[PIANO 1] ........................... “Grande valse brillante” by F. F. Chopin

[PIANO 2] ........................... “Lake Louise” by Yuhki Kuramoto

[CLAVINOVA TONE].......... “Rêverie” by Debussy

[HARPSICHORD]............... “Invention 3” by J. S. Bach

[ORGAN] ............................ “Symphonie pour orgue No.5” by Widor

• The demonstration pieces listed above are short excerpts from the origi-

YAMAHA CORPORATION).

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The Dual Mode

The DUAL mode makes it possible to play two voices simultaneously across the entire range of the key-

board. To activate the DUAL mode simply press two voice selectors at the same time (or press one voice

selector while holding another). The voice indicators of both selected voices will light when the DUAL mode

is active. To return to the normal single-voice play mode, press any single voice selector.

The volume levels of the two voices combined in the DUAL mode are

G Adjusting the Balance Be-

tween the Dual-mode Voices

normally set automatically to produce a pleasing balance (see “Default Set-

tings” below). The balance can be adjusted manually by using the C2

through C4 keys on the keyboard while pressing the two voice selectors cor-

responding to the voices to be combined in the DUAL mode.

IBES

STRINGS

ORGAN

The C3 key produces equal (50:50) balance between the two voices, while

keys to the left of C3 increase the volume of the left voice in relation to the

right voice, and keys to the right of C3 increase the volume of the right voice

in relation to the left voice. By “left” and “right” voice we refer to the rela-

tive positions of the voice selectors — i.e. in a STRINGS/ORGAN combina-

tion STRINGS is the left voice and ORGAN is the right voice.

Left voice

maximum.

Equal

balance.

Right voice

maximum.

Depending on which voices you combine using the DUAL mode, the com-

bination may sound better if one of the voices is shifted up an octave. To

shift the right voice, press the C5 key while pressing the two voice selectors

corresponding to the voices to be combined in the DUAL mode. Press C5

again to shift the voice back to its normal range. Use the C1 key in the same

way to shift the left voice.

G Shifting a Dual-mode Voice

Up One Octave

IBES

STRINGS

ORGAN

Default octave settings are provided for all voice combinations, as listed in

the “Default Settings” chart, below.

Right voice

shift up.

Left voice

shift up.

In a DUAL mode voice combination using STRINGS and any other voice,

it is possible to switch the STRINGS voice to a slow-attack variation when

initially selecting the voices by pressing the [STRINGS] selector twice while

holding the other voice selector.

G Slow-attack Strings

PIANO

PIAN

IBES

STRINGS

ORGAN

Press the C7 key while holding any two voice selectors to memorize all

balance, STRINGS voice attack variation, and octave shift settings made

since the power was turned on. The memorized settings will be retained in

memory for about one week after the power is turned off, then the default

settings will be restored. To keep the memorized settings for longer periods,

turn the power on briefly at least once a week.

G Memorizing the Balance,

Strings Type, & Octave Shift

Settings

IBES

STRINGS

ORGAN

If these settings are not memorized as described above, they are retained in

memory only until the Clavinova is turned off.

Default Settings

Balance

CLAVINOVA

TONE

HARPSI-

CHORD

PIANO 1 PIANO 2 PIANO 3

E. PIANO 1 E. PIANO 2

VIBES

STRINGS ORGAN

PIANO 1

PIANO 2

PIANO 3

CLAVINOVA TONE

E. PIANO 1

E. PIANO 2

HARPSICHORD

VIBES

STRINGS

ORGAN

C2 … C4: Balance keys

0: Normal octave L: Left voice up one octave

R: Right voice up one octave

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Reverb

The [REVERB] button selects a number of digital reverb effects that you can use for

extra depth and expressive power.

To select a reverb type press the [REVERB] button a few times until the indicator

corresponding to the desired type lights (the indicators light in sequence each time the

[REVERB] button is pressed). No reverb is produced when all indicators are off.

ROOM ........This setting add a continuous reverb effect to the sound that is similar to the type of

acoustic reverberation you would hear in a medium-size room.

HALL 1 ......For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates the natu-

ral reverberation of a medium-size concert hall.

HALL 2 ......For a really spacious reverb sound, use the HALL 2 setting. This effect simulates the

natural reverberation of a large concert hall.

COSMIC ....The COSMIC reverb effect produces an echo-plus-reverb sound that can add life and

animation to your music.

The depth of the selected reverb effect can be adjusted for the current

voice by using the C2 through C4 keys on the keyboard while holding the

[REVERB] button. The C3 key sets the “normal” depth for the selected

effect. Keys to the left of C3 decrease the reverb depth, while keys to the

right of the C3 key increase the reverb depth. Separate reverb settings can

be made for each effect and voice.

G Adjusting Reverb Depth

REVERB

ROOM

HALL 1

HALL 2

COSMIC

Decrease

depth.

Normal

depth.

Increase

depth.

The default reverb depth settings are given in the “Default Settings”

chart, below

Default Settings

ROOM

HALL 1

HALL 2

COSMIC

STRINGS, ORGAN

* All effect types set to C3 for all other voices.

* The default reverb type is OFF.

Press the C7 key while holding the [REVERB] button to memorize the

current effect type and all depth settings made since the power was turned

on. The memorized settings will be retained in memory for about one week

after the power is turned off, then the default settings will be restored. To

keep the memorized settings for longer periods, turn the power on briefly at

least once a week.

G Memorizing the Reverb

Type & Depth Settings

REVERB

ROOM

HALL 1

HALL 2

COSMIC

If these settings are not memorized as described above, they are retained

in memory only until the Clavinova is turned off.

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Effects

The [EFFECT] button selects a range of three effects that you can use in addition to the

REVERB effects.

To select an effect press the [EFFECT] button a few times until the indicator correspond-

ing to the desired effect lights (the indicators light in sequence each time the [EFFECT]

button is pressed). No effect is produced when all indicators are off.

DETUNE ......DETUNE delivers a thick, multi-instrument sound by producing two notes of

slightly different pitch for every single note you play on the keyboard — i.e.

the two notes are slightly “detuned.”

CHORUS .....This produces an animated “shimmering” effect that both thickens the sound

and gives it a more lively feel.

TREMOLO ...TREMOLO is a gentle variation in volume that gives the sound a more dy-

namic feel. The tremolo speed is independently preset for each voice.

G Memorizing Effects for Each

The CLP-124 allows different effects to be set for each voice so that the

appropriate effect is automatically recalled whenever a voice is selected.

The initial effect assignments when the CLP-124 power is turned on are

given in the chart below.

Voice

These settings can be changed by selecting the desired voice and effects,

and then pressing the C7 key while holding the [EFFECT] button. All set-

tings made since the power was turned on are memorized. The memorized

settings will be retained in memory for about one week after the power is

turned off, then the default settings will be restored. To keep the memorized

settings for longer periods, turn the power on briefly at least once a week.

If these settings are not memorized as described above, they are retained

in memory only until the Clavinova is turned off.

EFFECT

DETUNE

CHORUS

TREMOLO

CLAVINOVA

HARPSI-

CHORD

PIANO 1

OFF

PIANO 2

OFF

PIANO 3

OFF

E. PIANO 1 E. PIANO 2

OFF CHORUS

VIBES

STRINGS

OFF

ORGAN

OFF

Voice

TONE

Power-on

Effect

OFF

TREMOLO

The Pedals

The CLP-124 has three foot pedals that produce a range of expressive effects similar to

those produced by the pedals on an acoustic piano.

Pressing the soft pedal reduces the volume and slightly changes the timbre of notes played.

The soft pedal actually functions in eight levels, depending on how hard it is pressed.

G Soft (Left) Pedal

If you play a note or chord on the keyboard and press the sostenuto pedal while the note(s)

are held, those notes will be sustained as long as the pedal is held (as if the damper pedal had

been pressed) but all subsequently played notes will not be sustained. This makes it possible

to sustain a chord, for example, while other notes are played “staccato.”

G Sostenuto (Center)

Pedal

The damper pedal functions in the same way as a damper pedal on an acoustic piano. When

the damper pedal is pressed notes played have a long sustain. When a piano voice is selected

the damper pedal also produces a special “resonance” that simulates the ring of the strings and

the sound board of an acoustic piano. Releasing the pedal immediately stops (damps) any sus-

tained notes. The CLP-124 damper pedal additionally features continuous damping. This al-

lows you to create shorter effects by pressing the damper pedal down only part of the way.

G Damper (Right)

Pedal

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Touch Sensitivity

The [TOUCH SENSITIVITY] button selects three different types of keyboard touch sensi-

tivity — HARD, MEDIUM or SOFT — to match different playing styles and preferences.

To select a touch sensitivity setting press the [TOUCH SENSITIVITY] button a few times

until the indicator corresponding to the desired setting lights (the indicators light in se-

quence each time the [TOUCH SENSITIVITY] button is pressed).

HARD.........The HARD setting requires the keys to be played quite hard to produce maximum loudness.

MEDIUM ....The MEDIUM setting produces a fairly “standard” keyboard response. This is the initial factory

default setting.

SOFT .........The SOFT setting allows maximum loudness to be produced with relatively light key pressure.

G Memorizing the Touch Sen-

Press the C7 key while holding the [TOUCH SENSITIVITY] button to

memorize the current touch sensitivity setting. The memorized setting will

be retained in memory for about one week after the power is turned off,

then the default setting will be restored. To keep the memorized setting for

longer periods, turn the power on briefly at least once a week.

If this settings is not memorized as described above, it is retained in

memory only until the Clavinova is turned off.

sitivity Setting

TOUCH

SENSITIVITY

HARD

MEDIUM

SOFT

Transposition

The Clavinova’s TRANSPOSE function makes it possible to shift the pitch of the entire key-

board up or down in semitone intervals up to a maximum of six semitones. “Transposing” the

pitch of the Clavinova keyboard facilitates playing in difficult key signatures, and you can easily

match the pitch of the keyboard to the range of a singer or other instrumentalist.

The [MIDI/TRANSPOSE] button and keys F#2 through F#3 on the keyboard are used for transposition.

ZPress and hold the [MIDI/TRANSPOSE] button.

F#2

F#3

MIDI/

TRANSPOSE

XPress a key between F#2 and F#3 according to the desired amount of

transposition.*

Transpose Transpose

down. up.

CRelease the [MIDI/TRANSPOSE] button.

Normal

pitch.

* Pressing the C3 key produces normal keyboard pitch. Pressing the key to

the left of C3 (B2) transposes the pitch of the keyboard down a semitone,

the next key to the left (Bb2) transposes down a whole tone (two semi-

tones), etc., down to the F#2 key which transposes down 6 semitones.

Upward transposition is accomplished in the same way using the keys to

the right of C3, up to F#3 which transposes up 6 semitones.

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Pitch Control

Pitch control makes it possible to tune the Clavinova over a ±50-cent range in approximately

1.2-cent intervals. A hundred “cents” equals one semitone, so the tuning range provided allows

fine tuning of overall pitch over a range of approximately a semitone. Pitch control is useful for

tuning the Clavinova to match other instruments or recorded music.

G Tuning Up

ZTo tune up (raise pitch), hold the A-1 and B-1 keys simultaneously.

-1

B-1

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is increased by approximately 1.2 cents, up to a maxi-

mum of 50 cents above standard pitch.

CRelease the A-1 and B-1 keys.

G Tuning Down

ZTo tune down (lower pitch), hold the A-1 and A#-1 keys simultane-

ously.

-1

XPress any key between C3 and B3. Each time a key in this range is

pressed the pitch is decreased by approximately 1.2 cents, up to a maxi-

mum of 50 cents below standard pitch.

CRelease the A-1 and A#-1 keys.

ZTo restore standard pitch (A3 = 440 Hz), hold the A-1, A#-1 and B-1

G To Restore Standard Pitch*

keys simultaneously.

-1

XPress any key between C3 and B3.

CRelease the A-1, A#-1 and B-1 keys.

* Standard pitch (A3 = 440 Hz) is set when the [POWER] switch is ini-

tially turned ON. The power-on pitch setting can be changed, however,

by pressing the C7 key while still holding the A-1/B-1, A-1/A#-1, or A-

1/A#-1/B-1 key combinations after setting the desired pitch.

Settings changed in this way are retained in internal memory for approxi-

mately one week if the power is not turned on during that time. If the

backup period is exceeded, the original factory setting is restored. To

keep the memorized settings for longer periods, turn the power on briefly

at least once a week.

Note: The PITCH CONTROL function has no effect when LOCAL OFF is active

(see “MIDI FUNCTIONS,” page 18).

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Individual Key Tuning

When used in ensemble with other keyboards and particularly acoustic pianos, however, slight

tuning discrepancies can arise. The CLP-124 is equipped with an individual key tuning features that

allows such differences to be accurately compensated for. The individual key tuning feature also

makes it possible to tune the CLP-124 to completely different standards, if required. The pitch of

each key can be raised or lowered by a maximum of 50 cents from the standard pitch.

G To Lower the Pitch of a Single

ZHold the [MIDI/TRANSPOSE] button.

Key

XPress and release the [VIBES] voice selector (do not release the

[MIDI/TRANSPOSE] button). The [VIBES] indicator will flash.

ARPSI-

VIBES

STRINGS

ORGA

HORD

MIDI/

TRANSPOSE

CWhile still holding the [MIDI/TRANSPOSE] button, press the desired

key as many times as necessary to lower its pitch by the required

amount (each press lowers pitch by approximately 1.2 cents). The [OR-

GAN] indicator will light to indicate that the Individual Key Tune

mode is ON.

VRelease the [MIDI/TRANSPOSE] button.

G To Raise the Pitch of a Single

ZHold the [MIDI/TRANSPOSE] button.

Key

XPress and release the [STRINGS] voice selector (do not release the

[MIDI/TRANSPOSE] button). The [STRINGS] indicator will flash.

ARPSI-

VIBES

STRINGS

ORGA

HORD

MIDI/

TRANSPOSE

CWhile still holding the [MIDI/TRANSPOSE] button, press the desired

key as many times as necessary to raise its pitch by the required amount

(each press raises pitch by approximately 1.2 cents). The [ORGAN]

indicator will light to indicate that the Individual Key Tune mode is

ON.

VRelease the [MIDI/TRANSPOSE] button.

ZHold the [MIDI/TRANSPOSE] button.

G To Restore Standard Tuning

For A Single Key

XPress and release the [VIBES] and [STRINGS] voice selectors simulta-

neously (do not release the [MIDI/TRANSPOSE] button). The

[VIBES] and [STRINGS] indicators will flash.

ARPSI-

VIBES

STRINGS

ORGA

HORD

MIDI/

TRANSPOSE

CWhile still holding the [MIDI/TRANSPOSE] button, press the key you

want to restore to normal pitch.

VRelease the [MIDI/TRANSPOSE] button.

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G To Turn the Individual Key

The individual key tuning settings described above can be turned on or

off (normal tuning) while retaining the settings in memory. Individual key

tuning is always turned off when the power is initially turned on, but any

previous settings are retained in memory and can be recalled if the power

has not been off for longer than about a week. To keep the memorized set-

tings for longer periods, turn the power on briefly at least once a week.

Tune Mode ON or OFF

ZHold the [MIDI/TRANSPOSE] button.

ARPSI-

HORD

MIDI/

TRANSPOSE

VIBES

STRINGS

ORGAN

XPress the [ORGAN] voice selector to turn the Individual Key Tune

mode ON ([ORGAN] indicator on) or OFF ([ORGAN] indicator off).

CRelease the [MIDI/TRANSPOSE] button.

Note: The INDIVIDUAL KEY TUNING function has no effect when LOCAL OFF is

active (see “MIDI FUNCTIONS,” page 18).

G To Restore Standard Tuning

ZHold the [MIDI/TRANSPOSE] button.

For All Keys

XPress and release the [VIBES], [STRINGS], and [ORGAN] voice

selectors simultaneously. The [VIBES], [STRINGS], and [ORGAN]

indicators will light.

ARPSI-

HORD

MIDI/

TRANSPOSE

VIBES

STRINGS

ORGAN

CRelease the [MIDI/TRANSPOSE] button.

Factory Preset Recall

All dual mode, reverb, effect, touch sensitivity, pitch control, and

individyal key tune settings can be restored to their original factory preset

(default) values by holding the C7 key while turning the [POWER] switch

ON.

POWER

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MIDI Functions

G A Brief Introduction to MIDI

MIDI, the Musical Instrument Digital Interface, is a world-standard com-

munication interface that allows MIDI-compatible musical instruments and

equipment to share musical information and control one another. This

makes it possible to create “systems” of MIDI instruments and equipment

that offer far greater versatility and control than is available with isolated

instruments. For example, most MIDI keyboards (including the Clavinova,

of course) transmit note and velocity (touch response) information via the

MIDI OUT connector whenever a note is played on the keyboard. If the

MIDI OUT connector is connected to the MIDI IN connector of a second

keyboard (synthesizer, etc.) or a tone generator (essentially a synthesizer

with no keyboard), the second keyboard or tone generator will respond

precisely to notes played on the original transmitting keyboard. The result is

that you can effectively play two instruments at once, providing thick multi-

instrument sounds.

MIDI Cable

MIDI OUT

MIDI IN

DOM-30

Clavinova

Data Being Recorded

Playback Data

This same type of musical information transfer is used for MIDI se-

quence recording. A sequence recorder such as the Yamaha DRC-20 Disk

Recorder can be used to “record” MIDI data received from a Clavinova, for

example. When the recorded data is played back, the Clavinova automati-

cally “plays” the recorded performance in precise detail.

MIDI OUT

MIDI IN

MIDI OUT

MIDI IN

DRC-20

The examples given above really only scratch the surface. MIDI can do

much, much more. The CLP-124 offers a number of MIDI functions that

allows it to be used in fairly sophisticated MIDI systems.

Clavinova

Note: Always use a high-quality MIDI cable to connect MIDI OUT to MIDI IN termi-

nals. Never use MIDI cables longer than about 15 feet, since cables longer than

this can pick up noise which can cause data errors.

The MIDI information (messages) transmitted and received by the CLP-

124 Clavinova are as follows:

G MIDI “Messages” Transmitted

& Received by the Clavinova

Note and Velocity Data

This information tells the receiving keyboard or tone generator to play a certain note (specified by the MIDI

note number) at a certain dynamic level (specified by the MIDI velocity value). Note and velocity data is trans-

mitted by the Clavinova whenever a key is pressed, and the Clavinova’s internal AWM tone generator will

“play” the corresponding note(s) whenever note and velocity data is received from an external MIDI device.

Program Change Numbers

The CLP-124 transmits a MIDI program change number between 0 and 10 when one of its voice selectors is

pressed. This normally causes the correspondingly numbered voice to be selected on a receiving MIDI device.

The Clavinova will respond in the same way, automatically selecting the appropriate voice when a MIDI pro-

gram change number is received. See “Program Change ON/OFF” on page 18 for information on turning pro-

gram change number reception and transmission ON or OFF.

Control Change Numbers

Control Change data representing Soft, Sostenuto and Damper pedal operations is transmitted by the

Clavinova whenever one of these pedals is used. If the receiving device is a tone generator or another keyboard,

it will respond in the same way as the Clavinova’s internal tone generator when one of the pedals is used. The

Clavinova also receives and responds to the appropriate control change data. See “Control Change ON/OFF” on

page 19 for information on turning control change number reception and transmission ON or OFF.

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G MIDI Transmit & Receive

The MIDI system allows transmission and reception of MIDI data on 16

different channels. Multiple channels have been implemented to allow se-

lective control of certain instruments or devices connected in series. For

example, a single MIDI sequence recorder could be used to “play” two

different instruments or tone generators. One of the instruments or tone

generators could be set to receive only on channel 1, while the other is set

to receive on channel 2. In this situation the first instrument or tone genera-

tor will respond only to channel-1 information transmitted by the sequence

recorder, while the second instrument or tone generator will respond only to

channel-2 information. This allows the sequence recorder to “play” two

completely different parts on the receiving instruments or tone generators.

Channel Selection

MIDI OUT MIDI IN

Tone Generator

DRC-20

(Set to receive on MIDI

channel 2)

MIDI IN

MIDI THRU

Clavinova

(Set to receive on MIDI channel 1)

In any MIDI control setup, the MIDI channels of the transmitting and

receiving equipment must be matched for proper data transfer. An “OMNI”

receive mode is also available, which allows reception on all 16 MIDI chan-

nels. In the OMNI mode it is not necessary to match the receive channel of

the receiving device to the transmit channel of the transmitting device (ex-

cept when receiving mode messages).

Setting the Clavinova MIDI Channels

MIDI/

TRANSPOSE

ZPress and hold the [MIDI/TRANSPOSE] button.

XPress the key on the keyboard corresponding to the desired MIDI trans-

mit or receive channel.*

E 5

CRelease the [MIDI/TRANSPOSE] button.

D#2 C4

14 16

* Keys C1 through D#2 on the keyboard are used to set the MIDI transmit

channel, and keys C4 through D#5 are used to turn the OMNI mode OFF

and set the MIDI receive channel as shown in the illustration to the left.

The E5 key sets the OMNI receive mode and basic receive channel 1.

10 12 13 15

For setting the transmit

channel. (C1 ~ D#2)

For setting the receive

channel. (C4 ~ D#5)

For OMNI mode

Note: When the power is initially turned ON, MIDI receive is set to the OMNI mode

and the transmit channel is set to 1.

G MIDI Transmit Transpose

This function allows the MIDI note data transmitted by the Clavinova to

be transposed up or down in semitone increments by up to plus or minus 6

semitones. The pitch of the Clavinova itself is not affected.

Setting the MIDI Transpose Function

F#5

F#6

MIDI/

TRANSPOSE

ZPress and hold the [MIDI/TRANSPOSE] button.

-6 -4 -2

-5 -3 -1

XPress the key on the keyboard corresponding to the desired amount of

transposition.*

CRelease the [MIDI/TRANSPOSE] button.

* Keys F#5 through F#6 on the keyboard are used to set the MIDI transmit

transpose function as shown in the illustration to the left.

Note: When the power is turned ON, MIDI transmit transpose is set to 0 (no trans-

position).

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MIDI Functions

Other MIDI Functions

MIDI FUNCTION CHART

The MIDI functions listed to the right are engaged by

holding down the [MIDI/TRANSPOSE] button and press-

ing the corresponding voice selector. Full details are given

in the following pages.

Function

CLP-124 Voice Selector

[PIANO 1]

Local Control ON/OFF

Program Change ON/OFF

Control Change ON/OFF

Multi-Timbre Mode

[PIANO 2]

[PIANO 3]

[CLAVINOVA TONE ]

[E.PIANO 1]

MIDI Split & Left Local OFF

MIDI Split & Right Local OFF

Panel Data Transmit

[E.PIANO 2]

[HARPSICHORD]

G Local Control ON/OFF

“Local Control” refers to the fact that, normally, the Clavinova keyboard controls its internal tone generator,

allowing the internal voices to be played directly from the keyboard. This situation is “Local Control ON” since

the internal tone generator is controlled locally by its own keyboard.

Local control can be turned OFF, however, so that the Clavinova keyboard does not play the internal voices,

but the appropriate MIDI information is still transmitted via the MIDI OUT connector when notes are played on

the keyboard. At the same time, the internal tone generator responds to MIDI information received via the MIDI

IN connector.

When using the DOM-30 Disk Orchestra Module with the Clavinova, for example, Local Control should be

turned OFF when recording using the DOM-30 voices only, and ON when recording the Clavinova voices while

listening to playback of the DOM-30 voices.

MIDI/

TRANSPOSE

PIANO

PIAN

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [PIANO 1] voice selector. If the PIANO 1 LED is lit when

the [PIANO 1] voice selector is pressed, you have turned local control

OFF. If the PIANO 1 LED is not lit when the [PIANO 1] voice selector

is pressed, you have turned local control ON.

= Local Control OFF

= Local Control ON

PIANO

CRelease the [MIDI/TRANSPOSE] button.

PIANO

G Program Change ON/OFF

Normally the Clavinova will respond to MIDI program change numbers received from an external keyboard

or other MIDI device, causing the correspondingly numbered Clavinova voice to be selected. The Clavinova

will normally also send a MIDI program change number whenever one of its voices is selected, causing the

correspondingly numbered voice or program to be selected on the external MIDI device if the device is set up to

receive and respond to MIDI program change numbers.

This function makes it possible to cancel program change number reception and transmission so that voices

can be selected on the Clavinova without affecting the external MIDI device, and vice versa.

MIDI/

TRANSPOSE

PIANO

PIAN

ZHold down the [MIDI/TRANSPOSE] button.

XPress the [PIANO 2] voice selector. If the PIANO 2 LED is lit when

the [PIANO 2] voice selector is pressed, you have turned program

change reception/transmission OFF. If the PIANO 2 LED is not lit

when the [PIANO 2] voice selector is pressed, you have turned pro-

gram change reception/transmission ON.

^PIANO= Program Change OFF

^PIANO= Program Change ON

CRelease the [MIDI/TRANSPOSE] button.

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G Control Change ON/OFF

Normally the Clavinova will respond to MIDI control change data received from an external MIDI device or

keyboard, causing the selected Clavinova voice to be affected by pedal and other “control” settings received

from the controlling device. The Clavinova also transmits MIDI control change information when one of its

pedals are operated.

This function makes it possible to cancel control change data reception and transmission if you do not want

the Clavinova voices to be affected by control change data received from an external device or vice versa.

ZHold down the [MIDI/TRANSPOSE] button.

MIDI/

TRANSPOSE

ANO

PIANO

PIANO CLAVIN

TON

XPress the [PIANO 3] voice selector. If the PIANO 3 LED is lit when

the [PIANO 3] voice selector is pressed, you have turned control

change reception/transmission OFF. If the PIANO 3 LED is not lit

when the [PIANO 3] voice selector is pressed, you have turned control

change reception/transmission ON.

PIANO

= Control Change OFF

= Control Change ON

PIANO

CRelease the [MIDI/TRANSPOSE] button.

The Multi-Timbre mode is a special mode in which the Clavinova voices

can be independently controlled on different MIDI channel numbers (1

through 10) by an external MIDI device such as the Yamaha DRC-20 Disk

Recorder. The Multi-Timbre mode can be activated as follows:

G The Multi-Timbre Mode

ZHold down the [MIDI/TRANSPOSE] button.

MIDI/

TRANSPOSE

ANO

PIANO CLAVINOVA E. PIA

TONE

XPress the [CLAVINOVA TONE] voice selector. If the CLAVINOVA

TONE LED is lit when the [CLAVINOVA TONE] voice selector is

pressed, you have turned the Multi-Timbre mode ON. If the

CLAVINOVA TONE LED is not lit when the [CLAVINOVA TONE]

voice selector is pressed, you have turned the Multi-Timbre mode OFF.

= Multi-Timble Mode ON

CLAVINOVA

TONE

^CLAVINOVA= Multi-Timble Mode OFF

TONE

CRelease the [MIDI/TRANSPOSE] button.

A Multi-timbre Example

Here’s an example of how you could use the Multi-Timbre mode to

record two different parts on the DRC-20 Disk Recorder that will play dif-

ferent voices on the Clavinova when played back.

MIDI OUT

MIDI IN

MIDI OUT

MIDI IN

DRC-20

ZConnect the DRC-20 to the Clavinova as shown to the left.

XActivate the Clavinova Multi-Timbre mode.

CSet the DRC-20 track 1 to record.

Clavinova

VSelect a voice and record the first part on the DRC-20.

BSet the DRC-20 track 2 to record.

NSelect a voice and record the second part on the DRC-20.

MStill in the Multi-Timbre mode, play back the DRC-20. The recorded

parts will be played back using the individual voices selected during

recording, providing a full ensemble sound.

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MIDI Functions

G The MIDI Split & Left Local OFF Mode

In the MIDI split mode one section of the Clavinova keyboard is used to play a Clavinova voice in the normal

way, while the remaining section is used to play a second MIDI keyboard or tone generator such as the Yamaha

DOM-30 Disk Orchestra Module. In this mode the right-hand section of the keyboard is used to play an internal

Clavinova voice, while the left-hand section of the keyboard plays the external keyboard or tone generator.

Playing the left-hand section of the keyboard produces no sound from the Clavinova. The “split point,” or the

key that divides the left- and right-hand sections of the keyboard can be set at any desired key.

The MIDI split mode is useful if, for example, you want to play a piano

(Clavinova) voice with the right hand while playing a synthesizer bass line

or string section with the left hand.

OPTIONAL IN

LINE OUT

MIDI

MIDI OUT

When the MIDI split mode is activated, notes played on the left-hand

section are transmitted via the Clavinova MIDI OUT connector on MIDI

channel 2. Notes played on the right-hand section are transmitted on the

“basic channel” (i.e. the channel set using the MIDI channel selection func-

tion described previously).

DOM-30

(Set to receive on

MIDI channel 2)

Clavinova

ANO CLAVINOVA E. PIANO E. PIA

TONE

ZPress the [E.PIANO 1] voice selector while holding down the [MIDI/

TRANSPOSE] button. The E.PIANO 1 LED will flash.

MIDI/

TRANSPOSE

XWhile still holding the [MIDI/TRANSPOSE] button, press the key on

the keyboard at which you want to set the split point. The E.PIANO 1

LED will light continuously. The split-point becomes the first key of

the left-hand section.

CRelease the [MIDI/TRANSPOSE] button.

VTo return to the normal full-keyboard mode, hold the [MIDI/TRANS-

POSE] button and press the [E.PIANO 1] voice selector, then release

both buttons.

SPLIT POINT

Note: When the power is turned ON the default split point key — F 2 — will be

automatically selected. If a new split point is selected it remains active until the

power is turned OFF or a different split point is selected.

Left-hand section plays

a DOM-30 bass voice.

Right-hand section plays a

Clavinova piano voice.

G The MIDI Split & Right Local Off Mode

In the CLP-124 either the right- or left-hand section of the keyboard can be assigned to control an external

keyboard or tone generator. Assigning the left-hand section to external tone generator control was described in

the previous section. To assign the right-hand section to external tone generator control while playing the

Clavinova voices with the left hand, press the [E.PIANO 2] voice selector instead of the [E.PIANO 1] voice

selector when activating the Split mode (see the preceding section). All other operations are exactly the same as

described in the previous section.

G Transmitting the Panel Settings

This function causes all the current Clavinova control settings (selected voice, etc) to be transmitted via the

MIDI OUT terminal. This is particularly useful if you will be recording performances to a MIDI sequence re-

corder which will be used to control the Clavinova on playback. By transmitting the Clavinova panel settings

and recording them on the MIDI sequence recorder prior to the actual performance data, the Clavinova will be

automatically restored to the same settings when the performance is played back.

ZHold down the [MIDI/TRANSPOSE] button.

MIDI/

TRANSPOSE

PIANO E. PIANO

HARPSI-

CHORD

VIBE

XPress the [HARPSICHORD] voice selector.

CRelease the [MIDI/TRANSPOSE] button.

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Troubleshooting

If you encounter what appears to be a malfunction, please check the following

points before assuming that your Clavinova is faulty.

1. No Sound When the Power is Turned ON

Is the AC plug properly connected to an AC wall outlet? Check the AC connection carefully. Is the MASTER

VOLUME control turned up to a reasonable listening level?

2. The Clavinova Reproduces Radio or TV Sound

This can occur if there is a high-power transmitter in your vicinity. Contact your Yamaha dealer.

3. Intermittent Static Noise

This is usually due to turning ON or OFF a household appliance or other electronic equipment which is fed by the

same AC mains line as your Clavinova.

4. Interference Appears On Radio or TV Sets Located Near the Clavinova

The Clavinova contains digital circuitry which can generate radio-frequency noise. The solution is to move the

Clavinova further away from the affected equipment, or vice versa.

5. Distorted Sound When the Clavinova is Connected to An External Amplifier/Speaker System

If the Clavinova is connected to a stereo system or instrument amplifier and the sound is distorted, reduce the set-

ting of the Clavinova volume control to a level at which the distortion ceases.

Options & Expander Modules

G Options

BC-8 Bench

A comfortable bench styled to match your Yamaha Clavinova.

HPE-6 Stereo Headphones

High-performance lightweight dynamic headphones with extra-soft ear pads.

G Expander Modules

DRC-20Disk Recorder

DOM-30

Disk Orchestra Module

These state-of-the-art Expander Modules can dramatically expand the musical

scope of your Clavinova.

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The illustrationshere are notavailable.

Keyboard Stand Assembly

Zusammenbau und Aufstellung

Note: We do not recommend attempting to assemble the

Clavinova alone. The job can be easily accomplished, how-

ever, with only two people.

Hinweis: Wir raten davon ab, das Clavinova alleine

zusammenzubauen und aufzustellen. Zwei Personen können

diese Arbeit jedoch problemlos ausführen.

Z Open the box and remove all the parts.

On opening the box you should find the parts shown in

the illustration. Check to make sure that all the required

parts are provided.

Öffnen Sie den Karton und nehmen Sie

alle Teile heraus.

Im Karton sollten die oben abgebildeten Teile enthalten

sein. Prüfen Sie zunächst bitte, ob alle Teile vollständig

vorhanden sind.

Install the power cord (H) in the pedal

box (C).

Sichern Sie das Netzkabel (H) in der

Rückwand des Pedalkastens (C).

Invert the pedal box (C) and firmly insert the power cord

plate into the slot provided until it clicks into place. The

short end of the power cord (the end that connects to the

main unit) should be inside the pedal box, and the long end

of the cord (the end that connects to the AC power socket)

should extend from the side of the pedal box as shown in

the illustration. Also make sure that the pedal cable (al-

ready installed) extends from the other end of the pedal

box in the same way.

Stellen Sie den Pedalkasten (C) auf den Kopf, und

stecken Sie die Netzkabeldurchführung fest in den dafür

vorgesehenen Schlitz, so daß sie mit einem Klicken

einrastet. Das kürzere Ende des Netzkabels (mit dem

kleineren Stecker) wird durch den Pedalkasten verlegt,

während das längere Ende (mit dem Netzstecker)

außerhalb liegt, wie in der Abbildung gezeigt. Führen Sie

außerdem das Pedalkabel (bereits angeschlossen) an der

anderen Seite aus dem Pedalkasten.

Assemble the side panels (E) and feet

(F).

Schrauben Sie die Seitenwände (E) und

die Füße (F) zusammen.

Secure the feet (F) to the side panels (E) with the long

gold-colored screws 1. Make sure that the left and right

feet are facing in the proper direction as shown in the illus-

tration. The grooved edge of each foot should face inward.

Machen Sie die Füße (F) mit den langen goldenen

Schrauben 1 an den Seitenwänden fest. Achten Sie

darauf, daß die Füße richtig herum angeschraubt werden,

wie in der Abbildung gezeigt. Die genutete Kante der Füße

muß nach innen weisen.

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The illustrationshere are notavailable.

Assemblage du support de clavier

Conjunto del soporte del teclado

Remarque: Nous ne vous conseillons pas d’essayer

d’assembler le Clavinova seul. Toutefois, ce travail peut être

facilement exécuté par deux personnes.

Nota: No le recomendamos que intente montar la Clavinova

usted solo. El trabajo puede ser realizado fácilmente entre

dos personas.

Ouvrez le carton et retirez toutes les

Z Abra la caja y extraiga todas las partes.

Al abrir la caja deberá encontrar todas las partes

mostradas en la ilustración. Compruebe para asegurarse

que se proporcionan todas las partes necesarias.

pièces

Les pièces indiquées sur l’illustration devraient toutes se

trouver dans le carton. Vérifiez qu’il n’en manque aucune.

Placez le cordon d’alimentation (H)

dans le pédalier (C)

Instale el cable de alimentación (H) en

la caja de pedales (C).

Retournez le pédalier (C) et introduisez fermement la

plaque du cordon d’alimentation dans la rainure prévue à

cet effet jusqu’à ce qu’elle fasse un déclic de mise en

place. Le côté court du cordon d’alimentation (côté qui

doit être connecté au clavier) doit être placé à l’intérieur du

pédalier, alors que le côté long du cordon (côté qui doit

être connecté au secteur) doit sortir par le côté du pédalier,

comme illustré. Vérifiez également que le câble de la

pédale (déjà posé) sort de l’autre côté du pédalier.

Invierta la caja de pedales (C) e inserte firmemente la

placa del cable de alimentación en la ranura proporcionada

hasta que se escuche un sonido seco, lo que indicará que se

ha ajustado en su lugar. El extremo corto del cable de

alimentación (el extremo que se conecta a la unidad princi-

pal) debe estar dentro de la caja de pedales, y el extremo

largo del cable (el extremo que se conecta al tomacorriente

de CA), debe extenderse desde el lado de la caja de pedales

como se muestra en la ilustración. También, asegúrese de

que el cable de los pedales (ya instalado) se extiende desde

el otro extremo de la caja de pedales de la misma forma.

Montez les panneaux latéraux (E) sur

les supports inférieurs (F)

Monte los paneles laterales (E) y las

Fixez les supports inférieurs (F) aux panneaux latéraux

(E) à l’aide des vis longues dorées 1. Veillez à ce que le

support droit et le support gauche soient orientés de la

manière illustrée. Le bord découpé de chaque support doit

être dirigé vers l’intérieur.

patas (F).

Asegure las patas (F) en los paneles laterales (E) con los

tornillos dorados largos 1. Asegúrese de que las patas

izquierdas y derechas están encaradas hacia la dirección

correcta como se muestra en la ilustración. El reborde

ranurado de cada pata debe estar encarado hacia adentro.

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Attach the side panels (E) to the pedal

box (C).

Befestigen Sie die Seitenwände (E) am

Pedalkasten (C).

Attach the side panels (E) to the corresponding ends of

the pedal box (C), making sure that the power cord on one

side and the pedal cord on the other fit into the grooves in

the side panels (E). Each side panel is attached to the pedal

box using four medium gold screws 2 inserted from in-

side the pedal box.

Bringen Sie die Seitenwände (E) so an den beiden

Enden des Pedalkastens (C) an, daß das Netzkabel an der

einen und das Pedalkabel an der anderen Seite in den

Nuten der Seitenwände (E) zu liegen kommt. Beide

Seitenwände werden mit jeweils vier mittellangen

goldenen Schrauben 2 festgemacht, die vom Inneren des

Pedalkastens her einzuschrauben sind.

B Install the cable covers (G).

B Bringen Sie die Kabelabdeckungen (G)

Stand the pedal box/side panel assembly upright and fit

the power and pedal cords into the corresponding side

panel grooves with the connectors protruding from the

recesses at the top of each groove, as shown in the illustra-

tion. Slide a cable cover (G) down into the recessed part of

each groove with the notched end of the cover upwards.

Slide the cable covers down until they stop against the

pedal box, then make sure that the upper part of the covers

are properly fitted in the grooves. Make sure that the ribs

extending from the cable covers go inside the guides in

each groove, as shown in the illustration.

an.

Stellen Sie die halbfertige Pedalkasten/Seitenwand-

Baugruppe auf, und legen Sie dann das Netz- und das

Pedalkabel in die zugehörige Nut der Seitenwand, so daß

die Stecker wie in der Abbildung am oberen Ende

herausragen. Schieben Sie jeweils eine Kabelabdeckung

(G), mit dem gekerbten Ende nach oben weisend, von oben

her in die beiden Nuten. Schieben Sie die

Kabelabdeckungen bis zum Anschlag gegen den

Pedalkasten, und prüfen Sie dann, ob die oberen Enden der

beiden Abdeckungen sicher in der jeweilingen Nut sitzen.

Die beiden Längsrippen der Abdeckung müssen fest in der

Führung sitzen, wie in der Abbildung gezeigt.

N Install the metal brace (D).

Place the long metal brace on top of the upper brackets

at the front (pedal side) of the side panels, with the flanged

edges of the brace facing upward. Attach the brace with

one small black screw 3 at each end.

N Schrauben Sie die Metallstrebe (D) fest.

Legen Sie die Metallstrebe (D) mit der flachen Seite

nach unten auf die beiden Winkelbleche an der vorderen

Seite (Pedalseite) der Seitenwände. Schrauben Sie die

Strebe mit jeweils einer kleinen schwarzen Schraube 3 an

beiden Enden fest.

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Fixez les panneaux latéraux (E) au

pédalier (C)

Acople los paneles laterales (E) en la

caja de pedales (C).

Fixez les panneaux latéraux (E) aux bords

Acople los paneles laterales (E) en los extremos

correspondants du pédalier (C) en prenant soin que le cor-

don d’alimentation et le cordon du pédalier viennent se

placer de chaque côté dans les rainures correspondantes

des panneaux latéraux (E). Chaque panneau latéral est fixé

au pédalier à l’aide de quatre vis moyennes dorées 2 qui

doivent être vissées par l’intérieur du pédalier.

correspondientes de la caja de pedales (C) asegurándose de

que el cable de alimentación que está en un lado y el cable

de los pedales en el otro se acoplan en las ranuras de los

paneles laterales (E). Cada panel lateral se acopla a la caja

de pedales usandos cuatro tornillos dorados medianos 2

que se insertan desde el interior de la caja de pedales.

B Posez les cache-cordons (G)

B Instale las cubiertas del cable (G).

Mettez l’ensemble pédalier/panneaux latéraux debout et

placez le cordon d’alimentation et le cordon du pédalier

dans les rainures correspondantes des panneaux latéraux,

avec la prise dépassant de la partie évidée en haut de

chaque rainure comme illustré. Faites glisser un cache-

cordon (G) vers le bas dans la partie en creux de chaque

rainure, avec la partie du cache dirigée vers le haut. Faites

glisser le cache jusqu’à ce qu’il vienne en butée contre le

pédalier, puis assurez-vous que la partie supérieure du

cache est bien placée dans la rainure. Veillez à ce que les

nervures des caches soient bien placées à l’intérieur du

guide de chaque rainure comme illustré.

Sujete el conjunto de la caja de pedales/paneles laterales

recto hacia arriba y acople los cables de alimentación y los

pedales en las ranuras del panel del lado correspondiente

con los conectores sobresaliendo desde los huecos de la

parte superior de cada ranura, como se muestra en la

ilustración. Deslice una cubierta de cable (G) hacia abajo

a la parte de hueco de cada ranura con el extremo de

muesca de la cubierta hacia arriba. Deslice las cubiertas de

cable hacia abajo hasta que se paren contra la caja de

pedales, después asegurese de que la parte superior de las

cubiertas están bien acopladas en las ranuras. Asegúrese

de que las lengüetas que se extienden desde las cubiertas

de cable se introducen en las guías de cada ranura, como se

muestra en la ilustración.

N Posez la traverse métallique (D)

Placez la traverse métallique sur les ferrures supérieures

à l’avant (côté pédales) des panneaux latéraux, avec les

bords recourbés dirigés vers le haut. Fixez la traverse

métallique à chaque extrémité à l’aide d’une petite vis

noire 3.

N Instale la abrazadera metálica (D).

Coloque la abrazadera metálica larga en la parte superior

de las ménsulas superiores de la parte frontal (lado de los

pedales) de los paneles laterales con los rebordes de brida

de la abrazadera encarados hacia arriba. Acople la

abrazadera con un tornillo negro pequeño 3 en cada

extremo.

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Attach the speaker box (B) to the side

panels (E).

Befestigen Sie den Lautsprecherkasten

(B) an den Seitenwänden (E).

Entfernen Sie vor dem Einpassen des Lautsprecherkastens

den Lautsprechergrill (der Grill wird von Klettband gehalten

und kann einfach abgezogen werden). Setzen Sie den

Lautsprecherkasten (B) danach von oben her zwischen den

Seitenwänden (E) auf die beiden Winkelbleche, und richten

Sie den Kasten dann mittig zwischen den beiden

Before attaching the speaker box, remove the speaker

grille (the speaker grille is attached by “magic tape” and

can be easily pulled away from the speaker box). Lower

the speaker box (B) into place between the tops of the side

panels (E), center the speaker box to produce equal clear-

ance on the right and left sides, then attach each side (from

below) using two short black screws 4. The grille side of

the speaker box must be installed facing the same direction

as the pedals on the pedal box (C).

Seitenwänden aus, bevor Sie ihn mit jeweils einer kurzen

schwarzen Schraube 4 unten an beiden Enden

festschrauben. Die Seite mit den Lautsprechern muß dabei in

dieselbe Richtung weisen wie die Pedale am Pedalkasten (C).

Achten Sie darauf, daß das Lautsprecherkabel in der

zugehörigen Nut liegt und hinten über den Lautsprecherkasten

hinaushängt, wie in Detailzeichnung “a” gezeigt.

Make sure that the speaker cord rests in the appropriate

grooves and extends over the back of the speaker box, as

shown in illustration “a”.

CAUTION!: Be careful not to catch your fingers between

the speaker box and stand assembly when lowering the

speaker box into place!

VORSICHT! Klemmen Sie beim Einpassen des

Lautsprecherkastens zwischen den beiden Seitenwänden

nicht Ihre Finger ein!

< Install the main unit (A).

< Montieren Sie die Tastatureinheit (A).

Setzen Sie die Hinterkante der Tastatureinheit (A) auf die

ausgeschnittenen Ecken der beiden Seitenwände (E), und

schieben Sie die Tastatureinheit dann bis zum Anschlag nach

hinten (zwischen der Tastatureinheit und den Seitenwänden

darf an dem in Abbildung “b” gezeigten Punkt kein

Zwischenraum verbleiben). KLEMMEN SIE IHRE FIN-

GER DABEI NICHT EIN!!

Rest the rear edge of the main unit (A) on the front

edges of the cutouts in the side panels (E), then slide the

main unit backward firmly until it stops (so that there is no

clearance between the main unit side panels and the stand,

as shown in the illustration “b”). WATCH YOUR FIN-

GERS WHILE DOING THIS!!

There is slight horizontal play between the main unit and

side panels, so center the main unit, as shown in the illus-

tration “c”, then attach the main unit with two long black

screws 5 in front and two short black screws 4 in back.

After the screws have been properly installed, re-attach the

speaker grille to the speaker box with the recessed corners

facing upwards (push it into place).

Die Tastatureinheit hat zwischen den beiden Seitenwänden

etwas Spiel. Richten Sie die Tastatureinheit gemäß

Abbildung “c” mittig aus, und machen Sie sie dann vorn mit

zwei langen schwarzen Schrauben 5 und hinten mit zwei

kurzen schwarzen Schrauben 4 fest. Nach Montieren der

Tastatureinheit bringen Sie dann den Lautsprechergrill

wieder mit den beiden ausgeschnittenen Ecken nach oben am

Lautsprecherkasten an (der Grill wird einfach angesetzt und

festgedrückt).

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Fixez les haut-parleurs (B) aux

panneaux latéraux (E)

Acople la caja de los altavoces (B) en los

paneles laterales (E).

Antes de acoplar la caja de los altavoces, extraiga la rejilla

de los altavoces (la rejilla de los altavoces está coplada por

medio de “cinta mágica” y puede ser separada fácilmente de

la caja de los altavoces). Baje la caja de los altavoces (B) en

su lugar entre las partes superiores de los paneles laterales

(E), centre la caja de los altavoces para producir una holgura

igual en los lados derecho e izquierdo, después acople cada

lado (desde abajo) usando dos tornillos negros cortos 4. El

lado de la rejilla de la caja de los altavoces debe instalarse

encarado hacia la misma dirección que los pedales de la caja

de pedales (C).

Avant de poser les haut-parleurs, enlevez la grille

frontale (celle-ci est fixée à l’aide de ruban adhésif et peut

être séparée facilement des haut-parleurs). Abaissez les

haut-parleurs (B) entre les panneaux latéraux (E) et centrez

les haut-parleurs de manière à obtenir un jeu égal du côté

gauche et du côté droit puis fixez de chaque côté (à partir

du dessous) à l’aide de deux vis courtes noires 4. Le côté

grille des haut-parleurs doit être dirigé dans le même sens

que les pédales sur le pédalier (C).

Veillez à ce que le cordon des haut-parleurs soit bien

placé dans la rainure et dépasse de l’arrière des haut-

parleurs, comme montré sur l’illustration “a”.

Asegúrese de que los cables de los altavoces reposan en las

ranuras apropiadas y se extienden por la parte posterior de la

caja de los altervoces, como se muestra en la ilustración “a”.

ATTENTION: En abaissant les haut-parleurs, faites atten-

tion de ne pas vous prendre les doigts entre les haut-

parleurs et la traverse métallique.

PRECAUCION: ¡Tenga cuidado de no atrapar sus dedos

entre la caja de altavoces y el conjunto del soporte cuando

baje la caja de los altavoces en su lugar!

< Posez le clavier (A)

< Instale la unidad principal (A).

Placez le bord arrière du clavier (A) sur le bord avant des

découpes des panneaux latéraux (E), puis faites glisser le

clavier vers l’arrière jusqu’à ce qu’il vienne en butée (de

sorte qu’il n’y ait aucun jeu entre les panneaux latéraux du

clavier et le support, comme montré sur l’illustration “b”).

FAITES ATTENTION A VOS DOIGTS EN

Apoye el reborde posterior de la unidad principal (A) en

los rebordes frontales de los cortes de los paneles laterales

(E), después deslice la unidad principal hacia atrás

firmemente hasta que se pare (de forma que no haya holgura

entre los paneles laterales de la unidad principal y el soporte,

como se muestra en la ilustración “b”). ¡TENGA

EXECUTANT CETTE OPERATION!!

CUIDADO CON SUS DEDOS MIENTRAS LO HACE!

Existe un ligero juego horizontal entre la unidad principal

y los paneles laterales, por eso centre la unidad principal

como se muestra en la ilustración “c”, después acople la

unidad principal con dos tornillos negros largos 5 en la

parte frontal y dos tornillos negros cortos 4 en la parte pos-

terior. Después de haber instalado correctamente los

tornillos, vuelva a acoplar la rejilla de los altavoces en la caja

de altavoces con las esquinas con huecos encaradas hacia

arriba (presionando en su lugar).

Du fait qu’il y a un jeu horizontal très léger entre le

clavier et les panneaux latéraux, vous devez d’abord

centrer le clavier comme montré sur l’illustration “c” et le

fixer ensuite à l’aide de deux vis longues noires 5 à

l’avant et à l’aide de vis courtes noires 4 à l’arrière. Une

fois que les vis sont en place, reposez la grille frontale des

haut-parleurs avec les coins en creux dirigés vers le haut (la

pousser pour la mettre en place).

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> Connect the cords.

> Schließen Sie die Kabel an.

The power, pedal, and speaker cord plugs must be

plugged into the corresponding connectors in the main

unit. Make sure that the power and pedal cords are clipped

into the cable clips provided before plugging them into the

main unit connectors. The pedal and speaker cord plugs

only go in one way (the lugs on the connectors should face

the rear of the unit, as shown in the illustration), so don’t

try to force them in the wrong way around.

Die Stecker von Netz-, Pedal- und Lautsprecherkabel

müssen an die zugehörigen Buchsen an der Tastatureinheit

angeschlossen werden. Führen Sie das Netz- und das

Pedalkabel vor dem Anschluß durch die dafür

vorgesehenen Kabelhalter. Die Stecker des Pedalkabels

und des Lautsprecherkabels sind mit einer Führungsnase

versehen, die beim Einstecken zur Rückseite des Instru-

ments weisen muß (siehe Abbildung). Drücken Sie die

Stecker nicht mit Gewalt falsch herum in die Buchsen.

? Be sure to set the adjuster.

Justieren Sie schließlich noch den

For stability, an adjuster is provided on the bottom of

the pedal box (C). Rotate the adjuster until it comes in firm

contact with the floor surface. The adjuster ensures stable

pedal operation and facilitates pedal effect control. If the

adjuster is not in firm contact with the floor surface, dis-

torted sound may result.

Höhenversteller.

Zur Stabilisierung ist an der Unterseite des Pedalkastens

Höhenversteller heraus, bis er fest auf dem Fußboden steht.

Der Höhenversteller sorgt für stabile Pedalbetätigung und

ermöglicht eine präzise Regelung des Betätigungshubs.

Wenn er nicht fest auf dem Boden steht, können beim

Treten der Pedale Klangverzerrungen auftreten.

Important: Check once more to make sure that all screws

have been securely tightened.

Wichtiger Hinweis: Vergewissern Sie sich

abschließend noch einmal davon, daß alle Schrauben

fest angezogen sind.

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notavailable.

> Connectez les cordons

> Conecte los cables.

Las clavijas de los cables de alimentación, pedales y

altavoces deben enchufarse en los conectores

Les prises du cardon d’alimentation, du cordon du

pédalier et du cordon des haut-parleurs doivent être

branchées aux connecteurs correspondants du clavier.

Veillez à ce que le cardon d’alimentation et le cordon du

pédalier soient correctement attachés à l’aide des serre-

câbles fournis avant de les brancher aux connecteurs du

clavier. Les prises du cordon du pédalier et du cordon des

haut-parleurs ne peuvent être branchées que dans un seul

sens (la languette de la prise doit être dirigée vers l’arrière

du clavier, eomme montré sur l’illustration) et vous ne

devez donc pas essayer de les forcer pour les mettre en

place du mauvais côté.

correspondientes de la unidad principal. Asegúrese de que

los cables de alimentación y de los pedales están fijados en

los fijadores incorporados antes de enchufarlos a los

conectores de la unidad principal. Las clavijas del cable de

pedales y altavoces se enchufan en una dirección (las

lengüetas de los conectores deben estar encaradas hacia la

parte posterior de la unidad, como se muestra en la

ilustración), por eso no trate de forzarlos en la dirección

errónea.

? Asegúrese de ajustar el ajustador.

N’oubliez pas de régler la hauteur du

Para la estabilidad del aparato, se proporciona un

ajustador en la parte inferior de la caja de pedales (C).

Gire el ajustador hasta que contacte firmemente con el

suelo. El ajustador asegura una operación estable de los

pedales y facilita el control del efecto de los pedales. Si el

ajustador no contacta firmemente con el suelo, puede

resultar en sonido distorsionado.

pédalier

Pour assurer la stabilité du pédalier (C), un dispositif de

réglage a été prévu à sa partie inférieure. Tournez ce

dispositif jusqu’à ce qu’il soit en contact ferme avec la

surface du sol. Ce dispositif assure la stabilité du pédalier

lors de son utilisation et facilite la commande au pied des

effets. Si ce dispositif n’est pas en contact ferme avec le

sol, il pourra se produire une distorsion du son.

Importante: Compruebe una vez más para asegurarse de

que todos los tornillos se han apretado bien.

IMPORTANT: Vérifiez que toutes les vis sont bien

serrées à fond.

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MIDI Data Format/MIDI-Datenformat

Format des donnees MIDI/Formato de datos MIDI

If you’re already very familiar with MIDI, or are using a computer to control your music hardware with com-

puter-generated MIDI messages, the data provided in this section can help you to control the Clavinova.

Falls Sie bereits mit MIDI vertraut sind oder einen Computer zur Erzeugung von MIDI-Steuermeldungen für

die Instrumente verwenden, können Sie sich zur Steuerung des Clavinovas nach den im folgenden Abschnitt

aufgeführten Spezifikationen richten.

Si vous êtes très familier avec l’interface MIDI ou si vous utilisez un ordinateur pour commander votre

matériel de musique au moyen de messages MIDI générés par ordinateur, les données suivantes vous

seront utiles et vous aideront à commander le Clavinova.

SI usted está ya familiarizado con MIDI, o si emplea una computadora para controlar sus aparatos

musicales con mensajes MIDI generados por computadora, los datos proporcionados en esta sección le

ayudarán a controlar la Clavinova.

1. NOTE ON/OFF

79H

7AH

7BH

7CH

7DH

Reset All Controller

(reception only)

Local Control ON/OFF

(reception only)

All Notes OFF

(reception only)

Omni OFF/All Notes OFF 00H

(reception only)

Omni ON/All Notes OFF 00H

(reception only)

00H

Data format: [9nH] -> [kk] -> [vv]

00H : OFF

7FH : ON

00H

9nH = Note ON/OFF event (n = channel number)

kk = Note number (Transmit: 15 ~ 114 = D#-1 ~ F#7 /

Receive: 21 ~ 108 = A-1 ~ C7)

vv = Velocity (Key ON = 1 ~ 127. Key OFF = 0)

Data format: [8nH] -> [kk] -> [vv]

8nH = Note OFF event (n = channel number)

kk = Note number (21 ~ 108 = A-1 ~ C7)

vv = Velocity (Key OFF = 0 ~ 127)

3. PROGRAM CHANGE

Data format: [CnH] -> [pp]

* Note OFF event format [8nH] -> [kk] also recognized (recep-

tion only).

CnH = program event (n = channel number)

pp = Program number

2. CONTROL CHANGE & MODE MESSAGES

VOICE NAME

PIANO 1

PIANO 2

PIANO 3

CLAVINOVA TONE

E. PIANO 1

E. PIANO 2

HARPSICHORD

Data format: [BnH] -> [cc] -> [vv]

BnH = Control event (n = channel number)

cc = Control number

vv = Control value

07H

CONTROL

Volume

(reception only)

VALUE [vv]

00000000 : -∞

01101111 : -3dB

01111111 : ±0dB

00H ~ 17H LEFT

18H ~ 1FH

VIBES

STRINGS

ORGAN

0AH

Pan Pot

(reception only)

STRINGS SLOW ATTACK (reception only)

20H ~ 27H

28H ~ 2FH

30H ~ 37H

38H ~ 3FH

4. SYSTEM REALTIME MESSAGES

Active Sensing (FEH)

40H ~ 47H CENTER

48H ~ 4FH SCALING PAN

50H ~ 57H RIGHT 1

Transmitted every 200 milliseconds. If not received for more

than 400 milliseconds a NOTE OFF occurs.

58H ~ 5FH

60H ~ 67H

68H ~ 6FH

70H ~ 77H

5. SYSTEM EXCLUSIVE MESSAGES

(1) YAMAHA MIDI Format

78H ~ 7FH

Data format: [F0H] -> [43H] -> [xn] -> [ff] . . . [F7H]

0BH

Expression

(reception only)

00000000 : -∞

01101111 : -3dB

01111111 : ±0dB

43H : Yamaha

xn : Substatus + channel number.

ff : Format number.

40H

42H

Damper Pedal

Sostenuto Pedal

00H ~ 7FH : eight levels

00H ~ 3FH : OFF

40H ~ 7FH : ON

Information

43H

5BH

Soft Pedal

Reverb Depth

00H ~ 7FH, eight levels

00H ~ 7FH

7CH Panel Data Send occurs when this data received.

7DH Name Data Send occurs when this data received.

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(2) Clavinova MIDI Format

PANEL DATA SEND FORMAT

Data format: [F0H] -> [43H] -> [73H] -> [33H] -> [yy] ->

[F7H]

F0H, 43H, 0nH, 7CH, 00H, 19H (n: channel number)

53H, 4BH, 20H, 20H

(SK)

43H, 4CH, 50H, 31H, 32H, 34H (CLP-124)

43H : Yamaha ID

73H : Clavinova ID

33H : CLP-124 ID

yy : Substatus

3xH, 3yH

[PANEL DATA]

[CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+Data end)

F7H

(x, y: version number)

yy Information

13H Multi-timbre mode OFF.

• Panel Data Contents

(1) VOICE

15H Multi-timbre mode ON.

(2) DUAL VOICE

7cH All notes OFF; receive channel = c+1; omni OFF.

(3) DUAL ON/OFF

(4) DUAL BALANCE

(5) BRILLIANCE

(6) EFFECT

(7) DUAL VOICE EFFECT

(8) REVERB NUMBER

(9) REVERB DEPTH

(10) TOUCH SENSITIVITY

(11) 0

(3) Special Control

Data format: [F0H] -> [43H] -> [73H] -> [33H] -> [11H] ->

[0nH] -> [cc] -> [vv] -> [F7H]

43H : Yamaha ID

73H : Clavinova ID

33H : CLP-124 ID

11H : Clavinova special control

0nH : Control MIDI change + channel number

cc : Control number

vv : Value

(12) SPLIT POINT

(13) INDIVIDUAL KEY TUNE MODE ON/OFF

INDIVIDUAL KEY TUNING DATA BULK DUMP FORMAT

cc Control

Value [vv]

F0H, 43H, 73H

08H Dual Balance

00H : Left Voice Max.

7FH : Right Voice Max.

00H : Medium

01H : Soft

02H : Hard

33H

06H

(CLP-124 ID)

26H Touch Sensitivity

27H 2nd Voice Effect

00H, 00H, 08H, 00H: (DATA LENGTH)

[BULK DATA]

[CHECK SUM (1byte)]

F7H

00H : Off

01H : Detune

02H : Chorus

03H : Tremolo

00H : Normal

01H : Mellow

02H : Bright

00H : Off

01H : Room

02H : Hall-1

03H : Hall-2

MODEL ID CODE SEND FORMAT

58H Brilliance

59H Reverb

F0H, 43H, 0nH, 7DH, 00H, 10H (n: channel number)

53H, 4BH, 20H, 20H

(SK)

43H, 4CH, 50H, 31H, 32H, 34H (CLP-124)

3xH, 3yH, 20H, 20H, 20H, 20H (x, y: version number)

[CHECK SUM (1byte)] = 0-(53H+4BH+20H+......+20H)

F7H

04H : Cosmic

5AH Dual Mode

5BH Effect

00H : Dual Off

01H : Dual On (Normal)

02H : Dual On (Left voice 1 octave up)

03H : Dual On (Right voice 1 octave up)

00H : Off

01H : Detune

02H : Chorus

03H : Tremolo

[vv] : Dual Voice

5CH Dual Voice

5EH Individual Key Pitch [vv] : Key number

(Channel number = 0FH only)

vv = 1: Individual key tune mode off

vv = 2: Individual key tune mode on

5FH Individual Key Pitch [vv] : Pitch Data

(Channel number = 0FH only)

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Specifications/Technische Daten/Caractéristiques techniques/Especificaciones

CLP-124

KEYBOARD

88 KEYS (A-1 ~ C7)

VOICE SELECTORS

PIANO1, PIANO2, PIANO 3, CLAVINOVA TONE, E. PIANO 1, E. PIANO 2,

HARPSICHORD, VIBES, STRINGS, ORGAN

BRILLIANCE

MELLOW, NORMAL, BRIGHT

REVERB

ROOM, HALL 1, HALL 2, COSMIC

DETUNE, CHORUS, TREMOLO

HARD, MEDIUM, SOFT

EFFECT

TOUCH SENSITIVITY

PEDAL CONTROLS

OTHER CONTROLS

JACKS/CONNECTORS

SOFT, SOSTENUTO, DAMPER

MASTER VOLUME, MIDI/TRANSPOSE

HEADPHONES x 2, AUX. OUT R & L/L+R, OPTIONAL IN R/L, MIDI IN/OUT/

THRU

INPUT & OUTPUT

LEVEL/IMPEDANCE

AUX. OUT: 600 Ω

OPTIONAL IN: 22 kΩ/-10 dBm (for nominal output level)

MAIN AMPLIFIERS

SPEAKERS

50W x 2

16 cm x 2, 10 cm x 2, 5 cm x 2

1439.8 x 486.2 x 835 mm (56-3/4" x 19-1/8" x 32-7/8")

DIMENTIONS (W x D x H)

WEIGHT

66.0 kg (145.5 lbs.)

* Specifications subject to change without notice.

* Änderungen ohne Vorankündigung vorbehalten.

* Sous toute réserve de modification des caractéristiques sans préavis.

* Especificaciones sujetas a cambios sin previo aviso.

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SPECIAL MESSAGE SECTION

PRODUCT SAFETY MARKINGS: Yamaha electronic

ENVIRONMENTAL ISSUES: Yamaha strives to pro-

duce products that are both user safe and environmentally

friendly. We sincerely believe that our products and the

production methods used to produce them, meet these

goals. In keeping with both the letter and the spirit of the

law, we want you to be aware of the following:

products may have either labels similar to the graphics

shown below or molded/stamped facsimiles of these

graphics on the enclosure. The explanation of these graph-

ics appears on this page. Please observe all cautions indi-

cated on this page and those indicated in the safety in-

struction section.

Battery Notice: This product MAY contain a small non-

rechargable battery which (if applicable) is soldered in

place. The average life span of this type of battery is ap-

proximately five years. When replacement becomes nec-

essary, contact a qualified service representative to per-

form the replacement.

CAUTION

RISK OF ELECTRIC SHOCK

DO NOT OPEN

Warning: Do not attempt to recharge, disassemble, or

incinerate this type of battery. Keep all batteries away

from children. Dispose of used batteries promptly and as

regulated by applicable laws. Note: In some areas, the

servicer is required by law to return the defective parts.

However, you do have the option of having the servicer

dispose of these parts for you.

CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK.

DO NOT REMOVE COVER (OR BACK).

NO USER-SERVICEABLE PARTS INSIDE.

REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.

See bottom of Keyboard enclosure for graphic symbol markings

The exclamation point within the equi-

lateral triangle is intended to alert the

user to the presence of important oper-

ating and maintenance (servicing) in-

structions in the literature accompany-

ing the product.

Disposal Notice: Should this product become damaged

beyond repair, or for some reason its useful life is consid-

ered to be at an end, please observe all local, state, and

federal regulations that relate to the disposal of products

that contain lead, batteries, plastics, etc.

NOTICE: Service charges incurred due to lack of knowl-

edge relating to how a function or effect works (when the

unit is operating as designed) are not covered by the

manufacturer’s warranty, and are therefore the owners

responsibility. Please study this manual carefully and con-

sult your dealer before requesting service.

The lightning flash with arrowhead

symbol, within the equilateral triangle,

is intended to alert the user to the pres-

ence of uninsulated “dangerous volt-

age” within the product’s enclosure that

may be of sufficient magnitude to con-

stitute a risk of electrical shock.

NAME PLATE LOCATION: The graphic below indi-

cates the location of the name plate. The model number,

serial number, power requirements, etc., are located on

this plate. You should record the model number, serial

number, and the date of purchase in the spaces provided

below and retain this manual as a permanent record of

your purchase.

IMPORTANT NOTICE: All Yamaha electronic prod-

ucts are tested and approved by an independent safety

testing laboratory in order that you may be sure that when

it is properly installed and used in its normal and custom-

ary manner, all foreseeable risks have been eliminated.

DO NOT modify this unit or commission others to do so

unless specifically authorized by Yamaha. Product per-

formance and/or safety standards may be diminished.

Claims filed under the expressed warranty may be denied

if the unit is/has been modified. Implied warranties may

also be affected.

SPECIFICATIONS SUBJECT TO CHANGE: The

information contained in this manual is believed to be

correct at the time of printing. However, Yamaha reserves

the right to change or modify any of the specifications

without notice or obligation to update existing units.

Model _____________________________________

Serial No. __________________________________

Purchase Date ______________________________

92-469 1

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Wichtiger Hinweis für die Benutzung in der Bundesrepublik

Deutschland.

IMPORTANT NOTICE FOR THE UNITED KINGDOM

Bescheinigung des Importeurs

Connecting the Plug and Cord

Hiermit wird bescheinigt, daß der/die/das

Electronic Piano Typ: CLP-124

IMPORTANT. The wires in this mains lead are coloured in

accordance with the following code:

BLUE

: NEUTRAL

(Gerät, Typ, Bezeichnung)

BROWN : LIVE

As the colours of the wires in the mains lead of this apparatus

may not correspond with the coloured makings identifying the

terminals in your plug proceed as follows:

in Übereinstimmung mit den Bestimmungen der

VERFÜGUNG 1046/84

(Amtsblattverfügung)

funk-entstört ist.

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured BLACK.

Der Deutschen Bundespost wurde das Inverkehrbringen

dieses Gerätes angezeigt und die Berechtigung zur

Überprüfung der Serie auf Einhaltung der Bestimmungen

eingeräumt.

The wire which is coloured BROWN must be connected to the

terminal which is marked with the letter L or coloured RED.

Making sure that neither core is connected to the earth terminal

of the three pin plug.

Yamaha Europa GmbH

Name des Importeurs

• Dies bezicht sich nur auf die von der Yamaha Europa GmbH

vertriebenen Produkte.

• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.

Dit produkt is gefabriceerd in overeenstemming met de

radiostoringsvoorschriften van de Richtlijn van de Raad (82/499/EEG).

CANADA

THIS DIGITAL APPARATUS DOES NOT EXCEED THE “CLASS

B” LIMITS FOR RADIO NOISE EMISSIONS FROM DIGITAL

APPARATUS SET OUT IN THE RADIO INTERFERENCE REGU-

LATION OF THE CANADIAN DEPARTMENT OF COMMUNI-

CATIONS.

ΑΥΤΗ Η ΣΥΣΚΕΥΗ ΑΝΤΑΠΟΚΡΙΝΕΤΑΙ ΣΤΙΣ ΑΠΑΙΤΗΣΕΙΣ ΤΩΝ

Ο∆ΗΓΙΩΝ ΤΗΣ ΕΥΡΩΠΑΙΚΗΣ ΟΙΚΟΝΟΜΙΚΗΣ ΚΟΙΝΟΤΗΤΑΣ 82/499/

Ε.Ο.Κ..

Este produto está de acordo com o radio de interferencia frequente

requiridos do Conselho Diretivo 82/499/EEC.

LE PRESENT APPAREIL NUMERIQUE N’EMET PAS DE

BRUITS RADIOELECTRIQUES DEPASSANT LES LIMITES

APPLICABLES AUX APPAREILS NUMERIQUES DE LA

“CLASSE B” PRESCRITES DANS LE REGLEMENT SUR LE

BROUILLAGE RADIOELECTRIQUE EDICTE PAR LE

MINISTERE DES COMMUNICATIONS DU CANADA.

Dette apparat overholder det gaeldende EF-direktiv vedrørende

radiostøj.

Cet appareil est conforme aux prescriptions de la directive

communautaire 87/308/CEE.

Diese Geräte entsprechen der EG-Richtlinie 82/499/EWG und/oder 87/

308/EWG.

CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH

This product complies with the radio frequency interference require-

ments of the Council Directive 82/499/EEC and/or 87/308/EEC.

WIDE BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.

ATTENTION: POUR ÉVITER LES CHOCS

ÉLECTRIQUES, INTRODUIRE LA LAME LA PLUS LARGE DE

LA FICHE DANS LA BORNE CORRESPONDANTE DE LA PRISE

ET POUSSER JUSQU’AU FOND.

Questo apparecchio è conforme al D.M.13 aprile 1989 (Direttiva CEE/

87/308) sulla soppressione dei radiodisturbi.

Este producto está de acuerdo con los requisitos sobre interferencias

de radio frequencia fijados por el Consejo Directivo 87/308/CEE.

YAMAHA CORPORATION

• This applies only to products distributed by Yamaha Canada Music Ltd.

• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.

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FCC INFORMATION (U.S.A.)

1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!

This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements.

Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product.

2. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded

cables. Cable/s supplied with this product MUST be used. Follow all installation instructions. Failure to follow

instructions could void your FCC authorization to use this product in the USA.

3. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15

for Class “B” digital devices. Compliance with these requirements provides a reasonable level of assurance that

your use of this product in a residential environment will not result in harmful interference with other electronic

devices. This equipment generates/uses radio frequencies and, if not installed and used according to the

instructions found in the users manual, may cause interference harmful to the operation of other electronic devices.

Compliance with FCC regulations does not guarantee that interference will not occur in all installations. If this

product is found to be the source of interference, which can be determined by turning the unit “OFF” and “ON”,

please try to eliminate the problem by using one of the following measures:

Relocate either this product or the device that is being affected by the interference.

Utilize power outlets that are on different branch (circuit breaker or fuse) circuits or install AC line filter/s.

In the case of radio or TV interference, relocate/reorient the antenna. If the antenna lead-in is 300 ohm ribbon lead,

change the lead-in to co-axial type cable.

If these corrective measures do not produce satisfactory results, please contact the local retailer authorized to

distribute this type of product. If you can not locate the appropriate retailer, please contact Yamaha Corporation of

America, Electronic Service Division, 6600 Orangethorpe Ave, Buena Park, CA90620

The above statements apply ONLY to those products distributed by Yamaha Corporation of America or its subsidi-

aries.

* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.

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IMPORTANT SAFETY INSTRUCTIONS

INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,

AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.

WARNING- When using any electrical or electronic prod-

uct, basic precautions should always be followed. These pre-

cautions include, but are not limited to, the following:

This product was NOT designed for use in wet/damp loca-

tions and should not be used near water or exposed to rain. Exam-

ples of wet/damp locations are; near a swimming pool, spa, tub,

sink, or wet basement.

Read all Safety Instructions, Installation Instructions,

Special Message Section items, and any Assembly Instructions

found in this manual BEFORE marking any connections, in-

cluding connection to the main supply.

This product should be used only with the components

supplied or; a cart, rack, or stand that is recommended by the

manufacturer. If a cart, rack, or stand is used, please observe all

safety markings and instructions that accompany the accessory

product.

Main Power Supply Verification: Yamaha products are

manufactured specifically for the supply voltage in the area

where they are to be sold. If you should move, or if any doubt

exists about the supply voltage in your area, please contact

your dealer for supply voltage verification and (if applicable)

instructions. The required supply voltage is printed on the

name plate. For name plate location, please refer to the graphic

found in the Special Message Section of this manual.

10.

The power supply cord (plug) should be disconnected from

the outlet when electronic products are to be left unused for ex-

tended periods of time. Cords should also be disconnected when

there is a high probability of lightening and/or electrical storm

activity.

11.

Care should be taken that objects do not fall and liquids are

not spilled into the enclosure through any openings that may exist.

This product may be equipped with a polarized plug

(one blade wider than the other). If you are unable to insert the

plug into the outlet, turn the plug over and try again. If the

problem persists, contact an electrician to have the obsolete

outlet replaced. Do NOT defeat the safety purpose of the plug.

12.

Electrical/electronic products should be serviced by a

qualified service person when:

a. The power supply cord has been damaged; or

b. Objects have fallen, been inserted, or liquids have been

spilled into the enclosure through openings; or

c. The product has been exposed to rain: or

d. The product dose not operate, exhibits a marked change

in performance; or

Some electronic products utilize external power sup-

plies or adapters. Do NOT connect this type of product to any

power supply or adapter other than one described in the owners

manual, on the name plate, or specifically recommended by

Yamaha.

e. The product has been dropped, or the enclosure of the

product has been damaged.

WARNING: Do not place this product or any other

objects on the power cord or place it in a position where any-

one could walk on, trip over, or roll anything over power or

connecting cords of any kind. The use of an extension cord is

not recommended! If you must use an extension cord, the

minimum wire size for a 25' cord (or less) is 18 AWG. NOTE:

The smaller the AWG number, the larger the current handling

capacity. For longer extension cords, consult a local electri-

cian.

13.

Do not attempt to service this product beyond that de-

scribed in the user-maintenance instructions. All other servicing

should be referred to qualified service personnel.

14.

This product, either alone or in combination with an ampli-

fier and headphones or speaker/s, may be capable of producing

sound levels that could cause permanent hearing loss. DO NOT

operate for a long period of time at a high volume level or at a

level that is uncomfortable. If you experience any hearing loss or

ringing in the ears, you should consult an audiologist.

IMPORTANT: The louder the sound, the shorter the time period

before damage occurs.

Ventilation: Electronic products, unless specifically

designed for enclosed installations, should be placed in loca-

tions that do not interfere with proper ventilation. If instruc-

tions for enclosed installations are not provided, it must be

assumed that unobstructed ventilation is required.

15.

Some Yamaha products may have benches and/or acces-

sory mounting fixtures that are either supplied as a part of the

product or as optional accessories. Some of these items are de-

signed to be dealer assembled or installed Please make sure that

benches are stable and any optional fixtures (where applicable) are

well secured BEFORE using. Benches supplied by Yamaha are

designed for seating only. No other uses are recommended.

Temperature considerations: Electronic products

should be installed in locations that do not significantly con-

tribute to their operating temperature. Placement of this prod-

uct close to heat sources such as; radiators, heat registers and

other devices that produce heat should be avoided.

PLEASE KEEP THIS MANUAL

92-469-2

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