PYD-1002/PYD-1005
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Features and Controls: PYD1002 Mixer
MIC 1(DJ Mic)
Input Jack
accepts balanced
or unbalanced
inputs with either
XLR or 1/4” plug
Dual Display Meter displays your choice
of Master Input Left and Right Levels, or
Phones Output Levels for CUE and PGM
Meter Mode Switch and LED Indicators permit
you to display either Cue and Summed Program
levels OR Left and Right Channel Levels
BNC lamp socket allows you
to add a 12V/3W lamp to
illuminate the control panel
MIC Talkover
Switch lowers the
level of input sources,
permitting you to talk
over them using a
microphone
Power Switch and LED
indicator
MIC 1 Level
Control adjusts the
microphone volume
level within the mix
Cue Level Control sets the
listening level for the
headphones
MIC 2 Level
Control controls the
volume of the
secondary
Master Level Control adjusts
the mixer’s overall output
volume level
microphone
Tone Controls
permit adjustment
of the treble and
bass of a selected
input
Sound Effect Volume Control
Lets you control the volume level
of the sound effect within the mix
Digital Sound Effects Selectors
Lets you create special sound
performance mixes from the six
preprogrammed special effects
Input Source
Selector lets you
easily select your
choice of audio
inputs for mixing
Cue Selectors let you “preview”
an input source, using the
headphones, so you can adjust
the volume prior to mixing it in
Channel Level
Controls allow
fingertip control of
all sound mixing and
fading
Crossfader Control
Headphone Jack accepts 1/4”
plug
lets you quickly and smoothly
switch and mix between two
playing input sources
Pyle Pro Mixer Owner’s Manual – 1
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Features and Controls: PYD1005 Mixer
MIC 1(DJ Mic)
Input Jack
accepts balanced
or unbalanced
inputs with either
XLR or 1/4” plug
Dual Display Meter displays your choice
of Master Input Left and Right Levels, or
Phones Output Levels for CUE and PGM
Meter Mode Switch and LED Indicators permit
you to display either Cue and Summed Program
levels OR Left and Right Channel Levels
MIC Talkover
Switch lowers the
level of input sources,
permitting you to talk
over them using a
microphone
BNC lamp socket allows you
to add a 12V/3W lamp to
illuminate the control panel
Power Switch and LED
indicator
MIC 1 Level
Control adjusts
the microphone
volume level
Cue Level Control sets the
listening level for the
headphones
within the mix
MIC 2 Level
Control controls the
volume of the
secondary
Zone Level Control permits
adjustment of the volume of the
Zone Output, if you have
installed speakers in the DJ
booth or a remote location
microphone
Kill Tone Frequency
Buttons let you
Sound Effect Volume Control
Lets you control the volume level
of the sound effect within the mix
Balance Control adjusts the
balance between Left and Right
speakers
eliminate the selected
frequency range
instantly (great for
special effects); the
LED is illuminated
when the kill switch
is activated.
Tone Controls
permit adjustment
of the treble,
midrange and
bass of a selected
input
Master Level Control adjusts
the mixer’s overall output
volume level
Digital Sound Effects Selectors
Lets you create special sound
performance mixes from the six
preprogrammed special effects
Input Source
Selector lets you
easily select your
choice of audio
inputs for mixing
Cue Selectors let you “preview”
an input source, using the
headphones, so you can adjust
the volume prior to mixing it in
Channel Level
Controls
allow fingertip
control of all sound
mixing and fading
“Punch” buttons let you quickly
and easily switch the input
sources on and off for unusual
and exciting effects
Crossfader Control
Headphone Jack accepts 1/4”
plug
lets you quickly and smoothly
switch and mix between two
playing input sources
Crossfader Assign Switches
(A and B) let you select the input
sources for crossfade mixing
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Presetting the Controls Before Use
Since sudden high output levels from your Pyle Pro mixer can damage not only audio devices connected
to the mixer output but your hearing as well (especially if you are using headphones), please adjust
the mixer’s controls BEFORE connecting AC power or turning on the unit.
Set up the mixer controls like this before you start:
CONTROL
SETTING
Power On/Off
Balance
OFF
MID
Tone Controls, Treble, Mid and Bass
MIC 1/2, CH 1/2/3, Master and Cue Levels
Crossfader
0
0
CENTER
Connecting the Outputs
After presetting the controls (above), you can then connect the mixer’s output jacks to the output
devices’ input jacks. Before connecting these devices, however, be sure to preset their controls to
avoid any damage to your equipment due to unexpected high output levels.
Set the output devices’ controls like this before you start:
OUTPUT DEVICE
CONTROL
SETTING
Tape Deck
POWER
OFF
Amplifier/Receiver
POWER
TONE
OFF
FLAT
Playing the Mixer’s Output Signal
To play the mixer’s output signal through your speaker system (for events such as parties, dances,
conferences, etc.) connect an audio patch cord (not supplied) from the mixer’s MASTER L and R jacks
to your receiver’s left and right input jacks. This mixer permits you to choose cables with either RCA
jacks or 1/4” jacks for this connection, but do not use both sets of jacks simultaneously.
Recording the Mixer’s Output Signal
To record the mixer’s output signal, connect audio patch cords (not supplied) from the mixer’s REC
(Record) L and R jacks to your tape deck’s left and right input jacks.
Monitoring the Mixer’s Output signal in the DJ Booth
To monitor the mixer’s output on a second set of speakers in the DJ booth (or in a remote location),
connect an audio patch cord from the mixer’s ZONE L and R jacks to the additional amplifier’s left
and right input jacks.(PYD-1005)
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Connecting the Mixer Inputs
This mixer permits connection of up to eight (8) audio input sources, including up to two microphones.
Such a system might include, for example:
Two Microphones
Two Turntables
Two CD players
Two Cassette Decks
Two Microphones
Two Turntables
Two Microphones
Two Turntables
Four CD players
Two CD players
One Rhythm Synth
One Cassette Deck
Do not connect any audio source with a HIGH LEVEL
OUTPUT to the LOW LEVEL PHONO 1 or PHONO 2 mixer
audio input jacks (an audio source output with a volume
control is HIGH LEVEL).
Please observe
the following:
Connect audio inputs as follows:
1. DJ Microphone. Connect the DJ’s MIC 1 (not supplied) to the mic input jack in the upper left
corner of the mixer control panel. The special combo jack permits you to connect with either a 1/4”
plug or XLR plug.
Use 1/4” or
XLR-type jack
DJ MIC
2. High Level Output Audio Sources. Connect up to 4 such sources (tuner, cassette deck, CD
Player, camcorder or VCR) to the input jacks for Line 1 , Line 2, Line 3 and Line 4.
Use RCA type
patch cables
High Level Output
Audio Source
LEFT output
RIGHT output
CD player, cassette deck, camcorder, VCR, etc.
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Connecting the Mixer Inputs (cont.)
3. Turntables. Connect up to 2 turntables to the Phono 1 and Phono 2 input jacks.
When using a turntable, you should also securely connect its ground wire (usually green or black)
to the Ground screw on the input panel of the mixer.
Use RCA type
patch cables
Magnetic cartridge turntable
LEFT output
RIGHT output
GROUND wire from turntable
12V/3W lamp
Connecting the Lamp
If you wish to intall a console lamp (not supplied), simply
insert the plug end of an appropriate 12V/3W gooseneck
style or similar lamp into the lampsocket provided in the
upper right corner of the mixer control panel. Power is
supplied to this lamp when the mixer power switch is turned
on.
Using Headphones
Plug a pair of stereo headphones (not supplied) with a 1/4” plug into the Phones output. Using
headphones not only affords you the opportunity to listen privately, but also enables you to monitor
the incoming audio sources so you can locate an exact passage or section before mixing it in. It
also gives you the opportunity to set up the relative volume level of the upcoming passage before
it joins the mix.
Listen Safely! Please observe the following:
Do not listen at extremely high volume levels. Extended,
high-volume listening can lead to permanent hearing loss.
Follow these guidelines to protect your hearing, especially
when using headphones.
Always start by setting the volume level to the lowest
possible level before listening.
Stereo Headphones
Put headphones on, and then gradually increase the
volume as necessary.
Once you set the volume level do not increase it. Over
a period of time, your ears adapt to a volume level and there
is a temptation to increase it. Even though such an increase
may not cause discomfort, it might still damage your hearing.
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Using the Mixer Controls
Turning on the Mixer
1. Turn on the output amplifier and temporarily set its volume to the minimum setting.
2. On the mixer, turn ON the power switch. The adjacent power LED will illuminate.
3. Turn on the audio input sources you wish to mix, and set them to play (or talk continuously into
the microphone).
4. To monitor the audio input sources so that you can decide when to mix in each input, see “Monitoring
‘Cueing’ the Inputs.”
5. To mix the audio input sources so that you can play them through your amplifier system or record
them on your tape deck, see “Mixing the Inputs.”
Monitoring (”Cueing”) the Inputs
Follow these steps to monitor the audio input sources.
1. Perform Steps 1 and 2 of “Turning on the Mixer” and put headphones
on.
2. Set the CUE switch of the input source (CH1, CH2 or CH3) to the ON
position.
CUE switch
3. Set the desired audio input source’s volume to its minimum setting,
turn it on, and set it to play (or speak continuosly into the microphone).
4. Slowly turn the CUE LEVEL control clockwise until you hear the signal
through the headphones at the desired volume level.
CUE Level
Control
5. Repeat Steps 2-4 to select and adjust the volume level of the other
audio input sources, one at a time.
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Mixing the Inputs
Follow these steps to mix the audio input
sources.
1. Perform Steps 1 and 2 of “Turning on
the Mixer.”
2. Set the selected audio input source’s
volume to its minimum setting, turn
it on, and set it to play (or speak
continuously into the microphone).
3. Set the following input source selectors
as desired:
Input Source
Selector Switches
Mixer
Channel
Audio Input
Source
Turntable connected to PHONO1
1
2
3
High level output audio source connected to the LINE 1 jacks
Turntable connected to PHONO2
High level output audio source connected to the LINE 2 jacks
High level output audio source connected to the LINE 3 jacks
High level output audio source connected to the LINE 4 jacks
4. Set the Channel 1, Channel 2 and Channel 3
volume control sliders to approximately 8-10.
5. Rotate the Master Volume Control clockwise
until you observe an average reading of “0”
(zero) on both Output Level LED meters, and
leave it at that setting. (Please note that the
Output Level LED meter indicates the total
output signal being mixed from all sources for
each of the Left and Right channels.)
6. When adding an audio input source to the mix,
adjust the corresponding Channel 1, 2 and 3
volume control sliders so you maintain the
average reading of “0” on both Output Level
LED meters.
7. Adjust the receiver/amplifier volume control to
the desired volume.
Input Source
Volume Control Sliders
8. To turn off the mixer, push the Power switch
to the OFF position; the Power LED will be
extinguished.
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Using the Microphone
Incorporating Voice into the Mix
To blend voice from the microphone with the audio program material, adjust the turn the MIC 1
Talkover Switch to ON and use the MIC1 level slider to increase or decrease the microphone level.
This will not affect the main volume inputs. When the microphone is not in use, set the MIC level
slider to “0.”
Talkover Mode
Talkover mode allows a voice to be heard
clearly through the microphone by attenuating
all the other audio input sources. This mode
is engaged by setting the Talkover Switch to
the TALKOVER position. When not using the
microphone, set this switch to the OFF position.
Talkover Switch
Using the Crossfader
with the Assign
Switches
(PYD-1005)
For crossfading effects, you can assign any of
the three channels to either A or B sides of
the crossfade mix using the Crossfade assign
knobs.
When the crossfade slider is in the center
position, the two assigned channels play equally.
Sliding the control towards the A position will
increase the level of A and fade out B
proportionally to the distance from center.
Likewise, sliding the control towards the B
position will increase the level of B and fade
out A.
Crossover Assign
Switches
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Using the Tone Controls
To enhance the sound or tailor the highs, mids
(PYD-1005) and low frequencies for audio
source input to the acoustics of a particular
performance environment, you can adjust the
BASS, MID (PYD-1005) and TREBLE tone
controls. Rotating the bass control, for example,
will boost the bass frequencies in the bass
range.
Tone Controls
Using the Frequency
Kill Switches
(PYD-1005)
For unique circumstances or interesting special
effects, you can completely eliminate the bass,
mid or treble frequency range from selected
input by pressing the Kill button for that range.
When the Kill mode is active, the LED above
the button will be illuminated.
Frequency Kill
Switches
Using the Zone Level
Control
(PYD-1005)
If you have a separate set of monitor speakers
in the DJ booth or in a remote location, you
can adjust the output level to these speakers
using the Zone Level control. Zone speaker
level is controlled independent of the Master
Level control.
Zone Level
Control
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Using the Master
Balance Control
(PYD-1005)
In the typical performance environment, you
will want the sound to appear to be coming
from a point midway between the speakers.
If the sound appears to be louder from one
speaker, adjust the Balance Control until the
sound is properly balanced.
Master Balance
Control
Using the Master Level
Control
The overall volume of the mix of all inputs is
adjusted using the Master Level control.Turning
this control clockwise increases the overall
system volume.
Master Level
Control
Changing and Viewing
the Dual Meter Modes
Your mixer’s Dual Meter Mode feature allows
you to view the levels of each of the left and
right channels in the current mix, or to view
the cued (upcoming) program level compared
with the current mix (summed).
To change the current display, press the Meter
Mode button.The LEDs immediately to the left
of the button indicate the current meter mode.
Meter Mode
Switch
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Using the “Punch”
Controls (PYD-1005 )
This featured control lets you smoothly and
quickly turn a playing source on and off, or
switch between the two different input sources
assigned to Crossfade Channel A and B.
The effect you get depends upon the position
of the Crossfader.
With the Crossfader at 100% Channel A (all
the way to the left), pressing the Channel A
Punch Button will mute the Channel A material.
Punch Control
Similarly, with the Crossfader at 100% Channel
B (all the way to the right), pressing the
Channel B Punch Button will mute the Channel
B material.
With the Crossfader in the middle position, press the Channel A punch button and the Channel A
material will be subtracted from the mix, leaving only Channel B material. Likewise, press the Channel
B punch button and the Channel B material will be subtracted from the mix.
Using the Sound Effects (PYD-1005)
There are pre-programmed sound effects for your selection. Press and hold any button to generate
a sound which is added to the mix. The sound will play continuously until you release the button.
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Troubleshooting
Your mixer should require very little maintenance. If you have problems, refer to the chart below
for possible solutions. If you cannot solve the problem, contact a qualified technician for assistance.
PROBLEM
POSSIBLE SOLUTION
Nothing works
• Check the AC connection. Make sure the AC outlet is “live.”
• Check the power connection to the rest of the system
(receiver/amplifier, etc.)
No signal from an
audio input
source
• Check the control setting
• Check the connection between the mixer and the input source
• Check that the turntable’s ground wire (usually black or green) is
fastened securely to the GROUND SCREW on the mixer input
panel
Hum from PHONO
Hum from other
source
• Make sure there are no low level inputs connected to the LINE
input jacks
Feedback is
present
• Move the microphone further away from the output speakers,
or use a directional microphone
Care and Maintenance
Your Pyle Pro Mixer is an example of superior
design and craftsmanship. The following
suggestions will help you care for your mixer
so you can enjoy years of use:
• Keep the mixer dry. If it gets wet, wipe
immediately.
• Use the mixer only in well-ventilated
installations.
• Handle the mixer gently and carefully -
do not drop!
• Keep the mixer away from dust and dirt.
• Wipe occasionally with a damp cloth to
keep it looking new. Do not use harsh
chemicals, solvents or detergents!
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Specifications
PYD1002/1005
Input Sensitivity/Impedance
Distortion
Mic
Phono 1-2
Line 1-4
1.5 mV/600 Ohms
Mic
Phono
Line
0.50%
0.08%
0.05%
3.0 mV/50K Ohms
150.0 mV/27K Ohms
Tone Control
Output Level
Treble
10kHz; +10/-30dB(PYD-1005)
10kHz; +10/-10dB(PYD-1002)
1 kHz; +10/-30dB
100Hz; +10/-30dB(PYD-1005)
100Hz; +10/-10dB(PYD-1005)
Master
Zone(PYD-1005)
Record
1.5 V/10-kOhms
1.5 V/10-kOhms
150mV/10-kOhms
Mid(PYD-1005)
Bass
Frequency Response 20Hz – 20kHz +/- 3 dB
Talkover Attenuation -16dB
Power Source
120 VAC, 60Hz/230 VAC, 50 Hz
S/N Ratio (at 1 kHz)
Dimensions, inches 10.25 x 3.6 x 14.0
(mm)
Mic
Phono
Line
55 dB/1.5mV input
65 dB/3.0mV input
70 dB/150.0 mV input
(260 x 92 x 355)
Weight, lbs (kg)
8.8 (4)
Limited Warranty
All PYLE PRO products are carefully constructed and tested before
shipment. Units purchased in the USA are warranted to be free of
defects in material and workmanship for two (2) years from the date
of purchase. This warranty is limited to the original retail purchaser
of the mixer.
Should the unit fail due to factory defects in material or workmanship,
your unit will be repaired or replaced at the sole discretion of PYLE.
To obtain warranty service, you must first call our Consumer Return
Hotline at (718) 236-6948 to obtain a Return Authorization Number.
This R.A. # must appear on the outside of your package and on all
paperwork relating to your return.
When returning the unit to us for warranty service, it must be carefully
packed and shipped, prepaid, to:
R.A.#: _____________
PYLE PRO Service Center
1600 63rd Street
Brooklyn, NY 11204
You must also include the following items with your return:
• A copy of your sales receipt or other proof of purchase
• A brief letter, indicating the problem you are experiencing with
the product
• Include in your letter your return address, daytime phone number
and R.A. number
• Also include a check or money order for $15.00 for return
shipping, handling and insurance, or provide your Visa/MC number with
expiration date.
Our obligation under this warranty is limited to the repair or replacement
of the defective unit when it is returned to us prepaid. This warranty
will be considered void if the unit was tampered with, improperly
serviced or subject to misuse, neglect or accidental damage.
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