HeadsetUSA Portable Speaker PAS 400 User Manual

freePORT  
PAS 400  
Portable active loudspeaker  
Installation & Operation Manual  
058-E0146  
Version 060328  
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Safety Instructions  
It is absolutely essential that you read these safety instructions carefully before  
connecting and using this K+H product. Your safety depends on it. Furthermore,  
failure to follow these instructions voids the warranty.  
To ensure safe operation for years to come, keep these instructions in a safe place for  
future reference. K+H has manufactured this product in accordance with IEC 92 (SEC)  
39 standards, then tested and delivered it in safe operating condition. To maintain it  
in this condition, you must:  
y observe all safety instructions  
y use the product only as described herein  
y have any maintenance, repairs, or modifications performed only by K+H or other  
authorized personnel  
y ensure that the room in which you use this product is wired in accordance with the  
local electrical code  
When the interior of the cabinet is exposed, touching some parts can lead to an electric  
shock.  
Warning!  
If you need to gain access to the interior electronics of the unit, always disconnect the unit  
from any and all power sources first.  
Any repairs, maintenance, or other service of the unit when its interior compartment is  
exposed may only be performed safely (in accordance with VBG 4) by authorized  
technicians familiar with all the risks involved. Even in an unplugged state, a fully charged  
capacitor in the unit can zap the unsuspecting.  
Loudspeaker output jacks labelled with the IEC 417/5036 emblem (Fig. A) may be carrying  
dangerously high voltages. If your unit has this emblem, ensure that any connections to be  
made between these jacks and the speakers themselves are made before powering up the  
unit, and are done so only with manufacturer-approved interconnecting cables.  
If you need to replace any fuses, ensure that the replacements are of exactly the same type,  
value and voltage as the originals, as spelled out in the technical specifications at the rear  
of this manual.  
Warning!  
Do not use "repaired" fuses.  
If you do not have fuses of the specified size, type and value, do not hot-wire the contacts  
in the holder by short-circuiting them.  
Certain areas of the cabinet, cover, and rear panel can achieve extreme temperatures and  
are therefore marked with a "HOT" label (Fig. B). Refrain from touching any heat sink or  
ventilation grille.  
High volume levels are known to cause permanent - i.e. irreversible - hearing damage,  
especially when listened to without sufficient breaks. The higher the levels, the more  
frequent and extended must be the breaks. Avoid standing too close to loudspeakers that  
are being driven at high levels. If you must be exposed to high sound pressure levels over  
an extended period of time, use hearing protection.  
Mains Connection: y This unit is designed for continuous operation.  
y Ensure that the operating voltage of the unit matches that of the local mains  
current (AC line voltage).  
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y Always check before connecting the power cable to the mains socket that the power switch  
on the unit itself is set to off ("O").  
y Use the power cable or power supply that came with the unit to connect to the mains  
socket (wall outlet).  
y Power supply: a damaged power cable may not be repaired. Use a new cable.  
y Avoid plugging the mains cable into a power strip that already has several other power-  
consuming devices connected to it.  
y Avoid using extension cables. The unit must be connected to a mains socket close to it, and  
that socket should be freely accessible.  
Installation: y This product may only be placed on a stable, clean, horizontal surface.  
y Do not expose this product to vibration.  
y Do not operate this product anywhere near water or other liquids. Do not use it near a sink,  
swimming pool, bathtub, or in any damp room or area. Electrical shocks carried through  
water can kill. Do not place any beverages whatsoever on or near this product, as liquids  
can kill electronic components.  
y Ensure sufficient ventilation around the product to allow for adequate heat dissipation,  
especially near the rear panel and the sides of the cabinet (minimum of 8 inches from the  
nearest wall). The unit may only be installed in a rack if measures are taken to ensure  
sufficient ventilation and if the mounting instructions of the manufacturer are followed. Do  
not block or cover any heat sink, fan, or vent.  
y Do not place the product where it will be in the path of direct sunlight, and keep it a safe  
distance away from radiators and other heaters of any kind.  
y If you bring this product from a cold environment into a warm one (such as from a vehicle  
into a studio), it is quite possible that condensation will form inside the cabinet. Please  
allow the unit sufficient time for acclimation to room temperature (minimum thirty  
minutes) before connecting and powering up.  
y To avoid accidents, do not use any accessory equipment with this product that is not  
approved by the manufacturer, particularly mounting accessories.  
y Do not place this unit on any unstable platform, cart, stand or table. If the unit falls, it can  
cause bodily injury to persons, or can be damaged itself.  
y To protect this product from lightning damage during a thunderstorm or from power  
surges during an extended absence, disconnect the power cable from the wall outlet.  
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freePORT PAS 400  
Rear Panel View  
Numbered items correspond to explanations in the text  
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1 Installation & Set-up  
1.1 Safety Precautions  
Note!  
Please read and follow all of the safety precautions in this manual! It is absolutely essential  
that you read these safety instructions carefully before connecting and using this product.  
Your safety depends on it. Furthermore, failure to follow these instructions voids the  
warranty.  
To ensure safe operation for many years, keep these instructions in a safe place for future  
reference. K+H has manufactured this product in accordance with IEC 92 (SEC) 39 standards,  
then tested and delivered it in a safe operating condition. To maintain it in this condition, you  
must:  
y observe all safety instructions,  
y use the product only as described herein  
y have any maintenance, repairs, or modifications performed only by K+H or its authorized  
agents  
y ensure that the room in which the product is used is wired in accordance with local  
electrical codes  
If the loudspeaker will be installed in an area where people could go underneath it, then it  
should be secured with an additional safety cable, which can be attached to the carrying  
handles!  
1.2 Deliverables  
y 1 freePORT PAS 400 active PA loudspeaker system  
y 1 power supply cable  
y 1 Installation & Operation Manual  
1.3 Operating Conditions  
The temperature limits for the freePORT PAS 400 active PA loudspeaker system are as  
follows:  
Operating Temperature:  
+14 to +104 °F (-10 to +40 °C)  
Storage or Transportation Temperature:  
+5 to +104 °F (-15 to +40 °C)  
If the temperature of the loudspeaker falls below 5 °F (-15 °C) at any time, the rechargeable  
battery may be permanently damaged.  
The freePORT PAS 400 will operate in any position and under a variety of conditions. It is,  
however, not watertight and should only be installed or operated in dry conditions. Areas  
with excessive moisture, considerable dust or aggressive chemicals should also be avoided.  
The freePORT PAS 400 is not for outdoor installations. Temporary outdoor usage is possible,  
but only within the temperature limits and in no situations where water can directly come in  
contact with the unit. For operation under rainy conditions, the LRH/S Rain Hood accessory  
must be used.  
The coated loudspeaker cones can handle temporary exposure to fog but in no case can they  
tolerate any dew or condensation.  
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If a small amount of moisture or dew has formed on the cabinet or the back panel, e.g. after  
transportation or storage, carefully wipe off all of the moisture with a clean, soft cloth and  
allow the unit to acclimate in a warm, dry environment for at least two hours before applying  
power to the unit or operating it.  
1.4 Set Up  
1.4.1 Tripod or Pole Mounting  
The freePORT PAS 400 enclosure is fitted, on the bottom, with a standard 35 mm mounting  
flange for tripod or pole mounting. It can also be mounted to the LST 60 spiked pole for  
outdoor use on uneven ground.  
With the LH 33 tilt connector the tilt angle can be adjusted from 0° (perpendicular) to 15°.  
For maximum tilt-angle adjustability, the LH 26 fork mounting bracket can be attached to  
the PAS 400 with 2 x M8 knurled thumbscrews and then combined with an LH 28 tripod  
stand adapter to mount it to a tripod. The speaker can then be rotated and tilted to the  
optimum angle for the listeners.  
1.4.2 Wall or Ceiling Mounting  
For hang-mounting, the top of the enclosure has two M8 threaded attachment points (115  
mm spacing) for attaching an LH 29 TV spigot for mounting to cross beams or light stands.  
For wall mounting with maximum adjustability, the speaker can be attached, via the 35 mm  
mounting flange on the bottom, to an LH 120 wall mount bracket. The speaker can then be  
rotated and tilted (10 - 25°) to the optimum angle for the listeners.  
1.4.3 Positioning & Alignment  
Position the loudspeakers so that they:  
y will not be directly aimed at any open microphones  
y will be as far away from the microphones as possible - especially important with sensitive  
or long-distance microphones  
y will be at the front of the stage or more forward than the microphones (in relation to the  
listeners)  
1.5 Power / Mains Connection (1)  
The freePORT PAS 400 is available in the following AC mains voltage configurations:  
y 230 Volt AC / 50 Hz  
(supplied with a German Schuko mains cable connector)  
y 120 Volt AC / 60 HZ  
(supplied with a USA 3-prong mains cable connector)  
y 100 Volt AC / 50-60 Hz  
(supplied with a USA 3-prong mains cable connector)  
Before connecting to the mains power supply:  
Attention!  
̈ Verify that each PAS 400 system matches the mains voltage at the site!  
̈ Do not disconnect any part of the ground connection! When powered from an AC mains  
supply, the system must only be operated with a proper ground connection!  
The (supplied) mains cable connector may not match the AC outlet type in some countries.  
Only a qualified electrician should change the AC connector and the proper ground-  
connection must be made.  
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1.6 GROUND LIFT Switch (2)  
The signal GROUND LIFT switch should be set to the GROUND position. If the PAS 400 hums  
when connected to other equipment, setting the switch to the GROUND LIFTED position may  
reduce or eliminate the hum.  
1.7 Fuses (3) and (4)  
Disconnect the PAS 400 from any external power supply (mains or battery) before changing  
or inspecting fuses.  
Only the following fuse types can be used  
1A Slo-Blo  
2A Slo-Blo  
2A Slo-Blo  
6.3A Slo-Blo  
for 230 Volt AC / 50 Hz models  
for 120 Volt AC / 60 Hz  
for 100 Volt AC / 50-60 Hz  
for the rechargeable battery  
1.8 Powering with a 12-16 Volt DC External or Auto Battery (5)  
The "EXT BATTTERY 12 - 16 VDC" socket is accessible by removing the sealing cap.  
A plug-in connector for this is socket available. Please note the correct polarity (labelled as  
"+" and "-" by the socket). Incorrect polarity will not cause damage, but the internal battery  
will then power the PAS 400.  
1.9 Power Switch (6)  
The power switch has three positions:  
Position 0  
Loudspeaker system is Off  
Battery will charge (if connected  
to a power supply)  
Position I  
Loudspeaker system is On  
Wireless receiver is On  
Battery will charge (if connected  
to a power supply)  
Position II  
Loudspeaker system is On  
Wireless receiver is Off  
Battery will charge (if connected  
to a power supply)  
When the system is switched On (to Position I or Position II), there is an automatic 3-second  
delay before it is operational.  
When the (optional) built-in wireless receiver is not being used, set the Power Switch to  
Position II to conserve battery power and to get the longest run-time per charge.  
When switching from Position I to Position II (or visa versa), first switch to Position 0 and wait  
5 seconds before switching to the next position, otherwise, the Deep Discharge Cut-Off Circuit  
may be activated (if activated, switch to Position 0 and wait 30 seconds before switching to  
Position I or II.).  
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If AC mains power is interrupted, the system will automatically switch over to battery power.  
Remote On / Off switching of the AC mains power will automatically switch the system over  
to battery power.  
1.10 Power On Indicator (7)  
The "Power On" indicator remains illuminated (green) while the loudspeaker system is On.  
The Power On indicator also serves as a "Remaining Charge" indicator when the rechargeable  
battery is powering the system:  
y Slow blinking LED  
approximately 25% of battery charge remains  
y Fast blinking LED  
less than 25% of battery charge remains  
1.11 Battery Charging Circuit & Loading Indicator (8)  
Note:  
Before the system is used for the first time or if it has not been connected to AC mains  
power for several months, connect it to AC mains power supply (with the Power On switch  
in Position 0) and charge the battery for at least 6 hours.  
The Loading indicator remains illuminated (red) while the battery is charging. After the  
battery is fully charged, the Loading indicator will be off and the built-in charging circuit will  
automatically switch to trickle charging. The charging circuit is completely separate from the  
amplifier power supply and will charge the battery from any state of charge, at a smooth,  
controlled rate up to a full charge. The power amplifier (when connected to AC mains) can  
deliver full power, even while a completely discharged battery is being charged.  
Charging times (with the Power On switch in Position 0), for a completely discharged battery,  
are approximately as follows:  
y 6 hours  
to 90% capacity  
y 10 hours  
to 100% capacity  
For a partially discharged battery, the charging time will be shorter.  
The internal battery will not recharge when the loudspeaker is being powered by an external  
battery source. The built-in charger will not recharge external batteries connected to the EXT  
BATTERY socket.  
For fastest battery recharging, set the Power On switch to Position 0 and connect the AC  
mains cable to an AC mains power supply.  
The loudspeaker system, even with a fully charged battery, can be connected (long term) to  
AC mains power without damage to the battery. The system does not need to be continually  
connected to AC mains power when stored (see table below for remaining capacity) and may  
be stored for several months, although not recommended, without recharging. Battery  
lifetime is estimated to be approximately 3 years or approximately 5000 recharge cycles,  
with no memory effect.  
Battery Self-Discharge During Storage, at 77 °F (25 °C):  
Time since last full recharge Remaining Capacity  
3 months  
6 months  
12 months  
91%  
82%  
64%  
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1.12 Deep Discharge Cut-Off Circuit  
The Deep Discharge Cut-Off Circuit is an intelligent circuit that will automatically switch off  
the battery supply to the amplifier, before the battery voltage goes below the  
manufacturer's recommended discharge cut-off voltage.  
̈ If this occurs, switch the loudspeaker system Off (to Position 0) and immediately recharge  
the battery.  
1.13 Connecting Signal Sources  
All inputs have at least 10 dB of headroom.  
1.13.1 Input 1 and Input 2 pin connectors  
Input 1 and Input 2 are combo jacks that accept balanced or unbalanced signals from either  
XLR male connectors or ¼ in. phone plugs.  
PUSH  
Input 1 and Input 2:  
2
1
Pin 1  
Pin 2  
Pin 3  
Ground  
+ signal  
-- signal  
3
Balanced input signals - cable configurations:  
Cables for balanced signals that will be connected to Input 1 or Input 2 should be configured  
as follows:  
XLR male connector:  
Pin 1  
Pin 2  
Pin 3  
Ground (shield)  
+ signal  
1
2
-- signal  
3
¼ in. TRS (stereo) phone plug:  
Tip  
+ signal  
Ring  
Sleeve  
-- signal  
Tip Sleeve  
Ring  
Ground (shield)  
Unbalanced input signals - cable configurations:  
For unbalanced input signals, the simplest solution is to use a ¼ in. mono (TS) phone plug.  
Connect the "+ signal" to the Tip and the Ground (shield) to the Sleeve.  
Connect unbalanced microphones or any other equipment that has an unbalanced  
connector (e.g. ¼ in. mono phone plug) to INPUT 2 (unless INPUT 1 will ONLY be used in the  
LINE position). INPUT 1 has phantom power in the MIC or AUX positions and this may cause  
permanent damage to an unbalanced microphone when an unbalanced connector is used.  
Warning!  
Connectors for unbalanced signals should be configured as follows (refer to previous  
Warning):  
XLR male connector  
¼ in. TRS (stereo) phone plug  
¼ in. TS (mono) phone plug  
Pin 1  
Ground  
(shield)  
Tip  
+ signal  
Tip  
+ signal  
Pin 2  
Pin 3  
+ signal  
Ring  
shorted to Sleeve  
Ground (shield)  
shorted to Sleeve  
Pin 1  
Sleeve  
Ground (shield)  
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1.13.2 INPUT 1 (9)  
INPUT 1 is an electrically balanced XLR / TRS combo jack (9). The input level sensitivity can  
be set with the 3-position selector switch (10) to:  
Line  
AUX  
MIC  
( 0 dBu)  
(-25 dBu)  
(-45 dBu)  
12 V phantom power is supplied to INPUT 1 when the input selector switch is in the MIC or  
AUX position. Condenser microphones (requiring phantom power) should be connected to  
INPUT 1.  
Connect unbalanced microphones or any other equipment that has an unbalanced  
connector (e.g. ¼ in. mono phone plug) to INPUT 2 (unless INPUT 1 will ONLY be used in the  
LINE position). INPUT 1 has phantom power in the MIC or AUX positions and this may cause  
permanent damage to an unbalanced microphone when an unbalanced connector is used.  
Warning!  
The output volume can be adjusted using the VOLUME 1 control (11).  
1.13.3 INPUT 2 (12)  
INPUT 2 is a transformer balanced XLR / TRS combo jack (12). The input level sensitivity can  
be set with the 3-position selector switch (13) to::  
Line  
AUX  
MIC  
( +6dBu)  
(-25 dBu)  
(-65 dBu)  
The MIC (-65 dBu) position is ideal for distant-miking set-ups with dynamic mics (see section  
2.1). The LINE (+6 dBu) position is ideal for balanced signals from pro audio sources or feed-  
signals from an OB Van.  
The output volume can be adjusted using the VOLUME 2 control (14).  
1.13.4 INPUT 3 (15)  
INPUT 3 is a pair of unbalanced RCA jacks (15). Line-level (0 dBu sensitivity) stereo signals  
(e.g. from a CD player, Mini Disc player, cassette player, etc.) can be connected and the left  
and right inputs will be summed to produce a mono signal.  
The output volume can be adjusted using the VOLUME 3 control (16).  
1.13.5 RF Receiver Input (17)  
RF receivers (optional) for wireless microphones can be user-installed in the side  
compartment of the freePORT PAS 400. Please refer to the separate instructions for  
installation and connection of the receivers to the PAS 400. The PAS 400 can accommodate  
the following combinations of RF receivers:  
y Up to 4 Sennheiser Evolution Bodypacks, or  
y 1 Sennheiser Evolution Diversity + 2 Sennheiser Evolution Bodypacks  
The individual volume controls for the Evolution Bodypacks will be accessible after they are  
installed, however, the volume level for the Evolution Diversity receiver has to be pre-  
adjusted before it is installed.  
The overall output volume can be adjusted using the RF-RECEIVER VOLUME control (17),  
which functions as a master volume control for all of the RF receivers that are installed.  
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1.14 Audio and DC Outputs  
1.14.1 LINE OUT (18)  
LINE OUT is an electrically balanced XLR male connector (18) with the same pin configuration  
as shown in section 1.13.2. This line level output (+6 dBu nominal / +17 dBu peak) is a mix  
of all input signals connected to the PAS 400 and may be used as the input signal to other  
systems, (e.g. a mixing desk, another active loudspeaker).  
1.14.2 REC OUT (19)  
REC OUT is a pair of unbalanced RCA jacks (19). Each output has the same line-level (-6 dBu)  
mono signal, which is a mix of all input signals connected to the PAS 400, and may be used  
as the input signals to a recorder (e.g. Mini Disk, Cassette).  
1.14.3 MONITOR SPEAKER (20)  
MONITOR SPEAKER is a 1/4 in. phone jack with a 15-Watt RMS (at 4 ) output for powering  
additional passive loudspeakers.  
This output level can be adjusted using the VOLUME Monitor Speaker (21) control.  
1.14.4 DC OUT (22)  
The PAS 400 has two DC Outputs (22) for powering portable CD, MD or cassette players /  
recorders, RF receivers, etc., that can be powered by an external DC power supply. The 12 V  
output is factory-set and the 6 V output is user-adjustable (internally) for either 3, 6 or 9  
VDC. The DC outputs are short-circuit-proof, regulated and utilize standard barrel connectors.  
Correct polarity and voltage are both important! The PAS 400 barrel connectors are  
configured for the standard polarity (inner sleeve = +DC and outer sleeve = --DC) used in  
most portable players / recorders. First check the manufacturer's information, regarding  
polarity and DC voltage for external power supplies, before any units are connected to the  
PAS 400.  
Warning!  
Note:  
When the rechargeable battery is powering the PAS 400 and external units are also being  
powered by the DC outputs, the run-time will be reduced.  
1.15 PDD 63 Delay Unit  
The PDD63 Delay unit (optional) can be user-installed in the side compartment of the  
freePORT PAS 400. Please refer to the separate instructions for installation and connection  
of the PDD63 to the PAS 400.  
In large rooms or rooms with strong echo characteristics, a delay may be useful - even at  
distances less than 30 feet (9 meters). Some examples are as follows:  
If the PAS 400 is used as a side-fill and is 30 feet (9 meters) or more from the FOH  
loudspeakers, the signal to the side-fill loudspeakers should be delayed so that the sound  
from all loudspeakers reaches the audience at the same time.  
If the PAS 400 is 30 feet (9 meters) or more from the microphone users, the loudspeaker  
should be delayed so that the sound from the loudspeakers and the un-amplified voices of  
the microphone users reach the audience at the same time.  
The PDD63 delay unit allows a delay to be set for the loudspeakers and the MONITOR  
SPEAKER output. The delay "time" is set as a distance in meters (1 ms = 0.343 m = 1.125 ft.)  
using the two easily accessible controls on the PDD63.  
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2 Operation  
Note!  
To prevent audible clicks or thumps, turn the VOLUME control (11) or (14) for INPUT 1 or  
2 all the way down before:  
y connecting or disconnecting microphones or signal sources  
y changing the input level sensitivity with the selector switch (10) or (13).  
2.1 Dynamic Microphones - Distant-Miking Set-up  
If the distance from the person speaking into the mic is 8 to 20 inches (e.g. when speaking  
at a conference table, or making a speech from a podium), turn down VOLUME 2, connect the  
mic to INPUT 2 and select the MIC (-65 dBu) sensitivity. Then adjust VOLUME 2 to the desired  
level.  
2.2 Dynamic Microphones - Close-Miking Set-up  
If the mic will be used at close distances, i.e., less than 4 inches (e.g. singing, speaking close  
to the mic because of high background noise), turn down VOLUME 1, connect the mic to  
INPUT 1 and select the MIC (-45 dBu) sensitivity. Then adjust VOLUME 1 to the desired level.  
Note!  
INPUT 1 has phantom power (in the MIC and AUX positions) for powering condenser mics.  
2.3 Electret-Condenser Microphones - Distant-Miking Set-up  
If the distance from the person speaking into the mic is 8 to 20 inches (e.g. when speaking  
at a conference table, or making a speech from a podium), turn down VOLUME 1, connect the  
mic to INPUT 1 and select the MIC (-45 dBu) sensitivity. Then adjust VOLUME 1 to the desired  
level.  
2.4 Electret-Condenser Microphones - Close-Miking Set-up  
If the mic will be used at close distances, i.e., less than 4 inches (e.g. singing, speaking close  
to the mic because of high background noise), turn down the VOLUME (1 or 2), connect the  
mic to the INPUT (1 or 2) and select the AUX (-25 dBu) sensitivity. Then adjust the VOLUME  
(1 or 2) to the desired level.  
2.5 Mixing Console or Line-Level Inputs  
Line level inputs can be connected to INPUT 1 (electrically balanced with 0 dBu sensitivity) or  
INPUT 2 (transformer balanced with +6 dBu sensitivity). These inputs have the same audio  
quality, but INPUT 2 may be more immune to hum or noise because it is transformer balanced  
and completely isolated form the mains ground.  
2.6 Recording from the PAS 400  
An analog recorder (e.g. Mini Disc, cassette, etc.) can be connected to the REC OUT outputs  
and a 2-channel mono recording of all inputs connected to the PAS 400 can be made. If the  
outputs of the recorder are also connected to INPUT 3 (e.g. for playback), then turn down  
VOLUME 3 before making any connections. Turn the volume level up slowly to prevent  
feedback (many recorders produce an output signal, for monitoring, while they are recording  
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- which may cause loop feedback when the recorders inputs and outputs are connected to  
the same unit).  
2.7 TONE Controls  
The PAS 400 features three tone controls for separate adjustment of the Low (Bass), Mid  
(Middle) and High (Treble) frequencies.  
2.7.1 Low Control  
The Low frequency control can be used to improve the lower tones of speech, vocals or music.  
For best speech quality, the "SP" position is recommended as the initial setting - then adjust  
as necessary based on the acoustic conditions (indoors/outdoors, small/large room,  
reflective/non-reflective walls, few/many people, etc). In small, very reflective/resonant  
rooms, the Low control may have to be adjusted even lower than the "SP" position. For music  
the Low control should initially be set to the "0" position and then adjusted according to the  
room conditions and personal taste.  
2.7.2 Mid Control  
The Mid control is centered at a frequency of 1800 Hz and will have a pronounced effect on  
speech and vocal presence. It is also the frequency range where most feedback problems  
occur, so careful adjustment is recommended. For most situations, the "0" position is  
suggested as the initial setting, then adjust according to room conditions and desired  
presence level.  
2.7.3 High Control  
The High control can influence the clarity and intelligibility of speech and vocals but can also  
add sibilance or feedback if set too high. It is important to be directly in-line with the front  
of the loudspeaker cabinet when the High control is adjusted, so that the treble level or  
sibilance can be clearly heard. For most situations and with most microphones, it may be  
better to initially set the High control slightly below the "0" position, then adjust the Volume  
control to the maximum level that will be used - then make final (fine) adjustments with the  
High control.  
2.8 Rechargeable Battery -Description  
The internal rechargeable battery is a high quality, maintenance-free, lead battery. Unlike a  
car battery, it is leak-proof and can be oriented in any position without leaking. The main  
advantages of these batteries is their very high charge-capacity-to-volume ratio, very low  
tendency to self-discharge and low susceptibility to memory-effect (they can be recharged  
at any time / do not have to be completely discharged before they can be recharged).  
Battery recharging is recommended after each prolonged use of the PAS400 with battery  
power.  
See section 1.11 for additional information regarding battery charging, storage and  
estimated battery life.  
2.9 Battery Replacement and Disposal  
For safety and best performance, the internal rechargeable battery should only be replaced  
with a new unit of the manufacturer's recommended equivalent type. Defective batteries  
must be handled and disposed of as hazardous waste. Please contact the authorized K + H  
distributor or dealer before removing or disposing the internal battery.  
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3 Troubleshooting  
Problem:  
Possible Cause:  
Possible Solutions:  
No sound  
POWER switch in wrong position for Mic  
receivers  
Set POWER switch (6) to Position I  
VOLUME controls set too low  
Slowly turn up VOLUME controls (11, 14, 16  
or 17)  
Internal battery is discharged  
Connect to AC mains power and recharge  
battery  
Sound is Distorted  
Incorrect input level sensitivity for INPUT 1 or 2 Turn down VOLUME (11 or 14) and change  
the input sensitivity (10 or 13)  
Microphone is defective or battery in wireless Replace mic or battery  
mic is low  
PAS 400 switches Off  
Battery is discharged  
Connect to AC mains power and recharge  
battery  
Overheating from operation in a very warm  
environment / direct sun - especially when  
using full power or recharging battery  
Reduce Volume levels (11, 14, 16 or 17),  
protect from direct sun and provide air  
cooling - or switch Off and wait until the unit  
has cooled down  
Feedback  
Microphone is an omnidirectional type  
Use a cardioid or supercardioid mic  
Loudspeaker positioning in relation to  
microphones  
Reposition loudspeakers so that they will  
not be aimed at any microphones  
Mic volume levels are too high  
Turn down VOLUME (11 or 14)  
Recorder is connected both to INPUT 3 and to Turn VOLUME (3) down completely when  
REC OUT  
recording  
TONE control(s) set too high  
Turn down TONE controls (25, 24 or 23)  
Replace mic cable  
Loud crackle or popping noise Defective microphone cable  
Defective connector(s) on microphone cable  
Wiggle connectors to determine which one is  
defective - replace mic cable or install new  
connector  
Defective microphone  
Replace microphone  
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4 Performance Curves  
The excellent acoustic performance of the freePORT PAS 400 can not only be heard, but also  
confirmed through close examination of the measurement results. The following  
performance curves are only a sample of these measurements.  
The frequency response and the tone controls were especially tailored for the applications  
that are typical for small PA loudspeaker systems:  
Tone Control Equalization (EQ) Curves  
Free-Field Frequency Response  
The outstanding horizontal directivity is demonstrated by the following diagram:  
Horizontal directivity - freePORT PAS 400  
The well-controlled vertical directivity is shown in the following diagram:  
Vertical directivity - freePORT PAS 400  
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5 Product Specifications  
Principal Active 2-way loudspeaker system with 2 x 6.5 in. woofers, 1 in. horn-loaded tweeter, internal  
electronic crossover and separate power amplifiers for each loudspeaker driver. The system  
can be powered by either AC mains, internal rechargeable battery (recharging system is  
built-in) or from an external 12 VDC source.  
The system includes y a built-in mixer-preamplifier with 4 input channels for connecting balanced/unbalanced,  
line level/mic level and wireless/cabled signal sources.  
y three outputs: Line (line level balanced), Record (line level unbalanced) and Monitor (15 W  
@4 )  
80 Hz - 15 kHz 3 dB  
Frequency Response  
<1% THD above 150 Hz at 100 dBspl / 1 m  
Total Harmonic Distortion  
Maximum Sound Pressure Level  
105 dBspl in full-space, above 150 Hz at 3% THD  
113 dBspl for speech with bass control set at minimum level  
Loudspeakers  
Woofer  
2 x 6.5 in.  
1 in. horn loaded  
Tweeter  
Cabinet  
Birch plywood  
Material  
Finish  
Charcoal grey (RAL 7021) textured,  
or optional speckled  
Acoustic foam, removable  
Grille  
Electronics:  
Power Output  
50 Watts cont / 65 Watts max at < 0.5% THD  
15 Watts cont / 20 Watts max at < 0.5% THD  
15 Watts cont / 20 Watts max at < 0.5% THD  
Woofer Amplifier  
Tweeter Amplifier  
Monitor Amplifier  
Active Crossover  
Crossover frequency / slope  
Tone Controls  
3 kHz at 24 dB/octave  
12 dB at 10 kHz  
4 dB at 1.8 kHz  
High (Treble)  
Mid (Midrange)  
Low (Bass)  
8 dB at 50 Hz  
- 3 dB at 50 Hz, -6 dB/octave  
Sub-sonic filter (all inputs)  
Protection Circuits  
Woofer  
Signal clipping detection limiter  
Distortion detection / thermal limiter  
Tweeter  
INPUTS  
Electrically balanced, XLR / TRS combo jack  
Selectable level: MIC (-45 dBu), AUX (-25 dBu), LINE (0 dBu)  
12 V phantom power in MIC and AUX positions  
12 dB headroom  
INPUT  
1
2
Transformer balanced, XLR / TRS combo jack  
Selectable level: MIC (-65 dBu), AUX (-25 dBu), LINE (+6 dBu)  
INPUT  
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10 dB / 12 dB / 12 dB headroom  
Unbalanced, 2 x RCA jacks (summed to mono)  
INPUT  
3
-6 dBu  
Transformer balanced  
-26 dBu  
RF-RECEIVER INPUT  
Master volume for optional RF receivers (up to 4 Sennheiser  
Evolution Bodypacks, or 1 Sennheiser Evolution Diversity + 2  
Sennheiser Evolution Bodypacks may be built in)  
Outputs  
Electrically balanced (transformer balanced optional),  
XLR male connector  
LINE OUT  
+6 dBu  
Unbalanced, 2 x RCA jacks (dual mono)  
-6 dBu  
REC OUT  
15 / 20 Watts rms continuous / max into 4 ,  
¼ in. phone jack  
MONITOR SPEAKER  
Adjustable output  
4 minimum load impedance, short-circuit protected  
Indicators  
Red LED  
Power On  
Green LED  
Battery Charge Indicator  
Power Supplies  
AC mains  
230 Volt AC / 50 Hz  
120 Volt AC / 60 Hz  
100 Volt AC / 50-60 Hz  
12 VDC (rechargeable from built-in charger)  
12 - 16 VDC  
Internal Battery  
External Battery  
Power Consumption  
AC mains  
160 VA max  
6 Amps / 14 VDC  
External DC  
DC Out for External Equipment  
12 VDC  
0.5 A, short-circuit protected, standard barrel connector  
0.5 A, short-circuit protected, standard barrel connector  
3, 6 or 9 VDC (user selectable)  
Class 1, grounded chassis  
Protection Class  
Rechargeable Battery  
Type  
Leak-proof, lead, maintenance free  
12 V / 7.2 Ah  
Rating  
Battery Charging Circuit  
Description  
From AC mains supply only: Constant current until fully  
charged then automatically switches to constant voltage  
trickle charge  
For completely discharged battery:  
10 hours to 100% capacity  
6 hours to 90% capacity  
Charging Time  
With no external units connected to DC Out and no built-in RF  
receivers or Delay units operating:  
Run Time in Battery Mode  
13 hours for low-level music  
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6.5 hours for speech  
5.5 hours for loud music  
Ambient Conditions  
Operating Temperature  
Storage Temperature  
Humidity  
+14 to +104 °F (-10 to +40 °C)  
+5 to +104 °F (-15 to +40 °C)  
Not water resistant - do not expose to rain or excessive  
moisture. Optional LRH Rain Hood should be used but avoid  
exposure to high humidity or rain  
Mounting: Attachment Points  
standard 35 mm pole-mount flange  
2 x M8 threaded sockets  
Bottom  
Sides  
2 x M8 threaded sockets  
Top  
Dimensions  
8.6 x 19.3 x 10.2 in. (218 x 490 x 260 mm)  
34.1 lbs.(15.5 kg)  
W x H x D  
Weight  
W/o RF-Receivers or Delay unit  
Accessories  
- for 1 to 4 Sennheiser Evolution Bodypacks  
RF Receiver Mounting kits  
- for 1 Sennheiser Evolution Diversity  
+ 2 Evolution Bodypacks  
- for 1 PDD 63 Delay Unit  
Digital Delay Mounting kit  
LH 26  
Mounting Brackets  
Tripod Stand Adapter  
Tilt Connector / Tilt Adapter  
TV Spigot  
LH 28  
LH 33 (0 - 15°) / LH 36 (o - 18°)  
LH 29  
C15  
Eyebolt  
LST 60  
SR 21  
Spiked pole  
Telescope pole for tripod stand  
LRH 100  
LTR 100  
LRR 100  
Rain Hood  
Padded Carrying Case  
Trolley  
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6 Warranty Information  
All K + H products undergo an extensive procedure of quality control testing before leaving  
the factory. Before semiconductors are mounted on the circuit board, they are subject to  
rigorous tests. Every single unit is guaranteed to match its technical specifications within  
strict predetermined tolerances.  
Please store the original carton in a safe, dry place. If warranty service is ever needed, put the  
unit into its original packing material and carton, together with a detailed description of the  
problem, and ship it (freight prepaid) to the K + H distributor or directly to:  
K + H Vertriebs- und Entwicklungsgesellschaft mbH  
Customer Service  
Auf dem Kessellande 4a  
30900 Wedemark  
Germany  
K + H warrants, that the product is free from any defects in both material and manufacturing  
and that it meets the specifications. A warranty issue can only be acknowledged when the  
complaint is received by the authorized K + H distributor or by K + H in writing within 8 days  
after delivery or detection of the fault. Not covered under this warranty are damages due to  
improper installation, operation, maintenance, handling, wear and tear, packaging or  
shipment.  
The limitation period for warranty claims is described in the terms and conditions for K + H  
GmbH. It is K + H's option to repair, replace or to withdraw from the contract. In the event  
warranty service is required, presentation of a warranty card will not be necessary. Proof of  
purchase date can be made by filing copies of appropriate documents (invoice, delivery  
note).  
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K + H Vertriebs- und Entwicklungsgesellschaft mbH  
Auf dem Kessellande 4a  
30900 Wedemark, Germany  
Tel. + 49 (0)5130 5848-0  
Fax + 49 (0)5130 5848-11  
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