Casio Electronic Keyboard CTK 571 User Manual

USER’S GUIDE

GUÍA DEL USUARIO

CTK571/573-ES-1

CTK571_ES_Cover.p65

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GUIDELINES LAID DOWN BY FCC RULES FOR USE OF THE UNIT IN THE U.S.A. (not applicable to other

areas).

NOTICE

This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part

15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in

a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not

installed and used in accordance with the instructions, may cause harmful interference to radio communications.

However, there is no guarantee that interference will not occur in a particular installation. If this equipment does

cause harmful interference to radio or television reception, which can be determined by turning the equipment off

and on, the user is encouraged to try to correct the interference by one or more of the following measures:

• Reorient or relocate the receiving antenna.

• Increase the separation between the equipment and receiver.

• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.

• Consult the dealer or an experienced radio/TV technician for help.

FCC WARNING

Changes or modifications not expressly approved by the party responsible for compliance could void the user’s

authority to operate the equipment.

702A-E-002A

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Welcome...

To the happy family of satisfied CASIO electronic musical instrument owners! To get the most out of the

many features and functions of the keyboard, be sure to carefully read this manual and keep it on hand

for future reference.

Important!

When using batteries, be sure to replace them or shift to one of the alternate power sources whenever

you notice any of the following symptoms.

• Dim power supply indicator

• Instrument does not turn on.

• Dim, difficult to read display

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high volumes

• Sudden power failure when playing at high volumes

• Dimming of the display when playing at high volume

• Continued sound output even after you release a key

• A totally different tone may sound

• Abnormal rhythm pattern and demo tune play

• Loss of power, sound distortion, or low volume when playing from a connected computer or MIDI device

Use of any other corporate or product name should not be regarded as affecting the validity of any

trademark or service mark. All other product and company names mentioned herein may be the trade-

marks of their respective owners.

CASIO ELECTRONICS CO., LTD.

Unit 6, 1000

North Circular Road

London NW2 7JD, U.K.

This mark is valid in the EU countries only.

Please keep all information for future reference.

702A-E-003A

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Main Features

❐ 137 tones

• Everything from orchestra instruments to synthesized sounds, drum sets and more.

❐ 100 rhythms

• A selection of rhythms that cover rock, pops, jazz and just about any other musical style imaginable.

❐ Auto Accompaniment

• Simply play a chord and the corresponding rhythm, bass, and chords parts play along automatically. One Touch Presets instantly recalls the

most suitable tone and tempo settings to match the rhythm you are using.

❐ 100 built-in tunes, including piano tunes

• Built-in tunes come in three groups: Song Bank (50 Auto Accompaniment tunes), Etude (20 piano tunes), and Concert Piece (30 piano tunes). In

each group, you can playback tunes for your own listening enjoyment, or cut out the melody or another part of a tune and play along with it.

❐ 3-step lesson

• 3-step lesson provides you with on-screen guidance of fingerings for playing along with Song Bank, Etude, or Concert Piece tunes. First practice

the timing of the notes. Next, play along at your own pace. Soon you will be ready for step three, where you play along at normal speed.

❐ Musical Information System

• A big LCD screen graphically shows you fingerings, keyboard keys to be pressed, and notes, making keyboard play more informative and

enjoyable than ever before. A built-in backlight keeps the display easy to read, even in total darkness.

❐ Memory function

• Record up to two parts in memory for later playback. Realistic ensemble play can also be created using the Auto Accompaniment function.

• The on-screen keyboard guide shows fingerings for the melody as recorded songs are played back.

❐ General MIDI compatibility

• General MIDI tones let you connect to a personal computer and enjoy “desktop music” capabilities. This keyboard can be used as a desktop

music input device or as a sound source, and it’s just the thing for play back of commercially available pre-recorded General MIDI music

software.

❐ Display Indications for Received MIDI Messages

• When playing General MIDI data, you can have information (keyboard and pedal data) about a specific channel appear on the display. You can

also turn off a specific channel and play its part on the keyboard. You can even turn off the output of a channel and play along on the keyboard.

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Safety Precautions

Symbols

WARNING

Various symbols are used in this operating manual and

on the product itself to ensure that the product is used

safely and correctly, and to prevent injury to the user

and other persons as well as damage to property. Those

symbols along with their meanings are shown below.

Please use caution regarding the handling of the AC

adaptor.

• Do not use a voltage other than the indi-

cated power supply voltage. Use of a volt-

age other than that indicated may cause

fire or electrical shock.

• If the power cord should become damaged

(exposed wires, disconnection, etc.), pur-

chase a new AC adaptor. Use of a damaged

power cord may cause fire or electrical

shock.

• Do not cut or damage the power cord. Also

do not place heavy objects on top of it or

subject it to excessive heat. Damage to the

power cord may cause fire or electrical

shock.

• Do not attempt to shape the power cord or

subject it to excessive bending, twisting or

pulling. This may cause fire or electrical

shock.

• Please use the adaptor specified for this

instrument. Use of another adaptor may

cause fire, electrical shock, or malfunction.

WARNING

This indication stipulates matters that have the risk of

causing death or serious injury if the product is oper-

ated incorrectly while ignoring this indication.

CAUTION

This indication stipulates matters that have the risk of

causing injury as well as matters for which there is the

likelihood of occurrence of physical damage only if the

product is operated incorrectly while ignoring this in-

dication.

Symbol Examples

This triangle symbol ( ) means that the

user should be careful. (The example at

left indicates electrical shock caution.)

Do not locate the instrument or its stand on an uneven

or unstable surface.

• Locating the instrument or its stand on an

uneven or unstable surface can cause it to

fall, creating the danger of personal injury.

This circle with a line through it ( ) means

that the indicated action must not be per-

formed. Indications within or nearby this

symbol are specifically prohibited. (The ex-

ample at left indicates that disassembly is

prohibited.)

Do not place containers containing water or other liq-

uids on the instrument.

The black dot ( ) means that the indi-

cated action must be performed. Indica-

tions within this symbol are actions that

are specifically instructed to be performed.

(The example at left indicates that the

power plug must be unplugged from the

electrical socket.)

• Do not place the following objects on the

instrument. Placing such objects on the in-

strument may cause fire or electrical shock

if they spill and get inside the instrument.

• Containers filled with water or other liq-

uids (including vases, potted plants, cups,

cosmetics and medicines)

• Small metal objects (including hairpins,

sewing needles and coins)

• Flammable objects

In the event a foreign object should happen

to get inside the instrument, please take the

following actions:

1. Turn power off.

2. Unplug the AC adaptor from the wall

outlet.

3. If there are any batteries loaded in the

keyboard, remove them.

• Do not touch the batteries directly with

your hands when removing them. They

may be hot or battery fluid may be leak-

ing from them.

4. Consult with the dealer where you pur-

chased the keyboard or with an autho-

rized CASIO service provider.

702A-E-005A

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Do not disassemble or modify the instrument.

• Never attempt of take apart or modify the

instrument, its accessories, or separately

sold options. Doing so may cause fire, elec-

trical shock or malfunction. Consult your

dealer concerning all inspection, adjustment

or repair of internal components.

CAUTION

AC Adaptor

• Do not locate the power cord in close prox-

imity to heaters or other heating appliances.

This may cause the cord to melt leading to

possible fire or electrical shock.

• When unplugging the AC adaptor from an

electrical outlet, always make sure to pull

on the adaptor itself and not the cord. Pull-

ing excessively on the cord may cause it to

be damaged or break leading to possible

fire or electrical shock.

• Do not touch the AC adaptor with wet

hands when it is plugged in. This may cause

electrical shock.

• Be sure to unplug the AC adaptor from the

electrical outlet during lightening storms

and when you do not plan to use the key-

board for an extended period, such as when

you go on a trip.

Do not use if there is an abnormality or malfunction.

• Do not use the instrument if there appear

to be abnormalities such as the presence of

smoke or abnormal odor. Also do not use

the instrument if there appear to be mal-

functions such as the power not coming on

or sound not being produced. Use under

such conditions may cause fire or electrical

shock. In such cases, take the following ac-

tions immediately. Never attempt to repair

the instrument yourself.

1. Turn power off.

2. Unplug the AC adaptor from the wall

outlet.

• After use turn off the power switch of the

instrument and unplug the AC adaptor

from the electrical outlet.

• At least once a year, unplug the AC adap-

tor from the power outlet and clean the

area around the prongs of the plug. Dust

build up around the prongs can create the

danger of fire.

3. If there are any batteries loaded in the

keyboard, remove them.

• Do not touch the batteries directly with

your hands when removing them. They

may be hot or battery fluid may be leak-

ing from them.

4. Consult with the dealer where you pur-

chased the keyboard or with an autho-

rized CASIO service provider.

Batteries

• Improper battery use may cause batteries

to rupture and leak. This may cause injury,

malfunction of the instrument or discolora-

tion of furniture and other articles that come

into contact with battery fluid. Take care to

observe the following.

When the instrument has been dropped:

• In the case the instrument has been dropped

or damaged, take the following actions.

Continued use may cause fire or electrical

shock.

1. Turn power off.

• Install batteries so their polarity (+/–)

matches that indicated on the instrument.

• For safety and to prevent possible leakage

of battery fluid, always make sure to re-

move batteries from the instrument when

you do not plan to use it for a long time.

• Always make sure that the batteries mak-

ing up a set are all of the same type.

• Never combine new batteries with old

ones.

• Never dispose of batteries by incinerat-

ing them. Never short or disassemble bat-

teries, and do not expose them to exces-

sive heat.

2. Unplug the AC adaptor from the wall

outlet.

3. If there are any batteries loaded in the

keyboard, remove them.

• Do not touch the batteries directly with

your hands when removing them. They

may be hot or battery fluid may be leak-

ing from them.

4. Consult with the dealer where you pur-

chased the keyboard or with an autho-

rized CASIO service provider.

Be careful of the bags around children.

• Never allow anyone to place the plastic bags

of the instrument, its accessories, and its

separately sold options over their heads.

Doing so may cause suffocation. Particular

caution is required in homes with small

children.

• Replace dead batteries as soon as possible.

• Never attempt to recharge batteries.

Transport

• When transporting the instrument, always

make sure to unplug the AC adaptor from

the electrical outlet and confirm that all

other external connections have been dis-

connected. Only then should the instrument

be transported. If the above is not done, the

cord may be damaged leading to possible

fire or electrical shock.

E-4

702A-E-006A

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Care of your

keyboard

Care

• Whenever caring, make sure to first un-

plug the AC adaptor from the electrical out-

let. Also remove the instrument’s batteries

if battery power is being used.

Avoid heat, humidity or direct sunlight.

Do not overexpose the instrument to direct sunlight, or place it near

an air conditioner, or in any extremely hot place.

Location

• Never locate the instrument in areas sub-

ject to high humidity or heavy accumula-

tion of dust. Doing so may cause fire or

electrical shock.

Do not use near a TV or radio.

This instrument can cause video or audio interference with TV and

radio reception. If this happens, move the instrument away from the

TV or radio.

• Never locate the instrument in areas sub-

ject to grease splatters or steam, such as in a

kitchen or near a humidifier. Doing so may

cause fire or electrical shock.

Do not use lacquer, thinner or similar chemi-

cals for cleaning.

Clean the keyboard with a soft cloth dampened in a weak solution of

water and a neutral detergent. Soak the cloth in the solution and

squeeze until it is almost dry.

Do not place keyboard on lacquered furniture.

• The instrument’s silicone rubber feet may

eventually blacken or scar lacquered sur-

faces. Use felt cloth pads to insulate the feet

or preferably use a CASIO musical instru-

ment stand designed for your keyboard.

Avoid use in areas subjected to temperature

extremes.

Extremely high or low temperature can cause figures on the LCD

screen to become dim and difficult to read. This condition should

correct itself when the keyboard is brought back to normal tempera-

ture.

Do not place heavy objects on the instrument.

• Do not place heavy objects on the instru-

ment. This may cause the instrument to tip

over or break resulting in injury.

Volume

❚ NOTE ❚

• Very high volume levels can damage hear-

ing. Avoid using the instrument at very high

volume settings for long periods. Consult with

a physician immediately if you experience

impaired hearing or ringing in the ears.

You may notice lines in the finish of the case of this keyboard. These lines

are a result of the molding process used to shape the plastic of the case.

They are not cracks or breaks in the plastic, and are no cause for concern.

Liquid Crystal Display (LCD) Precautions

• Avoid subjecting the keyboard's LCD to

strong impact, which can crack or break the

LCD's glass creating the danger of personal

injury.

• Should the LCD glass ever crack or break,

do not allow the liquid inside the LCD to

come into contact with your skin, which

can cause inflammation and reddening.

•Should the LCD liquid get into your

mouth, immediately wash out your mouth

with water and then consult a physician.

•Should the LCD liquid get in your eyes or

on your skin, immediately flush with wa-

ter for at least 15 minutes and then consult

a physician.

Do not get onto the instrument or stand.*

• Do not crawl on top of the instrument or its

optional stand. Particular caution is re-

quired in homes having small children. This

may cause the instrument or stand to tip

over and break resulting in injury.

Optional Stand*

• Carefully assemble the stand following the

assembly instructions that come with it. Se-

curely tighten all bolts, nuts, and fasteners,

and make sure that you mount the instru-

ment correctly onto the stand. Incorrectly

or insufficiently tightening screws, or in-

correctly mounting the instrument onto the

stand can cause the stand to tip over or the

instrument to fall off the stand, possibly

leading to injury.

* The stand is available as an option.

702A-E-007A

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Contents

Welcome.................................E-1

Main Features ........................E-2

Safety Precautions ................E-3

Care of your keyboard ..........E-5

Contents ................................E-6

Auto Accompaniment .........E-16

Selecting a Rhythm ...........................E-16

Playing a Rhythm ..............................E-16

Adjusting the Tempo..........................E-16

Using Auto Accompaniment ..............E-17

Using an Intro Pattern .......................E-19

Using a Fill-in Pattern........................E-19

Using a Rhythm Variation..................E-19

General Guide........................E-8

Using a Fill-in Pattern with

a Variation Rhythm ............................E-19

About the display.................................E-9

Synchro Starting Accompaniment

with Rhythm Play ..............................E-19

Quick Reference ..................E-10

Finishing with an Ending Pattern ......E-20

Connections......................... E-11

Adjusting the Accompaniment

Volume ..............................................E-20

Phones/Output Terminal.................... E-11

Connecting to a Computer

or Other Equipment ........................... E-11

Using One-touch Preset....................E-20

Assignable jack Terminal................... E-11

Accessories and Options .................. E-11

Playing a Built-in Tune........E-21

To play back a Song Bank tune ........E-21

To play an Etude tune .......................E-22

To play a Concert Piece tune ............E-22

Musical Information System ..............E-22

Adjusting the Tempo..........................E-23

To pause playback ............................E-23

To fast reverse...................................E-23

To fast forward...................................E-23

To change the melody tone ...............E-23

To play all tunes in succession..........E-23

Power Supply.......................E-12

Using batteries ..................................E-12

Using the AC Adaptor........................E-12

Auto Power Off ..................................E-13

Settings and Memory Contents.........E-13

Basic Operations.................E-14

To play the keyboard .........................E-14

Selecting a Tone................................E-14

Using the Metronome ........................E-15

E-6

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Drum Assignment List .........................A-3

Fingered Chord Chart .........................A-4

Tone List ..............................................A-6

Rhythm List .........................................A-7

3-Step Lesson......................E-24

Step 1 – Master the timing. ...............E-25

Step 2 – Master the melody. .............E-25

Step 3 – Play a normal speed. ..........E-26

MIDI Implementation Chart

Memory Function ................E-27

Tracks................................................E-27

Real-time Recording to Track 1 ........E-28

Playing Back from Memory ...............E-29

Real-time Recording to Track 2 ........E-30

Deleting the Contents of a

Specific Track ....................................E-31

Keyboard Settings...............E-32

Using Layer .......................................E-32

Using Split .........................................E-32

Using Layer and Split Together .........E-33

Using Touch Response .....................E-34

Transposing the Keyboard ................E-34

Tuning the Keyboard .........................E-35

MIDI.......................................E-36

What is MIDI?....................................E-36

General MIDI .....................................E-37

Changing MIDI Settings ....................E-37

Messages ..........................................E-39

Troubleshooting ..................E-41

Specifications ......................E-42

Appendix ............................... A-1

Note Table ...........................................A-1

702A-E-009A

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General Guide

Key, button, and other names are indicated in the text of this manual using bold type.

Power indicator

POWER button

RHYTHM list

MODE switch

VOLUME slider

SONG BANK list

Display

CONCERT PIECE list

DEMO button

CHORD ROOT NAMES

Speaker

ETUDE list

TONE list

Speaker

LAYER

SPLIT

ETUDE

MAX

MIN

FULL RANGE

CHORD

CONCERT

PIECE

TOUCH

RESPONCE

FINGERED

CASIO CHORD

NORMAL

MEMORY

Percussion

TEMPO button

instrument list

CONCERT PIECE button

SYNCHRO/ENDING button

VARIATION/FILL-IN button

ETUDE button

START/STOP button

INTRO button

Step 1 button

Step 3 button

MEMORY button

NORMAL/FILL-IN button

ACCOMP VOLUME button

Step 2 button

TRANSPOSE/TUNE/MIDI button

ONE TOUCH PRESET button

REW button

PLAY/PAUSE button

FF button

LEFT/TRACK 1 button

TOUCH RESPONSE button

METRONOME button

BEAT button

RIGHT/TRACK 2 button

STOP button

*Attaching the Score Stand

Insert the score stand into the slot at the top of the keyboard

as shown in the illustration.

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Rear Panel

Playing a Demo Tune

PHONES/OUTPUT terminal

Pressing the DEMO button starts demo tune play, which

plays the 100 built-in tunes in sequence. To stop demo tune

play, press the DEMO, START/STOP, or STOP button.

MIDI IN terminal

❚ NOTES ❚

•

Pressing [+] (forward) or [–] (back) skips to the next demo tune.

You can change the tone setting of the keyboard (page E-14)

before starting demo play, and then use that tone to play along

on the keyboard.

ASSIGNABLE

JACK

PHONES/

OUTPUT

DC 9V

OUT

MIDI

•

MIDI, Layer, and Split are disabled while a demo tune is play-

ing.

MIDI OUT terminal

DC 9V jack

ASSIGNABLE JACK terminal

TONE button

•

For input of

numbers to change

a displayed

Number

buttons

RHYTHM button

number or setting.

Negative values

cannot be input

using the number

buttons. Use [+]

(increase) and [–]

(decrease) instead.

SONG BANK button

LAYER button

[+]/[–]

buttons

SPLIT button

About the display

list

3. This area is a staff notation display that shows notes being played

2. This area shows tone number and name, rhythm number

and name, and tune number and name. It also shows

other information when using the memory function and

other functions. Indicators also appear here to show what

kind of data is displayed: TONE (tone data), RHYTHM

(rhythm data), SONG BANK (Song Bank data).

from built-in tunes, on the keyboard, or from memory, chord forms,

and MIDI receive data.* Notes in the range F 6 to C7 are shown in

the staff notation display one octave lower, along with an octave up

mark (

).*

If you are using a pedal, a pedal mark (

whenever you press the pedal.

) appears here

*1 Received notes outside the range of C2 to C7 do not appear on

the display.

*2 Notes in the range of C2 through B2 are not shown while the

1. A dot and piano mark appears next to

the group that is in use: Etude,

Concert Piece.

octave up mark (

) is on the display.

LAYER

SPLIT

8. Uses a graphic

keyboard to show

notes being

4. A pointer or

indicator appears

next to a function

that is in use:

played from built-

ETUDE

in tunes, on the

keyboard, or from

CONCERT

touch response,

General MIDI

Mode, layer, split,

memory, step.

TOUCH

RESPONSE

PIECE

memory, chord

forms, and MIDI

receive data.

MEMORY

7. This area shows chord names during Auto Accompaniment and

5. This area shows fingerings, dynamic

marks, and other finger information

during 3-step lesson and tune play. The

letters “L” (left) and “R” (right) appear to

indicate left and right hand Auto

Accompaniment parts and memory

tracks.

Song Bank play.

6. This area shows measure number, beat number, a graphic metronome, and tempo

value (beats per minute) during rhythm and Auto Accompaniment play, and when

using memory. It also shows the step number when using the 3-step lesson.

❚ NOTE ❚

Display examples shown in this User’s Guide are intended for illustrative purposes only. The actual text and values that appear on the display may differ from

the examples shown in this User’s Guide.

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Quick Reference

Power indicator

SONG BANK

Number buttons

CONCERT PIECE

ETUDE

Step 1

POWER

Step 2

MODE

This section provides a quick overview of keyboard operation using

steps one and two of the 3-step lesson feature.

With the 3-step lesson feature, the on-screen keyboard guide keys

light to show the next note of the tune.

Press the Step 1 button or Step 2 button.

• The keyboard sounds a count beat and waits for you to play

something on the keyboard. The keys that you need to press

first flash on the display.

To play the keyboard

Play the melody along with the selected tune’s ac-

companiment.

• Play in accordance with the keyboard keys, fingerings and notes

that appear on the display.

Press the POWER button to turn on power.

• This causes the power indicator to light.

Lit

LAYER

SPLIT

ETUDE

CONCERT

TOUCH

RESPONSE

PIECE

MEMORY

Set the MODE switch to NORMAL.

Fingering

Keyboard key used

Note pitch

FULL RANGE

CHORD

To stop play at any time, press the STOP or START/

STOP button.

FINGERED

CASIO CHORD

NORMAL

If you selected lesson Step 1

• Play the notes on the keyboard.

• A sub-melody (obbligato) plays in time with the melody.

• With Step 1, the correct melody note is played no matter

which keyboard key you press.

Press the SONG BANK button.

If you selected lesson Step 2

• Play the correct notes on the keyboard.

• While an on-screen keyboard guide key is lit, press the cor-

responding key on the actual keyboard. In the case of an

Etude or Concert Piece tune, the keyboard guide indication

turns off when you press a keyboard key, and the on-screen

keyboard guide key lights for the next note to be played.

• A sub-melody (obbligato) plays in time with the melody, as

long as you press the correct keyboard keys.

Lit

Find the tune you want to play in the SONG BANK

List, and then use the number buttons to input its two-

digit number.

To play an Etude or Concert Piece tune

Example: To select “42 ALOHA OE”, input 4 and then 2.

When you get to step 3 of the above procedure, press

the ETUDE or CONCERT PIECE button in place of

the SONG BANK button.

In the list of titles associated with the button you

pressed (ETUDE or CONCERT PIECE), find the piece

you want to play and then use the number buttons to

input its two-digit number.

Next, continue from step 5 of the above procedure.

702A-E-012A

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Connections

Phones/Output Terminal

Connecting to a Computer or Other

Equipment

Before connecting headphones or other external equipment, be sure

to first turn down the volume settings of the keyboard and the con-

nected equipment. You can then adjust volume to the desired level

after connections are complete.

You can also connect the keyboard to a computer or sequencer. See

“MIDI” on page E-36 for details.

[Rear Panel]

PHONES/OUTPUT terminal

Audio connection

Assignable jack Terminal

You can connect an optional sustain pedal (SP-2 or SP-10) to the AS-

SIGNABLE JACK terminal to enable the capabilities described be-

low.

ASSIGNABLE

JACK

PHONES/

OUTPUT

DC 9V

OUT

MIDI

Stereo standard

plug

For details on how to select the pedal function you want, see “AS-

SIGNABLE JACK” on page E-39.

ASSIGNABLE JACK Terminal

Keyboard amp,

guitar amp, etc.

White

Red

PIN plug

LEFT RIGHT

AUX IN or similar terminal

of audio amplifier

ASSIGNABLE

JACK

PHONES/

OUTPUT

DC 9V

OUT

MIDI

Connecting Headphones (Figure 1)

Connecting headphones cuts off output from the keyboard’s built-in

speakers, so you can play even late at night without disturbing any-

one.

SP-10

Audio Equipment (Figure 2)

Connect the keyboard to a audio equipment using a commercially

available connecting cord with a standard plug on one end and two

PIN plugs on the other end. Note that the standard plug you connect

to the keyboard must be a stereo plug, otherwise you will be able to

output only one of stereo channels. In this configuration, you nor-

mally set the input selector of the audio equipment to the terminal

(usually marked AUX IN or something similar) where the cord from

the keyboard is connected. See the user documentation that comes

with your audio equipment for full details.

Sustain Pedal

• With piano tones, depressing the pedal causes notes to linger, much

like a piano’s damper pedal.

• With organ tones, depressing the pedal causes notes to continue to

sound until the pedal is released.

Sostenuto Pedal

• As with the sustain pedal function described above, depressing

the sostenuto pedal causes notes to be sustained.

• This difference between a sostenuto pedal and sustain pedal is the

timing. With a sostenuto pedal, you press the keys and then de-

press the pedal before you release the keys. Only the notes that are

sounding when the pedal is depressed are sustained.

Musical Instrument Amplifier (Figure 3)

Use a commercially available connecting cord to connect the keyboard

to a musical instrument amplifier.

Soft Pedal

❚ NOTE ❚

Depressing the pedal softens the sound of the notes being played.

Be sure to use a connecting cord that has a stereo standard plug on the

end you connect to the keyboard, and a connector that provides dual chan-

nel (left and right) input to the amplifier to which you are connecting. The

wrong type of connector at either end can cause one of the stereo chan-

nels to be lost.

Rhythm Start/Stop Pedal

In this case, the pedal performs the same functions as the START/

STOP button.

When connected to a musical instrument amplifier, set the volume of

the keyboard to a relatively low level and make output volume ad-

justments using the amplifier’s controls.

Connection Example

Accessories and Options

PIN plug (red)

PIN jack

Use only the accessories and options specified for this keyboard. Use

of non-authorized items creates the danger of fire, electrical shock,

and personal injury.

INPUT 1

To keyboard s

PHONES/OUTPUT

terminal

INPUT 2

PIN plug (white)

Keyboard or

guitar amp

Stereo standard plug

Standard plug

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Power Supply

This keyboard can be powered by current from a standard household

wall outlet (using the specified AC adaptor) or by batteries. Always make

sure you turn the keyboard off whenever you are not using it.

IMPORTANT!

Improper handling of batteries can cause them to burst and leak,

which creates the danger of personal injury or damage due to con-

tact with battery acid. Be sure to note the following important precau-

tions.

• Always make sure that the positive (+) and negative (–) poles are

facing correctly as indicated inside the battery compartment.

• To avoid damage caused by leaking batteries, be sure to remove

batteries from the keyboard whenever you leave it unattended for

long periods (such as when leaving on a trip).

Using batteries

Always make sure you turn off the keyboard before loading or re-

placing batteries.

• Never mix batteries of different types.

• Never mix old batteries with new ones.

To load batteries

• Never discard batteries by incinerating them, do not allow their

poles to be shorted (connected to each other), never take batteries

apart, and do not expose batteries to direct heat.

• Replace batteries as soon as possible after any sign they are get-

ting weak.

Remove the battery compartment cover.

• Never attempt to recharge batteries.

Load 6 D-size batteries into the battery compartment.

• Make sure that the positive (+) and negative (–) ends are fac-

ing correctly.

Using the AC Adaptor

Make sure that you use only the AC adaptor specified for this key-

board.

Specified AC Adaptor: AD-5

DC 9V jack

Insert the tabs on the battery compartment cover into

the holes provided and close the cover.

AC adaptor AD-5

ASSIGNABLE

JACK

PHONES/

OUTPUT

DC 9V

OUT

MIDI

AC outlet

Also note the following important warnings and precautions when

using the AC adaptor.

The keyboard may not function correctly if you load or replace bat-

teries with power turned on. If this happens, turning the keyboard

off and then back on again should return functions back to normal.

WARNING!

•

Take care to avoid any damage to or breakage of the power cord. Never

place any heavy objects on the power cord or expose it to direct heat.

Doing so creates the danger of power cord damage, fire, and electrical

shock.

Important Battery Information

The following shows the approximate battery life.

Manganese batteries .......................................... 6 hours

The above value is standard battery life at normal temperature, with

the keyboard volume at medium setting. Temperature extremes or

playing at very loud volume settings can shorten battery life.

•

Use only the specified AC adaptor. Use of another type of adaptor cre-

ates the danger of fire and electrical shock.

CAUTION!

•

For safety sake, be sure to unplug the AC adaptor from the wall outlet

whenever leaving the keyboard unattended for a long time (such as

when leaving on a trip).

Always turn off the keyboard and unplug the AC adaptor from the wall

outlet when you are not using the keyboard.

Any of the following symptoms indicate low battery power. Replace

batteries as soon as possible whenever any of the following occurs.

• Dim power supply indicator

•

• Instrument does not turn on

• Dim, difficult to read display

• Abnormally low speaker/headphone volume

• Distortion of sound output

• Occasional interruption of sound when playing at high volumes

• Sudden power failure when playing at high volumes

• Dimming of the display when playing at high volume

• Continued sound output even after you release a key

• A totally different tone may sound

IMPORTANT!

• Make sure that the keyboard is turned off before connecting or

disconnecting the AC adaptor.

• Using the AC adaptor for a long time can cause it to become warm

to the touch. This is normal and does not indicate malfunction.

• Abnormal rhythm pattern and demo tune play

• Loss of power, sound distortion, or low volume when playing

from a connected computer or MIDI device

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Auto Power Off

When you are using battery power, keyboard power turns off auto-

matically whenever you leave it on without performing any opera-

tion for about 6 minutes. When this happens, press the POWER but-

ton to turn power back on.

❚ NOTE ❚

Auto Power Off is disabled (it does not function) when you are using the

AC adaptor to power the keyboard.

To disable Auto Power Off

Hold down the TONE button while turning on the keyboard to dis-

able Auto Power Off.

• When this function is turned off, the keyboard does not turn off

automatically no matter how long it is left with no operation being

performed.

• Auto Power Off is enabled again when you manually turn off power

and then turn it back on again.

Settings and Memory Contents

Settings

Tone, rhythm, and other “main keyboard settings” in effect when

power is turned off manually with the POWER button or automati-

cally by Auto Power Off remain in effect when you next turn power

back on.

Main Keyboard Settings

Main keyboard settings are: tone number, layer, split, split

point, touch response, rhythm number, tempo, accompani-

ment volume, General MIDI mode on/off, accomp MIDI

OUT on/off, Assignable jack setting, keyboard channel, and

tune number.

Memory Contents

In addition to the above settings, data stored using the memory func-

tion is also retained.

Electrical Power

The settings and memory data described above are retained as long

as the keyboard is being supplied with electrical power. Unplugging

the AC adaptor when batteries are not loaded or when loaded batter-

ies are dead cuts off the keyboard’s electrical power supply. This caus-

es all settings to be initialized to their factory defaults and clears all

data stored in memory.

Power Requirements

Note the following precautions whenever you want to ensure that

current keyboard settings and memory contents are not lost.

• Make sure the keyboard is being supplied power through the AC

adaptor before replacing its batteries.

• Before unplugging the AC adaptor, make sure that fresh batteries

are loaded in the keyboard.

• Make sure that keyboard power is turned off before replacing bat-

teries or unplugging the AC adaptor.

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Basic Operations

METRONOME

BEAT

TONE

POWER

MODE

VOLUME

TEMPO

START/STOP

[+]/[–]

Number buttons

❚ NOTES ❚

•

This section provides information on performing basic keyboard op-

erations.

Always input all three digits for the tone number, including leading zeros

(if any). If you input one or two digits and stop, the display will automat-

ically clear your input after a few seconds.

You can also increment the displayed tone number by pressing [+] and

decrement it by pressing [–].

The names of tone numbers 080 through 103 and 112 through 127 are

not marked on the keyboard console. See the “Tone List” (page A-6) for

details.

•

To play the keyboard

Press the POWER button to turn the keyboard on.

•

When one of the drum sets is selected (tone numbers 128 through 136),

each keyboard key is assigned a different percussion sound. See page

A-3 for details.

Set the MODE switch to NORMAL.

Use the VOLUME slider to set the volume to a rela-

tively low level.

Polyphony

The term polyphony refers to the maximum number of notes you can

play at the same time. The keyboard has 24-note polyphony, which

includes the notes you play as well as the rhythms and auto-accom-

paniment patterns that are played by the keyboard. This means that

when a rhythm or auto-accompaniment pattern is being played by

the keyboard, the number of notes (polyphony) available for key-

board play is reduced. Also note that some of the tones offer only 12-

note polyphony.

Play something on the keyboard.

Selecting a Tone

This keyboard comes with 137 built-in tones. Use the following pro-

cedure to select the tone you want to use.

• When rhythm or auto accompaniment is playing, the number of

sounds simultaneously played is reduced.

To select a tone

Digital Sampling

Find the tone you want to use in the keyboard’s tone

list and note its tone number.

A number of the tones that are available with this keyboard have

been recorded and processed using a technique called digital sam-

pling. To ensure a high level of tonal quality, samples are taken in the

low, mid, and high ranges and then combined to provide you with

sounds that are amazingly close to the originals. You may notice very

slight differences in volume or sound quality for some tones when

you play them at different positions on the keyboard. This is an un-

avoidable result of multiple sampling, and it is not a sign of malfunc-

tion.

Press the TONE button.

Indicator appears

Use the number buttons to input the three digit tone

number for the tone you want to select.

Example: To select “032 ACOUSTIC BASS”, input 0, 3 and then

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Using the Metronome

The metronome feature of this keyboard produces a bell sound for

the first beat of each measure, followed by click sounds for each suc-

cessive beat of the measure. It is the perfect tool for practicing tunes

without accompaniment (rhythm).

To start the metronome

Press the METRONOME button to start sounding the

metronome.

Press the BEAT button and then use the number but-

tons or [+] and [–] to change the number of beats per

measure.

• You can specify the number of beats per measure a value

from 1 to 6.

❚ NOTE ❚

The bell (indicating the first beat of a measure) does not sound while one

beat per measure is specified. All beats are indicated by a click sound.

This setting lets you practice with a steady beat, without worrying about

how many beats there are in each measure.

Use the TEMPO buttons to set the tempo.

• Press

to increase the tempo (make if faster) or

to de-

crease it (make it slower).

Tempo value

Flash

❚ NOTES ❚

•

While the tempo value is flashing, you can also use the number buttons

or [+] and [–] to input a three-digit value. Note that you must input lead-

ing zeros, so 90 is input as 090.

•

Pressing both the

ically returns the currently selected rhythm to its default tempo.

and

TEMPO buttons at the same time automat-

To turn off the metronome, press the METRONOME

or START/STOP button.

❚ NOTES ❚

•

The metronome is disabled whenever you are using Step 1 or Step 2 of

the 3-step lesson.

•

Starting play of a two-hand tune or Step 3 of the 3-step lesson while the

metronome is operating or activating the metronome while either of the

two above operations is already in progress causes the metronome to

sound in time with the Auto Accompaniment played by the keyboard. At

this time, the tempo of the metronome beat changes to that of the de-

fault tempo for the Auto Accompaniment being played.

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Auto Accompaniment

RHYTHM

TEMPO

[+]/[–]

MODE

Number buttons

START/STOP

This keyboard automatically plays bass and chord parts in accordance

Playing a Rhythm

with the chords you finger. The bass and chord parts are played us-

ing sounds and tones that are automatically selected to select the

rhythm you are using. All of this means that you get full, realistic

accompaniments for the melody notes you play with your right hand,

creating the mood of an one-person ensemble.

Use the following procedure to start and stop rhythm play.

To play a rhythm

Set the MODE switch to NORMAL.

Press the START/STOP button to start play of the cur-

rently selected rhythm.

Selecting a Rhythm

This keyboard provides you with 100 exciting rhythms that you can

select using the following procedure.

To stop rhythm play, press the START/STOP button

again.

To select a rhythm

❚ NOTE ❚

Find the rhythm you want to use in the “Rhythm List”

(page A-7) and note its rhythm number.

All of the keyboard keys are melody keys while the MODE switch is set to

NORMAL.

Press the RHYTHM button.

Adjusting the Tempo

The tempo (beats per minute) can be set to a value in the range of 40

to 255. The tempo value you set is use for Song Bank, 3-step lesson,

and Auto Accompaniment chord play, as well as playback from mem-

ory and metronome operation.

Indicator appears

Use the number buttons to input the two digit rhythm

number for the rhythm you want to select.

Example: To select “76 RHUMBA”, input 7 and then 6.

To set the tempo

Use the TEMPO buttons to set the tempo.

: Increase the tempo value.

: Decreases the tempo value.

Tempo value

❚ NOTE ❚

You can also increment the displayed rhythm number by pressing [+] and

decrement it by pressing [–].

Metronome

Beat

number

Flash

❚ NOTES ❚

•

While the tempo value is flashing, you can also use the number buttons

or [+] and [–] to input a three-digit value. Note that you must input lead-

ing zeros, so 90 is input as 090.

•

Pressing both the

ically returns the currently selected rhythm to its default tempo.

and

TEMPO buttons at the same time automat-

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CASIO CHORD

Using Auto Accompaniment

This method of chord play makes it possible for anyone to easily play

chords, regardless of previous musical knowledge and experience.

The following describes the CASIO CHORD “Accompaniment key-

board” and “Melody keyboard”, and tells you how to play CASIO

CHORDs.

The following procedure describes how to use the keyboard’s Auto

Accompaniment feature. Before starting, you should first select the

rhythm you want to use and set the tempo of the rhythm to the value

you want.

To use Auto Accompaniment

CASIO CHORD Accompaniment Keyboard and Melody

Keyboard

Set the MODE switch to CASIO CHORD, FINGERED,

or FULL RANGE CHORD.

Accompaniment

Melody keyboard

keyboard

Press the START/STOP button to start play of the cur-

rently selected rhythm.

Play a chord.

• The actual procedure you should use to play a chord depends

on the current MODE switch position. Refer to the following

pages for details on chord play.

❚ NOTE ❚

The accompaniment keyboard can be used for playing chords only. No

sound will be produced if you try playing single melody notes on the ac-

companiment keyboard.

CASIO CHORD ..................................... On this page

FINGERED .................................................. Page E-18

FULL RANGE CHORD ............................ Page E-18

Chord Types

Chord name

CASIO CHORD accompaniment lets you play four types of chords

with minimal fingering.

LAYER

SPLIT

Chord Types

Example

ETUDE

CONCERT

Major chords

C Major (C)

TOUCH

RESPONSE

PIECE

Major chord names are marked

above the keys of the accompani-

ment keyboard. Note that the chord

produced when you press an accom-

paniment keyboard does not change

octave, regardless of which key you

use to play it.

CDE F GABCDE F

MEMORY

Basic Chord Form

(The chord form that appears here may show

notes that differ from those actually pressed on

the keyboard. With some chords, inverted chord

forms may be displayed.)

Minor chords (m)

C minor (Cm)

To play a minor chord, keep the ma-

jor chord key depressed and press

any other accompaniment keyboard

key located to the right of the major

chord key.

CDE F GABCDE F

To stop Auto Accompaniment play, press the START/

STOP button again.

C seventh (C7)

Seventh chords (7)

To play a seventh chord, keep the

major chord key depressed and

press any other two accompaniment

keyboard keys located to the right

of the major chord key.

CDE F GABCDE F

Minor seventh chords (m7)

C minor seventh (Cm7)

To play a minor seventh chord, keep

the major chord key depressed and

press any other three accompani-

ment keyboard keys located to the

right of the major chord key.

CDE F GABCDE F

❚ NOTE ❚

It makes no difference whether you press black or white keys to the right

of a major chord key when playing minor and seventh chords.

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INTRO

NORMAL/FILL-IN

VARIATION/FILL-IN

START/STOP

❚ NOTES ❚

•

FINGERED

Except for the chords specified in note^*1above, inverted fingerings (i.e.

playing E-G-C or G-C-E instead of C-E-G) will produce the same chords

as the standard fingering.

FINGERED provides you with a total of 15 different chord types. The

following describes the FINGERED “Accompaniment keyboard” and

“Melody keyboard”, and tells you how to play a C-root chord using

FINGERED.

•

Except for the exception specified in note^*2above, all of the keys that

make up a chord must be pressed. Failure to press even a single key

will not play the desired FINGERED chord.

FINGERED Accompaniment Keyboard and Melody Key-

board

FULL RANGE CHORD

Accompaniment

Melody keyboard

keyboard

This accompaniment method provides a total of 38 different chord

types: the 15 chord types available with FINGERED plus 23 addi-

tional types. The keyboard interprets any input of three or more keys

that matches a FULL RANGE CHORD pattern to be a chord. Any

other input (that is not a FULL RANGE CHORD pattern) is interpret-

ed as melody play. Because of this, there is no need for a separate

accompaniment keyboard, so the entire keyboard, from end to end,

can be used for both melody and chords.

❚ NOTE ❚

The accompaniment keyboard can be used for playing chords only. No

sound will be produced if you try playing single melody notes on the ac-

companiment keyboard.

FULL RANGE CHORD Accompaniment Keyboard and

Melody Keyboard

Accompaniment keyboard/Melody keyboard

Cdim

Caug ^*1

Csus4

C7 ^*2

< Chords Recognized by This Keyboard >

Number of Types

Chord Types

(

)

Corresponding

FINGERED Chord

15 (on this page)

Cm7 ^*2

Cmaj7 ^*2

Cm7^-5

The following are examples of chords that

use C as the bass note.

(

)

(

)

•

C6 Cm6 C69

Cadd9 ^*2

C7^{-5 *1}

C7sus4

C^#

A^♭

♭

Other Chords

•

C^#m Dm Fm Gm Am B^♭

•

(

)

-5

Dm7 A^♭

F7 Fm7 Gm7 A^♭add9

•

Cdim7 ^*1

Cmadd9 ^*2

CmM7 ^*2

(

)

(

)

See the FINGERED Chord Chart on page A-4 for details on playing

chords with other roots.

*1: Inverted fingerings cannot be used. The lowest note is the root.

*2: The same chord can be played without pressing the 5th G.

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Example: To play the chord C major.

Using a Fill-in Pattern

Any of the fingerings shown in the illustration below will produce C

Fill-in patterns let you momentarily change the rhythm pattern to

add some interesting variation to your performances.

major.

The following procedure describes how to use the Fill-in feature.

To insert a fill-in

Press the START/STOP button to start rhythm play.

1 ........ Chord C

Press the NORMAL/FILL-IN button to insert a fill-in

pattern for the rhythm you are using.

2 ........ Chord C

❚ NOTES ❚

❚ NOTE ❚

•

As with the FINGERED mode (page E-18), you can play the notes that

form a chord in any combination (1).

The fill-in pattern does not play if you press the NORMAL/FILL-IN button

while an intro pattern is playing.

•

When the composite notes of a chord are separated by 6 or more notes,

the lowest sound becomes the bass (2).

< Music Example >

Tone: 016, Rhythm: 05, Tempo: 070

Using a Rhythm Variation

In addition to the standard rhythm pattern, you can also switch to a

ꢊ

C^#

ꢅ

secondary “variation” rhythm pattern for a bit of variety.

ꢅ

ꢂ

ꢆ

ꢂ

ꢃ

ꢇ

ꢀ

ꢀꢀꢀꢀꢀꢁꢀꢀꢀꢀꢀꢁꢀꢀꢀꢀꢀꢁꢀꢀꢀꢀꢀꢁ

ꢈ

ꢉ

ꢂ

To insert the variation rhythm pattern

ꢅ 4

ꢅ

ꢂ

ꢀꢄ

ꢀ

ꢀꢀꢀꢀꢀꢁꢀꢀꢀꢀꢀꢁꢀꢂ ꢀꢀꢅꢂ ꢀꢀꢁꢀꢀꢀꢂ ꢀꢀꢁ

Press the START/STOP button to start rhythm play.

Press the VARIATION/FILL-IN button to switch to the

variation pattern for the rhythm you are using.

Using an Intro Pattern

❚ NOTE ❚

This keyboard lets you insert a short intro into a rhythm pattern to

make startup smoother and more natural.

To switch back to the standard rhythm pattern, press the NORMAL/FILL-

IN button.

The following procedure describes how to use the Intro feature. Be-

fore starting, you should first select the rhythm you want to use, and

set the tempo.

Using a Fill-in Pattern with a Variation

Rhythm

To insert an intro

You can also insert a fill-in pattern while a variation rhythm pattern

is playing.

Press the INTRO button to start the selected rhythm with

an intro pattern.

• With the above setup, the intro pattern is played and the auto ac-

companiment with intro pattern starts as soon as you play chords

on the accompaniment keyboard.

To insert a fill-in into a rhythm variation

While a variation rhythm pattern is playing, press the VARI-

ATION/FILL-IN button to insert a fill-in pattern for the vari-

ation rhythm you are using.

❚ NOTES ❚

•

The standard rhythm pattern starts to play after the intro pattern is com-

plete.

Pressing the VARIATION/FILL-IN button while an intro pattern is playing

causes the variation pattern to sound after the intro pattern is complete.

Pressing the SYNCHRO/ENDING button while an intro pattern is playing

causes the ending pattern to sound after the intro pattern is complete.

Synchro Starting Accompaniment with

Rhythm Play

You can set up the keyboard to start rhythm play at the same time

you play the accompaniment on the keyboard.

The following procedure describes how to use synchro start. Before

starting, you should first select the rhythm you want to use, set the

tempo, and use the MODE switch to select the chord play method

you want to use (NORMAL, CASIO CHORD, FINGERED, FULL

RANGE CHORD).

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ONE TOUCH PRESET

MODE

[+]/[–]

Number buttons

ACCOMP VOLUME

SYNCHRO/ENDING

To use synchro start

Adjusting the Accompaniment Volume

You can adjust the volume of the accompaniment parts as a value in

the range of 000 (minimum) to 127.

Press the SYNCHRO/ENDING button to put the key-

board into synchro start standby.

Press the ACCOMP VOLUME button.

Flash

Current accompaniment volume setting

Play a chord and the rhythm pattern starts to play au-

tomatically.

Use the number buttons or the [+]/[–] buttons to

change the current volume setting value.

Example: 110

❚ NOTES ❚

•

If the MODE switch is set to NORMAL, only the rhythm plays (without a

chord) when you play on the accompaniment keyboard.

If you press the INTRO button before playing anything on the keyboard,

the rhythm starts automatically with an intro pattern when you play some-

thing on the accompaniment keyboard.

•

Pressing the VARIATION/FILL-IN button before playing anything on the

keyboard causes play to start with the variation pattern when something

is played on the keyboard.

To cancel synchro start standby, press the SYNCHRO/ENDING button

one more time.

❚ NOTES ❚

•

The current accompaniment volume value that appears in Step 1 auto-

matically clears from the display if you do not input anything within about

five seconds.

Pressing [+] and [–] buttons at the same time automatically sets an ac-

companiment volume of 075.

•

Finishing with an Ending Pattern

You can end your performances with an ending pattern that brings

the rhythm pattern you are using to a natural-sounding conclusion.

The following procedure describes how to insert an ending pattern.

Note that the actual ending pattern played depends on the rhythm

pattern you are using.

Using One-touch Preset

One-touch preset automatically makes the settings listed below in

accordance with the rhythm pattern you are using.

To finish with an ending pattern

• Keyboard tone

• Layer, Split, or Layer Split on/off

While the rhythm is playing, press the SYNCHRO/END-

• Layered tone (when layer is turned on), split tone (when split is

turned on), or layered split tone (when layer and split are turned

on)

• Tempo

• Accompaniment volume

ING button.

• This causes the ending pattern to play which brings rhythm ac-

companiment to an end.

• The timing when the ending pattern starts depends on when you

press the SYNCHRO/ENDING button. If you press the button be-

fore the second beat of the current measure, the ending pattern

starts playing immediately. Pressing the button at any point in the

measure after the second beat results in the ending pattern playing

from the beginning of the following measure.

To use one-touch preset

Select the rhythm you want to use.

Use the MODE button to select the accompaniment

mode you want to use.

Press the ONE TOUCH PRESET button.

• This automatically makes the one-touch preset settings in ac-

cordance with the rhythm you selected.

Play a chord and the rhythm pattern starts to play au-

tomatically.

• Accompaniment is played using the one touch preset set-

tings.

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Playing a Built-in Tune

SONG BANK

[+]/[–]

Number buttons

STOP

PLAY/PAUSE

A selection of 100 tunes come built-in for your listening enjoyment or

Press the PLAY/PAUSE button to start play of the tune.

play along fun. You can turn off the left-hand or right-hand part to

practice with the remaining part, and the display even shows you

what keys to press and which fingers you should use.

Chord name

There are three built-in tune groups, which are listed below.

• Song Bank: 50 Auto Accompaniment tunes

• Etude: 20 piano lesson tunes

LAYER

SPLIT

ETUDE

CONCERT

• Concert Piece: 30 piano tunes

TOUCH

RESPONSE

PIECE

MEMORY

To play back a Song Bank tune

Keyboard keys used

Fingers used

Staff display

Find the tune you want to play in the SONG BANK

List, and note its number.

Adjust the main volume and accomp volume.

Press the STOP button to stop playback of the Song

Bank tune.

Press the SONG BANK button to enter the Song Bank

Mode.

Lit

Use the number buttons to input the tune’s two-digit

number.

Example: To select “42 ALOHA OE”, input 4 and then 2.

Song number

Song name

❚ NOTES ❚

•

Tune Number 00 is the initial default Song Bank tune setting whenever

you turn on keyboard power.

•

You can also increment the displayed tune number by pressing [+] and

decrement is by pressing [–].

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REW

TONE

Number buttons

DEMO

[+]/[–]

START/STOP

PLAY/PAUSE

STOP

CONCERT PIECE

ETUDE

TEMPO

To play an Etude tune

Use the number buttons to input the two-digit tune

number you looked up in step 1.

Example: To select tune number 22 (FÜR ELISE), input 2 and

then 2.

Find the tune you want to play in the ETUDE List, and

note its number.

Press the ETUDE button to specify the Etude group.

Lit

❚ NOTE ❚

Flash

ETUDE

You can also change the displayed tune number using the [+] and [–] but-

tons.

CONCERT

PIECE

Press the PLAY/PAUSE button to start playback.

To stop playback, press the STOP button.

Use the number buttons to input the two-digit tune

number you looked up in step 1.

Example: To select tune number 08 (Ode To Joy), input 0and

then 8.

❚ NOTE ❚

Pressing the ETUDE button or CONCERT PIECE button changes the tone

to grand piano (Tone Number 000).

Musical Information System

When the keyboard is playing one of its built-in tunes, the display

shows a variety of information about the tune.

❚ NOTE ❚

Example: Display during Song Bank play

You can also change the displayed tune number using the [+] and [–] but-

tons.

Chord name

Press the PLAY/PAUSE button to start playback.

To stop playback, press the STOP button.

LAYER

SPLIT

ETUDE

CONCERT

PIECE

TOUCH

RESPONSE

To play a Concert Piece tune

MEMORY

Find the tune you want to play in the CONCERT PIECE

List, and note its number.

Keyboard keys used

Fingers used

Staff display

Press the CONCERT PIECE button to specify the Con-

cert Piece group.

❚ NOTE ❚

Chord names are not displayed for Etude and Concert Piece tunes.

Flash

ETUDE

CONCERT

PIECE

Lit

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Adjusting the Tempo

To fast forward

Each tune has a preset default tempo (beats per minute) that is set

automatically whenever you select a tune. While the tune is playing,

you can change the tempo setting to a value in the range of 40 to 255.

While a tune is playing or paused, hold down the FF

button to skip forward at high speed.

• The fast forward operation skips forward one measure at a

time.

To set the tempo

• The measure and beat numbers on the display change while

the fast forward operation is being performed

Use the TEMPO buttons to set the tempo.

: Increases the tempo value.

: Decreases the tempo value.

Tempo value

Measure number

Beat number

Flash

Releasing the FF button starts song playback from the

measure whose number is shown on the display.

❚ NOTES ❚

•

While the tempo value is flashing, you can also use the number buttons

or [+] and [–] to input a three-digit value. Note that you must input lead-

ing zeros, so 90 is input as 090.

❚ NOTE ❚

Fast forward does not work while Song Bank play is stopped.

•

Pressing both the

and

TEMPO buttons at the same time automat-

ically returns the currently selected rhythm to its default tempo.

Etude and Concert Piece tunes have tempo changes part way through

in order to produce specific musical effects. Note that the tempo setting

automatically returns to the default whenever a tempo change occurs

within one of these tunes.

To change the melody tone

While a tune is playing or paused, press the TONE

button.

To pause playback

Press the PLAY/PAUSE button while a tune is playing

to pause it.

Indicates TONE was pressed.

Pressing the PLAY/PAUSE button again resumes play

from the point where it was paused.

Find the tone you want in the TONE List, and then

use the number buttons to input its three-digit num-

ber.

❚ NOTE ❚

Example: To select “040 VIOLIN”, input 0, then 4, then 0.

• You can select any one of the keyboard’s 137 built-in tones.

After you press STOP to stop playback, pressing PLAY/PAUSE restarts

play from the beginning of the tune.

To fast reverse

While a tune is playing or paused, hold down the REW

❚ NOTES ❚

•

You can also use the [+] and [–] buttons to change the melody tones.

For two-hand tunes (Etude and Concert Piece tunes), the same tone is

applied for both the left and right hand parts.

button to skip in a reverse direction at high speed.

• The fast reverse operation skips back one measure at a time.

• The measure and beat numbers on the display change while

the fast reverse operation is being performed.

•

Specifying the tune number for the same tune that is currently selected

returns the melody tone to the default setting for that tune.

To play all tunes in succession

Press the DEMO button.

• Playback starts from Song Bank tune number 00, followed in

sequence by Etude, and then Concert Piece tunes.

Measure number

Beat number

To stop Song Bank tune play, press the DEMO, STOP,

or START/STOP button.

Releasing the REW button starts song playback from

the measure whose number is shown on the display.

❚ NOTES ❚

❚ NOTE ❚

•

While a tune is playing, you can use the number buttons or [+] and [–] to

change to another tune.

Fast reverse does not work while Song Bank play is stopped.

•

You can play along with the tunes on the keyboard.

Pressing the SONG BANK, ETUDE or CONCERT PIECE button what

playback is in progress jumps to tune number 00 of the corresponding

group.

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3-Step Lesson

START/STOP

STOP

Step 1

LEFT/TRACK 1

Step 2

The 3-step lesson feature takes you through the three distinct steps

described below to help you learn to play tunes on the keyboard.

Note Length

The key stays lit on the on-screen keyboard guide for as long as the

note should be sustained. The staff notation and fingerings also re-

main on the display for the length of the note.

Step 1 – Master the timing.

In this step, pressing any key on the keyboard plays the correct note,

so you can concentrate on getting the timing right without worrying

about playing the right note. The sub-melody (obbligato) waits until

you press a key before proceeding to the next phrase.

Next Note

An on-screen keyboard guide key flashes to indicate the next note to

be played, while a number appears on the display near the finger

you should use to play the next note.

Step 2 – Master the melody.

In this step, you learn the keys to press to play the melody. The keys

you need to press light on the on-screen keyboard guide, so simply

follow along as you learn to play. The sub-melody (obbligato) waits

until your play the correct note, so you can learn at your own pace.

Series of Same Pitch Notes

The on-screen keyboard guide key turns off momentarily between

the notes, and lights again for each successive note. The staff nota-

tion and fingerings also turn off and back on again.

Step 3 – Play a normal speed.

This is where you enjoy actually playing the tunes you learn using

Step 1 and Step 2. The on-screen keyboard guide still shows you which

keyboard keys to press, but accompaniment proceeds at normal speed

regardless of whether or not you play the correct notes.

Example: When play requires pressing keys with fingers 3, 2,

and then 1

1st Note

2nd Note

3rd Note

Next note

Tune Types and Their Parts

Current note

The built-in tunes of this keyboard are divided between two basic

groups: Auto Accompaniment tunes (Song Bank) and two-hand ac-

companiment tunes (Etude and Concert Piece). The parts available

for 3-step lesson practice depend on the type of tune you are using.

Lit

Flash

Lit

Flash

Auto Accompaniment Tunes (Song Bank)

As their name suggests, these tunes are made up of an Auto Accom-

paniment part and a melody part. When using these tunes for a 3-

step lesson, you can practice playing along with the melody (right

hand) part only.

On-screen

keyboard

guide

Two-hand Tunes (Etude, Concert Piece)

❚ NOTES ❚

These types of tunes are played with both hands, as in a piano solo.

When using these tunes for a 3-step lesson, you can practice playing

along with both the left hand and right hand parts.

•

Note length is not indicated when you are using two-hand tunes with 3-

step lesson Steps 1 and 2. As soon as you press a key that is lit on the

on-screen keyboard guide, it goes out and the next key you need to

press starts to flash.

•

Note length is indicated by the on-screen keyboard guide when you use

two-hand tunes with Step 3. In this case, the next key to be pressed

does not flash when you press a lit key and the next finger number does

not appear on the display. Only the current finger number is shown.

Display Contents During 3-step Lesson Play

Whenever you select an Auto Accompaniment tune for 3-step lesson

play, the on-screen keyboard guide and staff notation shows the note

you should play and its length. The on-screen keyboard guide also

shows the notes you play on the keyboard. The following describes

the information that appears on the display.

3-step Lesson Tempo Setting

Use the procedure under “Adjusting the Tempo” on page E-16 to ad-

Note Pitch

just the tempo for 3-step lesson play.

The key you should press lights on the on-screen keyboard guide,

while the actual pitch of the note appears in the display’s staff nota-

tion area. The fingers you should use to play the notes are also shown

on the display.

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Step 1 – Master the timing.

Step 2 – Master the melody.

Select the tune you want to use.

Press the step 2 button to start Step 2 play.

• After a count sounds, the keyboard stands by and waits for

you to play the first note of the tune.

Press the step 1 button to start Step 1 play.

• After a count sounds, they keyboard stands by and waits for

you to play the first note of the tune.

LAYER

SPLIT

LAYER

SPLIT

ETUDE

CONCERT

ETUDE

CONCERT

TOUCH

RESPONSE

PIECE

TOUCH

RESPONSE

PIECE

MEMORY

Fingering

Indicator appears

Keyboard key used

Indicator appears

Keyboard key used

Fingering

Note pitch

Play the melody (right hand part) as indicated by the

on-screen keyboard guide.

• The hand you should use is indicated by arrows around it.

• The key for the next note to be played flashes on the on-screen

keyboard guide and the keyboard waits for you to play it.

When you press any key to play the note, the on-screen key

remains lit as the note plays.

• If multiple keys light on the on-screen keyboard guide when

you are using a two-hand tune, it means that you must press

all of the keys that are lit.

To stop play at any time, press the STOP or START/

STOP button.

Lit

Press any keyboard keys to play the melody (right hand

part).

❚ NOTES ❚

•

Left hand practice can also be performed with two-hand tunes. Simply

select one of the two-hand tunes in step 1 of the above procedure, and

then press the LEFT/TRACK 1 button following Step 2.

3-step lesson does not allow simultaneous practice of both hands.

You can also use fast forward and fast reverse operations with Step 2

play.

• The key for the next note to be played flashes on the on-screen

keyboard guide and the keyboard waits for you to play it.

When you press any key to play the note, the on-screen key

remains lit as the note plays.

• Accompaniment (left-hand part) waits until you press any

key to play a note.

• If you accidentally press more than one key in succession,

accompaniment is played for the corresponding number of

notes.

• Pressing more than one key at the same time counts as a sin-

gle melody note. Pressing a key while another key is held

down is counted as two melody notes.

•

You cannot pause Step 2 play.

Rhythm does not sound during Step 2 play.

To stop play at any time, press the STOP or START/

STOP button.

❚ NOTES ❚

•

Left hand practice can also be performed with two-hand tunes. Simply

select one of the two-hand tunes in step 1 of the above procedure, and

then press the LEFT/TRACK 1 button following step 2.

3-step lesson does not allow simultaneous practice of both hands.

You can also use fast forward and fast reverse operations with Step 1

play.

•

You cannot pause Step 1 play.

Rhythm does not sound during Step 1 play.

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START/STOP

STOP

Step 3

LEFT/TRACK 1

Step 3 – Play a normal speed.

Select the tune you want to play.

Press the step 3 button to start Step 3 play.

• Accompaniment (left hand part) starts to play at normal

speed.

LAYER

SPLIT

ETUDE

CONCERT

TOUCH

RESPONSE

PIECE

MEMORY

Indicator appears

Fingering

Keyboard key used

Play the melody (right hand part) as indicated by the

on-screen keyboard guide.

To stop play at any time, press the STOP or START/

STOP button.

❚ NOTES ❚

•

Left hand practice can also be performed with two-hand tunes. Simply

select one of the two-hand tunes in step 1 of the above procedure, and

then press the LEFT/TRACK 1 button following step 2.

3-step lesson does not allow simultaneous practice of both hands.

You can also use pause, fast forward and fast reverse operations with

Step 3 play.

•

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Memory Function

You can store up to two separate songs in memory for later playback.

The memory function records your keyboard play in real time, as

you play it.

Selecting a Track

Press the LEFT/TRACK 1 button to select Track 1 and the RIGHT/

TRACK 2 button to select Track 2. The letter “L” (left) appears on the

display to indicate Track 1 is selected, and the letter “R” (right) ap-

pears to indicate Track 2 is selected.

Tracks

Playback

The memory of this keyboard records and plays back notes much

like a standard tape recorder. There are two tracks, each of which can

be recorded separately. Besides notes, each track can be assigned its

own tone number. During playback you can adjust the tempo to

change the speed of playback.

Each press of the LEFT/TRACK 1 and RIGHT/TRACK 2 button while

the keyboard is in playback standby (see “Memory Button Opera-

tion” above) toggles playback of the corresponding track on and off.

The letter that identifies a track (L or R) appears on the display when-

ever playback of that track is turned on.

Start

End

Auto Accompaniment

Track 1

Track 2

(rhythm, bass, chords), melody

Track 1

Track 2

Melody

Playback

turned on

Playback

turned off

Data recorded in track

❚ NOTES ❚

•

Track 1 is the basic track, which can be used to record Auto Accompa-

niment along with the melody. Track 2 can be used for melody only, and

is for adding to what is recorded in Track 1.

• With the above setting, Track 1 will play while Track 2 will not play.

•

Note that each track is independent of the other. This means that if you

make a mistake while recording, you need to re-record only the track

where the mistake was made.

Record

Each press of the LEFT/TRACK 1 and RIGHT/TRACK 2 button while

the keyboard is in record standby (see “Memory Button Operation”)

toggles recording to the corresponding track on and off. The letter

that identifies a track (L or R) flashes on the display whenever re-

cording to that track is turned on.

Memory Button Operation

Each press of the MEMORY button cycles through the functions

shown below.

Playback

Standby

Record

Standby

Normal

Playback

turned on

Record

turned on

MEMORY

• The above indicates that Track 1 will play back while Track 2 is

being recorded to.

Lit

Flash

Unlit

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MODE

LEFT/TRACK 1

RIGHT/TRACK 2

INTRO

NORMAL/FILL-IN

VARIATION/FILL-IN

START/STOP

SYNCHRO/ENDING

MEMORY

[+]/[–]

Real-time Recording to Track 1

Press the START/STOP button to start real-time re-

cording to Track 1.

With real-time recording, the notes and chords you play on the key-

board are recorded as you play them.

Play something on the keyboard.

• Any melody and accompaniment you play on the keyboard

(including Auto Accompaniment chords played on the ac-

companiment keyboard) is recorded.

To record to Track 1 using real-time recording

• If you use a pedal during recording, pedal operations are

also recorded.

Use the MEMORY button to enter record standby.

Press the START/STOP button to end recording when

you are finished playing.

LAYER

SPLIT

• If you make a mistake while recording, stop the record operation

and begin over again from step 1.

ETUDE

CONCERT

TOUCH

RESPONSE

PIECE

❚ NOTE ❚

MEMORY

Using real-time recording to record to a track that already contains record-

ed data replaces the existing recording with the new one.

Flash

Track 1 Contents After Real-time Recording

In addition to keyboard notes and accompaniment chords, the fol-

lowing data is also recorded to Track 1 during real-time recording.

This data is used whenever Track 1 is played back.

Use [+] and [–] to select 0 or 1 as the song number.

• The track is not yet selected at this point.

• The above song number screen remains on the display for

about five seconds. If it disappears before you have a chance

to select a song number, use the MEMORY button to display

it again.

• Tone number

• Rhythm number

• INTRO, SYNCHRO/ENDING, NORMAL/FILL-IN, VARIATION/

FILL-IN button operations

• Pedal operations

Song number

Memory Capacity

The keyboard has memory for approximately 5,200 notes. You can

use all 5,200 notes for a single song, or you can divide memory be-

tween two different songs.

• The measure number and note number flash on the display when-

ever remaining memory is less than 100 notes.

Press the LEFT/TRACK 1 button to select Track 1.

• The “L” flashes on the display to indicate the track that will

be recorded to.

Flash

• Recording automatically stops (and Auto Accompaniment and

rhythm stops playing if they are being used) whenever memory

becomes full.

Flash

Make any of the following settings if you want.

• Tone number (page E-14)

• Rhythm number (page E-16)

• MODE switch (page E-17)

• If you are not confident about playing at a fast tempo, try

using a slower tempo setting (page E-16).

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Memory Data Storage

• Anything previously stored in memory is replaced whenever you

make a new recording.

Playing Back from Memory

Use the following procedure to play back memory contents.

• Memory contents are retained as long as the keyboard is supplied

with electrical power. Unplugging the AC adaptor when batteries

are not loaded or when loaded batteries are dead cuts off the key-

board’s electrical power supply, causing all data stored in memory

to be deleted. Be sure to plug the keyboard into an electrical outlet

with the AC adaptor before replacing batteries.

• Turning off the keyboard while a record operation is in progress

causes the contents of the track you are currently recording to be

lost.

To play back from memory

Use the MEMORY button to enter playback standby,

and then use [+] and [–] to select 0 or 1 as the song

number.

• The above song number screen remains on the display for

about five seconds. If it disappears before you have a chance

to select a song number, use the MEMORY button to display

it again.

Track 1 Real-time Recording Variations

The following describes a number of different variations you can use

when recording to Track 1 using real-time recording. All of these vari-

ations are based upon the procedure described under “To record to

Track 1 using real-time recording” on page E-28.

To record without rhythm

Skip step 5. Real-time recording without rhythm starts when you press

a keyboard key.

Press the START/STOP button to start playback of the

song you selected.

• During memory playback you can use the LEFT/TRACK 1

and RIGHT/TRACK 2 buttons to turn playback of either

track on or off.

To start recording with synchro start

In place of step 5, press the SYNCHRO/ENDING button. Auto Ac-

companiment and recording will both start when you play a chord

on the accompaniment keyboard.

LAYER

SPLIT

ETUDE

CONCERT

To record using an intro, ending, or fill-in

TOUCH

RESPONSE

PIECE

During recording, the INTRO, SYNCHRO/ENDING, NORMAL/

FILL-IN, and VARIATION/FILL-IN buttons (pages E-19 through E-

20) can all be used as they normally are.

MEMORY

Indicator appears

To synchro start Auto Accompaniment with an intro pat-

tern

• You can use the TEMPO buttons to adjust the tempo.

In place of step 5, press the SYNCHRO/ENDING button and then

the INTRO button. Auto Accompaniment will start with the intro

pattern when you play a chord on the accompaniment keyboard.

Press the START/STOP button again to stop playback.

❚ NOTES ❚

•

During memory playback, the entire keyboard functions as a melody

keyboard, regardless of the MODE switch setting.

You can play along on the keyboard while playing back from memory.

You can also use layer (page E-32) and split (page E-32) to play along

with more than one tone.

You cannot use pause, fast forward or fast reverse operations with mem-

ory playback.

To start Auto Accompaniment part way into a recording

•

In place of step 5, press the SYNCHRO/ENDING button and then

play something on the melody keyboard to start. When you reach

the point where you want Auto Accompaniment to start, play a chord

on the accompaniment keyboard.

•

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LEFT/TRACK 1

RIGHT/TRACK 2

START/STOP

MEMORY

[+]/[–]

To record to Track 2 without playing back

Track 1

Real-time Recording to Track 2

After you record Track 1, you can use real-time recording to add a

melody in Track 2.

Use the MEMORY button to enter record standby.

To record to Track 2 while playing back Track 1

Press the LEFT/TRACK 1 button to turn off playback

of Track 1.

Use the MEMORY button to enter record standby, and

Continue from step 1 under “To record to Track 2 while

then use [+] and [–] to select 0 or 1 as the song number.

• The song number you select should be the one where you

previously input Track 1.

placing back Track 1.”

• Note that the above procedure does not turn off rhythm and

Auto Accompaniment.

Track 2 Contents After Real-time Recording

The following data is recorded to Track 2 during real-time recording.

• The track is not yet selected at this point.

• Tone number

• Pedal operations

Press the RIGHT/TRACK 2 button to select Track 2.

LAYER

SPLIT

ETUDE

CONCERT

TOUCH

RESPONSE

PIECE

MEMORY

Flash

Make any of the following settings if you want.

• Tone number (page E-14)

• If you are not confident about playing at a fast tempo, try

using a slower tempo setting (page E-16).

Press the START/STOP button to start real-time re-

cording to Track 2 along with playback from Track 1.

Listening to the playback from Track 1, play what you

want to record to Track 2 on the keyboard.

Press the START/STOP button to end recording when

you are finished playing.

• If you make a mistake while recording, stop the record oper-

ation and begin over again from step 1.

❚ NOTE ❚

Track 2 is a melody-only track, so chords cannot be recorded there. Be-

cause of this, the entire keyboard is a melody keyboard, regardless of the

MODE switch setting.

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Deleting the Contents of a Specific

Track

Use the following procedure to delete all of the data currently re-

corded in a specific track.

To delete all of the data in a specific track

Use the MEMORY button to enter record standby, and

then use [+] and [–] to select the song (0 or 1) whose

track you want to delete.

Hold down the MEMORY button until the track de-

lete screen appears on the display.

Use the LEFT/TRACK 1 or RIGHT/TRACK 2 button to

select the track whose data you want to delete.

Example: To select Track 1

LAYER

SPLIT

ETUDE

CONCERT

PIECE

TOUCH

RESPONSE

MEMORY

Flash

Press the [+] button.

• This deletes the selected track and enters memory playback

standby.

❚ NOTES ❚

•

The track delete screen is cleared from the display automatically if you

leave the keyboard with the track delete message on the display for

about five seconds without doing anything.

•

Once you select a track in step 3, you cannot change to a different track

without quitting the track delete operation and starting again.

You cannot select a track for deletion if that track does not contain any

data.

Pressing the MEMORY button while the track delete screen is on the

display returns to record standby.

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Keyboard Settings

LAYER

TONE

[+]/[–]

Number buttons

SPLIT

This section describes how to use layer (to play two tones with a sin-

gle key) and split (to assign different tones to either end of the key-

board), and how to make touch response, transpose, and tuning set-

tings.

LAYER

Using Layer

Main Tone (BRASS) + Layered Tone (FRENCH HORN)

Layer lets you assign two different tones (a main tone and a layered

tone) to the keyboard, both of which play whenever you press a key.

For example, you could layer the FRENCH HORN tone on the BRASS

tone to produce a rich and brassy sound.

Using Split

With split you can assign two different tones (a main tone and a split

tone) to either end of the keyboard, which lets you play one tone

with your left hand and another tone with your right hand. For ex-

ample, you could select STRINGS as the main (high range) tone and

PIZZICATO as the split (low range) tone, putting an entire string en-

semble at your fingertips.

To layer tones

First select the main tone.

Example: To select “061 BRASS” as the main tone, press the

TONE button and then use the number buttons or [+]

and [–] buttons to input 0, 6 and then 1.

Split also lets you specify the split point, which is the location on the

keyboard where the changeover between the two tones occurs.

To split the keyboard

First select the main tone.

Example: To select “048 STRINGS 1” as the main tone, press the

TONE button and then use the number buttons or [+]

and [–] buttons to input 0, 4 and then 8.

Press the LAYER button.

LAYER

SPLIT

Selected layer tone

Indicator appears

Press the SPLIT button.

Select the layered tone.

Example: To select “060 FRENCH HORN” as the layered tone,

use the number buttons or [+] and [–] buttons to in-

put 0, 6 and then 0.

LAYER

SPLIT

Indicator appears

Select the split tone.

Example: To select “045 PIZZICATO STR” as the split tone, use

the number buttons or [+] and [–] buttons to input 0,

4 and then 5.

Now try playing something on the keyboard.

• Both tones are played at the same time.

Press the LAYER button again to unlayer the tones and

return the keyboard to normal.

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Specify the split point. While holding down the SPLIT

button, press the keyboard where you want the left-

most key of the high end range to be.

Press the LAYER button and then input the number of

the layered tone.

• Note that you can reverse steps 2 and 3, specifying the lay-

ered tone first and then the split tone.

Example: To specify G3 as the split point, press the G3 key.

LAYER

SPLIT

Indicator appears

Now try playing something on the keyboard.

• Every key from F^ꢅ3 and below is assigned the PIZZICATO

tone, while every key from G3 and above is assigned the

STRINGS tone.

Press the SPLIT button or the LAYER button so both

of the SPLIT and LAYER indicators are displayed.

Press the SPLIT button again to unsplit the keyboard

and return it to normal.

Input the number of the layered split tone.

LAYER

SPLIT

Specify the split point.

• While holding down the SPLIT button, press the keyboard

where you want the leftmost key of the low end range to be.

Split Tone

(PIZZICATO STR)

Main Tone (STRINGS1)

Play something on the keyboard.

• Press the LAYER button to unlayer the keyboard, and the

SPLIT button to unsplit it.

Split point

LAYER SPLIT

Using Layer and Split Together

You can use layer and split together to created a layered split key-

board. It makes no difference whether you layer tones first and then

split the keyboard, or split the keyboard and then layer tones. When

you use layer and split in combination, the high range of the key-

board is assigned two tones (main tone + layered tone), and the low

range two tones (split tone + layered split tone).

Split Tone (PIZZICATO STR)

Main Tone (BRASS)

Layered Split Tone (STRINGS1)

Layered Tone (FRENCH HORN)

Split point

To split the keyboard and then layer tones

Press the TONE button and then input the tone num-

ber of the main tone.

Press the SPLIT button and then input the number of

the split tone.

LAYER

SPLIT

Indicator appears

• After specifying the split tone, press the SPLIT button to

unsplit the keyboard.

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TRANSPOSE/TUNE/MIDI

[+]/[–]

Number buttons

TOUCH RESPONSE

Using Touch Response

Transposing the Keyboard

When touch response is turned on, the relative volume of sound out-

put by the keyboard is varied in accordance with the amount of pres-

sure applied, just like an acoustic piano.

Transpose lets you raise and lower the overall key of the keyboard in

semitone units. If you want to play an accompaniment for a vocalist

who sings in a key that’s different from the keyboard, for example,

simply use transpose to change the key of the keyboard.

To turn touch response on and off

To transpose the keyboard

Press the TOUCH RESPONSE button to toggle touch re-

sponse on and off.

• Touch response is on when touch response indicator is on.

Press the TRANSPOSE/TUNE/MIDI button until the

transpose screen appears on the display.

TOUCH

RESPONSE

MEMORY

Use the [+], [–], and the number buttons to change

the transpose setting of the keyboard.

Example: To transpose the keyboard five semitones upwards.

Lit

• Touch response is off when touch response indicator is off.

TOUCH

RESPONSE

MEMORY

❚ NOTES ❚

•

The keyboard can be transposed within a range of –12 (one octave

downwards) to +12 (one octave upwards).

•

The default transpose setting is “00” when keyboard power is turned on.

If you leave the transpose screen on the display for about five seconds

without doing anything, the screen is automatically cleared.

The transpose setting also affects playback from memory and Auto Ac-

companiment.

❚ NOTES ❚

•

You can adjust touch response sensitivity using the procedure under

“TOUCH CURVE” on page E-39.

Touch response not only affects the keyboard’s internal sound source, it

also is output as MIDI data.

Memory playback, accompaniment, and external MIDI note data does

not affect the touch response setting.

TRANSPOSE/TUNE/MIDI Button

Each press of the TRANSPOSE/TUNE/MIDI button cycles through

a total of 12 setting screens: the transpose screen, the tuning screen,

and 10 MIDI setting screens (page E-36). If you accidentally pass the

screen you want to use, keep pressing the TRANSPOSE/TUNE/MIDI

button until the screen appears again.

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Tuning the Keyboard

Use the following procedure to fine tune the keyboard to match the

tuning of another musical instrument.

To tune the keyboard

Press the TRANSPOSE/TUNE/MIDI button twice to

display the tuning screen.

Use the [+], [–], and the number buttons to adjust the

tuning value.

Example: To lower tuning by 20

❚ NOTES ❚

•

The keyboard can be tuned within a range of –50 cents to +50 cents.

*100 cents is equivalent to one semitone.

•

The default tuning setting is “00” when keyboard power is turned on.

If you leave the tuning screen on the display for about five seconds

without doing anything, the screen is automatically cleared.

The tuning setting also affects playback from memory and Auto Accom-

paniment.

•

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MIDI

TRANSPOSE/TUNE/MIDI

LEFT/TRACK 1

RIGHT/TRACK 2

[+]/[–]

Number buttons

SPLIT

MIDI Channels

What is MIDI?

MIDI allows you to send the data for multiple parts at the same time,

with each part being sent over a separate MIDI channel. There are 16

MIDI channels, numbered 1 through 16, and MIDI channel data is

always included whenever you exchange data (key press, pedal op-

eration, etc.)

Both the sending machine and the receiving machine must be set to

the same channel for the receiving unit to correctly receive and play

data. If the receiving machine is set to Channel 2, for example, it re-

ceives only MIDI Channel 2 data, and all other channels are ignored.

The letters MIDI stand for Musical Instrument Digital Interface, which

is the name of a worldwide standard for digital signals and connec-

tors that makes it possible to exchange musical data between musical

instruments and computers (machines) produced by different manu-

facturers. MIDI compatible equipment can exchange keyboard key

press, key release, tone change, and other data as messages.

Though you do not need any special knowledge about MIDI to use

this keyboard as a stand-alone unit, MIDI operations require a bit of

specialized knowledge. This section provides you with an overview

of MIDI that will help to get you going.

MIDI Connections

MIDI Channel 1 Melody

MIDI Channel 2 Bass

MIDI Channel 10 Drums

MIDI IN

Receive MIDI Channel = 1

Plays melody.

MIDI messages are send out through the MIDI OUT terminal of one

machine to the MIDI IN terminal of another machine over a MIDI

cable. To send a message from this keyboard to another machine, for

example, you must use a MIDI cable to connect the MIDI OUT termi-

nal of this keyboard to the MIDI IN terminal of the other machine. To

send MIDI messages back to this keyboard, you need to use a MIDI

cable to connect the other machine’s MIDI OUT terminal to the MIDI

IN terminal of this keyboard.

MIDI keyboard or MIDI sound sourcce

MIDI OUT

MIDI IN

Receive MIDI Channel = 2

Plays bass.

MIDI keyboard or MIDI sound sourcce

To use a computer or other MIDI device to record and playback the

MIDI data produced by this keyboard, you must connect the MIDI

IN and MIDI OUT terminals of both machines in order send and re-

ceive data.

Computer or other MIDI device

MIDI IN

Receive MIDI Channel = 10

Plays drum part.

MIDI keyboard or MIDI sound sourcce

MIDI IN

MIDI OUT

MIDI IN MIDI OUT

This keyboard is equipped with multi-timbre capabilities, which

means it can receive messages over all 16 MIDI channels and play up

to 16 parts at the same time.

LAYER

SPLIT

ETUDE

CONCERT

PIECE

TOUCH

RESPONCE

MEMORY

Keyboard and pedal operations performed on this keyboard are sent

out by selecting a MIDI channel (1 to 16) and then sending the appro-

priate message.

Computer or other MIDI device

• To use the MIDI THRU function of a connected computer, se-

quencer, or other MIDI device, be sure to turn this keyboard’s LO-

CAL CONTROL off (page E-38).

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KEYBOARD CHANNEL

The keyboard channel is the channel used to send MIDI messages

from this keyboard to an external device. You can specify one chan-

nel from 1 to 16 as the keyboard channel.

General MIDI

As we have already seen, MIDI makes it possible to exchange musi-

cal data between devices produced by different manufacturers. This

musical data does not consist of the notes themselves, but rather in-

formation on whether a keyboard key is pressed or released, and the

tone number.

Press the TRANSPOSE/TUNE/MIDI button until the

KEYBOARD CHANNEL screen appears.

If tone number 1 on a keyboard produced by Company A is PIANO

while tone number 1 on a Company B's keyboard is BASS, for exam-

ple, sending data from Company A's keyboard to Company B's key-

board produces a result entirely different from the original. If a com-

puter, sequencer or other device with auto accompaniment capabili-

ties is used to produce music data for the Company A keyboard which

has 16 parts (16 channels) and then that data is sent to the Company

B keyboard which can receive only 10 parts (10 channels), the parts

that cannot be played will not be heard.

The standard for the tone numbering sequence, the number of pads,

and other general factors that determine the sound source configura-

tion, which was arrived at by mutual consultations by manufactur-

ers, is called General MIDI.

Use the [+], [–], and the number buttons to change

the channel number.

Example: To specify channel 4

The General MIDI standard defines the tone numbering sequence,

the drum sound numbering sequence, the number of MIDI channels

that can be used, and other general factors that determine the sound

source configuration. Because of this, musical data produced on a

General MIDI sound source can be played back using similar tones

and identical nuances as the original, even when played on another

manufacturers sound source.

This keyboard conforms with General MIDI standards, so it can be

connected to a computer or other device and used to play back Gen-

eral MIDI data that has been purchased, downloaded from the Inter-

net, or obtained from any other source.

NAVIGATE CHANNEL (Default: 4)

When MIDI messages are received from an external device for play

on this keyboard, the navigate channel is the channel whose note data

appears on the display. You can select one channel from 1 to 8 as the

navigate channel. Since this setting lets you use the data on any chan-

nel of commercially available MIDI software to light on the on-screen

keyboard guide, you can analyze how different parts of an arrange-

ment are played.

Press the TRANSPOSE/TUNE/MIDI button until the

NAVIGATE CHANNEL screen appears.

Changing MIDI Settings

You can use this keyboard in combination with an external sequenc-

er, synthesizer, or other MIDI device to play along with commercial-

ly available General MIDI software. This section tells you how to make

the MIDI settings required when connecting to an external device.

TRANSPOSE/TUNE/MIDI Button

Use the [+], [–], and the number buttons [1] through

[8] to change the channel number.

Example: To specify channel 2

Each press of the TRANSPOSE/TUNE/MIDI button cycles through

a total of 12 setting screens: the transpose screen, the tuning screen,

and 10 MIDI setting screens. If you accidentally pass the screen you

want to use, keep pressing the TRANSPOSE/TUNE/MIDI button

until the screen appears again. Also note that leaving a setting screen

is automatically cleared from the display if you do not perform any

operation for about five seconds.

GM MODE (Default: Off)

on: This keyboard plays General MIDI data from a computer or oth-

er external device. MIDI IN CHORD JUDGE cannot be used when

GM MODE is turned on.

❚ NOTE ❚

The navigate channel automatically changes to 1 whenever you turn MIDI

IN CHORD JUDGE.

To turn off specific sounds before playing back MIDI data

that is being received

oFF:MIDI IN CHORD JUDGE can be used.

Press the TRANSPOSE/TUNE/MIDI button until the

GM MODE screen appears.

<<Navigate channel on/off>>

While playing MIDI data, press the RIGHT/TRACK 2 button.

• This cuts the sound of the navigate channel, but on-screen key-

board guide keys continue to light in accordance with the chan-

nel’s data as it is received. Press RIGHT/TRACK 2 button again to

turn the channel back on.

Example: When GM MODE is turned off

LAYER

SPLIT

<<Next lower channel from navigate channel on/off>>

While playing MIDI data, press the LEFT/TRACK 1 button.

• This cuts the sound of the channel whose number is one less than

the navigate channel, but on-screen keyboard guide keys continue

to light in accordance with the channel’s data as it is received. Press

LEFT/TRACK 1 button again to turn the channel back on.

Use the [+] and [–] or [0] and [1] buttons to turn the

setting on and off.

Example: To turn GM MODE on

Lit

Example: If the navigate channel is channel 4, the above operation

turns off channel 3. If the navigate channel is channel 1 or 2,

the above operation turns off channel 8.

LAYER

SPLIT

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TRANSPOSE/TUNE/MIDI

[+]/[–]

Number buttons

MIDI IN CHORD JUDGE (Default: Off)

on: When a chord specification method is selected by the MODE

switch, chords are specified by the keyboard channel note data

input from the MIDI IN terminal.

Use the [+] and [–] or [0] and [1] buttons to turn the

setting on and off.

Example: To turn LOCAL CONTROL off

oFF:MIDI IN CHORD JUDGE is turned off.

Press the TRANSPOSE/TUNE/MIDI button until the

MIDI IN CHORD JUDGE screen appears.

MIDI THRU MIDI IN

MIDI OUT

MIDI IN

Use the [+] and [–] or [0] and [1] buttons to turn the

setting on and off.

Example: To turn MIDI IN CHORD JUDGE on

LAYER

SPLIT

LAYER

SPLIT

ETUDE

CONCERT

PIECE

TOUCH

RESPONCE

CONCERT

PIECE

TOUCH

RESPONCE

MEMORY

Sound Sourc

MEMORY

Sound Source

PIANO LESSON

LOCAL CONTROL Off

LOCAL CONTROL On

Notes played on the keyboard are

output as MIDI messages from

the MIDI OUT terminal, but not

sounded directly by the internal

sound source. The MIDI THRU

terminal of the connected device

can be used to return the MIDI

message and sound it on this key-

board’s sound source.

Notes played on the keyboard are

sounded by the internal sound

source and output as MIDI mes-

sages from the MIDI OUT termi-

nal.

❚ NOTE ❚

MIDI IN CHORD JUDGE automatically turns off whenever you change the

navigate channel to any channel besides 01.

LOCAL CONTROL (Default: On)

This setting determines whether or not the keyboard and sound source

of this keyboard are connected internally. When recording to a com-

puter or other external device connected to this keyboard’s MIDI IN/

OUT terminal, it helps if you turn LOCAL CONTROL off.

ACCOMP MIDI OUT (Default: Off)

on: Anything played on the keyboard is sounded by the internal

sound source and simultaneously output as a MIDI message from

the MIDI OUT terminal.

on: Auto Accompaniment is played by the keyboard and the corre-

sponding MIDI message is output from the MIDI OUT terminal.

oFF:Auto Accompaniment MIDI messages are not output from the

oFF:Anything played on the keyboard is output as a MIDI message

from the MIDI OUT terminal, without being sounded by the in-

ternal sound source. Turn LOCAL CONTROL off whenever you

are using the MIDI THRU function of a computer or other exter-

nal device. Also note that the no sound is produced by the key-

board if LOCAL CONTROL is turned off and no external device

is connected.

MIDI OUT terminal.

Press the TRANSPOSE/TUNE/MIDI button until the

ACCOMP MIDI OUT screen appears.

Example: When ACCOMP MIDI OUT is off

Press the TRANSPOSE/TUNE/MIDI button until the

LOCAL CONTROL screen appears.

Example: When LOCAL CONTROL is on

Use the [+] and [–] or [0] and [1] buttons to turn the

setting on and off.

Example: To turn ACCOMP MIDI OUT on

E-38

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TOUCH CURVE (Default: 0)

0: Normal touch curve

# When SUS is set

1: Louder than normal tone, even when little pressure is used to press

keyboard keys. When touch response is turned off, sound is pro-

duced at a louder volume than normal.

Pedal depressed

# When SoS is set

Pedal released

Press the TRANSPOSE/TUNE/MIDI button until the

TOUCH CURVE SELECT screen appears.

Pedal depressed

= Keyboard depressed.

= Sustained notes

Use the [+] and [–] or [0] and [1] buttons to change

the setting.

Example: To select touch curve 1

SOUND RANGE SHIFT (Default: On)

on: Shifts low range tones one octave lower and 072 PICCOLO one

octave higher.

oFF:Plays low range tones and 072 PICCOLO at their normal levels.

ASSIGNABLE JACK

Press the TRANSPOSE/TUNE/MIDI button until the

SOUND RANGE SHIFT screen appears.

SUS(sustain): Specifies a sustain*¹effect when the pedal is de-

pressed.

SoS (sostenuto): Specifies a sostenuto*²effect when the pedal is de-

pressed.

SFt (soft): Specifies reduction of the sound’s volume when the ped-

al is depressed.

Use the [+] and [–] or [0] and [1] buttons to change

the setting.

Example: To turn SOUND RANGE SHIFT off

rHy (rhythm): Specifies START/STOP button operation when the

pedal is depressed.

Press the TRANSPOSE/TUNE/MIDI button until the

ASSIGNABLE JACK screen appears.

Example: When sustain is currently set

Messages

There is a wide variety of messages defined under the MIDI stan-

dard, and this section details the particular messages that can be sent

and received by this keyboard. An asterisk is used to mark messages

that affect the entire keyboard. Messages without an asterisk are those

that affect only a particular channel.

Use the [+] and [–] or [0], [1], [2], and [3] buttons to

change the setting.

Example: To select rhythm

NOTE ON/OFF

This message sends data when a key is pressed (NOTE ON) or re-

leased (NOTE OFF).

A NOTE ON/OFF message include a note number (to indicate note

whose key is being pressed or released) and velocity (keyboard pres-

sure as a value from 1 to 127). NOTE ON velocity is always used to

determine the relative volume of the note. This keyboard does not

receive NOTE OFF velocity data.

Whenever you press or release a key on this keyboard, the correspond-

ing NOTE ON or NOTE OFF message is sent from the MIDI OUT

terminal.

*1 Sustain

With piano tones and other sounds that decay, the pedal acts as a

damper pedal, with sounds being sustained longer when the pedal is

depressed. With organ tones and other continuous sounds, notes

played on the keyboard continue to sound until the pedal is released.

In either case, the sustain effect is also applied to any notes that are

played while the pedal is depressed.

*2 Sostenuto

Press the key

This effect performs the same way as sustain, except that it is applied

only to notes that are sounding already when the pedal is depressed.

It does not affect notes that are played after the pedal is depressed.

MIDI OUT Terminal

NOTE ON

• Note number (tone)

• Velocity (volume)

Release the key

MIDI OUT Terminal

NOTE OFF

• Note number (tone)

• Velocity (volume)

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❚ NOTE ❚

ALL SOUND OFF

This message forces all sound being produced over the current chan-

nel to turn off, regardless of how the sound is being produced.

The pitch of a note depends on the tone that is being used, as shown in

the Note Table on page A-1. Whenever this keyboard receives a note num-

ber that is outside its range for that tone, the same tone in the nearest

available octave is substituted.

ALL NOTES OFF

PROGRAM CHANGE

This message turns off all note data sent from an external device and

currently being sounded on the channel.

This is the tone selection message. PROGRAM CHANGE can con-

tain tone data within the range of 0 to 127.

• Any notes being sustained using a sustain pedal or sostenuto ped-

al continue to sound until the next pedal off.

A PROGRAM CHANGE message is sent out through this keyboard’s

MIDI OUT terminal whenever you manually change its tone num-

ber. Receipt of a PROGRAM CHANGE message from an external ma-

chine changes the tone setting of this keyboard.

RESET ALL CONTROLLERS

This messages initializes pitch bend and all other control changes.

❚ NOTE ❚

This keyboard supports 128 tones in the range 0 to 127. However, Chan-

nel 10 is a percussion-only channel, and Channels 0, 8, 16, 24, 25, 32, 40,

48, and 62 correspond to the nine drum set sounds of this keyboard.

SYSTEM EXCLUSIVE*

This message is used to control system exclusives, which are tone

fine adjustments that are unique to a particular machine. Originally,

system exclusives were unique to a particular model, but now there

are also universal system exclusives that are applicable to machines

that are different models and even produced by different manufac-

turers.

PITCH BEND

This message carries pitch bend information for smoothly sliding the

pitch upwards or downwards during keyboard play. This keyboard

does not send pitch bend data, but it can receive such data.

The following are the system exclusive messages supported by this

keyboard.

CONTROL CHANGE

([ ][ ][ ][ ][ ][ ])

GM SYSTEM ON F0 7E 7F 09 01 F7

GM SYSTEM ON is used by an external machine to turn on this key-

board’s GM system. GM stands for General MIDI.

This message adds effects such as vibrato and volume changes ap-

plied during keyboard play. CONTROL CHANGE data includes a

control number (to identify the effect type) and a control value (to

specify the on/off status and depth of the effect).

• GM SYSTEM ON takes more time to process than other messages,

so when GM SYSTEM ON is stored in the sequencer it can take

more than 100msec until the next message.

The following is a list of data that can be send or received using CON-

TROL CHANGE.

Effect

# Modulation

# Volume

# Pan

Control Number

([ ][ ][ ][ ][ ][ ])

GM SYSTEM OFF F0 7E 7F 09 02 F7

GM SYSTEM OFF is used by an external machine to turn off this key-

board’s GM system.

# Expression

Hold1

Sostenuto

Soft Pedal

RPN*

100 / 101

6 / 38

Data Entry

# indicates receive-only messages

* RPN stands for Registered Parameter Number, which is a special

control change number used when combining multiple control

changes. The parameter being controlled is selected using the con-

trol values of control numbers 100 and 101, and then settings are

made using the control values of DATA ENTRY (control numbers

6 and 38).

This keyboard uses RPN to control this keyboard’s pitch bend sense

(pitch change width in accordance with bend data) from another

external MIDI device, transpose (this keyboard’s overall tuning

adjusted in halftone units), and tune (this keyboard’s overall fine

tuning).

❚ NOTE ❚

Sustain (control number 64), sostenuto (control number 66), and soft (con-

trol number 67) effects applied using the foot pedal are also applied.

E-40

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Troubleshooting

Problem

Possible Cause

Action

See page

No keyboard Sound

1. Power supply problem.

1. Correctly attach the AC adaptor, make

sure that batteries poles (+/–) are fac-

ing correctly, and check to make sure

that batteries are not dead.

Page E-12

2. Power is not turned on.

3. Volume setting is too low.

2. Press the POWER button to turn on

power.

3. Use the VOLUME slider to increase vol-

ume.

Page E-14

Page E-17

4. The MODE switch is in the CASIO 4. Normal play is not possible on the ac-

CHORD or FINGERED position.

companiment keyboard while the

MODE switch is set to CASIO CHORD

or FINGERED. Change the MODE

switch setting to NORMAL.

5. LOCAL CONTROL is off.

5. Turn on LOCAL CONTROL.

6. MIDI data has changed the VOLUME 6. Adjust both parameters.

and EXPRESSION settings to 0.

Page E-38

Page E-40

Any of the following symptoms while us- Low battery power

ing battery power.

Replace the batteries with a set of new ones

or use the AC adaptor.

Page E-12

• Dim power supply indicator

• Instrument does not turn on.

• Dim, difficult to read display

• Abnormally low speaker/headphone

volume

• Distortion of sound output

• Occasional interruption of sound when

playing at high volumes

• Sudden power failure when playing at

high volumes

• Dimming of the display when playing

at high volume

• Continued sound output even after you

release a key

• A totally different tone may sound

• Abnormal rhythm pattern and demo

tune play

• Loss of power, sound distortion, or low

volume when playing from a connected

computer or MIDI device

Auto Accompaniment does not sound.

Accompaniment volume is set to 000.

Use the ACCOMP VOLUME button to in-

crease the volume.

Page E-20

Page E-34

Sound output does not change when key Touch response is turned off.

pressure is varied.

Press the TOUCH RESPONSE button to

turn it on.

On-screen keyboard guide keys stay on.

Keyboard is waiting for play of the correct 1. Press the lit key to continue with Step 1

Page E-25

note during Step 1 or Step 2 play.

or Step 2 play.

2. Press the START/STOP button to quit

Step 1 or Step 2 play.

When playing with another MIDI instru- Transpose or tuning is set to a value other Use the TRANSPOSE/TUNE/MIDI button

Page E-37

ment, keys or tunings do not match.

than 00.

to display the applicable setting screens and

set both transpose and tuning to 00.

Cannot record Auto Accompaniment or Track other than Track 1 is selected as the Use the track select buttons to select Track

Page E-28

Page E-39

rhythm.

recording track.

1. (Track 2 is melody track.)

When playing General MIDI data with a Wrong SOUND RANGE SHIFT setting

computer, playback notes do not match

Use the TRANSPOSE/TUNE/MIDI button

to display the SOUND RANGE SHIFT

screen and correct the setting.

those produced when lit keys on the on-

screen keyboard guide are pressed.

Playing on the keyboard produces an un- The computer’s MIDI THRU function is Turn off the MIDI THRU function on the

Page E-38

natural sound when connected to a com- turned on.

puter.

computer or turn off LOCAL CONTROL

on the keyboard.

Cannot record chord accompaniment data ACCOMP MIDI OUT is turned off.

on a computer.

Turn on ACCOMP MIDI OUT.

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Specifications

Model:

CTK-571/CTK-573

Keyboard:

61 standard-size keys, 5 octaves (with touch response on/off)

137 (128 General MIDI tones + 9 drum tones); with layer and split

Tones:

Rhythm Instrument Tones:

Polyphony:

24 notes maximum (12 for certain tones)

Auto Accompaniment

Rhythm Patterns:

Tempo:

100

Variable (216 steps, = 40 to 255)

Chords:

3 fingering methods (CASIO CHORD, FINGERED, FULL RANGE CHORD)

Rhythm Controller:

START/STOP, INTRO, NORMAL/NORMAL FILL-IN, VARIATION/VARIATION FILL-IN,

SYNCHRO/ENDING

Accomp Volume:

0 to 127 (128 steps)

One Touch Presets:

Recalls settings for tone, tempo, layer, split, and accompaniment volume in accordance with

rhythm.

3-step Lesson:

3 lessons (Step 1, 2, 3)

Playback:

Repeat play of a single tune

Song Bank, Etude, Concert Piece

Number of Tunes:

100 (Song Bank: 50, Etude: 20, Concert Piece: 30)

Controllers:

PLAY/PAUSE, STOP, FF, REW, LEFT/TRACK 1, RIGHT/TRACK 2

Musical Information Function:

Tone, Auto Accompaniment, Song Bank numbers and names; staff notation, tempo, metro-

nome, measure and beat number, step lesson display, chord name, fingering, pedal opera-

tion, Keyboard, Piano mark

Metronome:

On/Off

1 to 6

Beat Specification:

Memory

Songs:

Recording Tracks:

Recording Method:

Memory Capacity:

Real-time

Approximately 5,200 notes (total for two songs)

MIDI:

16 multi-timbre receive, GM Level 1 standard

Other Functions

Transpose:

Tuning:

25 steps (–12 semitones to +12 semitones)

101 steps (A4 = approximatery 440Hz 50Cents)

Terminals

MIDI Terminals:

IN, OUT

Assignable Jack:

Standard jack (sustain, sostenuto, soft, rhythm start/stop)

Headphone/Output Terminal:

Output Impedance:

Output Voltage:

Stereo standard jack

66ȑ

3.0V (RMS) MAX

Power Jack:

9V DC

Power Supply:

Batteries:

2-way

6 D-size batteries

Battery Life:

AC Adaptor:

Auto Power Off:

Approximately 6 hours continuous operation on manganese batteries

AD-5

Turns power off approximately 6 minutes after last key operation. Enabled under batter power

only, can be disabled manually.

Speaker Output:

Power Consumption:

Dimensions:

2.0W + 2.0W

96.1 x 37.5 x 14.3 cm (37

Approximately 5.3 kg (11.7 lbs)(without batteries)

7.7W

x 14

x 5

inch)

Weight:

• Design and specifications are subject to change without notice.

E-42

702A-E-044B

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Appendix/Apéndice

I Note Table

I Tabla de notas

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

000

001

002

003

004

005

006

007

008

009

A0 - C8

E1 - G7

F2 - F6

C2 - C7

C4 - C8

C5 - C8

010

011

012

013

014

015

016

017

018

019

C4 - C6

F3 - F6

C3 - C6

F4 - C7

C4 - F5

C4 - C6

C2 - C7

A0 - C8

020

021

022

023

024

025

026

027

028

029

C2 - C7

F3 - F6

C4 - C6

F3 - F6

E2 - C6

E2 - D6

030

031

032

033

034

035

036

037

038

039

E2 - D6

E1 - G3

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

ꢅ

040

041

042

043

044

045

046

047

048

049

G3 - C7

C3 - C6

C2 - C5

E1 - G3

E1 - C7

B0 - G7

C2 - A3

E1 - C7

050

051

052

053

054

055

056

057

058

059

C2 - C7

C3 - G5

C3 - C6

C3 - C5

060

061

062

063

064

065

066

067

068

069

F2 - F5

C2 - C7

070

071

072

073

074

075

076

077

078

079

A 1 - C5

D3 - G6

D5 - C8

C4 - C7

G3 - C6

C4 - C7

C4 - C6

ꢅ

F 3 - D 6

ꢅ

C 3 - G 5

F 2 - D 5

ꢅ

A 3 - A 6

ꢅ

A 1 - D 5

F1 - G3

C 2 - G 4

ꢅ

A 3 - G6

ꢅ

A 3 - A 5

E3 - A5

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

(1)

(2) (3)

(4)

080

081

082

083

084

085

086

087

088

089

A0 - C8

C2 - C7

A0 - C8

C2 - C7

090

091

092

093

094

095

096

097

098

099

C2 - C7

100

101

102

103

104

105

106

107

108

109

C2 - C7

C3 - F5

C3 - C6 *115 24

D3 - G5 *116 24

G3 - C6 *117 24

C3 - G5 *118 12

110

111

112

113

114

G3 - C7

C3 - C5

C5 - C6

C4 - C5

E3 - E5

C4 - C5

C2 - F5

*119 24

❚ NOTES ❚

❚ NOTAS ❚

(1) The meaning of each range type is described to the

right.

(1) El significado de cada tipo de gama se describe a la

derecha.

(1)

(2) (3)

(4)

(2) The pitch of tones marked with an asterisk do not

change, no matter which keyboard key is pressed.

(3) Percussion sounds (tone numbers 128 to 136) have

maximum polyphony of 12.

(4) Turning on SOUND RANGE SHIFT (page E-39) caus-

es range type B and C tones to shift by one octave.

(2) La altura tonal de los sonidos marcados con un as-

terisco no cambian, sin tener en cuenta que tecla del

teclado se presiona.

(3) Los sonidos de percusión (números de sonido 128 a

136) tienen una polifonía máxima de 12.

(4) Activando SOUND RANGE SHIFT (página S-39) oca-

siona que los sonidos B y C de tipo de gama se

desplacen en una octava.

*120 24

121 24

C4 - C5

*122 12

*123 24

*124 24

*125 24

*126 12

*127 24

702A-E-087A

A-1

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ꢋ

A=440Hz

ꢋ

ꢃ

ꢋ

ꢄ

ꢋ

Range Type C–1

C7 G7 C8

(Standard type)

(Tipo estándar)

Low pitch

instruments

Instrumentos de

altura tonal baja

“072 PICCOLO”

only

Solamente

“072 PICCOLO”

No scale for tones.

Sin escala para los sonidos.

(Sound Effect)

Efecto de sonido

(

)

........Keyboard range (SOUND RANGE SHIFT turned on)

........Gama del teclado (SOUND RANGE SHIFT activados)

........Keyboard range (SOUND RANGE SHIFT turned off)

........Gama del teclado (SOUND RANGE SHIFT desactivados)

........Available range (using transpose or MIDI receive)

........Gama disponible (usando la transposición o recepción MIDI)

........Notes in these ranges are produced by playing the notes in range c that are in the

nearest octave as the result of transpose and MIDI data receive operations.

........Las notas en estas gamas se producen ejecutando las notas en la gama c que se

encuentre en la octava más cercana como resultado de las operaciones de

transposición y recepción de datos MIDI.

A-2

702A-E-088A

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702A-E-089A

A-3

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I Fingered Chord Chart

I Cuadros de acordes Fingered

Chord

Type

dim7

m7^-5

dim

Root

ꢅ

ꢊ

C /(D )

ꢅ

ꢊ

(D )/E

ꢅ

ꢊ

F /(G )

ꢅ

ꢊ

(G )/A

ꢅ

ꢊ

(A )/B

A-4

702A-E-090A

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Chord

Type

7^-5

aug

sus4

add9

m add9 mM7

7sus4

Root

ꢅ

ꢊ

C /(D )

ꢅ

ꢊ

(D )/E

ꢅ

ꢊ

F /(G )

ꢅ

ꢊ

(G )/A

ꢅ

ꢊ

(A )/B

702A-E-091A

A-5

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I Tone List

I Lista de sonidos

SYNTH-LEAD 080-087

080 SQUARE WAVE

081 SAWTOOTH WAVE

082 CALLIOPE

094 HALO PAD

095 SWEEP PAD

115 WOOD BLOCK

116 TAIKO

117 MELODIC TOM

118 SYNTH-DRUM

119 REVERSE CYMBAL

SYNTH-SFX 096-103

096 RAIN DROP

097 SOUNDTRACK

098 CRYSTAL

083 CHIFF LEAD

084 CHARANG

085 VOICE LEAD

086 FIFTH LEAD

087 BASS+LEAD

SOUND EFFECTS 120-127

120 GT FRET NOISE

121 BREATH NOISE

122 SEASHORE

099 ATMOSPHERE

100 BRIGHTNESS

101 GOBLINS

SYNTH-PAD 088-095

088 NEW AGE

102 ECHOES

123 BIRD

103 SF

124 TELEPHONE

125 HELICOPTER

126 APPLAUSE

089 WARM PAD

090 POLYSYNTH

091 SPACE CHOIR

092 BOWED GLASS

093 METALLIC PAD

PERCUSSIVE 112-119

112 TINKLE BELL

113 AGOGO

127 GUNSHOT

114 STEEL DRUM

A-6

702A-E-092A

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I Rhythm List

I Lista de ritmos

POPS

32 SLOW ROCK 2

33 SOFT ROCK 1

34 SOFT ROCK 2

35 SOFT ROCK 3

36 FOLKIE POP

37 POP ROCK 1

38 60'S SOUL

65 VIENNESE WALTZ

66 WALTZ

00 POPS 1

01 WORLD POP

02 SOUL BALLAD 1

03 POP SHUFFLE

04 POP BALLAD

05 POPS 2

67 FRENCH WALTZ

68 SERENADE

69 TANGO

LATIN/VARIOUS

70 BOSSA NOVA 1

71 BOSSA NOVA 2

72 SAMBA 1

06 BALLAD

39 POP ROCK 2

40 ROCK 1

07 FUSION SHUFFLE

08 POPS 3

41 ROCK 2

09 SOUL BALLAD 2

10 16 BEAT 1

11 16 BEAT 2

12 16 BEAT 3

13 8 BEAT 1

42 POP ROCK 3

43 RIFF ROCK

44 HEAVY METAL

45 50'S ROCK

46 TWIST

73 SAMBA 2

74 JAZZ SAMBA

75 MAMBO

76 RHUMBA

77 CHA-CHA-CHA

78 MERENGUE

79 BOLERO

14 8 BEAT 2

47 N'AWLINS R&R

48 CHICAGO BLUES

49 R & B

15 8 BEAT 3

16 POPS 4

80 SALSA

17 DANCE POP

18 POP FUSION

19 POP WALTZ

81 REGGAE

JAZZ/FUSION

82 PUNTA

50 BIG BAND

51 JAZZ VOICES

52 SLOW SWING

53 SWING 1

83 CUMBIA

84 PASODOBLE

85 RUMBA CATALANA

86 SEVILLANA

87 SKA

DANCE/FUNK

20 JUNGLE

21 RAVE

54 SWING 2

22 TECHNO

23 GROOVE SOUL

24 DISCO

55 FOX TROT

56 MODERN JAZZ

57 ACID JAZZ

58 LATIN FUSION

59 JAZZ WALTZ

88 TEX-MEX

89 FOLKLORE

90 COUNTRY

91 BLUEGRASS

92 TOWNSHIP

93 FAST GOSPEL

94 SLOW GOSPEL

95 RAI

25 EURO BEAT

26 RAP

27 TRANCE

28 FUNK

EUROPEAN

29 VERY FUNKY

60 POLKA 1

61 POLKA 2

62 MARCH 1

63 MARCH 2

64 SLOW WALTZ

96 ADANI

ROCK

97 BALADI

30 ROCK WALTZ

31 SLOW ROCK 1

98 ENKA

99 STR QUARTET

702A-E-093A

A-7

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A-4

702A-E-094B

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702A-E-095A

A-5

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