Yamaha Stereo Receiver HTR 5250 User Manual

U C A  
HTR-5250  
Natural Sound AV Receiver  
Ampli-tuner audio-vidéo  
OWNER’S MANUAL  
MODE D’EMPLOI  
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SAFETY INSTRUCTIONS  
8
Ventilation – The unit should be situated so that its  
location or position does not interfere with its proper  
ventilation. For example, the unit should not be situated  
on a bed, sofa, rug, or similar surface, that may block the  
ventilation openings; or placed in a built-in installation,  
such as a bookcase or cabinet that may impede the flow  
of air through the ventilation openings.  
CAUTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
CAUTION: TO REDUCE THE RISK OF  
ELECTRIC SHOCK, DO NOT REMOVE  
COVER (OR BACK). NO USER-SERVICEABLE  
PARTS INSIDE. REFER SERVICING TO  
QUALIFIED SERVICE PERSONNEL.  
9
Heat – The unit should be situated away from heat  
sources such as radiators, stoves, or other appliances  
that produce heat.  
Explanation of Graphical Symbols  
10 Power Sources – The unit should be connected to a  
power supply only of the type described in the operating  
instructions or as marked on the unit.  
The lightning flash with arrowhead symbol,  
within an equilateral triangle, is intended to  
alert you to the presence of uninsulated  
“dangerous voltage” within the product’s  
enclosure that may be of sufficient magnitude  
to constitute a risk of electric shock to persons.  
11 Power-Cord Protection – Power-supply cords should be  
routed so that they are not likely to be walked on or  
pinched by items placed upon or against them, paying  
particular attention to cords at plugs, convenience  
receptacles, and the point where they exit from the unit.  
The exclamation point within an equilateral  
triangle is intended to alert you to the presence  
of important operating and maintenance  
(servicing) instructions in the literature  
accompanying the appliance.  
12 Cleaning – The unit should be cleaned only as  
recommended by the manufacturer.  
13 Nonuse Periods – The power cord of the unit should be  
unplugged from the outlet when left unused for a long  
period of time.  
WARNING  
TO REDUCE THE RISK OF FIRE OR  
ELECTRIC SHOCK, DO NOT EXPOSE THIS UNIT TO  
RAIN OR MOISTURE.  
14 Object and Liquid Entry – Care should be taken so that  
objects do not fall into and liquids are not spilled into the  
inside of the unit.  
15 Damage Requiring Service – The unit should be serviced  
1
2
3
4
5
Read Instructions – All the safety and operating  
instructions should be read before the unit is operated.  
by qualified service personnel when:  
A. The power-supply cord or the plug has been  
Retain Instructions – The safety and operating  
instructions should be retained for future reference.  
damaged; or  
B. Objects have fallen, or liquid has been spilled into the  
Heed Warnings – All warnings on the unit and in the  
operating instructions should be adhered to.  
unit; or  
C. The unit has been exposed to rain; or  
Follow Instructions – All operating and other instructions  
should be followed.  
D. The unit does not appear to operate normally or exhibits  
a marked change in performance; or  
Water and Moisture – The unit should not be used near  
water – for example, near a bathtub, washbowl, kitchen  
sink, laundry tub, in a wet basement, or near a swimming  
pool, etc.  
E. The unit has been dropped, or the cabinet damaged.  
16 Servicing – The user should not attempt to service the  
unit beyond those means described in the operating  
instructions. All other servicing should be referred to  
qualified service personnel.  
6
Carts and Stands – The unit should be used only with a  
cart or stand that is recommended by the  
manufacturer.  
17 Power Lines – An outdoor antenna should be located  
6A A unit and cart combination should be  
moved with care. Quick stops, excessive  
force, and uneven surfaces may cause  
the unit and cart combination to overturn.  
away from power lines.  
18 Grounding or Polarization – Precautions should be taken  
so that the grounding or polarization is not defeated.  
7
Wall or Ceiling Mounting – The unit should be mounted to  
a wall or ceiling only as recommended by the  
manufacturer.  
CAUTION  
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SAFETY INSTRUCTIONS  
19 For US customers only:  
Outdoor Antenna Grounding – If an outside antenna is  
connected to this unit, be sure the antenna system is  
grounded so as to provide some protection against  
voltage surges and built-up static charges. Article 810 of  
the National Electrical Code, ANSI/NFPA 70, provides  
information with regard to proper grounding of the mast  
and supporting structure, grounding of the lead-in wire to  
an antenna discharge unit, size of grounding conductors,  
location of antenna discharge unit, connection to  
grounding electrodes, and requirements for the  
grounding electrode.  
EXAMPLE OF ANTENNA GROUNDING  
ANTENNA  
LEAD IN  
WIRE  
MAST  
GROUND  
CLAMP  
ANTENNA  
DISCHARGE UNIT  
(NEC SECTION 810–20)  
ELECTRIC  
SERVICE  
EQUIPMENT  
GROUNDING CONDUCTORS  
(NEC SECTION 810–21)  
GROUND CLAMPS  
Note to CATV system installer:  
POWER SERVICE GROUNDING  
ELECTRODE SYSTEM  
(NEC ART 250. PART H)  
This reminder is provided to call the CATV system  
installer’s attention to Article 820-40 of the NEC that  
provides guidelines for proper grounding and, in particular,  
specifies that the cable ground shall be connected to the  
grounding system of the building, as close to the point of  
cable entry as practical.  
NEC – NATIONAL ELECTRICAL CODE  
FCC INFORMATION (for US customers only)  
1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!  
Compliance with FCC regulations does not guarantee  
that interference will not occur in all installations. If  
this product is found to be the source of interference,  
which can be determined by turning the unit “OFF”  
and “ON”, please try to eliminate the problem by using  
one of the following measures:  
This product, when installed as indicated in the  
instructions contained in this manual, meets FCC  
requirements. Modifications not expressly approved by  
Yamaha may void your authority, granted by the FCC,  
to use the product.  
2. IMPORTANT : When connecting this product to  
accessories and/or another product use only high  
quality shielded cables. Cable/s supplied with this  
product MUST be used. Follow all installation instruc-  
tions. Failure to follow instructions could void your FCC  
authorization to use this product in the USA.  
3. NOTE : This product has been tested and found to  
comply with the requirements listed in FCC Regula-  
tions, Part 15 for Class “B” digital devices. Compliance  
with these requirements provides a reasonable level of  
assurance that your use of this product in a residential  
environment will not result in harmful interference with  
other electronic devices.  
Relocate either this product or the device that is being  
affected by the interference.  
Utilize power outlets that are on different branch (circuit  
breaker or fuse) circuits or install AC line filter/s.  
In the case of radio or TV interference, relocate/  
reorient the antenna. If the antenna lead-in is 300  
ohm ribbon lead, change the lead-in to coaxial type  
cable.  
If these corrective measures do not produce satisfac-  
tory results, please contact the local retailer autho-  
rized to distribute this type of product. If you can not  
locate the appropriate retailer, please contact Yamaha  
Electronics Corp., U.S.A. 6660 Orangethorpe Ave,  
Buena Park, CA 90620.  
This equipment generates/uses radio frequencies and,  
if not installed and used according to the instructions  
found in the users manual, may cause interference  
harmful to the operation of other electronic devices.  
The above statements apply ONLY to those products  
distributed by Yamaha Corporation of America or its  
subsidiaries.  
We WantYou Listening For A Lifetime  
YAMAHA and the Electronic Industries Association’s  
Consumer Electronics Group want you to get the most out of  
your equipment by playing it at a safe level. One that lets the  
sound come through loud and clear without annoying blaring  
or distortion – and, most importantly, without affecting your  
sensitive hearing.  
Since hearing damage from loud sounds is often  
undetectable until it is too late, YAMAHA and the  
Electronic Industries Association’s Consumer  
Electronics Group recommend you to avoid  
prolonged exposure from excessive volume  
levels.  
CAUTION  
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CAUTION: READ THIS BEFORE OPERATING YOUR UNIT.  
1. To assure the finest performance, please read this  
manual carefully. Keep it in a safe place for future  
reference.  
12. To prevent lightning damage, disconnect the AC  
power cord and disconnect the antenna cable when  
there is an electrical storm.  
2. Install this unit in a cool, dry, clean place — away  
from windows, heat sources, sources of excessive  
vibration, dust, moisture and cold. Avoid sources of  
humming (transformers, motors).To prevent fire or  
electrical shock, do not expose the unit to rain or  
water.  
13. Grounding or polarization — Precautions should be  
taken so that the grounding or polarization of the unit  
is not defeated.  
14. AC outlet — Do not connect audio component to the  
AC outlet on the rear panel if that component  
requires more power than the outlet is rated to  
provide.  
3. Never open the cabinet. If something drops into the  
unit, contact your dealer.  
This unit is not disconnected from the AC power source  
as long as it is connected to the wall outlet, even if this  
unit itself is turned off. This state is called the standby  
mode. In this state, this unit is designed to consume a  
very small quantity of power.  
4. Do not use force on switches, controls or connection  
cables. When moving the unit, first disconnect the  
power cord and then the cables connected to other  
component. Never pull the cables themselves.  
5. The openings on the cover assure proper ventilation  
of the unit. If these openings are obstructed, the  
temperature inside the unit will rise rapidly.  
Therefore, avoid placing objects against these  
openings, and install the unit in a well-ventilated area  
to prevent fire and damage.  
IMPORTANT  
Please record the serial number of this unit in the space  
below.  
MODEL:  
6. The voltage used must be the same as that specified  
on this unit. Using this unit with a higher voltage than  
specified is dangerous and may result in fire or other  
accidents.YAMAHA will not be held responsible for  
any damage resulting from the use of this unit with a  
voltage other than that specified.  
Serial No.:  
The serial number is located on the rear of the unit.  
Retain this Owner’s Manual in a safe place for future  
reference.  
WARNING  
7. Digital signals generated by this unit may interfere  
with other component such as tuners, receivers and  
TVs. Move this unit farther away from such  
component if interference is observed.  
TO REDUCE THE RISK OF FIRE OR ELECTRIC  
SHOCK, DO NOT EXPOSE THIS UNIT TO RAIN OR  
MOISTURE.  
FOR CANADIAN CUSTOMERS  
8. Always set VOLUME to the “m” position before  
starting the audio source play. Increase the volume  
gradually to an appropriate level after playback has  
been started.  
To prevent electric shock, match wide blade of plug to  
wide slot and fully insert.  
This Class B digital apparatus complies with Canadian  
ICES-003.  
9. Do not attempt to clean the unit with chemical  
solvents; this might damage the finish. Use a clean,  
dry cloth.  
10. Be sure to read the “TROUBLESHOOTING” section  
regarding common operating errors before  
concluding that the unit is faulty.  
11. When not planning to use this unit for a long period  
of time (e.g., a vacation), disconnect the AC power  
cord from the wall outlet.  
CAUTION  
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INTRODUCTION  
FEATURES  
CONTENTS  
5-Channel Power Amplification  
Minimum RMS Output  
(0.06% THD, 20 Hz – 20 kHz)  
[U.S.A. and Canada models]  
INTRODUCTION  
FEATURES .................................................................. 1  
CONTENTS ................................................................. 1  
GETTING STARTED ................................................. 2  
CONTROLS AND FUNCTIONS ............................... 4  
Main:  
Center:  
Rear:  
100 W + 100 W (8 )  
100 W (8 )  
100 W + 100 W (8 )  
[Australia model]  
Main:  
Center:  
Rear:  
70 W + 70 W (8 )  
70 W (8 )  
70 W + 70 W (8 )  
PREPARATION  
Multi-Mode Digital Sound Field  
Processing  
Digital Sound Field Processor (DSP)  
Dolby Pro Logic Decoder  
Dolby Digital Decoder  
SPEAKER SETUP....................................................... 9  
CONNECTIONS........................................................ 10  
ADJUSTING THE SPEAKER BALANCE ............ 19  
DTS Decoder  
CINEMA DSP: Combination of YAMAHA DSP  
Technology and Dolby Pro Logic, Dolby Digital or  
DTS  
BASIC OPERATION  
PLAYING A SOURCE .............................................. 21  
DIGITAL SOUND FIELD PROCESSOR (DSP)  
EFFECT .................................................................. 25  
TUNING ..................................................................... 27  
RECORDING A SOURCE ON TAPE, MD OR  
VIDEO CASSETTE ............................................... 31  
Sophisticated FM/AM Tuner  
40-Station Random Access Preset Tuning  
Automatic Preset Tuning  
Preset Station Shifting Capability (Preset Editing)  
Other Features  
96-kHz/24-bit D/A Converter  
“SET MENU” which Provides You with 12 Items  
for Optimizing This Unit for Your Audio/Video  
System  
Test Tone Generator for Easier Speaker Balance  
Adjustment  
ADVANCED OPERATION  
SOUND FIELD PROGRAM .................................... 32  
SET MENU ................................................................. 35  
DELAY TIME AND SPEAKER  
OUTPUT LEVELS ................................................. 39  
SLEEP TIMER .......................................................... 41  
PRESET REMOTE CONTROL .............................. 42  
6-Channel External Decoder Input for Other Future  
Formats  
S Video Signal Input/Output Capability  
3 Optical/2 Coaxial Digital Signal Input Terminals  
SLEEP Timer  
Remote Control with Preset Manufacturer Codes  
APPENDIX  
TROUBLESHOOTING ............................................ 50  
SPECIFICATIONS .................................................... 54  
GLOSSARY................................................................ 55  
INDEX ........................................................................ 56  
Manufactured under license from Dolby  
Laboratories. “Dolby”, “Pro Logic” and the  
double-D symbol are trademarks of Dolby  
Laboratories. Confidential Unpublished Works.  
©1992 – 1997 Dolby Laboratories, Inc. All  
rights reserved.  
y indicates a tip for your operation.  
Manufactured under license from Digital Theater Systems, Inc.  
US Pat. No. 5,451,942 and other world-wide patents issued and  
pending. “DTS”, “DTS Digital Surround”, are trademarks of  
Digital Theater Systems, Inc. Copyright 1996 Digital Theater  
Systems, Inc. All Rights Reserved.  
When buttons on this unit and the remote control are  
noted together in this Owner’s Manual, these button  
names are in principle noted in the order of “button name  
(remote control button name)”.  
1
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GETTING STARTED  
Checking the Package Contents  
Check that the following items are included in your package.  
Remote control  
Batteries (AAA, R03, UM-4 type)  
Antenna adapter  
(U.S.A. and Canada models only)  
Indoor FM antenna  
Quick reference card  
Quick Reference Card  
AM loop antenna  
Connection guide  
Battery Installation in the Remote  
Control  
Battery Replacement  
If the remote control operates only when it is close to the  
unit, the batteries are weak. Replace all the batteries with  
new ones.  
Be sure to replace the batteries within about two minutes.  
If it takes longer than two minutes, the codes set for the  
remote control will return to the factory settings. (Refer  
to pages 42 to 49 about the remote control.)  
2
1
3
Notes  
• Use only AAA, R03 or UM-4 batteries for replacement.  
• Be sure the battery polarity is correct. (See the illustration inside  
the battery compartment.)  
• Remove the batteries if the remote control will not be used for an  
extended period of time.  
1 Turn the remote control over and slide the  
battery compartment cover in the direction of  
the arrow.  
• If the batteries have leaked, dispose of them immediately. Avoid  
touching the leaked material or letting it come into contact with  
clothing, etc. Clean the battery compartment thoroughly before  
installing new batteries.  
2 Insert the batteries (AAA, R03 or UM-4 type)  
according the polarity markings on the inside  
of the battery compartment.  
3 Close the battery compartment cover.  
2
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GETTING STARTED  
Using the Remote Control  
The remote control transmits a directional infrared beam. Be  
sure to aim the remote control directly at the infrared sensor  
during operation. When the sensor is covered or there is a  
large object between the remote control and the sensor, the  
sensor cannot receive signals. The sensor may not be able to  
receive signals properly when it is exposed to direct sunlight  
or a strong artificial light (such as a fluorescent or strobe  
light). In this case, change the direction of the light or  
reposition the unit to avoid direct lighting.  
Remote control  
sensor  
Within approximately 6 m  
(20 feet)  
Notes  
• Handle the remote control with care.  
• Do not spill water, tea or other liquids on the remote control.  
• Do not drop the remote control.  
• Do not leave or store the remote control in the following  
conditions:  
– high humidity or temperature such as near a heater, stove or  
bath;  
– dusty places; or  
– extremely low temperature.  
3
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CONTROLS AND FUNCTIONS  
Front Panel  
1
2
3
4
5
6
+
+
L
R
7
8
9 0  
q
w e r  
t
y u i o  
p
1 STANDBY/ON  
6
VOLUME  
Press this switch to turn on the power of this unit or to set  
this unit in the standby mode. Before turning the power on,  
set VOLUME to the “m” position.  
Turn this control to turn up or down the volume.  
7 PHONES jack  
Connect the headphones to the PHONES jack. You can  
listen to the sound to be output from the main speakers  
through the headphones.  
Standby mode  
In this mode, this unit consumes a very small quantity of  
power to receive infrared-signals from the remote  
control.  
When listening with headphones privately, set both  
SPEAKERS A and B to the OFF position, press EFFECT to  
turn off the effect speakers (center and rear) and set “BASS  
OUT” on the SET MENU to the MAIN position (so that no  
DSP program name appears on the display).  
2 Remote control sensor  
This receives signals from the remote control.  
8 SPEAKERS  
3 Display  
Set A or B (or both A and B) to the ON position for the main  
speaker system (connected to this unit) that you want to use.  
Set the button(s) to the OFF position for the main speaker  
system that you don’t want to use.  
This shows various information. (Refer to page 6 for  
details.)  
4 INPUT MODE  
Press this button to select the input mode among AUTO,  
DTS and ANALOG for the DVD/LD, TV/digital TV and  
cable TV/satellite tuner sources.  
9 PROGRAM selector  
Press l or h to select a DSP program when the effect  
speakers (center and rear) are turned on. The name of the  
selected program appears on the display.  
5 INPUT SELECTOR  
Turn this selector to select the input source (TUNER, CD,  
PHONO, CBL/SAT, V-AUX, VCR, D-TV, DVD/LD) that  
you want to listen to or watch. The arrow for the selected  
input source indicator lights up on the display.  
0 EFFECT  
Press this button to turn on or off the effect speakers (center  
and rear). If you turn them off, the signals of the center and  
rear channels are directed to the right and left main speakers  
when playing a source encoded with Dolby Digital and  
DTS. In this case, the output levels of the right and left  
speakers may not match.  
4
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CONTROLS AND FUNCTIONS  
q Tone controls  
t PRESET/TUNING  
These controls are only effective for the sound from the  
main speakers.  
a) BASS  
Turn this control clockwise to increase or counterclockwise  
to decrease the low-frequency response. The “0” position  
produces a flat response.  
When “ z ” appears on the display  
This button is used to select a preset station number (1 to 8).  
Press h to select a higher and l to select a lower preset  
station number.  
When “ z ” goes off from the display  
This button is used for tuning. Press h to tune in to higher  
frequencies, and l to tune in to lower frequencies.  
b) TREBLE  
Turn this control clockwise to increase or counterclockwise  
to decrease the high-frequency response. The “0” position  
produces a flat response.  
y PRESET/TUNING, EDIT  
Press this button to turn on or off “ z ” on the display, and  
switch the function between storing a broadcasting station  
(preset tuning) and tuning. This button is also used to  
exchange the assignment of two preset stations with each  
other.  
w TAPE/MD MON / EXT. DECODER  
Press this button to select a tape or an MD source. The  
“TAPE/MD MONITOR” indicator lights up on the display.  
When you press the button again, the “TAPE/MD  
MONITOR” indicator goes off, “EXT. DECODER” appears  
on the display and you can listen to a source connected to  
the EXTERNAL DECODER INPUT terminals.  
u FM/AM  
Press this button to switch the reception band between FM  
and AM.  
i MEMORY (MAN’L/AUTO FM)  
e BALANCE  
This control is only effective for the sound from the main  
speakers.  
Turn the control to adjust the balance of the output volume  
from the right and left main speakers to compensate for  
sound imbalance caused by the speaker location or listening  
room conditions.  
Press this button to store broadcasting stations. Hold down  
this button for more than three seconds to begin automatic  
preset tuning.  
o TUNING MODE (AUTO/MAN’L MONO)  
Press this button to switch the tuning mode between  
automatic and manual. To use the automatic tuning method,  
press this button so that the “AUTO” indicator lights up on  
the display. To use the manual tuning method, press this  
button so that the “AUTO” indicator goes off.  
r A/B/C/D/E  
Press this button to select one of a group (A to E) of preset  
stations.  
p VIDEO AUX terminals  
Connect an auxiliary audio or video input source such as a  
camcorder to these terminals. If the connected video unit  
has an S video output terminal, connect it to the S VIDEO  
terminal to obtain a high-resolution picture. Use INPUT  
SELECTOR to select the source connected to these  
terminals.  
5
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CONTROLS AND FUNCTIONS  
Display  
1 t indicator  
The “t” indicator lights up when the built-in DTS  
decoder is on.  
6 g and o indicators  
g ” lights up when the built-in Dolby Digital  
decoder is on. “ o ” lights up when the built-in  
Dolby Pro Logic decoder is on.  
2 DSP program indicators  
The name of the selected DSP program lights up in the  
following cases:  
7 x indicator  
x ” lights up when the built-in digital sound  
field processor is on.  
When the tuner is selected as the input source.  
When DSP program No. 2, 3 or the subprogram  
“ENHANCED” of No. 1 is selected.  
8 MEMORY indicator  
This flashes for about five seconds after pressing  
MEMORY. During this period, the displayed station can be  
stored in the memory.  
3 Multi-information display  
This display shows various information: for example the  
name of the selected DSP program and the various settings  
during adjustment with the SET MENU. The current station  
frequency and band (FM or AM) also appear when the tuner  
is selected as the input source.  
9 AUTO indicator  
This lights up when the unit is in the automatic tuning  
mode.  
0 STEREO indicator  
This lights up when an FM stereo broadcast with sufficient  
signal strength is being received.  
4 Input source indicators  
One of the arrows for these indicators lights up depending  
on which source is selected.  
q Signal-level indicator  
5 TAPE/MD MONITOR indicator  
This indicates the signal level of the station being received.  
If multipath interference is detected, the indication  
decreases.  
This lights up when the tape deck or MD recorder, etc. is  
selected as the input source by pressing TAPE/MD MON /  
EXT. DECODER (or TAPE/MD).  
w SLEEP indicator  
This lights up while the built-in SLEEP timer is on.  
6
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CONTROLS AND FUNCTIONS  
Remote Control  
This section describes the basic operation of this unit with  
the remote control. First, set the selector dial to the AMP/  
TUN position. Refer to “PRESET REMOTE CONTROL”  
on page 42 for full details.  
1 DSP  
Press this button to switch the function of the numeric  
buttons to the DSP program selector. (Refer to page 8.)  
2 Indicator window  
This displays the name of components which can be  
controlled.  
8
9
1
2
3 Numeric buttons (Input selector buttons)  
These buttons select the input source.  
CD:  
To play a CD  
0
TUNER:  
TAPE/MD:  
DVD/LD:  
D-TV:  
To listen to an FM or AM broadcast  
To play a tape or MD  
To play a DVD or LD  
To watch a TV  
Select the  
AMP/TUN  
position.  
VCR:  
To play a video cassette  
To play an analog record  
To watch cable TV or satellite broadcast  
To use a camcorder  
PHONO:  
CBL/SAT:  
V-AUX:  
3
4
EXT. DEC.: To play another multi-channel source  
EFFECT  
Refer to page 8 for details.  
Refer to  
page 8.  
q
4 TEST  
Press this button to output the test tone for each speaker.  
5 j (left), i (right)  
These buttons adjust the settings of the SET MENU and  
TIME/LEVEL mode.  
w
e
5
6
6 TIME/LEVEL  
Press this button to select the items in the TIME/LEVEL  
mode.  
7 SLEEP  
Press this button to set the SLEEP timer.  
TV POWER  
r
t
y
8 INPUT  
Press this button to switch the function of the numeric  
buttons to the input selector. (Refer to page 8.)  
TV VOLUME  
9 Indicator  
TV INPUT  
7
This flashes in red when pressing a button on the remote  
control.  
u
0 Selector dial  
Turn this dial to select the position for the component to be  
controlled. (The proper code must be set for your  
component. Refer to “Setup codes” on page 48.) When the  
position is selected, the remote control is set to that  
component operation mode.  
7
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CONTROLS AND FUNCTIONS  
q A/B/C/D/E, PRESET +/–  
These buttons are used to select a preset station.  
When selecting a DSP program  
and turning on or off the effect  
speakers (center and rear)  
A/B/C/D/E:  
To select one of a group (A to E) of preset  
stations  
A
B
PRESET +/–: To select a preset station number (1 to 8)  
w d (next), u (back)  
These buttons are used to advance or go back one selection  
on the SET MENU and TIME/LEVEL mode.  
e SET MENU  
Press this button to select the items on the SET MENU.  
r POWER  
Press this button to turn this unit on.  
A
t STANDBY  
1 Press DSP regardless of the position of the  
selector dial.  
Press this button to set this unit in the standby mode.  
y VOLUME (+/–)  
The indicator lights up for about three seconds.  
These buttons are used to adjust the volume level.  
2 You can select a DSP program with the  
numeric buttons (1 to 8) and turn on or off the  
effect speakers (center and rear) by pressing  
EFFECT while the indicator is lit.  
u MUTE  
Press this button to mute the sound. To cancel mute, press  
this button again.  
EFFECT  
B
Press this button to turn on or off the effect speakers (center  
and rear) in the following cases:  
1 Set the selector dial to the DSP/TUN position.  
2 You can select a DSP program directly with the  
numeric buttons (1 to 8) and turn on or off the  
effect speakers (center and rear) by pressing  
EFFECT.  
When the selector dial is set to the DSP/TUN position.  
While the indicator is lit for about three seconds after  
pressing DSP.  
When selecting a preset station  
Description of the Numeric Buttons  
number  
The Numeric buttons function in various ways depending  
on the position of the selector dial or the combination of  
other instructions.  
When selecting an input source  
1 Set code number “0023” in the AMP/TUN (or  
DSP/TUN) position.  
Refer to page 48 for setting the code.  
2 Set the selector dial to the AMP/TUN (or DSP/  
TUN) position.  
1 Press INPUT regardless of the position of the  
selector dial.  
3 You can select a preset station number directly  
with the numeric buttons (1 to 8).  
Refer to page 29.  
The indicator lights up for about three seconds.  
2 You can select an input source with the  
numeric buttons while the indicator is lit.  
8
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PREPARATION  
SPEAKER SETUP  
Speakers to Be Used  
Speaker Placement  
This unit is designed to provide the best sound-field quality  
with a 5-speaker system, using main speakers, rear speakers  
and a center speaker. If you use different brands of speakers  
(with different tonal qualities) in your system, the tone of a  
moving human voice and other types of sound may not shift  
smoothly. We recommend that you use speakers from the  
same manufacture or speakers with the same tonal quality.  
Refer to the following diagram when you place the  
speakers.  
Main speaker (R)  
Rear speaker (R)  
Subwoofer  
Main  
speaker (L)  
1.8 m  
The main speakers are used for the main source sound plus  
the effect sounds. They will probably be the speakers from  
your present stereo system. The rear speakers are used for  
the effect and surround sounds, and the center speaker is for  
the center sounds (dialog, vocals, etc.). If for some reason it  
is not practical to use a center speaker, you can do without  
it. Best results, however, are obtained with the full system.  
Center speaker  
Rear speaker (L)  
Main speakers  
Place the right and left main speakers an equal distance  
from the ideal listening position. The distance of each  
speaker from each side of the TV monitor should be the  
same.  
The main speakers should be high-performance models and  
have enough power-handling capacity to accept the  
maximum output of your audio system. The other speakers  
do not have to be equal to the main speakers. For precise  
sound localization, however, it is ideal to use high-  
performance models that can reproduce sounds over the full  
range for the center speaker and the rear speakers.  
Rear speakers  
Place these speakers behind your listening position, facing  
slightly inwards, nearly 1.8 m (approx. 6 feet) above the  
floor.  
Use of a subwoofer expands your  
sound field  
Center speaker  
It is also possible to further expand your system with the  
addition of a subwoofer. The use of a subwoofer is effective  
not only for reinforcing bass frequencies from any or all  
channels, but also for reproducing the LFE (low frequency  
effect) channel with high fidelity when playing back a  
source encoded with Dolby Digital or DTS. The YAMAHA  
Active Servo Processing Subwoofer System is ideal for  
natural and lively bass reproduction.  
Align the front face of the center speaker with the front face  
of your TV monitor. Place the speaker as close to the  
monitor as possible, such as directly over or under the  
monitor and centrally between the main speakers.  
Note  
• If the center speaker is not used, the center channel sound will be  
heard from the right and left main speakers. In that case,  
“CENTER SP” on the SET MENU is set to the NONE position.  
(Refer to page 36 for details.)  
Subwoofer  
The position of the subwoofer is not so critical, because low  
bass sounds are not highly directional. But it is better to  
place the subwoofer near the main speakers. Turn it slightly  
toward the center of the room to reduce the wall reflections.  
CAUTION  
Some types of speakers interfere with a TV monitor. If  
this problem occurs, move the speakers away from the  
monitor. If you cannot avoid installing the center speaker  
or subwoofer near the TV monitor, use magnetically  
shielded speakers.  
9
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CONNECTIONS  
Before Connecting Components  
CAUTION  
Never connect this unit and other components to mains power until all connections between components have been  
completed.  
Be sure all connections are made correctly, that is to say L (left) to L, R (right) to R, “+” to “+” and “–” to “–”. Some  
components require different connection methods and have different terminal names. Refer to the instructions for each  
component to be connected to this unit.  
When you connect other YAMAHA audio components (such as a tape deck, MD recorder and CD player or changer), connect  
it to the terminals with the same number labels as !, #, $ etc. YAMAHA applies this labeling system to all its products.  
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.  
The input and output terminals for pin plugs can be distinguished as follows:  
V
V
Yellow  
White  
Red  
video signals (composite)  
analog audio signals for the left channel  
analog audio signals for the right channel  
coaxial digital signals  
L
L
R
R
C
C
After completing all connections, check them again to make sure they are correct.  
Connecting the Antenna Connecting to an External  
(pages 11 and 12) Decoder (page 15)  
Connecting the Speakers  
(pages 16 and 17)  
Connecting the Power  
Supply Cords (page 18)  
(U.S.A. model)  
A
B
Connecting an Audio  
Component (page 13)  
Connecting a Video  
Component (pages 14 and 15)  
IMPEDANCE SELECTOR  
switch (page 18)  
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CONNECTIONS  
Connecting the Antennas  
Both AM and FM indoor antennas are included with this unit. In general, these antennas should provide sufficient signal  
strength. However, a properly installed outdoor antenna provides clearer reception than an indoor one. If you experience poor  
reception quality, an outdoor antenna may improve the quality.  
Connect each antenna correctly to the designated terminals.  
Indoor FM antenna (included)  
Firmly insert the connector into the FM ANT terminal. The  
indoor FM antenna is only a simple antenna. For reception  
with better sound quality, installing the outdoor FM antenna  
(commercially available) is recommended.  
Indoor FM  
antenna  
Note  
• Do not connect an outdoor FM antenna and the indoor FM  
antenna at the same time.  
Outdoor FM antenna  
You may be unable to obtain good FM radio reception  
depending on your local conditions (distance from the  
broadcasting station, interposing buildings and  
mountains, etc.). Consult your dealer or authorized service  
center and be sure to install an antenna that suits your local  
conditions.  
Antenna adapter  
(included for U.S.A. and  
Canada models)  
Note  
• Use this adapter to match  
with F-type connector.  
Install the outdoor FM antenna (commercially available) in  
a high place as far away from any roads as possible to avoid  
being affected by automobile ignition noise.  
75-ohm coaxial cable  
75-ohm/300-ohm antenna  
adapter  
11  
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CONNECTIONS  
AM loop antenna (included)  
The AM loop antenna can be removed from the stand and  
attached to a wall, etc. However, note that the reception  
sensitivity may deteriorate if the antenna is attached to a  
metal or steel reinforced wall.  
AM loop antenna  
Notes  
• The AM loop antenna should be placed away from this unit.  
• The AM loop antenna should always be connected, even if an  
outdoor AM antenna is connected to this unit.  
Connecting the AM loop antenna  
1 Press the tab and unlock the terminal hole.  
1
2
2 Insert the AM loop antenna lead wires into the  
AM ANT and GND terminals.  
3
3 Return the tab to its original position to lock  
the lead wires. Lightly pull the lead wires to  
confirm a good connection.  
4
5
4 Attach the loop antenna to the antenna stand.  
5 Orient the AM loop antenna so that the best  
reception is obtained.  
Antenna stand  
Outdoor AM antenna  
If you cannot obtain good reception with the AM loop  
antenna, connect 5 m to 10 m of vinyl covered wire to the  
AM ANT terminal and extend it outdoors from a window.  
Vinyl covered wire (5 m to 10 m)  
Ground (GND terminal)  
For maximum safety and minimum interference, connect  
the antenna GND terminal to a good earth ground. A good  
earth ground is a metal stake driven into moist earth.  
12  
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CONNECTIONS  
Connecting an Audio Component  
Turntable  
OUTPUT  
GND  
L
R
(U.S.A. model)  
Analog signal  
Signal flow  
L
R
L
R
L
R
L
R
OUTPUT  
LINE OUT  
LINE IN  
CD player  
Tape deck or  
MD recorder  
Be sure to connect the right channel (R), left channel (L),  
input (IN) and output (OUT) properly.  
PHONO terminals  
These terminals are used to connect a turntable with an MM  
or high-output MC cartridge. If you have a turntable with a  
low-output MC cartridge, use an inline boosting transformer  
or MC head amplifier when connecting to these terminals.  
y
Connecting the ground (earth) wire of the turntable to the GND  
terminal will normally minimize hum, but in some cases, better  
results may be obtained with the ground wire disconnected.  
13  
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CONNECTIONS  
Connecting a Video Component  
TV monitor  
DVD/LD player  
Cable TV/satellite tuner  
S VIDEO ANALOG  
S VIDEO  
OUT  
COAXIAL  
DIGITAL OUT  
OPTICAL  
DIGITAL OUT  
COAXIAL  
DIGITAL OUT  
OPTICAL  
DIGITAL OUT  
S VIDEO  
OUT  
ANALOG  
AUDIO OUT  
IN  
AUDIO OUT  
L
R
C
C
L
R
O
O
S
S
S
Analog signal  
S Video signal  
L
S
S
L
R
L
R
R
S
AUDIO AUDIO  
S VIDEO S VIDEO  
OUT IN  
IN  
OUT  
Digital signal  
(optical)  
O
S
VCR  
O
(U.S.A. model)  
Digital signal  
(coaxial)  
C
L
R
S VIDEO  
OUT  
ANALOG  
AUDIO OUT  
OPTICAL  
DIGITAL OUT  
Signal flow  
TV/digital TV  
Audio signal terminals  
Notes  
• Be sure to attach the covers when the OPTICAL terminals are not  
being used in order to protect them from dust.  
Be sure to connect the right channel (R), left channel (L),  
input (IN) and output (OUT) properly.  
• If your LD player has a Dolby Digital RF signal output terminal,  
be sure to use the RF demodulator (separately purchased).  
• No sound will be heard when connecting your LD player’s Dolby  
Digital RF signal output terminal directly to this unit’s COAXIAL  
DVD/LD digital signal input terminal.  
S Video signal terminals  
Use a special S VIDEO cable (commercially available) for  
the S VIDEO connection.  
y
Digital audio signal terminals  
• The input signal from the DVD/LD or CBL/SAT input terminals  
is selected in the following order of priority with the input mode  
set to AUTO: COAXIAL terminal OPTICAL terminal →  
Analog terminal. Refer to page 23 for details.  
• All digital signal input terminals are applicable to sampling  
frequencies of 32 kHz, 44.1 kHz, 48 kHz and 96 kHz. (Refer to  
page 24 about 96-kHz sampling 24-bit digital signals.)  
If your DVD/LD player, TV/digital TV or cable TV/satellite  
tuner, etc. has coaxial or optical digital signal output  
terminals, they can be connected to this unit’s COAXIAL  
and/or OPTICAL digital signal input terminals. To make a  
connection between the optical digital signal terminals,  
remove the cover from each terminal, and then connect  
them by using a commercially available optical fiber cable  
that conforms to EIA standards. Other cables might not  
function correctly.  
When making connections between the digital signal  
terminals, you should connect the components to the same-  
named analog audio signal terminals of this unit, because a  
digital signal cannot be recorded by a tape deck, MD  
recorder or VCR connected to this unit.  
14  
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CONNECTIONS  
VIDEO terminals (composite)  
DVD/LD player  
Cable TV/satellite tuner  
If your video components do not have “S” video terminals,  
they can be connected to this unit’s VIDEO terminals. Be  
sure to connect the input (IN) and output (OUT) properly.  
VIDEO OUT  
VIDEO OUT  
Note  
V
V
• If video signals are input from both the S VIDEO input and  
composite input terminals, the signals will be directed to their  
respective output terminals.  
V
V
V
V
VIDEO  
IN  
VIDEO  
OUT  
VIDEO VIDEO  
OUT  
IN  
TV monitor TV/digital TV  
VCR  
V
Video signal  
Signal flow  
VIDEO AUX terminals (on the front panel)  
These terminals are used to connect any video input source  
such as a camcorder to this unit.  
V
L
R
AUDIO OUT R  
AUDIO OUT L  
VIDEO OUT  
Camcorder  
S VIDEO OUT  
Connecting to an External Decoder  
External decoder  
This unit has additional 6-channel audio signal input  
terminals for connecting an external decoder to this unit.  
Connect the 6-channel audio signal output terminals of the  
decoder to the EXTERNAL DECODER INPUT terminals  
of this unit.  
SURROUND MAIN  
CENTER  
OUT  
SUBWOOFER  
OUT  
OUT  
OUT  
L
R
L
R
(U.S.A. model)  
Notes  
• When a source connected to these terminals is selected, the digital  
sound field processor cannot be used.  
• The settings of “CENTER SP”, “REAR SP”, “MAIN SP” and  
“BASS OUT” on the SET MENU have no effect on a source  
connected to these terminals. The setting of “MAIN LVL” is  
effective. (Refer to pages 36 and 37 for details.)  
• Adjustment of the output level of the center speaker, rear speakers  
and subwoofer is effective when a source connected to these  
terminals is selected as the input source. (Refer to page 39 for  
details.)  
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CONNECTIONS  
Connecting the Speakers  
Main speakers A  
Main speakers B  
Right  
Left  
Right  
Left  
(U.S.A. model)  
Subwoofer connection  
When using a subwoofer with built-  
in amplifier, including the  
YAMAHAActive Servo Processing  
Subwoofer System, connect the  
input terminal of the subwoofer  
system to the SUBWOOFER  
OUTPUT terminal of this unit.  
Low bass signals distributed from  
the main, center and/or rear  
L
R
channels are directed to this  
terminal. (The cut-off frequency of  
this terminals is 90 Hz.) The LFE  
(low frequency effect) signals  
generated when Dolby Digital or  
DTS is decoded are also directed if  
they are assigned to this terminal.  
Right  
Left  
Subwoofer  
system  
Center speaker  
Rear speakers  
Be sure to connect the right channel (R), left channel (L),  
“+” (red) and “–” (black) properly. If the connections are  
faulty, no sound will be heard from the speakers, and if the  
polarity of the speaker connections is incorrect, the sound  
will be unnatural and lack bass.  
MAIN SPEAKERS terminals  
One or two speaker systems can be connected to these  
terminals. If you use only one speaker system, connect it to  
either of the SPEAKERS A or B terminals.  
REAR SPEAKERS terminals  
A rear speaker system can be connected to these terminals.  
CAUTIONS  
• Use speakers with the specified impedance shown on  
the rear panel of this unit.  
CENTER SPEAKER terminals  
A center speaker can be connected to these terminals.  
• Do not let the bare speaker wires touch each other and  
do not let them touch any metal part of this unit. This  
could damage the unit and/or speakers.  
16  
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CONNECTIONS  
Speaker cables  
1 Remove approx. 10 mm (3/8”) of insulation  
10 mm (3/8”)  
from each of the speaker cables.  
2 Twist the exposed wires of the cable together  
1
2
to prevent short circuits.  
Connecting to the MAIN SPEAKERS terminals  
Red: positive (+)  
1 Unscrew the knob.  
2
3
Black: negative (–)  
2 Insert one bare wire into the hole in the side of  
1
each terminal.  
3 Tighten the knob to secure the wire.  
Connecting to the REAR and CENTER SPEAKERS terminals  
1 Open the tab.  
Red: positive (+)  
Black: negative (–)  
1
3
2 Insert one bare wire into the hole of each  
terminal.  
3 Return the tab to secure the wire.  
2
y
Banana plug connections are also possible. First, tighten the knob  
and then insert the banana plug connector into the end of the  
corresponding terminal.  
Connecting to an external amplifier  
The speaker connections described on page 16 are fine for most applications. If you wish to drive your existing amplifier, the  
following terminals are available for connecting an external amplifier(s) to this unit.  
Note  
• Output signals from these terminals are affected by the use of VOLUME, BASS, TREBLE and BALANCE.  
1 MAIN OUTPUT terminals  
These terminals are for the main channel line output.  
1
(U.S.A. model)  
Connect the input terminals of the external amplifier to  
these terminals.  
2 CENTER OUTPUT terminals  
These terminals are for the center channel line output.  
Connect the input terminals of the external amplifier to  
these terminals.  
3 REAR (SURROUND) OUTPUT terminals  
These terminals are for the rear channel line output.  
Connect the input terminals of the external amplifier to  
these terminals.  
Note  
2
3
• If an external amplifier is connected to the MAIN, CENTER or  
REAR OUTPUT terminals, disconnect the corresponding  
speakers (main, center or rear) from the SPEAKERS terminals.  
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CONNECTIONS  
IMPEDANCE SELECTOR Switch  
WARNING  
Do not change the IMPEDANCE SELECTOR switch setting while the power of this unit is on, otherwise the unit may be  
damaged.  
If this unit fails to turn on when STANDBY/ON (or POWER) is pressed, the IMPEDANCE SELECTOR switch may not  
be fully slide to either position. If so, slide the switch to either position fully when this unit is in the standby mode.  
Select the right or left position according to the impedance of speakers in your system. Be sure to move this switch only  
when this unit is in the standby mode.  
(U.S.A. model)  
If you use  
left position  
right position  
If you use one pair of main  
speakers, the impedance of  
If you use one pair of main  
speakers, the impedance of  
IMPEDANCE  
SELECTOR  
each speaker must be 4 or each speaker must be 8 or  
higher.  
higher.  
If you use two pairs of main  
speakers, the impedance of  
each speaker must be 8 or  
higher.  
If you use two pairs of main  
speakers, the impedance of  
each speaker must be 16 or  
higher.  
Main  
speakers  
[Canada model only]  
The impedance of each  
speaker must be 8 or  
higher.  
Rear speakers The impedance of each  
speaker must be 6 or  
higher.  
The impedance of each  
speaker must be 8 or  
higher.  
Center  
The impedance must be 6 Ω  
The impedance must be 8 Ω  
speaker  
or higher.  
or higher.  
Connecting the Power Supply Cords  
After completing all connections, connect the AC power  
cord to an AC power outlet. Disconnect the AC power cord  
if you will not use this unit for a long period of time.  
AC OUTLETS (SWITCHED)  
U.S.A. and Canada models .............................. 2 OUTLETS  
Australia model .................................................. 1 OUTLET  
Use these outlets to connect the power cords from your  
components to this unit. The power to the AC OUTLET(S)  
is controlled by this unit’s STANDBY/ON (or POWER and  
STANDBY). These outlets will supply power to any  
(U.S.A. model)  
connected component whenever this unit is turned on. The  
maximum power (total power consumption of components)  
that can be connected to the AC OUTLET(S) is 100 W.  
To AC outlet  
SWITCHED  
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ADJUSTING THE SPEAKER BALANCE  
This procedure lets you adjust the sound output level  
Using the Test Tone  
balance between the main, center and rear speakers by using  
the built-in test tone generator. When this adjustment is  
performed, the sound output level heard at the listening  
position will be the same from each speaker. This is  
important for the best performance of the digital sound field  
processor, the Dolby Pro Logic decoder, Dolby Digital  
decoder and DTS decoder.  
The adjustment of each speaker sound output level should  
be performed at your listening position with the remote  
control. After completing the adjustments, use VOLUME  
(+/–) at your listening position to check if the adjustments  
are satisfactory.  
2,7  
1
6
5
Before You Start Adjusting  
2
1
3
+
+
L
R
1 Set the selector dial to the  
AMP/TUN (or DSP/TUN)  
position.  
4
3
1 Set VOLUME to the “m”  
2 Press TEST.  
position.  
“TEST LEFT” appears on the display.  
2 Turn the power on.  
3 Turn up the volume.  
You will hear a test tone (like pink noise) from each  
speaker for about two seconds in the following order:  
left main speaker, center speaker, right main speaker,  
right rear speaker and left rear speaker. The display  
changes as shown below.  
3 Press SPEAKERS A or B  
to select the main  
speakers to be used.  
If you use two main speaker  
systems, press both A and B.  
TEST  
LEFT  
TEST  
RIGHT  
4 Set BASS,TREBLE and BALANCE to the “0”  
position.  
TEST CENTER  
+
+
L
R
TEST L SUR.  
TEST R SUR.  
Notes  
• If the test tone cannot be heard, turn down the volume, set the unit  
in the standby mode and check the speaker connections.  
• If the test tone cannot be heard from the center speaker, check the  
setting of “CENTER SP” on the SET MENU.  
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ADJUSTING THE SPEAKER BALANCE  
4 Adjust BALANCE on the  
front panel so that the  
sound output level of the  
right main speaker and the  
left main speaker is the  
same.  
7 When the adjustment is complete, press TEST.  
“TEST OFF” appears on the display and the test tone  
stops.  
L
R
Front panel  
5 Press TIME/LEVEL  
repeatedly to select the  
speaker to be adjusted.  
“CENTER”, “R SUR.” or  
“L SUR.” appears on the  
display.  
Note  
• If “CENTER SP” on the SET MENU is set to the NONE position,  
the sound output level of the center speaker cannot be adjusted in  
step 6. The center channel sound is automatically output from the  
right and left main speakers.  
y
• Once you have completed the adjustments, you can only adjust  
the overall volume level of your audio system by using VOLUME  
(or VOLUME (+/–)).  
• If you use external amplifiers, you may also use their volume  
controls to achieve the proper balance.  
y
After pressing TIME/LEVEL once, you can also select the item by  
pressing d. (Pressing u changes the selection in the reverse order.)  
• If there is insufficient sound output from the center and rear  
speakers, you may decrease the main speaker output level by  
setting “MAIN LVL” on the SET MENU to “–10 dB”. (Refer to  
page 37 for details.)  
6 Press i to raise and j to  
lower the level. Adjust the  
sound output levels of the  
center speaker and the  
rear speakers so that they  
become almost the same  
as that of the main  
speakers.  
While adjusting, the test tone is  
heard from the selected speaker.  
Note  
You cannot adjust the delay time while the test tone is being heard  
even if “DELAY” appears on the display.  
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BASIC OPERATION  
PLAYING A SOURCE  
4 Select the desired input  
source with INPUT  
When using the remote control, set the selector dial to  
the AMP/TUN position.  
SELECTOR (or the input  
selector buttons). (Turn on  
the TV monitor for video  
sources.)  
Front panel  
or  
2
4
1,6  
The name of the selected input  
source appears for a moment  
and the arrow for the selected  
input source indicator lights up  
on the display.  
+
+
L
R
Remote control  
7
6
3
7
4
Input source  
a. To select a tape or an MD source  
Press TAPE/MD MON / EXT.  
DECODER (or TAPE/MD) so  
that the “TAPE/MD  
2
6
Front panel  
MONITOR” indicator lights up  
on the display.  
b. To select a source connected to the  
EXTERNAL DECODER INPUT terminals  
Press TAPE/MD MON / EXT. DECODER repeatedly  
(or EXT. DEC.) until “EXT. DECODER” appears on  
the display.  
1 Set VOLUME to the “m”  
position.  
Notes  
• If the “TAPE/MD MONITOR” indicator lights up or “EXT.  
DECODER” is shown on the display, no other audio source  
except a tape/MD source and a source connected to the  
EXTERNAL DECODER INPUT terminals can be played. To  
select another input source with INPUT SELECTOR (or the input  
selector buttons):  
Front panel  
2 Turn the power on.  
or  
– Press TAPE/MD MON / EXT. DECODER twice (or TAPE/MD  
once) to turn off the “TAPE/MD MONITOR” indicator.  
– Press TAPE/MD MON / EXT. DECODER once (or EXT.  
DEC.) to turn off “EXT. DECODER”.  
Front panel  
Remote control  
Front panel  
3 Press SPEAKERS A or B  
to select the main  
• If you select and play a video source when the “TAPE/MD  
MONITOR” indicator lights up, the play back result will be a  
video image from the video source and the sound from the audio  
source connected to the TAPE/MD IN (PLAY) terminals.  
• A video source cannot be selected when “EXT. DECODER” is  
shown on the display. If you want to enjoy an audio source  
connected to the EXTERNAL DECODER INPUT terminals  
together with a video source, first select the video source and then  
select the source connected to the EXTERNAL DECODER  
INPUT terminals.  
speakers to be used.  
If you use two main speaker  
systems, press both A and B.  
y
For the DVD/LD, TV/digital TV and cable TV/satellite tuner  
sources, the current input mode is also shown. Refer to page 23 for  
details about the input mode.  
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21  
PLAYING A SOURCE  
To mute the sound  
5 Play the source.  
Refer to the instructions for the source component (and  
page 27 for details about tuning).  
Press MUTE on the remote  
control.  
To cancel mute, press MUTE.  
Note  
• When controlling an audio/video component (tape deck, MD  
recorder, CD player, DVD/LD player, etc.) with the remote  
control, set the selector dial to the appropriate position (TAPE/  
MD, CD, DVD/LD, etc.), corresponding to the component you  
want to control. Refer to “PRESET REMOTE CONTROL” on  
page 42.  
Note  
• During muting, “MUTE ON” appears on the display.  
When you have finished using this  
unit  
Press STANDBY/ON (or STANDBY) to set this unit in the  
standby mode.  
6 Adjust the volume to the desired output level.  
If desired, adjust BASS, TREBLE, BALANCE, etc.  
These controls are only effective for sound from the  
main speakers.  
BGV (background video) function  
The BGV function allows you to combine a video image  
from a video source with a sound from an audio source.  
(For example, you can listen to classical music while you  
are watching a video.) This function can only be controlled  
with the remote control.  
• BASS controls the low-frequency response.  
• TREBLE controls the high-frequency response.  
• BALANCE adjusts the balance of the output volume  
from the right and left main speakers.  
Play a video source, and then select an audio source with  
the input selector buttons on the remote control. The BGV  
function does not work if you select the audio source with  
INPUT SELECTOR on the front panel.  
or  
Front panel  
Remote control  
+
+
L
R
Front panel  
7 Use the digital sound field processor.  
Refer to page 25.  
or  
Front panel  
Remote control  
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22  
PLAYING A SOURCE  
Switching the input mode  
Input Mode (for the DVD/LD, TV/  
digital TV and cable TV/satellite  
tuner sources)  
This unit allows you to switch the input mode for sources  
that send both digital and analog signals to this unit. The  
AUTO, DTS and ANALOG input modes are provided.  
Press INPUT MODE (or the input selector  
button that you have pressed to select the  
input source on the remote control) repeatedly  
until the desired input mode is shown on the  
display.  
or  
When you turn on the power of this unit, the input mode for  
the DVD/LD source is always set to AUTO and for TV/  
digital TV or cable TV/satellite tuner source is set according  
to “TV INPUT” and “CBL INPUT” on the SET MENU.  
(Refer to page 38 for details.)  
Front panel  
Remote control  
AUTO  
In this mode, the input signal is selected in the following  
order of priority:  
1. Digital signal encoded with Dolby Digital or DTS  
2. Normal digital signal (PCM)  
3. Analog signal (ANALOG)  
Notes  
Note  
• Set the input mode to AUTO to play a DVD/LD source encoded  
with Dolby Digital.  
• If digital signals are input from both the OPTICAL and  
COAXIAL terminals, the digital signal from the COAXIAL  
terminal is selected.  
• The sound output may be interrupted for some LD and DVD  
players in the following situation: The input mode is set to  
AUTO. A search is performed while playing the disc encoded  
with Dolby Digital or DTS, and then disc playing is restored. The  
sound output is interrupted for a moment because the digital  
signal was selected again.  
• The input mode cannot be changed for the CD, TUNER, TAPE/  
MD, VCR, PHONO and VIDEO AUX sources because only  
analog signals are used for these.  
DTS  
In this mode, only a digital signal encoded with DTS is  
selected, even if other signals are being input at the same  
time.  
ANALOG  
• The current input mode appears on the display when the DVD/  
LD, TV/digital TV or cable TV/satellite tuner source is selected,  
or the input mode is changed.  
In this mode, only an analog signal is selected, even if a  
digital signal is being input at the same time. Select this  
mode when you want to use an analog signal instead of a  
digital signal.  
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23  
PLAYING A SOURCE  
Notes on playing a source  
Notes on playing an LD source  
• Some audio/video components, such as an LD player, output  
different audio signals through their analog and digital terminals.  
Change the input mode as necessary.  
encoded with DTS  
• If “DATA ERROR” appears on the display while playing an LD  
source encoded with DTS, stop playback and turn the player off  
and then on again.  
• If the input mode is set to AUTO for the LD source, this unit  
automatically determines which type of signal the LD source  
contains. If this unit detects a Dolby Digital or DTS signal, the  
decoder automatically switches to the appropriate setting and  
reproduces 5.1 channel sound.  
• If the LD player is transmitting signals by a non-normal method,  
this unit cannot detect the Dolby Digital or DTS signal. In this  
case, the decoder automatically switches to PCM or analog.  
• If the LD source does not contain a digital soundtrack, connect  
the LD player to the analog terminals and set the input mode to  
AUTO or ANALOG.  
• While you are operating the LD player and playing a disc encoded  
with Dolby Digital, if you switch from the pause or chapter  
forwarding function to normal playback, you may hear the PCM  
or analog sound an instant before the Dolby Digital sound is  
played.  
• If the digital output data of the player has been processed in any  
way, you may not be able to perform DTS decoding even if you  
make a digital connection between this unit and the player.  
• If you play an LD source encoded with DTS and set the input  
mode to ANALOG, there will be the noise of an unprocessed  
DTS signal. When you want to play a DTS source, be sure to  
connect the source to the digital input terminal and set the input  
mode to AUTO or DTS.  
• If you switch the input mode to ANALOG while playing a source  
encoded with a DTS signal, this unit reproduces no sound.  
• If you play a source encoded with DTS and set the input mode to  
AUTO, there will be a short noise at first while the unit  
recognizes the DTS signal and turns on the DTS decoder. This is  
not a malfunction, and can be avoided by setting the input mode  
to DTS beforehand. In addition, if you continue to play a source  
encoded with DTS with the input mode setting left to AUTO, this  
unit automatically switches to the “DTS-decoding” mode to  
prevent noise from being generated during subsequent operation.  
(The “t” indicator lights up on the display.) The “t”  
indicator will flash immediately after playback of a source  
encoded with DTS has finished. Only a source encoded with DTS  
can be played back while this indicator is flashing. If you want to  
play a normal PCM source soon, set the input mode back to  
AUTO.  
Notes on the digital signal  
The digital input terminal of this unit can also handle  
96-kHz sampling 24-bit digital signals. (To utilize this, use a  
source that supports 96-kHz sampling 24-bit digital signals  
and set the player for digital output. Refer to the instructions  
for the player.) Note the following when a 96-kHz sampling  
24-bit digital signal is input to this unit.  
1. The following indicator will appear on the display.  
2. DSP programs cannot be selected. Sound will be output  
as normal 2-channel stereo sound using only the right  
and left main speakers.  
3. Delay time and speaker output level cannot be adjusted.  
24  
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DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT  
On the remote control  
Selecting a DSP Program  
You can enhance your listening experience by selecting a  
DSP program. Refer to pages 32 to 34 for details about each  
program.  
1 Make sure that the effect speakers (center and  
rear) and subwoofer are turned on.  
2 Press DSP.  
The indicator lights up for about  
three seconds.  
3 Use the numeric buttons  
(1 to 8) to select the  
desired program before the  
indicator goes off.  
+
+
L
R
The name of the selected  
program appears on the display.  
2
2
3
DSP program name  
If the selector dial is set to the DSP/TUN position, you  
can select a DSP program directly with the numeric  
buttons.  
y
If desired, adjust the delay time and the sound output level of each  
speaker. (Refer to pages 39 and 40 for details.)  
Notes  
On the front panel  
You can select a DSP program for each of the input sources. Once  
you select a program, it is linked with the input source selected at  
that time. So, when you select the input source next time, the  
same program is automatically selected.  
• When a monaural source is being played with PRO LOGIC/  
Normal or PRO LOGIC/ENHANCED, no sound will be heard  
from the main speakers and the rear speakers. Sound can only be  
heard from the center speaker. However, if “CENTER SP” on the  
SET MENU is set to the NONE position, the center channel  
sound is output from the main speakers.  
1 Make sure that the effect speakers (center and  
rear) and subwoofer are turned on.  
2 Press PROGRAM h or l  
repeatedly to select the  
desired program.  
The name of the selected  
program appears on the display.  
• When a source connected to the EXTERNAL DECODER INPUT  
terminals of this unit is selected, the digital sound field processor  
cannot be used.  
• When high-rate 96-kHz sampling 24-bit digital signals are input  
to this unit, no DSP program can be selected and the sound is only  
output from right and left main speakers as a normal 2-channel  
stereo sound.  
DSP program name  
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25  
DIGITAL SOUND FIELD PROCESSOR (DSP) EFFECT  
Canceling the Sound Effect (turning  
off the effect speakers)  
Press EFFECT to cancel  
the sound effect and  
Front panel  
monitor only the main  
sound.  
or  
Press EFFECT again to turn the  
sound effect back on.  
Remote control  
y
If the selector dial is set to a position other than the DSP/TUN  
position, first press DSP and then EFFECT on the remote control.  
Notes  
• If you turn off the sound effect when Dolby Digital or DTS is  
decoding, the sounds of the center and rear channels are mixed  
and output from the main speakers.  
• If you turn off the sound effect when Dolby Digital or DTS is  
decoding, it may happen that the sound is output faintly or not  
output normally, depending on the source. In this case, turn sound  
effect back on.  
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26  
TUNING  
Automatic tuning is effective when station signals are  
strong and there is no interference. However, if the signal  
from the station you want to select is weak, you must tune  
in to it manually (manual tuning).  
5 Press PRESET/TUNING h once to tune in to a  
higher frequency or l once to tune in to a  
lower frequency.  
Press the button again if the tuning search does not stop  
at the desired station.  
1
y
• Use the manual tuning method if the tuning search does not stop  
at the desired station (because the signal from the station is weak).  
• When tuned in to a station, the frequency of the received station is  
shown on the display.  
+
+
L
R
5
4 2 3  
Manual Tuning  
1 Use INPUT SELECTOR to  
select the tuner as the  
input source.  
Automatic Tuning  
1 Use INPUT SELECTOR to  
select the tuner as the  
input source.  
2 Press FM/AM to select the reception band (FM  
or AM).  
“FM” or “AM” appears on the display.  
2 Press FM/AM to select the reception band (FM  
or AM).  
or  
“FM” or “AM” appears on the display.  
3 PressTUNING MODE so that the “AUTO”  
or  
indicator goes off.  
3 Press TUNING MODE so that the “AUTO”  
Goes off  
indicator lights up on the display.  
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.  
Lights up  
4 Press PRESET/TUNING (EDIT) to turn “ z ” off.  
Turn “ z ” off  
5 Press PRESET/TUNING h or l to tune in to  
the desired station.  
To continue the tuning search, hold down the button.  
Turn “ z ” off  
Note  
• If you tune in manually to an FM station, it will be automatically  
received in monaural mode to increase the signal quality.  
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27  
TUNING  
Automatic preset tuning options  
Automatic Preset Tuning (for FM  
stations only)  
You can make use of the automatic preset tuning function  
for FM stations only. This function enables the unit to  
automatically tune in with strong signals and to sequentially  
store up to 40 FM stations (5 groups x 8 stations).  
You can select the preset number from which the unit will  
store FM stations and/or begin tuning toward lower  
frequencies. Before automatic preset tuning begins (after  
pressing MEMORY in step 3):  
1. Press A/B/C/D/E and PRESET/TUNING h or l to  
select the preset number with which the first station will  
be stored. The automatic preset tuning will stop when  
stations have all been stored up to E8.  
2. Press PRESET/TUNING (EDIT) to turn “ z ” off and  
then press PRESET/TUNING l to begin tuning toward  
lower frequencies.  
+
+
L
R
When automatic preset tuning is  
completed  
The display shows the frequency of the last preset station.  
Check the contents and the number of preset stations by  
following the procedure in the section “To Recall a Preset  
Station” on page 29.  
13 2  
1 Press FM/AM to select the FM band.  
Notes  
• A new setting can be stored in place of the former one.  
You can manually replace a preset station with another FM or AM  
station by simply using the manual preset tuning method.  
• Even if the number of received stations is not enough to be stored  
up to E8, automatic preset tuning is automatically ended after  
searching for all stations.  
2 Press TUNING MODE so that the “AUTO”  
indicator lights up on the display.  
• Only FM stations with sufficient signal strength are stored by  
automatic preset tuning. If the station you want to store is weak in  
signal strength, tune in to it manually in monaural mode and store  
it by using the manual preset tuning method.  
Lights up  
3 Hold down MEMORY for about three seconds.  
The preset number, the “MEMORY” and “AUTO”  
indicators flash. After about five seconds, automatic  
preset tuning begins from the frequency currently  
displayed toward the higher frequencies.  
Flashes  
Received stations are sequentially stored as A1, A2 ...  
A8. If more than 8 stations have been tuned, they are  
stored as preset station numbers in other groups (B, C,  
D and E) in that order.  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost when this unit is set in the standby mode.  
If, however, the power cord is disconnected from the AC  
power outlet or the power is cut for more than one week,  
the memory will be erased. If so, store the stations again  
by using preset tuning methods.  
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28  
TUNING  
Manual Preset Tuning  
To Recall a Preset Station  
You can also store up to 40 stations (5 groups x 8 stations)  
manually.  
You can recall any desired station simply by selecting the  
preset station number with which it was stored.  
You can also recall a preset station with the remote control.  
Set the selector dial to the AMP/TUN position and press  
TUNER (number 2) to select the tuner as the input source.  
+
+
L
R
3 4  
2,5  
+
+
L
R
1 Tune in to the desired station.  
1
2
Refer to page 27 for the tuning procedure.  
2 Press MEMORY.  
The “MEMORY” indicator flashes for about five  
seconds.  
Flashes  
1
2
3 Press A/B/C/D/E repeatedly to select the  
desired group (A to E) of preset stations  
before the “MEMORY” indicator goes off.  
Make sure that “ z ” appears on the display. The  
selected group appears on the display.  
1 Press A/B/C/D/E to select the required group  
of preset stations.  
Make sure that “ z ” appears on the display.  
4 Press PRESET/TUNING h or l to select a  
preset station number (1 to 8) with which you  
want to store the station before the “MEMORY”  
indicator goes off.  
or  
Front panel  
Remote control  
2 Press PRESET/TUNING h or l (or PRESET  
+/–) to select a preset station number (1 to 8).  
The preset group and number appear on the display  
along with the reception band, frequency and signal  
strength information.  
Press h to select a higher  
preset station number and l to  
select a lower preset station  
number.  
5 Press MEMORY before theMEMORY”  
indicator goes off.  
or  
The displayed station has been stored as the preset  
group and number you have selected, and the reception  
band and frequency appear on the display.  
Front panel  
Remote control  
6 Repeat steps 1 to 5 to store other stations.  
y
Notes  
You can select the preset station number with the numeric buttons  
(1 to 8) on the remote control if code number “0023” has been set  
in the AMP/TUN (or DSP/TUN) position.  
• A new setting can be stored in place of the former one.  
• The reception mode (stereo or monaural) is stored along with the  
station frequency.  
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29  
TUNING  
Exchanging Preset Stations  
You can exchange the assignment of two preset stations  
with each other.  
Example: If you want to exchange  
preset station “E1” with “A5”  
2,4  
+
+
L
R
1 Recall preset station “E1”.  
Refer to the procedure in the section “To Recall a  
Preset Station” on page 29.  
2 Hold down (PRESET/TUNING) EDIT for about  
three second.  
“E1” and the “MEMORY” indicator flash.  
Flashes  
3 Recall preset station “A5” by using the buttons  
on the front panel.  
“A5” and the “MEMORY”  
indicator flash.  
Flashes  
4 Press (PRESET/TUNING) EDIT again.  
The display shows the exchange of stations has been  
completed.  
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30  
RECORDING A SOURCE ON TAPE, MD OR VIDEO CASSETTE  
Recording adjustments and other operations are performed  
y
If a tape deck or MD recorder is being used for recording, you can  
monitor the sounds being recorded by pressing TAPE/MD MON /  
EXT. DECODER (or TAPE/MD).  
from the tape deck, MD recorder or VCR. Refer to the  
instructions for these components.  
2
1,4  
Notes  
• The DSP program and the setting of VOLUME, BASS, TREBLE  
and BALANCE have no effect on the material being recorded.  
• Composite video and S video signals pass independently through  
this unit’s video circuits. Therefore, when recording or dubbing  
video signals, if your video source component is connected to  
provide only an S video (or only a composite video) signal, you  
can record only an S video (or only a composite video) signal by  
your VCR.  
+
+
L
R
• A source connected to this unit only through the digital terminals  
cannot be recorded by the tape deck, MD recorder or VCR  
connected to this unit.  
• A source connected to the EXTERNAL DECODER INPUT  
terminals of this unit cannot be recorded.  
• Check the copyright laws in your country to record from records,  
CDs, radio, etc. Recording of copyrighted material may infringe  
copyright laws.  
2
4
If you play back a video source that uses scrambled or  
encoded signals to prevent it from being dubbed, the  
picture itself may be disturbed due to those signals.  
1 Set VOLUME to the “m”  
position.  
Front panel  
2 Select the source you want to record.  
or  
Front panel  
Remote control  
3 Begin recording by the tape deck, MD recorder  
or VCR connected to this unit.  
4 Play the source and then turn up the volume to  
confirm the input source.  
or  
Front panel  
Remote control  
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31  
ADVANCED OPERATION  
SOUND FIELD PROGRAM  
This unit incorporates a sophisticated, multi-program digital sound field processor (DSP). This processor allows you to  
electronically expand and change the shape of the audio sound field from both audio and video sources, creating a theater-  
like experience in your listening room. You can create outstanding audio sound by selecting a suitable DSP program (this  
will, of course, depend on what you are listening to).  
When you select a CINEMA DSP program, one of the built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) is turned  
on according to which type of signals the source being played contains.  
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that  
most of these are precise digital re-creations of actual acoustic environments.  
• The input source given in the following table for programs 4 through 8 indicates that input source which each program  
is best suited for.  
• Select the DSP program that you feel sounds best regardless of the name and description given for it below.  
For movie or audio/video sources (Program No. 1 to No. 5: CINEMA DSP  
programs)  
No.  
1
PROGRAM  
SUBPROGRAM  
FEATURES  
[1] PRO LOGIC/Normal ( o )  
q/DTS  
SURROUND  
The built-in Dolby Pro Logic decoder, Dolby  
Digital decoder or DTS decoder precisely  
reproduces the sound and effect of a source  
encoded with Dolby Surround, Dolby Digital  
or DTS.  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
4 channels  
• Output channel:  
• DSP:  
The realization of a highly efficient decoding  
process improves cross talk and channel  
separation, and makes sound positioning  
smoother and more precise.  
[2] DOLBY DIGITAL/Normal ( g )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
In this program, the digital sound field  
processor is not turned on.  
[3] DTS DGTL SUR/Normal ( t )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
This program ideally simulates the multi-  
surround speaker systems of the 35 mm-film  
movie theater. Dolby Pro Logic decoding,  
Dolby Digital decoding or DTS decoding and  
digital sound field processing are precisely  
performed without altering the original sound  
orientation.  
The surround effect produced by the sound  
field folds around the viewer naturally from  
the rear to the right and left, and toward the  
screen.  
[4] PRO LOGIC/ENHANCED  
( o x )  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
4 channels  
1 (surround)  
• Output channel:  
• DSP:  
[5] DOLBY DIGITAL/ENHANCED  
( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
2 (surround L, R)  
[6] DTS DGTL SUR/ENHANCED  
( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
2 (surround L, R)  
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32  
SOUND FIELD PROGRAM  
FEATURES  
No.  
2
PROGRAM  
MOVIE  
SUBPROGRAM  
[1] 70 mm SPECTACLE  
This program creates the extremely wide sound  
field of a movie theater. It precisely reproduces  
the source sound in detail, giving both the video  
and the sound field incredible reality. It is ideal  
for any kind of video source encoded with  
Dolby Surround, Dolby Digital or DTS  
THEATER 1  
( o x )  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
2 (presence & surround)  
• Output channel:  
• DSP:  
(especially large-scale movie productions).  
[2] DGTL SPECTACLE  
( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[3] DTS SPECTACLE ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
[4] 70 mm SCI-FI ( o x )  
Clearly reproduces dialog and sound effects in  
the latest sound form of science fiction films,  
thus creating a broad and expansive cinematic  
space amid the silence. You can enjoy science  
fiction films in a virtual-space sound field that  
includes Dolby Surround, Dolby Digital and  
DTS-encoded software employing the most  
advanced techniques.  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
• Output channel:  
• DSP:  
2 (presence & surround)  
[5] DGTL SCI-FI ( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[6] DTS SCI-FI ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
3
MOVIE  
THEATER 2  
[1] 70 mm ADVENTURE  
Ideal for precisely reproducing the sound of the  
newest multi-track films. The sound field is  
made to be similar to that of the newest movie  
theaters, so the reverberations of the sound field  
itself are restrained as much as possible. The  
data for the sound field of an opera house are  
used for the front presence, so the three-  
dimensional feeling of the sound field is  
emphasized, and dialog is precisely oriented on  
the screen. By using the data for the sound field  
of a concert hall on the surround sound field,  
powerful reverberations are generated. You can  
enjoy watching action, adventure movies, etc.  
with strong presence.  
( o x )  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
2 (presence & surround)  
• Output channel:  
• DSP:  
[2] DGTL ADVENTURE  
( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[3] DTS ADVENTURE ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
[4] 70 mm GENERAL ( o x )  
This program is for reproducing sounds on a  
multi-track film, and is characterized by a soft  
and extensive sound field. The front presence of  
the sound field is relatively narrow. It spatially  
spreads all around and toward the screen,  
• Input source:  
Dolby Surround  
2-ch Dolby Digital  
3 channels  
• Output channel:  
• DSP:  
2 (presence & surround)  
restraining echo effect of conversations without  
losing clarity. For the surround sound field, the  
harmony of music or chorus sounds beautifully  
in a wide space at the rear of the sound field.  
[5] DGTL GENERAL ( g x )  
• Input source:  
• Output channel:  
• DSP:  
Dolby Digital  
5.1 channels  
3 (presence & surround L, R)  
[6] DTS GENERAL ( t x )  
• Input source:  
• Output channel:  
• DSP:  
DTS  
5.1 channels  
3 (presence & surround L, R)  
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33  
SOUND FIELD PROGRAM  
No.  
PROGRAM  
FEATURES  
4
MONO MOVIE ( x )  
This program is designed specifically to enhance monaural  
sources. Compared to a strictly mono setting, the sound image  
is wider and slightly forward of the speaker pair, lending an  
immediacy to the overall sound. It is particularly effective for  
old mono movie, news broadcasts and dialog.  
• Input source:  
• Output channel:  
• DSP:  
Monaural  
1 channel  
1
5
TV SPORTS ( x )  
This program is furnished with a tight sound field in which the  
sound will not spread excessively at the front, but the rear  
surround produces dynamic sound expansion. It is the most  
suitable for sports programs.  
• Input source:  
• Output channel:  
• DSP:  
Audio/Video  
2 to 5.1 channels  
2 to 3 (presence & surround)  
For Hi-Fi audio sources  
No.  
6
PROGRAM  
FEATURES  
DISCO ( x )  
This program simulates the acoustic environment of a disco in  
the heart of a lively city. The sound is dense and highly  
concentrated.  
• Input source:  
• Output channel:  
• DSP:  
2-ch PCM/Analog audio  
2 channels  
1
7
8
ROCK CONCERT ( x )  
This program is ideally suited for rock music. You will  
experience a dynamic and lively sound field.  
• Input source:  
• Output channel:  
• DSP:  
2-ch PCM/Analog audio  
2 channels  
1
CONCERT HALL ( x )  
This program creates the expansive ambience of a large concert  
hall. It is suited for orchestra and opera music.  
• Input source:  
• Output channel:  
• DSP:  
2-ch PCM/Analog audio  
2 channels  
1
CINEMA DSP: Dolby Surround + DSP/Dolby Digital + DSP/DTS + DSP  
Dolby Pro Logic + 2 digital sound fields  
Digital sound fields are created in both the presence and  
rear surround zones of the Dolby Pro Logic-decoded sound  
field. They create a wide acoustic environment and  
emphasize the surround effect in the room, letting you feel  
as much presence as if you were watching a movie in a  
popular Dolby Stereo theater.  
Dolby Digital or DTS + 3 digital sound fields  
Digital sound fields are created in the presence zone and  
independently on the left and right surround zones of the  
Dolby Digital-decoded or DTS-decoded sound field. They  
create a wide acoustic environment and strong surround  
effect in the room without losing high channel separation.  
With the wide dynamic range of Dolby Digital or DTS  
sound, this sound field combination lets you feel as if you  
were watching a movie in the newest Dolby Digital theater  
or DTS-installed theater. This is the most ideal home theater  
sound at the present time.  
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34  
SET MENU  
This unit provides you with the following items on the SET  
MENU to maximize the performance of your system and  
expand your enjoyment for audio listening and video  
watching.  
2 Press SET MENU  
repeatedly to select the  
item you want to adjust.  
The selected item appears on  
the display.  
1. CENTER SP  
2. REAR SP  
3. MAIN SP  
4. BASS OUT  
5. MAIN LVL  
6. D.D. LFE  
y
After pressing SET MENU once, you can also select the item by  
pressing d. (Pressing u goes back one selection.)  
7. D-RANGE  
8. DTS LFE  
9. CNTR DELAY  
10.MEM. GUARD  
11.TV INPUT  
12.CBL INPUT  
3 Press i or j repeatedly to  
adjust the setting.  
Adjusting Items on the SET MENU  
Adjustments should be performed with the remote control  
while watching the information on the display.  
3
2
1
4 Repeat steps 2 and 3 to adjust the setting of  
any other item in the same way.  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost when this unit is set in the standby mode.  
If, however, the power cord is disconnected from the AC  
power outlet or the power is cut for more than one week,  
the settings of the SET MENU will automatically return  
to the preset positions and values. If so, adjust the  
settings of the SET MENU again.  
1 Set the selector dial to the  
AMP/TUN (or DSP/TUN)  
position.  
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35  
SET MENU  
3. MAIN SP  
Choices: LARGE/SMALL  
Description of Each Item  
Preset position: LARGE  
1. CENTER SP  
Choices: LRG (Large)/SML (Small)/NONE  
Preset position: LRG (Large)  
LARGE  
Select this position if your main speakers have high ability  
for bass reproduction. In this position, full-range signals on  
the main channels are directed to the right and left main  
speakers.  
LRG (Large)  
Select this position if your center speaker is approximately  
the same size as the main speakers. In this position, full-  
range signals on the center channel are directed to the center  
speaker.  
SMALL  
Select this position if your main speakers do not have high  
ability for bass reproduction. However, if your system does  
not include a subwoofer, do not select this position. In this  
position, low bass signals (below 90 Hz) on the main  
channels are distributed to the SUBWOOFER OUTPUT  
terminal if “BASS OUT” is set to the SW position.  
SML (Small)  
Select this position if you use a center speaker that is  
smaller than the main speakers. In this position, low bass  
signals (below 90 Hz) on the center channel are distributed  
to the SUBWOOFER OUTPUT terminal (or to the right and  
left main speakers if “BASS OUT” is set to the MAIN  
position).  
4. BASS OUT  
Choices: SW/MAIN/BOTH  
Preset position: BOTH  
NONE  
Select this position if you do not have a center speaker  
(4-speaker system). In this position, full-range signals on  
the center channel are directed to the right and left main  
speakers.  
SW/BOTH  
Select either the SW or BOTH position if your system  
includes a subwoofer. In either position, signals on the LFE  
channel and low bass signals (below 90 Hz) on the center  
and rear channels are directed to the SUBWOOFER  
OUTPUT terminal if “CENTER SP” is set to the SML or  
NONE position and “REAR SP” is set to the SMALL  
position. In the SW position, low bass signals on the main  
channels are directed to the SUBWOOFER OUTPUT  
terminal if “MAIN SP” is set to the SMALL position. In the  
BOTH position, low bass signals on the main channels are  
directed to both the main speakers and the SUBWOOFER  
OUTPUT terminal.  
2. REAR SP  
Choices: LARGE/SMALL  
Preset position: LARGE  
LARGE  
Select this position if your rear speakers have high ability  
for bass reproduction, or if a subwoofer is connected in  
parallel to the rear speaker. In this position, full-range  
signals on the rear channels are directed to the rear speakers.  
SMALL  
Note  
Select this position if your rear speakers do not have high  
ability for bass reproduction. In this position, low bass  
signals (below 90 Hz) on the rear channels are distributed to  
the SUBWOOFER OUTPUT terminal (or to the right and  
left main speakers if “BASS OUT” is set to the MAIN  
position).  
• When playing a 2-channel source (tape, MD, CD, video  
cassette etc.), select the BOTH position to direct low bass signals  
(below 90 Hz) to the SUBWOOFER OUTPUT terminal.  
MAIN  
Select this position if your system does not include a  
subwoofer. In this position, besides full-range signals on the  
main channels, signals on the LFE channel and other low  
bass signals (below 90 Hz) that are distributed from other  
channels are directed to the right and left main speakers.  
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36  
SET MENU  
5. MAIN LVL  
Choices: NORM (Normal)/–10 dB  
Preset position: NORM (Normal)  
7. D-RANGE (Adjusting the dynamic  
range)  
Choices: MAX/STD (Standard)/MIN  
Preset position: MAX  
NORM (Normal)  
Normally select this position.  
Note  
–10 dB  
• This adjustment is only effective when Dolby Digital is being  
decoded.  
Select this position if the sound output from the main  
speakers is too loud and cannot be balanced with the sound  
output from the center and rear speakers. In this position,  
the sound output from the main speakers is attenuated.  
“Dynamic range” is the difference between the maximum  
level and the minimum level of sounds. Sounds on a movie  
originally designed for movie theaters feature a very wide  
dynamic range. Dolby Digital technology can modify the  
original sound track into a home audio format with this  
wide dynamic range unchanged. Powerful sounds of  
extremely wide dynamic range are not always suitable for  
home use. Depending on the condition of your listening  
environment, it may not be possible to increase the sound  
output to a level as high as that in a movie theater. However,  
at the normal level suitable for listening in your room, the  
low-level parts of source sound often cannot be heard well  
because they will be lost among noise in your environment.  
Dolby Digital technology has also made it possible to  
reduce an original sound track’s dynamic range for a home  
audio format by “compressing” the sound data.  
Notes  
• The setting of “CENTER SP”, “REAR SP”, “MAIN SP” and  
“BASS OUT” have no effect on a source connected to the  
EXTERNAL DECODER INPUT terminals on the rear of this  
unit.  
• Once you have adjusted appropriately for “CENTER SP”, “REAR  
SP”, “MAIN SP”, “BASS OUT” and “MAIN LVL”, you do not  
have to change any settings unless your speaker system is  
modified.  
6. D.D. LFE (Adjusting the output  
level of the LFE channel for Dolby  
Digital)  
Control range: –20 dB to 0 dB (in 1 dB steps)  
Preset value: 0 dB  
MAX  
In this position, a source encoded with Dolby Digital is  
reproduced in the original sound track’s wide dynamic  
range to provide you with powerful sounds just like those in  
a movie theater. Selecting this position will be even better if  
you can listen to a source at a high output level in a room  
specially soundproofed for audio/video enjoyment.  
Note  
• This adjustment is only effective when Dolby Digital is being  
decoded and the selected source encoded with Dolby Digital  
contains LFE signals.  
STD (Standard)  
In this position, a source encoded with Dolby Digital is  
reproduced in the “compressed” dynamic range of the  
source that is suitable for low-level listening.  
This adjusts the output level of the LFE channel. If the LFE  
signals are mixed with signals of other channels and they  
are directed to the same speakers, the ratio of the LFE signal  
level to the level of the other signals can be adjusted.  
MIN  
In this position, the dynamic range is more reduced than in  
the STD position. Selecting this position will be effective  
when you must listen to a source at a low level.  
Note  
• It may happen that sound is output faintly or not output normally  
depending on the source. In that case, select the MAX or STD  
position.  
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37  
SET MENU  
8. DTS LFE (Adjusting the output  
level of the LFE channel for DTS)  
10.MEM. GUARD (Locking the  
settings)  
Control range: –10 dB to +10 dB (in 1 dB steps)  
Choices: ON/OFF  
Preset value: 0 dB  
Preset position: OFF  
If you wish to prevent accidental alterations to the settings  
of the SET MENU and other adjustments on this unit, select  
the ON position. The following settings on this unit can be  
locked:  
Note  
• This adjustment is effective only when DTS is being decoded and  
the selected source encoded with DTS contains LFE signals.  
This adjusts the output level of the LFE channel. If the LFE  
signals are mixed with signals of other channels and they  
are directed to the same speakers, the ratio of the LFE signal  
level to the level of the other signals can be adjusted.  
Settings of other items on the SET MENU  
Settings in the TIME/LEVEL mode  
Settings when using TEST  
11.TV INPUT (Selecting the initial  
input mode for a source connected  
to the D-TV input terminals)  
9. CNTR DELAY (Adjusting the delay  
of the sound from the center  
speaker)  
Choices: AUTO/LAST  
Control range: 0 ms to 5 ms (in 1 ms steps)  
Preset position: AUTO  
Preset value: 0 ms  
The input mode for a source connected to the D-TV input  
terminals of this unit can be automatically set when the  
power of this unit is turned on. Refer to page 23 for details  
about the input mode.  
This adjusts the delay between the main sound (on the main  
channels) and dialog, etc. (on the center channel). The larger  
the value, the later the dialog, etc. is generated.  
AUTO  
In this position, the input mode is always set to AUTO.  
This makes sounds from the left main, center and right main  
speakers reach your listening position at the same time. This  
is achieved by delaying the sound from the center speaker if  
the distance from the center speaker to your listening  
position is shorter than the distance from the right and left  
main speaker to your listening position.  
LAST  
In this position, the input mode is automatically set to that  
selected the last time when the power of this unit was turned  
on.  
12.CBL INPUT (Selecting the initial  
input mode for a source connected  
to the CBL/SAT input terminals)  
Choices: AUTO/LAST  
Preset position: AUTO  
The input mode for a source connected to the CBL/SAT  
input terminals of this unit can be automatically set when  
the power of this unit is turned on. Refer to page 23 for  
details about the input mode.  
AUTO  
In this position, the input mode is always set to AUTO.  
LAST  
In this position, the input mode is automatically set to that  
selected the last time when the power of this unit was turned  
on.  
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38  
DELAY TIME AND SPEAKER OUTPUT LEVELS  
When using the digital sound field processor with the Dolby  
Sound Output Level of the Center,  
Right Rear and Left Rear Speakers,  
and Subwoofer  
If desired, you can adjust the sound output level of each  
speaker even if it has already been adjusted in  
“ADJUSTING THE SPEAKER BALANCE” on pages 19  
and 20.  
Pro Logic decoder, Dolby Digital decoder or DTS decoder,  
you can adjust the delay time between the main sound and  
sound effect, and each speaker’s output level as you wish.  
Note  
• When high-rate 96-kHz sampling 24-bit digital signals are input  
to this unit, the delay time and speaker output levels cannot be  
adjusted.  
Notes  
Delay Time  
• The sound output level of the center speaker cannot be adjusted  
when the input signal is analog, PCM audio, or encoded with  
Dolby Digital in 2-channel.  
• If “CENTER SP” on the SET MENU is set to the NONE position,  
the sound output level of the center speaker cannot be adjusted.  
This is because the center channel sound is automatically output  
from the right and left main speakers.  
You can adjust the time difference between the beginning of  
the sound from the main speakers and the beginning of the  
sound effect from the rear speakers. The larger the value,  
the later the sound effect is generated. The delay time can be  
individually adjusted to all DSP programs.  
• Once the sound output level has been adjusted, the level will be  
the same for all DSP programs.  
Notes  
• Adding too much delay will cause an unnatural effect with some  
sources.  
• The sound is momentarily interrupted while adjusting the delay  
time.  
Speaker  
Control range (dB)  
MIN, –20 to +10  
MIN, –20 to +10  
MIN, –20 to +10  
MIN, –20 to 0  
Preset value  
Center  
0
0
0
0
Right rear  
Left rear  
Subwoofer  
Preset  
value  
Control  
range (ms)  
Program  
1. PRO LOGIC/Normal  
DOLBY DIGITAL/Normal  
DTS DGTL SUR/Normal  
PRO LOGIC/ENHANCED  
DOLBY DIGITAL/ENHANCED  
DTS DGTL SUR/ENHANCED  
2. 70 mm SPECTACLE  
DGTL SPECTACLE  
DTS SPECTACLE  
15 to 30  
0 to 15  
0 to 15  
15 to 30  
0 to 15  
0 to 15  
15 to 30  
1 to 99  
1 to 99  
15 to 30  
1 to 99  
1 to 99  
15 to 30  
1 to 99  
1 to 99  
15 to 30  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
20  
5
5
20  
5
5
23  
15  
15  
20  
16  
16  
20  
15  
15  
20  
15  
15  
49  
9
70 mm SCI-FI  
DGTL SCI-FI  
DTS SCI-FI  
3. 70 mm ADVENTURE  
DGTL ADVENTURE  
DTS ADVENTURE  
70 mm GENERAL  
DGTL GENERAL  
DTS GENERAL  
4. MONO MOVIE  
5. TV SPORTS  
6. DISCO  
40  
16  
44  
7. ROCK CONCERT  
8. CONCERT HALL  
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39  
DELAY TIME AND SPEAKER OUTPUT LEVELS  
3 Press i or j to adjust the  
delay time or speaker  
output levels.  
Adjusting Method  
Adjustments should be performed with the remote control  
while watching the information on the display.  
4 Repeat steps 2 and 3 to adjust the settings of  
3
2
1
any other item.  
Memory back-up  
The memory back-up circuit prevents the stored data  
from being lost when this unit is set in the standby mode.  
If, however, the power cord is disconnected from the AC  
power outlet or the power is cut for more than one week,  
the latest values for the delay time and the center/rear/  
subwoofer output levels that were set will automatically  
return to the preset values. If so, adjust the delay time  
and output levels again.  
1 Set the selector dial to the  
AMP/TUN (or DSP/TUN)  
position.  
2 Press TIME/LEVEL repeatedly to select the  
item you want to adjust.  
Each time you press TIME/LEVEL, the selected item  
changes and appears on the display as shown below.  
Delay time  
D E L A Y  
C E N T E R  
Center speaker output level  
Right rear speaker output level  
R
L
S U R .  
S U R .  
Left rear speaker output level  
Subwoofer output level  
S W F R  
y
You can also select the item by pressing d. (Pressing u changes  
the selection in the reverse order.)  
Note  
• Depending on the setting of the SET MENU, you may not be able  
to select all these items.  
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40  
SLEEP TIMER  
The SLEEP timer can be used to automatically set this unit  
Canceling the Selected SLEEP  
Timer  
in the standby mode. This timer is useful when you are  
going to sleep while enjoying the desired input source. The  
SLEEP timer can only be set with the remote control.  
Press SLEEP repeatedly until “SLEEP OFF”  
appears on the display.  
It will soon disappear and the “SLEEP” indicator will  
go off.  
Note  
• The SLEEP timer is effective for the components connected to the  
AC OUTLET(S) on the rear panel of this unit.  
Setting the SLEEP Timer  
Note  
2
• The SLEEP timer can also be canceled by setting the unit in the  
standby mode by using STANDBY on the remote control (or  
STANDBY/ON on the front panel), or by disconnecting the AC  
power cord from the AC power outlet.  
3
1 Play a source you want to enjoy when you are  
going to sleep.  
2 Set the selector dial to a  
position other than the TV  
position.  
3 Press SLEEP repeatedly to  
select the desired SLEEP  
time.  
Each time you press SLEEP, the SLEEP time will  
change as below:  
120  
90  
60  
30  
The SLEEP timer is off  
(SLEEP OFF).  
(This is the state before  
SLEEP is pressed.)  
Flashes  
4 The “SLEEP” indicator soon lights up on the  
display after the SLEEP timer has been set.  
The display returns to the previous indication.  
Lights up  
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41  
PRESET REMOTE CONTROL  
The provided remote control is factory set to control not only this unit but also most YAMAHA audio components connected  
to it.  
Selector Dial  
There are nine positions that you can select to control connected components with this remote control. For example, if the CD  
position is selected, the remote control is set in the CD operation mode, allowing the CD player to be operated by the buttons  
on the remote control. When turning the selector dial, the position changes as follows:  
AMP/TUN  
TAPE/MD  
You can perform the basic operations of  
The code for a YAMAHA tape deck is factory set.  
this unit. Refer to pages 7 and 8.  
(Be sure to set the proper code when operating an  
MD recorder.)  
CD  
The code for a YAMAHA CD  
player is factory set.  
DVD/LD & DVD MENU  
An LD player can be controlled in the DVD/  
CBL/SAT  
A cable TV or satellite tuner can be  
controlled.  
LD position. A DVD player can be controlled  
in the DVD/LD and DVD MENU positions.  
The code for a YAMAHA DVD player is  
factory set. If the remote control does not  
operate your YAMAHA DVD player, you  
need to set the code number “0048”.  
Selector  
dial  
VCR  
A VCR can be controlled.  
TV  
DSP/TUN  
A TV can be controlled.  
This unit can be controlled and DSP programs can be  
selected directly.  
Note  
• The button functions on the remote control differ depending on the position of the selector dial. Refer to the following pages for details.  
Commonly used buttons in any position of the selector dial  
Regardless of the position of the selector dial, you can control this unit and your TV with the following buttons.  
Note  
You have to set the code for your TV before you can control the TV.  
Controlling this unit  
Refer to pages 7 and 8.  
1
2
1 STANDBY  
2 POWER  
3 VOLUME (+/–)  
4 SLEEP  
!
@
3
#
Note  
• If you have set the code for your TV and set the selector dial to  
the TV position, this button is used to set the SLEEP timer for the  
TV.  
4
5
5 MUTE  
Note  
• If you have set the code for your TV and set the selector dial to  
the TV position, this button is used to mute the TV sound.  
Controlling your TV  
! TV POWER  
@ TV INPUT  
# TV VOLUME  
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42  
PRESET REMOTE CONTROL  
Controlling the Components  
Connected to This Unit  
Example:To control aYAMAHA CD  
player  
2
6
4
5
3
7
1 Make sure that VOLUME is set to the “m”  
position.  
2 Set the selector dial to the  
CD position.  
3 Turn on the power.  
4 Press INPUT.  
The indicator lights up for  
about three second.  
5 Press CD (number 1) while  
the indicator is lit.  
6 Press p.  
Refer to page 45 for the CD  
player operation buttons.  
7 Adjust the volume.  
If you set the remote control with the manufacturers’  
codes listed from page i at the end of this  
manual, you can control other brands of components.  
Refer to “Setup codes” on page 48 for details.  
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43  
PRESET REMOTE CONTROL  
Description of Each Position  
TAPE/MD position  
Select the TAPE/MD position.  
Numeric buttons (MD)  
+10 (MD)  
While the indicator lights up for about three  
seconds after pressing DSP, this button turns  
on or off the effect speakers (center and rear).  
r REC/PAUSE  
This button gives a pause in recording on a  
tape deck or MD recorder.  
DECK A/B (TAPE)  
This button selects deck A or B on a double-  
cassette tape deck.  
DISPLAY (MD)  
e PAUSE (MD)  
This button gives a pause in operation.  
p PLAY  
This button plays a tape or an MD.  
a DIR B (TAPE)  
This button selects the playing direction of  
deck B.  
SKIP+ (MD)  
This button skips to the beginning of the next  
track.  
b DIR A (TAPE)  
This button selects the playing direction of  
deck A.  
SKIP– (MD)  
This button skips to the beginning of the  
previous track.  
s STOP  
This button stops operation on a tape deck or  
MD recorder.  
w REWIND (TAPE)  
This button rewinds a tape.  
SEARCH (MD)  
This button initiates a backward search on the  
track that is playing to find the point from  
which you want to listen.  
f FAST FORWARD (TAPE)  
This button winds a tape fast forward.  
SEARCH (MD)  
This button initiates a fast-forward search on  
the track that is playing to find the point from  
which you want to listen.  
AV POWER  
(TAPE) This button turns on the tape deck  
that has a remote control with a power button  
if you have set the code for another  
manufacturer.  
(MD) This button turns on the MD recorder  
that has a remote control with a power button  
if you have set the code for another  
manufacturer.  
• The dark-shaded buttons do not function.  
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control  
supplied with your component.  
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44  
PRESET REMOTE CONTROL  
CD position  
Select the CD position.  
Numeric buttons  
INDEX  
+10  
While the indicator lights up for about three  
seconds after pressing DSP, this button turns  
on or off the effect speakers (center and rear).  
DISC SKIP+/–  
(for a CD player with CD changer)  
These buttons skip to the next or previous CD.  
DISPLAY  
e PAUSE  
This button gives a pause in operation. The  
button functions as PAUSE/STOP* for  
operating a YAMAHA CD player under  
factory setting.  
p PLAY  
This button plays a CD.  
a SKIP+  
b SKIP–  
This button skips to the beginning of the previous  
track.  
This button skips to the beginning of the next  
track.  
s STOP  
This button stops operation. The button  
functions as PAUSE/STOP* for operating  
YAMAHA CD player under factory setting.  
w SEARCH  
This button initiates a backward search on the  
track that is playing to find the point from  
which you want to listen.  
f SEARCH  
This button initiates a fast-forward search on  
the track that is playing to find the point from  
which you want to listen.  
AV POWER  
This button turns on the CD player that has a  
remote control with a power button if you  
have set the code for another manufacturer.  
y
PAUSE/STOP function  
Press the button once to give a pause in operation and press once more to stop operation.  
• The dark-shaded buttons do not function.  
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control  
supplied with your component.  
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45  
PRESET REMOTE CONTROL  
DVD/LD position  
Select the DVD/LD position.  
Numeric buttons  
TITLE/INDEX  
+10  
DISC SKIP+/–  
DISPLAY  
PAUSE  
PLAY  
SKIP–  
SKIP+  
STOP  
SEARCH  
SEARCH  
AV POWER  
(DVD) This button turns on the YAMAHA DVD player if  
you have set the code number “0048”. Also this button turns  
on the DVD player that has a remote control with a power  
button if you have set the code for another manufacturer.  
(LD) This button turns on the LD player that has a remote  
control with a power button if you have set the  
code for another manufacturer.  
DVD MENU position  
Note  
• DVD MENU operations cannot be performed for some DVD players.  
Select the DVD MENU position.  
Numeric buttons  
TITLE/INDEX  
+10  
DISC SKIP+/–  
DISPLAY  
MENU UP  
RETURN  
MENU SELECT  
MENU RIGHT  
MENU DOWN  
MENU  
MENU LEFT  
TITLE  
AV POWER  
This button turns on the YAMAHA DVD player if you have  
set the code number “0048”. Also this button turns on the  
DVD player that has a remote control with a power button if  
you have set the code for another manufacturer.  
• The dark-shaded buttons do not function.  
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control  
supplied with your component.  
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46  
PRESET REMOTE CONTROL  
VCR position  
CBL/SAT position  
Select the  
VCR position.  
Select the CBL/SAT  
position.  
Numeric buttons  
Numeric buttons  
VCR REC  
Press this button  
twice to start  
recording.  
ENTER/RECALL  
+10  
ENTER  
+10  
CHANNEL +/–  
DISPLAY  
CHANNEL +/–  
DISPLAY/  
GUIDE (SAT)  
MENU UP  
PAUSE  
PLAY  
MENU SELECT  
MENU LEFT  
RECALL  
MENU RIGHT  
MENU DOWN  
MENU  
STOP  
FAST  
REWIND  
AV POWER  
FORWARD  
This button turns on a  
cable TV/satellite tuner  
that has a remote  
control with a power  
button if you have set  
the code for your cable  
TV/satellite tuner.  
AV POWER  
This button turns on a VCR  
that has a remote control  
with a power button if you  
have set the code for your  
VCR.  
TV position  
Note  
You can control your VCR if you have set the code for it.  
Select the TV position.  
Numeric buttons  
ENTER/RECALL  
+10  
VCR REC  
Press this button twice.  
CHANNEL +/–  
DISPLAY  
VCR PAUSE  
VCR PLAY  
VCR REWIND  
VCR STOP  
VCR FAST  
FORWARD  
TV POWER  
This button turns on a TV that  
has a remote control with a  
power button if you have set  
VCR POWER  
the code for your TV.  
TV VOL  
TV SLEEP  
TV MUTE  
TV INPUT  
• The dark-shaded buttons do not function.  
• If your component does not respond to any of the codes listed for the manufacturer, use the original remote control  
supplied with your component.  
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47  
PRESET REMOTE CONTROL  
To use a second (and third) VCR  
You can control a second (and third) VCR in the CBL/SAT  
and DVD MENU positions if a cable TV or satellite tuner,  
or DVD player is not being used.  
Advanced Information  
Setup codes  
You can set the code for the manufacturer of your  
component in each position of the selector dial.  
Note  
• If you want to control a second (and third) VCR in the DVD  
MENU position, you must set the code for an LD player in the  
DVD/LD position.  
1 Turn on your component to be used.  
2 Set the selector dial to the  
desired position for the  
component (TAPE/MD, CD,  
DVD/LD, etc.).  
1 Turn on the VCR to be used.  
2 Set the selector dial to the  
CBL/SAT or DVD MENU  
position.  
3 Press i (right) and j (left)  
at the same time for about  
four seconds.  
3 Press i (right) and j (left)  
at the same time for about  
four seconds.  
The indicator flashes twice.  
The indicator flashes twice.  
4 Use the numeric buttons to  
enter the four-digit  
manufacturer’s code for  
the component to be used.  
Make sure that the  
indicator flashes twice.  
If the indicator does not flash or  
flashes rapidly several times,  
repeat step 3 and re-enter the  
code.  
4 Use the numeric buttons to  
enter the four-digit code  
for the second (and third)  
VCR. Make sure that the  
indicator flashes twice.  
If the indicator does not flash or  
flashes rapidly several times,  
repeat step 3 and re-enter the  
code.  
5 Press AV POWER (or any other button) on the  
remote control to check if you have set the  
code correctly.  
5 Press AV POWER (or any other button) on the  
remote control to check if you have set the  
code correctly.  
If your component cannot be  
controlled with the remote  
control, try setting another code  
for the same manufacturer.  
If the VCR cannot be controlled  
with the remote control, try  
Notes  
setting another code for the  
You can set only one code for one position.  
• In the DVD/LD and DVD MENU positions:  
same manufacturer.  
Be sure to set the selector dial to the DVD/LD position before  
entering the code for the DVD/LD player. The code set in the  
DVD/LD position is also simultaneously set in the DVD MENU  
position. You cannot set the code for a DVD player when the  
selector dial is set to the DVD MENU position.  
• If your component does not respond to any of the codes listed for  
the manufacturer, use the original remote control supplied with  
your component.  
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48  
PRESET REMOTE CONTROL  
To return to the factory-set codes in each position, follow  
these steps.  
Returning to the factory-set codes  
To return to the factory-set codes in all positions, follow  
these steps.  
1 Set the selector dial to the  
position for the  
1 Press i (right) and j (left)  
at the same time for about  
four seconds.  
component to be returned  
to the factory-set code.  
The indicator flashes twice.  
2 Press i (right) and j (left)  
at the same time for about  
four seconds.  
The indicator flashes twice.  
2 Enter the code number  
“9990”.  
Make sure that the indicator  
flashes twice.  
3 Enter the code number  
“0000”.  
Make sure that the indicator  
flashes twice.  
The following codes are factory set.  
Selector dial  
Code  
Component  
position  
TV  
TV  
0101  
CBL/SAT  
VCR  
Satellite tuner 0006  
VCR  
0002  
DVD/LD  
CD  
DVD player  
CD player  
Tape deck  
this unit  
0008 (YAMAHA DVD player)  
0005 (YAMAHA CD player)  
0004 (YAMAHA Tape deck)  
0003  
TAPE/MD  
AMP/TUN  
DSP/TUN  
this unit  
0013  
We recommend that you write all the code numbers you  
have set on the “Quick Reference Card”.  
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49  
APPENDIX  
TROUBLESHOOTING  
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple  
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power  
cord and contact your authorized YAMAHA dealer or service center.  
General  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
The unit fails to turn on  
when STANDBY/ON (or  
POWER) is pressed, or  
enters in the standby  
mode soon after the  
power has been turned  
on.  
The power cord is not connected or the plug is  
not completely inserted.  
Firmly connect the power cord.  
18  
18  
The IMPEDANCE SELECTOR switch on the  
rear panel is not fully set to the right or left  
position.  
Set the switch fully to the right or left position  
when the unit is in the standby mode.  
The internal microcomputer has been frozen by  
an external electric shock (lightning, excessive  
static electricity, etc.) or by a power supply with  
low voltage.  
Set the unit in the standby mode and disconnect  
the AC power cord from the AC power outlet.  
After about 30 seconds have passed, connect  
the power and operate the unit again.  
The unit does not work  
normally.  
No sound and/or no  
picture.  
Incorrect input or output cable connections.  
Connect the cables properly. If the problem  
persists, the cables may be defective.  
13, 14  
21  
An appropriate input source has not been  
selected.  
Select an appropriate input source with INPUT  
SELECTOR or TAPE/MD MON / EXT.  
DECODER (or the input selector buttons).  
The speaker connections are not secure.  
SPEAKERS have not been set properly.  
Secure the connections.  
16  
21  
Set SPEAKERS corresponding to the speakers  
in use to the ON position.  
Set VOLUME to the “m” position, press  
MUTE to cancel a mute and adjust the volume.  
22  
The sound is muted.  
Digital signals other than PCM audio and the  
signals encoded with Dolby Digital or DTS  
which this unit cannot reproduce are being input  
to this unit by a CD-ROM, etc.  
Play a source whose signals this unit can  
reproduce.  
No picture.  
There is no S VIDEO connection between this  
unit and the TV monitor, although S video  
signals are being input to this unit.  
Connect the monitor’s “S” video input terminal  
to this unit’s S VIDEO MONITOR OUT  
terminal.  
14  
The sound suddenly  
goes off.  
The protection circuit has been activated  
because of a short circuit, etc.  
Set the unit in the standby mode and then turn  
on to reset the protection circuit.  
Turn on the power, and play the source again.  
The SLEEP timer has functioned.  
Incorrect cable connections.  
41  
16  
Only the speaker on one  
side can be heard.  
Connect the cables properly. If the problem  
persists, the cables may be defective.  
Incorrect setting of BALANCE.  
The sound effect is off.  
Adjust it to the appropriate position.  
Press EFFECT to turn it on.  
22  
26  
No sound from the effect  
speakers.  
Select another DSP program.  
A Dolby Surround, Dolby Digital or DTS  
decoding DSP program is being used with  
material not encoded with Dolby Surround,  
Dolby Digital or DTS.  
34  
The 96-kHz sampling 24-bit digital signals are  
input to this unit.  
24  
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50  
TROUBLESHOOTING  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
No sound from the  
center speaker.  
The sound output level of the center speaker is  
set to minimum.  
39  
Raise the level of the center speaker.  
“CENTER SP” on the SET MENU is set to the  
NONE position.  
Select the LRG or SML position.  
Select the appropriate program.  
36  
32, 33, 34  
Incorrect DSP program is selected.  
The source encoded with Dolby Digital or DTS  
does not have a center channel signal.  
No sound from the rear  
speakers.  
Raise the output level of the rear speakers.  
The output level of the rear speakers is set to  
minimum.  
39  
34  
A monaural source is being played with the PRO  
LOGIC/Normal or PRO LOGIC/ENHANCED  
program.  
Select another DSP program suitable for the  
monaural source.  
Select the BOTH position.  
36  
No sound from the  
subwoofer.  
“BASS OUT” on the SET MENU is set to the  
SW or MAIN position when playing a 2-channel  
source.  
The source does not contain low bass signals  
(below 90 Hz).  
13, 14  
13  
A “humming” sound can  
be heard.  
Incorrect cable connections.  
Firmly connect the audio plugs. If the problem  
persists, the cables may be defective.  
No connection from the turntable to the GND  
terminal.  
Make the GND connection between the  
turntable and this unit.  
The volume level is low  
while playing a record.  
The record is being played on a turntable with an The turntable should be connected to the unit  
13  
MC cartridge.  
through the MC head amplifier.  
The volume level cannot  
be increased, or the  
sound is distorted.  
The component connected to the TAPE/MD  
OUT (REC) terminals of this unit is in the  
standby mode.  
Turn on the power to the component.  
The sound effect cannot  
be recorded.  
It is not possible to record the sound effect by a  
tape deck or MD recorder connected to the  
TAPE/MD OUT (REC) terminals of this unit.  
31  
14  
The DVD/LD, TV/digital TV The DVD/LD player, TV/digital TV or cable  
or cable TV/satellite tuner TV/satellite tuner is connected to the unit only  
Make additional connections between the  
analog terminals.  
source cannot be  
through the digital terminals.  
recorded by a tape deck,  
MD recorder or VCR  
connected to this unit.  
Adjusting this unit by  
using SET MENU,TIME/  
LEVEL or TEST cannot  
be performed.  
“MEM. GUARD” on the SET MENU is set to  
the ON position.  
Set “MEM. GUARD” to the OFF position.  
38  
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51  
TROUBLESHOOTING  
Tuner  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
FM stereo reception  
is noisy.  
The characteristics of FM stereo broadcasts  
may cause this problem when the transmitter is  
too far away or the antenna input is poor.  
Check the antenna connections.  
Try using a high-quality directional FM  
antenna.  
11, 27  
Use the manual tuning method.  
Adjust the antenna position to eliminate  
multipath interference.  
11  
There is distortion,  
and clear reception  
cannot be obtained  
even with a good FM  
There is multipath interference.  
FM  
antenna.  
Use the manual tuning method.  
Use a high-quality directional FM antenna.  
The station is too weak.  
The desired station  
cannot be tuned in  
with the automatic  
tuning method.  
11, 27  
The unit has been disconnected for a long  
period.  
Re-store the stations.  
Previously preset  
stations can no  
28  
longer be tuned in.  
The desired station  
cannot be tuned in  
with the automatic  
tuning method.  
The signal is weak or the antenna connections  
are loose.  
Tighten the AM loop antenna connections and  
orient it for best reception.  
Use the manual tuning method.  
12, 27  
There are continuous  
crackling and hissing  
noises.  
Noises result from lightning, fluorescent lamps,  
motors, thermostats and other electrical  
equipment.  
Use an outdoor antenna and a ground wire. This  
will help somewhat, but it is difficult to  
eliminate all noise.  
12  
AM  
There are buzzing and A TV set is being used nearby.  
Move this unit away from the TV.  
whining noises  
(especially in the  
evening).  
Remote control  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
Direct sunlight or lighting (from an inverter  
type of fluorescent lamp, etc.) is striking the  
remote control sensor of this unit.  
The remote control does  
not work.  
Reposition the unit.  
3
2
The batteries are weak.  
Replace all batteries with new ones.  
42  
The unit or other  
component cannot be  
controlled.  
The component to be controlled has not been  
selected.  
Set the selector dial to the appropriate position,  
corresponding to the component to be controlled.  
The remote control cannot control system  
components.  
48  
The manufacturer’s code has not been set  
properly.  
Enter the code again.  
Try setting another code for the same  
manufacturer.  
Depending on the manufacturer or the model,  
some components cannot be controlled with this  
unit’s remote control even though the code has  
been set properly.  
Use the original remote control supplied with  
your component.  
Others  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
This unit is in the standby mode.  
Turn on the power of the unit.  
The sound is degraded  
when listening with  
headphones to a tape  
deck or CD player  
connected to this unit.  
There is noise  
The unit is too close to the digital or high-  
frequency equipment.  
Move the unit further away from such  
equipment.  
interference from digital  
or high-frequency  
equipment, or the unit.  
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52  
TROUBLESHOOTING  
When playing back a source encoded with DTS  
Refer to  
page  
SYMPTOM  
CAUSE  
REMEDY  
A loud hissing noise is  
heard when playing back connected to a digital audio signal input  
a source encoded with  
DTS.  
The player which plays back the source is not  
The player must be connected to a digital audio  
signal input terminal of this unit besides the  
analog audio signal terminal connections.  
14  
terminal of this unit.  
The input mode is set to ANALOG on this unit.  
Set a proper input mode to turn on the built-in  
DTS decoder.  
23  
23  
A percussive noise is  
heard when playing back some sources, there may be a noise heard while  
If the input mode is set to AUTO, depending on  
Set the input mode of the currently selected  
input source to DTS.  
a source encoded with  
DTS.  
this unit is identifying the format of the input  
signal.  
No sound is heard when  
playing back a source  
encoded with DTS, even  
if the input mode is set  
to AUTO on this unit.  
The built-in DTS decoder does not function  
because the player has a digital volume control  
and it is set at a position other than  
Set the player’s digital volume control at the  
maximum, neutral or ineffective position.  
“maximum,” “neutral” or “ineffective.”  
No sound is heard when  
playing back an MD or  
DAT on which has been  
recorded a source  
A source encoded with DTS cannot be recorded  
on an MD or DAT.  
24  
encoded with DTS.  
No sound is heard when  
playing back a source  
(CD, etc.) even if the  
currently selected input  
mode is AUTO.  
Set the input mode to AUTO again.  
In the AUTO mode, the DTS-decoding mode  
cannot be automatically changed to the normal  
(PCM) digital signal input mode.  
Notes  
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must be connected  
to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or only a D-to-A converter is  
being used without using a DTS decoder, only a loud hissing noise will be heard when you play back the source.  
• The “t” indicator will flash when the input mode is set to AUTO and a search or skip operation is performed while playing back a  
source encoded with DTS. If this status continues for 30 or more seconds, the unit will automatically switch from DTS-decoding mode to  
PCM digital signal input mode and the “t” indicator will go out.  
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53  
SPECIFICATIONS  
AUDIO SECTION  
• Minimum RMS Output Power  
FM SECTION  
• Tuning Range .................................... 87.5/87.50 to 107.9/108.00 MHz  
20 Hz to 20 kHz, 0.06% THD, 8 ohms  
Main L/R, Center, Rear L/R ....................................... 100 W*/70 W  
1 kHz, 0.09% THD, 8 ohms  
• Usable Sensitivity (DIN)  
Mono (S/N 26 dB) ................................................................... 0.9 µV  
Stereo (S/N 46 dB) ................................................................... 28 µV  
Main L/R, Center, Rear L/R ....................................... 110 W*/80 W  
• Selectivity (two signals, 40 kHz Dev., ±300 kHz) ...................... 55 dB  
• Maximum Output Power (EIAJ)  
• Signal-to-Noise Ratio (Mono/Stereo)  
1 kHz, 10% THD, 8 ohms ........................................................ 105 W  
DIN ................................................................................. 75 dB/69 dB  
IHF ................................................................................. 81 dB/75 dB  
• DIN Standard Output Power  
1 kHz, 0.7% THD, 4 ohms ....................................................... 110 W  
• Harmonic Distortion (1 kHz)  
• IEC Output Power  
Mono/Stereo ........................................................................ 0.1/0.2%  
1 kHz, 0.06% THD, 8 ohms ....................................................... 75 W  
• Stereo Separation (1 kHz) ........................................................... 48 dB  
• Frequency Response ........................................ 20 Hz to 15 kHz, ±1 dB  
• Antenna Input ...................................................... 75 ohms, Unbalanced  
• Dynamic Power (IHF)  
8/6/4/2 ohms ..................... 130/150/190/240 W*, 90/110/135/160 W  
• Damping Factor  
20 Hz to 20 kHz, 8 ohms ................................................................ 80  
AM SECTION  
• Tuning Range ............................................530/531 to 1,710/1,611 kHz  
• Frequency Response  
CD etc. to MAIN L/R ................................. 10 Hz to 100 kHz, –3 dB  
• Usable Sensitivity ................................................................. 300 µV/m  
• Signal-to-Noise Ratio ................................................................... 52 dB  
• Antenna ........................................................................... Loop antenna  
• Total Harmonic Distortion (20 Hz to 20 kHz)  
CD etc. to MAIN L/R, 1/2 power, 8 ohms .............................. 0.06%  
• Signal-to-Noise Ratio (IHF-A Network)  
CD etc. to MAIN L/R  
(150 mV, Input Shorted) ........................................................ 99 dB  
(250 mV, Input Shorted) ....................................................... 103 dB  
GENERAL  
• Power Supply  
[U.S.A. and Canada models] .................................. AC 120 V, 60 Hz  
[Europe, U.K. and Singapore models] .................... AC 230 V, 50 Hz  
[Australia model] ..................................................... AC 240 V, 50 Hz  
[China model] ......................................................... AC 220 V, 50 Hz  
[General model] ............................. AC 110/120/220/240 V, 50/60 Hz  
• Residual Noise (IHF-A Network)  
MAIN L/R .............................................................................. 150 µV  
• Input Sensitivity/Impedance  
CD etc. ................................................................. 150 mV/47 k-ohms  
EXT. DECODER ......................................... 150 mV/40 – 47 k-ohms  
• Power Consumption ...................................................... approx. 310 W  
• Power Consumption (standby mode) ................................. approx. 1 W  
• Output Level/Impedance  
REC OUT ........................................................... 150 mV/1.2 k-ohms  
PRE OUT ............................................................... 2.1 V/1.2 k-ohms  
SUBWOOFER ....................................................... 4.0 V/1.2 k-ohms  
PHONES ................................................................. 0.34 V/560 ohms  
• AC Outlets (100 W max. total)  
[U.K. and Australia models] ..................................... 1 (SWITCHED)  
[Other models] .......................................................... 2 (SWITCHED)  
• Channel Separation (Vol. –30 dB)  
• Dimensions (W x H x D)  
CD etc. (Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)  
..................................................................................... 60 dB/45 dB  
..................... 435 x 151 x 391 mm (17-1/8’’ x 5-15/16’’ x 15-3/8’’)  
• Weight ......................................................................... 11.2 kg (25 lbs.)  
• Tone Control Characteristics  
• Accessories ................................................................ AM loop antenna  
.......................................................................... Indoor FM antenna  
..................... 75-ohm/300-ohm antenna adapter (U.K. model only)  
........................ Antenna adapter (U.S.A. and Canada models only)  
................................................................................. Remote control  
........................................................................................... Batteries  
BASS: Boost/cut .......................................................... ±10 dB/50 Hz  
TREBLE: Boost/cut ................................................... ±10 dB/20 kHz  
* for U.S.A. and Canada models  
VIDEO SECTION  
• Video Signal Type ........................................................... NTSC or PAL  
Specifications are subject to change without notice.  
• Video Signal Level ...................................................... 1 Vp-p/75 ohms  
• Signal-to-Noise Ratio .................................................................. 50 dB  
• Monitor Out Frequency Response .................... 5 Hz to 10 MHz, –3 dB  
54  
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GLOSSARY  
CINEMA DSP  
CINEMA DSP  
Dolby Surround  
Dolby Surround uses four discrete channels and five  
speakers to reproduce realistic and dynamic sound effects:  
two main channels (left and right), a center channel for  
dialog, and a rear channel for special sound effects. The rear  
channel reproduces sound within a narrow frequency range.  
Most video tapes and laser discs include Dolby Surround  
encoding, as do many TV and cable broadcasts. The Dolby  
Pro Logic decoder built into this unit employs a digital  
signal processing system that stabilizes each channel for  
even more accurate sound positioning than is available with  
standard analog processors.  
The Dolby Surround and Dolby Digital sound and DTS  
systems show their full ability in a large movie theater,  
because movie sounds are originally designed to be  
reproduced in a large movie theater that uses a multitude of  
speakers. Trying to create a sound environment similar to  
that of a movie theater in your home is difficult because of  
the room size, material inside the walls, the number of  
speakers, and so on. In other words, your listening room is  
very different from a movie theater.  
However, YAMAHA DSP technology allows you to create  
nearly the same sound experience as that of a large movie  
theater in your home by compensating for the lack of  
presence and dynamics in the listening room with original  
digital sound fields combined with Dolby Surround, Dolby  
Digital or DTS Digital Surround sounds.  
The YAMAHA “CINEMA DSP” logo indicates those  
programs that are created by the combination of YAMAHA  
DSP technology and Dolby Surround, Dolby Digital or  
DTS.  
Dolby Digital  
Dolby Digital is a digital surround sound system that  
provides completely independent multi-channel audio to  
you. Dolby Digital provides five full-range channels in what  
is sometimes referred to as a “3/2” configuration: three front  
channels (left, center and right), and two surround channels.  
A sixth bass-only effect channel is also provided for output  
of LFE (low frequency effect), or low bass effects that are  
independent of other channels. (This is called the “LFE  
channel”.) This channel is counted as 0.1, thus giving rise to  
the term 5.1 channels in total.  
LFE 0.1 Channel  
This channel is for reproduction of low bass signals. The  
frequency range for this channel is 20 Hz to 120 Hz. This  
channel is called the channel 0.1 because it only reproduces  
a low frequency range compared to the full-range from  
20 Hz to 20 kHz that is reproduced by the 5 channels in a  
Dolby Digital or DTS 5.1 channel system.  
The wide dynamic range of sound reproduced by the five  
full-range channels and precise sound orientation by digital  
sound processing provides listeners with excitement and  
realism that have never been experienced before.  
DTS (Digital Theater System)  
S VIDEO Signal  
Digital Surround  
The S VIDEO signal is separated and transmitted as the Y  
signal which indicates the luminance and the C signal which  
indicates the chroma of the video signal (composite signal).  
Using the S VIDEO terminal eliminates video signal  
transmission loss and allows recording and playback of  
even more beautiful images.  
DTS was developed to replace the analog soundtracks of  
movies with six discrete channels of digital soundtracks,  
and it is now installed in many theaters around the world.  
The DTS digital playback system changed the way we  
experienced movies in theaters with six discrete channels of  
superb digital audio.  
DTS technology, through intense research and development  
has made it possible to deliver similar encode/decode  
discrete technology to home audio surround-sound  
entertainment.  
DTS Digital Surround is an encode/decode system which  
delivers six channels of master-quality, 20-bit audio;  
technically, it is 5.1 channels, which means 5 full-range  
(left, center, right and two surround) channels, plus a  
subwoofer (LFE) channel (as “0.1”). It is compatible with  
the 5.1 speaker configurations that are currently available  
for home theater systems.  
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55  
INDEX  
A
M
Accessories .......................................................................... 2  
AC outlet ........................................................................... 18  
Antennas ...................................................................... 11, 12  
Muting ............................................................................... 22  
P
Playing ............................................................................... 21  
B
Preset stations  
BALANCE ........................................................................ 22  
To recall a preset station .............................................. 29  
Exchanging preset stations .......................................... 30  
Preset tuning  
BGV (background video) function .................................... 22  
C
Automatic preset tuning .............................................. 28  
Manual preset tuning ................................................... 29  
Canceling sound effect ...................................................... 26  
CINEMA DSP ............................................................. 34, 55  
Connections  
R
Antennas................................................................ 11, 12  
Audio components (tape deck/MD recorder, CD player  
and turntable) .............................................................. 13  
Digital connections...................................................... 14  
Speakers ...................................................................... 16  
TV monitor .................................................................. 14  
Video components (DVD/LD player, VCR, TV/digital  
TV and cable TV/satellite tuner) ................................. 14  
Recording .......................................................................... 31  
Remote control  
Basic operations ........................................................ 7, 8  
Batteries......................................................................... 2  
Factory-set code .......................................................... 49  
Manufacturer’s codes .......... i (at the end of this manual)  
Selector dial ............................................................. 7, 42  
Setup codes.................................................................. 48  
D
S
Delay time (TIME/LEVEL mode) .................................... 39  
Display................................................................................. 6  
Dolby Digital ..................................................................... 55  
Dolby Surround ................................................................. 55  
DSP program ...................................................... 25, 32 to 34  
DTS Digital Surround ....................................................... 55  
SET MENU ....................................................................... 35  
Sleep timer ......................................................................... 41  
Speaker  
Output levels (TIME/LEVEL mode) .......................... 39  
Output mode (SET MENU) .................................. 36, 37  
Speaker balance (test tone).......................................... 19  
Placement ...................................................................... 9  
STANDBY/ON.................................................................... 4  
E
External decoder ................................................................ 15  
T
F
Test tone....................................................................... 19, 20  
Tone controls ..................................................................... 22  
Tuning  
Front panel ........................................................................... 4  
I
Automatic tuning ......................................................... 27  
Manual tuning ............................................................. 27  
IMPEDANCE SELECTOR switch ................................... 18  
Input mode ......................................................................... 23  
L
LFE ........................................................................ 37, 38, 55  
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56  
LIST OF MANUFACTURER’S CODES  
LISTES DES CODES FABRICANT  
ELECTRON  
ELIN  
ELTA  
0941  
1001  
0331  
JINXING  
JVC  
1531, 1541, 1551,  
1561, 1571, 1621,  
1631, 1641, 1651,  
1691, 1731  
0261, 0281, 0641,  
0651, 0661, 0841  
0901  
PANASONIC 0101, 0191, 0251,  
0751, 1041, 1311,  
TV  
A-MARK  
A TANDY  
ABEX  
ADMIRA  
ADVENTURA 1131  
AIKO  
AIWA  
AKAI  
ALBA  
1161  
0941  
1151  
1141  
1371, 1431  
EMERSON  
0001, 0021, 0061,  
0071, 0081, 0091,  
0111, 0811, 0821,  
0831, 0841, 0851,  
0861, 0871, 0901,  
0921, 0941, 0981,  
1011, 1031, 1051,  
1081, 1091  
0361, 1111  
1001  
0331  
1001  
1001  
0171, 0801, 0981  
0441  
PANDA  
PENNY  
1541, 1721  
0161, 0361, 0521,  
0531, 0621, 0731,  
0751, 0761, 0781,  
0791, 0861, 0931,  
0941, 1031, 1041,  
1111, 1151, 1161  
1561, 1621  
0361, 0581, 0591,  
0601, 0611, 0631,  
0961, 1031, 1111  
0101, 0401, 1001  
1001  
KAWASHO  
KAYPANI  
KENWOOD  
KLOSS  
1121  
1481  
0331, 1101, 1111  
0431  
1091  
1021  
0361, 1031, 1111  
0631, 0721, 1131  
0921, 0941, 1011,  
1051, 1111  
KTV  
PEONY  
PHILCO  
ALLERON  
AMBASSADOR  
AMSTRAD  
ANAM  
ENVISION  
ERRES  
ETRON  
FERGUSON  
FINLUX  
FISHER  
FORMENTI  
FORMONTI  
FORTRESS  
FUJITSU  
FUNAI  
1081  
LEYCO  
LIESENK & TTER 1001  
1001  
0481, 1081  
0251, 1041, 1051,  
1061, 1071  
LLOYTRON  
LOEWE  
LOGIK  
LUXMAN  
LXI  
0941  
1001  
0991, 1771  
0351, 0971  
0101, 0621, 0761,  
0861, 0981  
PHILIPS  
PHONOLA  
PILOT  
ANAM NATIONAL 1041  
AOC  
0941, 1031, 1111  
0511, 0551, 0871,  
1331  
0361, 1021, 1031,  
1111, 1161  
1161  
PIONEER  
1001  
1141  
1091  
1051, 1091, 1341,  
1361, 1411, 1451,  
1501, 1521  
ARCHER  
AUDIOSONIC 1001  
AUDIOVOX  
BAUER  
BAUR  
BEIJING  
BELCOR  
BELL & HOWELL 0981, 0991  
BEON 1001  
BRADFORD 1051  
BROCKWOOD 1031  
BROKSONIC 1161  
PORTLAND  
0941, 1031, 1121  
MAGNAVOX 0101, 0341, 0391,  
0401, 0411, 0421,  
PRICECLUB 0931  
1051, 1161  
0441  
1001  
1511, 1551, 1561  
1031  
PRISM  
0751  
0581, 0591, 0601,  
0611, 0631, 0661,  
0961, 1111  
0991  
0101, 0221, 0361,  
1001, 1111  
1001  
0271, 0331, 1001  
1001  
PROSCAN  
PROTECH  
PROTON  
0761  
1001  
0501, 0861, 0941,  
1021, 1161  
0891  
FUTURETECH 1051  
GE  
0131, 0161, 0201,  
MAJESTIC  
MARANTZ  
0751, 0761, 0771,  
0781, 0791, 0811,  
0861, 1041  
0271, 1001  
0391  
PULSAR  
PULSER  
1031  
MARK  
MATSUI  
MEDIATOR  
MEGATRON 0691, 0861, 1161  
MEI 1011  
M-ELECTRONIC  
QUASAR  
QUELLE  
0251, 0751, 1041  
1001  
GEC  
GEMINI  
GENEXXA  
GIBRALTER 0891, 1031, 1111  
GOLDSTAR  
RADIO SHACK  
0541, 0941,  
1031, 1051,  
1151  
BUSH  
CANDLE  
1001  
0431  
0351, 0361, 0961,  
0971, 1111, 1131  
1021  
0101  
1001  
0031, 0121, 0351,  
0411, 0731, 0741,  
0861, 0941, 0971,  
1001, 1031, 1111,  
1151  
1001  
RADIOLA  
RCA  
1001  
CAPEHART  
CARVER  
CATHAY  
CELEBRITY 0951  
CENTURION 0411  
CHANGHONG 1541, 1551, 1561,  
1621  
MEMOREX  
0331, 0571, 0861,  
0971, 0981, 0991,  
1771  
1791, 1831, 1891,  
1901, 1911, 1921,  
1931, 1941  
0361, 0561, 0571,  
0861, 1031, 1111  
0751, 0761, 0891,  
0941, 1151  
0051, 0141, 0151,  
0181, 0411, 0491,  
0531, 0761, 0771,  
0871, 1031  
0541, 0861, 0941,  
0971, 0981, 1031,  
1051, 1111, 1151  
METZ  
GOODMANS/TASHIKO  
0271, 0661, 1001  
1001  
REALISTIC  
GRANADA  
GRUNDIG  
MGA  
CITIZEN  
0351, 0361, 0921,  
0931, 0941, 0961,  
0971, 1111, 1121,  
1131  
1781, 1791, 1801,  
1811, 1821, 1831,  
1841, 1851, 1861,  
1871, 1881  
1051, 1091  
0721  
RHAPSODY 1011  
MIDLAND  
R-LINE  
RUNCO  
SAISHO  
SAMPO  
1001  
0891, 1111  
0331, 1081  
0361, 0941, 1021,  
1111, 1151  
MITSUBISHI 0221, 0321, 0561,  
0571, 0661, 0861,  
CLAIRTONE 1011  
GUNPY  
H/K  
HALLMARK 0861  
HANSEATIC 1001  
HARVARD  
HINARI  
HITACHI  
CLARIVOX  
CONCERTO  
CONROWA  
CONTEC  
1001  
0351, 0971  
1751  
0901, 0911, 1011,  
1051  
0941  
1031, 1101, 1381  
MONTGOMERY  
MOTOROLA 1041, 1141  
MTC 0351, 0361, 0881,  
1091  
SAMSUNG  
0331, 0341, 0351,  
0361, 0861, 0931,  
0941, 0971, 1001,  
1031, 1111, 1151,  
1461  
1051, 1061  
1001, 1091  
0181, 0351, 0671,  
0681, 0691, 0701,  
0711, 0871, 0941,  
0971, 1351  
1001  
0931, 0971, 1011,  
1031, 1111  
CORANDO  
CRAIG  
CROWN  
0251, 1051  
0941, 1051  
MULTITECH 0881, 1051  
NAD  
NEC  
SAMSUX  
SANYO  
0941  
0551, 0621, 0861  
0171, 0231, 0271,  
0661, 0801, 0911,  
0981, 1231, 1251,  
1261  
CURTIS MATHES  
0161, 0361,  
0931, 0941,  
0981, 1111  
0241, 0351, 0361,  
0661, 0971, 1031,  
1111, 1321, 1711  
1001  
1001  
0271, 0431, 1001,  
1151  
HYPSON  
IMA  
INDIANA  
INFINITY REFERENCE  
0101  
INTERFUNK 1001  
IMA  
INDIANA  
INFINITY REFERENCE  
0101  
INTERFUNK 1001  
ITT  
JANEIL  
JBL  
JCB  
JENSEN  
1051  
1001  
CXC  
DAEWOO  
1051  
NECKERMANN  
NEI  
NIKKAI  
SBR  
1001  
0291, 0301, 0331,  
0721, 0941, 1001,  
1031, 1121, 1191,  
1531, 1581, 1591,  
1601  
1001  
0941, 1031  
0271, 1001  
0331, 1001, 1071  
0891, 1031  
SCHEIDER  
SCIMITSU  
SCOTCH  
SCOTT  
1001  
1031  
0861  
0831, 0861, 0941,  
1031, 1051, 1091  
0101, 0161, 0171,  
0351, 0481, 0521,  
0621, 0761, 0801,  
0861, 0971, 0981,  
1091  
1051  
1001  
NIKKO  
NOVABEAM 0721  
NTC  
ONWA  
OPTIMUS  
OPTONICA  
ORION  
OSAKI  
0861, 1111, 1121  
DANSAI  
DAYTRON  
DECCA  
DIXI  
DUMONT  
DYNATECH  
1121  
1051  
0551  
0541, 1141  
0831, 1001  
0271, 1151  
SEARS  
0611  
1131  
0101  
0951  
0311  
0881  
SHANGHAI  
1561, 1681  
ELECTROBAND  
ELECTROHOME  
0951, 1011  
0941  
OTTO VERSAND  
1001  
i
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SHARP  
0461, 0471, 0541,  
0661, 0911, 0941,  
1141, 1241, 1271  
1031  
SYLVANIA/TEXSCAN  
0376, 0496  
0176  
ELECTROPHONIC 0912  
CABLE TV  
ABC  
ANTRONIX  
ARCHER  
BBT  
CABLETIME 0166  
CABLEVISION  
COLOUR VOICE  
COMTRONICS  
EAGLE COMTRONICS  
0276  
EASTERN  
ELECTRICORD  
ELECTUS  
GE  
GEC CABLE SYSTEM  
0196  
EMEREX  
0792  
0256, 0376  
0136  
0136, 0286  
0076  
TEKNIKA  
TELESERVICE  
TELEVIEW  
TEXSCAN  
TFC  
EMERSON  
0072, 0132, 0142,  
0152, 0162, 0172,  
0182, 0192, 0212,  
0702, 0712, 0722,  
0732, 0742, 0752,  
0762, 0772, 0782,  
0872, 0882, 0892,  
0912, 0952, 0992,  
1072  
SHOGUN  
SIGNATURE 0991, 1771  
0056  
0276  
0186, 0376  
0026  
SIMPSON  
SOLAVOX  
SONOKO  
SONTEC  
SONY  
0581, 0961  
1151  
1001  
0196  
0306, 0346  
0216, 0276  
TOCOM  
0226, 0356  
1001  
TOCOM 5503A 0526  
TOCOM 5503VIP/5507 0516  
TOCOM TC56 0506  
0371, 0451, 0661,  
0841, 0951, 1281,  
1441  
TOSHIBA  
TUDI  
UNIKA  
0386  
0046  
0136  
FINLUX  
FISHER  
0002, 0992  
0682, 0692, 0842,  
0902  
0066  
SOUNDESIGN 0861, 0961, 1051,  
1091  
SOUNDWAVE 1001  
SPECTRICON 1161  
SQUAREVIEW 0481  
SSS  
STAR-LITE  
SUPREM  
0206  
0266  
0116, 0126  
UNIVERSAL 0136, 0156, 0206,  
0286  
FUJI  
0672, 0932  
FUNAI  
0992  
VIDEOWAY  
VIEWSTAR  
ZENITH  
0096  
0216  
0246, 0386, 0486  
GARRARD  
GE  
GO VIDEO  
GOLDSTAR  
0992  
0662, 0822, 0932  
0642, 0652  
1031, 1051  
1051  
0951  
HAMLIN H5 0676  
HAMLIN H6 0666  
HAMLIN H6S 0656  
HAMLIN H8 0646  
HAMLIN H9 0636  
0082, 0632, 0912  
SUPRE-MACY 1131  
SURPA  
SYLVANIA  
GOODMANS 0402  
GRADIENTE 0992  
SATELLITE TUNER  
ALPHA STAR 0826  
CHAPARRAL 0756  
0351, 0971  
0101, 0361, 0441,  
0581, 0591, 0601,  
0611, 0631, 0961,  
1111  
GRANDA  
GRUNDIG  
H/K  
0612, 0902  
0002  
1082  
JERROLD  
0256  
ECHOSTAR  
0836  
JERROLD 400L  
JERROLD 450L  
JERROLD 550  
JERROLD OSD CATV  
0596  
JERROLD SPRUCER  
0436  
MAGNAVOX/PHILIPS  
0626  
0616  
0606  
GENERAL INSTRUMENT  
0776, 0876  
HARLEY DAVIDSON  
0992  
HARMAN/KARDON  
SYMPHONIC 0481  
SYSLINE  
TANDY  
HTS  
0836  
1001  
HUGHES NETWORK SYSTEMS  
0816  
0271, 0431, 1141  
0271, 0881, 1001,  
1041, 1161  
1561, 1631, 1701  
0751  
0632, 1082  
0752, 0852  
HEADQUARTER 0612  
TATUNG  
HARWOOD  
JERROLD  
0776, 0786  
PANASONIC 0806  
PRIMESTAR 0776, 0786  
TCL  
TECHNICS  
TECHWOOD 0351, 0751, 0971  
TEKNIKA  
HI-Q  
HINARI  
HITACHI  
0842  
0852  
0102, 0562, 0572,  
0582, 0592, 0602,  
0992  
0416, 0426  
0296  
0386  
RCA  
SONY  
0766  
0796  
MAMM  
MEMOREX  
MOVIE TIME 0146, 0206  
NORTHCOAST  
NSC  
OAK  
OAK SIGMA 450  
OAK SIGMA 550  
PANASONIC TZ 120/130  
0476  
PANASONIC TZ 170/180  
0446  
PANASONIC TZ140 0466  
PANASONIC TZ150/160  
0456  
PARAGON  
PHILIPS  
0101, 0351, 0571,  
0931, 0941, 0961,  
0971, 0991, 1031,  
1051, 1091, 1121,  
1131, 1771  
0331  
0501  
1671  
1001  
0351, 0861, 0971,  
1081  
(DSS)  
0016  
ITT  
0942  
HITACHI  
0856  
0146  
0106  
JVC  
0202, 0522, 0532,  
0542, 0552  
0202, 0542, 0612,  
0632, 0902  
0852  
MAGNAVOX 0886  
MEMOREX  
PHILIPS  
0886  
0886  
0546  
0536  
TELETECH  
TERA  
THAKRAL  
THORM  
TMK  
KENWOOD  
STAR CHOICE 0876  
KLH  
TOSHIBA  
UNIDEN  
0866  
0886  
KODAK  
LLOYD  
LOGIK  
LUXOR  
LXI  
0912, 0932  
0992  
0852  
0942  
0022, 0912  
VCR  
TOSHIBA  
TOSONIC  
TOTEVISION 0941  
TRICAL 0911  
UNIVERSAL 0781, 0791  
UNIVERSUM 1001  
VECTOR RESEARCH 0361, 1111  
0381, 0521, 0621,  
0661, 0931, 0981,  
1301  
A TANDY  
0902  
ADVENTURA 0992  
MAGNAVOX 0002, 0482, 0492,  
0502, 0512, 0932  
AIKO  
AIWA  
AKAI  
0982  
0992  
0262, 0942, 0952,  
0962, 0972  
0386  
1011  
0036, 0216, 0306,  
0316, 0326, 0336,  
0346  
MAGNIN  
0922  
MARANTZ  
0002, 0202, 0402,  
0632, 0932  
0912  
AMERICAN HIGH 0932  
PIONEER  
0006, 0086  
MARTA  
AMSTRAD  
ASA  
ASHA  
0992  
0002, 0912  
0922  
PIONEER BR500846  
PIONEER BR60/70/80/81/82  
0696  
PIONEER BR90  
PULSAR  
RCA DIGITAL SATELLITE  
SYSTEM  
REALISTIC  
REGENCY/EASTERN 0686  
RUNCO  
SAMSUNG  
SCIENTIFIC ATLANTA 175/475  
0576  
SCIENTIFIC ATLANTA 75  
0366, 0586  
SCIENTIFIC ATLANTA 8650  
0566  
SIGNAL  
SL MARX  
SPECTAVISION  
MATSUSHITA 0932  
VESTEL  
VICTOR  
1001  
0641, 0651, 1201,  
1211, 1221  
MATSUI  
MEI  
0722  
0222, 0932  
AUDIO DYNAMICS 0202  
AUDIOVOX 0912  
BEAUMARK 0922  
BELL & HOWELL 0902  
BLAUPUNKT 0412  
BROKSONIC 0872, 0882, 0892  
0556  
MEMOREX  
0232, 0242, 0472,  
0512, 0612, 0842,  
0902, 0912, 0922,  
0932, 0992  
0386  
VIDEO CONCEPT 1101  
VIDIKRON  
VIDTECH  
VIKING  
0101, 0211  
0861, 1031  
1131  
0396, 0406  
0136  
MGA  
0762, 0952  
WARDS  
0101, 0361, 0451,  
0541, 0581, 0591,  
0601, 0611, 0771,  
0781, 0791, 0861,  
0971, 0991, 1031,  
1091, 1111, 1771  
1001  
1611, 1621, 1661,  
1741, 1761  
0221, 0361, 0571,  
1031, 1111, 1141,  
1381  
MGA TECHNOLOGY  
0922  
BUSH  
0852  
0386  
0276  
CALIX  
CANON  
CCE  
CITIZEN  
COLT  
0912  
MINOLTA  
0592, 0602  
0862, 0932  
0852, 0982  
0912, 0982  
0852  
MITSUBISHI 0452, 0462, 0542,  
0762, 0952, 1082  
MOTOROLA 0472, 0932  
WATSON  
XOGEGO  
MTC  
0922, 0992  
CRAIG  
0832, 0842, 0852,  
0912, 0922  
MULTITECH 0852, 0992  
NAD  
NEC  
0442  
CURTIS MATHES  
0662, 0822,  
0932  
0276  
0276  
YAMAHA  
0122, 0202, 0292,  
0422, 0432, 0542,  
0632  
CYBERNEX  
DAEWOO  
DBX  
0922  
0802, 0812, 0982  
0202  
0236  
STANDARD COMPONENTS  
0186  
STARCOM V 0256  
YOKO  
ZENITH  
1001  
0011, 0041, 0891,  
0991, 1771  
NIKKO  
0912  
NOBLEX  
OLYMPUS  
OPTIMUS  
0922  
0412, 0932  
0442, 0472, 0912  
DYNATECH  
0472, 0992  
ELECTROHOME  
0912  
STARGATE  
0276  
ZONDA  
1161  
ii  
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OPTONICA  
ORION  
0402  
0212, 0722, 0742,  
0772  
0912  
UNITECH  
VECTOR RESEARCH  
0202, 0432, 0632  
0202, 0532, 0552  
VIDEO CONCEPTS  
0202, 0432, 0632,  
0922  
CURTIS MATHS  
DENON  
DEUAL (E)  
DYNAMIC BASS (H)  
0555  
0345  
0275, 0875, 0885  
0505  
SONY  
0065, 0565, 0865,  
1145  
1235  
0025  
0215  
STARON  
STS  
SYLVANIA  
SYMPHONIC 0335  
TANDY  
OSAKI  
VICTOR  
PANASONIC 0012, 0052, 0092,  
0222, 0372, 0382,  
EMERSON  
EROICA  
FISHER  
0205, 0325, 1105  
1275  
0095, 0555, 0925,  
1005  
0392, 0412, 0932  
0952  
0305  
1195  
0235, 0335, 0385,  
0525, 0795, 0835,  
1355  
PENNY  
0202, 0432, 0602,  
0632, 0692, 0912,  
0922, 0932  
0592, 0602  
0992  
0002, 0932  
0002, 0282, 0402,  
0492, 0932  
WARDS  
0322, 0402, 0472,  
0482, 0602, 0712,  
0842, 0852, 0922,  
0932, 0992  
TANGBERG  
TEAC  
GARRARD  
GENEXXA  
GOLDSTAR  
0365  
PENTAX  
PERDIO  
PHILCO  
PHILIPS  
0305, 0325, 1105  
1135, 1225, 1265,  
1335  
YAMAHA  
ZENITH  
0202, 0632, 0762  
0042, 0362, 0512,  
0672  
TECHNICS  
0055, 0605, 1095  
TECHWOOD 1325  
TELEFUNKEN (E) 0505  
THOMSON (E) 0505  
H/K  
0105, 0175, 0465,  
0995  
PILOT  
PIONEER  
PROSCAN  
0912  
0442, 0542  
1002, 1012, 1022,  
1032, 1042, 1052,  
1062  
0512  
0612  
0272, 0612  
0382, 0392, 0932  
0912, 0992  
HITACHI  
0195, 0205, 0505,  
0815  
0115, 0395  
0315  
0045, 0095, 0405,  
0585, 0725, 0735,  
0745, 0755, 0895  
0025  
0075, 0425, 0675,  
0705, 0715, 0985  
TOSHIBA  
VECTOR RESEARCH  
0065, 1135  
0315  
0035, 0685  
DVD PLAYER  
AKAI  
0108  
INKEL  
JVC  
KENWOOD  
KENWOOD  
0288  
VICTOR  
WARDS  
MAGNAVOX 0248  
MITSUBISHI 0268  
0175  
PULSAR  
QUARTER  
QUARTZ  
QUASAR  
RADIO SHACK  
RADIX  
YAMAHA  
0005, 0015, 1065  
ONKYO  
0128, 0248  
PANASONIC 0048  
KYOCERA  
LUXMAN  
MD RECORDER  
PHILIPS  
PIONEER  
PROSCAN  
RCA  
0188, 0248  
0208, 0228  
0308  
YAMAHA  
KENWOOD  
SONY  
0024, 0394  
0384  
0394  
0912  
0912  
MAGNAVOX 0165, 0215, 0645,  
0955  
MARANTZ  
0308  
RANDEX  
RCA  
SAMSUNG  
SHARP  
0148  
0068  
0112, 0382, 0392,  
0482, 0592, 0602,  
0662, 0822, 0942  
0402, 0472, 0612,  
0682, 0842, 0902,  
0912, 0922, 0932,  
0992  
0215, 0235, 0375,  
0785, 1345  
0355, 1085  
0905, 1315  
0205, 0225, 0235,  
0305, 0325, 1105  
0135  
TAPE DECK  
SONY  
0028  
AIWA  
0094, 0214, 0224  
MCINTOSH  
MCS  
MEMOREX  
TECHNICS  
THOMSON  
TOSHIBA  
VICTOR  
YAMAHA  
ZENITH  
0048  
0328  
0088, 0248  
0168, 0348  
0008, 0048  
0248  
AKAI  
0184  
REALISTIC  
CARVER  
DENON  
FISHER  
GARRARD  
JVC  
0094  
0304  
0144  
0194, 0204  
0274, 0284, 0294  
0124, 0134, 0154,  
0234, 0244, 0264  
MGA  
MISSION  
MITSUBISHI 0135, 0445  
MTC  
NAD  
RICOH  
SAISHO  
0352, 0362  
0215  
0212, 0582, 0722,  
0732, 0742, 0772  
0612, 0762  
0212, 0312, 0922,  
0962  
KENWOOD  
1255  
0035, 0615, 0685,  
0695  
LD PLAYER  
SALORA  
SAMSUNG  
AIWA  
0157  
MAGNAVOX 0094  
DENON  
0147  
MARANTZ  
0094, 0344  
NAKAMICHI 0125, 0435, 0515  
NEC  
NIKKO  
ONKYO  
DISCO VISION 0017  
FUNAI 0157  
HITACHI (E) 0017  
MITSUBISHI 0184  
SANKY  
SANSUI  
SANYO  
0472, 0512  
0255, 0905, 0965  
0545, 1005  
0155, 0455, 0495,  
0805, 1155  
0225, 0245, 0555,  
0595, 0845, 0855,  
0865, 0895, 0935  
OPTIMUS  
0034, 0064, 0204,  
0292, 0542, 0832  
0242, 0612, 0842,  
0902, 0922  
0002, 0282  
0852  
0342, 0712, 0762,  
0872, 0882, 0892  
0302, 0592, 0602,  
0612, 0682, 0692,  
0842, 0902, 0912,  
0932  
0402, 0472  
0852  
0922  
0852  
0032, 0332, 0352,  
0362, 0672, 0792,  
0932  
0602  
0352  
0334  
KENWOOD  
0087, 0107  
ONKYO  
PHILIPS  
PIONEER  
REVOX  
SANSUI  
SHARP  
0364, 0374  
0094  
0034, 0044, 0064  
0354  
0094, 0344  
0264  
MAGNAVOX 0027  
SBR  
SCHEIDER  
SCOTT  
OPTIMUS  
MARANTZ  
MITSUBISHI 0137  
NAD 0137  
PANASONIC 0077, 0177  
0027  
PANASONIC 0055, 0825, 1095,  
1125  
PENNY  
PHILIPS  
PIONEER  
PROTON  
QUASAR  
RCA  
SEARS  
PHILIPS  
PIONEER  
RCA  
0027  
0017, 0037, 0137  
0167  
SHERWOOD 0334  
0905  
SONY  
0054, 0084, 0324  
0165, 0215  
0305, 0935, 1045  
0215, 1185  
0055  
0205, 0915, 1115  
0205, 0225, 0235,  
0325, 0555, 0845  
1175  
TEAC  
0194, 0254  
0074, 0314  
0294  
0034  
0004, 0014  
REALISTIC  
SHARP  
0157  
0127  
TECHNICS  
VICTOR  
WARDS  
YAMAHA  
SHARP  
SHINTOM  
SHOGUN  
SINGER  
SONY  
SONY  
VICTOR  
YAMAHA  
0047, 0057, 0117  
0097  
0007  
REALISTIC  
REVOX  
ROTEL  
SABA TELECOMMANDER (E)  
0505  
SAE  
SAMSUNG  
SANSUI  
CD PLAYER  
ACOUSTIC RESEARCH  
0215  
STS  
SUNPAK  
SYLVANIA  
1295  
0002, 0492, 0502,  
0762, 0932, 0992  
0215  
1285  
ADC  
ADCOM  
ADS  
0025, 0065  
0205, 0255, 1015  
0265  
SYMPHONIC 0992  
TANDY  
TASHIKO  
TEAC  
TECHNICS  
TEKNIKA  
0215, 0625, 0975,  
1025, 1105  
0145, 0555, 0635,  
0765  
0325, 1105  
0345  
0992  
0712, 0992  
0992  
0932  
0322, 0912, 0932,  
0992  
AIWA  
0295, 0945, 1035,  
1055  
SANYO  
AKAI  
ALPINE  
0175, 0485, 0535  
1215, 1305  
SCOTT  
SEARS  
SHARP  
AUDIO-TECHNICA 0545  
0235, 0665, 0895,  
1065, 1075  
BSR  
0245, 0655, 0775  
TELEFUNKEN 0252  
TMK  
CALIFORNIAAUDIO LAB  
0055  
CAPETRONIC 1205  
0212, 0732, 0772,  
0922  
0062, 0302, 0342,  
0622, 0682, 0712,  
0762  
SHERWOOD 0115, 0235, 0395,  
0475  
SIEMENTS GARRARD  
1245  
SIGNATURE 0175  
SONTEC  
TOSHIBA  
CARRERA  
CARVER  
CASIO  
0245  
0285, 1135  
0345  
TOTEVISION 0912, 0922  
1165  
CROWN  
0185  
iii  
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.  
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA  
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY  
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE  
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND  
YAMAHA SCANDINAVIA A.B.  
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN  
Printed in Malaysia ID  
V471950-1  
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA  
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0100HTR-5250(UCA)-cv1/4  
1
Quick Reference Card  
AMP/TUN  
DSP/TUN  
DSP  
INPUT DSP  
INPUT  
Input  
DSP  
selector  
buttons  
program  
selector  
A/B/C/D/E  
EFFECT  
PRESET +/–  
TEST  
j (left), i (right)  
d
(next), u (back)  
SET MENU  
TIME/LEVEL  
STANDBY  
POWER  
TV POWER  
TV VOLUME  
VOLUME +/–  
DSP  
program  
selector  
SLEEP  
MUTE  
Input  
selector  
buttons  
TV INPUT  
EFFECT  
TAPE/MD  
CD  
INPUT  
DSP  
DSP  
INPUT  
Numeric buttons (MD)  
+10 (MD)  
Numeric buttons  
DECK A/B (TAPE)  
DISPLAY (MD)  
INDEX  
+10  
PAUSE (MD)  
DISC SKIP+/–  
DISPLAY  
PAUSE  
REC/PAUSE  
PLAY  
DIR B (TAPE)  
SKIP+ (MD)  
STOP  
PLAY  
SKIP–  
DIR A (TAPE)  
SKIP– (MD)  
SKIP+  
STOP  
FAST  
REWIND (TAPE)  
SEARCH (MD)  
SEARCH  
SEARCH  
FORWARD (TAPE)  
SEARCH (MD)  
AV POWER  
AV POWER  
V479260  
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Quick Reference Card  
DVD/LD  
DVD MENU  
DSP  
INPUT  
INPUT  
DSP  
Numeric buttons  
Numeric buttons  
TITLE/INDEX  
+10  
TITLE/INDEX  
+10  
DISC SKIP+/–  
DISC SKIP+/–  
DISPLAY  
PAUSE  
RETURN  
MENU SELECT  
DISPLAY  
MENU UP  
PLAY  
SKIP–  
SKIP+  
MENU RIGHT  
MENU DOWN  
MENU  
MENU LEFT  
STOP  
SEARCH  
SEARCH  
TITLE  
AV POWER  
AV POWER  
TV  
VCR  
CBL/SAT  
INPUT  
INPUT  
DSP  
DSP  
DSP  
INPUT  
Numeric  
buttons  
Numeric  
buttons  
Numeric  
buttons  
ENTER/  
RECALL  
ENTER/  
RECALL  
ENTER  
+10  
DISPLAY/  
GUIDE  
(SAT)  
CHANNEL  
+/–  
CHANNEL  
+/–  
CHANNEL  
+/–  
+10  
+10  
VCR REC  
PLAY  
VCR REC*1  
VCR PLAY  
*1  
DISPLAY  
PAUSE  
DISPLAY  
VCR PAUSE  
MENU  
SELECT  
MENU UP  
MENU  
RIGHT  
MENU LEFT  
VCR STOP  
STOP  
MENU  
DOWN  
MENU  
VCR FAST  
FORWARD  
FAST  
FORWARD  
VCR  
REWIND  
RECALL  
REWIND  
AV POWER  
AV POWER  
VCR POWER  
TV  
TV INPUT  
POWER  
TV VOL  
TV SLEEP  
TV MUTE  
*1  
Premere due volte questo tasto per iniziare la registrazione.  
Presione dos veces este botón para empezar a grabar.  
Druk tweemaal op deze toets om met opnemen te beginnen.  
Press this button twice to start recording.  
Appuyer deux fois sur cette touche pour commencer l’enregistrement.  
Drücken Sie diese Taste zweimal, um die Aufnahme zu starten.  
Tryck två gånger på den här knappen för att börja spela in.  
V479260  
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Main speakers A  
Main speakers B  
DVD player  
LD player  
DIGITAL OUT  
AUDIO OUT  
S VIDEO  
OUT  
DOLBY  
DIGITAL  
RF OUT  
VIDEO  
OUT  
DOLBY DIGITAL  
RF OUT  
L
R
COAXIAL  
OPTICAL  
R
L R  
L
VIDEO  
OUT  
S VIDEO  
OUT  
COAXIAL  
DIGITAL OUT  
OPTICAL  
DIGITAL OUT  
DOLBY DIGITAL  
RF IN  
ANALOG  
AUDIO OUT  
RF demodulator  
L
R
V
C
O
C
COAXIAL  
DIGITAL OUT  
S
A
B
S
(Europe model)  
V
L
Analog signal  
S Video signal  
Video signal  
Signal flow  
*
VIDEO IN  
S VIDEO IN  
* DSP-A5 only  
R
V
O
Digital signal  
(optical)  
Digital signal  
(coaxial)  
C
R
L
Subwoofer  
system  
TV Monitor  
Center speaker  
Rear speakers  
V573050 RX-V596/DSP-A5  
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