Yamaha Stereo Amplifier DSP A595a User Manual

B G  
DSP-A595a  
Natural sound AV Amplifier  
Amplificateur audio-vidéo  
OWNER’S MANUAL  
MODE D’EMPLOI  
BEDIENUNGSANLEITUNG  
BRUKSANVISNING  
MANUALE DI ISTRUZIONI  
MANUAL DE INSTRUCCIONES  
GEBRUIKSAANWIJZING  
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• After unpacking, check that the following parts are included.  
• Après le déballage, vérifier que les pièces suivantes sont incluses.  
• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.  
• Kontrollera efter uppackningen att följande delar finns med.  
SUPPLIED ACCESSORIES  
ACCESSOIRES FOURNIS  
MITGELIEFERTE ZUBEHÖRTEILE  
MEDFÖLJANDE TILLBEHÖR  
ACCESSORI IN DOTAZIONE  
ACCESORIOS INCLUIDOS  
BIJGELEVERDE ACCESSOIRES  
Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.  
• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.  
• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.  
• Batteries (size AA, R6, UM-3)  
• Piles (taille AA, R6, UM-3)  
• Remote control  
Before using the remote control, install the supplied  
batteries. See page 40 for battery installation.  
• Télécommande  
Avant d’utiliser la télécommande, mettre les piles fournies en  
place. Pour la mise en place des piles, voir page 84.  
• Fernbedienung  
• Batterien (Größe AA, R6, UM-3)  
• Batterier (storlek AA, R6, UM-3)  
• Batterie (formato AA, R6, UM-3)  
• Pilas (tamaño AA, R6, UM-3)  
• Batterijen (maat AA, R6, UM-3)  
Legen Sie vor Gebrauch der Fernbedienung die  
mitgelieferten Batterien ein. Angaben zum Einlegen der  
Batterien finden Sie auf Seite 128.  
• Fjärrkontroll  
Sätt i de medföljande batterierna innan du använder  
fjärrkontrollen. Se sidan 172 om hur man sätter i dem.  
Telecomando  
Prima di usare il telecomando, installare le batterie in  
dotazione. Per l’installazione delle batterie vedere a  
pagina 216.  
• Control remoto  
Antes de utilizar el transmisor de control remoto, instálele  
las pilas suministradas. Para instalar las pilas, consulte la  
página 260.  
• Afstandsbediening  
Alvorens u de afstandsbediening gaat gebruiken, moet u de  
bijgeleverde batterijen plaatsen. Zie blz. 304 voor het  
plaatsen van de batterijen.  
2
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FEATURES  
Automatic Input Balance Control for  
5-Channel Power Amplification  
Dolby Pro Logic decoding  
Minimum RMS Output  
(0.04% THD, 20 Hz – 20 kHz)  
Main: 65 W + 65 W (8 )  
Center: 65 W (8 )  
Test Tone Generator for Easier Speaker  
Balance Adjustment  
Speaker Output Mode Selection  
Rear: 65 W + 65 W (8 )  
6-Channel External Decoder Input for  
Multi-mode Digital Sound Field Processing  
Other Future Formats  
Video Signal Input/Output Capability  
Digital Sound Field Processor (DSP)  
Dolby Digital Decoder  
Dolby Pro Logic Decoder  
DTS Decoder  
(Including S Video Connections)  
SLEEP Timer  
Universal Remote Control with Preset  
CINEMA DSP:Theater-like Sound  
Experience by the Combination of  
YAMAHA DSP Technology and Dolby  
Digital, Dolby Pro Logic or DTS  
CONTENTS  
SUPPLIED ACCESSORIES........................................... 2  
FEATURES .................................................................... 3  
CAUTION ....................................................................... 4  
Information about DSP  
SOUND FIELD PROGRAM ......................................... 28  
Advanced Information  
ADJUSTMENTS IN THE “SET MENU” MODE ............ 33  
Introduction  
FEATURES OF THE SOUND EFFECTS....................... 5  
CONTROLS AND THEIR FUNCTIONS ......................... 8  
Remote control  
REMOTE CONTROL ................................................... 35  
SETUP CODES ........................................................... 41  
Preparation  
SPEAKER SETUP ....................................................... 11  
CONNECTIONS........................................................... 12  
ADJUSTMENTS BEFORE USING THIS UNIT ............ 18  
TROUBLESHOOTING ................................................. 42  
SPECIFICATIONS ....................................................... 45  
Basic Operation  
BASIC OPERATION .................................................... 23  
SETTING THE SLEEP TIMER..................................... 27  
LIST OF MANUFACTURERS’ CODES ...................... 310  
3
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CAUTION: READ THIS BEFORE OPERATINGYOUR UNIT.  
1. To assure the finest performance, please read this manual  
This unit is not disconnected from the AC power source as  
carefully. Keep it in a safe place for future reference.  
long as it is connected to the wall outlet, even if this unit  
2. Install this unit in a cool, dry, clean place – away from  
itself is turned off. This state is called the standby mode. In  
windows, heat sources, sources of excessive vibration,  
this state, this unit is designed to consume a very small  
dust, moisture and cold. Avoid sources of humming  
quantity of power.  
(transformers, motors). To prevent fire or electrical shock,  
do not expose the unit to rain or water.  
For U.K. customers  
3. Never open the cabinet. If something drops into the set,  
contact your dealer.  
If the socket outlets in the home are not suitable for the plug  
supplied with this appliance, it should be cut off and an  
appropriate 3 pin plug fitted. For details, refer to the instructions  
described below.  
Note: The plug severed from the mains lead must be  
destroyed, as a plug with bared flexible cord is hazardous if  
engaged in a live socket outlet.  
4. Do not use force on switches, controls or connection wires.  
When moving the unit, first disconnect the power plug and  
the wires connected to other equipment. Never pull the  
wires themselves.  
5. The openings on the cover assure proper ventilation of the  
unit. If these openings are obstructed, the temperature  
inside the unit will rise rapidly. Therefore, avoid placing  
objects against these openings, and install the unit in a  
well-ventilated area to prevent fire and damage.  
Special Instructions for U.K. Model  
IMPORTANT  
THE WIRES IN MAINS LEAD ARE COLOURED IN  
ACCORDANCE WITH THE FOLLOWING CODE:  
Be sure to allow a space of at least 20 cm behind, 20 cm  
on both sides and 30 cm above the top panel of the unit to  
prevent fire and damage.  
6. The voltage used must be the same as that specified on  
this unit. Using this unit with a higher voltage than  
specified is dangerous and may result in fire or other  
accidents. YAMAHA will not be held responsible for any  
damage resulting from the use of this unit with a voltage  
other than that specified.  
Blue: NEUTRAL  
Brown: LIVE  
As the colours of the wires in the mains lead of this  
apparatus may not correspond with the coloured markings  
identifying the terminals in your plug, proceed as follows:  
The wire which is coloured BLUE must be connected to the  
terminal which is marked with the letter N or coloured  
BLACK. The wire which is coloured BROWN must be  
connected to the terminal which is marked with the letter L or  
coloured RED.  
7. Digital signals generated by this unit may interfere with  
other equipment such as tuners, receivers and TVs. Move  
this unit farther away from such equipment if interference is  
observed.  
8. Always set the VOLUME control to “ ” before starting the  
audio source play. Increase the volume gradually to an  
appropriate level after playback has been started.  
Making sure that neither core is connected to the earth  
terminal of the three pin plug.  
9. Do not attempt to clean the unit with chemical solvents; this  
might damage the finish. Use a clean, dry cloth.  
10. Be sure to read the “TROUBLESHOOTING” section  
regarding common operating errors before concluding that  
the unit is faulty.  
11. When not planning to use this unit for a long period of time  
(e.g., a vacation), disconnect the AC power plug from the  
wall outlet.  
12. To prevent lightning damage, disconnect the AC power  
plug and disconnect the antenna cable when there is an  
electrical storm.  
13. Grounding or polarization – Precautions should be taken so  
that the grounding or polarization of the unit is not  
defeated.  
14. AC outlet  
Do not connect audio equipment to the AC outlet on the  
rear panel if that equipment requires more power than the  
outlet is rated to provide.  
4
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FEATURES OF THE SOUND EFFECTS  
Introduction  
Welcome to the exciting world of digital home entertainment.  
This unit is one of the most complete and advanced AV  
amplifiers available. Some of the more advanced features may  
not be familiar to you, but they are easy to use. State-of-the-art  
technologies such as Dolby Digital and Digital Theater Systems  
(DTS) may be new to your home, but you have probably  
experienced the amazing realism they bring to feature films in  
theaters around the world.  
To make the listening experience even more enjoyable, this unit  
includes a number of exclusive, digitally created listening  
environments known as digital sound fields. Choosing a sound  
field program is like transporting yourself to such venues as an  
outdoor arena, a European church, or a cozy jazz club. Take  
some time now to read more about these features and enjoy  
the new experiences this unit brings to your home theater.  
Digital Sound Field Processing  
What is it that makes live music so good? Today’s advanced  
sound reproduction technology lets you get extremely close to  
the sound of a live performance, but the chances are that you’ll  
still notice something missing — the acoustic environment of  
the live concert hall. Extensive research into the exact nature  
of the sonic reflections that create the ambience of a large hall  
has made it possible for YAMAHA engineers to bring you this  
same sound to your listening room, so you’ll feel all the sound  
of a live concert.  
Furthermore, our technicians, armed with sophisticated  
measuring equipment, have even made it possible to capture  
the acoustics of a variety of actual concert halls, theaters, etc.  
from around the world, to allow you to accurately re-create any  
one of these live performance environments, all in your own  
home.  
Dolby Pro Logic  
Dolby Surround has been used in movie theaters since the mid-  
seventies. It has also been available in home entertainment  
systems since the late eighties and continues to be a popular  
format for home theater systems. It uses four discrete channels  
and five speakers to reproduce realistic and dynamic sound  
effects: two main channels (left and right), a center channel for  
dialog, and a rear channel for special sound effects. The rear  
channel reproduces sound within a narrow frequency range.  
Most video tapes and laser discs include Dolby Surround  
encoding, as do many TV and cable broadcasts. The Dolby Pro  
Logic decoder built into this unit employs a digital signal  
processing system that stabilizes each channel for even more  
accurate sound positioning than is available with standard  
analog processors.  
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Dolby Digital  
Dolby Digital is the next level of the Dolby Surround sound  
system that was developed for 35 mm-film movies by  
employing low bit-rate audio coding.  
By using the built-in Dolby Digital decoder, you can experience  
the dramatic realism and impact of Dolby Digital theater sound  
in your home.  
Dolby Digital is a digital surround sound system that provides  
completely independent multi-channel audio to you. Dolby  
Digital provides five full-range channels in what is sometimes  
referred to as a “3/2” configuration: three front channels (left,  
center and right), and two surround channels. A sixth bass-only  
effect channel is also provided for output of LFE (low frequency  
effect), or low bass effects that are independent of other  
channels. (This is called the “LFE channel”.) This channel is  
counted as 0.1, thus giving rise to the term 5.1 channels in  
total.  
The wide dynamic range of sound reproduced by the five full-  
range channels and precise sound orientation by digital sound  
processing provides listeners with excitement and realism that  
have never been experienced before.  
Dolby Digital forms 5.1 channels as already mentioned, but it  
can also form fewer channels, for example 2-channel stereo  
and monaural. You may be able to find some 2-channel stereo  
and/or monaural sources encoded with Dolby Digital in the  
market.  
Compared to Dolby Surround, which is referred to a “3/1”  
system (left front, center, right front and just one surround  
channel), Dolby Digital features two surround channels, called  
stereo or split surrounds, each offering the same full-range  
fidelity as the three front channels.  
Laser disc and DVD are home audio/video program sources  
that could benefit from Dolby Digital. In the near future, Dolby  
Digital will also be applied to DBS, CATV and HDTV. The  
ongoing release of Dolby Digital theatrical films now underway  
will provide an immediate source of Dolby Digital encoded  
video software.  
Manufactured under license from Dolby Laboratories. “Dolby”,  
“Pro Logic” and the double-D symbol are trademarks of Dolby  
Laboratories.  
DTS Digital Surround  
DTS (Digital Theater Systems) was developed to replace  
analog soundtracks of movies with six discrete channels of  
digital soundtracks, and it is now installed in many theaters  
around the world. The DTS digital playback system changed  
the way we experienced movies in theaters with six discrete  
channels of superb digital audio.  
Laser disc, compact disc and DVD are home audio formats by  
which DTS can present its high-quality multi-channel audio. (In  
addition to movies on laser discs, many exciting new multi-  
channel music recordings will also become available in the  
form of DTS-encoded compact discs.)  
DTS technology, through intense research and development  
has made it possible to deliver similar encode/decode discrete  
technology to home audio surround-sound entertainment.  
DTS Digital Surround is an encode/decode system which  
delivers six channels of master-quality, 20-bit audio; technically,  
it is 5.1 channels, which means 5 full-range (left, center, right  
and two surround) channels, plus a subwoofer (LFE) channel  
(as “0.1”). It is compatible with the 5.1 speaker configurations  
that are currently available for home theater systems.  
Manufactured under license from Digital Theater Systems, Inc.  
US Pat. No. 5,451,942 and other world-wide patents issued  
and pending. “DTS”, “DTS Digital Surround”, are trademarks of  
Digital Theater Systems, Inc. Copyright 1996 Digital Theater  
Systems, Inc. All Rights Reserved.  
The DTS Digital Surround algorithm is designed to encode the  
six channels of 20-bit audio on to some laser discs, compact  
discs and DVDs with considerably less data compression.  
By using the DTS decoder built into this unit, you can  
experience the dramatic realism and impact of the DTS-  
installed theater’s high quality sound in your home.  
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CINEMA DSP: Dolby Surround + DSP / DTS + DSP  
The Dolby Surround sound and DTS systems show their full  
ability in a large movie theater, because movie sounds are  
originally designed to be reproduced in a large movie theater  
that uses a multitude of speakers. Trying to create a sound  
environment similar to that of a movie theater in your home is  
difficult because of the room size, material inside the walls, the  
number of speakers, and so on. In other words, your listening  
room is very different from a movie theater.  
However, YAMAHA DSP technology allows you to create nearly  
the same sound experience as that of a large movie theater in  
your home by compensating for the lack of presence and  
dynamics in the listening room with original digital sound fields  
combined with Dolby Surround or DTS Digital Surround  
sounds.  
CINEMA DSP  
The YAMAHA “CINEMA DSP” logo indicates those programs  
that are created by the combination of YAMAHA DSP  
technology and Dolby Surround or DTS.  
Dolby Pro Logic + 2 Digital Sound Fields  
Digital sound fields are created on the presence side and the  
rear surround side of the Dolby Pro Logic-decoded sound  
field, respectively. They create a wide acoustic environment  
and emphasize the surround effect in the room, letting you  
feel as much presence as if you were watching a movie in a  
popular Dolby Stereo theater.  
Dolby Digital or DTS + 3 Digital Sound Fields  
Digital sound fields are created on the presence side and the  
independent left and right surround sides of the Dolby Digital-  
decoded or DTS-decoded sound field, respectively. They  
create a wide acoustic environment and strong surround  
effect in the room without losing high-channel separation. With  
the wide dynamic range of Dolby Digital or DTS sound, this  
sound field combination lets you feel as if you were watching  
a movie in the newest Dolby Digital theater or DTS-installed  
theater. This is the most ideal home theater sound at the  
present time.  
Refer to pages 28 to 29 for the DSP program.  
Refer to pages 28 to 29 for the DSP program.  
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CONTROLS AND THEIR FUNCTIONS  
FRONT PANEL  
Refer to pages 35 to 40 for the remote control.  
1 STANDBY/ON  
Press this switch to turn on the power of this unit. Press it  
again to set this unit in the standby mode.  
5 INPUT  
Turn this selector to select the input source (VCR, VIDEO AUX,  
TV/DBS, DVD/LD, CD, TUNER, PHONO) that you want to  
listen to or watch.  
The name of the selected input source appears on the display.  
Standby mode  
In this state, this unit consumes a very small quantity of  
power to receive infrared-signals from the remote control.  
6 VOLUME  
This control is used to raise or lower the volume level.  
7 PHONES jack  
2 Remote control sensor  
When you use headphones, connect the headphones to the  
PHONES jack. You can listen to the sound to be output from  
the main speakers through the headphones.  
When using headphones only, set both SPEAKERS A and B to  
the OFF position and switch off the digital sound field processor  
(so that no DSP program name appears on the display) by  
pressing EFFECT.  
This receives signals from the remote control.  
3 Display  
This shows various information. (Refer to page 10 for details.)  
4 TAPE/MD MON / EXT. DECODER  
Press this button to play a tape or an MD. The “TAPE/MD  
MON” indicator lights up on the display.  
When you press the button next, the “TAPE/MD MON” indicator  
goes off, “EXT. DECDR” appears on the display and you can  
play the signal connected to the EXTERNAL DECODER  
INPUT terminals.  
8
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8 SPEAKERS  
w BALANCE  
Set A or B (or both A and B) to the ON position for the main  
speaker system (connected to this unit) that you want to use.  
Set the button(s) for the main speaker system you don’t want to  
use to the OFF position.  
This control is only effective for the sound from the main  
speakers.  
Turn the control to adjust the balance of the output volume to  
the left and right speakers to compensate for sound imbalance  
caused by the speaker location or listening room conditions.  
9 EFFECT  
Press this button once to switch the effect speakers (center and  
rear) on or off. If you turn off the effect by using EFFECT, all  
Dolby Digital and DTS audio signals are directed to the main  
left and right channels. In that case, the left and right channel  
signal levels may not match.  
e SET MENU  
Press this button to select functions in the SET MENU mode.  
r TIME/LEVEL  
Press this button to select the item in the TIME/LEVEL mode.  
0 PROGRAM selector  
Press one of these buttons to select a DSP program.  
The name of the selected program appears on the display.  
t +/–  
These buttons are used to adjust the settings of the SET MENU  
mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,  
press + to increase the delay time or speaker output level.  
Press to decrease the delay time or speaker output level.  
q Tone controls  
These controls are only effective for the sound from the main  
speakers.  
y INPUT MODE  
This button switches between the DVD/LD and TV/DBS input  
signal modes.  
BASS  
Use this control to increase or decrease the low-frequency  
response. The “0” position produces a flat response.  
TREBLE  
Use this control to increase or decrease the high-frequency  
response. The “0” position produces a flat response.  
u VIDEO AUX terminals  
Connect an auxiliary video or audio input source such as a  
camcorder to these terminals. If the connected video unit has  
an S video output terminal, connect it to the S VIDEO terminal  
to obtain a high-resolution picture. The source connected to  
these terminals can be selected by INPUT.  
9
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DISPLAY PANEL  
1 Multi-information display  
4
,
and  
” lights up when the built-in Dolby Digital decoder is  
on and the signals of the selected source encoded with Dolby  
Digital are not in 2-channel. “ ” lights up when the built-in  
digital sound field processor is on, and “ ” lights up  
when the built-in Dolby Pro Logic decoder is on. Depending on  
the selected DSP program, both “ ” and “ ”, or  
both “ ” and “ ” will light up.  
indicators  
This displays various information, for example the name of  
selected DSP program and name of selected input source.  
2 TAPE/MD MON indicator  
This lights up when the tape deck (or MD recorder, etc.) is  
selected as the input source by pressing TAPE/MD MON / EXT.  
DECODER on the front panel or TAPE/MD on the remote control.  
3
indicators  
5 SLEEP indicator  
This lights up while the built-in SLEEP timer is functioning.  
Either “dts” indicator lights up when the built-in DTS decoder is  
turned on.  
The red “dts” indicator lights up when playing a CD or LD  
encoded with DTS.  
The orange “dts” indicator lights up when playing a DVD  
encoded with DTS.  
* An orange “dts” indicator may light up when playing a CD or  
LD encoded with DTS after playing a video-CD or DVD on a  
DVD/LD combi-player.  
10  
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SPEAKER SETUP  
SPEAKERS TO BE USED  
This unit is designed to provide the best sound-field quality with  
a 5-speaker configuration, using main speakers, rear speakers  
and a center speaker.  
The main speakers are used for the main source sound plus  
the effect sounds. They will probably be the speakers from  
your present stereo system. The rear speakers are used for  
the effect and surround sounds, and the center speaker is for  
the center sounds (dialog, vocals, etc.). If for some reason it is  
not practical to use a center speaker, you can do without it.  
Best results, however, are obtained with the full system.  
Use of a subwoofer expands your sound field  
It is also possible to further expand your system with the  
addition of a subwoofer. The use of a subwoofer is effective  
not only for reinforcing bass frequencies from any or all  
channels, but also for reproducing the LFE (low frequency  
effect) sound with high fidelity when playing back a source that  
is Dolby Digital or DTS-decoded. The YAMAHA Active Servo  
Processing Subwoofer System is ideal for natural and lively  
bass reproduction.  
The main speakers should be high-performance models and  
have enough power-handling capacity to accept the maximum  
output of your audio system.  
The other speakers do not have to be equal to the main  
speakers. For precise sound localization, however, it is ideal to  
use high-performance models that can reproduce sounds over  
the full range for the center speaker and the rear speakers.  
SPEAKER PLACEMENT  
Refer to the following diagram when you place the speakers.  
Main:  
Rear:  
The position of your present stereo speaker  
system.  
Behind your listening position, facing slightly  
inward. Nearly 1.8 m (approx. 6 feet) up from the  
floor.  
Main  
speaker (R)  
Center:  
Precisely between the main speakers. (To avoid  
interference with TV sets, use a magnetically  
shielded speaker.)  
Subwoofer  
Rear  
Center speaker  
speaker (R)  
Subwoofer: The position of the subwoofer is not as critical,  
Main  
speaker (L)  
because low bass tones are not highly directional.  
Rear  
speaker  
(L)  
Note: If the center speaker (principally, it reproduces dialog, vocals, etc.) is not used, the sound will be output from the left and  
right main speakers. In that case, be sure to select the NONE position for “CNTR” in the SET MENU mode. (See page 18  
for details.)  
11  
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CONNECTIONS  
Never plug in this unit and other components until all connections have been completed.  
CONNECTIONS WITH OTHER COMPONENTS  
Use RCA-type pin plug cables for connecting audio/video components with the exception described later.  
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L  
(left) to L, R (right) to R, “+” to “+” and “” to “”. Also, refer to the owner’s manual for each component to be connected to this unit.  
* If you have YAMAHA components numbered as !, @, #, $, etc. on the rear panel, connections can be made easily by making  
sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.  
AC OUTLET(S) (SWITCHED)  
Europe model......................................................... 2 OUTLETS  
U.K. model ................................................................ 1 OUTLET  
Use these to connect the power cords from your components to  
this unit.  
DVD player,  
The power to the AC OUTLET(S) is controlled by this unit’s  
STANDBY/ON or the provided remote control’s POWER and  
STANDBY. These outlets will supply power to any connected  
component whenever this unit is turned on.  
Turntable  
Monitor TV  
LD player, etc.  
The maximum power (total power consumption of components)  
that can be connected to the AC OUTLET(S) is 100 watts.  
(Europe model)  
To AC outlet  
CD player  
Tuner  
Tape deck,  
MD recorder, etc.  
TV/DBS tuner  
VCR  
(Video cassette recorder)  
GND terminal (for turntable use)  
Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better  
.
results may be obtained with the ground wire disconnected.  
12  
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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS  
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with  
coaxial or optical digital audio signal output terminals, they can  
be connected to this unit’s COAXIAL and/or OPTICAL digital  
signal input terminals.  
Notes  
• When connecting an audio/video unit to both the digital and  
analog terminals of this unit, make sure to connect between  
both terminals of the same name.  
• Be sure to attach the covers when the OPTICAL terminals  
are not being used in order to protect them from dust.  
• The input signal from the DVD/LD input terminals is selected  
in the following order of priority with the input mode set to the  
AUTO position:  
Digital audio signals are transmitted with less loss than analog  
audio signals. In addition, digital audio signal connections are  
necessary, especially for an LD player or a DVD player, to send  
signals encoded with Dolby Digital or DTS to this unit.  
1 COAXIAL terminal  
To make a connection between optical digital audio signal  
terminals, remove the cover from each terminal, and then  
connect them by using a commercially available optical fiber  
cable that conforms to EIAJ standards. Other cables might not  
function correctly.  
2 OPTICAL terminal  
3 Analog terminal  
• If the DIGITAL OUT data of the player has been processed in  
any way, you may not be able to perform DTS playback even  
if you make a digital connection between this unit and the  
player.  
• All digital audio signal input terminals are applicable to  
sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.  
Even if you connect an audio/video unit to the COAXIAL (or  
OPTICAL) terminal of this unit, you must keep the unit  
connected with the same-named analog audio signal terminals  
of this unit, because a digital signal cannot be recorded by a  
tape deck, MD recorder or VCR connected to this unit. You can  
easily switch the selection of input signals between “digital” and  
“analog.” (See page 25 for details.)  
No sound will be generated when connecting your LD  
player’s Dolby Digital RF signal output terminal directly to  
this unit’s COAXIAL DVD/LD digital signal input terminal.  
DVD or LD player*  
* If your LD player has a Dolby Digital RF signal  
output terminal, be sure to use the RF  
demodulator (separately purchased).  
TV/DBS tuner  
(Europe model)  
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CONNECTING TO S VIDEO TERMINALS  
If you have a VCR and a monitor equipped with “S” (high-  
resolution) video terminals, those terminals can be connected  
to this unit’s S VIDEO terminals. Connect the VCR’s “S” video  
input and output terminals to this unit’s S VIDEO VCR OUT and  
IN terminals, respectively, and connect the monitor’s “S” video  
input terminal to this unit’s S VIDEO MONITOR OUT terminal.  
Otherwise, connect the VCR’s composite video terminals to this  
unit’s composite video terminals, and connect the monitor’s  
composite video input terminal to this unit’s composite  
MONITOR OUT terminal.  
VCR  
S
S
S
In addition, if you have a DVD or LD player equipped with an  
“S” video terminal, connect the DVD/LD player’s “S” video  
output terminal to this unit’s S VIDEO DVD/LD terminal.  
Note  
If video signals are sent to both S VIDEO input and com-  
posite input terminals, the signals will be sent to their  
respective output terminals.  
DVD/LD player  
Monitor TV  
S VIDEO terminals  
S VIDEO cable  
This unit provides you with S VIDEO terminals in addition  
to standard VIDEO terminals.  
S VIDEO terminals transmit video signals separated into  
luminance (Y) signals and color (C) signals. In comparison  
with S VIDEO terminals, standard VIDEO terminals transmit  
“composite” video signals.  
CONNECTING WITH A MONITOR TV THAT  
USES A 21-PIN CONNECTOR FOR INPUT  
CONNECTING TO VIDEO AUX TERMINALS  
(ON THE FRONT PANEL)  
Make a connection as shown below with a commercially  
available SCART-plug connector cable.  
These terminals are used to connect any video input source  
such as a camcorder to this unit.  
S
No connection  
Monitor TV  
SCART-plug connector cable  
Camcorder  
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CONNECTING TO AN EXTERNAL DECODER  
This unit is equipped with additional 6-channel audio signal  
input terminals for inputting signals from an external decoder to  
this unit.  
Connect the 6-channel audio signal output terminals of the  
decoder to the EXTERNAL DECODER INPUT terminals of this  
unit.  
Notes  
• When signals input to these terminals are selected, the digital  
sound field processor cannot be used.  
• The settings of “CNTR”, “REAR”, “MAIN” and “BASS” in the  
SET MENU mode have no effect on the signals input to these  
terminals. The setting of “M.LVL” is effective. (Refer to  
page 18 for details.)  
• Adjustment of the output level of the center speakers, rear  
speakers and subwoofer is effective when the signals input to  
these terminals are selected as the input source. (Refer to  
page 31 for details.)  
External decoder with  
6-channel discrete  
outputs  
(Europe model)  
IMPEDANCE SELECTOR SWITCH  
Select the position whose requirements your speaker system  
meets.  
WARNING  
Do not change the IMPEDANCE SELECTOR switch setting  
while the power to this unit is on, otherwise this unit may be  
damaged.  
(Upper position)  
Main: If you use one pair of main speakers, the impedance of  
If this unit fails to turn on when the STANDBY/ON switch is  
pressed, the IMPEDANCE SELECTOR switch may not be  
fully set to either end. If so, set the switch to either end fully  
when this unit is in the standby mode.  
each speaker must be 4 or higher.  
If you use two pairs of main speakers, the impedance  
of each speaker must be 8 or higher.  
Center: The impedance of the speaker must be 6 or higher.  
Rear: The impedance of each speaker must be 6 or  
higher.  
IMPEDANCE SELECTOR  
(Europe model)  
(Lower position)  
Main: If you use one pair of main speakers, the impedance of  
each speaker must be 8 or higher.  
If you use two pairs of main speakers, the impedance  
of each speaker must be 16 or higher.  
Center: The impedance of the speaker must be 8 or higher.  
Rear: The impedance of each speaker must be 8 or  
higher.  
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CONNECTING SPEAKERS  
Main speakers A  
Main speakers B  
Right  
Left  
Right  
Left  
(Europe model)  
Rear speakers  
Left  
Right  
Center speaker  
Subwoofer system  
Subwoofer connection  
Note  
You may wish to add a subwoofer to reinforce low frequencies  
or to output low bass sound from the subwoofer channel.  
If you have a subwoofer with built-in amplifier, including the  
YAMAHA Active Servo Processing Subwoofer System, connect  
the SUBWOOFER OUTPUT terminal of this unit to the input  
terminal of the subwoofer system.  
Use speakers with the specified impedance shown on the  
rear panel of this unit.  
Main speaker connections  
One or two speaker systems can be connected to this unit. If  
you use only one speaker system, connect it to either of the  
SPEAKERS A or B terminals.  
Rear speaker connections  
A rear speaker system can be connected to this unit. Place  
them to the rear of your listening position.  
Center speaker connection  
A center speaker can be connected to this unit. Place it on or  
under the TV.  
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How to connect  
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are  
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –  
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.  
Caution  
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could  
damage the unit and/or speakers.  
Connecting to the MAIN SPEAKERS terminals  
Connecting to the REAR and CENTER  
SPEAKERS terminals  
1 Unscrew the knob.  
2 Remove approx. 5 mm  
(1/4”) of insulation from  
each of the speaker  
wires and insert one  
bare wire into each  
terminal.  
1 Press the tab.  
Red: positive (+)  
Black: negative (–)  
Red: positive (+)  
Black: negative (–)  
2 Remove approx. 5 mm  
(1/4”) of insulation from  
each of the speaker  
wires and insert one  
bare wire into each  
terminal.  
2
1
1
3
3 Tighten the knob to  
secure the wire.  
3 Release the tab to  
secure the wire.  
3
2
OUTPUT TERMINALS (FOR DRIVING A SPEAKER WITH AN EXTERNAL AMPLIFIER)  
The speaker connections described on page 16 are fine for  
most applications. If for some reason, however, you wish to  
drive main, center and/or rear speakers with your existing  
amplifier, etc., the following terminals are available for  
connecting an external amplifier(s) to this unit.  
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ADJUSTMENTS BEFORE USING THIS UNIT  
SELECTING THE OUTPUT MODES  
This unit provides you with the following five functions to determine the method of distributing output signals to speakers suitable for  
your audio system. When speaker connections have all been completed, select the proper setting for each function to make the  
best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 33.)  
1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKERS) 3. MAIN (MAIN SPEAKERS)  
4. BASS (LFE/BASS OUT)  
5. M.LVL (MAIN LEVEL)  
DESCRIPTION OF EACH FUNCTION  
CNTR (CENTER SPEAKER)  
BASS (LFE/BASS OUT)  
Choices: LARGE/SMALL/NONE  
Preset position: LARGE  
Choices: SW/MAIN/BOTH  
Preset position: SW  
LARGE: Select this position when your center speaker is  
approximately the same size as the main speakers.  
SMALL: Select this position when you use a center speaker  
that is smaller than the main speakers.  
MAIN:  
Select this position if your system does not include a  
subwoofer.  
In this position, full-range signals present on the  
main channels, signals from the LFE channel and  
other low bass signals that are distributed from other  
channels are output from the main speakers.  
In this position, low bass signals (below 90 Hz) on the  
center channel are output from the main speakers (or  
the SUBWOOFER OUTPUT terminal if the SMALL  
position is selected for “MAIN” and the SW position is  
selected for “BASS”).  
SW/BOTH:  
Select either the SW or BOTH position if your  
system includes a subwoofer.  
NONE: Select this position when you do not have a center  
speaker (four speaker system). The center channel  
sound will be output from the left and right main  
speakers.  
In either position, signals on the LFE channel and  
other low bass signals that are distributed from other  
channels are output from the SUBWOOFER  
OUTPUT terminal.  
When the LARGE position is selected for “MAIN”, in  
the SW position, no signal is distributed from the  
main channels to the SUBWOOFER OUTPUT  
terminal; however, in the BOTH position, low bass  
signals from the main channels are output to both  
the main speakers and the SUBWOOFER OUTPUT  
terminal.  
REAR (REAR SPEAKERS)  
Choices: LARGE/SMALL  
Preset position: LARGE  
LARGE: Select this position if your rear speakers have high  
ability for bass reproduction, or if a subwoofer is  
connected in parallel to the rear speaker.  
In this position, full-range signals are output from the  
rear speakers.  
SMALL: Select this position if your rear speakers do not have  
high ability for bass reproduction.  
M.LVL (MAIN LEVEL)  
Choices: NRML (NORMAL)/–10 dB  
Preset position: NRML (NORMAL)  
In this position, low bass signals (below 90 Hz) on  
the rear channels are output from the SUBWOOFER  
OUTPUT terminal (or the main speakers if the MAIN  
position is selected for “BASS”).  
NRML (NORMAL):  
Normally select this position.  
–10 dB: Select this position if the sound output from the main  
speakers is too loud and cannot be balanced with  
the sound output from the center and rear speakers.  
In this position, the sound output from the main  
speakers is attenuated.  
MAIN (MAIN SPEAKERS)  
Choices: LARGE/SMALL  
Preset position: LARGE  
Note  
LARGE: Select this position if your main speakers have high  
ability for bass reproduction.  
The settings of “CNTR”, “REAR”, “MAIN” and “BASS” have no  
effect on the signals input to the EXTERNAL DECODER  
INPUT terminals on the rear of this unit.  
In this position, full-range signals present on the  
main channels are output from the main speakers.  
SMALL: Select this position if your main speakers do not  
have high ability for bass reproduction. However, if  
your system does not include a subwoofer, do not  
select this position.  
In this position, low bass signals (below 90 Hz) on  
the main channels are output from the  
SUBWOOFER OUTPUT terminal if the SW or BOTH  
position is selected for “BASS”.  
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ADJUSTMENT METHOD  
Adjustments should be made while watching the information on this unit’s display.  
1
1
2 3  
3
2
When adjusting with the remote control, set the  
SELECTOR DIAL to the AMP/TUN or DSP position on the  
remote control.  
3
Press + or once or more to select the setting you  
want.  
Front panel  
Remote control  
or  
1
2
Turn the power on.  
or  
Front panel  
Remote control  
or  
Press SET MENU once or more to select the function  
“CNTR” on the display.  
4
Repeat steps 2 and 3 to change the settings for  
“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same  
way.  
Front panel  
Remote control  
or  
* After pressing SET MENU once on the remote control, you  
can also select the function by pressing . (Pressing  
goes back one selection.)  
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SPEAKER BALANCE ADJUSTMENT  
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test  
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from  
each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder, the Dolby  
Pro Logic decoder and the DTS decoder.  
The adjustment of each speaker output level should be done at your listening position with the remote control.  
After completing the adjustment of the output level for each speaker, use VOLUME (  
listening position to check if the adjustments are satisfactory.  
) on the remote control at your  
2
1
5,9  
6
2
8
4 4,7  
3
Set the SELECTOR DIAL to the AMP/TUN or DSP position  
on the remote control.  
2
3
Turn the power on.  
Front panel  
Remote control  
or  
or  
1
Set VOLUME to the “ ” position.  
Front panel  
Select the main speakers to be used.  
Front panel  
* If you use two main speaker systems, press both A and B.  
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4
5
Set BASS, TREBLE and BALANCE to the “0” position.  
6
Turn up the volume.  
Front panel  
Remote control  
You will hear a test tone (like pink noise) from each  
speaker for about two seconds in following order: left main  
speaker, center speaker, right main speaker, right rear  
speaker and left rear speaker. The display changes as  
shown below.  
Press TEST so that “TEST LEFT” appears on the  
display.  
Remote control  
Main (L)  
Center  
Main (R)  
Rear (R)  
Rear (L)  
* If the function “CNTR” in the SET MENU mode is set to  
the NONE position, you will hear the center channel test  
tone from the left and right main speakers.  
7
Adjust BALANCE so that the sound output level of the  
left main speaker and the right main speaker is the  
same.  
Front panel  
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Notes  
• Once you have completed these adjustments, you can only  
adjust the overall sound level of your audio system by using  
8
Adjust the sound output levels of the center speaker  
and the rear speakers so that they become almost the  
same as that of the main speakers.  
VOLUME (or VOLUME (  
) on the remote control).  
• If you use external power amplifiers, you may also use their  
volume controls to achieve the proper balance.  
• If the function “CNTR” in the SET MENU mode is set to the  
NONE position, the sound output level of the center speaker  
cannot be adjusted in step 8. The center sound is automati-  
cally output from the left and right main speakers.  
Press TIME/LEVEL once or more to select the speaker  
to be adjusted so that “CENTER”, “R SUR.” or “L SUR.”  
appears on the display.  
Remote control  
• If there is insufficient sound output from the center and rear  
speakers, you may decrease the main speaker output level  
by setting “M.LVL” to “–10 dB”.  
* You cannot adjust the delay time while the test tone is  
sounding even if “DELAY” appears on the display  
after pressing TIME/LEVEL once or more.  
Adjust the level.  
* Pressing raises and lowers the level.  
* While adjusting, the test tone is heard from the  
selected speaker.  
Remote control  
9
When the adjustment is finished, press TEST again to  
stop the test tone.  
Remote control  
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BASIC OPERATION  
TO PLAY A SOURCE  
2
3 1,7  
2
3,4  
7
8
5
8
4
When using the remote control  
• Set the SELECTOR DIAL to the AMP/TUN position on the  
remote control.  
3
Select the desired input source by using INPUT.  
(Turn on the monitor TV for video sources.)  
To operate the tuner, the CD player, DVD/LD player, tape  
deck, MD recorder, or other components with this remote  
control, set the SELECTOR DIAL to the component to be  
used. (See “SETUP CODES” on page 41.)  
Front panel  
Remote control  
or  
1
2
Set VOLUME to the “ ” position.  
Front panel  
The name of the selected input source will appear on the  
display.  
To play a tape or an MD  
Turn the power on.  
Front panel  
Press TAPE/MD MON / EXT. DECODER  
on the front panel or TAPE/MD on the  
remote control so that the “TAPE/MD  
MON” indicator lights up on the display.  
Front panel  
Remote control  
or  
To use a decoder connected to the EXTERNAL  
DECODER INPUT terminals  
Press TAPE/MD MON / EXT. DECODER once or more on  
the front panel or EXT. DEC. on the remote control so that  
“EXT. DECDR” appears on the display.  
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4
For a DVD/LD or TV/DBS source, the current input  
mode is also shown.  
8
If desired, adjust BASS, TREBLE, BALANCE, etc.  
and use the digital sound field processor (see pages 28  
to 29).  
* To change the input mode for the DVD/LD or TV/DBS  
source, press INPUT MODE (or the button that you  
have pressed to select the input source in step 3 on  
the remote control) once or more until the desired  
input mode is shown on the display. (See page 25 for  
details on switching the input mode.)  
BASS:  
Turn this control clockwise to increase (or  
counterclockwise to decrease) the low-  
frequency response.  
TREBLE:  
Turn this control clockwise to increase (or  
counterclockwise to decrease) the high-  
frequency response.  
Front panel  
Remote control  
BALANCE: Adjust the balance of the output volume  
from the left and right speakers to  
compensate for any sound imbalance  
caused by the speaker location or  
listening room conditions.  
or  
Front panel  
Input mode  
* These controls are only effective for the sound from the  
main speakers.  
5
Select the main speakers to be used.  
Front panel  
Front panel  
or  
Remote control  
* If you use two main speaker systems, press both A and B.  
6
7
Play the source.  
Adjust the volume to the desired output level.  
When you have finished using this unit  
Front panel  
Remote control  
Press STANDBY/ON on the front panel again or STANDBY on  
the remote control to set this unit in the standby mode.  
or  
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Notes on input mode selection  
Notes on using INPUT  
• The input mode for a TV/DBS source is selected with the  
function “INPUT” in the SET MENU mode. (See page 34 for  
details.)  
• Set the input mode to AUTO to play a DVD/LD source  
encoded with Dolby Digital.  
• Set the input mode to ANALOG to play a normal 2-channel  
source with a Dolby Surround program.  
• The sound output may be interrupted in some LD and DVD  
players in the following situation:  
The input mode is set to AUTO. A search is made while  
playing the disc encoded with Dolby Digital or DTS, and then  
disc playing is restored. The sound output is interrupted for a  
moment because the digital input signal was selected again.  
• The input mode cannot be changed for the PHONO, TUNER,  
TAPE/MD, CD, VCR and VIDEO AUX sources because only  
analog signals are used.  
• The present input mode appears on the display when the  
input source is changed to DVD/LD or TV/DBS, or the input  
mode is changed.  
• The audio source selected by INPUT will not be played if the  
“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is  
displayed.  
• If you select a video source by INPUT without canceling the  
selection of TAPE/MD MON / EXT. DECODER on the front  
panel (or TAPE/MD or EXT. DEC. on the remote control), the  
play back result will be a video image from the video source  
and the sound from the audio source selected by TAPE/MD  
MON / EXT. DECODER on the front panel (or TAPE/MD or  
EXT. DEC. on the remote control).  
• If an audio source is selected by INPUT while watching a  
video source, the selected audio source will be played, but  
the video image will not be interrupted.  
• When you select an input source by INPUT, the DSP  
program (or no DSP program) that was being used when the  
same input source was selected the last time will be auto-  
matically recalled.  
• If “DATA ERR” appears on the display while playing a CD or  
LD encoded with DTS, stop playback and turn the player off  
and then on again.  
Notes on playing a source encoded with DTS  
If you play a CD or LD encoded with DTS while the AUTO  
mode is selected, there will be a short noise at first while the  
unit identifies the DTS signal and activates the DTS decoder.  
This is not a malfunction, and can be avoided by setting the  
input mode to DTS beforehand. In addition, If you continue  
to play a CD or LD encoded with DTS with the input mode  
setting left at AUTO, this unit automatically switches to the  
“DTS-decoding” mode to prevent noise from being gener-  
ated during future operation. (The red “dts” indicator lights  
up on the display.)  
Switching the input mode  
(for DVD/LD and TV/DBS)  
This unit allows you to switch the input mode for sources that  
send two or more types of signal to this unit.  
The following three input modes are provided.  
AUTO  
This mode is automatically selected when you turn on the  
power of this unit.  
In this mode, the input signal is automatically selected in the  
following order of priority:  
No sound will be heard if a normal PCM CD or LD is played  
in this mode. (The red “dts” indicator will flash.) To play a  
normal disk, return the input mode from DTS to AUTO.  
1. Digital signal encoded with Dolby Digital or DTS, or normal  
digital input signal (PCM)  
2. Analog input signal (ANALOG)  
* For a DVD/LD source, if digital signals are input from both the  
OPTICAL and COAXIAL terminals, the digital signal from the  
COAXIAL terminal is selected.  
DTS  
In this mode, only a digital input signal encoded with DTS is  
selected, even though other signals are input at the same time.  
ANALOG  
In this mode, only an analog input signal is selected, even  
though digital signals are input at the same time.  
Select this mode when you want to use an analog input signal  
instead of digital input signals.  
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TO RECORD A SOURCE ON TAPE, MD OR VIDEO CASSETTE  
4 1 2  
4
2
1
1
2
Select the source to be recorded.  
4
When a tape deck or MD recorder is being used for  
recording, you can monitor the sounds being recorded  
by pressing TAPE/MD MON / EXT. DECODER on the  
front panel or TAPE/MD on the remote control so that  
the “TAPE/MD MON” indicator lights up on the display.  
Front panel  
Remote control  
Front panel  
Remote control  
or  
or  
Play the source and then turn up the volume to confirm  
the input source.  
Notes  
• The settings of DSP and VOLUME, BASS,TREBLE and  
BALANCE have no effect on the material being recorded.  
• Composite video and S video signals pass independently  
through this unit’s video circuits. Therefore, when recording  
or dubbing video signals, if your video source unit is con-  
nected to provide only an S video (or only a composite video)  
signal, you can record only an S video (or only a composite  
video) signal on your VCR.  
Front panel  
Remote control  
or  
• A source that is connected to this unit only through the digital  
terminals cannot be recorded on a tape deck, MD recorder or  
VCR connected to this unit.  
• A source of signals input to the EXTERNAL DECODER  
INPUT terminals of this unit cannot be recorded.  
• Please check the copyright laws in your country to record  
from records, compact discs, radio, etc. Recording of  
copyright material may infringe copyright laws.  
3
Begin recording on the tape deck, MD recorder or VCR  
connected to this unit.  
If you watch video software that uses scrambled or encoded  
signals to prevent it from being dubbed, there may be a case  
that the picture itself will be affected by those signals.  
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SETTING THE SLEEP TIMER  
The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while  
enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can only be controlled with the  
remote control.  
Notes  
To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV position. To set the SLEEP timer for  
your TV, set the SELECTOR DIAL to the TV position.  
• The components for which the SLEEP timer is effective are the sources connected to the AC OUTLET(S) on the rear panel of  
this unit.  
1
To set the SLEEP time  
To cancel the selected SLEEP time  
Remote control  
1
Play the source which you want to enjoy when you are  
going to sleep and press SLEEP once or more to select  
the desired SLEEP time.  
Remote control  
Press SLEEP once or more so that “SLEEP OFF” appears on  
the display. (It will soon disappear and the “SLEEP” indicator  
will go off from the display.)  
Note  
The SLEEP time is displayed.  
The SLEEP timer setting can also be canceled by setting the  
unit in the standby mode with STANDBY/ON on the front panel  
(or STANDBY on the remote control) or by disconnecting the  
power plug of the unit from the AC outlet.  
Flashes  
Each time you press SLEEP, the SLEEP time will change as  
follows:  
(Minutes)  
120  
90  
60  
30  
The SLEEP timer is off (SLEEP OFF).  
(This is the state before SLEEP is  
pressed.)  
The “SLEEP” indicator soon lights up and the display returns  
to the indication before the SLEEP timer was set.  
2
The unit will be switched to the standby mode automati-  
cally at the selected SLEEP time.  
27  
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SOUND FIELD PROGRAM  
This unit incorporates a sophisticated, multi-program digital sound field processor. This processor allows you to electronically  
expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in  
your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,  
depend on what you are listening to) and adding any desired adjustments.  
The operation of built-in decoders (Dolby Pro Logic, Dolby Digital and DTS) can be controlled by selecting a corresponding DSP  
program incorporating the combined operation of YAMAHA DSP and Dolby Surround, Dolby Digital or DTS.  
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most  
of these are precise digital re-creations of actual acoustic environments.  
For movie or audio/video sources  
No.  
1
PROGRAM  
FEATURES  
Normal Program  
[1] DOLBY PRO LOGIC (  
• Input source : Dolby Surround  
The built-in Dolby Pro Logic, Dolby Digital or DTS  
decoder precisely reproduces the sound and effect of  
the encoded source.  
)
2-ch Dolby Digital  
The realization of a highly efficient decoding process  
improves cross talk and channel separation and makes  
sound positioning smoother and more precise.  
• Output channel : 4 channels  
• DSP : —  
[2] DOLBY DIGITAL (  
• Input source : Dolby Digital  
• Output channel : 5.1 channels  
)
• DSP  
: —  
[3] DTS (  
)
• Input source  
: DTS  
• Output channel : 5.1 channels  
• DSP  
: —  
2
Enhanced Program  
[1] DOLBY PRO LOGIC/Enhanced (  
This program ideally simulates the multi-surround  
speaker systems of the 35 mm-film movie theater. Each  
decoding and digital sound field processing operation is  
precisely performed without altering the original sound  
orientation.  
The surround effect produced by the sound field folds  
around the viewer naturally from the rear to the left and  
right and toward the screen.  
)
• Input source  
: Dolby Surround  
2-ch Dolby Digital  
• Output channel : 4 channels  
• DSP : 1 (surround)  
[2] DOLBY DIGITAL/Enhanced (  
• Input source : Dolby Digital  
• Output channel : 5.1 channels  
)
• DSP  
: 2 (surround L, R)  
[3] DTS/Enhanced (  
• Input source  
)
: DTS  
• Output channel : 5.1 channels  
• DSP : 2 (surround L, R)  
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No.  
3
PROGRAM  
CINEMA DSP Program  
[1] 70 mm MOVIE THEATER (  
• Input source : Dolby Surround  
2-ch Dolby Digital  
• Output channel : 3 channels  
FEATURES  
Creates the extremely wide sound field of a movie  
theater. It precisely reproduces the source sound in  
detail, giving both the video and the sound field  
incredible reality. Any kind of video source encoded  
with Dolby Digital or DTS (especially large-scale movie  
productions) is ideal for use with this program.  
)
• DSP  
: 2 (presence & surround)  
[2] 70 mm MOVIE THEATER – DOLBY D. (  
)
• Input source  
: Dolby Digital  
• Output channel : 5.1 channels  
• DSP  
: 3 (presence & surround L, R)  
[3] 70 mm MOVIE THEATER – DTS (  
)
• Input source  
: DTS  
• Output channel : 5.1 channels  
• DSP  
: 3 (presence & surround L, R)  
4
5
MONO MOVIE  
This program is designed specifically to enhance  
monaural sources. Compared to a strictly mono setting,  
the sound image is wider and slightly forward of the  
speaker pair, lending an immediacy to the overall  
sound.  
• Input source  
• Output channel : 1  
• DSP  
: Monaural  
: 1  
TV SPORTS  
This program is furnished with a tight sound field in  
which the sound will not spread excessively at the front,  
but the rear surround produces dynamic sound  
expansion.  
• Input source  
• Output channel : 2 to 5.1 channels  
• DSP : 2 to 3 (presence & surround)  
: Audio/Video  
For Hi-Fi Audio sources  
No.  
6
PROGRAM  
FEATURES  
Hi-Fi DSP Program  
• Input source  
: 2-ch PCM/Analog audio  
• Output channel : 2 channels  
• DSP  
: 1  
Simulates the acoustics of disco in the heart of a lively  
city. The sound is dense and highly concentrated.  
[1] DISCO  
[2] ROCK CONCERT  
[3] CONCERT HALL  
Ideally suited for rock music. You will experience a  
dynamic and lively sound field.  
Creates the expansive ambience of a large concert hall.  
Orchestra and opera music are suited to this program.  
29  
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PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)  
EFFECT  
Follow steps 1 to 7 shown in “TO PLAY A SOURCE” on  
pages 23 to 24.  
TO CANCEL THE SOUND EFFECT  
To cancel the sound effect and monitor only the main sound,  
press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT  
Select the desired DSP program that is suitable for the source.  
ON/OFF once more to turn sound effect back on.  
Front panel  
Front panel  
Remote control  
or  
or  
Remote control  
Notes  
You can select a program for each of the input sources.  
Once you select a program, it is linked with the input source  
selected at that time. So, when you select the input source  
next time, the same program is automatically called up.  
• When a monaural sound source is being played with DOLBY  
PRO LOGIC or DOLBY PRO LOGIC ENHANCED, no sound  
will be heard from the main speakers and the rear speakers.  
Sound can only be heard from the center speaker. However,  
if the NONE position is selected for “CNTR” in the SET  
MENU mode, the main speakers will output the sound of the  
center channel.  
Press DSP. While the indicator is lit up for about  
three seconds, select a DSP program with the  
numeric buttons (1 to 8).  
* If the SELECTOR DIAL is set to the DSP position, you can  
also select a DSP program directly with the numeric  
buttons (1 to 8).  
• When the source of signals input to the EXTERNAL  
DECODER INPUT terminals of this unit is selected, DSP  
cannot be used.  
• If the sound effect is canceled when signals encoded with  
Dolby Digital or DTS are input to this unit, the signals of all  
channels are mixed and are output from the main speakers.  
• If EFFECT or EFCT ON/OFF is pressed to turn the sound  
effects off when Dolby Digital or DTS is decoded, it may  
happen that the sound is output faintly or not output normally,  
depending on the source. In that case, press EFFECT or  
EFCT ON/OFF to turn on the sound effects.  
The name of the selected program appears  
on the display.  
If desired, adjust the delay time and the output level of each  
speaker. (See pages 31 and 32 for details.)  
The following indicators on the display show you what sound  
processing is being undertaken.  
If you change the LD (or CD) being played back with DTS  
being decoded to another disc that is not encoded with DTS  
when the red “dts” indicator lights up, playing back the newly  
selected disc will result in no sound output. In this state, the  
red “dts” indicator flashes to show that this unit is locked in  
the DTS-decoding mode.  
1
2
3
4
5
1
2
3
This lights up in orange when a DVD source encoded with  
DTS is played back and DTS is decoded.  
This lights up in red when an LD source or a CD source  
encoded with DTS is played back and DTS is decoded.  
This lights up when Dolby Digital is being decoded and the  
signals of the selected source encoded with Dolby Digital is  
not in 2-channel.  
To play back the disc normally, change the current DTS-  
decoding mode to another mode by INPUT MODE on the  
front panel or by INPUT on the remote control so that the red  
“dts” indicator goes off.  
4
5
This lights up when the digital sound field processor is  
turned on.  
This lights up when Dolby Surround is being decoded by  
Dolby Pro Logic.  
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ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS  
When using the digital sound field processor with the Dolby Pro Logic decoder, the Dolby Digital decoder or the DTS decoder, you  
can adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.  
1
2
1
2
Adjustment method  
When adjusting with the remote control, set the  
SELECTOR DIAL to the AMP/TUN or DSP position on the  
remote control.  
2
3
Press + or to adjust the settings for the delay time or  
speaker output levels.  
Front panel  
Remote control  
or  
or  
1
Press TIME/LEVEL once or more until the name of the  
item which you want to adjust appears on the display.  
Front panel  
Remote control  
Repeat steps 1 and 2 to adjust the settings of any other  
item.  
or  
* After pressing TIME/LEVEL once on the remote control,  
you can also select the name of item by pressing .  
When pressed, the selection changes as follows:  
D E L A Y  
Delay time  
C E N T E R  
Center speaker output level  
R
L
S U R .  
S U R .  
Right rear speaker output level  
Left rear speaker output level  
Subwoofer output level  
S W F R  
* Pressing on the remote control changes the selection in  
the reverse order.  
* Depending on the setting in the SET MENU mode, you  
may not be able to select all these items.  
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Notes  
Adjusting the delay time  
• Adding too much delay will cause an unnatural effect with  
some sources.  
• When + or is pressed, the sound is momentarily inter-  
rupted.  
You can adjust the time difference between the beginning of the  
sound from the main speakers and the beginning of the sound  
effect from the rear speakers.  
The larger the value, the later the sound effect is generated.  
This adjustment can be individually made to all programs.  
Control range (ms)  
Program  
Preset value  
15 to 30  
0 to 15  
0 to 15  
15 to 30  
0 to 15  
0 to 15  
15 to 30  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1 to 99  
1. DOLBY PRO LOGIC  
DOLBY DIGITAL  
20  
5
DTS  
5
2. DOLBY PRO LOGIC/Enhanced  
DOLBY DIGITAL/Enhanced  
DTS/Enhanced  
20  
5
5
3. 70 mm MOVIE THEATER  
70 mm MOVIE THEATER – DOLBY D.  
70 mm MOVIE THEATER – DTS  
4. MONO MOVIE  
20  
16  
16  
49  
9
5. TV SPORTS  
6. DISCO  
40  
16  
44  
7. ROCK CONCERT  
8. CONCERT HALL  
Adjusting the output level of the center, right rear and left rear speakers, and subwoofer  
If desired, you can adjust the sound output level of each  
speaker even if the output level has already been set in  
“SPEAKER BALANCE ADJUSTMENT” on pages 20 to 22.  
• If the function “CNTR” in the SET MENU mode is set to the  
NONE position, the sound output level of the center speaker  
cannot be adjusted. This is because, in this mode, the center  
speaker sound is automatically output from the left and right  
main speakers.  
Notes  
• The output level of the center speaker cannot be adjusted  
when the DISCO, ROCK CONCERT or CONCERT HALL  
program is selected, and the input signal is analog, PCM  
audio, or encoded with Dolby Digital in 2-channel.  
• Once the output level has been adjusted, the level will be the  
same for all digital sound field programs.  
Speaker  
Control range (dB)  
MIN, –20 to +10  
Preset value  
CENTER  
0
0
0
0
RIGHT REAR  
LEFT REAR  
SUBWOOFER  
MIN, –20 to +10  
MIN, –20 to +10  
MIN, –20 to 0  
Memory back-up  
The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the  
power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the latest  
values for the delay time and the center/rear/subwoofer output levels that were set will automatically return to the preset values. If  
so, they can be re-set by simply following the adjustment method on page 31.  
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ADJUSTMENTS IN THE “SET MENU” MODE  
The following ten types of functions will maximize the performance of your system and expand your enjoyment for audio listening  
and video watching.  
1. CNTR (CENTER SPEAKER)  
2. REAR (REAR SPEAKERS)  
3. MAIN (MAIN SPEAKERS)  
4. BASS (LFE/BASS OUT)  
5. M.LVL (MAIN LEVEL)  
6. D.D.LFE  
7. D.RNG (DYNAMIC RANGE)  
8. DTS LFE (DTS LFE LEVEL)  
9. C.DELAY (CENTER DELAY)  
10. GUARD (MEMORY GUARD)  
11. INPUT (INPUT MODE)  
(DOLBY DIGITAL LFE LEVEL)  
However, at the normal level suitable for listening in your room,  
the low-level parts of source sound often cannot be heard well  
because they will be lost among noise in your environment.  
Dolby Digital technology has also made it possible to reduce an  
original sound track’s dynamic range for a home audio format  
by “compressing” the sound data.  
For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,  
see page 18. (Once you have selected the appropriate  
settings, you do not have to change any settings unless an  
alteration is made in your speaker system.)  
D.D.LFE (Adjusting the level of the LFE  
channel for Dolby Digital)  
MAX:  
In this position, a source encoded with Dolby Digital  
is reproduced in the original sound track’s wide  
dynamic range to provide you with powerful sounds  
just like those in a movie theater.  
Control range: –20 dB to 0 dB (in 1 dB steps)  
Preset value: 0 dB  
Selecting this position will be even better if you can  
listen to a source at a high output level in a room  
specially soundproofed for audio/video enjoyment.  
* This adjustment is effective only when Dolby Digital is being  
decoded and the signals of the selected source encoded with  
Dolby Digital contain LFE signals.  
STD (Standard):  
In this position, a source encoded with Dolby Digital  
is reproduced in the “compressed” dynamic range of  
the source that is suitable for low-level listening.  
In this position, the dynamic range is more reduced  
than in the STD position.  
Selecting this position will be effective when you  
must listen to a sound source at a low level.  
* In this position, it may happen that sound is output  
faintly or not output normally depending on the  
source. In that case, select the MAX or STD  
position.  
This adjusts the output level of the LFE channel. If the LFE  
signals are mixed with signals of other channels and they are  
output from the same speakers, the ratio of the LFE signal level  
to the level of the other signals can be adjusted.  
MIN:  
(See page 6 for details about the LFE channel.)  
D.RNG (Adjusting the dynamic range)  
Choices: MAX/STD/MIN  
Preset position: MAX  
DTS LFE (Adjusting the level of the LFE  
channel for DTS)  
* This adjustment is effective only when Dolby Digital is being  
decoded.  
Control range: –10 dB to +10 dB (in 1 dB steps)  
Preset value: 0 dB  
“Dynamic range” is the difference between the maximum level  
and the minimum level of sounds.  
Sounds on a movie originally designed for movie theaters  
feature a very wide dynamic range.  
Dolby Digital technology can modify the original sound track  
into a home audio format with this wide dynamic range un-  
changed.  
Powerful sounds of extremely wide dynamic range are not  
always suitable for home use. Depending upon the condition of  
your listening environment, it may not be possible to increase  
the sound output to a level as high as that in a movie theater.  
* This adjustment is effective only when DTS is being decoded  
and the signals of the selected source encoded with DTS  
contain LFE signals.  
This adjusts the output level of the LFE channel. If the LFE  
signals are mixed with signals of other channels and they are  
output from the same speakers, the ratio of the LFE signal level  
to the level of the other signals can be adjusted.  
(See page 6 for details about the LFE channel.)  
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Adjustment method  
C.DELAY [Adjusting the delay of  
center sounds (dialog, etc.)]  
Adjustments should be made while watching the information on  
this unit’s display.  
Control range: 0 ms to 5 ms (in 1 ms steps)  
Preset value: 0 ms  
When adjusting with the remote control, set the SELECTOR  
DIAL to the AMP/TUN or DSP position on the remote control.  
* This adjustment is effective only when Dolby Digital or DTS is  
being decoded and the signals of the selected source  
encoded with Dolby Digital or DTS contain center-channel  
signals.  
or  
Press SET MENU once or more so that the function which you  
want to change appears on the display.  
This adjusts the delay between the main sound (on the main  
channels) and dialog, etc. (on the center channel).  
The larger the value, the later the dialog, etc. is generated.  
Front panel  
Remote control  
This is for making sounds from the left main, center and right  
main speakers reach your listening position at the same time.  
This is achieved by delaying the sound from the center speaker  
if the distance from the center speaker to your listening position  
is shorter than the distance from the left or right main speaker  
to your listening position.  
or  
* After pressing SET MENU once on the remote control, you  
can also select the title by pressing . (Pressing goes back  
one selection.)  
GUARD (Memory guard)  
Choices: ON/OFF  
Press + or to select any desired position or to edit parameters  
Preset position: OFF  
of the chosen function.  
If you wish to prevent accidental alterations to SET MENU and  
other adjustments on this unit, select ON. The following  
functions on this unit can be locked by this operation:  
• Other functions in the SET MENU mode  
Front panel  
Remote control  
or  
• Functions in the TIME/LEVEL mode  
• Functions when using TEST  
INPUT  
Repeat these steps to change or adjust the settings of any  
other function.  
(Selecting the mode of the TV/DBS input)  
Choices: AUTO/LAST  
Preset position: AUTO  
Memory back-up  
The memory back-up circuit prevents the stored data from  
being lost when this unit is set in the standby mode. If,  
however, the power plug is disconnected from the AC outlet or  
the power is cut due to temporary power failure for more than  
one week, the settings of the SET MENU mode will automati-  
cally return to the factory settings. If so, they can be re-set by  
simply following the procedure above.  
You can designate the input mode that is automatically selected  
when the power of this unit is switched on for only the sources  
connected to the TV/DBS input terminals of this unit.  
AUTO:  
LAST:  
In this position, the AUTO input mode is always  
selected when the power for this unit is switched on.  
In this position, the input mode you selected last time  
is memorized and will not be changed when the  
power is switched on again.  
* See page 25 for details on switching the input mode.  
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REMOTE CONTROL  
You can use the remote control to control not only this unit but also other components connected to it. The remote control is factory  
set to control this unit and most YAMAHA audio components.  
To control other brands of components, you must preset the remote control with the manufacturers’ codes listed from  
page 310.  
Components which can be controlled  
There are nine positions that you can select to control connected components with this remote control. When turning the  
SELECTOR DIAL, the position changes as follows:  
AMP/TUN:  
TAPE/MD:  
You can perform basic operations of  
this unit and control a YAMAHA  
tuner with the SELECTOR  
DIAL set to this position.  
The code for a YAMAHA tape deck is preset.  
(Be sure to preset the proper code when operating a YAMAHA  
MD recorder.)  
CD:  
TV:  
The code for a YAMAHA CD player is preset.  
A television can be  
controlled.  
DSP:  
SELECTOR  
DIAL  
This unit can be controlled and DSP programs can be selected  
directly.  
CBL/DBS:  
A cable television or  
DBS tuner can be  
controlled.  
DVD/LD & DVD MENU:  
An LD player can be controlled by using the DVD/LD position.  
A DVD player can be controlled by using the DVD/LD and  
DVD MENU positions. The code for a YAMAHA DVD player is  
preset. If the remote control will not operate your YAMAHA  
DVD player, you need to preset code number “4490.”  
VCR:  
A VCR can be controlled.  
Notes  
1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.  
Note that you can preset only one code for one position. (See “SETUP CODES” on page 41 for details).  
2. DVD/LD and DVD MENU positions:  
• Be sure that the SELECTOR DIAL is set to the DVD/LD position before presetting the code for a DVD or an LD player. The  
code that you preset to the DVD/LD position is also simultaneously preset to the DVD MENU position. You cannot preset the  
code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.  
• DVD MENU operations cannot be performed for some DVD players.  
3. When using a second (and third) VCR (See “To use a second (and third) VCR” on page 41 for details.):  
• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset by using the CBL/DBS  
position.  
• If you are not using a DVD player, the second (or third) VCR can be preset by using the DVD MENU position. Note that in  
this case you must preset the code for an LD player to the DVD/LD position even if an LD player is not being used.  
4. The button functions on the remote control differ depending on the position selected by the SELECTOR DIAL. Refer to the  
following pages for details.  
Basic operation  
1
Select the position for the component that you want to  
control by turning the SELECTOR DIAL.  
Note: Turn the SELECTOR DIAL until it stops with a click.  
2
Press the desired operation button.  
Note: Press the button with the remote control aimed at  
the front panel.  
The position name is displayed  
in this window.  
Indicator  
The indicator will flash when the button is  
pressed.  
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The lightly marked buttons do not function.  
AMP/TUN  
Note: TV POWER and TV VOLUME function if you have preset the code for your TV.  
1 POWER  
This button turns the unit on.  
w
1
2 INPUT  
Indicator window:  
Press one of these buttons to select the required input source.  
Indicator:  
Displays the names of  
components which  
can be controlled.  
Flashes in red  
when the button  
is pressed.  
3 EXT. DEC.  
Press this button when using an external decoder.  
SELECTOR DIAL:  
Selects the  
position for the  
component to be  
controlled.  
4 A/B/C/D/E  
Press this button to select a group of preset stations when  
using the YAMAHA tuner.  
2
3
5 DSP  
Press this button. While the indicator is lit up for about three  
seconds, select a DSP program by using the number buttons (1  
to 8). No DSP program can be selected after the indicator goes  
off.  
e
r
4
5
6 PRESET (+/–)  
Press these buttons to select the preset station number when  
using the YAMAHA tuner.  
6
7
8
7 VOLUME (  
)
TV VOLUME  
Press these buttons to adjust the volume level.  
8 MUTE  
9
TV POWER  
Press this button to mute the sound. To cancel mute, press this  
button once more, or press the operation buttons of this unit.  
9 SLEEP  
Press this button to set the SLEEP timer.  
0
q
t
y
0
(LEFT), (RIGHT)  
These buttons are used to adjust the settings of the SET MENU  
mode and the TIME/LEVEL mode.  
q TIME/LEVEL  
Press this button to set the unit in the TIME/LEVEL mode and to  
select the item.  
w STANDBY  
Press this button to set this unit in the standby mode.  
e TEST  
Press this button to output a test tone for adjusting the output  
level of the speakers.  
r EFCT (EFFECT) ON/OFF  
DSP  
Press this button to turn on or off the DSP program which  
includes the Dolby Pro Logic decoder, the Dolby Digital  
decoder and the DTS decoder.  
t
(NEXT), (BACK)  
These buttons are used to advance or back one selection in the  
SET MENU mode and TIME/LEVEL mode.  
y SET MENU  
Press this button to set the unit in the SET MENU mode and to  
select functions.  
2 DSP program  
Press one of these buttons to select the required DSP program  
(1 to 8). When you select the input source, set the SELECTOR  
DIAL to the AMP/TUN position.  
2
Note: The function of all buttons other than DSP program is  
the same as that with the AMP/TUN position.  
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The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.  
Please refer to the owner’s manual for details of each component.  
Notes: TV POWER and TV VOLUME function if you have preset the code for your TV.  
TAPE/MD  
• Be sure to preset the proper code for your MD recorder.  
TAPE  
MD  
1
1 POWER  
1 POWER  
This button turns the unit on under factory settings. If another  
code for your tape deck whose remote control has a power  
This button turns the unit on  
if you have preset the code  
for the YAMAHA MD  
button is preset, the button will turn on the tape deck.  
recorder. If another code  
for your MD recorder whose  
remote control has a power  
button is preset, the button  
will turn on the MD recorder.  
2
(REC/PAUSE)  
Press this button to give a pause in recording on the  
tape deck.  
3
DIR A  
Press this button to select the playing direction of deck A.  
2
3
4
5
(REC/PAUSE)  
(SKIP)  
4
(PLAY)  
Press this button to play a tape.  
TV VOLUME  
TV  
POWER  
5
(REWIND)  
(PLAY)  
Press this button to rewind a tape.  
6
(SEARCH)  
7
8
9
0
q
2
3
4
7 DECK A/B  
Press this button to select deck A or B on the double  
cassette tape deck.  
6 DISP (DISPLAY)  
8
9
0
q
(PAUSE)  
(SKIP)  
9
DIR B  
5
Press this button to select the playing direction of deck B.  
0
(STOP)  
(STOP)  
Press this button to stop the operation of a tape.  
q
(FAST FORWARD)  
(SEARCH)  
Press this button to fast forward a tape.  
Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code for your TV.  
CD  
1
1 POWER  
This button turns the unit on under factory settings. If another code for your CD player  
whose remote control has a power button is preset, the button will turn on the CD  
player.  
2 DISC SKIP (+/–) (for a CD player with a CD changer)  
Press these buttons to skip to the next or previous CD.  
3
,
(SKIP)  
Press  
to skip to the beginning of the next track. Press  
to skip to the beginning  
of the previous track.  
4
(PLAY)  
Press this button to play a CD.  
2
5
(SEARCH)  
TV VOLUME  
This button initiates a backward search on the track that is playing to find the point  
from which you want to listen.  
TV  
POWER  
DISPLAY  
TV INPUT  
6
(PAUSE)  
6
Press this button to give a pause in operation. This button functions as PAUSE/  
STOP* for operating YAMAHA CD players under factory settings.  
3
4
7
8
7
(STOP)  
5
Press this button to stop operation. This button functions as PAUSE/STOP* for  
operating YAMAHA CD players under factory settings.  
8
(SEARCH)  
This button initiates a fast-forward search on the track that is playing to find the point  
from which you want to listen.  
* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.  
37  
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The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.  
Please refer to the owner’s manual for details of each component.  
DVD/LD  
Note: TV POWER, TVVOLUME and TV INPUT  
POWER  
function if you have preset the code for your TV.  
(DVD) This button turns the unit on under factory  
settings. If another code for your DVD player  
whose remote control has a power button is  
preset, the button will turn on the DVD player.  
(LD) This button turns the unit on if you have  
preset the code for the YAMAHA LD player. If  
another code for your LD player whose remote  
control has a power button is preset, the button  
will turn on the LD player.  
DISC SKIP  
TV VOLUME  
DISPLAY  
TV POWER  
TV INPUT  
PAUSE  
SKIP/SEARCH  
PLAY  
STOP  
ANGLE (DVD)/SEARCH (LD)  
AUDIO (DVD)  
SUBTITLE (DVD)/SEARCH (LD)  
SUBTITLE ON/OFF (DVD)  
DVD MENU  
Note: TV POWER, TVVOLUME and TV INPUT  
POWER  
function if you have preset the code for your TV.  
This button turns the unit on under factory  
settings. If another code for your DVD player  
whose remote control has a power button is  
preset, the button will turn on the DVD player.  
Numeric buttons  
CLEAR  
+10  
DISC SKIP  
TV VOLUME  
TITLE/INDEX  
TV POWER  
TV INPUT  
MENU UP  
MENU LEFT  
MENU RIGHT  
MENU DOWN  
RETURN  
MENU SELECT  
SET UP  
TITLE  
MENU  
38  
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The lightly marked buttons do not function. See “AMP/TUN” on page 36 for those buttons which are not described here.  
Please refer to the owner’s manual for details of each component.  
VCR  
TV  
Note: TV POWER, TVVOLUME and TV INPUT function if you  
Note: You can only control your VCR if you have preset the  
have preset the code for your TV.  
code for it.  
POWER  
POWER  
CHANNEL  
CHANNEL  
CHANNEL ENTER  
CHANNEL ENTER  
TV EFFECT ON/OFF  
CHANNEL UP DOWN  
CHANNEL UP DOWN  
TV VOLUME  
TV VOLUME  
TV MUTE  
TV SLEEP  
DISPLAY  
TV POWER  
DISPLAY  
VCR REC  
TV POWER  
TV INPUT  
PAUSE  
TV INPUT  
Press this button twice  
VCR REC  
VCR PAUSE  
to start recording.  
Press this button twice.  
PLAY  
REWIND  
VCR PLAY  
VCR STOP  
STOP  
VCR FAST  
FAST FORWARD  
VCR REWIND  
FORWARD  
CBL/DBS  
POWER  
Note: TV POWER, TVVOLUME and TV  
INPUT function if you have preset  
the code for your TV.  
CHANNEL  
+100  
CHANNEL ENTER  
CHANNEL UP DOWN  
TV VOLUME  
DISPLAY  
TV POWER  
TV INPUT  
MENU UP  
MENU LEFT  
MENU RIGHT  
MENU DOWN  
MENU SELECT  
RECALL  
MENU  
39  
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NOTES ABOUT THE REMOTE CONTROL  
Battery installation  
Remote control operation range  
1. Turn the remote control over and slide the battery compart-  
ment cover in the direction of the arrow.  
2. Insert the batteries (AA, R6 or UM-3 type) according the  
polarity markings on the inside of the battery compartment.  
3. Close the battery compartment cover.  
Remote control  
sensor  
Within approximately  
6 m (20 feet)  
2
1
3
Notes  
Battery replacement  
• There should be no large obstacles between the remote  
control and the unit.  
• If the remote control sensor is directly illuminated by strong  
lighting (especially from an inverter type of fluorescent lamp),  
it might cause the remote control not to work correctly. In this  
case, reposition the unit to avoid direct lighting.  
If the remote control operates only when it is close to the unit,  
the batteries are weak. Replace all the batteries with new  
ones.  
Be sure to replace the batteries within about two minutes. If  
it takes longer than two minutes, the codes preset for the  
remote control will return to the factory settings.  
Notes  
• Use only AA, R6 or UM-3 batteries for replacement.  
• Be sure the battery polarity is correct. (See the illustration  
inside the battery compartment.)  
• Remove the batteries if the remote control will not be used for  
an extended period of time.  
• If the batteries have leaked, dispose of them immediately.  
Avoid touching the leaked material or letting it come into  
contact with clothing, etc. Clean the battery compartment  
thoroughly before installing new batteries.  
40  
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SETUP CODES  
Presetting the remote control  
Perform the presetting procedure for each component you want to control with the remote control.  
Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that was  
supplied with the component.  
If you are using the DVD MENU position  
To control your components  
(MD recorder, DVD player,  
TV, etc.)  
Returning to the factory-set  
codes  
for a second (or third) VCR, you must  
preset the code for an LD player to the  
DVD/LD position.  
To return all components to the factory-  
set codes, follow these steps.  
1. Set the SELECTOR DIAL to a  
position other than the AMP/TUN or  
DSP position.  
1. Turn on the component to be used.  
2. Set the SELECTOR DIAL to the  
desired position for the component  
(TAPE/MD, DVD/LD, TV, etc.).  
1. Turn on the VCR to be used.  
2. Set the SELECTOR DIAL to the  
CBL/DBS or DVD MENU position.  
2. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
3. Enter code number “9987”.  
4. Make sure that the indicator flashes  
twice.  
3. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
3. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
To return each component to the factory-  
set code, follow these steps.  
1. Set the SELECTOR DIAL to the  
position for the component to be  
returned to the factory-set code.  
2. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
4. Press MUTE.  
4. Use the numeric buttons to enter the  
four-digit manufacturer’s code for  
the component to be used. Make  
sure that the indicator flashes twice.  
If the indicator does not flash, repeat  
step 3 and re-enter the code.  
3. Enter code number “9999”.  
4. Make sure that the indicator flashes  
twice.  
5. Use the numeric buttons to enter the  
four-digit code for the second (or  
third) VCR. Make sure that the  
indicator flashes twice. If the  
indicator does not flash, repeat  
steps 3 and 4, and re-enter the  
code.  
The following codes are preset as the  
factory settings.  
Factory-set codes  
POSITION Component Code  
TV  
CBL/DBS DBS tuner 2455  
VCR VCR 3072  
DVD/LD DVD player 4545 YAMAHA  
CD CD player 6187 YAMAHA  
TV  
0037  
5. Press POWER (or any other button)  
on the remote control to check if you  
have preset the code correctly. If  
the component cannot be controlled  
with the remote control, try entering  
another code for the same manufac-  
turer.  
TAPE/MD Tape deck 8524 YAMAHA  
6. Press POWER (or any other button)  
on the remote control to check if you  
have preset the code correctly. If  
the VCR cannot be controlled with  
the remote control, try entering  
another code for the same manufac-  
turer.  
We recommend that you write all the  
code numbers you have preset on the  
“Quick Reference Card.”  
To use a second (and third) VCR  
You can use the CBL/DBS and/or DVD  
MENU positions to control a second  
(and/or third) VCR if a CBL (or DBS) or  
DVD player is not being used.  
41  
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TROUBLESHOOTING  
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple  
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and  
contact your authorized YAMAHA dealer or service center for help.  
SYMPTOM  
CAUSE  
REMEDY  
The unit fails to turn on when  
The power cord is not plugged in or the  
plug is not completely inserted.  
Firmly plug in the power cord.  
STANDBY/ON is pressed, or set in  
the standby mode suddenly soon  
after the power has been turned on.  
The IMPEDANCE SELECTOR switch  
on the rear panel is not fully set to the  
upper or lower end.  
Set the switch fully to the upper or  
lower end when the unit is in the  
standby mode.  
The unit does not work normally.  
The internal microcomputer has been  
frozen by an external electric shock  
(lightning, excessive static electricity,  
etc.) or by a power supply with low  
voltage.  
Set the unit in the standby mode and  
disconnect the AC power cord from the  
AC outlet. After about 30 seconds have  
passed, connect the power and operate  
the unit again.  
No sound or no picture.  
Incorrect output cord connections.  
Connect the cords properly. If the  
problem persists, the cords may be  
defective.  
An appropriate input source has not  
been selected.  
Select an appropriate input source with  
INPUT or TAPE/MD MON / EXT.  
DECODER.  
SPEAKERS have not been set  
Set SPEAKERS corresponding to the  
properly.  
speakers in use to the ON position.  
The speaker connections are not  
secure.  
Secure the connections.  
Digital signals other than PCM audio  
and Dolby Digital or DTS encoded  
signals which this unit cannot  
reproduce are input to this unit by  
playing a CD-ROM etc.  
Play a source whose signals this unit  
can reproduce.  
No picture.  
There is no S video terminal connection Connect this unit’s S VIDEO MONITOR  
between this unit and the TV, although  
S video signals are input to this unit.  
OUT terminal to the TV’s S video input  
terminal.  
The sound suddenly goes off.  
The protection circuit has been  
Set the unit in the standby mode and  
activated because of a short circuit, etc. then switch on again to reset the  
protection circuit.  
The SLEEP timer has functioned.  
Turn on the power, and play the source  
again.  
Only the speakers on one side can  
be heard.  
Incorrect setting of BALANCE.  
Adjust it to the appropriate position.  
Incorrect cord connections.  
Connect the cords properly. If the  
problem persists, the cords may be  
defective.  
A “humming” sound can be heard.  
Incorrect cord connections.  
Firmly connect the audio plugs. If the  
problem persists, the cords may be  
defective.  
No connection from the turntable to the  
GND terminal.  
Make the GND connection between the  
turntable and this unit.  
The volume level is low while playing The record is being played on a  
The turntable should be connected to  
the unit through the MC head amplifier.  
a record.  
turntable with an MC cartridge.  
The volume level cannot be  
increased, or the sound is distorted.  
The component connected to the REC  
OUT terminals of this unit is in the  
standby mode.  
Turn on the power to the component.  
42  
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SYMPTOM  
CAUSE  
REMEDY  
No sound from the effect speakers.  
The sound effect setting is off.  
Press EFFECT on the front panel or  
EFCT ON/OFF on the remote control to  
turn it on.  
A Dolby Surround or DTS decoding  
program is being used with material not  
encoded with Dolby Surround or DTS.  
Use a different sound field program.  
No sound from the rear speakers.  
No sound from the center speaker.  
The sound output level of the rear  
speakers is set to minimum.  
Raise the sound output level of the rear  
speakers.  
A monaural sound source is being  
played in the DOLBY PRO LOGIC or  
DOLBY PRO LOGIC ENHANCED  
program.  
Select another sound field program  
suitable for the monaural sound source.  
The sound output level of the center  
speaker is set to minimum.  
Raise the sound output level of the  
center speaker.  
The function “CNTR” in the SET MENU  
is set to the NONE position.  
Select the LARGE or SMALL position.  
Incorrect sound field program selection.  
Select the appropriate program.  
The input signals of the source encoded Refer to the instructions for the source  
with Dolby Digital or DTS do not have  
center channel signals.  
being currently played.  
The sound field cannot be recorded.  
It is not possible to record the sound  
field on a tape deck or MD recorder  
connected to the unit’s REC OUT  
terminals.  
The DVD/LD,TV or DBS source  
cannot be recorded on a tape deck,  
MD recorder or VCR connected to  
this unit.  
The DVD/LD player, TV or DBS tuner is  
connected to the unit by only the digital  
terminals.  
Make additional connections between  
the analog terminals.  
The remote control does not work.  
Direct sunlight or lighting (from an  
inverter type of fluorescent lamp, etc.) is  
striking the remote control sensor of this  
unit.  
Change the position of this unit.  
The manufacturer’s code has not been  
set properly.  
Set the code again.  
The proper manufacturer’s code for the  
component to be controlled has not  
been set.  
Try entering another code for the same  
manufacturer.  
The component to be controlled has not Set the SELECTOR DIAL to the proper  
been selected.  
position.  
The sound is degraded when  
listening with the headphones to a  
CD player or tape deck that is  
connected to this unit.  
This unit is in the standby mode.  
Turn on the power of the unit.  
There is noise interference from  
digital or high-frequency equipment  
or the unit.  
The unit is too close to the digital or  
high-frequency equipment.  
Move the unit further away from such  
equipment.  
43  
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When playing back a source encoded with DTS  
SYMPTOM  
CAUSE  
The player which plays back the source  
is not connected to a digital audio signal digital audio signal input terminal of this  
REMEDY  
A loud hissing noise is heard when you  
play back a source encoded with DTS.  
The player must be connected to a  
input terminal of this unit.  
unit besides the analog audio signal  
terminal connections.  
The ANALOG input mode is selected on Select a proper input mode on this unit  
this unit.  
to turn on the DTS decoder built into  
the unit.  
A percussive noise is heard when you  
begin playing back a source encoded  
with DTS.  
If the AUTO input mode is selected,  
Set the input mode of the currently  
depending on some sources, there may selected input source to DTS.  
be a case that a noise is heard while  
this unit is identifying the format of the  
input signal.  
No sound is heard when you play back a The DTS decoder built into this unit  
source encoded with DTS, even though does not function because the player  
the AUTO input mode is selected on this has a digital volume control and it is set  
Set the player’s digital volume control  
at the maximum, neutral or ineffective  
position.  
unit.  
at a position other than “maximum,”  
“neutral” or “ineffective.”  
No sound is heard when you play back  
an MD or DAT on to which you have  
recorded a source encoded with DTS.  
A source encoded with DTS cannot be  
recorded on to an MD or DAT.  
No sound is heard when you play back a In the AUTO mode, the DTS-decoding  
Press INPUT MODE on the front panel  
or INPUT (for the currently selected  
source) on the remote control so that  
AUTO appears on the display.  
source (CD, etc.) even though the  
mode cannot be automatically changed  
to the normal (PCM) digital signal input  
mode.  
currently selected input mode is AUTO.  
Notes  
• It is necessary to use a DTS decoder to play back a source encoded with DTS, so the player which plays back the source must  
be connected to a digital audio input terminal of this unit in the way described in this manual. If this connection is not made or  
only a D-to-A converter is being used without using a DTS decoder, when you play back the source, only a loud hissing noise will  
be heard.  
• If you make a search (or skip, etc.) operation while playing back a source encoded with DTS, the “dts” indicator goes out from the  
display. This is because this unit automatically changes the DTS-decoding mode to the standard (PCM) digital signal input mode  
to prevent a noise from being output.  
44  
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SPECIFICATIONS  
Headphones Jack Rated Output/Impedance  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX input,  
AUDIO SECTION  
Minimum RMS Output Power  
VIDEO SECTION  
Video Signal Type  
[U.K. and Europe models] ..................... PAL  
[China and General models] ....... NTSC/PAL  
8 ohms, 20 Hz to 20 kHz, 0.04% THD  
MAIN L/R ............................. 65 W + 65 W  
CENTER ........................................... 65 W  
REAR L/R ............................ 65 W + 65 W  
8 ohms, 1 kHz, 0.07% THD  
1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms  
Frequency Response (20 Hz to 20 kHz)  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX to MAIN L/R SP OUT  
Video Signal Level ................ 1 Vp-p/75 ohms  
S-Video Signal Level  
Y ......................................... 1 Vp-p/75 ohms  
C .................................. 0.286 Vp-p/75 ohms  
MAIN L/R ............................. 80 W + 80 W  
CENTER ........................................... 80 W  
REAR L/R ............................ 80 W + 80 W  
.................................................... 0±0.5 dB  
RIAA Equalization Deviation  
Maximum Input Level .......... 1.5 Vp-p or more  
Signal-to-Noise Ratio ...............50 dB or more  
PHONO MM .................................. 0±0.5 dB  
Maximum Power  
[China and General models only]  
8 ohms, 1 kHz, 10% THD  
Total Harmonic Distortion (20 Hz to 20 kHz)  
PHONO MM to REC OUT  
1 V........................................0.02% or less  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX (EFFECT OFF) to MAIN SP OUT  
35 W/8 ohms ...................... 0.025% or less  
Monitor Out Frequency Response  
MAIN L/R ......................... 105 W + 105 W  
CENTER ......................................... 105 W  
REAR L/R ........................ 105 W + 105 W  
.............................. 5 Hz to 10 MHz, –3 dB  
GENERAL  
Power Supply  
[U.K. and Europe models]  
Dynamic Power per Channel  
(by IHF Dynamic Headroom measuring  
method)  
Signal-to-Noise Ratio (IHF-A Network)  
PHONO MM to REC OUT  
........................................ AC 230 V, 50 Hz  
[China model] .................... AC 220 V, 50 Hz  
[General model]  
MAIN L/R  
(5 mV, Input Shorted)  
[U.K. and Europe models] ...81 dB or more  
[China and General models]  
............................................86 dB or more  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX (EFFECT OFF) to MAIN SP OUT  
(150 mV, Input Shorted) ......96 dB or more  
8/6/4/2 ohms ................ 90/110/135/160 W  
DIN Standard Output Power per Channel  
[Europe model only]  
.............. AC 110/120/220/240 V, 50/60 Hz  
Power Consumption  
4 ohms, 1 kHz, 0.7% THD ................. 110 W  
[U.K. and Europe models] ................. 300 W  
[China and General models] .............. 310 W  
IEC Power  
[Europe model only]  
Residual Noise (IHF-A Network)  
Maximum Power Consumption  
[General model only]  
5-ch, 10% THD .................................. 650 W  
8 ohms, 1 kHz, 0.04% THD .... 75 W + 75 W  
MAIN L/R SP OUT................ 150 µV or less  
Power Band Width  
MAIN L/R  
Channel Separation  
(Vol. –30 dB, EFFECT OFF)  
PHONO MM  
AC Outlets  
3 SWITCHED OUTLETS  
8 ohms, 35 W, 0.1% THD 10 Hz to 50 kHz  
(Input Shorted, 1 kHz/10 kHz)  
.................... 60 dB or more/55 dB or more  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX  
(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)  
.................... 60 dB or more/45 dB or more  
Damping Factor (SPEAKER A)  
[China and General models]  
....................................... 100 W max. total  
2 SWITCHED OUTLETS  
[Europe model]............... 100 W max. total  
1 SWITCHED OUTLET  
8 ohms, 20 Hz to 20 kHz ............ 60 or more  
Input Sensitivity/Impedance  
PHONO MM ................... 2.5 mV/47 k-ohms  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX ................... 150 mV/47 k-ohms  
EXT. DECODER  
[U.K. model] ........................... 100 W max.  
Tone Control Characteristics  
Dimensions (W x H x D)  
BASS:  
Boost/cut ............. ±10 dB (50 Hz)  
Turnover Frequency ......... 350 Hz  
MAIN L/R .................... 150 mV/47 k-ohms  
CENTER/SURROUND L/R/SUBWOOFER  
.................................... 150 mV/40 k-ohms  
.................................. 435 x 151 x 391 mm  
(17-1/8” x 5-15/16” x 15-3/8”)  
TREBLE: Boost/cut ........... ±10 dB (20 kHz)  
Turnover Frequency ........ 3.5 kHz  
Weight .......................... 12.5 kg (27 lbs. 8 oz.)  
Maximum Input Signal  
Filter Characteristics  
Accessories ............................ Remote control  
Batteries  
PHONO MM  
MAIN L/R, REAR L/R (SPEAKER: SMALL)  
(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.  
SUBWOOFER  
1 kHz, 0.1% THD .............100 mV or more  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX (EFFECT ON)  
Specifications are subject to change without  
notice.  
(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.  
1 kHz, 0.5% THD .................2.2 V or more  
Output Level/Impedance  
REC OUT ..................... 150 mV/1.2 k-ohms  
PRE OUT  
[U.K. and Europe models only]  
....................................... 2.1 V/1.2 k-ohms  
SUBWOOFER  
(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms  
45  
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LIST OF MANUFACTURERS’ CODES  
LISTES DES CODES FABRICANT  
VERZEICHNIS DER HERSTELLER CODES  
LISTA ÖVER TILLVERKARKODER  
ELENCO DEI CODICI DEL FABBRICANTE  
LISTA DE CÓDIGOS DE FABRICANTES  
LIJST VAN CODES VAN FABRIKANT  
Crystal  
Curtis Mathes  
Cybertron  
Daewoo  
Dainichi  
Dansai  
Dayton  
De Graaf  
Decca  
Dixi  
0431  
0093  
0218  
Hypson  
ICE  
ICeS  
ITS  
ITT  
Imperial  
0037, 0282, 0264  
0217, 0371, 0264  
TV  
0218  
0371  
Abex  
0032  
0009  
0093, 0163, 0213  
0217, 0032  
0208, 0361  
0218, 0264, 0369  
0037, 0374, 0009  
0218, 0215  
Acura  
Admiral  
Adyson  
Akai  
Akura  
Alaron  
Alba  
0163, 0361  
0370, 0418, 0074, 0076,  
0037  
0009  
0208  
0084, 0247  
Indiana  
Ingelen  
Inno Hit  
Interbuy  
Interfunk  
Intervision  
0037  
0163  
0072  
0068  
0037, 0072  
0037, 0009  
0336, 0352  
0216  
0037, 0218, 0371, 0009, 0036, 0235  
0294  
Dual  
Allorgan  
Dual Tec  
Dumont  
Elbe  
Elin  
Elite  
Elta  
Emerson  
Erres  
Expert  
Ferguson  
0217  
0070  
0259  
0037  
0037, 0163, 0247, 0361  
Amplivision  
Amstrad  
Anam  
Anitech  
Arcam  
Asberg  
Asuka  
Atlantic  
Audiosonic  
Autovox  
BPL  
BSR  
BTC  
Baird  
Basic Line  
Baur  
0217  
0037, 0217, 0264,  
0371, 0009, 0362, 0369  
0102, 0068  
0009, 0068  
0009, 0068, 0076  
Isukai  
JVC  
KTV  
Kaisui  
0218  
0218, 0320  
0371, 0036, 0053, 0190, 0192  
0216, 0217  
0009  
0282, 0213, 0361  
0037, 0012  
0217  
0076  
0218  
0206  
0216, 0217, 0218, 0009, 0282  
Kamp  
0216  
0206, 0163  
0216  
0037, 0235, 0362  
0206  
Kapsch  
Kawasho  
Kendo  
Kingsley  
Kneissel  
Korpel  
Koyoda  
Leyco  
Liesenk & Tter  
Lloytron  
Loewe  
0037, 0109  
0206, 0076, 0336  
0037, 0109, 0005, 0073, 0190,  
0238, 0287, 0335, 0343  
0216, 0361  
0208, 0346, 0359  
0037, 0072, 0070, 0105, 0346  
0216, 0217, 0294, 0009,  
0321, 0247  
0282  
0294  
0218  
0343  
Fidelity  
Finlandia  
Finlux  
0216  
0259  
0037  
0009  
Firstline  
0218, 0009  
0037, 0010, 0554, 0349, 0361  
0037, 0294, 0072, 0264  
Fisher  
Flint  
Formenti  
Frontech  
Fujitsu  
Funai  
GE  
GEC  
GPM  
0370, 0217, 0208, 0303  
0455  
0037, 0320, 0213  
0264, 0431, 0163, 0247  
0072, 0206  
0037  
0032  
0075  
Beko  
Beon  
Binatone  
Blaupunkt  
0370  
0037  
0217  
Luma  
Luxor  
M Electronic  
0206  
0554, 0191, 0195, 0200,  
0349, 0361  
0213, 0327, 0328  
0294, 0264, 0303  
0282, 0093  
0037, 0217, 0072, 0043, 0205  
0218  
0037, 0217, 0374, 0009,  
0109, 0068, 0105, 0163,  
0287, 0346  
Blue Sky  
Blue Star  
Bondstec  
Boots  
0218  
0282  
0247  
0217  
MGA  
MTC  
0150  
0216, 0349  
0102, 0247  
Geloso  
Genexxa  
GoldStar  
0009, 0213  
0218, 0163  
Brandt 0109, 0196, 0198, 0205, 0333, 0335  
Magnadyne  
Magnafon  
Magnavox  
Manesth  
Marantz  
Mark  
Brionvega  
Britannia  
Bush  
0362  
0216  
0037, 0217, 0109,  
0032, 0290  
0037, 0217, 0374, 0371, 0072,  
0036, 0235, 0317, 0343  
0370  
0102, 0076, 0213  
0036  
0217, 0320, 0264, 0235  
0037  
0037, 0218, 0374, 0371, 0294,  
Goodmans  
0009, 0282, 0036, 0349  
0037, 0217  
0074, 0076, 0084, 0247, 0306  
CCE  
CGE  
Gorenje  
Gradiente  
Graetz  
0037  
0053  
0163, 0361  
Matsui  
0037, 0217, 0371, 0294,  
0009, 0072, 0036, 0035,  
0011, 0208, 0235  
0250  
CS Electronics  
CTC  
Carrefour  
Cascade  
Cathay  
Centurion  
Century  
Cimline  
Clarivox  
Clatronic  
Condor  
Contec  
0216  
0247  
0036  
0009  
0037  
0037  
0213  
0009  
0037  
Granada  
0037, 0217, 0072, 0146,  
0208, 0339, 0359  
0282  
0037, 0554, 0070, 0191,  
0195, 0205  
Matsushita  
McMichael  
Mediator  
Memorex  
Memphis  
Metz  
Midland  
Minerva  
Minoka  
Mitsubishi  
Mivar  
Motion  
Motorola  
Multitech  
Grandin  
Grundig  
0043  
0037, 0012  
0009, 0250, 0150  
0337  
HCM  
Hanseatic  
Harley Davidson  
Harvard  
Hinari  
0009, 0282  
0037, 0320, 0361  
0213, 0367  
0032  
0554, 0070  
0043  
0068  
0370, 0076, 0247  
0370, 0320  
0216, 0009, 0036, 0157  
0196, 0198,  
0205, 0333  
0074, 0076, 0084, 0213  
0037, 0218, 0009, 0036  
0282, 0455  
0217, 0036, 0109, 0032, 0043,  
0044, 0105, 0163, 0196,  
0198, 0225, 0306, 0349  
0216, 0374  
0369  
Hisawa  
Hitachi  
0036, 0093, 0108, 0150  
0216, 0290, 0291, 0292  
0076  
Continental Edison  
Crosley  
Crown  
0093  
0037, 0370, 0418, 0009, 0076  
Huanyu  
0216, 0217, 0009, 0102, 0076  
310  
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NEC  
NEI  
0455, 0036  
0037, 0431, 0337  
Sanyo  
0072, 0036, 0011, 0146, 0157,  
0208, 0213, 0339  
0361  
CABLE  
Neckermann 0037, 0554, 0191, 0213, 0349  
Nikkai  
Schaub Lorenz  
Schneider  
ABC  
1003, 1008, 1014, 1017  
0037, 0216, 0218, 0072,  
0264, 0035, 0032, 0337  
0317  
0037, 0218, 0371, 0247,  
0303, 0323, 0336, 0352  
0146  
Birgmingham Cable Communications  
1276  
Nikko  
Nobliko  
Nokia  
Sears  
Sei-Sinudyne  
Seleco  
Sentra  
Sharp  
Shorai  
Siarem  
Siemens  
British Telecom  
Cabletime  
Clyde  
Contec  
Decsat  
Filmnet  
France Telecom  
GEC  
General Instrument  
GoldStar  
Jerrold  
1003, 1105  
1161, 1271, 1377  
1086  
0102, 0076  
0010  
0361  
0206, 0163, 0259, 0362  
0035  
Nordmende  
0109, 0196, 0198,  
0213, 0287, 0343  
0163, 0215, 0361  
0250  
1019  
1423  
1443  
1451  
1086  
1276  
1144  
0036, 0093, 0157  
0294  
Oceanic  
Optimus  
Optonica  
Orion  
Osaki  
Oso  
Osume  
Otake  
Otto Versand  
0102, 0213  
0093  
0037, 0554, 0157, 0191, 0195,  
0200, 0213, 0327, 0328  
0036  
0037, 0294, 0320, 0321, 0235  
0217, 0218, 0072, 0264, 0032  
0218  
Silver  
Sinudyne  
Solavox  
Sonitron  
Sonoko  
Sonolor  
Sontec  
0294, 0102, 0213, 0235  
0032, 0163  
1003, 1276, 1014  
1443, 1019  
1032  
0072, 0032, 0157  
0317  
0037, 0217, 0320, 0036,  
0010, 0554, 0191, 0213,  
0343, 0349  
MNet  
0208  
0037, 0009  
0163, 0208, 0215  
0037  
0036, 0010, 0011  
0037, 0418  
0217, 0218, 0009  
0206, 0163, 0259  
0294, 0321  
Magnavox  
Memorex  
Movie Time  
NSC  
1000  
1156  
1156  
1019  
1003  
1000  
1000  
Palladium  
Panama  
Panasonic  
0370, 0418  
0217, 0264  
Sony  
Oak  
Soundwave  
Standard  
Stern  
PVP Stereo Visual Matrix  
Panasonic  
Paragon  
Pioneer  
Pulsar  
Runco  
STS  
Salora  
Samsung  
Satbox  
Scientific Atlanta  
Starcom  
0250, 0163, 0213, 0214,  
0226, 0367  
0216, 0320, 0213, 0238  
0196, 0198, 0205, 0333  
0009  
Pathe Cinema  
Pathe Marconi  
Pausa  
Penney  
Perdio  
Phase  
Philco  
Philips  
Sunkai  
1144, 1260  
1000  
Susumu  
Sysline  
Tandy  
Tashiko  
Tatung  
0218  
0037  
1000  
1156  
1382  
1144  
0032  
0320  
0032  
0217, 0218, 0072, 0093, 0163  
0217, 0036, 0043, 0359  
0037, 0217, 0072  
0217, 0247  
0074, 0076, 0084, 0213, 0247  
0037, 0374, 0554, 0012,  
0043, 0323  
Tec  
1375  
Technema  
Technics  
Teknika  
Teleavia  
Telefunken  
0320  
0250  
0150  
1008, 1277, 1017  
1003  
Phonola  
Pioneer  
Profex  
Proline  
Protech  
0037, 0012  
Tele+1  
Teleservice  
Toshiba  
1443  
1281  
1000  
1286  
1003  
1250  
1105  
1000  
0109, 0163, 0287  
0009, 0076, 0361  
0321  
0205, 0333, 0343  
0109, 0005, 0074, 0084,  
0101, 0213, 0262, 0306,  
0335, 0343  
Tudi  
0037, 0217, 0418, 0009, 0264,  
0102, 0431, 0247, 0337  
0012  
United Cable  
Videoway  
Westminster  
Zenith  
Telemeister  
Teletech  
Teleton  
Tensai  
Texet  
0320  
0009  
Pye  
Quasar  
Quelle  
0250  
0217, 0206, 0349  
0218, 0294, 0320, 0317  
0216, 0218  
0109, 0196, 0198, 0205,  
0287, 0333, 0343, 0349  
0037, 0072, 0035, 0074,  
0084, 0190, 0192, 0361  
0037, 0010, 0554, 0011, 0070,  
0074, 0084, 0200, 0213,  
0306, 0327, 0328, 0361  
0036  
Thomson  
DBS TUNER  
Questa  
R-Line  
RBM  
0037  
0070  
0090, 0093  
Thorn  
AST  
Alba  
Aldes  
2321, 2351  
2455, 2421, 2362, 2613  
RCA  
Thorn-Ferguson  
Tomashi  
Toshiba  
Trical  
Triumph  
Uher  
0343  
0282  
2288  
2333  
Radio Shack  
Radiola  
Rank Arena  
Realistic  
Rediffusion  
Revox  
0032  
0037, 0012, 0323  
0036  
Allantide  
Amstrad  
Ankaro  
Anttron  
Arcon  
Armstrong  
Astra  
Astro  
Avalon  
Axis  
BT  
Barcom  
Beko  
Best  
0036, 0035, 0070, 0243  
2080, 2252, 2345, 2461, 2501  
2369, 2288, 2220, 2519, 2217  
0157  
0243  
0206, 0320, 0303  
0032  
0361  
0037  
2421, 2183  
2368  
2243  
Ultra  
0192  
0102  
Rex  
0206, 0264, 0163, 0259  
0216  
Ultravox  
Universum  
Vestel  
2108, 2539  
2520, 2173, 2358, 2501  
2396  
Rhapsody  
Roadstar  
SBR  
SEG  
SEI  
0037, 0370, 0264, 0105, 0346  
0218, 0418, 0009, 0264  
0037, 0012, 0043  
0217, 0264, 0036, 0076  
0294, 0102, 0213  
0109, 0075, 0163, 0196, 0198,  
0205, 0213, 0287, 0335, 0343  
0238  
0009, 0264, 0431, 0011, 0235  
0163, 0349, 0359, 0361  
0102, 0076, 0213  
0032  
0037  
0053  
0247  
0217  
0036  
0320  
0163  
0217  
Victor  
2369, 2530  
2668  
Videosat  
Videotechnic  
Vidtech  
Vision  
Voxson  
Waltham  
Watson  
Watt Radio  
Wega  
2217  
2189  
2369, 2217  
2173  
2243, 2513  
2332  
Saba  
Saccs  
Saisho  
Salora  
Sambers  
Sampo  
Samsung  
Blaupunkt  
Boca  
Brain Wave  
Bush  
0037, 0320  
0102  
2067  
2520  
2344  
2362  
0036  
CNT  
0037, 0370, 0217, 0009,  
0264, 0032, 0090, 0290  
0216  
White Westinghouse  
Yoko  
Zanussi  
0037, 0216, 0320  
0037, 0217, 0264, 0431  
0206  
Cambridge  
Channel Master  
Chaparral  
Sandra  
2053, 2209  
311  
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CityCom  
Commlink  
Connexions  
Crown  
Cyrus  
D-box  
DDC  
DNT  
Diskxpress  
Drake  
EIF  
Echostar  
Emanon  
FTE  
Ferguson  
Fidelity  
Finlux  
2394  
2288  
2396  
2243  
2200  
2723  
2362  
Palcom  
Palladium  
Palsat  
Panda  
Philips  
Phonotrend  
Planet  
Plasmatic  
Polytron  
Promax  
Prosat  
Quadral  
RFT  
2297  
2571  
2501  
2455  
Amstrad  
Anitech  
Asha  
Asuka  
Audiovox  
Baird  
Basic Line  
Beaumark  
Bell & Howell  
Blaupunkt  
3000, 3278, 3325, 3332  
3072  
3240  
3037  
2455, 2571, 2200, 2292, 2328  
3037  
2288, 2592  
2871  
3000, 3041, 3104, 3107  
3072, 3020, 3278  
3240  
2396, 2200  
2442  
2394  
2455  
2288  
2217  
2268  
2417  
2396, 2871  
3104  
3034, 3226, 3195, 3003, 3006,  
3154, 3162, 3227, 3403  
3320, 3187, 3321  
2362, 2519  
2288, 2220, 2200  
2200  
2396, 2882  
2321, 2351, 2461  
2421, 2369, 2539  
2417  
Brandt  
2421  
2331  
Brandt Electronic  
Broksonic  
Bush  
CCE  
CGE  
Calix  
Capehart  
Carver  
3041  
3209  
Radiola  
Radix  
SAT  
SEG  
STVI  
2183, 2067, 2189, 2336  
2252  
2455, 2108, 2344, 2397  
2871  
3072, 3278, 3209, 3352  
3072, 3278  
3000  
3037  
3020  
3081  
Fracarro  
Freecom  
2421, 2335  
Saba  
Sabre  
2520, 2336  
2455  
Fuba  
2421, 2369, 2396, 2217, 2297, 2417  
G-Sat  
2183  
2288, 2834, 2863  
2321  
Sagem  
Salora  
Samsung  
SatPartner  
2820  
2108  
2287  
Catron  
Cimline  
Cineral  
Citizen  
Clatronic  
Colt  
Combitech  
Condor  
Craig  
3020  
3072  
3278  
Galaxis  
Galaxisat  
GoldStar  
Gooding  
Goodmans  
Grothusen  
Grundig  
Harting und Helling  
Hinari  
Hirschmann  
2335  
2571  
2189  
2335  
2421, 2332, 2520, 2502,  
2335, 2692  
2605, 2346  
2183, 2328  
2346  
3037, 3278  
3020  
3072  
3352  
Satcom  
Satec  
2571, 2173, 2189, 2328  
Satmaster  
Schwaiger  
Seemann  
Siemens  
Skymaster  
Star Trak  
Strong  
Sunstar  
TPS  
Tantec  
TechniSat  
Techniland  
Telefunken  
Teleka  
Telesat  
Thomson  
Tonna  
Triad  
Triasat  
Unitor  
Universum  
Vector  
Ventana  
Vortec  
Vtech  
Wevasat  
Winersat  
Wisi  
3020  
3072, 3037, 3047, 3240  
3072, 3020, 3278  
3041, 3162  
3240  
2333  
2183  
2183, 2394, 2504  
2396, 2530  
2173  
2288, 2605, 2519  
2421  
Crown  
2502, 2173, 2573, 2287,  
Curtis Mathes  
Cybernex  
Cyrus  
Daewoo  
Dansai  
Daytron  
De Graaf  
Decca  
Denon  
Dual  
Dumont  
Dynatech  
ESC  
2333, 2397, 2398  
Hitachi  
Houston  
Huth  
2455  
2668  
3081  
3020, 3278, 3045  
3072  
2421  
2513  
2820  
2243, 2288, 2220, 2346  
ITT  
2108  
2871  
2592  
2571  
2332  
3020  
InVideo  
Intervision  
JVC  
Johansson  
Kathrein  
2455, 2297, 2336  
2262, 2501  
2346  
3042, 3166  
3000, 3081  
3042  
2421  
2243, 2613  
2605  
3041  
3000, 3081, 3104  
3000  
2173, 2200, 2092, 2331, 2358,  
2394, 2442, 2480, 2504  
2331, 2335  
2173  
Kosmos  
Kreiselmeyer  
Kyostar  
La Sat  
Lemon  
Lenco  
Lennox  
Lupus  
Luxor  
Manhattan  
Marantz  
Maspro  
Matsui  
Mediamarkt  
Micro Technology  
Minerva  
Morgan’s  
Multistar  
Muratto  
Navex  
Neuhaus  
Neusat  
Newhaus  
Nikko  
Nokia  
2455  
3278, 3240  
3038  
2668, 2346  
2321, 2333, 2335, 2351  
2501  
Elbe  
2421  
2520, 2513, 2464  
2692  
Elcatech  
Electrohome  
Electrophonic  
Emerex  
Emerson  
3072  
3037  
3037  
3032  
2332, 2217  
2571, 2173  
2333  
2421, 2335  
2592  
3000, 3037, 3278, 3209,  
3036, 3043, 3088  
3320, 3041, 3107, 3321  
3000  
3081, 3104  
3000, 3081, 3042, 3104  
2369  
2200  
2421  
2351  
2333  
2573, 2108  
2455, 2592, 2520  
2200  
2092, 2328, 2336  
2571, 2344  
2243  
Ferguson  
Fidelity  
Finlandia  
Finlux  
Firstline  
Fisher  
Frontech  
Fuji  
Funai  
GE  
GEC  
Garrard  
General  
Go Video  
GoldHand  
GoldStar  
Goodmans  
2332  
2455, 2396, 2173, 2321,  
2351, 2372, 2406, 2407  
2889  
3072, 3037, 3209, 3045, 3043  
3046, 3047, 3054, 3104  
3020  
2333, 2539  
2571  
2243, 2513  
2331, 2464  
2335  
2332  
2501  
2692, 2834  
2220  
XSat  
Xcom Multimedia  
Zehnder  
2889  
2520, 2321, 2331  
3033  
3000  
3048, 3240  
3081  
3000  
3020  
3432  
VCR  
ASA  
3037, 3081  
3048  
Admiral  
Adventura  
Aiko  
Aiwa  
Akai  
3072  
3000  
3278  
2360  
3037, 3038, 3225  
3072, 3000, 3020,  
3037, 3278, 3403  
3000, 3008  
2455, 2573, 2108, 2328, 2397, 2873  
3000, 3037, 3307, 3348, 3352  
3315, 3106, 3041, 3053  
3072  
Nordmende  
Orbitech  
Oxford  
2362  
2501  
2344  
Gradiente  
Graetz  
Granada  
Grandin  
Akiba  
Alba  
3005, 3041, 3104, 3240  
3081, 3046, 3104  
3072, 3000, 3037  
3072, 3020, 3278, 3209, 3315, 3352  
Pace  
2455, 2183, 2067, 2328, 2336, 2791  
Ambassador  
3020  
312  
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Grundig  
3072, 3081, 3347, 3226, 3195,  
3003, 3006, 3007, 3207, 3349, 3403  
Optimus  
Orion  
Osaki  
Otto Versand  
Palladium  
Panasonic  
Pathe Cinema  
Pathe Marconi  
Penney  
Pentax  
Perdio  
Philco  
Philips  
Phonola  
Pilot  
Pioneer  
Portland  
Profex  
Profitronic  
Proline  
Protec  
Pye  
Quarter  
Quartz  
Quasar  
Quelle  
3037, 3432, 3048, 3104, 3162  
3209, 3004, 3036, 3088, 3348, 3352  
3072, 3000, 3037  
Sunstar  
Suntronic  
Sylvania  
Symphonic  
TMK  
Tashiko  
Tatung  
Teac  
3000  
3000  
3000, 3081, 3043  
3000  
3036, 3240  
3000  
3000, 3081, 3041  
HCM  
HI-Q  
Hanseatic  
Harley Davidson  
Harman/Kardon  
Harwood  
Headquarter  
Hinari  
Hitachi  
3072  
3047  
3037  
3000  
3038  
3081  
3072, 3037, 3006, 3041  
3226, 3162, 3225, 3227  
3036  
3041  
3000, 3041  
3020  
3226, 3162  
3072  
3037, 3042, 3038, 3054, 3240  
Tec  
3046  
3072, 3004, 3240, 3352  
3000, 3004, 3042, 3041,  
3166, 3235, 3240  
3072  
3106, 3046, 3384, 3005,  
3041, 3104, 3240  
3037, 3278  
3042  
3000  
3209, 3038  
3081, 3384, 3403  
Technics  
Teknika  
Teleavia  
Telefunken  
Tenosal  
Tensai  
Thomas  
Thomson  
Thorn  
Toshiba  
Totevision  
Towada  
Uher  
Unitech  
Universum  
3000, 3037  
3041  
3320, 3384, 3041, 3187, 3321  
Hypson  
ITT  
3081  
3037  
3072  
3322, 3000  
3081, 3067, 3162, 3235  
3000  
ITV  
3020  
3322  
3240  
3000  
3072  
3081  
3046  
3046  
3320, 3384, 3041  
3036, 3041, 3104  
3081, 3045, 3384, 3041, 3043  
3037, 3240  
Imperial  
Ingersol  
Interfunk  
JVC  
3000  
3004  
3081  
3067, 3384, 3008, 3041,  
3206, 3207, 3486  
3041  
3322  
3240  
3240  
Jensen  
KEC  
KLH  
3037, 3278  
3000, 3037, 3081, 3106,  
3195, 3006, 3240, 3325  
3045  
3072  
3072  
3162  
3081  
Kaisui  
Kendo  
Kenwood  
Kodak  
Korpel  
LXI  
Lenco  
Leyco  
LIoyd’s  
Loewe  
Logik  
Vector  
3209, 3106  
3067, 3384, 3038, 3041  
3037  
RCA  
RFT  
Radio Shack  
Radiola  
Radix  
3106, 3042, 3048, 3240  
Vector Research  
Video Concepts  
Videosonic  
3038  
3045  
3240  
3403  
3000, 3037  
3081  
3072  
3037  
3278  
3072  
Wards  
3072, 3000, 3081, 3042,  
3048, 3047, 3240  
3278  
3037  
3037  
Randex  
White Westinghouse  
XR-1000  
Yamaha  
Yamishi  
Yokan  
Yoko  
Realistic 3000, 3037, 3048, 3046, 3047, 3104  
Rex  
3072, 3000  
3038  
3072  
3072  
3020, 3240  
3000, 3033, 3034  
3000  
3384, 3041  
3034  
3072, 3037, 3278, 3240  
3081  
3037, 3004, 3081, 3006  
3072, 3004, 3240  
3106, 3048, 3046, 3043, 3104  
Ricoh  
Roadstar  
SBR  
SEG  
SEI  
Luxor  
M Electronic  
MGA  
3000  
3043, 3240  
3322, 3240  
3004, 3081  
Zenith  
MGN Technology  
MTC  
Magnasonic  
Magnavox  
Magnin  
Manesth  
Marantz  
Marta  
3240  
3000, 3240  
3278  
3000, 3081  
3240  
STS  
Saba  
3042  
DVD PLAYER  
3320, 3384, 3041, 3206,  
3207, 3297, 3321  
3209, 3004, 3036, 3088  
3106, 3046, 3043  
3432, 3045, 3053, 3240  
3048  
3000, 3067, 3041  
3046, 3047, 3104, 3240  
3352  
3000, 3005, 3041, 3104  
3072, 3000, 3081  
3045, 3043  
3000, 3037, 3042, 3046,  
3047, 3054, 3104  
3041  
Kenwood  
Magnavox  
Onkyo  
Panasonic  
Philips  
4534  
4503  
4503  
Saisho  
Salora  
Samsung  
Sanky  
Sansui  
Sanyo  
Saville  
Schaub Lorenz  
Schneider  
Scott  
3072, 3045  
3081, 3003, 3006  
3037  
4490  
4539, 4503  
4525  
Pioneer  
Sony  
Matsui 3209, 3004, 3036, 3088, 3348, 3352  
4533  
4490  
4551  
4503  
Matsushita  
Memorex  
3162  
Technics  
Thomson  
Toshiba  
Yamaha  
Zenith  
3000, 3037, 3048,3046, 3047,  
3104, 3162, 3240, 3307  
Memphis  
Metz  
3072  
3347, 3195, 3003,  
3006, 3162, 3227  
4490, 4545  
4503  
Sears  
Minerva  
Minolta  
Mitsubishi  
Motorola  
Multitech  
Murphy  
NEC  
Neckermann  
Nesco  
Nikko  
3195, 3006  
Seleco  
Semp  
Sentra  
Sharp  
Shintom  
Shogun  
Shorai  
Siemens  
3042  
3045  
3020  
3048  
LD PLAYER  
3081, 3067, 3048, 3043  
3048  
3072, 3000  
Aiwa  
Carver  
Cyrus  
Denon  
Disco Vision  
Funai  
Hitachi  
Magnavox  
Marantz  
Mitsubishi  
NAD  
Panasonic  
Philips  
5203  
5064, 5194  
5388  
5059, 5172  
5023  
5203  
5023  
5194, 5217  
5064, 5194  
5059  
3072, 3104  
3000  
3240  
3004  
3067, 3038, 3041, 3104  
3081  
3072  
3037  
3034  
3240  
3037, 3081, 3195, 3003,  
3006, 3054, 3104  
3037  
Silva  
Nikon  
Noblex  
Singer  
Sinudyne  
Solavox  
Sonolor  
Sontec  
Sony  
3072, 3045  
3004, 3081  
Nokia  
3106, 3046, 3041, 3104, 3240  
3320, 3384, 3041, 3297, 3321  
3000, 3041  
3020  
3046  
3037  
Nordmende  
Oceanic  
Okano  
5059  
5204, 5496  
5064, 5388, 5194  
5023, 5059  
3315, 3348  
3000, 3032, 3033, 3034, 3011  
3348  
Olympus  
3226  
Sunkai  
Pioneer  
313  
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Quasar  
Radiola  
Realistic  
Salora  
Sega  
Sharp  
5204  
5388  
5203  
5064  
5023  
Luxman  
M Electronic  
MCS  
Magnavox  
Marantz  
Matsui  
Mclntosh  
Memorex  
Meridian  
Micromega  
Mission  
Mitsubishi  
NAD  
6328  
6525  
6029  
MD RECORDER  
Kenwood  
Sony  
Yamaha  
7826  
7490  
7888, 7490  
6157, 6038, 6129  
6157, 6029, 6038, 6129  
6157, 6288, 6307  
6287  
5001  
Sony  
5193, 5201  
5204, 5496  
5059  
Technics  
Telefunken  
Theta Digital  
Thorn  
6032, 6164  
6157  
6157  
6157  
6108, 6156  
6000  
TAPE DECK  
5194  
5014  
5217  
Aiwa  
Akai  
Arcam  
Carver  
Denon  
Fisher  
8029, 8197, 8200  
8188, 8189  
8076  
Yamaha  
8029  
8076, 8412  
8074  
NSM  
Naim  
Nikko  
Onkyo  
6157  
6157  
CD PLAYER  
6525, 6164  
6101, 6102  
6000, 6032, 6037, 6536,  
6048, 6179, 6196, 6342  
6303, 6029, 6367  
6157, 6274, 6287  
6032  
Grundig  
Harman/Kardon  
JVC  
8029  
8182  
Aiwa  
Akai  
Alba  
Arcam  
Audio Research  
Audio Ton  
Audiolab  
Audiomeca  
BSR  
6124, 6157, 6419  
6108, 6156, 6199  
6536, 6288, 6334  
6157  
Optimus  
8244, 8273, 8274  
8070, 8071, 8092,  
8205, 8233, 8234  
8029  
Kenwood  
Panasonic  
Philips  
Pioneer  
Poppy  
Proton  
QED  
Quad  
Quasar  
RCA  
Realistic  
Revox  
Roadstar  
Rotel  
SAE  
Sansui  
Sanyo  
Schneider  
Scott  
Sharp  
Sherwood  
Siemens  
Signature  
Sony  
6157  
6157  
6157  
6157  
6134  
6164  
6452  
6029  
Magnavox  
Marantz  
Memorex  
Mitsubishi  
Onkyo  
8029, 8009  
8099, 8101  
8189  
8136, 8135  
8027, 8220  
8229  
6164  
6157  
6157  
6157  
6029  
6179  
Bestar  
Optimus  
Panasonic  
Philips  
Binatone  
California Audio Lab  
Carver  
Condor  
Cyrus  
DKK  
Denon  
Dual  
Emerson  
Fisher  
8029  
6157, 6179  
6134, 6164  
6157  
6000  
6003, 6034  
6196  
6164, 6179  
6157, 6113  
6461, 6525, 6527  
6157  
Pioneer  
Revox  
Sansui  
Sanyo  
Sharp  
8027, 8099, 8101, 8220  
8029  
8029, 8009  
8074  
8205  
8170, 8243  
8229  
8273, 8274  
6157  
6157, 6202, 6513  
6048, 6179, 6342  
6134  
Sony  
Technics  
Victor  
6164  
6048, 6179, 6342  
6334  
GE  
6164  
Wards  
Yamaha  
8027  
Genexxa  
GoldStar  
Goodmans  
Grundig  
Harman/Kardon  
Hitachi  
6032, 6164  
6525, 6383  
6536  
6037, 6262, 6265  
6114, 6196  
6516  
8094, 8097, 8205, 8478, 8524  
6157  
6108  
6000, 6490  
6378  
6108, 6173  
6032, 6291  
6072  
Teac  
JVC  
Kenwood  
Technics  
Toshiba  
Universum  
Victor  
Wards  
Yamaha  
Yorx  
6207, 6303, 6029  
6481  
6037, 6523, 6028,  
6048, 6190  
6287  
6157  
6072  
Kodak  
Krell  
Linn  
6157  
6157  
6157, 6108  
6036, 6082, 6187, 6712  
6461  
314  
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YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.  
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA  
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY  
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE  
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND  
YAMAHA SCANDINAVIA A.B.  
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN  
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA  
Printed in Malaysia ID  
V403430  
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Quick Reference Card  
AMP/TUN  
TAPE/MD  
CD  
DVD/LD  
POWER  
STANDBY  
POWER  
POWER  
POWER  
SELECTOR  
DIAL  
INPUT  
INPUT  
INPUT  
DISC SKIP  
TV POWER  
INPUT  
DISC SKIP  
TV POWER  
EXT. DEC.  
TEST  
A/B/C/D/E  
DSP  
EFFECT  
ON/OFF  
PRESET  
UP DOWN  
VOLUME  
MUTE  
TV VOLUME  
TV VOLUME  
TV VOLUME  
TV VOLUME  
TV POWER  
DISPLAY (MD)  
DISPLAY  
SLEEP  
TV POWER  
DISPLAY  
REC/PAUSE  
DECK A/B (TAPE)  
PAUSE (MD)  
DIR B (TAPE)  
SKIP (MD)  
TV INPUT  
PAUSE  
TV INPUT  
PAUSE  
DIR A (TAPE)  
SKIP (MD)  
SKIP  
SKIP/SEARCH  
PLAY  
PLAY  
PLAY  
STOP  
STOP  
STOP  
REWIND (TAPE)  
SEARCH (MD)  
SEARCH  
SEARCH  
SUBTITLE (DVD)  
SEARCH (LD)  
ANGLE (DVD)  
SEARCH (LD)  
FAST  
FORWARD (TAPE)  
SEARCH (MD)  
SET MENU  
TIME/LEVEL  
SUBTITLE  
ON/OFF (DVD)  
AUDIO (DVD)  
DSP  
DSP program  
V404530  
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Quick Reference Card  
DVD MENU  
VCR  
CBL/DBS  
TV  
POWER  
POWER  
POWER  
POWER  
Numeric  
buttons  
CHANNEL  
CHANNEL  
CHANNEL  
+100  
CLEAR  
CHANNEL  
ENTER  
+10  
CHANNEL  
ENTER  
CHANNEL  
ENTER  
TV EFFECT  
ON/OFF  
DISC SKIP  
CHANNEL  
UP DOWN  
CHANNEL  
UP DOWN  
CHANNEL  
UP DOWN  
TV VOLUME  
TV VOLUME  
TV VOLUME  
TV VOLUME  
DISPLAY  
TV MUTE  
TV POWER  
TV SLEEP  
DISPLAY  
TITLE/INDEX  
DISPLAY  
TV POWER  
TV POWER  
TV POWER  
VCR REC (*1)  
TV INPUT  
TV INPUT  
MENU UP  
TV INPUT  
PAUSE  
TV INPUT  
VCR PAUSE  
VCR REC (*1)  
MENU UP  
MENU LEFT  
MENU LEFT  
MENU RIGHT  
MENU RIGHT  
MENU SELECT  
PLAY  
MENU SELECT  
VCR PLAY  
STOP  
MENU DOWN  
RECALL  
MENU DOWN  
RETURN  
VCR STOP  
VCR FAST  
FORWARD  
SET UP  
TITLE  
REWIND  
FAST FORWARD  
VCR REWIND  
MENU  
MENU  
*1: Press this button twice to start recording.  
Premere due volte questo tasto per iniziare la registrazione.  
Presione dos veces este botón para empezar a grabar.  
Druk tweemaal op deze toets om met opnemen te beginnen.  
Appuyer deux fois sur cette touche pour démarrer l’enregistrement.  
Diese Taste zweimal drücken, um die Aufnahme zu starten.  
Tryck två gånger på denna knapp för att starta inspelningen.  
V404530  
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