Roland Musical Instrument GW 7 User Guide

Owner’s Manual  
Thank you, and congratulations on your choice of the Roland Workstation GW-7.  
201a  
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY” and “IMPORTANT  
NOTES” (p. 2–3; p. 4). These sections provide important information concerning the proper operation of  
the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided  
by your new unit, Owner’s manual should be read in its entirety. The manual should be saved and kept on  
hand as a convenient reference.  
1
2
Conventions Used in This Manual  
Operating buttons are enclosed by square brackets [ ]; e.g., [ENTER].  
Reference pages are indicated by (p. **).  
The following symbols are used.  
This indicates an important note; be sure to read it.  
This indicates a memo regarding the setting or function; read it as desired.  
This indicates a useful hint for operation; read it as necessary.  
This indicates information for your reference; read it as necessary.  
This indicates an explanation of a term; read it as necessary.  
202  
Copyright © 2005 ROLAND CORPORATION  
All rights reserved. No part of this publication may be reproduced in any form without the written  
permission of ROLAND CORPORATION.  
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011  
101b  
Do not allow any objects (e.g., flammable material,  
coins, pins); or liquids of any kind (water, soft drinks,  
etc.) to penetrate the unit.  
The unit and the AC adaptor should be located so their  
location or position does not interfere with their proper  
ventilation.  
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012c  
Immediately turn the power off, remove the AC adaptor  
from the outlet, and request servicing by your retailer,  
the nearest Roland Service Center, or an authorized  
Roland distributor, as listed on the “Information” page  
when:  
..........................................................................................................  
..........................................................................................................  
• The AC adaptor or the power-supply cord has been  
damaged; or  
103b  
At regular intervals, you should unplug the AC adaptor  
and clean it by using a dry cloth to wipe all dust and  
other accumulations away from its prongs. Also,  
disconnect the power plug from the power outlet  
whenever the unit is to remain unused for an extended  
period of time. Any accumulation of dust between the  
power plug and the power outlet can result in poor  
insulation and lead to fire.  
• If smoke or unusual odor occurs  
• Objects have fallen into, or liquid has been spilled  
onto the unit; or  
• The unit has been exposed to rain (or otherwise has  
become wet); or  
• The unit does not appear to operate normally or  
exhibits a marked change in performance.  
..........................................................................................................  
..........................................................................................................  
104  
013  
Try to prevent cords and cables from becoming  
entangled. Also, all cords and cables should be placed  
so they are out of the reach of children.  
In households with small children, an adult should  
provide supervision until the child is capable of  
following all the rules essential for the safe operation of  
the unit.  
..........................................................................................................  
106  
..........................................................................................................  
Never climb on top of, nor place heavy objects on the  
unit.  
014  
Protect the unit from strong impact.  
(Do not drop it!)  
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107d  
..........................................................................................................  
Never handle the AC adaptor body, or its output plugs,  
with wet hands when plugging into, or unplugging  
from, an outlet or this unit.  
015  
Do not force the unit’s power-supply cord to share an  
outlet with an unreasonable number of other devices. Be  
especially careful when using extension cords—the total  
power used by all devices you have connected to the  
extension cord’s outlet must never exceed the power  
rating (watts/amperes) for the extension cord. Excessive  
loads can cause the insulation on the cord to heat up and  
eventually melt through.  
..........................................................................................................  
108b  
Before moving the unit, disconnect the AC adaptor and  
all cords coming from external devices.  
..........................................................................................................  
109b  
Before cleaning the unit, turn off the power and unplug  
the AC adaptor from the outlet.  
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016  
Before using the unit in a foreign country, consult with  
your retailer, the nearest Roland Service Center, or an  
authorized Roland distributor, as listed on the “Infor-  
mation” page.  
..........................................................................................................  
110b  
Whenever you suspect the possibility of lightning in  
your area, disconnect the AC adaptor from the outlet.  
3
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IMPORTANT NOTES  
291a  
In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following:  
Power Supply  
Repairs and Data  
301  
452  
Do not connect this unit to same electrical outlet that is being  
used by an electrical appliance that is controlled by an inverter  
(such as a refrigerator, washing machine, microwave oven, or air  
conditioner), or that contains a motor. Depending on the way in  
which the electrical appliance is used, power supply noise may  
cause this unit to malfunction or may produce audible noise. If it  
is not practical to use a separate electrical outlet, connect a power  
supply noise filter between this unit and the electrical outlet.  
Please be aware that all data contained in the unit’s memory may  
be lost when the unit is sent for repairs. Important data should  
always be backed up in another MIDI device (e.g., a sequencer) or  
on a computer, or written down on paper (when possible).  
During repairs, due care is taken to avoid the loss of data.  
However, in certain cases (such as when circuitry related to  
memory itself is out of order), we regret that it may not be  
possible to restore the data, and Roland assumes no liability  
concerning such loss of data.  
302  
The AC adaptor will begin to generate heat after long hours of  
consecutive use. This is normal, and is not a cause for concern.  
307  
Additional Precautions  
Before connecting this unit to other devices, turn off the power to  
all units. This will help prevent malfunctions and/or damage to  
speakers or other devices.  
551  
Please be aware that the contents of memory can be irretrievably  
lost as a result of a malfunction, or the improper operation of the  
unit. To protect yourself against the risk of loosing important  
data, we recommend that you periodically save a backup copy of  
important data you have stored in the unit’s memory, another  
MIDI device (e.g., a sequencer), or on a computer.  
Placement  
351  
Using the unit near power amplifiers (or other equipment  
containing large power transformers) may induce hum. To  
alleviate the problem, change the orientation of this unit; or move  
it farther away from the source of interference.  
553  
Use a reasonable amount of care when using the unit’s buttons,  
sliders, or other controls; and when using its jacks and  
connectors. Rough handling can lead to malfunctions.  
352b  
Noise may be produced if wireless communications devices, such  
as cell phones, are operated in the vicinity of this unit. Such noise  
could occur when receiving or initiating a call, or while  
conversing. Should you experience such problems, you should  
relocate such wireless devices so they are at a greater distance  
from this unit, or switch them off.  
556  
When connecting / disconnecting all cables, grasp the connector  
itself—never pull on the cable. This way you will avoid causing  
shorts, or damage to the cable’s internal elements.  
354a  
Do not expose the unit to direct sunlight, place it near devices  
558a  
that radiate heat, leave it inside an enclosed vehicle, or otherwise  
subject it to temperature extremes. Excessive heat can deform or  
discolor the unit.  
To avoid disturbing your neighbors, try to keep the unit’s volume  
at reasonable levels. You may prefer to use headphones, so you  
do not need to be concerned about those around you (especially  
when it is late at night).  
355b  
When moved from one location to another where the temper-  
559a  
ature and/or humidity is very different, water droplets (conden-  
sation) may form inside the unit. Damage or malfunction may  
result if you attempt to use the unit in this condition. Therefore,  
before using the unit, you must allow it to stand for several  
hours, until the condensation has completely evaporated.  
When you need to transport the unit, package it in the box  
(including padding) that it came in, if possible. Otherwise, you  
will need to use equivalent packaging materials.  
561  
Use only the specified expression pedal (EV-5; sold separately).  
By connecting any other expression pedals, you risk causing  
malfunction and/or damage to the unit.  
358  
Do not allow objects to remain on top of the keyboard. This can  
be the cause of malfunction, such as keys ceasing to produce  
sound.  
566a  
The effective range of the D Beam controller is greatly reduced in  
strong light, such as direct sunlight. Please be aware of this when  
using the D Beam controller.  
Maintenance  
401a  
204  
*
For everyday cleaning wipe the unit with a soft, dry cloth or one  
that has been slightly dampened with water. To remove stubborn  
dirt, use a cloth impregnated with a mild, non-abrasive detergent.  
Afterwards, be sure to wipe the unit thoroughly with a soft, dry  
cloth.  
Microsoft and Windows are registered trademarks of Microsoft  
Corporation.  
206j  
*
Windows® is known officially as: “Microsoft® Windows®  
operating system.”  
207  
*
402  
Apple and Macintosh are registered trademarks of Apple  
Computer, Inc.  
Never use benzine, thinners, alcohol or solvents of any kind, to  
avoid the possibility of discoloration and/or deformation.  
209  
*
Mac OS is a trademark of Apple Computer, Inc.  
4
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Multi-Effect List............................................................................20  
Single..............................................................................................21  
Adjusting the Screen Contrast................................................9  
(After Previously Recording a Song) ................................. 22  
Moving the Playback Location of a Song .................................23  
Minus-One Playback ...................................................................23  
System Settings ...................................................................... 24  
Drum Sounds and Sound Effects (SFX) ..............................11  
Sound Effects (SFX)......................................................................11  
Power Does Not Turn On..................................................... 28  
No Sound from a Specific Part............................................. 28  
Sound Is Distorted................................................................. 29  
Adjusting the Volume Balance...................................................14  
Drum Sets................................................... 35  
Music Styles............................................... 40  
Specifications ............................................ 44  
Index ........................................................... 45  
Performance Functions..........................................................16  
D Beam Controller .......................................................................16  
Pitch Bend and Modulation........................................................17  
Assignable Pedal..........................................................................17  
Using Preset Performances.........................................................17  
Selecting a Performance..............................................................17  
Editing a Performance.................................................................17  
Saving a Performance..................................................................17  
Performance Parameters.............................................................18  
5
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Panel Descriptions  
Front Panel  
1
2
1. VOLUME knob  
10. ANALOG MODIFY section  
This knob controls the volume of the entire GW-7.  
Turn the C1/C2 knobs to control the functions you select by  
pressing the SELECT button. (p. 12, p. 14, p. 25)  
2. D Beam controller  
You can use this controller simply by moving your hand above  
it. (p. 16)  
11. Screen  
This displays various information according to the operations  
3. ASSIGNABLE buttons  
You can use these buttons to turn the D Beam controller on/off,  
or to select the D Beam function. (p. 16)  
12. VALUE dial  
Use this to edit the value of the parameters (settings) in the  
screen.  
4. TAP TEMPO button  
You can use this button to set the tempo. (p. 14)  
13. SELECT buttons ([  
][  
Use these buttons to change between screen pages, tone  
5. BACKING TRACK button  
Press this button when you want the backing to play. (p. 14)  
14. EXIT (NO)/ENTER (YES) buttons  
Pressed to issue the “Cancel” (EXIT) or “OK” (ENTER)  
commands in screens that prompt you to make such a selection.  
[EXIT]. (p. 9)  
6. SYNC START button  
This button activates the Sync Start function. (p. 14)  
7. BAND TYPE buttons  
Use these buttons to change the backing ensemble, or to use the  
minus-one function. (p. 14, p. 23)  
To use the metronome, hold down [SHIFT] and press [ENTER].  
(p. 10)  
8. SONG REC button  
15. EFFECTS button  
Press this button to record a song. (p. 21)  
This button lets you make effect settings. (p. 19)  
To lower the pitch of the keyboard tone in steps of one octave,  
hold down [SHIFT] and press [EFFECTS]. (p. 11)  
9. SONG CONTROL buttons  
Use these buttons to play back the backing or song. (p. 14, p. 23)  
6
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Panel Descriptions  
16. FUNCTION button  
21. FAVORITE button  
This button takes you to the settings screen for various  
parameters.  
Use this button to access favorite tones. (p. 11)  
22. Bender/Modulation lever  
To raise the pitch of the keyboard tone in steps of one octave,  
hold down [SHIFT] and press [FUNCTION]. (p. 11)  
You can raise or lower the pitch by moving this lever to the left  
or right. Push the lever away from yourself to apply modulation  
(normally vibrato) to the sound. (p. 17)  
17. KEYBOARD section  
Use these buttons to switch the keyboard mode. (p. 9, p. 11)  
18. MODE section  
Use these buttons to switch between Tone, Style, Performance,  
and Song modes.  
19. USB button  
The GW-7 can exchange music style data or song files with your  
computer via a USB connection. (p. 24)  
20. [PIANO]–[DRUMS]  
Use these buttons to select tones by category. (p. 9–11)  
Rear Panel  
1. USB connector  
9. POWER switch  
Use a USB cable to connect the GW-7 to your computer via this  
connector. (p. 24)  
This turns the power on/off. (p. 9)  
2. MIDI OUT/IN connectors  
Connect MIDI devices to these connectors. (p. 26)  
3. CONTROL PEDAL jack  
Connect a separately available pedal switch (Roland DP Series),  
a separately available foot switch (BOSS FS-5U) or a separately  
available expression pedal (Roland EV-5) to this jack. (p. 8, p.  
17)  
4. HOLD PEDAL jack  
Connect a separately available pedal switch (Roland DP Series)  
to this jack. (p. 8)  
5. OUTPUT R/L (MONO) jacks  
Connect your cassette deck, power amp, audio amp, keyboard  
amp, monitor speakers, etc., to these jacks. (p. 8)  
6. PHONES jack  
Connect a separately available pair of headphones to this jack.  
Sound will be output from the OUTPUT jacks even if you  
connect headphones.  
7. Cord hook  
Use this to secure the AC adaptor cord. (p. 9)  
8. DC IN jack  
Connect the included AC adaptor here. (p. 9)  
7
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About the GW-7  
Making Connections  
What is a Tone? (p. 11)  
To prevent malfunction and/or damage to speakers or other  
devices, always turn down the volume, and turn off the power  
on all devices before making any connections.  
On the GW-7, each of the sounds you normally play is called a  
“Tone.” If we use the analogy of an orchestra, a Tone  
corresponds to an instrument played by one of the musicians.  
included in a Tone.  
Connecting External Equipment,  
Pedals, and Switches  
What is Backing? (p. 14)  
”Backing” refers to the automatic accompaniment functionality  
of the GW-7.  
Connecting External Equipment  
You can record your playing (or a song recorded on the GW-7) onto  
a cassette tape or other audio recording device. Connect the  
OUTPUT jacks on the GW-7’s rear panel to the input jacks of your  
What is a Music Style? (p. 15)  
A “Music Style” is a musical template used by a Backing. The  
GW-7 contains a variety of music styles such as rock, dance,  
GW-7 to your computer via USB. (p. 24)  
external device.  
fig.connect  
Cassette deck, power amp, audio amp, keyboard amp,  
monitor speakers, etc.  
You can’t create music styles using the GW-7 itself; you’ll need  
commercially available style data.  
What is a Performance? (p. 16)  
and Style, the keyboard mode, and various other parameters.  
What is a Song? (p. 21)  
The GW-7 contains a 16-track recorder, which you can use to  
record the music you play. You can add a Backing to the  
performance you play on the keyboard, and save the result as a  
Song. You can also load Song data from a computer connected  
to the GW-7 via USB. (p. 24)  
Connecting a Pedal and Switch  
You must switch off the GW-7’s power before you connect a  
pedal and/or switch.  
the HOLD PEDAL jack on the rear panel. You can use this pedal  
switch to sustain notes even after taking your hands off the  
keyboard.  
Connect a separately available pedal switch (Roland DP Series), a  
separately available foot switch (Boss FS-5U) or separately available  
expression pedal (Roland EV-5) to the rear panel CONTROL PEDAL  
jack. You can use this to control various functions that you assign. (p.  
25)  
Use only the specified expression pedal (EV-5; sold separately).  
By connecting any other expression pedals, you risk causing  
malfunction and/or damage to the unit.  
8
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Introduction  
Connecting the AC Adaptor  
Turning the Power Off  
1. Remove the GW-7 from its shipping carton, and place it on  
1. Press the POWER switch once again to turn off the power.  
a horizontal surface.  
2. Connect the included power supply cord to the included AC  
If the GW-7 is connected to a keyboard amp or audio amp,  
switch off the power to your amp first, then turn off the power  
on the GW-7.  
adaptor.  
fig.ACadap  
AC adaptor  
Power supply cord  
Adjusting the Screen Contrast  
to an AC outlet  
Hold down [FUNCTION] and turn the VALUE dial.  
Depending on your region, the included AC adaptor may be a  
different type than the one shown above. If so, omit step 2 and  
proceed.  
Listening to the Demo Song  
1. Hold down [SHIFT] and press [EXIT] (DEMO).  
The screen will indicate “DEMO PLAY.”  
3. Connect the AC adaptor to the DC IN jack on the GW-7’s  
rear panel, and then plug the AC adaptor into an electrical  
outlet.  
2. Press [START/STOP] to begin demo playback.  
3. Press [START/STOP] to stop demo playback.  
4. Press [EXIT] to return to the previous screen.  
To prevent the inadvertent disruption of power to your unit  
(should the plug be pulled out accidentally), and to avoid  
applying undue stress to the AC adaptor jack, anchor the power  
All rights reserved. Unauthorized use of this material for  
purposes other than private, personal enjoyment is a violation  
of applicable laws.  
cord using the cord hook, as shown in the illustration.  
fig.codef  
No data for the music that is played will be output from MIDI  
OUT.  
Cord hook  
GW-7 rear panel  
Playing Sounds from the  
Keyboard (Keyboard Mode)  
Immediately after you turn on the power, the GW-7 will be in a state  
where you can use the entire keyboard to play a piano sound. The  
GW-7’s keyboard can operate in one of the following three modes.  
Turning the Power On/Off  
MAIN  
SPLIT  
The entire keyboard plays one Tone.  
Turning the Power On  
The region of the keyboard to the left of the split point  
becomes the Lower Part, while the region of the key-  
board to the right of the split point becomes the Upper  
Part. Each part plays a different Tone.  
Once the connections have been completed, turn on power to  
your various devices in the order specified. By turning on  
devices in the wrong order, you risk causing malfunction and/  
or damage to speakers and other devices.  
DUAL  
The entire keyboard plays two Tones simultaneously.  
Using Main Mode  
1. Before you turn on the power, turn the VOLUME knob all the  
way to the left to minimize the volume.  
1. Turn on the power as described in “Turning the Power On”  
2. Press the rear panel POWER button to turn on the power.  
A piano sound will be selected.  
2. Select the desired Tone.  
This unit is equipped with a protection circuit. A brief interval  
(a few seconds) after power up is required before the unit will  
operate normally.  
1. Press MODE [TONE] so the button is lit.  
2. Turn the VALUE dial to step through the Tones one by  
one. Alternatively, you can press one of the ten buttons  
[PIANO]–[DRUMS] to select a Tone by category.  
If the GW-7 is connected to a keyboard amp or audio amp, turn  
on the power of the GW-7 first, and then switch on your amp.  
Refer to p. 11 for details.  
3. Turn the VOLUME knob to adjust the volume of the GW-7.  
3. Play the keyboard.  
Turn the VOLUME knob to adjust the volume.  
9
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Introduction  
Using Split Mode  
Using the Metronome  
It’s convenient to use the metronome when you’re practicing a new  
song.  
1. If you want to use your left and right hands to play different  
Tones, press KEYBOARD [SPLIT] so the button is lit.  
1. Hold down [SHIFT] and press [ENTER] (METRONOME).  
The metronome setting screen will appear, and the metronome  
will begin sounding.  
The Tone you selected in Main mode (i.e., when [SPLIT] and  
[DUAL] were extinguished) will be the Tone for the Upper Part.  
2. Select a different Tone for each Part.  
2. Use SELECT [  
][  
] and turn the VALUE dial to specify  
1. To select the Tone for the Upper Part, press [UPPER] so the  
button is lit. To select the Tone for the Lower Part, press  
[LOWER] so the button is lit.  
the time signature and volume for the metronome.  
3. To stop the metronome, hold down [SHIFT] and press  
[ENTER] (METRONOME).  
2. Turn the VALUE dial to step through the Tones one by  
one. Alternatively, you can press one of the ten buttons  
[PIANO]–[DRUMS] to select a Tone by category.  
Restoring the GW-7 to Its  
Factory Settings  
3. Play the keyboard.  
Turn the VOLUME knob to adjust the volume.  
1. Press [FUNCTION].  
The split point is set to C4 (note number 60).  
2. Use SELECT [  
][  
] to get the screen to indicate  
“Utility?”, and then press [ENTER].  
In Split mode, the most suitable octave settings for each tone are  
applied automatically.  
3. Use SELECT [  
][  
] to get the screen to indicate  
“Factory Reset?”  
4. Press [ENTER]. The screen will prompt “Sure?”  
If you press and hold [SPLIT] (for approximately two seconds),  
the split point setting screen will appear. You can turn the  
VALUE dial to change the split point. When you’re finished,  
press [EXIT].  
5. Press [ENTER] to initialize the GW-7.  
If you press [EXIT] instead, you’re returned to the previous  
screen and no initialization takes place.  
Once the initialization is complete, the previous screen will  
reappear.  
If you press and hold [UPPER] or [LOWER] (for approximately  
two seconds), the volume setting screen for each part will  
appear. You can turn the VALUE dial to adjust the volume of  
each part. When you’re finished, press [EXIT].  
Restoring the factory settings will initialize the System, User  
Tone, and User Performance settings.  
You can’t select a drum set Tone for the Lower Part.  
Initializing the User Style  
and User Song Memory  
Using Dual Mode  
1. Press [FUNCTION].  
1. If you want to play two Tones simultaneously, press  
KEYBOARD [DUAL] so the button is lit.  
2. Use SELECT [  
][  
] to get the screen to indicate  
“Utility?”, and then press [ENTER].  
2. Select two Tones.  
1. To change the Tone that you selected in Main mode, press  
UPPER so the button is lit. To change the second Tone that  
you want to layer with the first Tone, press [LOWER] so  
the button is lit.  
3. Use SELECT [  
][  
] to get the screen to indicate “Init  
IntDRV?”  
4. Press [ENTER]. The screen will prompt “Sure?”  
2. Turn the VALUE dial to step through the Tones one by  
one. Alternatively, you can press one of the ten buttons  
[PIANO]–[DRUMS] to select a Tone by category.  
5. Press [ENTER] to initialize the settings.  
If you press [EXIT] instead, you’re returned to the previous  
screen and no initialization takes place.  
Once the initialization is complete, the previous screen will  
reappear.  
3. Play the keyboard.  
Turn the VOLUME knob to adjust the volume.  
If you press and hold [UPPER] or [LOWER] (for approximately  
two seconds), the volume setting screen for each part will  
appear. You can turn the VALUE dial to adjust the volume of  
each part. When you’re finished, press [EXIT].  
You can’t select a drum set Tone as the second Tone.  
10  
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Selecting a Favorite Tone  
Press [FAVORITE] so the button is lit, and press the category button  
(one of the ten buttons [PIANO]–[DRUMS]) in which you registered  
the desired Tone.  
Selecting the Tone for the  
Keyboard Mode  
The GW-7 contains 657 different Tones. You can use these Tones in  
the three keyboard modes (Main, Split, Dual) (p. 9).  
Drum Sounds and Sound  
Effects (SFX)  
Selecting a Tone  
1. Press MODE [TONE] so the button is lit.  
The Tone memory locations are organized as follows.  
Number  
P001–  
P657  
Type  
Preset  
Explanation  
These Tones are built into the GW-7.  
They cannot be overwritten.  
Drum Sets  
The last 51 Tones (P607–P657) are called “drum sets.” When you  
select a drum set, a different sound is assigned to each note of the  
keyboard. For example, the left most key will play a bass drum (kick)  
sound, and other keys will play snare drum and other sounds. A  
drum set is a collection of ninety or more sounds, each assigned to a  
different key.  
U001–  
U144  
User  
You can use these memory locations to  
store Tones you’ve edited. To switch to  
User Tones, press [USER] so the button  
is lit. To switch back to Preset Tones,  
press [USER] once again so its illumina-  
tion is switched off.  
* U129–U144 are only for drum sets.  
You can’t select a drum set for the Lower Part of Split mode, nor  
as the second Tone in Dual mode.  
2. Turn the VALUE dial to step through the Tones one by one.  
Alternatively, you can press one of the ten buttons  
[PIANO]–[DRUMS] to select a Tone by category.  
Sound Effects (SFX)  
You can use SELECT [  
one by one.  
][  
] to step through the categories  
The GW-7 contains sound effect, drum, and percussion Tones (P543–  
P606), and you can assign just one of these Tones to the keyboard  
and use it to play a melody. You can use these across the entire  
keyboard in Main, Split, or Dual modes.  
If, after selecting a Preset tone, you press and hold down (for  
approximately two seconds) the category button in which that  
tone is registered, that tone will be selected first when you press  
the same button the next time. (You can't do this for User tones.)  
If you’re using Split mode, you’ll probably want to set the split  
point to about C6 if you’re going to play a sound effect or  
percussion sound with your right hand, or to about C3 if you’re  
using your left hand.  
In Split mode or Dual mode, you can select two Tones  
independently. (p. 10)  
Octave Settings  
You can shift the pitch of a Tone upward or downward in steps of an  
When [BACKING TRACK] is lit, the left-hand region of the  
keyboard will play a string sound and a chord bass sound. If  
you don't want these to play, press [BACKING TRACK] so the  
illumination is turned off.  
octave, over a maximum of four octaves upward or downward.  
Hold down [SHIFT] and use OCTAVE [  
][  
].  
In Split Mode  
Using the Favorite Tone  
Function  
If [UPPER] is lit, hold down [SHIFT] and use OCTAVE [  
to change the octave setting of the Upper Part.  
][  
]
If [LOWER] is lit, this operation will change the octave setting of the  
Lower Part.  
The “Favorite Tone” function lets you register up to ten Tones  
to each of the ten category buttons [PIANO]–[DRUMS],  
regardless of the category of the Tone or whether it is a Preset  
Tone or a User Tone. For example, if you register the Tones you  
use most frequently, you’ll be able to select them quickly in a  
live performance situation.  
In Dual Mode  
If [UPPER] is lit, hold down [SHIFT] and use OCTAVE [  
to change the octave setting of the first Tone.  
][  
]
If LOWER is lit, this operation will change the octave setting of the  
second Tone.  
Registering a Favorite Tone  
After selecting a Tone, hold down [FAVORITE] and press the  
category button (one of the ten buttons [PIANO]–[DRUMS]) in  
which you want to register that Tone.  
11  
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Keyboard Mode Functions  
Parameter  
Range  
Explanation  
Editing a Tone  
Porta Time  
0–127  
Adjusts the speed at which the  
pitch will change when porta-  
mento is used. Higher settings  
will lengthen the time over  
which the pitch changes to the  
next note.  
The same as CUTOFF described  
in the left column of this page.  
The same as RESONANCE de-  
scribed in the left column of this  
page.  
You can turn the C1/C2 knobs to edit the currently selected Tone  
(including drum set Tones). After editing a Tone, you can save it in  
user memory.  
For example, if the KEYBOARD [SPLIT] and [UPPER] buttons are lit,  
the following procedure will edit the Tone for the Upper Part of Split  
mode.  
Cutoff  
-64–+63  
-64–+63  
Resonance  
1. Press ANALOG MODIFY [SELECT] to make FILTER light.  
2. Turn the C1 knob to adjust CUTOFF, or turn the C2 knob to  
Attack Time  
Decay Time  
-64–+63  
-64–+63  
The same as ATTACK described  
in the left column of this page.  
adjust RESONANCE.  
CUTOFF  
This specifies the cutoff frequency at  
which the filter will begin affecting the  
spectral components of the sound. Turn  
the knob toward the right to brighten the  
sound, or toward the left to darken the  
sound.  
Adjusts the decay time (the time  
from when the attack has fin-  
ished until the volume reaches  
the level at which it will remain  
as long as you hold down the  
key). Higher settings produce a  
longer decay time.  
The same as RELEASE described  
in the left column of this page.  
Adjusts the modulation speed of  
vibrato (see the glossary item be-  
low). Higher settings produce  
faster vibrato.  
RESONANCE  
This boosts the sound in the region of the  
cutoff frequency, adding a distinctive  
character to the sound. Turn the knob to-  
ward the right to strengthen this character,  
or toward the left to decrease it.  
Release Time  
Vib Rate  
-64–+63  
-64–+63  
3. Press ANALOG MODIFY [SELECT] to make ENV light.  
Vib Depth  
Vib Delay  
-64–+63  
-64–+63  
Adjusts the modulation depth  
vibrato. Higher settings produce  
more intense vibrato.  
Adjusts the time until vibrato be-  
gins. Higher settings produce a  
longer delay until vibrato will  
begin.  
4. Turn the C1 knob to adjust ATTACK, or turn the C2 knob to  
adjust RELEASE.  
These parameters affect the way in which the volume changes  
between the time a key is pressed and released.  
ATTACK  
Adjusts the attack time (the time from when  
you press a key until the sound reaches its full  
volume). Turn the knob toward the right to  
lengthen the attack time, or toward the left to  
shorten it.  
Portamento is an effect that smoothly changes the pitch from  
one note to the next.  
RELEASE  
Adjusts the release time (the time from when  
you release a key until the sound disappears).  
Turn the knob toward the right to lengthen the  
release time, or toward the left to shorten it.  
Vibrato is an effect that uses an LFO (Low Frequency Oscillator)  
to cyclically vary the pitch.  
Editing a Tone in Detail  
Saving a Tone  
You can edit the currently selected tone (including drum set Tones)  
in more detail. After editing a Tone, you can save it in user memory.  
After you’ve edited the currently selected Tone (including drum set  
Tones), here’s how you can save it in user memory.  
1. Press [FUNCTION].  
1. Press [FUNCTION].  
2. Use SELECT [  
][  
] to get the screen to indicate “Edit  
2. Use SELECT [  
][  
] to get the screen to indicate “Write  
Tone?”  
Tone?”  
3. Press [ENTER].  
3. Press [ENTER]; the screen will indicate “Tone Num: U001.”  
If you press [EXIT], you’re returned to the previous screen.  
4. Turn the VALUE dial to select a save destination (U001–  
4. Use SELECT [  
][  
] to select a parameter, and turn the  
U144). Then press [ENTER].  
VALUE dial to adjust the value of the parameter.  
5. Input a name for the user Tone.  
Parameter  
Tone Volume  
Porta Sw  
Range  
0–127  
OFF,  
ON  
Explanation  
Adjusts the volume of the tone.  
Specifies whether portamento  
(see the glossary item in the right  
column of this page) will be ap-  
plied (ON) or not (OFF).  
Use SELECT [  
][  
] to move the cursor, and turn the  
VALUE dial to change each character.  
6. Press [ENTER]; the screen will indicate “Write Sure?”  
7. Press [ENTER] to write the edited tone into user memory.  
If you press [EXIT], you’re returned to the previous screen  
without the tone being written.  
12  
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Keyboard Mode Functions  
Keyboard Velocity (p. 18)  
Master Tune (p. 25)  
Volume (p. 18)  
Transpose (p. 25)  
Chord Mode (p. 18)  
Using the GW-7 as a MIDI  
Keyboard Controller  
You can change the MIDI channel transmitted by the keyboard. This  
is convenient when you’re using the GW-7 with an external  
computer, sequencer, or sound module.  
1. Hold down [SHIFT] and press MODE [SONG] so the button  
is lit. The screen will indicate “Kbd Ch:1.”  
2. Turn the [VALUE] dial to change the setting (1–16).  
3. Press SELECT [  
]; the screen will indicate “Local Ctrl:  
OFF.”  
This lets you change the Local Control setting (p. 26).  
4. Press SELECT [  
] to return to the keyboard channel  
screen.  
13  
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Playing with an Accompaniment (Backing)  
Adjusting the Volume Balance  
Volume Balance Between the Drum Part and  
Other Parts  
Playing Back a Backing  
1. Press [BACKING TRACK] so the button is lit.  
When you play the left-hand area of the keyboard, you will hear  
a strings sound and an chord bass sound.  
1. Press ANALOG MODIFY [SELECT] to make BACKING light.  
2. Turn the C1 knob (DRUM  
BAND) to adjust the volume  
balance between the drum part and the other parts.  
At this time, the keyboard split point will be set to C4 (note  
number 60).  
Turn the knob toward the left to make the drum part louder.  
Volume Balance Between the Backing and the  
Keyboard Performance  
If you press and hold [SPLIT] (for approximately two seconds),  
the split point setting screen will appear. You can turn the  
VALUE dial to change the split point. When you’re finished,  
press [EXIT].  
1. Press ANALOG MODIFY [SELECT] to make BACKING light.  
2. Turn the C2 knob (BACK  
KBD) to adjust the volume  
2. Press [START/STOP]; the backing will start playing.  
balance between the backing and the keyboard  
performance.  
Turn the knob toward the left to make the backing louder.  
If [BACKING TRACK] is unlit, pressing [START/STOP] will  
cause only the drums to start playing.  
If you want to adjust the volume of the entire GW-7, turn the  
VOLUME knob.  
3. Use your left hand to play a chord (or a single note).  
4. If you play a different chord (or single note), the backing  
key will change.  
Adjusting the Tempo  
5. Use the following buttons to select a different pattern for  
the currently selected music style.  
1. Press [TAP TEMPO].  
INTRO  
A backing pattern suitable for an introduc-  
tion.  
The tempo setting screen will appear.  
2. Turn the VALUE dial to adjust the tempo.  
ORIGINAL  
FILL IN  
A simple backing pattern.  
This backing pattern is used when transition-  
ing to ORIGINAL or VARIATION.  
This is a more intense backing pattern, ideal  
for use during a break.  
When you want to stop playback, you can  
press this button instead of the [START/  
STOP] button; the ending will play, and then  
the backing will stop.  
You can also specify the tempo by pressing [TAP TEMPO] three  
or more times at the desired interval.  
VARIATION  
ENDING  
To return to the original tempo, hold down [SHIFT] and press  
[TAP TEMPO].  
3. Press [EXIT] to return to the previous screen.  
The chord name is displayed in the backing chord area of the  
screen.  
Sync Start  
Use your left hand to play the backing chord, and your right hand to  
play the melody.  
1. Press [SYNC START] so the button is lit.  
Sync Start is a function that automatically starts the backing  
when you play a note to the left of the split point.  
This is convenient when you want the backing to begin playing  
the moment you play a chord in the left hand.  
Changing the Backing Ensemble  
You can press the following BAND TYPE buttons to change the type  
of ensemble that will play the backing.  
DRUMS  
& BASS  
COMBO  
Simple backing patterns, with only drums and bass  
line.  
Backing patterns played by a band with several types  
of instrumental sounds.  
To defeat this setting, press [SYNC START] so the button goes  
out.  
FULL  
Backing patterns with a full arrangement of multiple  
instruments.  
Stopping the Backing  
1. Press [START/STOP] once again to make the backing stop.  
When the power is turned on, “FULL” is selected.  
If you press [ENDING], the ending phrase will play and then  
the backing will stop.  
14  
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Playing with an Accompaniment (Backing)  
Other Functions Related to Music  
Styles  
The style memory locations are organized as follows.  
Number  
Type  
Explanation  
Ps001–  
Ps110  
Us001–  
Us099  
Preset  
These are the styles built into the GW-7.  
They cannot be overwritten.  
Separately sold Music Style data can be  
loaded from your computer via USB into the  
GW-7, and written into these memory loca-  
tions. (p. 24)  
Adjusting the volume balance between the backing and the  
keyboard performance (p. 14)  
User  
Adjusting the volume of a specific part in the music style (p. 18)  
Changing the split point (p. 18)  
To switch to user styles, press [USER] so the button is lit. To  
return to preset styles, press [USER] once again so the button  
goes out.  
The backing playback Hold function (p. 18)  
Selecting a Preset Style  
1. Press [BACKING TRACK] so the button is lit.  
2. Press MODE [STYLE] so the button is lit.  
3. Press [USER] so the button goes out.  
4. Use SELECT [  
][  
] to select a style by genre.  
][ ], the screen  
Immediately after you press SELECT [  
will show the name of the first music style in the selected genre.  
5. Turn the VALUE dial to step through the styles one by one.  
Selecting a User Style  
1. Press [BACKING TRACK] so the button is lit.  
2. Press MODE [STYLE] so the button is lit.  
3. Press [USER] so the button is lit.  
4. Turn the VALUE dial to step through the styles one by one,  
and then press [ENTER].  
Adding Music Styles  
Use a USB cable to connect the GW-7 to your computer. (p. 24)  
Copy music style files from your computer to the user memory of  
the GW-7.  
Deleting a Music Style  
1. Press [FUNCTION].  
2. Use SELECT [  
][  
] to get the screen to indicate  
“Utility?” Then press [ENTER].  
3. Use SELECT [  
][  
] to choose “Delete Style?” Then  
press [ENTER].  
4. Turn the VALUE dial to select the user style (Us001–Us099)  
that you want to delete.  
5. Press [ENTER]; the screen will indicate “Delete Sure?”  
6. Press [ENTER] to delete the user style you selected.  
If you press [EXIT], you’re returned to the previous screen  
without the style being deleted.  
15  
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Performance Functions and Effects  
D Beam func-  
tion  
Explanation  
Performance Functions  
SCREAMING  
A scream will sound when you position your  
hand over the D Beam. The volume is greater  
when you move your hand more rapidly.  
BIRD  
A bird call will sound when you position your  
hand over the D Beam. The volume is greater  
when you move your hand more rapidly.  
D Beam Controller  
The D Beam controller is a controller that you use simply by  
positioning your hand above it. You can use this to control one of  
two functions that you select. By changing the selected assignment,  
you can control a wide variety of effects.  
DOG  
A dog’s bark will sound when you position your  
hand over the D Beam. The volume is greater  
when you move your hand more rapidly.  
SEASHORE  
RAIN+  
Surf will sound when you position your hand  
over the D Beam. The volume will increase as  
you move your hand closer.  
To turn the D Beam controller on, press either [ASSIGNABLE 1] or  
[ASSIGNABLE 2] so the button is lit. To turn it off, press the button  
to make it go dark.  
The sound of rain will continue as long as your  
hand is positioned above the D Beam. The vol-  
ume will increase as you move your hand closer,  
and thunder will sound if you move your hand  
even closer.  
You can’t use [ASSIGNABLE 1] and [ASSIGNABLE 2] at the  
same time.  
MODULATION  
EXPRESSION  
The D Beam controller will apply the same effect  
as the MODULATION lever (p. 17).  
The volume will increase when you bring your  
hand closer to the D Beam. The volume will re-  
turn to the original level when you take your  
hand away.  
Assigning the D Beam Controller Function  
1. Press [ASSIGNABLE 1] or [ASSIGNABLE 2] to access the D  
BEND UP  
The pitch will rise when you bring your hand  
closer to the D Beam. The pitch will return to the  
original level when you take your hand away.  
Beam assignment screen.  
2. Turn the VALUE dial to select the desired D Beam function.  
BEND DOWN  
EXP+UP  
The pitch will fall when you bring your hand  
closer to the D Beam. The pitch will return to the  
original level when you take your hand away.  
D Beam func-  
tion  
Explanation  
When you bring your hand closer to the D Beam,  
the volume of the keyboard performance will in-  
crease and the pitch will rise. The pitch and vol-  
ume will return to the original level when you  
take your hand away.  
DRUM ROLL  
A snare drum roll will continue as long as your  
hand is positioned over the D Beam. Move your  
hand closer to increase the volume, and move  
your hand rapidly away to play a cymbal.  
CHIMES  
CUICA  
Chimes will sound when you position your hand  
above the D Beam. The volume is greater when  
you move your hand more rapidly.  
EXP+DOWN  
When you bring your hand closer to the D Beam,  
the volume of the keyboard performance will in-  
crease and the pitch will fall. The pitch and vol-  
ume will return to the original level when you  
take your hand away.  
Different sounds will be heard depending on the  
position of your hand above the D Beam. The  
volume is greater when you move your hand  
more rapidly.  
TEMPO UP  
The tempo will become faster when you bring  
your hand closer to the D Beam. The tempo will  
return to the original value when you take your  
hand away.  
GUIRO  
Same as above.  
Same as above.  
Same as above.  
Same as above.  
Same as above.  
Same as above.  
CONGA  
SITAR  
TEMPO DOWN  
The tempo will become slower when you bring  
your hand closer to the D Beam. The tempo will  
return to the original value when you take your  
hand away.  
TABLA  
WADON  
GENDER  
BIG GONG  
START/STOP  
FILL  
Playback will start when you position your hand  
over the D Beam. Playback will stop when you  
position your hand over the D Beam once again.  
A gong will sound when you position your hand  
over the D Beam. The volume is greater when  
you move your hand more rapidly.  
If you position your hand over the D Beam while  
the backing is playing, a fill-in will sound. (This  
is the same function as [FILL IN].)  
BUBBLE  
STREAM  
The sound of bubbles will continue as long as  
your hand is positioned above the D Beam. The  
volume will increase as you move your hand  
closer.  
FADE OUT  
If you position your hand over the D Beam, the  
volume will begin decreasing and will then  
reach zero. The backing performance will stop,  
and then the original volume will return after  
two or three seconds.  
The sound of running water will continue as  
long as your hand is positioned above the D  
Beam. The volume will increase as you move  
your hand closer.  
EXPLOSION  
GUN SHOT  
ENGINE  
An explosion will sound when you position your  
hand over the D Beam. The volume is greater  
when you move your hand more rapidly.  
If you turn off the power while the D Beam setting screen is  
displayed, the D Beam setting you chose will not be  
remembered by the GW-7. You must press [EXIT] before you  
turn off the power.  
A pistol shot will sound when you position your  
hand over the D Beam. The volume is greater  
when you move your hand more rapidly.  
An engine will continue sounding as long as  
your hand is positioned above the D Beam. The  
volume will increase as you move your hand  
closer.  
A performance using a function that produces a sound such as  
DRUM ROLL can't be recorded in a song.  
APPLAUSE+  
LAUGHING  
Applause will continue sounding as long as your  
hand is positioned above the D Beam. The vol-  
ume will increase as you move your hand closer,  
and cheering will sound if you move your hand  
even closer.  
Laughter will sound when you position your  
hand over the D Beam. The volume is greater  
when you move your hand more rapidly.  
16  
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Performance Functions and Effects  
Pitch Bend and Modulation  
Selecting a Performance  
The Bender/Modulation lever located at the left of the keyboard can  
be used to apply two types of effect to the sound you’re playing in  
Keyboard mode.  
1. Press MODE [PERFORM] so the button is lit.  
2. Turn the VALUE dial to select the desired performance  
setting.  
If you want to select a user performance, press [USER] so the  
button is lit.  
Pitch Bend is an effect that lowers the pitch of the sound you’re  
playing when you move the lever toward the left, or raises it  
when you move the lever toward the right.  
In the screen, Pf001–Pf110 indicates preset performances, and  
Uf001–Uf032 indicates user performances.  
Modulation is an effect that applies vibrato to the sound you’re  
playing when you push the lever away from yourself.  
Editing a Performance  
You can edit the settings of a performance, and store them as a user  
performance.  
If the MFX type is ROTARY, this will switch the rotational  
speed instead of Modulation.  
1. Press [FUNCTION].  
Modulation  
2. Use SELECT [  
][  
] to get the screen to indicate “Edit  
Perform?”, and press [ENTER].  
If you press [EXIT], you’re returned to the previous screen.  
Pitch falls  
Pitch rises  
3. Use SELECT [  
][  
] to select a parameter, and turn the  
VALUE dial to edit the value of that parameter.  
If you press the lever away from yourself while moving it to left or  
right, both effects will be applied at the same time.  
For details, refer to “Performance Parameters” (p. 18).  
Saving a Performance  
You can adjust the range of the pitch change. For details, refer to  
“P.Bend Range” (p. 25)  
1. Press [FUNCTION].  
2. Use SELECT [  
][  
] to get the screen to indicate “Write  
Assignable Pedal  
Perform?”  
3. Press [ENTER]; the screen will indicate “Perform Num:  
You can connect a separately available foot switch (Boss FS-5U) or a  
separately available expression pedal (Roland EV-5) to the  
CONTROL PEDAL jack on the rear panel.  
Uf001.”  
4. Turn the VALUE dial to select the desired destination  
(Uf001–Uf032), and then press [ENTER].  
You can assign a variety of functions to this pedal. For details,  
refer to “Pedal” (p. 25).  
5. Input a name for your user performance.  
Use SELECT [  
][  
] to move the cursor, and turn the  
VALUE dial to change each character.  
Using Preset Performances  
6. Press [ENTER]; the screen will prompt “Write Sure?”  
By selecting a preset performance, you can quickly recall settings  
that are appropriate for the song you’re playing.  
When you select a preset performance, settings for the following  
items will be recalled.  
7. Press [ENTER] to save the performance.  
If you press [EXIT], you’re returned to the previous screen  
without the performance being saved.  
Music style  
Tempo  
Tone for the keyboard mode  
Effect (Chorus, Reverb)  
Band type  
Keyboard touch  
If MODE [PERFORM] is lit, you will hear a string sound and a  
chord bass sound when you play the left-hand area of the  
keyboard.  
17  
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Performance Functions and Effects  
Performance Parameters  
Parameter  
Kbd Velo Sw  
Kbd Velocity  
Split Point  
Range  
OFF, ON  
1–127  
Explanation  
Specifies whether the loudness of the notes you play from the keyboard will be fixed (OFF) or not (ON).  
Specifies the loudness of each note when the above “Kbd Velo Sw” is OFF.  
Specifies the split point (the key at which the keyboard will be divided) used in Split mode. This will be the low-  
36–96  
est note of the Upper Part. 60 corresponds to C4.  
Oct Main  
-4–+4  
Raises or lowers the pitch in steps of one octave for Main mode, the Upper Part of Split mode, or the first Tone  
of Dual mode.  
* In the case of a drum set, this does not transpose the pitch; rather, it shifts the set of drum/percussion sounds  
that are assigned to the keyboard.  
Oct Dual  
Oct Split  
Vol Main  
Vol Dual  
Vol Split  
-4–+4  
-4–+4  
0–127  
0–127  
0–127  
0–127  
Raises or lowers the pitch in steps of one octave for the second Tone of Dual mode.  
Raises or lowers the pitch in steps of one octave for the Lower Part of Split mode.  
Adjusts the volume for Main mode, the Upper Part of Split mode, or the first Tone of Dual mode.  
Adjusts the volume for the second Tone of Dual mode.  
Adjusts the volume for the Lower Part of Split mode.  
Adjusts the Chord Bass volume.  
Vol ChordBs  
When [BACKING TRACK] is lit and the backing is stopped, the bass will sound according to the chord you play  
in the left hand.  
Vol Drum  
Vol Bass  
Vol Backing  
Pan Main  
0–127  
0–127  
0–127  
RND,  
L63–0–R63  
Adjusts the volume of the music style’s drum part.  
Adjusts the volume of the music style’s bass part.  
Adjusts the volume of the music style’s backing parts 1–6.  
Adjusts the panning (left/right stereo position) for Main mode, the Upper Part of Split mode, or the first Tone of  
Dual mode.  
RND: The pan position will change randomly for each note.  
L63–0–R63: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.  
Pan Dual  
RND,  
L63–0–R63  
Adjusts the panning (left/right stereo position) for the second Tone of Dual mode.  
RND: The pan position will change randomly for each note.  
L63–0–R63: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.  
Pan Split  
RND,  
L63–0–R63  
Adjusts the panning (left/right stereo position) for the Lower Part of Split mode.  
RND: The pan position will change randomly for each note.  
L63–0–R63: Values beginning with “L” place the sound at the left, 0 at the center, and “R” at the right.  
Chord Mode  
OFF,  
MODE 1,  
MODE 2  
This lets you use simple fingering to specify a chord without having to play all the notes in the chord.  
OFF: The chord will consist of only the note(s) you play on the keyboard in the Lower Part.  
MODE 1: You can play chords as described in "Chord Intelligence" (p. 41).  
MODE 2: You can specify chords in the following four ways.  
Major chords: Play the root note of the chord  
Minor chords: Play the root note and the black key located at its left  
Seventh chords: Play the root note and the white key located at its left  
Minor seventh chords: Play the root note + black key at left + white key at left  
Backing  
Hold  
OFF, ON  
OFF, ON  
Selects how the backing part will sound.  
OFF: When you take your hand off the left side of the keyboard, instrumental sounds other than the drums of  
the backing part will stop; only the rhythm part will continue sounding.  
ON: The chord you played in the left hand will be remembered. The backing will continue playing with that  
chord until you play another chord.  
Bass Inv  
Specifies how Chord Bass will be sounded.  
OFF: The root note of the chord you play will sound.  
ON: The lowest note of the chord you play will sound.  
ScaleType  
EQUAL,  
ARABIC  
Selects the scale setting.  
EQUAL (Equal temperament): This is the method of tuning that is most widely used in Western music, in which  
the octave is divided into twelve equal steps.  
ARABIC (Arabic temperament): Compared to equal temperament, E and B are half a semitone low, and C#, F#,  
and Ab are half a semitone high. The intervals G–B, C–E, F–Ab, Bb–C#, and  
Eb–F3 are a neutral third (between a major third and minor third).  
Scale Mode  
Scale C–B  
MAIN,  
ALL  
Specifies the part(s) to which the Scale setting will apply.  
MAIN: The scale setting applies to Main mode, the Upper Part of Split mode, and the first Tone of Dual mode.  
ALL: The scale setting applies to all parts.  
As an alternative to the temperament commonly used in Western music, you can adjust the pitch of each note to  
create temperaments used in other musical cultures or historical periods (e.g., Oriental temperaments, or tem-  
peraments used in the Baroque era).  
-64–+63  
You can adjust the pitch of each note in the octave (C, C#, D, Eb, E, F, F#, G, Ab, A, Bb, B). These settings are  
applied to every note of the same name (i.e., the C of each octave, the C# of each octave, etc.) Most often, the pitch  
is adjusted one quarter tone upward or downward, so you will select a value of 50 or -50.  
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Performance Functions and Effects  
Using Effects  
The GW-7 contains built-in reverb, chorus, and multi-effect (MFX) processors. You can choose an effect type for each processor.  
Adjusting the Reverb or Chorus Send Level  
1. Press ANALOG MODIFY [SELECT] so EFFECT is lit.  
2. Turn the C1 (REVERB) or C2 (CHORUS) knob.  
Chorus is applied only if MFX is OFF.  
Editing the Effects  
1. Press [EFFECTS].  
2. Use SELECT [  
][  
] to select a parameter, and turn the VALUE dial to edit its value.  
Explanation  
Parameter  
Range  
MFX  
Refer to p. 20  
Selects the type of multi-effect. It is memorized in each Tone.  
* For details, refer to “Multi-Effect List” (p. 20).  
* MFX are not applied to the following three types of tones.  
The lower part in Split mode  
The second tone in Dual mode  
Drum sets  
Tone MFX  
Chorus  
OFF, ON  
Normally you will leave this ON. Only one setting can be saved in the entire GW-7.  
ON: When you switch the Tone, the MFX will also change.  
OFF: The MFX will not change when you switch the Tone.  
Selects the type of chorus. It is memorized in each Performance.  
* Chorus is applied only if MFX is OFF.  
OFF: Chorus will not be applied.  
CHORUS 1–4: These are typical chorus effects that add depth and spaciousness.  
FB CHORUS: A chorus that produces a flanger-like effect, and a mild tone.  
FLANGER: A metallic-sounding effect reminiscent of a jet airplane taking off and landing.  
SHORT DLY: Delays the sound, producing an echo effect.  
S DLY FB: A short delay will be repeated.  
OFF,  
CHORUS 1–4,  
FB CHORUS,  
FLANGER,  
SHORT DLY,  
S DLY FB  
Cho Main  
Cho Dual  
Cho Split  
Reverb  
0–127  
0–127  
0–127  
Adjusts the amount of chorus applied to the Main mode Tone, the Tone of the Upper Part in Split mode,  
or the first Tone in Dual mode. It is memorized in each Tone.  
Adjusts the amount of chorus applied to the second Tone in Dual mode. It is memorized in each Perfor-  
mance.  
Adjusts the amount of chorus applied to the Tone of the Lower Part in Split mode. It is memorized in each  
Performance.  
Selects the type of reverb. It is memorized in each Performance.  
OFF,  
ROOM 1–3,  
HALL 1–2,  
PLATE,  
OFF: Reverb will not be applied.  
ROOM 1–3: These simulate the reverberation of a room. Higher-numbered settings simulate larger  
rooms.  
DELAY,  
PAN DELAY  
HALL 1–2: These simulate the reverberation of a concert hall. Higher-numbered setting simulate larger  
halls.  
PLATE: This is a digital simulation of a metal-plate reverb unit. It is particularly appropriate for percus-  
sive sounds.  
DELAY: A delay effect (without reverb), producing a repeating echo.  
PAN DELAY: A delay sound is repeated, alternating between the left and right channels.  
Rev Main  
Rev Dual  
Rev Split  
0–127  
0–127  
0–127  
Adjusts the amount of reverb applied to the Main mode Tone, the Tone of the Upper Part in Split mode,  
or the first Tone in Dual mode. It is memorized in each Tone.  
Adjusts the amount of reverb applied to the second Tone in Dual mode. It is memorized in each Perfor-  
mance.  
Adjusts the amount of reverb applied to the Tone of the Lower Part in Split mode. It is memorized in each  
Performance.  
3. When you’re finished editing the effect settings, press [EFFECTS] or [EXIT] to return to the previous screen.  
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Performance Functions and Effects  
Multi-Effect List  
2PITCH SHIFT  
FB PITCH SFT  
Shifts the pitch of the original sound. Two  
pitch-shifted sounds can be layered onto the  
original sound.  
Pitch shifter in which the pitch-shifted  
sound is fed back to the input, producing an  
echo.  
Overdrive and chorus are connected in se-  
ries.  
Overdrive and flanger are connected in se-  
ries.  
Overdrive and delay are connected in series.  
Distortion and chorus are connected in se-  
ries.  
Distortion and flanger are connected in se-  
ries.  
Distortion and delay are connected in series.  
Enhancer and chorus are connected in se-  
ries.  
Enhancer and flanger are connected in se-  
ries.  
Enhancer and delay are connected in series.  
Chorus and delay are connected in series.  
Flanger and delay are connected in series.  
Chorus and flanger are connected in series.  
Chorus and delay are connected in parallel.  
Flanger and delay are connected in parallel.  
OFF  
MFX will not be applied.  
ENHANCER  
Controls the harmonic structure of the high-  
frequency portion of the sound, adding  
sparkle and improving the definition.  
OD>CHORUS  
OD>FLANGER  
OVERDRIVE 1–4  
Produces a natural-sounding distortion typ-  
ical of a vacuum tube amplifier.  
1: Small amp  
2: Built-in type  
3: Large double-stack amp  
4: Large triple-stack amp  
OD>DELAY  
DS>CHORUS  
DISTORTION 1–4  
PHASER  
Produces a more intense distortion than  
Overdrive. Four types are available.  
Adds a phase-shifted sound to the original  
sound, and modulates it over time to pro-  
duce a twisting and turning sensation.  
DS>FLANGER  
DS>DELAY  
EH>CHORUS  
AUTO WAH  
ROTARY  
Cyclically moves a filter to produce a wah  
effect (cyclic change in tone).  
EH>FLANGER  
Simulates the sound of classic rotary speak-  
ers from the past. You can switch the rota-  
tional speed (slow/fast) by moving the  
BENDER/MODULATION lever away from  
yourself, realistically simulating the behav-  
ior of an actual rotary speaker. This is partic-  
ular effective when applied to organ sounds.  
EH>DELAY  
CHO>DELAY  
FL>DELAY  
CHO>FLANGER  
CHO/DELAY  
FL/DELAY  
ST FLANGER  
Produces a metallic whooshing effect remi-  
niscent of a jet airplane taking off and land-  
ing.  
CHO/FLANGER  
Chorus and flanger are connected in paral-  
lel.  
STEP FLANGER  
COMPRESSOR  
The pitch of the flanger sound changes in  
stepwise fashion.  
Suppresses high-level sounds and boosts  
low-level sounds, making the overall vol-  
ume more consistent.  
LIMITER  
Compresses sounds that are louder than a  
specified level, thus preventing distortion.  
HEXA CHORUS  
Six-phase chorus that adds depth and spa-  
ciousness to the sound (six chorus units with  
different delay times are layered).  
TREMOLO CHO  
ST CHORUS  
SPACE-D  
Chorus with an added tremolo effect.  
Stereo chorus.  
A multiple chorus that applies two-phase  
modulation in stereo. It does not produce an  
impression of modulation, but generates a  
transparent chorus effect.  
ST DELAY  
Repeats the input sound to create echoes.  
MOD DELAY  
Adds modulation to the delayed sound, cre-  
ating a flanger-like effect.  
3TAP DELAY  
Three delayed sounds are panned to mid-  
dle, left, and right.  
4TAP DELAY  
TM CTRL DLY  
Four delayed sounds are heard.  
This is a delay that lets you change the delay  
time in real time by operating the modula-  
tion lever.  
REVERB  
Adds reverberation to the original sound,  
simulating a large space.  
GATE REV NR  
GATE REV RV  
Reverb that cuts the reverberation during its  
decay.  
Gated reverb, where the reverberation grad-  
ually increases.  
GATE REV S1  
GATE REV S2  
Reverb sound that moves from right to left.  
Reverb sound that moves from left to right.  
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Song Functions  
The song memory locations are organized as follows.  
Keyboard  
This recording mode records only the keyboard performance. The  
Name  
Sng00  
Type  
Temporary  
song  
Explanation  
Used when playing or recording a  
song. Erased when you switch off the  
GW-7’s power.  
backing will not be available.  
Sng01–  
Sng99  
User songs  
Contain the songs you record and save.  
The contents are preserved even when  
you switch off the GW-7’s power.  
recording.  
1. Make preparations by selecting the keyboard mode (p. 9)  
and Tone (p. 11).  
Recording a Song  
You can use the 16-track recorder of the GW-7 to record your own  
performances.  
2. Press [SONG REC] so the button is lit.  
3. Turn the VALUE dial to set “Rec Mode” to KBD.  
4. Use the metronome if desired. (p. 10)  
The following four recording modes are available.  
Recording a new song  
ALL  
Keyboard performance and backing are all  
recorded simultaneously.  
Only the keyboard performance is recorded.  
5. Press [  
6. Perform.  
7. Press [  
] to start recording.  
KBD (Keyboard)  
Recording additional material to an existing song  
SINGLE  
] to stop recording.  
Record one track at a time. You can choose  
the track that will be recorded.  
PUNCH (Punch-  
in/out)  
Re-record over a specified region of a track.  
Single  
This recording mode lets you layer additional material onto the  
previously recorded sounds, and record each track separately.  
The GW-7 has one temporary song memory location (Sng00).  
This is the memory location that is used when you record a  
song—it is erased when you switch off the GW-7’s power. If  
you don’t want to lose the song, you must save it in a user song  
memory location (Sng01–Sng99). (p. 22)  
You can’t use this recording mode if the temporary track  
(Sng00) contains no data.  
1. Press [SONG REC] so the button is lit.  
2. Turn the VALUE dial to set “Rec Mode” to SINGLE.  
For the first recording, “SINGLE” is selected automatically. Be  
aware that if you choose “ALL” or “KBD,” the temporary song  
(Sng00) will be erased. If you want to record additional material  
to an existing song, you must choose “SINGLE” or “PUNCH.”  
If the temporary song (Sng00) contains no data, you can’t select  
“SINGLE” or “PUNCH.”  
3. Press SELECT [  
]. The recording track screen will  
appear. Turn the VALUE dial to select the track you want to  
record.  
4. Make preparations to play a Tone (p. 11).  
5. Press [  
6. Perform.  
] to start recording.  
You can't record a song while the GW-7 is synchronized to an  
external MIDI device.  
] to stop recording.  
All  
If you want to record additional material, continue from step 1.  
This recording mode records the keyboard performance and all of  
the backing.  
The keyboard and backing parts are recorded on the following  
tracks.  
Track  
1
2
3
4
5
6
7
8
Part name  
Backing 1  
Backing bass *1  
Backing 2  
Main (Keyboard) *2  
Backing 3  
Dual (Keyboard) *3  
Backing 4  
Backing 5  
The temporary song (Sng00) will be erased by the new  
recording.  
1. Make preparations by selecting the keyboard mode (p. 9),  
Tone (p. 11), and Backing (p. 14).  
2. Press [SONG REC] so the button is lit.  
3. Turn the VALUE dial to set “Rec Mode” to ALL.  
4. Press [  
5. Perform.  
6. Press [  
] to start recording.  
] to stop recording.  
9
Backing 6  
Backing drums  
Split (Keyboard) *4  
10  
11  
12  
13  
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Song Functions  
9. At the point where you want to start re-recording, press the  
Track  
14  
Part name  
foot switch.  
15  
16  
10. Perform.  
(Main (Keyboard)) *5  
11. Press the foot switch once again to stop recording.  
*1: The bass that sounds when the backing is playing  
*2: Main mode, the Upper Tone of Split mode, or the first Tone  
of Dual mode  
12. Press [  
] to stop playback.  
If you want to re-record again, continue from step 7.  
*3: Second Tone of Dual mode  
*4: Lower Tone of Split mode  
*5: If you assign a drum set for Main mode, the Upper Tone of  
Split mode, or the first Tone of Dual mode  
(After Previously Recording  
a Song)  
Punch-In/Out  
1. Save the song you previously recorded. (See note below.)  
You can use punch-in/out to re-record a selected region of a  
previously recorded track. The data before and after the re-recorded  
region will not be erased.  
2. Record your next song as described in the procedure for  
"All." (p. 21)  
You can’t use this if the temporary song (Sng00) contains no  
data.  
The temporary song (Sng00) memory contains the song you just  
recorded. If you set the recording mode to ALL, the previously  
recorded song will be erased, allowing you to record a new  
song.  
1. Press [SONG REC] so the button is lit.  
2. Turn the VALUE dial to set “Rec Mode” to PUNCH.  
Saving a Song  
Here’s how you can save a song from the temporary song memory  
(Sng00) to a user song memory (Sng01–Sng99).  
3. Press SELECT [  
]. The recording track screen will  
appear. Turn the VALUE dial to select the track you want to  
record.  
4. Press [  
] to start playback.  
1. Press [FUNCTION].  
5. At the point where you want to start re-recording, press  
2. Press SELECT [  
][  
] to get the screen to indicate  
[SONG REC] once again.  
“Write Song?” Then press [ENTER].  
6. Perform.  
3. Enter a name for the user song.  
7. Press [SONG REC] once again to stop recording.  
Use SELECT [  
][  
] to move the cursor, and turn the  
VALUE dial to choose the characters you need.  
8. Press [  
] to stop playback.  
If you want to re-record again, continue from step 3.  
4. Press [ENTER]; the screen will prompt “Write Sure?”  
5. Press [ENTER] to save the song.  
If you press [EXIT], you’re returned to the previous screen  
without saving the song.  
Using a Foot Switch to Punch-In/Out  
You can use a separately available pedal switch (Roland DP Series),  
foot switch (Boss FS-5U) to start and stop recording. This lets you  
play using both hands, or lets you use your left hand to operate pitch  
bend/modulation while you play the melody with your right hand.  
Deleting a Song  
Here’s how you can delete a song from a user song memory location  
(Sng01–Sng99).  
1. Connect your foot switch to the rear panel CONTROL  
PEDAL jack.  
2. Press [FUNCTION].  
1. Press [FUNCTION].  
3. Use SELECT [  
][  
] to get the screen to indicate “Edit  
2. Press SELECT [  
][  
] to get the screen to indicate  
System?”, and then press [ENTER].  
“Utility?” Then press [ENTER].  
4. Use SELECT [  
][  
] to choose “Pedal,” and turn the  
3. Use SELECT [  
][  
] to select “Delete Song?”  
VALUE dial to select PUNCH I/O.  
4. Turn the VALUE dial to select the user song that you want  
5. Press [SONG REC] so the button is lit.  
6. Turn the VALUE dial to set “Rec Mode” to PUNCH.  
to delete.  
5. Press [ENTER]; the screen will prompt “Delete Sure?”  
7. Press SELECT [  
]. The recording track screen will  
6. Press [ENTER] to delete the song.  
If you press [EXIT], you’re returned to the previous screen  
without deleting the song.  
appear. Turn the VALUE dial to select the track you want to  
record.  
8. Press [  
] to start playback.  
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Song Functions  
Minus-One Playback  
You can mute (silence) a desired track of the song. For example, if  
you’ve copied an SMF (Standard MIDI File) to the GW-7, you can  
mute one of the tracks, and play that part yourself on the keyboard.  
Selecting and Playing a  
Song  
1. Press MODE [SONG] so the button is lit.  
2. Turn the VALUE dial to select a song.  
3. Press [ENTER].  
Muting a Track  
1. Press BAND TYPE [DRUMS & BASS] (factory default  
setting: track 10), [COMBO] (factory default setting: track  
1), or [FULL] (factory default setting: track 2) to specify the  
track you want to mute.  
4. Press [  
To stop, press [  
] to play the song.  
] once again.  
2. Press [  
]. The song will play, and the track you  
specified in step 1 will be muted.  
When you select a user song, the temporary song memory  
(Sng00) will be overwritten by the user song you selected.  
Changing the Muted Track  
You can change the mute track specified for each button [DRUMS &  
BASS], [COMBO], and [FULL].  
You can't play back SMF data that contains more than 16 parts.  
1. Press and hold one of the BAND TYPE buttons [DRUMS &  
BASS], [COMBO], or [FULL]. The mute track setting screen  
will appear.  
Moving the Playback Location of a  
Song  
You can use the following buttons to do this.  
2. Turn the VALUE dial to change the track that will be muted.  
[
]
Moves to the beginning of the song.  
[
]
Moves to the preceding measure.  
[
]
Moves to the next measure.  
Repeatedly Playing a Specified Region  
You can make a specified region (A–B) play repeatedly.  
1. Use [  
][  
] to move to the measure at which you  
want repeat playback to begin.  
2. Press [MARKER A-B] to set marker A to the current  
location.  
3. Use [  
][  
] to move to the measure at which you  
want repeat playback to end.  
4. Press [MARKER A-B] to set marker B to the current  
location.  
5. Press [REPEAT A-B].  
6. Press [  
] to start repeat playback.  
Don't set a marker in the last measure of a song; repeat playback  
will not work properly if you do so.  
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USB Functions and System Functions  
Transferring Files via USB  
The GW-7 can send and receive music styles and song files via a USB  
Do not delete or rename the "Style" or "Song" folders. The  
system will not operate correctly if you do so.  
connection with your computer.  
The filenames for styles or songs must be no longer than eight  
characters, and may consist only of uppercase letters and  
numerals. Style files must have an extension of .STL, and song  
files must have an extension of .MID. The GW-7 cannot use files  
You must not perform the following actions while the GW-7's  
[USB] button is lit or while files are being sent or received. If  
you perform these actions, your computer may freeze, or the  
that do not conform to these specifications.  
files in the GW-7's memory may be damaged.  
Connect or disconnect the USB cable  
Restart, shut down, or enter or exit Suspend (Standby) or  
Hibernation mode on your computer  
Switch off power to the GW-7  
7. Terminate the USB connection as described in  
"Terminating the USB Connection between the GW-7 and  
Your Computer" (below), and then press [USB] or [EXIT] on  
the GW-7.  
If you copy a large number of music style files to the GW-7, the  
screen will indicate "Busy" -> "Converting," and the processing  
can take quite a while. This is because the .STL files are being  
converted to .STH (device-specific data) files.  
If you are using Windows 2000/XP, you must log onto  
Windows as one of the following users in order to complete the  
USB connection correctly.  
A user name belonging to the Administrators group, such as  
Administrator  
A user name whose account type is a computer  
administrator  
Terminating the USB Connection  
between the GW-7 and Your  
Computer  
Do not connect two or more GW-7 units to one computer via  
USB. The system will not operate correctly with such  
connections.  
1. Depending on the computer you’re using, perform the  
action below.  
Macintosh: Drag the “GW-7_DRV” or “Removable Disk” icon  
into the trash.  
1. Turn on the power of your computer.  
Windows XP: In My Computer, right-click the “GW-7_DRV” or  
“Removable Disk” icon, and execute “Eject.”  
Windows 2000/Me:  
2. Turn on the power of the GW-7.  
3. Use a separately available USB cable to connect the GW-7  
to your computer.  
1. Click  
indicates “Stop drive.”  
in the task tray, and click the message that  
4. On the GW-7, press [USB] so the button is lit.  
When a USB connection has been established with your  
computer, the GW-7’s screen will indicate “USB Connecting.”  
Then, the GW-7 will appear on your computer screen as an  
external drive (“GW-7_DRV” or as “Removable Disk”).  
Task bar  
Task tray  
The drive letter will depend on the number of drives that  
Windows has detected. (This is not relevant for Mac OS.)  
2. In the “Remove Hardware” dialog box, click [OK].  
2. Disconnect the USB cable from the GW-7 and your  
Data transfer is possible for Windows 2000/Me/XP or later,  
and for Mac OS 9.0.4 or later. If you experience a problem with  
your system, please contact the nearest Roland dealer.  
computer.  
System Settings  
1. Press [FUNCTION].  
5. Open the GW-7 external drive on your computer screen,  
and open the “Style” or “Song” folder.  
6. You can perform the following file operations.  
2. Use SELECT [  
][  
] to get the screen to indicate “Edit  
Drag and drop music style files to copy them from the “Style”  
folder to the hard disk of your computer  
Drag and drop song files to copy them from the “Song” folder  
to the hard disk of your computer  
System?” Then press [ENTER].  
If you press [EXIT], you’re returned to the previous screen.  
3. Use SELECT [  
][  
] to select a parameter, and turn the  
VALUE dial to change the setting of that parameter.  
Drag and drop music style files to copy them from the hard disk  
of your computer to the “Style” folder  
Drag and drop song files to copy them from the hard disk of  
your computer to the “Song” folder  
For details, refer to “System Parameter Functions” (p. 25)  
4. When you’re finished making system settings, press [EXIT].  
Delete unwanted files  
Rename files  
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USB Functions and System Functions  
System Parameter Functions  
Parameter  
LCD Contrast  
Local Ctrl  
Range  
Explanation  
-20–+20  
Adjusts the contrast of the text in the screen.  
Refer to “Local Ctrl (Local Control)” (p. 26).  
OFF, ON  
427.4–452.6 Hz  
-12–+12  
Master Tune  
Transpose  
Adjusts the tuning of the entire GW-7. The displayed value is the frequency of the A4 key (middle A).  
Transposes the pitch of the GW-7 in semitone steps.  
Trans Mode  
INT,  
SNG,  
I+S,  
MID,  
I+M,  
S+M,  
ALL  
Selects the part(s) that will be affected by the above Transpose setting.  
INT: Only the keyboard part. Notes received from the MIDI IN connector will not be affected.  
SNG: Only the song parts will be transposed.  
I+S: The keyboard part and song part.  
MID: Only notes received from the MIDI IN connector will be transposed.  
I+M: The keyboard part and notes received from the MIDI IN connector.  
S+M: The song parts and notes received from the MIDI IN connector will be transposed.  
ALL: All parts and notes received from the MIDI IN connector will be transposed.  
P.Bend Range  
Pedal  
0–24  
Specifies the range of pitch change that can be controlled using the pitch bend controller. (p. 17)  
EXPRESSION,  
CHORD OFF,  
CHORD TGL,  
SOSTENUTO,  
SOFT,  
Selects the function that will be controlled when you press a separately available pedal connected to the CONTROL PED-  
AL jack.  
EXPRESSION: The pedal will function as an Expression pedal.  
board will be turned off, allowing you to play using the entire keyboard.  
ROTARY S/F,  
START/STOP,  
BASS INV,  
CHORD TGL: When you press the pedal once, the Chord Assignment function for the left-hand region of the keyboard  
will be turned off, allowing you to play using the entire keyboard. When you press the pedal again, the  
keyboard will revert to its previous state, and you can use the left-hand region to specify chords.  
SOSTENUTO: The pedal will function as a Sostenuto pedal. When you press the pedal, notes that are already being held  
down will be sustained. (This function can be used only for the keyboard part.)  
SOFT: The pedal will function as a Soft pedal. Notes you play while holding down the pedal will have a softer tone. (This  
function can be used only for the keyboard part.)  
PUNCH I/O  
ROTARY S/F: The pedal will switch the speed of the rotary effect. This is valid only if the ROTARY type is selected for  
MFX. (p. 20)  
BASS INV: The pedal will switch the Bass Inversion function on/off. (p. 18)  
PUNCH I/O: The pedal will control punch-in and punch-out during song recording. (p. 22)  
Pedal Pol  
STD, RVS  
STD, RVS  
Switches the polarity of the pedal connected to the CONTROL PEDAL jack. Some pedals will operate in the opposite of  
the expected way when you press them. If you’re using this type of pedal, set this parameter to RVS (reverse). If you’re  
using a Roland pedal (without a polarity switch), use the STD (standard) setting.  
Hold Pol  
C1  
Switches the polarity of the pedal connected to the HOLD PEDAL jack. (* See “Pedal Pol,” above)  
REVERB SEND,  
CHORUS SEND,  
PORTA SW,  
Choose the EFFECT to be controlled when you press [SELECT] to choose REVERB and then turn the C1 knob.  
REVERB SEND: Adjusts the send level of each tone to the reverb.  
CHORUS SEND: Adjusts the send level of each tone to the chorus.  
PORTA TIME,  
DECAY TIME,  
VIB RATE,  
VIB DEPTH,  
VIB DELAY  
to the left. (p. 12)  
PORTA TIME: Adjusts the portamento time. Turn toward the right to lengthen the time. (p. 12)  
VIB DEPTH: Adjusts the modulation depth of vibrato. Turn toward the right to make the vibrato deeper. (p. 12)  
C2  
Same as “C1”  
above  
Split Ctrl  
Metro Time  
OFF, ON  
mode.  
1/4, 2/4, 3/4, 4/4,  
5/4, 6/4, 6/8, 9/8  
Metro Vol  
0–127  
Adjusts the volume of the metronome. (p. 10)  
MIDI TxRx  
ALL, KBD, STL,  
SNG, OFF  
Refer to “MIDI TxRx (MIDI Transmission/Reception)” (p. 26).  
Sync Rx  
OFF, ON  
OFF, ON  
OFF, ON  
OFF, ON  
OFF, ON  
OFF, ON  
OFF, ON  
OFF, ON  
OFF, ON  
Refer to “Sync Rx (MIDI Synchronization)” (p. 26).  
P.Bend TxRx  
Mod TxRx  
Prog TxRx  
Velocity Rx  
Clock Tx  
Refer to “P.Bend TxRx (Pitch Bend Message Transmission/Reception)” (p. 27).  
Refer to “Mod TxRx (Modulation Message Transmission/Reception)” (p. 27).  
Refer to “Prog TxRx (Program Change Message Transmission/Reception)” (p. 27).  
Refer to “Velocity Rx (Velocity Reception)” (p. 27).  
Refer to “Clock Tx (Clock Message Transmission)” (p. 27).  
StartStop Tx  
SongPos TxRx  
Lyrics Tx  
Refer to “StartStop Tx (Start/Stop/Continue Message Transmission)” (p. 27).  
Refer to “SongPos TxRx (Song Position Pointer Message Transmission/Reception)” (p. 27).  
Refer to “Lyrics Tx (Lyrics Data Transmission)” (p. 27)  
25  
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MIDI Functions  
The GW-7 can transmit and receive performance data when  
connected to an external MIDI device, which enables the two devices  
to control each other’s performance. For example, one device can  
play or switch sounds on the other device.  
*3: Second Tone of Dual mode  
*4: Lower Tone of Split mode  
*5: The bass that sounds according to the chord you play in the  
stopped  
*6: If you assign a drum set for Main mode, the Upper Tone of  
Split mode, or the first Tone of Dual mode  
MIDI stands for “Musical Instrument Digital Interface.” It is a  
universal standard for exchanging musical performance data  
among electronic musical instruments and computers.  
The GW-7’s MIDI connectors allow it to transmit performance data  
to, and receive such data from other devices. You can use the GW-7  
in a wide range of ways by connecting external devices to these  
connectors.  
MIDI Parameters  
For details on how to make these settings, refer to “System Settings”  
(p. 24).  
*
A separate publication titled "MIDI Implementation" is also available.  
It provides complete details concerning the way MIDI has been  
implemented on this unit. If you should require this publication (such  
as when you intend to carry out byte-level programming), please  
contact the nearest Roland Service Center or authorized Roland  
distributor.  
MIDI parameters other than “Local Ctrl” will be saved as soon  
as you exit System Edit mode.  
Local Ctrl (Local Control)  
(On/Off, default: On)  
Connection Example  
If the notes you play on the keyboard are sent to the sound  
generator via both of the two routes (1) and (2) as shown in the  
diagram, the notes will be duplicated or interrupted. To prevent  
this, you can disconnect route (1) by using the “Local Off”  
setting.  
Before making connections with other devices, you must turn  
down the volume of all devices and turn off the power to avoid  
malfunctions or speaker damage.  
You should turn this setting Off if you’ve connected a MIDI  
sequencer to the GW-7.  
Play the GW-7's sounds from your MIDI sequencer  
MIDI sound module/  
sequencer  
GW-7  
(1) Local on  
Sequencer  
MIDI  
OUT  
MIDI  
IN  
Sound  
generator  
Memory  
MIDI  
OUT  
MIDI  
IN  
Use the GW-7 to play your MIDI sound module  
(2) Thru setting turned on  
Play a note once;  
it's sounded twice  
MIDI Channels  
MIDI provides sixteen channels, numbered 1–16. Even if two MIDI  
devices are connected, you won’t be able to select or play sounds on  
the other device unless both devices are set to the same MIDI  
channel. The GW-7 is capable of receiving on all channels, 1–16.  
The setting of this parameter is cleared when you switch off the  
GW-7’s power.  
MIDI TxRx (MIDI Transmission/Reception)  
1
2
3
4
5
Backing 1  
Backing bass *1  
Backing 2  
Main (Keyboard) *2  
Backing 3  
Dual (Keyboard) *3  
Backing 4  
This specifies the part(s) that will receive and transmit MIDI.  
Option  
ALL  
Meaning  
All parts  
KBD  
• The keyboard part (refer to “(Keyboard)” in the  
“MIDI channel” table in the left column of this  
page)  
6
7
• The song parts (1–16)  
STL  
• The backing parts (Backing 1–6, Backing bass,  
Backing drums)  
• The song parts (1–16)  
Only the song parts (1–16)  
None of the GW-7’s parts will transmit or receive  
MIDI messages.  
8
9
Backing 5  
Backing 6  
Backing drums  
Split (Keyboard) *4  
Chord Bass (Keyboard) *5  
10  
11  
12  
13  
14  
15  
16  
SNG  
OFF  
Sync Rx (MIDI Synchronization)  
This specifies how the GW-7 will synchronize to an external  
MIDI device. Synchronization is available if the MIDI OUT  
connector of your external MIDI device is connected to the GW-  
7’s MIDI IN connector. (If you’ve made the opposite connection,  
refer to the owner’s manual for your external device.)  
(Main (Keyboard)) *6  
*1: The bass that sounds when the backing is playing  
*2: Main mode, the Upper Tone of Split mode, or the first Tone  
of Dual mode  
26  
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MIDI Functions  
Lyrics Tx (Lyrics Data Transmission)  
Off  
On  
The GW-7 will not synchronize to the external MIDI  
device.  
(On/Off, default: Off)  
When playing back Format 0 SMF music data, this allows lyrics  
imbedded in the data to be transmitted to an external device.  
The GW-7 will receive MIDI Start (or Continue) mes-  
sages, and will begin playing the backing or song re-  
cording/playback in synchronization with the MIDI  
Clock messages that are subsequently received.  
When the GW-7 receives a Start message, it will wait  
a short time for MIDI Clock messages to arrive. If  
MIDI Clock messages are received, the GW-7 will syn-  
chronize to them. If not, the GW-7 will use its own  
tempo. In either case, you will be able to use MIDI  
Stop messages to stop playback or recording.  
Bulk Dump  
The GW-7’s User Tone data and User Performance data can be sent  
via MIDI and saved on an external sequencer or other MIDI device.  
Make settings on your external sequencer so that it is ready to record  
normal performance data, and perform the following steps on the  
GW-7.  
P.Bend TxRx (Pitch Bend Message  
Transmission/Reception)  
User Style and User Song data cannot be transmitted via MIDI.  
Use USB to transfer this data. (p. 24)  
(On/Off, default: On)  
This is an on/off switch for Pitch Bend message transmission/  
reception. These messages temporarily raise or lower the pitch  
of the keyboard mode Tone.  
1. Use a separately available MIDI cable to connect the GW-7’s  
MIDI OUT connector to your external sequencer’s MIDI IN  
connector.  
Mod TxRx (Modulation Message  
Transmission/Reception)  
2. Press [FUNCTION].  
3. Use SELECT [  
][  
] to get the screen to indicate  
(On/Off, default: On)  
“Utility?”, and then press [ENTER].  
This is an on/off switch for Modulation message transmission/  
reception. These messages apply vibrato to the keyboard mode  
Tone (control change CC#01).  
4. Use SELECT [  
][  
] to choose “Bulk Dump?”  
5. Press [ENTER]; the screen will prompt “Sure?”  
Prog TxRx (Program Change Message  
Transmission/Reception)  
6. Press [ENTER] again to execute the Bulk Dump.  
If you press [EXIT], the procedure is canceled and you’re  
returned to the previous screen.  
(On/Off, default: On)  
This is an on/off switch for Program Change message  
transmission/reception. These messages are used to select  
Tones.  
Bulk Load  
GW-7 User Tone data and User Performance data saved on an  
external sequencer or other MIDI device can be received via MIDI  
(i.e., reloaded back into the GW-7).  
Velocity Rx (Velocity Reception)  
(On, 1–127, default: On)  
This is an on/off switch for Velocity reception. This applies only  
to the velocity of Note messages received via MIDI. If this is On,  
the GW-7 will use the velocity value that it receives. Otherwise,  
the GW-7 will use the velocity value you specify here.  
User Style and User Song data cannot be received via MIDI. Use  
USB to transfer this data. (p. 24)  
Clock Tx (Clock Message Transmission)  
When you execute Bulk Load, the User Tone and User  
Performance data in the GW-7’s memory will be overwritten.  
You should save any important data on an external MIDI device  
before you proceed.  
(On/Off, default: On)  
This specifies whether MIDI Clock messages will be  
transmitted. Use this when you want a connected external MIDI  
device to synchronize to the GW-7.  
1. Power up the GW-7.  
StartStop Tx (Start/Stop/Continue Message  
Transmission)  
2. Use a separately available MIDI cable to connect the GW-7’s  
MIDI IN connector to your external sequencer’s MIDI OUT  
connector.  
(On/Off, default: On)  
This specifies whether Start/Stop/Continue messages will be  
transmitted.  
Song mode: Start/Stop/Continue  
Style mode: Start/Stop  
3. Transmit the bulk dump from your external sequencer to  
the GW-7.  
SongPos TxRx (Song Position Pointer Message  
Transmission/Reception)  
Using the GW-7 as a MIDI  
Sound Module  
(On/Off, default: On)  
This specifies whether Song Position Pointer messages will be  
transmitted/received to indicate the currently playing position  
in Song mode. If you don’t want this message to be transmitted  
or received, choose the Off setting. This is valid only if MODE  
[SONG] is lit.  
Press [SONG] to put the GW-7 in Song mode.  
27  
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Troubleshooting  
This section provides points to check and actions to take when the  
section for the problem you are experiencing.  
No Sound in a Specific  
Range of Pitches  
Some tones, such as drum sets or bass tones,  
have a limited range of pitches.  
Power Does Not Turn On  
Is the included AC adaptor/power cord  
correctly connected to an AC outlet and to the  
GW-7? (p. 9)  
Effects Are Not Applied  
The reverb and chorus effects for the  
keyboard parts won’t be applied if their  
amounts are set to 0.  
Do not use any AC adaptor and power cord other than the one  
included. Doing so will cause malfunctions.  
No Sound from the GW-7  
Raise the Cho Main, Cho Dual, Cho Split, Rev Main, Rev Dual, and  
Rev Split settings above 0. (p. 19)  
Could the VOLUME knob be turned down?  
If MFX is not OFF, chorus is not applied to  
Main mode/the upper part of Split mode/the  
first tone of Dual mode.  
If playing the keyboard does not produce  
sound, could Local Control be turned OFF?  
Turn Local Ctrl ON. (p. 25, p. 26)  
Could pedal operations or MIDI messages  
(exclusive or volume) received from an  
external MIDI device have lowered the  
volume?  
The Effect Sounds Wrong  
If Tone MFX is OFF, some combinations of  
tones and effects may sound different in  
comparison to other tones.  
Turn the Tone MFX setting ON. Alternatively, select a different MFX  
type. (p. 19)  
No Sound from a Specific  
Part  
Pitch Bend Not Obtained  
When Pitch Bend Lever Is  
Moved  
Could the volume of the part be turned down?  
Adjust the volume parameters (Vol Main, Vol Dual, Vol Split, Vol  
ChordBs, Vol Drum, Vol Bass, Vol Backing). (p. 18)  
Could you have used the Minus-One function  
to mute (silence) a specific part? (p. 23)  
Could the pitch bend range be set to 0?  
Set the P.Bend Range to a value other than 0. (p. 25)  
Does the MIDI receive channel of the part  
match the MIDI transmit channel of the  
connected MIDI device?  
Sound Is Alternately Heard  
from Left and Right  
(Panned) Each Time You  
Play a Note  
Set the MIDI channel of the connected external device to match the  
GW-7. (p. 26)  
No Sound from a Connected  
MIDI Device  
Some tones alternately pan the sound to left  
and right each time you play a note.  
You cannot change this setting for these tones.  
Turn MIDI TxRx to a setting other than OFF. (p. 25, p. 26)  
If the Pan Main, Pan Dual, or Pan Split  
parameters are set to Rnd, the sound will  
alternate between left and right each time you  
play a note. (p. 18)  
Does the MIDI transmit channel of the GW-7’s  
keyboard controller section match the MIDI  
receive channel of the connected MIDI device?  
Set the MIDI channel of the connected external device to match the  
GW-7. (p. 26)  
28  
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Troubleshooting  
Sound Is Distorted  
sound may distort. Adjust the following  
parameters.  
Volume parameters: Vol Main, Vol Dual, Vol Split, Vol  
ChordBs, Vol Drum, Vol Bass, Vol Backing (p. 18)  
Amount of reverb or chorus for the keyboard part: Cho Main,  
Cho Dual, Cho Split, Rev Main, Rev Dual, Rev Split (p. 19)  
Overall volume and volume balance (p. 14)  
Could you be applying an effect such as  
overdrive or distortion which intentionally  
distorts the sound? (p. 20)  
Pitch Is Wrong  
For some tones, the pitch in certain ranges  
may sound different than other tones.  
Could the tuning of the GW-7 be incorrect?  
Check the Master Tune setting. (p. 25)  
Could the pitch have been changed by pedal  
operations or by pitch bend messages  
received from an external MIDI device?  
Notes Are Cut Off  
If you attempt to play more than 64 voices  
simultaneously, currently sounding notes may  
be cut off.  
29  
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Tone Lists  
Button  
No.  
Tone  
Category  
PC  
CC  
00  
CC  
32  
Button  
No.  
Tone  
Category  
PC  
CC  
00  
CC  
32  
PIANO  
1
St.Piano 1  
EuropeanPf  
Piano 2  
PIANO  
1
1
8
16  
0
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
2
2
KBD/  
ORGAN  
72  
73  
Bandoneon  
Harmonica1  
Harmonica2  
Harpsi 2  
ACCORDION  
24  
23  
23  
7
0
0
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
PIANO  
ACCORDION  
3
PIANO  
2
74  
ACCORDION  
1
4
Honkytonk  
Piano 1  
PIANO  
4
0
75  
KEYBOARD  
24  
16  
0
5
PIANO  
1
0
76  
St.Harpsi  
Harpsi 1  
KEYBOARD  
7
6
St.Piano 2  
Piano 3  
PIANO  
2
8
77  
KEYBOARD  
7
7
PIANO  
3
0
78  
CoupledHps  
Clav  
KEYBOARD  
7
8
8
EG+EP 1  
EG+EP 2  
St.Piano 3  
OldUpright  
E.Piano 1  
St.Soft EP  
Dyno EP  
PIANO  
3
1
79  
KEYBOARD  
8
0
9
PIANO  
3
2
80  
Comp Clav  
Pulse Clav  
Celesta  
KEYBOARD  
8
8
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
20  
21  
22  
23  
24  
25  
26  
27  
28  
29  
30  
31  
32  
33  
34  
35  
36  
37  
38  
39  
40  
41  
42  
43  
44  
45  
46  
47  
48  
49  
50  
51  
52  
53  
54  
55  
56  
57  
58  
59  
60  
61  
62  
63  
64  
65  
66  
67  
68  
69  
70  
71  
PIANO  
3
8
81  
KEYBOARD  
8
39  
0
PIANO  
4
8
82  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
CHROMATIC PERC  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ACOUSTIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
9
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ELECTRIC PIANO  
ORGAN  
5
0
83  
Music Box  
Vibraphone  
Marimba  
11  
12  
13  
14  
15  
99  
99  
99  
113  
10  
12  
12  
13  
15  
15  
99  
99  
99  
99  
99  
99  
99  
99  
99  
99  
99  
25  
25  
26  
25  
25  
26  
26  
26  
25  
25  
25  
25  
26  
26  
32  
32  
100  
100  
121  
27  
27  
28  
28  
28  
29  
30  
31  
31  
27  
27  
28  
28  
28  
28  
0
5
8
84  
0
5
47  
48  
10  
24  
32  
16  
24  
25  
26  
0
85  
0
Wurly  
5
86  
Xylophone  
Tublr Bell  
Sft Crystl  
0
EP Legend  
Hard FM EP  
EP Phase  
FM+SA EP  
60s EP  
6
87  
0
6
88  
2
6
89  
LoudGlockn  
Choir&Bell  
TinkleBell  
Glocken  
4
5
90  
16  
0
5
91  
Hard EP  
5
92  
0
Mellow EP  
E.Piano 2  
Detuned EP  
St.FM EP  
Nylon+EP  
Organ 2  
5
93  
Hard Vibe  
St.Vibe  
1
6
94  
8
6
8
95  
St.Marimba  
ChurchBell  
Carillon  
8
6
16  
5
96  
8
100  
18  
17  
17  
17  
17  
17  
17  
17  
18  
19  
19  
19  
19  
20  
20  
20  
20  
21  
17  
17  
17  
17  
17  
17  
17  
17  
17  
17  
18  
18  
18  
18  
20  
21  
22  
22  
22  
22  
22  
22  
22  
22  
22  
22  
22  
97  
9
KBD/  
ORGAN  
0
98  
Crystal  
0
Organ 1  
ORGAN  
0
99  
Syn Mallet  
RndGlocken  
GlcknChime  
Clr Bells  
1
R&B Organ  
Cool Organ  
60s Organ1  
Cheese Org  
Org Oct 2  
Org Oct 1  
Perc Org 1  
Organ 3  
ORGAN  
10  
34  
16  
24  
21  
20  
9
100  
101  
102  
103  
104  
105  
106  
107  
108  
109  
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111  
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125  
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127  
128  
129  
130  
131  
132  
133  
134  
135  
136  
137  
138  
139  
140  
141  
142  
3
ORGAN  
5
ORGAN  
6
ORGAN  
X’mas Bell  
VibraBells  
Digi Bell  
7
ORGAN  
8
ORGAN  
9
ORGAN  
Air Bells  
17  
18  
19  
0
ORGAN  
0
Bell Harp  
Gamelimba  
Nylon Gt 1  
Velo Harm  
Nyln+Steel  
Requint Gt  
FlamencoGt  
StlStr Gt1  
12 Str Gt  
Rotary Org  
RotarySlow  
RotaryFast  
ChurchOrg1  
ChurchOrg2  
OrganFlute  
Trem Flute  
Reed Organ  
Organ 101  
Dtnd Org 1  
Trem Organ  
Organ 109  
60s Organ2  
60s Organ3  
Pop Organ  
Rock Organ  
Even Bar  
ORGAN  
8
ORGAN  
16  
24  
0
GUITAR/  
BASS  
ORGAN  
24  
9
ORGAN  
ORGAN  
8
40  
49  
0
ORGAN  
24  
32  
0
ORGAN  
ORGAN  
8
ORGAN  
1
Mandolin  
16  
8
ORGAN  
7
Ukulele  
ORGAN  
8
Guitarron  
Nylon Gt 2  
Nylon Gt 3  
StlStr Gt2  
Steel+Body  
E.Gt Harm  
Ac.Gt Harm  
Atmosphere  
Nylon Harp  
Gt Fret Nz  
Jazz Gt 1  
PedalSteel  
Clean Gt 2  
JC Cln Gt  
MidTune Gt  
Muted Gt  
Overdrive  
Dist Gt 1  
9
ORGAN  
9
16  
32  
32  
33  
0
ORGAN  
17  
18  
31  
32  
33  
40  
1
ORGAN  
ORGAN  
ORGAN  
ORGAN  
16  
0
Organ Bass  
Organ 201  
Chorus Org  
Dtnd Org 2  
Perc Org 2  
ChurchOrg3  
Puff Organ  
Squeeze Me  
Oktober  
ORGAN  
ORGAN  
2
ORGAN  
8
0
ORGAN  
10  
32  
16  
16  
5
0
ORGAN  
8
ORGAN  
1
ORGAN  
4
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
ACCORDION  
23  
0
6
Vint Accdn  
Romance  
La Seine  
10  
11  
12  
1
0
0
Power Gt 1  
Mellow Gt  
Jazz Gt 2  
Clean Gt 1  
Open Hard  
Chorus Gt  
Clean Gt 3  
16  
1
Accrdn 1  
Accrdn 2  
2
2
Accrdn 3  
3
0
AccrdnJuno  
Accrdn It  
4
3
8
8
Accrdn Fr  
0
48  
30  
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32  
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Category  
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00  
CC  
32  
GUITAR/  
BASS  
143  
144  
145  
146  
147  
148  
149  
150  
151  
152  
153  
154  
155  
156  
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201  
202  
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204  
205  
206  
207  
208  
209  
210  
211  
212  
213  
Mt Dist Bs  
Funk Pop  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
ELECTRIC GUITAR  
BASS  
29  
29  
29  
29  
30  
31  
31  
31  
31  
31  
31  
31  
31  
31  
32  
121  
121  
121  
121  
33  
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40  
40  
40  
40  
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40  
40  
40  
40  
40  
40  
40  
1
8
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
GUITAR/  
BASS  
214  
215  
216  
217  
218  
219  
220  
221  
222  
223  
224  
225  
226  
227  
228  
229  
230  
231  
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234  
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236  
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239  
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250  
251  
252  
253  
254  
255  
256  
257  
258  
259  
260  
261  
262  
263  
264  
265  
266  
267  
268  
269  
270  
271  
272  
273  
274  
275  
276  
277  
278  
279  
280  
281  
282  
283  
284  
Attack Pls  
Str Slap  
BASS  
40  
121  
121  
49  
50  
50  
51  
45  
46  
49  
49  
49  
41  
41  
42  
43  
44  
41  
41  
42  
43  
45  
45  
49  
49  
49  
49  
49  
49  
49  
49  
49  
50  
50  
50  
51  
51  
51  
51  
52  
52  
56  
56  
56  
56  
56  
56  
56  
56  
56  
53  
54  
54  
55  
86  
53  
53  
53  
55  
55  
100  
100  
67  
67  
65  
66  
66  
67  
67  
68  
65  
29  
2
2
2
2
2
2
2
2
2
2
4
4
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
2
2
4
2
4
2
2
BASS  
Funk Gt  
16  
24  
4
Bass Slide  
St.Strings  
St.SlowStr  
Legato Str  
SynStrings  
SuspensStr  
Pizz Str  
BASS  
5
Jazz Man  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
STRINGS  
VOCAL  
16  
10  
8
Gt Pinch  
Dist Gt 2  
1
Dazed Gt  
2
0
Feedback 1  
Feedback 2  
Power Gt 2  
5th Dist  
8
9
9
0
17  
18  
24  
25  
26  
8
XP Strings  
Str Oct  
4
32  
35  
0
Rock Rhy 1  
Rock Rhy 2  
Rock Rhy 3  
Feedback 3  
Gt CutNz 1  
Gt CutNz 2  
Dist CutNz  
PickScrape  
Ac.Bass 1  
Ac.Bass 2  
Fingrd Bs1  
Jazz Bass  
Fingrd Bs3  
Pick Bass1  
Frtlss Bs1  
Slap Bass1  
Syn Bass 1  
Reso SH Bs  
Square Bs  
Ac.Bass 3  
Ac.Bass 4  
Baby Bass  
Fingrd Bs2  
Fingrd Bs4  
FingerSlap  
Pick Bass2  
Mt Pick Bs  
Frtlss Bs2  
Frtlss Bs3  
Frtlss Bs4  
Syn Frtlss  
Mr.Smooth  
Frtlss Bs5  
Fat Frtlss  
OR Str Oct  
Violin 1  
SlowVioln1  
Viola 1  
8
0
1
Cello 1  
0
3
Contrabass  
Violin 2  
0
4
1
6
SlowVioln2  
Viola 2  
9
0
1
BASS  
1
Cello 2  
1
BASS  
0
Trem Str  
0
BASS  
2
Slow Trem  
Strings 1  
Strings 2  
Orchestra1  
Orchestra2  
Trem Orch  
XP Orch  
8
BASS  
3
0
BASS  
0
1
BASS  
0
8
BASS  
0
9
BASS  
0
10  
21  
11  
24  
40  
0
BASS  
16  
22  
2
BASS  
Choir Str  
Velo Str  
BASS  
BASS  
3
60s Str  
BASS  
4
Slow Str 1  
Slow Str 2  
Warm Str  
OB Strings  
Syn Str 1  
70s Str 1  
70s Str 2  
Syn Str 2  
Syn Str 3  
Double Hit  
Orch Hit  
BASS  
1
1
BASS  
4
9
BASS  
7
1
BASS  
3
2
BASS  
8
8
BASS  
1
9
BASS  
2
0
BASS  
3
1
BASS  
4
10  
0
BASS  
5
BASS  
8
Bass Hit  
1
BASS  
48  
8
6th Hit  
2
Reso Slap  
Slap Bass2  
Syn Bs 101  
Juno Bass  
106 Bass  
BASS  
Euro Hit  
3
BASS  
0
Techno Hit  
Impact Hit  
Philly Hit  
4
BASS  
1
8
BASS  
2
9
BASS  
3
Lo-Fi Rave  
St.Choir  
16  
8
Acid Bass  
TB303 Bass  
Techno Bs  
Clav Bass  
Hammer  
BASS  
8
SCAT  
BASS  
9
Humming  
Voice Doos  
Syn Vox  
VOCAL  
40  
0
BASS  
10  
19  
20  
21  
23  
24  
25  
0
VOCAL  
BASS  
VOCAL  
0
BASS  
Solo Vox  
ChoirAahs1  
Mellow Chr  
ChoirAahs2  
Syn Voice  
Ana Voice  
Harp Vox  
HllwReleas  
Blow Tenor  
XP Breathy  
Sop Sax 1  
Alto Sax 1  
XP AltoSax  
Tenor Sax1  
XP Tnr Sax  
Baritn Sax  
Sop Sax 2  
VOCAL  
0
JungleBass  
Pop Syn Bs  
LightSynBs  
FatTB Bass  
Syn Bass 2  
Syn Bs 201  
Mod Bass  
Seq Bass  
BASS  
VOCAL  
0
BASS  
VOCAL  
9
BASS  
VOCAL  
32  
8
BASS  
VOCAL  
BASS  
VOCAL  
19  
3
BASS  
1
VOCAL  
BASS  
2
VOCAL  
4
BASS  
3
SAX/  
BRASS  
SAX  
8
Beef FM Bs  
X Wire Bs  
RubberBass  
SH101 Bs 1  
SH101 Bs 2  
SmoothBass  
Mild Bass  
Detuned Bs  
BASS  
8
SAX  
10  
0
BASS  
9
SAX  
BASS  
16  
17  
18  
19  
20  
21  
SAX  
0
BASS  
SAX  
2
BASS  
SAX  
0
BASS  
SAX  
2
BASS  
SAX  
0
BASS  
SAX  
8
31  
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SAX/  
BRASS  
285  
286  
287  
288  
289  
290  
291  
292  
293  
294  
295  
296  
297  
298  
299  
300  
301  
302  
303  
304  
305  
306  
307  
308  
309  
310  
311  
312  
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315  
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317  
318  
319  
320  
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340  
341  
342  
343  
344  
345  
346  
347  
348  
349  
350  
351  
352  
353  
354  
355  
Alto Sax 2  
Hyper Alto  
Tenor Sax2  
Velo Tenor  
Flute Vib  
SAX  
66  
66  
67  
67  
74  
73  
69  
71  
72  
76  
79  
70  
72  
72  
74  
75  
80  
77  
57  
57  
57  
57  
58  
59  
60  
61  
62  
62  
62  
62  
62  
62  
62  
57  
57  
57  
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64  
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64  
64  
82  
1
8
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
4
4
2
2
2
2
2
2
2
2
2
4
4
4
2
2
2
4
2
2
2
2
2
2
2
2
4
2
4
2
2
2
4
4
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
SYNTH  
356  
357  
358  
359  
360  
361  
362  
363  
364  
365  
366  
367  
368  
369  
370  
371  
372  
373  
374  
375  
376  
377  
378  
379  
380  
381  
382  
383  
384  
385  
386  
387  
388  
389  
390  
391  
392  
393  
394  
395  
396  
397  
398  
399  
400  
401  
402  
403  
404  
405  
406  
407  
408  
409  
410  
411  
412  
413  
414  
415  
416  
417  
418  
419  
420  
421  
422  
423  
424  
425  
426  
SquareWave  
Mellow FM  
CC Solo  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
SYNTH LEAD  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
POLY SYNTHESIZER  
PAD  
81  
81  
81  
81  
82  
82  
82  
82  
82  
82  
83  
83  
85  
85  
85  
81  
81  
81  
81  
81  
81  
82  
82  
82  
82  
82  
82  
82  
82  
83  
84  
87  
87  
88  
88  
88  
88  
91  
91  
97  
100  
101  
89  
89  
97  
97  
97  
98  
90  
90  
90  
90  
92  
92  
92  
94  
94  
96  
96  
96  
98  
100  
102  
103  
104  
90  
90  
93  
94  
95  
96  
0
3
2
2
2
2
2
2
2
2
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
SAX  
SAX  
1
4
SAX  
9
260 Sync  
Saw Wave 1  
Pulse Saw  
GR-300  
17  
0
WIND  
48  
0
Piccolo  
WIND  
2
Oboe  
WIND  
0
6
Bassoon  
WIND  
0
Waspy Syn  
Rhythm Saw  
Seq Saw  
16  
45  
46  
0
Clarinet  
WIND  
1
Pan Flute  
Whistle  
WIND  
0
WIND  
0
SynCalliop  
PurePan Ld  
Charang  
EnglshHorn  
JzClarinet  
BsClarinet  
Flute  
WIND  
0
2
WIND  
0
0
WIND  
8
Wire Lead  
Dist Lead  
Square  
1
WIND  
0
8
Recorder  
Ocarina  
WIND  
0
1
WIND  
0
Hollow Min  
Shmoog  
2
BottleBlow  
Trumpet 1  
Latin Tp 1  
Latin Tp 2  
FlugelHorn  
Trombone 1  
Tuba 1  
WIND  
0
5
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
ACOUSTIC BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH BRASS  
SYNTH LEAD  
0
LM Square  
Sine Wave  
DistSquare  
P5 Saw  
6
7
8
6
16  
1
8
0
Feline GR  
Velo Lead  
LA Saw  
3
0
5
Mute Tp 1  
Fr.Horns 1  
Brass 1  
0
7
0
Dr.Solo  
8
0
Saw Wave 2  
Saw Wave 3  
Natural Ld  
Vent Synth  
Chiffer Ld  
5thSawWave  
Big Fives  
9
Brass Fall  
Twin Tp  
16  
24  
26  
28  
29  
30  
1
10  
36  
1
Tb Sect 1  
Latin Tbs1  
Latin Tbs2  
Brass Oct  
Trumpet 2  
Trumpet 3  
Dark Tp  
0
0
1
Bass&Lead  
Big&Raw  
0
2
1
3
Fat&Perky  
Delayed Ld  
Poly Syn  
2
XP Trumpet  
Bright Tp  
Warm Tp  
Trombone 2  
Trombone 3  
Bright Tb  
Tuba 2  
5
7
24  
25  
1
0
80sPolySyn  
Ice Rain  
1
0
2
Warm Atoms  
Brightness  
Fantasia 1  
Fantasia 2  
Harm Rain  
African wd  
Clav Pad  
1
4
0
1
0
Mute Tp 2  
Fr.Horns 2  
XP Horns  
FrHornSolo  
XP Horn  
2
1
1
1
10  
8
2
8
4
Rave  
8
Horn Orch  
Brass 2  
16  
1
Warm Pad  
Thick Pad  
Rotary Str  
Soft Pad  
0
PAD  
1
Brass 3  
8
PAD  
3
XP Brass 1  
XP Brass 2  
XP Tp&Sax  
Twin Bones  
Tb Sect 2  
Syn Brass1  
Jump Brass  
OctSynBrss  
VeloBrass2  
Poly Brass  
Syn Brass5  
Juno Brass  
Syn Brass3  
Quak Brass  
Oct Brass  
Syn Brass2  
Soft Brass  
Syn Brass4  
VeloBrass1  
Big Lead  
6
PAD  
4
11  
15  
25  
27  
0
SpaceVoice  
Heaven II  
Itopia  
PAD  
0
PAD  
1
PAD  
3
Tine Pad  
PAD  
1
SYNTH  
Panner Pad  
Sweep Pad  
Polar Pad  
Shwimmer  
Soundtrack  
AmbientPad  
Goblin Syn  
ResoPanner  
StarTheme1  
Horn Pad  
Sine Pad  
PAD  
2
5
PAD  
0
16  
17  
1
PAD  
1
PAD  
9
PAD  
0
3
PAD  
6
4
PAD  
1
8
PAD  
5
9
PAD  
0
18  
0
PAD  
2
PAD  
5
1
BowedGlass  
Metal Pad  
Halo Pad  
PAD  
0
8
PAD  
0
16  
4
PAD  
0
Converge  
PAD  
8
32  
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Tone Lists  
Button  
No.  
Tone  
Category  
PC  
CC  
00  
CC  
32  
Button  
No.  
Tone  
Category  
PC  
CC  
00  
CC  
32  
SYNTH  
427  
428  
429  
430  
431  
432  
433  
434  
435  
436  
437  
438  
439  
440  
441  
442  
443  
444  
445  
446  
447  
448  
449  
450  
451  
452  
453  
454  
455  
456  
457  
458  
459  
460  
461  
462  
463  
464  
465  
466  
467  
468  
469  
470  
471  
472  
473  
474  
475  
476  
477  
478  
479  
480  
481  
482  
483  
484  
485  
486  
487  
488  
489  
490  
491  
492  
493  
494  
495  
496  
497  
CelestlPad  
Ancestral  
Prologue  
Goblin  
PAD  
96  
98  
10  
1
2
2
2
2
2
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
2
4
2
2
2
4
4
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
WORLD 1  
WORLD 2  
498  
499  
500  
501  
502  
503  
504  
505  
506  
507  
508  
509  
510  
511  
512  
513  
514  
515  
516  
517  
518  
519  
520  
521  
522  
523  
524  
525  
526  
527  
528  
529  
530  
531  
532  
533  
534  
535  
536  
537  
538  
539  
540  
541  
542  
543  
544  
545  
546  
547  
548  
549  
550  
551  
552  
553  
554  
555  
556  
557  
558  
559  
560  
561  
562  
563  
564  
565  
566  
567  
568  
TamburaDrn  
SteelDrums  
Quena  
WORLD 1  
105  
115  
75  
17  
0
4
2
4
4
4
2
2
4
4
4
4
2
4
4
4
2
2
4
4
4
4
4
4
4
4
2
4
4
2
4
4
4
4
4
4
4
4
4
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
PAD  
WORLD 2  
PAD  
98  
2
WORLD 2  
8
PAD  
102  
102  
103  
103  
103  
103  
103  
103  
104  
105  
105  
105  
111  
111  
111  
113  
113  
113  
47  
0
Zampona  
Duduks  
WORLD 2  
76  
16  
41  
0
50s Sci-Fi  
Echo Drops  
Echo Bell  
Echo Pan 1  
Echo Pan 2  
Big Panner  
WaterPiano  
StarTheme2  
SitarDrone  
Sitar 3  
PAD  
2
WORLD 2  
112  
106  
106  
106  
106  
106  
111  
111  
111  
111  
106  
106  
106  
106  
106  
106  
106  
105  
108  
108  
108  
108  
76  
PAD  
0
Banjo  
WORLD 2  
PAD  
1
Mute Banjo  
Bouzouki  
Saz  
WORLD 2  
1
PAD  
2
WORLD 2  
11  
13  
12  
18  
0
PAD  
3
WORLD 2  
PAD  
4
Tar  
WORLD 2  
PAD  
6
HurdyGurdy  
Fiddle  
WORLD 2  
PAD  
1
WORLD 2  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
WORLD 1  
4
Kemanche  
Gadulka  
WORLD 2  
16  
17  
10  
8
3
WORLD 2  
Sarod  
24  
8
Rabab 2  
Rabab 1  
Oud 1  
WORLD 2  
Erhu  
WORLD 2  
Erhu/Vib  
Erhu/Harm  
Bonang 2  
Gender 2  
Saron  
10  
11  
26  
27  
28  
32  
33  
34  
36  
1
WORLD 2  
24  
25  
27  
26  
28  
9
Oud 2  
WORLD 2  
Oud/Trem  
Oud Trem  
Oud&Str  
Tambura  
Kanoon 2  
Kanoon Oct  
Kanoon&Chr  
Kanoon 1  
Kawala 2  
Kawala Oct  
Kawala 1  
Kaval Duo  
Nay  
WORLD 2  
WORLD 2  
WORLD 2  
Yangqin  
WORLD 2  
Yanqin/Hrd  
Yanqin/Trm  
Yanqin Trm  
Guzheng  
Guzhng/Trm  
Guzhng Trm  
Guzhng/Hrm  
Sanxian  
47  
WORLD 2  
17  
18  
19  
16  
9
47  
WORLD 2  
47  
WORLD 2  
108  
108  
108  
108  
107  
107  
106  
106  
106  
106  
106  
74  
WORLD 2  
2
WORLD 2  
4
WORLD 2  
76  
10  
8
3
WORLD 2  
76  
16  
17  
32  
33  
34  
37  
35  
24  
25  
28  
29  
30  
8
WORLD 2  
76  
32  
18  
19  
24  
25  
26  
42  
16  
2
Sanxn/Trem  
Pipa  
WORLD 2  
74  
Nay Oct  
WORLD 2  
74  
Pipa/Vib  
Pipa/Trem  
Pipa Trem  
Pipa/Harm  
Qudi  
Mizmar  
WORLD 2  
112  
112  
112  
112  
110  
16  
Mizmar Oct  
MizmarDual  
Zourna  
WORLD 2  
WORLD 2  
WORLD 2  
Gajda  
WORLD 2  
Qudi/Orn  
Bangdi  
74  
Santur 3  
Santur 2  
Santur 1  
Cimbalom  
Kalimba  
WORLD 2  
74  
WORLD 2  
16  
1
Bandi/Grwl  
Bandi Grwl  
Xiao  
74  
WORLD 2  
16  
0
74  
WORLD 2  
16  
8
78  
WORLD 2  
109  
13  
0
Xiao/Orn  
Xun  
78  
9
Balafon 1  
Balafon 2  
Log Drum  
Timpani  
WORLD 2  
16  
17  
24  
0
74  
32  
33  
0
WORLD 2  
13  
Xun/Orn  
Shakuhachi  
Hulusi  
74  
WORLD 2  
13  
78  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
PERCUSSION  
SFX  
48  
112  
112  
112  
112  
112  
112  
112  
112  
110  
107  
107  
108  
108  
47  
40  
0
Castanets  
Agogo Bell  
Woodblock  
Taiko  
116  
114  
116  
117  
117  
117  
118  
118  
118  
118  
119  
119  
119  
120  
120  
120  
120  
120  
120  
120  
120  
123  
123  
124  
124  
8
Shanai 1  
Shanai 2  
Pungi  
0
1
0
8
0
Suona  
32  
33  
34  
16  
0
Concert BD  
Mt CncrtBD  
Melo Tom 1  
Real Tom  
Melo Tom 2  
Rock Tom  
Synth Drum  
808 Tom  
Elec Perc  
RevCymbal1  
RevCymbal2  
Rev Snare1  
Rev Snare2  
Rev Kick  
RevCncrtBD  
Rev Tom 1  
Rev Tom 2  
Thunder  
8
Suona/Grwl  
Suona Grwl  
Hichiriki  
9
0
1
Bagpipe  
8
Shamisen  
Tsugaru  
0
9
1
0
Koto  
0
8
TaishoKoto  
Zither  
8
9
24  
0
0
Harp  
47  
1
Bonang 1  
Gender 1  
Gamln Gong  
St.Gamelan  
RamaCymbal  
Atarigane  
Gopichant  
Sitar 2  
113  
113  
113  
113  
113  
114  
106  
105  
105  
105  
8
8
9
9
10  
11  
16  
8
16  
17  
24  
25  
2
16  
1
Wind  
SFX  
3
Sitar 1  
0
Bird 1  
SFX  
0
Dtnd Sitar  
2
Bird 2  
SFX  
3
33  
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Tone Lists  
Button  
No.  
Tone  
Category  
PC  
CC  
00  
CC  
32  
Drum Sets  
WORLD 2  
569  
570  
571  
572  
573  
574  
575  
576  
577  
578  
579  
580  
581  
582  
583  
584  
585  
586  
587  
588  
589  
590  
591  
592  
593  
594  
595  
596  
597  
598  
599  
600  
601  
602  
603  
604  
605  
606  
HorseGallp  
Telephone2  
Helicopter  
Car Engine  
Car-Pass  
Siren  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
SFX  
124  
125  
126  
126  
126  
126  
126  
127  
127  
127  
128  
122  
122  
123  
123  
123  
123  
124  
124  
124  
125  
125  
125  
125  
125  
125  
126  
126  
126  
126  
126  
127  
127  
127  
127  
128  
128  
128  
2
1
0
1
3
5
6
0
1
2
3
0
1
0
1
4
5
1
4
5
0
2
3
4
7
5
2
4
7
8
9
3
4
5
6
0
1
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
2
Button  
No.  
Rhythm  
Category  
PC  
CC  
00  
CC  
32  
DRUMS  
607  
608  
609  
610  
611  
612  
613  
614  
615  
616  
617  
618  
619  
620  
621  
622  
623  
624  
625  
626  
627  
628  
629  
630  
631  
632  
633  
634  
635  
636  
637  
638  
639  
640  
641  
642  
643  
644  
645  
646  
647  
648  
649  
650  
651  
652  
653  
654  
655  
656  
657  
Standard 1  
Jazz Kit 1  
New TR-909  
Hip Hop  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
DRUMS  
1
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
0
2
2
2
2
2
2
2
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
4
2
2
2
2
2
2
2
2
2
2
2
2
2
33  
31  
10  
14  
12  
11  
47  
45  
46  
44  
94  
93  
75  
76  
77  
80  
81  
78  
79  
67  
68  
69  
70  
71  
72  
73  
82  
83  
84  
87  
88  
85  
86  
89  
90  
92  
91  
2
Train  
Applause 1  
Laughing  
Screaming  
Explosion  
Breath Nz  
FlKeyClick  
Seashore  
Rain  
R&B  
Tech&House  
Drum’n’Bss  
Latin Perc  
India Perc  
GamelanPrc  
China Perc  
India Kit  
Stream  
Bubble  
OrientlKit  
Std Latin  
Dog  
Kitty  
Jazz Latin  
TR909Latin  
HipHopLatn  
R&B Latin  
TechnoLatn  
D’n’B Latn  
Std Asia  
Growl  
Telephone1  
Door Creak  
Door  
Scratch 1  
Scratch 2  
WindChimes  
Car-Stop  
Car-Crash  
Jetplane  
Starship  
Burst Nz  
Punch  
Jazz Asia  
TR909 Asia  
HipHopAsia  
R&B Asia  
TechnoAsia  
D’n’B Asia  
Std OR  
Heart Beat  
Footsteps  
Applause 2  
Gun Shot  
MachineGun  
Laser Gun  
Jazz OR  
TR-909 OR  
HipHop OR  
R&B OR  
Techno OR  
D’n’B OR  
MxKit&Latn  
MxKt&India  
MxKit&OR  
MxKit&Chin  
Standard 2  
Standard 3  
Room  
3
9
Power  
17  
34  
41  
49  
50  
25  
26  
27  
51  
57  
Jazz Kit 2  
Brush Kit  
Orchestra  
Ethnic  
Electronic  
TR-808&909  
Dance  
Kick&Snare  
SFX  
34  
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Drum Sets  
PC: 1 [CC32: 2]  
Standard 1  
PC: 33 [CC32: 2]  
Jazz Kit 1  
PC: 31 [CC32: 2]  
New TR-909  
PC: 10 [CC32: 2]  
Hip Hop  
PC: 14 [CC32: 2]  
R&B  
PC: 12 [CC32: 2]  
Tech&House  
PC: 11 [CC32: 2]  
Drum'n'Bss  
PC: 47 [CC32: 4]  
Latin Perc  
PC: 45 [CC32: 4]  
India Perc  
PC: 46 [CC32: 4]  
GamelanPrc  
PC: 44 [CC32: 4]  
China Perc  
9
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------------  
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909 Kick  
------------  
------------  
909 Kick 3  
House Kick  
909 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
High-Q  
Slap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
------------  
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Voice 1  
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------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Tabla Ge  
Tabla Ge  
Tabla Te  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Wadon 6  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Gu Roll  
Gu Hi  
HuYinLuoL Op  
Changgo  
Asian Gong  
Tang Gu Mt  
Tang Gu Op  
Shu Gu Rim  
Shu Gu  
Shu Ban 2  
Ban Gu 4  
Tang Gu Op  
Nao Bo  
10  
909 Kick 3  
House Kick  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
909 Kick 3  
House Kick  
TR-808 Kick  
909 Kick  
909 Kick2  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
High-Q  
Slap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
HipHop Kick  
SimpleKick  
Side Stick  
HipHop Snare  
FunkClap  
HipHopSnare2  
Real Tom 6  
HipHopCHH  
Real Tom 6  
HipHopCHH  
Real Tom 4  
HipHopOHH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
909 Kick 3  
909 Kick2  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
11  
House Kick  
TR-808 Kick  
HipHop Kick  
909 Kick2  
R&B OHHsh  
R&B OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
High-Q  
Slap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick 3  
SimpleKick  
Side Stick  
R&B Snare  
R&B Clap  
909Snare2  
Real Tom 6  
R&B CHH  
Real Tom 6  
R&B CHH  
Real Tom 4  
R&B OHH  
Real Tom 4  
Real Tom 1  
909 Crash  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
3
C0 12  
13  
14  
15  
16  
17  
18  
20  
22  
19  
21  
23  
C1 24  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
25  
27  
26  
High-Q  
Slap  
High-Q  
Slap  
28  
29  
Slap  
Slap  
ScratchPush  
ScratchPull  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Kick 1  
Kick 2  
Side Stick  
Snare 2  
ScratchPush  
ScratchPull  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
909 Kick2  
Side Stick  
909 Snare  
909Clap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
House Kick  
Side Stick  
Techno Snare  
909Clap  
House Snare  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 OHH  
Synth Drum 2  
Synth Drum 2  
909 Crash  
Synth Drum 2  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
30  
32  
34  
31  
33  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Jazz Kick 2  
Jazz Kick 1  
Side Stick  
Jazz Snare 1  
Hand Clap2  
Jazz Snare  
Real Tom 6  
Jazz Clsd.HH  
Real Tom 6  
Jazz Pedl.HH  
Real Tom 4  
Jazz Open HH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
TR-808 Kick  
909 Kick2  
Side Stick  
Jungle Snare  
909Clap  
35  
C2 36  
Voice 2  
37  
39  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
38  
909Clap  
Snare 1  
40  
41  
909Snare2  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 OHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
808 Conga  
808 Conga  
808 Conga  
High Timbale  
Low Timbale  
Agogo  
Ps Snare  
808 Tom 2  
R&B CHH  
808 Tom 2  
R&B CHH  
808 Tom 2  
HipHopOHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
808 Conga  
808 Conga  
808 Conga  
High Timbale  
Low Timbale  
Agogo  
Real Tom 6  
Close HiHat  
Real Tom 6  
Pedal HiHat  
Real Tom 4  
Open HiHat  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
42  
44  
46  
Tang Gu Mt  
Xiao Bo  
43  
45  
Dhol  
Tang Gu Op  
HuYinLuoH Op  
Tang Gu Mt  
Tang Gu Op  
HuYinLuoH Op  
Tang Gu Mt  
Shou Luo 1  
HuYinLuoL Mt  
Shou Luo 2  
Xiao Bo  
KwaengwariMt  
Tabla Ge  
Dholak 1  
Kwaengwari f  
Tabla Te  
Rama Cymbal  
Gamelan Gong  
Kwaengwari f  
Ceng Ceng  
Kopyak Op  
Saron  
Kopyak Mt  
Saron  
Gamelan Gong  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Bonang  
Gender  
Gender  
Gender  
Gender  
Gender  
Gender  
Gender  
Gender  
Gender  
Gender  
Gender  
Gender  
Saron  
Saron  
Saron  
47  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Caixa  
Repinique 1  
Repinique 2  
Repinique  
Quide  
C3 48  
49  
51  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Splash Cym.  
Nao Bo  
Crash Cym.1  
Vibraslap  
Ride Bell  
Conga MtLow  
Cga Mute Hi  
Cga Mute Lo  
Dholak 1  
50  
52  
53  
Tambourine  
Splash Cym.  
Cowbell  
Tambourine  
Splash Cym.  
Cowbell  
Tambourine  
Splash Cym.  
Cowbell  
54  
56  
58  
Ban Gu 4  
Nao Bo  
55  
57  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
Guiro  
HuYinLuoH Op  
HuYinLuoH Mt  
HuYinLuoL Mt  
Cga Mute Hi  
Cga Mute Lo  
Dholak 1  
Dholak 2  
Dhol  
Wadon 6  
Wadon 1  
Wadon 5  
Wadon 7  
Wadon 3  
Wadon 4  
Wadon 2  
Wadaiko  
Ohkawa 2  
Shimedaiko 1  
Shimedaiko 2  
Mokugyo 1  
Mokugyo 2  
Kane Side  
Wadaiko Rim  
Kwaengwari p  
Shu Gu Rim  
Kane  
RecoReco  
Mtl Guiro  
Maracas  
Shaker  
Cabasa  
Caxixi  
59  
C4 60  
61  
63  
62  
64  
65  
Ganza  
Dholak 2  
Dhol 1  
Agogo 1  
Agogo 2  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Wadon 6  
Wadon 1  
Wadon 5  
Wadon 7  
Wadon 3  
Wadon 4  
Wadon 2  
Wadaiko Rim  
DJembe  
Djembe rim  
Open Surdo  
Mute Surdo  
Tamborim  
Talking Drum  
Bend Tlk Drm  
Mut Pandiero  
Opn Pandiero  
Req Dum  
Req Tik  
Sitar 3  
Sitar 3  
Sitar 3  
Sitar 3  
Sitar 3  
Sitar 3  
Sitar 3  
Sitar 3  
66  
68  
70  
67  
69  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
808marac  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
808clave  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
808marac  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
808clave  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
71  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bar Chimes  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Hoo  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Hoo  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Hoo  
C5 72  
73  
75  
74  
76  
77  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
78  
80  
82  
Hoo  
Hoo  
Hoo  
79  
81  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Mute Triangle  
Open Triangle  
Shaker  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
83  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Ban Gu 4  
Gamelan Gong  
Saron  
C6 84  
85  
87  
Wind Bell  
Kopyak Mt  
Kopyak Op  
Chenchen Opn  
Chenchen Cls  
Ceng Ceng  
Kwaengwari p  
Kwaengwari f  
KwaengwariMt  
Req Slap  
Jingle Bell  
Sagat Open  
Sagat Close  
Ban Gu 1  
Ban Gu 2  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
86  
Saron  
Saron  
Saron  
Saron  
Saron  
Saron  
Saron  
Saron  
88  
89  
90  
92  
94  
91  
93  
Sitar 3  
Sitar 3  
Sitar 3  
Sitar 3  
95  
Saron  
Saron  
C7 96  
97  
99  
Real Tom 6  
Real Tom 4  
Real Tom 4  
Real Tom 1  
Real Tom 1  
909Clap  
High Timbale  
Mute Triangle  
Open Triangle  
Maracas  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
98  
100  
101  
102  
104  
106  
103  
105  
107  
Shaker  
C8 108  
Tambourine  
Jingle Bell  
Bar Chimes  
Kane  
109  
111  
110  
112  
------------  
------------  
------------  
------------  
35  
Download from Www.Somanuals.com. All Manuals Search And Download.  
 
Drum Sets  
PC: 94 [CC32: 4]  
India Kit  
PC: 93 [CC32: 4]  
Orientl Kit  
PC: 75 [CC32: 4]  
Std Latin  
PC: 76 [CC32: 4]  
Jazz Latin  
PC: 77 [CC32: 4]  
TR909Latin  
PC: 80 [CC32: 4]  
HipHopLatn  
PC: 81 [CC32: 4]  
R&B Latin  
PC: 78 [CC32: 4]  
TechnoLatn  
PC: 79 [CC32: 4]  
D'n'B Latn  
PC: 67 [CC32: 4]  
Std Asia  
PC: 68 [CC32: 4]  
Jazz Asia  
9
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
909 Kick 3  
House Kick  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
------------  
909 Kick 3  
House Kick  
TR-808 Kick  
909 Kick  
909 Kick2  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
------------  
909 Kick  
------------  
909 Kick 3  
909 Kick2  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
------------  
909 Kick 3  
House Kick  
909 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
10  
11  
Mix HH Cl 4  
Mix HH Cl 1  
Mix HH Cl 2  
Mix HH Cl 3  
Mix HH Op 1  
Mix HH Op 2  
Mix Snare 1  
Mix Snare 2  
Mix Snare 3  
Mix Snare 4  
Mix Kick 2  
Mix Kick 3  
Mix Kick 4  
Mix Kick 1  
Snare Roll  
Finger Snap  
High-Q  
Mix HH Cl 4  
Mix HH Cl 1  
Mix HH Cl 2  
Mix HH Cl 3  
Mix HH Op 1  
Mix HH Op 2  
Mix Snare 1  
Mix Snare 2  
Mix Snare 3  
Mix Snare 4  
Mix Kick 2  
Mix Kick 3  
Mix Kick 4  
Mix Kick 1  
Snare Roll  
Finger Snap  
High-Q  
House Kick  
TR-808 Kick  
HipHop Kick  
909 Kick2  
R&B OHHsh  
R&B OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
3
C0 12  
13  
14  
15  
16  
17  
18  
20  
22  
19  
21  
Two  
Three  
Four  
Snare Roll  
Snap  
Two  
Three  
Four  
Snare Roll  
Snap  
Two  
Three  
Four  
Snare Roll  
Snap  
Two  
Three  
Four  
Snare Roll  
Snap  
23  
C1 24  
------------  
------------  
------------  
------------  
------------  
------------  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
25  
27  
26  
High-Q  
High-Q  
High-Q  
High-Q  
High-Q  
28  
29  
------------  
------------  
------------  
------------  
------------  
Wadaiko  
Mute Surdo  
TR-707 BD Low  
TR-707 BD Low  
TR-707 Rim  
TR-707 SD  
909Clap  
TR-707 SD  
Real Tom 6  
TR-707 HH-c  
Real Tom 6  
TR-707 HH-c  
Real Tom 4  
TR-707 HH-o  
Real Tom 4  
Real Tom 1  
TR-707 Crash  
Real Tom 1  
Ride Cymbal  
Doholla Dom  
Doholla Sak  
Jingle Bell  
Doholla Tak2  
Cowbell  
------------  
------------  
------------  
------------  
------------  
Wadaiko  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
ScratchPush  
ScratchPull  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Kick 1  
Kick 2  
Side Stick  
Snare 2  
ScratchPush  
ScratchPull  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
909 Kick2  
Side Stick  
909 Snare  
909Clap  
909Snare2  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 OHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Voice 1  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
House Kick  
Side Stick  
Techno Snare  
909Clap  
House Snare  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 OHH  
Synth Drum 2  
Synth Drum 2  
909 Crash  
Synth Drum 2  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Scrtch Push2  
Scrtch Pull2  
Sticks  
ScratchPush  
ScratchPull  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Kick 1  
Kick 2  
Side Stick  
Snare 2  
ScratchPush  
ScratchPull  
Sticks  
30  
32  
34  
31  
33  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Jazz Kick 2  
Jazz Kick 1  
Side Stick  
Jazz Snare 1  
Hand Clap2  
Jazz Snare  
Real Tom 6  
Jazz Clsd.HH  
Real Tom 6  
Jazz Pedl.HH  
Real Tom 4  
Jazz Open HH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
HipHop Kick  
SimpleKick  
Side Stick  
HipHop Snare  
FunkClap  
HipHopSnare2  
Real Tom 6  
HipHopCHH  
Real Tom 6  
HipHopCHH  
Real Tom 4  
HipHopOHH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick 3  
SimpleKick  
Side Stick  
R&B Snare  
R&B Clap  
909Snare2  
Real Tom 6  
R&B CHH  
Real Tom 6  
R&B CHH  
Real Tom 4  
R&B OHH  
Real Tom 4  
Real Tom 1  
909 Crash  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
TR-808 Kick  
909 Kick2  
Side Stick  
Jungle Snare  
909Clap  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Jazz Kick 2  
Jazz Kick 1  
Side Stick  
Jazz Snare 1  
Hand Clap2  
Jazz Snare  
Real Tom 6  
Jazz Clsd.HH  
Real Tom 6  
Jazz Pedl.HH  
Real Tom 4  
Jazz Open HH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
Mute Surdo  
TR-707 BD  
TR-707 BD  
TR-707 Rim  
TR-707 SD  
Hand Clap ST  
TR-707 SD  
Tom  
TR-707 HH-c  
Tom  
TR-707 HH-c  
Tom  
TR-707 HH-o  
Tom  
Tom  
TR-707 Crash  
Tom  
35  
C2 36  
37  
39  
38  
909Clap  
Snare 1  
909Clap  
Snare 1  
40  
41  
Ps Snare  
808 Tom 2  
R&B CHH  
808 Tom 2  
R&B CHH  
808 Tom 2  
HipHopOHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Voice 1  
Real Tom 6  
Close HiHat  
Real Tom 6  
Pedal HiHat  
Real Tom 4  
Open HiHat  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Voice 1  
Real Tom 6  
Close HiHat  
Real Tom 6  
Pedal HiHat  
Real Tom 4  
Open HiHat  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Tabla Ge  
Tabla Te  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
42  
44  
46  
43  
45  
47  
C3 48  
49  
51  
50  
Ride Cymbal  
Doholla Dom  
Doholla Sak  
Tambourine  
Doholla Tak2  
Cowbell  
52  
53  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Voice 1  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Tabla Ge  
54  
56  
58  
55  
57  
Doholla Tak1  
Cabasa  
Doff Dom  
Tabla Ge  
Tabla Te  
Doholla Tak1  
Cabasa  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Voice 1  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Voice 1  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Voice 1  
59  
Doff Dom  
Doff Tak 2  
Low Bongo  
Doff Tak 3  
Bongo High  
Doff Tak 1  
Tabla Dom  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Req Dom2  
Req Tak2  
Req Dom1  
Req Tak1  
Req Rim  
Req Slap  
ZaghrutaLoop  
Req Khan-c  
ZaghrutaStop  
Req Khan-o  
Req Loop  
Req Slap  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mix Snare 1  
Mix Snare 2  
Mix Snare 3  
Mix Snare 4  
Mix Kick 2  
Mix Kick 3  
Mix Kick 4  
Mix Kick 1  
Mix HH Cl 4  
Mix HH Cl 1  
Mix HH Cl 2  
Mix HH Cl 3  
Mix HH Op 1  
Mix HH Op 2  
Mute Triangle  
Open Triangle  
------------  
C4 60  
Voice 2  
Voice 2  
Voice 2  
Voice 2  
Voice 2  
Voice 2  
Voice 2  
Tabla Te  
61  
63  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Caixa  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Caixa  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Caixa  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
Opn Pandiero  
Req Dum  
Req Tik  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
62  
64  
65  
66  
68  
70  
67  
69  
71  
C5 72  
73  
75  
74  
76  
77  
Caixa  
Caixa  
Caixa  
Caixa  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Caxixi  
Ganza  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Caxixi  
Ganza  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Caxixi  
Ganza  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Caxixi  
Ganza  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
Ceng Ceng  
Splash Cym.  
Nao Bo  
Crash Cym.1  
Vibraslap  
78  
80  
82  
79  
81  
Opn Pandiero  
Req Dum  
Req Tik  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
Wadon 7  
Wadon 4  
83  
Ride Bell  
Conga MtLow  
Cga Mute Hi  
Cga Mute Lo  
Dholak 1  
Dholak 2  
Dhol 1  
Wadon 6  
Wadon 1  
Wadon 5  
Wadon 7  
Wadon 3  
Wadon 4  
Wadon 2  
Wadaiko Rim  
DJembe  
Djembe rim  
Open Surdo  
Mute Surdo  
Tamborim  
Talking Drum  
Bend Tlk Drm  
Mut Pandiero  
Opn Pandiero  
Req Dum  
C6 84  
Caxixi  
Ganza  
Caxixi  
Ganza  
Caxixi  
Ganza  
85  
87  
86  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
Agogo 2  
RecoReco  
Mtl Guiro  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
88  
89  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
90  
92  
94  
Kane Side  
Wadon 1  
Kane  
91  
93  
Dhol  
Dhol  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
95  
C7 96  
97  
99  
98  
100  
101  
102  
104  
106  
103  
105  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Agogo 2  
Agogo 2  
Agogo 2  
Agogo 2  
Agogo 2  
Agogo 2  
107  
RecoReco  
Mtl Guiro  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
RecoReco  
Mtl Guiro  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
RecoReco  
Mtl Guiro  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
RecoReco  
Mtl Guiro  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
RecoReco  
Mtl Guiro  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
RecoReco  
Mtl Guiro  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
C8 108  
Req Tik  
109  
111  
High Timbale  
Mute Triangle  
Open Triangle  
Maracas  
Shaker  
Bar Chimes  
Kane  
Bombo 1  
Bombo 2  
Bombo 3  
Bombo 4  
Bombo 5  
------------  
------------  
110  
112  
113  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
114  
116  
115  
36  
Download from Www.Somanuals.com. All Manuals Search And Download.  
Drum Sets  
PC: 1 [CC69: 4]  
TR909 Asia  
PC: 70 [CC32: 4]  
HipHop Asia  
PC: 71 [CC32: 4]  
R&B Asia  
PC: 72 [CC32: 4]  
TechnoAsia  
PC: 73 [CC32: 4]  
D'n'B Asia  
PC: 82 [CC32: 4]  
Std OR  
PC: 83 [CC32: 4]  
Jazz OR  
PC: 84 [CC32: 4]  
TR-909 OR  
PC: 87 [CC32: 4]  
HipHop OR  
PC: 88 [CC32: 4]  
R&B OR  
PC: 85 [CC32: 4]  
Techno OR  
9
------------  
------------  
------------  
909 Kick  
------------  
------------  
909 Kick 3  
House Kick  
909 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
909 Kick  
------------  
10  
909 Kick 3  
House Kick  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
909 Kick 3  
House Kick  
TR-808 Kick  
909 Kick  
909 Kick2  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
909 Kick 3  
909 Kick2  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
909 Kick 3  
House Kick  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
909 Kick 3  
House Kick  
TR-808 Kick  
909 Kick  
909 Kick2  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
909 Kick 3  
909 Kick2  
TR-808 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
11  
House Kick  
TR-808 Kick  
HipHop Kick  
909 Kick2  
R&B OHHsh  
R&B OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
Mix HH Cl 4  
Mix HH Cl 1  
Mix HH Cl 2  
Mix HH Cl 3  
Mix HH Op 1  
Mix HH Op 2  
Mix Snare 1  
Mix Snare 2  
Mix Snare 3  
Mix Snare 4  
Mix Kick 2  
Mix Kick 3  
Mix Kick 4  
Mix Kick 1  
Snare Roll  
Finger Snap  
High-Q  
Mix HH Cl 4  
Mix HH Cl 1  
Mix HH Cl 2  
Mix HH Cl 3  
Mix HH Op 1  
Mix HH Op 2  
Mix Snare 1  
Mix Snare 2  
Mix Snare 3  
Mix Snare 4  
Mix Kick 2  
Mix Kick 3  
Mix Kick 4  
Mix Kick 1  
Snare Roll  
Finger Snap  
High-Q  
House Kick  
TR-808 Kick  
HipHop Kick  
909 Kick2  
R&B OHHsh  
R&B OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
3
C0 12  
13  
14  
15  
16  
17  
18  
20  
22  
19  
21  
Two  
Three  
Four  
Snare Roll  
Snap  
23  
C1 24  
25  
27  
26  
High-Q  
High-Q  
High-Q  
High-Q  
High-Q  
High-Q  
High-Q  
High-Q  
High-Q  
28  
29  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
909 Kick2  
Side Stick  
909 Snare  
909Clap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
House Kick  
Side Stick  
Techno Snare  
909Clap  
House Snare  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 OHH  
Synth Drum 2  
Synth Drum 2  
909 Crash  
Synth Drum 2  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Tabla Ge  
Tabla Te  
Scrtch Push2  
Scrtch Pull2  
Sticks  
ScratchPush  
ScratchPull  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Kick 1  
Kick 2  
Side Stick  
Snare 2  
ScratchPush  
ScratchPull  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
909 Kick2  
Side Stick  
909 Snare  
909Clap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick  
House Kick  
Side Stick  
Techno Snare  
909Clap  
House Snare  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 CHH  
Synth Drum 2  
TR-909 OHH  
Synth Drum 2  
Synth Drum 2  
909 Crash  
Synth Drum 2  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
30  
32  
34  
31  
33  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
HipHop Kick  
SimpleKick  
Side Stick  
HipHop Snare  
FunkClap  
HipHopSnare2  
Real Tom 6  
HipHopCHH  
Real Tom 6  
HipHopCHH  
Real Tom 4  
HipHopOHH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Tabla Ge  
Tabla Te  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick 3  
SimpleKick  
Side Stick  
R&B Snare  
R&B Clap  
909Snare2  
Real Tom 6  
R&B CHH  
Real Tom 6  
R&B CHH  
Real Tom 4  
R&B OHH  
Real Tom 4  
Real Tom 1  
909 Crash  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Tabla Ge  
Tabla Te  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
TR-808 Kick  
909 Kick2  
Side Stick  
Jungle Snare  
909Clap  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Jazz Kick 2  
Jazz Kick 1  
Side Stick  
Jazz Snare 1  
Hand Clap2  
Jazz Snare  
Real Tom 6  
Jazz Clsd.HH  
Real Tom 6  
Jazz Pedl.HH  
Real Tom 4  
Jazz Open HH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
HipHop Kick  
SimpleKick  
Side Stick  
HipHop Snare  
FunkClap  
HipHopSnare2  
Real Tom 6  
HipHopCHH  
Real Tom 6  
HipHopCHH  
Real Tom 4  
HipHopOHH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Doff Dom  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
909 Kick 3  
SimpleKick  
Side Stick  
R&B Snare  
R&B Clap  
909Snare2  
Real Tom 6  
R&B CHH  
Real Tom 6  
R&B CHH  
Real Tom 4  
R&B OHH  
Real Tom 4  
Real Tom 1  
909 Crash  
Real Tom 1  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
35  
C2 36  
37  
39  
38  
909Clap  
Snare 1  
40  
41  
909Snare2  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 OHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Tabla Ge  
Tabla Te  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
Ps Snare  
808 Tom 2  
R&B CHH  
808 Tom 2  
R&B CHH  
808 Tom 2  
HipHopOHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Tabla Ge  
Tabla Te  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
909Snare2  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 CHH  
808 Tom 2  
TR-909 OHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Doff Dom  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
Real Tom 6  
Close HiHat  
Real Tom 6  
Pedal HiHat  
Real Tom 4  
Open HiHat  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
42  
44  
46  
43  
45  
47  
C3 48  
49  
51  
50  
52  
53  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Tambourine  
Splash Cym.  
Cowbell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
54  
56  
58  
55  
57  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Doff Dom  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
59  
Ride Cymbal  
Doff Dom  
Ride Cymbal  
Doff Dom  
Ride Cymbal  
Doff Dom  
C4 60  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
61  
63  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
62  
64  
65  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
Opn Pandiero  
Req Dum  
Req Tik  
66  
68  
70  
67  
69  
71  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
C5 72  
73  
75  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
Opn Pandiero  
Req Dum  
Req Tik  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
Opn Pandiero  
Req Dum  
Req Tik  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
Opn Pandiero  
Req Dum  
Req Tik  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
Opn Pandiero  
Req Dum  
Req Tik  
74  
76  
77  
78  
80  
82  
79  
81  
83  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
Tabla Na  
Tabla Na  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Tabla Na  
Tabla Na  
Tabla Na  
Tabla Na  
C6 84  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
Udo Short  
Udo Long  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
Udo Short  
Udo Long  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
Udo Short  
Udo Long  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
Udo Short  
Udo Long  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
Udo Short  
Udo Long  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
85  
87  
86  
88  
89  
90  
92  
94  
91  
93  
Dhol  
Dhol  
Dhol  
Dhol  
Dhol  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
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------------  
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------------  
------------  
------------  
------------  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
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------------  
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------------  
------------  
------------  
------------  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
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95  
C7 96  
97  
99  
98  
100  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
101  
102  
104  
106  
103  
105  
Udo Short  
Udo Long  
107  
C8 108  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
Wadon 1  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
Mute Surdo  
Mute Triangle  
Open Triangle  
109  
111  
110  
112  
113  
Wadon 1  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
Mute Surdo  
Mute Triangle  
Open Triangle  
Wadon 1  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
Mute Surdo  
Mute Triangle  
Open Triangle  
Wadon 1  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
Mute Surdo  
Mute Triangle  
Open Triangle  
Wadon 1  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
Mute Surdo  
Mute Triangle  
Open Triangle  
Wadon 1  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
Mute Surdo  
Mute Triangle  
Open Triangle  
114  
116  
118  
115  
117  
119  
C9 120  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
121  
123  
122  
37  
Download from Www.Somanuals.com. All Manuals Search And Download.  
Drum Sets  
PC: 86 [CC32: 4]  
D'n'B OR  
PC: 89 [CC32: 4]  
MxKit&Latin  
PC: 90 [CC32: 4]  
MxKt&India  
PC: 92 [CC32: 4]  
MxKit&OR  
PC: 91 [CC32: 4]  
MxKit&Chin  
PC: 2 [CC32: 2]  
Standard 2  
PC: 3 [CC32: 2]  
Standard 3  
PC: 9 [CC32: 2]  
Room  
PC: 17 [CC32: 2]  
Power  
PC: 34 [CC32: 2]  
Jazz Kit 2  
PC: 41 [CC32: 2]  
Brush Kit  
9
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Kick 1  
Kick 2  
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10  
909 Kick 3  
House Kick  
909 Kick  
HipHop Kick  
SimpleKick  
TR-909 OHHsh  
TR-909 OHH  
Ah  
Ha  
ShutHa  
ShutHi  
One  
Two  
Three  
Four  
Snare Roll  
Snap  
High-Q  
Slap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
11  
3
C0 12  
13  
14  
15  
16  
17  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
18  
20  
22  
Mix Rev 5  
Mix Rev 4  
Mix Rev 3  
Mix Rev 2  
Mix Rev 1  
TR-808 Kick  
Mix Sandy 1  
Mix Kick 4  
Mix Sandy 2  
Mix Kick 3  
House Kick  
Mix Sandy 3  
Mix Kick 1  
Mix Sandy 4  
Mix Kick 2  
Mix Sandy 5  
Mix Kick 5  
Mix Kick 6  
TR-707 Rim  
Mix Snare 1  
Mix Clap  
Mix Snare 5  
Mix Snare 6  
Norm HH Cl  
Mix Snare 2  
Norm HH Pd  
909Snare2  
Norm HH Op  
Mix Snare 3  
Jungle Snare  
Mix HH Cl 4  
TR-707 SD  
Mix HH Cl 1  
Snare 1  
Mix Rev 5  
Mix Rev 4  
Mix Rev 3  
Mix Rev 2  
Mix Rev 1  
TR-808 Kick  
Mix Sandy 1  
Mix Kick 4  
Mix Sandy 2  
Mix Kick 3  
House Kick  
Mix Sandy 3  
Mix Kick 1  
Mix Sandy 4  
Mix Kick 2  
Mix Sandy 5  
Mix Kick 5  
Mix Kick 6  
TR-707 Rim  
Mix Snare 1  
Mix Clap  
Mix Snare 5  
Mix Snare 6  
Norm HH Cl  
Mix Snare 2  
Norm HH Pd  
909Snare2  
Norm HH Op  
Mix Snare 3  
Jungle Snare  
Mix HH Cl 4  
TR-707 SD  
Mix HH Cl 1  
Snare 1  
Mix Rev 5  
Mix Rev 4  
Mix Rev 3  
Mix Rev 2  
Mix Rev 1  
TR-808 Kick  
Mix Sandy 1  
Mix Kick 4  
Mix Sandy 2  
Mix Kick 3  
House Kick  
Mix Sandy 3  
Mix Kick 1  
Mix Sandy 4  
Mix Kick 2  
Mix Sandy 5  
Mix Kick 5  
Mix Kick 6  
TR-707 Rim  
Mix Snare 1  
Mix Clap  
Mix Snare 5  
Mix Snare 6  
Norm HH Cl  
Mix Snare 2  
Norm HH Pd  
909Snare2  
Norm HH Op  
Mix Snare 3  
Jungle Snare  
Mix HH Cl 4  
TR-707 SD  
Mix HH Cl 1  
Snare 1  
Snare Roll  
Mix HH Cl 2  
Mix Snare 4  
Mix HH Cl 3  
Side Stick  
Mix HH Op 1  
Mix HH Op 2  
Doff Dom  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
Tabla Na  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Mix Rev 5  
Mix Rev 4  
Mix Rev 3  
Mix Rev 2  
Mix Rev 1  
TR-808 Kick  
Mix Sandy 1  
Mix Kick 4  
Mix Sandy 2  
Mix Kick 3  
House Kick  
Mix Sandy 3  
Mix Kick 1  
Mix Sandy 4  
Mix Kick 2  
Mix Sandy 5  
Mix Kick 5  
Mix Kick 6  
TR-707 Rim  
Mix Snare 1  
Mix Clap  
Mix Snare 5  
Mix Snare 6  
Norm HH Cl  
Mix Snare 2  
Norm HH Pd  
909Snare2  
Norm HH Op  
Mix Snare 3  
Jungle Snare  
Mix HH Cl 4  
TR-707 SD  
Mix HH Cl 1  
Snare 1  
Snare Roll  
Mix HH Cl 2  
Mix Snare 4  
Mix HH Cl 3  
Side Stick  
Mix HH Op 1  
Mix HH Op 2  
Tang Gu Op  
Shu Gu Rim  
Shu Gu  
Shu Ban 2  
Ban Gu 4  
Tang Gu Op  
Nao Bo  
Tang Gu Mt  
Xiao Bo  
19  
21  
23  
C1 24  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
25  
27  
26  
28  
29  
Slap  
Slap  
Slap  
Slap  
Slap  
Slap  
ScratchPush  
ScratchPull  
Sticks  
ScratchPush  
ScratchPull  
Sticks  
ScratchPush  
ScratchPull  
Sticks  
ScratchPush  
ScratchPull  
Sticks  
ScratchPush  
ScratchPull  
Sticks  
ScratchPush  
ScratchPull  
Sticks  
30  
32  
34  
31  
33  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
TR-808 Kick  
909 Kick2  
Side Stick  
Jungle Snare  
909Clap  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Std2 Kick2  
Std.2 Kick1  
Side Stick  
Std.2 Snare1  
808clap  
Std.2 Snare2  
Real Tom 6  
Jazz Clsd.HH  
Real Tom 6  
Pedal HiHat  
Real Tom 4  
Jazz Open HH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Std.1 Kick2  
Std.1 Kick1  
Side Stick  
Std.1 Snare1  
808clap  
Std.1 Snare2  
Real Tom 6  
Close HiHat  
Real Tom 6  
Pedal HiHat  
Real Tom 4  
Open Hi Hat  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Room Kick 2  
Room Kick 1  
Side Stick  
Room Snare 1  
808clap  
Room Snare 2  
Room Tom 5  
Room Chh  
Room Tom 5  
Pedal HiHat  
Room Tom 2  
R8 Ohh2  
Room Tom 2  
Room Tom 2  
Crash Cym.1  
Room Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Power Kick2  
Power Kick1  
Side Stick  
Dance Snare1  
808clap  
Power Snare1  
Rock Tom 4  
Room Chh  
Rock Tom 4  
Pedal HiHat  
Rock Tom 4  
R8 Ohh2  
Rock Tom 4  
Rock Tom 1  
Crash Cym.1  
Rock Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Jazz Kick 2  
Jazz Kick 1  
Side Stick  
Jazz Snare 1  
Hand Clap2  
Jazz Snare 2  
Real Tom 6  
Jazz Clsd.HH  
Real Tom 6  
Pedal HiHat  
Real Tom 4  
Jazz Open HH  
Real Tom 4  
Real Tom 1  
Crash Cym.1  
Real Tom 1  
Ride Cymbal  
China Cymbal  
Ride Bell  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Jazz Kick 2  
Jazz Kick 1  
Side Stick  
Brush Swirl  
Brush Slap1  
Brush Swirl  
Lite Tom 4  
Brs Chh  
Lite Tom 4  
Pedal HiHat  
Lite Tom 4  
Brush Ohh  
Lite Tom 4  
Lite Tom 4  
Brush Crash  
Lite Tom 4  
Brush Ride  
China Cymbal  
Brush RideBL  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
35  
C2 36  
37  
39  
38  
40  
41  
Ps Snare  
808 Tom 2  
R&B CHH  
808 Tom 2  
R&B CHH  
808 Tom 2  
HipHopOHH  
808 Tom 2  
808 Tom 2  
909 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Doff Dom  
Doff Tak 1  
Doff Tak 2  
Doff Tak 3  
Low Bongo  
Bongo High  
Doholla Sak  
Doholla Tak2  
Doholla Tak1  
Doholla Dom  
Dholak 1  
Dholak 2  
Dhol  
Tabla Ge  
Tabla Ge  
Tabla Dom  
Tabla Ge Hi  
Tabla Roll  
Tabla Tak  
Tabla Flam  
Tabla Rim1  
Tabla Rim3  
Tabla Rim2  
Tabla Te  
42  
44  
46  
43  
45  
47  
C3 48  
49  
51  
50  
52  
53  
Snare Roll  
Mix HH Cl 2  
Mix Snare 4  
Mix HH Cl 3  
Side Stick  
Mix HH Op 1  
Mix HH Op 2  
Voice 1  
Snare Roll  
Mix HH Cl 2  
Mix Snare 4  
Mix HH Cl 3  
Side Stick  
Mix HH Op 1  
Mix HH Op 2  
Tabla Ge  
Tambourine  
Splash Cym.  
Cowbell  
Tambourine  
Splash Cym.  
Cowbell  
Tambourine  
Splash Cym.  
Cowbell  
54  
56  
58  
55  
57  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
59  
C4 60  
Voice 2  
Tabla Te  
61  
63  
Bongo Lo1  
Bongo Lo2  
Bongo Hi  
Conga Lo  
Conga Hi  
Conga  
Timbles Lo  
Timbles Hi  
Timbles  
Claves  
Cuica Lo  
Cuica Hi  
Surdo 1  
Surdo 2  
Caixa  
Repinique 1  
Repinique 2  
Repinique  
Quide  
Guiro  
Maracas  
Shaker  
Cabasa  
Tabla Ge Hi  
Hand Clap2  
Tabla Na  
Tabla Tun  
Tambourine1  
Conga Slap  
Tambourine2  
Udo Slap  
Ceng Ceng  
Udo Short  
Udo Long  
Xiao Bo  
Timbl Paila  
Kwaengwari p  
Gamelan Gong  
Ride Bell  
Ceng Ceng  
Mut Pandiero  
Nao Bo  
Opn Pandiero  
Req Dum  
Req Tik  
Wadon 6  
Wadon 3  
Wadon 2  
Wadon 5  
62  
64  
65  
66  
68  
70  
67  
69  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Tang Gu Op  
HuYinLuoH Op  
Tang Gu Mt  
Tang Gu Op  
HuYinLuoH Op  
Tang Gu Mt  
Shou Luo 1  
HuYinLuoL Mt  
Shou Luo 2  
Xiao Bo  
Ban Gu 4  
Nao Bo  
HuYinLuoH Op  
HuYinLuoH Mt  
HuYinLuoL Mt  
Gu Roll  
71  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bar Chimes  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangle  
Open Triangle  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangl  
Open Triangl  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangl  
Open Triangl  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangl  
Open Triangl  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangl  
Open Triangl  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
C5 72  
73  
75  
74  
76  
77  
78  
80  
82  
79  
81  
83  
Tabla Na  
C6 84  
Tabla Tun  
Req Tak2  
Req Tak1  
Req Rim  
Req Dom2  
Req Dom1  
Req Khan-c  
Req Khan-o  
Req Slap  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
Udo Short  
Udo Long  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
Caxixi  
Ganza  
Gu Hi  
85  
87  
Kane Side  
Kopyak Mt  
Kopyak Op  
Chenchen Opn  
Chenchen Cls  
Ceng Ceng  
Kwaengwari p  
Kwaengwari f  
KwaengwariMt  
Req Slap  
Jingle Bell  
Sagat Open  
Sagat Close  
Ban Gu 1  
Ban Gu 2  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
86  
Bongo Bell  
Mambo Bell  
Cowbell 1  
Cowbell 2  
Pandeiro 1  
Pandeiro 2  
Tambourim 1  
Tambourim 2  
Tambourine  
Apito  
Quijada  
Chekere  
Cajon Lo  
Cajon Hi  
Hand Clap  
Castanets  
Mute Triangle  
Open Triangle  
Agogo 1  
88  
89  
Wadon 7  
Wadon 4  
Kane Side  
Wadon 1  
Kane  
90  
92  
94  
91  
93  
Dhol  
KwaengwariMt  
Kwaengwari f  
Rama Cymbal  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Req Loop  
Req Dum  
Req Tik  
Sagat L-o  
Sagat R  
Sagat L-c  
Jingle Bell  
Mut Pandiero  
Opn Pandiero  
Tambourine1  
Tambourine2  
Udo Slap  
95  
C7 96  
97  
99  
98  
100  
101  
102  
104  
106  
103  
105  
Agogo 2  
Udo Short  
Udo Long  
107  
RecoReco  
Mtl Guiro  
Bombo 1  
Bombo 2  
Bombo 3  
C8 108  
ZaghrutaLoop  
ZaghrutaStop  
Hand Clap ST  
Hand Clap2  
Wadon 6  
109  
111  
110  
------------  
------------  
------------  
------------  
112  
113  
Bombo 4  
Bombo 5  
------------  
------------  
Wadon 1  
Wadon 1  
------------  
------------  
------------  
------------  
------------  
------------  
114  
116  
118  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Wadon 7  
Wadon 4  
Wadon 2  
Wadon 5  
Wadon 3  
Wadaiko  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
115  
117  
119  
C9 120  
Mute Surdo  
Mute Triangle  
Open Triangle  
------------  
------------  
------------  
------------  
------------  
------------  
Mute Surdo  
Mute Triangle  
Open Triangle  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
121  
123  
122  
38  
Download from Www.Somanuals.com. All Manuals Search And Download.  
Drum Sets  
PC: 49 [CC32: 2]  
Orchestra  
PC: 50 [CC32: 2]  
Ethnic  
PC: 25 [CC32: 2]  
Electronic  
PC: 26 [CC32: 2]  
TR-808&909  
PC: 27 [CC32: 2]  
Dance  
PC: 51 [CC32: 2]  
Kick&Snare  
PC: 57 [CC32: 2]  
SFX  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Scrtch Push2  
Scrtch Pull2  
Gt.CutNoise2  
Gt.CutNoise2  
Dist.CutNoiz  
Dist.CutNoiz  
Bass Slide  
Pick Scrape  
High-Q  
C1 24  
Snare Roll  
Finger Snap  
High-Q  
25  
27  
Snare Roll  
Finger Snap  
Jazz Clsd.HH  
Pedal HiHat  
Jazz Open HH  
Ride Cymbal  
Sticks  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Jazz Kick 1  
Concert BD  
Side Stick  
Concert Snr  
Castanets  
Concert Snr  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Timpani  
Tambourine  
Splash Cym.  
Cowbell  
Con.Cymbal2  
Vibraslap  
Concert Cym.  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
Finger Snap  
Tambourine  
Castanets  
Crash Cym.1  
Snare Roll  
Concert Snr  
Concert Cym.  
Concert BD  
Jingle Bell  
Bell Tree  
Bar Chimes  
Wadaiko  
Wadaiko Rim  
Shimedaiko  
Atarigane  
Snare Roll  
Finger Snap  
High-Q  
Snare Roll  
Finger Snap  
High-Q  
26  
28  
29  
Slap  
Slap  
Slap  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
Scrtch Push2  
Scrtch Pull2  
Sticks  
30  
32  
34  
31  
33  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Elec Kick 2  
Elec Kick 1  
Side Stick  
Elec. Snare  
808clap  
Elec Snare 2  
Synth Drum 2  
Jazz Clsd.HH  
Synth Drum 2  
Pedal HiHat  
Synth Drum 2  
Jazz Open HH  
Synth Drum 2  
Synth Drum 2  
Crash Cym.1  
Synth Drum 2  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
TR-909 Kick  
TR-808 Kick  
808 Rimshot  
808 Snare 1  
808clap  
909 Snare 1  
808 Tom 2  
808 chh  
808 Tom 2  
808 chh  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Dance Kick 2  
Elec Kick 2  
Side Stick  
Power Snare2  
808clap  
Elec Snare 1  
Synth Drum 2  
CR-78 chh  
Synth Drum 2  
808 chh  
Synth Drum 2  
CR-78 ohh  
Synth Drum 2  
Synth Drum 2  
Crash Cym.1  
Synth Drum 2  
Ride Cymbal  
ReverseCymbl  
Ride Bell  
Tambourine  
Splash Cym.  
Cowbell  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
Mute H.Conga  
Conga Hi Opn  
Conga Lo Opn  
High Timbale  
Low Timbale  
Agogo  
35  
C2 36  
37  
39  
38  
40  
41  
Hyoushigi  
Ohkawa  
H kotsuzumi  
L Kotsuzumi  
Ban Gu  
Std.1 Kick1  
Std.1 Kick2  
Std.2 Kick1  
Std2 Kick2  
Kick 1  
Slap  
ScratchPush  
ScratchPull  
Sticks  
42  
44  
46  
43  
45  
SquareClick  
Mtrnm.Click  
Mtrnm. Bell  
Gt.FretNoise  
Gt.Cut Noise  
Gt.Cut Noise  
String Slap  
Fl.KeyClick  
Laughing  
Screaming  
Punch  
Heart Beat  
Footsteps  
Footsteps  
Applause  
DoorCreaking  
Door  
Big Gong  
808 Tom 2  
808 ohh  
Kick 2  
Soft Kick  
Small Gong  
Bend Gong  
Rama Cymbal  
Rama Cymbal  
Gamelan Gong  
Udo Short  
Udo Long  
Udo Slap  
Bendir  
Req Dum  
Req Tik  
47  
808 Tom 2  
808 Tom 2  
808 Crash  
808 Tom 2  
Ride Cymbal  
China Cymbal  
Ride Bell  
Tambourine  
Splash Cym.  
808cowbe  
Crash Cym.2  
Vibraslap  
Ride Cymbal  
Bongo High  
Bongo Lo  
808 Conga  
808 Conga  
808 Conga  
High Timbale  
Low Timbale  
Agogo  
Jazz Kick 1  
Jazz Kick 2  
Concert BD  
Room Kick 1  
Room Kick 2  
Power Kick1  
Power Kick2  
Elec Kick 2  
Elec Kick 1  
Elec. Kick  
C3 48  
49  
51  
50  
52  
53  
54  
56  
58  
55  
57  
Tabla Te  
Tabla Na  
TR-808 Kick  
TR-909 Kick  
Dance Kick 2  
Std.1 Snare1  
Std.1 Snare2  
Std.2 Snare1  
Std.2 Snare2  
Tight Snare  
Concert Snr  
Jazz Snare 1  
Jazz Snare 2  
Room Snare 1  
Room Snare 2  
Dance Snare1  
Power Snare1  
Rev.Snare  
Power Snare2  
Elec Snare 1  
Dance Snare2  
Elec Snare 2  
House Snare  
Elec. Snare  
Elec Snare 3  
808 Snare 1  
808 Snare 2  
909 Snare 1  
909 Snare 2  
Brush Swirl  
Brush Tap  
Brush Slap1  
Brush Slap2  
Brush Slap  
Brush Swirl  
Brush Swirl  
Long Swirl  
------------  
59  
Tabla Tun  
Tabla Ge  
Tabla Ge Hi  
Talking Drum  
Bend Tlk Drm  
Caxixi  
C4 60  
Scratch  
61  
63  
Wind Chimes  
Car-Engine  
Car-Stop  
Car-Pass  
Car-Crash  
Siren  
Train  
Jetplane  
Helicopter  
Starship  
Gun Shot  
Machine Gun  
Lasergun  
Explosion  
Dog  
Horse-Gallop  
Bird  
Rain  
Thunder  
Wind  
Seashore  
Stream  
Bubble  
62  
64  
65  
DJembe  
66  
68  
70  
Djembe rim  
Low Timbale  
Timbl Paila  
High Timbale  
Cowbell  
67  
69  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Maracas  
Agogo  
Cabasa  
Agogo  
Cabasa  
Maracas  
808marac  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
808clave  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangl  
Open Triangl  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
71  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangl  
Open Triangl  
Shaker  
Bongo High  
Bongo Lo  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Mute Cuica  
Open Cuica  
Mute Triangl  
Open Triangl  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
ShrtWhistle  
LongWhistle  
Short Guiro  
Long Guiro  
Claves  
Woodblock  
Woodblock  
Hoo  
C5 72  
73  
75  
Mute H.Conga  
Conga Hi Opn  
Conga MtLow  
Conga Slap  
Conga Lo Opn  
Conga Slide  
Mut Pandiero  
Opn Pandiero  
Open Surdo  
Mute Surdo  
Tamborim  
Agogo  
74  
76  
77  
78  
80  
82  
Hoo  
79  
81  
Mute Triangl  
Open Triangl  
Shaker  
Jingle Bell  
Bell Tree  
Castanets  
Mute Surdo  
Open Surdo  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
83  
Jingle Bell  
Bell Tree  
C6 84  
Kitty  
Bird 2  
Growl  
85  
87  
Castanets  
Mute Surdo  
Open Surdo  
Applause  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
Agogo  
Shaker  
86  
Low Whistle  
Low Whistle  
Mute Cuica  
Open Cuica  
Mute Triangle  
Open Triangle  
Short Guiro  
Long Guiro  
Cabasa Up  
Cabasa Down  
Claves  
88  
89  
Applause 2  
Telephone 1  
Telephone 2  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
90  
92  
94  
91  
93  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
95  
C7 96  
97  
99  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
------------  
98  
Woodblock  
Woodblock  
------------  
100  
39  
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Music Styles  
Name Tempo Time sign.  
Name Tempo Time sign.  
Rock:  
Traditional:  
1
2
3
4
5
6
SteadyRk  
PowerRck  
ElecRock  
DynoRock  
ThumpRck  
USBallad  
73  
132  
124  
76  
104  
88  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
57  
58  
59  
60  
61  
62  
63  
64  
65  
66  
67  
68  
69  
Blues  
61  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
6/8  
6/8  
4/4  
4/4  
4/4  
4/4  
70s R&B  
FunkSoul  
Reggae  
Country  
CntryPop  
Cajun  
Cool6_8  
Oldie6_8  
Schlager  
March4_4  
Polka  
117  
105  
140  
130  
105  
114  
64  
Dance:  
7
8
FeverDnc  
80sTekno  
EuroDnce  
IbizaDnc  
113  
134  
138  
138  
140  
140  
140  
132  
130  
102  
87  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
92  
127  
125  
130  
127  
9
10  
11  
12  
13  
14  
15  
16  
17  
18  
19  
20  
21  
KeepOnDc  
90sTekno  
HrdTekno  
90sHouse  
ClubHous  
Hip'nHop  
NowHipHp  
Cool Rap  
PianoRap  
70sDance  
EasyHop  
PolkaPop  
Ballroom:  
70  
71  
72  
73  
74  
75  
76  
77  
78  
79  
80  
81  
82  
83  
84  
85  
86  
87  
70sDisco  
126  
116  
185  
150  
162  
91  
4/4  
4/4  
4/4  
4/4  
4/4  
3/4  
3/4  
3/4  
4/4  
3/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
BigSamba  
Rockin'  
Boogie  
94  
94  
108  
88  
Twist  
EngWltz  
W'Waltz  
SlWaltz  
Tango  
Musette  
Cha-Cha  
Mambo  
Beguine  
Rhumba  
Shuffle  
180  
90  
120  
175  
130  
102  
110  
100  
145  
185  
205  
122  
8Beat:  
22  
23  
24  
25  
26  
27  
28  
29  
PianoBal  
Soul Bal  
56  
58  
62  
80  
80  
83  
92  
104  
110  
118  
120  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
ClassBal  
SimpleBl  
AlClapBl  
LayBakBl  
PoppinBl  
UKLiteBl  
UpTempBl  
SmilePop  
German P  
Foxtrot  
Charlest  
PasDoble  
30  
31  
32  
World:  
88  
89  
90  
91  
92  
93  
94  
95  
96  
97  
98  
99  
Wehda-Kb  
WehdaKb2  
Masmoudi  
Dabkah-T  
Saidi  
Saidi-EG  
Progmks  
Disco-OR  
Raja Bha  
Dadra  
120  
135  
120  
113  
110  
95  
119  
102  
89  
4/4  
4/4  
8/4  
6/4  
4/4  
4/4  
4/4  
4/4  
4/4  
6/8  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
16Beat:  
33  
34  
35  
36  
37  
38  
39  
40  
41  
Easy Pop  
64  
75  
78  
86  
92  
94  
98  
100  
104  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
Soul Pop  
NightPop  
Guitar P  
LatinPop  
LightPop  
FeelGood  
Groovy P  
SunnyPop  
70  
Kehrva A  
Bhangra  
110  
109  
110  
132  
82  
100 Bangla  
Jazz:  
42  
43  
44  
45  
101 Cmprsari  
102 Minang  
103 Popsunda  
104 Kromong  
105 Korean  
106 K_latin  
107 ChinaPop  
108 JiangNan  
109 ChnOpera  
110 JingJu  
JzBallad  
BigBand  
JazzClub  
BgBndBld  
JazzWltz  
70  
144  
150  
82  
4/4  
4/4  
4/4  
4/4  
3/4  
98  
128  
100  
134  
89  
72  
120  
136  
46  
100  
Latin:  
47  
48  
49  
50  
51  
52  
53  
54  
LuvBossa  
MidBossa  
UpBossa  
UpSamba  
Discsamb  
Salsa  
Merengue  
Bachata  
Jogetmly  
Guarach  
136  
150  
168  
103  
117  
100  
124  
128  
114  
181  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
4/4  
2/4  
4/4  
4/4  
55  
56  
40  
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Chord Intelligence (“MODE 1” setting)  
= Constituent notes of this chord.  
= Keys you need to press to hear this chord.  
C
C#  
D
E
E
F
CM7  
C#M7  
DM7  
E M7  
EM7  
FM7  
C7  
C#7  
D7  
E 7  
E7  
F7  
Cm  
C#m  
Dm  
E m  
Em  
Fm  
Cm7  
C#m7  
Dm7  
E m7  
E mM7  
E dim  
E m7 ( 5 )  
E aug  
E sus4  
E 7sus4  
Em7  
Fm7  
CmM7  
Cdim  
Cm7 ( 5 )  
Caug  
Csus4  
C7sus4  
C#mM7  
C#dim  
C#m7 ( 5 )  
C#aug  
C#sus4  
C#7sus4  
DmM7  
Ddim  
Dm7 ( 5 )  
Daug  
Dsus4  
D7sus4  
EmM7  
Edim  
Em7 ( 5 )  
Eaug  
Esus4  
E7sus4  
FmM7  
Fdim  
Fm7 ( 5 )  
Faug  
Fsus4  
F7sus4  
41  
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Chord Intelligence (“MODE 1” setting)  
= Constituent notes of this chord.  
= Keys you need to press to hear this chord.  
F#  
G
A
A
B
B
F#M7  
GM7  
A M7  
AM7  
B M7  
BM7  
F#7  
G7  
A 7  
A7  
B 7  
B7  
F#m  
Gm  
A m  
Am  
B m  
Bm  
F#m7  
Gm7  
A m7  
A mM7  
A dim  
A m7 ( 5 )  
A aug  
A sus4  
A 7sus4  
Am7  
B m7  
B mM7  
B dim  
B m7 ( 5 )  
B aug  
B sus4  
B 7sus4  
Bm7  
F#mM7  
F#dim  
F#m7 ( 5 )  
F#aug  
F#sus4  
F#7sus4  
GmM7  
Gdim  
Gm7 ( 5 )  
Gaug  
Gsus4  
G7sus4  
AmM7  
Adim  
Am7 ( 5 )  
Aaug  
Asus4  
A7sus4  
BmM7  
Bdim  
Bm7 ( 5 )  
Baug  
Bsus4  
B7sus4  
42  
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Workstation  
Model GW-7  
Date : Jan. 25, 2005  
Version : 1.01  
MIDI Imprementation Chart  
Function...  
Transmitted  
Recognized  
Remarks  
Basic  
Default  
1–16  
1–16  
Channel Changed  
1–16, OFF  
1–16, OFF  
Default  
Messages  
Altered  
Mode 3  
Mode 3, 4 (M = 1)  
Mode 3  
Mode 3, 4 (M = 1)  
* 2  
Mode  
**************  
Note  
Number :  
0–127  
**************  
0–127  
0–127  
True Voice  
Note On  
Note Off  
O
X
O
X
Velocity  
After  
Touch  
Key's  
Channel's  
X
X
O
O
Pitch Bend  
O
*1  
O
*1  
0, 32  
1
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
*1  
*1  
O
*1  
*1  
Bank select  
Modulation  
Portamento time  
Data entry  
O
5
O
6, 38  
7
O
O
Volume  
10  
O
Panpot  
11  
O
Expression  
Hold 1  
64  
O
Control  
Change  
65  
O
Portamento  
Sostenuto  
66  
O
67  
O
Soft  
71  
O
Resonance  
Release time  
Attack time  
Cutoff  
72  
O
73  
O
74  
O
75  
O
Decay time  
Vibrato rate  
Vibrato depth  
Vibrato delay  
Portamento control  
Effects 1 depth  
Effects 3 depth  
NRPN LSB, MSB  
RPN LSB, MSB  
76  
O
77  
O
78  
O
84  
O
91  
O (Reverb)  
93  
O (Chorus)  
98, 99  
O
O
100, 101  
Program  
Change  
O
0–127  
*1  
*1  
O
*1  
*1  
: True Number  
Program No. 1–128  
**************  
System Exclusive  
O
O
: Song Position  
: Song Select  
: Tune Request  
O
X
X
O
X
X
System  
Common  
System  
Real Time : Commands  
: Clock  
O
O
*1  
*1 *3  
O
O
*3  
X
X
X
X
O
X
O (120, 126, 127)  
: All Sound Off  
O (121)  
: Reset All Controllers  
Aux  
Messages  
O
: Local On/Off  
: All Notes Off  
: Active Sensing  
: System Reset  
O (123–125)  
O
X
* 1 O X is selectable.  
* 2 Recognized as M=1 even if M1.  
* 3 Continue is not transmitted or received in Style mode.  
Notes  
Mode 1 : OMNI ON, POLY  
Mode 3 : OMNI OFF, POLY  
Mode 2 : OMNI ON, MONO  
Mode 4 : OMNI OFF, MONO  
O : Yes  
X : No  
43  
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Specifications  
GW-7 Workstation  
[Others]  
Keyboard  
USB (Data transfer)  
61 keys (with velocity)  
Operating System  
Windows: Windows 2000/Me/XP  
Macintosh: Mac OS 9.0.4 or later, Mac OS X 10.0 or later  
[Sound Generator]  
Controllers  
Maximum Polyphony  
D Beam Controller: 1  
64 voices  
Pitch Bend/Modulation Lever: 1  
Control Knobs: 2  
Parts  
16 parts + Keyboard part  
Display  
Wave Memory  
Large backlit custom LCD  
32 M bytes (16-bit linear equivalent)  
Connectors  
Preset Memory  
Output Jacks (L/MONO, R)  
Headphones Jack  
Tones: 606 + 256 (GM2)  
Drum Sets: 51 + 9 (GM2)  
Performances: 110  
MIDI Connectors (IN, OUT)  
Hold Pedal Jack  
Control Pedal Jack  
User Memory  
USB Connector  
Tones: 128  
Power Supply  
Drum Sets: 16  
Performances: 32  
DC 9 V (AC Adaptor)  
Current Draw  
Effects  
1,000 mA  
Multi-FX: 47 types  
Reverb: 8 types  
Chorus: 8 types  
Dimensions  
1,045 (W) x 320 (D) x 86 (H) mm  
Transpose  
41-3/16 (W) x 12-5/8 (D) x 3-7/16 (H) inches  
-12 to +12  
Weight  
5.0 kg / 11 lbs 1 oz (excluding AC adaptor)  
[Backing Track]  
Accessories  
Tempo  
Owner's Manual  
20 to 250  
AC Adaptor (ACI Series or PSB-1U)  
Tracks  
Options  
16  
Keyboard Stand: KS-12  
Pedal Switch: DP Series  
Foot Switch: BOSS FS-5U  
Expression Pedal: EV-5  
16-track Recorder Mode  
4 easy modes (ALL, Keyboard, Single, Punch In/Out)  
Preset Memory  
Styles: 110  
User Memory  
*
In the interest of product improvement, the specifications and/or  
appearance of this unit are subject to change without prior notice.  
Styles: 99  
Songs: 99  
Band Type  
3 levels: Drum & Bass, Combo, Full Band  
44  
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A
Init IntDRV ..................................................................... 10  
B
K
Backing ....................................................................... 8, 14  
C
C2 ................................................................... 12, 14, 19, 25  
Chord .............................................................................. 14  
Modulation ................................................................. 7, 17  
Music Style ................................................................. 8, 15  
D
DC IN ............................................................................ 7, 9  
Decay ............................................................................... 12  
Pedal Switch ..................................................................... 8  
E
Edit System ............................................................... 22, 24  
Edit Tone ........................................................................ 12  
Rec Mode .................................................................. 21–22  
Resonance ....................................................................... 12  
Reverb ............................................................................. 19  
ROTARY ......................................................................... 17  
F
Factory Reset .................................................................. 10  
FAVORITE ................................................................. 7, 11  
FILL IN ........................................................................... 14  
FILTER ............................................................................ 12  
Foot Switch ........................................................... 8, 17, 22  
FULL ......................................................................... 14, 23  
FUNCTION ...................................................................... 7  
45  
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Index  
S
SINGLE ........................................................................... 21  
SONG .................................................................... 8, 23, 27  
Split Point ....................................................................... 18  
STYLE .............................................................................. 15  
T
Tone ................................................................... 8–9, 11–12  
U
User Song ....................................................................... 10  
User Style ........................................................................ 10  
V
VARIATION .................................................................. 14  
Vibrato ............................................................................ 12  
VOLUME .................................................................... 6, 14  
W
Write Perform ................................................................ 17  
Write Song ...................................................................... 22  
Write Tone ...................................................................... 12  
46  
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For EU Countries  
For the USA  
This product complies with the requirements of European Directive 89/336/EEC.  
FEDERAL COMMUNICATIONS COMMISSION  
RADIO FREQUENCY INTERFERENCE STATEMENT  
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the  
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential  
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in  
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee  
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or  
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the  
interference by one or more of the following measures:  
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and receiver.  
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.  
Consult the dealer or an experienced radio/TV technician for help.  
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:  
(1) This device may not cause harmful interference, and  
(2) This device must accept any interference received, including interference that may cause undesired operation.  
Unauthorized changes or modification to this system can void the users authority to operate this equipment.  
This equipment requires shielded interface cables in order to meet FCC class B Limit.  
For Canada  
NOTICE  
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.  
AVIS  
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.  
For the USA  
DECLARATION OF CONFORMITY  
Compliance Information Statement  
Model Name :  
GW-7  
Type of Equipment : Workstation  
Responsible Party : Roland Corporation U.S.  
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938  
(323) 890-3700  
Address :  
Telephone :  
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Information  
When you need repair service, call your nearest Roland Service Center or authorized Roland  
distributor in your country as shown below.  
PHILIPPINES  
COSTA RICA  
TRINIDAD  
NORWAY  
JORDAN  
AFRICA  
G.A. Yupangco & Co. Inc.  
339 Gil J. Puyat Avenue  
Makati, Metro Manila 1200,  
PHILIPPINES  
JUAN Bansbach Instrumentos  
AMR Ltd  
Roland Scandinavia Avd.  
AMMAN Trading Agency  
245 Prince Mohammad St.,  
Amman 1118, JORDAN  
TEL: (06) 464-1200  
Ground Floor  
Musicales  
Kontor Norge  
EGYPT  
Al Fanny Trading Office  
9, EBN Hagar A1 Askalany  
Street,  
ARD E1 Golf, Heliopolis,  
Cairo 11341, EGYPT  
TEL: 20-2-417-1828  
Maritime Plaza  
Barataria Trinidad W.I.  
TEL: (868)638 6385  
Ave.1. Calle 11, Apartado 10237,  
San Jose, COSTA RICA  
TEL: 258-0211  
Lilleakerveien 2 Postboks 95  
Lilleaker N-0216 Oslo  
NORWAY  
TEL: (02) 899 9801  
KUWAIT  
EASA HUSAIN AL-YOUSIFI  
& SONS CO.  
Abdullah Salem Street,  
Safat, KUWAIT  
TEL: 243-6399  
TEL: 2273 0074  
SINGAPORE  
SWEE LEE MUSIC  
COMPANY PTE. LTD.  
150 Sims Drive,  
SINGAPORE 387381  
TEL: 6846-3676  
URUGUAY  
Todo Musica S.A.  
Francisco Acuna de Figueroa  
1771  
C.P.: 11.800  
Montevideo, URUGUAY  
TEL: (02) 924-2335  
CURACAO  
Zeelandia Music Center Inc.  
Orionweg 30  
Curacao, Netherland Antilles  
TEL:(305)5926866  
POLAND  
MX MUSIC SP.Z.O.O.  
UL. Gibraltarska 4.  
PL-03664 Warszawa POLAND  
TEL: (022) 679 44 19  
REUNION  
Maison FO - YAM Marcel  
25 Rue Jules Hermann,  
Chaudron - BP79 97 491  
Ste Clotilde Cedex,  
LEBANON  
Chahine S.A.L.  
Gerge Zeidan St., Chahine  
Bldg., Achrafieh, P.O.Box: 16-  
5857  
Beirut, LEBANON  
TEL: (01) 20-1441  
DOMINICAN REPUBLIC  
Instrumentos Fernando Giraldez  
Calle Proyecto Central No.3  
Ens.La Esperilla  
Santo Domingo,  
Dominican Republic  
TEL:(809) 683 0305  
PORTUGAL  
Roland Iberia, S.L.  
Portugal Office  
Cais das Pedras, 8/9-1 Dto  
4050-465, Porto, PORTUGAL  
TEL: 22 608 00 60  
CRISTOFORI MUSIC PTE LTD  
Blk 3014, Bedok Industrial Park E,  
#02-2148, SINGAPORE 489980  
TEL: 6243-9555  
VENEZUELA  
Instrumentos Musicales  
Allegro,C.A.  
Av.las industrias edf.Guitar  
REUNION ISLAND  
TEL: (0262) 218-429  
SOUTH AFRICA  
That Other Music Shop(PTY)Ltd.  
11 Melle St., Braamfontein,  
Johannesbourg,  
SOUTH AFRICA  
TEL: (011) 403 4105  
TAIWAN  
ROLAND TAIWAN  
ENTERPRISE CO., LTD.  
Room 5, 9fl. No. 112 Chung  
Shan N.Road Sec.2, Taipei,  
TAIWAN, R.O.C.  
import  
#7 zona Industrial de Turumo  
Caracas, Venezuela  
TEL: (212) 244-1122  
ROMANIA  
FBS LINES  
Piata Libertatii 1,  
535500 Gheorgheni,  
ROMANIA  
OMAN  
ECUADOR  
Mas Musika  
Rumichaca 822 y Zaruma  
Guayaquil - Ecuador  
TALENTZ CENTRE L.L.C.  
P.O. BOX 37, MUSCAT,  
POSTAL CODE 113  
TEL: 931-3705  
FAX: (011) 403 1234  
EUROPE  
TEL:(593-4)2302364  
TEL: (02) 2561 3339  
TEL: (266) 364 609  
Paul Bothner(PTY)Ltd.  
17 Werdmuller Centre,  
Main Road, Claremont 7708  
SOUTH AFRICA  
QATAR  
Al Emadi Co. (Badie Studio &  
Stores)  
P.O. Box 62, Doha, QATAR  
EL SALVADOR  
OMNI MUSIC  
75 Avenida Norte y Final  
Alameda Juan Pablo II,  
Edificio No.4010 San Salvador,  
EL SALVADOR  
THAILAND  
AUSTRIA  
Roland Elektronische  
Musikinstrumente HmbH.  
RUSSIA  
MuTek  
3-Bogatyrskaya Str. 1.k.l  
107 564 Moscow, RUSSIA  
TEL: (095) 169 5043  
Theera Music Co. , Ltd.  
330 Verng NakornKasem, Soi 2,  
Bangkok 10100, THAILAND  
TEL: (02) 2248821  
TEL: (021) 674 4030  
Austrian Office  
TEL: 4423-554  
Eduard-Bodem-Gasse 8,  
A-6020 Innsbruck, AUSTRIA  
TEL: (0512) 26 44 260  
SAUDI ARABIA  
aDawliah Universal  
Electronics APL  
Corniche Road, Aldossary  
Bldg., 1st Floor, Alkhobar,  
SAUDI ARABIA  
VIETNAM  
Saigon Music  
Suite DP-8  
40 Ba Huyen Thanh Quan Street  
Hochiminh City, VIETNAM  
TEL: (08) 930-1969  
TEL: 262-0788  
SPAIN  
ASIA  
Roland Iberia, S.L.  
Paseo García Faria, 33-35  
08005 Barcelona SPAIN  
TEL: 93 493 91 00  
GUATEMALA  
BELGIUM/FRANCE/  
HOLLAND/  
LUXEMBOURG  
Roland Central Europe N.V.  
Houtstraat 3, B-2260, Oevel  
(Westerlo) BELGIUM  
CHINA  
Roland Shanghai Electronics  
Co.,Ltd.  
5F. No.1500 Pingliang Road  
Shanghai 200090, CHINA  
TEL: (021) 5580-0800  
Casa Instrumental  
Calzada Roosevelt 34-01,zona 11  
Ciudad de Guatemala  
Guatemala  
SWEDEN  
Roland Scandinavia A/S  
SWEDISH SALES OFFICE  
Danvik Center 28, 2 tr.  
S-131 30 Nacka SWEDEN  
TEL: (0)8 702 00 20  
P.O.Box 2154, Alkhobar 31952  
SAUDI ARABIA  
TEL: (03) 898 2081  
TEL:(502) 599-2888  
HONDURAS  
Almacen Pajaro Azul S.A. de C.V.  
BO.Paz Barahona  
3 Ave.11 Calle S.O  
San Pedro Sula, Honduras  
TEL: (504) 553-2029  
AUSTRALIA/  
NEW ZEALAND  
TEL: (014) 575811  
Roland Shanghai Electronics  
Co.,Ltd.  
(BEIJING OFFICE)  
10F. No.18 3 Section Anhuaxili  
Chaoyang District Beijing  
100011 CHINA  
SYRIA  
Technical Light & Sound  
Center  
Rawda, Abdul Qader Jazairi St.  
Bldg. No. 21, P.O.BOX 13520,  
Damascus, SYRIA  
CZECH REP.  
K-AUDIO  
Kardasovska 626.  
CZ-198 00 Praha 9,  
CZECH REP.  
AUSTRALIA/  
SWITZERLAND  
Roland (Switzerland) AG  
Landstrasse 5, Postfach,  
CH-4452 Itingen,  
SWITZERLAND  
TEL: (061) 927-8383  
NEW ZEALAND  
Roland Corporation  
Australia Pty.,Ltd.  
38 Campbell Avenue  
Dee Why West. NSW 2099  
AUSTRALIA  
MARTINIQUE  
Musique & Son  
Z.I.Les Mangle  
97232 Le Lamantin  
Martinique F.W.I.  
TEL: 596 596 426860  
TEL: (2) 666 10529  
TEL: (010) 6426-5050  
TEL: (011) 223-5384  
DENMARK  
Roland Shanghai Electronics  
Co.,Ltd.  
(GUANGZHOU OFFICE)  
2/F., No.30 Si You Nan Er Jie  
Yi Xiang, Wu Yang Xin Cheng,  
Guangzhou 510600, CHINA  
TEL: (020) 8736-0428  
TURKEY  
Ant Muzik Aletleri Ithalat Ve  
Ihracat Ltd Sti  
Siraselviler Caddesi  
Siraselviler Pasaji No:74/20  
Taksim - Istanbul, TURKEY  
TEL: (0212) 2449624  
Roland Scandinavia A/S  
Nordhavnsvej 7, Postbox 880,  
DK-2100 Copenhagen  
DENMARK  
UKRAINE  
TIC-TAC  
Mira Str. 19/108  
P.O. Box 180  
295400 Munkachevo,  
UKRAINE  
TEL: (03131) 414-40  
For Australia  
Tel: (02) 9982 8266  
For New Zealand  
Tel: (09) 3098 715  
Gigamusic SARL  
10 Rte De La Folie  
97200 Fort De France  
Martinique F.W.I.  
TEL: 596 596 715222  
TEL: 3916 6200  
FINLAND  
Roland Scandinavia As, Filial  
Finland  
Elannontie 5  
FIN-01510 Vantaa, FINLAND  
TEL: (0)9 68 24 020  
HONG KONG  
Tom Lee Music Co., Ltd.  
Service Division  
22-32 Pun Shan Street, Tsuen  
Wan, New Territories,  
HONG KONG  
U.A.E.  
Zak Electronics & Musical  
Instruments Co. L.L.C.  
Zabeel Road, Al Sherooq Bldg.,  
No. 14, Grand Floor, Dubai,  
U.A.E.  
CENTRAL/LATIN  
AMERICA  
UNITED KINGDOM  
MEXICO  
Roland (U.K.) Ltd.  
Atlantic Close, Swansea  
Enterprise Park, SWANSEA  
SA7 9FJ,  
Casa Veerkamp, s.a. de c.v.  
Av. Toluca No. 323, Col. Olivar  
de los Padres 01780 Mexico  
D.F. MEXICO  
ARGENTINA  
Instrumentos Musicales S.A.  
Av.Santa Fe 2055  
(1123) Buenos Aires  
ARGENTINA  
TEL: (011) 4508-2700  
GERMANY  
Roland Elektronische  
Musikinstrumente HmbH.  
Oststrasse 96, 22844  
Norderstedt, GERMANY  
TEL: (040) 52 60090  
TEL: 2415 0911  
TEL: (04) 3360715  
UNITED KINGDOM  
TEL: (01792) 702701  
TEL: (55) 5668-6699  
Parsons Music Ltd.  
NICARAGUA  
Bansbach Instrumentos  
Musicales Nicaragua  
Altamira D'Este Calle Principal  
de la Farmacia 5ta.Avenida  
1 Cuadra al Lago.#503  
Managua, Nicaragua  
8th Floor, Railway Plaza, 39  
Chatham Road South, T.S.T,  
Kowloon, HONG KONG  
TEL: 2333 1863  
NORTH AMERICA  
MIDDLE EAST  
BARBADOS  
GREECE  
STOLLAS S.A.  
Music Sound Light  
155, New National Road  
Patras 26442, GREECE  
TEL: 2610 435400  
CANADA  
Roland Canada Music Ltd.  
(Head Office)  
5480 Parkwood Way  
Richmond B. C., V6V 2M4  
CANADA  
A&B Music Supplies LTD  
12 Webster Industrial Park  
Wildey, St.Michael, Barbados  
TEL: (246)430-1100  
INDIA  
Rivera Digitec (India) Pvt. Ltd.  
409, Nirman Kendra  
Mahalaxmi Flats Compound  
Off. Dr. Edwin Moses Road,  
Mumbai-400011, INDIA  
TEL: (022) 2493 9051  
BAHRAIN  
Moon Stores  
No.16, Bab Al Bahrain Avenue,  
P.O.Box 247, Manama 304,  
State of BAHRAIN  
TEL: (505)277-2557  
BRAZIL  
Roland Brasil Ltda.  
Rua San Jose, 780 Sala B  
Parque Industrial San Jose  
Cotia - Sao Paulo - SP, BRAZIL  
TEL: (011) 4615 5666  
PANAMA  
TEL: (604) 270 6626  
SUPRO MUNDIAL, S.A.  
Boulevard Andrews, Albrook,  
Panama City, REP. DE  
PANAMA  
TEL: 17 211 005  
HUNGARY  
Roland East Europe Ltd.  
Warehouse Area ‘DEPO’ Pf.83  
H-2046 Torokbalint,  
HUNGARY  
CYPRUS  
Radex Sound Equipment Ltd.  
17, Diagorou Street, Nicosia,  
CYPRUS  
Roland Canada Music Ltd.  
(Toronto Office)  
170 Admiral Boulevard  
Mississauga On L5T 2N6  
CANADA  
INDONESIA  
PT Citra IntiRama  
J1. Cideng Timur No. 15J-150  
Jakarta Pusat  
INDONESIA  
TEL: (021) 6324170  
TEL: 315-0101  
TEL: (23) 511011  
CHILE  
Comercial Fancy II S.A.  
Rut.: 96.919.420-1  
Nataniel Cox #739, 4th Floor  
Santiago - Centro, CHILE  
TEL: (02) 688-9540  
PARAGUAY  
Distribuidora De  
Instrumentos Musicales  
J.E. Olear y ESQ. Manduvira  
Asuncion PARAGUAY  
TEL: (595) 21 492147  
TEL: (022) 66-9426  
TEL: (905) 362 9707  
IRELAND  
Roland Ireland  
G2 Calmount Park, Calmount  
Avenue, Dublin 12  
Republic of IRELAND  
TEL: (01) 4294444  
IRAN  
MOCO INC.  
No.41 Nike St., Dr.Shariyati Ave.,  
Roberoye Cerahe Mirdamad  
Tehran, IRAN  
U. S. A.  
KOREA  
Roland Corporation U.S.  
5100 S. Eastern Avenue  
Los Angeles, CA 90040-2938,  
U. S. A.  
Cosmos Corporation  
1461-9, Seocho-Dong,  
Seocho Ku, Seoul, KOREA  
TEL: (02) 3486-8855  
COLOMBIA  
Centro Musical Ltda.  
Cra 43 B No 25 A 41 Bododega 9  
Medellin, Colombia  
PERU  
Audionet  
Distribuciones Musicales SAC  
Juan Fanning 530  
Miraflores  
TEL: (021) 285-4169  
TEL: (323) 890 3700  
ITALY  
Roland Italy S. p. A.  
Viale delle Industrie 8,  
20020 Arese, Milano, ITALY  
TEL: (02) 937-78300  
ISRAEL  
Halilit P. Greenspoon & Sons  
Ltd.  
8 Retzif Ha'aliya Hashnya St.  
Tel-Aviv-Yafo ISRAEL  
TEL: (03) 6823666  
MALAYSIA  
Roland Asia Pacific Sdn. Bhd.  
45-1, Block C2, Jalan PJU 1/39,  
Dataran Prima, 47301 Petaling  
Jaya, Selangor, MALAYSIA  
TEL: (03) 7805-3263  
TEL: (574)3812529  
Lima - Peru  
TEL: (511) 4461388  
As of January 15, 2005 (ROLAND)  
03902456  
1MP  
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