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WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
product’s enclosure that may be of sufficient magnitude to
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
The exclamation point within an equilateral triangle is
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS,”
“USING THE UNIT SAFELY” (p. 6), and “Important Notes” (p. 9). These sections provide important
information concerning the proper operation of the unit. Additionally, in order to feel assured that you
have gained a good grasp of every feature provided by your new unit, owner’s manual should be read
in its entirety. The manual should be saved and kept on hand as a convenient reference.
Copyright © 2006 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
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Introduction
Thank you, and congratulations on your choice of the HP203. To ensure that you obtain
the maximum enjoyment and take full advantage of the HP203’s functionality, please
read this owner’s manual carefully.
About the Manual
You should first read the “Before You Play” section of the owner’s manual (this
document). This explains how to connect the power cord and turn on the power.
This owner’s manual explains everything from basic operations that use the HP203’s
playback functions to more advanced operations, such as using the HP203 to record a
song.
Conventions in this Manual
In order to explain the operations as clearly as possible, this manual uses the following
conventions.
• Text enclosed in square brackets [ ] indicates the name of a button or a knob, such as the
[Piano] button.
NOTE
• Lines that begin with
to read.
or an asterisk * are cautionary statements that you must be sure
• The numbers of pages that you can turn to for additional, related information are given like
this: (p. **).
Main Features
Piano sounds with rich resonance and wide expressive range
This instrument features a piano sound generator that utilizes stereo sampling, so it is
capable of faithfully recreating the sound of a high-quality concert grand piano,
realistically reproducing even the finest details, including the sound of the hammers
striking the strings. With a maximum polyphony of 128 notes, it has ample capability
even for performances that make full use of pedaling.
More than three hundred different sounds covering not only piano but a wide range of
instruments are built-in. You can also play drum sets from the keyboard.
2
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Introduction
The playing feel of a grand piano
The Progressive Hammer Action II (PHA II) action gives you a weighty playing feel in the
low register while becoming lighter in the high register, replicating the authentic feel of
a piano. The distinctive sense of click (escapement) that you experience when softly
playing a piano note is also accurately simulated, ensuring a high degree of playability.
The pedal position is detected smoothly, allowing you to vary the effect by the changing
the depth to which you press the pedal. You can take advantage of the way in which
subtle differences in pedaling will affect the sound.
A compact cabinet that fits anywhere
The newly designed cabinet is compact and exudes a sense of quality befitting a musical
instrument. It can be placed nearly anywhere, and does not occupy excessive space.
In addition to a sliding keyboard cover that will not rattle, there’s a convenient
headphone hook for storing your headphones when not in use.
The versatile functionality you expect from a digital piano
Replicating the ambience of a concert hall
In addition to a high-quality reverb effect, these instruments also feature a 3D Sound
Control function, which replicates the spatial depth of a full concert grand piano, and a
Dynamic Sound Control function, which enhances the consistency and power of the
sound. Even when performing through headphones, you can use these effects to enjoy
sounds with superb presence.
Convenient functions to help you practice, and built-in piano songs with
accompaniment
A metronome function, a three-track recorder, and internal preset songs with orchestral
accompaniment and printed piano music (sixty songs) are included, making this
electronic piano an excellent choice for piano lessons.
Performing and saving data
The data you’ve recorded using the recorder can be saved using a separately sold floppy
disk drive or USB memory. In addition to a floppy disk drive or USB memory, you can
also connect a commercially available USB-type CD drive and play back SMF music
data, music CDs, or audio files. SMF music data from USB memory, a floppy disk, or CD-
ROM can also be saved in internal memory.
3
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Dividing the Keyboard for Two-person Performance
Introduction ................................................ 2
Conventions in this Manual......................................2
Changing the Way in Which the Sound is Heard
Names of Things and What They Do.......... 12
Changing the Keyboard’s Split Point.......................36
Listening through Headphones....................................20
Using CD.................................................................21
Listening to the Piano Sound Demo Songs................23
Adding Spatial Depth to the Sound (3D Sound Control).27
Saving the Songs......................................................60
Deleting a Song .......................................................62
Adding Liveliness to the Sound
(Dynamics Sound Control) .........................................28
Adding Reverberation to Sounds (Reverb Effect) ...........29
Changing the Depth of Reverb Effect.......................29
Changing the Key of the Keyboard (Key Transpose)......30
4
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Using the V-LINK Function (V-LINK) .........................75
Basic Operation in Function Mode..............................64
Keyboard Settings ....................................................66
Changing the External Memory Setting
Specifying What the Key Transpose Will Affect
Changing the Parts Assigned to the Track Buttons
Changing the Pitch of the Tone in Octave Steps
Switching VIMA TUNES Recommended Tones
Changing the Timing of Sounds According to the
Force Used to Press the Keys (Hammer Response).....66
Pedal Settings ..........................................................67
Changing How the Damper Pedal Effects Is Applied
(Damper Pedal Part)..............................................67
Changing How the Pedals Work
Matching the Pitch with Other Instruments
Connecting to Audio Equipment.................................80
Sounds................................................................80
Adjusting the Tuning (Temperament)........................68
Sound-related Settings...............................................70
HP203................................................................81
Producing Sympathetic Resonance When You Press
Producing the Resonance of the Strings When the
Keys Are Played (String Resonance)........................70
Playing the HP203 ...............................................82
(Key Off Resonance) .............................................70
MIDI Implementation Chart ........................98
Main Specifications....................................99
Index ......................................................101
Changing the Sound of the Metronome
Count-down Setting...................................................71
Sounding a Count Before the Melody Begins
Selecting the Count-down Sound
(Countdown Sound)..............................................71
(Countdown Part)..................................................72
Switching the Part that Will be Muted When You
MIDI Settings............................................................73
Preventing Doubled Notes When Connected to a
Sequencer (Local Control)......................................73
MIDI Transmit Channel Settings
(MIDI Transmit Channel)........................................74
Sending Recorded Performance Data to a MIDI
Device (Composer MIDI Out) .................................74
5
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions or
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle.
In the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never
be carried out (are forbidden). The specific thing that
must not be done is indicated by the design contained
within the circle. In the case of the symbol at left, it
means that the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In
the case of the symbol at left, it means that the power-
cord plug must be unplugged from the outlet.
Do not disassemble or modify
Use only the included power cord
002a
008e
Do not disassemble or modify this device.
You must use only the power cord included with the
device. Do not use the included power cord with
any other device.
......................................................................................
......................................................................................
Do not repair or replace parts
Do not bend the power cord or place heavy objects
on it
003 Never attempt to repair this device or replace
parts. If repair or part replacement should become
necessary, you must contact your dealer or a
Roland service center.
009 Do not bend the power cord excessively, or place
heavy objects on the power cord. Doing so will
damage the power cord, and may cause short
circuits or faulty connections, possibly resulting in
fire or electrical shock.
......................................................................................
Do not use or store in the following types of
locations
......................................................................................
004
Do not share an outlet with an unreasonable
number of other devices
• Locations of extremely high temperature (such as
in direct sunlight, near heating equipment, or on
a device that generates heat)
• Near moisture (such as in a bathroom, near a
sink, or on a wet floor) or in locations of high
humidity
015 Do not connect excessive numbers of electrical
devices to a single power outlet. In particular,
when using a power strip, exceeding the rated
capacity (watts/amps) of the power strip may
cause heat to be generated, possibly melting the
cable.
• Locations exposed to rain
• Locations of excessive dust
......................................................................................
Avoid extended use at high volume
• Locations subject to heavy vibration
......................................................................................
010 This device, either by itself or used in conjunction
with headphones, amps, and/or speakers, is
capable of producing volume levels that can cause
permanent hearing damage. If you experience
impaired hearing or ringing in your ears, immedi-
ately stop using the device and consult a medical
specialist.
Do not place in an unstable location
007 Do not place this device on an unstable stand or a
tilted surface. You must place it in a stable and
level location.
......................................................................................
Connect the power cord to an outlet of the correct
voltage
......................................................................................
008a
Do not insert foreign objects
You must connect the power cord to an AC outlet
of the correct voltage as marked on the device.
011 Never allow foreign objects (flammable objects,
coins, wires, etc.) to enter this device.
......................................................................................
This can cause short circuits or other malfunctions.
......................................................................................
6
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USING THE UNIT SAFELY
Turn off the power if an abnormality or
malfunction occurs
Place in a well ventilated location
101a
When using this device, ensure that it is placed in
a well ventilated location.
012a
If any of the following should occur, immediately
turn off the power, disconnect the power cord from
the AC outlet, and contact your dealer or a service
center to have the device serviced.
..........................................................................................................
Grasp the plug when connecting or disconnecting
the power cord
• The power cord is damaged
102b
• The device produces smoke or an unusual smell
• A foreign object enters the device, or liquid
spills into the device
When connecting or disconnecting the power cord
to/from an AC outlet or the device itself, you must
grasp the plug, not the cord.
• The device becomes wet (by rain, etc.)
• An abnormality or malfunction occurs in the device
......................................................................................
..........................................................................................................
Periodically wipe the dust off the power cord plug
103a
Do not allow children to use without supervision
From time to time, you should unplug the power
013 In households with children, take particular care
against tampering. If children are to use this device,
they must be supervised or guided by an adult.
cord from the AC outlet and use a dry cloth to wipe
the dust off of it. You should also unplug the power
cord from the AC outlet if you will not be using the
device for an extended period of time. Dust or dirt
that accumulates between the power cord plug and
the AC outlet can cause a short circuit, possibly
resulting in fire.
......................................................................................
Do not drop or subject to strong impact
014 Do not drop this device or subject it to strong
impact.
..........................................................................................................
Manage cables for safety
......................................................................................
104 Ensure that the connected cables are organized
and managed in a safe manner. In particular,
place the cables out of reach of children.
Do not use overseas
016 If you wish to use this device overseas, please
contact your dealer or a service center.
..........................................................................................................
Do not stand or place heavy objects on this device
......................................................................................
Do not place containers of water on the device
106 Do not stand on this device, or place heavy objects
on it.
026 Do not place containers of water (such as a flower
vase) or drinks on the device. Nor should you
place containers of insecticide, perfume, alcoholic
liquids, nail polish, or spray cans on the device.
Liquids that spill into the device may cause it to
malfunction, and may cause short circuits or faulty
operation.
..........................................................................................................
Do not connect or disconnect the power cord with
wet hands
107b
Do not connect or disconnect the power cord to the
device or AC outlet while holding the power cord
plug with wet hands.
......................................................................................
..........................................................................................................
Cautions when moving this device
108d
When moving this device, please check the
following cautions. Then, make sure that at least
two persons work together in lifting and carrying
the device, all the while making sure to keep it
level. When doing so, be careful not to pinch your
hands or drop the device on your feet.
1
• Check whether the knob bolts fastening the
device to its stand have become loose. If they
are loose, tighten them firmly.
• Disconnect the power cord.
• Disconnect external devices.
• Raise the adjuster of the stand.
2
3
4
5
• Close the lid.
• Remove the music stand.
8
..........................................................................................................
7
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USING THE UNIT SAFELY
Unplug the power cord from the AC outlet before
cleaning
109a
Before you clean the device, turn off the power and
unplug the power cord from the AC outlet.
..........................................................................................................
If there is a possibility of lightning strike,
110a
If there is a possibility of lightning strike, immedi-
ately turn off the power and disconnect the power
cord from the AC outlet.
..........................................................................................................
Cautions when opening/closing the lid
116 Be careful when opening/closing the lid so you do
not get your fingers pinched (p. 16). Adult super-
vision is recommended whenever small children
use the unit.
..........................................................................................................
Keep small items out of the reach of children
118cTo prevent small items such as the following from
being swallowed accidentally, keep them out of the
reach of children.
• Included items
• Screws for assembling the stand
• Wing nut for headphone hook
• Removed parts
• Music rest attachment screws
• Volume knob
..........................................................................................................
8
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Important Notes
In addition to the “USING THE UNIT SAFELY” listed on page 6, please observe the following cautions.
355b
Power Supply
• Do not connect this device to the same electrical outlet as an
• If you move this device between locations of radically different
301
temperature or humidity, water droplets (condensation) may
form inside the device. Using the device in this condition will
cause malfunctions, so please allow several hours for the
condensation to disappear before you use the device.
inverter-controlled device such as a refrigerator, microwave
oven, or air conditioner, or a device that contains an electric
motor. Depending on how the other device is used, power
supply noise could cause this device to malfunction or produce
noise. If it is not practical to use a separate electrical outlet,
please connect this device via a power supply noise filter.
356
• Do not allow items made of rubber or vinyl to remain on
top of this device for an extended time. This can cause
deformation or color change.
307
358
• Before you make connections, you must switch off the power
• Do not leave objects on top of the keyboard. This can
on all devices to prevent malfunction and/or speaker damage.
cause malfunctions such as failure to sound.
308
359
• When you turn off the power, the screen and indicators of this
• Do not affix adhesive labels to this device. The exterior
device will go dark, but this does not mean that the main power
supply is completely disconnected. If you need to completely shut
off the power supply, turn off the power switch of this device and
then unplug it from the AC outlet. Connect this device to an AC
outlet that is as close and accessible as possible.
finish may be damaged when you remove the labels.
Care
401b
• For everyday care, wipe with a soft dry cloth, or remove
stubborn dirt using a tightly wrung-out cloth. If this device
contains wooden components, wipe the entire area
following the direction of the grain. The finish may be
damaged if you continue strongly rubbing a single location.
Location
351
• If this device is placed near devices that contain large
transformers, such as power amps, hum may be induced in
this device. If this occurs, move this device farther away or
change its orientation.
Addition
• If water droplets should adhere to this device, immediately
wipe them off using a soft dry cloth.
352a
402
• If this device is operated near a television or radio, color
• Do not use solvents such as benzene, thinner, or alcohol,
distortion may be seen in the television screen or noise may
be heard from the radio. If this occurs, move this device
farther away.
since these can cause deformation or color change.
403
• The pedals of this device are made of brass.
Brass has a natural tendency to oxidize and become tarnished.
If this occurs, use a commercially available metal polish.
352b
• Keep your cell phone powered off or at a sufficient distance
from this device. If a cell phone is nearby, noise may be
heard when a call is received or initiated, or during
conversation.
Servicing
452
354b
• If you return this device for servicing, the contents of
• Do not leave this device in direct sunlight, near devices that
memory may be lost. Please store important contents on
USB memory, or make a note of the contents. We take
utmost care to preserve the contents of memory when
performing service, but there may be cases when the stored
content cannot be recovered because the memory section
has malfunctioned. Please be aware that we cannot accept
responsibility for the recovery of lost memory content or for
any consequences of such loss.
produce heat, or in a closed-up automobile. Do not allow
illumination devices operated in close proximity (such as a
piano light) or powerful spotlights to shine on the same
location on this device for an extended time. This can cause
deformation or color change.
9
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Important Notes
Other Cautions
• Stored content may be lost due to a malfunction of the
Floppy Disk Handling
551
(Using Optional Floppy Disk Drive)
651
device or because of inadvertent operation. You should
back up important content on USB memory as a safeguard
against such loss.
• Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is
required to enable storage of large amounts of data on
such a small surface area. To preserve their integrity,
please observe the following when handling floppy disks:
• Never touch the magnetic medium inside the disk.
• Do not use or store floppy disks in dirty or dusty areas.
• Do not subject floppy disks to temperature extremes
(e.g., direct sunlight in an enclosed vehicle).
552
• We cannot accept responsibility for the recovery of any
content lost from internal memory or USB memory, or for
the consequences of such loss.
553
• Do not apply excessive force to the buttons, knobs, or
input/output jacks, since this may cause malfunctions.
556
Recommended temperature range: 10–50 degrees C
(50–122 degrees F).
• When connecting or disconnecting cables, grasp the plug
(not the cable) to prevent short circuits or broken
connections.
• Do not expose floppy disks to strong magnetic fields,
such as those generated by loudspeakers.
557
• This device may produce a certain amount of heat, but this
is not a malfunction.
558a
652
• Floppy disks have a “write protect” tab which can protect
the disk from accidental erasure. It is recommended that the
tab be kept in the PROTECT position, and moved to the
WRITE position only when you wish to write new data onto
• Please enjoy your music in ways that do not inconvenience
other people nearby, and pay particular attention to the
volume at nighttime. Using headphones will allow you to
enjoy music without having to be concerned about others.
the disk.
fig.DiskProtect.e.eps
559b
Rear side of the disk
• When transporting or shipping this device, package it in an
appropriate amount of cushioning material. Scratches,
damage, or malfunctions may occur if you transport it
without appropriate packaging.
Write
(can write new data onto disk)
560
• If using the music rest, do not apply excessive force to it.
Write Protect Tab
Protect
(prevents writing to disk)
562
• Some connection cables contain a resistor. Do not connect
653
such cables to this device. Doing so may make the volume
extremely low or inaudible. Please use connection cables
not containing a resistor.
• The identification label should be firmly affixed to the disk.
Should the label come loose while the disk is in the drive, it
may be difficult to remove the disk.
565
654
• Before opening or closing the keyboard lid, always make
• Store all disks in a safe place to avoid damaging them, and
sure that no pets or other small animals are located on top
of the instrument (in particular, they should be kept away
from the keyboard and its lid). Otherwise, due to the
structural design of this instrument, small pets or other
animals could end up getting trapped inside it. If such a
situation is encountered, you must immediately switch off
the power and disconnect the power cord from the outlet.
You should then consult with the retailer from whom the
instrument was purchased, or contact the nearest Roland
Service Center.
to protect them from dust, dirt, and other hazards. By using
a dirty or dust-ridden disk, you risk damaging the disk, as
well as causing the disk drive to malfunction.
10
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Important Notes
USB Memory Handling
Handling the CDs (CD-ROMs)
704
Add
• When connecting USB memory, firmly insert it all the way
• When handling the discs, please observe the following.
in.
• Do not touch the encoded surface of the disc.
• Do not use in dusty areas.
• Do not leave the disc in direct sunlight or an enclosed
vehicle.
705
• Do not touch the pins of the USB memory connector, or
allow them to become dirty.
708
801
• USB memory is made using high-precision electronic
• Avoid touching or scratching the shiny underside (encoded
components, so please observe the following points when
handling it.
surface) of the disc. Damaged or dirty CD-ROM discs may
not be read properly. Keep your discs clean using a
commercially available CD cleaner.
• To prevent damage from static electrical charges,
discharge any static electricity that might be present in
your body before handling USB memory.
• Do not touch the terminals with your fingers or any metal
object.
Add
• Keep the disc in the case.
Add
• Do not keep the disc in the CD drive for a long time.
Add
• Do not put a sticker on the label of the disc.
• Do not bend or drop USB memory, or subject it to strong
impact.
• Do not leave USB memory in direct sunlight or in
locations such as a closed-up automobile. (Storage
temperature: 0–50 degrees C)
Add
• Wipe the disc with a soft and dry cloth radially from inside
to outside. Do not wipe along circumference.
Add
• Do not use benzine, record cleaner spray or solvents of any
kind.
• Do not allow USB memory to become wet.
• Do not disassemble or modify USB memory.
Add
• Do not bend the disc. Bending discs may prevent proper
Addition
reading and writing of data, and may further result in
malfunction.
• When connecting USB memory, position it horizontally with
the external memory connector and insert it without using
excessive force. The external memory connector may be
damaged if you use excessive force when inserting USB
memory.
Addition
• Do not insert anything other than USB memory (e.g., wire,
coins, other types of device) into the external memory
connector. Doing so will damage the external memory
connector.
Addition
• Do not apply excessive force to the connected USB
memory.
Addition
• If you will not be using USB memory for an extended period
of time, close the USB memory cover.
203
* GS (
) is a registered trademark of Roland
) is a registered trademark of Yamaha
Corporation.
Add
* XG lite (
Corporation.
11
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Names of Things and What They Do
1
3
4
5
6
7
8
9
2
Front Panel
1
6
[Power] switch
[Transpose] button
Turns the power on/off (p. 18).
Transposes the keyboard and/or song (p. 30).
By holding down this button and pressing the [Split]
button, you can adjust the volume balance between the
2
3
4
[Volume] knob
If headphones are connected, this adjusts the
headphone volume (p. 20).
7
8
9
[Split] button
Divides the keyboard into right-hand and left-hand
areas, allowing you to play a different sound in each
[Brilliance] button
Adjusts the tone brightness (p. 18).
You can also set a number of different functions when
this button and the [3D] button are held down (p. 64).
[Twin Piano] button
Divides the keyboard into two separate sections,
31).
[3D] button
Adds a sense of depth to the sound (p. 27).
button to change the setting, you can make the sound
more expressive (p. 28).
TONE buttons
Here you can select the sound (tone group) you’ll hear
when you play the keyboard (p. 25).
5
[Reverb] button
Adds reverberation similar to what you would hear
when performing in a concert hall (p. 29).
12
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Names of Things and What They Do
10
11
13
14 15
16 17
12
18
19
10
15
[Metronome/Count In] button
[
] (+) button
Turns the metronome on/off (p. 37).
You can select the next song by pressing this button
while the song select screen is displayed (p. 40).
If you hold down this button while a song is playing, the
song will be fast-forwarded (p. 41).
This also lets you sound a count before the song begins,
so that you can match the timing of your playing to the
song (p. 39).
Use this button to select variations of the sound you’re
playing on the keyboard (p. 25).
This button is also used to edit various values.
11
12
[Tempo/Beat] button
Here you can adjust the tempo and beat of the
metronome (p. 37).
16
[
] (Play/Stop) button
Use this button to play/stop an internal preset song or a
song you’ve recorded (p. 40).
This button is also used to begin recording your
performance (p. 49).
Display
This shows the sound number, song number, tempo, time
signature, and the value of various settings.
18
] (Rec) button
13
14
[Int Song/Ext Song] button
This lets you select the song to play back (p. 40).
This lets you record your own performance into the
HP203 (p. 49).
[
] (–) button
Track buttons
You can select the preceding song by pressing this
button while the song select screen is displayed (p. 40).
If you hold down this button while a song is playing, the
song will be rewound (p. 41).
Use this button to select variations of the sound you’re
playing on the keyboard (p. 25).
You can use these buttons to play back or record your
The right-hand performance of internal preset songs is
assigned to the [Right] button, the left-hand performance
to the [Left] button, and the remaining parts of the
performance to the [Accomp] button.
[Right] button and pressing the [Key Touch] button (p.
22).
This button is also used to edit various values.
19
[Key Touch] button
This lets you adjust the touch sensitivity of the keyboard
(p. 26).
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Names of Things and What They Do
Rear Panel (Bottom)
fig.Rearpanel-e.eps
20
21
22
23
20
Input jacks (L/Mono, R)
Here you can connect an audio device or another
electronic musical instrument, and listen to the connected
device through the HP203’s speakers (p. 81).
21
22
23
Output jacks (L/Mono, R)
You can connect an audio device or external powered
speakers here to reproduce the HP203’s sound (p. 80).
Pedal connector
Connect the pedal cord of the dedicated stand to this
connector (p. 16).
Ac In (AC Inlet)
Connect the included power cord here (p. 16).
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Names of Things and What They Do
Bottom Panel (Front Left)
Bottom Panel (Front Right)
HP-203BotomPanel1.eps
HP-203BotomPanel2.eps
24
25
27
28
27
External Memory connector
Here you can connect USB memory, a floppy disk drive,
or a CD drive, and play back stored songs (p. 40).
You can also use USB memory to save a song you’ve
recorded on the HP203 (p. 60).
26
Installing the Floppy Disk Drive
Attach the floppy disk drive as shown the figure, using
the mounting holes on the HP203’s bottom panel.
*
For details of the attachment, refer to the owner’s manual of the
floppy disk drive.
24
USB connector
You can connect this to your computer for transferring
performance data (p. 83).
25
MIDI In/Out connectors
You can connect these to external MIDI devices to
transfer performance data (p. 82).
26
Phones jacks
Here you can connect headphones. The HP203 lets you
use two sets of headphones simultaneously (p. 20).
28
Input jacks (L/Mono, R)
Here you can connect an audio device or another
electronic musical instrument, and listen to the connected
device through the HP203’s speakers (p. 81).
15
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Before You Play
Connecting the Power Cord
Getting Ready to Play
1. Make sure that the [Power] switch located at
Connecting the Pedal Cord
the left side of the front panel is off (in the
upward position).
Plug the pedal cord extending from the stand into the Pedal
fig.PowerOff-e.eps
connector located at the back of the HP203’s bottom panel.
Upward
position
fig.PedalCord.eps
OFF
2. Turn the [Volume] knob all the way toward the
left to minimize the volume.
3. Connect the included power cord to the AC
INLET located at the rear of the bottom panel.
4. Plug the other end of the power cord into an
AC outlet.
fig.PowerCord.eps
3
4
NOTE You must use the power cord included with the
HP203.
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Before You Play
Using the music holders
Setting Up the Music Rest
You can use the holders to hold pages in place.
When not using the holders, leave them folded down.
Attach the included music rest using the procedure described
below.
1. Insert the included music rest attachment
screws into the screw holes on top of the
HP203, and tighten the screws slightly
2. Put the music rest between the screws and the
HP203’s body.
Opening/Closing the Lid
To open the lid, use both hands to lift it lightly, and slide it
away from yourself.
To close the lid, pull it gently toward yourself, and lower it
softly after it has been fully extended.
fig.Lid.eps
When opening and closing the lid, be careful not to
NOTE
let your fingers get caught. If small children will be
3. While supporting the music rest with one
using the HP203, adult supervision should be
provided.
hand, secure it in place by turning the screws.
When attaching the music rest, support it firmly with one
hand to make sure that you don’t drop it. Be careful, so
you don’t get your fingers pinched.
If you need to move the piano, make sure the lid is
closed first to prevent accidents.
NOTE
4. To remove the music rest, support it with one
hand while loosening the screws.
After removing the music rest, don’t forget to retighten
the screws.
Do not apply excessive force to the installed music
NOTE
rest.
Be sure to use the supplied screws for attaching the
NOTE
music rest.
Before moving the piano, be sure to remove the music
NOTE
rest to prevent accidents.
Be careful not to lose the screws used to fasten the mu-
NOTE
sic rest, or allow small children to accidentally swal-
low them.
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Before You Play
If you need to turn off the power completely, first turn
off the [Power] switch, then unplug the power cord
from the power outlet. Refer to “Power Supply” (p. 9).
NOTE
Turning the Power On/Off
Once you’ve got everything connected properly, you
NOTE
can turn on the power using the following procedure. If
you fail to perform these steps in the correct order, you
risk causing a malfunction or damaging your speakers.
Adjusting the Sound’s Volume
and Brilliance
Here’s how to adjust the volume of your keyboard playing or
the playback volume of an internal song or USB memory song.
If headphones are connected, use the [VOLUME] knob to
adjust the headphone volume.
Turning the Power On
1. Turn the [Volume] knob all the way toward the
left to minimize the volume.
1. Turn the [VOLUME] knob to adjust the overall
volume.
Adjust the volume while you play the keyboard to
produce sound.
Turning the knob toward the right will increase the
volume, and turning it toward the left will decrease the
volume.
2. Press the [Power] switch.
Lower
position
ON
Min
Max
The power will turn on, and the [Piano] button will light.
After a brief interval, you’ll be able to produce sounds
by playing the keyboard.
Adjusting the brightness of the sound
1. Press the [Brilliance] button so it’s lit.
Due to a circuitry protection feature, this unit requires
a few moments after power is turned on before it is
NOTE
ready for normal operation.
2. While holding down the [Brilliance] button, use
3. Use the [Volume] knob to adjust the volume.
Turning the Power Off
the [-] [+] buttons to adjust the brightness of
the sound.
Press the [+] button to make the sound brighter.
Press the [-] button to make the sound more mellow.
1. Turn the [Volume] knob all the way toward the
Setting
-10–10
left to minimize the volume.
If you press the [Brilliance] button so it’s no longer
lighted, the sound will return to its original brightness.
2. Press the [Power] switch.
You can use the Memory Backup function to store
this setting in internal memory (p. 78).
The screen goes blank and the power is turned off.
Upward
position
OFF
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Before You Play
About the Adjuster
About the Pedals
The pedals perform the following operations. You’ll use them
If you feel that the pedal is unstable (for example if you’ve
moved the HP203 to a different location), you can adjust the
adjuster located on the bottom of the pedals as follows.
mainly when playing piano.
fig.Pedals-e.eps
• Turn the adjuster to lower it until the adjuster is in firm
contact with the floor. The pedal may be damaged if there
is a gap between the adjuster and the floor. In particular,
when you’ve placed the HP203 on carpet, you must turn
the adjuster until it is pressing firmly against the floor.
Damper Pedal
Soft Pedal
fig.adjuster.eps
Sostenuto Pedal
Damper Pedal (right pedal)
Use this pedal to sustain the sound.
While this pedal is held down, notes will be sustained for an
extended time even if you release your fingers from the
keyboard.
The length of sustain will change subtly depending on how
deeply you press the pedal.
Adjuster
cause the strings for notes other than the ones you actually
play to vibrate in sympathy with what you’ve played,
producing a rich resonance. The HP203 simulates this
sympathetic vibration (damper resonance).
You can modify the sound of the sympathetic
vibration. Refer to p. 70.
Sostenuto Pedal (center pedal)
The notes you are pressing when this pedal is depressed will
be sustained.
Soft Pedal (left pedal)
This pedal is used to make the sound softer.
Playing with the soft pedal depressed produces a sound that is
acoustic piano.
The softness of the tone can be varied subtly by the depth to
which you press the pedal.
You can switch the function of the sostenuto pedal
and the soft pedal. Refer to “Changing How the
Pedals Work (Center/Left Pedal Function)” (p. 67).
If you disconnect the pedal cable from the HP203
NOTE
while the power is turned on, the pedal effect will
remain applied. You must connect or disconnect the
pedal cable while the HP203’s power is switched
off.
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Before You Play
Using the Headphone Hook
Listening through Headphones
You can use headphones to enjoy the HP203 without
disturbing those around you, such as at night. Since the
HP203 has two headphone jacks, two people can also use
headphones simultaneously.
Whenever you are not using the headphones, you can hang
them on the headphone hook of the HP203.
Attaching the Headphone Hook
If you’re using only one set of headphones, you may connect
1. Press and twist the headphone hook included
with the HP203 into the hole in the bottom left
of the HP203 (refer to the figure below).
them to either of the two headphone jacks.
fig.Headphones-e.eps
2. Turn the headphone hook wing nut to secure
the headphone hook.
fig.HeadphonHook.eps
Headphone Hook
Headphones
Do not hang anything other than headphones on the
NOTE
headphone hook. Doing so may damage the
instrument or the hook.
1. Plug the headphones into the PHONES jack
located at the left of the HP203’s bottom
panel.
If headphones are connected, no sound will be output
from the HP203’s speakers.
2. Use the HP203’s [VOLUME] knob (p. 18) to
adjust the headphone volume.
Cautions when Using Headphones
• To prevent damage to the cord’s internal conductors,
avoid rough handling. When using headphones, mainly
try to handle either the plug or the headset.
• Your headphones may be damaged if the volume of a
device is already turned up when you plug them in.
Minimize the volume before you plug in the headphones.
• Excessive input will not only damage your hearing, but
may also strain the headphones. Please enjoy music at an
appropriate volume.
• Use headphones that have a stereo 1/4” phone plug.
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Before You Play
Using External Memory
A song you’ve recorded on the HP203 can be saved by
copying it to separately sold USB memory (p. 60).
You can also copy songs to a floppy disk using a separately
sold floppy disk drive.
You can play back audio CDs and CD-ROMs containing
saved SMF music files.
* You can also play songs on VIMA CD-ROMs (VIMA TUNES) sold
by Roland.
You can also play back SMF music data or audio files (p. 42)
saved on USB memory or a floppy disk.
Precautions Concerning Use of the CD
Use USB memory and floppy disk drive available
NOTE
• You cannot play back CD-R/RW disks to which audio
tracks have been added or CDs containing both audio
tracks and data (CD Extra).
from Roland. Proper operation cannot be
guaranteed if other USB device is used.
• The HP203 is capable of playing back only commercial
CDs that conform the official standards—those that carry
the “COMPACT DISC DIGITAL AUDIO” logo.
Connecting USB Memory
1. Connect the USB memory to the External
• The usability and sound quality of audio discs that
incorporate copyright protection technology and other
non-standard CDs cannot be guaranteed.
Memory connector.
fig.ConnectUSBMem.eps
• For more detailed information on audio discs featuring
copyright protection technology and other non-standard
CDs, please consult the disc vendor.
• You cannot save songs to CDs, and you cannot delete
songs recorded to CDs. Furthermore, you cannot format
CDs.
Connecting a CD Drive
* CD drives that draw their power from the USB connector cannot
be used.
1. Switch off the power to the HP203 and the CD
drive to be connected.
Carefully insert the USB memory all the way in—until it is
firmly in place.
2. Connect the USB cable included with the CD
drive to the External Memory connector on the
HP203.
If you’re using new USB memory, you’ll need to
initialize (format) it on the HP203. For details, refer
to Initializing the USB memory (p. 58).
3. Turn on the power to this instrument.
4. Turn on the power to the connected CD drive.
For information on how to perform the following CD-
drive operations, refer to the owner’s manual for the
NOTE
drive.
• Switching the power on and off
• Inserting and ejecting a CD
A list of the CD drives that have been tested and
found to be compatible is available on the Roland
website.
http://www.roland.com/
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Listening to Demo Songs
Listening to the Tone Demo Songs
Now, try listening to demo songs.
The HP203 comes with seven demo songs.
The six Tone buttons and the [Twin Piano] button are each assigned one demo song.
All rights reserved. Unauthorized use of this material for purposes other than private,
personal enjoyment is a violation of applicable laws.
NOTE
NOTE
No MIDI data for the music that is played will be output.
fig.Panel-Demo-e.eps
1. Hold down the [Right] button and press the [Key Touch] button.
The indicators for the Tone, [Twin Piano], and [Split] buttons flash.
The following appears in the display.
fig.d-dEn.eps
Button with tone demo
[Piano]
Demo content
Piano tone demo song
[E. Piano]
[Organ]
E.piano tone demo song
Organ tone demo song
[Strings]
[Voice]
Strings tone demo song
Demo song using Voice tones
Demo song using Guitar tones
Demo song using the Twin Piano function (p. 31)
[Others]
[Twin Piano]
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Listening to Demo Songs
When the following appears in the display
If you have recorded a song but have not yet saved it, “dEL” will appear, blinking, when
you select a song.
fig.d-dEL.eps
You cannot play back a demo song if memory contains an unsaved song.
If you want to delete your performance and play back the demo song, press the [
]
button. If you don’t want to delete your performance, press the [
to save your recorded performance, refer to p. 60.
] button. If you want
2. Press one of the six Tone buttons or the [Twin Piano] button.
The songs will play consecutively, starting with the demo song you selected. The button for the
song currently being played back flashes on and off.
When playback of the last song is reached, playback continues by returning to the first song and
playing that again.
3. To stop playback, press the flashing button.
4. Press the [Right] button or the [Key Touch] button to exit Demo mode.
The indicators return to their previous state.
A demo song will not play if you press an unlit button.
Listening to the Piano Sound Demo Songs
In order to simulate the rich sounds typical of an acoustic piano, this instrument produces
reverberation and a variety of other sounds together with the piano sound. This demo
lets you compare how the piano sounds with and without these additional sounds.
1. Hold down the [Right] button and press the [Key Touch] button.
2. Press the [Split] button.
The indication in the display will change.
The [Brilliance], [Piano], and [E. Piano] buttons will blink, and the [3D] and [Reverb]
buttons will light.
While the [Brilliance] button is blinking, you can listen to demos of the hammer noise and
key-off resonance. Press the [3D] button if you want to hear the damper resonance demo,
or press the [Reverb] button if you want to hear the string resonance demo.
When you press the [3D] button, the [Organ] button will also blink in addition to the
[Piano] and [E.Piano] buttons.
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Listening to Demo Songs
3. Press the [Piano] or [E. Piano] button.
4. Press the [Right] button or the [Key Touch] button to exit Demo mode.
The indicators return to their previous state.
[Brilliance] button
fig.d-Pno.eps
Button
[Piano]
Demo content
Hammer Noise
(the sound of the hammer
striking the string when
you play a note)
Sound that is played
Each press of the button selects the next choice for what
you will hear, in this order:
Piano sound with hammer noise
Piano sound without hammer noise
Hammer noise by itself
[E. Piano]
Key Off Resonance
Each press of the button selects the next choice for what
you will hear, in this order:
Piano sound with key-off resonance added
Piano sound without key-off resonance
Key-off resonance by itself
(resonance such as the
subtle sounds that occur
when you release a note)
[3D] button
fig.d-dmp.eps
Button
[Piano]
Demo content
Sound that is played
Piano sound with damper resonance added
Piano sound without damper resonance
Damper resonance by itself
Damper Resonance
(the sound of other strings
vibrating in sympathy with
the played strings when the
damper pedal is pressed)
[E. Piano]
[Organ]
[Reverb] button
fig.d-Str.eps
Button
[Piano]
[E. Piano]
Demo content
Sound that is played
Piano sound with string resonance added
Piano sound without string resonance
String Resonance
(the sound of the strings of
already-played notes
sympathetically vibrating
when you play a note)
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Performing
Performing with a Variety of Sounds
The HP203 features over 300 different internal sounds, allowing you to enjoy performing
with sounds suitable for many different types of music.
These onboard sounds are called “Tones.” The Tones are divided into six different
groups, each of which is assigned to a different Tone button.
The Tone “Grand Piano 1” is selected when the instrument’s power is turned on.
fig.Panel-Tones-e.eps
1. Press a Tone button to select a tone group.
You’ll hear the Tone assigned to Tone number 1 in the selected Tone Group. Try fingering the
keyboard.
The display will indicate the number of the currently selected tone.
fig.d-1.eps
2. Use the [-] [+] buttons to select a sound from the tone group.
The Tone you’ve selected is heard when you finger the keyboard.
The next time you select this Tone button, you’ll hear the tone you selected here.
fig.d-5.eps
to the following.
About the Tone, refer to “Tone List” (p. 88).
NOTE
For some sounds, there are keys that do not produce sound.
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Performing
Adjusting the Keyboard Sensitivity (Key Touch)
You can change the touch sensitivity, or response of the keys. You can adjust the
keyboard touch as appropriate for the playing strength of the person who is performing.
fig.Panel-KeyTouch-e.eps
1. Press the [Key Touch] button so it’s flash.
2. Press the [-] or [+] button to select the keyboard touch.
fig.d--M-.eps
Indicate
Fixed
Button color
Orange
Description
The sound plays at one set volume, regardless of the force used to play the
keys.
Green
Green
Dark
Red
This setting produces the lightest keyboard touch.
Extra Light
Light
You can achieve fortissimo (ff) play with a less forceful touch than “medium”,
so the keyboard feels lighter. This setting makes it easy to play, even for
children.
This sets the standard keyboard touch. You can play with the most natural
touch. This is the closest to the touch of an acoustic piano.
Medium
Heavy
You have to finger the keyboard more forcefully than “medium” in order to
play fortissimo (ff), so the keyboard touch feels heavier. Dynamic fingering
adds even more feeling to what you play.
Red
This setting produces the heaviest keyboard touch.
Extra Heavy
3. Press the [Key Touch] button to return to selection of tones.
You can use the Memory Backup function to store this setting in internal memory (p.
78).
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Performing
Adding Spatial Depth to the Sound (3D Sound Control)
The HP203 provides a “3D Sound Control” function, which creates the sense of spatial
depth that you experience when playing a grand piano. This function adds the natural
resonance and spaciousness that are characteristic of an acoustic piano.
fig.Panel-3D-e.eps
1. Press the [3D] button so it’s lit.
The 3D Sound Control function will be turned on, and the sound will have more spatial depth.
2. While holding down the [3D] button, use the [-] [+] buttons to adjust the
spatial depth of the sound.
You can adjust the spatial depth over four levels.
Increasing the value will increase the spatial depth of the sound.
fig.d-3.eps
You can use the Memory Backup function to store this setting in internal memory (p.
78).
You can change the way in which the 3D Sound Control function is applied (p. 65).
3D Sound Control does not affect the sound from the Input jack or the sound of external
NOTE
devices connected to the MIDI Out connector.
NOTE
When you turn Twin Piano on, 3D Sound Control will be turned off.
Turning off 3D Sound Control
1. Press the [3D] button so its light is turned off.
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Performing
Adding Liveliness to the Sound (Dynamics Sound Control)
You can add liveliness to the sound to give it superb clarity and distinctness.
fig.Panel-Dynamics-e.eps
1. Hold down the [3D] button and press the [Reverb] button.
The display will show the type of dynamics sound control.
fig.d-OFF.eps
2. Use the [-] [+] buttons to select the desired sound control setting.
fig.d-1.eps
Indicate
Description
Dynamics sound control is turned off.
OFF
1 (Sharp)
2 (Clear)
3 (Power)
Creates a sound with boosted bass and treble.
Produces a sound with chords in the low registers that are clear and distinct.
3. Press the [3D] button or the [Reverb] button.
You will return to the normal screen.
You can use the Memory Backup function to store this setting in internal memory (p.
78).
NOTE
For some sounds, this may cause distortion.
Dynamics Sound Control does not affect the sound from the Input jack or the sound of
NOTE
external devices connected to the MIDI Out connector.
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Performing
Adding Reverberation to Sounds (Reverb Effect)
You can apply a reverb effect to the notes you play on the keyboard. With the reverb
effect, you obtain a pleasant reverberation, making it sound as if you were performing
in a concert hall or similar space.
fig.Panel-Reverb-e.eps
1. Press the [Reverb] button so it’s lit.
Try fingering the keyboard.
The reverb effect is applied to the entire tone.
Turning Off the Reverb Effect
1. Press the [Reverb] button so its light is turned off.
NOTE
Reverb will not be applied if Twin Piano is turned on with Twin Piano Mode “2”
selected.
Changing the Depth of Reverb Effect
You can select from ten levels of depth for the reverb effect.
1. Hold down the [Reverb] button and press the [-] or [+] button.
The depth for the reverb effect appears in the display.
fig.d-4.eps
You can use the Memory Backup function to store this setting in internal memory (p.
78).
You cannot make separate reverb effect depth settings for each individual tone.
NOTE
The effect will be applied with the same depth to all tones.
NOTE
This will not change the reverb depth for the song that is playing back.
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Performing
Changing the Key of the Keyboard (Key Transpose)
The “Key Transpose” function lets you play a song at a different key. If you’re accompanying
a singer, you can use the Transpose function to shift the pitch to a key that’s comfortable for
the singer while you continue playing in the same familiar key (fingering).
You can also use this function to transpose the pitch of your playing without changing
your fingering on the keyboard. For example, if the song is in a difficult key with
numerous sharps ( ) or flats ( ), you can transpose to a key that’s easier for you to play.
fig.Panel-Transpose-e.eps
On the HP203, you can transpose the pitch of just the keyboard, or the pitch of the
keyboard and song together, or the pitch of just the song (Transpose Mode; p. 66).
When the HP203 is shipped from the factory, it is set so that the pitch of the keyboard
and song will be transposed together (“Changing the Key of the Song Playback
(Playback Transpose)” (p. 47)).
1. Hold down the [Transpose] button and press the key corresponding to the
tonic of the desired key. (In this case, the note will not sound.)
The Key Transpose setting value continues to appear in the display while the [Transpose] button
is held down.
fig.d-0.eps
You can also adjust this setting by holding down the [Transpose] button and using the [-]
[+] buttons.
The available range is -6–0–5 (semitone steps).
If this is set to a value other than 0, the [Transpose] button will light.
If the transpose value is not “0,” you can use the [Transpose] button to turn the Transpose function on/off.
When you release the [Transpose] button, you return to the previous screen.
By holding down the [Transpose] button and pressing both the [-] and [+] buttons
simultaneously, the setting returns to its original value (0).
The transpose setting will return to “0” when you select another song.
Example: Playing a Song in the Key of E Major After Transposition to C Major
Hold down the [Transpose] button and press the E key (since E is the tonic).
Counting from C as a reference point, one moves up four keys, including the black keys,
to reach E, thus “4” appears in the display.
fig.Transpose.eps
If you play C E G
It will sound E G #
B
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Performing
Dividing the Keyboard for Two-person Performance (Twin Piano)
You can divide the keyboard into left and right areas so that two people can play the
same range of pitches.
This means that you’ll be able to use the keyboard as though it were two separate pianos.
For example, this provides a convenient way for one person to follow along with another
person’s performance to check it.
fig.TwinPiano.eps_80
C1
C2
C3
C5
C4
C6
C5
C6
C7
C8
C3
C4
C3
C4
C5
C6
fig.Panel-TwinPiano-e.eps
1. Press the [Twin Piano] button, getting its indicator to light.
The following appears in the display.
fig.d-P-P.eps
When you turn Twin Piano on, the instrument will be in the following state.
• The keyboard will be divided into left and right areas, with “middle C” located in the center
of each area.
• The left and right areas will have the same sound (Grand Piano 1).
• The right pedal will be the damper pedal for the right area, and the left pedal will be the
damper pedal for the left area.
• The middle pedal will be the sostenuto pedal for the right area.
• If the Split function or the Dual function was on when you turned Twin Piano on, the Split function
and the Dual function will be turned off.
• 3D Sound Control and the effect will be off.
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Performing
Turning Off Twin Piano
1. Press the [Twin Piano] button so its illumination is turned off.
Changing the Way in Which the Sound is Heard (Twin Piano Mode)
1. Hold down the [Twin Piano] button and press the [-] or [+] button.
You can choose one of the following ways in which the sound will be heard.
fig.d-1.eps
Indicate
1
Description
As usual, the sound will be heard from the right as you play toward the right of the
keyboard, and from the left as you play toward the left.
Notes played in the right area will be heard from the right speaker, and notes played in
the left area will be heard from the left speaker.
2
If you set Twin Piano mode to “2,” reverb will no longer be applied when you turn on
Twin Piano mode.
NOTE
NOTE
For some sounds, the sound may not be split even if you set Twin Piano mode to “2.”
You can use the Memory Backup function to store this setting in internal memory (p.
78).
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Performing
Performing With Two Layered Tones (Dual Play)
You can play two different sounds from a single key at the same time. This method of
performance is called “Dual Play.”
As an example, let’s try layering piano and strings sounds.
fig.Panel-Tones-e.eps
1. Hold down the [Piano] button and press the [Strings] button.
The indicators for both buttons light.
Try fingering the keyboard. Both the piano and strings sounds play.
Pressing two Tone buttons at the same time in this manner activates Dual Play.
Of the two selected tones, the one for the tone button at left is called “Tone 1” and the one for the
button at right is called “Tone 2.”
NOTE
You can’t select Dual Play if you’ve turned on Split Performance or Twin Piano.
Turning Off Dual Play
1. Press any one of the Tone buttons.
Now you’ll hear only the tone of the button you pressed.
You can vary the volume-level balance of the two tones. Take a look at “Changing the
Volume Balance for Dual Play” (p. 34).
If you press the damper pedal while using Dual Performance, the effect will be applied
to both Tone 1 and Tone 2. However, you can change this setting so that the damper
pedal will affect only one of the tones. Refer to “Changing How the Damper Pedal
Effects Is Applied (Damper Pedal Part)” (p. 67).
Depending on the combination of the two tones, the effect may not be applied to Tone
2.
NOTE
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Performing
Changing the Tone Variations
Changing the Tone 1
1. Press the [-] or [+] button.
Changing the Tone 2
1. Hold down the Tone button for the Tone 2 (the rightmost of the lit Tone
buttons), and press the [-] or [+] button.
Changing the Volume Balance for Dual Play
You can change the volume balance of the Tones 1 and 2.
fig.Panel-Balance-e.eps
1. Hold down the [Transpose] button and press the [Split] button.
The current volume balance is shown.
fig.d-9-3-e.eps
Volume of
Tone 1
Volume of
Tone 2
2. Press the [-] or [+] button to change the volume balance.
The volume balance will change.
If you want to return to the original volume balance, press the [-] and [+] buttons simultaneously.
fig.d-5-9.eps
3. Press the [Transpose] button or [Split] button to return to the tone select
screen.
You can use the Memory Backup function to store this setting in internal memory (p.
78).
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Performing
Performing with Different Tones in the Left and Right Sides of the
Keyboard (Split Play)
Performing with the keyboard divided at a certain key into a left side and a right side is
called “Split Play,” and the point at which the keyboard is divided is called the “split point.”
In Split Play, you can have a different tone sound in the left and right sides.
At the factory settings the split point is set to “F 3.” The split point key is included in the
left side.
While in Split Play, a sound played in the right side is called a “right-hand tone,” and
the sound played in the left side is called a “left-hand tone.”
fig.SplitPoint-e.eps
Split Point (Factory default: F 3)
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C3
C4
C5
B7 C8
Left-hand Tone
Right-hand Tone
As an example, here’s how to play the tone of the [Piano] button as part of a Split
performance.
fig.Panel-Split-e.eps
1. Press the [Piano] button.
Now, the piano tone is selected.
2. Press the [Split] button, getting its indicator to light.
The keyboard will be divided into left and right sides.
The F 3 key forms the division between the left and right sides of the keyboard.
The right-hand section of the keyboard plays piano tone, and the left-hand section plays “A.
Bass+Cymbal” tone.
Turning Off Split Play
1. Press the [Split] button so its illumination is turned off.
The right-hand tone becomes the tone for the entire keyboard.
When you switch from Dual Play (p. 33) to Split Play, the Tone 1 used in Dual Play is
selected as the right-hand tone for Split Play.
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Performing
Switching Tone Groups and Tone Variations
Changing the Right-hand Tone
1. Press the Tone button to choose a tone group.
2. Press the [-] or [+] button to select a variation tone.
Changing the Left-hand Tone
1. Hold down the [Split] button and press the Tone button to choose a tone
group.
2. Hold down the [Split] button and press the [-] or [+] button to select a
variation tone.
You can change the pitch of the left-hand tone an octave at a time. Refer to “Changing
the Pitch of the Tone in Octave Steps (Octave Shift)” (p. 66).
Changing the Keyboard’s Split Point
You can change the split point (the key at which the keyboard is divided).
The split point can be set to any value from B1 through B6.
This is set to “F 3” at the factory settings.
fig.SplitPoint-3-e.eps_78
Split Point (Factory default: F 3)
A0
C1
B1 C2
C3
C4
C5
C6
B6 C7
C8
Range in which you can specify the split point (B1–B6)
1. Hold down the [Split] button and press a key set as the split point.
The key you pressed becomes the split point, and appears in the display.
fig.d-C3.eps
The key being used as the split point belongs to the left-hand section of the keyboard.
The previous display will reappear when you release the key.
You can use the Memory Backup function to store this setting in internal memory (p.
78).
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Performing
Performing with the Metronome
You can perform while the metronome sounds.
HP203 provides a versatile Metronome function. You can adjust the volume or beat of
the metronome.
If a song is playing, the metronome will sound at the tempo and beat of that song.
fig.Panel-Metronome-e.eps
1. Press the [Metronome] button so it’s lit.
The metronome will be heard.
The [Metronome] button flashes in red and green in time with the beat selected at that time.
The indicator lights in red on the downbeats, and in green on weak beats.
If you don’t perform any operation for a while, the indication in the display will change
to the following.
Stopping the Metronome Function
1. Press the [Metronome] button.
You can change the sound of the metronome (p. 71).
Changing the Tempo
1. Press the [Tempo/Beat] button to make the “Tempo” indicator light.
The tempo is displayed.
fig.d-108.eps
2. Press the [-] or [+] button to adjust the tempo.
Correspondence between beat and tempo display
2/2
=5–250
Beat
x/4
=10–500
3/8
=20–999
6/8, 9/8, 12/8
= 7–333
Tempo Value
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Performing
Changing the Beat
1. Press the [Tempo/Beat] button to make the “Beat” indicator light.
The beat is displayed.
fig.d-44.eps
2. Press the [-] or [+] button to select the beat.
Indicate
Beat
Indicate
Beat
2/2
6/4
7/4
3/8
6/8
9/8
12/8
Only weak beats
will be sounded.
2/4
3/4
4/4
5/4
When you record your performance, it will record in the beat that is selected.
When you play back a song, the metronome’s beat will be set to the beat of that song.
You can’t change the metronome’s beat while a song is playing.
NOTE
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Performing
Changing the Volume
The volume of the metronome can be adjusted, with 11 volume levels available.
This is set to “5” when the instrument is turned on.
fig.Panel-MetronomeVol-e.eps
1. While holding down the [Metronome] button, press the [-] or [+] button.
The display will indicate the metronome volume.
fig.d-5.eps
When the metronome volume is set to “0,” the metronome sound does not play.
Sounding a Count to Keep your Timing Accurate
A “count-in” is a count that is sounded before the song begins to play.
If you’re playing along with a song, you can sound a count to make it easier to
synchronize your own playing with the song.
fig.Panel-CountIn-e.eps
1. While holding down the [Metronome] button, press the [
] button.
A two-measure count sounds before the song plays.
A “count-down” is a count that is sounded at the end of the song’s introduction (before
you begin playing the keyboard) (p. 71).
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Playing Back Songs
Listening to Songs
Here’s how to listen to the internal preset songs, songs from internal memory, or songs
from USB memory (sold separately).
The HP203 provides sixty-five piano songs as internal preset songs.
fig.Panel-SongPlay-e.eps
You can listen to songs from floppy disk by using a separately sold floppy disk drive.
By using a commercially-available CD drive, you can listen to SMF data or VIMA CD-
ROMs (VIMA TUNES) on a CD-ROM, or listen to music CDs.
Selecting a Song
1. Press the [Int Song/Ext Song] button.
fig.d-P01.eps
Songs can be selected from internal memory only if the song you want to hear has
already been saved in internal memory. To select a song from USB memory (sold
separately), connect the USB memory containing the desired song to the external
memory connector, then press the Song button (p. 21).
2. Press the [-] or [+] button to select the song.
The “Int Song” indicator will light if an internal preset song or internal memory song is selected,
and the “Ext Song” indicator will light if a USB memory song is selected.
fig.d-P05.eps
You can play back audio files (p. 42) from external memory, or a music CD.
Playing the Song
3. Press the [
] button.
The selected song will play.
The selected song is played to the end, and then playback stops.
To stop playback, press the [
] button once more.
The next time you press the [
] button, playback will resume from the point at which you stopped.
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Playing Back Songs
Fast-forward and Rewind
• Press the [
• Press the [
] button to move to the beginning of the next song.
] button to move to the beginning of the currently selected song. If you’re
already at the beginning of the song, you will move to the beginning of the preceding song.
• If you hold down the [ ] button while a song is playing, the song will fast-forward. When
you press this button, the measure number (or the time, in the case of an audio file) will be
displayed for several seconds.
• If you hold down the [
] button while a song is playing, the song will rewind.
When the following appears in the display
If you have recorded a song but have not yet saved it, “dEL” will appear, blinking, when
you select a song.
fig.d-dEL.eps
You cannot play back another song if memory contains an unsaved song.
If you want to delete your performance and play back the song, press the [ ] button.
If you don’t want to delete your performance, press the [
] button. If you want to
save your recorded performance, refer to “Saving the Songs” (p. 60).
About the Song Select Display
The song select screen will change as follows each time you press the [Int Song/Ext Song] button.
fig.SongDisplay-e.eps
The song you’re
newly recording
Song of the
Song of the
Internal memory
Internal
Preset
Song
External memory
Audio File or Music CD
SMF Music File etc.
NOTE
Indications such as “A.**,” “.**,” or “U.**” will not appear if no songs are
saved in external memory or internal memory, or if USB memory is not connected.
About the name of the internal song, refer to “Internal Song List” (p. 95).
If you don’t perform any operation for a while, the indication in the display will change
as follows.
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Playing Back Songs
To select a song that’s inside a folder
1. Press the [Int Song/Ext Song] button so the “Ext Song” indicator is lit.
fig.d-01.eps
2. Press the [-] button.
If a folder exists, a display like the following will appear.
3. Press the [
] button.
The first song in the folder will be selected.
fig.d-01.eps
If the folder contains no songs, or if the first song is selected when you press the [-]
button, the following display will appear. Here you can press the [
exit the folder.
] button to
fig.d-L[].eps
About audio files
Audio files of the following format can be played
• File extension is “.wav”
• 16-bit linear
• 44.1 kHz sampling rate
The following functions cannot be used for audio file playback.
• 3D Sound Control (p. 27)
• Tempo change (p. 46)
• Recording (p. 49)
• Reverb (p. 29)
• Save to internal memory (p. 61)
• Play back (mute) individual parts (p. 44)
* If you execute an operation such as Save while an audio file is playing, the song
may stop before the end.
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Playing Back Songs
Playing Back All Songs Continuously (All Song Play)
Here’s how to repeatedly play all internal songs or external memory songs in succession.
fig.Panel-SongPlay-e.eps
1. Press the [Int Song/Ext Song] button so it’s lit.
2. Use the [-] [+] buttons to select the first song.
3. While holding down the [Int Song/Ext Song] button, press the [
]
button.
The display will indicate “ALL,” and the songs will play consecutively, starting with the selected
song.
When the last song finishes playing, playback will return to the first song and then continue.
fig.d-ALL.eps
The songs in internal memory will play consecutively if an internal memory song is
selected, and the songs in USB memory will play consecutively if a USB memory song
is selected.
4. To stop playback, press the [
] button so its indicator is turned off.
After you’ve pressed the [
] button to stop playback, pressing the [
]
button once again will resume playback from the location where you stopped, but the
next song will not play back. If you want to play back all songs once again, hold down
the [Int Song/Ext Song] button and press the [
] button.
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Playing Back Songs
Listening to Each Part Separately
When playing back internal songs or external memory songs, you can select the
performance parts that will play.
You can also practice each hand separately while playing along with the song.
fig.Panel-TrackMute-e.eps
The performance data is assigned to the Track buttons as shown below.
fig.TrackButtons-e.eps
The left-hand performance is assigned to the Track [Left]
button, the right-hand performance is assigned to the
Track [Right] button, and other performance is assigned
to the Track [Accomp] button. “Tracks” are areas in
which music data is held, and buttons [Left], [Right], and
[Accomp] are referred to as the “track buttons.”
Accompaniment
Right-hand
Part
Part
Left-hand Part
1. Select the song that you want to play (p. 40).
2. Press the [
] button to play the song.
3. Select the part that you don’t want to play back.
Press the Track [Left] button, Track [Right] button, or the Track [Accomp] button.
For example, if you want to practice the right-hand part, press the Track [Right] button
so its illumination is turned off. When you play back the song, the right-hand part will
not play.
You can select the part that will be muted when you press the [Accomp] track button
and turn off its light. Please refer to p. 72.
If you again press the button you selected in step 3, so the button is lit, the sound of that part will
be heard.
NOTE
Mute settings will be cleared when you switch songs.
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Playing Back Songs
Determining the Volume of a Muted Part
Here’s how to adjust the volume that a part will have after you’ve pressed a track button
to mute the playback while playing back a song.
The HP203 lets you play back a specific part at a reduced volume so you can use that
part as a “guide” for your own playing.
1. Hold down a track button and use the [-] [+] buttons to specify the volume
that the track will have when its playback is muted.
The volume for when the track is muted will be shown while you hold down the track button.
The track mute volume can be set to any value from 0 to 80.
fig.d-30.eps
NOTE
When you turn off the power, the track mute volume will be reset to “0.”
Changing the Song Playback Volume
Here’s how to change the volume at which the song will play.
When you’re practicing along with a song, this allows you to adjust the volume balance
between your keyboard performance and the song playback.
1. While holding down the [
] button, press the [-] [+] buttons.
The song playback volume is displayed while you hold down the [
] button.
The playback volume can be set to any value from 0 to 127.
fig.d-127.eps
NOTE
When you turn off the power, the song playback volume will revert to “127.”
Adjusting the Volume of the Audio Files and Music CDs
When you select an audio file or a song from music CD, it will play back at a separately-
specified volume setting.
1. While holding down the [
] button, press the [-] [+] buttons.
NOTE
When you turn off the power, this playback volume will return to a setting of “64.”
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Playing Back Songs
Changing the Tempo of a Song
You can change the tempo at which the song plays.
When you’re practicing one of the internal songs, slowing down the tempo of the
playback can make it easier to play along with a difficult song.
1. Press the [Tempo/Beat] button so the “Tempo” button’s indicator is lit.
2. Use the [-] [+] buttons to change the tempo.
Playing Back at a Fixed Tempo (Tempo Mute)
Some of the internal preset songs have a tempo that varies during the song.
Here’s how you can make these songs play back at a fixed, unchanging tempo.
1. While holding down the [Tempo/Beat] button, use the [-] [+] buttons to
change the setting.
Button
[+]
Value
On
Explanation
The tempo changes recorded in the song will be ignored, and the song will
play at a fixed tempo.
[-]
Off
The song will play back according to the tempo changes recorded in the song.
NOTE
When you switch songs, the Tempo Mute function will revert to the “off” setting.
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Playing Back Songs
Changing the Key of the Song Playback (Playback Transpose)
The “Playback Transpose” function lets you change the key of the song playback.
fig.Panel-KeyControl-e.eps
1. Play back the song that you want to hear or play along with (p. 40).
2. While holding down the [Transpose] button, use the [-] [+] buttons to adjust
the pitch.
The pitch of the song will change in semitone steps.
The Playback Transpose setting is shown while you hold down the [Transpose] button.
The range is -6–0–5 (semitone steps).
If this is set to a value other than 0, the [Transpose] button will light.
If the transpose value is other than “0,” you can use the [Transpose] button to turn the Playback
Transpose function on/off.
If you hold down the [Transpose] button and press both the [-] and [+] buttons
simultaneously, this setting will return to its original value (0).
The Playback Transpose function won’t be applied if the Transpose Mode (p. 66) is set
NOTE
to “-K-” (Keyboard).
If you’ve selected a song from a music CD or an audio file, using Playback Transpose
NOTE
may affect the tonal character.
The transpose setting will return to “0” when you select another song.
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Playing Back Songs
Minimizing the Center Sounds in the Playback (Center Cancel)
When playing back a commercially available CD or audio file, you can minimize the
sounds that are located in the center (such as vocals).
fig.Panel-CenterCancel-e.eps
1. Play back an audio file or music CD (p. 40).
2. Press the [Right] track button so its illumination is turned off.
The melody or vocal sound will be minimized.
NOTE
For some songs, the sounds in the center may not be entirely eliminated.
NOTE
The Center Cancel setting will be cancelled when you select another song.
Defeating the Center Cancel function
1. Press the [Right] track button so it’s lit.
NOTE
For some songs, using the Center Cancel function may affect the tonal character.
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Recording
You can easily record your performances.
You can play back a performance you have recorded to check what and how you
Recording just your own
→ “Recording Your Keyboard Performance” (p. 50)
keyboard performance
Selecting a track button and
recording
→ “Recording Your Performance Separately for Each Hand” (p. 52)
Re-recording
→ “Recording Your Performance Separately for Each Hand” (p. 52)
Recording along with an
internal song
→ “Recording Your Playing Along with a Song” (p. 55)
Memo
With second or later recordings, the previously recorded song is erased as the new
material is recorded. When recording a new performance, it is probably a good idea to
erase the previously recorded performance first (p. 57).
fig.OverRec.eps
1st Pass
2nd Pass
The first Performance is preserved
When the following appears in the display
If you have recorded a song but have not yet saved it, “dEL” will appear, blinking, when
you select a song or record a new song.
fig.d-dEL.eps
You cannot record another song if memory contains an unsaved song.
If it is OK to delete the song, press the [ ] button.
If you don’t want to delete the song, press the [
internal memory or USB memory (p. 60).
] button and save your song to
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Recording
Recording Your Keyboard Performance
Here’s how to record just your own keyboard performance without using an internal
song.
fig.Panel-RecNew-e.eps
Performance Settings
1. Press the [Int Song/Ext Song] button.
If the display does not show the following, press the [Int Song/Ext Song] button until this indication
appears.
fig.d-USr.eps
Alternatively, you can get “USr” to be displayed by holding down the [Int Song/Ext
Song] button and pressing the [ ] button.
2. Select the Tone to be played (p. 25).
3. If necessary, sound the metronome.
Press the [Metronome] button (p. 37).
While listening to the metronome, adjust the song tempo and the time signature as desired (p. 37).
Settings for Recording
4. Press the [ ] button.
The [ ] button lights, the [
standby.
] button begins flashing, and the HP203 is put into recording
If you decide not to record, press the [ ] button once again.
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Recording
Starting Recording
5. Press the [
] button or play the keyboard.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [
case, a count is not sounded.
] button). In this
When recording begins, the [ ] button and [
] button will light.
During the count-in, the count measure is indicated in the display as “-2” then “-1.”
Stopping Recording
6. Press the [
] button.
Recording will stop.
Listening to the Recorded Performance
] button.
7. Press the [
You will return to the beginning of the performance you recorded.
8. Press the [
] button.
The recorded performance will play back.
If you press the [
] button while the metronome is sounding, there will be a two-
9. Press the [
The recorded performance will disappear when you turn off the power. If you want to
keep the performance you recorded, you must save it in internal memory or USB
memory. Refer to p. 60.
NOTE
If you have not saved the performance you recorded, you won’t be able to play back
another song. You’ll have to erase (p. 57) or save (p. 60) the performance before
playing back another song.
NOTE
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Recording
Recording Your Performance Separately for Each Hand
The HP203 recorder has three track buttons.
You can record the performance of each hand separately to different track buttons (for
example, the left-hand performance to the [Left] button and the right-hand performance
performance.
How the track buttons correspond to the recorded performances
The recorded performances are assigned to the track buttons as follows.
● Split performance (p. 35)
Track button
[Right] button
[Left] button
Recorded performance
Right-hand tone
Left-hand tone
● Normal performance (the entire keyboard plays a single tone), Dual
performance (p. 33)
• When you record with just one recording track specified
The performance will be recorded on the specified track.
• When you record with multiple recording tracks specified
Recording will take place in this order of priority:
[Right] button ➝ [Left] button ➝ [Accomp] button.
fig.Panel-RecTrack-e.eps
Settings for recording
1. Press the [Int Song/Ext Song] button.
If the display does not show the following, press the [Int Song/Ext Song] button until this indication
appears.
fig.d-USr.eps
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Recording
2. Press the [ ] button.
The [ ] button will light, the [
recording standby mode.
] button indicator will flash, and the HP203 will enter
If you decide not to record, press the [ ] button once again.
The button of the track to be recorded will flash.
3. Press the button of each track you don’t want to record, turning off its
illumination.
You can record to only one track button at a time.
Recording
4. Press the [
] button.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [
case, a count is not sounded.
] button). In this
When recording begins, the [ ] button and [
] button will light.
During the count-in, the count measure is indicated in the display as “-2” then “-1.”
5. To stop recording, press the [
] button.
Recording an additional part
6. Press the [
] button.
You will return to the beginning of the recorded performance.
7. Press the [ ] button.
8. Press the button of the track you want to record, making it flash.
If you select a previously recorded track, that track will be overwritten by the newly
NOTE
recorded performance, and the previously recorded performance will be lost.
The [ ] button will light, the [
standby mode.
] button will flash, and the HP203 will enter recording
If you decide not to record, press the [ ] button once again.
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Recording
9. Press the [
] button.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [
case, a count is not sounded.
] button). In this
When recording begins, the [ ] button and [
] button will light.
During the count-in, the count measure is indicated in the display as “-2” then “-1.”
If you record additional parts without erasing the previously recorded song, the song
tempo and time signature will remain as it was when the song was first recorded.
NOTE
10.To stop recording, press the [
] button.
Listening to the Recorded Performance
11.Press the [
] button.
You will return to the beginning of the recorded performance.
12.Press the [
] button.
The recorded performance will play back.
13.When you press the [
] button once again, playback will stop.
After playing back a song, you can hold down one of the track buttons and press the
[
indicate “USr.” If you erase the performance from all tracks, the display will indicate
“USr.”
The recorded performance will disappear when you turn off the power. If you want to
keep the performance you recorded, you must save it in internal memory or USB
memory. Refer to “Saving the Songs” (p. 60).
NOTE
NOTE
If you have not saved the performance you recorded, you won’t be able to play back
another song. You’ll have to erase (p. 57) or save (p. 60) the performance before
playing back another song.
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Recording
Recording Your Playing Along with a Song
Here’s how you can play along with an internal memory song or an external memory
song, and record your performance.
For example, you can listen to the left-hand part while you record the right-hand part.
The performance you play on the keyboard will be recorded in place of the sound of the
part you select using the track buttons.
The sound of the track button you selected will not be heard during recording.
fig.Panel-RecSong-e.eps
Performance Settings
1. Select a song.
If you want to record along with a song from external memory, connect USB memory or floppy
disk drive before you continue (p. 21).
2. Select the Tone to be played (p. 25).
3. Specify the recording tempo (p. 46).
The performance will be recorded at the tempo of the song you selected when
NOTE
recording. If you record your playing along with a song, it will be recorded with the
time signature of that song.
Settings for Recording
4. Press the [ ] button.
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Recording
5. Press the track button for the part you want to record, making the button flash.
This allows you to record while listening to the selected song.
The [ ] button will light, the [
standby mode.
] button will flash, and the HP203 will enter recording
If you decide not to record, press the [ ] button once again.
How performance parts correspond with track buttons
Track button
Track [Right] button
Track [Left] button
Performance part
Right-hand part
Left-hand part
Track [Accomp] button
Performance data other than the right-hand part and left-hand part
Starting Recording
6. Press the [
] button.
After a two-measure count, recording will begin.
Even if you don’t press the [
] button, recording will begin when you play the keyboard. In
this case, a count won’t be sounded.
When recording begins, the [ ] button and [
] button will light.
During the count, the display will indicate the measure number as “-2” and “-1.”
Stopping Recording
7. Press the [
] button.
Recording will stop.
Listening to the Recorded Performance
8. Press the [
] button.
You will return to the beginning of the recorded performance.
9. Press the [
] button.
The recorded performance will play.
10.Press the [
The recorded performance will disappear when you turn off the power. If you want to
keep the performance you recorded, you must save it in internal memory or USB
memory. Refer to p. 60.
NOTE
NOTE
If you have not saved the performance you recorded, you won’t be able to play back
another song. You’ll have to erase (p. 57) or save (p. 60) the performance before
playing back another song.
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Recording
Erasing Recorded Performances
You can erase recorded performances.
fig.Panel-RecNew-e.eps
1. Press the [Int Song/Ext Song] button.
The screen for the recorded performance will appear.
fig.d-USrdotExp-e.eps
Lit if there is a recorded song
2. Press the [+] button.
“dEL” will start blinking in the display.
fig.d-dEL.eps
If you decide not to delete the song, press the [
] button.
3. Press the [ ] button.
The recorded performance is erased.
You can also erase the recorded performance by holding down the [Int Song/Ext
Song] button and pressing the [ ] button.
After playing back a song, you can hold down one of the track buttons and press the
[
] button to erase the performance of only that track. At this time, the display will
indicate “USr.” If you erase the performance from all tracks, the display will indicate
“USr”.
A performance you recorded will be deleted when you turn off the power.
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Saving Your Performance
Initializing the Memory
Here’s how you can completely erase all songs that were saved in internal memory, USB
memory (sold separately), or a floppy disk (sold separately).
Once an initialization is performed, all songs that have been saved in memory will be
NOTE
contents of memory before you proceed.
In order to use new USB memory or a new floppy disk with the HP203 for the first time,
NOTE
you’ll need to initialize (format) it. USB memory or a floppy disk that has not been
initialized can’t be used with the HP203.
For details on handling USB memory, refer to “Using External Memory” (p. 21).
fig.Panel-SaveSong-j.eps
1. If you will be initializing USB memory, connect the USB memory to the
external memory connector (p. 21).
If you will be initializing a floppy disk, connect your floppy disk drive to
the external memory connector, and insert the disk into the drive.
2. Hold down the [Brilliance] button and press the [3D] button.
The display will indicate “Fnc,” and you’ll be in Function mode.
fig.d-Fnc.eps
3. Hold down the [Int Song/Ext Song] button and use the [-] [+] buttons to
make the display indicate “FMt.”
When you take your finger off the button, a screen in which you can select the memory that you
want to initialize will appear.
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Saving Your Performance
4. Use the [-][+] buttons to select whether you will initialize “Int” (Internal
Memory) or “EXt” (USB memory or floppy disk).
Internal Memory
USB memory, floppy disk
5. Press the [
] button.
The display will indicate “Sur,” and the [
] button and [
] button.
] button will blink.
If you decide not to initialize, press the [
6. Press the [ ] button.
Initialization will begin.
The entire contents of the selected memory will be erased.
the memory being initialized, rendering it unusable.
NOTE
NOTE
Initializing the HP203’s internal memory will not initialize settings other than the
contents of internal memory. If you want to return settings other than the contents of
internal memory to their factory-set condition, execute the Factory Reset operation (p.
79).
NOTE
NOTE
Don’t disconnect the USB memory until USB memory initialization has been completed.
While a floppy disk is being initialized, do not eject the disk from the floppy disk drive
or disconnect the cable of the disk drive.
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Saving Your Performance
Saving the Songs
A song you’ve recorded can be saved in internal memory, USB memory (sold separately)
or floppy disk (sold separately).
The songs you record will be lost if you simply turn off the HP203’s power before they’ve
been saved. You’ll need to save a song if you want to keep it.
A song from internal memory can also be saved to external memory, or a song from
external memory can be saved to internal memory.
fig.Panel-SaveSong-j.eps
You can’t save audio files or songs from a music CD.
NOTE
1. If you want to save the song on USB memory, connect the USB memory to
the external memory connector (p. 21).
If you want to save the song on a floppy disk, connect your floppy disk
drive to the external memory connector and insert a disk into the drive.
If you want to save a song from internal (external) memory to external (internal) memory, select
the song that you want to save.
2. Hold down the [Brilliance] button and press the [3D] button.
The display will indicate “Fnc” and you’ll be in Function mode.
fig.d-Fnc.eps
3. Hold down the [Int Song/Ext Song] button and use the [-] [+] buttons to
make the display indicate “SAv.”
When you take your hand off the button, the screen for selecting the destination to which to save
the song will appear.
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Saving Your Performance
Selecting the Save destination for the Song
4. Use the [-] [+] buttons to specify whether you want to save the song in
“Int” (Internal Memory) or “EXt” (USB memory or floppy disk).
Internal Memory
USB memory, floppy disk
5. Press the [
] button.
A screen in which you can select the save-destination number will appear.
Internal Memory
USB memory, floppy disk
6. Use the [-] [+] buttons to select the save-destination number.
If the dot in the lower right of the display is lit, a song has already been saved in that number.
Select a number at which no song has been saved.
If you want to erase an unwanted song and replace it with the newly saved song, select the
number of the unwanted song.
fig.d-SongExist-e.eps
Lit if a song has been saved
Saving the Song
7. Press the [
] button.
The display will indicate “Sur,” and the [
] button and [
] button will blink.
If you decide not to save the song, press the [
] button.
8. Press the [ ] button.
The song will be saved.
Never turn off the power while “SAv” is blinking in the display. Doing so will destroy
the save-destination memory, rendering it unusable.
NOTE
fig.d-SAv.eps
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Saving Your Performance
Deleting a Song
Here’s how you can delete a previously saved song from internal memory, USB memory
or floppy disk.
If you want to delete all songs from internal memory, USB memory or floppy disk, refer
to “Initializing the Memory” (p. 58).
fig.Panel-SaveSong-j.eps
1. If you’re deleting a song from USB memory, connect your USB memory to
the external memory connector (p. 21).
If you’re deleting a song from floppy disk, connect your floppy disk drive
to the external memory connector and insert the disk into the drive.
2. Hold down the [Brilliance] button and press the [3D] button.
The display will indicate “Fnc” and you’ll be in Function mode.
fig.d-Fnc.eps
3. Hold down the [Int Song/Ext Song] button and use the [-] [+] buttons to
make the display indicate “dEL.”
When you take your finger off the button, a screen in which you can select the song to delete will
appear.
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Saving Your Performance
Selecting the Song to Delete
4. Use the [-] [+] buttons to select whether you will be deleting a song from
“Int” (Internal Memory) or “EXt” (USB memory or floppy disk).
Internal Memory
USB memory, floppy disk
5. Press the [
] button.
A screen in which you can select the song to delete will appear.
Internal Memory
USB memory, floppy disk
6. Use the [-] [+] buttons to select the song that you want to delete.
Deleting the Song
7. Press the [
] button.
The display will indicate “Sur,” and the [
] button and [
] button.
] button will blink.
If you decide not to delete the song, press the [
8. Press the [ ] button.
The selected song will be deleted.
Never turn off the power while “dEL” is blinking in the display. Doing so will destroy
the destination memory, rendering it unusable.
NOTE
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Various Settings
In “Function mode” you can make various settings for
performance and recording.
Button
Function
Page
3D Mode
[Reverb]
p. 65
Basic Operation in Function
Mode
Transpose Mode
Octave Shift
[Transpose]
[Split]
p. 66
p. 66
p. 67
p. 67
p. 67
p. 68
p. 68
p. 69
p. 70
p. 70
p. 70
p. 71
p. 71
p. 71
p. 72
1. Hold down the [Brilliance] button and press
the [3D] button.
The [Brilliance] button and [3D] button will light.
The display will indicate “Fnc” and you’ll be in Function
Damper Pedal Part
Center Pedal Function
Left Pedal Function
Master Tuning
mode.
fig.d-Fnc.eps
[Twin Piano]
(&[-][+])
2. Press one of the blinking buttons to select the
setting you want to change.
The display shows the name of the setting while you hold
down the button. The value of the setting will appear
when you release the button.
[Piano]
Temperament
[E.Piano]
[Organ]
[Strings]
[Voice]
3. Use the [-] [+] buttons to change the setting.
Stretched Tuning
Damper Resonance
String Resonance
Key Off Resonance
Metronome Sound
Countdown
4. If you want to change a different setting, select
the setting you want to change by pressing
one of the buttons that were blinking before
step 2.
5. Press the [Brilliance] button or the [3D] button
to exit Function mode.
[Others]
[Metronome]
The settings you change will return to their original
NOTE
state when you turn off the power (except the USB
Driver and the Ext. Memory mode settings.) If you
want your changes to be retained even after the
power has been turned off, carry out the Memory
Backup procedure (p. 78) to save the settings.
Countdown Sound
Countdown Part
[Tempo]
(&[-][+])
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Button
Function
Page
Applied (3D Mode)
Save a Song
p. 60
Deleting a Song
Initializing the Memory
Accomp Track
[Int Song]
(&[-][+])
p. 62
p. 58
p. 72
p. 73
p. 74
p. 74
p. 75
p. 76
p. 76
p. 77
p. 77
p. 78
p. 78
p. 79
p. 66
p. 79
1. Hold down the [Brilliance] button and press
The display will indicate “Fnc” and you’ll be in Function
mode.
2. Press the [Reverb] button.
setting will appear.
Local Control
MIDI Transmit Channel
Composer MIDI Out
V-LINK
Setting
Explanation
When the headphones are connected, the depth
effect is optimized for headphones, and when no
headphones are connected, the optimal depth for
speakers is applied.
The optimal depth for speakers is used,
regardless of whether or not headphones are
connected.
[Accomp]
(&[-][+])
USB Driver
Grand Space is also applied to the sound output
from the Output connectors, making this
convenient when you want to play through
speakers connected to the Output connectors.
Speaker
External Memory Mode
Master Gain
The optimal depth for headphones is used,
regardless of whether or not headphones are
connected.
Headphones
Track Assign
Recommended Tone
Memory Backup
Factory Reset
[Left]
[Right]
Hammer Response
Panel Lock
[Key Touch]
[Brilliance] +
[Key Touch]
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Various Settings
2. Press the [Split] button.
Keyboard Settings
The display will indicate “Oct” and then the value of the
setting will appear.
Will Affect (Transpose Mode)
3. Use the [-] [+] buttons to change the setting.
Indication
This setting specifies what the key transpose will affect.
You can use the key transpose to change the pitch of both the
song and the keyboard, the pitch of only the song, or the pitch
of only the keyboard.
-2–0–2
The range of available pitch change spans from two octaves
higher to two octaves lower.
The pitch is lowered one octave each time the [-] button is pressed,
while each press of the [+] button raises the pitch by one octave.
To return to the original pitch, press the [-] and [+] buttons
simultaneously.
→ Key Transpose (p. 30), Playback Transpose (p. 47)
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
Changing the Timing of Sounds
According to the Force Used to Press
the Keys (Hammer Response)
2. Press the [Transpose] button.
The display will indicate “trS” and then the value of the
setting will appear.
This adjusts how your playing strength will affect the timing at which
the note sounds. This is called the “Hammer Response” function.
On an acoustic piano, pressing a key moves a hammer, which
strikes a string to produce sound. If you press the key softly,
the hammer will move slowly, meaning that it will take slightly
longer (in comparison to a strongly-played note) from the
moment you press the key until the sound is produced.
If the Hammer Response function is turned on, the time
between the moment you press a key until the sound is heard
will change depending on the strength with which you play.
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
Keyboard notes
Song playback
Keyboard notes and song playback
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
Changing the Pitch of the Tone in
Octave Steps (Octave Shift)
You can change the pitch of the Tone 2 in Dual Play (p. 33)
and Left-hand tone in Split Play (p. 35) an octave at a time.
Altering the pitch in one-octave units in this way is called
“Octave Shift.”
2. Press the [Key Touch] button.
The display will indicate “HrS” and then the value of the
setting will appear.
For example, you can raise the pitch of the Left-hand Tone to
the same pitch of the Right-hand Tone in Split Play.
3. Use the [-] [+] buttons to change the setting.
1. Hold down the [Brilliance] button and press
Setting
Explanation
the [3D] button.
This adjusts the time from when you play a
key until the piano sound is heard. Higher
settings will produce slower response.
If this is OFF, the sound will be heard as soon
as you strike the key, regardless of how
strongly you strike it.
The display will indicate “Fnc” and you’ll be in Function
mode.
OFF, 1–10
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Various Settings
Changing How the Pedals Work
(Center/Left Pedal Function)
Pedal Settings
Changing How the Damper Pedal
Effects Is Applied (Damper Pedal Part)
When you turn on the power, the left pedal functions as the
soft pedal, and the center pedal functions as the sostenuto
pedal (p. 19).
When you press the damper pedal during Dual performance
or Split performance, the damper pedal effect is normally
applied to both tones, but you can also select the tone to
which the effect is to be applied.
You can change the function of the pedal to a variety of other
operations.
1. Hold down the [Brilliance] button and press
the [3D] button.
1. Hold down the [Brilliance] button and press
The display will indicate “Fnc” and you’ll be in Function
mode.
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
2. Hold down the [Twin Piano] button and use the
[-] [+] buttons to select the pedal whose
function you want to change.
2. Press the [Twin Piano] button.
The display will indicate “dPr” and then the value of the
setting will appear.
: Center Pedal
: Left Pedal
If the display does not indicate “dPr,” hold down the
[Twin Piano] button and press the [-] button several
times.
3. Use the [-] [+] buttons to change the setting.
3. Use the [-] [+] buttons to change the setting.
Setting
Sostenuto
Soft
Explanation
Setting
Explanation
Sets function to sostenuto pedal.
(Selectable only for the center pedal)
All enabled
Sets function to soft pedal.
(Selectable only for the left pedal)
Applied only to the Tone 1 (in dual mode)/Right-
hand Tone (in split mode)
Effects can be switched on/off by pressing the pedal.
When effect type is rotary, you can control the
slow/fast of spinning.
Applied only to the Tone 2 (in dual mode)/Left-hand
Tone (in split mode)
Effects Switch
* The most appropriate type of effect is specified
for each sound.
The pedal will have the same function as the
[
] button.
Play/Stop
Layer
Pressing the pedal will layer on Tone 2, used for
Dual performance.
Pressing the pedal will layer on a sound one
octave higher.
Octave
For some tones, no effect will be applied.
NOTE
NOTE
If you exit Dual performance while “Layer” and
“Octave” are selected, the pedal functions will also
return to the factory-set settings.
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Various Settings
Adjusting the Tuning (Temperament)
Tuning Settings
You can play classical music such as baroque pieces using
their original tuning.
Matching the Pitch with Other
Instruments (Master Tuning)
Most modern songs are composed and played with the
assumption that equal temperament (the most common tuning
in use today) will be used, but when classical music was
composed, there were a wide variety of other tuning systems
in existence. Playing a composition with its original tuning lets
you enjoy the sonorities of the chords that the composer
originally intended.
When playing ensemble with other instruments and in other
such instances, you can match the standard pitch to another
instrument.
The standard pitch generally refers to the pitch of the note
that’s played when you finger the middle A key. For a cleaner
ensemble sound while performing with one or more other
instruments, ensure that each instrument’s standard pitch is in
tune with that of the other instruments. This tuning of all the
instruments to a standard pitch is called “master tuning.”
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
1. Hold down the [Brilliance] button and press
the [3D] button.
2. Press the [E. Piano] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
The display will indicate “tnP” and then the value of the
setting will appear.
2. Press the [Piano] button.
3. Use the [-] [+] buttons to change the setting.
The display will indicate “tun” and then the value of the
setting will appear.
3. Use the [-] [+] buttons to change the setting.
Temperament Tonic
You can choose from among the eight tunings described
below.
The last three digits are indicated in the display. “440.0
Hz” is indicated in the figure above.
Setting
Temperament
Equal
Qualities
In this tuning, each octave is
Settings
divided into twelve equal steps.
Every interval produces about the
same amount of slight dissonance.
1
15.3 Hz–40.0 Hz–66.2 Hz
(415.3 Hz–440.0 Hz–466.2 Hz)
This tuning eliminates ambiguities
in the fifths and thirds. It is unsuited
to playing melodies and cannot be
transposed, but is capable of
beautiful sonorities.
When the instrument is shipped from the factory, this is
set to “40.0 (440.0 Hz).”
2
Just (Major)
The Just tunings differ from major
and minor keys. You can get the
same effect with the minor scale as
with the major scale.
3
4
Just (Minor)
Arabic
This tuning is suitable for the music
of Arabia.
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Various Settings
Setting
Temperament
Kirnberger
Qualities
Stretched Tuning
This is an improvement of the
Meantone and Just tunings that
provides a high degree of freedom
of modulation. Performances are
possible in all keys (III).
Pianos are generally tuned so that the low range is flatter and
the high range is sharper than equal tempered pitches. This
method of tuning is unique to the piano, and is known as
“stretched tuning.”
5
This scale makes some
compromises in just intonation,
enabling transposition to other
keys.
1. Hold down the [Brilliance] button and press
6
7
8
Meantone
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
This tuning, devised by the
philosopher Pythagoras, eliminates
dissonance in fourths and fifths.
Dissonance is produced by third-
interval chords, but melodies are
euphonious.
Pythagorean
Werkmeister
2. Press the [Organ] button.
The display will indicate “Str” and then the value of the
setting will appear.
This temperament combines the
Meantone and Pythagorean
tunings. Performances are possible
in all keys (first technique, III).
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
This tuning curve expands the bass and treble ends
somewhat. It is suitable for performances such as
piano solos.
Specifying the Tonic
This is the standard tuning curve. This is suitable for
when using Dual performance (p. 33) or when
playing in an ensemble with other instruments.
When playing with tuning other than equal temperament, you
need to specify the tonic note for tuning the song to be
performed (that is, the note that corresponds to C for a major
key or to A for a minor key).
If you choose an equal temperament, there’s no need to select
a tonic note.
4. While holding down the [E. Piano] button,
press the [-] button or [+] button to select the
tonic note.
Temperament Tonic
Display
Key
C
C
C
C
d
E_
E
E
E
F
F
F
F
G
G
A_
A
A
A
b_
B
b
B
D
When performing in ensemble with other
NOTE
instruments, be aware that depending on the key,
there may be some shifting of the pitch.
Tune the HP203 to the fundamental pitch of the other
instruments.
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Various Settings
Producing the Resonance of the Strings
When the Keys Are Played
(String Resonance)
Sound-related Settings
Producing Sympathetic Resonance
When You Press the Damper Pedal
(Damper Resonance)
When you play the keys on an acoustic piano, the strings that
are already playing resonate as well. The function that
reproduces this effect is called “String Resonance.”
You can change the volume of the damper pedal resonance.
On an acoustic piano, depressing the damper pedal makes
the notes you play resonate with other strings, adding rich
reverberations and fatness to the sound. The damper pedal on
the HP203 recreates this resonance (Damper Resonance)
when depressed.
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function mode.
2. Press the [Voice] button.
The display will indicate “rSt” and then the value of the
setting will appear.
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
2. Press the [Strings] button.
The resonance level decreases as the value is
decreased, while increasing the value
increases the amount of resonance.
The String Resonance function is not active
when the value is set to “OFF.”
The display will indicate “rES” and then the value of the
setting will appear.
OFF, 1–10
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
The resonance volume decreases as the value
is lowered, while raising the value increases
the volume of the Damper Resonance.
The Damper Resonance function is not active
when the value is set to “OFF.”
Playing Sounds When the Keys Are
Released (Key Off Resonance)
OFF, 1–10
You can play the “key off” sound (the subtle sound produced
when the keys are released) obtained when playing an
acoustic piano.
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function mode.
2. Press the [Others] button.
The display will indicate “rOF” and then the value of the
setting will appear.
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
The volume of the Key Off sound decreases as
the value is lowered, while raising the value
increases the volume of the Key Off sound.
The Key Off Resonance function is not active
when the value is set to “OFF.”
OFF, 1–10
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Various Settings
Metronome Settings
Count-down Setting
Changing the Sound of the Metronome
(Metronome Sound)
Sounding a Count Before the Melody
Begins (Countdown)
You can change the sound that’s played by the metronome.
The metronome will sound when you enter the setting screen.
A “count-down” is when a count is sounded at the end of the
song’s introduction (before you begin playing the keyboard). If
you will be playing along with the song, sounding a count will
help you match the timing of your playing with the song.
1. Hold down the [Brilliance] button and press
the [3D] button.
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
The display will indicate “Fnc” and you’ll be in Function mode.
2. Press the [Metronome] button.
2. Press the [Tempo] button.
The display will indicate “MtS” and then the value of the
setting will appear.
The display will indicate “Ctd” and then the value of the
setting will appear.
3. Use the [-] [+] buttons to change the setting.
3. Use the [-] [+] buttons to change the setting.
Sound
Setting
Explanation
(Click),
(Electronic),
(Voice: English),
(Wood Block),
(Hand Claps)
A count is sounded
(Voice: japanese),
(Animal),
A count is not sounded
(Triangle & Castanets),
Selecting the Count-down Sound
(Countdown Sound)
You can select the sound that will be used to play the count-
down.
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function mode.
2. Hold down the [Tempo] button and press the
[+] button once.
The display will indicate “Cd.S” and then the value of
the setting will appear.
3. Use the [-] [+] buttons to change the setting.
Sound
(Voice: English),
(Voice: Japanese)
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Various Settings
Selecting the Part that Will Begin the
Count-down (Countdown Part)
Song Playback Settings
Switching the Part that Will be Muted
When You Press the [Accomp] Button
(Accomp Track)
Specifies the part that will determine the beginning of the
performance when adding a count-down.
The count will sound before the selected part begins playing.
1. Hold down the [Brilliance] button and press
Here’s how to switch the part that will be muted when you
press the [Accomp] track button and turn off its light.
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
1. Hold down the [Brilliance] button and press
the [3D] button.
2. Hold down the [Tempo] button and press the
The display will indicate “Fnc” and you’ll be in Function
mode.
[+] button twice.
The display will indicate “Cd.P” and then the value of
the setting will appear.
2. Press the [Accomp] button.
The display will indicate “A.tr” and then the value of the
setting will appear.
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
3. Use the [-] [+] buttons to change the setting.
Right-hand and left-hand parts of a song
Setting
Explanation
Both the accompaniment and rhythm will be muted.
Left-hand part of a song
Only the accompaniment will be muted. (The rhythm
will not be muted.)
Right-hand part of a song
Part 1–16
Only the rhythm will be muted.
1–16
(The accompaniment will not be muted.)
When you select another song, this setting will
return to “r - L.”
NOTE
The change you make to this setting will not be
applied until you select a song.
NOTE
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Various Settings
1. Hold down the [Brilliance] button and press
MIDI Settings
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
Here you can make various MIDI-related settings for the
HP203.
For more about MIDI, refer to “Connecting to MIDI Devices”
(p. 82).
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“L.Ct.”
Preventing Doubled Notes When
Connected to a Sequencer (Local Control)
When you take your finger off the button, the display
will indicate the value of the setting.
When you have a MIDI sequencer connected, set this
parameter to Local Off.
3. Use the [-] [+] buttons to change the setting.
Since the Thru function of your sequencer will normally be
turned on, notes played on the keyboard or played back by
the recorder will be transmitted to the sound generator by the
two routes (1) and (2) shown in the illustration, causing notes
to be sounded in duplicate or to be cut off unnaturally. To
prevent this, the setting called “Local Off” is used to disconnect
Setting
Explanation
The Local Control is set to On.
The keyboard and recorder are connected to the
internal sound generator.
The Local Control is set to Off.
the route in (1).
fig.LocalCntr.j
The keyboard and recorder are not connected to the
internal sound generator. Playing the keyboard or
playing back a song will not produce sound.
Local On
(1)
Sequencer
Memory
MIDI
OUT
MIDI
IN
Sound
When connecting a unit in the Roland MT series, you
don’t need to switch off Local Control. MT units
transmit Local Off messages when their power is
switched on. If you first switch on the HP203, then
the MT-series device, Local Control is automatically
switched off on the HP203.
Generator
NOTE
MIDI
OUT
MIDI
IN
Soft Thru On
(2)
Each note played is sounded twice
Local On:
The keyboard and recorder are connected to
the internal sound generator.
fig.LocalOn.j
Sound is emitted
Sound Generator
Local On
Local Off:
The keyboard and recorder are not connected
to the internal sound generator. No sound will be produced by
the keyboard when it is played.
fig.LocalOff.j
No sound produced
Sound Generator
Local Off
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Various Settings
MIDI Transmit Channel Settings
(MIDI Transmit Channel)
Sending Recorded Performance Data
to a MIDI Device (Composer MIDI Out)
This setting specifies the MIDI channel on which the HP203
will transmit.
MIDI uses sixteen “MIDI channels,” which are numbered 1
through 16.
By connecting MIDI devices and specifying the appropriate
MIDI channel for each device, you can play or select sounds
on those devices.
When Composer MIDI Out is “On,” you can send
performance data recorded with the HP203 to a connected
MIDI device or computer.
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
The HP203 will receive all sixteen channels (1–16).
1. Hold down the [Brilliance] button and press
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“Out.”
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
When you take your finger off the button, the display
will indicate the value of the setting.
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“Ch.”
3. Use the [-] [+] buttons to change the setting.
When you take your finger off the button, the display
will indicate the value of the setting.
Setting
Explanation
Performance data is transmitted.
3. Use the [-] [+] buttons to change the setting.
Performance data is not transmitted.
Settings (Channel)
OFF, 1–16
If you turn this “OFF,” the HP203 will not transmit
MIDI data.
For details on connecting MIDI devices, refer to
“Connecting to MIDI Devices” (p. 82).
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Various Settings
If V-LINK is on, the bars at the bottom of the display will
be lit.
Other Settings
Using the V-LINK Function (V-LINK)
Connecting the HP203 to a V-LINK compatible image device
allows you to control the images with the HP203.
You can control images using the twelve keys at the left
end of the keyboard.
To prevent malfunction and/or damage to speakers or
NOTE
other devices, always turn down the volume, and turn off
the power on all devices before making any connections.
V-LINK
A0 B0 C1 D1 E1 F1 G1
A0 – G1#
V-LINK (
) is functionality promoted by Roland that
allows linked performance of music and visual material. By using V-
LINK-compatible video equipment, visual effects can be easily liked
to, and made part of the expressive elements of a performance.
While V-LINK is switched on, no sound is produced
NOTE
when you press any of the twelve keys at the left
end of the keyboard.
How to Use the V-LINK
To disengage V-LINK, repeat steps 1–2 on the preceding
page, and choose “OFF” in step 3.
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function mode.
fig.d-Fnc.eps
2. Hold down the Track [Accomp] button and use the
[-] [+] buttons to make the display indicate “vLn.”
When you take your finger off the button, the display
will indicate the on/off status of the V-LINK function.
3. Press the [-] or [+] button to switch the V-LINK
function on or off.
Setting
Explanation
The V-LINK function is switched on.
The V-LINK function is switched off.
4. Press the [Brilliance] button or the [3D] button
to execute Function mode.
The button indicator will return to its previous state.
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Various Settings
Changing the USB Driver Settings
(USB Driver)
Changing the External Memory Setting
(External Memory Mode)
Normally, you don’t need to install a driver in order to connect
the HP203 to your computer. However, if some problem
occurs, or if the performance is poor, using the Roland
original driver may solve the problem.
Specify the USB driver you want to use, and then install the
driver.
In some cases, when USB memory is connected to the external
memory connector, it may take longer for data to be loaded,
or data may fail to be loaded successfully. If this occurs, you
may be able to solve the problem by changing the external
memory setting.
1. Hold down the [Brilliance] button and press
1. Hold down the [Brilliance] button and press
the [3D] button.
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
The display will indicate “Fnc” and you’ll be in Function
mode.
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“UMd.”
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“USb.”
When you take your finger off the button, the display
will indicate the value of the setting.
When you take your finger off the button, the display
will indicate the value of the setting.
3. Use the [-] [+] buttons to change the setting.
3. Use the [-] [+] buttons to change the setting.
4. Turn on the power once again.
4. Turn on the power once again.
Setting
Explanation
Setting
Generic
Original
Explanation
Mode 1
Mode 2
Choose this if you want to use the standard
USB driver that was included with your
computer.
Normally, you should use this mode.
Choose this if you want to use a USB driver
downloaded from the Roland website.
This setting is remembered even when the power is
turned off.
Roland original driver, refer to the Roland website.
Roland website:
http://www.roland.com/
For details on connecting your computer via the USB
connector, refer to “Connecting a Computer” (p.
83)
This setting is remembered even when the power is
turned off.
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Various Settings
Adjusting the Volume (Master Gain)
Changing the Parts Assigned to the
Track Buttons During SMF Playback
(Track Assign)
If you are playing the HP203 through a connected external
system, there may be cases in which the volume from your
external system is too low even when the HP203’s volume is
turned to the maximum setting. In such cases, you can adjust
the master gain setting as follows.
Ordinarily, when playing back SMF music files for Roland
Piano Digital instruments (p. 97), the left-hand part is assigned
to the Track [Left] button, and the right-hand part is assigned to
the Track [Right] button. However, right-hand and left-hand
part assignments in certain SMF music files may differ.
If these are set to “Auto,” and as a result you are unable to use
the track buttons to control the left- and right-hand parts (p. 44)
properly, change the setting to “2/1 Part” or “3/4 Part.”
Adjusting the master gain will also affect the volume of the
internal speakers and headphones.
The sound may distort if you increase the volume
NOTE
excessively.
1. Hold down the [Brilliance] button and press
This setting can be used for SMF format songs other
the [3D] button.
NOTE
than the internal preset songs. It will not affect
internal preset songs.
The display will indicate “Fnc” and you’ll be in Function
mode.
1. Hold down the [Brilliance] button and press
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“MAS.”
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
When you take your finger off the button, the display
will indicate the value of the setting.
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“trA.”
3. Use the [-] [+] buttons to change the setting.
When you take your finger off the button, the display
will indicate the value of the setting.
Setting
-10–0–10 dB
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
The part assigned to each track will be
determined automatically, depending on the
song file.
Auto
Part 1 will be assigned to the Track [Right]
button, part 2 to the Track [Left] button, and
part 3 to the Track [Accomp] button.
2/1 Part
3/4 Part
Part 4 will be assigned to the Track [Right]
button, part 3 to the Track [Left] button, and
part 1 to the Track [Accomp] button.
After changing this setting, try selecting the song
once again.
NOTE
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Various Settings
Switching VIMA TUNES Recommended
Tones (Recommended Tone)
Remembering the Settings
(Memory Backup)
Normally, the settings of the various variations will revert to
their default values when the power is turned off. However,
you can specify that the various settings will be remembered
even when the power is turned off.
You can connect a commercially available USB CD drive to
the HP203, and play back separately sold CD-ROMs created
for the VIMA (VIMA TUNES).
Songs on VIMA CD-ROM (VIMA TUNES) are programmed
with “recommended tones” suitable for each song.
When you select a song from a VIMA CD-ROM (VIMA
TUNES), recommended tones will be assigned to the HP203’s
[Strings], [Voice], and [Others] tone buttons, and these three
tone buttons will blink.
When you press a flashing Tone button, the recommended
tone is then selected, enabling you to perform the selected
song using a tone matched to that song as it plays back.
You can set the HP203 so that the recommended tones are
automatically assigned or not assigned.
This function is called “Memory Backup.”
1. Hold down the [Brilliance] button and press
the [3D] button.
The display will indicate “Fnc” and you’ll be in Function
mode.
fig.d-Fnc.eps
1. Hold down the [Brilliance] button and press
2. Press the [Left] button.
the [3D] button.
The display will indicate “buP” and the [
will blink.
] button
The display will indicate “Fnc” and you’ll be in Function
mode.
2. Hold down the Track [Accomp] button and use
the [-] [+] buttons to make the display indicate
“rtn.”
When you take your finger off the button, the display
will indicate the value of the setting.
3. Press the [
] button.
The display will indicate “Sur,” and the [
] button
and [
] button will blink.
3. Use the [-] [+] buttons to change the setting.
Setting
Explanation
When you select a song from a VIMA CD-ROM
(VIMA TUNES), recommended tones will
automatically be assigned to the HP203’s [Strings],
[Voice], and [Others] tone buttons.
If you decide not to save the settings, press the
] button.
[
The recommended tones are not used, and only the
HP203’s internal tones can be selected.
4. To save the settings, press the [
NOTE
] button.
Never turn off the power while “buP” is blinking in
the display.
This is set to “On” at the factory.
When the memory backup has been completed, the
display will indicate “Fnc.”
fig.d-Fnc.eps
For details on the settings stored by the Memory
Backup operation, refer to p. 96.
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Various Settings
When the Factory Reset has been completed, the
following display will appear.
Restoring the Settings to the
Factory Condition (Factory
Reset)
The settings you’ve changed in Function mode can be restored
to their factory-set condition. This operation is called “Factory
Reset.”
5. Turn the [Volume] knob all the way toward the
left to minimize the volume.
Execute this operation if you want the settings you’ve stored
using Memory Backup to be returned to their original state.
6. Switch the power off, then back on.
When you execute “Factory Reset,” all settings
reset to their factory-set condition.
NOTE
Disabling the Buttons (Panel
Lock)
If you activate the Panel Lock function, all buttons will be
locked and non-functional. You can use this to prevent a child
from accidentally changing the settings by inadvertently
pressing buttons.
Executing this operation will not erase the songs
from internal memory or USB memory.
If you want to erase all songs from the HP203‘s
internal memory and all songs from USB memory,
refer to “Initializing the Memory” (p. 58).
1. Press the [Brilliance] button and [Key Touch]
1. Hold down the [Brilliance] button and press
the [3D] button.
button simultaneously.
Panel Lock will be activated.
All buttons will be disabled.
The following screen appears when Panel Lock is in
force.
The display will indicate “Fnc” and you’ll be in Function
mode.
fig.d-Fnc.eps
2. Press the [Right] button.
* Pressing buttons during playback or recording of a song stops the
playback or recording.
The display will indicate “Fct” and the [
will blink.
] button
Canceling the Panel Lock function
Once again, press the [Brilliance] button and [Key Touch]
button simultaneously.
3. Press the [
] button.
The display will indicate “Sur,” and the [
] button
Panel Lock will be cancelled when you turn off the
power.
and [
] button will blink.
If you decide not to execute the Factory Reset, press the
] button.
[
4. To execute the Factory Reset, press the [
]
button.
Never turn off the power while “Fct” is blinking in
the display.
NOTE
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Connecting to Other Devices
Connecting to Audio Equipment
You can connect audio devices to play the sound of the
HP203 through the speakers of your audio system, or to
record your performance on a tape recorder or other
recording device.
* When connection cables with resistors are used, the
volume level of equipment connected to the Input jacks
may be low. If this happens, use connection cables that
do not contain resistors.
Use phone plug audio cables (sold separately) to make
connections.
* To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and turn
off the power on all devices before making any
connections.
Connecting Speakers to the HP203 and Outputting Sounds
Output Jacks
Amplified Speakers,
Audio System, etc.
Input (Line In)
Turning Off the Power
1. Turn the volume all the way down on the
HP203 and on the device you’re about to
connect.
1. Turn the volume all the way down on the
HP203 and on the speakers you’re about to
connect.
2. Turn off the power to the HP203 and
connected speakers.
3. Use audio cables (sold separately) to make the
2. Turn off the connected speakers.
connection.
3. Turn off the HP203.
4. Switch on the HP203.
5. Switch on the connected speakers.
6. Adjust the volume level on the HP203 and the
connected speakers.
When you play the HP203’s keyboard, the sound is
played from the connected speakers.
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Connecting to Other Devices
Playing Sounds of an Audio Device through the HP203
Input jacks
RCA pin-type Input jacks are
located to the lower right of
the front of the HP203.
They provide a convenient
way to connect portable
audio devices.
Audio System, etc.
Output (Line Out)
Turning Off the Power
1. Turn the volume all the way down on the
HP203 and on the audio device you’re about
to connect.
1. Turn the volume all the way down on the
HP203 and on the audio device you’re about
to connect.
2. Turn off the power to the HP203 and
connected audio device.
2. Turn off the HP203.
3. Use audio cables (sold separately) to make the
connection.
3. Turn off the connected audio device.
4. Switch on the connected audio device.
5. Switch on the HP203.
6. Adjust the volume level on the HP203 and the
connected audio device.
The sounds from the connected audio device are played
by the HP203.
Adjust the volume by using the controls of your
audio device.
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Connecting to Other Devices
Connecting to MIDI Devices
By connecting an external MIDI device and exchanging
performance data, you can control one device from the other.
For instance, you can output sound from the other instrument
or switch Tones on the other instrument.
Producing Sounds from a MIDI Sound
Module by Playing the HP203
What’s MIDI?
MIDI, short for “Musical Instrument Digital Interface,” was
developed as a universal standard for the exchange of
performance data between electronic instruments and
computers.
The HP203 is equipped with MIDI connectors to let it
exchange performance data with external devices. These
connectors can be used to connect the HP203 to an
external device for even greater versatility.
MIDI Out
connector
Connecting a MIDI Sequencer
to the HP203
MIDI cable
MIDI
OUT
THRU
IN
MIDI Sound Module
Making the Connection
1. Turn the volume all the way down on the
HP203 and on the MIDI device you’re about to
connect.
MIDI Out/In
connectors
2. Switch off the power to the HP203 and the
MIDI device you’re about to connect.
MIDI cables
3. Use a MIDI cables (sold separately) to connect
the MIDI connectors to each other.
4. Switch on the power to the HP203 and the
OUT
MIDI
IN
connected device.
Roland MT Series
5. Adjust the volume level on the HP203 and the
connected device.
When the HP203 is connected to a MIDI sequencer,
set it to “Local Off.” Refer to p. 73.
6. You should also set the MIDI transmit channel
as needed (p. 74).
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Connecting to Other Devices
Connecting a Computer
The following become possible once you connect a USB cable
(available separately) between the USB (MIDI) connector
located to the lower left of the front of the HP203 and the USB
connector of your computer.
If connection to your computer is
unsuccessful...
Normally, you don’t need to install a driver in order to connect
the HP203 to your computer. However, if some problem
For details on downloading and installing the Roland original
driver, refer to the Roland website.
• You can use the HP203 to play sounds from SMF music
files played back with MIDI software.
• By exchanging MIDI data with sequencer software, you
can save songs recorded with the HP203 to your
computer, and enjoy a variety of musical control and
editing features.
Roland website: http://www.roland.com/
Connect the HP203 to your computer as shown below.
Specify the USB driver you want to use, and then install the
driver. For details, refer to “Changing the USB Driver Settings
(USB Driver)” (p. 76).
Caution
• To prevent malfunction and/or damage to speakers
or other devices, always turn down the volume, and
turn off the power on all devices before making any
connections.
USB connector
• Only MIDI data can be transmitted using USB.
Computer
• USB cables are not included. Consult your Roland
dealer if you need to purchase.
USB cable
USB
connector
• Turn on the power to the HP203 before starting up
MIDI applications on the computer. Do not turn the
HP203 on or off while any MIDI application is
running.
* Refer to the Roland website for system requirements.
Roland website: http://www.roland.com/
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Troubleshooting
If you think there’s a problem, read this first.
Symptom
Cause/Action
Is the power cord connected correctly?
Page
Power does not turn on
p. 16
Is the pedal connected correctly?
Plug the cable firmly into the pedal connector.
p. 16
If you disconnect the pedal cable from the HP203 while the power is on, the
pedal effect may remain “stuck” in the On condition.
You must power-off the HP203 before connecting or disconnecting the pedal
cable.
Pedal does not work, or is “stuck”
—
If you’ve switched the function of the soft pedal or sostenuto pedal, these
pedals will not operate as the soft pedal or sostenuto pedal.
p. 67
—
Are you using (optional) Roland USB memory?
Reliable performance cannot be guaranteed if you use non-Roland USB
memory products.
Unable to read from/write to USB
memory
If you are unable to read or write USB memory successfully, change the
External Memory setting to “Mode 1.”
p. 76
—
“Buzz” is heard from external
devices
Are the external devices connected to more than one AC power outlet?
If you connect external devices, be sure to connect them to the same AC outlet.
Device connected to the Input
jacks have insufficient volume
Could you be using a connection cable that contains a resistor?
Use a connection cable that does not contain a resistor.
—
No sound
Could the HP203’s volume or the volume of the connected equipment be
turned down?
p. 18
p. 20
Could headphones be connected?
Could there be a plug inserted in a headphone jack?
The speakers will not produce sound if headphones or plug are connected to
the headphone jacks.
No sound
Has Local Control been set to “Off”?
When Local Control is set to Off, no sound is produced by playing back a
song. Set Local Control to On.
p. 73
Has Local Control been set to “Off”?
When Local Control is set to Off, no sound is produced by playing back a
song. Set Local Control to On.
p. 73
p. 45
p. 75
No sound when you play back a
song
Could the song volume be set to “0”?
Is V-LINK switched on?
When V-LINK is on, the lowest twelve notes of the keyboard are used to control
the image, and will not produce sound.
No sound from the leftmost notes
of the keyboard
Are all devices powered on?
—
No sound (when a MIDI device is
connected)
Are the MIDI cables connected correctly?
p. 82
p. 74
Do the MIDI channels of the HP203 and the connected device match?
The maximum simultaneous polyphony is 128 notes. If you are playing along
with a song and making heavy use of the damper pedal, the number of notes
the HP203 is attempting to produce may exceed the maximum polyphony,
meaning that some of the notes will drop out.
Not all the notes you play are
sounded
—
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Troubleshooting
Symptom
Cause/Action
Page
Notes don’t sound right
Could you have made Key Transpose settings?
Is the Master Tune setting appropriate?
Is the setting for the Temperament correct?
Is the HP203 in Dual performance?
p. 30
p. 68
p. 68
p. 33
Pitch of the keyboard or song is
incorrect
Sounds are heard twice (doubled)
when the keyboard is played
When the HP203 is connected to an external sequencer, set the Local Control
to off. Alternatively, the sequencer could be set so its Soft Thru feature is Off.
p. 73
INSTRUMENT buttons [Strings] [Voice] [Others] also operate as buttons that
select “Recommended Tones.”
With the factory settings, connecting a commercially-available CD-ROM drive
to the external memory connector and selecting a song from a CD-ROM
produced for the VIMA (VIMA TUNES) will automatically cause sounds
appropriate for that song to be assigned to the [Strings], [Voice], and [Others]
Tone buttons, so that you can select “recommended” sounds by pressing one
of these buttons.
The wrong instrument is selected
when you press the [Strings],
[Voice], or [Others] button
p. 78
You can also make settings so that “recommended” sounds are not
automatically assigned.
When you are using Dual performance or Split performance, and different
effects are specified for the two selected tones, the effect will not be applied
to Tone 2 (when using Dual performance) or the left-hand tone (when using
Split performance).
Effect does not apply
—
—
The HP203’s piano sound faithfully simulates the depth and resonance of an
acoustic piano, and this may give the impression of reverberation even if
you’ve defeated the Reverb effect.
Reverberation remains even if
you defeat the Reverb effect
On an acoustic piano, the approximately one and a half octaves of notes at
the top of the keyboard will continue sounding regardless of the damper
pedal. These notes also have a somewhat different tonal character. HP203
faithfully simulate this characteristic of acoustic pianos. On the HP203, the
range that is unaffected by the damper pedal will change according to the key
transpose setting.
The sound of the higher notes
suddenly changes from a certain
key
—
If you hear this in headphones:
Piano sounds that have a brilliant and crisp character contain substantial high-
frequency components that may sound as though a metallic ringing has been
added. This is because the character of an actual piano is being faithfully
reproduced, and is not a malfunction. This ringing is more obtrusive if the
reverb effect is applied heavily, so you may be able to minimize it by
decreasing the reverb.
High-pitched ringing is heard
—
If you don’t hear this in headphones:
It is likely that there is some other reason (such as resonances within the unit).
Please contact your dealer or a nearby Roland service center.
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Troubleshooting
Symptom
Cause/Action
If you don’t hear this in headphones:
Page
Performing at high volumes may cause the speakers or objects near the HP203
to resonate. Fluorescent lights or glass doors may also resonate
sympathetically. In particular, this is more likely to occur for lower notes and
higher volumes. You can take the following measures to minimize resonances.
• Locate the speakers 10–15 cm away from walls or other surfaces.
• Keep the volume down.
—
Low notes sound wrong, or are
buzzy
• Move away from the objects that are resonating.
If you hear this in headphones:
It is likely that there is some other reason. Please contact your dealer or a
nearby Roland service center.
If you set the volume to the maximum setting, the sound may be distorted
depending on how you perform.
p. 18
p. 41
If this occurs, turn down the volume.
Song does not play correctly
Could the screen be indicating “dEL”?
You can’t play back an internal song if internal memory contains performance
data you recorded. Erase the performance data you recorded before you play
back the song.
Song won’t play
Only the sound of a particular
instrument in a song does not
play
Could a track be muted?
If the button indicator is out, the music on that track is not heard. Press the track
p. 44
p. 42
button so the indicator is illuminated.
Audio files of the following format can be played back.
• File extension “.WAV”
• 16-bit linear
Can’t play back a song saved in
USB memory
• “44.1 kHz” sampling rate
Is the filename extension “MID”?
Files with other filename extensions cannot be handled as song data.
—
—
When playing a song from USB memory, the tempo may become unstable if
there is an excessive amount of performance data.
Song tempo becomes unstable
Can’t record / play back
Can’t record
Has one of the track buttons for recording been selected?
p. 52
p. 55
Your recorded performance will disappear if you switch off the HP203’s
power or select a song.
There is no way to recover the lost performance. Before you turn off the power,
save your recorded performance in internal Memory.
The recorded performance
disappeared
p. 60
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Error Messages
Indication
Meaning
Error: 1
You can only read the music file. It can not be saved.
An error occurred during writing.
The external media’s protect tab may be in the “Protect” (writing prohibited) position, or the external
media may not yet be initialized.
Error: 2
Error: 10
Error: 11
No external media is inserted. Insert the external media and try again.
There is not sufficient free memory in the save destination. Either insert other external media or delete
unneeded files and try again.
An error occurred during writing. The external media may be corrupted. Insert other external media
and try again. Alternatively, you can initialize the external media.
Error: 14
Error: 15
Error: 16
The file is unreadable. The data format is not compatible with the HP203.
Data was not called up in time for playback of the song. After waiting several seconds, you may be
able to play back the song by pressing the [
] button again.
This audio format is not supported.
Error: 18
Error: 30
Error: 40
Please use 44.1 kHz 16-bit linear WAV format audio files.
The internal memory capacity of the HP203 is full.
The HP203 cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the
amount of MIDI data sent to the HP203.
Error: 41
Error: 43
A MIDI cable has been disconnected. Connect it properly and securely.
A MIDI transmission error has occurred. Check the MIDI cable and connected MIDI device.
There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved
after you have tried several times, contact the Roland service center.
Error: 51
Error: 65
The External Memory port was subjected to excessive current. Make sure that there is no problem
with the external media, then turn the power off, then on again.
* External Media: USB memory, Floppy Disk, CD-ROM, etc.
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Tone List
Piano
Strings
Others
1
2
3
4
5
6
Grand Piano1
Piano + Str.
Harpsichord
Grand Piano2
Piano+Choir
Honky-tonk
1
2
3
4
5
6
7
Rich Strings
1
2
3
4
5
Nylon-str.Gt
OrchestraStr
Harp
Steel-str.Gt
AcousticBass
A.Bass+Cymbl
FingeredBass
Violin
Flute
PizzicatoStr
DecayStrings
GM2
*
6
7
8
9
STANDARD Set
ROOM Set
POWER Set
ELEC.Set
E.Piano
Voice
1
2
3
4
5
6
7
Pop E.Piano
FM E.Piano
Vibraphone
Celesta
1
2
3
4
5
6
7
8
Aerial Choir
Jazz Scat
10 ANALOG Set
11 JAZZ Set
12 BRUSH Set
13 ORCH.Set
14 SFX Set
Soft Pad
’60s E.Piano
Clav.
Female Aahs
Male Aahs
Thum Voice
Decay Choir
Dcy ChoirPad
Morning Lite
* 6--14 are drum sets. Refer to p.
92–94 for details on the sounds in
the drum sets.
*
*
Organ
15 Piano 1
* Tones indicated by ”*” are suitable
for playing layered with a piano
tone.
1
2
3
4
5
6
7
8
ChurchOrgan1
16 Piano 1w
17 Piano 1d
18 Piano 2
ChurchOrgan2
Combo Jz.Org
Ballad Organ
Nason flt 8’
19 Piano 2w
20 Piano 3
Mellow Bars
Light Organ
21 Piano 3w
22 Honky-tonk
23 Honky-tonk w
24 E.Piano 1
25 Detuned EP 1
26 Vintage EP
27 ’60s E.Piano
28 E.Piano 2
29 Detuned EP 2
30 St.FM EP
31 EP Legend
Lower Organ
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Tone List
32 EP Phase
69 Ukulele
106 RubberSyn.Bs
107 Attack Pulse
108 Violin
33 Harpsichord
34 Coupled Hps.
35 Harpsi.w
70 Nylon Gt o
71 Nylon Gt 2
72 Steel-str.Gt
73 12-str.Gt
109 Slow Violin
110 Viola
36 Harpsi.o
37 Clav.
74 Mandolin
111 Cello
38 Pulse Clav.
39 Celesta
75 Steel+Body
76 Jazz Guitar
77 Hawaiian Gt
78 Clean Guitar
79 Chorus Gt 1
80 Mid Tone Gt
81 Muted Guitar
82 Funk Guitar1
83 Funk Guitar2
84 Chorus Gt 2
85 Overdrive Gt
86 Guitar Pinch
87 DistortionGt
88 Gt Feedback1
89 Dist.Rtm Gt
90 Gt Harmonics
91 Gt Feedback2
92 AcousticBass
93 FingeredBass
94 Finger Slap
95 Picked Bass
96 FretlessBass
97 Slap Bass 1
98 Slap Bass 2
99 Synth Bass 1
100 WarmSyn.Bass
101 Synth Bass 3
102 Clav.Bass
103 Hammer
112 Contrabass
113 Tremolo Str.
114 PizzicatoStr
115 Harp
40 Glockenspiel
41 Music Box
42 Vibraphone
43 Vibraphone w
44 Marimba
116 Yang Qin
117 Timpani
118 Strings
45 Marimba w
46 Xylophone
47 TubularBells
48 Church Bell
49 Carillon
119 Orchestra
120 ’60s Strings
121 Slow Strings
122 Syn.Strings1
123 Syn.Strings3
124 Syn.Strings2
125 Choir 1
50 Santur
51 Organ 1
52 TremoloOrgan
53 ’60s Organ
54 Organ 2
126 Choir 2
127 Voice
128 Humming
129 Synth Voice
130 Analog Voice
131 OrchestraHit
132 Bass Hit
55 Perc.Organ 1
56 Chorus Organ
57 Perc.Organ 2
58 Rock Organ
59 Church Org.1
60 Church Org.2
61 Church Org.3
62 Reed Organ
63 Puff Organ
64 Accordion 1
65 Accordion 2
66 Harmonica
67 Bandoneon
68 Nylon-str.Gt
133 6th Hit
134 Euro Hit
135 Trumpet
136 Dark Trumpet
137 Trombone 1
138 Trombone 2
139 Bright Tb
140 Tuba
104 Synth Bass 2
105 Synth Bass 4
141 MuteTrumpet1
142 MuteTrumpet2
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Tone List
143 French Horn1
180 Charang
181 Wire Lead
182 Solo Vox
183 5th Saw Lead
184 Bass+Lead
185 Delayed Lead
186 Fantasia
187 Warm Pad
188 Sine Pad
189 Polysynth
190 Space Voice
191 Itopia
217 Tinkle Bell
218 Agogo
144 French Horn2
145 Brass 1
219 Steel Drums
220 Woodblock
221 Castanets
222 Taiko
146 Brass 2
147 Synth Brass1
148 Synth Brass3
149 AnalogBrass1
150 Jump Brass
151 Synth Brass2
152 Synth Brass4
153 AnalogBrass2
154 Soprano Sax
155 Alto Sax
223 Concert BD
224 Melodic Tom1
225 Melodic Tom2
226 Synth Drum
227 TR-808 Tom
228 Elec.Perc.
229 Reverse Cym.
230 Gt FretNoise
231 Gt Cut Noise
232 BsStringSlap
233 Breath Noise
234 Fl.Key Click
235 Seashore
236 Rain
192 Bowed Glass
193 Metallic Pad
194 Halo Pad
195 Sweep Pad
196 Ice Rain
156 Tenor Sax
157 Baritone Sax
158 Oboe
159 English Horn
160 Bassoon
197 Soundtrack
198 Crystal
161 Clarinet
162 Piccolo
199 Synth Mallet
200 Atmosphere
201 Brightness
202 Goblins
163 Flute
237 Thunder
164 Recorder
238 Wind
165 Pan Flute
239 Stream
166 Bottle Blow
167 Shakuhachi
168 Whistle
203 Echo Drops
204 Echo Bell
205 Echo Pan
206 Star Theme
207 Sitar 1
240 Bubble
241 Bird 1
242 Dog
169 Ocarina
243 Horse Gallop
244 Bird 2
170 Square Lead1
171 Square Lead2
172 Sine Lead
173 Saw Lead 1
174 Saw Lead 2
175 Doctor Solo
176 Natural Lead
177 SequencedSaw
178 Syn.Calliope
179 Chiffer Lead
208 Sitar 2
245 Telephone 1
246 Telephone 2
247 DoorCreaking
248 Door
209 Banjo
210 Shamisen
211 Koto
212 Taisho Koto
213 Kalimba
214 Bagpipe
215 Fiddle
249 Scratch
250 Wind Chimes
251 Helicopter
252 Car Engine
253 Car Stop
216 Shanai
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Tone List
254 Car Pass
255 Car Crash
256 Siren
257 Train
258 Jetplane
259 Starship
260 Burst Noise
261 Applause
262 Laughing
263 Screaming
264 Punch
265 Heart Beat
266 Footsteps
267 Gun Shot
268 Machine Gun
269 Laser Gun
270 Explosion
* In the tone group “Others” when you
hold down the [-] or [+] button to
switch tone in succession, the tones
will stop changing at number 006
and number 015.
To select the next sound, release the
[-] or [+] button, then press it again.
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Tone List
Standard Set
Room Set
Power Set
Electronic Set
27
28
High-Q
Slap
High-Q
Slap
High-Q
Slap
High-Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Kick Drum 2
Kick Drum 1
Side Stick
Snare Drum
Hand Clap
Electric Snare 3
Low Tom 2
Closed Hi-Hat 1
Low Tom 1
Pedal Hi-Hat 1
Mid Tom 2
Open Hi-Hat 1
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal 1
Ride Bell 1
Tambourine
Splash Cymbal
Cowbell
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 1
Power Kick
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Power Kick
Electric Kick
Side Stick
Electric Snare 1
Hand Clap
Electric Snare 2
Electric Low Tom 2
Closed Hi-Hat 2
Electric Low Tom 1
Pedal Hi-Hat 2
Electric Mid Tom 2
Open Hi-Hat 2
Electric Mid Tom 1
Electric High Tom 2
Crash Cymbal 3
Electric High Tom 1
Ride Cymbal 3
Reverse Cymbal
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
[EXC7]
[EXC7]
29
30
31
32
33
34
35
36
38
40
41
43
45
47
C2
Side Stick
Power Snare
Hand Clap
37
39
Room Snare
Hand Clap
Electric Snare 4
Room Low Tom 2
Closed Hi-Hat 2
Room Low Tom 1
Pedal Hi-Hat 2
Room Mid Tom 2
Open Hi-Hat 2
Room Mid Tom 1
Room High Tom 2
Crash Cymbal 3
Room High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Electric Snare 5
Power Low Tom 2
Closed Hi-Hat 2
Power Low Tom 1
Pedal Hi-Hat 2
Power Mid Tom 2
Open Hi-Hat 2
Power Mid Tom 1
Power High Tom 2
Crash Cymbal 3
Power High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
42
44
46
C3 48
50
49
51
52
53
54
56
58
55
57
Crash Cymbal 2
Vibraslap
59
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
C4 60
62
61
63
64
65
66
68
70
67
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
69
Cabasa
Maracas
71
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
C5 72
74
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
[EXC3]
[EXC3]
73
75
76
77
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
78
80
82
79
81
83
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
88
*
- - - - - : No sound.
* [EXC]: will not sound simultaneously with other percussion instruments of the same number.
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Tone List
Analog Set
Jazz Set
Brush Set
Orchestra Set
27
High-Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
TR-808 Kick 2
TR-808 Kick 1
TR-808 Rim shot
TR-808 Snare
Hand Clap
High-Q
Slap
High-Q
Slap
Closed Hi-Hat 2
Pedal Hi-Hat 2
Open Hi-Hat 2
Ride Cymbal 3
Sticks
Square Click
Metronome Click
Metronome Bell
Concert Bass Drum 2
Concert Bass Drum 1
Side Stick
Concert Snare Drum
Castanets
Concert Snare Drum
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani C
Timpani C#
Timpani D
Timpani D#
Timpani E
Timpani F
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibraslap
Concert Cymbal 1
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
[EXC1]
[EXC1]
[EXC1]
28
29
31
33
35
36
38
40
41
43
45
47
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
Side Stick
Brush Tap
Brush Slap1
Brush Swirl
Brush Low Tom 2
Brush Closed Hi-Hat [EXC1]
Brush Low Tom 1
Brush Pedal Hi-Hat [EXC1]
Brush Mid Tom 2
Brush Open Hi-Hat [EXC1]
Brush Mid Tom 1
Brush High Tom 2
Jazz Crash Cymbal
Brush High Tom 1
Jazz Ride Cymbal 1
Chinese Cymbal 2
Jazz Ride Cymbal 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
[EXC7]
[EXC7]
30
32
34
C2
Side Stick
Jazz Snare
Hand Clap
37
39
Electric Snare 6
TR-808 Low Tom 2
Electric Snare 7
Jazz Low Tom
Closed Hi-Hat 2
Low Tom 1
Pedal Hi-Hat 2
Mid Tom 2
Open Hi-Hat 2
Jazz Mid Tom
Jazz High Tom 2
Crash Cymbal 3
Jazz High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
TR-808 Closed Hi-Hat 1 [EXC1]
TR-808 Low Tom 1
TR-808 Closed Hi-Hat 2 [EXC1]
TR-808 Mid Tom 2
TR-808 Open Hi-Hat [EXC1]
TR-808 Mid Tom 1
TR-808 High Tom 2
TR-808 Crash Cymbal
TR-808 High Tom 1
Ride Cymbal 3
[EXC1]
[EXC1]
[EXC1]
42
44
46
C3 48
50
49
51
52
Chinese Cymbal 2
Ride Bell 2
Tambourine
53
54
56
58
Splash Cymbal
55
TR-808 Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
57
59
C4 60
62
Low Bongo 2
61
63
TR-808 High Conga
TR-808 Mid Conga
TR-808 Low Conga
High Timbale
Low Timbale
High Agogo
64
65
66
68
70
67
Low Agogo
Cabasa
69
Cabasa
Maracas
TR-808 Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
71
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
C5 72
74
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Applause
[EXC3]
[EXC3]
73
75
76
77
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
78
80
82
79
81
83
C6 84
86
85
87
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
Mute Surdo
Open Surdo
-----
[EXC6]
[EXC6]
[EXC6]
[EXC6]
88
*
- - - - - : No sound.
* [EXC]: will not sound simultaneously with other percussion instruments of the same number.
93
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Tone List
SFX Set
-----
-----
27
28
-----
-----
29
30
-----
-----
31
32
33
-----
-----
-----
34
35
-----
-----
-----
High Q
36
38
40
41
43
45
47
C2
37
39
Slap
Scratch Push [EXC7]
Scratch Pull
Sticks
[EXC7]
42
44
46
Square Click
Metronome Click
Metronome Bell
Guitar Fret Noise
Guitar Cutting Noise Up
Guitar Cutting Noise Down
String Slap of Double Bass
Fl.Key Click
Laughing
C3 48
50
49
51
52
Screaming
Punch
53
54
56
58
Heart Beat
Footsteps 1
Footsteps 2
Applause
Door Creaking
Door
55
57
59
C4 60
62
Scratch
61
63
Wind Chimes
Car-Engine
Car-Stop
64
Car-Pass
Car-Crash
Siren
65
66
68
70
67
Train
69
Jet Plane
Helicopter
Starship
71
Gun Shot
Machine Gun
Laser Gun
Explosion
Dog
C5 72
74
73
75
76
Horse-Gallop
Birds
Rain
Thunder
Wind
77
78
80
82
79
81
Seashore
Stream
83
Bubble
-----
-----
-----
C6 84
86
85
87
88
-----
*
- - - - - : No sound.
* [EXC]: will not sound simultaneously with other percussion instruments of the same number.
94
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Internal Song List
1
La Fille aux Cheveux de Lin
La Campanella
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
Jägerlied
2
Menuet Antique
Für Elise
3
Trio Grande
4
Scherzo No.2
Türkischer Marsch (Mozart)
Ständchen
5
Sonate No.15
6
Liebesträume 3
Humoreske
7
Étude, op.10-3
Blumenlied
8
Je te veux
Alpenglöckchen
Menuett G dur (Beethoven)
Venezianisches Gondellied
Alpenabendröte
Farewell to the Piano
Brautchor
9
Valse, op.64-1
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
Golliwog’s Cakewalk
Fantaisie-Impromptu
Arabesque 1
An der schönen, blauen Donau
Auf Flügeln des Gesanges
Mazurka No.5
Battle of Waterloo
Wiener Marsch
Le Coucou
Gymnopédie 1
Étude, op.25-1
Menuett G dur (Bach)
Spinnerlied
Clair de Lune
Étude, op.10-5
Gavotte
Dr. Gradus ad Parnassum
Grande Valse Brillante
La prière d’une Vierge
Course en Troïka
To The Spring
Heidenröslein
Zigeuner Tanz
La Cinquantaine
Csikos Post
Dolly’s Dreaming Awakening
La Violette
Valse, op.64-2
Radetzky Marsch
Träumerei
Fröhlicher Landmann
Sonatine op.36-1 (Clementi)
Sonatine op.20-1 (Kuhlau)
Sonatine No.5 (Beethoven)
Fly Flee
Moments Musicaux 3
Prélude, op.28-15
Harmonious Blacksmith
Ungarische Tänze 5
Türkischer Marsch (Beethoven)
Nocturne No.2
* All rights reserved. Unauthorized use
of this material for purposes other
than private, personal enjoyment is a
violation of applicable laws.
Frühlingslied
Präludium
* No data for the music that is played
will be output from MIDI OUT.
95
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Brilliance (On/Off, Brilliance)
Key Touch
p. 18
p. 26
p. 27
p. 28
p. 29
p. 34
p. 36
p. 31
p. 65
p. 66
p. 66
p. 67
p. 68
p. 68
p. 69
p. 70
p. 70
p. 70
p. 71
p. 71
p. 77
3D Sound Control (On/Off, Depth)
Dynamics Sound Control (Off, Type)
Reverb (On/Off, Depth)
Dual Balance
Split Point
Twin Piano Mode
3D Mode
Hammer Response
Transpose Mode
Damper Pedal Part
Tuning
Temperament (Temperament, Tonic)
Stretch Tuning
Damper Resonance
String Resonance
Key Off Resonance
Metronome Sound
Countdown Sound
Track Assign
Settings stored immediately, whenever a change is made (Memory Backup procedure not needed)
USB Driver Setting
p. 76
p. 76
External Memory Mode
96
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Music Files That the HP203 Can Use
What Are Music Files?
Music files contains musical information such as how long the
General MIDI
The General MIDI is a set of recommendations which seeks to
key for a corresponding pitch is played, the force applied to
the key played, and other such information. When the
performance data (music file) is sent by your computer or
similar device, the song will be played exactly as specified by
the data. This is different than a audio CD, since the music file
does not contain a recording of the sound itself. This makes it
possible to change tempos and keys freely, allowing you to
use it in many different ways.
provide a way to go beyond the limitations of proprietary
designs, and standardize the MIDI capabilities of sound
generating devices. Sound generating devices and music files
that meets the General MIDI standard bears the General MIDI
logo. Music files bearing the General MIDI logo can be
played back using any General MIDI sound generating unit to
produce essentially the same musical performance.
General MIDI 2
Regarding Copyright
The upwardly compatible General MIDI 2 recommendations
pick up where the original General MIDI left off, offering
enhanced expressive capabilities, and even greater
compatibility. Issues that were not covered by the original
General MIDI recommendations, such as how sounds are to
be edited, and how effects should be handled, have now been
precisely defined. Moreover, the available sounds have been
expanded. General MIDI 2 compliant sound generators are
capable of reliably playing back music files that carry either
the General MIDI or General MIDI 2 logo.
In some cases, the conventional form of General MIDI, which
does not include the new enhancements, is referred to as
“General MIDI 1” as a way of distinguishing it from General
MIDI 2.
Use of the song data supplied with the CD-ROM attached to
this product for any purpose other than private, personal
enjoyment without the permission of the copyright holder is
prohibited by law. Additionally, this data must not be copied,
nor used in a secondary copyrighted work without the
permission of the copyright holder.
Please be aware that if you create derivative works that are
based on existing copyrighted material, such as commercially
available SMF music files, such works may violate copyright
law if used for any purpose other than personal enjoyment.
Roland takes no responsibility for any copyright violation you
may commit by creating such works.
The HP203 Allows You To Use the
Following Music Files
GS Format
The GS Format is Roland’s set of specifications for standardizing
the performance of sound generating devices. In addition to
including support for everything defined by the General MIDI,
the highly compatible GS Format additionally offers an
expanded number of sounds, provides for the editing of sounds,
and spells out many details for a wide range of extra features,
including effects such as reverb and chorus. Designed with the
future in mind, the GS Format can readily include new sounds
and support new hardware features when they arrive. Since it is
upwardly compatible with the General MIDI, Roland’s GS
Format is capable of reliably playing back GM Scores equally
as well as it performs GS music files (music files that have been
created with the GS Format in mind).
VIMA TUNES
VIMA TUNES is a Roland specification for music files that
contains image and lyric data, allowing you to enjoy songs with
lyrics and images simultaneously. When data bearing the
“VIMA TUNES” logo is played back on a device that bears the
same logo, lyrics can be shown on the screen of a connected
external display or television, letting you enjoy karaoke or watch
a slide show.
* This instrument (HP203) is not able to play back VIMA
TUNES images.
SMF Music Files
XG lite
SMFs (Standard MIDI Files) use a standard format for music file
that was formulated so that files containing music file could be
widely compatible, regardless of the manufacturer of the
listening device. An enormous variety of music is available,
whether it be for listening, for practicing musical instruments, for
Karaoke, etc.
XG is a tone generator format of YAMAHA Corporation, that
defines the ways in which voices are expanded or edited and
the structure and type of effects, in addition to the General
MIDI 1 specification. XGlite is a simplified version of XG tone
generation format. You can play back any XG music files
using an XGlite tone generator. However, keep in mind that
some music files may play back differently compared to the
original files, due to the reduced set of control parameters and
effects.
97
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MIDI Implementation Chart
DIGITAL PIANO
Model HP203
Date : Oct, 2006
Version : 1.00
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1–16
1–16
1–16
Default
Messages
Altered
Mode 3
x
Mode 3
Mode 3, 4 (M=1)
* 2
Mode
**************
Note
Number :
15–113, 119–127
**************
0–127
0–127
True Voice
Note ON
Note OFF
O
O
O
O
Velocity
*1
*1
After
Touch
Key’s
Ch’s
x
x
O
O
Pitch Bend
x
O
0, 32
O
x
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Bank select
Modulation
Portamento time
Data entry
1
O
5
6, 38
7
x
O
x
O
x
O
Volume
10
x
O
Panpot
11
x
O
Expression
Hold 1
Control
Change
64
O
x
O
65
O
Portamento
Sostenuto
66
O
O
x
O
67
O
Soft
84
O
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
91
O
x
x
x
O (Reverb)
93
O (Chorus)
98, 99
100, 101
O
O
*1
*1
Prog
Change
0–127
**************
O
0–127
: True #
Program number 1–128
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
O
O
x
x
x
x
x
x
O
x
O (120, 126, 127)
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–125)
O
x
* 1 O x is selectable by Sys Ex.
* 2 Recognized as M=1 even if M=1.
Notes
Mode 1 : OMNI ON, POLY
Mode 2 : OMNI ON, MONO
O : Yes
X : No
Mode 3 : OMNI OFF, POLY Mode 4 : OMNI OFF, MONO
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Main Specifications
HP203: Digital Piano
<Keyboard>
Keyboard
88 keys (PHA II with Escapement)
Touch: 5 levels/Fixed Touch
Touch Sensitivity
Keyboard Mode
Hammer Response: Off/1–10
Whole, Dual (volume balance adjustable), Split (split point adjustable), Twin piano
<Sound Generator> Conforms to GM2/GS/XG Lite
Max. Polyphony
Tones
128 voices
306 tones (including 8 drum sets, SFX set)
8 types, selectable tonic
Temperament
Stretched Tuning
Master Tuning
On/Off
415.3–466.2 Hz (adjustable in increments of 0.1 Hz)
Key Transpose: -6–+5 (in semitones)
Transpose
Effects
Playback Transpose (with Audio CD/Audio File): -6–+5 (in semitones)
3D (4 Levels), Dynamics (4 types), Reverb (Off/1–10),
Key Off Resonance (only for piano tones, Off/1–10), String Resonance (only for piano tones,
Off/1–10), Damper Resonance (only for piano tones, Off/1–10),
<Recorder>
Tracks
3 tracks
Recorder Section: 1 song
Internal Memory: Max. 99 songs
Songs
Note Storage
Approx. 30,000 notes
Song Select, Play/Stop, Rec, Previous/Rewinding, Next/Fast-forwarding,
Track Mute (Mute Level adjustable), Tempo, Tempo Mute, All Song Play,
Count-in, Count-down, Song Volume
Control
Center Cancel (only for audio playback)
Quarter note = 10 to 500
Tempo
Resolution
120 ticks per quarter note
Beat: 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
Volume: 0–10
Metronome
Metronome Sound: 8 types
99
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Main Specifications
<Internal Memory>
Songs
Max. 99 songs
Save Song
Standard MIDI Files (Format 0)
<External Memory>
*1
USB CD Drive (Sold Commercially , Read Only)
USB Flash Memory (Sold Separately)
USB Floppy Disk Drive (Sold Separately)
External Storage
Standard MIDI Files (Format 0/1),
Roland Original Format (i-Format),
Audio File (WAV 44.1kHz / 16-bit Linear Format)
Audio CDs (CD-DA)
Playable Software
<Others>
Internal Songs
Rated Power Output
Speakers
65 songs + 7 Tone Demo Songs
30 W x 2
12 cm x 2
7 segments, 3 characters LED
Beat LED
Display
Control
Volume, Brilliance (21 steps: -10– -1/Off/1–10)
Damper (half-pedal recognition), Soft (half-pedal recognition, function assignable),
Sostenuto (function assignable)
Pedal
Other Function
Panel Lock, V-LINK
AC inlet, Pedal connector, Input jacks (Front: L/Mono, R Rear: L/Mono, R),
Output jacks (L/Mono, R), USB connector, MIDI connectors (IN, OUT),
Phones jack (Stereo) x 2, External Memory port
Connectors
Power Supply
AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
70 W
Power Consumption
With Music Rest:
1387 (W) x 422 (D) x 1036 (H) mm
54-5/8 (W) x 16-5/8 (D) x 40-13/16 (H) inches
Dimensions
Without Music Rest:
1387 (W) x 422 (D) x 846 (H) mm
54-5/8 (W) x 16-5/8 (D) x 33-5/16 (H) inches
Weight
54 kg / 120 lbs
Accessories
Options
Owner’s Manual, Roland 60 Classical Piano Masterpieces, Power Cord, Headphone Hook
USB Memory, Floppy Disk Drive, CD Drive Holder
*1 A list of the CD drives that have been tested and found to be compatible is available on the Roland website.
http://www.roland.com/
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change
NOTE
without prior notice.
100
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Front Panel ........................................................ 12
Function Mode .................................................. 64
A
Adjuster ............................................................ 19
All Song Play ..................................................... 43
General MIDI 2 ................................................. 97
B
C
CD Drive ........................................................... 21
Connecting
Key Off Resonance ...................................... 64, 70
Keyboard Sensitivity ........................................... 26
MIDI devices ................................................. 82
Power Cord .................................................. 16
Countdown Sound .............................................. 71
[Left] button ....................................................... 44
Left Pedal .......................................................... 19
List
Local Control ..................................................... 73
MIDI IN/OUT connector ..................................... 15
MIDI Transmit Ch. .............................................. 74
MIDI Transmit Channel ....................................... 74
Music Files ........................................................ 97
Music Rest ........................................................ 17
D
Damper Pedal ........................................ 19, 67, 70
Deleting
Dynamics Sound Control ..................................... 28
E
Error Messages .................................................. 87
External Memory ................................................ 21
External Memory Connector ................................ 15
External Memory Mode ...................................... 76
101
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Index
O
Track button ...................................................... 77
Twin Piano ........................................................ 31
P
Pedal Cord ........................................................ 16
Power Switch ......................................... 12, 16, 18
R
U
Recommended Tone ........................................... 78
USB Connector ............................................ 15, 83
Master Gain ................................................. 77
Music CD ..................................................... 45
Song ........................................................... 45
S
Saving
Split Play ........................................................... 35
Split Point .......................................................... 36
Standard Pitch ................................................... 68
Stretched Tuning .......................................... 64, 69
String Resonance ......................................... 64, 70
System Settings .................................................. 64
102
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For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
HP203
Type of Equipment : Digital Piano
Responsible Party : Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
Address :
Telephone :
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
CURACAO
URUGUAY
NORWAY
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
Zeelandia Music Center Inc.
Orionweg 30
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
Roland Scandinavia Avd.
MUSIC HOUSE CO. LTD.
Kontor Norge
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
EGYPT
Al Fanny Trading Office
9, EBN Hagar A1 Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: 20-2-417-1828
Curacao, Netherland Antilles
TEL:(305)5926866
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
TEL: (02) 899 9801
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
TEL: 2273 0074
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Abdullah Salem Street,
Safat, KUWAIT
TEL: 243-6399
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
POLAND
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
TEL: (022) 679 4419
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
LEBANON
Chahine S.A.L.
Gerge Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
REUNION ISLAND
TEL: (0262) 218-429
TEL:(593-4)2302364
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
TEL: (011)417 3400
FAX: (011)417 3462
EUROPE
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: (02) 2561 3339
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
OMAN
THAILAND
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
Theera Music Co. , Ltd.
330 Soi Verng NakornKasem,
New Road, Sumpantawongse,
Bangkok 10100, THAILAND
TEL: (02) 224-8821
Austrian Office
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
TEL: 262-0788
TEL: (266) 364 609
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
AUSTRALIA/
NEW ZEALAND
TEL:(502) 599-2888
TEL: 4423-554
SLOVAKIA
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
AUSTRALIA/
SAUDI ARABIA
aDawliah Universal
Electronics APL
Corniche Road, Aldossary
Bldg., 1st Floor, Alkhobar,
SAUDI ARABIA
ASIA
TEL: (014) 575811
DAN Acoustic s.r.o.
Povazská 18.
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
CHINA
Roland Shanghai Electronics
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
P.O.Box 2154, Alkhobar 31952
SAUDI ARABIA
TEL: (03) 898 2081
CZECH REP.
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
For Australia
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: (2) 830 20270
CENTRAL/LATIN
AMERICA
TEL: (010) 6426-5050
DENMARK
TEL: (011) 223-5384
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
MEXICO
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: 3916 6200
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
TEL: 2415 0911
TEL: (55) 5668-6699
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Grand Floor, Dubai,
U.A.E.
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
Parsons Music Ltd.
BARBADOS
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
TEL: (04) 3360715
TEL: (03131) 414-40
INDIA
Rivera Digitec (India) Pvt. Ltd.
409, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
UNITED KINGDOM
TEL: (505)277-2557
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
NORTH AMERICA
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
UNITED KINGDOM
TEL: (01792) 702701
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
INDONESIA
PT Citra IntiRama
J1. Cideng Timur No. 15J-150
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
MIDDLE EAST
TEL: (604) 270 6626
HUNGARY
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
BAHRAIN
Moon Stores
No.16, Bab Al Bahrain Avenue,
P.O.Box 247, Manama 304,
State of BAHRAIN
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
KOREA
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
TEL: (23) 511011
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: (574)3812529
TEL: 17 211 005
TEL: (905) 362 9707
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL: 258-0211
MALAYSIA
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
U. S. A.
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
Lima - Peru
TEL: (511) 4461388
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
TEL: (021) 285-4169
TEL: (323) 890 3700
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'aliya Hashnya St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
As of November 1, 2006 (ROLAND)
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