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CONTENTS (ENGLISH)
Page No
1
1
2
3
CONTENTS MA200Q USER GUIDE
APPROVALS
WARNINGS
2
2
3.2 WARNING
2
3.3 CAUTION
2
3.4 IMPORTANT SAFETY INSTRUCTIONS
3.5 USER RESPONSIBILITY
3.5.1 LOUDSPEAKER DAMAGE
3.5.2 LOUDSPEAKER OUTPUT HAZARD
3.5.3 RADIO INTERFERENCE
INTRODUCTION
4.1 UNPACKING
4.2 FRONT PANEL
4.3 REAR PANEL
REAR PANEL FEATURES
5.1 GAIN
2
3
3
3
4
4
4
4
4
5
5
6
6
5.2 SENSITIVITY
6
5.3 LINK SWITCH
7
5.4 OPERATING MODES
5.4.1 STEREO MODE
7
7
5.4.2 NOTES FOR AMPLIFIER TESTING
5.4.3 TANDEM MODE
7
8
5.4.4 BRIDGE MONO MODE
5.4.5 BRIDGE MONO MODE FEATURES
INSTALLATION
8
8
9
6
6.1 MOUNTING
9
6.2 COOLING
9
6.3 OPERATING VOLTAGE
6.4 GROUNDING
6.5 POWER CONSUMPTION
6.5.1 CALCULATION
9
10
10
11
11
11
11
12
12
13
13
14
14
14
14
14
15
15
15
15
15
16
16
17
18
7
8
9
CONNECTIONS
7.1 INPUT CONNECTIONS
7.1.1 BALANCED INPUTS
7.1.2 UNBALANCED INPUTS
7.2 CONNECTING LOUDSPEAKERS
OPERATION
8.1 OPERATION PRECAUTIONS
8.2 POWERING UP – SOFT START
8.3 INPUT ATTENUATORS
8.4 INDICATORS
PROTECTION FEATURES
9.1 OUTPUT LIMITER
9.2 THERMAL PROTECTION
9.3 VHF PROTECTION
9.4 SHORT CIRCUIT PROTECTION
9.5 AC MAINS VOLTAGE PROTECTION
9.6 DC PROTECTION
MAINTENANCE
10.1 TROUBLESHOOTING
WARRANTY
10
11
12
SPECIFICATIONS MA200Q
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9. Connect only to AC power outlets rated 230-240V (or 100-120V), 50-60Hz.
10. Do not use this amplifier if the mains cable is damaged or frayed, particularly check where the
mains cable exits the amplifier and the mains plug. Protect the mains cable from being walked
upon or rolled over by heavy objects.
11. Only use accessories specified by the manufacturer.
12. The amplifier is intended to use in a 19” rack. Follow the mounting instructions. When racks with
wheels are used, use caution to avoid injury from tipping when in motion.
!
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Do not connect an amplifier output in parallel or series with any other amplifier’s output. Do not
connect the amplifier output to any other voltage source, such as a battery, mains outlet, or
power supply, regardless of whether the amplifier is turned on or off.
15. Do not run the output of any amplifier back into another amplifier's input.
16. Refer all servicing to qualified personnel only. Servicing is required when the apparatus has been
damaged in any way such as:
•
•
•
•
•
•
Mains cable, or plug is damaged
Liquid has entered the amplifier
An object has fallen into the amplifier
The amplifier has been exposed to rain or moisture
The amplifier does not operate normally
The amplifier has been dropped or the enclosure is damaged
17. Do not remove top or bottom covers. Removal of the cover will expose hazardous voltages.
There are no user serviceable parts inside and removal may void the warranty.
18. An experienced person should always supervise inexperienced adults or minors when using
professional audio equipment.
3.5
User responsibility
3.5.1 Loudspeaker damage
Your amplifier is very powerful and can be potentially dangerous to both loudspeakers and humans
alike. Many loudspeakers can be easily damaged or destroyed by overpowering, especially with
the high power available from a bridged amplifier. Always check the loudspeaker’s continuous
and peak power capabilities.
!
Even when using the amplifier’s front panel attenuator to reduce the gain, it is still possible to reach full
output power, if the input signal level is high enough.
3.5.2 Loudspeaker output hazard
Power amplifiers are capable of producing hazardous output voltages. To avoid the risk of electric
shock, do not touch any exposed loudspeaker wiring, when the amplifier is operating. See page
12 Connecting loudspeakers.
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3.5.3 Radio interference
A sample of this product has been tested and complies with the limits for the European Electro Magnetic
Compatibility (EMC) directive. These limits are designed to provide reasonable protection against harmful
interference from electrical equipment. This product uses radio frequency energy and if not used or
installed in accordance with these operating instructions, may cause interference to other equipment,
such as radio receivers. Compliance with the (EMC) directive does not automatically guarantee non-
disturbance of susceptible equipment in close proximity to this amplifier.
If this amplifier is suspected of causing interference this can be easily checked by powering the amplifier
on and off and observing the disturbance. The user can correct the interference by one or more of the
following measures:
•
•
•
Re - orientate or relocate the receiver's antenna.
Increase the distance between the amplifier and the effected equipment.
Connect the mains cable to a socket on a different circuit from that to which the affected unit
is connected.
•
Check if the affected equipment complies with the EMC limits for immunity, (CE-labelled). If
not, address the problem with the manufacturer or supplier. All electrical products sold in the
EC must be approved for immunity against electromagnetic fields, high voltage flashes, and
radio interference.
•
Consult your dealer or an experienced radio/TV technician for help
4
INTRODUCTION
Thank you for purchasing a Martin Audio power amplifier. This manual contains important information on
operating your amplifier correctly and safely. Please take some time to read this manual and familiarize
yourself with the advanced features of this amplifier.
4.1
Unpacking
Each Martin Audio MA series amplifier is built to the highest standard and thoroughly inspected before it
leaves the factory. After unpacking the unit, examine it carefully for any signs of transit damage and
inform your dealer if such damage is found. It is suggested that you retain the original packaging so that
the unit can be repackaged at a future date if necessary.
Please note that Martin Audio and its distributors cannot accept responsibility for damage to any returned
product through the use of non - approved packaging.
4.2
Front Panel
8
3
2
5
4
3
2
4
5
7
6
--2410-0681 02C-
1
d1HB0.AP-07R-O1-C543OTL0NIE-dP-2C14B0-60T18 20C-
1M
dH1B0.B-0
7
A
--15
3
-
2
-2140-6081
0
C02-Hd1
0
B.10CP-07R
Q
--O-15C34OTL0E-NI1Pd4C-6B081T02C-dH1B0.D1-07---153
10
1. Input level attenuators
These controls are used to set the signal level entering the amplifier. They are calibrated in dB's to assist
the setup of active loudspeaker systems. (See page 14).
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2. Protect indicator LED
This indicator illuminates if the amplifier attempts to function above its maximum operating temperature
(90°C). The indicator first comes on as a warning, to either turn down the input level or check the cooling
arrangements, after which point the amplifier will mute the input signal. When the cooling fans have
returned the output heat sinks back to the normal operating temperature the input signal is un-muted.
This indicator also illuminates when signals above 12 kHz at full power are detected at the output terminals
or if the short circuit protection is activated. Should this o c c u r th e in p u t s ig n a l is m u te d , a n d the process
repeats until the VHF signal is no longer present or the short circuit is removed. (See page 15).
3. Clip/limit indicator
This indicator signals when the amplifier output is clipping or limiting. It has two different indication states:
When the clip limiter is engaged, it has a short time constant and it illuminates briefly. (See page 15).
When the clip limiter is not engaged, it has an increased time constant and it illuminates for a longer period.
4. Signal present indicator
This LED Illuminates at –40dB below full output signal.
5. On indicator
The four bottom green ”ON” LED's indicate that the output circuits are receiving the correct rail voltage.
6. Power switch
Turns the mains power “ON” or “OFF”.
(See page 9 and12)
7. Fan grille filters
A grille with foam filters is located on the front panel to prevent dust from entering the amplifier. The grille is
removable for easy cleaning of the filter by simply pulling them off. The foam filter should always be used.
8. Carry/protection handle
Both handles can be used to carry the amplifier; they also act as protection for the front panel. In fixed
installations or where rack front covers are too shallow, they may be removed by unscrewing the retaining
bolts behind the front panel.
4.3
Rear Panel
1
3
4
4
4
4
3
1
Clip Limi ter
A
Clip Limiter
C
CH.D
CH.C
INPUTS
CH.B
CH.A
OUTPUTS C,D
OUTPUTS A,B
Fixed gain 32 dB
XLR
1/ 4“
Sleeve
Tip
Ring
STERE O
BR ID G
E
BR ID GE
STEREO
1+ CH.A+ Pin 1+ Spk+
Pin
1
Scrn
Pos
Pin 1+ Spk+ 1+ CH.C+
2- Spk- 1- CH.C-
2+ CH.D+
1- CH.A-
2+ CH.B+
2- CH.B-
2- Spk-
2
3
Neg
2- CH.D-
Clip Limiter
B
Clip Limiter
Made in the EEC by
D
230-240V
50-60Hz
Ser. N:o
MARTIN AUDIO MA200Q
Must be grounded
7
5
7
3
9
3
1. Output / Speaker connector
The Neutrik Speakon connector is used on the outputs of the amplifier a full description can be found in the
operation section. (See page12).
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3. Clip limiter switch
Turns the clip limiter “ON” (switch IN position) or “OFF” (switch OUT position). (See page13).
4. Input signal XLR.
The Neutrik Combo jack is used which also features a _” TRS phone jacks. (Pin 2 is “hot”, see page10).
5. Link switch. Allows a single input to drive channels B and C simultaneously.
7. Link / bridge switch. Allows a single input to drive channels A and B and / or channels C and D
simultaneously. Also used for bridged operation of channel pairs (See page 6).
9. AC Mains cable. WARNING!
A label just below the mains cable on the rear of the amplifier indicates the selected AC
mains operating voltage. Connect the mains cable only to the AC source referred to on the
label.
!
5
REAR PANEL FEATURES
5.1
Gain
The gain of the MA200Q is fixed at 32 dB.
5.2
Sensitivity
Sensitivity is volts (rms) or dBu (referred to 0.775Vrms) that are required to obtain full output power. As
the output power varies with the load impedance, the table below lists sensitivity versus load
configuration.
Sensi tivity
Volt rms
MA200Q
LOAD CONFIGURATION
16 ohmsQuad (4 channel)
8 ohmsQuad (4 channel)
4 ohmsQuad (4 channel)
2 ohmsQuad (4 channel)
dBu
0 . 4
0 . 4
- 0. 8
- 2. 5
0 . 81
0 . 81
0 . 71
0 . 58
16 ohmsStereo ( 2 channels bridged)
8 ohmsSte reo ( 2 channels bridged)
4 ohmsSte reo ( 2 channels bridged)
0 . 98
0 . 71
0 . 59
2 . 1
- 0. 7
- 2. 4
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5.3
Link switch
The Link switches located on the rear panel (between the four XLR input connectors) are for c h a n g in g th e
operating modes of the amplifier. By using a combination of these switches and input /output wiring it is
possible to have several operating configurations. (See below, section 5.2).
5.4
Operating modes
5.4.1 Stereo mode
For 2 x stereo, 2 x bi amp or 4 channel (quad)
use, all channels operate independently of each
other, and all the link switches are OUT. For a 2 x
stereo configuration the input designation is CH A
left input 1, CH B right input 1, CH C left input 2,
and CH D is right input 2. For 2 x bi amp CH A
input would be LF1, CH B input HF1, CH C input
LF2 and CH D input HF2.
CH.D
CH.C
INPUTS
CH.B
CH. A
Fixed gain 32 dB
1/ 4 “
Sleeve
Tip
Ring
XLR
Pin
1
Scrn
Pos
Neg
2
3
230-240V
50-60Hz
Must be grounded
The attenuators on the front panel will control
the respective channels levels.
Never connect either output terminal to ground or in parallel. The recommended minimum
impedance, for quad or tandem stereo operation, is 2 ohms per channel.
5.4.2 Notes for amplifier testing
NOTE: Channels B and D are always polarity reversed on the input, and polarity reversed back
on the output. On channels B and D outputs, the positive output voltage with respect to 0V
!
appears on pin -2 of the Speakon connector. Channel A and C outputs are connected with normal
polarity. By having channel A and B (and C and D) operating in opposite polarity, the energy storage in
the power supply is more efficient. This is significant for signals below 100 Hz (sub bass etc.) and
improves the power bandwidth. Be sure to use balanced inputs on all measurement equipment
(including oscilloscope probes) if you are bench testing.
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5.4.3 Tandem mode
In tandem mode two or four of the amplifiers inputs are linked together. To use only one input signal to
drive inputs A or B press the (A+B link/bridge) switch and connect a signal to inputs A or B.
In this configuration loudspeaker 1 would then be connected across +1 and -1, and loudspeaker 2 across
+2 and -2 of the OUTPUT A, B Speakon connector.
To use only one input signal to drive inputs C and D press the (C+D link/bridge) switch and connect a
signal to inputs C or D, loudspeaker 3 would be connected across +1 and –1 and loudspeaker 4 across
+2 and -2 of the OUTPUT C, D Speakon connector.
To use only one input signal to drive all four channels, press “IN” the A+B link/bridge switch, the C+D
link/bridge switch, and the link B+C switch.
All attenuators are active, allowing you to set different levels for each channel. Note that only the inputs
are connected in parallel. This is NOT a parallel output mode. Never connect either output terminal to
ground or in parallel.
You can use the remaining input connectors to parallel off “Daisy-chain” signal to other amplifiers.
NOTE: Always turn off the Link switches when using the amplifier for dual Bi-amping.
5.4.4 Bridge mono mode
Bridge mode is used to deliver increased power to the loudspeakers.
Using the MA200Q in bridge mode reduces the number of output
channels from four to two. The nominal impedance of the load must be
more than 3 ohms. To bridge channels A and B set the A+B link /bridge
switch to “IN” and use either input connector A or B. Both the A and B
level attenuators must be in the same position, we recommend they are
used in the 0dB fully clockwise position. The loudspeaker load will now be
connected to +1 and -2 on the OUTPUT A, B connector. (+1 should be
connected to the [+] positive terminal of the loudspeaker and -2 to the [-]
negative terminal of the loudspeaker) Channels C and D are bridged in
the same way using the C+D link/bride switch, the output appearing on
the OUTPUT C, D connector (pins +1 and -2).
5.4.5 Bridge mono mode features
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Bridged mono mode combines the power of two channels into one loudspeaker. This results in twice the
voltage swing, four times the peak power and just less than three times the full power of a single channel.
This is because the coil is driven with positive voltage at one pole and an equivalent negative voltage at
the other pole. So, if an 8 ohms load is connected in bridged mode, one channel shares one 4 ohms part
of the load, and the other channel shares the other 4 ohms part. The power into 4 ohms from an MA200Q
is 200W. So, the total bridged power into the 8 ohms load will be 2 x 200 = 400W.
6
INSTALLATION
6.1
Mounting
The amplifier is two rack unit's high (2U) and weighs 13.2Kg (29lbs) and will mount in a standard EIA 19”
rack. Amplifiers may be stacked directly on top of each other. There is no need for spacing between units.
If it is the intention to fill a rack with amplifiers, we recommend racking is started from the bottom of the
rack. It is also recommended that rear supports are used for amplifiers mounted in the middle of the rack,
especially if used as part of a portable system.
6.2
Cooling
Your amplifier uses a forced air cooling system to maintain a low and even operating temperature. All fan
cooled MARTIN AUDIO MA Series amplifiers have front to rear cooling. Never try to reverse the airflow,
as the amplifier needs a pressure chamber between the fans and heat sink, and this only operates in one
direction of the airflow.
Make sure that there is an adequate air supply in front of the amplifier, and that the rear of the amplifier
has sufficient space to allow the exhaust to escape. If the amplifier is rack-mounted, do not use covers or
doors on the front or rear of the rack.
If the heatsink temperature rises too high, it’s sensing circuit will mute the hot channel. If the power supply
overheats, another sensing circuit will mute all four output channels, until they cool down to a safe
operating temperature.
For installations with a central cooling system, usually found in a dedicated rack room, it may be
necessary to calculate the maximum heat emission. Refer to Power consumption on page 10.
Remember! Never rack different makes of amplifier together that have opposing air flow characteristics.
6.3
Operating voltage
WARNING!
A label just below the mains cable on the rear of the amplifier indicates the selected AC mains
operating voltage. Connect the mains cable only to the AC source referred to on the label. The
warranty will not cover damage caused by connecting to the wrong type of AC mains.
If the power plug is not appropriate for your country, it can be cut off and re-wired to a suitable connector in
the following way:
BLACK or BROWN
WHITE or BLUE
LIVE
NEUTRAL
EARTH
GREEN or GREEN/YELLOW
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Once connected to a suitable AC supply, the amplifier can be started with the power switch. When you
power up the amplifier it takes a couple of seconds to self check (this is known as the "soft start" or "slow
start" sequence), the fans then blow at high speed before going into "idle". The four bottom green LED’s
then illuminate to show the amplifier is operational.
6.4
Grounding
There is no ground lift switch or terminal on this amplifier. The signal ground is always floating (lifted), with
respect to chassis ground via a ground lift resistor. If a potential difference above 0.6V is detected between
signal ground and chassis earth, a short circuit is automatically introduced between the two, ensuring
electrical protection. If other equipment or amplifiers within a system should develop an electrical fault to
earth, the mains fuse on that equipment should rupture due to this automatic system allowing an earth
current to flow for protection purposes.
If however you wish to permanently connect the signal ground to chassis earth, connect the XLR-
connector’s shell lug to pin 1. In the interest of safety never disconnect the earth pin on the mains cable.
To comply with CE approval (radio interferen c e ) , th e r e is a n A C m a in s filte r . T h is filte r n e e d s th e chassis
ground for reference, otherwise a current loop is formed via the signal ground.
Never disconnect (lift) the mains safety earth.
6.5
Power consumption
There are three ways to determine the power/current consumption of the amplifier:
First, the peak current draw at full power output. Under this condition the amplifier will operate for less
than 2 minutes before thermally limiting or blowing the mains fuse, and is an unrealistic ‘normal’ use
condition. To design a mains distribution system based on the current draw at full power would result in
an over specified system. No music program material requires the full steady state continuous power of
an amplifier, this operating condition is only valid during amplifier bench testing.
Second, the maximum expected average current under worst case program material, which is 1/3 of full
power according to the FTC-standard. At this level normal program music will be in a state of constant
clip and is therefore the highest power level that can be achieved without completely obliterating the
program material.
Lastly, the "normal operating power", as defined by EN 60065 as a measurement level for approval and
testing to this standard. The normal operating power is measured using pink noise, with an average
output power equal to 1/8 of full power. The one-eighth power is the maximum level program music can
be re-played without continuous amplifier clipping, this corresponds to a headroom of only 9dB's, which is
very low for normal program material.
MAX OUTPUT POWER
Power
MAINS INPUT POWER
1/3 Power
note 1
480
1/8 Power
note 2
300
Idle
[W]
MA200Q
8 ohms
4 ohms
2 ohms
4x
4x
4x
130
200
270
85
85
85
720
470
1065
740
note 1 Average power with music as programsource. The amplifier driven to clip level.
note 2 Normalmusicpower with 9dBheadroom,IECstandard power rating.
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6.5.1 Calculation
The current draw can be calculated by dividing the mains input power by the mains voltage.
We recommend that you design the power distribution for at least the required current at 1/8 power, or 1/3
power for heavy-duty demands such as concert touring and Industrial music etc.
The heat power can be calculated as following:
If a headroom figure of at least 5dB (1/3 full power) is used with a 4 ohms load on all four channels of the
amplifier.The 1/3 power per channel is then; 200 / 3 = 67 watts, and total output power is; 4 x 67 = 267
watts.
The mains power consumption from the chart above is 720 watts.
The heat power produced is the difference between the power consumption and output power;
720 - 267 = 453 watts total for the amplifier.
MA200Q HEAT POWER
1/3 POWER 1/8 POWER 1/3 POWER 1/8 POWER 1/3 POWER 1/8 POWER
WATTS
235
Kcal/hour
200
320
BTU/hour
800
1260
8 Ohm
4 Ohm
2 Ohm
307
453
705
260
390
610
1050
1550
2410
370
605
520
2060
1/3 Power level = Average power with music as programme material (continuous clipping)
1/8 Power level = Normal operating power with music as programme material (occasional clipping)
7
CONNECTIONS
7.1
Input connections
7.1.1 Balanced inputs
The Input connectors are Neutrik combo jacks and incorporate an XLR and _" (6.3mm) jack. They are
active balanced and wired as below:
PIN 1
PIN 2
PIN 3
GROUND/SHIELD
HOT (+)
COLD (-)
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The Neutrik Combo jack is wired in parallel with the XLR.
TIP
RING
SLEEVE
HOT
COLD
SHIELD/GROUND
CH.D
CH. C
INPUTS
CH.B
CH. A
The input impedance is high enough (20K ohms
balanced) to allow ”daisy-chaining”, or multiple parallel
input connections. The headroom of the input circuits is
also high enough to accept the maximum output level
from virtually any low-level signal source. Balanced
signals are less sensitive to AC hum and radio
interference. The source impedance should be less
than1Kohms to avoid high frequency losses in long
signal cables.
Fixed gain 32 dB
XLR
Pin
1/ 4 “
Sleeve
Tip
Ring
1
Scrn
Pos
Neg
2
3
230-240V
50-60Hz
Must be grounded
7.1.2 Unbalanced inputs
To connect an unbalanced source, connect pin 3 (ring on TRS jack) to the shield of the connector. If you
leave one pin disconnected, you will lose 6 dB’s in level.
A better method of conn e c tin g u n b a la n c e d s o u r c e s is s h o w n in b e lo w . T h is is s im ila r to th e c onnection for
balanced lines, but pin 3 is connected to the shield at the source. The hum and noise rejection for the cable
is equivalent to that of a balanced line. To minimize hum in the audio, use balanced inputs whenever
possible.
Unbalanced line connection
Balanced line with unbalanced equipment
7.2
Connecting loudspeakers
Loudspeaker connections are made via the two Neutrik NL4FC Speakon connectors. The Speakon
connector is designed for high power loudspeaker use and meets all worldwide safety requirements.
Connections.
The Speakons are wired:
Channels A, B output connector
Pin +1, Pin –1 = Output A
Pin +2, Pin –2 = Output B
Channels C, D output connector
Pin +1, Pin –1 = Output C
Pin +2, Pin –2 = Output D
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When outputs A and B, or C and D are bridged, the loudspeaker is connected to +1 and -2 of the
connector see diagram below.
Looking at the rear of the amplifier the right hand Speakon has both channel A and B outputs, the left
hand Speakon channels C and D. This configuration is useful for bridging and bi-amp operation (see
bridged mono operation on page7).
chA
chB
Bridged mono
Channel A and B (or C and D) into one
Speakon. . (Quad or Bi-amp)
Never connect either output terminal to ground or to some other output or input terminal (see
warnings in chapter 1)
For normal four-channel operation, connect each loudspeaker load across the output’s positive and
negative terminals. Pay attention to loudspeaker polarity; loudspeakers connected out of polarity
degrade sound quality.
Keep the loudspeaker cables as short as possible and use good quality stranded cable. Do not use
shielded wire, such as microphone or guitar cable. Remember that the speaker cable reduces the power
of the amplifier in two ways:
It increases the load impedance and introduces resistive power losses.
WARNING: To prevent electric shock, do not operate the amplifier with any of the
loudspeaker cable conductors exposed.
8
OPERATION
8.1
Operation precautions
•
Make sure that the power switch is set to “OFF ” before connecting any input or output or
operating the switches on rear panel. See pages 9 about installation.
•
•
Make sure that the AC mains voltage is correct and is the same as the one printed on the rear
panel of the amplifier. See pages 9 and 10, about operating voltage and power consumption.
Make sure that the switches on the rear panel for the different operating modes and the clip-
limiter switches are in the correct position. See page 7 about operating modes and page 14 about
clip limiters.
•
It is always a good idea to turn down the gain controls during power-up, to prevent speaker
damage in case a high signal is present at the input.
13
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8.2
Powering up – Soft start
When you power up the amplifier it takes a couple of seconds to self-check. This is known as the "soft-start"
or "slow-start" sequence. The fans then blow at high speed before going into "idle" and the four bottom
green LED’s illuminate to show the amplifier is operational.
8.3
Input attenuators
The four input level attenuators on the front panel adjust the signal level for their respective amplifier
channel’s in all modes of operation. They are calibrated in dB's to help the setting up of active loudspeaker
systems.
In bridged m o d e , b o th le v el attenuators must be in the same position, so that the loudspeaker load will be
shared equally between the channels.
8.4
Indicators
PROTECT
CLIP
PROTECT
CLIP
-40dB
ON
-40dB
ON
CH.A
CH.B
-10
CH.C
CH.D
-10
-7
-10
-10
-7
-7
-7
-12
-16
-12
-5 -16
-3 -20
-40
-80
-12
-5 -16
-3 -20
-40
-80
-12
-5 -16
-3
-5
-3
-1
-20
-40
-40
-1
-1
-1
-80
0
0
0
-8 0
0
dB
dB
dB
dB
MA200Q
The yellow LED's on the front panel indicate if any protection circuits are activated. These are described on
page 14.
The Clip/limit LED's indicates when the amplifier output is clipping or limiting. It has two different indication
states:
•
•
When the clip limiter is engaged it has a short time constant and illuminates briefly.
When the clip limiter is not engaged it has an increased time constant and illuminates for a longer
period.
The “- 40dB” LED’s illuminate when the output signal is greater than -40dB (with 0dB referenced to full
output power). These LED’s also act as signal present indicators.
The four bottom green “ON” LED’s indicate when the power supply is operating normaly and the output
circuits are receiving the correct rail voltage.
9
PROTECTION FEATURES
Each Martin Audio MA series amplifier has many advanced protection features, that will protect both the
amplifier and the loudspeakers connected to it, should a fault condition arise. Under normal us e th e s e
features are inaudible. All protection circuits operate independently.
9.1
Output Limiter
An output limiter is included to avoid amplifier clipping. When an amplifier is severely overdriven, its output
waveform is clipped (its peaks are squared off) – reducing the crest factor. In extreme cases, the waveform
can approach that of a square wave. An amplifier is normally capable of producing far more power under
these conditions than its normal undistorted rated output power.
The limiter works by monitoring the output and comparing the distortion produced between the input and
output of the amplifier. If the distortion exceeds 1%THD for any reason (voltage or current clipping), the
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limiter reduces the input signal proportionally. Note that, if the signal is distorted or clipped before it reaches
the amplifier, the clip limiter will not be activated.
Under normal operation the clip limiter is inaudible. The limiter can be turned “On” or “Off” by pressing the
relevant clip limit switch. (3 see page 5)
Some manufacturers of loudspeaker processors do not recommend the use of clip limiters in amplifiers, as it
can effect the tracking of the processor's limiters.
If the amplifier is being used without any external limiting, Martin Audio recommend leaving the clip limiters
switched "ON" (button depressed).
9.2
Thermal protection
When the amplifier is driven very hard into a low impedance load, the cooling fans will run at high speed. If
these operating conditions continue, the Protect indicator(s) will illuminate indicating that the amplifier is
about to go into thermal shutdown.
After five seconds the amplifier will go into thermal protect by muting the input signal. After 15-20 seconds
the amplifier will have cooled down enough for the amplifier to come out of shutdown and operate as
normal. If the load conditions remain unchanged the thermal protection will be re - initiated. Thermal
protection occurs when the heats in k te m p e r a ture reaches 90°C.
9.3
VHF protection
If a signal of more than 12kHz, at full power is detected, which lasts for more than five seconds, the VHF
protection mutes the input signal. (This is indicated on the front panel (4) by the LED labelled Protect).
After five seconds the outputs will un-mute and return to normal operation, unless the output signal has
remained unchanged, in which case the VHF protection will re-initiate.
9.4
Short circuit protection
All Martin Audio MA Series amplifiers are completely short circuit protected. The protection circuit permits
very high peak currents, but still holds the output devices within the safe operating area. If a short circuit is
maintained, the channel affected will eventually go into a thermal protect cycle until the short circuit has
been removed.
9.5
AC mains voltage protection
If the AC mains voltage is outside the operational window (over or under voltage), the power supply will
automatically shut down. When the mains voltage is above the minimum start voltage and below its
maximum operating voltage the amplifier will restart.
The four green ”ON” LED’s indicate when the power supply is operating correctly.
9.6
DC protection
There are two types of DC protection:
•
•
Fuses on the supply branches of each channel.
DC crowbar protection that shorts the output if more than 10 volts DC is being detected on the
outputs. Both these circuits come into effect once a DC level is detected on either channel.
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10 MAINTENANCE
Under normal use the amplifier should provide years of trouble-free service. The only maintenance
required by the user is to clean the front grille periodically.
In some extreme cases it may be necessary for authorized service personnel to clean the inside of the
amplifier. These conditions usually occur after prolonged use, e.g. in environments using "cracked- oil"
smoke machines.
If you are using your amplifier for heavy-duty use i.e. concert touring or industrial music it is
recommended that you have your amplifier serviced every 3 years, purely as a preventative measure.
10.1 Troubleshooting
These are typical things to check if you think your amplifier is faulty
Fault: No output.
If the Signal Present (-40dB) is illuminating a signal is entering the amplifier and the likely cause is an
unsecured Speakon loudspeaker connector, or loose termination.
Check also that the VHF protection is not activated. If it is, remove possible high frequency oscillations
from the relevant input
Fault: The amplifier goes into thermal protection when driven at low level.
Check that there is no short circuit present at the amplifier's output, e.g. any component in the
loudspeaker (this can occur when the loudspeaker coil gets hot).
Fault: The amplifier goes into protection with power indicators off.
Check that the AC mains voltage is within the amplifier’s operating range, 130-265V@ 230V, and (65-
135V @ 115V). Over/under-voltage protection may have occurred. If the amplifier is connected by
mistake to a 3-phase supply, an internal non-resetable fuse or resistor may have blown. The amplifier
then has to be returned to your supplier for service.
Fault: The amplifier does not respond even after checking above items.
In the unlikely event of on a non-user rectifiable fault, return the amplifier to your supplier or an approved
service centre.
Martin Audio cannot be held responsible for damage or injury as a result of the top cover being
removed.
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11 WARRANTY
General
The MA200Q Power amplifier is warranted to be free from defects in components and factory
workmanship under normal use and service, for a period of three years from the date of original purchase.
During this warranty period MARTIN AUDIO LTD or it's nominated agents, will undertake to repair, or at
it's discretion, replace this product at no charge to it's owner, when failing to perform as specified,
providing the unit is returned undamaged, in it's original packaging, shipping prepaid, to the factory,
distributor or authorised service facility.
This warranty shall be null and void, if the product is subjected to:
1)
Repair work or alteration by persons other than those authorised by MARTIN AUDIO LTD
or it's agents.
2)
Shipping accidents, act of god, war, civil insurrection, misuse, abuse, operation with incorrect AC
voltage, operation with faulty associated equipment, exposure to inclement weather conditions and
normal wear and tear. Units on which the serial number has been removed or defaced will not be
eligible for warranty service.
3)
MARTIN AUDIO LTD shall not be responsible for any incidental or consequential damages, with
respect to the products warranted.
MARTIN AUDIO LTD reserve the right to make changes or improvements in design or manufacturing,
without assuming any obligation to change or improve products previously manufactured.
This warranty is exclusive and no other warranty is expressed or implied.
This warranty does not effect your statutory rights.
International
Please contact your supplier for this information, as rights and disclaimers may vary from country to
country.
Technical assistance and services
If your Martin Audio product needs repair, contact your Martin Audio dealer or distributor, or contact
Martin Audio to obtain the location of the nearest dealer or distributor.
Telephone: +44 (0) 1494 535312
Fax: +44 (0) 1494 438669
E mail: [email protected]
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12 SPECIFICATIONS MA200Q
MAXIMUM OUTPUT POWER
8Ω per Channel
4Ω per Channel
2Ω per Channel
8Ω Bridged
EIA @1kHz 1%thd
130W
FTC 20 – 20kHz @ 0.1% thd
120W
180W
245W
360W
490W
200W
270W
400W
540W
4Ω Bridged
MAXIMUM OUTPUT VOLTAGE
8Ω load
Peak voltage, no load
32Vrms
51Vrms
POWER REQUIREMENTS
Operating voltage
Minimum start up voltage
Peak inrush current
230V version
130 – 265 Vac
180Vac
115V version
65 – 135Vac
90Vac
10A
20A
MAINS CURRENT DRAW @ 4 Ohms
Quiescent current (no load)
1/8th Full power (both channels driven)
1/3rd Full power (both channels driven)
Full power (1Khz @1% thd)
230V version
0.6Arms
2.9Arms
4.5Arms
7.9Arms
115V version
1.2Arms
6Arms
9Arms
16Arms
DISTORTION
THD 20Hz – 20KHz 1W to full power
THD @ 1KHz 1dB below clip
DIM 30 @ 3dB below clip
0.05%
0.01%
0.008%
HUM / NOISE
< - 105dB
-70dB
CHANNEL SEPERATION
OUTPUT IMPEDANCE
SLEW RATE
30mΩ
30VµS
INPUTS
Fixed gain dB
32
Input Vrms Ref 4Ω for full power
4 x Single Channel
0.71
Impedance
20KΩ Differential
10KΩ Single ended
c.m.r.r.
50dB
DIMENSIONS
(W) 483mm x (H) 88mm x (D) 325mm
(W) 19ins x (H) 3.5ins x (D) 12.8ins
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WEIGHT
13.2Kg (29Ibs)
SHIPPING DIMENSIONS
SHIPPING WEIGHT
(W) 560mm x (H) 180mm x (D) 500mm
(W) 22ins x (H) 7.1ins x (D) 19.7ins
14.8Kg (32.5lbs)
Front Panel
Gain controls
Indicators Protect
Indicators Clip
Indicators Signal Present
4 x 31 Position detent
4 x Yellow LED’s
4 x Red LED’s
4 x Green LED’s
Rear Panel
Input Connectors
Output Connectors
Clip Limiters
4 x Neutrik Combo, + 3 pin Phoenix
2 x Neutrik Speakons
Push Switch “ON”/ ”OFF” per Channel
A+B, C+D, B+C
Input Link switches
Speakon and CombÁ jack, are registered Trademarks of Neutrik AG Liechtenstein.
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MA200Q
Amplifier
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Century Point, Halifax Road, Cressex Business Park, High Wycombe, Buckinghamshire HP12 3SL, England.
Telephone: +44 (0)1494 535312 Facsimile: +44 (0)1494 438669
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MA200Q
Amplifier
User’s Guide
ENGLISH
The Martin Experience
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