Mackie Musical Instrument MDW 2x2 User Manual

U S E R ’ S G U I D E  
MDW 2x2  
Massenburg’s High Resolution Parametric EQ  
Plug-in for Mackie Digital Mixers  
®
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Contents  
Introduction ----------------------------------------4  
About Massenburg Design Works ---------------------------4  
About the D8B UFX Card --------------------------------------4  
About the MDW Equalizer ------------------------------------ 5  
Let’s Get Started ---------------------------------- 6  
Requirements----------------------------------------------------6  
Authorizing the Plug-in----------------------------------------6  
Unlock Procedure -----------------------------------------------7  
Configuring the Plug-in --------------------------------------- 8  
Using the MDW EQ Plug-in -------------------- 10  
Stereo and Mono Front Panels ----------------------------- 10  
Level Control --------------------------------------------------- 11  
Frequency Control --------------------------------------------- 11  
Q Control --------------------------------------------------------12  
EQ Types ---------------------------------------------------------12  
Saving, Loading, and Resetting a Preset ------------------ 13  
Automation and Snapshot Control ---------- 16  
FX Routing -----------------------------------------17  
Note: Any future revisions of this guide will be available for  
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Introduction  
Thank you for purchasing this EQ plug-in from Massenburg  
Design Works. It is one of the exciting new family of 24-bit plug-  
ins for the D8B, specifically designed for the new Mackie  
Universal Effects (UFX) card.  
This high-resolution parametric EQ contains five discrete,  
overlapping bands. Each bands center frequency can be set  
anywhere within the entire 16 Hz–21.5 kHz frequency range.  
About Massenburg Design Works  
Multiple Grammy and TEC Award-winner George Massenburg is  
an internationally renowned producer, recording engineer, and  
designer of audio equipment — and the creator of parametric  
EQ! His stereo analog mastering equalizers have been dubbed  
the best sounding EQs available anywhere at any price.  
The goal of Massenburg Design Works is to create the best  
sounding digital EQ ever designed. His first products are  
specifically developed for the D8B, Sonic Solutions Mastering  
System and the Sony Oxford console — obviously we are in good  
company!  
About the D8B UFX card  
The UFX card provides robust processing power for computation-  
heavy plug-ins. The UFX card is a 4-in/4-out architecture, which  
means it can support four mono, two mono and one stereo, or  
two stereo sends simultaneously. Up to four UFX cards can be  
installed in the D8B, allowing up to sixteen simultaneous single-  
channel effects, eight stereo plug-ins, or combinations thereof.  
Note: Earlier D8Bs were fitted with 16 MB of memory. It is recommended that  
you increase this to 32 MB (as fitted in newer D8Bs) if you install more than one  
UFX card. Memory upgrade instructions are supplied with each UFX card.  
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About the MDW Equalizer  
The MDW High-Resolution Parametric Equalizer plug-in  
provides a five-band stereo/mono EQ to the D8B master stereo  
bus, any individual channel or the surround buses. It operates at  
double sample rates (96 kHz) to deliver excellent clarity and  
response with superlative smoothness in the high-frequency  
audio spectrum.  
The plug-in can be loaded as MDW Stereo EQ or MDW Mono EQ.  
MDW Mono EQ  
MDW Stereo EQ  
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Let’s Get Started  
Requirements  
• One or more Mackie UFX cards  
• Mackie Real Time OS 3.0 Software  
• Plug-in Software  
We will assume you have successfully installed a Mackie UFX  
card and Mackie Real Time OS 3.0 software upgrade. If you have  
encountered problems with the installation of hardware or  
software please see their associated user guides or contact  
Mackie support (www.mackie.com).  
Authorizing the Plug-in  
If you have D8B v 3.0 b186 or greater, the plug-in is already  
installed on the D8B hard drive, however an authorized unlock  
code must be entered to unlock the plug-in for normal operation.  
Note that the MDW plug-in has two versions to be unlocked:  
MDW Stereo EQ and MDW Mono EQ.  
An Unlocked  
Plug-in  
MDW Stereo EQ  
AUTHORIZE  
MDW Mono EQ  
1234-5167-89D1  
LICENSING  
D8B Electronic Serial Number (ESN)  
D8B SETUP screen’s  
LICENSING window  
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Unlock Procedure  
1. Locate your D8Bs Electronic Serial Number (ESN). This  
is displayed at the bottom of the Licensing window  
which is accessed from the Setup screen. The 12 digit  
ESN is made from numbers 0–9 and letters A–F. It is  
unique to the D8B processor, and is not the serial  
number label on the rear of the control surface or CPU  
chassis.  
2. You will also need your plug-in’s serial number which is  
printed on each floppy disk label.  
3. To obtain the unlock code, have the ESN and plug-in  
serial number ready. Then you have two options:  
• Log on to the Mackie plug-in authorization web page:  
(http://www.mackie.com/d8bauthorize.htm)  
or  
• Telephone Mackie Tech Support at 800-258-6883.  
4. When you have obtained an unlock code for the Mono  
EQ, and one for the Stereo EQ, open the D8B Setup  
window, and click Licensing.  
5. With your plug-in highlighted in the Licensing window,  
click Authorize, and enter your unlock code in the  
UNLOCK CODE box. Click Enter, and enjoy your newly  
expanded console.  
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Configuring the Plug-in  
After booting the D8B you must assign the MDW plug-in to a  
UFX card. See FX Routing on page 17 for more details.  
Assign the MDW Plug-in to a UFX card  
1. Click the Plugins menu and  
select Plugins, or use  
the keyboard shortcut  
Ctrl+P.  
2. In the Plugin  
Configuration window,  
locate the card slot  
that contains the UFX  
card you wish to  
assign to.  
3. In the Mode column,  
click the Mono/Stereo  
toggle button and set  
it to Mono or Stereo.  
4. In the Plugin column, select MDW Mono EQ or MDW  
Stereo EQ from the drop-down menu.  
Note: A plug-in can also be loaded from the Setup section on the console.  
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Assign an Input Source to the Plug-in  
• Click the plug-ins INPUT menu button to select an input  
source. In the example below, we have chosen the Aux 5  
Bus as the input to the plug-in installed in slot 5.  
When a plug-in is fed from  
an aux bus, its output  
appears on the FX Return  
channels (faders in the  
EFFECTS bank). The return  
channel is determined by  
the slot number and  
whether the effect output is  
mono or stereo. For  
example, a reverb with a  
mono input and stereo  
output that is installed in  
Slot 5 has its outputs on FX  
5 and FX 6. Note: The  
default state for all FX  
channels is MUTE. You  
won’t hear the effect until  
you unmute its FX return  
channel(s).  
A plug-in can also receive its input from a channel pre- or post-  
DSP insert or the main stereo left and right bus. When a plug-in  
is inserted “in line” in this manner, its output is routed directly  
back into the channel. See FX Routing on page 17 for more  
details.  
Removing the Plug-in  
1. Select none from the associated plug-in  
drop-down assignment menu.  
2. Click OK in the Alert dialog  
box.  
Note: A plug-in can also be deleted  
from the Setup section on the console.  
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Using the MDW EQ Plug-in  
MDW Mono Front Panel  
Band  
Expand Button  
Five Bands of  
Hide Plug-in  
Boundary  
Markers  
(display controls)  
Parametric EQs  
Window Button  
Graphical Display  
(mouse active)  
Freq  
Q
Level  
Menu  
EQ Type  
Display  
Input  
Meter Display  
Source  
Preset Selection  
& Display  
EQ In/Out  
Buttons  
(In/Out)  
EQ In/Out  
Memory  
MDW Stereo Front Panel  
Edit Channel  
toggle button  
Both right  
Global In/Out  
EQ Type  
and left  
Link for  
stereo  
control  
Global display  
buttons for both  
channels  
buttons for both  
EQ channels  
EQ In/Out  
Buttons  
EQ curves  
displayed  
10  
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Level Control  
Each bands gain can be adjusted within a range of +18 dB and  
–18 dB. There are a few ways of changing the level:  
• Click and drag up or down on the bands Level control.  
• Click and drag up or down in the graphical EQ display  
within the bands region (see note below).  
• Right click and drag in the EQ display to change the  
level and Q.  
Frequency Control  
Each bands center frequency can be set between 16 Hz and  
21.5 kHz.  
• Click and drag up or down on the bands Freq control.  
• Click and drag horizontally in the MDWs EQ display.  
Note: Each band can extend beyond it’s assigned region. If you have  
moved the band outside it’s region, you must still drag the mouse  
cursor from within the band’s boundary markers in the display.  
Frequency  
EQ Band A  
Region for  
Band A  
Band  
Frequency  
Boundary  
Markers  
Control  
Q Control  
Level  
Control  
You can change the level and center frequency by  
dragging the mouse over the graph.  
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Q Control  
This control adjusts the bandwidth of the  
affected frequencies around the center  
frequency. A higher Q value creates a tighter  
bandwidth so fewer frequencies around the  
center frequency are affected. A smaller Q  
value creates a wider bandwidth so more  
frequencies around the center frequency are  
affected.  
Q
To change the Q, click and drag up/down  
or right/left on the bands Q control.  
The Q and Level can also be adjusted by  
right-clicking and dragging in the graphic display.  
EQ Types  
Bands A  
thru D  
Each band (A thru D) has five EQ  
types, except band E which has  
two additional types. Under each  
band you will notice a display  
indicating the type of envelope  
currently chosen.  
To change the EQ type,  
click the EQ type display  
and select from the drop-  
down list.  
Band E has two additional EQ  
types, Low Pass 24 and High  
Pass 24. They both use a  
steeper cutoff slope than Low  
Pass 12 and High Pass 12.  
12  
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Saving, Loading, and Resetting a Preset  
EQ settings can be saved and  
recalled from the hard drive. You can  
save and load files from either  
Memory A or Memory B.  
To Save an EQ Preset:  
1. Click and hold the Menu button.  
2. Select Save User Preset to  
overwrite the file currently  
opened.  
3. Select Save User Preset As to  
save to a new file name. The  
Save Preset File As dialog box  
appears:  
A new sub folder  
can be easily cre-  
ated to help  
organize custom  
patches.  
4. A default name for the patch is automatically displayed,  
such as Preset#1. If you want to rename it, simply type  
in the name you want, using up to 32 characters.  
5. Select INTERNAL (default hard drive) or FLOPPY.  
6. Click Save to complete the operation.  
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To Load an EQ Preset:  
1. Click MEM A or MEM B to choose the memory location  
from which to load the file.  
2. Click and hold the MENU  
button.  
3. Select Load MDW Stereo (or  
Mono) EQ to open a file. The Load  
Preset File dialog box appears.  
4. Click INTERNAL if the file is on the internal drive, or  
click FLOPPY if the file is on a floppy disk.  
5. Select the preset you want to load.  
6. Click Open to load the selected preset.  
You can also load a preset from  
the Preset display, and toggle  
through the presets using the  
up and down arrows located to  
the left.  
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To Reset The Preset:  
Reset the plug-in also reverts to its default state.  
1. Click and hold the MENU button.  
2. Select Reset MDW Stereo (or  
Mono) EQ.  
To Cut Preset Settings:  
1. Click and hold the MENU  
button.  
2. Select Cut MDW Stereo (or  
Mono) EQ.  
The current settings are temporarily  
stored in the clipboard memory in case  
you want to paste them to a new patch.  
The plug-in also reverts to its default  
state (it is reset).  
To Copy Preset Settings:  
1. Click and hold the MENU button.  
2. Select Copy.  
The current settings are temporarily stored in the clipboard  
memory in case you want to paste them to a new patch.  
To Paste Preset Settings:  
1. Click and hold the MENU button.  
2. Select Paste MDW Stereo (or Mono) EQ.  
The current settings are replaced with the setting in the  
clipboard memory.  
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Automation and Snapshot Control  
Dynamic Real Time  
To write automation on a loaded plug-in:  
1. Engage AUTO TOUCH.  
On The Console  
2. Engage ALL, disengage  
BYPASS, and send  
timecode to the console –  
the POSITION readout will change to show TC is being  
received.  
3. Move a parameter or recall a patch (user or factory  
preset).  
Subsequent edits to any recorded automation moves may be  
performed in the Mix Editor. Enable the channel view by clicking  
the Channel View button, then choose the plug-in you wish to  
view from the page drop-down  
menu.This displays a list of  
available channel and plug-in  
automation tracks on a  
parameter basis.  
Note: Parameters can be controlled from either the GUI plug-in graphic param-  
eters (using a mouse to modify the parameters) or via the VFD V-Pots and  
SELECT buttons (with the plug-in parameters called up on the VFD readout).  
Dynamic Off-line  
To write a snapshot on a loaded plug-in:  
Use the Event Automation Track, available under the  
Window Menu as ‘Event Track’, to load plug-in user  
(previously stored) or factory preset patches, at a  
specific time during automation playback.  
General Note:  
Plug-in settings are recalled as part of a console Snapshot, but may also be re-  
called as Presets (patches). If you are recalling snapshots and presets, be aware  
that one may override the other.  
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FX Routing  
The Plug-in Configuration Window  
Input Source As-  
signment Column  
Plug-in Assign-  
ment Column  
Card Slot Column  
Close Window  
Plug-in  
display toggle  
Stereo/Mono  
Mode Column  
Input Channel  
Assignment Drop-  
down Menu Button  
Stereo/Mono  
Toggle Button  
Card A  
Card B  
Card C  
Card D (no  
card installed)  
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Stereo Plug-in Routing  
If the plug-in has a stereo input as well as stereo output,  
typically it will be fed from two aux buses and returned to a pair  
of FX return channels. In the diagram below, Aux 1 and Aux 2  
feed the plug-in in stereo, and its output is returned to FX 1 and  
FX 2.  
If the plug-in has a stereo input, it is permissible to send the  
same aux to both inputs.  
FX Channels 1&2  
(channels 49&50)  
Stereo Input  
Stereo Plug-in  
(Aux 1 & 2)  
Note: When an FX Channel Assignment  
light is lit, the assigned plug-in is open and  
visible on the main mixer screen.  
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Inserting a Plug-in into a Channel  
A pre- or post-DSP channel insert can also be used as the input  
source for a plug-in. When a channel insert point is selected, the  
plug-in output returns to the channel. The FX return path is  
disconnected, although the plug-in output is still displayed on  
the FX return channel meter.  
A plug-in channel insert assignment can be made from the  
Plugin Configuration window, or from a drop-down menu from  
the mixer screen.  
Plug-in Configuration Window  
Post-DSP Drop-down  
Pre-DSP Drop-down  
This assignment can also be made from the control surface and  
VFD by holding in the desired channels SELECT button for two  
seconds, then paging over to Plug Pre or Plug Post, selecting  
the input source, then selecting the desired plug-in slot from the  
follow-on menu.  
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Using an Aux Send with a Plug-in  
Click on the associated input menu button and select an  
Aux input source. In the example below, we have chosen  
the Aux 5 Bus.  
Send the Input Signal to the Aux Bus  
1. Send a signal to a D8B mixer input channel (MIC/LINE  
or TAPE IN).  
2. Assign the input channel V-Pot/GUI  
Control Pot to an Aux Send. We have  
chosen AUX 5 according to the example  
above.  
3. Use the AUX 5 control to  
adjust the input level to the  
plug-in.  
GUI Control  
Pot Assigned  
to AUX 5  
Remember to Select an aux send before using the V-pot or GUI  
Control Pot on the mixer input channel (MIC/LINE or TAPE IN).  
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You will see the plug-ins input meter become active as you raise  
the mixer input channels aux send.  
Set the plug-in input/output signal levels as you would with any  
effect, so the meter reaches its upper-most range every so often  
(always trust your ears first). This can be accomplished from the  
console or GUI.  
Pre-Fader and Post-Fader Auxiliary Sends  
Normally, effect sends are post-fader, so the signal sent to the  
effect follows the program level in the mix. Occasionally you  
may wish to feed an effect from a pre-fader source so that the  
signal level from the aux control is independent of the channel  
fader position. Aux sends are selectable pre- or post-fader  
globally (all Aux 1s for instance) from the Mix Options screen in  
the Setup window, or individually on a channel-by-channel basis  
either from the channel strip or the Fat Channel.  
In the channel strip, Alt-click on the Aux Send level  
indicator to toggle between pre-and post-fader operation.  
Post-fader is indicated by a red bar, pre-fader is indicated  
by a yellow bar.  
In the Fat Channel,  
clicking on the small  
indicators below the  
Aux knobs toggles  
between pre- and post-  
fader operation. Yellow  
indicates pre-fader,  
post-fader is indicated  
by the background  
color.  
Channel Strip  
Fat Channel  
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The FX Return Channel  
Switch the D8B Bank Select to  
EFFECTS (49-72) and bring up  
faders one and two (channels 49 and  
50). You will also see meter activity  
associated with these channels.  
FX Channels 1&2  
(channels 49&50)  
Stereo Plug-in  
The Plug button  
toggles between  
Windows menu  
buttons and FX  
buttons (lower  
left on the D8B  
mixer screen).  
Plug-ins button opens the Patch  
Configuration window (or  
Ctrl+P on the keyboard )  
Here the Delay Factor plug-in is  
selected for display.  
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Complimentary Doodle Page  
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®
©2001 Mackie Designs Inc. and Massenburg Design Works  
All Rights Reserved. Part No. 820-254-00 Rev. A 03/2001  
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