OWNER’S
MANUAL
Cod. 271101
U.S.English
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FEDERAL COMMUNICATIONS COMMISSION
Note: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant
toPart15ofFCCRules. Theselimitsaredesignedtoprovidereasonableprotectionagainstharmfulinterference
in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not
installedandusedinaccordancewiththeinstructions,maycauseharmfulinterferencetoradiocommunications.
However, thereisnoguaranteethatinterferencewillnotoccurinaparticularinstallation. Ifthisinstrumentdoes
cause harmful interference to radio or television reception, which can be determined by turning the instrument
off and on, the user is encouraged to try to correct the interference by one or more of the following measures:
-
-
-
-
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and the receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
CAUTION: Changesormodifications tothisproductnotexpresslyapprovedbythemanufacturercouldvoid
the user’s authority to operate this product.
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Stock Code 271101
Specifications are subject to change without prior notice.
PRINTED IN ITALY
Baldwin Piano & Organ Company, 422 Wards Corner Rd., Loveland, Ohio, 45140 - 8390 - USA
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Contents
USER GUIDE
Introduction
How to use the owner’s manual i
Specifications ii
Update the Operating System with OS-Disks v
System Reset v
• 1 Quick Guide 1. 1
Power up and get to know the basics. 1. 1
The initial status (default) 1. 2
Adjusting the General Volume 1. 2
Play with Auto Accompaniment Styles 1. 3
Listen to the Demo Styles 1. 5
Demo Style 1. 5
Multimedia 1. 6
Selecting instrument Sounds 1. 8
Selecting the Programmable Presets 1. 10
Change the touch sensitivity 1. 12
Play the Programmable Pads 1. 12
Play with Effects or bypass them 1. 13
Play with headphones 1. 14
Play with the pedals 1. 14
Regulate the general Effect
volumes and activate loudness 1. 15
Transpose the instrument (Semitones) 1. 16
Play All Songs 1. 17
Song Play - Direct from Disk 1. 18
Recording a Song/Style 1. 20
• 2 Front & Rear Panel 2. 1
Front Panel (buttons & controls) 2. 6
Rear Panel (Connections) 2. 10
• 3 Basic concepts 3. 1
Play modes 3. 1
Presets 3. 3
Tracks 3. 5
Sounds 3. 5
Edit Modes 3. 6
Connections 3. 7
The Display 3. 10
Data Entry 3. 13
Contents i
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• 4 Sounds & Presets 4. 1
The Sounds and Tracks 4. 1
Selecting Single Sounds 4. 3
Selecting Presets 4. 6
The Grand Piano Preset 4. 8
How to Program Presets 4. 10
How to Store Presets 4. 19
Restore Preset 4. 23
• 5 The Styles 5. 1
About PS1500 Styles 5. 1
Selecting Styles 5. 2
The Accompaniment tracks 5. 5
The Style Controls 5. 6
Variation, Fill, Style Lock 5. 8
The Accompaniment section 5. 9
Examples of using Styles 5. 16
Tempo 5. 23
Restore Sequencer 5. 24
• 6 Disk 6. 1
Floppy disk formats 6. 1
Files 6. 1
Load operations - Play directly from disk 6. 5
Load Song, SMF, Style 6. 5
Load Styles, Load Presets 6. 9
Load Sample 6. 10
Load All 6. 11
Loading WS and CD compatible files 6. 13
Save operations 6. 16
Save Song, SMF, Style 6. 18
Save Styles, Save Presets 6. 20
Save Sample 6. 21
Save All 6. 22
Utility functions 6. 23
General disk handling information 6. 28
Precautions to observe when using PS disks with a computer 6. 30
• 7 Songs & MIDI Files 7. 1
What is a Song 7. 1
What is a MIDI File 7. 1
Selecting Songs 7. 3
Song Playback 7. 4
Displaying lyrics 7. 10
Restore Songs memory 7. 13
• 8 Song/Styles 8. 1
What is a Song/Style 8. 1
Selecting Song/Styles 8. 2
ii Contents
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Song/Style Playback 8. 3
Restore Song/Style memory 8. 9
• 9 Digital Effects 9. 1
• 10 MIDI 10. 1
Selecting the effect types 9. 2
Bypassing the effects 9. 4
Regulating the Send levels 9. 5
What is MIDI? 10. 1
Playing PS1500 with a master keyboard 10. 4
PS1500 in Song mode used as a controlling device 10. 7
Programming Songs on an external sequencer 10. 8
MIDI Panic 10. 10
REFERENCE GUIDE
• 11 Selection/Display Hold/Metronome 11. 1
Selection 11. 1
Display Hold 11. 6
Metronome 11. 6
• 12 Edit Preset section 12. 1
Overview 12. 1
• Preset 12. 3
The Preset functions 12. 3
• MIDI 12. 7
The MIDI functions 12. 8
• Mixer 12. 15
• Sound 12. 17
The Sound parameters 12. 20
Clear Sound and Clear All 12. 24
• Drumkit 12. 27
The Drumkit parameters 12. 31
Erase “Drumkit” and Clear “Drumkit” 12. 34
• 13 General 13. 1
• 14 Edit effects 14. 1
• 15 User Style recording 15. 1
Recording User Styles 15. 3
Programming the User Style Preset 15. 7
• 16 Song/Style Recording 16. 1
Recording Song/Styles 16. 2
Programming the Song/Style Preset 16. 7
• 17 Song Recording 17. 1
Recording Songs 17. 2
Programming the Song Preset 17. 7
Contents iii
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• 18 Song Edit 18.1
Quantize function 18. 2
Clear function 18. 4
Master Track function 18. 9
Copy function 18.1 3
• 19 SAMPLE / RECORD 19.1
Regulating the Mic/Line signal 19. 3
Preparing to sample - select the Splits 19. 4
Programmable Pads Assign 19. 12
• 20 Play All Songs - Restore 20. 1
Play all Songs 20. 1
Restore 20. 2
Software Release Date 20. 3
APPENDIX
Tables A i
MIDI Implementation Chart A. xiv
Glossary A. xvii
Index A. xxi
iv Contents
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CONGRATULATIONS!
Congratulations and thanks for purchasing Baldwin’s Pianovelle PS1500. This instrument provides
high quality sounds and accompaniments, and a simple user interface with a 2x40 LCD backlit display
which allows total control of all performance and programming activities.
MULTIMEDIA FACILITIES
PS1500 is a multimedia piano workstation which offers several ways of interfacing with the instrument.
With the optionalAudio/Video Interface, a guitar player can connect to the Mic/Line inputs of thePS1500
and mix his sounds with those of the workstation (complete with effects processing). At the same time,
a group of singers can follow the lyrics projected on a television (or other video projection device) by the
PS1500.
THE OWNER’S MANUAL
The Owner’s Manual is supplied as a 3-ring binder with instructions inserted inside.
How to use the manual
Do not use it as a paperweight: read it. If you understand how PS1500 operates, you can save a lot of
time. You are encouraged to experiment with alternative operating methods: the PS1500 is sufficiently
flexible to permit several choices to obtain the same results. The User Guide offers information on three
different levels of complexity: as numbered images or pictures, as brief instructions and as detailed
instructions. You can limit yourself to following the images only, or by reading the bold black type, or by
referring to the normal text containing detailed instructions.
2nd level - procedure in
concise form
1. Insert the disk into the disk drive.
1
The first step in loading songs from
1st. level - numbered
images
disk is to insert a disk xontaining com-
patible songs into the disk drive of the
PS1500. This instrument is compati-
ble with CD and WS Series songs,
StandardMIDIFilesand, ofcourse, PS
series songs.
3rd level - detailed
instructions
The second part of the manual contains the Reference Guides which describe all the instrument’s
functions in detail without discussing procedures. Experienced users can limit themselves to the Refer-
ence chapters.
At the end of the manual is the Appendix containing tables, midi specs, a Glossary and an Index.
Introduction i
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•
Digital Effects Processor
SPECIFICATIONS
Two Digital Effects Processors, controlled in
real time, enrich the sound with effects (re-
verbs and modulations). Two different effects
(1 Reverb and 1 Modulation) can be assigned
to each Preset and an editor is available to
create user-effects which are stored in the
Presets.
•
Polyphony & multitimbricity
Maximum polphony: 32 voices. Multitimbric-
ity: 8 parts (Style/Preset modes) or 16 parts
(Songmode). Eachpartisassignedtoatrack.
In Style/Preset mode, 3 tracks (maximum) are
assigned to the keyboard and the other 5 to
the auto-accompaniments.
•
16 Track Recording Studio
•
Sound Generation
The 16-track Sequencer includes a series of
functions that allow Style, Song/Style and
Song recording (real time system), playback
and editing. Also featured is a Text function
(to display Song lyrics). Song/Style record-
ing allows the rapd recording of an 8-track
song by using existing Styles. Sequence data
is conserved in the battery-backed System-
RAM.
TheSoundsarebasedonsampledwaveforms
(PCM, Wavetables and Subtractive Synthe-
sis technology) and elaborated by a series of
macro functions. The instrument’s 32 oscilla-
tors generate “single” Sounds (32-note poly-
phonic) or “layered” Sounds (16 note poly-
phonic), depending on the number of oscilla-
tors used to elaborate the Sound (1 or 2).
•
•
ROM Sounds
•
Play All Songs, Chain
ROM (permanent memory) contains 4 Mega-
bytes of ROM Sounds, totalling almost 400
permanent Sounds and Drumkits.
The PlayAll Songs function allows the direct
playback of all Songs or MidiFiles present on
diskwithoutloadingthedataintomemory. The
Songs or MidiFiles play as a medley which
you can stop at any time with the Play All
Songs button. Song/Styles and Songs fea-
ture the Chain function which allows you to
chain the Song or Song/Styles in memory and
play them one after the other with a single
command.
Sound Edit
PS1500’smacro-editfacilitiespermitrapidand
easy Sound and Drumkit editing to produce
edited Sounds (E-Sounds) which are stored in
the Presets. The modifications are stored in
the Presets to allow Songs, Styles or Presets
to load the correct sounds. You can also opt to
recall your modified Presets with original
Sounds instead of edited ones.
•
•
Automatic Accompaniment
Styles provide autoomatic musical accompa-
niment, consisting of 5 tracks. Every Style
has 4 Variations. Up to 16 disk based Styles
(User programmable) can be loaded and au-
tomatically stored in the battery-backed Sys-
tem-RAM.
•
Sample-RAM
PS1500 is fitted with a battery-backed Sam-
ple-RAMdedicatedtothestorageofSamples.
PCM Sample kits can be loaded into Sample-
RAM from disk, or can be recorded with the
PS1500sampler, accessedviatheAudio/Vid-
eo Interface.
Disk Drive
Data can be stored on 3.5” HD Floppy disks
on PS1500 format (1.4 Megabytes - Ms-Dos
standard) or Atari/Falcon format (720 Kbytes
ii Introduction
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- Ms-Dos format). PS1500 is able to initialize
disks for both formats. If the Sample-RAM is
installed, it is also possible to load Sample-
kits from disk. Ms-Dos compatibility permits
MIDIFileexchangewithotherinstrumentsand
computers. TheDiskDrivefeaturesthe‘Slow’
and ‘Fast’ loading options; Slow allows data
to be loaded without blocking the instrument
(background loading) while ‘Fast’ provides
faster loading times without background load-
ing.
the outputs for further external amplification.
The Audio/Video Interface renders the Mic/
Line input operational, suitable for sampling
purposesandprocessingtheinputsignalswith
the instrument’s on-board Digital Effects proc-
essor.
•
MIDI operation
PS1500 is fully implemented for MIDI opera-
tion. The instrument can act as a Master con-
trolling device, or as a 16 part multi-timbral
slave device, regardless of the currently se-
lected playing mode. A General MIDI com-
patibility switch, MIDI Filters and MIDI Dump
facilities completes the MIDI features.
•
Sampling
The Audio/Video Interface (AVI) renders the
Microphone/Line inputs operational for Sam-
pling. The captured sample can be edited
with specific Sample Edit parameters and
processed by the on-board Digital Effects
Processor. PCM Samples can also be load-
ed directly to the Sample-RAM from disk.
•
Direct Connection with a computer
The Computer jack permits the connection of
computers (MAC/PC/Atari) not fitted with a
MIDI interface to PS1500 via a single serial
cable. The communication speeds can also
be configured to suit your specific computer
system.
•
•
Updateable Operating System (OS) from
floppy disk
Since the operating system resides in a flash-
ROM, it is possible to load updates from flop-
py disk. Operating System updates can add
new functions to the instrument.
Karaoke
The Karaoke function allows Song and Midi-
File lyrics to be displayed on the instrument’s
2x40 LCD display. TheAVI allows lyrics to be
projected onto a television or other video de-
vice during a performance to allow others to
sing along with the player. The AVI is config-
uredbydefaultfortheUSANTSCvideostand-
ard.
•
Audio Inputs
PS1500 is fitted with a set of audio inputs
suitable for the connection of musical instru-
ments, mixer or homle stereo outputs. The
level of the input signal can be regulated by
an appropriate volume control situated close
to the inputs. The signal can be directed to
Introduction iii
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IMPORTANT INFORMATION
1. The PS1500 should contain the following items from the factory.
a) Instrument;
b) Bench;
c) 3 Floppy disks (2 OS-Disks, 1 Demo);
d) Owner’s manual.
2. When contacting your retailer or authorized Baldwin technical assistance center, always provide the
model name and serial number of your instrument (found on the identification plate).
The information in this publication has been carefully prepared and checked. The manufacturers however decline
all liability for eventual errors. All rights are reserved. This publication may not be copied, photocopied or
reproduced in part or in whole without prior written consent from Baldwin Piano & Organ Company. Baldwin
reserves the right to apply any aesthetic, design or function modifications it considers necessary to any of its products
without prior notice. Baldwin declines all liability for damage to property or persons resulting from improper use
of the instrument.
Make sure that all electronic options are installed by an authorised Baldwin Pianovelle service technician. Chack
with the authorised Baldwin Pianovelle dealer for information on the closest service center.
Baldwin Piano & Organ Company © 1996. All rights reserved.
Apple, IBM, Macintosh, Microsoft, MS-DOS, Win-
dows,Atari,areregisateredtrademarksoftherespective
companies.
iv Introduction
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IMPORTANT PRELIMINARY NOTES
Observe these important preliminary notes before using your instrument.
AVOID PLACING DISKS NEAR MAGNETS - Do not place floppy disks on top of speakers, near mag-
nets, telephones or other sources of electromagnetic fields. The disk contents could be damaged.
UPDATEABLE OPERATING SYSTEM - two disks containing the operating system are supplied with
the instrument. The disks can contain a more recent version of the operating system than the one
contained in the instrument’s Flash ROM.
To load the operating system contained in the floppy disks:
(1) turn off the instrument, (2) insert OS-disk 1 in the drive, (3) turn on the instrument, (4) When the
message “Loading OS-DISK clearsALLMEMORY!! < Enter to load / Escape to abort >” appears, press
ENTER to start the OS update, (5) when the message, “INSERTNEXT OS-DISK please < Enter to load
>” appears, extract the first disk, insert OS-Disk 2 and press ENTER to continue (6) when the operation
is complete, the instrument sets to the default Style/Preset situation. After completing this process,
proceed with the reset that follows below to ensure proper operation. Remember to extract the second
disk and store both OS-disks in a safe place.
SYSTEM RESET
SYSTEM RESET- If the data contained in the instrument’s memory has been damaged, either by being
exposed to the effects of a strong magnetic field, or other unknown reason, the instrument may not
operate properly. The remedy is a System Reset:
(1) press and hold the UPPER 1 selector button located to the right of the LCD display, (2) simultane-
ously press the three buttons 2, 3 & 4 of the PROGRAMMABLE PADS section while still holding the
UPPER 1 selector button, (3) the message «System Reset» appears for an instant then the instrument
resets to the factory-set situation. All user-programmed data is irremediably lost.
UPPER 2
2
1
PROGRAMMABLE PADS
2
1
3
4
S
E
L
E
C
T
LOWER
R 1
HOLD
Introduction v
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vi Introduction
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User
Guide
• 1 Guick Guide
• 2 Layouts
• 3 Basic concepts
• 4 Sounds & Presets
• 5 Styles
• 6. Disk
• 7. Songs & MIDI Files
• 8 Song/Styles
• 9 Digital Effects
• 10 MIDI
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GENERAL SAFETY INSTRUCTIONS
Power source
• Be sure that your localAC mains voltage matches the voltage specified on the name plate before
connecting to the mains.
• DC power cannot be used to power this instrument.
• If the instrument is to remain unused for long periods of time, remove the power cord from its wall
outlet. For safety purposes, remove the power cord in cases of storms with lightning.
Handling the power cord
• Never touch the power cord or its plug with wet hands.
• Never pull on the cord to remove it from the wall socket, always pull the plug.
• Never forcibly bend the power cord.
• If the power cord is scarred, cut or broken, or has a bad contact, it will be a potential fire hazard or
source of serious electric shock. NEVER use a damaged power cord; have it replaced by a qualified
technician.
If water (or other liquid) gets into the instrument
• Do not allow liquids to penetrate the instrument. Do not place containers of liquids on the instru-
ment. If water or liquids penetrate the instrument, remove the power cord from the wall socket at
once, and contact the store where the unit was purchased.
• As a general precaution, never open the unit and touch or tamper with the internal circuitry.
If the instrument plays in an abnormal way
•Turn off the power immediately, remove the power cord from the mains outlet and contact the store
where it was purchased.
• Discontinue using the unit at once. Failure to do so may result in additional damage or other
unexpected damage or accident.
Important notes
• Do not place heavy objects on the instrument and avoid leaning on it.
• Before turning on the instrument, be sure to set the volume to a reasonable level (master volume
slider at about two thirds of the course).
• Before connecting your instrument to other devices, always remember to turn off the power to all
units; this will help to prevent damage or malfunction.
General user maintenance
•
Clean the outer surface of your instrument using a soft, clean, slightly damp cloth and polish with a
soft, dry cloth.
• Never use industrial cleaners, detergents, abrasive cleansers, waxes, solvents or polishes as they
may damage the instrument finish.
• Always turn off the power supply after use and never turn the unit on and off repeatedly in quick
succession as this places an undue load on the electronic components.
User Guide
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• 1 Quick Guide
POWER UP AND GET TO KNOW THE
BASICS
1. Be sure that the power switch on the left key
block is in the “OFF” position before connecting
the power cord.
POWER
OFF
1
2
ON
2. Insert the instrument’s power cord into a suit-
able grounded wall outlet.
3. Press the power switch to turn on PS1500.
POWER
OFF
After a few seconds the instrument sets to
the default situation.
ON
Ifnecessary, regulatethedisplaycontrastus-
ing the DISPLAYCONTRAST panel knob on
the left of the display. Different viewing an-
gles may require an adjustment of the dis-
play contrast.
3
DISPLAY
CONTRAST
At this point, PS1500 is ready to play.
Quick guide 1•1
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The initia l sta tus / Ad justing the Ge ne ra l Vo lum e
THE INITIAL STATUS (DEFAULT)
After turning on, PS1500 sets to Style/Preset
mode with the Grand Piano preset ready to play
across the full keyboard.
The main display shown a short period after
powering up corresponds to the GRAND PIANO
Preset. PS1500defaults to this mode every time
you turn on the instrument.
copyright 1996 Baldwin
The display shows the name of the current Style
GPiano
POP
Bk1: SLOSTR
Bk1: PIANO1
and Preset, the tempo and the sounds assigned
to the three keyboard sections (Upper 1, Upper
2, Lower).
Let’s go through some of the basic operations
that you can carry out after powering up.
ADJUSTING THE GENERAL VOLUME
Adjust the general volume with the MASTER
VOLUME panel slider.
VOLUME
MASTER
MIC LINE
/
A comfortable level is around two thirds of the
slider’s travel distance.
MAX
If you are using external amplification, better re-
sults are obtained by adjusting the volume with
mixer or amplifier controls rather than lowering
the volume of the instrument.
M
ᮣ
WARNING: Playing at high volume levels
could be harmful to your hearing and could
damage the amplifier and speakers.
ᮣ
Note: If no sound is heard, check that the
cable running from the speaker box is properly
connected to the SPEAKERS jack on the rear
panel of the instrument. This applies to PS1500
models with a speaker box under the keyboard.
1•2 User Guide
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Auto m a tic Ac c o m p a nim e nt
PLAY WITH AUTO ACCOMPANIMENT
STYLES
PS1500has 96 auto accompaniment Styles with
four Variations four Intros, a Fill and four End-
ings for each Style. You can also load up to 16
disk based User Styles of your choice into the 2
User Style banks available.
1. Press SINGLE TOUCH PLAY.
Pressing this button activates the KEY
START function automatically. The EASY
PLAY and MEMORY buttons will activate if
not already on.
KEY START
SINGLE TOUCH PLAY
CONTINUE
1
2
INTRO
ENDING
When SINGLE TOUCH PLAY is on, the
sound memorized in the Style Preset are
assigned to all the tracks. Selecting a Style
changes the sounds of the accompaniment
section as well as those of the keyboard sec-
tions.
START
/
STOP
MEMORY
EASY PLAY
SPLIT
2. Press a Style Group button in the SONG/STYLE
GROUPS (Swing, Country, Rock, etc.).
STYLE SONG GROUPS
SWING
COUNTRY
RCK
FUNK
DANCE
WORLD
POP
USER 1–8
USER 9–16
SONG
3. Select a Style.
8
BEAT
16 BEAT
LN
1
LATIN
2
ETHNIC
SONG /STYLE
Use Function buttons F1…F8 under the dis-
play to select one of the 8 Style names.
4. Play a single note or a chord (at least three notes)
below the Chord Split Point (note F#3) to start
Style play.
3
OpenRk
MetalR
SlowRk
Boogie
SlBlue
HardRk
SoftRk
Blues
F1
F2
F3
F4
F5
F6
F7
F8
A single note or chord triggers a fully orches-
tratedautoaccompanimentpattern. TheKEY
START function allows you to start the Style
by playing a note or chord on the keyboard
area below the Split point.
In default conditions, the keyboard’s chord
recognitionmodeissetto“OneFinger”which
allows you to play Styles using “one finger”
chords on a split keyboard.
4
OR
You can change the chord recognition mode
from “One Finger” to “Fingered1”, “Fingered
Quick guide 1•3
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Auto m a tic Ac c o m p a nm e nt
2” or “Free”, either by selecting a Preset or
by entering the PIANO STYLE options. See
the PIANO STYLE function in the Styles
chapter 5, page 12.
5. Play a different chord.
5/6
7
Note how the accompaniment pattern is
transposed.
6. Start to play a melody with the right hand.
The combination of sounds that play and the
current keyboard mode will depend on the
Style selected.
KEY START
CONTINUE
7. Stop the Style with Start/Stop or Ending.
INTRO
ENDING
If you use the Ending, the KEY START func-
tion is cancelled.
Styles are discussed in detail in the relative
chapter afterwards.
TART / STOP
1•4 User Guide
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De m o Style
Demo Style
SYSTEM
1
2
RESTORE
DEMO
LISTEN TO THE DEMO STYLES
You can listen to the automatic playback of your
PS1500 to get an idea of what the instrument is
capable of doing.
1. Press the DEMO button in the SYSTEM section.
The2x40backlitLiquidCrystalDisplay(LCD)
shows three Styles and the “ALL” options to
choose from.
TodayStyle WorldStyle LatinStyle AllDEMO
F1
F2
F3
F4
F5
F6
F7
F8
2. Select a Style with the corresponding Function
button.
The selected demo Style playback starts.
When the end is reached, the demo stops.
3
3. Select the “ALL” option to chain all three demos.
Playback starts automatically from the first
Style (TodayStyle). The demo current play-
ing is shown flashing in the display.
TodayStyle WorldStyle LatinStyle AllDEMO
F1
F2
F3
F4
F5
F6
F7
F8
While the demo plays, all the buttons on the
control panel (except DEMO, the Function
buttons and ESCAPE) and the keyboard are
disabled.
4
4. To stop the Demo Style without closing the DEMO
display, press the corresponding Function but-
ton. To stop the Demo Style and close the DEMO
display, press ESCAPE or DEMO.
TodayStyle WorldStyle LatinStyle AllDEMO
F1
F2
F3
F4
F5
F6
F7
F8
DEMO
OR
OR
ENTER
ESCE
Quick guide 1•5
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Multim e d ia
Multimedia
PS1500 can display Lyrics when playing PS Se-
ries Disks. There are a large number of disks
that display lyrics when played. Furthermore, if
you connect the RGB socket of the Audio/Video
Interface to a domestic TV or computer monitor,
you can project the Lyrics onto the external moni-
tor. You may have to load a Song into memory.
1
DISK
1. Insert a disk containing PS Songs into the disk
drive and press DISK.
2
2. Select the FAST Disk option (optional step) and
the SONG option from the Disk Load page.
Slow Song
MidiFile
Preset
All
Use Function button F1 to select FAST and
Function button F2 to select LOAD SONG
F1
F2
F3
F4
F5
F6
F7
F8
3. Select a Song by rotating the DIAL.
The Dial scrolls through all the songs present
on disk.
3/4
4. Press ENTER twice to load the Song into memory.
If you select the FAST loading option, the in-
strument’s panel buttons and keyboard will
be temporarily disabled while data is loaded
into memory.
5. Press SONG in the Style/Song Groups section.
NTER
ESCAPE
6. Select the SONG with the corresponding Func-
tion button.
5/6
GROUPS
DANCE
WORLD
POP
USER 1–8
SONG /STYLE
USER 9–16
SONG
ETHNIC
BallGm
W
F1
F2
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Multim e d ia
7. Press PLAY or START/STOP to start the SONG play-
back.
7
8
PLAY
OR
ART / STOP
8. Press TEXT in the Song Edit section.
While the Song plays, the lyrics are scrolled
across the display in synchronization with the
Song.
SONG EDIT
TEXT
QUANTIZE
ERASE
MASTER
COP
If you have connected to an external moni-
tor, thelyricscanalsobeshownonthescreen
in larger type. In «Edit General», you can
choose from 4 different Video color setups.
take ME out to the ballgame, take me
out to the crowd, buy me some peanuts
9. Press TEXT or ESCAPE to close the lyrics display.
Stop the Song playback with START/STOP or STOP.
9
TEXT
OR
ESCAPE
STOP
/ STOP
OR
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Se le c ting instrum e nt so und s
SELECTING INSTRUMENT SOUNDS
PS1500 has almost 400 instrument Sounds, in-
cluding orchestral, percussion and contemporary
musical instruments. You can customize any
sound to your tastes with the built in sound edit
capabilities.
1. Press the GRAND PIANO button.
GRAND PIANO
1
The display shows the GRAND PIANO PRE-
SET for a short period then returns to the de-
fault situation automatically with the EASY
PLAY, MEMORY and STYLE LOCK buttons
activated(LEDon)andVARIATION2ofStyle
Soul BB from the POP group selected.
* *
GRAND PIANO PRESET
* *
The GRAND PIANO button always returns
you to a single instrument sound (Piano 1)
playing across the full keyboard. You may
use the “Grand Piano” button as a ‘return to
start’ button whenever you wish to have only
one sound active across all 88 keys.
GPiano
POP
Bk1: SLOSTR
Bk1: PIANO1
The Grand Piano Preset is discussed in de-
tail in chapter 4, “Sounds and Presets”.
2
SOUND GROUPS
PIANO
MALLET
FLUTE
ORGN
GUITAR
BASS
STRINGS
ETHNIC
ENSEMBLE
BRASS
SFX
2. Press a SOUND GROUPS button.
REED
SYN LD
SYN PAD
SYN SFX
PERCUSSIVE
Select a Sound by pressing the Function but-
ton corresponding to the Sound name in the
display (Organ 2 in this example).
ORGAN1
ORGAN3
REEDOR
HARMON
3. Play on the keyboard and listen to the Sound
F1
F2
F3
F4
F5
F6
F7
F8
The Sound plays across the full keyboard
3
< ----------------------------- Sound ----------------------------- >
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Se le c ting instrum e nt so und s
4. Repeat step 2 and listen to other Sounds.
4
PAGE+ / BANK+
SOUND GROUPS
Thistime, afterpressingaSOUNDGROUPS
button, selectaSoundBankwiththePAGE+/
BANK+ button once or twice then select a
Sound. Each Sound Group button consists
of3SoundBanks, eachcontaining8Sounds.
PIANO
REED
MALLET
FLUTE
ORGAN
GUITR
B
SYN LEAD
SYN P
S
GE– / BANK–
SOLOGT
OCT.GT
MUTED2
FUZZGT
F1
F2
F3
F4
F5
F6
F7
F8
5. Press the UPPER 2 keyboard activator button
then press a single note anywhere along the key-
board.
UPPER 2
5
UPPE
LOWER
You’ll hear two sounds for each single note
played.
Activating Upper 2 introduces a second
Sound (String) layered with the first.
< ----------- Layered Sounds (Upp 1 & Upp 2)------------ >
If you press the LOWER button, it won’t acti-
vate and a user message appears in the dis-
play - more about this later. The user mes-
sage cancels automatically after 2/3 sec-
onds..
LOWER
* * BUTTON DISABLED IN FULL MODE * *
Set SPLIT MODE in Easy Play/Split
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Se le c ting the Pro g ra m m a b le Pre se ts
SELECTING THE PROGRAMMABLE PRE-
SETS
The Pianovelle PS1500 contains 64 Program-
mable Presets organized into eight different
banks: 32 programmed at the factory (buttons 1
-4)andtheother32“empty”(buttons5-8), ready
to be user-programmed. These presets feature
combinations of up to 3 keyboard Sounds, cus-
tom effect settings, split keyboard combinations
and more. You can create your own Presets or
load new ones from disk.
1
PROGRAMMABLE PRESETS
1
2
3
4
5
6
7
8
1. Press button 1 in the PROGRAMMABLE PRESETS
section.
The display shows 8 Presets to choose from,
each with a different name.
2
2. Select the Preset called “GrandP”.
GrandP
SloSax
StGuit
Mstone
F1
F2
F3
F4
F5
F6
F7
F8
Use Function button F1 to select the Preset.
The display shows a change of keyboard
sounds and a change in the name of the Pre-
set in the bottom left hand corner of the dis-
play (from “GPiano” to “GrandP”).
ᮣ
GrandP 8 BEAT Bk1: ORGAN3
Bk1: PIANO1
Note: If you do not select a Preset within the
first 2/3 seconds, the display returns to the
previous situation with no changes.
3
3. Play on the keyboard.
This time you’ll hear a different piano sound
with respect to the previous. The “Piano1”
sound plays across the full keyboard exten-
sion as before.
UPPER 2
UPPER 1
LOWER
METRONOME
To play with the Metronome
If you want to practice using a Metronome,
presstheMETRONOMEbuttonintheSONG
EDIT section. The top left hand side of the
display shows the symbol “MT” to indicate
theactivationofthemetronome. Forliveplay-
ing, you can acitvate or deactivate the Met-
ronomewheneveryouwant. Inrecordmode,
the Metronome is activated automatically.
< ----------------- Single sound (Upper 1)------------------ >
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Se le c ting the Pro g ra m m a b le Pre se ts
4. Press the UPPER 2 activator.
UPPER 2
UPPE
LOWER
4
A second sound is introduced (String), lay-
ered with the first.
< ------------ Layered sounds (Upp 1 & Upp 2) ------------ >
LOWER
5. Press the LOWER activator.
5A
A: In the case of the GrandP Preset (F1), the
LOWER activator will be disabled because
this Preset recalls the Full keyboard mode.
B: If, in point 2 overleaf, you selected a dif-
ferent Preset, say Preset PnoStr (F2), the
keyboard mode recalled will be Split mode.
* * BUTTON DISABLED IN FULL MODE * *
Set SPLIT MODE in Easy Play/Split
In this case, the LOWER activator will intro-
duce a third sound and the keyboard will be
divided with a Split Point at note F#3.
LOWER
5B
The LOWER keyboard plays a Sound over
the range A0 - F#3. The UPPER 1 and UP-
PER 2 sections are assigned to the range
G3 - C8.
Split keyboard
< ------- Lower ------- >< ----- Upp 1 &/or Upp 2 ------- >
Repeat steps 2 and 3 to make additional
changes.
Observations
Depending on the Preset selected, the keyboard
soundcombinationswillchangeandthekeyboard
mode may change from Full to Split and vice
versa. The chord recognition mode may also
change from “Free” to “One finger” or “Fingered
1” or “Fingered 2”.
If Full mode is recalled, the Lower keyboard sec-
tion is automatically disabled for selection leav-
ing Upper 1 and Upper 2 only active for selection
or muting.
If Split mode is recalled, all three keyboard sec-
tions will be enabled for selection or muting.
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Cha ng e the to uc h se nsitivity/ Pla y the Pa d s
CHANGE THE TOUCH SENSITIVITY
TOUCH
SENSITIVITY
1
2
If the keyboard of your PS1500 is too “hard” or
“soft”, you may want to modify the touch sensi-
tivity setting.
1. Press TOUCH SENSITIVITY
The display shows four settings to choose
from.
2. Select the setting required.
Off
Soft
Medium
Hard
F1
F2
F3
F4
F5
F6
F7
F8
Use the corresponding Function button to se-
lect the setting and play on the keyboard at
the same time. The options are:
Off, Soft, Medium, Hard.
3. Close the display with TOUCH SENSITIVITY or ES-
CAPE.
The setting remains in memory until changed
again and also after power down.
TOUCH
SENSITIVITY
3
ENTER
ESCAE
OR
PLAY THE PROGRAMMABLE PADS
The four Programmable Pads buttons provide
quick and easy ways of adding extra sounds to
your playing. You can program each pad to pro-
duce an instrumental sound, a percussive sound
or sample.
•
Strike the Pads freely.
PROGRAMMABLE PADS
1
3
2
4
While you play, add additional sounds from
the pads in real time.
The configuration of the Programmable Pads
can be stored in the Programmable Presets.
The sound configuration of the pads is user-
programmable. (Refer to the Sample/Record
chapter 19).
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Pla y with Effe c ts o r b yp a ss the m
PLAY WITH EFFECTS OR BYPASS THEM
One or both effects buttons in the Digital Effect
section will be active (LED on), showing that the
current Preset is being processed by one or both
effect types (Reverb and/or Mod/Delay effect).
You can temporarily modify the way in which a
Preset is processed by changing the On/Off con-
figuration of the Reverbs and Effects buttons.
When the LEDs are on, the current Preset is be-
ing processed by the effects; when off, the re-
spective effect is bypassed.
Bypass
DIGITAL EFFECTS
1. To bypass an effect, press an active button.
1
2
REVERB
EFFECTS
The LED of the button goes off, indicating
thatthecurrentPresetisnolongerprocessed
by the relative Digital Effect.
DIGITAL EFFECTS
REVERB
EFFECTS
To activate an effect
2. Press a deactivated button.
DIGITAL EFFECTS
The LED of the button turns on to indicate
that the current Preset is processed by the
relative Digital Effect.
REVERB
EFFECTS
DIGITAL EFFECTS
REVERB
EFFECTS
22 Reverbs and 22 Mod/Delays are available
and both Effects units are user-programma-
ble (See chapter 15, «Edit Effects»). How to
select the effects is discussed in chapter 9,
«Digital Effects».
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He a d p ho ne s/ Pe d a ls
PLAY WITH HEADPHONES
•
Plug a set of headphones into the left headphone
socket.
The headphones sockets panel is located on
the left side of the instrument, under the key-
board. Inserting the headphones plug into
the PHONES 1 jack excludes the internal
speakers to allows you to play in total silence
without disturbing others in the same room.
Plugging into the PHONES 2 jack does not
exclude the internal speakers.
Use the Master Volume slider to control the
headphone volume.
PLAY WITH THE PEDALS
The group of three pedals, denoted Ped1, Ped2
and Damper, provide preset functions.
The default configuration of the pedals is as fol-
lows:
• Ped1
• Ped2
• Damper =
=
=
Soft
Sostenuto
Damper (sustain)
The pedals are function assignable and can be
independently enabled or disabled to react with
the keyboard sections of a Preset.
SOFT
SOSTENUTO
DAMPER
All three pedals are switch action controls.
ᮣ
Note: If the Pedals do not appear to operate,
check that the cable running from the pedal groups
is properly connected to the PEDALS socket on the
rear panel of the instrument.
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g e ne ra l Effe c t vo lum e s a nd lo ud ne ss
REGULATE THE GENERAL EFFECT
VOLUMES AND ACTIVATE LOUDNESS
It is possible to regulate the general effect vol-
umes to suit the surroundings and activate the
Loudness function.
Although each Preset recalls appropriate effect
volume settings for each track, a general setting
can be applied to render the effects more or less
intense with a single command.
1/2
GENERAL
The Loudness control introduces a particular
equalisation (a simultaneous control of the Bass
and Treble tones - similar to that found on home
stereo units). When Loudness is ON, it favours
certain frequencies at low volume.
PAGE+ / BANK+
PAGE– / BANK–
1. Press the GENERAL button in the EDIT section).
2. Press the PAGE+/BANK button once.
3. Select the parameters with the Function buttons:
3/4
Rev=Reverb (F1/F2), Eff=Effect (F3/F4),
Loud=Loudness (F5/F6).
Rev=127
Eff=127
Loud=on
F1
F2
F3
F4
F5
F6
F7
F8
4. Modify the selected parameter, either with the
Dial, or with the Sliders F1 … F8.
DIAL: Rotate the DIAL to change the status
of the selected parameter.
ACCOMPANIMENT
SLIDERS F1…F8: When you enter any Edit
situation, the Sliders F1…F8 activate as data
entry devices automatically. Use the sliders
to change the parameter values directly with-
out selecting them first.
DRUMS
BASS
ACCOMP.1 ACCOMP.2
ACCOMP.
3
LOWER
UPPER
2
UPPER 1
MAX
MIN
F1
F2
F3
F4
F5
F6
F7
F8
TOGGLE THE F BUTTON: You can toggle
between the ON and OFF status of the
LOUDNESS option by pressing Function
button F7 or F8 repeatedly.
5
GENERAL
OR
5. Press ESCAPE or GENERAL to exit Edit General.
ENTER
ESCAE
The settings remain in memory (RAM) after
turning off the instrument.
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Tra nsp o se the instrum e nt
TRANSPOSE THE INSTRUMENT (SEMI-
TONES)
If you would like to play a Song in a different key,
or a song is too high or too low for a singer or
other instrument, you can transpose PS1500 to
play the song in an easier key.
The TRANSPOSE +/– buttons allow real time
semitone adjustments (transpositions) of the
overall pitch (range ± 12 semitones = 1 octave).
1. Press TRANSPOSE+ to raise the pitch or TRANS-
POSE– to lower the pitch.
TRANSPOSE
1
TRANSPOSE+ pressed once displays an in-
crease of +01.
TRANSPOSE– pressed once displays a de-
crease of –01:
GrandP 8BEAT Bk1: STRING TRANSPOSE=+01
Holding either button changes the value con-
tinually until +12 or –12 is reached.
TRANSPOSE
The LED on one of the buttons will be on to
indicate that the instrument is currently in a
#
b
Transposed status (sharp or flat ).
GrandP 8BEAT Bk1: STRING TRANSPOSE=-01
Clear the keyboard transpose setting
2
TRANSPOSE
2. Press both TRANSPOSE buttons simultaneously.
The LED on the active button goes off and
the instrument’s normal pitch is restored.
The display shows the 0 setting for a few
seconds then returns to normal.
GrandP 8BEAT Bk1: STRING TRANSPOSE= 00
ᮣ
Note: Pressing both Transpose buttons at the
same time also provides a PANIC function. See
Edit MIDI.
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Pla y a ll So ng s
Play All Songs
Use the PLAYALLSONGS button (located in the
16Track Recording Studio section) to play all the
Songs or MidiFiles directly from a disk. No need
to enter Disk mode; just insert the disk and press
PLAY ALL SONGS.
1. Insert a PS Songs disk or MidiFile data disk into
the drive.
1
Check the disk label for the type of data con-
tained on the disk.
Refer to the section entitled “General Disk
handling information” in Disk chapter 6 for in-
formation regarding the precautions to take
when inserting and extracting floppy disks
from the drive.
2. Press PLAY ALL SONGS.
PLAY
ALL SONGS
2/3
PS1500starts to scan the disk contents and,
shortly a Song starts to play back.
When the first Song or MidiFile ends, a sec-
ond sequence begins.
Playback continues non-stop until all the
SongsorMidiFilesondiskhavebeenplayed.
When the last Song or MidiFile reaches the
end, playback stops automatically.
3. You can stop the playback at any time by press-
ing PLAY ALL SONGS, STOP or START/STOP.
Playback stops instantly.
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So ng Pla y - Dire c t fro m Disk
Song Play - Direct from Disk
PS1500 can also play a preselected Song or
MidiFile directly from disk.
The Demo disk supplied withPS1500 contains a
PS1500 format Song.
1
2
If you have a Standard MIDI File data disk, you
can use this instead of the supplied disk.
“Direct-from-disk” is particularly useful for Song
files that are larger than the available sequencer
memory.
1. Insert the disk into the PS1500 disk drive.
2. Press the DISK button.
DISK
3. Select the “Song” (a) or “MidiFile” (b) option
from the Load page.
3
Press Function button F2 for Song or Func-
tion button F4 for MidiFile.
Slow Song
MidiFile
Preset
All
F1
F2
F3
F4
F5
F6
F7
F8
The display shows the first Song (a) or
MidiFile (b) on disk.
a
b
a
[PRESS START TO PLAY OR ENTER TO LOAD]
b
[PRESS START TO PLAY OR ENTER TO LOAD]
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So ng Pla y - Dire c t fro m Disk
4. Rotate the DIAL to select a Song or MidiFile.
4
5
Scroll through the files and select a Song or
MidiFile.
5. Press START/STOP or PLAY to start the playback.
KEY START
CONTINUE
PLAY
The PLAY button is located in the 16 Track
Recording Studio.
INTRO
ENDING
OR
The START/STOP button is the big red but-
ton on the left of the display.
ART STOP
/
The message “Wait!!” appears for a few sec-
onds.
ᮣ
Note: If you press Escape during the “WAIT!”
period, you can abort the Direct play function.
Shortly after, PS1500enters Song mode and
playback begins. The display flashes the
message“Playing”fortheentireplaybackpe-
riod.
If the Song contains a Lyrics track, it will not
bepossibletodisplaythelyricsin“Directfrom
disk” mode. To see the lyrics, load the Song
into memory (see page 6 of this chapter).
6. To stop the “direct” playback at any time, press
STOP or START/STOP.
KEY START
CONTINUE
6
STOP
INTRO
ENDING
PS1500 exits Disk mode and returns to the
mode selected before pressing DISK.
OR
STOP
Don’t forget to remove the Floppy disk from
the drive.
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Re c o rd ing a So ng / Style
Recording a Song/Style
PS1500 allows you to record a simple 8 track
song (Song/Style) using recording method that
exploits existing Styles. In practice, the Song/
Style recording can record from 1 to 3 real time
tracks accompanied by all the backing tracks of
a Style to create an 8 track Song/Style.
This is the quickest and most direct recording
method.
GRAND PIANO
1. Press GRAND PIANO PRESET to set the instru-
ment to Style/Preset mode.
1
2. Activate SINGLE TOUCH PLAY and press a STYLE
button in the Style/Song Groups to enter the rela-
tive Style bank (Swing, Country, Rock, etc.).
2
SINGLE TOUCH PLAY
STYLE SONG GR
SWING
BEAT
COUNTRY
16 BEAT
ROK
LAT
FUNK
LATIN 2
DAN
WO
8
3. Select the Style that you want to record.
3
Use the corresponding Function button.
OpenRk
HardRk
SoftRk
Blues
F1
F2
F3
F4
F5
F6
F7
F8
GrandP ROCK Bk1: ORGAN3
Bk2: SWORG
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Re c o rd ing a So ng / Style
4. Press RECORD in the Sequencer.
4
16 TRACK RECORDING STUDIO
1
9
2
3
4
5
6
7
8
On the top line of the Song/Style display ap-
pear the letters “MT” to indicate that the Met-
ronome is active. On the bottom line at the
center, the chord track is shown as being
active to record data by the indication
“Chord=Rec”. If you don’t want to play with
the metronome, press the METRONOME
button in the SONG EDIT section.
TRACK
SELECT
10
11
12
13
14
15
16
RECORD
STOP
PLAY
<<
>>
DISK
PLAY
ALL SONGS
MEASURE
94 MT Free01 Mes=00 :1 Bk2SWORG :Tr08
MetalR
Chord=Rec off off 19
5. Press either PLAY or START/STOP to start the re-
cording.
KEY START
5
CONTINUE
PLAY
INTRO
ENDING
PressingPLAYstartsthesequencertorecord
the keyboard track(s) only.
OR
ART STOP
/
Pressing START/STOPstarts the sequencer
to record the chords that trigger the auto ac-
companiments of the Style.
A metronome will beat time (drum sticks) and
you will have a one measure lead into the
recording to get ready.
ᮣ
Note: If you want to synchronize the start of
the recording with the keyboard tracks and
accompaniments, press KEY START and start to
play on the keyboard. Recording starts instantly
with no countdown into the recording.
6. Start playing after the one bar lead.
6
Any notes you play during the lead-in will not
be recorded.
During the recording, use the Style controls
as you would when playing a Style:
• Use the Fills;
• Change Variation;
• Change Style (even with a different Time
Signature - e.g. from 4/4 to 3/4), etc.....
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Re c o rd ing a So ng / Style
7. When you have finished, stop the recording ei-
ther with STOP or START/STOP.
KEY START
CONTINUE
7
8
STOP
INTRO
ENDING
START/STOP stops the recording of the Chord
events while the sequencer continues to be ac-
tive for the keyboard tracks.
OR
STOP
STOP stops the sequencer recording for both
Chord and keyboard track events.
8. Press RECORD or ESCAPE to escape the Sequencer.
16 TRACK RECORDING STUDIO
1
9
2
3
4
5
6
7
8
TRACK
SELECT
10
11
12
13
14
15
16
RECORD
STOP
PLAY
<<
>>
DISK
PLAY
ALL SONGS
MEASURE
OR
ENTER
SCAPE
9. Listen to the Song/Style playback by pressing
either PLAY or START/STOP.
KEY START
CONTINUE
9
PLAY
INTRO
ENDING
OR
ART STOP
/
Save the Song/Style to disk
AlthoughPS1500retainsuser-programmeddata
in the battery-backed RAM after turning off, you
can save recorded sequence data to floppy disk
for future use.
The«Disk»chapterexplainsindetailhowtosave
your sequence data to Disk.
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• 2 Front & Rear Panel
Each button on the Pianovelle PS1500 control
panelactivatesaspecificfunction, selectsanitem
in the display, or interacts with the currently se-
lected operating mode to assist with the opera-
tions.
This chapter explains what happens when you
press the buttons.
BUTTONS WITH LEDS
Functions represented by a button with a LED
(light emitting diode) indicate the on/off status of
the respective function. Pressing these type of
buttons repeatedly toggles between the “On” and
“Off” status. When the LED is on, the respective
function is active. In some cases, the LED flash-
es to indicate a special situation.
BUTTONS WITHOUT LEDS
Buttons without LEDS normally gain access to a
selection environment, or an editor belonging to
one of the operating modes. In both cases, an
appropriate display is activated showing items
thatareselectedwiththeunderlyingFunctionbut-
tons (F1…F8).
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Front panel
control panel
display
disk drive
STYLE SONG GROUPS
TRANSPOSE
SOUND GROUPS
PAGE+
/
BANK+
UPPER
2
EDIT
VOLUME
MASTER MIC
ACCOMPANIMENT
ACCOMP.1 ACCOMP.2 ACCOMP
GENERAL
SOUND
MIDI
PRESET
MIXER
SAMPLE
TEMPO
STYLE
/
SONG
CHORDS
/
MEASURE
UPPER
2
/
LINE
DRUMS
BASS
.
3
LOWER
UPPER
2
UPPER
1
S
E
L
E
C
T
SAMPLE
RECORD
SWING
BEAT
COUNTRY
16 BEAT
ROCK
LATIN
FUNK
LATIN
DANCE
WORLD
POP
USER 1–8
USER 9–16
SONG
PIANO
REED
MALLET
FLUTE
ORGAN
GUITAR
BASS
STRINGS
ETHNIC
ENSEMBLE
BRASS
SFX
GENERALMUSIC
MULTIMEDIA WORKSTATION
DISPLAY
LOWER
8
1
2
ETHNIC
SONG /STYLE
SYN LEAD
SYN PAD
SYN SFX
PERCUSSIVE
CONTRAST
MAX
MAX
120
SONG EDIT
TEXT
QUANTIZE
ERASE
MASTER
COPY
METRONOME
PERFORMANCE
LOWER
UPPER
1
PAGE–
/
BANK–
UPPER
UPPER
1
2
ACCOMPANIMENT
MEMORY LOWER MEMORY TEMPO LOCK FADE IN /OUT MIXER LOCK BASS FOLLOW
KEY START
CONTINUE
F1
F2
F3
F4
F5
F6
F7
F8
PROGRAMMABLE PRESETS
SINGLE TOUCH PLAY
EASY PLAY PIANO STYLE
DISPLAY HOLD
16 TRACK RECORDING STUDIO
1
2
3
1
4
5
6
7
8
1
2
3
4
5
6
7
8
INTRO
ENDING
TRACK
SELECT
UPPER
1
SPLIT
MIN
MIN
VARIATION
FILL
9
10
11
12
13
14
15
16
SYSTEM
HARMONY
ON OFF TYPE
DIGITAL EFFECTS
REVERB EFFECTS
1
2
3
4
TAP TEMPO
GRAND PIANO
PROGRAMMABLE PADS
STORE
STYLE LOCK
RESTORE
DEMO
RECORD
STOP
PLAY
<<
>>
DISK
PLAY
ALL SONGS
TOUCH
2
3
4
PRESET
MEASURE
SENSITIVITY
LOWER
F1
F2
F3
F4
F5
F6
F7
F8
START / STOP
ENTER
ESCAPE
OFF
ON
keyboard
power
HEADPHONES
1
HEADPHONES
2
alphanumeric configuration
Stereo Headphones
Rear Panel
VIDEO
MIDI
OUT
INPUT
OUTPUT
RGB
S–VHS
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VOLUME
RIGHT MONO LEFT
RIGHT MONO LEFT
Connections
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Control panel
(left section)
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Control panel
(central section)
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Control panel
(right section)
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Front Panel (buttons & controls)
• LOWER MEMORY: When ON, the sounds assigned to the
Lower keyboard track continues playing after releasing
the keys; when OFF, the Lower sound stops instantly af-
ter key release.
• TEMPO LOCK: When ON, this button locks the current
tempo setting for all Style and Preset selections. When
OFF, eachStyleorPresetrecallsmemorizedTempodata.
1. VOLUME SLIDERS
MASTER VOLUME.Adjusts the general volume (speak-
ers, headphones and outputs). Not transmitted or re-
ceived via MIDI.
MIC/LINE. Controls the volume of the signal fed into the
Mic/Line Input of the optional Audio/Video Interface.
• FADE IN/OUT: Starts and stops a Style with a gradual
increase or decrease of volume. Starting requires press-
ing the Start button.
2. ACCOMPANIMENT SLIDERS
DRUM, BASS, ACCOMP1, ACCOMP2, ACCOMP3,
LOWER, UPPER2, UPPER1. Independent volume con-
trols for the keyboard sections (Upper 1, Upper 2, Lower)
and StyleTracks (Drum, Bass,Acc1,Acc2,Acc3). ALED
indicator shows when the sliders are active for Style track
volume control.
• MIXER LOCK: When ON, this button locks the current
Track volume settings for all Style and Preset selections.
When OFF, each Style or Preset recalls memorized Mix-
er settings.
• BASS FOLLOW: When ON, the Bass track of the Style
auto accompaniment follows the lowest left note of the
chord played, allowing real time changes of the bass ac-
companiment according to the lowest note played. When
OFF, the bass track follows the programmed pattern of
the Style, regardless of the chord inversion played.
F1…F8 SLIDERS: In multi-track mode (Song) or in one of
the Edit modes, sliders F1…F8 control the volumes of
tracks 01-08 or 09-16 and operate as data entry controls
in edit situations. A LED indicator shows when the slid-
ers F1…F8 are active as Song volume and Data Entry
controls.
6. VAR 1, VAR 2, VAR 3, VAR 4
1, 2, 3, 4: These buttons allow you to switch from one
Style Variation to another.
3. SINGLE TOUCH PLAY
When ON, Style-Preset sounds are assigned to all the
tracks. When OFF, selecting Styles recalls sounds for
the accompaniment sections only while those of the key-
board tracks remain unchanged.
7. STYLE LOCK
WhenON, selectingPresetsrecallskeyboardsoundsonly
without changing Style. When OFF, Presets can change
Style as well as the keyboard sounds.
4. STYLE/SONG GROUPS
Each button corresponds to a bank of 8 Styles (Swing,
Country, Rock, etc.), User Styles (User1-8 & User9-16),
Song/Styles (Song/Style) or Songs (Song). Press a
button to display the contents of the bank and select an
item with the function button corresponding to the name
in the display.
8. FILL
• FILL < (Fill-to-previous-variation): Recalls a Fill pattern
then moves to the previous Variation.
• FILL (Fill-to-current-variation): Recalls a Fill pattern then
continues with the same variation.
•FILL >/TAP TEMPO (Fill-to-next-variation):FILL > - pressed
during Style play recalls a Fill pattern then moves to the
next variation. TAP TEMPO - sets the Style playing speed
by tapping on the button and starts the Style auto accom-
paniment automatically.
5. ACCOMPANIMENT
Buttons which control the Styles.
• EASY PLAY: Enables (On) or disables (Off) the Style ar-
rangements.
• PIANO STYLE: Gains access to the Piano Style program-
ming page where you can program the chord recognition
modes for the Style accompaniment.
• MEMORY: When ON, releasing the keys from the key-
boardcausestheStyleaccompanimentstocontinueplay-
ing;whenOFF, allaccompanimentsexcepttheDrumtrack
stop instantly after key release.
9. TRANSPOSE +, TRANSPOSE –
Raises (+) or lowers (–) the pitch of the instrument as a
whole in semitone steps, over a range of ±12 semitones.
Pressing both buttons at the same time resets to 0.
Panic: In MIDI situations, pressing both buttons at the
same time provides a PANIC function.
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Name write: In name writing situations when the key-
board activates as a source of alphanumeric data, Trans-
pose – moves the cursor backwards while Transpose +
moves it forwards.
onds if no selection has been made.
16. TOUCH SENSITIVITY
Enables/disablesthekeyboardvelocitysensitivityaccord-
ing to the current setting. Holding the button pressed for
a few seconds opens a selection display where you can
choose from 3 different sensitivity settings and Off.
10. DISPLAY CONTRAST
Adjusts the display contrast. Different display viewing
angles and lighting conditions may require a slight ad-
justment of the contrast.
17. SYSTEM
• RESTORE: Entersarestoredisplaywhereyoucanchoose
to restore part of the instrument’s RAM to the original
factorysettings(All, Sequencer, Preset). Thedisplayalso
shows the release date of the operating system.
11. PAGE+/BANK+, PAGE–/BANK–
These buttons select Presets in increasing (Page+) or
decreasing (Page–) order when PS1500 is set to Style/
Preset mode. In Sound selection situations, they select
the Sound Banks 1, 2 and 3 in cyclic order (Bank+, Bank–
). In the various Edit modes, they pass from one edit
page to another.
• DEMO: Gains access to the demonstration Styles which
you can listen to one at a time or as a medley.
18. FUNCTION BUTTONS F1…F8
Buttons which allow you to select the displayed data cor-
responding to the relative button.
12. THE DISPLAY
A 2x40 LCD (Liquid Crystal Display) display which com-
municatesthecurrentstatusoftheinstrumentatalltimes.
In Style/Preset mode, the display’s contents are defined
by the silkscreened markings around the perimeter.
19. HARMONY
• HARMONY ON/OFF: Enables/disables the melody harmo-
ny function according to the current Harmony Type set-
ting. In Style/Preset modes, the chord notes are coupled
to the melody played with the right hand.
13. SELECT - UPPER 1, UPPER 2, LOWER
Thesebuttonsallowyoutoselecttherespectivekeyboard
sections to enable them for a sound change. The Lower
keyboard section is selected by pressing both buttons at
the same time. ASELECTED KEYBOARD SECTION IS
SHOWN FLASHING IN THE DISPLAY.
• HARMONY TYPE: Activates a selection display where you
can select one of the 8 Harmony Types available.
20. DIGITAL EFFECT
• REVERB: activates (LED on) or bypasses (LED off) the
Reverb effect assigned to the current Preset.
•EFFECTS:activates(LEDon)orbypass(LEDoff)theMod-
ulation/Delay effect assigned to the current Preset.
• EFFECTS EDITOR: Holding down either buttons gains ac-
cess to the effects selectors, the effect send controls and
the effects editor.
14. START/STOP, INTRO, ENDING, KEY START
CONTINUE
• START/STOP: Starts and stops the playback of a Style,
Song/Style or Song. In sequencer recording processes,
the Start/Stop button and the Play and Stop buttons of
the sequencer operate in the same manner.
• INTRO: Places the introduction of a Style on “standby”
before Style start.
21. UPPER 1, UPPER 2, LOWER (ACTIVATORS)
These buttons activate (LED on) or mute (LED off) the
respective keyboard sections and, therefore, determine
the configuration of the keyboard sounds.
• ENDING: Stops a Style with an Ending.
• KEY TART/CONTINUE: Synchronizes the start of a Style
S
withanote(orchord)pressedonthelowerkeyboardarea.
Pressing Continue in Song or Song/Style mode restarts
the Song or Song/Style from the current stop point.
22. DIAL, ENTER, ESCAPE
• DIAL: active for Tempo changes in Style, Song/Style or
Song modes, or operates as a data entry control in Edit
and Record situations.
• ENTER: confirms specified data in edit situations.
• ESCAPE: cancels specified data and/or escapes an edit
situation.
15. DISPLAY HOLD
ON: locks the selection displays (Sound, Preset, Style,
Song/Style, Song) for multiple selection possibilities.
ESCAPE cancels Display Hold. OFF: the temporary se-
lection display closes after a selection, or after a few sec-
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23. SOUND GROUPS
28. PROGRAMMABLE PRESETS
Eachbuttoncomprisesagroupof8Sounds. EachSound
Group consists of 3 banks which are selected with the
Page/Bank buttons, or via MIDI with BankSelect mes-
sages MSB (CC00). Bank 1 Sounds conform to General
MIDI standards, while all other banks contain sound var-
iations of Bank 1 Sounds.
ThesebuttonsgainaccesstotheProgrammablePresets,
arranged in 8 groups of 8 Presets each. Each Preset
can memorize a configuration of keyboard sounds (up to
3) and a Style Preset.
29. PROGRAMMABLE PADS
4 buttons which provide sounds or samples that can be
played in real time in any mode. The configuration of the
Pads is programmable and can be stored to the Presets.
24. EDIT
Each button gives you access to the edit of the function
specified on the button (except the Sample button).
30. STORE PRESET
• GENERAL: edit of the General parameters which affect
the instrument as a whole.
• SOUND: edit of the macro Sound & Drumkit parameters.
• MIDI: edit of the MIDI parameters.
• PRESET: edit of the Preset parameters.
• MIXER: edit of the Mixer parameters.
Saves the modifications applied to the Presets in RAM
and allows the Preset name to be changed. The modifi-
cations can be stored to the current Preset, or any other
Preset destination. Modified Style Presets can also be
stored to the same locations.
• SAMPLE: gains access to the Samples bank (battery-
backed Sample-RAM).
• SAMPLE/RECORD: gains access to the Sampling and the
Programmable Pads assign functions.
31. 16 TRACK RECORDING STUDIO
This section represents the on-board sequenc-
er.
• RECORD: Activates the sequencer for Style, Song/Style
or Song recording.
25. SONG EDIT
Each button gains access to a sequencer editing facility
when PS1500 is in Style, Song/Style or Song Record
mode.
• TEXT: displays Song Lyrics (active for Songs or MIDI
Files with a Lyrics track only);
• STOP: Stops the recording and playback process.
• PLAY: Starts the recording and playback process.
• <<, >>: Fast forward (>>) or “rewind” (<<) buttons for
Songs. When pressed together, the “Measure” function
activates, opening an active zone where you can specify
a measure of the current Song. Confirming with Enter
passesdirectlytothemeasureandclosestheactivezone.
• QUANTIZE: an auto corrector of timing errors;
• ERASE: facilities for cancelling recorded events;
• MASTER TRACK: “Ghost track” which determines the ini-
tial status of a Style, Song/Style or Song before record-
ing;
• COPY: facilities for copying recorded data;
•METRONOME: activates/deactivates a metronome to prac-
tice with or to use in recording sessions.
• LED
and9-16whenrecordingStyles, Song/StylesandSongs.
ELECT toggles between the first and second set of
S
1 - 16, TRACK ELECT: Activators for tracks 1 - 08
S
TRACK
S
8 tracks; used in Song recording only (multi-track record-
ing).
32. DISK
26. THE DISK DRIVE
Enters the Disk operating functions (Load, Save, Utility
[Format, Erase]) which allow the transfer of files to and
from disk and other utility functions.
The Disk Drive, located on the extreme right hand side of
the control panel, handles 3.5” double density (2DD) or
high density (2HD) floppy disks.
33. PLAY ALL SONGS
27. GRAND PIANO
If a Song or MidiFile disk is inserted in the Disk drive, this
button triggers the playback of all the Songs or MidiFiles
directly from disk, playing them back one after the other
as a medley.
Recalls the Grand Piano preset for the Upper 1 keyboard
section and overrides the currently selected Preset. The
keyboard sets to Full mode, regardless of the current
mode prior to the selection of the button. The Upper 2
section turns off and Lower is disabled.
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Rear Panel
VIDEO
MIDI
OUT
INPUT
OUTPUT
RGB
S–VHS
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RIGHT MONO LEFT
VIDEO
MIDI
INPUT
OUTPUT
RGB
S–VHS
MIC LINE IN GAIN
COMPUTER
THRU
OUT
IN
PEDALS
VOLUME
RIGHT MONO LEFT
RIGHT MONO LEFT
1
2
3
4
5
6
Rear Panel (model with Speakers box)
VIDEO
MIDI
OUT
INPUT
OUTPUT
RGB
S–VHS
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VOLUME
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RIGHT MONO LEFT
SPEAKERS
VIDEO
MIDI
INPUT
OUTPUT
RGB
S–VHS
MIC LINE IN GAIN
COMPUTER
THRU
OUT
IN
PEDALS
VOLUME
RIGHT MONO LEFT
RIGHT MONO LEFT
SPEAKERS
1
2
3
4
5
6 7
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Rear Panel (Connections)
1. AUDIO/VIDEO INTERFACE
4. PEDALS
• RGB: VIDEO OUTPUT IN RGB/Composite Video
STANDARD.
The Function assignable Pedal Group consisting of three
pedals is connected by means of the appropriate jack
connector. If your pedals do not appear to operate, check
that the Pedals cable is connected to this jack.
• SVHS: Video output in SVHS/Composite Video stand-
ard.
• MIC/LINE IN: Audio Input for Microphone or Line signals
for sampling operations. The general volume of the sig-
5. INPUT
• Right/Mono - Left: Stereo Audio Inputs for a musical
instrument, cassette recorder or CD player. For mono
connections use the Right/Mono jack.
nal is regulated with the front panel MIC/LINE control.
• GAIN: Controls the volume of the signal fed into the Mic/
Line Input.
• Volume Controls the level of the signals fed into the
Input jacks.
2. COMPUTER
Serial port which permits PS1500 to be connected di-
rectly to a computer (Apple Macintosh or IBM PC and
compatibles.) Data interchange between PS1500 and
PC or Mac requires appropriate setting in Edit General.
6. OUTPUT
• Right/Mono - Left: Stereo Audio Outputs to listen to
the PS1500 sound through an external device such as a
mixer or audio amplifier. For Mono reproduction, use the
Right/Mono jack.
3. MIDI
Standard MIDI interface used to control other MIDI in-
struments or to communicate with a Computer. IN: re-
ceivesdatafromanotherinstrument. OUT:transmitsdata
to another instrument. THRU: retransmits data received
at MIDI IN. MIDI cables are not supplied with the instru-
ment.
7. SPEAKERS (for PS1500 models with
Speakers box)
Connection for the internal speakers. Connect the cable
running from the speakers box to this jack.
When using PS1500 on its own, these jacks do not re-
quire connection.
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• 3 Basic concepts
In this chapter, you’ll find information regarding
STYLE/PRESET MODE
the principal elements that make the Pianovelle
PS1500work, including useful information which
will help you to understand the structure of the
instrument.
In this mode, you can play with Styles, or use the
PS1500as a conventional keyboard. If the auto-
accompaniments are playing, the Style mode is
on: if not, Style mode is off and Preset mode is
on.
PLAY MODES: STYLE/PRESET, SONG/
STYLE & SONG
Real Time and Style modes have a Preset in
common. Styles can play up to 8 tracks at the
same time while Presets up to 3. Both modes
have identical Preset editing tasks.
PS1500 offers three different play modes:
Style/Preset mode: tousePS1500asacon-
ventional keyboard or to play with the auto-
matic accompaniments. PS1500 powers up
in this mode every time it is turned on. Press
the GRAND PIANO button to activate Style/
Preset mode if the instrument is set to a dif-
ferent mode. Select Styles from the Style
banks (Swing, Country, Rock, etc.).
Style Presets are always divided into two parts:
the first 5 tracks are associated to the auto-ac-
companiment, the remaining 3 are dedicated to
the keyboard (Upper 1, Upper 2, Lower).
tracks 1-5 contain...
Auto-accomp sounds
effects
tracks 6-8 contain...
Keyboard Sounds
effects
Song/Style mode: to record the Styles with
up to 3 keyboard sounds and create 8 track
Songs to use as backings. Press SONG/
STYLE then select or record a Song/Style to
set this mode.
Programmable drumkit
Tempo
Tempo
Selected Style
Song mode: to play Songs to work via MIDI
with an external sequencer to create 16 track
Songs. Press SONG then select a Song to
set to Song mode.
Sounds and accompaniments can be recalled by
selecting a Style (from the STYLE GROUP but-
tons) or a Preset (from the PROGRAMMABLE
PRESETS buttons when Style Lock is off).
ᮣ
Note: Via MIDI, an external sequencer (or
other controlling device) has access to 16 PS1500
tracks at all times, regardless of the current mode.
If you press Start/Stop when Styles are disabled
(EASYPLAYLEDoff), youwillonlyhearthedrum
track of the selected Style.
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Sing le To uc h Pla y / Style Lo c k
The STYLE LOCK and SINGLE TOUCH PLAY but-
tons
In Style/Preset mode the selection of the Sounds
and the Accompaniments is determined by the
status of STYLE LOCK and SINGLE TOUCH
PLAY buttons.
PROG. PRESETS
Style lock
PROG. PRESET
STYLE LOCK
1
STYLE LOCK on. Selecting Presets selects live
STYLE LOCK
JAZZ
keyboard sounds only.
STYLE LOCK off. Selecting a Preset selects live
keyboard sounds and also accompaniment
Sounds. The relative Style, Variation and Tem-
po are selected. Sounds are those stored in the
Preset.
PROG. PRESETS
Single Touch Play
SINGLE TOUCH PLAY on. Selecting a Style
changes keyboard and accompaniment Sounds.
The Sounds are those of the Style-Preset. The
Tempo stored in the Style is recalled.
STYLE-PRESET
SINGLE TOUCH PLAY
STYLE
SINGLE TOUCH PLAY off. Selecting a Style
changes the accompaniment Sounds, Tempo
data and the relative pattern. The live keyboard
Sounds remain unchanged.
SINGLE TOUCH PLAY
STYLE-PRESET
SONG/STYLE MODE
A Song/Style is an 8 track (max) Song created
by recording the keyboard sounds with existing
Styles. The chords that trigger the Styles are
captured by the sequencer on a “Chords” track.
Up to 3 keyboard tracks can be recorded. Song/
Styles are excellent providers of backing tracks
for singers or solo instruments.
Up to 7 Song/Styles can reside in memory. The
8th location is reserved for the Chain function
which chains the Song/Styles into a “medley”.
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Mo d e s/ Pre se ts
Grand Piano preset
SONG MODE
The Grand Piano preset, recalled every time you
turn PS1500 on, sets the instrument to play as a
conventional piano, with the Grand Piano sound
active across the full keyboard (assigned to Up-
per 1). In addition, the Upper 2 keyboard section
is turned off and the Lower section is disabled.
The Grand Piano Preset recalls factory settings
for the Reverb effect, Volume and Pan and a pre-
set panel situation.
A Song is sequenced data consisting of one or
more tracks (instrumental parts). ASong can be
loaded from disk as a PS Song or as a Standard
MIDI-file, and it can be recorded one track at a
time (multitrack recording).
Up to 16 tracks are available in Song mode. Via
MIDI, PS1500 can be also used as a multitim-
bral (16 parts) sound generator for Song record-
ing with an external sequencer, regardless of the
current play mode.
Whatever modifications are applied to the Grand
Piano preset (reverb effect change, volume
change, different sound assignment, etc.) can-
not be stored to the Grand Piano Preset, but to
theProgrammablePresetswiththeSTOREPRE-
SET function.
Up to 7 Songs can be stored in the PS1500song
memory. The 8th memory location is reserved
for the Chain function which plays back all the
Songs in memory as a medley.
If PS1500 is set to Style/Preset mode, selecting
the Grand Piano Preset cancels the current pre-
set and substitutes it with Grand Piano. Upper 2
turns off and the Lower section is disabled.
PRESETS
If PS1500 is set to Song or Song/Style mode,
recallingtheGrandPianoPresetescapesthecur-
rent mode and returns the instrument to Style/
Preset mode with Grand Piano active to play on
the Upper 1 section in Full mode.
A Preset is a combination of sounds (for the key-
board, for the accompaniments, for a Song/Style
or Song). It also contains the status of the ef-
fects, the assignments of the controlling devices
(pedals, pads), MIDI channel configuration, track
status, Tempo data and the current status of the
panelbuttons. SelectingaPresetinstantlychang-
es all the sounds of the tracks and the relative
preset settings.
Programmable Presets (Real Time)
64 user-programmable Presets are stored in the
eight PROGRAMMABLE PRESETS banks 32 of
which are factory-programmed. Presets recall
programmed combinations of the keyboard
sounds (maximum 3), memorized panel settings
and also change the keyboard mode (full or split).
Presets are divided into three types: the Grand-
Piano preset, a “single” non-programmable ele-
ment, those residing in the PROGRAMMABLE
PRESETS which govern the keyboard sounds
and those associated to the Styles, Song/Styles
and Songs which are recalled by selecting the
respectiveelement. WithexceptionoftheGrand-
Piano Preset, the structure and programming
procedures of all are practically identical.
Given that the Presets store the current Style,
Variation and Tempo at the moment of activating
the STORE PRESETcommand, the Presets can
also be utilized to recall a Style and a Variation.
User-programmed Style Presets can be memo-
rized to the Presets.
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Pre se ts
Style Preset
The Presets via MIDI?.........
ViaMIDI, theProgrammablePresetsareasource
of 16 Sounds, regardless of the status of the in-
strument. The Grand Piano Preset, however,
cannot be selected via MIDI and does not trans-
mitMIDIdata. Youcan, however, savetheGrand
Piano Preset situation to a Programmable Pre-
set then select the Preset via MIDI.
112 Presets associated to the Styles and User
Styles and stored in the STYLE GROUPS (Style/
SongGroupssection:Swing, Country, Rock, etc.,
User 1-8, User 9-16). Style-Presets assign
sounds to the auto-accompaniments and key-
board that suit the Style to which they are asso-
ciated. If the SINGLE TOUCH PLAY LED is on,
the keyboard Sounds can be changed. The User
Styles are progammable.
Whenever you enter «Edit Preset», you will al-
ways have access to 16 tracks. If you are pro-
grammingPS1500forPresetorStylemodes, the
configuration of tracks 9-16 does not influence
either playing mode, but if you are programming
PS1500 for use as a multitimbral slave device,
all 16 tracks are taken into consideration and the
programmed configurations memorized to the
Presets will be recalled as programmed. There-
fore, you can program all 16 tracks of your Pre-
sets, regardless of how you intend using them
Song/Style Preset
8 Presets associated to the Song/Styles and
stored in the SONG/STYLE GROUP (Style/Song
Groups). Song/Style Presets assign sounds to
the auto-accompaniments and keyboard and re-
call the chords that trigger the auto-accompani-
ments.
For editing purposes, Song/Style Presets can-
not be accessed from the PROGRAMMABLE
PRESETS; they are accessed by pressing the
PRESET button in the EDIT section. A modified
Song/Style Preset can be saved to any of the 7
Song/Style slots available in memory.
Song Preset
Song-Presets can combine up to 16 sounds.
They can be applied to two types of operating
mode: the assignment of a sound to each track
of the sequencer, or the reception via MIDI of 16
different parts.
For editing purposes, Song Presets cannot be
accessed from the PROGRAMMABLE PRE-
SETS; they are accessed by pressing the PRE-
SETbutton in the EDITsection. Amodified Song
Preset can be saved to any of the 7 Song slots
available in memory.
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Tra c ks/ So und s
when you play PS1500 as a stand-alone unit.
F4/F5 respectively. The active/mute status of all
other tracks (Styles, Song/Style and Songs) is
changedbydirectinterventiononthecorrespond-
ing track buttons of the sequencer.
Selecting Sounds and Presets via MIDI is dis-
cussed in a later chapter.
TRACKS
SOUNDS
A Track is the smallest part of a Preset. Pro-
grammable Presets have up to 3 tracks (for the
keyboard), Style-Presets have a maximum of 8
tracks (3 tracks for the keyboard and 5 engaged
by the sequencer for the accompaniments). A
Song-Preset can contain up to 16 tracks.
PS1500 Sounds are divided in four different
types:
• ROM-Sounds
• E-Sounds (edited ROM-Sounds)
• Drumkits
A Preset is a configuration of several tracks, so
that different Sounds can be combined to play at
the same time. In Style/Preset and Song/Style
modes, the Sound names of the keyboard tracks
appear in the main display. In Song mode, the
Sounds of all the tracks appear in the form of a
ProgramChange number. Sometimes, a track is
not assigned to a PS Sound, but it controls an
expander connected to the MIDI OUT. In this
case, the relative ProgramChange is shown on
the main display.
• Samples
Rom-Sound
Sounds contained in ROM. These sounds are
permanent and cannot be cancelled. They are
based on the internal samples archive (ROM-
Waves)
E-Sound
E-SoundsarecreatedbymodifyingROM-Sounds
or by loading the data from disk (loading Presets
containing E-Sounds). A Preset can store up to
8 E-Sounds and it can be programmed to recall
E-Sounds or the original sounds.
In the first page of «Edit Preset», it is possible to
see the sounds assigned to all the tracks of the
current Preset in the form of a ProgramChange
number. For the selected track, the correspond-
ing Sound name and Bank number is also shown
on the top line of the display. The Tracks are
shown from 01-08 and from 09-16. The Track
Select button in the 16 Track Recording Studio
section allows you to switch from the track set
01-08 to 09-16.
Drumkit
Drumkits assign a different percussive sound to
each note of the keyboard.
A Preset can store up to 4 modified percussive
sounds of a Drumkit. PS1500contains 16 Drum-
kits memorized in Banks 2 and 3 of the Percus-
sive Sound Groups.
Most of the operating modes display the tracks
which can be selected and can be programmed
for Sound assignments, a transposition, an effect
selection or a performance control.
Samples
The PS1500 on-board sampler can capture a
Sample which is stored in location 8 of the Sam-
ple-RAM.
Thestatusofthekeyboardtracks(activeormute)
can be changed by intervening directly on the
corresponding keyboard activators (Upper 1, Up-
per 2 and Lower), or Function buttons F8, F7 and
PS1500 Sample kits are also available to load
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Ed it m o d e s
PCM Samples to the first 6 locations of the Sam-
ple-Ram (in replacement of an eventual sample
occupying location 8).
Location 7 can accept PCM Samples originating
from CD Series instruments.
EDIT MODES
PS1500offers several Edit modes to modify var-
ious aspects of the instrument. Each mode con-
sists of a set of parameters spread across sever-
al edit pages.
The Edit Modes are:
•
•
Edit Preset (program changes, track trans-
pose and tunings and pedal assignments,
etc.);
Edit MIDI (MIDI channel settings, Common
channel, Local off, General MIDI compatibil-
ity, etc.);
•
•
Edit Mixer (track levels, pan settings);
Edit Sound (macro edit of sound and drumkit
parameters);
•
•
Edit General (parameters the affect the in-
strument as a whole);
Edit Effects (parameters that modify the Re-
verb and Effects units of the Digital Effects
processor);
•
•
Edit Samples/Pads (Sample editing and Pad
assignment functions);
Edit Song (editing functions for User Style,
Song/Style and Song recordings);
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Co nne c tio ns
•
Disk(filehandlingoperationstoandfrom
RAM and disk).
The group of three pedals is connected to the
appropriate jack via the special cable that runs
from the pedal group assembly. Check that the
cable is properly connected to the PEDALS jack
for the correct operation of the three pedals.
The various Edit modes are explained in detail in
the relevant chapters of the owner’s manual.
The pedals, denoted P1 (Soft), P2 (Sostenuto),
P3 (Damper) are preset to provide the following
three functions:
Connections
This section takes a brief look at the types of con-
nections that can be achieved with your PS1500
using the rear-panel connectors.
Soft
Soft Pedal (generates CC67);
Sostenuto (generates CC 66);
Damper (generates CC64).
Sostenuto
Damper
POWER SUPPLY
The pedals are function assignable and can be
independently programmed to react with the key-
board tracks of a Preset.
Insert the instrument’s power cord into a suitable
grounded outlet.
All three pedals are of the switch action type.
OUTPUT
MIDI
Right/Mono, Left
PS1500 is fitted with a standard MIDI interface
consisting of In, Out andThru ports for MIDI con-
nections. Specific instructions for MIDI connec-
tions are found in the relevant chapters further
ahead. The following setups show some of the
principal connections.
Right - Left Stereo outputs for amplified speak-
ers, amplifiers or domestic hi-fi units.
ᮣ
WARNING - Before connecting the outputs, be
sure that the volume of the external amplification
devices is turned down. Connecting to the jacks
causes noise which can damage an amplification
device.
•
To pilot another instrument with PS1500,
connect the PS1500 MIDI OUT to the MIDI
IN of the other instrument.
For stereo reproduction, use both LEFT and
RIGHT jacks. For mono reproduction, use only
the RIGHT/M jack.
PS1500
EXPANDER
MIDI OUT
MIDI IN
To use the audio outputs only and exclude the
instrument’s internal amplification, plug a set of
headphones into the left HEADPHONES 1 jack.
•
To pilot PS1500 by a master keyboard,
connectthePS1500MIDIINtotheMIDIOUT
of the master keyboard. If the master key-
board has to simulate thePS1500keyboard,
the master keyboard must transmit MIDI on
PEDALS
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Co nne c tio ns
a channel that corresponds to the PS1500
Common Channel (refer to the chapters ded-
icated to MIDI).
COMPUTER
ItispossibletoconnectPS1500directlytoacom-
puter via the COMPUTER port.
MK
PS1500
This connection is alternative to MIDI; both types
of communication are not simultaneously permit-
ted.
MIDI OUT
MIDI IN
•
To recordSongsonexternal computers or
sequencers, connect the PS1500 MIDI IN to
the MIDI OUT of the external device, the
PS1500MIDIOUTtotheMIDIINoftheexter-
nal device. This configuration is called a
“closed MIDI loop”.
Macintosh and compatibles. Use a standard
serial cable DB8-DB8 or the Baldwin serial cable
(optional). Program the sequencer to communi-
cate with PS1500 at the velocity of [1 MHz].
PC IBM and compatibles. Use the Baldwin se-
rial cable (optional). Select the appropriate com-
munication velocity in PS1500 to communicate
with the PC («Edit General»).
PS1500
MIDI OUT
MIDI IN
COMPUTER
MIDI IN
MIDI OUT
Set PS1500 to Song mode and set a track for
LocalOffoperation(in«EditMIDI»)inorderto
send PS1500 keyboard data to its own inter-
nal sound engine via the external computer/
sequencer.
APPLE MACINTOSH
mini DIN, 8-pin, male
6 7 8
mini DIN, 8-pin, male
6 7 8
mini DIN, 8-pin, male
mini DIN, 8-pin, male
HSKo
HSKi
TXD-
GND
1
1
2
3
4
HSKo
HSKi
TXD-
GND
2
INPUT
3
4
3
4
5
3
4
5
RXD-
5
5
RXD-
1
2
1
2
TXD+
GPi
6
6
7
TXD+
GPi
7
RDX+
8
8
RDX+
Right/M, Left + Volume
IBM PC/AT
Right - Left Stereo inputs for the connection of
external audio sources (a musical instrument,
cassette recorder or CD player, etc.) which can
play through the PS1500 internal amplification
system. For stereo connections use both LEFT
andRIGHT/MONOjacks. Formonoconnections
use only the RIGHT/MONO jack.
mini DIN, 8-pin, male
6 7 8
mini DIN, 8-pin, male
mini DIN, 9-pin, female
HSKo
HSKi
TXD-
GND
1
7
8
3
5
RTS
CTS
TXD
GND
D-sub, 9-pin, female
2
1
5
3
4
3
4
5
RXD-
5
2
RXD
6
9
1
2
IBM PC/AT
The small VOLUME knob controls the level of
the signal fed into the INPUT jacks. The signal
received at these jacks is fed to the instrument’s
main mix and delivered by the internal speakers
as well as the LEFT-RIGHT/M outputs. The in-
put signals are not, however, processed by the
internal effects processor.
mini DIN, 8-pin, male
6 7 8
mini DIN, 8-pin, male
mini DIN, 25-pin, female
HSKo
HSKi
TXD-
GND
1
4
5
2
7
RTS
CTS
TXD
GND
D-sub, 25-pin, female
13
2
1
3
4
3
4
5
RXD-
5
3
RXD
14
25
1
2
mini DIN, 8-pin, male
6 7 8
mini DIN, 8-pin, male
mini DIN, 25-pin, female
HSKo
HSKi
TXD-
GND
1
4
5
2
7
RTS
CTS
TXD
GND
D-sub, 25-pin, male
13
2
1
3
4
3
4
5
RXD-
5
3
RXD
14
25
1
2
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Co nne c tio ns
SPEAKERS
AUDIO/VIDEO INTERFACE
(Onlyfor PS1500modelswhosecabinetincludes
a speaker box).
The Baldwin Audio/Video Interface provides
PS1500 with additional connection possibilities
as well as a Sampling feature.
Check that the special cable which runs from the
speakers box is connected to this jack.
RGB, S-VHS Video outputs
ᮣ
Note: If, after turning on your PS1500, you hear
Connect an RGB monitor, a domestic television
or a closed circuit video system to these jacks.
The domestic TV has to operate in A/V mode.
no sound, before doing anything else, check for the
correct connection of the speakers cable.
The possible connections are shown in the table
set out below.
HEADPHONES
Two headphones jacks are available under the
keyboard on the extreme left of the instrument.
Each jack can accept a standard pair of stereo
headphones.
Mic/Line Input + Gain
The Mic/Line audio input is intended mainly for
Sampling but can also be used to input Micro-
phone and/or Line signals in order to sing or play
through the PS1500 internal amplification. The
signals can be processed by the on-board Digit-
al Effects processor.
Private listening is achieved by inserting the hea-
phones into the HEADPHONES 1 jack (the inter-
nal speakers are automatically disinserted only
by this jack).
Recorded Samples are stored in the instrument’s
battery-backed Sample-RAM.
The Gain control regulates the volume of the in-
put signal before entering the system.
HEADPHONES 1 HEADPHONES 1
The general volume of the Mic/Line input signal is
controlledwiththefrontpanelMIC/LINEpanelslid-
er. The Mic/Line Input parameter must be set to
“ON” in «Edit General» in order to process the in-
coming signal.
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The Disp la y
TEMPO
STYLE/SONG
CHORDS
/
MEASURES
UPPER
2
The Display
GPiano
POP
Bk1: SLOSTR
Bk1: PIANO1
The main display
PRESET
GROUP
LOWER
UPPER
1
Main display showing the Grand Piano preset
The main display activates every time PS1500 is
turned on and is what is shown in normal playing
conditions. Thepower-upstatusshowstheGrand
Piano preset selected for the Upper 1 section.
TEMPO
STYLE/SONG
CHORDS
/
MEASURES
UPPER
2
GPiano
POP
Bk1: SLOSTR
Bk1: PIANO1
PRESET
GROUP
LOWER
UPPER
1
The main display shows the sounds assigned to
the keyboard tracks (Upper 1, Upper 2, Lower),
regardless of their active/mute status, the name
of the current Preset, theTempo setting (valid for
Styles and Songs), the name of the selected
Style, Song/Style or Song and the Chord/Meas-
uresindicatorwhichmonitorsStylechordsinStyle
mode or the measures in Song playback mode.
Main display showing Styles disabled
GrandP
pop
Bk1: SLOSTR
Bk1: PIANO1
Bk1: SOFSAX
Main display showing the current Style chord
Bk1: ORGAN3
When a Style is disabled, “E.Play=Off” is dis-
played on the top line to indicate that the EASY
PLAY button is deactivated.
Main Song display showing the Measure counter
Selection windows
Selection windows are opened when a GROUPS
button is pressed in order to select an element
related to the selected GROUP (Sound, Style &
User Style, Song/Style, Song and Programma-
ble Preset).
PIANO1
PIANO3
EL.PN1
HARPSI
Sound selection window showing 8 Sound names of Bank 1
arranged in correspondence with the Function buttons.
Selection windows are “timeout” displays, shown
for a short period of time, enough to select the
displayed items with the Function buttons
(F1…F8). After selection, the main display is re-
stored. Ifyoudon’tselectanitemduringthetime-
out period, the main display is restored automat-
ically after approx. 3/4 seconds.
Clse Opn1 Opn2 Bloc Oct. Oscar Jazz Rock
Harmony Type selection window
Mode=Full
Split Point=F#3
The Mode/Split Point window showing two variable
parameters
Other types of Selection windows
Off
Soft
Medium
Hard
All
The“HarmonyType”, “Restore”, “EasyPlay/Split”,
Touch Sensitivity”, “Digital Effects” and “Disk”
buttons also open selection windows, but with a
structure specific to the function. These type of
windows are permanent and require pressing the
ESCAPE button or the corresponding function
button to close them.
The Touch Sensitivity window showing four parameters
SLOW Song
MidiFile
Presets
Disk Load window showing various load functions. The Save
page is identical.
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The Disp la y
RECORD WINDOWS
These types of windows appear when PS1500
is set to record a User Style, Song/Style or Song.
The display differs slightly for each specific ele-
ment. In all cases, the metronome is activated
automatically when the RECORD button is
pressed. The top line of the display shows “MT”
to indicate the activation. Arecorded track is set
to “play” and a mute track to “off”.
The User Style Record window shows (on the
top line) the Tempo setting, the Metronome acti-
vation symbol (MT), the User-Style name, the
Measure counter and the name & bank of the
Sound assigned to the selected track. The bot-
tom line shows the five parameters representing
the Style tracks that can be recorded (Drums,
Bass, Acc1, Acc2, Acc3). The selected parame-
ter is shown as a Program Change number. On
the extreme right is the Style Variation and Riff
being recorded (Variation: Maj, Min, 7th, etc.).
113 Off Off Off Off
VAR1:Maj
User Style Record window showing the Major riff of Variation
1 of the Drums track selected for recording
The Song/Style Record window shows (on the
top line) the Tempo setting, the Metronome acti-
vation symbol (MT), the Song/Style name, the
Measure counter and the name & bank of the
Sound assigned to the selected keyboard track
in record. The bottom line shows the name of
the Style being recorded, the record status of the
Chord track (in this case active to record chord
events) and three parameters representing the
keyboard sections (Upper 1, Upper 2, Lower).
The selected track is shown as a Program
Change number.
120 MT Free01 Mes=00 :1 Bk1PIANO1:Tr08
8btStd
Chord=Rec off off
1
Song/Style Record window showing the Upper 1 keyboard
section selected for recording
TheSongRecord windowshows(onthetopline)
theTemposetting, theMetronomeactivationsym-
bol (MT), the Song name, the Measure counter
and the name & bank of the Sound assigned to
the selected track. The bottom line shows eight
parameters representing the SongTracks (tracks
01-08). Tracks 09-16 are shown by pressing the
Track Select button in the 16 Track Recording
Studio. The selected parameter in record is
shown as a Program Change number.
Play 34 off off off off off off
Song Record window showing Song Track 1 recorded and
Track 2 selected for recording
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The Disp la y
EDIT PAGES
The Edit environments consist of several param-
eters spread across more than one “Edit page”.
ThepagesarescrolledwiththePage+/Bank+and
Page–/Bank– buttons. Each page is identified
by a respective number and name of the select-
ed parameter.
00
00
00
00
00
00 +04
00
Page 3 of «Edit Preset» showing Detune parameter
independently assignable for each track
Edit pages differ from one another but they have
in common a set of parameters (in abbreviated
form) arranged across the display in correspond-
ence with the Function buttons. The parameters
are selected with the Function buttons and each
selection shows the name of the parameter in
full on the top line.
Hall 1
Chorus 1 RevSend EffSend EDIT
Effects selection page showing the Effects parameters
(variable) and the Editor which activates a typical Edit page.
Vol=127
Dyn=Off
Cut=100
Res=100
The status of the “On/Off” type parameters is
changed by pressing the corresponding Function
button repeatedly. The value of numerical pa-
rameters is changed by rotating the Dial or using
the corresponding Slider (F1…F8).
Sound Edit page showing the 4 macro parameters which
modify the selected Sound
USER MESSAGES AND WARNINGS
Are you sure? Press [ENT] or [ESC]
These types of windows show confirmation re-
questsforacurrentoperation, informationregard-
ing the next step to take, warnings against a
malfunction or bad operation, etc.
Confirmation request for the Erase Song operation
These messages are closed with ENTER or ES-
CAPE.
[PRESS START TO PLAY OR ENTER TO LOAD]
User Message showing the next step to take
Retry, or change Disk
Warning against a disk failure
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Da ta Entry
Data Entry
Inserting numeric values, selecting options and
navigating between the PS1500 parameters of
the edit pages is achieved with specific controls:
•
Navigation(FunctionSelectbuttonsF1…F8),
Page+/Bank+, Page–/Bank– buttons.
113 15
29
26
50
50
49
1
F1
F2
F3
F4
F5
F6
F7
F8
•
Data Entry (DIAL, Function buttons F1…F8,
Sliders F1…F8, Keyboard, ENTER and ES-
CAPE buttons).
Preset: Program Change page showing Track 3 selected with F1
NAVIGATING
Use the Function buttons to navigate from one
parameter to another in the Edit pages.
Vol=127 RvTime=1.5 InDly=100 Filter=-12
F1
F2
F3
F4
F5
F6
F7
F8
Selecting a parameter with the corresponding
Function button activates the parameter for a
change of value or status.
Edit Hall (Reverb) page: Vol parameter can be selected by
either F1 or F2, RevTime by F3 or F4, etc..
For example, you can change the Sound (Pro-
gram Change) assigned to the Tracks of a Pre-
set in Page 1 of «Edit Preset» by activating the
required track with the corresponding Function
button. The selected track starts to flash, indi-
cating that it is ready to accept a change.
113 15
29
26
50
50
49
1
PAGE+ / BANK+
In some cases, the location of a parameter cor-
responds to two (or more) function buttons: the
parameter can, therefore, be selected by one of
the corresponding Function buttons.
PAGE– / B
Use thePage+/Bank+, Page–/Bank–buttons to
passfromoneeditpagetoanother. Usethesame
buttons to change Sound bank in Sound selec-
tion situations.
00
00
00
00
00
00 +04
00
Use of the Page+/Bank+ and Page–Bank– buttons to change
edit page.
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Da ta Entry
MODIFYING THE PARAMETER VALUES
The value or status of a selected parameter can
be changed with the Dial. For On/Off situations,
the corresponding Function button toggles be-
tweenthetwostates. Inmanysituations, theSlid-
ers F1…F8 can be used to change parameter
values without having to select the parameter
beforehand. In Edit situations, the bottom LED
indicator of the Sliders F1…F8 turns on to shows
that the Sliders are enabled as Data Entry devic-
es.
10
02
03
04
05
06
07
08
MIDI: MIDI Channel page. Assign a different MIDI channel to
the selected track using the DIAL.
Modifying parameters with the DIAL
Change the values of the selected parameter by
rotating the DIAL. In normal playing conditions,
the DIAL is active for real time Tempo changes,
while in Edit situations, it enters data continually:
clockwise rotation increases while counter-clock-
wise rotation decreases.
P1=Soft
P2=Sosten
P3=Damper
Edit General Pedal page: Pedal 1 functions selected with the
Dial
Modifying On/Off parameters with the Function
button
On
On
On
On
On
On
On
On
F1
F2
F3
F4
F5
F6
F7
F8
If the parameter is an On/Off function, toggle
between the two states with the corresponding
Function button after selecting the parameter.
MIDI: Section Local Off page
showing On/Off parameters
ON
Off
For example, the Local Off parameter setting of
the tracks in the page shown opposite can be
toggled between ON and OFF by pressing the
corresponding Function button repeatedly.
2/2 MIXER:PAN
[Tk08]
C=00 C=00 C=00 Mute L=24 C=00 R=31 C=00
Modifying parameters with the Sliders
ACCOMPANIMENT
In most Edit situations, the Sliders F1…F8 acti-
vateasdataentrydevicesfortheparametersthat
correspond to the function buttons F1…F8.
DRUMS
BASS
ACCOMP.1 ACCOMP.2
ACCOMP.
3
LOWER
UPPER
2
UPPER
1
MAX
In such cases, the Sliders intervene directly on
the corresponding parameter without having to
select the parameter beforehand.
MIN
F1
F2
F3
F4
F5
F6
F7
F8
MIXER: Pan page. Use the sliders to change the pan settings
without selecting the corresponding parameter
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Da ta Entry
INSERTING ALPHANUMERIC DATA
9/9 PRESET:GrandP
[OverWrite]
In Name Write situations (Presets, Songs, User
Styles, Disk files, etc.), the keyboard activates
as a source of alphanumeric data. Each note of
the keyboard corresponds to a letter of the al-
phabet or a number.
Old name=GrandP -----> New name=
Preset Name display
1/1 RENAME STYLE
00 [OverWrite]
Old name=User01 -----> New name=
The relative display shows a flashing active zone
(“New name”) where a name of up to 6 charac-
ters can be inserted. Disk files accept up to 8
characters. Characters are inserted in the active
zone using the keys of the keyboard.
User Style name display
The alphanumeric keyboard configuration
The configuration of the alphanumeric data is
shown in the diagram below.
• E2:
• F2:
SPACE - inserts a space
DELETE - cancels an entry at
the flashing cursor position.
The notes from D2 - G2 on the left provide some
word processing functions:
• G2:
<— (BACKSPACE) - cancels
the previous entry.
• D2:
CAPS - Toggles between
Capitals On and Capitals Off.
The Transpose +/– buttons are also utilized.
• D#2:
INS/OVER -Toggles between In-
sertandOverwrite. Insertinserts
a character between two entries.
Overwrite cancels a character at
the cursor position. The display
shows the status of this option in
name write situations.
Transpose+/Transpose–: These two
buttons move the flashing
cursor forwards and backwards
respectively.
Press ESCAPE to close the name write page.
Press STORE PRESET to store the new name
to the Preset.
HEADPHONES
1
HEADPHONES
2
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Da ta Entry
Inserting measures
16 TRACK RECORDING STUDIO
4
5
6
7
8
In Song mode, as an alternative to the Fast For-
ward and Fast Reverse functions, you can pass
directly to any measure of a Song by specifying
the measure number in an appropriate “active
zone”, activated by pressing both >> and << but-
tons at the same time.
TRA
SEL
12
13
14
15
16
PLAY
<<
>>
DISK
PLAY
MEASURE
ALL SONGS
The required measure number is specified using
the black numerical keys on the right of the key-
board.
Specify the required number and press ENTER
to confirm.
Bk1: PIANO
Bk1: PIANO
Song display showing the “Insert measure” active zone
flashing
After confirming with ENTER, the active zone
closes and the Song pointer passes directly to
the specified measure. Press PLAY or CONTIN-
UE to start the Song from the specified point.
ENTER/ESCAPE
ENTER confirms an operation and the values
assigned to modified parameters. In some edit
pages, Enter confirms a parameter value and
executes an operation (for example, a Load op-
eration in the Disk environment, or a quantize
entry).
ENTER
ESCAPE
ENTER, ESCAPE buttons
ESCAPE cancels a selected operation or the
valuesassignedtoaselectedparameter. Inmost
cases, pressing Escape returns to a main dis-
play.
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• 4 Sounds & Presets
THE SOUNDS AND TRACKS
A Sound is assigned to each track of a Preset.
(The Grand Piano Preset is an exception that is
discussed separately on page 8).
UPPER 2
UPPE
LOWER
UPPER 2
Keyboard modes
FULL MODE
The keyboard tracks can be configured to play
on the keyboard in two different ways, called key-
board modes:
UPPER 1
LOW
•
Full keyboard mode - the Upper tracks (7
and8)playacrosstheentirekeyboardrange.
The Lower section is disabled for activation
(in Full keyboard mode only).
FULL MODE
< --------- SINGLE SOUND (Upper 1 or Upper 2) --------- >
< ------ LAYERED SOUNDS (Upper 1 and Upper 2) ------ >
UPPER 2
UPPE
LOWER
UPPER 2
UPPER 1
LOW
SPLIT MODE
EASY PLAY
•
Split mode - the Upper tracks (7 and 8) play
to the right of the split point while the Lower
track (6) plays to the left from the Split point
down. IfyoudeactivatetheLowertrackwhen
Easy Play is off, the Upper tracks are as-
signed to the entire keyboard. If you deacti-
vate the Lower track when Easy Play is on,
the Upper tracks remain assigned to the part
of the keyboard above the split point while
the Lower does not play.
SPLIT
EASY PLAY OFF
< --------- SINGLE SOUND (Upper 1 or Upper 2) --------- >
< ------ LAYERED SOUNDS (Upper 1 and Upper 2) ------ >
LOWER
EASY PLAY
EASY PLAY ON
SPLIT
Split point (F#3)
SPLIT MODE
< -----Upper 1 and/or Upper 2 -- >
< ------ Lower ------ >
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Ke yb o a rd Ac tiva to rs
Keyboard Activators
KEYBOARD ACTIVATORS
The three Keyboard Activators (Upper 2, Upper
1, Lower), located to the right of the display un-
der the Select buttons, activate or deactivate the
keyboard tracks. For example, if an Upper track
is muted, by pressing the corresponding Activa-
tor button, the sound assigned to the track will
activate for play (press once to activate, press
again to deactivate).
UPPER 2
UPP
LOWER
UPPER 2
UPPER 1
LOW
UPPER 2
UPPER 1
LOWER
The Sounds and the Keyboard modes can be
changedinstantlybyselectingaPresetoraStyle.
WAYS OF SELECTING SOUNDS
PS1500 allows you to select single sounds or a
combination of different sounds.
•
To select a single sound, select the track that
will accommodate it, press one of the but-
tons of the SOUND GROUPS section and
select a sound with the corresponding Func-
tion button.
•
To select a sound combination, select a Pre-
set or a Style. Along with the sounds, the
keyboard modes, the track status, the effects
and the general settings also change.
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Se le c ting Sing le So und s
Selecting Single Sounds
To assign a Sound to a keyboard track (Upper 1,
Upper2orLower)inStyle/Presetmode, youmust
first select the track with the SELECT buttons
(Upper 2, Upper 1; Lower) located to the right of
the display. The SELECT buttons enable the dis-
played keyboard tracks for a Sound change. A
selected track is shown flashing and only one
section at a time can be in an enabled state. A
selected track (flashing) is not necessarily active
for play.
To assign a Sound to any track, including one
notdisplayedandregardlessofthecurrentmode,
you must first enter Edit Preset mode (press the
Presetbutton)toentertheProgramChangepage.
The procedure is explained in detail on page 11.
1
UPPER 2
A
S
E
L
E
C
T
***********
Bk1: STRING
Bk1: PIANO1
LOWER
T Bk1: SLOSTR
Assign a Sound to a keyboard track
UPPER 1
UPPER 2
1. Press one of the SELECT buttons.
B
S
E
L
E
C
T
A Press UPPER 2 to select the Upper 2 key-
board track;
LOWER
T Bk1: SLOSTR
Bk1: PIANO1
B Press UPPER 1 to select the Upper 1 key-
board track;
UPP
UPPER 2
C Press UPPER 1 + UPPER 2 together to
select the LOWER keyboard track.
C
S
E
L
E
C
T
***********
Bk1: STRING
Bk1: PIANO1
T Bk1: SLOSTR
UPPER 1
2. Press a SOUND GROUPS button.
2
SOUND GROUPS
The display shows a bank of 8 Sounds be-
longing to the selected Group. The current
Sound Bank is shown in the top left hand
corner of the display.
PIAO
MALLET
FLUTE
ORGAN
GUITAR
BASS
STRINGS
ETHNIC
ENSEMBLE
BRASS
SFX
REE
SYN LEAD
SYN PAD
SYN SFX
PERCUSSIVE
PIANO1
PIANO3
EL.PN1
HARPSI
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Se le c ting Sing le So und s
3. Select a Bank containing the desired Sound us-
ing the PAGE+/BANK+ or PAGE–/BANK– but-
tons.
3
PAGE+ / BANK+
PAGE+ / BANK+
PAGE+ / BANK+
Each Group can contain up to 3 banks. The
Bank number corresponds to the BankSelect
MSB (CC00) MIDI message.
PAGE– / BANK–
Sound Bank 2
PAGE– / BANK–
Bank 1 sounds are General MIDI compatible,
while Banks 2 and 3 contain variations of
Bank 1. Banks 2 and 3 of the Percussive
Sound group contain Drumkits.
Sound Bank 3
PAGE– /
Sound Bank 2
ᮣ Note: PS1500 houses 16 Drumkits in memory
(Banks 2 and 3). Consult the Drumkit tables in the
Appendix for the relative percussive sound
mappings.
4. Select the desired Sound or Drumkit with the
Function button.
4
PNOMK1
EGPN1
TINROD
HOUSE
HARPS2
BRUSH
The selected Sound is assigned to the se-
lected track (flashing). The display returns
to normal.
STAND1
POWER
F1
F2
F3
F4
F5
F6
F7
F8
ᮣ
Note: If a Sound is not selected from the
selection window within the first 2/3 seconds, the
display returns to the previous situation automati-
cally.
Drumkits
ᮣ
Note: You cannot assign a Sound to a
keyboard section that is not selected (flashing).
ᮣ IMPORTANT: A Drumkit must be assigned to a
keyboard section active to play across the full
keyboard (Upper 1 or 2 in Single or Dual mode).
5. Play on the keyboard.
5
Play and repeat the selection procedure to
listen to other sounds.
If you assign a Drumkit to Upper 1 or Upper
2, you’ll hear a different drum sound for each
note played. If other keyboard sections are
active, mute them to hear the drum sounds
alone.
ᮣ
Note: To avoid the closure of the selection
window each time you select a Sound, press
DISPLAY HOLD.
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Se le c ting Sing le So und s
Assigning a Sound to the GRAND PIANO preset
The GRAND PIANO Preset accepts a sound
change using the method already described.
However, whatever change you make remains
temporary and is instantly cancelled if you either
select the GRAND PIANO preset again, select a
Preset from the PROGRAMMABLE PRESETS,
or enter Song/Style or Song modes.
For example, you can assign a Guitar sound to
the Upper 1 section in order to play Guitar with
the Grand Piano parameters (effect, volume,
etc.), BUT, you cannot store the change to the
Grand Piano Preset.
To assign Sounds to tracks other than the key-
board tracks
To assign sounds to tracks 1-16, use the method
described on page 11.
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Se le c ting Pre se ts
Selecting Presets
Select a Preset when you want to change the
whole keyboard sound combination, not just a
single sound.
1. Press one of the PROGRAMMABLE PRESETS but-
tons.
1
2
PROGRAMMABLE PRESETS
1
2
3
4
5
6
7
8
The timeout display shows 8 Presets to
choose from.
2. Select a Preset using the corresponding Function
button.
Once a Preset has been selected, the selec-
tion window closes and the display returns to
its previous status showing the keyboard
sounds of the current Preset.
BigSTR
BlBand
Benson
BigOrg
F1
F2
F3
F4
F5
F6
F7
F8
The setting recalled by the Preset include:
the keyboard mode, the track status, the
Sounds assigned to the tracks and the track
assignments for the action of the pedals.
The name of the selected Preset appears on
the bottom line of the display.
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Se le c ting Pre se ts
USE PAGE+/BANK+ AND PAGE–/BANK–
TO SELECT THE PRESETS
You can select Presets in increasing or decreas-
ingorderwiththePage+/Bank+orPage–/Bank–
buttons.
1
PAGE+ / BANK+
1. Press PAGE+/BANK+ select the next Preset.
The Preset advances one step. Press the
same button repeatedly to scroll through the
Presets in increasing order.
PAGE+ / BANK+
PAGE– / BANK–
ᮣ
Note: This operation is valid only for the
Preset 2
PAGE+ / BANK+
Presets of the PROGRAMMABLE PRESETS.
Once you reach the last Preset of button 8 with
Page+, it is not possible to proceed. Similarly,
when you select Presets in decreasing order, once
you reach the first Preset of button 1 with Page-,
you cannot proceed further. With the GRAND
PIANO PRESET, the Page buttons are disabled.
PAGE– / BANK–
Preset 3
PAGE– / BANK–
Preset 4, etc.....
2. Press PAGE–/Bank– to select the previous Pre-
set.
2
PAGE+ / BANK+
The previous Preset is selected. Press the
same button repeatedly to scroll through the
Presets in decreasing order.
PAGE+ / BANK+
PAGE– / BANK–
ᮣ
Note: You can assign one of the programmable
Preset 3
pedals to perform this operation. “Pedal Function
assign” «Edit General».
PAGE+ / BANK+
PAGE– / BANK–
Preset 2
ᮣ
Hint: If you programme your Presets to change
Styles (with Style Lock off), you can change Styles
using the Page+/- buttons, or an appropriately
programmed Pedal (Preset+ or Preset-).
PAGE– / BANK–
Preset 1
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The Gra nd Pia no Pre se t
Select Grand Piano in Song/Style or Song modes
THE GRAND PIANO PRESET
If you are currently playing with Songs or Song/
Styles and you select the GRAND PIANO pre-
set, the current mode is cancelled and the instru-
ment sets to Real Time mode with GRAND PI-
ANO selected to play across the full keyboard.
The Grand Piano Preset is an exception to the
rule because, unlike the Presets of the PRO-
GRAMMABLE PRESETS section, this preset
recalls the Grand Piano sound with fixed param-
eter values (volume, pan setting, reverb effect,
etc.) which, if modified, cannot be memorized to
the Grand Piano Preset. If you attempt to store
any modifications that you apply to the GRAND
PIANO Preset, the instrument “invites” you to
save to the Programmable Presets.
You can, therefore, select GRAND PIANO when-
ever you want to escape the current mode to play
a single sound.
What happens when you press the GRAND PI-
ANO button depends on the current mode se-
lected.
GRAND PIANO
Select Grand Piano in Preset mode
If you are currently playing in Preset mode and
you select the GRAND PIANO preset, the cur-
rent Preset is cancelled and substituted by
GRAND PIANO. The GRAND PIANO PRESET
is displayed for a short period then the display
switches to the standard default situation. In
addition, the Upper 2 keyboard section is can-
celled and the Lower keyboard section is disa-
bled. Upper1activatesacrosstheFullkeyboard.
* *
GRAND PIANO PRESET
* *
GPiano
POP
Bk1: SLOSTR
Bk1: PIANO1
UPPER 2
Select Grand Piano in Style mode
UPPER 1
If you are currently in Style mode and the Style is
not playing, selecting GRAND PIANO recalls
Variation 2 of the Style 8 Beat Standard from the
8 BEAT Style Group (unless already selected).
The keyboard sounds are substituted by GRAND
PIANO, the Upper 2 section is cancelled and the
Lower section is disabled. Upper 1 activates
across the Full keyboard.
< --- GRAND PIANO ------L--O--W--E-R-------------- Upper 1 ----- >
Set SPLIT MODE in Easy Play/Split
If the Style is playing, the current Style remains
unchanged while the keyboard sounds are sub-
stituted by the GRAND PIANO preset as above.
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Disp la y Ho ld
SELECT SOUNDS, PRESETS OR STYLES
USING DISPLAY HOLD
Normally, after selecting an item from a selection
window, the display returns to the previous situa-
tion automatically.
DISPLAY HOLD
1
If you activate DISPLAY HOLD (LED on), the
selection window remains locked after selecting
an item. This allows you to continue selecting
items until you are satisfied with the result.
1. Press DISPLAY HOLD.
2/3/4
SOUND GROUPS
The LED of the button turns on.
PIA
MALLET
ORGAN
GUITAR
BASS
STRINGS
ETHNIC
ENSEMBLE
BRASS
SFX
REE
FLUTE
SYN LEAD
SYN PAD
SYN SFX
PERCUSSIVE
2. Press a button from the SOUND GROUPS, the
PROGRAMMABLE PRESETS or the STYLE GROUPS.
In this case, a Sound.
3. Select an item.
PIANO1
PIANO3
EL.PN1
HARPSI
F1
F2
F3
F4
F5
F6
F7
F8
The selection window remains locked.
4. Select other items as required.
5. Press another Group button to open a different
selection window and select another item.
5
6
Press ESCAPE to close the selection window with-
out cancelling Display Hold.
SOUND GROUPS
PIANO
REED
MALLET
FLUTE
ORGAN
GUITR
BASS
STRINGS
ETHNIC
ENSEMBLE
BRASS
SFX
SYN LEAD
SYN P
SYN SFX
PERCUSSIVE
Press DISPLAYHOLD to cancel the function
(LED off).
6
DISPLAY HOLD
ENTER
EAPE
OR
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Pro g ra m m ing the Pre se ts
How to Program Presets
PS1500 contains 64 Programmable Presets
stored in ROM memory. 32 of these are factory-
programmed to recall various combinations of
keyboard sounds (maximum 3) for real time play-
ing. The remaining 32 are “empty”, ready to re-
ceive user-programmed data. In the Appendix,
you’ll find a table showing the names of the fac-
tory set Presets, the memorized Sound combi-
nations and keyboard mode.
This section describes the most common
changes that can be applied to the Programma-
ble Presets.
OnceaPresethasbeenmodified, itcanbesaved
to RAM by pressing STORE PRESET. Without
saving, the modifications remain temporary and
are lost when you select a different Preset, or
reselect the same one.
Sound Group name
Piano
ProgramChange
1 ... 8
NOTE: The STORE PRESET operation is not
valid for the GRAND PIANO preset.
Mallet (percussion)
Organ
9 ... 16
17 ... 24
25 ... 32
33 ... 40
41 ... 48
49 ... 56
57 ... 64
65 ... 72
73 ... 80
81 ... 88
89 ... 96
97 ... 104
105 ... 112
113 ... 120
121 ... 128
Guitar
HOW THE SOUNDS ARE ARRANGED
Bass
In default conditions, the Presets recall factory-
set Sound combinations. You can change one
ormoreSoundsofanyPresetandstorethemodi-
ficationstomemorysothatthePresetrecallsyour
preferred Sound combination when it is selected.
Strings
Ensemble
Brass
Reed
Flute
The Sounds are arranged in 16 Groups of 3
Banks each. Each Bank contains 8 Sounds.
Synth lead
Synth pad
Synth SFX
Ethnic
The Sounds of Bank 1 are arranged according to
General MIDI standards, while those that reside
in other Banks (2 and 3) are variations of Bank1.
ThetableshownoppositeliststhePS1500Sound
Group names.
Percussive
Special SFX
PS1500 Sound Group names
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Assig ning So und s to tra c ks
ASSIGNING SOUNDS TO TRACKS
The method described on page 3 refers to the
direct method applied to the three keyboard
tracks.
To assign Sounds to the tracks not shown in the
main display (Style, Song/Style, Song or a MIDI
Preset used by an external MIDI device), use the
method described below.
1. Press PRESET in the EDIT section.
PRESET
1
2
The first page of «Edit Preset» opens show-
ing the Program Changes assigned to tracks
1-8 of the current Preset.
TRACK
SELECT
Press TRACK SELECT to view tracks 9-16.
The selected track is shown by the flashing
ProgramChange number (PC). The corre-
spondingnameandTracknumberisalsodis-
played in the top right hand corner.
113 15
29
26
50
50
49
1
F1
F2
F3
F4
F5
F6
F7
F8
2. Select a track (Pr. Change) with the correspond-
ing Function button.
The Pr. Change number starts to flash.
3. Press a SOUND GROUPS button.
3
SOUND GROUPS
The timeout display shows 8 Sounds to
choose from.
PIAO
REE
MALLET
FLUTE
ORGAN
GUITAR
BASS
STRINGS
ETHNIC
ENSEMBLE
BRASS
SFX
SYN LEAD
SYN PAD
SYN SFX
PERCUSSIVE
4. Select a Sound using the Function buttons.
Each Group contains 3 Banks. Use the
Page+/Bank+ or Page–/Bank– buttons until
the required sound is displayed.
4
Bk1 PIANO2
HONKY
EL.PN2
CLAVIN
PIANO1
PIANO3
EL.PN1
HARPSI
The Sound is assigned to the selected (flash-
ing) track. The display returns to the previ-
ous status showing the updated situation.
F1
F2
F3
F4
F5
F6
F7
F8
The new situation remains in memory as a
temporary status until changed again, or un-
til you recall the default conditions by select-
ing the same Preset again.
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Assig ning So und s to tra c ks
5. Press ESCAPE to close the Edit Preset: Program
Change page.
5
ENTER
ECAPE
6. To save the change, press STORE PRESET followed
by ENTER to confirm.
STORE
PRESET
6
Thenewsituationispermanentlymemorized.
ENTER
ESCAPE
You can restore the original settings of the
Preset using the Restore Preset command,
explained at the end of this chapter.
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Cha ng ing the Tra c k sta tus
CHANGING THE TRACK STATUS
The keyboard tracks ( Upper 1, Upper 2, Lower
= Tracks 8, 7, 6 respectively) of a Preset can be
set to either active or mute status.
An active track can play, while a muted one can-
not. It is possible to toggle between the active
and mute status in order to instantly add or re-
move a Sound while playing.
For the keyboard tracks, it is possible to toggle
between the active and mute status by interven-
ing directly on the keyboard activators (Upper 1,
Upper 2, Lower buttons).
To change the status of the keyboard tracks
UPPER 2
UPPER 1
LOWE
UPPER 2
UPPER 1
LOW
•
Press UPPER 1 to activate/mute the Upper 1
section and press again to return to the previous
status.
The same applies for the Upper 2 and Lower
buttons.
Active
Mute
ᮣ
Reminder: When FULL MODE is selected,
LOWER is disabled. In SPLIT MODE, LOWER is
enabled.
The modified status of the tracks can be memo-
rized to a Programmable Preset by pressing
STORE PRESET. See page 19 for information
regarding storing Style Presets.
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Cha ng ing the Tra c k sta tus
The tracks not normally shown on the main dis-
play (Style, Song/Style or Song tracks) can be
activated/muted by intervening on the corre-
sponding track buttons in the 16 Track Record-
ing Studio (sequencer). The Style, Song/Style
and Song tracks engaged by the sequencer are
identified by the status of the LED of the corre-
sponding track button (tracks 1 - 16).
The change the status of a Style, Song/Style or
Song track
16 TRACK RECORDING STUDIO
•
Press one of the active track buttons in the
Sequencer to mute a track and press again to
return to the previous status.
1
2
3
4
5
6
7
8
TRACK
SELECT
9
10
11
12
13
14
15
16
RECORD
STOP
PLAY
<<
>>
DISK
PLAY
ALL SONGS
MEASURE
The Style accompaniment tracks correspond
to tracks 1, 2, 3, 4 and 5 (Drums, Bass,
Accomp. 1, Accomp. 2, Accomp. 3 respec-
tively).
Active
16 TRACK RECORDING STUDIO
1
2
3
4
5
6
7
8
TRACK
The Song/Style tracks correspond to tracks
1 – 8.
SELECT
9
10
11
12
13
14
15
16
RECORD
PLAY
<<
>>
DISK
PLAY
ALL SONGS
MEASURE
The Song tracks correspond to tracks 1 - 16.
The LED shows the active/mute status of the
track. When the LED is on, the track is ac-
tive; when off, the track is mute.
Mute
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Cha ng ing the Ke yb o a rd Mo d e
CHANGING THE KEYBOARD MODE
The keyboard Sounds can be set to one of two
keyboard modes:
FULL MODE
•
•
Full Mode- The tracks Upper 1 and Upper 2
play across the entire keyboard range. The
Lower section is disabled for activation.
< -------Full Keyboard (Upper 1 and/or Upper 2) ------- >
SPLIT MODE (Split point (F#3)
Split Mode - The tracks Upper 1 and Upper
2 play to the right of the split point while the
Lower track plays to the left from the Split
point down. When Easy Play is off (LED off),
deactivating the Lower track assigns the Up-
pertrackstotheentirekeyboard. WhenEasy
Play is on (LED on), deactivating the Lower
track does not change the status of the Up-
per tracks (they remain assigned to the part
of the keyboard above the split point), while
Lower does not play.
< ------ Lower ------ >
< -----Upper 1 and/or Upper 2 -- >
The following example outlines how to select the
keyboard modes.
1. Press and hold EASY PLAY/SPLIT.
1
EASY PLAY
The display changes to the MODE/SPLIT
POINT window showing two parameters:
Mode and Split. The Mode parameter (which
determines the Full or Split modes) will al-
ready be selected (flashing).
LIT
2. If the Mode parameter is not selected (flashing),
press the corresponding Function button F1 or
F2.
2
Mode=Full
Split Point=F#3
F1
F2
F3
F4
F5
F6
F7
F8
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Cha ng ing the Ke yb o a rd Mo d e
3. Rotate the DIAL to set MODE to FULL or SPLIT as
required.
3
You can also toggle between the two states
by pressing the corresponding Function but-
ton repeatedly.
Mode=Split
4
Split Point=F#3
4. Press ESCAPE to close the window.
The display returns to the previous status.
ENTER
SCAPE
5. Set the Keyboard sections as required.
UPPER 2
UPPER 1
LOW
5
Activate/deactivate the keyboard sections by
intervening on the Keyboard activators. In
Full mode, Lower is disabled. If you attempt
to activate Lower by pressing the button, the
display shows an appropriate timeout warn-
ing which deactivates automatically after 2/3
seconds.
6. Press STORE PRESET followed by ENTER if you
want to store the new setting to the current Pre-
set.
6
STORE
PRESET
Each Preset can store a different configura-
tion of the Keyboard Mode and Keyboard
activators. If you select another Preset, or
select the same Preset before memorising
the settings, they will be lost.
ENTER
ESCAPE
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Cha ng ing Tra c k Vo lum e s
BALANCE THE SECTION VOLUMES WITH
THE ACCOMPANIMENT SLIDERS
TEMPO
STYLE/SONG
CHORDS
/
MEASURES
UPPER
2
178
SoulBB EasyPlay=Off Bk1: SLOSTR
GPiano
POP
Bk1: SLOSTR
Bk1: PIANO1
Presetsalsomemorizethetrackvolumes, butyou
can modify the recalled settings in real time by
moving the Accompaniment sliders as required.
PRESET
GROUP
LOWER
UPPER
1
Style accompaniment tracks
Drums Acc1
Acc3
Bass Acc2
When working with Styles, Song/Style or Songs,
or playing in real time with the Presets, mix the
tracks with the sliders. In Style and Song/Style
modes, the markings across the top correspond
to the accompaniment and keyboard tracks.
Drums, Bass, Accomp 1, Accomp 2, Accomp 3
regulate the Style accompaniment tracks while
Upper1,Upper2,LowermixthekeyboardSounds.
In Song mode, Drums=Track 1, Bass=Trcak 2
and so on. In this situation, the top LED of the
sliders turns on.
ACCOMPANIMENT
ACCOMP.1 ACCOMP.2 ACCOMP.
DRUMS
BASS
3
LOWER
UPPER
2
UPPER
1
MAX
MIN
F1
F2
F3
F4
F5
F6
F7
F8
1/2 MIXER:VOLUME
[Tk08]
86
127 117 99
88
77
77
62
84
Tracks 1-8
In Edit Mixer, you can see the status of the track
volumes and modify them with the correspond-
ing sliders (top LED on). Use Track Select to
view the remaining 8 tracks (9 … 16) and use
the same sliders to obtain the required overall
mix.
TRACK
SELECT
Tracks 9-16
1/2 MIXER:VOLUME
[Tk09]
86
To save the volume changes, save the Preset
using STORE PRESET.
127 117 99
88
62
84
Lock the mixer setting for all Presets
Once you have balanced your tracks, you can
lock the settings for all Presets by using the
MIXERLOCKfunctionintheACCOMPANIMENT
section.
MIXER LOCK
Simply press the button to turn MIXER LOCK on.
When this button is on, all Preset and Style se-
lections that you make play with the locked mixer
settings. Whatever changes you make to the
mixer settings remain memorized until changed
again.
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Tra nsp o sing Tra c ks
TRANSPOSING THE TRACKS (BY
SEMITONES)
The Preset tracks can be individually transposed
in semitone steps using the “SectionTransposer”
function in «Edit Preset».
PRESET
1/2
PAGE+ / BANK+
The range over which a section can be trans-
posed is ± 24 semitones (2 octaves) and the set-
tings can be stored to the Preset.
PAGE– / BANK–
1. Press PRESET in the EDIT section.
2. Press PAGE+/BANK+ to enter the SECTION
TRANSPOSER on page 2.
3
3. Select the track that requires transposing using
the Function buttons.
00
00
00
00
00
00 +04
00
F1
F2
F3
F4
F5
F6
F7
F8
4. Rotate the Dial to set the required transposition
(+ value = transpose UP, - value = trans-
pose DOWN).
Instead of using the DIAL, you can change
the track transpose setting by means of the
corresponding sliders (F1…F8). The bottom
LED of the sliders turns on to indicate that
they are enabled as data entry controls. If
you use the sliders, it is not necessary to se-
lect the tracks first.
4
OR
ACCOMPANIMENT
ACCOMP.1 ACCOMP.2 ACCOMP.
DRUMS
BASS
3
LOWER
UPPER
2
UPPER
1
MAX
5. Escape «Edit Preset» by pressing ESCAPE.
MIN
F1
F2
F3
5
F6
F7
F8
To save the transposition settings, save the Pre-
set using STORE PRESET.
5
ENTER
ESPE
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Sto re Pre se t
How to Store Presets
Use the STORE PRESET button to save a Pre-
set, to create a new one or to change the name
Presets containing Sounds or a Drumkit modi-
fied in «Edit Sound» show the letter “E” as a pre-
fix before the corresponding Pr. Change number
in the first page of «Edit Preset».
Save a Preset if you want to conserve the
changes that have been applied. The temporary
changes made to a Preset are lost if you select a
different one or the same one again or select a
Style.
For example:
You can save the changes to the current Preset,
or to a different one. The changes can be memo-
rized to any of the 64 Programmable Presets
available.
ᮣ Note: The changes made to the factory-set
Presets do not damage the original PS1500 data in
any way because they are modified RAM copies.
The original data can always be restored with the
“Restore Original Preset” or “Restore Original
Block” commands in «SYSTEM RESTORE».
ᮣ Note: The Store Preset operation memorizes all
modifications made to the keyboard tracks as well
the Style tracks. If you modify the tracks of a Style,
you can store the modified Style Preset to the
Preset slots.
ᮣ Note: The GRAND PIANO preset cannot
memorize modifications.
ᮣ WARNING - STORE PRESET saves the Preset
to RAM and not to disk. The memorized data is lost
when (a) the backing battery runs flat, (b) re-
initialisation takes place (the command “Reset All”
is given).
Presets can memorize the following data:
Data saved to a Preset
Save the Preset that you intend to keep to disk.
Use the “Save Preset” procedure in “Disk” mode.
The panel status;
EDITparameters (Preset, MIDI, Mixer, Sound, Effect -
some General parameters);
Tempo (for eventual enabled Style);
Style and Variation (for eventual enabled Style);
Sounds & Presets 4•19
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Sto re Pre se t
SAVING CHANGES TO THE CURRENT PRE-
SET
Save a Preset to itself if you want to conserve
the applied changes (e.g. a section transposition
or a section volume change, etc.).
STORE
1. Press STORE PRESET.
PRESET
1
The «Preset Store» window opens showing
the same source and destination Preset.
To save changes to the original Preset, the
display parameters need not be changed.
Are you sure? Press [ENT] or [ESC]
2. Press ENTER to confirm, or ESCAPE to cancel.
2
Once ENTER has been pressed, the Preset
retains the new settings. When this Preset is
recalled, it will set PS1500 with memorized
settings.
ENTER
ESCAPE
Presets also memorize the current Tempo and
theselectedStyleandVariationaswellasdata
from the edit pages.
ᮣ Note: A Style selected from the Style Groups with
Single Touch Play active recalls a default Style
Preset. If you modify the accompaniment tracks of
the Style Preset, you cannot memorize the
modifications to the original Style in the ROM
locations. The modified Style Preset is stored to the
Programmable Preset locations. This provides a
means of recalling the same Style arrangement
patterns with different Style Presets. See also the
Styles chapter.
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Sto re Pre se t
SAVING CHANGES TO A DIFFERENT
PRESET (OR CREATING A NEW ONE)
1. Press STORE PRESET.
STORE
PRESET
1
2
The «Preset Store» window opens showing
the current Preset at the centre and the des-
tination Preset at the “TO:” location.
Preset numbers 1…8 correspond to Preset
1, 9…16 to Preset 2 and so on.....
2. Rotate the Dial to select the Preset destination.
You can choose from the 64 memory loca-
tions available.
01GrandP
O2PnoStr..
...
63Preset63..
64Preest64
Preset Store:01GrandP
TO:01GrandP
Are you sure? Press [ENT] or [ESC]
3. Press ENTER to confirm, or ESCAPE to cancel.
3
After the save operation, the display returns
to normal showing the new Preset.
ENTER
ESCAPE
ᮣ
Note: Whatever Preset data is present at the
selected destination will be cancelled by the
incoming modified Preset.
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Sto re Pre se t
CHANGE THE NAME OF A PRESET
PRESET
1
2
1. Press PRESET. in the EDIT section.
2. Hold PAGE+/BANK+ pressed to scroll to the last
page (Page 9) to open the “Preset name” win-
dow.
ThecurrentPresetnameisshownatthe“Old
name” position.
PAGE+ / BANK+
The“NewName”positionwillbeactive, ready
to accept your character insertions.
PAGE– / BANK–
Old name=GrandP -----> New name=
3. Change the Preset name using the keys of the
keyboard.
3
In Name Write mode, the keyboard trans-
forms into a source of alphanumeric data.
Each note corresponds to a letter, number or
symbol.
Write in a new name by striking correspond-
ing keys of the keyboard. Up to 6 characters
can be used to write a name.
4
5
How the keys are used for writing in data is
explained in the section entitled “Data entry”
of Chapter 3 (Basic Concepts - page 3-15).
ENTER
ESCAPE
4. Press ESCAPE to close the window.
STORE
5. Press STORE PRESET followed by ENTER to save
the Preset name.
PRESET
ENTER
ESCAPE
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Re sto re Pre se t
RESTORING THE ORIGINAL PRESET SET-
TINGS
Is it possible to cancel all modifications made to
the Presets and restore factory settings.
RESTORE
1
2
1. Press RESTORE in the SYSTEM section.
The RESTORE ORIGINAL BLOCK display
activates.
2. Press F7 or F8 to select the PRESET command.
1/1 RESTORE ORIGINAL BLOCK
[Release]
The display shows “Restore Original Preset”.
All
Seq
Preset [01-09-97]
F1
F2
F3
F4
F5
F6
F7
F8
RESTORE ORIGINAL " PRESET "
Are you sure? Press [ENT] or [ESC]
3
3. Press ENTER to confirm the Restore Preset pro-
cedure, or ESCAPE to cancel.
All the changes stored to the Presets of the
PROGRAMMABLE PRESETS section are
cancelled. The original ROM settings of all
the Preset parameters are restored.
ENTER
ESCAPE
ᮣ Hint: If you want to cancel the entire contents of
RAM in a single operation, use the “Restore ALL”
command. Be sure, however, to save all data that
you wish to conserve to disk before confirming the
operation.
Sounds & Presets 4•23
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4•24 User Guide
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• 5 The Styles
You can enjoy playing the Pianovelle PS1500
keyboardsoundsinrealtimewhilePS1500takes
care of the auto accompaniment, as if you were
playing with a band of musicians. The auto ac-
companiments are provided by the PS1500
Styles.
The Style accompaniment tracks have several
items that can be set, such as the Sound, vol-
ume, pan, effects, tempo, muting, tuning, etc. The
arrangement patterns are fixed for the ROM
Styles while for the User-programmable Styles,
they can be freely modified.
This chapter describes the Style auto accompa-
niments, how to select them and how to modify
the Style Preset which governs each Style.
User Styles are discussed in a separate chapter.
THE STYLE DISPLAY
The Style Display activates every time the instru-
ment is turned on. When Styles are disabled
(EASY PLAY LED off), the top line shows
“EasyPlay=Off”.
ABOUT PS1500 STYLES
Styles are a collection of musical patterns repre-
senting many types of music, ranging from rock
and pop to traditional and ethnic music.
178
SoulBB EasyPlay=Off Bk1: SLOSTR
Each Style has 4 Variations consisting of various
Intro, Fill-in and Ending patterns. A Style, there-
fore, provides a complete range of musical struc-
tures with which you can create an entire song.
GrandP
POP
Bk1: SLOSTR
Bk1: PIANO1
When the Styles are enabled (EASY PLAY LED
on), the display shows a string of asterisks until
a note or chord is pressed on the keyboard area
dedicated to Style chords (below the Split point).
Styles provide automatic accompaniments trig-
gered by chord information received from the
PS1500keyboardandthepatternschangetosuit
the current chord.
178
SoulBB ***********
Bk1: SLOSTR
Bk1: PIANO1
GPiano
POP
pop
Bk1: SLOSTR
Bk1: SLOSTR
Styles engage 8 tracks: 3 belonging to the real
time keyboard sections and 5 engaged by the
sequencer for the auto accompaniments. The 5
accompaniment tracks are divided into a Drums
track (drum sets widely used in all types of mu-
sic), a bass track and three accompaniment
tracks (Acc1, Acc2, Acc3 - general accompani-
ment instruments).
GrandP
Bk1: PIANO1
All Styles display the currently selected Style
Group directly under the Style name.
PS1500contains96permanentStylesinmemory
(flash-ROM) and 16 User-programmable Styles
in RAM. The Styles are contained in 14 Banks of
8 (12 Rom and 2 User).
Styles 5•1
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Se le c ting Style s
Selecting Styles
You can choose to select Styles and recall ap-
propriate keyboard sounds automatically (option
A), orselectStyleswithoutchangingthekeyboard
sounds (option B).
OPTION A: RECALL KEYBOARD
SOUNDS AUTOMATICALLY
1
2
1. Press SINGLE TOUCH PLAY (LED on).
SINGLE TOUCH PLAY
EASY PLAY
MEMORY
When SINGLE TOUCH PLAY is on, the
sounds memorized in the Style Preset are
assigned to all the tracks. Selecting a Style
changes the sounds of the accompaniment
tracks as well as the keyboard sections.
Pressing SINGLE TOUCH PLAY automati-
callyactivatestheEASYPLAYandMEMORY
buttons and the KEY START button.
SPLIT
KEY START
CONTINUE
INTRO
ENDING
START STOP
/
2. Press one of the STYLE/SONG GROUPS buttons.
STYLE SONG GROUPS
Use the first 12 banks of the Style/Song
Groups: Swing, Country … World, Ethnic. A
timeout selection window appears showing
8 Styles belonging to the selected Group.
SWING
COUNTRY
16 BEAT
RK
FUNK
LATIN
DANCE
WORLD
POP
USER 1–8
USER 9–16
SONG
8
BEAT
N
1
2
ETHNIC
SONG /STYLE
3. Select a Style with the corresponding Function
button.
3
Selecting a Style instantly changes the auto-
matic accompaniment, the accompaniment
and keyboard sounds and the effects. If
TEMPO LOCK is off, the Tempo also
changes. If MIXER LOCK is off, the track
volumes also change.
OpenRk
HardRk
SoftRk
Blues
F1
F2
F3
F4
F5
F6
F7
F8
Ifthearrangementsareplaying, thenewStyle
enters at the next measure.
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Se le c ting Style s
OPTION B: SELECT STYLES WITHOUT
CHANGING THE KEY-
BOARD SOUNDS
1. Turn off SINGLE TOUCH PLAY.
SINGLE TOUCH PLAY
1
2
When SINGLE TOUCH PLAY is off, select-
ing a Style changes the accompaniment
patterns, sounds and effects of the accom-
paniment tracks. If TEMPO LOCK is off, the
tempo also changes.
The Sounds of the live keyboard tracks re-
main unchanged.
2. Press one of the buttons of the STYLE / SONG
GROUPS section (Swing, Country, Rock, etc.).
STYLE SONG GROUPS
SWING
COUNTRY
16 BEAT
ROK
FUNK
LATIN
DANCE
WORLD
POP
USER 1–8
USER 9–16
SONG
8
BEAT
LAN
1
2
ETHNIC
SONG /STYLE
3. Select a Style with the corresponding Function
button.
3
OpenRk
HardRk
SoftRk
Blues
Selecting a Style instantly changes the auto-
matic accompaniment pattern together with
the sounds and effects of the automatic ac-
companiment tracks. The Sounds of the live
keyboard tracks remain unchanged.
F1
F2
F3
F4
F5
F6
F7
F8
If TEMPO LOCK and MIXER LOCK are off,
the tempo and track volumes also change.
Select Presets to recall Styles
Styles can also be recalled by selecting the Pro-
grammable Presets. See over.
Styles 5•3
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Se le c ting Style s
SELECT A STYLE WITH THE PROGRAM-
MABLE PRESETS
The Programmable Presets memorize the sta-
tus of the instrument when the STORE PRESET
button is pressed, therefore, they also ‘remem-
ber’ which Style and Variation were active at the
time.
ᮣ
Note: Most of the Programmable Presets are
factory-set to recall the “8bt Std” Style, therefore,
you may not observe a change of Style.
1. Deactivate STYLE LOCK.
STYLE LOCK
STYLE LOCK
1
To change Style and Variation by selecting a
Programmable Preset, STYLE LOCK must
be off.
2. Press one of the PROGRAMMABLE PRESET but-
tons.
2
3
PROGRAMMABLE PRESETS
1
2
3
4
5
6
7
8
8 Presets are displayed.
3. Select a Preset.
If on, SINGLE TOUCH PLAY deactivates au-
tomatically.
GrandP
SloSax
StGuit
Mstone
F1
F2
F3
F4
F5
F6
F7
F8
Thesounds, volumesandeffectsofthetracks
change (revert to those contained in the Pro-
grammable Presets).
The Style and Variation that were active at
the time of saving the Preset are recalled. If
TEMPOLOCKisoff, thetempoalsochanges.
ᮣ
Note: You can also use the PAGE+/BANK+,
PAGE–/BANK– buttons to select Presets in
increasing/decreasing order.
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Auto Ac c o m p a nim e nt tra c ks
The Accompaniment tracks
In the Style/Preset mode, 3 tracks are assigned
to the keyboard and 5 to the automatic accom-
paniment. The accompaniment tracks and the
keyboard tracks can be changed in the same
manner and saved in the Presets (Style Preset
or Preset).
PRESET
To view the Accompaniment tracks
TRACK
SELECT
Press the PRESET button in the EDIT section to
view all 8 tracks of the Style. The Sound as-
signed to each track is shown as the correspond-
ing Program Change number.
1/9 PRESET:PROGRAM
[Bk2:STAND1 Tk01]
Press ESCAPE to close the Edit Preset display.
113 15
29
26
50
50
49
1
The Style tracks engaged by the sequencer cor-
respond to a specific part of the accompaniment,
while those corresponding to the keyboard sec-
tions are available for playing in real time.
ENTER
ESCAPE
The following table shows the default configura-
tion of the Style tracks.
Track
Part
MIDI channel
1
2
3
4
5
6
7
8
Drum
Bass
10 (engaged by seq)
2 (engaged by seq)
3 (engaged by seq)
4 (engaged by seq)
5 (engaged by seq)
6 (free for real time play)
7 (free for real time play)
8 (free for real time play)
Acc1
Acc2
Acc3
Lower
Upper 2
Upper 1
Default configuration of tracks and MIDI channels
Styles 5•5
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The Style Co ntro ls
The Style Controls
KEY START can be turned off by:
Certainbuttonsonthecontrolpanelarededicated
to the control of the Styles and the selection of
the variation, fill, intro and ending.
•
•
•
pressing START/STOP to start the
accompaniment.
pressing ENDING while the accompani-
ment is running.
pressing KEY START once more to
deactivate the function.
START/STOP
Starts or stops the Style accompaniment play-
back as well and Song/Style and Song playback.
The two LEDs under the button act as a visual
metronome: the left LED flashes on the first beat
of the measure and the right LED flashes every
successive beat.
KEY START is not turned off by:
•
•
pressing START/STOP while the accompa-
niment is running.
pressing INTRO, ENDING or FILL before
starting the accompaniment.
In User Style record mode, this button also starts
the recording (see User Style Recording).
KEY START can be used in various situations.
The most common use is as follows:
Before pressing START/STOPto start the accom-
paniment, youcanpre-selectoneofeitherINTRO,
ENDING or FILL to play as an Introduction.
1. Make sure that MEMORY or LOWER
MEMORY are on.
ᮣ
Note: If MEMORY or LOWER MEMORY are off,
KEY START/CONTINUE
Synchronizes the start of the automatic accom-
paniment with a note or chord pressed on the
keyboard without having to press START/STOP.
the accompaniment plays while your notes are
pressed on the keyboard and stops instantly when the
notes are released. If, instead, one of these two
functions are active, the accompaniment of the Drum
track will continue playing after releasing the keys.
When KEY START is selected, the LED turns on
to indicate the activation of the function. This
button activates automatically when you select
SINGLE TOUCH PLAY.
The CONTINUE function operates for Song/
Styles and Songs only and is explained after-
wards.
2. When the accompaniment is not playing,
press KEY START (if not already activated).
3. You can press one of INTRO, FILL or END-
ING to preset the relative function. The LED
of the function activated remains on.
4. Play a chord or note with your left hand. The
accompaniment starts immediately (eventu-
ally preceded by the introductory pattern if
selected. The LED of the intro function se-
lected remains on until the cycle of the rela-
tive intro function is complete.
KEY START
CONTINUE
INTRO
ENDING
5. Stop the accompaniment with START/STOP
if KEY START is still on.
START / STOP
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The Style Co ntro ls
6. Play a note or chord with your left hand. The
accompaniment starts playing again.
THE DIAL (TEMPO)
In the display of all play modes (Style/Preset,
Song/Style and Song modes), the DIAL is per-
manently activeasatempocontrol. Turnifclock-
wise to increase the tempo or counter-clockwise
to slow it down.
7. Press ENDING or START/STOP to stop the
accompaniment. ENDINGturnsKEYSTART
off.
8. If you have stopped the accompaniment with
START/STOP, press KEY STARTto turn it off.
NOTE: The STOP and PLAY buttons in the
16 Track Recording Studio are disabled in
Style/Preset and User Style mode. If you
presseitherofthesetwobuttonsinStyle/Pre-
set or User Style mode, the display shows
the following message:
To vary the Tempo
* * * * STOP & PLAY DISABLED * * * *
* * IN STYLE & USER STYLE MODE * *
Press ESCAPE to close the window.
ᮣ
Note: If TEMPO LOCK is off when a Style is
selected, the tempo also changes when selecting
new styles.
INTRO
Selects an introductory pattern lasting one or
more measures. After pre-selecting the INTRO,
to start the Style you will need to press START/
STOP (or play the left hand notes if KEY START
is selected).
Pressed while the Style is playing, the INTRO
pattern can play as a Fill.
ENDING
StopstheStyleplaybackwithanending(a‘coda’).
With the accompaniment stopped, you can pre-
select the Ending to play as an introduction.
You can use the Ending as a fill when passing
fromoneStyletoanother. WhiletheStyleis play-
ing, press ENDING and immediately select an-
other Style. The ENDING cycle plays to the end
of the current measure then passes directly over
to the new Style.
Styles 5•7
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Va ria tio n, Fill, Style Lo c k
Variation, Fill, Style Lock
the timing of the last two taps, the relativeTempo
value is displayed and the Style accompaniment
starts automatically.
VARIATION 1,2,3,4
These buttons control the Style Variations. Each
button recalls a different version of the same ac-
companiment.
The tempo is established according to the cur-
rent Time Signature, i.e. four taps for 4/4, three
for 3/4, etc..
Each variation includes different patterns for the
Basic, Intro, Fill and Ending sections.
As an audio indication to the rest of the band, the
time is tapped out with the sound of drumsticks.
VARIATION
1
2
3
4
TAP TEMPO
Tap Tempo
TAP TEMPO
TAP TEMPO
TAP TEMPO
FILL<, FILL, FILL>/TAP TEMPO
FILL< plays the Fill cycle then breaks into the
previous Variation. If variation 1 is selected, Vari-
ation 4 will be recalled.
1
2
3
4
FILL plays the Fill cycle then continues with the
current Variation. When the accompaniment is
not playing, this fill can be preset as an Intro.
STYLE LOCK
FILL>[Tap Tempo] plays the Fill cycle then
breaks into the next Variation. If variation 4 is se-
lected, Variation 1 will be recalled.
This button determines whether the current Style
accompaniment pattern changes or rests un-
changed when you select Presets from the PRO-
GRAMMABLE PRESETS.
Normally, the Fill cycles plays once only. If you
hold the FILL button pressed, it will repeat the
Fill cycle continually until released.
STYLE LOCK
FILL
TAP TEMPO
If STYLE LOCK is off, selecting Presets changes
the Style accompaniment patterns, the accom-
paniment and keyboard Sounds, the effects and
track volumes. If STYLE LOCK is on, selecting
Presets changes the keyboard sounds only while
the Style accompaniment pattern and effects rest
unchanged.
TAP TEMPO [FILL>]
This button also acts as the TAP TEMPO func-
tion.
With the accompaniment off, beat time on the
button. The tempo is established according to
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The Ac c o m p a nim e nt se c tio n
The Accompaniment section
This section provides functions which control and
simplify Style playing.
and Lower is off, the Upper 1 and Upper 2 sec-
tions extend over the full keyboard range.
The Mode setting can be memorized to the Pre-
sets.
EASY PLAY / SPLIT
Howtosetthekeyboardmodeisdetailedonpage
15 in chapter 4 “Sounds & Presets” of the User
Guide.
EASY PLAY/SPLIT is a dual action button.
When this button is on (LED on), all the accom-
paniment parts of a Style are enabled. If it is not
on, youwillonlyheartheDrumtrackwhenaStyle
is started.
SPLIT POINT
This option allows you to set a new chord split
point for the Styles and, therefore, the chord rec-
ognitionareaofthekeyboard, extendingorshort-
ening it as required.
SPLIT: If you hold EASYPLAYpressed for about
2 seconds, the display presents two options to
choose from: MODE and SPLIT POINT.
The Split Point is a general setting which is not
stored to the Presets, but remains memorized
until changed again.
MODE: This function allows you to choose from
two keyboard modes : FULL and SPLIT.
When FULL MODE is set, the Upper 1 and/or
Upper 2 keyboard sections are assigned to the
full keyboard while the Lower section is disabled.
This allows you to play Styles with the keyboard
sounds over the full keyboard range. If you at-
tempt to activate the Lower keyboard section by
pressing the LOWER button, the display shows
a user-message informing that Lower is disabled
in Full Mode.
See “How to set a new Split Point” on page 13.
PIANO STYLE
PS1500 can recognize the chords used in the
automatic accompaniment in various different
ways. These are: One Finger, Fingered 1, Fin-
gered 2 and Free. These four options are se-
lected in the PIANO STYLE menu which is acti-
vated by holding down the PIANO STYLE button
for about 2 seconds.
When SPLIT MODE is set, the Lower section is
enabled and allows you to play Styles with one
real time sound on the Left hand and one or two
different Sounds on the right. If Easy Play is on
and Lower is off, the Upper sections do not ex-
tend over the full keyboard. If Easy Play is off
See “The Chord Recognition Modes” on page 11.
ACCOMPANIMENT
EASY PLAY PIANO STYLE
MEMORY LOWER MEMORY TEMPO LOCK FADE IN /OUT MIXER LOCK BASS FOLLOW
SPLIT
Styles 5•9
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The Ac c o m p a nim e nt se c tio n
MEMORY
MIXER LOCK
When this button is on (LED on), the accompani-
ment continues to play after releasing the left
handfromthekeyboard. Whenoff, releasingyour
left hand causes the accompaniment to stop.
A Preset also memorizes the track volumes. If
MIXER LOCK is off, when a Style or Preset is
selected the track volumes change too. If it is
on, all the volumes of the tracks assigned to the
keyboard and accompaniment rest unchanged.
LOWER MEMORY
If this is on (LED on), the notes of the track as-
signed to the left hand (Lower) are held even if
the left hand is taken away from the keys.
BASS FOLLOW
If BASS FOLLOW is on, the bass part of the auto
accompanimentofthecurrentStyleplaysaccord-
ing to the lowest note of the current chord. If you
play a different inversion of the same chord, the
lowest note also changes resulting in a different
bass note being played.
The Lower Memory function is useful for holding
on ‘background’ sounds without having to use a
Damper pedal (which may be of more use with
the Upper sounds).
If off, the bass will follow the original programmed
pattern of the Style.
When off, releasing your left hand will cause the
Lower sound to stop playing.
Bass Follow permits real time changes to the oth-
erwise fixed bass pattern of a Style, by playing
different chord inversions.
TEMPO LOCK
If Tempo Lock is off, when a Style or a Preset is
selected the tempo changes. If the function is
on, the tempo will not change.
FADE IN/OUT
FADE IN/OUT fades the accompaniment with a
gradual increase or decrease of volume.
Press the button before starting the accompani-
ment. The Style track volumes are instantly set
to zero. Use either START/STOPor KEYSTART
to start the accompaniment. After the start, the
accompanimenttrackvolumesgraduallyincrease
andreachtheirprogrammedpeakaftera2meas-
ure (bar) cycle.
Press FADE IN/OUT while the accompaniment
is running; all the track volumes gradually de-
crease and the accompaniment automatically
stops at the end of the Fade Out cycle.
During the Fade cycle, the relative LED flashes.
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The Cho rd Re c o g nitio n m o d e s
THE CHORD RECOGNITION MODES
One Finger Chords
There are four possible chord recognition modes
available.
• One Finger, Fingered 1 and Fingered 2 require
the chord to be played below the Split Point.
• Free allows the chord to be played anywhere
on the keyboard, ignoring the Spit point.
C (major)
C dim
C min
One Finger-Asingle note played below the Split
Point is interpreted as the root of a major
chord. The relative chord symbol is shown
as a single letter (e.g. C = C Major).
C 7
To obtain a minor chord play the root and the
minorthird(e.g. CandEb). Foradiminished,
play the root and the diminished fifth (C + Gb
above or below C). For a seventh chord play
the root and the seventh (C + Bb above or
below C). For a major 7th, play the root and
the augmented seventh (C + B above or be-
low C).
C maj7
Fingered 1 - Needs at least three notes for the
chord to be recognized. If less than three
notes are played, the chord is not recognized
and the notes played in the left hand are con-
sidered ‘stray’ notes.
Free (FreeStyle) - The chord is recognized any-
where along the keyboard, even if played in
therighthandorusingbothhands. Thechord
must comprise a minimum of three notes.
You can play your melody anywhere along
the keyboard with the Upper 1 and /or Upper
2 keyboard sounds. Free disables the Lower
keyboard section.
Fingered 2 -At least three notes must be played
to obtain the full programmed pattern of the
Style. If less than three notes are played,
the arranger recognizes the chord but only
triggers a light accompaniment. Two fingers
providesaslightlyricheraccompanimentthan
one finger.
The GRAND PIANO PRESET recalls the
Free mode by default.
Styles 5•11
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Mo d ifying the Cho rd Re c o g nitio n m o d e
MODIFYING THE CHORD RECOGNITION
MODES
The three chord recognition modes are accessed
by holding the PIANO STYLE button pressed for
approximately 2 seconds.
PIANO STYLE
1. Press and hold PIANO STYLE.
1
OneFinger Fingered1 Fingered2 FreeStyle
2. Select the required chord recognition mode with
the corresponding Function buttons.
2
OneFinger Fingered1 Fingered2 FreeStyle
F1/F2 select ONE FINGER;
F2/F3 select FINGERED 1;
F3/F4 select FINGERED 2;
F7/F8 select FREESTYLE.
F1
F2
F3
F4
F5
F6
F7
F8
3. Press ESCAPE to close the PIANO STYLE display.
3
ENTER
EAPE
4. Press STORE PRESET and ENTER to save to the
current Preset.
STORE
PRESET
The chord recognition modes are Preset pa-
rameters, therefore, the Programmable Pre-
sets can be independently programmed to
recall different chord recognition modes.
4
ᮣ N.B.: The recognized chord symbols appear on
the main Style display. If an unrecognized chord is
played, the chord symbol for the lowest note
appears followed by a series of asterisks. For
example: “C*****”.
Are you sure? Press [ENT] or [ESC]
ENTER
ESCAPE
ᮣ N.B.: In order for the chord to be recognized
(and for its symbol to be shown on the display)
.EASY PLAY must be on.
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Cha ng ing the Sp lit Po int
CHANGING THE SPLIT POINT
EASY PLAY
1
The Split Point is:
a) the point that separates the Upper and Lower
keyboard sections in Style/Preset mode and,
SPLIT
b) the point below which the keyboard recog-
nizeschordswhichtriggertheStyleautomatic
accompaniments (in One Finger and Fin-
gered chord recognition modes).
Mode=Full
Split Point=F#3
Split Point=F#3
The current Split Point setting can be viewed in
the MODE/SPLIT POINT display by holding
pressed the EASY PLAY button for about 2 sec-
onds. The setting can be modified as required.
2
Mode=Full
F1
F2
F3
F4
F5
F6
F7
F8
1. Press and hold EASY PLAY/SPLIT to open the op-
tion page.
2. Press Function button F7 or F8 to activate the
Split Point function.
3. Rotate the DIAL or play a note on the keyboard
(corresponding to the highest note of the Lower
split zone) to modify the setting.
3
The new Split Point is shown in the display.
If you entered the wrong note, simply play
another.
OR
4. Press ENTER to confirm the new Split Point and
close the display. Press ESCAPE if you want to
cancel the operation (and retain the original set-
ting).
4
ᮣ Note: The Split Point is a general parameter
(not linked to a particular Preset) which is
conserved in memory when the instrument is
turned off. The new setting is lost when the
“Restore Original Block” operation is carried out or
if the back-up memory loses its data due to the
total discharge of the battery.
ENTER
ESCAPE
Styles 5•13
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Sing le To uc h Pla y / Ha rm o ny
SINGLE TOUCH PLAY
HARMONY
The SINGLE TOUCH PLAY button recalls all the
memorized parameters associated to the ROM
Styles, including the sounds assigned to the key-
board sections.
Harmony can orchestrate your Style playing,
makingsimpleone-notemelodiessoundasifthey
are being played by a full orchestra. This button
is associated to the Styles and Song/Styles only.
Songs cannot exploit this function.
If the EASY PLAYand MEMORYbuttons are off,
pressing SINGLE TOUCH PLAY activates both
buttons. Activating SINGLE TOUCH PLAY also
turns on KEY START.
ᮣ
Important: Harmony operates only when the
Easy Play button is on and when the keyboard
mode is set to SPLIT.
If SINGLE TOUCH PLAY is off, you can select
STYLES from the STYLES Groups without
changing the keyboard sounds.
On/Off
This button enables (LED on) or disables (LED
off)thecurrentHarmonyTypeselectedintheHar-
mony Type options.
IfyouselectPresetsfromthePROGRAMMABLE
PRESETS, the SINGLE TOUCH PLAY button
deactivates automatically.
Harmony Type
HARMONYTYPEgainsaccesstothe8Harmony
options. The structure of the automatic harmony
is based on the current Harmony Type setting
and operates in two different ways:
•
A: according to the note (or chord) played
below the Split Point with Arrange On/Off
selected.
•
B:regardlessofthenoteplayedornotplayed
below the Split Point.
Type A:
Close: The notes played on the left hand are
added to the melody note exactly as played. The
harmonizing chord is a closed (or tight) position
(notes fall within the same octave).
Open 1: same as close but with an open chord
(notes spread over 2 octaves).
Open 2: similar to Open 1 but with the notes
played on the left hand randomly assigned to the
right .
Block: transforms the melody note into a full four
or five note chord, each note in perfect harmony.
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Ho w to se le c t the Ha rm o ny Typ e
Type B:
Octave 1: doubles the note of the right hand by
playing an octave higher. No left hand chord re-
quired.
Oscar: doubles the note of the right hand with a
note two octaves below. No left hand chord re-
quired. This structure is based on the harmony
typically used by the jazz musician Oscar
Peterson.
Jazz: adds two notes above the note played by
the right hand, at intervals of a fourth and a mi-
nor seventh. No left hand chord required.
Rock: creates a three note chord consisting of
the melody note, a fifth interval and an octave
interval (e.g. C-G-C’). No left hand chord re-
quired.
How to select a Harmony Type option
HARMONY
1. Press HARMONY TYPE
1
2
ON OFF
TYPE
The display shows 8 Harmony options with
the selected option flashing.
2. Select the option with the corresponding Func-
tion button.
1/1 HARMONY TYPE:[OPEN 2]
Clse Opn1 Opn2 Bloc Oct. Oscar Jazz Rock
F1
F2
F3
F4
F5
F6
F7
F8
3. Press ESCAPE to close the Harmony Type display.
3
Theselectedoptionremainsmemorizedeven
after turning off the instrument.
ENTER
ESCAPE
Styles 5•15
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Exa m p le s: Se le c ting Pre se ts d uring Style p la y
SELECTING PROGRAMMABLE PRESETS
DURING STYLE PLAY
You can select Programmable Presets while the
accompaniment is playing to change the combi-
nation of the keyboard sounds.
1. Activate SINGLE TOUCH PLAY.
1
SINGLE TOUCH PLAY
EASY PLAY
MEMORY
EASY PLAY, MEMORY and KEY START ac-
tivate automatically. Turn off TEMPO LOCK
and MIXER LOCK (of on).
SPLIT
KEY START
CONTINUE
INTRO
ENDING
MIXER LOCK
TEMPO LOCK
2. Activate STYLE LOCK.
STYLE LOCK
2
3
If STYLE LOCK is on, the Style and Tempo
rest unchanged when you select a Program-
mable Preset.
If STYLE LOCK is off, when you select a Pre-
set, the Style, Variation and Tempo memo-
rized in the Preset are recalled.
3. Select a Style.
STYLE SO
FUN
The 16 Track Recording Studio (sequencer)
will show the accompaniment tracks recalled
by the Style.
Boogie
SlBlue
SWING
BEAT
COUNTRY
16 BEAT
RCK
IN
8
1
LAT
oRk
Blues
F5
F6
F7
F8
16 TRACK RECORDING STUDIO
1
2
3
4
5
6
7
8
TRACK
SELECT
9
10
11
12
13
14
15
16
RECORD
STOP
PLAY
<<
>>
DISK
PLAY
ALL SONGS
MEASURE
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Exa m p le s: Se le c ting Pre se ts d uring Style p la y
4. Press INTRO, ENDING or FILL to activate the in-
troduction.
4
KEY START
CONTINUE
INTRO
ENDING
START / STOP
FILL
TAP TEMPO
5. Play a note or chord on the left keyboard area
(below the current split point) to start the ac-
companiment running.
5
The Intro starts then breaks into the auto ac-
companiment.
IfyoupressSTART/STOPtostarttheaccom-
paniment, the KEY START function deacti-
vates.
6. Play freely.
6
7. Select a Preset from the PROGRAMMABLE PRE-
SETS section.
7/8
PROGRAMMABLE PRESETS
1
2
3
4
5
6
7
8
The SINGLE TOUCH PLAY button deacti-
vates and the combination of keyboard
sounds, the keyboard mode and effects
memorized in the Preset are recalled. The
sounds and arrangements of the Style ac-
companiment tracks rest unchanged.
GrandP
SloSax
StGuit
Mstone
F1
F2
F3
F4
F5
F6
F7
F8
8. Select other Programmable Presets.
Styles 5•17
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Exa m p le s: Se le c ting Pre se ts d uring Style p la y
9. Stop the accompaniment with ENDING or START/
STOP.
KEY START
CONTINUE
9
INTRO
ENDING
START / STOP
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Exa m p le s: Mute o ne o r m o re a c c o m p a nim e nt tra c ks
MUTE ONE OR MORE ACCOMPANIMENT
TRACKS
While playing Styles, you may want to temporar-
ilydeactivate(mute)oneofmoreaccompaniment
tracks to play the keyboard sounds with, for ex-
ample, Drums and Bass accompaniment only.
1
1. Select a Style.
STYLE SO
FUN
Boogie
SlBlue
SWING
BEAT
COUNTRY
16 BEAT
RK
LN
The 16 Track Recording Studio section will
show the accompaniment tracks recalled by
the Style.
8
1
LAT
oRk
Blues
F5
F6
F7
F8
16 TRACK RECORDING STUDIO
1
2
3
4
5
6
7
8
TRACK
SELECT
9
10
11
12
13
14
15
16
RECORD
STOP
PLAY
<<
>>
DISK
PLAY
MEASURE
ALL SONGS
2. Deactivate tracks 3, 4 and 5.
2
16 TRACK RECORDING STUDIO
Press each button to cancel the LED.
1
2
3
4
5
6
7
8
TRACK
SELECT
The relative accompaniment pattern will be
excluded from the overall arrangement.
9
10
1
1
13
14
15
16
RECORD
STOP
AY
<
>>
DISK
PLAY
ALL SONGS
E
3. Start to play the Style.
3
Start to play with both hands right away and
you’ll hear Drums and Bass accompaniment
only while other accompaniment instruments
are excluded.
ART / STOP
4. Introduce the muted tracks at will.
4
The tracks muted before starting the Style
can be introduced at any time during Style
play.
16 TRACK RECORDING STUDIO
1
9
2
3
4
5
6
7
8
TRACK
SELECT
10
11
12
13
14
15
16
RECORD
STOP
PLAY
<
>>
DISK
PLAY
ALL SONGS
E
Youcanalsomutetheaccompanimenttracks
while the Style is playing.
Styles 5•19
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Exa m p le s: Cha ng ing Style witho ut sto p p ing the a c c o m p a nim e nt
CHANGING STYLE WITHOUT STOPPING
THE ACCOMPANIMENT
It is not necessary to stop the automatic accom-
paniment when you want to change Style.
You can recall a new Style during the cycle of a
Variation, a Fill, Intro or Ending without interrupt-
ing it.
1
STYLE SO
An example.
Boogie
SlBlue
SWING
BEAT
COUNTRY
16 BEAT
RCK
FUN
LAT
8
IN
1
oRk
Blues
1. Select a Style.
F5
F6
F7
F8
KEY START
CONTINUE
2. Press INTRO, ENDING or FILL to program the Style
introduction.
2
INTRO
ENDING
START / STOP
FILL
TAP TEMPO
KEY START
CONTINUE
3. Press START/STOP (or use KEY START) to start
the auto accompaniment.
3
INTRO
ENDING
RT / STOP
OR
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Exa m p le s: Cha ng ing Style witho ut sto p p ing the a c c o m p a nim e nt
4. Play normally.
4
5. Press one of the STYLE GROUP buttons and se-
lect a different Style.
5
STYLE SO
FUN
The new Style cuts in at the end of the cur-
rent measure.
SWING
COUNTRY
16 BEAT
ROK
8
BEAT
LAN
1
LAT
F5
F6
F7
F8
6. Play freely with the new Style.
7. Press FILL, INTRO or ENDING.
6
7
KEY START
CONTINUE
INTRO
ENDING
START / STOP
FILL
TAP TEMPO
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Exa m p le s: Cha ng ing Style witho ut sto p p ing the a c c o m p a nim e nt
8. Before the Fill, Intro or Ending cycle finishes, se-
8
lect a different Style and one of its Variations.
STYLE SO
MetalR
SlowR
SWING
BEAT
COUNTRY
16 BEAT
RK
LAN
FUN
LAT
The new Style interrupts the cycle and starts
playing at the end of the current Fill, Intro or
Endingmeasure. TheselectedVariationnow
starts playing.
8
1
OnRk
HardRk
S
S
1
F2
F3
F4
VARIATION
ᮣ Hint The Fill breaks into the arrangement
immediately and the relative cycle usually plays for
one measure only, unless the Fill button is held
pressed for a period. The Intro and Ending
patterns start their relative cycles at the end of the
current measure and can last for more than one
measure. Therefore, when changing Styles, the
Intros and Endings give you more time to select a
different Style.
1
2
3
4
9
9. Play freely.
10. Select another Style and press INTRO or ENDING
immediately.
10
STYLE SO
FUN
MetalR
SlowR
SWING
COUNTRY
16 BEAT
RK
LAN
The Intro and Ending of the new Style are
played, then the new Style starts to play the
selected Variation.
8
BEAT
1
LAT
OnRk
HardRk
F1
F2
F3
F4
VARIATION
ᮣ Hint: You can switch Styles quickly by activating
1
2
3
4
DISPLAY HOLD to lock the Style selection window
11. Press START/STOP or ENDING to stop the accom-
paniment.
KEY START
CONTINUE
11
INTRO
ENDING
TART / STOP
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Te m p o
Tempo
The Style Tempo, shown in the display, can be
adjusted while playing by rotating the DIAL.
SAVE THE TEMPO TO A PRESET
A tempo setting that differs to the default tempo
data of the ROM Style can be saved to the Pro-
grammable Presets.
The current tempo setting can be saved to a Pre-
set.
By saving theTempo to a Preset, in practice you
modify the tempo setting of a ROM Style.
1. Select a Style.
2. Modify the tempo with the DIAL.
3. Press START/STOP to listen to the Style.
Thanks to the battery-backed RAM, the tempo
setting remains memorized after turning off the
instrument.
If the tempo needs further adjustment, rotate
the DIAL until you obtain the desired tempo.
CHANGING THE TEMPO OF A STYLE
4. Press STORE PRESET to save the Preset.
•
Use the DIAL to change the tempo setting, either
before or after starting the Style.
You are prompted to save to the current Pre-
set or to select a different destination Preset.
To recall the original tempo, select the same
Style again.
5. Rotate the DIAL to select a destination Preset and
press ENTER to confirm.
To store to the current Preset, press ENTER with-
out rotating the DIAL.
ᮣ
Note: If a different tempo has been memorized
in the Preset, when a Style is recalled by selecting
a Preset, the tempo will be that of the Preset and
not the original Style.
ESCAPE cancels the operation.
ᮣ
Hint: Save the Preset to disk to conserve the
changes. The Presets remain in RAM after power
down but are cancelled when you save other
Presets to the same locations.
Styles 5•23
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Re sto re Pre se t
RESTORING THE ORIGINAL PRESET SET-
TINGS
It is possible to cancel all modifications made to
the Presets and restore factory settings.
1. Press RESTORE in the SYSTEM section.
RESTORE
1
The RESTORE ORIGINAL BLOCK display
activates.
All
Seq
Preset [01-09-97]
Preset [01-09-97]
2. Press F5 or F6 to select the PRESET command.
2All
The display shows “Restore Original Preset”.
Seq
F1
F2
F3
F4
F5
F6
F7
F8
Are you sure? Press [ENT] or [ESC]
3. Press ENTER to confirm the Restore Preset pro-
cedure, or ESCAPE to cancel.
3
All the changes stored to the PROGRAMMA-
BLE PRESETS are cancelled. The original
ROM settings of all the Preset parameters
are restored.
ENTER
ESCAPE
ᮣ Hint: If you want to cancel the entire contents of
RAM in a single operation, use the “Restore ALL”
command. Be sure, however, to save all data that
you wish to conserve to disk before confirming the
operation.
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