ENGLISH
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The Power and the Beauty!
pro-mixing
pro-power
pro-effects
The discrete microphone preamps The integrated high-efficiency Class Two parallel and individually con-
of the PowerMate 1000 and H power amplifiers deliver an im- trolled 24-bit stereo digital effects
PowerMate 1600 combine out- pressive 2 x 700 watts into 4 ohms devices with 48-bit algorithms offer a
standing audio quality with extremely and an absolutely safe 2 x 870 watts total of 2 x 99 live-optimised presets
low noise and distortion, setting into 2.66 ohms with comparatively in studio quality. User-friendly
new standards in professional mix- little heat build-up. All the protective Up/Down keys are used to select
ing technology. Ergonomically circuits with which the Dynacord between room reverb, plate reverb,
designed gain controls with a range 19” amplfiers are equipped are echo reverb, chorus reverb,
of 60 dB, group-switchable phan- present here, including protections mono/stereo delay, modulated delay
tom power, vocal voicing filters, 3- against overheating, short-circuits effects (like chorus and flanger) and
band EQ with semiparametric mids, and DC voltage and HF and back a large number of other special
four aux sends, PFL, Mute, dust- EMF protection. The flow of current effects. Your preferred starting pre-
proof ALPS faders, 2 x 7-band at power up is limited and there is a sets can be stored in program mode
graphic EQs, feedback filters and short delay before power is so as to be instantly available next
four stereo channels are just some switched to the loudspeaker out- time you switch on the device. The
of the other professional features.
puts. An LPN filter and a super-fast effects returns can be switched into
dynamic audio limiter are further or out of the signal path using either
Dynacord-typical features.
one footswitch for both of the inte-
grated effects devices or a separate
footswitch for each.
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SYSTEM DETAILS & FEATU
MIC / LINE CHANNELS
MIC / STEREO LINE CHANNELS
The MIC/LINE channels of the PowerMate are outstand-
ingly well-equipped and offer a multitude of useful extras.
To allow the use of condenser microphones, phantom
power can be switched to the channels in groups of six.
Inserts in each mono channel permit the external process-
ing of the microphone signals. Ergonomically designed
GAIN pots with a range of 60 dB plus Signal Present and
Peak LEDs beside the faders provide optimum control
over the performance of the discrete microphone pre-
amps. A switchable 80 Hz LO-CUT FILTER is provided for
the suppression of low frequency noise. The 3-band EQ
section includes a sweepable (100 Hz – 8 kHz) semi-para-
metric MID, a LO-SHELV at 60 Hz and a HI-SHELV at 12
kHz with a control range of +/- 15 dB in each case. AUX1
and AUX2 are switched post-fade and control the level of
signal sent to the onboard effects devices FX1 and FX2.
AUX3 and AUX4 are designed to be switched pre-fade for
separate monitor mixes but can also be switched post-
fade to supply additional effects devices in the sum. The
channel strips also include PAN pots as well as PFL and
MUTE switches, each with its own LED. Ultra-high quality
dust-protected ALPS faders with extremely high maximum
attenuation levels control the ratios of the individual channels.
The MIC/STEREO LINE channels differ from the mono
channels in having separate GAIN MIC and LINE TRIM
controls instead of the LO-CUT and VOCAL VOICING
switches, 3-band equalisation (LO, MID and HI) and a
BALANCE control instead of the PAN control offered by
the mono channels.
MASTER SECTION
In the master section, too, you’ll find PowerMates are excep-
tionally well-equipped. Faders are provided for the returns of
the integrated effects devices, FX1 and FX2, as well as for
the AUX3 and AUX4 sends and the stereo MASTER. The
left and right channels of the 2 x 7-band equaliser used to
neutralise problematic room acoustics (with frequency bands
optimised for live performance) are separately switchable
and adjustable. The AUX1 and AUX2 sends can be used to
supply separate effects devices, either parallel to the internal
ones or on their own, and have individual level controls.
There is an additional MONO OUT, switchable pre/post.
Power, Limit and Clip LEDs and a 2 x 12 LED Master Display
provide a clear overview of the operating state. The 2-
TRACK RETURN allows a line input signal — e.g. from a
tape machine — to be fed into the sum or AUX3 and AUX4
monitor sends with individual level control. Also on hand is a
STANDBY switch that eliminates the mixer section altogeth-
er, in which case only the signals from the 2-TRACK
RETURN are fed to the built-in amplifier.
FEEDBACK FILTER
The AUX3 and AUX4
auxiliary sends offer
switchable anti-feed-
back filters, sweep-
STAGELIGHT
able over the range
80Hz – 7.7kHz, for
the swift and precise
elimination of feed-
To permit the swift and sure operation of the PowerMate
on dark stages during live performances, a socket is pro-
vided for an XLR gooseneck light (12V, 2.4W) which is
available as an optional extra.
back between the microphones and monitor loudspeakers
(a common problem) and for which an additional equaliser
would otherwise be needed.
VOCAL VOICING FILTER
With its special asym-
metric structure, this
filter, which can be
switched to each mic-
channel separately,
PROTECTIVE LID
emphasizes the fre-
quency range in which
the fundamental tones
Included in the delivery is a
robust, metal lid that clicks shut
and allows the PowerMate to
be transported safely without
the need for an additional flight-
case.
of the human voice are located, raising the profile of the
vocals within the overall mix. This type of contouring, which
cannot be achieved using ordinary EQ, solves the problem
of ‘thin voices’.
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URES
HANDLES
Easy and problem-free handling is assured by
a beam running the entire width of the device
at the front and the ergonomically-shaped
handles recessed into the sides.
POWER
At 2 x 700 W into 4 ohms and 2 x 870 W into
2.66 ohms, both PowerMates output consid-
erably more power than conventional power
mixers but with extremely low distortion and
intermodulation values. Special pole zero com-
pensators — Dynacord’s patented LPN filter
— eliminate transient response distortion typ-
ically introduced by PA speakers and provide a
degree of punch and impulse-fidelity in the bass
reproduction never before achieved.
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specs PowerMate 1000/1600
Maximum Midband Output Power, 1 kHz, THD=1%, Dual Channel
into 4 Ohms
into 8 Ohms
2 x 700 W
2 x 430 W
Maximum Midband Output Power, 1 kHz, THD=1%, Single Channel
into 4 Ohms
2 x 870 W
into 8 Ohms
2 x 500 W
Rated Output Power, THD=0.1%, Single Channel
into 4 Ohms
into 8 Ohms
2 x 700 W
2 x 350 W
70 Vrms
Maximum Output Voltage of power amplifier, no load
THD at 1kHz, MBW=80kHz
MIC input to Main L/R output, +16 dBu, typical
Power amplifier input to Speaker L/R output
DIM 30, power amplifier
IMD-SMPTE, power amplifier, 60Hz, 7 kHz
Frequency Response, -3dB ref. 1kHz
Any input to any Mixer output
Any input to Speaker L/R output
Crosstalk, 1kHz
< 0.005%
< 0.01%
< 0.01%
< 0.01%
6 MIC/LINE+ 4 MIC/STEREO LINE
PowerMate1000-2 230V #112926
15Hz ... 80kHz
20Hz ... 70kHz
Fader and AUX-Send attenuation
Channel to channel
CMRR, MIC input, 1kHz
Input Sensitivity, all level controls in max. position
MIC input
LINE Input (Mono)
LINE Input (Stereo)
Power Amplifier Input
> 85 dB
> 80 dB
> 80 dB
-74 dBu (155 ÌV)
-54 dBu (1.55 mV)
-34 dBu (15.5 mV)
+6 dBu (1.55 V)
Maximum Level, mixing desk
MIC inputs
Mono Line inputs
Stereo Line inputs
All other inputs
+ 21 dBu
+ 41 dBu
+ 30 dBu
+ 22 dBu
+ 14 dBu
+ 22 dBu
12 MIC/LINE+ 4 MIC/STEREO LINE
PowerMate1600-2 230V #112960
Record Send output
All other outputs
Input Impedances
MIC
RACK MOUNTING
2 kŸ
Insert Return
EQ Input and 2 Track Return
All other inputs
2.2 kŸ
8 kŸ
> 15 kŸ
An optional kit is available for mounting
the PowerMate 1000 in a 19” rack
RMK-1000 (# 112 698)
Output Impedances
Record Send
1 kŸ
Phones
47 Ÿ
All other outputs
75 Ÿ
Equivalent Input Noise, MIC Input, A-weighted,150 Ÿ
Noise, Channel inputs to Main L/R outputs, A-weighted 1000
-130 dBu
1600
Master fader down
Master fader 0 dB, Channel fader down
Master fader 0 dB, Channel fader 0dB, Channel gain unity -83 dBu
Signal/Noise-Ratio, power amplifier, A-weighted
Equalization
-95 dBu
-90 dBu
-95 dBu
-88 dBu
-82 dBu
105 dB
LO Shelving
MID Peaking, mono inputs
15 dB / 60 Hz
15 dB /
100 Hz...8 kHz
12 dB / 2.4 kHz
15 dB / 12 kHz
10 dB / Q=2.0
640 W
MID Peaking, stereo inputs
HI Shelving
Master EQ, 2x7-band, 63, 125, 400, 1k, 2k5, 6k, 12k Hz
Power Consumption at 1/8 maximum output power, 4Ÿ
Dimensions, (WxHxD), mm
PM1000
PM1600
514.5 x 210.3 x 478.7
673.5 x 210.3 x 478.7
Weight, without lid / including lid
PM1000
20 kg / 21 kg
PM1600
23.5 kg / 25 kg
Optional
RMK-1000 (Rack-Mounting-Kit PowerMate 1000)
Gooseneck lamp, 12V/2.4W, 12”, XLR
FS11 (Footswitch with LED)
112 698
112 700
110 693
*Mixing desk in rated condition, Unity Gain (MIC Gain 20 dB), all faders position 0 dB,
all pots in mid position, Master fader + 6dB, amplifier rated output power into 8 ohms,
Dual channel, unless otherwise specified.
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POWERMATE 600
The integration of mixing console, power amplifier and
effects devices in a compact and modern unit reaches a
new high with the PowerMate 600. With 6 Mic/Line as
well as two Stereo/Line channels, two mixable 24-bit
effects devices, a 7 band master equalizer and integrat-
ed 2 x 300 W power amplifier, the PowerMate 600 is the
absolute allround solution for a multitude of applications,
ideally suited to the needs of both single entertainers
and small bands. For schools, clubs or similar institu-
tions, the PowerMate is the perfect tool for a wide range
of sound reinforcement tasks. Safe and easy to carry,
fast and simple to set up, intuitive and uncomplicated to
operate, the smallest member of the PowerMate family
delivers Dynacord quality in a compact, elegant frame.
pro-mixing
pro-power
pro-effects
All the features of a professional mix- Despite its compact dimensions, Two parallel and individually con-
ing console but without the bulk. With the PowerMate 600 is rated at 2 x trolled 24-bit stereo digital effects
six Mic/Line and two Stereo/Line 300 watts into 4 ohms and there- devices with 48-bit algorithms offer a
channels, three-band EQ in every fore offers large dynamic reserves total of 198 live-optimised presets in
channel, separate effects and moni- with exceptionally low distortion studio quality. User-friendly Up/Down
tor sends, a 7-band master equalizer and intermodulation values. All the keys are used to select between
and LED level meters in the master safety features of Dynacord’s 19” room and plate reverb, echo reverb,
as well as every channel, the Power amplifiers are on board as well as mono/stereo delay and a large num-
Mate 600 is a joy to use in any situa- the patented LPN Filter technology ber of other special effects. Your pre-
tion. There are other convenient fea- for ultra-powerful bass reproduc- ferred starting presets can be stored
tures, too, such as a switchable tion and a superfast dynamic audio in program mode so as to be instant-
Standby function, which allows you to limiter, whilst the power supply ly available next time you switch on
feed the signal from a tape or MD offers the legendary 30% headroom. the device. The return signals of both
recorder directly to the amplifiers
without disturbing your mixer set-
tings, as well as an additional mono
output (with its own level control) to
provide sound reinforcement to addi-
tional rooms and a headphone socket
(also with its own level control).
effects devices can be switched
singly or jointly into or out of the sig-
nal path either at the device or using
a footswitch.
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specs powermate 600
Maximum Midband Output Power, 1 kHz, THD=1%, Dual Channel
into 4 Ohms
into 8 Ohms
2 x 270 W
2 x 180 W
Maximum Midband Output Power, 1 kHz, THD=1%, Single Channel
into 4 Ohms
2 x 340 W
into 8 Ohms
2 x 200 W
Rated Output Power, THD=0.1%, Single Channel
into 4 Ohms
into 8 Ohms
2 x 300 W
2 x 150 W
43 Vrms
Maximum Output Voltage of power amplifier, no load
THD at 1kHz, MBW=80kHz
MIC input to Main L/R output, +16 dBu, typical
Power amplifier input to Speaker L/R output
DIM 30, power amplifier
IMD-SMPTE, power amplifier, 60Hz, 7 kHz
Frequency Response, -3dB ref. 1kHz
Any input to any Mixer output
Any input to Speaker L/R output
Crosstalk, 1kHz
6 MIC/LINE + 2 STEREO LINE
PowerMate600-2 230V #112959
< 0.006%
< 0.08%
< 0.03%
< 0.2%
RACK MOUNTING
15Hz ... 60kHz
30Hz ... 40kHz
The optional kit RMK-600
(# 112 741) is available for
mounting the PowerMate 600
in a 19” rack. (PowerMate1000
shown in picture)
Fader and AUX-Send attenuation
Channel to channel
CMRR, MIC input, 1kHz
Input Sensitivity, all level controls in max. position
MIC input
LINE Input (Mono)
LINE Input (Stereo)
Power Amplifier Input
> 80 dB
> 70 dB
> 80 dB
-74 dBu (155 ÌV)
-54 dBu (1.55 mV)
-34 dBu (15.5 mV)
+6 dBu (1.55 V)
Maximum Level, mixing desk
MIC inputs
Line inputs
All other inputs
Record Send output
+ 11 dBu
+ 30 dBu
+ 20 dBu
+ 14 dBu
+ 20 dBu
All other outputs
Input Impedances
MIC
2 Track Return
1.8 kŸ
10 kŸ
All other inputs
> 15 kŸ
Output Impedances
Record Send
Phones
All other outputs
1 kŸ
47 Ÿ
75 Ÿ
Americas
Telex Communications Inc. 12000 Portland Ave South, Burnsville, MN 55337, USA
USA: Phone: 1-800-392-3497, Fax: 1-800-955-6831
Equivalent Input Noise,
MIC Input, A-weighted,150 Ÿ
Noise, Channel inputs to Main L/R outputs, A-weighted
Master fader down
Master fader 0 dB, Channel fader down
Master fader 0 dB, Channel fader 0dB, Channel gain unity
Signal/Noise-Ratio,
power amplifier, A-weighted
Equalization
LO Shelving
MID Peaking
HI Shelving
Master EQ, 7-band, Stereo
Phantom Power
all MIC inputs
-130 dBu
Canada: Phone: 1-866-505-5551, Fax: 1-866-336-8467
Latin America: Phone: 1-952-887-5532, Fax: 1-952-736-4212
-90 dBu
-89 dBu
-83 dBu
Europe, Africa and Middle-East
EVI Audio GmbH. Hirschberger Ring 45, D 94315 Straubing, Germany
Phone: +49 9421-706 0, Fax: +49 9421-706 265
France: EVI Audio France S.A. Parc de Courcerin, Allée Lech Walesa, F 77185 Lognes,
France. Phone: +33 1-6480-0090, Fax: +33 1-6006-5103
105 dB
15 dB / 60 Hz
15 dB / 2.4 kHz
15 dB / 12 kHz
10 dB
Asia & Pacific Rim
+24 Vdc
Japan:
EVI Audio Japan Ltd. 5-3-8 Funabashi, Setagaya-Ku, Tokyo, Japan 156-0055
Phone: +81 3-5316-5020, Fax: +81 3-5316-5031
Power Requirements
Factory preset, 50 Hz ... 60 kHz
Power Consumption
100V, 120V, 230V, 240V
Australia: EVI Audio (Aust) Pty Ltd. Slough Business Estate, Unit 23, Silverwater, N.S.W. 2128,
Australia. Phone: +61 2-9648-3455, Fax: +61 2-9648-5585
at 1/8 maximum output power, 4Ÿ
Dimensions, (WxHxD), mm
Weight, including lid
450 W
455.5 x 175.8 x 340.6
13 kg
China:
EVI Audio (HK) Ltd. 7th Floor China Minmetals Tower, No. 79 Chatham Road South,
Tsim Sha Tsui, Kowloon, HK. Phone: +852 2351-3628, Fax: +852 2351-3329
Singapore: Telex Pte. Ltd. 3015A Ubi Road 1, 05-10 Kampong Ubi Industrial Estate,
Singapore 408705 Phone: +65 6746-8760, Fax: +65 6746-1206
Optional
RMK-600 (Rack-Mounting-Kit PowerMate 600)
Gooseneck lamp, 12V/2.4W, 12”, XLR
FS11 (Footswitch with LED)
112 741
112 700
110 693
© EVI Audio GmbH
EVI Audio GmbH · Hirschberger Ring 45 · D-94315 Straubing
Phone: +49 9421-706 0 · Fax: +49 9421-706 265
*Mixing desk in rated condition, Unity Gain (MIC Gain 20 dB), all faders position 0 dB,
all pots in mid position, Master fader + 6dB, amplifier rated output power into 8 ohms,
Dual channel, unless otherwise specified.
Art.Nr. 163077 · Printed in Germany (DOPF/DR)
·
4000/06/08
SUBJECT TO CHANGE WITHOUT PRIOR NOTICE!
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