User’s Manual
Version 1.3 July 2004
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EUROPOWER PMH2000
FOREWORD
TABLE OF CONTENTS
Dear Customer,
1. INTRODUCTION ......................................................... 4
Welcome to the team of
EUROPOWER users and
thank you very much for
expressing your confi-
dence in BEHRINGER
products by purchasing the
BEHRINGERPMH2000.
1.1 Before you get started ................................................... 4
1.1.1 Shipment ............................................................... 4
1.1.2 Initial operation...................................................... 4
1.1.3 Warranty .............................................................. 4
2. CONTROL ELEMENTS ............................................... 4
It is one of my most
pleasant tasks to write
this letter to you, because
2.1 Front panel ...................................................................... 4
2.2 Rear panel ...................................................................... 5
it is the culmination of
many months of hard
3. EFFECTSPROCESSOR .............................................. 6
work delivered by our
engineering team to reach
a very ambitious goal: to
4. INSTALLATION ........................................................... 7
4.1 Mains voltage.................................................................. 7
4.2 Mains connection ........................................................... 7
4.3 Audio connections ......................................................... 7
4.4 Loudspeaker connections ............................................. 7
present you with an
outstanding power mixer
that gives you maximum
flexibility and perfor-
mance with its unique sound character and broad range of
functions. The task to design the new PMH2000 certainly meant
a great deal of responsibility, which we assumed by focusing
on you, the discerning user and musician. It also meant a lot of
work and night shifts to accomplish this goal. But it was fun, too.
Developing a product usually brings a lot of people together, and
what a great feeling it is when everybody who participated in
such a project can be proud of what we’ve achieved.
5. WIRING EXAMPLES ................................................... 8
6. SPECIFICATIONS ....................................................... 9
7. WARRANTY ..............................................................10
It is our philosophy to share our joy with you, because you
are the most important member of the BEHRINGER team. With
your highly competent suggestions for new products you’ve
greatly contributed to shaping our company and making it
successful. In return, we guarantee you uncompromising quality
as well as excellent technical and audio properties at an extremely
favorable price. All of this will enable you to fully unfold your
creativity without being hampered by budget constraints.
We are often asked how we can make it to produce such
high-grade devices at such unbelievably low prices. The answer
is quite simple: it’s you, our customers! Many satisfied customers
means large sales volumes enabling us to get better conditions
of purchase for components, etc. Isn’t it only fair to pass this
benefit back to you? Because we know that your success is
our success, too!
I would like to thank all people whose help on “Project PMH2000”
has made it all possible. Everybody has made very personal
contributions, starting from the designers of the unit to the many
staff members in our company and finally to you, the user of
BEHRINGER products.
My friends, it’s been worth the trouble!
Thank you very much,
Uli Behringer
CAUTION!
+
Please note that high volume levels may cause
permanent damage to your hearing and/or your
headphones. Turn all LEVEL controls to the left
before you switch on the unit. Be sure to keep the
volume at an appropriate level.
3
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EUROPOWER PMH2000
1. INTRODUCTION
2. CONTROL ELEMENTS
Congratulations! With the PMH2000 you have acquired a
state-of-the-art 10-channel power mixer that sets new stan-
dards. Right from the start, our goal has been to design a
revolutionary device that can be used for a great variety
of applications. And indeed, this overwhelming power mixer
gives you plenty of functionality and a broad range of
connection and expansion options.
2.1 Front panel
Your EUROPOWER PMH2000 comes with ten input channels,
which only differ in terms of pad switch, peak LED and interface
panel. Since the EQ, effect, monitor and level controls are iden-
tical on all channels, they will be described only once on the
enclosed sheet.
BEHRINGER is a company with its roots in professional
recording studio technology. For many years now we have
been successful in developing products for studio and live use.
These include microphones and 19" devices of all kinds
(compressors, enhancers, noise gates, tube processors,
headphone amplifiers, digital effects devices, DI boxes, etc.),
monitor and P.A. speakers and professional live and recording
mixers. Our entire technical know-how has gone into your
PMH2000.
The FX control determines the signal level that is routed
from the respective channel to the built-in effects processor.
+
Please note that the effects processor is muted as
long as the FX TO MAIN control (
counter-clockwise.
) is set fully
The HI control in the EQ section governs the high
frequencies of the respective channel.
Use the MID control to boost/cut the mid range.
+
This manual first describes the terminology used,
so that you fully understand the PMH2000 and its
functions. Please read the manual carefully and keep
it for future reference.
The LOW control allows you to raise or lower the bass
frequencies.
The MON control determines the channel’s volume
assigned to the monitor mix.
1.1 Before you get started
Use the LEVEL control to set the volume level of the
respective channel.
1.1.1 Shipment
Use the PEAK LED to ensure that the input gain is set
properly. The PEAK LED should light up only with peak
signals, but never all the time.
Your PMH2000 was carefully packed at the factory and the
packaging is designed to protect the unit from rough handling.
Nevertheless, we recommend that you carefully examine the
packaging and its contents for any signs of physical damage
which may have occurred during transit.
The PAD button reduces the channel input sensitivity by
25 dB. Thus, you can also connect high-level line signals to
the respective channel input.
+
If the unit is damaged, please do NOT return it to
BEHRINGER, but notify your dealer and the shipping
company immediately. Otherwise, claims for
damage or replacement may not be granted.
This HI-Z/LINE input can be used to connect line level
signal sources, such as keyboards, electric and bass
guitars.
This is the channel’s balanced XLR microphone input.
1.1.2 Initial operation
The stereo line input of cannels 7 - 9 can be used to
connect, for example, keyboards with stereo outputs or
a stereo drum computer.
Be sure that there is enough space around the unit for cooling
and, to avoid overheating, please do not place the PMH2000
near radiators etc.
+
+
Please remember to use either the microphone or
the line input on a specific channel. Never use both
at the same time. This rule applies to chanels 1 - 9.
+
+
+
Before you connect the PMH2000 to the mains, please
make sure that the voltage setting on the unit
matches the local voltage!
When you connect a mono line signal to channels
7 - 9, please always use the left input. The mono
signal will then be reproduced on both stereo sides.
If you set the unit to a different mains voltage, be
sure to use a fuse of the correct type and rating.
Please refer to the “SPECIFICATIONS” for details.
The TAPE/LINE IN RCA input of channel 10 allows you to
feed in external stereo signals from your CD player or tape
deck, for example.
Blown fuses must be replaced by fuses of the same
type and rating! Please refer to the “SPECIFI-
CATIONS” for details.
The TAPE/LINE OUT RCA output provides the stereo main
mix signal of your PMH2000 and can be routed to, say, a
recording machine.
The mains connection is made using the enclosed power cord
and a standard IEC receptacle. It meets all of the international
safety certification requirements.
+
When the TAPE OUT signal is connected to a tape
deck whose output signal is routed back to the
TAPE IN on the PMH2000, feedback can be produced
as soon as you start recording. Be sure to interrupt
the connection to the TAPE IN before recording!
+
Please make sure that all units have a proper
ground connection. For your own safety, never
remove or disable the ground conductor from the
unit or of the AC power cord. The unit shall always
be connected to the mains socket outlet with a
protective earthing connection.
The phantom power supply provides the voltage necessary
for the operation of condenser microphones. Use the
PHANTOM POWER switch to activate the supply together
for channels 1 - 9 (XLR connector). The LED above the
switch is lit when phantom power is on.
1.1.3 Warranty
This is the PMH2000’s graphic stereo equalizer, which
comprises two units and can be used to adapt the sound
to the room acoustics.
The EUROPOWER’s serial number is located on the rear.
Please take the time to fill in and return the warranty card within
14 days after the date of purchase, so as to benefit from our
4
2. CONTROL ELEMENTS
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s
s
The stereo equalizer is effective on the main mix when
both units have been activated with the EQ IN buttons
2.2 Rear panel
The mains connection is on a standard IEC receptacle. An
appropriate power cord is supplied with the unit.
and the MODE switch
(“LEFT/RIGHT”).
is set to its upper position
FUSE HOLDER. Before connecting the unit to the mains,
ensure that the voltage setting matches your local voltage.
Blown fuses should only be replaced by fuses of the same
type and rating.
The stereo equalizer uses one unit each to process the
main and monitor mix signals, if both units are on and the
MODE switch
is set to its lower position (“MON/MAIN”).
Use the EQ IN buttons to switch the two equalizer units on
or off.
Use the POWER switch to put your PMH2000 into operation.
The POWER switch should always be in the “Off” position
when you are about to connect your unit to the mains.
Press the RUMBLE FILTER button to activate the low-cut
filter of channels 1 - 6. This filter eliminates unpleasant
bass frequencies (e.g. microphone pop noise).
+
+
Attention: The POWER switch does not fully
disconnect the unit from the mains. Unplug the
power cord completely when the unit is not used
for prolonged periods of time.
The FX TO MON control determines the effects intensity
of the multi-effects processor as part of the monitor mix.
Turn the control fully counter-clockwise to add no effect to
the monitor mix.
This is the RIGHT/MONO MAIN Speakon® loudspeaker
output of your PMH2000, where you can connect the right
loudspeaker of a stereo system. For this purpose, switch
must be set to its upper position. If, however, you run
The MONITOR LEVEL control adjusts the volume of the
monitor mix.
a mono main mix (switch
set to its lower position), this
Use the MONITOR LEVEL display to control the monitor
signal level. The upper LED (LIM) lights up when the built-in
limiter is activated, thus protecting against overload.
loudspeaker output provides the main mix signal in mono.
The impedance of the loudspeaker connected here
must not fall below 4 W.
With this MODE switch you can determine whether the
PMH2000 works as a stereo amplifier (“LEFT/RIGHT”) or
as a dual mono amplifier (“MON/MAIN”). Please note that
the equalizer function also depends on this switch setting
The BRIDGE loudspeaker output allows you to combine
the left and right stereo channel in one mono output, which
is useful for applications that require the use of one
loudspeaker only. To use the BRIDGE output, switch
must be set to “LEFT/RIGHT”.
(see
).
The FX TO MAIN control functions as FX return for the
built-in effects processor. Use this control to add the
desired effect signal to the main mix. No effect signal is
added when the FX TO MAIN is set fully counter-clockwise.
+
+
Always connect the BRIDGE jack to a loudspeaker
with a minimum impedance of 8 W!
Please note that the power delivered to the speaker
connected to the BRIDGE output is considerably
higher than the power provided to the speakers
wired to the parallel speaker outputs. Please read
the information given on the rear panel of your
PMH2000.
The MAIN LEVEL control governs the overall volume of the
PMH2000.
The MAIN LEVEL display reads the output level of the
PMH2000. The upper LED (LIM) lights up when the built-in
limiter is activated, thus protecting against signal peaks.
+
When using the BRIDGE loudspeaker output, NEVER
use any of the other two connectors (RIGHT/MONO
MAIN and LEFT/MONITOR) at the same time!
Use the FX FOOTSWITCH jack to connect any commercially
available foot controller. It allows you to bypass the effects
unit.
This is the LEFT/MONITOR Speakon® loudspeaker output
of your PMH2000, to which you can connect the left
This is the balanced MONITOR output of your PMH2000.
Use it to feed an external monitor amp or active wedge.
loudspeaker of a stereo system (switch
set to its
upper position). If you do a main mix in mono (switch
set to its lower position), this loudspeaker output provides
the monitor signal in mono.
These two 1/4" TS jacks allow you to route the output
signal to an external amplifier. This allows you to, say, use
only the mixing and effect section of the PMH2000. The
signal is taken pre-power amp. Of course, you can also
use only the left jack as a mono output.
+
+
The impedance of the loudspeaker connected here
must not fall below 4 W.
These two 1/4" TS jacks can be used to connect external
signals, such as the main mix signal from an additional
mixing console (pre-power amp).
Information on how to properly connect your
speaker with regard to polarity can be found on the
rear of the unit (PIN assignment).
Here, you will find a list of all multi-effect presets available.
SERIAL NUMBER. Please take the time to fill in and return
the warranty card within 14 days after the date of purchase,
so as to benefit from our extended warranty. Or register
This is the LED level meter of the effects processor. Please
make sure that the clip LED lights up with signal peaks only.
If it is lit constantly, this indicates that the effects processor
is overdriven, which can lead to unpleasant distortion.
The EFFECT display reads the currently selected preset.
3. EFFECTS PROCESSOR
Turn the PROGRAM control to select the effect presets.
A special feature of your PMH2000 is its built-in multi-effects
processor that features the same audio quality as our re-
nowned 19" effects device VIRTUALIZER PRO DSP2024P. The
processor comes with 99 different standard effects such as
reverb, chorus, flanger, delay, vocal distortion as well as various
effects combinations.
Press the control briefly to confirm your selection.
2. CONTROL ELEMENTS
5
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Cathedral: Simulates the dense, long reverberation of a large
cathedral, which is appropriate for solo instruments or vocals in
slow pieces. Please choose between two variations.
Delay: A delay of the input signal with various repetitions.
Different tempo settings (ten variations in total) allow interesting
delay effects.
Plate: Simulates the sound of plate reverberators and hence
is a classic for drums (snare) and vocals. In comparison with
the first variation, the second one features more high-end sparkle.
Echo: Similar to the stereo delay, with the difference being
that the repetitions have less presence. This simulates the
character of the original tape echo that was used before the
digital era and can be thought of as a “Vintage Sound”.
Concert: Here, you can select between a small theater and a
large hall. Although this program is similar to studio (see below)
it features more presence which adds to its “lively” character.
Multi Tap: A delay effect with changing stereo positioning.
Four variations are available.
Stage: Is well suited to dissipating the sound of a keyboard or
an acoustic guitar.
Room: You can clearly hear the walls of the room. A useful
program for reverb that isn’t directly noticable (rap, hip hop
vocals) or to make dry recordings of instruments sound natural
again.
Chorus & Reverb: This algorithm combines the popular
chorus with a reverb effect. Taking all variations into account,
they differ in the length of reverb.
Studio: This simulation of a middle to large-sized room is also
available in two variations. Both variations sound very natural.
Very all-round effect.
Flanger & Reverb: The combination of flanger and reverb effects.
Phaser & Reverb: The combination of a classic stereo phaser
and a reverb effect. Here, too, the phaser is combined with
different reverb types.
Small Hall: Simulates a small, lively (strongly reflecting) hall
and is perfect for processing drums.
Ambience: Reproduces a middle-sized room without late
reflections.
Rotary Speaker & Reverb: A real classic, the rotary speaker
effect, is processed with a reverb effect. This effect works
especially well with keyboards and guitars.
Early Reflections: The initial reflections of this room are
clearly audible. This effect is a classic for dynamic signals (drums,
percussion, slap bass etc.).
Delay & Reverb: Delay and reverb is the most common
combination for vocals, solo guitars, etc.
Spring Reverb: Simulates a classic spring reverberation.
Pitch & Reverb: The pitch shifter slightly detunes the audio
signal, while the reverb adds ambience to the signal.
Gated Reverb: This effect synthetically cuts off reverberation
after a period of time. It is famous in the song “In the Air Tonight”
by Phil Collins. The variations differ in the reverb length.
Delay & Chorus: While the chorus can contribute to a
wideness of the signal, interesting repetition effects can be
adjusted with the delay. Vocals can be given a distinctive effect
without making the voice sounding blurred.
Reverse Reverb: This is a reverberation in which the envelope
is reversed—it slowly gets louder.
Delay & Flanger: This effect is just right for creating a modern,
slightly “spacey” vocal sound.
Delay & Pitch: A repetition of the audio signal, with an
oscillatory effect added by the pitch shifter.
Chorus: This effect slightly detunes the original signal. A
very pleasant detune effect is created in connection with the
pitch variation. The chorus effect is quite often and extensively
used for dispersing signals—in such a variety of applications
that any recommendation would mean a limitation of their use.
The variations available here range from slow to fast chorus
effects.
3-Voice Pitch: The pitch effect can be used to produce a
cartoon-character type voice effect.
LFO Bandpass: Filters, in general, influence the frequency
response of a signal. A low-pass filter allows low frequencies
to pass and suppresses high frequencies, while a high pass
filter allows high frequencies to pass and suppresses low
frequencies. This LFO bandpass effect is complemented by
modulation due to a LFO (Low Frequency Oscillator).
Symphonic: This effect creates the sound of an eight-person (!)
vocal chorus.
Flanger: The word “flange” means “tape spool”, and this
explains the characteristics of the effect. Originally the flanger
effect was generated with two tape recorders which ran
synchronously. The same audio signal was recorded on both
machines. If you put a finger on the left spool of one of the
machines, the spool and the playback speed are slowed down.
The generated delay results in phase shifting of the signals.
Please choose either “medium flanger” or one of the “bright
flanger” programs, which feature an increase in presence.
Vocal Distortion: This effect is very hip when used on vocals
and drum loops.
Vinylizer: This effect adds clicks and noise to your audio
signal, simulating old vinyl records.
Space Radio: Here, the typical sound of scanning an FM
tuner is simulated. This can be a very interesting effect when
sound-tracking radio plays.
Phaser: With the phaser, a second, phase-shifted signal is
added to the original audio signal. The resulting sound is thicker
and above all livelier. This effect is often used for guitar sounds
and keyboards. In the ’70s, it was also extensively used for
other instruments like electric pianos. The PMH2000 offers you
four different phaser variations.
Test Tone: Use this 1 kHz test tone to facilitate P.A. level setting.
Rotary Speaker: The simulation of a classic effect that is
normally generated with a very heavy enclosure comprising
(slow or fast) rotating speakers.
6
3. EFFECTS PROCESSOR
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4. INSTALLATION
4.1 Mains voltage
Before connecting the PMH2000 to the mains, please
carefully check that your equipment is set to the correct
voltage! Blown fuses must be replaced by fuses of the same
type and rating!
4.2 Mains connection
The mains connection is made using the enclosed power cord
and a standard IEC receptacle. It meets all of the international
safety certification requirements.
Fig. 4.3: XLR connectors
+
Please make sure that all units have a proper
ground connection. For your own safety, never
remove or disable the ground conductor from the
unit or of the AC power cord.
4.3 Audio connections
The in and outputs of your BEHRINGER PMH2000 are de-
signed as unbalanced 1/4" mono jacks—except for the mono
channel line inputs, which come as balanced 1/4" stereo jacks. Of
course, all in and outputs work with both balanced and unbalanced
connectors. The tape ins and outs are on stereo RCA connectors.
+
Please ensure that only qualified personnel install
and operate the PMH2000. During installation and
operation, the user must have sufficient electrical
contact to earth. Electrostatic charges might affect
the operation of the unit.
Fig. 4.4: 1/4" TS connector for footswitch
4.4 Loudspeaker connections
Your EUROPOWER is equipped with high-quality NEUTRIK®
SPEAKON®-compatible loudspeaker connectors, which ensure
safe and trouble-free operation. The SPEAKON® connector was
especially developed for high-power loudspeakers. Once it is
plugged in, it safely locks into position and cannot be accidentally
disengaged. It prevents the occurrence of electrical shock and
ensures the correct polarity. Each of the connectors carries
only the assigned single signal (see tab. 4.1/fig. 4.6 and the
information on the rear panel of the power mixer).
Fig. 4.1: 1/4" mono plug
Fig. 4.5: Loudspeaker connector
Please be sure to only use commercial SPEAKON® cables (type
NL4FC) for connecting your loudspeakers to the PMH2000. Please
check the pin assignment of your loudspeakers and cables
dependent on the PMH2000 speaker output you choose.
Fig. 4.2: 1/4" stereo plug
1+
1-
2+
2-
-
RIGHT/MONO MAIN POS NEG
-
-
-
LEFT/MONITOR
BRIDGE
POS NEG
POS NEG
-
-
Tab. 4.1: Polarity configuration of speaker connectors
4. INSTALLATION
7
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Fig. 4.6: PMH2000 loudspeaker connector assignment
5. WIRING EXAMPLES
Fig. 5.2: PMH2000 as double mono amplifier (example)
For this application, however, please set the MODE
+
switch
to “MON/MAIN”!
Fig. 5.1: PMH2000 as stereo amplifier (example)
+
Please set the MODE switch
for this application!
to “LEFT/RIGHT”
Fig. 5.3: Standard setup (example)
8
5. WIRING EXAMPLES
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6. SPECIFICATIONS
Mono inputs
Power amp specifications
Microphone inputs
Power amp output (Sine @ 1 % THD)
Type
XLR, electronically balanced,
discrete input circuit
Stereo mode
Bridge mode
250 W into 4 Ω
180 W into 8 Ω
500 W into 8 Ω
Mic E.I.N. (20 Hz - 20 kHz)
@ 0 Ω source resistance
@ 50 Ω source resistance
-122 dB / 125 dB A-weighted
-122 dB / 125 dB A-weighted
Loudspeaker connections
Loudspeaker connector
@ 150 Ω source resistance -121 dB / 124 dB A-weighted
Professional speaker
connectors (compatible to
NEUTRIK® SPEAKON®)
Frequency response
<10 Hz - 100 kHz (-1 dB),
<10 Hz - >200 kHz (-3 dB)
Load impedance
Left/monitor
Right/monomain
Bridge
4/8/16 Ω
4/8/16 Ω
8/16 Ω
Gain
Max. input level
Impedance
+33 dB, +8 dB with pad
+12 dBu @ +8 dB gain
approx. 2.2 kΩ balanced /
1.1 kΩ unbalanced
Power supply
Voltage
Signal-to-noise ratio
110 dB / 114 dB A-weighted
(-11 dBu In @ +33 dB gain)
USA/Canada
Europe/U.K./Australia 230 V~, 50 Hz
120 V~, 60 Hz
Japan
100 V~, 50 - 60 Hz
General export model 120/230 V~, 50 - 60 Hz
Distortion (THD+N)
0.001% / 0.0008% A-weighted
Power consumption
max. 1 kW
Fuse
100 - 120 V~: T 10 A H 250 V
200 - 240 V~: T 6.3 A H 250 V
Standard IEC receptacle
Mono line inputs
Type
Impedance
1/4" TRS connector, balanced
approx. 80 kΩ balanced,
40 kΩ unbalanced
30 dBu
Mains connection
Physical/weight
Dimensions (H x W x D)
Max. input level
approx. 11" (280 mm) x 18 1/8"
(460 mm) x 10 5/8" (270 mm)
approx. 14 kg (30.9 lbs)
Weight (net)
Stereo line inputs
Type
Impedance
1/4" TRS connector, unbalanced
approx. 40 kΩ unbalanced
+28 dBu
Measuring conditions:
1:
20 Hz - 20kHz; measured at preamp output. All channels: level controls in
center position; EQ flat. Reference = 0 dBu.
Max. input level
EQ
Low
Mid
High
60 Hz / ±15 dB
700 Hz / ±15 dB
6 kHz / ±15 dB
Preamp outputs left/mono & right
Type
1/4" TRS connector, unbalanced
Impedance
Max. output level
approx. 1.5 kΩ
+21 dBu
Power amp inputs
Type
Impedance
1/4" TRS connector, unbalanced
approx. 47 kΩ
Max. input level
+21 dBu
Monitor output
Type
1/4" TRS connector, unbalanced
Impedance
Max. output level
1.5 kΩ
+21 dBu
DSP
Converter
24-bit Texas InstrumentsTM
24-bit Sigma-Delta,
64/128-times oversampling
46.875 kHz
Sampling rate
Main mix system data1
Noise
Main mix @ -oo,
Channel fader -oo
Main mix @ 0 dB,
Channel fader -oo
Main Mix @ 0 dB,
Channel fader @ 0 dB
-76 dB / -80 dB A-weighted
-72 dB / -76 dB A-weighted
-71 dB / -75 dB A-weighted
BEHRINGER is constantly striving to manintain the highest professional standards. As a
result of these efforts, modifications may be made from time to time to existing products without
prior notice. Specifications and appearance may differ from those listed or illustrated.
6. SPECIFICATIONS
9
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7. WARRANTY
§ 1 WARRANTY CARD/ONLINE REGISTRATION
3. Free inspections and maintenance/repair work are expressly
excluded from this warranty, in particular, if caused by improper
handling of the product by the user. This also applies to defects
caused by normal wear and tear, in particular, of faders,
crossfaders, potentiometers, keys/buttons, tubes, guitar strings,
illuminants and similar parts.
To be protected by the extended warranty, the buyer must
complete and return the enclosed warranty card within 14 days
of the date of purchase to BEHRINGER Spezielle Studiotechnik
GmbH, in accordance with the conditions stipulated in § 3. Failure
to return the card in due time (date as per postmark) will void any
extended warranty claims. Based on the conditions herein, the
buyer may also choose to use the online registration option via
4. Damages/defects caused by the following conditions are
not covered by this warranty:
s improper handling, neglect or failure to operate the unit in
compliance with the instructions given in BEHRINGER user
or service manuals.
§ 2 WARRANTY
1. BEHRINGER (BEHRINGER Spezielle Studiotechnik GmbH
including all BEHRINGER subsidiaries listed on the enclosed page,
except BEHRINGER Japan) warrants the mechanical and
electronic components of this product to be free of defects in
material and workmanship for a period of one (1) year* from the
original date of purchase, in accordance with the warranty
regulations described below. If the product shows any defects
within the specified warranty period that are not excluded from
this warranty as described under § 4, BEHRINGER shall, at its
discretion, either replace or repair the product using suitable
new or reconditioned parts. In the case that other parts are used
which constitute an improvement, BEHRINGER may, at its
discretion, charge the customer for the additional cost of these
parts.
s connection or operation of the unit in any way that does not
comply with the technical or safety regulations applicable in
the country where the product is used.
s damages/defects caused by force majeure or any other
condition that is beyond the control of BEHRINGER.
5. Any repair or opening of the unit carried out by unauthorized
personnel (user included) will void the warranty.
6. If an inspection of the product by BEHRINGER shows that
the defect in question is not covered by the warranty, the
inspection costs are payable by the customer.
7. Products which do not meet the terms of this warranty will
be repaired exclusively at the buyer’s expense. BEHRINGER will
inform the buyer of any such circumstance. If the buyer fails to
submit a written repair order within 6 weeks after notification,
BEHRINGER will return the unit C.O.D. with a separate invoice
for freight and packing. Such costs will also be invoiced
separately when the buyer has sent in a written repair order.
2. If the warranty claim proves to be justified, the product will
be returned to the user freight prepaid.
3. Warranty claims other than those indicated above are
expressly excluded.
§ 3 RETURN AUTHORIZATION NUMBER
§ 5 WARRANTY TRANSFERABILITY
1. To obtain warranty service, the buyer (or his authorized
dealer) must call BEHRINGER (see enclosed list) during normal
business hours BEFORE returning the product. All inquiries must
be accompanied by a description of the problem. BEHRINGER
will then issue a return authorization number.
This warranty is extended exclusively to the original buyer
(customer of retail dealer) and is not transferable to anyone
who may subsequently purchase this product. No other person
(retail dealer, etc.) shall be entitled to give any warranty promise
on behalf of BEHRINGER.
2. Subsequently, the product must be returned in its original
shipping carton, together with the return authorization number to
the address indicated by BEHRINGER.
§ 6 CLAIM FOR DAMAGES
Failure of BEHRINGER to provide proper warranty service shall
not entitle the buyer to claim (consequential) damages. In no
event shall the liability of BEHRINGER exceed the invoiced value
of the product.
3. Shipments without freight prepaid will not be accepted.
§ 4 WARRANTY REGULATIONS
1. Warranty services will be furnished only if the product is
accompanied by a copy of the original retail dealer’s invoice.
Any product deemed eligible for repair or replacement under the
terms of this warranty will be repaired or replaced.
§ 7 OTHER WARRANTY RIGHTS AND NATIONAL LAW
1. This warranty does not exclude or limit the buyer’s statutory
rights provided by national law, in particular, any such rights
against the seller that arise from a legally effective purchase
contract.
2. If the product needs to be modified or adapted in order to
comply with applicable technical or safety standards on a national
or local level, in any country which is not the country for which
the product was originally developed and manufactured, this
modification/adaptation shall not be considered a defect in
materials or workmanship. The warranty does not cover any
such modification/adaptation, irrespective of whether it was
carried out properly or not. Under the terms of this warranty,
BEHRINGER shall not be held responsible for any cost resulting
from such a modification/adaptation.
2. The warranty regulations mentioned herein are applicable
unless they constitute an infringement of national warranty law.
* Customers in the European Union please contact BEHRINGER
Germany Support for further details.
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of printing. The names
of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks of their respective owners. Their use
neither constitutes a claim of the trademarks by BEHRINGER® nor affiliation of the trademark owners with BEHRINGER®. BEHRINGER® accepts no
liability for any loss which may be suffered by any person who relies either wholly or in part upon any description, photograph or statement contained
herein. Colours and specification may vary slightly from product. Products are sold through our authorised dealers only. Distributors and dealers are not
agents of BEHRINGER® and have absolutely no authority to bind BEHRINGER® by any express or implied undertaking or representation. No part of this
manual may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for
any purpose, without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER® is a registered trademark.
ALL RIGHTS RESERVED. © 2004 BEHRINGER Spezielle Studiotechnik GmbH,
Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany.
Tel. +49 2154 9206 0, Fax +49 2154 9206 4903
10
7. WARRANTY
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