American Audio DJ Equipment Versadeck User Manual

VERSADECK  
Featuring:  
User Guide  
and Reference Manual  
4/11  
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IMPORTANT INFORMATION  
CAUTION  
IMPORTANT SAFETY ITEMS FOR  
U.S.A. & CANADA MODEL ONLY  
TO PREVENT ELECTRIC SHOCK DO NOT USE THIS  
(POLARIZED) PLUG WITH AN EXTENSION CORD,  
RECEPTACLE OR OTHER OUTLET UNLESS THE BLADES  
CAN BE CAREFULLY INSERTED TO PREVENT BLADE  
EXPOSURE  
WARNING:  
TO PREVENT FIRE OR SHOCK HAZARD,  
DO NOT EXPOSE THIS MEDIA PLAYER TO  
WATER OR MOISTURE  
CAUTION:  
USE OF CONTROLS OR ADJUSTMENTS OTHER  
THAN THOSE SPECIFIED HEREIN MAY RESULT  
IN HAZARDOUS RADIATION EXPOSURE  
CAUTION:  
1. Handle the power supply cord carefully. Do not  
damage or deform; it may cause electric shock  
or malfunction when used. Hold plug attach-  
ment when removing from wall outlet. Do not  
pull on the cord.  
THE MEDIA PLAYER SHOULD NOT BE ADJUSTED  
OR REPAIRED BY ANYONE EXCEPT PROPERLY  
QUALIFIED SERVICE PERSONNEL.  
2. To avoid electric shock, do not open the top  
cover when the unit is plugged in. If problems  
occur with the unit, call your local American  
Audio® dealer.  
NOTE:  
This unit may cause interference to radio and  
television reception.  
3. Do not place metal objects or spill liquid inside  
the media player. Electric shock or malfunction  
may occur.  
Please carefully read and understand the  
instructions in this manual thoroughly before  
attempting to operate this unit. These instruc-  
tions contain important safety information  
regarding the use and maintenance of this unit.  
Take special care to follow all warning symbols  
and labels both on the unit and printed in this  
manual. Also, Please keep this manual with the  
unit, for future reference.  
CAUTION  
Do not open -  
Risk of electric shock  
CAUTION: TO REDUCE THE RISK OF ELECTRIC  
SHOCK, DO NOT REMOVE THE COVER RACK.  
THERE ARE NO USER SERVICEABLE PARTS  
INSIDE REFER SERVICE TO YOUR  
AUTHORIZED American Audio DEALER.  
CAUTION: TO PREVENT ELECTRIC SHOCK  
DO NOT USE THIS (POLARIZED) PLUG WITH  
AN EXTENSION CORD, RECEPTACLE, OR  
OTHER TYPE OF ELECTRICAL OUTLET  
UNLESS THE WIDE BLADES CAN BE  
CAREFULLY INSERTED INTO A MATCHING  
WIDE SLOT.  
The lightning flash with an arrow triangular  
symbol is intended to alert the user to the  
presence of non insulated “dangerous volt-  
age” within the products enclosure, and  
may be of sufficient magnitude to constitute  
a risk of electric shock.  
The exclamation point triangular symbol is  
intended to alert the user to the presence  
of important operating and maintenance  
(servicing) instructions in the user manual  
accompanying the media player.  
ATTENTION: POUR PREVENIR LES CHOCS  
ELECTRIQUES NE PAS UTILISER CETTE  
FICHE POLARISEE AVEC UN PROLON-  
GATEUR, UNE PRISE DE COURANT OU  
UNE AUTRE SORTIE DE COURANT, SAUF  
SI LES LAMES PEUVENT ETRE INSEREES A  
FOND SANS EN LAISSER AUCUNE PARTIE A  
DECOUVERT.  
©American Audio®  
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ELECTRICAL SAFETY PRECAUTIONS  
ELECTRICAL PRECAUTIONS  
CAUTION  
RISK OF ELECTRIC SHOCK  
DO NOT OPEN  
The lightning flash with arrowhead symbol, within an  
equilateral triangle, is intended to alert the user to the  
presence of uninsulated "dangerous voltage" within the  
product'senclosurethatmaybeofsufficientmagnitude  
to constitute a risk of electric shock to persons.  
The exclamation point within an equilateral triangle is  
intended to alert the user to the presence of important  
operating and maintenance (servicing) instructions in  
the literature accompanying the appliance.  
CAUTION: TO REDUCE THE RISK OF ELECTRIC  
SHOCK, DO NOT REMOVE THE COVER (OR BACK).  
THERE ARE NO USER SERVICEABLE PARTS  
INSIDE REFER SERVICE TO YOUR AUTHORIZED  
AMERICAN AUDIO® SERVICE TECHNICIAN.  
IMPORTANT SAFETY INSTRUCTIONS  
OBJECT AND LIQUID ENTRY - Never push objects of  
READ INSTRUCTIONS — All the safety and operating  
GROUNDING OR POLARIZATION  
instructions should be read before the product is  
operated.  
Ifthisproductisequippedwithapolarizedalternating  
current line plug (a plug having one blade wider than  
theother), itwillfitintotheoutlet onlyoneway. This  
isasafetyfeature.Ifyouareunabletoinserttheplug  
fullyintotheoutlet, tryreversingtheplug. Iftheplug  
should still fail to fit, contact your electrician to  
replace your obsolete outlet. Do not defeat the  
safety purpose of the polarized plug.  
any kind into this product through openings as they  
may touch dangerous voltage points or short-out  
parts that could result in a fire or electric shock.  
Never spill liquid of any kind on the product.  
RETAIN INSTRUCTIONS — The safety and operating  
instructionsshouldberetainedforfuturereference.  
HEED WARNINGS — All warnings on the product and  
in the operating instructions should be adhered to.  
FOLLOW INSTRUCTIONS — All operating and use  
instructions should be followed.  
SERVICING — Do not attempt to service this product  
yourself as opening or removing covers may expose  
you to dangerous voltage or other hazards. Refer all  
servicing to qualified service personnel.  
CLEANING — The product should be cleaned only with  
a polishing cloth or a soft dry cloth. Never clean with  
furniture wax, benzine, insecticides or other volatile  
liquids since they may corrode the cabinet.  
If this product is equipped with  
a
three-wire  
DAMAGEREQUIRINGSERVICE - Unplugthisproduct  
from the wall outlet and refer servicing to qualified  
service personnel under the following conditions:  
groundingtypeplug,aplughavingathird(grounding)  
pin, itwillonlyfitintoagroundingtypepoweroutlet.  
Thisisasafetyfeature.Ifyouareunabletoinsertthe  
plug into the outlet, contact your electrician to  
replace your obsolete outlet. Do not defeat the  
safety purpose of the grounding type plug.  
When the power-supply cord or plug is damaged.  
If liquid has been spilled, or objects have fallen into  
the product.  
ATTACHMENTS  
Do not use attachments not  
recommendedbytheproductmanufacturerasthey  
may cause hazards.  
WATER AND MOISTURE — Do not use this product  
near water — for example, near a bathtub, wash  
bowl,kitchensink,orlaundrytub;inawetbasement;  
or near a swimming pool; and the like.  
ACCESSORIES — Do not place this product on an  
unstable cart, stand, tripod, bracket, or table. The  
product may fall, causing serious injury to a child or  
adult, and serious damage to the product. Use only  
If the product has been exposed to rain or water.  
Iftheproductdoesnotoperatenormallybyfollowing  
theoperatinginstructions.Adjustonlythosecontrols  
that are covered by the operating instructions as an  
improper adjustment of other controls may result in  
damage and will often require extensive work by a  
qualified technician to restore the product to its  
normal operation.  
POWER-CORD PROTECTION - Power-supply cords  
should be routed so that they are not likely to be  
walked on or pinched by items placed upon or  
against them, paying particular attention to cords at  
plugs,conveniencereceptacles,andthepointwhere  
they exit from the product.  
OUTDOOR ANTENNA GROUNDING — If an outside  
antennaorcablesystemisconnectedtotheproduct,  
be sure the antenna or cable system is grounded so  
astoprovidesomeprotectionagainstvoltagesurges  
andbuilt-upstaticcharges.Article810oftheNational  
ElectricalCode,ANSI/NFPA70,providesinformation  
with regard to proper grounding of the mast and  
supporting structure, grounding of the lead-in wire  
to an antenna discharge unit, size of grounding  
conductors, location of antenna-discharge unit,  
connection to grounding electrodes, and  
requirementsforthegroundingelectrode.SeeFigure  
A.  
LIGHTNING — For added protection for this product  
duringalightningstorm,orwhenitisleftunattended  
and unused for long periods of time, unplug it from  
the wall outlet and disconnect the antenna or cable  
system. This will prevent damage to the product  
due to lightning and power-line surges.  
POWER LINES An outside antenna system should  
notbelocatedinthevicinityofoverheadpowerlines  
or other electric light or power circuits, or where it  
can fall into such power lines or circuits. When  
installing an outside antenna system, extreme care  
should be taken to keep from touching such power  
lines or circuits as contact with them might be fatal.  
OVERLOADING — Do not overload wall outlets,  
extensioncords,orintegralconveniencereceptacles  
as this can result in a risk of fire or electric shock.  
If the product has been dropped or damaged in any  
way.  
When the product exhibits a distinct change in  
performance — this indicates a need for service.  
with  
a
cart, stand, tripod, bracket, or table  
recommended by the manufacturer, or sold with  
the product. Any mounting of the product should  
follow the manufacturer’s instructions, and should  
use a mounting accessory recommended by the  
manufacturer.  
REPLACEMENT PARTS -- When replacement parts  
arerequired,besuretheservicetechnicianhasused  
replacement parts specified by the manufacturer or  
have the same characteristics as the original part.  
Unauthorizedsubstitutionsmayresultinfire,electric  
shock, or other hazards.  
SAFETY CHECK - Upon completion of any service or  
repairs to this product, ask the service technician to  
performsafetycheckstodeterminethattheproduct  
is in proper operating condition.  
CART — A product and cart combination should be  
moved with care. Quick stops, excessive force, and  
uneven surfaces may cause the product and cart  
combination to overturn.  
WALL OR CEILING MOUNTING — The product should  
not be mounted to a wall or ceiling.  
HEAT The product should be situated away from heat  
sources such as radiators, heat registers, stoves, or  
other products (including amplifiers) that produce  
heat.  
VENTILATION — Slots and openings in the cabinet are  
provided for ventilation and to ensure reliable  
operation of the product and to protect it from  
overheating, and these openings must not be  
blocked or covered. The openings should never be  
blocked by placing the product on a bed, sofa, rug,  
or other similar surface. This product should not be  
placed in a built-in installation such as a bookcase or  
rack unless proper ventilation is provided or the  
manufacturer’s instructions have been adhered to.  
POWER SOURCES —This product should be operated  
only from the type of power source indicated on the  
marking label. If you are not sure of the type of  
power supply to your home, consult your product  
dealer or local power company.  
ANTENNA  
LEAD IN  
WIRE  
GROUND  
CLAMP  
ANTENNA  
DISCHARGE UNIT  
(NEC SECTION 810-20)  
LOCATION – The appliance should be installed in a  
stable location.  
NONUSE PERIODS – The power cord of the appliance  
should be unplugged from the outlet when left un-  
used for a long period of time.  
ELECTRIC  
SERVICE  
EQUIPMENT  
GROUNDING CONDUCTORS  
(NEC SECTION 810-21)  
GROUND CLAMPS  
POWER SERVICE GROUNDING  
ELECTRODE SYSTEM  
(NEC ART 250, PART H)  
Fig. A  
NEC — NATIONAL ELECTRICAL CODE  
©American Audio®  
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SAFETY INSTRUCTIONS  
I. Read Instructions - All the safety and oper-  
ating instructions should be read before  
you operate the system. The safety and  
operating instructions should be saved  
for future reference.  
The serial and model number for this unit is  
located on the rear panel. Please write down the  
numbers here and retain for future reference.  
Model No._____________________________  
Serial No._____________________________  
2. Heed Warnings - All warnings on the system  
and in the operating instructions should be  
adhered to.  
Purchase Notes:  
3. Water and Moisture - The system should not  
be used near water - for example, near a  
bath tub, kitchen sink, laundry tub, in a wet  
basement or near a swimming pool, etc.  
Date of Purchase_______________________  
Dealer Name__________________________  
Dealer Address_________________________  
4. Ventilation - The system should be situated  
so that its location or position does not  
interfere with its proper ventilation. For exam  
ple, the system should not be situated on a  
bed, sofa, rug, or similar surface that may  
block the ventilation openings; or, placed in  
a built-in installation, such as a bookcase or  
cabinet that may impede the flow of air  
through the ventilation openings.  
__________________________________________  
________________________________________  
Dealer Phone__________________________  
5. Heat - The system should be situated away  
from heat sources such as radiators, heat  
registers, stoves, or other appliances (includ-  
ing amplifiers) that produce heat.  
6. Power Sources - The system should be con-  
nected to a power supply only of the type  
described in the operating instructions or as  
marked on the system.  
7. Servicing - The user should not attempt to  
service the system beyond that described  
in the operating instructions. All other ser-  
vicing should be referred to qualified service  
personnel. The system should be serviced  
by qualified service personnel when:  
A. The power-supply cord or the plug has  
been damaged.  
B. Objects have fallen, or liquid has been  
spilled into the system.  
C. The system has been exposed to rain  
or water.  
D. The system does not appear to operate  
normally or exhibits a marked change  
in performance.  
©American Audio®  
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UNPACKING  
Every VERSADECK has been thoroughly tested and has been shipped in perfect operating condition.  
Carefully check the shipping carton for damage that may have occurred during shipping. If the carton  
appears to be damaged, carefully inspect your system for any damage and be sure all equipment  
necessary to operate the system has arrived intact. In the event damage has been found or parts are  
missing, please contact our toll free customer support number for further instructions. Please do not  
return the system to your dealer without first contacting customer support.  
INTRODUCTION  
Introduction:  
Congratulations and thank you for purchasing the American Audio® VERSADECK. This VERSADECK  
is a representation of American Audio’s continuing commitment to produce the best and highest qual-  
ity audio products possible at an affordable price. Please read and understand this manual completely  
before attempting to operate your new media player. This booklet contains important information con-  
cerning the proper and safe operation of your new media player.  
Customer Support:  
American Audio® provides a toll free customer support line, to provide set up help and answer any  
question should you encounter problems during your initial set up or operation. You may also visit us  
through Friday 8:00 a.m. to 4:30 p.m. Pacific Standard Time.  
Voice:  
Fax:  
(800) 322-6337  
(323) 582-2941  
E-mail:  
Caution! There are no user serviceable parts inside this media system. Do not attempt any repairs  
yourself, without being instructed to do so by an authorized American Audio service technician. Doing  
so will void your manufactures warranty. In the unlikely event your media player may require service,  
please contact American Audio® customer support.  
Do not discard the packing carton in the trash. Please recycle when ever possible.  
SET-UP PRECAUTIONS  
Please be sure to make any connections before plugging the player in to an electrical outlet. All fader  
and volume controls should be set to zero or minimum position, before the system is switched on.  
If the system has been exposed to drastic temperature fluctuation (e.g. after transportation), do not  
switch on the system immediately. The arising condensation of water might damage your device.  
Leave the device switched off until it has reached room temperature.  
Operating Determinations:  
• When installing this system, please make sure that the device is not exposed or will not be  
exposed to extreme heat, moisture or dust!  
• Do not operate the system in extremely hot (more than 30°/86°F) or extremely cold (less than  
5°C/40°F) surroundings.  
• Keep the unit out of direct sunlight and away from heaters.  
• Operate the system only after becoming familiar with its' functions. Do not permit operation by  
persons not qualified for operating the unit. Most damages are the result of unprofessional opera-  
tion.  
©American Audio®  
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MAIN FEATURES  
• Plays Mp3/WAV* filles from either USB Stick or SD/SDHC Card via USB Card Reader  
• ID3 Track Recognition  
• Auto cue  
• Real Time Scratch Play  
• Skid Effect  
• 1/75th second frame search  
• Filter Effect  
• Real time cue (“Cue on the Fly”)  
• 8 different speed scan (4 Forward/4 Reverse)  
• Pitch display  
• Echo Effect  
• Flanger Effect  
• System Lock  
• RCA Stereo outputs  
• Large bright VFD display can be viewed from wide angles.  
• Folder Search for Mp3's  
• Music Master tempo  
• Fader “Q” Start Control (a)  
• Cue Mixing  
• Seamless Loop (uninterrupted loop playback)  
• Sampler (Forward & Reverse Sampling)  
• 10 Second Digital Anti-Shock  
• 3 Band EQ per channel  
• Front & Rear Access Mic Jack  
• Master & Booth Outputs  
• 2 Phono & 2 Line Level Inputs  
• Balanced XLR Outputs  
• Headphone Jack w/ Volume Control  
• Flip-Flop (Relay Playback) (b)  
• Jog Wheel Pitch Bend +/-100%  
• Jog Wheel Sensitivity Adjustment  
• Selectable Single or Continuous Play  
• 4 Programmable Cue (Bank) Buttons  
• Adjustable Pitch Percentages: +/-6%, +/-10%, or +/-16%  
• Instant Start within 10ms (sound is produced immediately when the PLAY button is pressed)  
* WAV Files: 1411Kbps PCM  
(a) FADER “Q” START CONTROL: Set up your VERSADECK as described in the set-up section of this manual. After  
set up is completed load your players. By moving the mixer’s crossfader from left to right you can start and pause  
each players playback functions. For Example, when using the VERSADECK player, if your mixer’s crossfader is all  
the way to the left (player one is playing, player two is in cue or pause mode), and you move the fader at least 20%  
to the right, player two (2) will begin to play. When the crossfader is to the right, and you move it 20% to the left,  
player one (1) will begin to play. You can create great effects similar to scratching with this feature. After storing cue  
points on each side of the player, different songs may quickly be recalled by moving the mixer crossfader back  
and forth. New cue points can be easily selected on the VERSADECK player (see setting cue points page 22). “Q”  
Start control is easy to use and mastering this feature will help you create amazing effects with your music.  
(b) RELAY (FLIP-FLOP): Connect your VERSADECK player as described in the set-up section of this manual. This  
feature will start the next player once one (1) player has ended. For example, if player one (1) is playing a track and  
it ends, player two (2) will instantly begin to play. You may set RELAY to play track to track or folder to folder. For  
more information on this feature, see RELAY (FLIP-FLOP™) on page 33.  
©American Audio®  
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SET-UP  
USB INFORMATION:  
• The VERSADECK will only read MP3 files or WAV files.  
• If you are using a SD Card via USB SD Card reader, you must remove the USB SD Card  
reader first to change SD Card's. Please do not remove the SD Card from the USB SD Card  
reader while the USB card reader is still connected to the unit.  
NOTE: For higher quality MP3 files (more than 128 kbps) American Audio recommends "High  
Speed" SD Cards. Using high speed cards will ensure the best performance with your American  
Audio Player.  
• Only supports FAT/FAT32 formatted devices.  
NOTE: If the VERSADECK cannot read your USB device, please make sure that it FAT format-  
ted.  
1. Checking the Contents  
Be sure your VERSADECK was shipped with the following:  
1) VERSADECK Professional media player/mixer  
2) Software CD  
3) Warranty card  
4) Power Cord  
CAUTION:  
To avoid severe damage to the unit, be sure the power is off when making connections to  
the unit.  
System Power Up Sequence:  
1. Turn ON the VERSADECK.  
2. Next turn ON your speakers.  
System Power Up Sequence with connected mixer, amp, active speakers, or external device:  
1. Turn ON the amp, mixer, speakers, or any external device first.  
2. Next turn ON the VERSADECK.  
CAUTION:  
• The VFD is designed to be clearly visible within the angles shown in Figure 1. Mount the unit so  
that the visual angle is within this range.  
10˚  
50˚  
Figure 1  
©American Audio®  
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GENERAL FUNCTIONS AND CONTROLS  
PLAYER  
Figure 2  
23  
1
22  
21  
2
3
4
20  
19  
18  
5
6
17  
7
8
9
10  
16  
15  
11  
12  
14  
13  
A. TOP UNIT PLAYER CONTROLS (FIGURE 2)  
1. FOLDER SEARCH KNOB - Turning this knob will let you search for your desired folder. Turn the  
knob to scroll backward and forward through folders. The folder number your are currently in will be  
shown in the VFD.  
2. SOURCE SELECT BUTTON - This button lets you toggle between USB Port 1 & USB Port 2.  
This selector lets you choose which source will play on either side. The corresponding LED's located  
above the button will verify which source is active. The source selection can only be done in PAUSE  
mode.  
3. CLEAR BUTTON - Use this button to clear the BANK BUTTONS (19). Press this button and then  
press the BANK BUTTON (19) you would like to clear.  
4. PITCH ON/OFF BUTTON - This button is used to switch the pitch function on and off. When the  
button LED is lit the PITCH SLIDER (10) is active. When the button LED is not lit, the PITCH SLIDER  
(10) is not active. The pitch percentage can be changed between 6%, 10%, and 16%; 6% will allow  
the least amount of pitch manipulation and 16% will allow the most amount of pitch manipulation.  
5. PITCH PERCENTAGE SELECTOR - Press this button to select pitch range percentages of 6%,  
10%, and 16%. See adjusting the PITCH SLIDER'S RANGE on page 26.  
6. TEMPO LOCK FUNCTION - This button activates the TEMPO LOCK function. This function allows  
©American Audio®  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
PLAYER  
you to use the PITCH SLIDER to speed up or slow down playback speed without altering the tonal  
pitch of the track. When this function is not engaged the original tonal pitch of the track will be altered  
giving you the "chipmunk" effect when a track is played at a high rate of speed, or the "James Earl  
Jones" effect when a track is slowed to much.  
7. SGL/CTN - This function allows you to choose between single track play or continuous track play  
(all tracks in order). This function also operates in RELAY (FLIP-FLOP) mode, when RELAY is acti-  
vated.  
8. TIME BUTTON - The TIME button will switch the time value described in the TIME METER between  
ELAPSED PLAYING TIME & TRACK REMAINING TIME.  
9. JOG WHEEL MODE BUTTONS - The JOG WHEEL has 3 effect functions;  
• A. Cue Scratch Mode:  
In Playback Mode - While in playback mode the JOG WHEEL can be used to return the unit to  
the last set CUE point. Simply touch the JOG WHEEL surface and the unit will immediately re  
turn you to the last set CUE point and start playback.  
In Pause Mode - When the player is paused, touching the JOG WHEEL surface will start play-  
back and will continue to playback until the JOG WHEEL is released. Once the JOG WHEEL is  
released the unit will return to the last CUE point.  
• Vinyl Mode: When this mode is active, use the JOG WHEEL to simulate turntable scratching.  
• CDJ Mode:  
In Playback Mode - When this mode is active the JOG WHEEL can work as a pitch bend dur-  
ing playback. Turning the wheel clockwise will increase the pitch percentage up to 100%, and  
turning the wheel in the counter-clock wise direction will decrease the pitch percentage down to  
-100%. The pitch bend will be determined on how long you turn the jog wheel continuously.  
In Pause Mode - When the player is paused, you can use the JOG WHEEL to frame search.  
10. PITCH SLIDER - This slider is used to adjust the playback pitch percentage. The slider is a set  
adjustment and will remain set until the pitch slider is moved or the pitch function has been turned  
off. This adjustment can be made with or without a disc in the drive. The pitch adjustment will remain  
even if a disc has been removed and will reflect on any other disc loaded into the player. That is to  
say, if you set a +2% pitch on one disc, remove that disc and insert another, that disc too will have a  
+2% pitch. The amount of pitch being applied will be displayed in the VFD (23).  
11. (+) PITCH BEND BUTTON - The (+) pitch bend function creates a momentary “BUMP” in the  
audio's BPM’s (Beats per minute) while it is playing. This will allow you to match the beats between  
the two playing deck’s or any other music source. Remember, this is a momentary function. When  
you remove your finger from this button, the BPM’s will automatically return to PITCH SLIDERS (10)  
selected pitch. Holding down this button will give a maximum of +16% pitch.  
(-) PITCH BEND BUTTON - The (-) pitch bend function creates a momentary “Slow Down” in the  
audio’s BPM’s (Beats per minute) while it is playing. This will allow you to match the beats between  
the two playing deck’s or other playing music source. Remember, this is a momentary function. When  
you remove your finger from the pitch button, the BPM’s will automatically return to PITCH SLID-  
ERS (10) pitch value. Holding down this button will give a maximum of -16% pitch. Use this function  
to slow to another playing music source. Be sure to notice that this function is a momentary pitch  
adjustment, for a more precise adjustment use the PITCH SLIDER (10) to match the BPM’s with  
another playing music source.  
©American Audio®  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
PLAYER  
12. TAP BUTTON - Press this button to switch between manual BPM and Auto BPM. When in manual  
BPM mode, tap this button to the beat of the current track. Press and hold this button for at least 3  
secs. to switch to Auto BPM. The BPM mode your are currently in is displayed in the VFD.  
13.PLAY/PAUSE BUTTON - Each press of the PLAY/PAUSE BUTTON causes the operation to  
change from play to pause or from pause to play. While in play mode the blue play LED will glow, and  
while in pause mode the blue play LED will flash.  
14. CUE BUTTON - Pressing the CUE button during playback immediately pauses playback and  
returns the track to the last set cue point (see setting a CUE POINT, page 22). The red CUE LED  
will glow when the unit is in cue mode The LED will also flash every time a new CUE POINT is set.  
The CUE button can be held down to momentarily play music. When you release the CUE button it  
instantly returns to the CUE POINT.  
15. CUE PLAY BUTTON - Press this button to instantly start playback from the last CUE point.  
16. JOG WHEEL - This wheel has four functions;  
The jog wheel will act as a frame search control when the audio is in pause or cue mode and  
CDJ Mode is activated. Frame search allows to find your desird place to set a cue point.  
The wheel also works as a pitch bend during Playback with the CDJ mode active. Turning the  
wheel clockwise will increase the pitch percentage up to 100%, and turning the wheel in the  
counter-clockwise direction will decrease the pitch percentage down to -100%. The pitch bend  
will be determined on how long you turn the jog wheel continuously.  
The jog wheel is used to apply the scratch effect when Vinyl Mode is active.  
The jog wheel is used in conjunction with the TIME (18) and RATIO (18) BUTTONS to adjust and  
set effect and sample parameters, see page 32.  
17.SEARCH BUTTONS -  
This search button allows you to quickly scan backwards through a track.  
This search button allows you to quickly scan forwards through a track.  
18. EFFECTS AND HOLD BUTTON -  
PARAMETER TIME BUTTON - When this button is activated you can turn the JOG WHEEL (16)  
to adjust the parameter time value.  
ECHO EFFECT - This button is used to activate and deactivate the Echo effect. The Echo effect  
adds an echo to your output signal. See BUILT-IN EFFECTS on page 31.  
FLANGER EFFECT - This button is used to activate and deactivate the Flanger effect. The  
Flanger effect distorts the output signal and creates an effect similar to the frequency phasing in  
and out of each other.  
HOLD BUTTON - This button has two functions:  
Parameter Lock: This button allows you to lock any new parameter settings you set to the ef-  
fects. The button LED will glow when the hold function is activated. When the hold selection is  
not active, any changes to the effect parameters will be momentay.  
System Lock: If you press and hold the button for 3 seconds you will activate the System  
Lock. The button LED will flash when the HOLD function is active. To unlock the HOLD func-  
tion press and hold the button for 3 seconds.  
FILTER BUTTON - This button is used to activate and deactivate the Filter effect. The Filter ef-  
fect tweaks the original sound to add different tonal definition. The effect is almost the same as  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
PLAYER  
the PHASE effect.  
SKID BUTTON - This button is used to activate and deactivate the Skid effect. The Skid effect  
simulates the sudden platter stop of a turntable, like pressing the stop button on a turntable.  
PARAMETER RATIO BUTTON - When this button is activated you can turn the JOG WHEEL  
(16) to adjust the parameter ratio value.  
19. MEMORY BANK BUTTONS 1-4 - These buttons are used to store either four (4) cue points or four  
(4) loops. Each BANK BUTTON can store either a loop or a cue point. When a loop is stored in a BANK  
BUTTON the button LED will glow green. When a Cue Point is stored, the button LED will glow red.  
20. SAVE BUTTON - This button can be used in a couple of ways.  
• Press this button to activate the Save mode, the SAVE BUTTON LED will glow when activated.  
After the Save mode is activated, press your desired BANK BUTTON (19) to store your cue  
point or playing loop.  
• This button is also used to store your loops and cue points that are saved in the BANK BUTTON  
(19) to the system memory for next time. Press the SAVE BUTTON for 2 secs. and the button  
LED will flash. Your loops and cue points are now saved to the system memory.  
RECALL MEMORY: The player can store 4 programmed cue points or loops per track in the  
USB device. The memory points being stored in the USB device depend on the available  
memory space of the USB. These settings can be recalled at any time, even when an audio  
source has been removed and loaded at a later time.  
To recall the bank memory with the USB device loaded: Press the SAVE BUTTON, the button  
LED will glow. Turn the TRACK KNOB (21) to select the track with the MEMORY BANKS that  
you would like to recall for the cue points or loops; when in the loop mode press the RELOOP  
BUTTON (22) to activate loop mode.  
21. TRACK SEARCH KNOB - Turning this knob will let you search through tracks in your selected  
folder. Turn the knob to scroll backward and forward through tracks. You can also push the knob in  
and turn to jump 10 tracks forward or 10 tracks backward. The current track number will be shown in  
the VFD. Every push of the knob will display the Artist, Track Title, Genre, and Track Bit Rate.  
22.IN, OUT, & RELOOP BUTTONS -  
OUT BUTTON - This button is used to set the ending point of a loop. A loop is started by pressing  
the IN BUTTON, and pressing the OUT BUTTON to set the loop ending point. The loop will continue  
to play until the OUT BUTTON is pressed once again.  
IN BUTTON - “CUE ON THE FLY” - This function allows you to set a CUE POINT (see CUE POINT  
page 22) without music interruption (“on the fly”). This button also sets the starting point of a seam-  
less loop (see SEAMLESS LOOP).  
RELOOP BUTTON - If a SEAMLESS LOOP has been made (see setting a SEAMLESS LOOP on  
page 23), but the player is not actively in SEAMLESS LOOP mode (a loop is not playing), pressing the  
RELOOP BUTTON will instantly reactivate the SEAMLESS LOOP mode. To exit the loop, press the  
OUT BUTTON (22). LOOP will appear in the VFD DISPLAY (23) when the RELOOP function is avail-  
able.  
23. VFD DISPLAY - This high quality VFD display indicates all the various functions, as they are  
occurring. This display is viewable at several comfortable angles (see page 8). The display ICONS will  
be explained on page 17.  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
MIXER  
Figure 3  
24  
25  
26  
36  
35  
34  
33  
27  
28  
29  
30  
31  
32  
B. TOP UNIT MIXER CONTROLS (FIGURE 3)  
24. SOURCE SELECTOR SWITCH - These switches are used to select the input source assigned to each  
channel. Each channel may only be assigned one input source at a time.  
• CH1 selected to PC + CH2 selected to PC – the entire unite works as a MIDI controller.  
• CH1 selected to PC + CH2 selected to DECK B – the Deck A works as a MIDI controller, the mixer works  
internally with Deck B.  
• CH1 selected to PC + CH2 selected to LN2/ PH2 – the Deck A works as a MIDI controller, the mixer works  
internally with LN2/PH2 input.  
25. USB PORT 1 - This is the first USB port where you can insert a USB stick, USB SD Card reader, or compa-  
tiable external hard drive for playback. VERY IMPORTANT: PLEASE SEE PAGE 8 FOR DETAILS REGARD-  
ING/USING USB DEVICES.  
26. CHANNEL GAIN CONTROL - This adjustment is used to adjust an audio source signal input gain for a  
channel. Never use the gain control to adjust output volume. Setting the gain level properly will ensure a clean  
output signal. To properly set the gain level controls:  
1. Be sure the MASTER VOLUME CONTROL (36) is set to level 4.  
2. Set the CHANNEL FADER (29) to level 8.  
3. Begin playback on an audio source connected to the channel you are adjusting.  
4. Use the GAIN CONTROL (26) to adjust an average output volume of +4 dB.  
5. Repeat this step for all channels  
27. EQUALIZER - All of the channels include a three-band signal EQ. These controls are used to increase or  
decrease the LOW’s, MID’s, and HI’s of the output signal.  
TREBLE CONTROL - This knob is used to adjust the treble levels of a channel allowing for a maximum  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
MIXER  
treble gain of +10dB or maximum decrease of -35dB. Turning the knob in a counter-clockwise direction will  
decrease the amount of treble applied to a channel signal, turning the knob in a clockwise direction will increase  
the amount of treble applied to a channel signal.  
MIDRANGE CONTROL - This knob is used to adjust the midrange levels of a channel allowing  
for a maximum midrange gain of +10dB or maximum decrease of -35dB. Turning the knob in a  
counter-clockwise direction will decrease the amount of midrange applied to a channel signal,  
turning the knob in a clockwise direction will increase the amount of midrange applied to a  
channel signal.  
BASS CONTROL - This knob is used to adjust the low frequency levels of a channel allowing  
for a maximum bass gain of +10dB or maximum signal decrease of -35dB. Turning the knob in  
a counter-clockwise direction will decrease the amount of bass applied to a channel signal,  
turning the knob in a clockwise direction will increase the amount of bass applied to a channel  
signal.  
28. MASTER VOLUME LEVEL INDICATORS - The dual MASTER LEVEL LED indicators are used to detail the  
master output level. The meters will detail the output level of both the left and right channels.  
29. CHANNEL FADER - These faders are used to control the output signal of any source assigned to its par-  
ticular channel.  
30. CROSSFADER CURVE ADJUSTMENT - The 3 position switch changes the behaviour of the crossfader  
action by changing the crossover curve slope. The 3 settings from left to right are: Quick Fade, Short Fade, and  
Normal Fade. (Quick Fade is usually used for scratching).  
31. FADERSTART ON/OFF SWITCH - With this function you can use the crossfader to start and stop playback.  
The ON/OFF FADERSTART switch activates the fader start feature. When the fader start feature is activated  
sliding the CROSSFADER (32) from left to right will play or cue the player.  
Example: Be sure the FADERSTART feature is activated on both channels. Slide the crossfader to the  
channel one position (full left) and begin playback on player one. Slide the crossfader to the channel  
position (far right). This will immediately trigger the play function on player two and return player one to  
cue mode. To return to normal fader operation turn the FADERSTART ON/OFF SWITCH to the OFF  
position.  
32. REPLACEABLE CROSSFADER - This fader is used to blend the output signals of channels one and two  
together. When the fader is in the full left position (channel 1), the output signal of channel one will be controlled  
by the master volume level. The same fundamentals will apply for channel two. Sliding the fader from one posi-  
tion to another will vary the output signals of channels one and two respectively. When the crossfader is set in  
the center position, the output signals of both the channels one and channels two will be even.  
33. MASTER INDICATOR BUTTON - This button is used to choose between master level indicators and chan-  
nel level indicators.  
34. RELAY BUTTON - This button activates the RELAY function.  
35. BOOTH LEVEL - This knob is used to adjusts the monitor volume output level. Turn the knob in a clockwise  
direction to increase the monitor volume.  
36. MASTER VOLUME CONTROL - This rotary knob is used to control the master output level (volume). To  
avoid distorted output try to maintain an average output signal level +4 dB. Be sure this volume control is  
always set to zero before turning the unit on.  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
FRONT & REAR PANEL  
Figure 4  
37 38 39 40  
41  
42  
43  
44  
Figure 5  
56  
55  
54  
52  
50 47  
46 49  
48 46  
51  
47 45  
53  
C. FRONT PANEL (FIGURE 4)  
37. MICROPHONE 1 JACK - This jack accepts a standard 1/4 plug. The volume output level for this micro-  
phone will be controlled by its own respective MIC KNOB (38). Note: We recommend that you use a 500-  
600ohm microphone for the best sound quality.  
38. MICROPHONE 1 VOLUME - This knob is used to regulate the microphone 1 output volume. Turning the  
knob in a clockwise direction will increase the volume level.  
39. MICROPHONE 2 VOLUME - This knob is used to regulate the microphone 2 output volume. Turning the  
knob in a clockwise direction will increase the volume level.  
40. MIC TONE CONTROL - This knob controls the frequency response of the microphone.  
41. TALKOVER CONTROL - This function decreases all signal output except for the microphone signal.  
42. CUE MIX - This slider is used to send a channels incoming signal to the headphones. Slide the slider to the  
left to monitor Channel 1, and to the right to monitor Channel 2. The cue level is adjusted by the CUE LEVEL  
VOLUME KNOB (43). Be sure the cue level is set to minimum before putting a pair of headphones on.  
43. CUE LEVEL VOLUME KNOB - This knob is used to adjusts the headphone volume output level. Turn the  
knob in a clockwise direction to increase the headphone volume.  
44. HEADPHONE JACK - This jack is used to connect your headphones to the mixer allowing you to monitor  
the cue source. Use headphones only rated at 8 ohms to 32 ohms. Most DJ headphones are rated at 16 ohm,  
these are highly recommended. Always be sure the CUE LEVEL VOLUME (43) is set to minimum before you put  
the headphones on.  
D. REAR PANEL (FIGURE 5)  
45. MICROPHONE 2 JACK - This combo jack will accept a standard 1/4 plug or XLR 3-pin balanced male plug.  
The volume output level for this microphone will be controlled by the MIC 2 VOLUME CONTROL KNOB (39).  
Note: We recommend that you use a 500-600ohm microphone for the best sound quality.  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
FRONT & REAR PANEL  
46. GND (GROUND TERMINAL) - Be sure to connect turntable ground leads to either or both of the two  
available ground terminals. This will reduce the humming and popping noises associated with magnetic  
phono cartridges.  
47. CHANNEL LINE LEVEL SELECTOR SWITCHES - These switches are used to change the voltage line  
levels of there respected Phono / Line RCA inputs jacks. When connecting turntables with magnetic car-  
tridges to these jacks be sure the corresponding switch is in the “PHONO” position, and when using line level  
input devices such as CD players and tape decks be sure this switch is in the “LINE” position. Always be sure  
main power is shut off before changing the position of the Line Level Selector Switch.  
48. CHANNEL 1 LINE/PHONO INPUT JACKS - CD players, Tape Decks and other line level instruments  
may be connected to these jacks. The CHANNEL LINE LEVEL SELECTOR SWITCHES (47) must be set to  
the correct position representing what is connected to the input jacks; i.e. if a turntable is connected to the  
input jacks the CHANNEL LINE LEVEL SELECTOR SWITCHES (47) must be set to "Phono". See CHANNEL  
LINE LEVEL SELECTOR SWITCHES (47) on this page. The red colored RCA jack represents the right channel  
input and the white represents the left channel input. Input volume will be controlled by channel one fader.  
The channel SOURCE SELECTOR SWITCH (24) must be in the "Line" position, to monitor any source con-  
nected to these jacks.  
49. CHANNEL 2 LINE/PHONO INPUT JACKS - CD players, Turntables, and Tape Decks may be connected  
to these jacks. The CHANNEL LINE LEVEL SELECTOR SWITCHES (47) must be set to the correct position  
representing what is connected to the input jacks; i.e. if a turntable is connected to the input jacks the CHAN-  
NEL LINE LEVEL SELECTOR SWITCHES (47) must be set to "Phono". See CHANNEL LINE LEVEL SELEC-  
TOR SWITCHES (47) on this page. The red colored RCA jack represents the right channel input and the white  
represents the left channel input. Input volume will be controlled by channel two fader. The channel SOURCE  
SELECTOR SWITCH (24) must be in the "Line" position when CD players and any other line level instruments  
are connected to these jacks, to monitor any source connected to these jacks.  
50. BOOTH OUTPUT JACKS - The VERSADECK offers a secondary output usually used to monitor your mix or  
to route to an outboard recording device. This output volume is controlled by the BOOTH LEVEL KNOB (35).  
51. RCA MASTER OUTPUTS - The RCA jacks send a low current unbalanced output signal. These jacks  
should only be used for shorter cable runs to signal processors or looping to another mixer. For cable runs  
greater than 15 feet use the XLR BALANCED JACKS (52).  
52. BALANCED XLR MASTER OUTPUT JACS - The Master Output includes a pair of XLR Balanced jacks  
as well as a pair of RCA UNBALANCED JACKS (51). The 3-pin XLR jacks send a high current balanced  
output signal. These jacks should be used when you will be driving an amp or other audio equipment with  
a balanced input, or whenever you will be running a signal line greater than 15 feet. Always, use these jacks  
whenever possible.  
53. USB MIDI JACK - Use this jack to connect to a computer or a host USB player. After hooking up your  
computer with the USB 1.1 Connections, your computer will detect them respectively as an external sound  
card (USB Code). You may either play music on your computer or send it via the USB 1.1 Connections as a  
signal source to the device; alternatively, you may record the Master output signal on your computer using the  
USB 1.1 Connection.  
NOTE: The sent Master Output Signal is not influenced by the position of the volume controls. To use the  
USB 1.1 Connection, please also refer to the operation manual of your computer and the programmers used.  
54. USB PORT 2- This is the second USB port where you can insert a USB stick, USB SD Card reader, or  
compatiable external hard drive for playback. VERY IMPORTANT: PLEASE SEE PAGE 8 FOR DETAILS  
REGARDING/USING USB DEVICES.  
55. POWER BUTTON - This button is used to turn your unit’s power on and off.  
56. POWER CONNECTOR - This connection is used to connect your main power. Be sure that your local  
power matches the unit’s required power. NEVER REMOVE THE GROUND PRONG FROM THE POWER  
CABLE, DOING SO MAY RESULT IN IMPROPER OPERATION.  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
VFD SCREEN  
Figure 6  
57 58 59  
60  
61 62  
63  
74  
73  
72  
71  
70  
64  
65  
69  
68  
67 66  
E. VFD DISPLAY PANEL (FIGURE 6)  
57. PLAY/PAUSE INDICATOR - Either the play or pause indicator will glow depending which mode  
you are in.  
58.CUE INDICATOR - This indicator will glow when the unit is in CUE or mode and will flash every  
time a new CUE POINT is set.  
59.TOUCH INDICATOR - This appears when anything touches the jog wheel.  
60. CHARACTER DISPLAY - This will display the name of the track and album when a Mp3 disc is  
loaded.  
61. AUTO BPM - This will indicate that the unit is in AUTO BPM mode.  
62. BPM METER - This meter will display the BPM's of the current track.  
63. MEMORY BUCKET - This meter serves two functions.  
1. The bucket outline indates your cue memory status. a full outline lets you know the cue memory is  
full. Note: The search functions will not work unless all the bars are full.  
2. The five bars inside the bucket represent the digital buffer. Each bar represents 2 seconds.  
64.  
TEMPO LOCK - This will indicate the Tempo Lock function is active.  
65. PITCH METER - This meter will display the pitch percentage applied by the PITCH SLIDER (10).  
66. TIME DISPLAY - These indicators detail the Minutes, Seconds, and Frames. The meter will display  
either the elapsed or remaining time of a track.  
67.TIME BAR INDICATOR - This bar gives a visual approximation of a track's or disc's remaining time.  
This bar will begin to flash when a track is ending.  
68. ELAPSED/REMAIN INDICATOR - This indicator is in direct reference to the TIME METER (66).  
When the ELAPSED indicator is displayed in the VFD (23), the time defined will refer to a single track's  
elapsed time. When "REMAIN" is indicated in the VFD DISPLAY (23) the TIME DISPLAY (66) in the  
VFD will define the current track's remaining time. The time mode is changed by the tapping on the  
TIME BUTTON (8).  
69. TRACK INDICATOR - This indicator details the current track. The number displayed in the track  
indicator is a direct reference to the track in play, pause, or cue mode.  
70. MP3 INDICATOR - This will indicate that MP3 files have been detected on the loaded USB  
device.  
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GENERAL FUNCTIONS AND CONTROLS (Cont.)  
VFD SCREEN  
71. FOLDER INDICATOR - This indicator details the current folder you are in.  
72.SINGLE INDICATOR - This indicates that the player is in single play mode, the track will play once  
and return to CUE mode. If the single indicator is not on the unit is in continuous mode. In continuous  
mode the drive will play all the remaining tracks.  
73. RELOOP INDICATOR - Appears when LOOP is engaged or ready to be engaged.  
74. AUTO CUE - This will indicate if the Auto Cue is on or off. Press and hold the SGL/CTN (7) for 1  
sec. to turn the Auto Cue function on and off.  
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INTERNAL MENU  
Press the FOLDER KNOB (1) for at least 3 secs. to enter the Internal Menu. Turn the FOLDER KNOB (1) to  
scroll through the different submenus. Turn either the TRACK KNOB (21) or JOG WHEEL (16) to change the  
submenu settings.  
To save and exit the internal menu, turn the FOLDER KNOB (1) until G. Exit & Save is displayed, press the  
TRACK KNOB (21) to save your settings. If your settings were saved correctly, "Saving" will appear briefly in  
the VFD (23).  
NOTE: You can exit the Internal Menu anytime you want by pressing the FOLDER KNOB (1), however your  
modified settings will not be save.  
1. PLAYLIST - Normal / Title/ Artist / Album / Genre  
The DATABASE BUILDER can generate "Playlist" for USB device. You can adjust various criteria in order  
to filter tracks in this setting. You can turn the TRACK KNOB (21) or JOG WHEEL (16) to scroll through  
the different settings; " Normal / Title/ Artist / Album / Genre". See page 33 Playlist Operation.  
2. REPEAT MODE - 3 different modes: Play All Repeat / Folder Repeat / Track Repeat  
3. MIDI CH - Setup MIDI Channel from 1 to 16 (Deck A - Mixer - Deck B).  
4. MIDI SETUP -  
TAP = HOLD/TOGGLE  
• I/O = Hide/DIS. (Hide/Display MIDI I/O value)  
5. CROSSFADER -  
• LOCK = To lock the crossfader in the middle of the two channels  
• UNLOCK = The crossfader is back to normal status  
6. CROSSFADER REVERSE -  
• ON = Reverse the crossfader  
• OFF = Normal Mode  
7. DISPLAY TIME - 0.5 ~ 12.0 secs. (Line name start/stop time adjustment)  
8. SCROLL SPEED - 50 ~ 2000 msecs. (Adjust the scroll speed of the character display)  
9. SENSITIVITY - Touch Wheel Sensitivity adjustment (Adjustment range is -20 ~ +20)  
A. INTENSITY - VFD Brightness (Brightness Range is 1 ~ 4)  
B. A.CUE LEVEL - Change the AUTO CUE level (Level range is -36 ~ -78dB)  
C. LINE SETUP - Select VFD line name and display  
D. BIT RATE - Display ON/OFF  
E. VERSION - CXX (Control Version) DSPXX (DSP Version)  
F. LOAD DEFAULTS - Press the TRACK KNOB (21) to change all settings back to default.  
G. EXIT & SAVE - Exit & Save your custom settings until you power down. Press the TRACK KNOB (21) to  
exit & save.  
NOTE:  
SAVE: U1/U2, PITCH ON/OFF, PITCH RANGE, SGL/CTN, AUTO CUE, TIME MODE, HOLD, KEY LOCK,  
EFFECTS ON/OFF, PLAYLIST, REPEAT MODE, MIDI CHANNEL, MIDI SETUP, CROSSFADER, CROSSFADER  
REVERSE, DISPLAY TIME, SCROLL SPEED, SENSITIVITY, INTENSITY, A.CUE LEVEL, DISPLAY  
DEFAULTS: U1/U2 (U1), PITCH (OFF), PITCH RANGE (10%), SGL,CTN (CTN), AUTO CUE (ON), TIME MODE  
(REMAIN), HOLD (OFF), KEY LOCK (OFF), EFFECTS (OFF), PLAYLIST (NORMAL), REPEAT MODE (ALL),  
MIDI CHANNEL (1-2-3), MIDI SETUP (TAP=HOLD, I/O=HIDE), CROSSFADER (UNLOCK) CROSSFADER  
REVERSE (OFF), DISPLAY TIME (3sec.), SCROLL SPEED (400ms), SENSITIVITY (0), INTENSITY (4), A.CUE  
LEVEL (-48dB), BIT RATE DISPLAY (ON)  
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BASIC OPERATIONS  
1. LOADING/EJECTING AN USB DEVICE  
When loading a USB stick, USB card reader, or external hard drive make sure you are correctly lined up with  
the USB port and connect to the USB port. To disconnect a USB drive, stop playback and disconnect the  
USB connection. VERY IMPORTANT: PLEASE SEE PAGE 8 FOR DETAILS REGARDING/USING USB  
DEVICES.  
CAUTION:  
NEVER remove a USB device while in PLAY mode.  
Figure 7  
2. SELECTING TRACKS  
Select a desired track by using the TRACK KNOB (21). Turn the knob clockwise to move forward a track or  
counter-clockwise to move back a track. If you want to select a new track during playback (a track is already  
in play mode) the new track you selected will immediately begin playback as soon as the search operation is  
completed. You can also push the knob in and turn to jump 10 tracks forward or 10 tracks backward.  
Figure 9: Turning the track  
Figure 8: Turning the track  
button counter-clockwise  
button clockwise will skip  
will jump back to the previ-  
forward to the next track.  
ous track.  
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BASIC OPERATIONS (CONT.)  
3. STARTING PLAYBACK - Figure 10  
Load an audio source as described on page 20 (LOADING/EJECTING USB  
DEVICE). Pressing the PLAY/PAUSE BUTTON (13) with an audio device loaded  
will immediately start playback. The PLAY (57) indicator will glow as soon as play-  
back begins. The point at which playback starts (cue point) will automatically be  
stored in the memory as the cue point. The unit will return to this cue point (the  
point at which playback started) when the CUE BUTTON (14) is pressed.  
4. PAUSING - Figure 10  
This function pauses playback at the exact same point the PLAY/PAUSE BUTTON  
(13) was pressed. Pressing the PLAY/PAUSE BUTTON (13) will switch between  
play and pause modes. When the unit is in pause mode the PAUSE INDICATOR  
(57) will show in the VFD DISPLAY (23). The blue PLAY/PAUSE BUTTON (13) LED  
will also begin to flash repeatedly.  
Figure 10  
5. AUTO CUE  
This function will automatically set a cue point to the first audio source that is  
loaded. The first set cue point will always be the beginning of track 1. If a new  
track is selected before the PLAY BUTTON (13) is pressed, a new CUE POINT will  
be set to reflect the new starting point.  
6. STOPPING PLAYBACK - Figures 10 & 11  
Stopping playback will not stop the drive mechanism, but merely pause or cue  
the track, this functions allows the unit to begin play instantly. The drive mecha-  
nism will only stop if a disc is ejected or the unit has gone in to sleep mode. There  
are two ways to stop (pause) playback:  
1) Press the PLAY/PAUSE BUTTON (13) during playback. This will pause play-  
back at the exact same point the PLAY/PAUSE BUTTON (13) was pressed.  
2) Press the CUE BUTTON (14) during playback. This will pause playback and  
return the track to the last set cue point.  
Figure 11  
7. FRAME SEARCH  
This feature allows you to scroll through a track frame by frame, allowing you to  
find and set a starting cue or loop point. To use the scroll function you must first  
be in Pause Mode (see section 4) or Cue Mode (see section 8). Once you are in  
Pause or Cue mode, turn the JOG WHEEL (16) to scroll through the track (Figure  
12). Turning the wheel in a clockwise direction will advance the frame search  
and turning the wheel in a counter-clockwise direction rewinds the frame search.  
When you use the JOG WHEEL (16) the monitor (headphone level) function allows  
you to hear what you are scrolling through. Once you reach your desired starting  
point you can set a cue (starting) point by pressing the PLAY/PAUSE BUTTON  
(11) as in Figure 10. Pressing the CUE BUTTON (14) as in Figure 11 will now return  
you to the point you just set.  
Figure 12  
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BASIC OPERATIONS (CONT.)  
8. SETTING A CUE POINT  
A cue point is the exact point playback will begin when the PLAY/PAUSE button (13) is pressed. You may set  
your cue points anywhere on a disc or in a track. There are three (3) ways to set and create a CUE point as  
detailed in figures 13, 14, & 15.  
1) You may press the IN BUTTON (22) on the fly (while the disc is playing). This  
will set a CUE Point without music interruption. Pressing the CUE BUTTON  
(14) will now return you to the same point that you pressed the IN BUTTON  
(22).  
Figure 13  
2) You may also use the JOG WHEEL (16) to set a cue point. While a disc is  
in PAUSE or CUE mode, use the JOG WHEEL (16) to scroll through a track  
and find your desired starting point. Once you have found your desired CUE  
point press the PLAY BUTTON (13) to set your cue point. Pressing the CUE  
BUTTON (14) will now return you to this exact point.  
Figure 14  
3) You may also use the SEARCH BUTTONS (17) to set a cue point. While a  
disc is in PAUSE or CUE mode, use the SEARCH BUTTONS (17) to scan  
through a track to find your desired starting point. Once you have found your  
desired position press the PLAY BUTTON (13) to set your cue point. Pressing  
the CUE BUTTON will now return you to this exact point.  
Figure 15  
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BASIC OPERATIONS (CONT.)  
9. CREATING AND PLAYING A SEAMLESS LOOP  
A seamless loop is a sound loop that plays continuously without sound interruption. You can use this loop to  
create dramatic effect in your mixing. This loop has no time limit and you could actually loop the entire length  
of disc. You create a seamless loop between two continuous points of a disc.  
1) Press PLAY/PAUSE BUTTON (13) to activate playback  
mode.  
Figure 16  
2) Press the IN BUTTON (22). This will set the starting  
point of the SEAMLESS LOOP. The IN BUTTON (22)  
LED will light.  
Figure 17  
3) Press the OUT BUTTON (22) to set the ending point for your LOOP  
(Figure 18). The IN BUTTON (22) and OUT BUTTON (22) LEDs will  
immediately begin to flash rapidly, indicating the SEAMLESS LOOP  
mode has been activated.  
VFD LOOP INDICATORS - During a loop, the RELOOP INDICATOR  
(73) will turn on in the VFD DISPLAY (23) indicating a loop is active.  
Figure 18  
EXITING A LOOP - To exit a SEAMLESS LOOP, press the OUT  
BUTTON (22). The IN BUTTON (22) and OUT BUTTON (22) LEDs will  
remain lit. Music playback will resume normal play. The IN BUTTON  
(22) and OUT BUTTON (22) LEDs will remain lit to remind you that a  
loop is in memory.  
Figure 19  
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BASIC OPERATIONS (CONT.)  
REPLAY LOOP - The RELOOP (22) function allows you to return to your  
stored loop at any time. The IN BUTTON (22) and OUT BUTTON (22) LEDs will  
indicate a loop is stored in memory, and may be played at any time. To replay  
the loop, press the RELOOP BUTTON (22). The IN BUTTON (22) and OUT BUT-  
TON (22) LEDs will again begin to flash indicating SEAMLESS LOOP mode has  
been activated and your loop will immediately begin to play.  
Figure 20  
EDITING A LOOP:  
Please Note: Only the end point of the loop may be edited. You may make your loop shorter or longer. Before  
you can edit your seamless loop you obviously must first have created a seamless loop to edit. If you haven’t  
created a SEAMLESS LOOP, follow the instructions in step 9 to create a loop. If a SEAMLESS LOOP has  
already been created, press the RELOOP BUTTON (22) to activate your SEAMLESS LOOP (Figure 20) if it is  
not already activated. To edit your seamless loop’s ending point:  
1) Press the OUT BUTTON (22) to return to normal play (Figure 19). This will disengage the SEAMLESS  
LOOP mode and allows you to edit the loops ending point.  
Press the OUT BUTTON (22) again when you reach your new ending point (Figure 19).  
- FOR A SHORTER LOOP: Press the OUT BUTTON (22) at sooner point in the track.  
- FOR LONGER LOOP: Press the OUT BUTTON (22) at later point in the track.  
10. CHANGING THE TIME DISPLAY (66)/TIME BAR (67):  
During normal playback, pressing the TIME BUTTON (18), will change the time  
display information (66) in the VFD (23). The following is a break down of the time  
settings and their definitions:  
1) REMAIN (68) - This details the time in the VFD (23) as the current tracks’  
remaining running time.  
2) ELAPSED (68) - This details the time in the VFD (23) as the current tracks’  
elapsed running time.  
Figure 21  
TIME BAR INDICATOR - Details the time defined in the TIME METER (66) as a visual bar icon. As with the  
TIME METER (66) this bar is also dependent on the selected time function [REMAIN OR ELAPSED. This bar  
will begin to flash when a track is ending regardless of which time funct  
i
on you are in. Use the flashing bar  
as a visual reminder that a track is ending.  
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BASIC OPERATIONS (CONT.)  
10. Bank Buttons (19):  
These buttons are used to store your cue points and loops. Only a sample or a cue point can be stored into  
each of these four banks. When a sample is stored in of the banks you may use the sample starting point as a  
cue point. The BANK BUTTONS (19) instantly recall and play any of your stored cue points or loops. If the unit  
is not in playback mode, pressing and holding any of the BANK BUTTONS (19) that stores a loop or cue point,  
will immediately begin to playback from that point until that BANK BUTTON (19) is released.  
To store a loop:  
1) Create a loop (see creating a seamless loop on page 23 and 24).  
Figure 23  
Figure 22  
3) Select one of the four BANK BUTTONS (19) you  
wish to store your loop in and press that button.  
2) Press the SAVE BUTTON (20). The SAVE BUTTON  
(20) LED will glow indicating memory is ready to be  
stored.  
4) The SAVE BUTTON (20) LED will turn off, when your cue point or loop is  
locked into memory.  
5) At this point your loop has been stored into memory. The loop you  
created will remain playing until the OUT BUTTON (22) is pressed (Figure 24).  
6) Your cue point or loop can now be recalled at any time even when the unit is  
in PAUSE MODE. To recall, press the corresponding BANK BUTTON (19).  
Figure 24  
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PITCH ADJUSTMENTS  
PITCH ADJUSTMENTS:  
You can activate the PITCH SLIDER (10) by pressing the PITCH ON/OFF BUTTON (4). When the button LED  
is lit, the PITCH SLIDER (10) is active and the pitch can be adjusted. When the button LED is not lit PITCH  
SLIDER (10) is not active. The different pitch adjustments allow a track's or a loop's playback speed to be  
manipulated. This speed manipulation is commonly used to beat match between two or more music sources  
such as a turntable or CD player. The playback speed may be increased or decreased by a factor of +/-16. The  
next section details the different pitch manipulation schemes.  
1. PITCH SLIDER (10):  
This function will increase or decrease the tracks playback speed or "PITCH."  
The maximum pitch percentage manipulation in this function is +/-16%. The  
PITCH SLIDER (10) is used to decrease or increase the playback pitch. If the  
slider is moved up (towards the top of the unit) the pitch will decrease, if the  
slider is moved down (towards the bottom of the unit) the pitch will increase.  
The PITCH SLIDER adjustment can be changed to range from +/-8%, +/-10%,  
or +/-16% (See changing "PITCH SLIDER PERCENTAGE RANGE" on the next  
page). This pitch adjustments will effect normal playback and loops only when  
the PITCH ON/OFF BUTTON (4) is turned on.  
Figure 25  
Activating the PITCH SLIDER (10): To activate the PITCH SLIDER you  
must activate the pitch adjustment. Press the PITCH ON/OFF BUTTON (4)  
to activate the pitch adjustment. The ON/OFF BUTTON (4) LED will glow  
when the function is activated. If the pitch function is not activated the PITCH  
SLIDER will not function.  
Figure 26  
Using the PITCH SLIDER (10): Be sure the pitch function has been acti-  
vated as described above. To use the PITCH SLIDER slide it up to decrease  
the pitch and down to increase it.  
Figure 27  
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PITCH ADJUSTMENTS  
Adjusting the PITCH SLIDER'S RANGE (5): You may change the  
PITCH SLIDER'S (10) operating range at any time. To change the operat-  
ing range be sure the pitch function is turned on, see figure 33. The pitch  
percentage can be changed between +/-6%, +/-10%, and +/-16%. 6%  
will allow the least amount of pitch manipulation and 16% will allow the  
most amount of pitch manipulation. To adjust the different ranges, press  
the PITCH ON/OFF BUTTON (4) and tap on the PITCH RANGE BUTTON  
(5) until your desired value is reached, see figure 28.  
Figure 28  
2. PITCH BENDING:  
Unlike the PITCH SLIDER (10) adjustment this function will momentarily increase or decrease a tracks speed  
during playback. There are two ways to operate this function with the (-) & (+) PITCH BEND BUTTONS (11)  
or with the JOG WHEEL (16). The maximum pitch bend percentage allowed is +/- 16%. The pitch bend func-  
tion will work in conjunction with the PITCH SLIDER (10) pitch setting. For example, if the PITCH SLIDER (10)  
is set to a 2% pitch gain the pitch bending process will begin at 2% and will continue to the maximum of  
+/- 16%.  
Holding down or tapping on the (-)  
PITCH BEND BUTTON (11) will provide  
a slow down in the playback pitch.  
Holding down or tapping on the (+)  
PITCH BEND BUTTON (11) will provide a  
speed bump in the playback pitch.  
Figure 29  
Figure 30  
PITCH BEND BUTTONS (11):  
The (+) PITCH BEND BUTTON (11) will increase track playback speed and the (-) PITCH BEND BUTTON (11)  
will decrease track playback speed. The extent to which the speed changes is proportionate to the amount  
of time the button is pressed. For example, if the (+) PITCH BEND BUTTON (11) is held down continuously as  
in figure 30, the audio speed will increases and will continue to increase until it reaches a maximum of 16%  
speed gain. When you release the (+) PITCH BEND BUTTON (11) the audio speed will automatially return to  
c
it’s previous set speed.  
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PITCH ADJUSTMENTS  
3. JOG WHEEL (16):  
The JOG WHEEL will temporarily bend the pitch if a track is in playback mode  
Rotating the wheel in a clockwise direction will increase your track pitch and  
rotating the wheel in a counter-clockwise direction will slow your track pitch.  
The speed you rotate the JOG WHEEL will determine pitch bend percentage  
(%). For example, if the JOG WHEEL is continuously turned in a counter-  
clockwise direction the playback speed will steadily decrease and will con-  
tinue to decrease until playback reaches a maximum of -100% and playback  
stops entirely. When you stop turning the JOG WHEEL the disc speed will  
automatically return to it’s previous set speed.  
Figure 31  
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JOG WHEEL FUCNTIONS  
JOG WHEEL TOUCH SENSITIVITY: The platter of the jog wheel is touch sensitive allowing certain play  
and cue commands, as well the scratch effect, to be controlled by touching or tapping on the touch sensitive  
jog wheel.  
ADJUSTING JOG WHEEL TOUCH SENSITVITY: The degree of sensitivity can be adjusted to make it  
more or less sensitive. Press and hold the FOLDER KNOB (1) to enter the INTERNAL MENU. Turn the FOLDER  
KNOB (1) clockwise till SENSITIVITY is displayed. Turn the TRACK KNOB (21) to find your desired sensitivity,  
the range of sensitivity is from -20 to +20. The VFD (23) will display the degree of sensitivity. When you have  
found your desired level press the FOLDER KNOB (1) to confirm and exit.  
A.CUE: Before you can use the JOG WHEEL (16) to control the play and  
cue commands you must first activate the A.Cue Mode. To activate press  
the A.CUE BUTTON (9).  
Figure 32  
IN PLAYBACK MODE: While in play mode and with the A. Cue Mode  
active, the JOG WHEEL (16) can be used to return the unit to last cue  
point. Simply touch the JOG WHEEL (16) and unit will immediately return  
to the last set cue point and playback without music interruption.  
Figure 33  
IN CUE MODE: While in cue or pause mode and with the A. Cue Mode  
active, touching or tapping on the JOG WHEEL (16) can be used to  
start playback. The unit will continue to playback until the JOG WHEEL  
(16) is released. Once the JOG WHEEL (16) is released the unit will  
return to the last cue point.  
Figure 34  
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JOG WHEEL FUCNTIONS  
VINYL MODE & CDJ MODE: The Vinyl Mode simulates real time turntable scratching. Once the Vinyl  
Mode has been activated the JOG WHEEL (16) may be used in the same fashion a turntable platter is  
used. Use the JOG WHEEL (16) to simulate the scratch motion on a turntable platter and to manipu-  
late playback. The CDJ Mode is used for pitch bending and frame search.  
VINYL MODE: Before you can use the JOG WHEEL (16) to simulate real  
time turntable scratching you must activate the Vinyl Mode. To activate  
press the VINYL BUTTON (9).  
Figure 35  
PLAYBACK MODE: While in play mode and with the Vinyl Mode active,  
the JOG WHEEL (16) is used to apply the scratch effect to the audio  
source. Rotate the JOG WHEEL (16) clockwise & counter-clockwise  
simulate turntable scratching.  
Figure 36  
CDJ MODE: While in cue or pause mode and with the CDJ Mode  
active, rotating JOG WHEEL (16) can be used frame search.  
While in play mode and with the CDJ Mode active, the JOG WHEEL (16)  
can be used to pitch bend. Rotaing clockwise will speed it up to 100%,  
while rotating counter-clockwise will slow it down. Remember, this is a  
momentary function. When you stop rotating the wheel, the BPM’s will  
automatically return to PITCH SLIDERS (10) selected pitch.  
Figure 37  
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BUILT-IN EFFECTS  
The VERSADECK comes with four built in effects. These effects can be used one at a time or you  
may choose to overlap the effects and use up to four at a time. The Built-in effects include Echo,  
Filter, Skid, and Flanger. You can choose to use the effects with their default parameters or you may  
choose to customize each effect by changing the parameters. The parameter values for all the effects  
will range. Some effects will have more adjustable parameters than others. The parameters have two  
adjustable values, PR (Parameter Ratio) and PT (Parameter Time). All parameters will be reset to  
there default values when power is shut off!  
SKID EFFECT: The Skid effect simulates the stop and start time of  
a turntable platter. The Skid Effect has two adjustable parameters,  
Parameter Time (PT) and Parameter Ratio (PR). The PT will adjust the  
Start Time and the PR will adjust the Stop Time (see "Parameters" on  
page 32).  
Figure 38  
FILTER EFFECT: The Filter effect tweaks the original sound to add dif-  
ferent tonal definition. The Filter Effect has two adjustable parameters,  
Parameter Time (PT) and Parameter Ratio (PR). The PT will adjust the  
time it takes for the filter to sweep the frequency band, and the PR will  
adjust the Frequency Range; 0 is the low end, 155 mid range, & 255 high  
end frequencies. (see "Parameters" on page 32).  
Figure 39  
ECHO EFFECT: The Echo effect adds an echo to your out-  
put signal. The Echo effect has two adjustable parameters,  
Parameter Time (PT) and Parameter Ratio (PR). The PT will ad-  
just the time range and the PR will adjust the dry to wet ratio;  
000 (Dry)-255 (Wet) (see "Parameters" on page 32).  
Figure 40  
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BUILT-IN EFFECTS  
FLANGER EFFECT: The Flanger effect distorts the output signal and  
creates an effect similar to frequencies phasing in and out of each  
other. The FLANGER Effect has two adjustable parameters, Parameter  
Time (PT) and Parameter Ratio (PR). The PT will adjust the Time Range  
and the PR will adjust the Frequency Range (see "Parameters" in the  
next section).  
Figure 41  
PARAMETERS:  
All the effects have adjustable parameters. The parameters change the  
way the effects will react. To adjust the parameter values for any of the  
effects, press the PARAMETER BUTTON (18) you wish to adjust, then  
use the JOG WHEEL (16) to adjust the Parameter settings. The JOG  
WHEEL (16) must be in CDJ mode to make the adjustments. When the  
parameter value is adjusted the VFD display will indicate the parameter  
adjustment. All effects have two adjustable parameters; X PARAMETER  
TIME and Y PARAMETER RATIO. Use these parameters to customize  
the effects to your liking.  
Figure 42  
HOLD BUTTON: Use the HOLD BUTTON (18) to lock your parameters.  
If the hold button is not activated any changes to your parameters will  
be momentary. To activate the hold function press the HOLD BUTTON  
(18) as in figure 43. When the hold function becomes activated, the hold  
button LED will glow.  
The HOLD BUTTON (18) is also used to lock up the entire player so that  
there are no accidental mistakes. The mixer functions will not be locked so that  
adjustments can be made to the audio levels. Press the HOLD BUTTON (18)  
for at least 3 secs. to lock the player. LOCK will appear quickly in the  
VFD, and the HOLD BUTTON (18) LED will flash. To unlock the player  
press the HOLD BUTTON (18) for at least 3 secs. or until UNLOCK is  
displayed in the VFD.  
Figure 43  
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PLAYLIST OPERATION  
Playlist Operation:  
1.Press and hold the FOLDER KNOB (1) for 3 sec. to enter the internal menu. Turn the knob until  
"PLAYLIST" is displayed.  
2. Turn TRACK KNOB (21) to scroll through "Normal/Title/Artist/Album/Genre". Press the FOLDER  
KNOB (1) to save your desired selection and exit. The database should adjust to your setting.  
Example: "Artist" is selected, all artists will be in alphabetical order  
Pushing and turning the FOLDER KNOB will take you to the next letter; so if you are going through  
the C artists, holding and turning the FOLDER KNOB will skip you up to the D artists.  
You can turn the FOLDER KNOB, or push the FOLDER KNOB in and turn the JOG WHEEL to jump  
to the next artist.  
You can skip through tracks by turning the TRACK KNOB, or by pressing the TRACK KNOB and  
turning the JOG WHEEL as well.  
RELAY (FLIP-FLOP™)  
RELAY MODE  
This feature is a kind of “auto pilot”. When you are using the VERSADECK system, you can have one player  
begin playback when the other ends. You can RELAY single tracks, the entire folder, or a combination of the  
two.  
To RELAY single tracks:  
1) Set the mixer's crossfader to the center position, and press the RELAY BUTTON (34).  
2) Set the two players to playback in single mode, SINGLE (72) should be indicated in the VFD (23).  
3) Load your two players with audio discs.  
4) After they have both cued, press the PLAY/PAUSE BUTTON (13) on one player to begin playback.  
5) After the first player’s single track has ended the second player’s track will immediately begin playback.  
6) FLIP-FLOP™ will continue until you stop it or power is interrupted.  
To Flip-Flop entire folders:  
Be sure your players are both in continuous play mode, make sure SINGLE MODE (72) does not appear in the  
VFDS (23) of both players. Follow all directions for single track RELAY above. When one player’s folder ends  
the other player will immediately begin playback.  
Note: You may combine RELAY single and continuously playback modes by selecting either single or continu-  
ous playback on your units.  
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DATABASE BUILDER  
Minimum Hardware Requirements:  
CPU: Intel Pentium 4 1GHz processor or above, Intel Centrino Mobile Technology 1.6GHz  
RAM: 512MB RAM  
DISC SPACE: 100MB of free disc space needed  
OS: Microsoft Windows XP SP3, Vista SP2 or Mac OS X 10.4  
The device includes a database management software that enables you to search for your files by  
Title, Artist, Album, and Genre.  
Installation:  
Refer to the following figures for installing database management software on your computer.  
Step 1: Click Next >  
Step 2: Click Next >  
Step 3: Click Install  
Step 4: Processing  
The database builder will scan your USB  
hard drive and create database files so  
that you may locate the files in your music  
library to your liking.  
Step 5: Click Finish  
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DATABASE BUILDER (FOR WINDOWS XP)  
Scan and Create:  
Refer to the following figures to process scanning and creating a database.  
Select your desired USB hard drive and  
click "Build".  
Processing  
Complete  
NOTE: Please re-create the database builder whenever you change the contents of your USB  
device.  
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DATABASE BUILDER  
Errors:  
1. Failed to Open Device: Your drive is a non  
supported format.  
2. File Error: This is due to MP3 file not have a  
identified ID3 tag.  
Windows 7/Vista may warn you accord-  
ing to your security settings. Select Allow  
if you wish to install the database builder  
program.  
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MIDI MAP  
Note: By default Player 1 is set to MIDI Channel 1, the Mixer, Mic, VR, and Headphone controls are  
set to MIDI Channel 2, and Player 2 is set to MIDI Channel 3.  
FUNCTIO  
FUNCTION  
CODE  
(DECK A)  
SHIFT  
(Hold  
TAP)  
FUNCTION  
CODE  
(DECK B)  
SHIFT  
(Hold  
TAP)  
N
SHIFT  
(Hold  
TAP)  
ACTION  
NOTE  
NOTE  
CODE  
(CENTER  
DECK)  
NOTE  
FUNCTION  
Type  
44/56  
40/55  
41  
44/66  
40/65  
41  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
SW/ENC  
SW/ENC  
SW/LED  
SW/LED  
05/17  
01/16  
02/02  
03/03  
05/27  
01/26  
02/02  
03/03  
D-1  
D#-1  
E-1  
D-1  
D#-1  
E-1  
IN  
42  
42  
OUT  
43  
43  
SW/LED  
04/04  
04/04  
F#-1  
G-1  
45  
46  
47  
F#-1  
G-1  
45  
46  
47  
7FH_ON  
00H_OFF  
SOURCE  
SELECT/U1  
SW/LED  
SW/LED  
06/06  
07/07  
06/06  
07/07  
7FH_ON  
00H_OFF  
1~31:  
LED ON,  
32:BLINK  
00H_OFF  
SAVE  
1
G#-1  
G#-1  
SW/LED  
(RED)  
08/08  
08/08  
09/09  
09/09  
0A/0A  
0A/0A  
0B/0B  
0B/0B  
08/08  
08/08  
09/09  
09/09  
0A/0A  
0A/0A  
0B/0B  
0B/0B  
G#-1  
A-1  
47  
48  
48  
49  
49  
4A  
4A  
G#-1  
A-1  
47  
48  
48  
49  
49  
4A  
4A  
33~63:  
LED  
(GREEN)  
LED ON,  
64:BLINK  
00H_OFF  
1
2
2
3
3
4
1~31:  
LED ON,  
32:BLINK  
00H_OFF  
SW/LED  
(RED)  
A-1  
A-1  
33~63:  
LED ON,  
64:BLINK  
00H_OFF  
1~31:  
LED ON,  
32:BLINK  
00H_OFF  
LED  
(GREEN)  
A#-1  
A#-1  
B-1  
A#-1  
A#-1  
B-1  
SW/LED  
(RED)  
33~63:  
LED ON,  
64:BLINK  
00H_OFF  
1~31:  
LED ON,  
32:BLINK  
00H_OFF  
33~63:  
LED  
(GREEN)  
SW/LED  
(RED)  
B-1  
B-1  
LED  
(GREEN)  
LED ON,  
64:BLINK  
00H_OFF  
4
C0  
C#0  
D0  
4B  
4C  
4D  
4E  
4F  
50  
51  
52  
53  
C0  
C#0  
D0  
4B  
4C  
4D  
4E  
4F  
50  
51  
52  
53  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
CLEAR  
SW/LED  
SW/LED  
SW/LED  
SW/LED  
SW/LED  
SW/LED  
SW/LED  
SW/LED  
SW/LED  
0C/0C  
0D/0D  
0E/0E  
0F/0F  
10/10  
11/11  
0C/0C  
0D/0D  
0E/0E  
0F/0F  
10/10  
11/11  
Time X  
ECHO  
D#0  
E0  
D#0  
E0  
FLANGER  
HOLD  
F0  
F0  
F#0  
G0  
F#0  
G0  
FILTER  
SKID  
12/12  
13/13  
14/14  
12/12  
13/13  
14/14  
G#0  
G#0  
RATIO Y  
©American Audio®  
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VERSADECK Instruction Manual Page 37  
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MIDI MAP  
A0  
54  
55  
A0  
54  
55  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
VR:00~7F  
%/ 16  
SW/LED  
SW  
15/15  
16  
15/15  
16  
56  
56  
SW  
17  
17  
C1  
C#1  
D1  
57  
C1  
C#1  
D1  
57  
A.Cue  
scratch  
SW/LED  
SW/LED  
SW/LED  
SW  
18/18  
19/19  
1A/1A  
1B  
18/18  
19/19  
1A/1A  
1B  
58  
58  
VINYL  
CDJ  
59  
59  
5A  
5B  
5C  
66/57  
5D  
5E  
5F  
D-1  
5A  
5B  
5C  
66/67  
5D  
5E  
5F  
Time  
SGL/CTN  
SW  
1C  
1C  
F1  
F1  
SW/LED  
SW/ENC  
SW  
1D/1D  
27/18  
1E  
1D/1D  
27/28  
1E  
JOG  
CUE  
G1  
G#1  
A1  
G1  
G#1  
A1  
CUE  
SW/LED  
SW/LED  
SW/LED  
SW  
1F/1F  
20/20  
21/21  
22  
1F/1F  
20/20  
21/21  
22  
TAP  
61  
62  
67  
61  
62  
67  
SW  
23  
23  
VR/CENT  
ER  
PITCH  
BEND/28  
PITCH  
BEND/28  
Pitch Silder  
GAIN  
50  
60  
VR  
11  
21  
VR/SW/C  
ENTER/L  
ED  
VR/SW/C  
ENTER/L  
ED  
VR/SW/C  
ENTER/L  
ED  
12/24/29/24  
C2  
C#2  
D2  
51/63/68  
C2  
C#2  
D2  
61/63/68  
VR:00~7F  
VR:00~7F  
VR:00~7F  
VR:00~7F  
HIGH  
MID  
22/24/29/24  
13/25/2A/25  
14/26/2B/26  
52/64/69  
53/65/6A  
4F  
62/64/69  
23/25/2A/25  
24/26/2B/26  
63/65/6  
A
LOW  
Channel  
Fader  
5F  
VR  
10  
2C  
2D  
2E  
20  
2C  
2D  
2E  
G#2  
A2  
G#2  
A2  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
U2  
10  
6
LED  
LED  
LED  
A#2  
A#2  
00H_OFF  
00H~7FH_  
LEVEL  
METER  
LED  
LEVEL  
METER LED  
1
1
*
G3  
76  
77  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
VR:00~7F  
RELAY  
SW/LED  
SW/LED  
37/37  
G#3  
MASTER  
METER  
38/38  
31  
70  
71  
MASTER  
BOOTH  
VR  
VR  
32  
VR:00~7F  
VR:00~7F  
VR/SW/  
SW/CENT  
ER  
30/08/  
09/0A  
6F/47/  
48/49  
Cross Fader  
MIC1  
LEVEL  
MIC2  
LEVEL  
35  
36  
74  
75  
VR:00~7F  
VR:00~7F  
VR  
VR  
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MIDI MAP  
CUE PAN  
SLIDER  
CUE PAN  
LEVEL  
Fader Start  
ON(L)  
Fader Start  
OFF(L)  
Fader Start  
ON(R)  
Fader Start  
OFF(R)  
C.F CURVE  
(L)  
C.F CURVE  
(CENTER)  
C.F CURVE  
(R)  
34  
33  
1
73  
72  
40  
41  
42  
43  
46  
45  
44  
VR:00~7F  
VR:00~7F  
VR  
VR  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
7FH_ON  
00H_OFF  
SW  
SW  
SW  
SW  
SW  
SW  
SW  
2
3
4
7
6
5
CC-ABSOLUTE (VR, LEVEL METER LED) TYPE  
Control Change messages are sent with status 0xBn, where n is the channel, for the specified CC controller. Thus the controller MIDI ID  
is indicated with the channel along with the CC number. The value from 0x00 to 0x7F, directly related to the location of the controller.  
LEVEL METER LEDS  
00~0B => ALL LEDS OFF  
*
0C~17=>LED(-30) ON  
18~23=>LED(-30, -20) ON  
24~2F=>LED(-30, -20, -10) ON  
30~3B=>LED(-30, -20, -10, -7) ON  
3C~47=>LED(-30, -20, -10, -7, -4) ON  
48~53=>LED(-30, -20, -10, -7, -4, -2) ON  
54~5F=>LED(-30, -20, -10, -7, -4, -2, 0) ON  
60~6B=>LED(-30, -20, -10, -7, -4, -2, 0, +2) ON  
6C~77=>LED(-30, -20, -10, -7, -4, -2, 0, +2, +4) ON  
78~7F=> ALL LEDS ON (-30, -20, -10, -7, -4, -2, 0, +2, +4, +7)  
CC-RELATIVE (ENC)TYPE  
Control Change messages are status 0xBn, where n is the channel, for the specified CC controller. Thus the controller MIDI ID is  
indicated with the channel along with the CC number. The value from 0x40 to indicate the change in the controller. This is an offset to  
0x40 “one’s complement” notation.  
A message with data 0x43 indicates a positive change of 3.  
A messages with data 0x31 indicates a negative change of 15.  
SWITCH ON/OFF (SW,CENTER TYPE)  
These messages are used for switches.  
Control Change messages are sent with status 0x9n, SWITCH On and Off value are 0x7F and 0x00, where n is the channel.  
LED ON/OFF (LED TYPE)  
These messages are used for LED.  
Control Change messages are sent with status 0x9n, LED On and Off value are 0x7F and 0x00, where n is the channel.  
©American Audio®  
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MIXER SET-UP  
Before making or chaning connections, switch off the power and disconnect the power cord from  
the AC outlet.  
Note: Quality cables make a big difference in fidelity and punch. Use high-quality audio cables. Do  
not use excessively long cables. Be sure plugs and jacks are securely fastened. Loose connections  
cause hum, noise, or intermittence that could damage your speakers.  
Connecting to a computer - Support computer operating systems include Windows Vista, Windows  
XP, and MAC OS X or later.  
Turntable  
Speaker  
Main unbalanced  
power amplifier  
Microphone  
Main balanced  
USB Storage Device  
Computer  
power amplifier  
CD/MP3 Player  
This image details a DJ Set Up consisting of a microphone, CD player, turntable, computer, amps, USB  
storage device, and speakers. When connecting and using a turntable be sure the CHANNEL LINE LEVEL  
SELECTOR SWITCH (47) that corresponds with turntable connection is in the PHONO position.  
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MIXER SET-UP  
American Audio V4001™  
Speaker Cables  
Typical Balanced Output Set-up  
This image details a typical stereo output layout. Note the use of the Balanced XLR Jacks on both  
the mixer and the amplifier. Always use the balanced output jacks whenever possible. The balanced  
output jacks should always be used for cable runs in excess of 15 feet.  
Using the balanced jacks will ensure a clean signal through out the entire audio system.  
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CROSSFADER REPLACEMENT  
The crossfader is “Hot Swapable” which means it may be replaced at any time, even when power is  
applied. Only replace with American Audio Part Feather Fader Plus. Replacing with any other model  
fader may seriously damage your mixer. Please, always use insulated tools.  
Replacing the Crossfader:  
1. Using a Phillips screw driver, unscrew the six stainless steel retainer screws that hold the mixer  
face plate in place.  
2. Gently remove the crossfader knob. Lift and remove the mixer face plate to access the cross  
fader. Carefully pull the crossfader up from its seated position.  
3. After removing the crossfader, disconnect the ribbon cable that attaches the crossfader to the  
PC board. Grasp the crossfader by its base and pull the ribbon cable by its connector not the  
actual cables. The connector is designed to only fit one way, so don’t worry about the connec-  
tors orientation.  
4. Unscrew the ground cable from the crossfader plate. Now unscrew the crossfader from the  
crossfader plate and replace with the new crossfader. Connect the ground cable to the cross  
fader plate.  
5. Connect the new crossfader to the ribbon cable and replace in reverse order.  
NOTE: All other areas of the VERSADECK are not to be opened or replaced by user, dealer, or un-  
authorized service centers. These actions will result in a voided warranty.  
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TROUBLSHOOTING  
USB device not reading When using Hard Drives it is recommended that you use a hard  
drive with an external power supply or one that does not exceed  
5 volt power consumption. If your hard drive resets itself when  
plugged into the USB ports on the Versa Deck you may need  
an external power supply. Contact your device manufacturer for  
accessory information.  
If the drive doesn’t read the device, make sure that your device  
is formatted to a compatible FAT format. WARNING-DO NOT  
FORMAT YOUR DEVICE WITH OUT BACKING UP YOUR  
FILES.  
Music files not found in -Make sure that the file is an MP3 file.  
USB device or Data  
base  
- If it does not show up on the database modes ( album; artist;  
etc) use the database builder to update you library.  
File Error when building Remove the file that cause the database builder to stop and try  
dB file again, if problem continues remove the folder and try again.  
©American Audio®  
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WARRANTY  
WARRANTY INFORMATION: The VERSADECK carries a ONE year (365 days) limited war-  
ranty. This warranty covers parts and labor. Please fill out the enclosed warranty card to validate your  
purchase and warranty. All returned service items whether under warranty or not, must be freight  
pre-paid and accompany a return authorization (R.A.) number. If the unit is under warranty, you must  
provide a copy of your proof of purchase invoice. Please contact American Audio® customer support  
at (800) 322-6337 for a R.A. number. All package not displaying a R.A. number on the outside of the  
package will be returned to the shipper.  
1-YEAR LIMITED WARRANTY  
A. American Audio® hereby warrants, to the original purchaser, American Audio® products to be free  
of manufacturing defects in material and workmanship for a period of 1 Year (365 days) from the date  
of purchase. This warranty shall be valid only if the product is purchased within the United States of  
America, including possessions and territories. It is the owner’s responsibility to establish the date and  
place of purchase by acceptable evidence, at the time service is sought.  
B. For warranty service, send the product only to the American Audio® factory. All shipping charges  
must be pre-paid. If the requested repairs or service (including parts replacement) are within the terms  
of this warranty, American Audio® will pay return shipping charges only to a designated point within  
the United States. If the entire instrument is sent, it must be shipped in its original package. No acces-  
sories should be shipped with the product. If any accessories are shipped with the product, American  
Audio® shall have no liability whatsoever for loss of or damage to any such accessories, nor for the  
safe return thereof.  
C. This warranty is void if the serial number has been altered or removed; if the product is modified in  
any manner which American Audio® concludes, after inspection, affects the reliability of the product;  
if the product has been repaired or serviced by anyone other than the American Audio® factory unless  
prior written authorization was issued to purchaser by American Audio®; if the product is damaged  
because not properly maintained as set forth in the instruction manual.  
D. This is not a service contract, and this warranty does not include maintenance, cleaning or peri-  
odic check-up. During the period specified above, American Audio® will replace defective parts at  
its expense, and will absorb all expenses for warranty service and repair labor by reason of defects  
in material or workmanship. The sole responsibility of American Audio® under this warranty shall be  
limited to the repair of the product, or replacement thereof, including parts, at the sole discretion of  
American Audio®. All products covered by this warranty were manufactured after January 1, 1990, and  
bear identifying marks to that effect.  
E. American Audio® reserves the right to make changes in design and/or improvements upon its prod-  
ucts without any obligation to include these changes in any products theretofore manufactured.  
F. No warranty, whether expressed or implied, is given or made with respect to any accessory sup-  
plied with products described above. Except to the extent prohibited by applicable law, all implied  
warranties made by American Audio® in connection with this product, including warranties of mer-  
chantability or fitness, are limited in duration to the warranty period set forth above. And no warran-  
ties, whether expressed or implied, including warranties of merchantability or fitness, shall apply to  
this product after said period has expired. The consumer’s and or Dealer’s sole remedy shall be such  
repair or replacement as is expressly provided above; and under no circumstances shall American  
Audio® be liable for any loss or damage, direct or consequential, arising out of the use of, or inability  
to use, this product.  
G. This warranty is the only written warranty applicable to American Audio® Products and supersedes  
all prior warranties and written descriptions of warranty terms and conditions heretofore published.  
©American Audio®  
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SPECIFICATIONS  
GENERAL  
Model: American Audio VERSADECK - Professional DUAL USB Player/  
Mixer  
Type:  
Dual USB MP3 Player + Digital Mixer  
Applicable File Extenstions for Mp3s: mp3, MP3, mP3, and Mp3  
Within +/- 6%, +/- 10%, and +/- 16%  
+/-0.15%  
Disc type:  
Pitch Range:  
Pitch Accuracy:  
Dimensions:  
Installation:  
Weight:  
Power supply:  
Power consumption:  
Environmental conditions:  
420mm (W) x 300mm (D) x 91mm (H)  
Place on flat surface or mount in flat case  
9.74 Lbs. / 4.42 Kgs  
AC 100~240V, 50/60Hz (Universal)  
21W  
Operational temperature:  
Operational humidity:  
Storage temperature:  
5 to 35˚C (41 to 95˚F)  
25 to 85% RH (no condensation)  
-10 to 60˚C (14 to 140˚F)  
MIXER SECTION  
Input/Output Impedance & Sensitivity (Level/Impedence): (Master set to 0dBV output,  
Load=100K OHM, maximum gain, EQ Flat)  
Input Impedance & Reference Input Level:  
LINE:  
PHONO:  
MIC:  
47K OHM /-14dBV (200mV) +/-0.1dB  
47K OHM /-50dBV (3.16mV) +/-0.1dB  
10K OHM /-50dBV (3.16mV) +/-0.1dB  
Output Impedance & Sensitivity:  
MASTER:  
MASTER XLR (Load=600OHM):  
BOOTH:  
1K OHM /0dBV (1V) +/-2dB  
600 OHM /+4dBm (1.23V) +/-3dB  
1K OHM /0dBV (1V) +/-2dB  
33 OHM /0dBV (1V) +/-2dB  
PHONES (Load=32OHM):  
Maximum Input (1KHz, THD=1%, EQ flat, Maximum Gain, Load=100K OHM)  
LINE:  
PHONO:  
MIC:  
More than +0dBV  
More than -36dBV  
More than -36dBV  
Maximum Output (1KHZ, THD=1%, EQ flat, Maximum Gain, Load=100K OHM)  
MASTER:  
PHONES:  
More than +15dBV (5.62V) Load=100K OHM  
More than +4dBV (1.6V) Load=32 OHM)  
Frequency Response (EQ Flat, Maximum Gain, Load=100K OHM)  
LINE:  
20-20KHz +/-2dB  
PHONO:  
MIC:  
20-20KHz +2/-3dB (RIAA)  
20-20KHz +2/-3dB  
THD+N - Total Harmonic Distortion: (EQ Flat, Maximum Gain, W/20kHz LPF, A-Weighted,  
Load=100K OHM):  
LINE:  
PHONO:  
MIC:  
Less than 0.06% @ 1KHz  
Less than 0.08% @ 1KHz  
Less than 0.15% @ 1KHz  
S/N Ratio (Maximum Gain, EQ Flat, W/20KHz LPF, A-Weighted):  
LINE:  
PHONO:  
MIC:  
More than 73dB  
More than 73dB  
More than 63dB  
©American Audio®  
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SPECIFICATIONS  
Cross Talk (Maximum Gain, EQ Flat, W/20KHz LPF, A-Weighted, Master=0dBV Output)  
LINE, PHONO:  
More than 63dB @1Khz Between L and R Channel  
More than 70dB @1KHz Between Channels  
Equalizer:  
MIC:  
-14 +/-3dB at 100Hz  
-12 +/-3dB at 10KHz  
CHANNEL:  
10 +/-2dB, Below -30dB at 70Hz  
10 +/-2dB, Below -30dB at 1KHz  
10 +/-2dB, Below -30dB at 13KHz  
Fader Kill: (Maximum Gain, EQ Flat, W/20KHz LPF, A-Weighted, Master=0dBV Output)  
Channel Fader:  
Crossfader:  
More than 70dB at 1KHz  
More than 70dB at 1KHz  
Channel Balance:  
Talkover:  
Within 2dB  
-20dB +/-2dB  
USB PLAYER SECTION  
USB HOST PLAYER SECTION: (SIGNAL FORMAT: MP3, 128KBPS)  
Output Level:  
Frequency Response:  
T.H.D. + NOISE:  
0dBV +/-2dB (TCD782 TRK16, Gain Maximum, EQ Flat)  
17-16KHz +/-2dB (TCD781 TRK1,4,16, Set Gain to 0dBV Out, EQ Flat)  
Less than 0.08% (TCD782 TRK16 Gain Maximum, EQ Flat, W/20KHz  
LPF, A-Weighted)  
S/N Ratio:  
More than 70dB (TCD782 TRK2,8, Set Gain to 0dBV Out, EQ Flat,  
W/20KHz LPF, A-Weighted)  
LR Separation:  
More than 63dB @ 1KHz (TCD782 TRK2,9,11, Set Gain to 0dBV Out, EQ  
Flat, W/20KHz LPF, A-Weighted)  
USB SLAVE PLAYER SECTION: (SIGNAL FORMAT: MP3, 128KBPS)  
Output Level:  
Frequency Response:  
T.H.D. + NOISE:  
0dBV +/-2dB (TCD782 TRK16, Gain Maximum, EQ Flat)  
17-16KHz +/-2dB (TCD781 TRK1,4,16, Set Gain to 0dBV Out, EQ Flat)  
Less than 0.08% (TCD782 TRK16 Gain Maximum, EQ Flat, W/20KHz  
LPF, A-Weighted)  
S/N Ratio:  
More than 70dB (TCD782 TRK2,8, Set Gain to 0dBV Out, EQ Flat,  
W/20KHz LPF, A-Weighted)  
LR Separation:  
More than 63dB @ 1KHz (TCD782 TRK2,9,11, Set Gain to 0dBV Out, EQ  
Flat, W/20KHz LPF, A-Weighted)  
Recording & Playback:  
Output:  
(Line 1KHz, -14dBV Input, Gain Maximum)  
6dBV (2V) +/-2dB  
T.H.D. + Noise:  
Less Than 0.08% (Gain Maximum, W/20KHz LPF, A-Weighted)  
NOTES: Specifications and improvements in the design of this unit and this manual are subject to  
change without any prior written notice.  
©American Audio®  
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VERSADECK Instruction Manual Page 46  
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SPECIFICATIONS  
MP3 FORMAT  
USB Format  
File System  
FAT 12/16/32  
mp3. MP3. mP3. Mp3  
999  
Applicable file extensions  
Max. number of Folders  
Max. number of files  
Max. 999 files  
MPEG 1 Layer 3 standard (ISO/IEC 32/40/48/56/80/96/112/128/160/192/  
11172-3), which provides for single 224/256/320 kbps  
channel (‘mono’) and two-channel Xing/VBRI VBR  
(‘stereo’) coding at sampling rates of  
MP3 Format  
32, 44.1 and 48kHz.  
MPEG 2 Layer 3 standard (ISO/IEC 32/40/48/56/64/80/96/112/144/160  
13818-3), which provides for similar Kbps  
coding at sampling rates of 16, Xing/VBRI VBR  
22.05 and 24 kHz.  
MPEG 2.5 Layer 3 standard, which 32/40/48/56/64/80/96/112/144/160  
provides for similar coding at Kbps  
sampling rates of 8, 11.025 and 12 Xing/VBRI VBR  
kHz.  
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©American Audio® World Headquarters:  
6122 S. Eastern Ave. Los Angeles, CA 90040 USA  
Tel: 323-582-3322 Fax: 323-582-3311  
American DJ Europe  
Junostraat 2  
6468 EW Kerkrade  
Netherlands  
Tel: +31 45 546 85 00 / Fax: +31 45 546 85 99  
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