FACTORY PRESET
DOCUMENTATION
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USING THE MPK49 WITH REASON
Reason is a software program that allows for vast control of its parameters. The
problem with having a lot of controllable items is the limit of physical space and the
cost of building hardware controllers that can accommodate hundreds or thousands
of controllers. The people at Propellerheads have developed a way to remap a single
control surface to each of the modules in Reason. This protocol is called Reason
Remote.
We have included all the files necessary to enable Reason to find the MPK49 and map its controls to whatever module
you have selected in the sequencer.
To begin using the MPK49 with Reason, you will need to make sure that you have version 3.0.5 or greater for the Mac or
version 3.0.4 or later for the PC. Please note that the MPK49 is also compatible with Reason 4.
1. To install the Reason Remote codecs and remote maps, run the Reason Remote installer for your particular
computer and it will auto-install the folders into the right locations.
2. After you have installed the Reason Remote codecs, select Preset number 2 – “Reason” – on your MPK49.
Press the [VALUE] dial to load the preset.
If you have edited MPK49’s presets and are unable to load the Reason preset, use the supplied Vyzex
Editor to load the Factory Preset Bank and “PUT” or download the factory preset bank into the MPK49.
!
3. Start up Reason and the software will automatically find the
MPK49 controller. Within Reason, click on [Preferences]
and look under [Control Surfaces and Keyboards]. You
should see the Akai MPK49 icon with a green check mark.
If it is not checked, click the “Use with Reason” button.
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The Vyzex Editor included on the CD is a great way to customize or restore presets to their factory condition!
The MPK49 preset for Reason makes use of pad banks A, B and C for playing notes. With these three pad banks you get
a 3-octave range of pitch control.
Pad bank D is configured to be used as a control bank. This pad bank allows you to use the pads as switches for certain
features.
The mapped parameters are shown in the graphic above.
EXAMPLE:
When you are controlling Redrum or Matrix, pads D1-D4 correspond to the Bank A, B, C, D buttons in the pattern
section. Pads D9-12 will allow you to select between patterns 1-4 and pads D5-8 allow you to select between
patterns 5-8.
In modules that allow you to select the “Previous” or “Next” preset, you can use switch S15 for “Previous Preset”
and switch S14 for “Next Preset”.
Switches S7 and S8 are always assigned to target the next or previous sequence track. This allows you to
remotely select which module you are controlling.
The next few pages feature a full table of the mapping functions. Please refer to this table for information on how the
MPK49 controls map to each individual module in Reason. You can always change how controllers are mapped by
modifying the “MPK49.remotemap” file. This will allow you to customize how Reason and your MPK49 work.
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AKAI MPK49 PRESET MAPPINGS
::: GLOBAL CONTROLLERS :::
::: MASTER KEYBOARD :::
MPK49 CONTROL
Stop
REASON FUNCTION
MPK49 CONTROL
Keyboard
REASON FUNCTION
Keyboard
Stop
Play
Play
Pitch Bend
Pitch Bend
Record
Record
Mod Wheel
Mod Wheel
Rewind
Rewind
Channel Pressure
Expression
Channel Pressure
Expression
Fast Forward
Switch 7
Switch 8
Switch 15
Switch 16
Switch 23
Switch 24
Fast Forward
Target Previous Track
Target Next Track
Damper Pedal
Damper Pedal
Select Previous Patch for Target Device
Select Next Patch for Target Device
Select Previous Keyboard Shortcut Variation
Select Next Keyboard Shortcut Variation
RV 7000
REVERB
Decay
HF Damp
Hi EQ
SCREAM 4
DISTORTION
Damage Control
Damage Type
Parameter 1
Parameter 2
Cut Lo
MCLASS
EQUALIZER
Low Shelf Gain
Parametric 1 Gain
Parametric 2 Gain
Hi Shelf Gain
MCLASS
IMAGER
M CLASS
M CLASS
MAXIMIZER
Input Gain
Attack Speed
Release Speed
Output Gain
RV-7
REVERB
Algorithm
Size
COMPRESSOR
Input Gain
Threshold
Ratio
BANK
Low Width
Fader 1
Fader 2
A
A
X-Over Frequency
High Width
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
Decay
Dry/Wet
Solo Mode
Attack
Damping
Dry/Wet
Low Shelf Q
Release
Output Gain
Soft Clip Amount
Cut Mid
Parametric 1 Q
Parametric 2 Q
Hi Shelf Q
Cut Hi
Master Level
Soft Knob 1
Soft Knob 2
Soft Knob 3
Soft Knob 4
Soft Knob 5
Soft Knob 6
Soft Knob 7
Soft Knob 8
Body Resonance
Body Scale
Body Auto
Low Shelf Frequency
Parametric 1 Frequency
Parametric 2 Frequency
Hi Shelf Frequency
Knob 1
Knob 2
A
A
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
Body Type
EQ On/Off
Damage On/Off
Cut On/Off
Low Cut Enable
Low Band Active
High Band Active
Separate Out Mode
Soft Knee
Limiter Enable
Switch 1
Switch 2
A
A
Gate On/Off
Low Shelf Enable
Parametric 1 Enable
Parametric 2 Enable
High Shelf Enable
Sidechain Solo
Adapt
Look Ahead Enable
Soft Clip Enable
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
Body On/Off
Sidechain Active
Output Level Meter Mode
DDL-1
DELAY
DelayTime (steps)
DelayTime (ms)
Feedback
D-11
DISTORTION
Amount
ECF-42
FILTER
Frequency
Resonance
Env Amount
Velocity
CF-101
CHORUS
Delay
Feedback
Rate
PH-90
PHASER
Frequency
Split
UN-16
UNISON
Voice Count
Detune
COMP-
01
Ratio
Threshold
Attack
PEQ-2
BANK
Filter A Freq
Filter A Q
Fader 1
Fader 2
A
A
Foldback
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
Width
Dry/Wet
Filter A Gain
Filter B Freq
Filter B Q
Pan
Modulation Amount
Rate
Release
Gain
Dry/Wet Balance
Frequency Modulation
Feedback
Filter B Gain
Attack
Knob 1
Knob 2
A
A
Decay
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
Sustain
Release
Unit
Trigger
Send/Insert Mode
LFO Sync Enable
LFO Sync Enable
Filter B On/Off
Switch 1
Switch 2
A
A
Step Length
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
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AKAI MPK49 PRESET MAPPINGS
MIXER 14:2
COMBINATOR
RPG-8
BANK
GROUP 1
GROUP 2
GROUP 3
GROUP 4
GROUP 5
GLOBAL
Channel 1 Level
Channel 2 Level
Channel 3 Level
Channel 4 Level
Channel 5 Level
Channel 6 Level
Channel 7 Level
Channel 1 Level
Channel 2 Level
Channel 3 Level
Channel 4 Level
Channel 5 Level
Channel 6 Level
Channel 7 Level
Channel 1 Level
Channel 2 Level
Channel 3 Level
Channel 4 Level
Channel 5 Level
Channel 6 Level
Channel 7 Level
Channel 1 Level
Channel 2 Level
Channel 3 Level
Channel 4 Level
Channel 5 Level
Channel 6 Level
Channel 7 Level
Channel 1 Level
Channel 2 Level
Channel 3 Level
Channel 4 Level
Channel 5 Level
Channel 6 Level
Channel 7 Level
Velocity/Manual
Mode
Fader 1
Fader 2
A
A
Octave
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
Insert
Rate
Gate Length
Master Level
Channel 1 Pan
Channel 2 Pan
Channel 3 Pan
Channel 4 Pan
Channel 5 Pan
Channel 6 Pan
Channel 7 Pan
Channel 1 Aux 1 Send
Channel 2 Aux 1 Send
Channel 3 Aux 1 Send
Channel 4 Aux 1 Send
Channel 5 Aux 1 Send
Channel 6 Aux 1 Send
Channel 7 Aux 1 Send
Channel 1 Aux 2 Send
Channel 2 Aux 2 Send
Channel 3 Aux 2 Send
Channel 4 Aux 2 Send
Channel 5 Aux 2 Send
Channel 6 Aux 2 Send
Channel 7 Aux 2 Send
Channel 1 Aux 3 Send
Channel 2 Aux 3 Send
Channel 3 Aux 3 Send
Channel 4 Aux 3 Send
Channel 5 Aux 3 Send
Channel 6 Aux 3 Send
Channel 7 Aux 3 Send
Channel 1 Aux 4 Send
Channel 2 Aux 4 Send
Channel 3 Aux 4 Send
Channel 4 Aux 4 Send
Channel 5 Aux 4 Send
Channel 6 Aux 4 Send
Channel 7 Aux 4 Send
Rotary 1
Rotary 2
Rotary 3
Rotary 4
Knob 1
Knob 2
A
A
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
Channel 1 Mute
Channel 2 Mute
Channel 3 Mute
Channel 4 Mute
Channel 5 Mute
Channel 6 Mute
Channel 1 Mute
Channel 2 Mute
Channel 3 Mute
Channel 4 Mute
Channel 5 Mute
Channel 6 Mute
Channel 1 Mute
Channel 2 Mute
Channel 3 Mute
Channel 4 Mute
Channel 5 Mute
Channel 6 Mute
Channel 1 Mute
Channel 2 Mute
Channel 3 Mute
Channel 4 Mute
Channel 5 Mute
Channel 6 Mute
Channel 1 Mute
Channel 2 Mute
Channel 3 Mute
Channel 4 Mute
Channel 5 Mute
Channel 6 Mute
Channel 7 Mute
Button 1
Button 2
Button 3
Button 4
Hold
Switch 1
Switch 2
A
A
Arpeggiator Enable
Single Note Repeat
Shuffle
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
Pattern Enable
Sync
Channel 8 Level
Channel 9 Level
Channel 10 Level
Channel 11 Level
Channel 12 Level
Channel 13 Level
Channel 14 Level
Channel 8 Level
Channel 9 Level
Channel 10 Level
Channel 11 Level
Channel 12 Level
Channel 13 Level
Channel 14 Level
Channel 8 Level
Channel 9 Level
Channel 10 Level
Channel 11 Level
Channel 12 Level
Channel 13 Level
Channel 14 Level
Channel 8 Level
Channel 9 Level
Channel 10 Level
Channel 11 Level
Channel 12 Level
Channel 13 Level
Channel 14 Level
Channel 8 Level
Channel 9 Level
Channel 10 Level
Channel 11 Level
Channel 12 Level
Channel 13 Level
Channel 14 Level
Fader 9
B
B
Fader 10
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
Channel 8 Pan
Channel 9 Pan
Channel 10 Pan
Channel 11 Pan
Channel 12 Pan
Channel 13 Pan
Channel 14 Pan
Channel 8 Aux 1 Send
Channel 9 Aux 1 Send
Channel 10 Aux 1 Send
Channel 11 Aux 1 Send
Channel 12 Aux 1 Send
Channel 13 Aux 1 Send
Channel 14 Aux 1 Send
Channel 8 Aux 2 Send
Channel 9 Aux 2 Send
Channel 10 Aux 2 Send
Channel 11 Aux 2 Send
Channel 12 Aux 2 Send
Channel 13 Aux 2 Send
Channel 14 Aux 2 Send
Channel 8 Aux 3 Send
Channel 9 Aux 3 Send
Channel 10 Aux 3 Send
Channel 11 Aux 3 Send
Channel 12 Aux 3 Send
Channel 13 Aux 3 Send
Channel 14 Aux 3 Send
Channel 8 Aux 4 Send
Channel 9 Aux 4 Send
Channel 10 Aux 4 Send
Channel 11 Aux 4 Send
Channel 12 Aux 4 Send
Channel 13 Aux 4 Send
Channel 14 Aux 4 Send
Knob 9
B
B
Knob 10
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
Channel 8 Mute
Channel 9 Mute
Channel 10 Mute
Channel 11 Mute
Channel 12 Mute
Channel 13 Mute
Channel 8 Mute
Channel 9 Mute
Channel 10 Mute
Channel 11 Mute
Channel 12 Mute
Channel 13 Mute
Channel 8 Mute
Channel 9 Mute
Channel 10 Mute
Channel 11 Mute
Channel 12 Mute
Channel 13 Mute
Channel 8 Mute
Channel 9 Mute
Channel 10 Mute
Channel 11 Mute
Channel 12 Mute
Channel 13 Mute
Channel 8 Mute
Channel 9 Mute
Channel 10 Mute
Channel 11 Mute
Channel 12 Mute
Channel 13 Mute
Channel 14 Mute
Pattern Step 1
Pattern Step 2
Pattern Step 3
Pattern Step 4
Pattern Step 5
Pattern Step 6
Switch 9
B
B
Switch 10
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
Fader 17
Fader 18
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
C
C
Knob 17
Knob 18
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
C
C
Pattern Step 7
Pattern Step 8
Pattern Step 9
Pattern Step 10
Pattern Step 11
Pattern Step 12
Switch 17
Switch 18
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
C
C
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AKAI MPK49 PRESET MAPPINGS
BANK
LINE MIXER 6:2
SUBTRACTOR
MALSTROM
NN19
NNXT
DR. REX
THOR
Fader 1
Fader 2
A
A
Channel 1 Level
Filter Freq
Filter A Freq
Filter Freq
Filter Freq
Filter Freq
Filter 1 Freq
Channel 2 Level
Filter Res
Filter A Resonance
Filter Res
Filter Res
Filter Res
Filter 1 Res
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
Channel 3 Level
Channel 4 Level
Channel 5 Level
Channel 6 Level
Filter2 Freq
Filter B Freq
Filter Kbd Track
Filter Env Amount
Filter Env Attack
Filter Env Decay
Filter Env Sustain
Filter Env Release
Amp Env Attack
Amp Env Decay
Amp Env Release
Mod Env Decay
Master Volume
Filter Env Amount
Filter Mode
Filter 2 Freq
Filter 2 Res
Filter 3 Freq
Filter 3 Res
LFO 1 Rate
LFO 2 Rate
Filter2 Res
Filter B Resonance
Filter Env Attack
Filter Env Decay
Filter Env Sustain
Filter Env Release
Filter Env Attack
Filter Env Decay
Filter Env Sustain
Filter Env Release
Filter Env Attack
Filter Env Decay
Filter Env Sustain
Filter Env Release
Master Level
Knob 1
Knob 2
A
A
Channel 1 Pan
Channel 2 Pan
Filter Type
Filter Env Amount
Filter A Mode
Filter Mode
LFO1 Rate
Filter 1 Env Amount
Filter 1 Drive
Filter Kbd Track
Filter Freq Ext Mod
LFO1 Amount
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
Channel 3 Pan
Channel 4 Pan
Channel 5 Pan
Channel 6 Pan
Filter Env Amount
Filter Env Vel Amount
Amp Env Attack
Filter B Mode
Shaper Mode
Shaper Amount
Spread Amount
Portamento
LFO Ext Mod
LFO1 Wave
Filter 2 Env Amount
Filter 2 Drive
Amp Ext Mod
LFO1 Dest
Amp Env Attack
Amp Env Decay
Amp Env Sustain
Amp Env Release
Amp Env Attack
Amp Env Decay
Amp Env Sustain
Amp Env Release
Filter 3 Global Env Amount
Filter 3 Drive
Amp Env Decay
Amp Env Sustain
Amp Env Release
Rotary 1
Aux Return Level
Master Level
Rotary 2
Switch 1
Switch 2
A
A
Channel 1 Mute
Channel 2 Mute
FilterLink Freq On/Off
Filter2 On/Off
Filter A On/Off
Filter A Env
Filter On/Off
Filter On/Off
Osc 1 To Filter 1 Enable
Osc 2 To Filter 1 Enable
Filter Env Invert
LFO Sync Enable
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
Channel 3 Mute
Channel 4 Mute
Channel 5 Mute
Channel 6 Mute
Filter Env Invert
Mod Env Invert
Filter B On/Off
Filter B Env
Preview
Osc 3 To Filter 1 Enable
Osc 1 To Filter 2 Enable
Osc 2 To Filter 2 Enable
Osc 3 To Filter 2 Enable
Select Next Loop
Select Previous Loop
Filter Env Invert
Shaper On/Off
Fader 9
Fader 10
B
B
Osc1 Wave
Oscillator A Attack
Oscillator A Decay
Osc Octave
Filter Env Vel Amount
Filter Env Attack
Filter Env Decay
Osc1 Octave
Osc Semitone
Filter Decay Vel Amount
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
Osc1 Semitone
Osc2 Wave
Osc2 Octave
Osc2 Semitone
FM Amount
Osc Mix
Oscillator A Sustain
Oscillator A Release
Oscillator B Attack
Oscillator B Decay
Oscillator B Sustain
Oscillator B Release
Osc Fine Tune
Osc Env Amount
Sample Start
Amp Vel Amount
Filter Env Sustain
Filter Env Release
Amp Env Attack
Amp Env Decay
Amp Env Sustain
Amp Env Release
Filter Freq Mod Wheel Amount
Filter Res Mod Wheel Amount
Filter Decay Mod Wheel Amount
Polyphony
Master Level
Transpose
Knob 9
Knob 10
B
B
Channel 1 Aux Send
Channel 2 Aux Send
Noise Color
Noise Level
Oscillator A Motion
Oscillator A Shift
LFO Rate
Osc Octave
Mod Env Delay
Mod Env Attack
LFO Amount
Osc Fine Tune
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
Channel 3 Aux Send
Channel 4 Aux Send
Channel 5 Aux Send
Channel 6 Aux Send
Mod Env Gain
Oscillator A Octave
Oscillator A Gain
Oscillator B Motion
Oscillator B Shift
Oscillator B Octave
Oscillator B Gain
LFO Wave
LFO Dest
Osc Env Amount
Mod Env Decay
Mod Env Release
Mod Env Dest
Mod Env Attack
Mod Env Decay
Mod Env Sustain
Mod Env Release
Global Env Attack
Global Env Decay
Global Env Sustain
Global Env Release
Switch 9
Switch 10
B
B
Channel 1 Solo
Channel 2 Solo
Osc2 On/Off
Oscillator A On/Off
Osc Kbd Track
Osc2 Kbd Track
Route Oscillator A To Shaper
LFO Sync Enable
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
Channel 3 Solo
Channel 4 Solo
Channel 5 Solo
Channel 6 Solo
Ring Mod
Route Oscillator A To Filter B
Oscillator B On/Off
High Quality Interpolation
Low Bandwidth On/Off
Noise On/Off
Route Oscillator B To Filter B
Route Filter B To Shaper
LFO1 Rate
Modulator A Rate
Filter Env Vel Amount
Osc 1 Mod
Osc 2 Mod
Fader 17
Fader 18
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
C
C
LFO1 Amount
Modulator A To Pitch
Filter Decay Vel Amount
LFO1 Wave
LFO1 Dest
LFO2 Rate
LFO2 Amount
LFO2 Delay
LFO2 Dest
Modulator A To Index
Modulator A To Shift
Modulator B Rate
Amp Vel Amount
Amp Attack Vel Amount
Sample Start Vel Amount
Portamento
Osc 3 Mod
Osc 1 AM From Osc 2
Osc 2 Sync BW
Osc 3 Sync
Modulator B To Motion
Modulator B To Level
Modulator B To Filter
Polyphony
Osc 1 And 2 Level
Osc 3
Spread
Ext Mod Select
Modulator A Curve
Modulator A Target
Filter Freq Mod Wheel Amount
Filter Res Mod Wheel Amount
Delay Time
Knob 17
Knob 18
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
C
C
Filter Freq Ext Mod
Delay Feedback
LFO1 Ext Mod
Modulator B Curve
Filter Decay Mod Wheel Amount
Amp Mod Wheel Amount
LFO Mod Wheel Amount
Delay Rate
Delay Amt
Amp Ext Mod
Modulator B Target
Modulator B To Modulator A
Velocity To Level A
Velocity To Level B
Velocity To Filter Env
FM Ext Mod
Delay Dry Wet
Filter Freq Mod Wheel Amount
Filter Res Mod Wheel Amount
LFO2 Kbd Track
Osc 1 And 2 Balance
Shaper Drive
LFO Sync Enable
Modulator A On/Off
Osc 2 Sync To Osc 1
Osc 3 Sync To Osc 1
Switch 17
Switch 18
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
C
C
Modulator A One Shot
Modulator A Sync
Modulator B On/Off
Modulator B One Shot
Modulator B Sync
Delay On
Delay Sync
Shaper On
Shaper Output
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AKAI MPK49 PRESET MAPPINGS
REDRUM
BV512 VOCODER
MATRIX
BANK
GLOBAL
GROUP1
GROUP2
GLOBAL
GROUP1
GROUP2
GROUP3
Drum 1 Level
Drum 2 Level
Drum 3 Level
Drum 4 Level
Drum 5 Level
Drum 6 Level
Drum 7 Level
Drum 8 Level
Drum 9 Level
Drum 10 Level
Band Count
Shift
Attack
Decay
HF Emphasis
Dry/Wet
Band Level 1
Band Level 2
Band Level 3
Band Level 4
Band Level 5
Band Level 6
Band Level 7
Band Level 8
Mod Level 1
Mod Level 2
Mod Level 3
Mod Level 4
Mod Level 5
Mod Level 6
Mod Level 7
Mod Level 8
Band Level 25
Band Level 26
Band Level 27
Band Level 28
Band Level 29
Band Level 30
Band Level 31
Band Level 32
Pattern Select in Bank
Bank Select
Resolution
Fader 1
Fader 2
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
A
A
Drum 1 Pan
Drum 2 Pan
Drum 3 Pan
Drum 4 Pan
Drum 5 Pan
Drum 6 Pan
Drum 7 Pan
Drum 8 Pan
Drum 9 Pan
Drum 10 Pan
Knob 1
Knob 2
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
A
A
Pattern 1
Pattern 2
Pattern 3
Pattern 4
Vocoder/Equalizer
Hold
Pattern 1
Pattern 2
Pattern 3
Pattern 4
Run
Switch 1
Switch 2
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
A
A
Pattern Enable
Drum 1 Pitch
Drum 2 Pitch
Drum 3 Pitch
Drum 4 Pitch
Drum 5 Pitch
Drum 6 Pitch
Drum 7 Pitch
Drum 8 Pitch
Drum 9 Pitch
Drum 10 Pitch
Band Level 9
Band Level 10
Band Level 11
Band Level 12
Band Level 13
Band Level 14
Band Level 15
Band Level 16
Mod Level 9
Mod Level 10
Mod Level 11
Mod Level 12
Mod Level 13
Mod Level 14
Mod Level 15
Mod Level 16
Mod Level 25
Mod Level 26
Mod Level 27
Mod Level 28
Mod Level 29
Mod Level 30
Mod Level 31
Mod Level 32
Fader 9
B
B
B
B
B
B
B
B
Fader 10
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
Drum 1 Length
Drum 2 Length
Drum 3 Length
Drum 4 Length
Drum 5 Length
Drum 6 Length
Drum 7 Length
Drum 8 Length
Drum 9 Length
Drum 10 Length
Knob 9
B
B
B
B
B
B
B
B
Knob 10
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
Pattern 5
Pattern 6
Pattern 7
Pattern 8
Bank A
Bank B
Bank C
Bank D
Pattern 5
Pattern 6
Pattern 7
Pattern 8
Switch 9
B
B
B
B
B
B
B
B
Switch 10
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
Drum 1 Vel to Level
Drum 2 Vel to Level
Drum 3 Vel to Level
Drum 4 Vel to Level
Drum 5 Vel to Level
Drum 6 Vel to Level
Drum 7 Vel to Level
Drum 8 Vel to Level
Drum 9 Vel to Level
Drum 10 Vel to Level
Band Level 17
Band Level 18
Band Level 19
Band Level 20
Band Level 21
Band Level 22
Band Level 23
Band Level 24
Mod Level 17
Mod Level 18
Mod Level 19
Mod Level 20
Mod Level 21
Mod Level 22
Mod Level 23
Mod Level 24
Fader 17
Fader 18
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
C
C
Drum 9 Send 1 Amount
Drum 10 Send 1 Amount
Knob 17
Knob 18
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
C
C
Bank A
Bank B
Bank C
Bank D
Switch 17
Switch 18
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
C
C
Ch1 Play
Ch2 Play
Ch3 Play
Ch4 Play
Ch5 Play
Ch6 Play
Ch7 Play
Ch8 Play
Ch9 Play
Ch10 Play
Pad D1
Pad D2
Pad D3
Pad D4
Pad D5
Pad D6
Pad D7
Pad D8
Pad D9
Pad D10
D
D
D
D
D
D
D
D
D
D
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USING THE MPK49 WITH SONAR
1. In Sonar, go to Tools/ Sonar Plugin manager.
2. In Categories, select Control Surfaces.
3. In ‘Registered Plugins', choose Cakewalk Generic Surface.
4. Press Insert, then navigate to the file named "MPK49.spp" and press Open.
5. Go to Options / Control Surfaces.
6. Press Add new control surfaces.
7. Choose Cakewalk Generic Surface.
8. Select USB AUDIO DEVICE 2 to both the IN PORT and the OUT PORT
9. Press Close.
10. Go to Tools / Cakewalk Generic Surface.
11. Under ‘Presets’ select Akai MPK49.
To use the MPK49 transport controls in sonar, do the following:
1. Select Options / Control Surfaces.
2. Press the Add New Control Surface button
3. Choose MMC for control surface, and choose USB AUDIO DEVICE for in and out ports.
4. Press OK.
With this configuration, control surface commands from the MPK49's sliders and knobs will be sent on port B, and the keyboard, mod
wheel etc, will be sent on port A, allowing you to simultaneously record midi keyboard performances and automation.
Assignments:
FADERS 1-8, 9-16, 17-24 = Channel Volume 1-8
KNOBS 1-8
= Pan 1-8
BUTTONS 1-8
= Mute 1-8
KNOBS 9-16
BUTTONS 9-16
= Send 1 level 1-8
= Record Arm 1-8
KNOBS 17-24
BUTTONS 17-24
= Send 2 Level 1-8
= Solo 1-8
PAD 1
PAD 2
PAD 3
= Fader Bank Move Left 8
= Automation Record
= Fader Bank Move Right 8
Pressing pads 1 and 3 can move the bank of controllers you are working with by 8. Using these pads, any channel in your project can
be controlled with ease.
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USING THE MPK49 WITH ARTURIA SYNTHS
We have made a template file for most of the popular Arturia synths that all work in conjunction
with the Arturia Preset on the MPK49. Each Arturia synth has its own MIDI Map file that will
automatically assign the functions within that synth. This file is named controlMIDI.
Each synth’s controlMIDI file needs to be copied to the following folder so that the mapping will work. Be aware that
writing over the existing controlMIDI file will change any custom MIDI learn mappings you have made.
ARP2600V
Mac – Library/Preferences/arp2600v/save/
PC – C:\Program Files\Arturia\arp2600v\save\
CS80V
Mac – Library/Preferences/Cs80V/save/
PC – C:\Program Files\Arturia\Cs80V\save\
MOOG MODULAR V
Mac – Library/Preferences/MoogModularV2/save/
PC – C:\Program Files\Arturia\MoogModularV2\save\
MINIMOOG V
Mac – Library/Preferences/minimoog v/save/
PC – C:\Program Files\Arturia\MinimoogV\save\
PROPHET V
Mac – Library/Preferences/ProphetV/save/
PC – C:\Program Files\Arturia\ProphetV\save\
JUPITER 8V
Mac – Library/Preferences/Jupiter8V/save/
PC – C:\Program Files\Arturia\ Jupiter8V\save\
PROPHET V
Mac – Library/Preferences/Analog Studio/save/
PC – C:\Program Files\Arturia\Analog Studio\save\
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AKAI MPK49 PRESET MAPPINGS
BANK
ARP2600V
VCF Cutoff
VCF Resonance
VCF input 1
VCF input 2
VCF input 3
VCF input 4
VCF input 5
Global Volume
CS80V
HPF Cutoff I
HPF Reso I
LPF Cutoff I
LPF Reso I
VCF Attack Level I
VCF Attack I
VCF Decay I
VCF Release I
MOOG MODULAR V
Filter 1 Cuttoff
Filter 2 Cuttoff
Filter 3 Cuttoff
LFO 1 Freq
2D pad A - X
2D pad A - Y
2D pad B - X
2D pad B - Y
MINIMOOG V
VCF Cutoff
VCF Emphasis
VCF Env Amount
Mod Mix
PROPHET V
P5-VCF Cutoff
JUPITER 8V
LPF Cutoff
ANALOG STUDIO
Cutoff Filter
Reso.
Fader 1
Fader 2
A
A
P5-VCF Reso
LPF Resonance
HPF Cutoff
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
P5-VCF Env Amount
P5-VCF KBD
LFO Rate
VCF Mod amt
Env1 Attack
Env1 Decay
Env1 Sustain
Env1 Release
LFO Amt
Glide
P5-VCF ENV Attack
P5-VCF ENV Decay
P5-VCF ENV Sustain
P5-VCF ENV Release
Env Attack
Env Decay
Env Sustain
Env Release
VCF ENV Attack
VCF ENV Decay
VCF ENV Sustain
P5-poly-mod FiltENV
P5-poly-mod OSC B
P5-LFO Rate
Source Mix
Key Params 1
Key Params 2
Key Params 3
Key Params 4
Knob 1
Knob 2
A
A
VCF Cutoff Fine
VCF Notch Freq
PWM Speed I
PWM Amount I
Filter 1 Res.
Filter 2 Res.
OSC Vol. 1
OSC Vol. 2
OSC Vol. 3
Ext. Input Vol.
Noise Volume
VCA ENV Attack
VCA ENV Decay
VCA ENV Sustain
VCF LFO Mod
VCF Key follow
VCA Lfo Mod
Env2 Attack
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
VCF Control In 1
VCF Control In 2
VCF Control In 3
Final Mix Volume
Reverb Rt&Lf Amount
Pan
Pulse Width I
Noise Level I
VCA Attack I
VCA Decay I
VCA Sustain I
VCA Release I
Filter 3 Res.
Lfo 2 Freq
Pan VCA 1
Pan VCA 2
Glide Time
Volume
P5-whl-mod LFO/Noise
P5-VCA Attack
P5-VCA Decay
Env2 Decay
Env2 Sustain
Env2 Release
ChorusFx Mix
Delay
P5-VCA Sustain
P5-VCA Release
Level
P5-OSC 1 Saw
P5-OSC 1 Pulse
P5-OSC2 Saw
VCF slope
Switch 1
Switch 2
A
A
Seq On
Seq Off
Seq Fwd/Rev
Legato On/Off
Retrigger On/Off
OSC On/Off 1
OSC On/Off 2
OSC On/Off 3
Ext In On/Off
VCF Env 1/2 select
ENV1 Keyboard
ENV1 polarity
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
Exp Enable
P5-OSC 2 Tri
Exp Wah Enable
Port Pedal On/Off
Sustain Mode
Port/Gliss
Noise On/Off
P5-OSC 2Oulse
P5-Poly-Mod FreqA
P5-Poly-Mod PWA
P5-Poly-Mod Filt
ENV2 Keyboard
White/Pink Noise
OSC Mod On/Off
VCF Mod On/Off
Glide On/Off
VS-VCF Cutoff
VS-VCF Reso
VS-VCF Env Amt
VS-LFO 1 Rate
VS-LFO 2 Rate
VS-
LFO Rate
Fader 9
B
B
Seq Pitch 1
Seq Pitch 2
HPF Cutoff II
HPF Reso II
LPF Cutoff II
VCA1 Attack
VCA1 Decay
OSC Range 1
OSC Range 2
OSC Range 3
OSC 2 Coarse Tune
OSC 2 Fine Tune
OSC 3 Coarse Tune
OSC 3 Fine Tune
Voice Detune
Fader 10
LFO Time Delay
VCO mod - LFO
VCO mod - ENV
VCO PWM
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
Seq Pitch 3
Seq Pitch 4
Seq Pitch 5
Seq Pitch 6
Seq Pitch 7
Seq Pitch 8
VCA1 Sustain
VCA1 Release
VCA2 Attack
VCA2 Decay
VCA2 Sustain
VCA2 Release
LPF Reso II
VCF Attack Level II
VCF Attack II
VCF Decay II
VCF Release II
Cross mod
VS-Joystick X
VS-Joystick Y
VCO1 Octave
VCO2 Octave
VS-OSC A Freq
VS-OSC A Wave
VS-OSC B Freq
VS-OSC B Wave
VS-OSC C Freq
VS-OSC C Wave
VS-OSC D Freq
VS-OSC D Wave
LFO Wave
Knob 9
B
B
VCO Coarse Tune 1
VCO Coarse Tune 2
VCO Coarse Tune 3
VCO 2&3 Pulse
ADSR Attack
ADSR Decay
ADSR Sustain
ADSR Release
PWM Speed II
PWM Amount II
VCF1 Attack
VCF1 Decay
OSC Wave 1
OSC Pulse Width 1
Knob 10
VCO1 Wave
VCO2 Wave
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
Pulse Width II
Noise Level II
VCA Attack II
VCA Decay II
VCA Sustain II
VCA Release II
VCF1 Sustain
VCF1 Release
VCF2 Attack
VCF2 Decay
VCF2 Sustain
VCF2 Release
OSC Wave 2
OSC Pulse Width 2
OSC Wave 3
OSC Pulse Width 3
LFO Rate
LFO Wave
P5-LFO Saw
VCOmod 1/2 select
VCO mod LFO/ENV select
VCO Sync On/Off
Switch 9
B
B
Osc Sync On/Off
Osc 3 Control On/Off
Switch 10
P5-LFO Tri
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
P5-LFO Pulse
P5-WhlMod FreqA
P5-WhlMod FreqB
P5-WhlMod PW A
P5-WhlMod PW B
P5-WhlMod Filt
VCO Norm/Low
Unison On/Off
LFO MIDI Sync On/Off
VS-Matrix amt 1
VS-Matrix amt 2
VS-Matrix amt 3
VS-Matrix amt 4
VS-Matrix amt 5
VS-Matrix amt 6
VS-Matrix amt 7
VS-Matrix amt 8
Fader 17
Fader 18
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
C
C
Seq Pitch 9
Seq Pitch 10
Seq Pitch 11
Seq Pitch 12
Seq Pitch 13
Seq Pitch 14
Seq Pitch 15
Seq Pitch 16
Sub OSC Speed
Sub OSC VCO
Sub OSC VCF
Sub OSC VCA
VCO Freq Coarse 1
VCO Freq Coarse 2
VCO Freq Coarse 3
VCO Freq Coarse 4
VCO Freq Coarse 5
VCO Freq Coarse 6
Bode Freq Shift/Noise HPF
S/H Rate / Ring Mode Freq.
Arp Speed
Arp Mode
Arp Octave
Arp Repeat
Galaxy-Axis Angle
Galaxy-Axis RATE
Galaxy-X1 amt
Galaxy-X2 amt
Galaxy-X3 amt
Mix I/II
Master Brilliance
Master Reso
Chorus Rate
Chorus Depth
Chorus Wet/Dry
P5-OSC A Freq
P5-OSC A PW
P5-OSC B Freq
P5-OSC B Fine
P5-OSC B PW
P5-Mix Osc A
P5-Mix Osc B
P5-Mix Noise
Knob 17
Knob 18
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
C
C
Track Gen Freq 1
Track Gen Freq 2
Track Gen Freq 3
Track Gen Freq 4
Track Gen Smooth 1
Track Gen Smooth 2
Track Gen Smooth 3
Track Gen Smooth 4
Arp Speed
Arp Mode
Arp Octave Range
Arp Repeat
VCO Freq Fine 1
VCO Freq Fine 2
VCO Freq Fine 3
VCO Freq Fine 4
VCO Freq Fine 5
VCO Freq Fine 6
Bode Range/Noise LPF
S/H Glide / Ring Mod Depth
Mod Amt 1
Mod Amt 2
Mod Amt 3
Delay Time Lf
Delay Time Rt
Delay Feedbk Lf
Delay Feedbk Rt
Delay Dry/Wet
Galaxy-LFO1 RATE
Galaxy-LFO2 RATE
Galaxy-Y1 amt
Delay Speed
Delay Depth
Delay Mix
Galaxy-Y2 amt
Galaxy-Y3 amt
Switch 17
Switch 18
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
C
C
Arp Play
Arp Hold
Arp MIDI Sync On/Off
Arp Play On/Off
Arp Hold On/Off
Decay On/Off
Release On/Off
Legato On/Off
Chorus Enable
Delay Enable
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USING THE MPK49 WITH BFD
BFD is the premiere software drum module, featuring high-quality drum samples for realistic
drum performance. BFD can be used as a standalone computer application, or as a VST
instrument which can be dropped into your favorite host environment.
We have included a default MIDI map for BFD which gives you access to all the major features
of the software.
The MPK49 comes with a preset which is already set up to work with BFD.
1. To use the FxpanBFD preset you will need to copy the Akai_MPK49_BFD.bfc file from the CD to your BFD
folder on your hard drive. This BFD folder has all of your FILLS, GROOVES, KEYMAPS, KITS etc. You will find
a file labeled default.bfc – place the Akai_MPK49_BFD.bfc file at this same directory level.
2. To load this MIDI CC map file, start BFD and click on the HIT OPTIONS icon on the middle right of the BFD
screen.
a. This will open a dialog box that has PAGE1, PAGE2, ADVANCED and MIDI CC's options.
b. Click on the MIDI CC's tab.
c. Now to the left of the PAGE 1 option, click on the LOAD MIDI CC ASSIGNMENTS icon.
d. Choose the Akai_MPK49_BFD.bfc file and BFD will now be mapped to correspond to the FxPanBFD
preset on the MPK49.
3. To load the preset in the MPK49, press the [PRESET] button and use the [VALUE] dial to select preset number 7
– “FxPanBFD”. Press the [VALUE] dial to load the preset.
If you have edited MPK49’s presets and are unable to load BFD, use the
supplied Vyzex Editor to load the Factory Preset Bank and “PUT” or download
the factory preset bank into the MPK49.
!
NOTE: If you want this MIDI CC file to be the default MIDI CC map on BFD, rename the file default.bfc and it will
automatically load every time.
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AKAI MPK49 PRESET MAPPINGS
BANK
BFD LITE
Fader 1
Fader 2
A
A
DIRECT MASTER
OVERHEAD
ROOM
PZM
MASTER
Master Dynamics
Kick Mic In/Out
Snare Mic Top/Bottom
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
Knob 1
Knob 2
A
A
OVERHEAD DISTANCE
OVERHEAD WIDTH
ROOM DISTANCE
ROOM WIDTH
PZM DISTANCE
PZM WIDTH
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
Switch 1
Switch 2
A
A
DIRECT MASTER MUTE
OVERHEAD MUTE
ROOM MUTE
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
PZM MUTE
DIRECT MASTER SOLO
OVERHEAD SOLO
ROOM SOLO KICK SOLO
PZM SOLO
Fader 9
B
B
KICK 1 Direct TRIM
SNARE 1 Direct TRIM
HIHAT Direct TRIM
TOM F Direct TRIM
TOM M Direct TRIM
TOM H Direct TRIM
CYM 1 Direct TRIM
CYM 2 Direct TRIM
Fader 10
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
Knob 9
B
B
KICK 1 Direct PAN
SNARE 1 Direct PAN
HIHAT Direct PAN
TOM F Direct PAN
TOM M Direct PAN
TOM H Direct PAN
CYM 1 Direct PAN
CYM 2 Direct PAN
Knob 10
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
Switch 9
B
B
KICK MUTE
Switch 10
SNARE MUTE
HIHAT MUTE
TOM F MUTE
TOM M MUTE
TOM H MUTE
CYM 1 MUTE
CYM 2 MUTE
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
Fader 17
Fader 18
C
C
KICK TRIM
SNARE TRIM
HIHAT TRIM
TOM F TRIM
TOM M TRIM
TOM H TRIM
CYM 1 TRIM
CYM 2 TRIM
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
Knob 17
Knob 18
C
C
KICK TUNE
SNARE TUNE
HIHAT TUNE
TOM F TUNE
TOM M TUNE
TOM H TUNE
CYM 1 TUNE
CYM 2 TUNE
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
Switch 17
Switch 18
C
C
KICK SOLO
SNARE SOLO
HIHAT SOLO
TOM F SOLO
TOM M SOLO
TOM H SOLO
CYM 1 SOLO
CYM 2 SOLO
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
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USING THE MPK49 WITH FXPANSION GURU
Fxpansion’s Guru software is a very flexible and creative tool for making all kinds of beats and grooves.
Guru comes preset with default MIDI note and controller note mappings that serve a bunch of different purposes.
Notes can be set to trigger sounds, map a sound chromatically and play it from a keyboard, trigger different patterns and
trigger different scenes.
There are 8 MIDI controllers that are set up for using with the individual voice engines called Pad Groups, and 8 more that
are setup to be used with any of the the FX Group.
Reference the Guru manual to see how to assign these functions to the different parameters.
We have supplied a preset that makes use of the most used functions of Guru. This preset is meant to be used with GURU’s GENERIC
CONTROLLER map in the OPTIONS menu.
KEYBOARD – The keyboard is set to trigger pads from middle C up 16 notes. The default is set to control ENGINE 1 on MIDI Channel 1. By
editing the keyboard MIDI channel, you can select which voice engine you are controlling. We set middle C to be the pads so that if you have
“Pattern keys play selected pad chromatically” in the OPTIONS/MIDI page, you will then hear the currently selected pad played chromatically
on the bottom two octaves of the keyboard. If you press the OCTAVE UP button twice, the drum pads will play on the lowest 16 notes of the
keyboard and the notes from middle C up will trigger different SCENES.
TRANSPORT Controls – GURU makes use of MMC for its transport controls. If you have the latest version of Guru it will automatically make
use of MMC messages. GURU makes use of the << REW command and assigns it to the COMMIT function and the >> FF command and
assigns it to the UNDO function.
MIDI Controllers – We have created 3 different options for continuous controller mapping with GURU. Since the MIDI controllers are color
coded in Guru we will call them as follows:
Red = 1
Orange = 2
Yellow = 3
Green = 4
Lt Blue = 5
Blue = 6
Purple = 7
Grey = 8
Controller Bank A
Knobs 1- 8 - Pad Group 1-8
Sliders 1- 8 - FX Group 1-8
Switches 1- 4 – Pad Group 5-8
Switches 5-8 – FX Group 5-8
Controller Bank B
(Knobs and Sliders in Controller Bank B are reversed from Controller Bank A)
Knobs 1- 8 - FX Group 1-8
Sliders 1- 8 - Pad Group 1-8
Switches 1- 4 – Pad Group 5-8
Switches 5-8 – FX Group 5-8
Controller Bank C
(Knobs and sliders are split so that you get 4 knobs and 4 sliders for each Group.)
Knobs 1- 4 - Pad Group 1-4
Knobs 5- 8 - FX Group 1-4
Sliders 1- 4 - Pad Group 1-4
Sliders 5- 8 - FX Group 5-8
Switches 1- 4 – Pad Group 5-8
Switches 5-8 – FX Group 5-8
PADS – We have purposely left the pad mapping to be chromatic. The pads can be customized for so many uses in Guru that we didn’t want to
make them too specialized. Currently the 12 pads in bank A and Pads 1-4 in bank B will normally play the Guru pads. We left these set to the
COMMON channel so that you could quickly change them to different voice engines by changing the COMMON channel in the GLOBAL menu.
But depending on how you are using Guru you may want to change the pad note and channel mappings. For instance:
Recording patterns - you may want to leave the way they are. This will allow you to play your drum sounds and allow you to shift engines via
changing the Common channel.
Playing Live – you may want to assign the pads to different MIDI channels and notes so as to trigger SCENES or PATTERNS in a real0time DJ
style work flow.
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USING THE MPK49 WITH G-MEDIA SYNTHS
AKAI MPK49 PRESET MAPPINGS
BANK
MINIMONSTA
IMPOSCAR
ODDITY
Filter Freq
Filter Q
VCF Cutoff
Fader 1
Fader 2
A
A
Cutoff
Emphasis
Contour
Cutoff LFO Amp
Cutoff LFO Time
F Env Attack
F Env Decay
F Env Sustain
MINIMONSTA
VCF Res
Env Amt
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
ADSR Filter Amt
AR Filter Amt
ADSR Attack
ADSR Decay
ADSR Sustain
ADSR Release
To install the configuration file, click
on "SET UP" and choose “LOAD”.
Select the configuration file and
choose “LOAD”.
FiltDrive
F Env Attk
F Env Dec
F Env Sus
F Env Rel
Filter Type
HPF Cutoff
Knob 1
Knob 2
A
A
Cutoff LFO Shape
Cutoff LFO Delay
Cutoff LFO S+H
Emphasis LFO Amp
Emphasis LFO Time
A Env Attack
IMPOSCAR
VST:
Filter Separation
Filter Keytrack
F Env Delay
A Env Attk
VCA Gain
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
AR Attack
AR Release
VCA Velocity
VCF Velocity
Keytrack to Filter
S+H to Filter
Place "ImpOSCar.sup" in the same
directory as ImpOSCar.DLL.
(Example: "C:\Program
Files\Steinberg\VstPlugins\Gmedia\i
mpOSCar")
A Env Dec
A Env Sus
A Env Decay
A Env Sustain
A Env Rel
Kbd CV / S+H Mixer
S+H / LFO
Switch 1
Switch 2
A
A
Filter Modulation
Kydb ctrl 1
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
Kybd ctrl 2
Osc Mod
Osc 3 Ctrl
Feedback
Glide
ADSR / AR to VCF
AR / ADSR to HPF
Kbd Gate / LFO Repeat
Kbd Repeat / Auto Repeat
Kbd Gate / Repeat
MONO / DUO
Standalone:
Place "ImpOSCar.sup" in to the
same directory as ImpOSCar.EXE.
(Example: "C:\Program
Decay
OSC1 Vol
Ext Input Vol
Osc2 Vol
Oct Shift
Transpose
Osc Bal
VCO1 LFO Amt
VCO1 S+H Amt
VCO1 Pulse Width
VCO1 PW Mod
VCO2 LFO
Fader 9
Fader 10
B
B
Files\GMedia\impOSCar")
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
Osc2 Tune
Osc3 Vol
Noise Bal
LFO Waveform
LFO Rate
ODDITY
Osc3 Tune
Noise Vol
Mod Mix
VCO2 S+H Amt
VCO2 Pulse Width
VCO2 PW Mod
To install the configuration file, click
on "SET UP" and choose load.
Select the configuration file and
choose load.
LFO - Pitch amt
LFO - Filt amt
Osc1 Waveform
Osc1 Range
Osc 1 Waveform
Osc 2 Waveform
Pulse Width
Detune
VCO 1 Coarse Tune
VCO 1 Fine Tune
VCO 2 Coarse Tune
VCO 2 Fine Tune
Portamento Time
Noise Level
Knob 9
Knob 10
B
B
Osc2 Waveform
Osc2 Range
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
Osc3 Waveform
Osc3 Range
Env2 to pitch
Octave
Unison Detune
Glide time
MW Pitch Amt
MW Filt Amt
VCO 1 Level
VCO 2 Level
OSc1 On/Off
Ext In On/Off
Osc2 On/Off
Osc3 On/Off
Noise On/Off
Noise Select
Unison On/Off
Glide On/Off
VCO 1 FM LFO Shape
VCO 1 FM S+H / ADSR
VCO 1 PW Mod LFO / ADSR
VCO 2 S+H / LFO
Switch 9
B
B
Switch 10
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
VCO 2 S+H / ADSR
VCO 2 PW Mod LFO / ADSR
Audio Kbd On/Off
Sync On/Off
Osc1 Vol LFO Amp
Osc2 Tune LFO Amp
Osc2 Vol LFO Amp
Osc3 Tune LFO Amp
Osc3 Vol LFO Amp
Noise Vol LFO Amp
Pan LFO Amp
LFO Intro
SH Mixer VCO1 Level
SH Mixer VCO2 Level
Output Lag
Fader 17
Fader 18
C
C
Chorus Level
Delay Level
Delay Tempo
Chorus Depth
Chorus Rate
Delay Mix L
Delay Mix R
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
LFO Freq
Tune LFO Amp
Osc1 Vol LFO Time
Osc2 Tune LFO Time
Osc2 Vol LFO Time
Osc3 Tune LFO Time
Osc3 Vol LFO Time
Noise Vol LFO Time
Pan LFO Time
Delay Gate
Delay Units
Knob 17
Knob 18
C
C
Delay HP
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
Delay LP
Delay Length Left
Delay Length Right
Delay Feedback L
Delay Feedback R
Tune LFO Time
VCO 1 S+H Mixer Shape
VCO 2 S+H Mixer Shape
LFO / Kbd Trig
Switch 17
Switch 18
C
C
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
Tempo LFO Sync
Keyboard LFO Retrig
Noise / Ring Mod
VCO 1 Shape
Kbd Hold
Delay Feedback Mode
Effect On/Off
VCO 2 Shape
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USING THE MPK49 WITH ROB PAPEN SYNTHS
Installing and loading the MIDI map files:
BLUE
Mac – Place the file labeled MPK49_Blue.stp in the Applications/Rob Papen/Blue/Blue ECS folder.
After starting Blue in your host software, click on ‘Global’. At the bottom right of the GLOBAL page you will see
Ex. Con. Setup. Select ‘Load’ and choose the MPK49_Blue.stp file. Select the Rob Papen Preset on your
MPK49 and the controllers will be mapped to some of the most used functions. See the ‘Blue’ reference manual
to change controller mappings to suit your own needs.
PC -
Place the file labeled MPK49_Blue.stp into the "Blue\ECS" folder in your default VST folder. (Usually C:\Program
Files\Steinberg\VstPlugins)
After starting Blue in your host software, click on ‘Global’. At the bottom right of the GLOBAL page you will see
Ex. Con. Setup. Select ‘Load’ and choose the MPK49_Blue.stp file. Select the Rob Papen Preset on your
MPK49 and the controllers will be mapped to some of the most used functions. See the ‘Blue’ reference manual
to change controller mappings to suit your own needs.
PREDATOR
Mac – Place the file labeled MPK49-Predator.ecs in the Applications/Rob Papen/Predator/ECS folder.
After starting Predator in your host software, click on the ECS button at the bottom right of the screen. Select
‘Load ECS’ and choose the MPK49-Predator.ecs file. Select the Rob Papen Preset on your MPK49 and the
controllers will be mapped to some of the most used functions. See the ‘Predator’ reference manual to change
controller mappings to suit your own needs.
PC – Place the file labeled MPK49-Predator.ecs into the Rob Papen\Predator\ECS folder in your default VST folder.
(Usually C:\Program Files\Steinberg\VstPlugins)
After starting Predator in your host software, click on the ECS button at the bottom right of the screen. Select
‘Load ECS’ and choose the MPK49-Predator.ecs file. Select the Rob Papen Preset on your MPK49 and the
controllers will be mapped to some of the most used functions. See the ‘Predator’ reference manual to change
controller mappings to suit your own needs.
ALBINO3
Mac – Place the file labeled MPK49_Albino.MOD on your computer. We suggest placing it in the Library/Application
support/LinPlug folder
After starting Albino 3 in your host software, click on the ECS button at the bottom right of the screen. Select
‘Load ECS’ and choose the MPK49_Albino.MOD file. Select the Rob Papen Preset on your MPK49 and the
controllers will be mapped to some of the most used functions. See the ‘Albino3’ reference manual to change
controller mappings to suit your own needs.
PC – Place the file labeled MPK49_Albino.MOD on your computer. We suggest placing it in the Rob Papen\ECS folder
in your default VST folder. (Usually C:\Program Files\Steinberg\VstPlugins)
After starting Albino 3 in your host software, click on the ECS button at the bottom right of the screen. Select
‘Load ECS’ and choose the MPK49_Albino.MOD file. Select the Rob Papen Preset on your MPK49 and the
controllers will be mapped to some of the most used functions. See the ‘Albino3’ reference manual to change
controller mappings to suit your own needs.
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AKAI MPK49 PRESET MAPPINGS
BLUE
PREDATOR
ALBINO 3
BANK
ANALOG
DIGITAL
NOISE
OSC Volume 1
Osc 1 waveform
Osc 1 Volume
osc1 waveform
osc1 volume
Osc1 Wave Morph
osc1 volume
Osc1 noise color
osc1 volume
Fader 1
Fader 2
A
A
OSC Volume 2
OSC Volume 3
OSC Volume 4
OSC Volume 5
OSC Volume 6
Filter A Freq
osc2 waveform
osc2 volume
osc3 waveform
osc3 volume
osc4 waveform
osc4 volume
Osc2 Wave Morph
osc2 volume
Osc2 noise color
osc2 volume
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
Osc 2 waveform
Osc 2 Volume
Osc3 Wave Morph
osc3 volume
Osc3 noise color
osc3 volume
Osc 3 waveform
Osc 3 Volume
Osc4 Wave Morph
osc4 volume
Osc4 noise color
osc4 volume
Osc 2FM/Ring Amt
Osc 3FM/Ring Amt
Filter B Freq
OSC Semi 1
OSC Semi 2
OSC Semi 3
OSC Semi 4
OSC Semi 5
OSC Semi 6
Filter A Q
Osc 1 Sym
Osc 1 Sub
osc1 symmetry
osc1 filter balance
--
--
Knob 1
Knob 2
A
A
osc1 filter balance
osc1 filter balance
osc2 symmetry
--
--
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
Osc 2 Sym
Osc 2 Sub
osc2 filter balance
Osc3 symmetry
Osc3 filter balance
Osc4 symmetry
Osc4 filter balance
osc2 filter balance
osc2 filter balance
--
--
Osc 3 Sym
Osc 3 Sub
Osc3 filter balance
--
Osc3 filter balance
--
Osc 2 Fine tune
Osc 3 Fine tune
Osc4 filter balance
Osc4 filter balance
Filter B Q
Osc 1 On/Off
Osc 1 Free
osc1 on/off
osc1 free-run
osc1 on/off
osc1 free-run
osc1 on/off
osc2 on/off
Switch 1
Switch 2
A
A
osc2 on/off
osc2 Sync
osc3 on/off
osc3 free-run
osc4 on/off
osc4 Sync
osc2 on/off
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
Osc 2 On/Off
Osc 2 Sync
osc2 free-run
osc3 on/off
osc3 on/off
osc4 on/off
Osc 3 On/Off
Osc 3 Sync
osc3 free-run
osc4 on/off
Osc 1>Filter enable
Osc 2>Filter enable
osc4 free-run
SILK
Filter 1 Cutoff
Filter 1 Res
CREAM
Filter 1 Cutoff
Filter 1 Res
SCREAM
Filter 1 Cutoff
Filter 1 Res
Filter A Dist
Filter Cutoff
Fader 9
Fader 10
B
B
Filter A Env
Filter Q
Filter 1 Saturation
Filter 1 velocity
Filter 1 Cutoff
Filter 1 Saturation
Filter 1 velocity
Filter 1 Cutoff
Filter 1 Saturation
Filter 1 velocity
Filter 1 Cutoff
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
Filter B Dist
Filter Envelope
F2 Cutoff
Filter B Env
Vol Env Attack
Vol Env Decay
Vol Env Sustain
Vol Env Release
Filter Env Attack
Filter Env Decay
Filter Env Sustain
Filter Env Release
Filter 1 Res
Filter 1 Res
Filter 1 Res
Filter 1 Saturation
Filter 1 Velocity
Filter 1 Saturation
Filter 1 Velocity
Filter 1 Saturation
Filter 1 Velocity
Filter A ENVAttack
Filter A ENVDecay
Filter A ENVSustain
Filter A ENVRelease
Filter B ENVAttack
Filter B ENVDecay
Filter B ENVSustain
Filter B ENVRelease
Filter Velocity
Filter Keytrack
Filter Mod wheel
Filter LFO
Filter 1 Type
Filter 1 Env
Filter 1 Type
Filter 1 Env
Filter 1 Type
Filter 1 Env
Knob 9
B
B
Knob 10
Filter 1 Pan
Filter 1 Pan
Filter 1 Pan
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
Filter 1 Type
Filter 1 Env
Filter 1 Pan
1/2 bal
Filter 1 Type
Filter 1 Env
Filter 1 Pan
1/2 bal
Filter 1 Type
Filter 1 Env
Filter 1 Pan
1/2 bal
Amp Attack
Amp Decay
Amp Sustain
Amp Release
Osc 1 On/Off
Osc 1 Free
Env polarity
Env polarity
Env polarity
Switch 9
Switch 10
B
B
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
Osc 2 On/Off
Osc 2 Free
Env polarity
Env polarity
Env polarity
Osc 3 On/Off
Osc 3 Free
Osc 1>Filter enable
Osc 2>Filter enable
OSC A Shape
OSC B Shape
OSC C Shape
OSC D Shape
OSC E Shape
OSC F Shape
Filter A Pan
Free Env 1 Amount
Free Env 1 Amt control
Free Env 2 Amount
Free Env 1 Vel> Time
Free Env 1 Attack
Filter Env 1 Attack
Filter Env 1 Decay
Filter Env 1 Sustain
Filter Env 1 Release
Filter Env 2 Attack
Filter Env 2 Decay
Filter Env 2 Sustain
Filter Env 2 Release
Fader 17
Fader 18
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
C
C
Free Env 1 Decay
Free Env 1 Sustain
Free Env 1 Release
Filter B Pan
OSC A Feedback
OSC B Feedback
OSC C Feedback
OSC D Feedback
OSC E Feedback
OSC F Feedback
Filter A Volume
Free Env 1 Amount
Free Env 1 Amt control
Free Env 2 Amount
Free Env 2 Vel> Time
Free Env 2 Attack
Amp Attack
Amp Decay
Amp Sustain
Amp Release
Mod Attack
Mod Decay
Mod Sustain
Mod Release
Knob 17
Knob 18
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
C
C
Free Env 2 Decay
Free Env 2 Sustain
Free Env 2 Release
Filter B Volume
Osc 1 On/Off
Osc 1 Free
Switch 17
Switch 18
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
C
C
Osc 2 On/Off
Osc 2 Free
Osc 3 On/Off
Osc 3 Free
Osc 1>Filter enable
Osc 2>Filter enable
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USING THE MPK49 WITH STYLUS RMX
AKAI MPK49 PRESET MAPPINGS
BANK
STYLUS RMX
Mixer Level 1
Mixer Level 2
Mixer Level 3
Mixer Level 4
Mixer Level 5
Mixer Level 6
Mixer Level 7
Mixer Level 8
Fader 1
Fader 2
A
A
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
1. To use the MPK49 with Stylus RMX
you will need to copy the Akai folder
from the Spectrasonics-StylusRMX
MIDI Templates folder on the CD-
ROM to the following folder on your
computer.
Mixer Pan 1
Mixer Pan 2
Mixer Pan 3
Mixer Pan 4
Mixer Pan 5
Mixer Pan 6
Mixer Pan 7
Mixer Pan 8
Knob 1
Knob 2
A
A
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
SAGE/Stylus RMX/Patches/MIDI
Learn
2. After you have copied the folder, load
the Factory Preset on the MPK49
named SpectRMX.
Play/Stop Part 1
Play/Stop Part 2
Play/Stop Part 3
Play/Stop Part 4
Play/Stop Part 5
Play/Stop Part 6
Play/Stop Part 7
Play/Stop Part 8
Switch 1
Switch 2
A
A
3. Open your host software and open an
instance of Stylus RMX.
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
4. Go to the lower right hand corner of
the Stylus RMX interface and select
the disk icon.
Master Tone 1
Master Tone 2
Master Tone 3
Master Tone 4
Master Tone 5
Master Tone 6
Master Tone 7
Master Tone 8
Fader 9
B
B
5. In the disk icon menu select MIDI
Learn and then select Load
Template.
Fader 10
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
6. Navigate to the Akai folder and
choose the Spectrasonics Stylus
RMX template.
Master Emph 1
Master Emph 2
Master Emph 3
Master Emph 4
Master Emph 5
Master Emph 6
Master Emph 7
Master Emph 8
Knob 9
Knob 10
B
B
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
Mute Part 1
Mute Part 2
Mute Part 3
Mute Part 4
Mute Part 5
Mute Part 6
Mute Part 7
Mute Part 8
Switch 9
B
B
Switch 10
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
AUX 1 Part 1
AUX 1 Part 2
AUX 1 Part 3
AUX 1 Part 4
AUX 1 Part 5
AUX 1 Part 6
AUX 1 Part 7
AUX 1 Part 8
Fader 17
Fader 18
C
C
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
AUX 2 Part 1
AUX 2 Part 2
AUX 2 Part 3
AUX 2 Part 4
AUX 2 Part 5
AUX 2 Part 6
AUX 2 Part 7
AUX 2 Part 8
Knob 17
Knob 18
C
C
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
Solo Part 1
Solo Part 2
Solo Part 3
Solo Part 4
Solo Part 5
Solo Part 6
Solo Part 7
Solo Part 8
Switch 17
Switch 18
C
C
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
Master Volume (Inv)
Mod Wheel
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USING THE MPK49 WITH VIRSYN SYNTHS
AKAI MPK49 PRESET MAPPINGS
BANK
POSEIDON
TERA 3
Wave Env - Attack
Wave Env - Decay
Wave Env - Sustain
Wave Env - Release
Spect - Residual
Spect - Spread
Filter 1 - cutoff
Filter 1 - reso.
Filter 2 - cutoff
Filter 2 - reso.
TerFilter - cutoff
TerFilter - morph
TerFilter - reso.
Volume
Fader 1
Fader 2
A
A
TERA 3
Fader 3
Fader 4
Fader 5
Fader 6
Fader 7
Fader 8
A
A
A
A
A
A
Mac – Place the file in the Virsyn / Tera folder
labeled VSMIDI.vsm in the Applications /
Tera3 folder.
Spect - Blur Level
Spect - Blur Freq.
Wave - Posistion
Wave - Time
Mixer 1
Mixer 2
Mixer 3
Mixer 4
Mixer 5
Overdrive
X-fader
Pan
When you start up Tera it will automatically
have the right mappings for the MPK49.
Select the VirSyn Preset on your MPK49 and
the controllers will be mapped to some of the
most used functions.
Knob 1
Knob 2
A
A
Knob 3
Knob 4
Knob 5
Knob 6
Knob 7
Knob 8
A
A
A
A
A
A
Wave - Loopstart
Wave - Length
Spect - Partials
Spect - Bright
Spect - Level
Spect - ctrl amt.
POSEIDON
Switch 1
Switch 2
A
A
Switch 3
Switch 4
Switch 5
Switch 6
Switch 7
Switch 8
A
A
A
A
A
A
Mac – Place the file in the Virsyn / Poseidon folder
labeled VSMIDI.vsm in the Applications /
Poseidon folder
When you start up Poseidon, it will
Filter Env - Attack
Filter Env - Decay
Filter Env - Sustain
Filter Env - Release
Amp Env - Attack
Amp Env - Decay
Amp Env - Sustain
Amp Env - Release
wave delay - cutoff
wave delay - tune
Fader 9
Fader 10
B
B
automatically have the right mappings for the
MPK49. Select the VirSyn Preset on your
MPK49 and the controllers will be mapped to
some of the most used functions.
Fader 11
Fader 12
Fader 13
Fader 14
Fader 15
Fader 16
B
B
B
B
B
B
wave delay - level
wave delay - feedback
Spect.OSC - Detune
Spect.OSC - Spec.1
Spect.OSC - Spec.2
Spect.OSC - Morph
Filter Cutoff
Filter Slope
Filter Reso.
Filter Width
Pan Rate
OSC1 - Tune
Knob 9
B
B
Knob 10
OSC1 - Wave Mod.
OSC1 - Spread
OSC2 - Tune
Knob 11
Knob 12
Knob 13
Knob 14
Knob 15
Knob 16
B
B
B
B
B
B
OSC2 - Wave Mod.
OSC2 - FM Index
OSC3 - Tune
Pan Var.
Phs Var
Pan Depth
OSC3 - FM Index
Switch 9
Switch 10
B
B
Switch 11
Switch 12
Switch 13
Switch 14
Switch 15
Switch 16
B
B
B
B
B
B
LFO 1 Rate
LFO Rate 1
LFO Rate 2
LFO Rate 3
LFO Rate 4
ENV Time
Fader 17
Fader 18
C
C
LFO 2 Rate
Fader 19
Fader 20
Fader 21
Fader 22
Fader 23
Fader 24
C
C
C
C
C
C
Glide Time
Wave Key follow
Wave Ctrl Amt
Wave Env amt
EQ Low Gain
EQ High Gain
Semi tone
Filter 1 - Track
Filter 1 - Drive
Filter 1 - Shift
Filter 2 - Track
Filter 2 - Drive
Filter 2 - Shift
Knob 17
Knob 18
C
C
Fine tune
Knob 19
Knob 20
Knob 21
Knob 22
Knob 23
Knob 24
C
C
C
C
C
C
Ensemble
Filter Key follow
Filter Ctrl Amt
Filter Env amt
EQ Low Freq.
EQ High Freq.
Switch 17
Switch 18
C
C
Switch 19
Switch 20
Switch 21
Switch 22
Switch 23
Switch 24
C
C
C
C
C
C
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USING THE MPK49 WITH ARKAOS VJ
Arkaos is a visual effects program that allows you to trigger video, still and flash clips from a
MIDI source. This program is and other VJ applications are actually very well suited for using
the MPK49.
This preset is not specific to Arkaos but is designed to allow you to quickly customize your Arkaos presets.
Keyboard – The keyboard is set to the COMMON MIDI channel and has a range from C1 – to C5 on Arkaos. The keyboard is well
suited for momentarily triggering video clips or effects. You can use the keyboards ARPEGGIATOR and LATCH function to
automatically have it cycle through a range of clips.
Pads – The pads have been programmed to be latched or toggled on and off. This allows you to assign backgrounds, overlay clips or fx
that will run until you hit the pad a second time to turn it off. You can use the NOTE REPEAT function to retrigger your video at timed
intervals. By playing with the GATE TIME on NOTE REPEAT you can set how long the note stays on before retriggering. By setting a
short GATE TIME the clip or effect will flash on and then off quickly. With a long GATE TIME of 99, the note off and note on are very
close so it looks like the clip is looping.
Controllers – the controllers are set from 1 – 72. They are numbered left to right, top to bottom. i.e. Controller Bank A Knobs 1-8 are =
MIDI CC 1-8, the sliders are 9-16, the switches are 17-24.
The MPK49 makes a great VJ controller. Dig in and discover the possibilities.
REVISION 1.1
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