Akai Electronic Keyboard MPK49 User Manual

FACTORY PRESET  
DOCUMENTATION  
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USING THE MPK49 WITH REASON  
Reason is a software program that allows for vast control of its parameters. The  
problem with having a lot of controllable items is the limit of physical space and the  
cost of building hardware controllers that can accommodate hundreds or thousands  
of controllers. The people at Propellerheads have developed a way to remap a single  
control surface to each of the modules in Reason. This protocol is called Reason  
Remote.  
We have included all the files necessary to enable Reason to find the MPK49 and map its controls to whatever module  
you have selected in the sequencer.  
To begin using the MPK49 with Reason, you will need to make sure that you have version 3.0.5 or greater for the Mac or  
version 3.0.4 or later for the PC. Please note that the MPK49 is also compatible with Reason 4.  
1. To install the Reason Remote codecs and remote maps, run the Reason Remote installer for your particular  
computer and it will auto-install the folders into the right locations.  
2. After you have installed the Reason Remote codecs, select Preset number 2 – “Reason” – on your MPK49.  
Press the [VALUE] dial to load the preset.  
If you have edited MPK49’s presets and are unable to load the Reason preset, use the supplied Vyzex  
Editor to load the Factory Preset Bank and “PUT” or download the factory preset bank into the MPK49.  
!
3. Start up Reason and the software will automatically find the  
MPK49 controller. Within Reason, click on [Preferences]  
and look under [Control Surfaces and Keyboards]. You  
should see the Akai MPK49 icon with a green check mark.  
If it is not checked, click the “Use with Reason” button.  
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The Vyzex Editor included on the CD is a great way to customize or restore presets to their factory condition!  
The MPK49 preset for Reason makes use of pad banks A, B and C for playing notes. With these three pad banks you get  
a 3-octave range of pitch control.  
Pad bank D is configured to be used as a control bank. This pad bank allows you to use the pads as switches for certain  
features.  
The mapped parameters are shown in the graphic above.  
EXAMPLE:  
ƒ
When you are controlling Redrum or Matrix, pads D1-D4 correspond to the Bank A, B, C, D buttons in the pattern  
section. Pads D9-12 will allow you to select between patterns 1-4 and pads D5-8 allow you to select between  
patterns 5-8.  
ƒ
ƒ
In modules that allow you to select the “Previous” or “Next” preset, you can use switch S15 for “Previous Preset”  
and switch S14 for “Next Preset”.  
Switches S7 and S8 are always assigned to target the next or previous sequence track. This allows you to  
remotely select which module you are controlling.  
The next few pages feature a full table of the mapping functions. Please refer to this table for information on how the  
MPK49 controls map to each individual module in Reason. You can always change how controllers are mapped by  
modifying the “MPK49.remotemap” file. This will allow you to customize how Reason and your MPK49 work.  
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AKAI MPK49 PRESET MAPPINGS  
::: GLOBAL CONTROLLERS :::  
::: MASTER KEYBOARD :::  
MPK49 CONTROL  
Stop  
REASON FUNCTION  
MPK49 CONTROL  
Keyboard  
REASON FUNCTION  
Keyboard  
Stop  
Play  
Play  
Pitch Bend  
Pitch Bend  
Record  
Record  
Mod Wheel  
Mod Wheel  
Rewind  
Rewind  
Channel Pressure  
Expression  
Channel Pressure  
Expression  
Fast Forward  
Switch 7  
Switch 8  
Switch 15  
Switch 16  
Switch 23  
Switch 24  
Fast Forward  
Target Previous Track  
Target Next Track  
Damper Pedal  
Damper Pedal  
Select Previous Patch for Target Device  
Select Next Patch for Target Device  
Select Previous Keyboard Shortcut Variation  
Select Next Keyboard Shortcut Variation  
RV 7000  
REVERB  
Decay  
HF Damp  
Hi EQ  
SCREAM 4  
DISTORTION  
Damage Control  
Damage Type  
Parameter 1  
Parameter 2  
Cut Lo  
MCLASS  
EQUALIZER  
Low Shelf Gain  
Parametric 1 Gain  
Parametric 2 Gain  
Hi Shelf Gain  
MCLASS  
IMAGER  
M CLASS  
M CLASS  
MAXIMIZER  
Input Gain  
Attack Speed  
Release Speed  
Output Gain  
RV-7  
REVERB  
Algorithm  
Size  
COMPRESSOR  
Input Gain  
Threshold  
Ratio  
BANK  
Low Width  
Fader 1  
Fader 2  
A
A
X-Over Frequency  
High Width  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
Decay  
Dry/Wet  
Solo Mode  
Attack  
Damping  
Dry/Wet  
Low Shelf Q  
Release  
Output Gain  
Soft Clip Amount  
Cut Mid  
Parametric 1 Q  
Parametric 2 Q  
Hi Shelf Q  
Cut Hi  
Master Level  
Soft Knob 1  
Soft Knob 2  
Soft Knob 3  
Soft Knob 4  
Soft Knob 5  
Soft Knob 6  
Soft Knob 7  
Soft Knob 8  
Body Resonance  
Body Scale  
Body Auto  
Low Shelf Frequency  
Parametric 1 Frequency  
Parametric 2 Frequency  
Hi Shelf Frequency  
Knob 1  
Knob 2  
A
A
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
Body Type  
EQ On/Off  
Damage On/Off  
Cut On/Off  
Low Cut Enable  
Low Band Active  
High Band Active  
Separate Out Mode  
Soft Knee  
Limiter Enable  
Switch 1  
Switch 2  
A
A
Gate On/Off  
Low Shelf Enable  
Parametric 1 Enable  
Parametric 2 Enable  
High Shelf Enable  
Sidechain Solo  
Adapt  
Look Ahead Enable  
Soft Clip Enable  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
Body On/Off  
Sidechain Active  
Output Level Meter Mode  
DDL-1  
DELAY  
DelayTime (steps)  
DelayTime (ms)  
Feedback  
D-11  
DISTORTION  
Amount  
ECF-42  
FILTER  
Frequency  
Resonance  
Env Amount  
Velocity  
CF-101  
CHORUS  
Delay  
Feedback  
Rate  
PH-90  
PHASER  
Frequency  
Split  
UN-16  
UNISON  
Voice Count  
Detune  
COMP-  
01  
Ratio  
Threshold  
Attack  
PEQ-2  
BANK  
Filter A Freq  
Filter A Q  
Fader 1  
Fader 2  
A
A
Foldback  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
Width  
Dry/Wet  
Filter A Gain  
Filter B Freq  
Filter B Q  
Pan  
Modulation Amount  
Rate  
Release  
Gain  
Dry/Wet Balance  
Frequency Modulation  
Feedback  
Filter B Gain  
Attack  
Knob 1  
Knob 2  
A
A
Decay  
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
Sustain  
Release  
Unit  
Trigger  
Send/Insert Mode  
LFO Sync Enable  
LFO Sync Enable  
Filter B On/Off  
Switch 1  
Switch 2  
A
A
Step Length  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
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AKAI MPK49 PRESET MAPPINGS  
MIXER 14:2  
COMBINATOR  
RPG-8  
BANK  
GROUP 1  
GROUP 2  
GROUP 3  
GROUP 4  
GROUP 5  
GLOBAL  
Channel 1 Level  
Channel 2 Level  
Channel 3 Level  
Channel 4 Level  
Channel 5 Level  
Channel 6 Level  
Channel 7 Level  
Channel 1 Level  
Channel 2 Level  
Channel 3 Level  
Channel 4 Level  
Channel 5 Level  
Channel 6 Level  
Channel 7 Level  
Channel 1 Level  
Channel 2 Level  
Channel 3 Level  
Channel 4 Level  
Channel 5 Level  
Channel 6 Level  
Channel 7 Level  
Channel 1 Level  
Channel 2 Level  
Channel 3 Level  
Channel 4 Level  
Channel 5 Level  
Channel 6 Level  
Channel 7 Level  
Channel 1 Level  
Channel 2 Level  
Channel 3 Level  
Channel 4 Level  
Channel 5 Level  
Channel 6 Level  
Channel 7 Level  
Velocity/Manual  
Mode  
Fader 1  
Fader 2  
A
A
Octave  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
Insert  
Rate  
Gate Length  
Master Level  
Channel 1 Pan  
Channel 2 Pan  
Channel 3 Pan  
Channel 4 Pan  
Channel 5 Pan  
Channel 6 Pan  
Channel 7 Pan  
Channel 1 Aux 1 Send  
Channel 2 Aux 1 Send  
Channel 3 Aux 1 Send  
Channel 4 Aux 1 Send  
Channel 5 Aux 1 Send  
Channel 6 Aux 1 Send  
Channel 7 Aux 1 Send  
Channel 1 Aux 2 Send  
Channel 2 Aux 2 Send  
Channel 3 Aux 2 Send  
Channel 4 Aux 2 Send  
Channel 5 Aux 2 Send  
Channel 6 Aux 2 Send  
Channel 7 Aux 2 Send  
Channel 1 Aux 3 Send  
Channel 2 Aux 3 Send  
Channel 3 Aux 3 Send  
Channel 4 Aux 3 Send  
Channel 5 Aux 3 Send  
Channel 6 Aux 3 Send  
Channel 7 Aux 3 Send  
Channel 1 Aux 4 Send  
Channel 2 Aux 4 Send  
Channel 3 Aux 4 Send  
Channel 4 Aux 4 Send  
Channel 5 Aux 4 Send  
Channel 6 Aux 4 Send  
Channel 7 Aux 4 Send  
Rotary 1  
Rotary 2  
Rotary 3  
Rotary 4  
Knob 1  
Knob 2  
A
A
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
Channel 1 Mute  
Channel 2 Mute  
Channel 3 Mute  
Channel 4 Mute  
Channel 5 Mute  
Channel 6 Mute  
Channel 1 Mute  
Channel 2 Mute  
Channel 3 Mute  
Channel 4 Mute  
Channel 5 Mute  
Channel 6 Mute  
Channel 1 Mute  
Channel 2 Mute  
Channel 3 Mute  
Channel 4 Mute  
Channel 5 Mute  
Channel 6 Mute  
Channel 1 Mute  
Channel 2 Mute  
Channel 3 Mute  
Channel 4 Mute  
Channel 5 Mute  
Channel 6 Mute  
Channel 1 Mute  
Channel 2 Mute  
Channel 3 Mute  
Channel 4 Mute  
Channel 5 Mute  
Channel 6 Mute  
Channel 7 Mute  
Button 1  
Button 2  
Button 3  
Button 4  
Hold  
Switch 1  
Switch 2  
A
A
Arpeggiator Enable  
Single Note Repeat  
Shuffle  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
Pattern Enable  
Sync  
Channel 8 Level  
Channel 9 Level  
Channel 10 Level  
Channel 11 Level  
Channel 12 Level  
Channel 13 Level  
Channel 14 Level  
Channel 8 Level  
Channel 9 Level  
Channel 10 Level  
Channel 11 Level  
Channel 12 Level  
Channel 13 Level  
Channel 14 Level  
Channel 8 Level  
Channel 9 Level  
Channel 10 Level  
Channel 11 Level  
Channel 12 Level  
Channel 13 Level  
Channel 14 Level  
Channel 8 Level  
Channel 9 Level  
Channel 10 Level  
Channel 11 Level  
Channel 12 Level  
Channel 13 Level  
Channel 14 Level  
Channel 8 Level  
Channel 9 Level  
Channel 10 Level  
Channel 11 Level  
Channel 12 Level  
Channel 13 Level  
Channel 14 Level  
Fader 9  
B
B
Fader 10  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
Channel 8 Pan  
Channel 9 Pan  
Channel 10 Pan  
Channel 11 Pan  
Channel 12 Pan  
Channel 13 Pan  
Channel 14 Pan  
Channel 8 Aux 1 Send  
Channel 9 Aux 1 Send  
Channel 10 Aux 1 Send  
Channel 11 Aux 1 Send  
Channel 12 Aux 1 Send  
Channel 13 Aux 1 Send  
Channel 14 Aux 1 Send  
Channel 8 Aux 2 Send  
Channel 9 Aux 2 Send  
Channel 10 Aux 2 Send  
Channel 11 Aux 2 Send  
Channel 12 Aux 2 Send  
Channel 13 Aux 2 Send  
Channel 14 Aux 2 Send  
Channel 8 Aux 3 Send  
Channel 9 Aux 3 Send  
Channel 10 Aux 3 Send  
Channel 11 Aux 3 Send  
Channel 12 Aux 3 Send  
Channel 13 Aux 3 Send  
Channel 14 Aux 3 Send  
Channel 8 Aux 4 Send  
Channel 9 Aux 4 Send  
Channel 10 Aux 4 Send  
Channel 11 Aux 4 Send  
Channel 12 Aux 4 Send  
Channel 13 Aux 4 Send  
Channel 14 Aux 4 Send  
Knob 9  
B
B
Knob 10  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
Channel 8 Mute  
Channel 9 Mute  
Channel 10 Mute  
Channel 11 Mute  
Channel 12 Mute  
Channel 13 Mute  
Channel 8 Mute  
Channel 9 Mute  
Channel 10 Mute  
Channel 11 Mute  
Channel 12 Mute  
Channel 13 Mute  
Channel 8 Mute  
Channel 9 Mute  
Channel 10 Mute  
Channel 11 Mute  
Channel 12 Mute  
Channel 13 Mute  
Channel 8 Mute  
Channel 9 Mute  
Channel 10 Mute  
Channel 11 Mute  
Channel 12 Mute  
Channel 13 Mute  
Channel 8 Mute  
Channel 9 Mute  
Channel 10 Mute  
Channel 11 Mute  
Channel 12 Mute  
Channel 13 Mute  
Channel 14 Mute  
Pattern Step 1  
Pattern Step 2  
Pattern Step 3  
Pattern Step 4  
Pattern Step 5  
Pattern Step 6  
Switch 9  
B
B
Switch 10  
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
Fader 17  
Fader 18  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
C
C
Knob 17  
Knob 18  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
C
C
Pattern Step 7  
Pattern Step 8  
Pattern Step 9  
Pattern Step 10  
Pattern Step 11  
Pattern Step 12  
Switch 17  
Switch 18  
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
C
C
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AKAI MPK49 PRESET MAPPINGS  
BANK  
LINE MIXER 6:2  
SUBTRACTOR  
MALSTROM  
NN19  
NNXT  
DR. REX  
THOR  
Fader 1  
Fader 2  
A
A
Channel 1 Level  
Filter Freq  
Filter A Freq  
Filter Freq  
Filter Freq  
Filter Freq  
Filter 1 Freq  
Channel 2 Level  
Filter Res  
Filter A Resonance  
Filter Res  
Filter Res  
Filter Res  
Filter 1 Res  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
Channel 3 Level  
Channel 4 Level  
Channel 5 Level  
Channel 6 Level  
Filter2 Freq  
Filter B Freq  
Filter Kbd Track  
Filter Env Amount  
Filter Env Attack  
Filter Env Decay  
Filter Env Sustain  
Filter Env Release  
Amp Env Attack  
Amp Env Decay  
Amp Env Release  
Mod Env Decay  
Master Volume  
Filter Env Amount  
Filter Mode  
Filter 2 Freq  
Filter 2 Res  
Filter 3 Freq  
Filter 3 Res  
LFO 1 Rate  
LFO 2 Rate  
Filter2 Res  
Filter B Resonance  
Filter Env Attack  
Filter Env Decay  
Filter Env Sustain  
Filter Env Release  
Filter Env Attack  
Filter Env Decay  
Filter Env Sustain  
Filter Env Release  
Filter Env Attack  
Filter Env Decay  
Filter Env Sustain  
Filter Env Release  
Master Level  
Knob 1  
Knob 2  
A
A
Channel 1 Pan  
Channel 2 Pan  
Filter Type  
Filter Env Amount  
Filter A Mode  
Filter Mode  
LFO1 Rate  
Filter 1 Env Amount  
Filter 1 Drive  
Filter Kbd Track  
Filter Freq Ext Mod  
LFO1 Amount  
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
Channel 3 Pan  
Channel 4 Pan  
Channel 5 Pan  
Channel 6 Pan  
Filter Env Amount  
Filter Env Vel Amount  
Amp Env Attack  
Filter B Mode  
Shaper Mode  
Shaper Amount  
Spread Amount  
Portamento  
LFO Ext Mod  
LFO1 Wave  
Filter 2 Env Amount  
Filter 2 Drive  
Amp Ext Mod  
LFO1 Dest  
Amp Env Attack  
Amp Env Decay  
Amp Env Sustain  
Amp Env Release  
Amp Env Attack  
Amp Env Decay  
Amp Env Sustain  
Amp Env Release  
Filter 3 Global Env Amount  
Filter 3 Drive  
Amp Env Decay  
Amp Env Sustain  
Amp Env Release  
Rotary 1  
Aux Return Level  
Master Level  
Rotary 2  
Switch 1  
Switch 2  
A
A
Channel 1 Mute  
Channel 2 Mute  
FilterLink Freq On/Off  
Filter2 On/Off  
Filter A On/Off  
Filter A Env  
Filter On/Off  
Filter On/Off  
Osc 1 To Filter 1 Enable  
Osc 2 To Filter 1 Enable  
Filter Env Invert  
LFO Sync Enable  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
Channel 3 Mute  
Channel 4 Mute  
Channel 5 Mute  
Channel 6 Mute  
Filter Env Invert  
Mod Env Invert  
Filter B On/Off  
Filter B Env  
Preview  
Osc 3 To Filter 1 Enable  
Osc 1 To Filter 2 Enable  
Osc 2 To Filter 2 Enable  
Osc 3 To Filter 2 Enable  
Select Next Loop  
Select Previous Loop  
Filter Env Invert  
Shaper On/Off  
Fader 9  
Fader 10  
B
B
Osc1 Wave  
Oscillator A Attack  
Oscillator A Decay  
Osc Octave  
Filter Env Vel Amount  
Filter Env Attack  
Filter Env Decay  
Osc1 Octave  
Osc Semitone  
Filter Decay Vel Amount  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
Osc1 Semitone  
Osc2 Wave  
Osc2 Octave  
Osc2 Semitone  
FM Amount  
Osc Mix  
Oscillator A Sustain  
Oscillator A Release  
Oscillator B Attack  
Oscillator B Decay  
Oscillator B Sustain  
Oscillator B Release  
Osc Fine Tune  
Osc Env Amount  
Sample Start  
Amp Vel Amount  
Filter Env Sustain  
Filter Env Release  
Amp Env Attack  
Amp Env Decay  
Amp Env Sustain  
Amp Env Release  
Filter Freq Mod Wheel Amount  
Filter Res Mod Wheel Amount  
Filter Decay Mod Wheel Amount  
Polyphony  
Master Level  
Transpose  
Knob 9  
Knob 10  
B
B
Channel 1 Aux Send  
Channel 2 Aux Send  
Noise Color  
Noise Level  
Oscillator A Motion  
Oscillator A Shift  
LFO Rate  
Osc Octave  
Mod Env Delay  
Mod Env Attack  
LFO Amount  
Osc Fine Tune  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
Channel 3 Aux Send  
Channel 4 Aux Send  
Channel 5 Aux Send  
Channel 6 Aux Send  
Mod Env Gain  
Oscillator A Octave  
Oscillator A Gain  
Oscillator B Motion  
Oscillator B Shift  
Oscillator B Octave  
Oscillator B Gain  
LFO Wave  
LFO Dest  
Osc Env Amount  
Mod Env Decay  
Mod Env Release  
Mod Env Dest  
Mod Env Attack  
Mod Env Decay  
Mod Env Sustain  
Mod Env Release  
Global Env Attack  
Global Env Decay  
Global Env Sustain  
Global Env Release  
Switch 9  
Switch 10  
B
B
Channel 1 Solo  
Channel 2 Solo  
Osc2 On/Off  
Oscillator A On/Off  
Osc Kbd Track  
Osc2 Kbd Track  
Route Oscillator A To Shaper  
LFO Sync Enable  
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
Channel 3 Solo  
Channel 4 Solo  
Channel 5 Solo  
Channel 6 Solo  
Ring Mod  
Route Oscillator A To Filter B  
Oscillator B On/Off  
High Quality Interpolation  
Low Bandwidth On/Off  
Noise On/Off  
Route Oscillator B To Filter B  
Route Filter B To Shaper  
LFO1 Rate  
Modulator A Rate  
Filter Env Vel Amount  
Osc 1 Mod  
Osc 2 Mod  
Fader 17  
Fader 18  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
C
C
LFO1 Amount  
Modulator A To Pitch  
Filter Decay Vel Amount  
LFO1 Wave  
LFO1 Dest  
LFO2 Rate  
LFO2 Amount  
LFO2 Delay  
LFO2 Dest  
Modulator A To Index  
Modulator A To Shift  
Modulator B Rate  
Amp Vel Amount  
Amp Attack Vel Amount  
Sample Start Vel Amount  
Portamento  
Osc 3 Mod  
Osc 1 AM From Osc 2  
Osc 2 Sync BW  
Osc 3 Sync  
Modulator B To Motion  
Modulator B To Level  
Modulator B To Filter  
Polyphony  
Osc 1 And 2 Level  
Osc 3  
Spread  
Ext Mod Select  
Modulator A Curve  
Modulator A Target  
Filter Freq Mod Wheel Amount  
Filter Res Mod Wheel Amount  
Delay Time  
Knob 17  
Knob 18  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
C
C
Filter Freq Ext Mod  
Delay Feedback  
LFO1 Ext Mod  
Modulator B Curve  
Filter Decay Mod Wheel Amount  
Amp Mod Wheel Amount  
LFO Mod Wheel Amount  
Delay Rate  
Delay Amt  
Amp Ext Mod  
Modulator B Target  
Modulator B To Modulator A  
Velocity To Level A  
Velocity To Level B  
Velocity To Filter Env  
FM Ext Mod  
Delay Dry Wet  
Filter Freq Mod Wheel Amount  
Filter Res Mod Wheel Amount  
LFO2 Kbd Track  
Osc 1 And 2 Balance  
Shaper Drive  
LFO Sync Enable  
Modulator A On/Off  
Osc 2 Sync To Osc 1  
Osc 3 Sync To Osc 1  
Switch 17  
Switch 18  
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
C
C
Modulator A One Shot  
Modulator A Sync  
Modulator B On/Off  
Modulator B One Shot  
Modulator B Sync  
Delay On  
Delay Sync  
Shaper On  
Shaper Output  
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AKAI MPK49 PRESET MAPPINGS  
REDRUM  
BV512 VOCODER  
MATRIX  
BANK  
GLOBAL  
GROUP1  
GROUP2  
GLOBAL  
GROUP1  
GROUP2  
GROUP3  
Drum 1 Level  
Drum 2 Level  
Drum 3 Level  
Drum 4 Level  
Drum 5 Level  
Drum 6 Level  
Drum 7 Level  
Drum 8 Level  
Drum 9 Level  
Drum 10 Level  
Band Count  
Shift  
Attack  
Decay  
HF Emphasis  
Dry/Wet  
Band Level 1  
Band Level 2  
Band Level 3  
Band Level 4  
Band Level 5  
Band Level 6  
Band Level 7  
Band Level 8  
Mod Level 1  
Mod Level 2  
Mod Level 3  
Mod Level 4  
Mod Level 5  
Mod Level 6  
Mod Level 7  
Mod Level 8  
Band Level 25  
Band Level 26  
Band Level 27  
Band Level 28  
Band Level 29  
Band Level 30  
Band Level 31  
Band Level 32  
Pattern Select in Bank  
Bank Select  
Resolution  
Fader 1  
Fader 2  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
A
A
Drum 1 Pan  
Drum 2 Pan  
Drum 3 Pan  
Drum 4 Pan  
Drum 5 Pan  
Drum 6 Pan  
Drum 7 Pan  
Drum 8 Pan  
Drum 9 Pan  
Drum 10 Pan  
Knob 1  
Knob 2  
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
A
A
Pattern 1  
Pattern 2  
Pattern 3  
Pattern 4  
Vocoder/Equalizer  
Hold  
Pattern 1  
Pattern 2  
Pattern 3  
Pattern 4  
Run  
Switch 1  
Switch 2  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
A
A
Pattern Enable  
Drum 1 Pitch  
Drum 2 Pitch  
Drum 3 Pitch  
Drum 4 Pitch  
Drum 5 Pitch  
Drum 6 Pitch  
Drum 7 Pitch  
Drum 8 Pitch  
Drum 9 Pitch  
Drum 10 Pitch  
Band Level 9  
Band Level 10  
Band Level 11  
Band Level 12  
Band Level 13  
Band Level 14  
Band Level 15  
Band Level 16  
Mod Level 9  
Mod Level 10  
Mod Level 11  
Mod Level 12  
Mod Level 13  
Mod Level 14  
Mod Level 15  
Mod Level 16  
Mod Level 25  
Mod Level 26  
Mod Level 27  
Mod Level 28  
Mod Level 29  
Mod Level 30  
Mod Level 31  
Mod Level 32  
Fader 9  
B
B
B
B
B
B
B
B
Fader 10  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
Drum 1 Length  
Drum 2 Length  
Drum 3 Length  
Drum 4 Length  
Drum 5 Length  
Drum 6 Length  
Drum 7 Length  
Drum 8 Length  
Drum 9 Length  
Drum 10 Length  
Knob 9  
B
B
B
B
B
B
B
B
Knob 10  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
Pattern 5  
Pattern 6  
Pattern 7  
Pattern 8  
Bank A  
Bank B  
Bank C  
Bank D  
Pattern 5  
Pattern 6  
Pattern 7  
Pattern 8  
Switch 9  
B
B
B
B
B
B
B
B
Switch 10  
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
Drum 1 Vel to Level  
Drum 2 Vel to Level  
Drum 3 Vel to Level  
Drum 4 Vel to Level  
Drum 5 Vel to Level  
Drum 6 Vel to Level  
Drum 7 Vel to Level  
Drum 8 Vel to Level  
Drum 9 Vel to Level  
Drum 10 Vel to Level  
Band Level 17  
Band Level 18  
Band Level 19  
Band Level 20  
Band Level 21  
Band Level 22  
Band Level 23  
Band Level 24  
Mod Level 17  
Mod Level 18  
Mod Level 19  
Mod Level 20  
Mod Level 21  
Mod Level 22  
Mod Level 23  
Mod Level 24  
Fader 17  
Fader 18  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
C
C
Drum 9 Send 1 Amount  
Drum 10 Send 1 Amount  
Knob 17  
Knob 18  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
C
C
Bank A  
Bank B  
Bank C  
Bank D  
Switch 17  
Switch 18  
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
C
C
Ch1 Play  
Ch2 Play  
Ch3 Play  
Ch4 Play  
Ch5 Play  
Ch6 Play  
Ch7 Play  
Ch8 Play  
Ch9 Play  
Ch10 Play  
Pad D1  
Pad D2  
Pad D3  
Pad D4  
Pad D5  
Pad D6  
Pad D7  
Pad D8  
Pad D9  
Pad D10  
D
D
D
D
D
D
D
D
D
D
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USING THE MPK49 WITH SONAR  
1. In Sonar, go to Tools/ Sonar Plugin manager.  
2. In Categories, select Control Surfaces.  
3. In ‘Registered Plugins', choose Cakewalk Generic Surface.  
4. Press Insert, then navigate to the file named "MPK49.spp" and press Open.  
5. Go to Options / Control Surfaces.  
6. Press Add new control surfaces.  
7. Choose Cakewalk Generic Surface.  
8. Select USB AUDIO DEVICE 2 to both the IN PORT and the OUT PORT  
9. Press Close.  
10. Go to Tools / Cakewalk Generic Surface.  
11. Under ‘Presets’ select Akai MPK49.  
To use the MPK49 transport controls in sonar, do the following:  
1. Select Options / Control Surfaces.  
2. Press the Add New Control Surface button  
3. Choose MMC for control surface, and choose USB AUDIO DEVICE for in and out ports.  
4. Press OK.  
With this configuration, control surface commands from the MPK49's sliders and knobs will be sent on port B, and the keyboard, mod  
wheel etc, will be sent on port A, allowing you to simultaneously record midi keyboard performances and automation.  
Assignments:  
FADERS 1-8, 9-16, 17-24 = Channel Volume 1-8  
KNOBS 1-8  
= Pan 1-8  
BUTTONS 1-8  
= Mute 1-8  
KNOBS 9-16  
BUTTONS 9-16  
= Send 1 level 1-8  
= Record Arm 1-8  
KNOBS 17-24  
BUTTONS 17-24  
= Send 2 Level 1-8  
= Solo 1-8  
PAD 1  
PAD 2  
PAD 3  
= Fader Bank Move Left 8  
= Automation Record  
= Fader Bank Move Right 8  
Pressing pads 1 and 3 can move the bank of controllers you are working with by 8. Using these pads, any channel in your project can  
be controlled with ease.  
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USING THE MPK49 WITH ARTURIA SYNTHS  
We have made a template file for most of the popular Arturia synths that all work in conjunction  
with the Arturia Preset on the MPK49. Each Arturia synth has its own MIDI Map file that will  
automatically assign the functions within that synth. This file is named controlMIDI.  
Each synth’s controlMIDI file needs to be copied to the following folder so that the mapping will work. Be aware that  
writing over the existing controlMIDI file will change any custom MIDI learn mappings you have made.  
ARP2600V  
Mac – Library/Preferences/arp2600v/save/  
PC – C:\Program Files\Arturia\arp2600v\save\  
CS80V  
Mac – Library/Preferences/Cs80V/save/  
PC – C:\Program Files\Arturia\Cs80V\save\  
MOOG MODULAR V  
Mac – Library/Preferences/MoogModularV2/save/  
PC – C:\Program Files\Arturia\MoogModularV2\save\  
MINIMOOG V  
Mac – Library/Preferences/minimoog v/save/  
PC – C:\Program Files\Arturia\MinimoogV\save\  
PROPHET V  
Mac – Library/Preferences/ProphetV/save/  
PC – C:\Program Files\Arturia\ProphetV\save\  
JUPITER 8V  
Mac – Library/Preferences/Jupiter8V/save/  
PC – C:\Program Files\Arturia\ Jupiter8V\save\  
PROPHET V  
Mac – Library/Preferences/Analog Studio/save/  
PC – C:\Program Files\Arturia\Analog Studio\save\  
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AKAI MPK49 PRESET MAPPINGS  
BANK  
ARP2600V  
VCF Cutoff  
VCF Resonance  
VCF input 1  
VCF input 2  
VCF input 3  
VCF input 4  
VCF input 5  
Global Volume  
CS80V  
HPF Cutoff I  
HPF Reso I  
LPF Cutoff I  
LPF Reso I  
VCF Attack Level I  
VCF Attack I  
VCF Decay I  
VCF Release I  
MOOG MODULAR V  
Filter 1 Cuttoff  
Filter 2 Cuttoff  
Filter 3 Cuttoff  
LFO 1 Freq  
2D pad A - X  
2D pad A - Y  
2D pad B - X  
2D pad B - Y  
MINIMOOG V  
VCF Cutoff  
VCF Emphasis  
VCF Env Amount  
Mod Mix  
PROPHET V  
P5-VCF Cutoff  
JUPITER 8V  
LPF Cutoff  
ANALOG STUDIO  
Cutoff Filter  
Reso.  
Fader 1  
Fader 2  
A
A
P5-VCF Reso  
LPF Resonance  
HPF Cutoff  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
P5-VCF Env Amount  
P5-VCF KBD  
LFO Rate  
VCF Mod amt  
Env1 Attack  
Env1 Decay  
Env1 Sustain  
Env1 Release  
LFO Amt  
Glide  
P5-VCF ENV Attack  
P5-VCF ENV Decay  
P5-VCF ENV Sustain  
P5-VCF ENV Release  
Env Attack  
Env Decay  
Env Sustain  
Env Release  
VCF ENV Attack  
VCF ENV Decay  
VCF ENV Sustain  
P5-poly-mod FiltENV  
P5-poly-mod OSC B  
P5-LFO Rate  
Source Mix  
Key Params 1  
Key Params 2  
Key Params 3  
Key Params 4  
Knob 1  
Knob 2  
A
A
VCF Cutoff Fine  
VCF Notch Freq  
PWM Speed I  
PWM Amount I  
Filter 1 Res.  
Filter 2 Res.  
OSC Vol. 1  
OSC Vol. 2  
OSC Vol. 3  
Ext. Input Vol.  
Noise Volume  
VCA ENV Attack  
VCA ENV Decay  
VCA ENV Sustain  
VCF LFO Mod  
VCF Key follow  
VCA Lfo Mod  
Env2 Attack  
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
VCF Control In 1  
VCF Control In 2  
VCF Control In 3  
Final Mix Volume  
Reverb Rt&Lf Amount  
Pan  
Pulse Width I  
Noise Level I  
VCA Attack I  
VCA Decay I  
VCA Sustain I  
VCA Release I  
Filter 3 Res.  
Lfo 2 Freq  
Pan VCA 1  
Pan VCA 2  
Glide Time  
Volume  
P5-whl-mod LFO/Noise  
P5-VCA Attack  
P5-VCA Decay  
Env2 Decay  
Env2 Sustain  
Env2 Release  
ChorusFx Mix  
Delay  
P5-VCA Sustain  
P5-VCA Release  
Level  
P5-OSC 1 Saw  
P5-OSC 1 Pulse  
P5-OSC2 Saw  
VCF slope  
Switch 1  
Switch 2  
A
A
Seq On  
Seq Off  
Seq Fwd/Rev  
Legato On/Off  
Retrigger On/Off  
OSC On/Off 1  
OSC On/Off 2  
OSC On/Off 3  
Ext In On/Off  
VCF Env 1/2 select  
ENV1 Keyboard  
ENV1 polarity  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
Exp Enable  
P5-OSC 2 Tri  
Exp Wah Enable  
Port Pedal On/Off  
Sustain Mode  
Port/Gliss  
Noise On/Off  
P5-OSC 2Oulse  
P5-Poly-Mod FreqA  
P5-Poly-Mod PWA  
P5-Poly-Mod Filt  
ENV2 Keyboard  
White/Pink Noise  
OSC Mod On/Off  
VCF Mod On/Off  
Glide On/Off  
VS-VCF Cutoff  
VS-VCF Reso  
VS-VCF Env Amt  
VS-LFO 1 Rate  
VS-LFO 2 Rate  
VS-  
LFO Rate  
Fader 9  
B
B
Seq Pitch 1  
Seq Pitch 2  
HPF Cutoff II  
HPF Reso II  
LPF Cutoff II  
VCA1 Attack  
VCA1 Decay  
OSC Range 1  
OSC Range 2  
OSC Range 3  
OSC 2 Coarse Tune  
OSC 2 Fine Tune  
OSC 3 Coarse Tune  
OSC 3 Fine Tune  
Voice Detune  
Fader 10  
LFO Time Delay  
VCO mod - LFO  
VCO mod - ENV  
VCO PWM  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
Seq Pitch 3  
Seq Pitch 4  
Seq Pitch 5  
Seq Pitch 6  
Seq Pitch 7  
Seq Pitch 8  
VCA1 Sustain  
VCA1 Release  
VCA2 Attack  
VCA2 Decay  
VCA2 Sustain  
VCA2 Release  
LPF Reso II  
VCF Attack Level II  
VCF Attack II  
VCF Decay II  
VCF Release II  
Cross mod  
VS-Joystick X  
VS-Joystick Y  
VCO1 Octave  
VCO2 Octave  
VS-OSC A Freq  
VS-OSC A Wave  
VS-OSC B Freq  
VS-OSC B Wave  
VS-OSC C Freq  
VS-OSC C Wave  
VS-OSC D Freq  
VS-OSC D Wave  
LFO Wave  
Knob 9  
B
B
VCO Coarse Tune 1  
VCO Coarse Tune 2  
VCO Coarse Tune 3  
VCO 2&3 Pulse  
ADSR Attack  
ADSR Decay  
ADSR Sustain  
ADSR Release  
PWM Speed II  
PWM Amount II  
VCF1 Attack  
VCF1 Decay  
OSC Wave 1  
OSC Pulse Width 1  
Knob 10  
VCO1 Wave  
VCO2 Wave  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
Pulse Width II  
Noise Level II  
VCA Attack II  
VCA Decay II  
VCA Sustain II  
VCA Release II  
VCF1 Sustain  
VCF1 Release  
VCF2 Attack  
VCF2 Decay  
VCF2 Sustain  
VCF2 Release  
OSC Wave 2  
OSC Pulse Width 2  
OSC Wave 3  
OSC Pulse Width 3  
LFO Rate  
LFO Wave  
P5-LFO Saw  
VCOmod 1/2 select  
VCO mod LFO/ENV select  
VCO Sync On/Off  
Switch 9  
B
B
Osc Sync On/Off  
Osc 3 Control On/Off  
Switch 10  
P5-LFO Tri  
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
P5-LFO Pulse  
P5-WhlMod FreqA  
P5-WhlMod FreqB  
P5-WhlMod PW A  
P5-WhlMod PW B  
P5-WhlMod Filt  
VCO Norm/Low  
Unison On/Off  
LFO MIDI Sync On/Off  
VS-Matrix amt 1  
VS-Matrix amt 2  
VS-Matrix amt 3  
VS-Matrix amt 4  
VS-Matrix amt 5  
VS-Matrix amt 6  
VS-Matrix amt 7  
VS-Matrix amt 8  
Fader 17  
Fader 18  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
C
C
Seq Pitch 9  
Seq Pitch 10  
Seq Pitch 11  
Seq Pitch 12  
Seq Pitch 13  
Seq Pitch 14  
Seq Pitch 15  
Seq Pitch 16  
Sub OSC Speed  
Sub OSC VCO  
Sub OSC VCF  
Sub OSC VCA  
VCO Freq Coarse 1  
VCO Freq Coarse 2  
VCO Freq Coarse 3  
VCO Freq Coarse 4  
VCO Freq Coarse 5  
VCO Freq Coarse 6  
Bode Freq Shift/Noise HPF  
S/H Rate / Ring Mode Freq.  
Arp Speed  
Arp Mode  
Arp Octave  
Arp Repeat  
Galaxy-Axis Angle  
Galaxy-Axis RATE  
Galaxy-X1 amt  
Galaxy-X2 amt  
Galaxy-X3 amt  
Mix I/II  
Master Brilliance  
Master Reso  
Chorus Rate  
Chorus Depth  
Chorus Wet/Dry  
P5-OSC A Freq  
P5-OSC A PW  
P5-OSC B Freq  
P5-OSC B Fine  
P5-OSC B PW  
P5-Mix Osc A  
P5-Mix Osc B  
P5-Mix Noise  
Knob 17  
Knob 18  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
C
C
Track Gen Freq 1  
Track Gen Freq 2  
Track Gen Freq 3  
Track Gen Freq 4  
Track Gen Smooth 1  
Track Gen Smooth 2  
Track Gen Smooth 3  
Track Gen Smooth 4  
Arp Speed  
Arp Mode  
Arp Octave Range  
Arp Repeat  
VCO Freq Fine 1  
VCO Freq Fine 2  
VCO Freq Fine 3  
VCO Freq Fine 4  
VCO Freq Fine 5  
VCO Freq Fine 6  
Bode Range/Noise LPF  
S/H Glide / Ring Mod Depth  
Mod Amt 1  
Mod Amt 2  
Mod Amt 3  
Delay Time Lf  
Delay Time Rt  
Delay Feedbk Lf  
Delay Feedbk Rt  
Delay Dry/Wet  
Galaxy-LFO1 RATE  
Galaxy-LFO2 RATE  
Galaxy-Y1 amt  
Delay Speed  
Delay Depth  
Delay Mix  
Galaxy-Y2 amt  
Galaxy-Y3 amt  
Switch 17  
Switch 18  
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
C
C
Arp Play  
Arp Hold  
Arp MIDI Sync On/Off  
Arp Play On/Off  
Arp Hold On/Off  
Decay On/Off  
Release On/Off  
Legato On/Off  
Chorus Enable  
Delay Enable  
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USING THE MPK49 WITH BFD  
BFD is the premiere software drum module, featuring high-quality drum samples for realistic  
drum performance. BFD can be used as a standalone computer application, or as a VST  
instrument which can be dropped into your favorite host environment.  
We have included a default MIDI map for BFD which gives you access to all the major features  
of the software.  
The MPK49 comes with a preset which is already set up to work with BFD.  
1. To use the FxpanBFD preset you will need to copy the Akai_MPK49_BFD.bfc file from the CD to your BFD  
folder on your hard drive. This BFD folder has all of your FILLS, GROOVES, KEYMAPS, KITS etc. You will find  
a file labeled default.bfc – place the Akai_MPK49_BFD.bfc file at this same directory level.  
2. To load this MIDI CC map file, start BFD and click on the HIT OPTIONS icon on the middle right of the BFD  
screen.  
a. This will open a dialog box that has PAGE1, PAGE2, ADVANCED and MIDI CC's options.  
b. Click on the MIDI CC's tab.  
c. Now to the left of the PAGE 1 option, click on the LOAD MIDI CC ASSIGNMENTS icon.  
d. Choose the Akai_MPK49_BFD.bfc file and BFD will now be mapped to correspond to the FxPanBFD  
preset on the MPK49.  
3. To load the preset in the MPK49, press the [PRESET] button and use the [VALUE] dial to select preset number 7  
– “FxPanBFD”. Press the [VALUE] dial to load the preset.  
If you have edited MPK49’s presets and are unable to load BFD, use the  
supplied Vyzex Editor to load the Factory Preset Bank and “PUT” or download  
the factory preset bank into the MPK49.  
!
NOTE: If you want this MIDI CC file to be the default MIDI CC map on BFD, rename the file default.bfc and it will  
automatically load every time.  
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AKAI MPK49 PRESET MAPPINGS  
BANK  
BFD LITE  
Fader 1  
Fader 2  
A
A
DIRECT MASTER  
OVERHEAD  
ROOM  
PZM  
MASTER  
Master Dynamics  
Kick Mic In/Out  
Snare Mic Top/Bottom  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
Knob 1  
Knob 2  
A
A
OVERHEAD DISTANCE  
OVERHEAD WIDTH  
ROOM DISTANCE  
ROOM WIDTH  
PZM DISTANCE  
PZM WIDTH  
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
Switch 1  
Switch 2  
A
A
DIRECT MASTER MUTE  
OVERHEAD MUTE  
ROOM MUTE  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
PZM MUTE  
DIRECT MASTER SOLO  
OVERHEAD SOLO  
ROOM SOLO KICK SOLO  
PZM SOLO  
Fader 9  
B
B
KICK 1 Direct TRIM  
SNARE 1 Direct TRIM  
HIHAT Direct TRIM  
TOM F Direct TRIM  
TOM M Direct TRIM  
TOM H Direct TRIM  
CYM 1 Direct TRIM  
CYM 2 Direct TRIM  
Fader 10  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
Knob 9  
B
B
KICK 1 Direct PAN  
SNARE 1 Direct PAN  
HIHAT Direct PAN  
TOM F Direct PAN  
TOM M Direct PAN  
TOM H Direct PAN  
CYM 1 Direct PAN  
CYM 2 Direct PAN  
Knob 10  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
Switch 9  
B
B
KICK MUTE  
Switch 10  
SNARE MUTE  
HIHAT MUTE  
TOM F MUTE  
TOM M MUTE  
TOM H MUTE  
CYM 1 MUTE  
CYM 2 MUTE  
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
Fader 17  
Fader 18  
C
C
KICK TRIM  
SNARE TRIM  
HIHAT TRIM  
TOM F TRIM  
TOM M TRIM  
TOM H TRIM  
CYM 1 TRIM  
CYM 2 TRIM  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
Knob 17  
Knob 18  
C
C
KICK TUNE  
SNARE TUNE  
HIHAT TUNE  
TOM F TUNE  
TOM M TUNE  
TOM H TUNE  
CYM 1 TUNE  
CYM 2 TUNE  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
Switch 17  
Switch 18  
C
C
KICK SOLO  
SNARE SOLO  
HIHAT SOLO  
TOM F SOLO  
TOM M SOLO  
TOM H SOLO  
CYM 1 SOLO  
CYM 2 SOLO  
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
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USING THE MPK49 WITH FXPANSION GURU  
Fxpansion’s Guru software is a very flexible and creative tool for making all kinds of beats and grooves.  
Guru comes preset with default MIDI note and controller note mappings that serve a bunch of different purposes.  
Notes can be set to trigger sounds, map a sound chromatically and play it from a keyboard, trigger different patterns and  
trigger different scenes.  
There are 8 MIDI controllers that are set up for using with the individual voice engines called Pad Groups, and 8 more that  
are setup to be used with any of the the FX Group.  
Reference the Guru manual to see how to assign these functions to the different parameters.  
We have supplied a preset that makes use of the most used functions of Guru. This preset is meant to be used with GURU’s GENERIC  
CONTROLLER map in the OPTIONS menu.  
KEYBOARD – The keyboard is set to trigger pads from middle C up 16 notes. The default is set to control ENGINE 1 on MIDI Channel 1. By  
editing the keyboard MIDI channel, you can select which voice engine you are controlling. We set middle C to be the pads so that if you have  
“Pattern keys play selected pad chromatically” in the OPTIONS/MIDI page, you will then hear the currently selected pad played chromatically  
on the bottom two octaves of the keyboard. If you press the OCTAVE UP button twice, the drum pads will play on the lowest 16 notes of the  
keyboard and the notes from middle C up will trigger different SCENES.  
TRANSPORT Controls – GURU makes use of MMC for its transport controls. If you have the latest version of Guru it will automatically make  
use of MMC messages. GURU makes use of the << REW command and assigns it to the COMMIT function and the >> FF command and  
assigns it to the UNDO function.  
MIDI Controllers – We have created 3 different options for continuous controller mapping with GURU. Since the MIDI controllers are color  
coded in Guru we will call them as follows:  
Red = 1  
Orange = 2  
Yellow = 3  
Green = 4  
Lt Blue = 5  
Blue = 6  
Purple = 7  
Grey = 8  
Controller Bank A  
Knobs 1- 8 - Pad Group 1-8  
Sliders 1- 8 - FX Group 1-8  
Switches 1- 4 – Pad Group 5-8  
Switches 5-8 – FX Group 5-8  
Controller Bank B  
(Knobs and Sliders in Controller Bank B are reversed from Controller Bank A)  
Knobs 1- 8 - FX Group 1-8  
Sliders 1- 8 - Pad Group 1-8  
Switches 1- 4 – Pad Group 5-8  
Switches 5-8 – FX Group 5-8  
Controller Bank C  
(Knobs and sliders are split so that you get 4 knobs and 4 sliders for each Group.)  
Knobs 1- 4 - Pad Group 1-4  
Knobs 5- 8 - FX Group 1-4  
Sliders 1- 4 - Pad Group 1-4  
Sliders 5- 8 - FX Group 5-8  
Switches 1- 4 – Pad Group 5-8  
Switches 5-8 – FX Group 5-8  
PADS – We have purposely left the pad mapping to be chromatic. The pads can be customized for so many uses in Guru that we didn’t want to  
make them too specialized. Currently the 12 pads in bank A and Pads 1-4 in bank B will normally play the Guru pads. We left these set to the  
COMMON channel so that you could quickly change them to different voice engines by changing the COMMON channel in the GLOBAL menu.  
But depending on how you are using Guru you may want to change the pad note and channel mappings. For instance:  
Recording patterns - you may want to leave the way they are. This will allow you to play your drum sounds and allow you to shift engines via  
changing the Common channel.  
Playing Live – you may want to assign the pads to different MIDI channels and notes so as to trigger SCENES or PATTERNS in a real0time DJ  
style work flow.  
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USING THE MPK49 WITH G-MEDIA SYNTHS  
AKAI MPK49 PRESET MAPPINGS  
BANK  
MINIMONSTA  
IMPOSCAR  
ODDITY  
Filter Freq  
Filter Q  
VCF Cutoff  
Fader 1  
Fader 2  
A
A
Cutoff  
Emphasis  
Contour  
Cutoff LFO Amp  
Cutoff LFO Time  
F Env Attack  
F Env Decay  
F Env Sustain  
MINIMONSTA  
VCF Res  
Env Amt  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
ADSR Filter Amt  
AR Filter Amt  
ADSR Attack  
ADSR Decay  
ADSR Sustain  
ADSR Release  
To install the configuration file, click  
on "SET UP" and choose “LOAD”.  
Select the configuration file and  
choose “LOAD”.  
FiltDrive  
F Env Attk  
F Env Dec  
F Env Sus  
F Env Rel  
Filter Type  
HPF Cutoff  
Knob 1  
Knob 2  
A
A
Cutoff LFO Shape  
Cutoff LFO Delay  
Cutoff LFO S+H  
Emphasis LFO Amp  
Emphasis LFO Time  
A Env Attack  
IMPOSCAR  
VST:  
Filter Separation  
Filter Keytrack  
F Env Delay  
A Env Attk  
VCA Gain  
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
AR Attack  
AR Release  
VCA Velocity  
VCF Velocity  
Keytrack to Filter  
S+H to Filter  
Place "ImpOSCar.sup" in the same  
directory as ImpOSCar.DLL.  
(Example: "C:\Program  
Files\Steinberg\VstPlugins\Gmedia\i  
mpOSCar")  
A Env Dec  
A Env Sus  
A Env Decay  
A Env Sustain  
A Env Rel  
Kbd CV / S+H Mixer  
S+H / LFO  
Switch 1  
Switch 2  
A
A
Filter Modulation  
Kydb ctrl 1  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
Kybd ctrl 2  
Osc Mod  
Osc 3 Ctrl  
Feedback  
Glide  
ADSR / AR to VCF  
AR / ADSR to HPF  
Kbd Gate / LFO Repeat  
Kbd Repeat / Auto Repeat  
Kbd Gate / Repeat  
MONO / DUO  
Standalone:  
Place "ImpOSCar.sup" in to the  
same directory as ImpOSCar.EXE.  
(Example: "C:\Program  
Decay  
OSC1 Vol  
Ext Input Vol  
Osc2 Vol  
Oct Shift  
Transpose  
Osc Bal  
VCO1 LFO Amt  
VCO1 S+H Amt  
VCO1 Pulse Width  
VCO1 PW Mod  
VCO2 LFO  
Fader 9  
Fader 10  
B
B
Files\GMedia\impOSCar")  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
Osc2 Tune  
Osc3 Vol  
Noise Bal  
LFO Waveform  
LFO Rate  
ODDITY  
Osc3 Tune  
Noise Vol  
Mod Mix  
VCO2 S+H Amt  
VCO2 Pulse Width  
VCO2 PW Mod  
To install the configuration file, click  
on "SET UP" and choose load.  
Select the configuration file and  
choose load.  
LFO - Pitch amt  
LFO - Filt amt  
Osc1 Waveform  
Osc1 Range  
Osc 1 Waveform  
Osc 2 Waveform  
Pulse Width  
Detune  
VCO 1 Coarse Tune  
VCO 1 Fine Tune  
VCO 2 Coarse Tune  
VCO 2 Fine Tune  
Portamento Time  
Noise Level  
Knob 9  
Knob 10  
B
B
Osc2 Waveform  
Osc2 Range  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
Osc3 Waveform  
Osc3 Range  
Env2 to pitch  
Octave  
Unison Detune  
Glide time  
MW Pitch Amt  
MW Filt Amt  
VCO 1 Level  
VCO 2 Level  
OSc1 On/Off  
Ext In On/Off  
Osc2 On/Off  
Osc3 On/Off  
Noise On/Off  
Noise Select  
Unison On/Off  
Glide On/Off  
VCO 1 FM LFO Shape  
VCO 1 FM S+H / ADSR  
VCO 1 PW Mod LFO / ADSR  
VCO 2 S+H / LFO  
Switch 9  
B
B
Switch 10  
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
VCO 2 S+H / ADSR  
VCO 2 PW Mod LFO / ADSR  
Audio Kbd On/Off  
Sync On/Off  
Osc1 Vol LFO Amp  
Osc2 Tune LFO Amp  
Osc2 Vol LFO Amp  
Osc3 Tune LFO Amp  
Osc3 Vol LFO Amp  
Noise Vol LFO Amp  
Pan LFO Amp  
LFO Intro  
SH Mixer VCO1 Level  
SH Mixer VCO2 Level  
Output Lag  
Fader 17  
Fader 18  
C
C
Chorus Level  
Delay Level  
Delay Tempo  
Chorus Depth  
Chorus Rate  
Delay Mix L  
Delay Mix R  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
LFO Freq  
Tune LFO Amp  
Osc1 Vol LFO Time  
Osc2 Tune LFO Time  
Osc2 Vol LFO Time  
Osc3 Tune LFO Time  
Osc3 Vol LFO Time  
Noise Vol LFO Time  
Pan LFO Time  
Delay Gate  
Delay Units  
Knob 17  
Knob 18  
C
C
Delay HP  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
Delay LP  
Delay Length Left  
Delay Length Right  
Delay Feedback L  
Delay Feedback R  
Tune LFO Time  
VCO 1 S+H Mixer Shape  
VCO 2 S+H Mixer Shape  
LFO / Kbd Trig  
Switch 17  
Switch 18  
C
C
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
Tempo LFO Sync  
Keyboard LFO Retrig  
Noise / Ring Mod  
VCO 1 Shape  
Kbd Hold  
Delay Feedback Mode  
Effect On/Off  
VCO 2 Shape  
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USING THE MPK49 WITH ROB PAPEN SYNTHS  
Installing and loading the MIDI map files:  
BLUE  
Mac – Place the file labeled MPK49_Blue.stp in the Applications/Rob Papen/Blue/Blue ECS folder.  
After starting Blue in your host software, click on ‘Global’. At the bottom right of the GLOBAL page you will see  
Ex. Con. Setup. Select ‘Load’ and choose the MPK49_Blue.stp file. Select the Rob Papen Preset on your  
MPK49 and the controllers will be mapped to some of the most used functions. See the ‘Blue’ reference manual  
to change controller mappings to suit your own needs.  
PC -  
Place the file labeled MPK49_Blue.stp into the "Blue\ECS" folder in your default VST folder. (Usually C:\Program  
Files\Steinberg\VstPlugins)  
After starting Blue in your host software, click on ‘Global’. At the bottom right of the GLOBAL page you will see  
Ex. Con. Setup. Select ‘Load’ and choose the MPK49_Blue.stp file. Select the Rob Papen Preset on your  
MPK49 and the controllers will be mapped to some of the most used functions. See the ‘Blue’ reference manual  
to change controller mappings to suit your own needs.  
PREDATOR  
Mac – Place the file labeled MPK49-Predator.ecs in the Applications/Rob Papen/Predator/ECS folder.  
After starting Predator in your host software, click on the ECS button at the bottom right of the screen. Select  
Load ECS’ and choose the MPK49-Predator.ecs file. Select the Rob Papen Preset on your MPK49 and the  
controllers will be mapped to some of the most used functions. See the ‘Predator’ reference manual to change  
controller mappings to suit your own needs.  
PC – Place the file labeled MPK49-Predator.ecs into the Rob Papen\Predator\ECS folder in your default VST folder.  
(Usually C:\Program Files\Steinberg\VstPlugins)  
After starting Predator in your host software, click on the ECS button at the bottom right of the screen. Select  
Load ECS’ and choose the MPK49-Predator.ecs file. Select the Rob Papen Preset on your MPK49 and the  
controllers will be mapped to some of the most used functions. See the ‘Predator’ reference manual to change  
controller mappings to suit your own needs.  
ALBINO3  
Mac – Place the file labeled MPK49_Albino.MOD on your computer. We suggest placing it in the Library/Application  
support/LinPlug folder  
After starting Albino 3 in your host software, click on the ECS button at the bottom right of the screen. Select  
Load ECS’ and choose the MPK49_Albino.MOD file. Select the Rob Papen Preset on your MPK49 and the  
controllers will be mapped to some of the most used functions. See the ‘Albino3’ reference manual to change  
controller mappings to suit your own needs.  
PC – Place the file labeled MPK49_Albino.MOD on your computer. We suggest placing it in the Rob Papen\ECS folder  
in your default VST folder. (Usually C:\Program Files\Steinberg\VstPlugins)  
After starting Albino 3 in your host software, click on the ECS button at the bottom right of the screen. Select  
Load ECS’ and choose the MPK49_Albino.MOD file. Select the Rob Papen Preset on your MPK49 and the  
controllers will be mapped to some of the most used functions. See the ‘Albino3’ reference manual to change  
controller mappings to suit your own needs.  
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AKAI MPK49 PRESET MAPPINGS  
BLUE  
PREDATOR  
ALBINO 3  
BANK  
ANALOG  
DIGITAL  
NOISE  
OSC Volume 1  
Osc 1 waveform  
Osc 1 Volume  
osc1 waveform  
osc1 volume  
Osc1 Wave Morph  
osc1 volume  
Osc1 noise color  
osc1 volume  
Fader 1  
Fader 2  
A
A
OSC Volume 2  
OSC Volume 3  
OSC Volume 4  
OSC Volume 5  
OSC Volume 6  
Filter A Freq  
osc2 waveform  
osc2 volume  
osc3 waveform  
osc3 volume  
osc4 waveform  
osc4 volume  
Osc2 Wave Morph  
osc2 volume  
Osc2 noise color  
osc2 volume  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
Osc 2 waveform  
Osc 2 Volume  
Osc3 Wave Morph  
osc3 volume  
Osc3 noise color  
osc3 volume  
Osc 3 waveform  
Osc 3 Volume  
Osc4 Wave Morph  
osc4 volume  
Osc4 noise color  
osc4 volume  
Osc 2FM/Ring Amt  
Osc 3FM/Ring Amt  
Filter B Freq  
OSC Semi 1  
OSC Semi 2  
OSC Semi 3  
OSC Semi 4  
OSC Semi 5  
OSC Semi 6  
Filter A Q  
Osc 1 Sym  
Osc 1 Sub  
osc1 symmetry  
osc1 filter balance  
--  
--  
Knob 1  
Knob 2  
A
A
osc1 filter balance  
osc1 filter balance  
osc2 symmetry  
--  
--  
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
Osc 2 Sym  
Osc 2 Sub  
osc2 filter balance  
Osc3 symmetry  
Osc3 filter balance  
Osc4 symmetry  
Osc4 filter balance  
osc2 filter balance  
osc2 filter balance  
--  
--  
Osc 3 Sym  
Osc 3 Sub  
Osc3 filter balance  
--  
Osc3 filter balance  
--  
Osc 2 Fine tune  
Osc 3 Fine tune  
Osc4 filter balance  
Osc4 filter balance  
Filter B Q  
Osc 1 On/Off  
Osc 1 Free  
osc1 on/off  
osc1 free-run  
osc1 on/off  
osc1 free-run  
osc1 on/off  
osc2 on/off  
Switch 1  
Switch 2  
A
A
osc2 on/off  
osc2 Sync  
osc3 on/off  
osc3 free-run  
osc4 on/off  
osc4 Sync  
osc2 on/off  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
Osc 2 On/Off  
Osc 2 Sync  
osc2 free-run  
osc3 on/off  
osc3 on/off  
osc4 on/off  
Osc 3 On/Off  
Osc 3 Sync  
osc3 free-run  
osc4 on/off  
Osc 1>Filter enable  
Osc 2>Filter enable  
osc4 free-run  
SILK  
Filter 1 Cutoff  
Filter 1 Res  
CREAM  
Filter 1 Cutoff  
Filter 1 Res  
SCREAM  
Filter 1 Cutoff  
Filter 1 Res  
Filter A Dist  
Filter Cutoff  
Fader 9  
Fader 10  
B
B
Filter A Env  
Filter Q  
Filter 1 Saturation  
Filter 1 velocity  
Filter 1 Cutoff  
Filter 1 Saturation  
Filter 1 velocity  
Filter 1 Cutoff  
Filter 1 Saturation  
Filter 1 velocity  
Filter 1 Cutoff  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
Filter B Dist  
Filter Envelope  
F2 Cutoff  
Filter B Env  
Vol Env Attack  
Vol Env Decay  
Vol Env Sustain  
Vol Env Release  
Filter Env Attack  
Filter Env Decay  
Filter Env Sustain  
Filter Env Release  
Filter 1 Res  
Filter 1 Res  
Filter 1 Res  
Filter 1 Saturation  
Filter 1 Velocity  
Filter 1 Saturation  
Filter 1 Velocity  
Filter 1 Saturation  
Filter 1 Velocity  
Filter A ENVAttack  
Filter A ENVDecay  
Filter A ENVSustain  
Filter A ENVRelease  
Filter B ENVAttack  
Filter B ENVDecay  
Filter B ENVSustain  
Filter B ENVRelease  
Filter Velocity  
Filter Keytrack  
Filter Mod wheel  
Filter LFO  
Filter 1 Type  
Filter 1 Env  
Filter 1 Type  
Filter 1 Env  
Filter 1 Type  
Filter 1 Env  
Knob 9  
B
B
Knob 10  
Filter 1 Pan  
Filter 1 Pan  
Filter 1 Pan  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
Filter 1 Type  
Filter 1 Env  
Filter 1 Pan  
1/2 bal  
Filter 1 Type  
Filter 1 Env  
Filter 1 Pan  
1/2 bal  
Filter 1 Type  
Filter 1 Env  
Filter 1 Pan  
1/2 bal  
Amp Attack  
Amp Decay  
Amp Sustain  
Amp Release  
Osc 1 On/Off  
Osc 1 Free  
Env polarity  
Env polarity  
Env polarity  
Switch 9  
Switch 10  
B
B
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
Osc 2 On/Off  
Osc 2 Free  
Env polarity  
Env polarity  
Env polarity  
Osc 3 On/Off  
Osc 3 Free  
Osc 1>Filter enable  
Osc 2>Filter enable  
OSC A Shape  
OSC B Shape  
OSC C Shape  
OSC D Shape  
OSC E Shape  
OSC F Shape  
Filter A Pan  
Free Env 1 Amount  
Free Env 1 Amt control  
Free Env 2 Amount  
Free Env 1 Vel> Time  
Free Env 1 Attack  
Filter Env 1 Attack  
Filter Env 1 Decay  
Filter Env 1 Sustain  
Filter Env 1 Release  
Filter Env 2 Attack  
Filter Env 2 Decay  
Filter Env 2 Sustain  
Filter Env 2 Release  
Fader 17  
Fader 18  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
C
C
Free Env 1 Decay  
Free Env 1 Sustain  
Free Env 1 Release  
Filter B Pan  
OSC A Feedback  
OSC B Feedback  
OSC C Feedback  
OSC D Feedback  
OSC E Feedback  
OSC F Feedback  
Filter A Volume  
Free Env 1 Amount  
Free Env 1 Amt control  
Free Env 2 Amount  
Free Env 2 Vel> Time  
Free Env 2 Attack  
Amp Attack  
Amp Decay  
Amp Sustain  
Amp Release  
Mod Attack  
Mod Decay  
Mod Sustain  
Mod Release  
Knob 17  
Knob 18  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
C
C
Free Env 2 Decay  
Free Env 2 Sustain  
Free Env 2 Release  
Filter B Volume  
Osc 1 On/Off  
Osc 1 Free  
Switch 17  
Switch 18  
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
C
C
Osc 2 On/Off  
Osc 2 Free  
Osc 3 On/Off  
Osc 3 Free  
Osc 1>Filter enable  
Osc 2>Filter enable  
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USING THE MPK49 WITH STYLUS RMX  
AKAI MPK49 PRESET MAPPINGS  
BANK  
STYLUS RMX  
Mixer Level 1  
Mixer Level 2  
Mixer Level 3  
Mixer Level 4  
Mixer Level 5  
Mixer Level 6  
Mixer Level 7  
Mixer Level 8  
Fader 1  
Fader 2  
A
A
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
1. To use the MPK49 with Stylus RMX  
you will need to copy the Akai folder  
from the Spectrasonics-StylusRMX  
MIDI Templates folder on the CD-  
ROM to the following folder on your  
computer.  
Mixer Pan 1  
Mixer Pan 2  
Mixer Pan 3  
Mixer Pan 4  
Mixer Pan 5  
Mixer Pan 6  
Mixer Pan 7  
Mixer Pan 8  
Knob 1  
Knob 2  
A
A
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
SAGE/Stylus RMX/Patches/MIDI  
Learn  
2. After you have copied the folder, load  
the Factory Preset on the MPK49  
named SpectRMX.  
Play/Stop Part 1  
Play/Stop Part 2  
Play/Stop Part 3  
Play/Stop Part 4  
Play/Stop Part 5  
Play/Stop Part 6  
Play/Stop Part 7  
Play/Stop Part 8  
Switch 1  
Switch 2  
A
A
3. Open your host software and open an  
instance of Stylus RMX.  
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
4. Go to the lower right hand corner of  
the Stylus RMX interface and select  
the disk icon.  
Master Tone 1  
Master Tone 2  
Master Tone 3  
Master Tone 4  
Master Tone 5  
Master Tone 6  
Master Tone 7  
Master Tone 8  
Fader 9  
B
B
5. In the disk icon menu select MIDI  
Learn and then select Load  
Template.  
Fader 10  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
6. Navigate to the Akai folder and  
choose the Spectrasonics Stylus  
RMX template.  
Master Emph 1  
Master Emph 2  
Master Emph 3  
Master Emph 4  
Master Emph 5  
Master Emph 6  
Master Emph 7  
Master Emph 8  
Knob 9  
Knob 10  
B
B
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
Mute Part 1  
Mute Part 2  
Mute Part 3  
Mute Part 4  
Mute Part 5  
Mute Part 6  
Mute Part 7  
Mute Part 8  
Switch 9  
B
B
Switch 10  
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
AUX 1 Part 1  
AUX 1 Part 2  
AUX 1 Part 3  
AUX 1 Part 4  
AUX 1 Part 5  
AUX 1 Part 6  
AUX 1 Part 7  
AUX 1 Part 8  
Fader 17  
Fader 18  
C
C
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
AUX 2 Part 1  
AUX 2 Part 2  
AUX 2 Part 3  
AUX 2 Part 4  
AUX 2 Part 5  
AUX 2 Part 6  
AUX 2 Part 7  
AUX 2 Part 8  
Knob 17  
Knob 18  
C
C
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
Solo Part 1  
Solo Part 2  
Solo Part 3  
Solo Part 4  
Solo Part 5  
Solo Part 6  
Solo Part 7  
Solo Part 8  
Switch 17  
Switch 18  
C
C
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
Master Volume (Inv)  
Mod Wheel  
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USING THE MPK49 WITH VIRSYN SYNTHS  
AKAI MPK49 PRESET MAPPINGS  
BANK  
POSEIDON  
TERA 3  
Wave Env - Attack  
Wave Env - Decay  
Wave Env - Sustain  
Wave Env - Release  
Spect - Residual  
Spect - Spread  
Filter 1 - cutoff  
Filter 1 - reso.  
Filter 2 - cutoff  
Filter 2 - reso.  
TerFilter - cutoff  
TerFilter - morph  
TerFilter - reso.  
Volume  
Fader 1  
Fader 2  
A
A
TERA 3  
Fader 3  
Fader 4  
Fader 5  
Fader 6  
Fader 7  
Fader 8  
A
A
A
A
A
A
Mac – Place the file in the Virsyn / Tera folder  
labeled VSMIDI.vsm in the Applications /  
Tera3 folder.  
Spect - Blur Level  
Spect - Blur Freq.  
Wave - Posistion  
Wave - Time  
Mixer 1  
Mixer 2  
Mixer 3  
Mixer 4  
Mixer 5  
Overdrive  
X-fader  
Pan  
When you start up Tera it will automatically  
have the right mappings for the MPK49.  
Select the VirSyn Preset on your MPK49 and  
the controllers will be mapped to some of the  
most used functions.  
Knob 1  
Knob 2  
A
A
Knob 3  
Knob 4  
Knob 5  
Knob 6  
Knob 7  
Knob 8  
A
A
A
A
A
A
Wave - Loopstart  
Wave - Length  
Spect - Partials  
Spect - Bright  
Spect - Level  
Spect - ctrl amt.  
POSEIDON  
Switch 1  
Switch 2  
A
A
Switch 3  
Switch 4  
Switch 5  
Switch 6  
Switch 7  
Switch 8  
A
A
A
A
A
A
Mac – Place the file in the Virsyn / Poseidon folder  
labeled VSMIDI.vsm in the Applications /  
Poseidon folder  
When you start up Poseidon, it will  
Filter Env - Attack  
Filter Env - Decay  
Filter Env - Sustain  
Filter Env - Release  
Amp Env - Attack  
Amp Env - Decay  
Amp Env - Sustain  
Amp Env - Release  
wave delay - cutoff  
wave delay - tune  
Fader 9  
Fader 10  
B
B
automatically have the right mappings for the  
MPK49. Select the VirSyn Preset on your  
MPK49 and the controllers will be mapped to  
some of the most used functions.  
Fader 11  
Fader 12  
Fader 13  
Fader 14  
Fader 15  
Fader 16  
B
B
B
B
B
B
wave delay - level  
wave delay - feedback  
Spect.OSC - Detune  
Spect.OSC - Spec.1  
Spect.OSC - Spec.2  
Spect.OSC - Morph  
Filter Cutoff  
Filter Slope  
Filter Reso.  
Filter Width  
Pan Rate  
OSC1 - Tune  
Knob 9  
B
B
Knob 10  
OSC1 - Wave Mod.  
OSC1 - Spread  
OSC2 - Tune  
Knob 11  
Knob 12  
Knob 13  
Knob 14  
Knob 15  
Knob 16  
B
B
B
B
B
B
OSC2 - Wave Mod.  
OSC2 - FM Index  
OSC3 - Tune  
Pan Var.  
Phs Var  
Pan Depth  
OSC3 - FM Index  
Switch 9  
Switch 10  
B
B
Switch 11  
Switch 12  
Switch 13  
Switch 14  
Switch 15  
Switch 16  
B
B
B
B
B
B
LFO 1 Rate  
LFO Rate 1  
LFO Rate 2  
LFO Rate 3  
LFO Rate 4  
ENV Time  
Fader 17  
Fader 18  
C
C
LFO 2 Rate  
Fader 19  
Fader 20  
Fader 21  
Fader 22  
Fader 23  
Fader 24  
C
C
C
C
C
C
Glide Time  
Wave Key follow  
Wave Ctrl Amt  
Wave Env amt  
EQ Low Gain  
EQ High Gain  
Semi tone  
Filter 1 - Track  
Filter 1 - Drive  
Filter 1 - Shift  
Filter 2 - Track  
Filter 2 - Drive  
Filter 2 - Shift  
Knob 17  
Knob 18  
C
C
Fine tune  
Knob 19  
Knob 20  
Knob 21  
Knob 22  
Knob 23  
Knob 24  
C
C
C
C
C
C
Ensemble  
Filter Key follow  
Filter Ctrl Amt  
Filter Env amt  
EQ Low Freq.  
EQ High Freq.  
Switch 17  
Switch 18  
C
C
Switch 19  
Switch 20  
Switch 21  
Switch 22  
Switch 23  
Switch 24  
C
C
C
C
C
C
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USING THE MPK49 WITH ARKAOS VJ  
Arkaos is a visual effects program that allows you to trigger video, still and flash clips from a  
MIDI source. This program is and other VJ applications are actually very well suited for using  
the MPK49.  
This preset is not specific to Arkaos but is designed to allow you to quickly customize your Arkaos presets.  
Keyboard – The keyboard is set to the COMMON MIDI channel and has a range from C1 – to C5 on Arkaos. The keyboard is well  
suited for momentarily triggering video clips or effects. You can use the keyboards ARPEGGIATOR and LATCH function to  
automatically have it cycle through a range of clips.  
Pads – The pads have been programmed to be latched or toggled on and off. This allows you to assign backgrounds, overlay clips or fx  
that will run until you hit the pad a second time to turn it off. You can use the NOTE REPEAT function to retrigger your video at timed  
intervals. By playing with the GATE TIME on NOTE REPEAT you can set how long the note stays on before retriggering. By setting a  
short GATE TIME the clip or effect will flash on and then off quickly. With a long GATE TIME of 99, the note off and note on are very  
close so it looks like the clip is looping.  
Controllers – the controllers are set from 1 – 72. They are numbered left to right, top to bottom. i.e. Controller Bank A Knobs 1-8 are =  
MIDI CC 1-8, the sliders are 9-16, the switches are 17-24.  
The MPK49 makes a great VJ controller. Dig in and discover the possibilities.  
REVISION 1.1  
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