Peavey 5150 User Manual

O P E R A T I N G G U I D E  
amount of overdrive/sustain you  
want for the LEAD channel. Then,  
with the POST GAIN control adjust  
for overall volume.  
I NPUTS  
The  
input block features  
HIGH and NORMAL gain  
inputs. The HIGH gain input has  
twice the gain of the NORMAL  
gain input and should be used  
when maximum overdrive is  
desired. When both inputs are  
used simultaneously, the  
The RHYTHM channel PRE and  
POST GAIN  
operate in the  
same manner as the LEAD channel  
gain controls. For most  
automatically switches to the  
normal gain mode (6  
pad).  
applications, the RHYTHM channel  
should be set up with the PRE  
GAIN at the lower, “cleaner”  
settings (0 4) and the POST GAIN  
set for overall volume. The  
RHYTHM channel can be  
converted to a second “lead”  
channel by activating the CRUNCH  
SWITCH  
Situations where both inputs are  
used at once (alternating between  
two guitars on stage using both  
inputs, etc.) should be avoided if  
peak overdrive is expected from  
the amp. Experimentation with  
your particular guitar/pickup into  
each input will determine which  
input is best for your sound.  
Activates a preset boost in the  
Allows selection of the RHYTHM or  
LEAD channel. Depressing the  
switch to the “in” position activates  
the LEAD channel. The red LED  
light will illuminate to indicate that  
the LEAD channel is active. In the  
“out” position the RHYTHM  
channel is activated and the green  
LED illuminates. Channels may be  
remotely selected using the  
treble frequencies (6  
at 2  
and affects only the rhythm  
channel.  
CRUNCH  
Boosts the gain of the rhythm  
channel to create a second “lead”  
channel. Depress to the “in”  
position to activate.  
footswitch. If remote  
selection is desired the channel  
select switch must be set to the  
“in” position (LEAD channel).  
The  
equalization block  
features passive LOW, MID, and  
HIGH EQ that is custom tailored  
Congratulations!  
purchased a rock roll monster.  
to Edward Van  
sound.  
The Peavey  
an extensive research and  
development project with guitar  
is the result of  
The LEAD CHANNEL PRE GAIN  
controls the input level and  
works with the LEAD CHANNEL  
POST GAIN  
to determine the  
legend Edward Van  
to  
overall volume/overdrive of the  
LEAD channel. Lower settings of  
the PRE GAIN control produce a  
relatively clean, undistorted sound  
while the middle to high settings  
produce harmonically rich distortion  
and screaming overdrive/sustain.  
Since both PRE and POST GAIN  
controls work in “combo,” a basic  
rule-of-thumb set-up procedure is to  
begin with both controls in the  
lower settings (0 2). Using the  
PRE GAIN control, dial in the  
produce the ultimate rock roll  
guitar amp. You’re ready to  
experience super rock crunch,  
harmonic-rich sustain, and  
screaming metal drive like you’ve  
never heard from another amp.  
Before you begin, please take  
the time to read this operating  
guide, familiarizing yourself with  
the  
controls and functions.  
FRONT PANEL  
1 0  
PRE GAIN  
HIGH NORMAL  
GAIN  
I
HIGH  
POST GAIN  
PRE GAIN  
POST GAIN  
RESONANCE  
PRESENCE  
GAIN  
RESONANCE PRESENCE  
FUSE  
Unique to the 5150, the  
A 5 amp fuse is located within the  
cap of the fuseholder. It must be  
replaced with the same type and  
value in order to avoid damage to  
the equipment and to prevent  
voiding the warranty. If the amp  
repeatedly blows fuses, it should  
Three position, rocker-type switch  
which, for most applications, should  
be operated in the center (zero)  
position. If hum or noise is noticed  
coming from the speaker  
enclosure(s) with the ground switch  
in the center position, place the  
ground switch to positive or  
negative or to minimize hum.  
Should a hum/noise problem  
continue, consult your authorized  
Peavey Dealer, the Peavey factory,  
or a qualified service technician.  
NOTE: The ground switch is not  
RESONANCE  
control can be  
A
set to boost the gain of the power  
amp in the low frequencies at the  
point of  
the speaker cabinet. In simple  
terms, the RESONANCE control  
works like a low EQ to offset  
end frequency drop-out. The  
be  
to a qualified service  
center for repair.  
PRESENCE  
control works in  
WARNING: The fuse should only  
be replaced when the power cord  
has been disconnected from its  
power source.  
the same manner, boosting the  
high frequencies. Experimentation  
using your particular speaker  
cabinet along with personal taste  
will determine your setting for  
these important controls.  
functional on  
volt models.  
CORD  
V units only)  
For your safety, we have  
EFFECTS SEND EFFECTS  
incorporated a  
line (mains)  
Signals are supplied to outboard  
effects or signal processing units  
by patching from the EFFECTS  
cable with proper grounding  
facilities. It is not advisable to  
STANDBY  
Allows the 5150 to be placed in a  
non-operational standby mode.  
When the standby switch is  
activated the tubes remain hot and  
ready for instantaneous operation,  
eliminating warm-up time. The  
STANDBY LED indicator light  
will illuminate when the amp is in  
the operational mode.  
remove the ground pin under any  
circumstances. If it is necessary  
to use the 5150 without proper  
grounding facilities, suitable  
grounding adaptors should be  
used. Greatly reduced shock  
hazard exists when the unit is  
operated with the proper  
SEND  
output into the outboard  
unit(s) and back into the EFFECTS  
RETURN  
cable with  
input using shielded  
phono jacks. Only  
non gain effects devices (chorus,  
reverb, delay, etc.) should be used  
in the effects loop. Remote (on/off)  
selection of outboard effects  
devices can be achieved using the  
5 150’s footswitch.  
grounded receptacles.  
POWER  
Supplies power to the unit.  
Depressed to the “ON” position,  
the POWER LED indicator light  
will illuminate indicating power is  
to the unit.  
This output can be used to send a  
preamped signal from the  
5150 to a mixing console, tape  
recorder, etc., using shielded  
cable. Patching from the PREAMP  
OUT does not affect the normal  
operation of the amplifier.  
BACK PANEL  
ON  
ON  
S T A N D B Y P O W E R  
PATENT  
ELECTRONICS  
REMOTE  
JACK  
O U T P U T S  
output jacks for  
connecting speaker enclosure(s) to  
the amplifier (minimum: 4 ohms).  
When using more than one  
SELECTOR  
Use to select the appropriate  
impedance of the speaker  
enclosure(s). If two enclosures of  
equal impedance are used, the  
switch should be set at one half of  
Provided for the connection of the  
supplied remote footswitch. When  
the footswitch is plugged into the  
remote footswitch jack, the channel  
select switch must be pressed  
to the “in” position for remote  
selection to operate. Remote  
selection of the LEAD or RHYTHM  
channel (left footswitch button) or  
outboard devices in the effects  
loop (right footswitch button) is  
possible with the remote footswitch.  
Paralleled  
. .  
enclosure, be sure to calculate the  
total impedance and set the  
that value  
16 ohm  
impedance switch  
accordingly.  
enclosures: set switch to 8 ohms;  
two 8 ohm enclosures: set switch  
to 4 ohms).  
(See section on IMPEDANCE  
SWITCH.)  
Important: Use only high quality,  
cable for speaker  
connections.  
PRE  
POST  
FOOTSWITCH  
EFFECTS  
SELECT  
LOW MID HI  
I
RHYTHM  
C
R
U
N
C
H
OUTPUT  
IMPEDANCE  
SWITCH  
PREAMP  
FLOW BLOCK DIAGRAM  
RESONANCE PRESENCE  
5150 is a Registered Trademark of Edward Van  
Features and specifications subject to change without notice.  
8 OHMS  
SPEAKER CONNECTION  
When connecting the amplifier to the speaker enclosure,  
make sure to set the impedance selector switch on the rear  
of the unit to the impedance that matches your enclosure.  
When two enclosures of equal impedance are used, set the  
switch to one half the impedance of one enclosure (e.g. two  
16 ohm enclosures: set switch to 8 ohms; two 8 ohm  
enclosures: set switch to 4 ohms). The 5150 is designed to  
operate into a minimum of 4 ohms.  
1
SET SWITCH  
TO 4 OHMS  
8 OHMS  
BACK PANEL  
RACK MOUNT EFFECTS UNIT  
EFFECTS  
PATCHING  
USING THE EFFECTS  
LOOP TO PATCH  
EXTERNAL, NON  
GAIN PRODUCING  
EFFECTS DEVICES  
(DIGITAL DELAY,  
REVERB, CHORUS,  
ETC.)  
FROM 5150  
EFFECTS SEND  
OUTPUT TO INPUT OF  
RACK EFFECTS UNIT  
TO 5150 EFFECTS  
FROM OUTPUT OF  
EFFECTSPEDAL  
TO 5150 EFFECTS  
RETURN INPUT  
FROM OUTPUT OF  
RACK EFFECTS UNIT  
ND  
NPUT OF  
DAL  
RETURN INPUT  
EFFECT(S) ARE  
FOOTSWITCH (See  
section on REMOTE  
FOOTSWITCH JACK)  
BACK PANEL  
DANGER  
EXPOSURE TO EXTREMELY HIGH NOISE LEVELS MAY CAUSE  
A
PERMANENT HEARING LOSS INDIVIDUALS VARY CONSIDERABLY IN SUSCEPTIBILITY TO NOISE  
HEARING LOSS BUT NEARLY  
EVERYONE WILL LOSE SOME HEARING IF EXPOSED TO SUFFICIENTLY INTENSE NOISE FOR  
A
SUFFICIENT TIME  
THE GOVERNMENT’S OCCUPATIONAL SAFETY AND HEALTH ADMINISTRATION (OSHA) HAS SPECIFIED THE FOLLOWING PE RMI SSIBLE NOISE LEVEL EXPOSURES  
u
S
DURATION PER DAY IN “OURS  
SOUND LEVEL  
SLOW RESPONSE  
8
6
4
92  
95  
97  
3
2
1
105  
110  
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