Panasonic AW HE870N User Manual

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Operating Instructions  
HD Convertible Camera  
Model No.  
AW-HE870N  
Installation instructions provided  
AW-HE870  
HIGH  
HD Convertible Camera  
DEFINITION  
Before operating this product, please read the instructions carefully and save this manual for future use.  
VQTB0350-1  
D
F0109S1029  
WARNING:  
CAUTION:  
• TO REDUCE THE RISK OF FIRE OR ELECTRIC  
SHOCK, DO NOT EXPOSE THIS APPARATUS TO  
RAIN OR MOISTURE.  
TO REDUCE THE RISK OF FIRE OR SHOCK  
HAZARD AND ANNOYING INTERFERENCE, USE  
THE RECOMMENDED ACCESSORIES ONLY.  
• THE APPARATUS SHALL NOT BE EXPOSED TO  
DRIPPING OR SPLASHING AND THAT NO  
OBJECTS FILLED WITH LIQUIDS, SUCH AS  
VASES, SHALL BE PLACED ON THE  
APPARATUS.  
Note:  
The rating plate (serial number plate) is on the  
bottom of the unit.  
indicates safety information.  
- 3 -  
IMPORTANT SAFETY INSTRUCTIONS  
Read these operating instructions carefully before using the unit. Follow the safety instructions on the unit and the  
applicable safety instructions listed below. Keep these operating instructions handy for future reference.  
1) Read these instructions.  
2) Keep these instructions.  
3) Heed all warnings.  
10) Protect the power cord form being walked on or  
pinched particularly at plugs, convenience  
receptacles, and the point where they exit from  
the apparatus.  
11) Only use attachments/accessories specified by  
the manufacturer.  
4) Follow all instructions.  
5) Do not use this apparatus near water.  
6) Clean only with dry cloth.  
12) Use only with the cart, stand, tripod,  
bracket, or table specified by the  
manufacturer, or sold with the  
apparatus. When a cart is used, use  
7) Do not block any ventilation openings. Install in  
accordance with the manufacturer’s instructions.  
caution  
when  
moving  
the  
8) Do not install near any heat sources such  
as radiators, heat registers, stoves, or other  
apparatus (including amplifiers) that produce heat.  
cart/apparatus combination to avoid  
injury from tip-over.  
13) Unplug this apparatus during lightning storms or  
when unused for long periods of time.  
9) Do not defeat the safety purpose of the polarized  
or grounding-type plug. A polarized plug has two  
blades with one wider than the other. A grounding-  
type plug has two blades and a third grounding  
prong. The wide blade or the third prong are  
provided for your safety. If the provided plug does  
not fit into your outlet, consult an electrician for  
replacement of the obsolete outlet.  
14) Refer all servicing to qualified service personnel.  
Servicing is required when the apparatus has  
been damaged in any way, such as power-supply  
cord or plug is damaged, liquid has been spilled or  
objects have fallen into the apparatus, the  
apparatus has been exposed to rain or moisture,  
does not operate normally, or has been dropped.  
indicates safety information.  
- 4 -  
Contents  
Preface ............................................................................... 7  
Standard accessories ...................................................... 7  
Features ............................................................................. 8  
Special notes on operation .............................................. 9  
Precautions for use ........................................................ 10  
Precautions for installation ........................................... 12  
Connection of the Indoor Pan-tilt Head AW-PH400 ...... 30  
Connection of the Indoor Pan-tilt Head AW-PH405 ...... 33  
Connection of the Outdoor Pan-tilt Head AW-PH650 .... 36  
How to operate the system ............................................ 39  
Control exercised from the  
Remote Operation Panel AW-CB400 ................... 39  
Control exercised from the  
Multi-Function Controller AW-RP655 ................... 42  
Control exercised from the  
Multi Hybrid Control Panel AW-RP555 ................. 46  
Major operating controls and their functions .............. 15  
Front view / Top view / Rear view / Bottom view ........ 15  
Use mode setting ............................................................ 49  
Use Mode Setting ..................................................... 49  
Selecting ................................................................... 50  
Mounting ......................................................................... 19  
Lens mounting .......................................................... 19  
Mounting the camera onto a pan-tilt head, tripod,  
Operating procedure ...................................................... 51  
camera mounting bracket, or other part ................... 20  
Adjustment ...................................................................... 52  
Flange back adjustment ............................................ 52  
Iris gain control in a lens ........................................... 52  
White balance adjustment ......................................... 53  
Black balance adjustment ......................................... 55  
Total pedestal level adjustment ................................. 56  
Genlock adjustment .................................................. 57  
System configuration (Connections) ............................ 24  
Connection of device with  
a composite/component input connector ........ 24  
Connection of a remote operation panel ................... 25  
Connection with multiple cameras  
(Supplying the external synchronizing signals) ........ 26  
Connection of the Indoor Pan-tilt Head AW-PH360 ...... 27  
- 5 -  
Contents  
Menu item setting/changing .......................................... 60  
Setting to initial set (Factory presets) .......................... 89  
Setting to initial set .................................................... 89  
Initial settings of the setting items  
Menu item setting ...................................................... 60  
Menu item setting/changing  
(Factory preset values) ................................... 90  
(Halogen, Fluorescent, Outdoor Mode) ................... 62  
Sub menu (Halogen, Fluorescent, Outdoor Mode) ... 62  
Description of the setting screen ............................... 63  
Troubleshooting .............................................................. 93  
Appearance ..................................................................... 98  
Specifications ................................................................. 99  
Menu item setting/changing (User Mode) .................... 70  
Sub menu (User Mode) ............................................. 70  
Description of the setting screen ............................... 73  
Changing the settings .................................................... 86  
Changing the format settings .................................... 86  
Changing the component setting .............................. 87  
Setting the EBU matrix .............................................. 88  
- 6 -  
Preface  
This is an HD/SD multi-format camera that adopts 14-bit analog to digital conversion and digital video signal processing, with  
a compact and lightweight 2/3˝ 3CCD system offering high reliability and availability of multiple functions.  
Setting and switching of the camera’s status and its various functions can be performed easily with the menu screen system.  
The camera can be connected with peripheral devices, such as a remote control panel or a pan-tilt head, allowing for system  
development according to the intended use.  
The camera can be used for even more applications by inserting an option card.  
Note  
In order to protect the environment when the HD convertible camera is to be discarded at the  
end of its service life, ask a specialized contractor to dispose of it properly.  
Standard accessories  
Operating Instructions .................... 1  
Mounting spacer .............................. 1  
Use this when mounting the drop-prevention  
wire of the camera.  
(Refer to “Camera mounting screw holes” on  
page 16.)  
DC cable (9.84 ft. [3 m]).................... 1  
Use this to supply the camera’s DC power.  
(Refer to “DC 12 V input connector” on page  
18.)  
- 7 -  
Features  
The camera features high reliability through  
adoption of 14-bit analog to digital conversion  
and digital video signal processing.  
An optimum condition can be selected to suit the  
intended use from among four use modes (Halogen,  
Fluorescent, Outdoor, and User).  
Supports the SDI card option*2 (AW-HHD870).  
Adopts operating procedures that are the same as  
those of our convertible cameras*3.  
Compatible with multiple formats  
The format can be switched between 1080i, 720p, and  
480i. The transition from an SD format system to an  
HD format system can be performed smoothly.  
“Squeeze” or “Sidecut” can be selected with the SD  
format.  
Our pan-tilt heads*4 and control panels can be used*5.  
*1: When using external synchronization, only the output  
signal for the selected video output format (Format)  
will be synchronized.  
*2: Only the optional card (AW-HHD870) that supports  
the AW-HE870 can be used. It is not possible to use  
any other cards.  
Down converter a standard feature  
The SD (480i) composite signals can be output  
continuously*1 from the VIDEO OUT terminal, while  
simultaneously outputting HD (1080i, 720p) signals.  
*3: Some operations may vary depending on function.  
*4: Compatible models are AW-PH360, AW-PH400,  
AW-PH405, and AW-PH650. Models AW-PH360 and  
AW-PH400 are not able to output analog HD video  
signals.  
*5: Compatible models are AW-RP555, AW-RP655 and  
AW-CB400/AW-RP400. The software version may  
need to be upgraded. Please contact your dealer.  
Compact but multifunctional, making a diverse  
range of video productions possible  
Features automatic functions such as ATW, ELC, and  
AGC.  
Features Chroma Detail, Dark Detail, and digital Color  
Matrix correction functions.  
Noise during imaging on computer screens is reduced  
by the Synchro Scan function.  
- 8 -  
Special notes on operation  
Turn power off before connecting or disconnecting cables.  
Connection or disconnection of any studio cable or other  
cable to any unit of equipment must be performed while  
power is off.  
There is a cooling fan inside.  
The cooling fan is a consumable part.  
Replace it 3 to 5 years after installation as a general rule.  
When the cooling fan malfunctions, the “Fan Error”  
message is displayed when the power is turned ON.  
When the “Fan Error” message is displayed, request  
replacement of the cooling fan.  
While the camera is in automatic mode;  
Shooting of bright objects in ELC operation mode may  
result in a smeared picture unique to the CCD.  
The ATW function under fluorescent illumination can  
adversely change the white balance.  
(Whenever fan replacement is necessary, be sure to ask  
the store where you purchased the set.)  
Fan Error  
- 9 -  
Precautions for use  
DON’TS  
Do not attempt to disassemble the camera or other units.  
In order to prevent electric shock, do not remove screws  
or covers. There are no user-serviceable parts inside.  
Do not expose the camera or other units to rain or  
moisture, and do not try to operate the equipment in wet  
conditions. Do not operate the camera if it becomes wet.  
Do not abuse the camera. Avoid striking, shaking, etc.  
The camera contains sensitive components which could  
be damaged by improper handling or storage.  
Do not operate the camera or other units outdoors during  
a lightning storm.  
Do not use the camera in an extreme environment where  
Do not let the lens remain uncapped when the camera is  
not in use. If the lens is not installed, do not leave the lens  
mount hole uncovered.  
high temperatures or high humidity exist.  
Do not leave the camera or other units turned on when  
not in use.  
Do not touch the surface of the lens or prism.  
Do not unnecessarily turn the camera power on and off  
repeatedly.  
Do not use strong of abrasive detergents when cleaning  
the camera body.  
Do not aim the camera toward the sun, no matter whether  
it is turned on or not.  
- 10 -  
Precautions for use  
DOS  
Refer any servicing to qualified service personnel.  
Handle the camera with care.  
Take immediate action if ever the camera should become  
wet. Turn the power off and have the unit checked by an  
authorized service facility.  
Protect the precision made lens by placing the lens cap  
over when the camera is not in use. If the lens is not  
installed, protect the surface of the prism by placing the  
body cap into the lens mount hole.  
Follow normal safety precautions to avoid personal injury.  
Use the camera in an environment where the  
temperature is within 14 °F to 113 °F (–10 °C to +45 °C),  
and the relative humidity is within 20 % to 90 %.  
Use a mild blower or lens cleaning tissue designed for  
coated lenses, to clean the surface of the lens or prism in  
the event that it should become dirty.  
Always turn the power off when the camera is not going  
to be used. Operate the camera only when there is  
adequate ventilation.  
Use a dry cloth to clean the camera if it is dirty. In case  
the dirt is hard to remove, use mild detergent and wipe  
gently.  
Use caution when operating the camera in the vicinity  
of spot lights or bright lights, as well as light reflecting  
objects and surfaces.  
- 11 -  
The connection and installation should be done by  
qualified service personnel or system installers.  
Refer any servicing to qualified service personnel.  
Precautions for installation  
Concerning the installation location of the camera  
Ensure that the installation location is strong enough to bear  
at least five times the total weight of the camera, lens, and  
cables (approx. 55.1 lbs. [25 kg]).  
When mounting to a pan-tilt head or to a mounting bracket  
for installation, ensure that the location is strong enough to  
accommodate its weight as well.  
Locations near the air outlet of an air conditioner or near  
a door where the camera will be exposed to incoming  
outside air or other locations where the temperature is  
subject to sudden change (since these locations may  
cause the lens area to cloud over and/or condensation to  
form)  
Locations that are subject to significant vibration, such as  
on top of a car  
Locations with high levels of humidity or dust  
The camera cannot be installed or used in the following  
locations.  
Outdoor locations and locations where the camera may  
be exposed to dripping, splashing or sprayed water  
Locations such as swimming pools where chemicals are  
used  
When the camera is not going to be used, do not leave  
it in place but be absolutely sure to remove it from its  
mounting, and put it away.  
Locations such as a kitchen where the high levels of  
steam and oily vapors are present and locations with  
flammable atmospheres or other unusual conditions  
Locations where radioactive rays, X-rays or strong radio  
waves or magnetic fields are generated  
Do not run the camera cable near the wiring of electric  
lights.  
This may result in noise interference.  
Locations where the temperature may be outside the  
camera’s operating ambient temperature (14 °F to 113 °F  
[–10 °C to 45 °C]) range  
Concerning electromagnetic interference  
The camera’s images may become distorted or noise  
interference may result if the camera is used near a  
TV or radio transmission antenna or in strong electrical  
or magnetic fields (such as one generated by motors,  
transformers, etc.).  
- 12 -  
The connection and installation should be done by  
qualified service personnel or system installers.  
Refer any servicing to qualified service personnel.  
Precautions for installation  
Concerning the mounting screws and drop-prevention  
wire  
Mounting screw (M4)  
Attach the drop-prevention wire as a way to prevent the  
Drop-prevention wire  
camera from dropping.  
Mounting spacer (supplied)  
When the unit is to be mounted onto a Panasonic pan-tilt  
head, use the mounting screws and drop-prevention wire  
that are supplied with the pan-tilt head.  
When the unit is to be mounted onto a surface other  
than a pan-tilt head, provide your own drop-prevention  
wire, mounting screws, washers, and camera mounting  
bracket.  
Pan-tilt head or  
camera mounting bracket  
For details of the parts to be provided, refer to the next  
page.  
Flat washers  
Spring washers  
Before attaching the drop-prevention wire, fit the supplied  
mounting spacer in the camera mounting screw hole.  
Mounting screws  
(Inch screws: 1/4-20UNC)  
Note  
The mounting spacer must be fitted securely using a  
Tightening the mounting screws and mounting  
spacer  
flathead screwdriver.  
Tighten using the torque levels shown in the table below.  
After tightening, check for play and unsteadiness.  
Screws/Spacer  
Mounting screws (M4)  
Mounting screws (Inch screws)  
Mounting spacer  
Clamping torque  
1.5N • m (15 kgf • cm)  
2.0N • m (20 kgf • cm)  
2.0N•m (20 kgfcm)  
- 13 -  
The connection and installation should be done by  
qualified service personnel or system installers.  
Refer any servicing to qualified service personnel.  
Precautions for installation  
Parts to be provided by the customer for installation  
Provide the following parts when the unit is to be mounted  
onto a surface other than a pan-tilt head.  
Mounting screws (M4): 1  
(For attaching the drop-prevention wire)  
Determine the length of  
this screw by factoring  
in the thickness of the  
drop-prevention wire’s  
terminal.  
Drop-prevention wire  
When the unit is to be mounted onto a Panasonic pan-tilt  
head, use the mounting screws and drop-prevention wire  
that are supplied with the pan-tilt head.  
5 mm  
Drop-prevention wire: 1  
Either crimp the two ends of the wire using stainless steel  
terminals or attach metal hooks to the two ends of the  
wire. Use a wire that is sufficiently strong.  
Consider the installation location and mounting method  
to be used, and cut the wire to a length that will have no  
slack when attached.  
Mounting screws (Inch screws: 1/4-20UNC): 2  
(For mounting the camera)  
Determine the length of  
these screws by factoring  
in the thickness of the  
Camera mounting  
bracket  
8 mm  
camera mounting bracket.  
Wire length  
(Camera  
Flat washers: 2 (For mounting the camera)  
side)  
ø1.2 or more  
(Hook type)  
ø4.2  
Spring washers: 2 (For mounting the camera)  
8.5 mm  
Camera mounting bracket: 1  
Provide a bracket of a material and shape sufficiently  
capable of withstanding the total weight to be borne.  
To determine the position of the holes used for mounting  
the camera, refer to <Bottom view> on page 15, and  
make holes with a diameter of 7 mm (to support 1/4-  
20UNC mounting screws).  
Stainless steel wire  
(Crimping type)  
Shape the end of the wire so that it can be  
attached using an M6 or M8 bolt and nut.  
Provide the bolt and nut or anchor bolt  
that is best suited for the installation  
location and mounting method used.  
- 14 -  
Major operating controls and their functions  
Front view / Top view / Rear view / Bottom view  
<Front view>  
<Top view>  
11/16˝ (17.5 mm)  
13/16˝  
(20 mm)  
1-1/4˝  
(32 mm)  
3/8˝ (10 mm)  
Mounting screws (Inch screws)  
1/4-20UNC, Depth: 3/8˝ (10 mm)  
<Rear view>  
<Bottom view>  
13/16˝  
(20 mm)  
1-1/4˝  
11/16˝  
Mounting screws (Inch screws)  
1/4-20UNC, Depth: 3/8˝ (10 mm)  
(32 mm) (18 mm)  
     
- 15 -  
Major operating controls and their functions  
Lens mount  
MENU switch [MENU]  
2/3˝ bayonet type lens or a microscope adapter can be  
mounted.  
A menu will appear on the monitor screen when MENU  
switch is pressed for at least 3 seconds.  
The menu screen is cleared when the switch is pressed  
for at least 3 seconds while the menu is displayed.  
When this switch is pressed while an item is being  
changed on a sub menu screen, the set values will revert  
back to those prior to making changes.  
Lens fixing ring knob  
Mount the lens on the camera and rotate the lens fixing  
ring knob clockwise in order to fix the lens securely.  
ENTER/AWB switch [ENTER/AWB]  
If this switch is pressed on the main menu screen, a  
sub menu screen with selection items appears, and  
if it is pressed on the sub menu screen, the selection  
items start flashing to indicate that their settings can be  
changed.  
Camera mounting screw holes  
(Inch screws: 1/4-20UNC)  
When installing the camera, use these screw holes to  
secure the camera.  
Furthermore, fit the supplied mounting spacer into these  
screw holes, and use the mounting screws (M4) to attach  
the drop-prevention wire.  
Pressing this switch while the camera is in a status where  
settings can be changed finalizes changes.  
This switch finalizes the “O.K.or “CANCELselection  
when pressed in individual confirmation screens (see  
pages 86 to 89 for details).  
For more details, refer to page 21.  
When the menu is not displayed or the camera is in  
shooting mode, the automatic white balance control  
(AWB) can be set with this switch.  
- 16 -  
Major operating controls and their functions  
UP/ABB switch [UP/ABB]  
Video output connector [VIDEO OUT]  
A composite video signal is provided at this connector.  
(1 V[p-p], 75 BNC connector)  
The item just above can be selected by pressing this  
switch while the menu is displayed.  
When this switch is pressed while an item is able to be  
changed on a sub menu screen, the value is adjusted  
higher.  
When the menu is not displayed or the camera is in  
shooting mode, the automatic black balance control  
(ABB) can be set with this switch.  
Iris connector [IRIS]  
Connect the IRIS cable of the motor drive lens (such  
as the AW-LZ17MD9AG and AK-LZ20M85G) to this  
connector.  
DOWN/BAR switch [DOWN/BAR]  
The item just below can be selected by pressing this  
switch while the menu is on the screen.  
When this switch is pressed while an item is able to be  
changed on a sub menu screen, the value is adjusted  
lower.  
I/F Remote connector [I/F REMOTE]  
This connector is used to connect the remote operation  
panel (AW-CB400) or pan-tilt head (such as the  
AW-PH400).  
If the AW-CB400 is to be connected to this connector, a  
camera control cable (AW-CA50T8) is required.  
When the menu is not displayed, the color bar and the  
shooting conditions are indicated by pressing the switch  
for about 2 seconds.  
Power indicator  
Green LED lamp lights to indicate that the specified DC  
power is supplied to the DC 12 V input connector .  
- 17 -  
Major operating controls and their functions  
Cable clamp  
DC 12 V input connector [12 V IN]  
Clamp the DC cable with ø5.5 plug connected to the DC  
The model AW-PS510A AC adapter (optional accessory)  
is connected here.  
12 V input connector to prevent it from slipping out.  
Be absolutely sure to secure the DC cable using the  
cable clamp.  
For the connection, use a DC cable with ø5.5 plug which  
is supplied with AW-HE870.  
G/L input connector [G/L IN]  
External synchronizing signals (BB) are to be supplied  
to this connector when the camera is to be synchronized  
with the external synchronizing signals.  
Three-value synchronizing signals of the HD format are  
not supported.  
Cautions  
1. Connect this to a DC 12 V class 2 power supply only.  
2. To prevent fire or shock, the UL listed wire VW-1,  
style 1007 should be used as for the cable for DC  
12 V input connector.  
Note  
Optional card slot [OPTION CARD]  
Slot for inserting an optional card. For details, refer to the  
manual for optional cards.  
The polarities of the DC 12 V input connector are  
reversed on the unit from the polarities on existing  
convertible cameras.  
Note  
Be absolutely sure to use the DC cable provided  
with the main unit.  
Only the optional card (AW-HHD870) that supports  
the unit can be used. It is not possible to use any  
other cards.  
- 18 -  
The connection and installation should be done by qualified service personnel  
or system installers. Refer any servicing to qualified service personnel.  
Mounting  
When the pan-tilt head has been used  
Lens mounting  
Use the 2/3˝ bayonet type lens (such as the  
Connect the remote cable of the lens to the LENS IF (1)  
terminal on the pan-tilt head.  
AW-LZ17MD9AG and AK-LZ20M85G), available as an  
optional accessory.  
When the SDI card (AW-HHD870) is installed  
without using the pan-tilt head  
Note  
Use the AW-LZ17MD9AG lens when using the  
camera mounted on the pan-tilt head AW-PH360.  
Lenses other than the AW-LZ17MD9AG cannot be  
used.  
Connect the remote cable of the lens to the  
ZOOM/FOCUS terminal of the SDI card.  
Remote (for zoom/focus control) cable  
(When the pan-tilt head is used, connect this  
cable to the pan-tilt head)  
Do not mount the camera on the AW-PH360 when  
the AK-LZ20M85G is installed.  
Weight balance cannot be secured.  
To lens I/F connector of pan-tilt head  
IRIS cable  
Use the lens extension cable AW-CA12T12A if your IRIS  
cable is too short.  
Lens fixing  
ring knob  
1. Rotate the lens fixing ring knob counterclockwise and  
remove the lens mount cap.  
2. Mount the lens on the camera and rotate the lens  
fixing ring knob clockwise in order to fix the lens  
securely.  
To iris  
connector  
3. Connect the IRIS cable to the IRIS connector on the  
back panel of the camera.  
To the ZOOM/FOCUS  
terminal when the SDI  
card is installed without  
using the pan-tilt head  
- 19 -  
The connection and installation should be done by qualified service personnel  
or system installers. Refer any servicing to qualified service personnel.  
Mounting  
Mounting the camera onto a pan-tilt head, tripod, camera mounting  
bracket, or other part  
1. Use the camera mounting screw holes to mount onto a  
pan-tilt head, tripod, camera mounting bracket, or other  
part.  
Camera mounting screw holes  
(Inch screws: 1/4-20UNC),  
Depth: 3/8˝ (10 mm)  
2. Fit the supplied mounting spacer into the camera  
mounting screw holes on the camera’s top surface when  
mounting the camera with its bottom surface, or on the  
camera’s bottom surface when mounting the camera  
with its top surface, and attach the drop-prevention wire  
using the mounting screw (M4).  
Camera mounting adapter  
When the unit is to be mounted onto a Panasonic pan-tilt  
head, use the mounting screws and drop-prevention wire  
that are supplied with the pan-tilt head.  
When the unit is to be mounted onto a tripod, camera  
mounting bracket, or other part, refer to page 14, and  
provide your own drop-prevention wire, mounting screws,  
and washers.  
- 20 -  
The connection and installation should be done by qualified service personnel  
or system installers. Refer any servicing to qualified service personnel.  
Mounting  
Example where the camera is mounted on a ceiling or wall  
Hitch the end of the wire  
(Wall)  
(Ceiling)  
onto the anchor bolt by  
tightening the nut or  
Hitch the end of the wire  
onto the anchor bolt by  
tightening the nut or  
screw or by using a hook.  
Mounting screw (M4)  
Drop-prevention wire  
screw or by using a hook.  
Drop-prevention wire  
Mounting screw (M4)  
Mounting spacer  
(supplied)  
Mounting spacer  
(supplied)  
Camera mounting  
bracket  
Flat washers  
Spring washers  
Flat washers  
Spring washers  
Camera mounting  
bracket  
Mounting screws  
(Inch screws: 1/4-20UNC)  
Mounting screws  
(Inch screws: 1/4-20UNC)  
Notes  
When attaching one end of the drop-prevention wire to the  
surface of a ceiling or wall, ensure that it is strong enough to bear  
at least five times the total weight including the mounting bracket  
or other part.  
Tighten the mounting screws and mounting spacers using the  
torque levels shown in the table to the right, and then check for  
play and unsteadiness.  
Screws/Spacer  
Mounting screws (M4)  
Mounting screws (Inch screws)  
Mounting spacer  
Clamping torque  
1.5N•m (15 kgfcm)  
2.0N • m (20 kgf • cm)  
2.0N•m (20 kgfcm)  
- 21 -  
The connection and installation should be done by qualified service personnel  
or system installers. Refer any servicing to qualified service personnel.  
Mounting  
Example of mounting the camera onto a bracket  
Example of mounting on a surface above the  
or tripod made by another manufacturer  
camera  
Mounting screws  
(Inch screws: 1/4-20UNC)  
Mounting screw (M4)  
Spring washers  
Flat washers  
Hitch the end of the wire  
onto the anchor bolt by  
tightening the nut or screw  
or by using a hook.  
Adjust the camera  
mounting bracket on the  
surface above the camera  
so that the ventilation  
holes of the cooling fan  
will not be blocked.  
Drop-prevention wire  
Mounting spacer (supplied)  
Camera mounting bracket  
Camera mounting screw holes  
Mounting spacer (supplied)  
Bracket or tripod made by  
another manufacturer  
Hitch the end of the wire  
onto the anchor bolt by  
tightening the nut or screw  
or by using a hook.  
Flat washers  
Spring washers  
Mounting screws  
(Inch screws: 1/4-20UNC)  
Drop-prevention wire  
Mounting screw (M4)  
Notes  
Ensure that the installation location is strong enough to bear at  
least five times the total weight.  
Screws/Spacer  
Mounting screws (M4)  
Mounting screws (Inch screws)  
Mounting spacer  
Clamping torque  
1.5N•m (15 kgfcm)  
2.0N • m (20 kgf • cm)  
2.0N•m (20 kgfcm)  
Even when the camera has been mounted on a tripod, be  
absolutely sure to take steps to prevent the camera from falling.  
Tighten the mounting screws and mounting spacers using the  
torque levels shown in the table to the right, and then check for  
play and unsteadiness.  
- 22 -  
The connection and installation should be done by qualified service personnel  
or system installers. Refer any servicing to qualified service personnel.  
Mounting  
3. When mounting the camera onto a pan-tilt head  
(AW-PH400), do not use the anchoring rubber piece  
supplied with the pan-tilt head.  
Notes  
For the specifications of the camera mounting screw  
holes, refer to “Major operating controls and their  
functions” on page 15.  
When using the camera mounting screw holes on the  
camera’s top surface (when mounting the camera by  
suspending it), take care not to block the ventilation  
holes of the cooling fan.  
If this rubber piece is used, the camera’s ventilation  
holes will be blocked, causing the temperature inside the  
camera to rise and possibly resulting in a malfunction.  
When using the camera mounting screw holes on the  
camera’s top surface (when mounting the camera by  
suspending it), attach the drop-prevention wire to the  
camera mounting screw holes on the camera’s bottom  
surface.  
Do not mount the camera upside down because this  
will cause the temperature inside the camera to rise,  
possibly resulting in a malfunction.  
When mounting the camera onto a pan-tilt head,  
mount it securely after obtaining a full understanding  
of the mounting procedure in the operating  
instructions of the pan-tilt head.  
Do not use the anchoring  
rubber piece when  
mounting the AW-HE870  
camera.  
Indoor Pan/tilt Head AW-PH400  
- 23 -  
System configuration (Connections)  
Connection of device with a composite/component input connector  
Connection to any device which has a composite signal input connector, such as a monitor or a VTR, must be made through  
the VIDEO OUT connector.  
Use the AW-CA50T8 camera control cable, which is available as an optional accessory, to connect the I/F REMOTE  
connector on the unit with the device equipped with HD/SD component signal input connectors.  
Composite signals (from the VIDEO OUT connector) and component signals (from the I/F REMOTE connector) can be output  
at the same time.  
Use the DC cable with ø5.5 plug, supplied with the AW-HE870, for connection to the 12 V input connector.  
VIDEO OUT  
connector  
75 coaxial cable  
Composite video input  
Monitor  
(Composite signal input)  
connector (VIDEO IN)  
AC Adapter  
AW-PS510A  
DC cable with ø5.5 plug  
(supplied with AW-HE870)  
Y
Pb  
Pr  
Camera control cable AW-CA50T8 (32.8 ft. [10 m])  
Monitor  
(Component signal input)  
- 24 -  
System configuration (Connections)  
Connection of a remote operation panel  
When an SDI card (AW-HHD870) has been installed  
First, turn off the power of all the equipment before proceeding with the connections.  
Use the AW-PS510A for the AC adapter of the unit.  
Connect the DC 12 V OUT socket on the AW-PS510A to the DC 12 V IN socket on the unit using the DC cable provided with  
the AW-HE870.  
Connect the CONTROL OUT TO CAMERA connectors [1] to [5] on the ROP with the I/F REMOTE connectors on the unit  
through the connecting cables (optional accessory) AW-CA50T8 (or AW-CA50T9 + RS-422/RS-232C converter).  
The distance between the ROP and the AW-CA50T8 (or AW-CA50T9 + RS-422/RS-232C converter) can be extended up to a  
maximum of about 3280 ft. (1000 m) using a 10BASE-T (equivalent to UTP category 5) straight cable.  
Zoom/Focus control  
Iris control  
Multi-Function  
Controller  
AW-RP655  
Zoom lens  
Video signal  
Monitor  
AC Adapter  
AW-PS510A  
AW-CA50T8  
or AW-CA50T9 +  
RS-422/RS-232C  
Multi Hybrid  
Control Panel  
AW-RP555  
(
)
Remote  
DC cable  
provided with  
AW-HE870  
converter  
Operation  
Panel  
AW-CB400  
Cable  
provided with  
AC adapter  
AC Adapter  
AW-PS510A  
Control signal  
AC Adapter  
AW-PS510A  
AC Adapter  
AW-PS510A  
10BASE-T straight cable  
- 25 -  
System configuration (Connections)  
Connection with multiple cameras (Supplying the external synchronizing signals)  
Supply a synchronizing signal (BB) to the G/L input connectors of each camera.  
Do not switch off the camera used for supplying the external synchronizing signals.  
Genlock adjustment is needed when supplying the external synchronizing signals. (page 57)  
Notes  
Camera  
VIDEO OUT  
Three-value synchronizing signals of  
the HD format are not supported.  
When using external synchronization,  
only the output signal for the selected  
video output format (Format) will be  
synchronized (1080i, 720p, or 480i).  
When selecting an HD format  
(1080i or 720p), neither the VIDEO  
OUT signal (composite signal)  
nor the Y/C signal output from the  
AW-CA50T8 S-Video terminal will  
be synchronized with the external  
synchronizing signal.  
G/L IN  
External sync  
signal (BB)  
VIDEO OUT  
Camera for external sync  
(or special effect generator)  
INPUT  
OUTPUT  
To synchronize the VIDEO OUT  
signal (composite signal) or  
the Y/C signal output from the  
AW-CA50T8 S-Video terminal with  
the external synchronizing signal,  
use “480i” as the video output  
format (selected from the camera  
menu).  
Video distributor  
Video output  
To special effect generator or monitoring system  
- 26 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH360  
Turn off the power of all the equipment before proceeding with the connections.  
Connect the AC adapter (AW-PS300A) to the AW-PH360 indoor pan-tilt head.  
Use 10BASE-T straight cables to connect the RP connectors on the pan-tilt heads with the CONTROL OUT TO PAN/TILT  
HEAD (1 to 5) connectors on the AW-RP655 multi-function controller and AW-RP555 multi hybrid control panel.  
The maximum extension distance is 3281 ft. (1000 m) when using UTP category 5 cables or their equivalent.  
Connect the CONTROL OUT TO PAN/TILT HEAD terminals (P1 to P5) of the AW-RP400 and the RP terminal of the  
AW-PH360 with a 10BASE-T straight cable when using the AW-RP400 pan/tilt control panel.  
The maximum extension distance is 1640 ft. (500 m) when using UTP category 5 cables or their equivalent.  
Use the camera cable provided with the pan-tilt head to connect the AW-PH360 to the unit.  
Connect the iris control cable of the motorized zoom lens to the IRIS connector on the camera, and connect the zoom/focus  
cable to the LENS I/F (1) connector on the pan-tilt head.  
Set the Controller Selection switch SW1 located inside the AW-PH360 to the “Left Side (RP605)”.  
Select “SDI supported” as the transmission signal selection setting.  
- 27 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH360 (continued)  
When an SDI card (AW-HHD870) has been installed  
Use a coaxial cable to connect the SDI OUT connector on the SDI card and the SDI IN connector on the AW-PH360.  
Use a coaxial cable to connect the Pr/SDI OUT connector on the AW-PH360 to the SDI input connector on the color monitor.  
Notes  
HD (1080i or 720p) analog component signals cannot be output from the AW-PH360.  
Refer to the operating instructions of the AW-PH360 for details relating to internal switch settings, etc.  
of the pan-tilt head.  
Use the AW-LZ17MD9AG lens when using the camera mounted on the pan-tilt head AW-PH360.  
Lenses other than the AW-LZ17MD9AG cannot be used.  
Do not mount the camera on the AW-PH360 when the AK-LZ20M85G is installed.  
Weight balance cannot be secured.  
AW-IF400 Switch settings (when the AW-RP400 is used)  
SET UP  
SW1  
OFF  
SW2  
ON  
1
OFF  
2
3
4
OFF  
ON  
OFF  
- 28 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH360 (continued)  
Pan-tilt head/camera  
control signals  
When an SDI card (AW-HHD870) has been installed  
Motorized zoom lens  
Camera  
cable  
(supplied)  
10BASE-T straight  
cable  
Coaxial  
cable  
(to SDI  
connector)  
DC cable (UL Type SPT-2  
216 AWG or UL Type  
NISPT-2 216 AWG, to be  
locally purchased)  
Multi Hybrid  
Control Panel  
AW-RP555  
Multi-Function Controller  
AW-RP655  
Indoor  
Pan-tilt  
Head  
AW-PH360  
AC Adapter  
AW-PS300A  
AC Adapter  
AW-PS510A  
AC Adapter  
AW-PS510A  
• The SDI  
Pb Pr Y  
connector  
is the same  
position as Pr.  
SD  
component  
signal*  
Composite  
signal  
HD/SD-SDI  
Remote  
Operation  
Panel  
Pan/Tilt  
Control  
Panel  
AW-CB400  
AW-RP400  
AC Adapter  
AW-PS510A  
Monitor  
Monitor  
Monitor  
*:The HD component signal cannot be output.  
- 29 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH400  
Turn off the power of all the equipment before proceeding with the connections.  
Connect the AC power cable provided with the AW-PH400 to the AW-PH400 indoor pan-tilt head.  
Use 10BASE-T straight cables to connect the CONTROLLER connectors on the protocol converter AW-IF400 with the  
CONTROL OUT TO PAN/TILT HEAD (1 to 5) connectors on the AW-RP655 multi-function controller and AW-RP555 multi  
hybrid control panel.  
The maximum extension distance is 3281 ft. (1000 m) when using UTP category 5 cables or their equivalent.  
Connect the PAN/TILT HEAD terminal of the protocol converter AW-IF400 and the RP terminal of the AW-PH400 with a  
10BASE-T straight cable.  
The maximum extension distance is 1640 ft. (500 m) when using UTP category 5 cables or their equivalent.  
Connect the CONTROL OUT TO PAN/TILT HEAD terminals (P1 to P5) of the AW-RP400 and the RP terminal of the pan-tilt  
head using a 10BASE-T straight cable when using the AW-RP400 pan/tilt control panel.  
The maximum extension distance is 1640 ft. (500 m) when using UTP category 5 cables or their equivalent.  
Use the camera cable provided with the pan-tilt head to connect the AW-PH400 to the unit.  
Connect the iris control cable of the motorized zoom lens to the IRIS connector on the camera, and connect the zoom/focus  
cable to the LENS I/F (1) connector on the pan-tilt head.  
- 30 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH400 (continued)  
When an SDI card (AW-HHD870) has been installed  
Use a coaxial cable to connect the SDI OUT connector on the SDI card and the SDI IN connector on the AW-PH400.  
Use a coaxial cable to connect the SDI connector on the AW-PH400 to the SDI input connector on the color monitor.  
Note  
HD (1080i or 720p) analog component signals cannot be output from the AW-PH400.  
AW-IF400 Switch settings (when the AW-RP555/AW-RP655 is used)  
SET UP  
SW1  
OFF  
SW2  
OFF  
1
2
3 (Tilt range)  
ON OFF  
(300 deg.) (190 deg.)  
4
ON  
OFF  
OFF  
- 31 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH400 (continued)  
Motorized zoom lens  
To the  
LENS I/F (1)  
connector  
When an SDI card (AW-HHD870) has been installed  
Iris control  
cable  
Camera cable  
supplied with  
AW-PH400  
Pan-tilt head/camera control signals  
Multi Hybrid  
Control Panel  
AW-RP555  
AC Adapter  
AW-PS510A  
Protocol Converter  
Coaxial cable  
(to SDI  
AW-IF400  
Y
Pr  
Pb  
connector)  
Multi-Function  
Controller  
AW-RP655  
AC Adapter  
AW-PS510A  
AC Adapter  
AW-PS510A  
Indoor Pan-tilt  
AC power cable  
supplied with  
AW-PH400  
Head  
10BASE-T  
straight cable  
AW-PH400  
SD  
component  
signal*  
Composite  
signal  
HD/SD-SDI  
Remote  
Operation Panel  
AW-CB400  
Pan/Tilt Control  
Panel  
AW-RP400  
AC Adapter  
AW-PS510A  
Monitor  
Monitor  
Monitor  
*:The HD component signal cannot be output.  
- 32 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH405  
Turn off the power of all the equipment before proceeding with the connections.  
Connect the AC power cable provided with the AW-PH405 to the AW-PH405 indoor pan-tilt head.  
Use 10BASE-T straight cables to connect the RP connectors on the pan-tilt heads with the CONTROL OUT TO PAN/TILT  
HEAD (1 to 5) connectors on the AW-RP655 multi-function controller and AW-RP555 multi hybrid control panel.  
The maximum extension distance is 3281 ft. (1000 m) when using UTP category 5 cables or their equivalent.  
Connect the CONTROL OUT TO PAN/TILT HEAD terminals (P1 to P5) of the AW-RP400 and the CONTROLLER terminal of  
the protocol converter AW-IF400 using a 10BASE-T straight cable when using the AW-RP400 pan/tilt control panel.  
The maximum extension distance is 1640 ft. (500 m) when using UTP category 5 cables or their equivalent.  
Connect the PAN/TILT HEAD terminal of the protocol converter AW-IF400 and the RP terminal of the AW-PH405 with a  
10BASE-T straight cable.  
The maximum extension distance is 3281 ft. (1000 m) when using UTP category 5 cables or their equivalent.  
Use the camera cable provided with the pan-tilt head to connect the AW-PH405 to the unit.  
Connect the iris control cable of the motorized zoom lens to the IRIS connector on the camera, and connect the zoom/focus  
cable to the LENS I/F (1) connector on the pan-tilt head.  
- 33 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH405 (continued)  
When an SDI card (AW-HHD870) has been installed  
Use a coaxial cable to connect the SDI OUT connector on the SDI card and the SDI IN connector on the AW-PH405.  
Use a coaxial cable to connect the SDI connector on the AW-PH405 to the SDI input connector on the color monitor.  
Note  
When transmitting HD (1080i or 720p) analog component signals, the switch inside the AW-PH405 main unit must be set  
to the HD position (the operation of the cable compensation circuit is not involved). Consult your dealer.  
AW-IF400 Switch settings (when the AW-RP400 is used)  
SET UP  
SW1  
OFF  
SW2  
ON  
1
OFF  
2
3
4
OFF  
ON  
OFF  
- 34 -  
System configuration (Connections)  
Connection of the Indoor Pan-tilt Head AW-PH405 (continued)  
Pan-tilt head/camera  
control signals  
When an SDI card (AW-HHD870) has been installed  
Motorized zoom lens  
Camera cable  
supplied with  
AW-PH405  
Iris control  
cable  
Zoom/focus  
control  
cable  
10BASE-T straight cable  
To the  
LENS I/F (1)  
connector  
Multi Hybrid  
Indoor  
Pan-tilt Head  
AW-PH405  
Control Panel  
Coaxial cable  
(to SDI connector)  
Multi-Function Controller  
AW-RP555  
AW-RP655  
Y
Pr  
Pb  
AC Adapter  
AW-PS510A  
Coaxial cable  
AC Adapter  
AW-PS510A  
AC power cable  
supplied with  
AW-PH405  
Coaxial cable  
HD/SD  
component  
signal  
Composite  
signal  
HD/SD-SDI  
Protocol  
Converter  
AW-IF400  
Pan/Tilt  
Remote  
Control  
Operation Panel  
Panel  
AW-CB400  
AW-RP400  
AC Adapter  
AW-PS510A  
AC Adapter  
AW-PS510A  
Monitor  
Monitor  
Monitor  
- 35 -  
System configuration (Connections)  
Connection of the Outdoor Pan-tilt Head AW-PH650  
Turn off the power of all the equipment before proceeding with the connections.  
Connect the AC adapter provided with the AW-PH650 to the AW-PH650 outdoor pan-tilt head.  
Use 10BASE-T straight cables to connect the RP connectors on the pan-tilt heads with the CONTROL OUT TO PAN/TILT  
HEAD (1 to 5) connectors on the AW-RP655 multi-function controller and AW-RP555 multi hybrid control panel.  
The maximum extension distance is 3281 ft. (1000 m) when using UTP category 5 cables or their equivalent.  
Connect the CONTROL OUT TO PAN/TILT HEAD terminals (P1 to P5) of the AW-RP400 and the CONTROLLER terminal of  
the protocol converter AW-IF400 using a 10BASE-T straight cable when using the AW-RP400 pan/tilt control panel.  
The maximum extension distance is 1640 ft. (500 m) when using UTP category 5 cables or their equivalent.  
Connect the PAN/TILT HEAD terminal of the protocol converter AW-IF400 and the RP terminal of the AW-PH650 with a  
10BASE-T straight cable.  
The maximum extension distance is 3281 ft. (1000 m) when using UTP category 5 cables or their equivalent.  
Use the camera cable provided with the pan-tilt head to connect the AW-PH650 to the unit.  
Connect the iris control cable of the motorized zoom lens to the IRIS connector on the camera, and connect the zoom/focus  
cable to the LENS I/F (1) connector on the pan-tilt head.  
- 36 -  
System configuration (Connections)  
Connection of the Outdoor Pan-tilt Head AW-PH650 (continued)  
When an SDI card (AW-HHD870) has been installed  
Use a coaxial cable to connect the SDI OUT connector on the SDI card and the SDI IN connector on the AW-PH650 main  
unit.  
Use a coaxial cable to connect the coaxial connector (SDI OUT) on the AW-PH650 to the SDI input connector on the color  
monitor.  
Notes  
When transmitting HD (1080i or 720p) analog component signals, set SW2 and SW3 on the COMP circuit board to the  
HD position. The cable compensation circuit will not be activated even if SW1 is set to ON at this time so use this switch  
at the OFF setting.  
For the connections inside the housing and other details, refer to the operating instructions of the AW-PH650.  
AW-IF400 Switch settings (when the AW-RP400 is used)  
SET UP  
SW1  
OFF  
SW2  
ON  
1
OFF  
2
3
4
OFF  
ON  
OFF  
- 37 -  
System configuration (Connections)  
Connection of the Outdoor Pan-tilt Head AW-PH650 (continued)  
When an SDI card (AW-HHD870) has been installed  
Pan-tilt head/camera  
control signals  
10BASE-T straight cable  
Outdoor  
Pan-tilt  
Head  
AW-PH650  
MULTI  
SDI  
OUT  
D-SUB  
15 pin  
POWER  
Multi Hybrid  
Control Panel  
Multi-Function Controller  
AW-RP555  
RJ-45 relay  
adapter  
AW-RP655  
VIDEO OUT  
AC Adapter  
AW-PS510A  
Y
Pr  
Pb  
AC Adapter  
AW-PS510A  
To be locally purchased  
HD/SD-SDI  
Composite  
signal  
G/L input  
HD/SD  
component  
signal  
Protocol  
Converter  
AW-IF400  
Pan/Tilt  
Remote  
Control  
Operation  
Panel  
Panel  
AW-RP400  
AW-CB400  
AC Adapter  
AW-PS510A  
AC Adapter  
AW-PS510A  
Monitor  
Monitor  
Monitor  
- 38 -  
How to operate the system  
Control exercised from the Remote Operation Panel AW-CB400  
When using the AW-CB400, its switches and dials function as shown in the figure below.  
For switching the GAIN/PED display and controller  
For capturing the camera statuses, and synchronizing  
the data. Flashes while data is being synchronized. *1  
setting menu display.  
For details on the camera’s functions, open the camera’s  
menu and select the settings.  
For selecting the cameras and pan-tilt head  
systems to be operated.  
For switching the SCENE file (User/Halogen/  
Fluorescent/Outdoor). (The selected button lights.)  
For switching DTL ON and OFF.  
The LOW/HIGH selection can be made on the  
LCD menu when turned ON.  
Lights when the OPERATE switch is turned ON.  
Flashes when an alarm (Fan Error) is received  
from the camera. *5  
For selecting GAIN 0dB, L, M, H or AGC.  
(The selected button lights.) *2  
The L/M/H buttons can be set in increments of 1 dB  
between 0 dB and 18 dB on the LCD of the CB400. *3, *11  
Furthermore, the MAX GAIN setting of the AGC can be  
performed from the LCD of the CB400.  
The camera can be operated  
when this switch is turned ON.  
For executing AWB.  
This button lights without the AWB function being  
activated when the white balance mode of the main unit  
is set to ATW, PRESET 3200K, or PRESET 5600K, or  
when the Color Bar is displayed. *6  
For switching between CAM or BAR.  
For executing ABB. *6, *7  
For switching WHITE BAL ATW, A or B.  
(The selected button lights.) *2  
For adjusting R/B GAIN. (–150 to +150) *4, *8  
For adjusting R/B PED. (–150 to +150) *4, *9  
For adjusting the TOTAL PEDESTAL.  
(−150 to +150) *4  
These are the OPTION switches, and each switch makes  
it possible to operate one of the items listed below.  
(The items are set on the controller setting menu.)  
• Camera menu operations  
For switching IRIS AUTO, MANU and LOCK.  
A: MENU B: ENTER  
This lights when the ZOOM/FOCUS operations are  
performed using the OPTION switch or when “FAST”  
has been selected as the status of the IRIS dial  
reaction speed.  
C: UP  
D: DOWN  
• ZOOM TELE/WIDE operations *10  
• FOCUS NEAR/FAR operations *10  
For adjusting the iris when IRIS is  
set to MANUAL. *4  
- 39 -  
How to operate the system  
Control exercised from the Remote Operation Panel AW-CB400 (continued)  
*1 : SCENE FILE, CAM/BAR, and DETAIL OFF/LOW/HIGH of each SCENE, as well as the GAINUP, AGC MAX GAIN, W/B MODE, R/B  
GAIN and T/R/B PED statuses are synchronized.  
Statuses are also acquired from the camera when the SCENE is switched or when the CAMERA MENU is turned OFF (including  
switching from MENU ENABLE to DISABLE).  
*2 :When PRESET 3200K or PRESET 5600K is selected in the camera menu, everything turns off when the camera menu is turned  
OFF.  
*3 : Everything turns off after setting 0 dB, GAIN assigned by L/M/H, or anything other than AGC on the camera’s OSD menu.  
*4 :The R/B GAIN, R/B PED, PED, and IRIS dials are used to switch variable speeds between “Fast” and “Slow” respectively.  
At the same time that the IRIS dial is pushed down, the speed at which the ZOOM/FOCUS operations are performed using the  
OPTION switch is switched between “FAST” and “SLOW”.  
*5 : Flashing stops when communication is disconnected because the OPERATE switch has been turned OFF, CAMERA SELECT has  
been switched, the communication cable has been disconnected, etc.  
*6 :The lamp of the ABB or AWB switch flashes while automatic white balance or automatic black balance is being executed,  
respectively. When ABB or AWB is completed successfully, the corresponding lamp goes off; when it is not completed  
successfully, it lights up.  
*7 :The switch lights without ABB being executed when the Color Bar is being displayed.  
*8 :The R/B GAIN is cleared to zero when AWB is completed successfully.  
The R/B GAIN function is not activated when the W/B mode is ATW, PRESET 3200K, or PRESET 5600K.  
*9 :The R/B PEDESTAL is cleared to zero when ABB is completed successfully.  
The R/B PED function is not activated when the W/B mode is PRESET 3200K, or PRESET 5600K.  
*10 :The ZOOM/FOCUS operation using the OPTION switch becomes possible when the SDI card is installed without using the pan-tilt  
head.  
*11 : In GAIN adjustment mode, the range of –6 dB to –1 dB cannot be adjusted. When a setting outside of 0 dB to 18 dB is desired,  
this can be specified in the camera menu’s gain setting (Gain).  
- 40 -  
How to operate the system  
Control exercised from the Remote Operation Panel AW-CB400 (continued)  
Procedure for camera menu operation (AW-CB400)  
Set the CAMERA MENU CNT item in the LCD menu of the AW-CB400 to ENABLE.  
Press the [A] button of the [OPTION SW] on the AW-CB400 for 2 seconds.  
The camera menu of the AW-HE870 is displayed on the monitor.  
Select a menu item. Press the [C] button of the [OPTION SW] to scroll up the item list.  
Press the [D] button of the [OPTION SW] to scroll down the selected item.  
Press the [B] button of the [OPTION SW] to confirm the item selection.  
Once an item is selected, change the set value of the AW-HE870.  
Press the [C] button of the [OPTION SW] to change the set value in the positive direction, and press the [D] button of the  
[OPTION SW] to change the set value in the negative direction.  
Press the [A] button of the [OPTION SW] for 2 seconds to exit the camera menu.  
It may be necessary to upgrade the software version in order to operate an AW-HE870 from an AW-CB400.  
Ask your dealer for details.  
- 41 -  
How to operate the system  
Control exercised from the Multi-Function Controller AW-RP655  
Each time the MODE button is pressed, the setting is  
switched between CAM and BAR.  
The MODE button lights up at the BAR setting.  
Jog dial (main)  
When the LCD is in the gain adjustment mode  
(GAIN button: MANU)  
Select the desired gain setting from GAIN 0 dB to 18 dB.*8  
This is used to switch between AUTO and  
MANU for the gain.The GAIN button lights  
when the AUTO setting is selected.  
When the LCD is in the gain adjustment mode  
(GAIN button: AUTO)  
Select the desired gain setting from AGC MAX GAIN 6 dB,  
12 dB or 18 dB.  
When the LCD is in the pedestal adjustment mode  
Adjust the PEDESTAL TOTAL setting (–30 to +30).  
Flashes when an alarm  
(Fan Error) is received  
from the camera. *4  
For switching WHITE BAL A, B  
or ATW. *1  
When the camera menu mode is established  
Perform the camera menu operations.  
For executing AWB. *2, *3  
This is used to acquire the  
statuses of the camera and  
synchronize the data. *6  
These are used for menu operation.  
For executing ABB.  
*2, *5  
Switch between gain adjustment mode  
and pedestal adjustment mode.  
For selecting the cameras and pan-  
tilt head systems to be operated.  
Jog dial (L)  
Jog dial (R)  
When the LCD panel is in the gain adjustment mode  
Adjust the R GAIN setting (–150 to +150).  
When the LCD panel is in the gain adjustment mode  
Adjust the B GAIN setting (–150 to +150).  
When the LCD panel is in the pedestal adjustment mode  
Adjust the B PEDESTAL setting (–150 to +150). *7  
When the LCD panel is in the pedestal adjustment mode  
Adjust the R PEDESTAL setting (–150 to +150). *7  
When the camera menu is used  
The jog dial performs the same operations as the MENU switch on the camera main unit.  
- 42 -  
How to operate the system  
Control exercised from the Multi-Function Controller AW-RP655 (continued)  
*1 :When PRESET 3200K or PRESET 5600K is selected in the camera menu, everything turns off when the camera menu is turned  
OFF.  
*2 :The lamp of the ABB or AWB switch flashes while automatic white balance or automatic black balance is being executed,  
respectively. When ABB or AWB is completed successfully, the corresponding lamp goes off; when it is not completed  
successfully, it lights up.  
*3 :The switch lights without AWB being executed when the white balance mode of the main unit is ATW, PRESET 3200K, or  
PRESET 5600K, or when the Color Bar is being displayed.  
*4 : Flashing stops when communication is disconnected because the OPERATE switch has been turned OFF, CAMERA SELECT has  
been switched, the communication cable has been disconnected, etc.  
*5 :The switch lights without ABB being executed when the Color Bar is being displayed.  
*6 : SCENE FILE, CAM/BAR, and GAINUP of each SCENE, as well as the W/B MODE, R/B GAIN and T/R/B PED statuses are  
synchronized.  
*7 :The R/B GAIN adjustment is not available when set to ATW, PRESET 3200K, or PRESET 5600K.  
Furthermore, the R/B PEDESTAL adjustment is not available when set to PRESET 3200K or PRESET 5600K.  
*8 : In GAIN adjustment mode, the range of –6 dB to –1 dB cannot be adjusted. When a setting outside of 0 dB to 18 dB is desired,  
this can be specified in the camera menu’s gain setting (Gain).  
- 43 -  
How to operate the system  
Control exercised from the Multi-Function Controller AW-RP655 (continued)  
When the AW-HE870, to which the motor drive lens is connected, has been directly connected to the controller,  
zooming and focusing can be operated using the controller’s joystick.  
(When an SDI card is installed without using the pan-tilt head)  
Procedure for camera menu operation (AW-RP655)  
Press the MENU button to set the LCD panel display to the menu mode.  
Turn the jog dial (main) to select the CAMERA SETTING.  
Press the OK button.  
SCENE  
HALOGEN  
OK Key  
The SCENE Selection menu display appears on the LCD panel.  
Select the preferred scene and press the OK button.  
OPEN CAMERA MENU ?  
OK Key  
The right display appears on the LCD panel:  
When the OK button is pressed again, the menu of the AW-HE870 appears on the monitor.  
- 44 -  
How to operate the system  
Turn the jog dial (main) to select menu items of the AW-HE870 and change the data.  
When changing the data, the data settings are incremented by turning the dial clockwise and decremented by turning it  
counterclockwise.  
Turn the jog dial (main) while pressing the OK button to change the data setting in increments of 10 (it is not possible to  
change the data setting beyond setting range of data).  
Push the jog dial (main) down to enter the settings.  
To exit the camera menu, press the MENU button or R/B GAIN/PED button.  
When controlling the AW-HE870, the G/L SETTING is not displayed.  
The G/L must be set using the camera menu of the AW-HE870.  
It may be necessary to upgrade the software version in order to operate an AW-HE870 from an AW-RP655.  
Ask your dealer for details.  
- 45 -  
How to operate the system  
Control exercised from the Multi Hybrid Control Panel AW-RP555  
Each time the GAIN button is pressed, the setting is  
For executing AWB. *1, *2  
switched in the sequence of GAIN AUTO 0dB   
L (9dB) H (18dB), and the mode is displayed by the  
LEDs as shown below.  
[ON: LED lighted; OFF: LED off]  
For switching the SCENE file  
GAIN button MANU L LED MANU H LED  
(User/Halogen/Fluorescent/  
Outdoor).  
AUTO  
0dB  
ON  
OFF  
OFF  
ON  
OFF  
ON  
OFF  
OFF  
OFF  
ON  
OFF  
OFF  
OFF  
OFF  
LOW  
Use these buttons to perform the  
camera menu operations.  
MENU: This operates in the same  
way as MENU on the  
HIGH  
Others  
ON  
camera.  
ITEM: This operates in the same  
way as ENTER on the  
Each time the MODE button is pressed, the  
setting is switched between CAM and BAR.  
The MODE button lights up at the BAR setting.  
camera.  
YES: This operates in the same  
way as UP on the camera.  
NO:  
This operates in the same  
way as DOWN on the  
camera.  
For selecting the cameras and pan-tilt head  
systems to be operated.  
Flashes when an alarm  
(Fan Error) is received  
from the camera. *3  
Shutter mode selection  
Each time this button is pressed, one of the shutter modes set by  
the controller or “shutter OFF” is selected.  
The SHUTTER button lights up in all modes except shutter OFF.  
The shutter mode settings established by the PRESET buttons are  
as follows.  
For executing ABB. *1, *4  
MODE  
1/100  
1/250  
1/500  
1/1000  
1/2000  
PRESET No.  
PRESET1  
PRESET2  
PRESET3  
PRESET4  
PRESET5  
MODE  
1/4000  
1/10000  
PRESET No.  
PRESET6  
PRESET7  
PRESET8  
PRESET9  
PRESET10  
For switching WHITE BAL A,  
B or ATW. *5  
SYNCHRO-SCAN  
ELC  
OFF  
- 46 -  
How to operate the system  
Control exercised from the Multi Hybrid Control Panel AW-RP555  
(continued)  
*1 :The lamp of the ABB or AWB switch flashes while automatic white balance or automatic black balance is being executed,  
respectively. When ABB or AWB is completed successfully, the corresponding lamp goes off; when it is not completed  
successfully, it lights up.  
*2 :The switch lights without AWB being executed when the white balance mode of the main unit is ATW, PRESET 3200K, or  
PRESET 5600K, or when the Color Bar is being displayed.  
*3 : Flashing stops when communication is disconnected because the OPERATE switch has been turned OFF, CAMERA SELECT has  
been switched, the communication cable has been disconnected, etc.  
*4 :The switch lights without ABB being executed when the Color Bar is being displayed.  
*5 :When PRESET 3200K or PRESET 5600K is selected in the camera menu, everything turns off.  
- 47 -  
How to operate the system  
Control exercised from the Multi Hybrid Control Panel AW-RP555  
(continued)  
When the AW-HE870, to which the motor drive lens is connected, has been directly connected to the controller,  
zooming and focusing can be operated using the controller’s joystick.  
(When an SDI card is installed without using the pan-tilt head)  
Procedure for camera menu operation (AW-RP555)  
Press the [MENU] button of the AW-RP555 for 2 seconds.  
The camera menu of the AW-HE870 is displayed on the monitor.  
Select a menu item. Press the [YES] button to scroll up the selected item.  
Press the [NO] button to scroll down the selected item.  
Press the [ITEM] button to confirm the item selection.  
Once an item is selected, change the set value of the AW-HE870.  
Press the [YES] button to change the set value in the positive direction, and press the [NO] button to change the set value in  
the negative direction.  
Press the [MENU] button for 2 seconds to exit the camera menu.  
It may be necessary to upgrade the software version in order to operate an AW-HE870 from an AW-RP555.  
Ask your dealer for details.  
- 48 -  
Use mode setting  
Use Mode Setting  
The camera has four use modes, and various functions for four use modes have been preset.  
Functions can be set as best suited to each use mode.  
Halogen mode  
Suited to indoor shooting, such as at weddings, parties, lecture meetings, events, etc.  
Settings can be changed using a simple menu.  
Fluorescent mode  
Suited to indoor shooting under fluorescent lighting.  
Settings can be changed using a simple menu.  
Outdoor mode  
Suited to outdoor shooting.  
Settings can be changed using a simple menu.  
User mode  
Settings can be changed using a detail menu.  
- 49 -  
Use mode setting  
Selecting  
1. Turn the camera on while keeping the MENU switch  
depressed.  
MENU switch  
ENTER/AWB switch  
UP/ABB switch  
The use mode setting menu appears on the monitor  
screen.  
DOWN/BAR switch  
2. The cursor moves each time the UP/ABB switch or  
the DOWN/BAR switch is pressed.  
Move the cursor to the desired use mode.  
3. Press the ENTER/AWB switch.  
The selecting use mode comes into effect.  
After the use mode setting menu is shown for about  
5 seconds, the camera returns to be ready for  
operation.  
Use Mode Set  
Halogen  
Then, the camera operates in the selected use mode.  
Fluorescent  
Outdoor  
User  
- 50 -  
Operating procedure  
1
2
Turn on the power of the camera and other units.  
6
Adjust the black balance.  
The black balance must be adjusted when the  
camera is used for the first time and when it is going  
to be used again after it has not been used for a  
prolonged period.  
Adjust the lighting of the subject to the  
appropriate level.  
It must be adjusted when the ambient temperature  
has changed significantly or when one season  
changes to another.  
Once the black balance has been adjusted, it need  
not be adjusted again when the camera is going to  
be used under the same conditions.  
3
4
Select the operating mode.  
Once the mode has been selected, it need not be  
selected again when the camera is going to be used  
under the same conditions.  
Adjust the flange back of the lens, and adjust  
the iris and focus.  
The flange back adjustment must be performed when  
the camera is used for the first time and when the  
lens has been changed.  
7
8
Take the shots.  
(On completion, turn off the power of the camera and  
other units.)  
Refer to page 60 and following when the  
camera settings are to be changed to match  
the intended application or prevailing  
conditions.  
(These settings are already appropriate when the  
camera is shipped if the prevailing conditions of  
shooting are normal.)  
5
Adjust the white balance.  
The white balance must be adjusted when the camera  
is used for the first time and when it is going to be  
used again after it has not been used for a prolonged  
period.  
It must be adjusted when the lighting conditions or  
brightness has been changed.  
Once the white balance has been adjusted, it need  
not be adjusted again when the camera is going to  
be used under the same conditions.  
- 51 -  
Adjustment  
Flange back adjustment (For zoom lens)  
This is for adjusting the zoom lens focus over the entire focusing range from the TELE end to the WIDE end.  
1. Fully open the iris by shooting a dark object.  
2. Aim the camera at any object over 6.56 ft. (2 m) away from the camera,  
and then loosen the flange back lock knob.  
Focus ring  
Flange back adjust ring  
3. Set the lens to its TELE end first and adjust its focus with the focus ring.  
4. Set the lens to its widest angle next and adjust its focus with the flange  
back adjust ring.  
5. Adjust the focus ring and the flange back adjust ring alternately for the  
best focus within the zooming range. Tighten the flange back lock knob  
upon completion of focusing.  
Flange back lock knob  
Iris gain control in a lens  
An iris gain control hole (G, S) is usually provided in the front of the lens.  
Adjustment of the iris gain, with a screwdriver through the hole may be  
done as follows.  
(Shape and location of the hole may vary depending on the type of lens.)  
1. Turn the iris selection switch to position A (AUTO).  
2. Rotate the iris gain control to the maximum gain, but in a range where  
no hunting or oscillating of the iris ring develops.  
Iris gain control  
Automatic iris power zoom lens  
- 52 -  
Adjustment  
White balance adjustment  
2. Aim the camera at a white object (a white wall or a  
white handkerchief) and zoom in to enlarge the image  
as much as possible.  
For white balance setting aim  
Automatic white balance control  
(AWB: AWB A/AWB B)  
The white object  
must occupy over  
the camera at a white object  
and try to position it in the  
center of the monitor screen.  
The object must appear in over  
10 % of the total monitor screen  
area. Try to avoid overly bright  
objects in the scene.  
10 % of the monitor  
screen area.  
When “AWB A” or “AWB B” has been selected as  
the white balance setting on the Color Set sub menu  
(pages 62, 70), two sets of color temperature  
conditions can be preset (stored in the memory): one  
set for A and another set for B.  
When the camera is going to be used under the same  
conditions, you may operate the camera properly by  
simply changing the white balance mode to either  
AWB A or AWB B.  
3. In normal shooting mode, press the ENTER/AWB  
switch for over 2 seconds to set the white balance.  
There is no need to readjust the camera to the  
ambient conditions.  
The preset conditions will be renewed whenever you  
input new conditions.  
ENTER/AWB switch  
1. Select the white balance mode either AWB A or  
AWB B.  
- 53 -  
Adjustment  
Notes  
Manual white balance setting  
Manual setting is possible in User Mode only.  
White balance may not be correctly set if the  
lighting of the object is too weak.  
1. Select the white balance mode either AWB A or  
Since the camera has a built-in memory, the set  
white balance will remain in the memory even if  
power is turned off. Therefore, it is not necessary to  
reset the white balance if the color temperature of  
those objects remains unchanged. However, it must  
be reset if the color temperature changes, such as  
when you move from indoors to outside, or vice  
versa.  
The R/B gain adjustment of painting setting will  
be automatically reset to 0 after setting the white  
balance. (Painting setting of the camera menu in  
only User Mode.)  
AWB B by menu.  
Minimize the carrier  
wave using the red  
2. Aim the camera at a large  
white object to set the  
& blue gain controls  
automatic white balance.  
3. Adjust the red gain/blue gain  
control in the Painting item of  
Color Set sub menu of User  
Mode until the carrier wave of  
the white portion of the video  
Waveform for white  
balance set chart  
signal is at the minimum width or the white object in  
the monitor screen appears pure white.  
(Use an oscilloscope or a waveform monitor for  
precise adjustment.)  
Automatic tracking white balance setting (ATW)  
White balance will be automatically set to continuously  
match changes of light source and color temperature  
while the white balance setting is set to ATW.  
Preset of 3200K or 5600K white balance  
When the white balance setting is set to either “3200K” or  
“5600K” the white balance will be automatically set to the  
color temperature 3200K or 5600K, respectively.  
Notes  
ATW might not function properly when high  
brightness light (ex. fluorescent lamp) beams into a  
screen.  
White balance may not be accurately set if there is  
no white object in the scene being shot.  
- 54 -  
Adjustment  
Black balance adjustment  
Close the lens. If the motor drive lens is controlled  
from the camera, the lens is automatically closed when  
the black balance is adjusted.  
The R/B pedestal adjustment of painting setting will  
be automatically reset to 0 after setting the black  
balance. (Painting setting in only User Mode.)  
UP/ABB switch  
Press the UP/ABB switch for over 2 seconds and the  
black balance will be set in 30 seconds.  
In user mode, black balance fine adjustment can be  
performed by changing the R pedestal/B pedestal setting  
with the Painting item of Color Set sub menu after setting  
the black balance.  
- 55 -  
Adjustment  
Total pedestal level adjustment  
(Use an oscilloscope or a waveform monitor for this  
adjustment.)  
This step is to adjust the black levels (pedestal levels) of  
two or more cameras to be the same.  
Please contact your dealer for the adjustment.  
Brightness Set  
Picture Level  
Light PEAK/AVG  
Light Area  
Shutter Mode  
Step/Synchro  
Gain  
0
0
Top Cut  
Step  
Off  
0dB  
AGC Max Gain  
Pedestal  
---  
1. Close the lens.  
0
2. Select Pedestal item in the Brightness Set sub menu.  
3. Set the pedestal level to 5 IRE (0.035 V) with the  
UP/ABB switch or the DOWN/BAR switch.  
Return  
UP/ABB switch  
DOWN/BAR switch  
- 56 -  
Adjustment  
Genlock adjustment  
Phase adjustments must be performed with the camera  
menu when external synchronizing signals are supplied to  
the system in cases where multiple cameras are used or  
peripheral devices are connected.  
S-Video terminal will be synchronized with the  
external synchronizing signal.  
To synchronize the VIDEO OUT signal (composite  
signal) or the Y/C signal output from the  
Please contact your dealer for the adjustment.  
AW-CA50T8 S-Video terminal with the external  
synchronizing signal, use “480i” as the video output  
format (selected from the camera menu).  
Notes  
When horizontal phase adjustment is moved, color  
phase is also moved.  
Adjust color phase whenever horizontal phase  
adjustment is moved.  
Phases of the composite and Y/C signals are  
interlocked for adjustments.  
Three-value synchronizing signals of the HD format  
are not supported.  
Horizontal phase control  
The phases of the HD signals (1080i, 720p) and SD signals  
(480i) are interlocked for adjustments.  
When using external synchronization, only the output  
signal for the selected video output format (Format)  
will be synchronized (1080i, 720p, or 480i).  
When selecting an HD format (1080i or 720p),  
neither the VIDEO OUT signal (composite signal)  
nor the Y/C signal output from the AW-CA50T8  
When adjusting the phase of HD signals  
Observe the waveforms of signal outputs on other HD  
equipment and the HD analog signal output of this unit on  
a two-channel oscilloscope.  
Then match the horizontal phase of both signals by  
adjusting them with the horizontal phase control of the  
camera menu.  
- 57 -  
Adjustment  
When adjusting the phase of SD signals  
Observe the waveforms of the external synchronizing  
input signal (black burst signal) and video output signal  
on a two-channel oscilloscope.  
Then match the horizontal phase of both signals by  
adjusting them with the horizontal phase control of the  
camera menu.  
Select [H Phase] on the G/L Set sub menu.  
Adjust the horizontal phase with the UP/ABB and  
DOWN/BAR switch.  
The level of [H Phase] adjustment can be selected with  
[H Phase, SC Fine Step].  
Genlock input signal  
(black burst)  
MENU switch  
ENTER/AWB switch  
UP/ABB switch  
DOWN/BAR switch  
Video signal  
Adjust the horizontal phase  
G/L Set  
H Phase  
SC Coarse  
SC Fine  
0
90deg  
0
Adjustment by camera menu  
Press the DOWN/BAR switch for over 2 seconds to  
H Phase,SC Fine Step 1  
display the color bar.  
Press the MENU switch for 3 seconds or more to display  
the main menu.  
Press the UP/ABB switch or the DOWN/BAR switch to  
move the cursor to [G/L Set], then press the ENTER/AWB  
switch to display the G/L Set sub menu.  
Return  
- 58 -  
Adjustment  
Color phase adjustment  
Adjustment by camera menu  
Color phase adjustment is necessary only for the composite  
or Y/C signals of the SD format.  
Adjust the color phase of the camera to the basic color tone  
such as program output signal (split color bar output signal)  
from the color special effect generator.  
Press the DOWN/BAR switch for over 2 seconds to  
display the color bar.  
Press the MENU switch for 3 seconds or more to display  
the main menu.  
Color bar of camera  
Split line  
Press the UP/ABB switch or the DOWN/BAR switch to  
move the cursor to [G/L Set], then press the ENTER/AWB  
switch to display the G/L Set sub menu.  
Color bar of special  
effects generator  
Select [SC Coarse] on the G/L Set sub menu.  
Make coarse adjustment with the UP/ABB switch and the  
DOWN/BAR switch.  
Select [SC Fine] on the sub menu.  
Perform fine adjustment with the UP/ABB switch and the  
DOWN/BAR switch.  
The amount of adjustment for adjusting [SC Fine] can be  
selected with [H Phase, SC Fine Step].  
- 59 -  
Menu item setting/changing  
Setting (when using the camera by itself)  
Menu item setting  
1. Keep the MENU switch depressed for 3 seconds or  
more, to display the main menu of each use mode.  
For selecting the use mode, refer to page 49.  
Each of the four use modes of the camera (Halogen,  
Fluorescent, Outdoor and User) has a main menu.  
(Refer to page 61.)  
Each item of the main menu has a sub menu, which  
consists of several settings.  
2. Each time the UP/ABB switch or DOWN/BAR switch  
is pressed, the selected item moves up or down.  
These settings have been preset to the optimum  
values to suit each use mode, and can be changed to  
suit actual shooting conditions.  
3. When the ENTER/AWB switch is pressed after  
selecting the desired item, the sub menu for the  
selected item appears on the screen.  
Notes  
4. Select an item to be set or changed using the  
UP/ABB switch and DOWN/BAR switch, and press  
the ENTER/AWB switch. (The item can now be  
changed, and it starts blinking.)  
The setting items displayed on the G/L Set screen  
and the Other Set 2 screen apply to all the scenes.  
No matter which individual scene any of these  
settings have been selected for, the settings for all  
the scenes will be changed.  
The sub menu titles common to all scenes are  
enclosed with “##” in order to distinguish them from  
sub menus that are unique to individual scenes.  
Characters displayed on the menu may be cut off  
depending on the monitor used.  
5. Change the item’s setting using the UP/ABB switch  
and DOWN/BAR switch, and enter the new setting  
using the ENTER/AWB switch.  
Set values can be reverted to those prior to  
changes when the MENU switch is pressed while in  
a status where settings can be changed.  
- 60 -  
Menu item setting/changing  
Main menu screen  
6. Upon completion of the settings, keep the MENU  
switch depressed for 3 seconds or more to close the  
main menu screen.  
Main menu of Halogen, Fluorescent, Outdoor Mode  
Halogen Mode Set  
Brightness Set  
Color Set  
Sharpness(DTL) Set  
G/L Set  
Other Set 1  
Other Set 2  
Displays the use mode  
The camera will now operate according to the new  
settings.  
Initialize Data  
MENU switch  
ENTER/AWB switch  
UP/ABB switch  
DOWN/BAR switch  
Main menu of User Mode  
User Mode Set  
Brightness Set  
Color Set  
Displays the use mode  
HD Detail Set  
SD Detail Set  
Color Matrix Set  
Color Correction Set  
G/L Set  
Other Set 1  
Other Set 2  
Initialize Data  
- 61 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
Sub menu (Halogen, Fluorescent, Outdoor Mode)  
Brightness Set Display  
Color Set Display  
Sharpness (DTL) Set Display  
Brightness Set  
Color Set  
Sharpness(DTL) Set  
  
–––––––  
–––––––  
–––––––  
Picture Level  
Light PEAK/AVG  
Light Area  
0
Chroma Level  
0
0
DTL Select  
Sharpness  
High  
–––––––  
–––––––  
–––––––  
–––––––  
–––––––––  
0
Top Cut  
Step  
Off  
Flesh Tone  
Level  
Noise Suppress  
Clean DNR  
–––––––  
–––––––  
–––––––  
–––––––  
White Bal  
AWB A  
---  
Off  
–––––––––  
Shutter Mode  
ATW Speed  
Off  
–––––––––  
–––––––  
Step/Synchro  
Flesh Noise Sup.  
Off  
Gain  
0dB  
–––––––––  
AGC Max Gain  
---  
––––––– Pedestal  
0
Return  
Return  
Return  
G/L Set Display  
Other Set Display  
G/L Set  
Other Set 1  
Other Set 2  
Format  
–––––––  
–––––––  
–––––––  
–––––––  
  
–––––––  
–––––––  
H Phase  
0
90deg  
0
Contrast(Gamma)  
Mid  
Off  
1080i  
–––––––  
–––––––  
SC Coarse  
SC Fine  
H Phase,SC Fine Step 1  
SD 2D LPF  
Downconv. Mode Squeeze  
–––––––  
Component  
Status  
Y/Pb/Pr  
Off  
–––––––  
Character Mix  
Component  
Composite  
Option  
––––––  
On  
On  
On  
–––––––  
Composite,Y/C Setup On  
Return  
Return  
Return  
To return to the initial settings, refer to page 89.  
- 62 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
Top Cut: About one-third of the top portion of the  
Description of the setting screen  
screen is excluded from measurement.  
BTM Cut: About one-third of the bottom portion of the  
screen is excluded from measurement.  
R/L Cut: About one-third of both the right and left  
portions of the screen are excluded from  
measurement.  
Brightness Set  
Video level adjustment  
[Picture Level: –50 to +50]  
Convergence level of AUTO IRIS, AUTO GAIN UP and  
AUTO ND (ELC) can be adjusted.  
Detecting ratio adjustment  
[Light PEAK/AVG: P50 to A50]  
The ratio of AUTO IRIS, AUTO GAIN UP and AUTO ND  
(ELC) detected peak (P) to average (A) can be adjusted  
within a predetermined range.  
Electronic shutter mode setting  
[Shutter Mode: Step, S/Scan, ELC]  
Step:  
Electronic shutter operates at the speed  
selected by the Electronic Shutter Step/  
Synchro Scan Setting.  
Photometric measurement method setting  
[Light Area: All, Center,Top Cut, BTM Cut,  
R/L Cut]  
S/Scan: Electronic shutter operates at the speed  
selected in Electronic Shutter Step/Synchro  
Scan Setting.  
A photometric measurement method can be selected for  
AUTO IRIS, AUTO GAIN UP and AUTO ND (ELC).  
All:  
All the screen area is measured.  
ELC:  
Electronic shutter is controlled to automatically  
adjust the luminance.  
Center:  
The screen is measured mainly in the center  
area, about one-third of both the top and  
bottom and one-third of both the right and  
left portions of the screen are excluded from  
measurement.  
- 63 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
Electronic shutter step/synchro scan setting  
[Step/Synchro: Off, 1/100 to 1/10000 (Step),  
61.19 Hz to 1466 Hz (Synchro Scan)]  
This setting is possible only when “Step” or “S/Scan” is  
selected in electronic shutter mode setting.  
• When “Step” has been selected as the electronic shutter  
mode setting:  
Gain setting [Gain: Auto, –6 dB to 18 dB]  
Auto: The light quantity is adjusted automatically.  
–6 dB to –1 dB:  
This setting makes it possible to shoot at the  
optimal gain setting under conditions where the  
light quantity is high. When it is used, images with  
minimal noise can be shot but the dynamic range  
is reduced.  
Off: Electronic shutter is turned off.  
0 dB: 0 dB should be selected in normal cases.  
1 dB to 18 dB:  
1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000:  
Electronic shutter operates at one of these  
speeds as selected.  
Use this range if sufficient video output cannot  
be obtained even when the lens iris is opened in  
shooting dark scenes.  
• When “S/Scan” has been selected as the electronic  
shutter mode setting:  
Bar noise can be reduced by synchro-scan adjustment  
in shooting workstation scenes, for example.  
AGC maximum gain setting  
Notes  
[AGC Max Gain: 6 dB, 12 dB, 18 dB]  
This is used to set the maximum gain up when “Auto” has  
been selected as the gain setting.  
If the lens iris switch is at M (Manual), ELC may not  
function. Set the lens iris switch to A (Auto).  
Flickering may increase at ELC under fluorescent  
lights.  
Black level setting [Pedestal: –150 to +150]  
The black level (pedestal) of the luminance (Y) signal can  
be set.  
Used in adjusting the black levels of two or more  
cameras.  
- 64 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
3200K: The white balance is adjusted to 3200K  
illumination.  
Color Set  
5600K: The white balance is adjusted to 5600K  
illumination.  
Chroma level adjustment  
[Chroma Level: –3 to +3]  
Chroma level can be decreased or increased to any of  
three levels each.  
The RGB signal cannot be adjusted.  
ATW speed setting  
[ATW Speed: Slow2, Slow1, Mid, Fast1, Fast2]  
ATW Speed can be set.  
Skin color adjustment [Flesh Tone: –3 to +3]  
Skin color can be decreased or increased to any of three  
levels each.  
White balance setting  
[White Bal: ATW, AWB A, AWB B, 3200K, 5600K]  
ATW:  
The white balance is automatically adjusted to  
the optimum position.  
The white balance is tracked across an  
approximate color temperature range from  
2000K to 10000K.  
AWB A, AWB B:  
Once the white balance is adjusted, it is no  
longer necessary to set the white balance again  
if you simply select AWB A or AWB B, provided  
that the camera is used under the same  
conditions.  
- 65 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
Sharpness (DTL) Set  
Noise suppress level setting  
[Noise Suppress: Off, Low, High]  
Screen noise can be reduced when detail level setting is  
at “High” or “Low”.  
Detail select setting  
[DTL Select: Sharpness, Super DTL]  
If contour correction is not sufficient at the “Sharpness”  
position when detail level setting is set to “Low” or “High”,  
select the “Super DTLposition.  
Clean DNR setting  
[Clean DNR: Off, Low, High]  
The noise reduction effect to be provided by the clean  
DNR can be selected.  
Note  
Neither “Sharpness” nor “Super DTLis valid for  
contour correction if detail level setting is in the  
“Off” position.  
Flesh noise suppress level setting  
[Flesh Noise Sup.: Off, Low, High]  
Flesh noise is suppressed in two steps when the detail  
level setting is at “High” or “Low”.  
Detail level setting [Level: Off, Low, High]  
Detail level can be adjusted when detail select setting is  
at “Sharpness”. Super DTL level can be adjusted when it  
is at “Super DTL.  
Note  
The setting for the Sharpness (DTL) Set item in the  
Halogen, Fluorescent or Outdoor mode will take effect  
for the video outputs regardless of the format.  
- 66 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
G/L Set  
Other Set  
Horizontal phase adjustment  
[H Phase: –206 to +49]  
Contrast adjustment  
[Contrast (Gamma): Low, Mid, High]  
Contrast can be adjusted to any of three levels.  
Horizontal phase can be adjusted when a genlock signal  
is supplied.  
Subcarrier phase coarse adjustment  
[SC Coarse: 0deg, 45deg, 90deg, 135deg,  
180deg, 225deg, 270deg, 315deg]  
SD (480i) 2D LPF [SD 2D LPF: Off, Low, High]  
This enables the cross color of the composite and Y/C  
signal output to be reduced by two levels.  
The setting of this item has no effect on the HD (1080i or  
720p) format, RGB, Y/Pb/Pr or SDI signals.  
Coarse adjustment of subcarrier phase can be made  
when a genlock signal is supplied.  
Valid for the composite and Y/C signals of the SD format.  
Video output format setting  
Subcarrier phase fine adjustment  
[SC Fine: –127 to +127]  
[Format: 480i, 720p, 1080i]  
This enables the video output format to be selected.  
(Refer to “Changing the format settings” on page 86.)  
Fine adjustment of subcarrier phase can be made when  
a genlock signal is supplied.  
Valid for the composite and Y/C signals of the SD format.  
Horizontal phase and color phase fine  
adjustment  
[H Phase, SC Fine Step: 1 to 10]  
The level of horizontal phase adjustment and color phase  
fine adjustment can be selected simultaneously.  
- 67 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
AWB ACTIVE:  
This is displayed while AWB is being  
executed.  
Down-conversion mode selection  
[Downconv. Mode: Squeeze, Sidecut]  
Squeeze or Sidecut can be selected as the  
down-conversion mode for the SD (480i) format.  
AWB OK:  
This is displayed for 3 seconds after  
AWB was completed successfully.  
This is displayed for 3 seconds after  
AWB was not completed successfully.  
(AWB executed while ATW, 3200K, or  
5600K is selected)  
AWB NG:  
Component output setting  
[Component: RGB,Y/Pb/Pr,Y/C]  
This enables RGB, Y/Pb/Pr or Y/C to be selected as  
the component signals which are to be output from the  
I/F REMOTE connector.  
OUT RANGE RB: This is displayed for 3 seconds after  
AWB was not completed successfully.  
(A color that could not be adjusted is  
displayed with RB)  
HIGH LIGHT NG: This is displayed for 3 seconds when  
adjustment is not possible because  
Y/C cannot be selected when “1080i” or “720p” has been  
selected as the “Video output format (Format)” setting.  
If “1080i” or “720p” has been selected using the video  
output format selection function while Y/C is selected, the  
component output will be changed to Y/Pb/Pr.  
(Refer to “Changing the component setting” on page 87.)  
the light quantity is too high.  
LOW LIGHT NG: This is displayed for 3 seconds when  
adjustment is not possible because  
the light quantity is too low.  
This is displayed while ABB is being  
executed.  
This is displayed for 3 seconds after  
ABB was completed successfully.  
AWB/ABB operation status display ON/OFF  
selection  
ABB ACTIVE:  
ABB OK:  
[Status: Off, On]  
(Factory setting: Off)  
Using this item, the display of the operation status for  
AWB (auto white balance adjustment) or ABB (auto black  
balance adjustment) is set to ON or OFF.  
When AWB or ABB is executed with this item set to “On”,  
the following is displayed.  
IRIS CONTROL NG:  
This is displayed for 3 seconds when  
the iris cannot be controlled by ABB.  
OUT RANGE RGB: This is displayed for 3 seconds after  
ABB was not completed successfully.  
(A color that could not be adjusted is  
displayed with RGB)  
- 68 -  
Menu item setting/changing (Halogen, Fluorescent, Outdoor Mode)  
Character output selection  
[Character Mix  
Composite,Y/C setup selection  
[Composite,Y/C Setup: Off, On]  
The composite signals and the color bar setup level of  
Y/C signal output (Off: 0.0 IRE or On: 7.5 IRE) can be  
selected.  
Component: Off, On / Composite: Off, On /  
Option: Off, On]  
This is used to select how the camera menu, status and  
other characters are to be output (Off or On).  
Component: How the characters to the component  
signals (RGB, Y/Pb/Pr) are output is  
selected.  
Composite: Character output method for composite  
signals and Y/C signals is selected.  
Option:  
How the characters to the optional card are  
output is selected.  
Notes  
When the menu is started within 1 minute or  
so after the camera has been turned on, the  
characters are displayed in all the outputs.  
The selection of Option as the Character Mix  
setting takes effect when an optional card has been  
installed.  
- 69 -  
Menu item setting/changing (User Mode)  
Sub menu (User Mode)  
Brightness Set Display  
Color Set Display  
Brightness Set  
Color Set  
–––––––  
–––––––  
Picture Level  
Light PEAK/AVG  
Light Area  
0
Chroma Level  
+2  
AWB A  
---  
–––––––  
–––––––  
–––––––  
–––––––  
0
Top Cut  
Step  
Off  
White Bal  
ATW Speed  
Painting  
R Gain  
B Gain  
R Pedestal  
B Pedestal  
–––––––––  
Shutter Mode  
–––––––––  
–––––––  
Step/Synchro  
0
0
0
0
––––––  
Gain  
0dB  
–––––––––  
–––––––  
AGC Max Gain  
---  
Pedestal  
Return  
0
Return  
HD Detail Set Display  
HD Detail Set 1/2  
HD Detail Set 2/2  
–––––––  
–––––––  
Detail  
High  
Chroma Detail  
0
Off  
Off  
Off  
–––––––––  
–––––––  
H Detail Level H  
V Detail Level H  
H Detail Level L  
V Detail Level L  
30  
23  
18  
15  
4
Clean DNR  
–––––––––  
–––––––––  
–––––––––  
–––––––  
–––––––  
Flesh Noise Sup.  
–––––––  
Precision Detail  
Detail Band  
–––––––  
–––––––  
–––––––  
Noise Suppress  
Level Dependent  
Dark Detail  
5
10%  
0
Return  
Return  
- 70 -  
Menu item setting/changing (User Mode)  
SD Detail Set Display  
Color Matrix Set Display  
SD Detail Set 1/2  
SD Detail Set 2/2  
Chroma Detail  
Clean DNR  
Color Matrix Set  
Matrix(R-G)  
Matrix(R-B)  
Matrix(G-R)  
Matrix(G-B)  
Matrix(B-G)  
Matrix(B-R)  
–––––––  
–––––––  
–––––––  
–––––––  
Detail  
High  
16  
3
13  
2
4
3
10%  
0
0
Off  
Off  
0
0
0
0
0
0
–––––––––  
H Detail Level H  
V Detail Level H  
H Detail Level L  
V Detail Level L  
–––––––––  
–––––––––  
–––––––––  
–––––––  
Flesh Noise Sup.  
Detail Band  
–––––––  
–––––––  
–––––––  
Noise Suppress  
Level Dependent  
Dark Detail  
Return  
Return  
Return  
Color Correction Set Display  
Color Correction 1/3  
Color Correction 2/3  
R_Yl Gain  
Color Correction 3/3  
G_Cy Gain  
B_Mg Gain  
0
0
+27  
0
0
0
+15  
0
0
0
+18  
+6  
0
0
0
0
+44  
-15  
0
0
-20  
+36  
B_Mg Phase  
R_Yl Phase  
G_Cy Phase  
Mg  
Mg  
Gain  
Yl  
Yl  
Gain  
Cy  
Cy  
Gain  
Phase  
Phase  
Phase  
Mg_R Gain  
Yl_G Gain  
Cy_B Gain  
Mg_R Phase  
R
R
Yl_G Phase  
G
G
Cy_B Phase  
Gain  
Phase  
Gain  
Phase  
+30  
+112  
B
B
Gain  
Phase  
Return  
Return  
Return  
- 71 -  
Menu item setting/changing (User Mode)  
G/L Set Display  
G/L Set  
–––––––  
–––––––  
–––––––  
–––––––  
H Phase  
SC Coarse  
SC Fine  
0
90deg  
0
H Phase,SC Fine Step 1  
Return  
Other Set Display  
Other Set 1  
Other Set 2  
Format  
–––––––  
–––––––  
–––––––  
–––––––  
–––––––  
Gamma  
0.45  
88%  
110%  
0
1080i  
–––––––  
Knee Point  
Downconv. Mode Squeeze  
–––––––  
White Clip  
Component  
Status  
Y/Pb/Pr  
Off  
Flare R  
––––––  
Flare G  
0
Character Mix  
Component  
Composite  
Option  
––––––  
Flare B  
0
On  
On  
On  
–––––––  
Black Stretch  
Off  
Off  
Off  
–––––––  
SD 2D LPF  
–––––––  
–––––––  
EBU Matrix Set  
Composite,Y/C Setup On  
Return  
Return  
To return to the initial settings, refer to page 89.  
- 72 -  
Menu item setting/changing (User Mode)  
Top Cut: About one-third of the top portion of the  
Description of the setting screen  
Brightness Set  
screen is excluded from measurement.  
BTM Cut: About one-third of the bottom portion of the  
screen is excluded from measurement.  
R/L Cut: About one-third of both the right and left  
portions of the screen are excluded from  
measurement.  
Video level adjustment  
[Picture Level: –50 to +50]  
Convergence level of AUTO IRIS, AUTO GAIN UP and  
ELC can be adjusted.  
Detecting ratio adjustment  
[Light PEAK/AVG: P50 to A50]  
The ratio of AUTO IRIS, AUTO GAIN UP and ELC  
detected peak (P) to average (A) can be adjusted within a  
predetermined range.  
Electronic shutter mode setting  
[Shutter Mode: Step, S/Scan, ELC]  
Step:  
Electronic shutter operates at the speed  
selected by the Electronic Shutter Step/  
Synchro Scan Setting.  
Photometric measurement method setting  
[Light Area: All, Center,Top Cut, BTM Cut,  
R/L Cut]  
S/Scan: Electronic shutter operates at the speed  
selected in Electronic Shutter Step/Synchro  
Scan Setting.  
A photometric measurement method can be selected for  
AUTO IRIS, AUTO GAIN UP and ELC.  
All:  
Center:  
All the screen area is measured.  
ELC:  
Electronic shutter is controlled to automatically  
adjust the luminance.  
The screen is measured mainly in the center  
area, about one-third of both the top and  
bottom and one-third of both the right and  
left portions of the screen are excluded from  
measurement.  
- 73 -  
Menu item setting/changing (User Mode)  
Electronic shutter step/synchro scan setting  
[Step/Synchro: Off, 1/100 to 1/10000 (Step),  
61.19 Hz to 1466 Hz (Synchro Scan)]  
This setting is possible only when “Step” or “S/Scan” is  
selected in electronic shutter mode setting.  
• When “Step” has been selected as the electronic shutter  
mode setting:  
Gain setting [Gain: Auto, –6 dB to 18 dB]  
Auto: The light quantity is adjusted automatically.  
–6 dB to –1 dB:  
This setting makes it possible to shoot at the  
optimal gain setting under conditions where the  
light quantity is high. When it is used, images with  
minimal noise can be shot but the dynamic range  
is reduced.  
Off: Electronic shutter is turned off.  
0 dB: 0 dB should be selected in normal cases.  
1 dB to 18 dB:  
1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000:  
Electronic shutter operates at one of these  
speeds as selected.  
Use this range if sufficient video output cannot  
be obtained even when the lens iris is opened in  
shooting dark scenes.  
• When “S/Scan” has been selected as the electronic  
shutter mode setting:  
Bar noise can be reduced by synchro-scan adjustment  
in shooting workstation scenes, for example.  
AGC maximum gain setting  
Notes  
[AGC Max Gain: 6 dB, 12 dB, 18 dB]  
This is used to set the maximum gain up when “Auto” has  
been selected as the gain setting.  
If the lens iris switch is at M (Manual), ELC may not  
function. Set the lens iris switch to A (Auto).  
Flickering may increase at ELC under fluorescent  
lights.  
Black level setting [Pedestal: –150 to +150]  
The black level (pedestal) of the luminance (Y) signal can  
be set.  
Used in adjusting the black levels of two or more  
cameras.  
- 74 -  
Menu item setting/changing (User Mode)  
Color Set  
ATW speed setting  
[ATW Speed: Slow2, Slow1, Mid, Fast1, Fast2]  
ATW Speed can be set.  
Chroma level adjustment  
[Chroma Level: –3 to +3]  
Chroma Level can be decreased or increased to any of  
three levels each.  
The RGB signal cannot be adjusted.  
Painting setting  
[Painting, R Gain, B Gain, R Pedestal,  
B Pedestal: –150 to +150]  
R Gain, B Gain: Fine adjustment of the white balance  
can be made after AWB setting when  
AWB A or AWB B is selected in white  
balance setting.  
White balance setting  
[White Bal: ATW, AWB A, AWB B, 3200K, 5600K]  
ATW:  
The white balance is automatically adjusted to  
the optimum position.  
The white balance is tracked across an  
approximate color temperature range from  
2000K to 10000K.  
The set value returns to 0 after AWB  
setting.  
R Pedestal, B Pedestal:  
AWB A, AWB B:  
Once the white balance is adjusted, it is no  
Fine adjustment of the black balance  
can be made after ABB setting.  
The set value returns to 0 after ABB  
setting.  
longer necessary to set the white balance again  
if you simply select AWB A or AWB B, provided  
that the camera is used under the same  
conditions.  
Fine color adjustment can be made after AWB  
setting by R gain and B gain for the painting  
setting.  
3200K: The white balance is adjusted to 3200K  
illumination.  
5600K: The white balance is adjusted to 5600K  
illumination.  
- 75 -  
Menu item setting/changing (User Mode)  
HD (1080i, 720p) Detail Set  
Detail band setting [Detail Band: 1 to 5]  
A contour correction band can be set with the detail level  
setting at “High” or “Low”.  
Detail level setting [Detail: Off, Low, High]  
Contour correction quantity can be selected.  
Detail settings made using the horizontal/vertical detail  
level high/low setting.  
The higher setting, the finer will be the detail.  
Noise suppress level setting  
[Noise Suppress: 1 to 10]  
Horizontal detail level high setting  
[H Detail Level H: L+1 to +63]  
Vertical detail level high setting  
[V Detail Level H: L+1 to +31]  
Screen noise can be reduced with the detail level setting  
at “High” or “Low”.  
If the noise suppress level is set too high, a fine object  
will be reproduced less sharply.  
Horizontal detail level low setting  
[H Detail Level L: 0 to H–1]  
Vertical detail level low setting  
[V Detail Level L: 0 to H–1]  
Level dependent level setting  
[Level Dependent: 0 % to 25 %]  
Screen noise due to the detail of dark parts of an object  
can be reduced.  
Detail level can be set in horizontal (H) and vertical (V)  
directions with the detail level setting at “High” or “Low”.  
Whichever the direction, H or V, the set level at “High”  
must be at least one position higher than that at “Low”.  
If level dependent level is set too high, however, hair, for  
example, will be reproduced less sharply.  
- 76 -  
Menu item setting/changing (User Mode)  
Dark detail level setting  
[Dark Detail: 0 to 5]  
Precision detail level setting  
[Precision Detail: Off, Low, High]  
This setting is to narrow detail width and suppress detail  
glare.  
The contours of the darker portions of an object can be  
emphasized.  
This setting is possible only when the level dependent  
level setting is set to “0 %”.  
Note  
HD (1080i, 720p) detail settings are valid for the  
HD (1080i, 720p) format, but will also be valid for the  
SD (480i) format in some cases.  
Chroma detail level setting  
[Chroma Detail: 0 to 15]  
The contours of high-hue portions of an object can be  
emphasized.  
Clean DNR setting  
[Clean DNR: Off, Low, High]  
The noise reduction effect to be provided by the clean  
DNR can be selected.  
Flesh noise suppress level setting  
[Flesh Noise Sup.: Off, Low, High]  
Flesh noise is suppressed in two steps when the detail  
level setting is at “High” or “Low”.  
- 77 -  
Menu item setting/changing (User Mode)  
SD (480i) Detail Set  
Detail band setting [Detail Band: 1 to 5]  
A contour correction band can be set with the detail level  
setting at “High” or “Low”.  
Detail level setting [Detail: Off, Low, High]  
Contour correction quantity can be selected.  
Detail settings made using the horizontal/vertical detail  
level high/low setting.  
The higher setting, the finer will be the detail.  
Noise suppress level setting  
[Noise Suppress: 1 to 10]  
Horizontal detail level high setting  
[H Detail Level H: L+1 to +63]  
Vertical detail level high setting  
[V Detail Level H: L+1 to +31]  
Screen noise can be reduced with the detail level setting  
at “High” or “Low”.  
If the noise suppress level is set too high, a fine object  
will be reproduced less sharply.  
Horizontal detail level low setting  
[H Detail Level L: 0 to H–1]  
Vertical detail level low setting  
[V Detail Level L: 0 to H–1]  
Level dependent level setting  
[Level Dependent: 0 % to 25 %]  
Screen noise due to the detail of dark parts of an object  
can be reduced.  
Detail level can be set in horizontal (H) and vertical (V)  
directions with the detail level setting at “High” or “Low”.  
Whichever the direction, H or V, the set level at “High”  
must be at least one position higher than that at “Low”.  
If level dependent level is set too high, however, hair, for  
example, will be reproduced less sharply.  
- 78 -  
Menu item setting/changing (User Mode)  
Dark detail level setting  
[Dark Detail: 0 to 5]  
Note  
The setting for the SD (480i) Detail Set item takes  
The contours of the darker portions of an object can be  
emphasized.  
effect for the SD (480i) format.  
This setting is possible only when the level dependent  
level setting is set to “0 %”.  
Chroma detail level setting  
[Chroma Detail: 0 to 15]  
The contours of high-hue portions of an object can be  
emphasized.  
Clean DNR setting  
[Clean DNR: Off, Low, High]  
The noise reduction effect to be provided by the clean  
DNR can be selected.  
Flesh noise suppress level setting  
[Flesh Noise Sup.: Off, Low, High]  
Flesh noise is suppressed in two steps when the detail  
level setting is at “High” or “Low”.  
- 79 -  
Menu item setting/changing (User Mode)  
Linear Matrix B-G  
Color Matrix Set  
[Matrix(B-G): –31 to +31]  
This is used to adjust the color in the B-G axis direction.  
Linear Matrix R-G  
[Matrix(R-G): –31 to +31]  
This is used to adjust the color in the R-G axis direction.  
Linear Matrix B-R  
[Matrix(B-R): –31 to +31]  
This is used to adjust the color in the B-R axis direction.  
Linear Matrix R-B  
[Matrix(R-B): –31 to +31]  
This is used to adjust the color in the R-B axis direction.  
Linear Matrix G-R  
[Matrix(G-R): –31 to +31]  
This is used to adjust the color in the G-R axis direction.  
Linear Matrix G-B  
[Matrix(G-B): –31 to +31]  
This is used to adjust the color in the G-B axis direction.  
- 80 -  
Menu item setting/changing (User Mode)  
Yl_G Gain [–127 to +127]  
Increases or decreases the intermediate color between  
yellow and green.  
Yl_G Phase [–127 to +127]  
Varies the hue of the intermediate color between yellow  
and green.  
G Gain [–127 to +127]  
Increases or decreases the green.  
G Phase [–127 to +127]  
Varies the hue of the green.  
G_Cy Gain [–127 to +127]  
Increases or decreases the intermediate color between  
green and cyan.  
G_Cy Phase [–127 to +127]  
Varies the hue of the intermediate color between green  
and cyan.  
Cy Gain [–127 to +127]  
Increases or decreases the cyan.  
Cy Phase [–127 to +127]  
Color Correction Set  
B_Mg Gain [–127 to +127]  
Increases or decreases the intermediate color between  
blue and magenta.  
B_Mg Phase [–127 to +127]  
Varies the hue of the intermediate color between blue  
and magenta.  
Mg Gain [–127 to +127]  
Increases or decreases the magenta.  
Mg Phase [–127 to +127]  
Varies the hue of the magenta.  
Mg_R Gain [–127 to +127]  
Increases or decreases the intermediate color between  
magenta and red.  
Mg_R Phase [–127 to +127]  
Varies the hue of the intermediate color between  
magenta and red.  
R Gain [–127 to +127]  
Increases or decreases the red.  
R Phase [–127 to +127]  
Varies the hue of the cyan.  
Cy_B Gain [–127 to +127]  
Increases or decreases the intermediate color between  
cyan and blue.  
Cy_B Phase [–127 to +127]  
Varies the hue of the intermediate color between cyan  
and blue.  
Varies the hue of the red.  
R_Yl Gain [–127 to +127]  
Increases or decreases the intermediate color between  
red and yellow.  
R_Yl Phase [–127 to +127]  
Varies the hue of the intermediate color between red and  
yellow.  
B Gain [–127 to +127]  
Increases or decreases the blue.  
B Phase [–127 to +127]  
Yl Gain [–127 to +127]  
Varies the hue of the blue.  
Increases or decreases the yellow.  
Yl Phase [–127 to +127]  
Varies the hue of the yellow.  
- 81 -  
Menu item setting/changing (User Mode)  
G/L Set  
Other Set  
Horizontal phase adjustment  
[H Phase: –206 to +49]  
Gamma level setting [Gamma: 0.35 to 0.55]  
Gamma correction level can be set.  
Horizontal phase can be adjusted when a genlock signal  
is supplied.  
Knee level setting  
Subcarrier phase coarse adjustment  
[SC Coarse: 0deg, 45deg, 90deg, 135deg,  
180deg, 225deg, 270deg, 315deg]  
[Knee Point: 88 % to 98 %, Dynamic]  
88 % to 98 %: The level of video signals subject to knee  
(knee point) can be set.  
Dynamic:  
Knee level is automatically adjusted  
according to the light quantity.  
Coarse adjustment of subcarrier phase can be made  
when a genlock signal is supplied.  
Valid for the composite and Y/C signals of the SD format.  
White clip level setting  
[White Clip: 95 % to 110 %]  
The peak level of video signals to be white-clipped can  
be set.  
Subcarrier phase fine adjustment  
[SC Fine: –127 to +127]  
Fine adjustment of subcarrier phase can be made when  
a genlock signal is supplied.  
Valid for the composite and Y/C signals of the SD format.  
Note  
Horizontal phase and color phase fine  
adjustment  
When the white clip level setting is set to 100 % or  
more in RGB or Y/Pb/Pr signals, the white clip level  
is fixed to 100 %.  
[H Phase, SC Fine Step: 1 to 10]  
The level of horizontal phase adjustment and color phase  
fine adjustment can be selected simultaneously.  
- 82 -  
Menu item setting/changing (User Mode)  
Flare correction level setting  
[Flare R/G/B: 0 to 100]  
EBU matrix setting [EBU Matrix Set: Off, On]  
Off: This reverts settings of the color matrix, color  
correction and chroma level adjustment back to  
respective levels prior to the EBU matrix setting.  
On: This enables the EBU matrix setting to be selected  
for the color matrix, chroma level adjustment and  
color correction items.  
Flare correction level can be adjusted.  
Black stretch setting [Black Stretch: Off, On]  
Black stretch to correct the suppression of black portions  
at low luminance can be set to OFF or ON.  
(Refer to “Setting the EBU matrix” on page 88.)  
Video output format setting  
SD (480i) 2D LPF [SD 2D LPF: Off, Low, High]  
This enables the cross color of the composite and Y/C  
signal output to be reduced by two levels.  
[Format: 480i, 720p, 1080i]  
This enables the video output format to be selected.  
(Refer to “Changing the format settings” on page 86.)  
The setting of this item has no effect on the HD (1080i or  
720p) format, RGB, Y/Pb/Pr or SDI signals.  
Down-conversion mode selection  
[Downconv. Mode: Squeeze, Sidecut]  
Squeeze or Sidecut can be selected as the  
down-conversion mode for the SD (480i) format.  
- 83 -  
Menu item setting/changing (User Mode)  
AWB ACTIVE:  
This is displayed while AWB is being  
executed.  
Component output setting  
[Component: RGB,Y/Pb/Pr,Y/C]  
AWB OK:  
This is displayed for 3 seconds after  
AWB was completed successfully.  
This is displayed for 3 seconds after  
AWB was not completed successfully.  
(AWB executed while ATW, 3200K, or  
5600K is selected)  
This enables RGB, Y/Pb/Pr or Y/C to be selected as  
the component signals which are to be output from the  
I/F REMOTE connector.  
AWB NG:  
Y/C cannot be selected when “1080i” or “720p” has been  
selected as the “Video output format (Format)” setting.  
If “1080i” or “720p” has been selected using the video  
output format selection function while Y/C is selected, the  
component output will be changed to Y/Pb/Pr.  
(Refer to “Changing the component setting” on page 87.)  
OUT RANGE RB: This is displayed for 3 seconds after  
AWB was not completed successfully.  
(A color that could not be adjusted is  
displayed with RB)  
HIGH LIGHT NG: This is displayed for 3 seconds when  
adjustment is not possible because  
the light quantity is too high.  
LOW LIGHT NG: This is displayed for 3 seconds when  
adjustment is not possible because  
AWB/ABB operation status display ON/OFF  
selection  
[Status: Off, On]  
(Factory setting: Off)  
the light quantity is too low.  
Using this item, the display of the operation status for  
AWB (auto white balance adjustment) or ABB (auto black  
balance adjustment) is set to ON or OFF.  
When AWB or ABB is executed with this item set to “On”,  
the following is displayed.  
ABB ACTIVE:  
ABB OK:  
This is displayed while ABB is being  
executed.  
This is displayed for 3 seconds after  
ABB was completed successfully.  
IRIS CONTROL NG:  
This is displayed for 3 seconds when  
the iris cannot be controlled by ABB.  
OUT RANGE RGB: This is displayed for 3 seconds after  
ABB was not completed successfully.  
(A color that could not be adjusted is  
displayed with RGB)  
- 84 -  
Menu item setting/changing (User Mode)  
Character output selection  
[Character Mix  
Composite,Y/C setup selection  
[Composite,Y/C Setup: Off, On]  
The composite signals and the color bar setup level of  
Y/C signal output (Off: 0.0 IRE or On: 7.5 IRE) can be  
selected.  
Component: Off, On / Composite: Off, On /  
Option: Off, On]  
This is used to select how the camera menu, status and  
other characters are to be output (Off or On).  
Component: How the characters to the component  
signals (RGB, Y/Pb/Pr) are output is  
selected.  
Composite: Character output method for composite  
signals and Y/C signals is selected.  
Option:  
How the characters to the optional card are  
output is selected.  
Notes  
When the menu is started within 1 minute or  
so after the camera has been turned on, the  
characters are displayed in all the outputs.  
The selection of Option as the Character Mix  
setting takes effect when an optional card has been  
installed.  
- 85 -  
Changing the settings  
2. If O.K. is selected and the ENTER/AWB switch is  
pressed within about 10 seconds after the “Format” sub  
menu screen appeared, the setting is changed, a screen  
such as the one shown below is displayed, and operation  
returns to the main menu.  
Changing the format settings  
A confirmation screen appears when the format setting is to  
be changed on the Other Set screen.  
1. When the Format setting is changed on the Other Set  
screen and the ENTER/AWB switch is pressed, the  
“Format” sub menu screen such as the one shown below  
is displayed for about 10 seconds.  
Format(1080i)  
Set  
Format  
Do you want to  
Set Format(1080i)?  
O.K.  
CANCEL  
3. If CANCEL is selected and the ENTER/AWB switch is  
pressed after the “Format” sub menu screen appeared or if  
O.K. is selected and the ENTER/AWB switch is not pressed  
within about 10 seconds after the “Format” sub menu  
screen appeared, a screen such as the one shown below  
is displayed, operation returns to the main menu without  
changing the setting.  
Format  
unchanged  
- 86 -  
Changing the settings  
Changing the component setting  
A confirmation screen appears when the component setting  
is to be changed on the Other Set screen.  
2. If O.K. is selected and the ENTER/AWB switch is  
pressed within about 10 seconds after the “Component”  
sub menu screen appeared, the setting is changed, a  
screen such as the one shown below is displayed, and  
operation returns to the main menu.  
1. When the Component setting is changed on the  
Other Set screen and the ENTER/AWB switch is  
pressed, the “Component” sub menu screen such as the  
one shown below is displayed for about 10 seconds.  
Component(Y/Pb/Pr)  
Set  
Component  
Do you want to  
Set Component(Y/Pb/Pr)?  
O.K.  
CANCEL  
3. If CANCEL is selected and the ENTER/AWB switch  
is pressed after the “Component” sub menu screen  
appeared or if O.K. is selected and the ENTER/AWB  
switch is not pressed within about 10 seconds after the  
“Component” sub menu screen appeared, a screen such  
as the one shown below is displayed, operation returns to  
the main menu without changing the setting.  
Component  
unchanged  
- 87 -  
Changing the settings  
Setting the EBU matrix  
A confirmation screen appears when the EBU matrix is to be  
set on the Other Set screen.  
2. If O.K. is selected and the ENTER/AWB switch is  
pressed within about 10 seconds after the “EBU Matrix”  
sub menu screen appeared, the EBU matrix is set, a  
screen such as the one shown below is displayed, and  
operation returns to the main menu.  
1. When the EBU matrix setting is changed on the  
Other Set screen and the ENTER/AWB switch is  
pressed, the “EBU Matrix” sub menu screen such as the  
one shown below is displayed for about 10 seconds.  
EBU Matrix(On)  
Set  
EBU Matrix  
Do you want to  
Set EBU Matrix(On)?  
O.K.  
CANCEL  
3. If CANCEL is selected and the ENTER/AWB switch is  
pressed after the “EBU Matrix” sub menu screen appeared  
or if O.K. is selected and the ENTER/AWB switch is not  
pressed within about 10 seconds after the “EBU Matrix”  
sub menu screen appeared, a screen such as the one  
shown below is displayed, operation returns to the main  
menu without setting the EBU matrix.  
EBU Matrix  
unchanged  
- 88 -  
Setting to initial set (Factory presets)  
2. Select O.K. and press the ENTER/AWB switch within  
Setting to initial set  
about 10 seconds to return to the initial settings, the  
existing settings are initialized, the screen below is  
displayed, and the camera returns to main menu.  
In case of the wrong setting in any use mode, take the  
following steps to return to the initial settings.  
When initialization is performed, all of the camera menu’s  
setting values except for Format and Component will return  
to factory presets.  
Halogen Mode  
initialized  
1. Select “Initialize Data” on the main menu screen of each  
Use Mode.  
Press the ENTER/AWB switch, then “Initialize Data”  
screen below is displayed for about 10 seconds.  
Initialize Data  
(Halogen Mode)  
3. If the CANCEL is selected and ENTER/AWB switch is  
pressed, or if the O.K. is selected and the ENTER/AWB  
switch is not pressed, within about 10 seconds, the  
screen below is displayed, and the camera returns to  
main menu, and the existing settings are not initialized.  
Do you want to  
initialize Halogen  
Mode settings?  
O.K.  
CANCEL  
Halogen Mode  
unchanged  
Note  
When initialization is performed, all values set prior  
to initialization will be cleared, and they cannot be  
restored.  
- 89 -  
Setting to initial set (Factory presets)  
Initial settings of the setting items (Factory preset values)  
Halogen, Fluorescent, Outdoor Mode  
Item  
Picture Level  
Halogen  
Fluorescent  
Outdoor  
0
Brightness Set  
0
0
Light PEAK/AVG  
Light Area  
Shutter Mode  
Step/Synchro  
Gain  
0
Top Cut  
Step  
Off  
0dB  
---  
0
Top Cut  
Step  
Off  
0dB  
---  
0
Top Cut  
ELC  
---  
Auto  
18dB  
–40  
AGC Max Gain  
Pedestal  
0
0
Color Set  
Chroma Level  
Flesh Tone  
White Bal  
0
0
0
0
0
0
ATW  
Mid  
AWB A  
---  
AWB A  
---  
ATW Speed  
Sharpness(DTL) Set DTL Select  
Level  
Sharpness  
High  
Off  
Sharpness  
High  
Off  
Sharpness  
High  
Off  
Noise Suppress  
Clean DNR  
Off  
Off  
Off  
Flesh Noise Sup.  
H Phase  
Off  
0
Off  
0
Off  
0
G/L Set*  
SC Coarse  
SC Fine  
H Phase,SC Fine Step  
Contrast(Gamma)  
SD 2D LPF  
90deg  
0
1
Mid  
Off  
90deg  
0
1
Mid  
Off  
90deg  
0
1
Mid  
Off  
(*Items common to all  
scenes)  
Other Set 1  
Other Set 2*  
Format  
1080i  
Squeeze  
Y/Pb/Pr  
Off  
1080i  
Squeeze  
Y/Pb/Pr  
Off  
1080i  
Squeeze  
Y/Pb/Pr  
Off  
Downconv. Mode  
Component  
Status  
(*Items common to all  
scenes)  
Character Mix  
Component  
Composite  
Option  
Composite,Y/C Setup  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
On  
- 90 -  
Setting to initial set (Factory presets)  
User Mode  
Item  
User  
High  
16  
3
13  
2
4
3
10%  
0
0
Off  
Off  
0
0
0
0
0
0
0
Item  
Picture Level  
Light PEAK/AVG  
Light Area  
Shutter Mode  
Step/Synchro  
Gain  
AGC Max Gain  
Pedestal  
Chroma Level  
White Bal  
ATW Speed  
Painting  
R Gain  
B Gain  
User  
0
0
Top Cut  
Step  
Off  
0dB  
---  
0
+2  
AWB A  
---  
SD Detail Set 1/2  
Detail  
Brightness Set  
H Detail Level H  
V Detail Level H  
H Detail Level L  
V Detail Level L  
Detail Band  
Noise Suppress  
Level Dependent  
Dark Detail  
Color Set  
SD Detail Set 2/2  
Color Matrix Set  
Chroma Detail  
Clean DNR  
Flesh Noise Sup.  
Matrix(R-G)  
Matrix(R-B)  
Matrix(G-R)  
Matrix(G-B)  
Matrix(B-G)  
Matrix(B-R)  
B_Mg Gain  
0
0
0
R Pedestal  
B Pedestal  
Detail  
0
HD Detail Set 1/2  
High  
30  
23  
18  
15  
4
5
10%  
0
H Detail Level H  
V Detail Level H  
H Detail Level L  
V Detail Level L  
Detail Band  
Noise Suppress  
Level Dependent  
Dark Detail  
Chroma Detail  
Clean DNR  
Flesh Noise Sup.  
Precision Detail  
Color Correction 1/3  
B_Mg Phase  
Mg Gain  
0
+27  
0
0
0
Mg Phase  
Mg_R Gain  
Mg_R Phase  
R Gain  
+15  
0
R Phase  
HD Detail Set 2/2  
0
Off  
Off  
Off  
- 91 -  
Setting to initial set (Factory presets)  
Item  
User  
0
Item  
User  
1080i  
Color Correction 2/3  
Color Correction 3/3  
G/L Set*  
R_YI Gain  
R_YI Phase  
YI Gain  
Other Set 2*  
Format  
0
Downconv. Mode  
Component  
Status  
Character Mix  
Component  
Composite  
Squeeze  
Y/Pb/Pr  
Off  
(*Items common to all  
scenes)  
+18  
+6  
0
YI Phase  
YI_G Gain  
YI_G Phase  
G Gain  
0
On  
On  
On  
On  
+30  
+112  
0
G Phase  
Option  
Composite,Y/C Setup  
G_Cy Gain  
G_Cy Phase  
Cy Gain  
Cy Phase  
Cy_B Gain  
Cy_B Phase  
B Gain  
0
+44  
–15  
0
0
–20  
+36  
0
B Phase  
H Phase  
SC Coarse  
SC Fine  
90deg  
0
(*Items common to all  
scenes)  
H Phase,SC Fine Step  
Gamma  
Knee Point  
White Clip  
Flare R  
1
Other Set 1  
0.45  
88%  
110%  
0
Flare G  
0
Flare B  
0
Black Stretch  
SD 2D LPF  
EBU Matrix Set  
Off  
Off  
Off  
- 92 -  
Troubleshooting  
Operation  
Reference  
pages  
Symptom  
Cause and remedial action  
When the pan-tilt head is not being used  
Are the DC cable provided with the unit and the designated AC adapter  
connected?  
P.18,  
P.24 to 26  
Has the POWER switch of the AC adapter been set to the ON position?  
No power  
When the pan-tilt head and controller are being used  
Has all the equipment been connected properly?  
P.27 to 38  
P.18  
Has the power of the pan-tilt head and controller been turned on?  
Refer to the Operating Instructions of the pan-tilt head or the controller.  
Has the unit’s power been turned on?  
If the unit’s power indicator LED is off, it means that no power is being  
supplied to the unit.  
Is the unit connected to the pan-tilt head and controller properly?  
Has the power of the pan-tilt head and controller been turned on?  
Refer to the Operating Instructions of the pan-tilt head or the controller.  
Cannot operate  
using the controller  
P.17,  
P.24 to 26  
Has the unit or the system connected to the unit been selected correctly  
using the CONTROL button on the controller?  
P.39 to 48  
Refer to the Operating Instructions of the controller.  
- 93 -  
Troubleshooting  
Reference  
pages  
Symptom  
Cause and remedial action  
It may be necessary to upgrade the version of the controller so that the  
controller will support the unit.  
Consult with your dealer.  
Cannot operate  
When the AW-RP400 pan-tilt control panel and the AW-CB400 remote  
operation panel are used in combination, a setting that prohibits the  
operation of one of these units may have been selected.  
Refer to the Operating Instructions of the controller.  
using the controller  
Check that the unit and lens have been connected properly.  
Check that the iris selector switch on the lens is set to AUTO.  
P.19, P.52  
P.19  
Cannot operate the  
lens  
Is the designated lens being used?  
Has OFF been set for the character output selection of the output  
connected to the monitor?  
P.69, P.85  
Check the character output selection. Even if OFF is selected, characters are  
Cannot display the  
menus  
displayed in all outputs for up to one minute after operation has been started.  
When the pan-tilt head and controller are being used  
P.17,  
P.24 to 26  
Is the unit connected to the pan-tilt head and controller properly?  
Refer to the Operating Instructions of the pan-tilt head or the controller.  
- 94 -  
Troubleshooting  
Video  
Reference  
pages  
Symptom  
Cause and remedial action  
Is the unit connected to the pan-tilt head and controller properly?  
P.27 to 38  
Refer to the Operating Instructions of the pan-tilt head or the controller.  
Has the power of the connected equipment been turned on?  
Refer to the Operating Instructions of the pan-tilt head or the controller.  
In the case of a system configuration (using a switcher or other unit) with  
which the images are also switched when the camera to be operated is  
selected, has the unit — rather than another camera — been selected?  
The camera’s images  
are not displayed or  
they are disturbed  
Has the video output been selected properly?  
Check the video output format, component output selection, and other  
settings.  
P.67 to 68  
P.83 to 84  
Is the camera being used in conditions under which its use is prohibited?  
P.12, P.99  
Check the precautions for installation and the camera’s specifications.  
When the genlock function is being used  
P.26,  
P.57 to 59  
Check that the genlock sync signals are being input properly.  
Check that the horizontal phase and color phase have been set correctly.  
- 95 -  
Troubleshooting  
Reference  
pages  
Symptom  
Cause and remedial action  
Have the white balance and black balance been adjusted?  
Adjust the white balance and black balance.  
The automatic tracking white balance setting (ATW) function may also be  
selected.  
P.53 to 55  
Something is wrong  
with the coloring of  
the pictures  
Have the color matrix settings or color correction settings been changed?  
P.80 to 81,  
P.89  
Review the color matrix settings or color correction settings.  
When the genlock function is being used by the composite video signal  
output  
P.26,  
P.57 to 59  
Check that the horizontal phase and color phase have been set correctly.  
When the controller is being used  
P.39 to 48  
Either set the iris to auto or set it to manual and adjust the iris manually.  
Check the connections and terminations of the video cables.  
The pictures are too  
light or too dark  
Signal attenuation may cause the images to become dark if the video  
cables are too long. Connect a commercially available cable compensator.  
Check that the unit and lens have been connected properly.  
Check that the iris selector switch on the lens is set to AUTO.  
P.19, P.52  
P.19  
Is the designated lens being used?  
- 96 -  
Troubleshooting  
Reference  
pages  
Symptom  
Cause and remedial action  
Multiple color bands  
(color bars) are  
displayed  
P.16,  
P.39 to 48  
Switch to the camera picture.  
The controller’s  
H/F and OPTION  
indicators flash  
Restart the unit, and check that “Fan Error” is displayed.  
The cooling fan inside the unit has reached the end of its service life or it has  
failed.  
P.9,  
P.39 to 48  
If the camera would be kept using with displaying “Fan Error”, it may cause  
malfunctioning. Ask your dealer to replace it.  
The OPERATE LED  
on the CB400 flashes  
The cooling fan inside the unit has reached the end of its service life or it  
has failed.  
“Fan Error” is  
displayed when  
operation is started  
If the camera would be kept using with displaying “Fan Error”, it may  
cause malfunctioning. Ask your dealer to replace it.  
“Fan Error” is displayed in all video outputs regardless of the AWB/ABB  
operation status display setting or character output selection.To clear the  
“Fan Error” display, display the menu screen and close the screen.  
P. 9  
The AWC or ABC  
button lights when  
the controller’s AWC  
or ABC button is  
pressed  
The AWB or ABB adjustment was not completed successfully.  
Review the shooting conditions, and try again.  
P.53, P.54  
P.55, P.68  
The reason why the adjustment was not completed successfully can be  
checked when the AWB/ABB operation status display (Status) is set to ON.  
- 97 -  
Appearance  
Unit: inch (mm)  
AW-HE870  
HIGH  
DEFINITION  
HD Convertible Camera  
1/4  
(12)  
6-3/4 (171)  
3/8  
(9)  
3-1/4 (83)  
- 98 -  
Specifications  
Source voltage:  
DC 12 V  
Power consumption: 18.5 W  
indicates safety information.  
Optical system:  
Pickup device:  
Dichroic prism optical system, F1.4  
2/3˝ Interline wide CCD  
Synchronization system:  
Video output:  
Internal synchronization, External synchronization: BB (BNC1, Dsub 50P1)  
<HD format>  
Y/Pb/Pr Y:  
RGB  
1.0 Vp-p/75 Pb/Pr: 0.7 Vp-p/75 (Dsub 50P 1)  
Switched by  
menu  
1.0 Vp-p/75 (Dsub 50P 1)  
<SD format>  
VIDEO OUT  
1.0 Vp-p/75 (BNC1, Dsub 50P1)  
Continuous  
output  
Y/C  
Y:  
1.0 Vp-p/75 C: 0.286 Vp-p/75 (burst) (Dsub 50P1)  
1.0 Vp-p/75 Pb/Pr: 0.7 Vp-p/75 (Dsub 50P 1)  
1.0 Vp-p/75 (Dsub 50P 1)  
Y/Pb/Pr Y:  
RGB  
Switched by  
menu  
Y/C  
Y:  
1.0 Vp-p/75 C: 0.286 Vp-p/75 (burst) (Dsub 50P1)  
Standard illumination, color temperature:  
2,000 lx (F10, 3200K)  
Registration:  
0.05 % (Entire screen, excluding effects of lens)  
0 % (Entire screen, excluding effects of lens)  
Horizontal, vertical (2H)  
Geometric distortion:  
Contour correction:  
- 99 -  
Specifications  
White balance:  
AWB A, AWB B (R/B painting), ATW, 3200K/5600K preset  
Auto (R/B painting)  
Black balance:  
Chroma amount variability:  
Encoding system:  
Gain selection:  
7 levels variability  
Y, R-Y, B-Y  
–6 to 18 dB in step, AGC  
Electronic shutter speed:  
1/100, 1/250, 1/500, 1/1000, 1/2000, 1/4000, 1/10000, ELC,  
Synchro scan (61.19 Hz to 1466 Hz)  
Color bars:  
SMPTE  
Video output format setting:  
Lens mount:  
480i, 720p, 1080i  
2/3˝ bayonet mount  
Lens diaphragm:  
Selectors:  
Auto, Manual (manual available only when using the remote control)  
MENU  
ENTER/AWB (AWB: when menu screen is not displayed)  
UP/ABB  
(ABB: when menu screen is not displayed)  
DOWN/BAR (BAR: when menu screen is not displayed)  
Input/Output connectors:  
Indicator:  
VIDEO OUT: BNC connector  
G/L IN:  
IRIS:  
BNC connector  
12P round connector  
DC 12 V IN: DC connector  
I/F REMOTE: 50P Dsub connector  
Green LED lights: POWER ON  
- 100 -  
Specifications  
Allowable temperature ranges: For storage:  
–4 °F to 140 °F (–20 °C to +60 °C)  
For guaranteeing performance: 41 °F to 95 °F (+5 °C to +35 °C)  
For guaranteeing operation:  
14 °F to 113 °F (–10 °C to +45 °C)  
[The unit must be warmed up for at least 30 minutes if the  
temperature is 32 °F (0 °C) or below.]  
Ambient operating humidity:  
For storage:  
For guaranteeing operation:  
20 % to 90 %  
20 % to 90 %  
Dimensions (WHD):  
3-1/4˝4-1/8˝7-9/16˝ (83104.5192 mm) [excluding protrusions]  
Weight:  
Approx. 2.65 lbs. (1.2 kg)  
Weight and dimensions indicated are approximate.  
Specifications are subject to change without notice.  
- 101 -  
Memo  
Memo  
PANASONIC BROADCAST & TELEVISION SYSTEMS COMPANY  
UNIT COMPANY OF PANASONIC CORPORATION OF NORTH AMERICA  
Headquarters:  
3 Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-5300  
EASTERN ZONE:  
3 Panasonic Way 4E-7, Secaucus, NJ 07094 (201) 348-7196  
WESTERN ZONE:  
3330 Cahuenga Blvd. West, Los Angeles, CA 90068 (323) 438-3608  
Government office:  
(201) 348-7587  
Broadcast PARTS INFORMATION & ORDERING:  
9:00 a.m. – 5:00 p.m. (PST) (800) 334-4881/24 Hr. Fax (800) 334-4880  
Emergency after hour parts orders (800) 334-4881  
TECHNICAL SUPPORT:  
Emergency 24 Hour Service (800) 222-0741  
Panasonic Canada Inc.  
5770 Ambler Drive, Mississauga, Ontario L4W 2T3 (905) 624-5010  
Corporativo Panasonic de México  
Moras No. 313, Col. Tlacoquemecatl del Valle, Del. Benito Juárez, México, Distrito Federal, C.P. 03200. 01 (55) 54 88 10 00  
Panasonic Puerto Rico, Inc.  
AVE 65de Inf, Km 9.5 Carolina, PR 00985 (787) 750-4300  
© Panasonic Corporation 2009  
Printed in Japan  

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