Arcam FMJ Amplifier A18 User Manual

A18  
Handbook Integrated amplifier  
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ank you and congratulations for purchasing your Arcam FMJ Amplifier.  
contents  
Arcam has been producing specialist audio products of remarkable quality for over three  
decades and the new A18 amplifier is the latest in a long line of award winning HiFi. e design  
of the FMJ range draws upon all of Arcam’s experience as one of the UK’s most respected audio  
companies, to produce Arcam’s best performing range of stereo amplifiers yet – designed and  
built to give you years of listening enjoyment.  
safety guidelines.......................................e-2  
Important safety instructions.............................E-2  
Safety compliance...................................................E-2  
welcome… .................................................e-3  
welcome…  
overview.....................................................e-4  
Placing the unit .......................................................E-5  
Power ...........................................................................E-5  
Interconnect cables................................................E-5  
is handbook is a guide to installing and using the A18 Integrated Amplifier, including  
information on the more advanced features. Use the contents list shown on this page to guide  
you to the section of interest.  
A18 connections .......................................e-6  
Pre-amplifier connection.....................................E-7  
Audio inputs..............................................................E-7  
Recording loops.......................................................E-7  
Phono input...............................................................E-7  
loudspeakers .............................................e-8  
Single wiring .............................................................E-8  
Bi-amping...................................................................E-8  
We hope that your FMJ amplifier will give you years of trouble-free operation. In the unlikely  
event of any fault, or if you simply require further information about Arcam products, our  
network of dealers will be happy to help you. Further information can also be found on the  
Arcam website at www.arcam.co.uk.  
e FMJ development team  
remote control...........................................e-9  
The CR10 remote control.....................................E-9  
Amplifier commands.............................................E-9  
Switching on .......................................................... E-10  
Selecting an audio source ................................ E-10  
Listening .................................................................. E-10  
operation................................................. e-10  
Adjusting listening settings............................. E-10  
Processor mode .................................................... E-10  
Recording an audio source .............................. E-11  
Troubleshooting................................................... E-11  
specifications.......................................... e-12  
product guarantee ................................ e-13  
e-3  
Arcam’s A18 Integrated Amplifier provides class-leading  
sound quality.  
With a torrodial power supply, acoustically damped  
chassis and very low levels of noise and distortion, the  
A18 reproduces music with all its original authority and  
detail.  
Drawing on the many years of amplifier design  
experience at Arcam, the A18 uses the best quality  
components and engineering practice to produce a  
product that will give many years of musical pleasure  
and reliable service.  
e A18 Integrated Amplifier is designed to produce a  
level of performance that will truly bring music to life.  
overview  
 
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e-4  
Placing the unit  
Power  
interconnect cables  
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Place the amplifier on a level, firm surface, avoiding  
direct sunlight and sources of heat or damp.  
e amplifier is supplied with a moulded mains plug  
already fitted to the lead. Check that the plug supplied  
fits your supply – should you require a new mains lead,  
please contact your Arcam dealer.  
We recommend the use of high-quality screened cables  
that are designed for the particular application. Other  
cables will have different impedance characteristics  
that will degrade the performance of your system (for  
example, do not use cabling intended for video use to  
carry audio signals). All cables should be kept as short  
as is practically possible.  
Do not place the A18 on top of a power amplifier or  
other source of heat.  
Do not place the amplifier in an enclosed space  
such as a bookcase or closed cabinet unless there is  
good provision for ventilation. e A18 is designed  
to run warm during normal operation.  
If your mains supply voltage or mains plug is different,  
please contact your Arcam dealer immediately  
Push the IEC plug end of the power cable into the  
socket on the back of the amplifier, making sure that it  
is pushed in firmly. Plug the other end of the cable into  
your mains socket and, if necessary, switch the socket  
on.  
It is good practice when connecting your equipment to  
make sure that the mains power-supply cabling is kept  
as far away as possible from your audio cables. Failure to  
do so may result in unwanted noise in the audio signals.  
<
Do not place any other component or item on top  
of the amplifier as this may obstruct airflow around  
the heat-sink, causing the amplifier to run hot. (e  
unit placed on top of the amplifier would become  
hot, too.)  
<
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Make sure the remote-control receiver to the  
right of the front panel display is unobstructed,  
otherwise this will impair the use of the remote-  
control.  
Do not place your record deck on top of this  
unit. Record decks are very sensitive to the noise  
generated by mains power supplies which will be  
heard as a background ‘hum’ if the record deck is  
too close.  
e-5  
A18  
connections  
Speaker terminals  
Phono earth terminal  
Aux input  
See page 8 for information on  
For connecting your turntable  
earth lead, if required. Note that  
this terminal must not be used as a  
safety earth.  
Analogue 3.5mm stereo jack socket,  
intended for connecting a portable  
MP3 player.  
connecting loudspeakers.  
Power inlet  
Connect the correct  
mains cable here.  
A18 INTEGRATED AMPLIFIER  
+
+
PRE  
OUT  
PHONO  
(MM)  
AV  
PVR  
DVD  
SAT  
TUNER  
CD  
R
L
50 – 60 Hz  
POWER INLET  
L
~
220V-  
240V  
R
AUX  
PHONES  
POWER  
350VA MAX  
4 – 16 OHMS  
OUT  
IN  
OUT  
IN  
CLASS  
2
WIRING  
Pre-ampliꢀer connection  
ꢀis socket is only used if you are using  
the A18 as a pre-amp, for example, when  
using the A18 in conjunction with a P38.  
See page 8 for more information.  
Audio connections  
Phones  
Mains voltage  
3.5mm stereo jack socket,  
intended for use with a set of  
headphones.  
Ensure that the voltage indicated  
matches your local power supply.  
If not, please contact your dealer.  
audio inputs, although any suitable device may be  
connected to the line-level inputs. (Note, however,  
that the name of the input shown on the front-panel  
display cannot be changed.)  
DVD, SAT, TUNER and CD  
PHONO  
In addition to the line level inputs, the AV and PVR  
connectors both have line level outputs for use in  
recording from other sources.  
See page 7 for more information.  
Note  
Please read the ‘Placing the unit, ‘Power’ and  
‘Interconnect cables’ sections on page 5 before  
E-6  
Pre-amplifier connection  
audio inputs  
Recording loops  
Phono input  
Although the inputs are labelled for specific devices, all  
have the same characteristics and each may be used with  
any line-level product. e exception is the phono (MM)  
input (see page 12 for the specification).  
e A18 is equipped with two recording loops: AV and  
PVR. ese are for use with recording devices – such as  
a CD recorder, DAT recorder, cassette recorder, VCR,  
PVR, etc. e AV outputs may have any of the input  
connectors assigned to them for recording purposes.  
e phono inputs provide a pre-amplification stage to  
treat the low-voltage output from a moving magnet  
cartridge (input specifications are given on page 12). If  
you have already an external phono amplifier that you  
wish to use, connect its output to one of the line-level  
inputs.  
pre out  
To use your A18 as a dedicated pre-amplifier, or as part  
of a bi-amped system, connect the pre out sockets to  
the input sockets of your power amplifier.  
AV In  
AV out  
Intended for the analogue outputs from general audio-  
visual equipment, such as a VCR, digital TV/satellite  
receiver, or Nicam tuner.  
Connect these output sockets to the input sockets of  
your recording device (usually labelled record or In).  
To record from a particular source, press the appropriate  
source button (for example, tuner), then press AV. Any  
source selected immediately before AV is routed to the  
AV out connectors for recording purposes and is shown  
on the front panel (e.g. RCꢀꢀTUNER).  
pVr In  
Intended for the analogue outputs from a Personal  
Video Recorder, or similar device.  
dVd  
Intended for the analogue outputs from a DVD-player.  
sAt  
pVr out  
e pVr out also has the source selected immediately  
before AV routed to it, unless that source is pVr In, in  
which case pVr out is muted. As with AV out, changing  
to another source will change the signal that is sent to  
pVr out.  
For connection to a satellite TV receiver or cable box.  
tuner  
Intended for the analogue outputs from an FM, AM or  
DAB radio tuner.  
cd  
Intended for the analogue outputs from a CD player.  
AuX  
is is a 3.5mm analogue input on the front panel  
intended for use with devices such as MP3 players. To  
connect an MP3 player (or other portable audio device)  
you will need a 3.5mm to 3.5mm cable connected  
between the AuX input and the headphone socket of the  
device.  
e-7  
Single wiring  
Single wiring is the conventional wiring method of  
running a single cable per channel between the amplifier  
and the speaker; this is the easiest technique.  
If each speaker has more than one pair of connecting  
terminals, use the terminals labelled Lf or ‘Low  
Frequency’ for each speaker.  
notes on making speaker  
Similarly, connect the negative terminal of the amplifier  
(coloured black and labelled with r) to the negative  
terminal of your speaker. Repeat the process for the leſt  
speaker, using the amplifier terminals labelled +L and L–.  
connections  
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Do not make any connections to any amplifier  
while it is switched on. We recommend that  
your amplifier is completely disconnected from  
the mains supply before starting.  
loudspeakers  
If your speakers support bi-wiring, then there is a strip  
of conductive metal on the speakers connecting the low-  
frequency terminals to those for the higher-frequencies;  
this mUST NOT Be RemOVeD in a single-wired  
system.  
<
Before switching your amplifier(s) on for the  
first time aſter connecting to speakers, please  
check all connections thoroughly. Ensure that  
bare wires or cables are not touching each other  
or the amplifier’s chassis (which could cause  
short circuits), and that you have connected  
positive (+) to positive and negative () to  
negative. Be sure to check the wiring for both  
the amplifier and the speaker.  
Connect the positive terminal of the right speaker  
connection on the amplifier (coloured red and labelled  
+r) to the positive terminal of your right speaker.  
 
<
<
Aſter making connections: switch the  
amplifier(s) on, select a source signal, then  
gradually increase the volume to the required  
listening level.  
If you are unsure as to how your system should  
be connected, or need advice on bi-amping,  
please contact your Arcam dealer who will be  
happy to help you.  
 
An A18 connected to speakers using single wiring  
Note that the strip of metal on the speakers connecting  
bi-amping  
Bi-amping is the separation of the amplification of low-  
and high-frequency signals over two amplifiers.  
Bi-amping requires the use of two amplifiers per  
channel. Normally, your A18 is used to drive the high-  
frequency (treble) speakers, with a P38 used for the  
lower (bass) frequencies.  
the lower terminals to the upper terminals mUST Be  
RemOVeD. Failure to do so will result in damage to  
both amplifiers, which will not normally be covered  
under warranty.  
 
 
Connect your A18 to the speakers as described for  
single wiring, with the exception that the A18 should  
be connected to the speaker terminals labelled hf or  
‘High Frequency. en connect the power amplifier  
(an Arcam P38 for example) to the Lf or ‘Low  
Frequency’ terminals, as in the diagram. A pair of audio  
interconnect cables are also required to connect the  
pre-amp outputs of the A18 to the power amp inputs of  
the P38.  
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An A18 and P38 connected to speakers using bi‑amping  
e-8  
amplifier commands  
the cr10 remote control  
 
Toggles the mute function to silence speaker  
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-
output. Mute is displayed on screen when  
e CR10 is pre-programmed for use with the A18 as  
well as Arcam CD players (such as CD17).  
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active.  
remote  
control  
VoL –  
VoL +  
Decrease (VoL–) and increase (VoL+)  
amplifer volume  
e CR10 requires a clear line of sight to the front panel  
display of A18 to ensure reliable operation. Make sure  
you have inserted the two AAA batteries supplied before  
attempting to use the CR10.  
Source Selects the amplifier input:  
keys  
dVd DVD input  
sAt Satellite decoder input  
Keys on the CR10 that control the A18 are shown not  
greyed-out.  
AV  
AV (television sound) input  
tun DAB/FM/AM tuner input  
AuX Auxiliary line input  
pVr Personal Video Recorder input  
cd  
CD input  
inserting batteries into the  
remote control  
pho Phono input  
Adjust bass levels (using VoL– and VoL+  
controls) between -7, through 0, to +7  
Adjust treble levels (using VoL– and VoL+  
controls) between -7, through 0, to +7  
Adjust balance levels (using VoL– and VoL+  
controls) between L (leſt) 9, through 0, to  
R (right) 9  
bAss  
treb  
bAL  
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proc  
Toggles between PROC ON and OFF.  
PROC mode is only available if the AV input  
is selected  
1. Squeeze the tab and liſt off the remote controls  
battery compartment cover.  
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When in PROC mode, the VoL - and VoL +  
can be used to adjust the PROC volume  
setting.  
drct  
Toggles direct mode (i.e. tone defeat)  
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dIsp  
Cycles through display panel brightness  
options (bright, off, dim)  
Cycles through displaying the settings for  
Bass, Treble and Balance  
Mode  
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2. Insert the two AAAbatteries supplied in the  
proper direction, following the ‘+’ and ‘’ marks  
in the battery compartment.  
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3. Replace the battery compartment cover, locking  
the tab with a click.  
 
e-9  
 
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operation  
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Switching on  
listening  
adjusting listening settings  
e A18 allows you to customise the balance, bass  
and treble levels of the amplifier to fit your system.  
Adjustments can be made either on the front panel or by  
using the CR10 remote control. Click the corresponding  
button to view the current setting, then use the control  
knob on the front panel (or VoL +/buttons on the  
CR10) to adjust.  
Processor mode  
e front panel power button switches the unit on and  
e A18, in combination with a power amplifier, can  
be used to drive the front leſt and right speakers of a  
surround-sound system, when fed from a multi-channel  
processor. e volume of the entire system may then be  
controlled using the processor.  
listening using speakers  
off.  
Use the control knob to change the volume. Turn the  
knob clockwise to increase the volume, anti-clockwise  
to reduce it.  
e power light (next to the A18 Integrated Amplifier’  
text) indicates the state of the amplifier. e power LED  
is green and ON if the power is connected and the unit  
is turned ON.  
listening using headphones  
While in Processor mode, you can feed the sound from  
the processor into AV In and set the ‘Proc mode volume’  
of the A18 to match the amplifiers that drive your  
other loudspeakers. Set this ‘Proc mode volume’ using  
the VoL+ and VoL– buttons on the remote. e last set  
value of ‘Proc mode volume’ is remembered whenever  
Processor mode is selected.  
e headphones socket (phones) accepts headphones  
with an impedance rating between 8and 2k, fitted  
with a 3.5mm stereo jack plug.  
display  
balance  
e front panel dIspLAy button (or dIsp on the remote  
control) changes the display brightness between ‘on,  
‘dimmed’ and ‘o. If the A18 is powered off with the  
display brightness set to ‘o, the display resumes to  
‘dimmed’ when the unit is powered on again.  
is setting allows you to increase the volume of one  
channel (leſt or right) relative to the other. Altering  
the balance (from L9 to R9, via the neutral value 0)  
may help to restore the stereo image for an off-centre  
listening position.  
e pre-amp outputs and speakers are muted when  
headphones are plugged in. e headphones socket is  
always active, unless output has been muted.  
Processor mode may be toggled on and off (when  
AV is selected as the source) by using the front panel  
processor Mode button or proc on the remote. ‘PROC’  
remains lit on the display while Processor mode is  
active.  
Muting output  
Selecting an audio source  
e audio source may be selected from the front panel  
(phono, AuX, cd, tuner, sAt, dVd, pVr or AV), or the  
remote control (dVd, sAt, AV, tun, AuX, pVr, cd or pho).  
e output of the A18 can be silenced by pressing Mute  
bass  
on the front panel (or on the remote control). Press  
-
is setting allows you to increase or decrease the level  
of low frequency elements in the sound within the range  
+7 to -7.  
Mute/ for a second time (or change the volume) to  
-
cancel mute.  
In each case, the source is selected from the input  
sockets with the corresponding name.  
Treble  
is setting allows you to increase or decrease the level  
of high frequency elements in the sound within the  
range +7 to -7.  
direct mode  
is is a ‘tone defeat’ setting which ignores any Bass and  
Treble trim values.  
Press drct (Direct) on the remote control to toggle this  
setting; ‘DIRECT’ is lit on the display when Direct mode  
is active.  
e-10  
troubleshooting  
If you are having trouble with your amplifier, check the  
following items.  
no sound  
Check the following:  
<
e A18 amplifier is powered up and switched on.  
<
e amplifier is not muted (i.e. Mute is not shown  
on the display panel).  
<
<
e selected source is generating audio (e.g., if CD  
is selected, then the CD is playing).  
e AV input is selected on the A18 instead of the  
expected source. If there is no sound because the  
AV input is selected, press the correct source button  
on the front panel or remote control.  
Recording an audio source  
e A18 allows you to record and monitor the sound  
from any connected source.  
<
e speaker outputs are connected on the A18 (or  
on the power amplifier, in the case of a bi-amping  
arrangement).  
e back panel AV out or pVr out sockets can be  
connected to the input sockets of your recording device  
(these are usually labelled record or In). e two  
recording loops have a similar function to each other,  
but are not exactly the same in operation.  
Sound cuts-out unexpectedly  
If the temperature of the internal heatsink rises above  
a safe level, then a thermal cut-out inside the amplifier  
operates to protect the unit and the protection system  
temporarily removes power to the speakers. e system  
will reset itself as the heatsink cools down.  
To record from a particular source, press the appropriate  
source button (for example, tuner), then press AV. Any  
source selected immediately before AV is routed to the  
AV out connectors for recording purposes and is shown  
on the front panel (e.g. RCꢀꢀTUNER).  
<
With two pairs of low-impedance speakers  
connected (6or less), overloads are more likely.  
Overloading the amplifier may cause it to shut  
down because of overheating.  
Note that, due to the high output voltage from a  
CD player, it is possible to drive your amplifier at  
full power even though the volume is not set at  
maximum.  
e pVr out also has the source selected immediately  
before AV routed to it, unless that source is pVr In, in  
which case pVr out is muted. As with AV out, changing  
to another source will change the signal that is sent to  
pVr out.  
<
e-11  
Continuous power output (20Hz—20kHz at 0.5% THD), per channel  
Both channels, 8, 20Hz—20kHz  
Single channel, 4, at 1kHz  
50W  
70W  
Harmonic distortion, 80% power, 8at 1kHz  
0.01%  
Inputs  
Phono cartridge:  
specifications  
Input sensitivity at 1kHz  
Input impedance  
2.5—15mV  
47kΩ  
Signal/noise ratio (CCIR, 45W)  
Overload margin  
88dB  
31dB  
Line and AV inputs:  
Nominal sensitivity  
Input impedance  
250mV—1.5V  
22kΩ  
Signal/noise ratio (CCIR, 45W)  
98dB  
Preamplifier output  
Nominal output level  
Output impedance  
630mV  
<50Ω  
Headphone output  
Maximum output level into 600Ω  
Output impedance  
7V  
100Ω  
General  
Mains voltage  
110—120V or 220—240V  
Power consumption (maximum)  
Dimensions W x D x H (including feet)  
Weight (net)  
350W  
432 x 275 x 85mm  
7.2kg  
Weight (packed)  
9.1kg  
Supplied accessories  
mains lead  
CR10 remote control  
2 x AAA batteries  
E&OE  
NOTe: All specification values are typical unless otherwise stated.  
continual improvement policy  
Arcam has a policy of continual improvement for its products. is means that designs and specifications are  
subject to change without notice.  
e-12  
Worldwide guarantee  
is entitles you to have the unit repaired free of charge, during the first two years  
aſter purchase, at any authorised Arcam distributor provided that it was originally  
purchased from an authorised Arcam dealer or distributor. e manufacturer can take  
no responsibility for defects arising from accident, misuse, abuse, wear and tear, neglect  
or through unauthorized adjustment and/or repair, neither can they accept responsibility  
for damage or loss occurring during transit to or from the person claiming under the  
guarantee.  
product  
guarantee  
The warranty covers:  
Parts and labour costs for two years from the purchase date. Aſter two years you must pay  
for both parts and labour costs. e warranty does not cover transportation costs at any  
time.  
claims under guarantee  
is equipment should be packed in the original packing and returned to the dealer from  
whom it was purchased, or failing this, directly to the Arcam distributor in the country of  
residence.  
It should be sent carriage prepaid by a reputable carrier – not by post. No responsibility  
can be accepted for the unit whilst in transit to the dealer or distributor and customers are  
therefore advised to insure the unit against loss or damage whilst in transit.  
For further details contact Arcam at:  
Arcam Customer Support Department,  
Pembroke Avenue, Waterbeach, CAMBRIDGE, CB25 9QR, England  
or via www.arcam.co.uk.  
Problems?  
If your Arcam dealer is unable to answer any query regarding this or any other Arcam  
product please contact Arcam Customer Support at the above address and we will do our  
best to help you.  
on-line registration  
You can register your product on-line at www.arcam.co.uk.  
correct disposal of this product  
is marking indicates that this  
product should not be disposed  
with other household waste  
throughout the EU.  
To prevent possible harm to the  
environment or human health from  
uncontrolled waste disposal and to  
conserve material resources, this product should be  
recycled responsibly.  
To dispose of your product, please use your local  
return and collection systems or contact the retailer  
where the product was purchased.  
e-13  
A&r cambridge Ltd, pembroke Avenue, waterbeach, cAMbrIdGe cb25 9Qr, england  
sh211E Issue 2  

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