G
HTR-5140RDS
Natural Sound AV Receiver
Ampli-Tuner Audio-Video
OWNER’S MANUAL
MODE D’EMPLOI
BEDIENUNGSANLEITUNG
BRUKSANVISNING
MANUALE DI ISTRUZIONI
MANUAL DE INSTRUCCIONES
GEBRUIKSAANWIJZING
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• After unpacking, check that the following parts are included.
• Après le déballage, vérifier que les pièces suivantes sont incluses.
• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.
• Kontrollera efter uppackningen att följande delar finns med.
SUPPLIED ACCESSORIES
ACCESSOIRES FOURNIS
MITGELIEFERTE ZUBEHÖRTEILE
MEDFÖLJANDE TILLBEHÖR
ACCESSORI IN DOTAZIONE
ACCESORIOS INCLUIDOS
BIJGELEVERDE ACCESSOIRES
•
Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.
• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.
• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.
• Remote control transmitter
• Télécommande
• Fernbedienung
• Fjärrkontroll
• Telecomando
• Indoor FM Antenna
• Antenne FM intérieure
• UKW-Innenantenne
• Inomhus-FM-antenn
• Antenna FM interna
• Antena FM interior
• FM-binnenantenne
• Transmisor de control remoto
• Afstandsbediening
• AM Loop Antenna
• Cadre-antenne AM
• MW-Rahmenantenne
• AM-ramantenn
• Antenna AM ad anello
• Antena de cuadro de AM
• AM-raamantenne
• 75-ohm/300-ohm antenna adapter (U.K. model only)
• Adaptateur d’antenne 75 ohms/300 ohms
(Modèle Royaume-Uni seulement)
• 75-Ohm/300-Ohm Antennenstecker
(nur Großbritannien-Modell)
• 75 ohm/300 ohm antennadapter
(gäller endast modellen för Storbritannien)
• Adattatore per antenna da 75 e 300 ohm
(Soltanto il modello per la Gran Bretagna)
• Adaptador de antena de 75-ohmios/300-ohmios
(Sólo el modelo para el Reino Unido)
• 75 ohm/300 ohm antenneadapter
(Alleen modellen voor Verenigd Koninkrijk)
• Batteries (size AAA, R03, UM-4)
• Piles (taille AAA, R03, UM-4)
• Batterien (Größe AAA, R03, UM-4)
• Batterier
(storlek AAA, R03, UM-4)
• Batterie
(formato AAA, R03, UM-4)
• Pilas (tamaño AAA, R03, UM-4)
• Batterijen (maat AAA, R03, UM-4)
2
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FEATURES
● 5-Channel Power Amplification
Minimum RMS Output Power
<0.04%THD, 20 Hz – 20 kHz>
Main: 60 W + 60 W (8 Ω)
Center: 60 W (8 Ω)
● Automatic Input Balance Control for
Dolby Pro Logic Surround
● Test Tone Generator for Easier Speaker
Balance Adjustment
● Speaker Output Mode Changing
Rear: 60 W + 60 W (8 Ω)
Capability
● Digital Sound Field Processor
● Dolby Digital Decoder
● 40-Station Random Access Preset Tuning
● Automatic Preset Tuning
● Dolby Pro Logic Surround Decoder
● Preset Station Shifting Capability
● CINEMA DSP:Theater-like Sound
Experience by the Combination of Dolby
Surround andYAMAHA DSP Technology
(Preset Editing)
● Video Signal Input/Output Capability
● SLEEP Timer
● 6-Channel External Decoder Input for DTS
● Universal Remote Control
Transmitter with Preset Manufacturer
Codes
and other future formats
CONTENTS
● Information about DSP
USING THE DIGITAL SOUND FIELD
SUPPLIED ACCESSORIES........................................... 2
FEATURES .................................................................... 3
CAUTION ....................................................................... 4
PROCESSOR (DSP) .............................................. 41
● Introduction
FEATURES OF SOUND EFFECTS ............................... 5
CONTROLS AND THEIR FUNCTIONS ......................... 7
● Advanced Information
ADJUSTMENTS
IN THE “SET MENU” MODE................................... 47
● Preparation
● Remote Control Transmitter
SPEAKER SETUP ....................................................... 12
CONNECTIONS........................................................... 14
ADJUSTMENTS
REMOTE CONTROL TRANSMITTER ......................... 49
SETUP CODES ........................................................... 56
BEFORE USING THIS UNIT .................................. 21
TROUBLESHOOTING ................................................. 57
SPECIFICATIONS ....................................................... 59
● Basic Operation
BASIC OPERATIONS .................................................. 26
TUNING OPERATIONS ............................................... 30
RECEIVING RDS STATIONS ...................................... 35
SETTING THE SLEEP TIMER..................................... 40
LIST OF MANUFACTURER’S CODES...................... 411
3
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CAUTION: READ THIS BEFORE OPERATINGYOUR UNIT.
1. To assure the finest performance, please read this manual
For U.K. customers
If the socket outlets in the home are not suitable for the plug
carefully. Keep it in a safe place for future reference.
2. Install this unit in a cool, dry, clean place – away from
windows, heat sources, sources of excessive vibration,
dust, moisture and cold. Avoid sources of humming
(transformers, motors). To prevent fire or electrical shock,
do not expose the unit to rain or water.
supplied with this appliance, it should be cut off and an
appropriate 3 pin plug fitted. For details, refer to the instructions
described below.
Note: The plug severed from the mains lead must be
destroyed, as a plug with bared flexible cord is hazardous if
engaged in a live socket outlet.
3. Never open the cabinet. If something drops into the set,
contact your dealer.
4. Do not use force on switches, controls or connection wires.
When moving the unit, first disconnect the power plug and
the wires connected to other equipment. Never pull the
wires themselves.
Special Instructions for U.K. Model
IMPORTANT
THE WIRES IN MAINS LEAD ARE COLOURED IN
ACCORDANCE WITH THE FOLLOWING CODE:
5. The openings on the unit cover assure proper ventilation of
the unit. If these openings are obstructed, the temperature
inside the unit will rise rapidly. Therefore, avoid placing
objects against these openings, and install the unit in a
well-ventilated area to prevent fire and damage.
Blue: NEUTRAL
Brown: LIVE
Be sure to allow a space of at least 20 cm behind, 20 cm
on the both sides and 30 cm above the top panel of the unit
to prevent fire and damage.
As the colours of the wires in the mains lead of this
apparatus may not correspond with the coloured markings
identifying the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the
terminal which is marked with the letter N or coloured
BLACK. The wire which is coloured BROWN must be
connected to the terminal which is marked with the letter L or
coloured RED.
6. The voltage used must be the same as that specified on
this unit. Using this unit with a higher voltage than
specified is dangerous and may result in fire or other
accidents. YAMAHA will not be held responsible for any
damage resulting from use of this unit with a voltage other
than specified.
Making sure that neither core is connected to the earth
terminal of the three pin plug.
7. Digital signals generated by this unit may interfere with
other equipment such as tuners, receivers or TVs. Move
this unit farther away from such equipment if interference is
observed.
This unit is not disconnected from the AC power source as
long as it is connected to the wall outlet, even if this unit
itself is turned off. This state is called the standby mode. In
this state, this unit is designed to consume a very small
quantity of power.
8. Always set the VOLUME control to “ ” before starting the
audio source play. Increase the volume gradually to an
appropriate level after playback has been started.
9. Do not attempt to clean the unit with chemical solvents; this
might damage the finish. Use a clean, dry cloth.
10. Be sure to read the “TROUBLESHOOTING” section
regarding common operating errors before concluding that
the unit is faulty.
11. When not planning to use this unit for long periods of time
(ie., vacation, etc.), disconnect the AC power plug from the
wall outlet.
12. To prevent lightning damage, disconnect the AC power
plug and disconnect the antenna cable when there is an
electrical storm.
13. Grounding or polarization – Precautions should be taken so
that the grounding or polarization of an appliance is not
defeated.
14. AC outlet
Do not connect audio equipment to the AC outlet on the
rear panel if that equipment requires more power than the
outlet is rated to provide.
4
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FEATURES OF SOUND EFFECTS
Introduction
Welcome to the exciting world of digital home entertainment.
This unit is one of the most complete and advanced AV
receivers available. Some of the more advanced features may
not be familiar to you, but they are easy to use. State-of-the-art
technologies such as Dolby Digital and Digital Theater Systems
(DTS) may be new to your home, but you have probably
experienced the amazing realism they bring to feature films in
theaters around the world.
To make the listening experience even more enjoyable, this unit
includes a number of exclusive, digitally created listening
environments known as digital sound fields. Choosing a sound
field program is like transporting yourself to such venues as an
outdoor arena, a European church, or a cozy jazz club. Take
some time now to read more about these features and enjoy
the new experiences this unit brings to your home theater.
Digital Sound Field Processing
What is it that makes live music so good? Today’s advanced
sound reproduction technology lets you get extremely close to
the sound of a live performance, but the chances are that you’ll
still notice something missing — the acoustic environment of
the live concert hall. Extensive research into the exact nature
of the sonic reflections that create the ambience of a large hall
has made it possible for YAMAHA engineers to bring you this
same sound to your listening room, so you’ll feel all the sound
of a live concert.
Furthermore, our technicians, armed with sophisticated
measuring equipment, have even made it possible to capture
the acoustics of a variety of actual concert halls, theaters, etc.
from around the world, to allow you to accurately re-create any
one of these live performance environments, all in your own
home.
Dolby Pro Logic Surround
Dolby Surround has been used in movie theaters since the mid-
seventies. It has also been available in home entertainment
systems since the late eighties and continues to be a popular
format for home theater systems. It uses four discrete channels
and five speakers to reproduce realistic and dynamic sound
effects: two main channels (left and right), a center channel for
dialog, and a rear channel for special sound effects. The rear
channel reproduces sound within a narrow frequency range.
Most video tapes and laser discs include Dolby Surround
encoding, as do many TV and cable broadcasts. The Dolby Pro
Logic Surround decoder built into this unit employs a digital
signal processing system that stabilizes each channel for even
more accurate sound positioning than is available with standard
analog processors.
Dolby Digital
The built-in Dolby Digital decoder leads you into a totally new
sound experience.
Compared to Dolby Pro Logic, which is referred to a “3/1”
system (left front, center, right front and just one surround
channel), Dolby Digital features two surround channels, called
stereo or split surrounds, each offering the same full-range
fidelity as the three front channels.
Dolby Digital is a new generation of multi-channel digital audio
technology, or the newest spatial sound processing format
developed for 35 mm-film movies by employing a new kind of
low bit-rate audio coding.
Sound of wide dynamic range reproduced by the 5 full-range
channels provides listeners with excitement that has never
been experienced before. Precise sound orientation by
discrete digital sound processing expands the realism that the
original movie possesses.
Dolby Digital is a digital surround sound system that provides
completely independent multi-channel audio to listeners. In
multi-channel form, Dolby Digital provides 5 full-range channels
in what is sometimes referred to as a “3/2” configuration: three
front channels (left, center and right), plus two surround
channels. A sixth bass-only effect channel is also provided for
output of LFE (low frequency effect), or low bass effects that
are independent of other channels. This channel is counted as
0.1, thus giving rise to the term 5.1 channels in total.
LD and DVD are home audio/video program source that could
benefit from Dolby Digital. In the near future, Dolby Digital will
also be applied to DBS, CATV and HDTV. The ongoing release
of Dolby Digital theatrical films now underway will provide an
immediate source of Dolby Digital encoded video software.
5
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The following original functions make the surround-sound effect
of Dolby Digital become the most suitable for your audio
system and the listening conditions.
Manufactured under license from Dolby Laboratories. “Dolby”,
“Pro Logic” and the double-D symbol are trademarks of Dolby
Laboratories.
CINEMA DSP: Dolby Surround + DSP
The Dolby Surround sound system shows its full ability in a
large movie theater, because movie sounds are originally
designed to be reproduced in a large movie theater using many
speakers. It is difficult to create a sound environment similar to
that of a movie theater in your listening room, because the
room size, materials of inside walls, the number of speakers,
etc. of your listening room are very different from those of a
movie theater.
YAMAHA DSP technology made it possible to present you with
nearly the same sound experience as that of a large movie
theater in your listening room by compensating for the lack of
presence and dynamics in your listening room with its original
digital sound fields combined with the Dolby Surround sound
system.
CINEMA DSP
The YAMAHA “CINEMA DSP” logo indicates those programs
that are created by the combination of Dolby Surround and
YAMAHA DSP technology.
Dolby Pro Logic + 2 Digital Sound Fields
Dolby Digital + 3 Digital Sound Fields
Digital sound fields are created on the presence side and the
rear surround side of the Dolby Pro Logic Surround-decoded
sound field, respectively. They create a wide acoustic
environment and emphasize the surround effect in the room,
letting you feel as much presence as if you are watching a
movie in a popular Dolby Stereo theater.
Digital sound fields are created on the presence side and the
independent left and right surround sides of the Dolby Digital-
decoded sound field, respectively. They create a wide
acoustic environment and strong surround effect in the room
without losing high-channel separation. With the wide
dynamic range of Dolby Digital sound, this sound field
combination lets you feel as if you are watching a movie in the
newest Dolby Stereo Digital theater. This will be the most
ideal home theater sound at the present time.
This combination is available when the DOLBY PRO LOGIC
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE
THEATER/DIGITAL MOVIETHEATER or TV SPORTS sound
field program is selected, and the input signal of source is
analog, PCM audio or encoded with Dolby Digital sound in
2-channel.
This combination is available when the DOLBY PRO LOGIC
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE
THEATER/DIGITAL MOVIETHEATER or TV SPORTS sound
field program is selected, and the input signal of source is
encoded with Dolby Digital sound (except in 2-channel).
6
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CONTROLS AND THEIR FUNCTIONS
FRONT PANEL
6 TUNING MODE (AUTO/MAN’L MONO)
1 STANDBY/ON
Press this switch to turn on the power to this unit. Press it
again to set this unit to the standby mode.
Press this button to switch the tuning mode to automatic or
manual. To select the automatic tuning mode, press this button
so that the “AUTO TUNING” indicator lights up on the display.
To select the manual tuning mode, press this button so that the
“AUTO TUNING” indicator goes off.
Standby mode
In this state, this unit consumes a very small quantity of
power to receive infrared-signals from the remote control
transmitter.
7 FM/AM
Press this button to switch the reception band to FM or AM.
8 TUNING UP/DOWN
2 Remote control sensor
This receives signals from the remote control transmitter.
This button is used for tuning. Press the UP side to tune in to
higher frequencies, and press the DOWN side to tune in to
lower frequencies.
3 Display
This shows various information. (Refer to page 9 for details.)
9 TAPE/MD MON / EXT. DECODER
Press this button to play a tape or an MD. The “TAPE/MD
MON” indicator lights up on the display.
4 MEMORY (MAN’L/AUTO FM)
Press this button to store the broadcasting stations.
When this button is pressed and held for more than three
seconds, the automatic preset tuning begins.
When you press the button next, the “TAPE/MD MON” indicator
goes off, “EXT. DECDR” appears on the display and you can
play the signal connected to the EXTERNAL DECODER
INPUT terminals.
5 EDIT
This button is used to exchange the assignment of two preset
stations with each other.
0 INPUT
Turn this selector to select the program source (VCR, VIDEO
AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) to listen to or
watch.
The name of the selected program source appears on the
display.
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q INPUT MODE
This button switches the DVD/LD and TV/DBS input signal
mode (AUTO/ANALOG).
o RDS MODE
When an RDS station is received, pressing this button changes
the display into the PS mode, PTY mode, RT mode and/or CT
mode (if the station employs those RDS data services) in turn.
w VOLUME
This control is used to raise or lower the volume level.
p PTY SEEK MODE
When this button is pressed, the unit is set in the PTY SEEK
mode.
e PHONES jack
When you use headphones, connect the headphones to the
PHONES jack. You can listen to the sound to be output from
the main speakers through the headphones.
When using headphones only, set both SPEAKERS A and B to
the OFF position and switch off the digital sound field processor
(so that no DSP program name appears on the display) by
pressing EFFECT.
a PTY SEEK START
Press this button to begin searching for a station after the
desired program type has been selected in the PTY SEEK
mode.
s EON
Press this button to select the desired program type (NEWS,
INFO, AFFAIRS, SPORT) when you want to call a radio
program of that type automatically.
r SPEAKERS
Set A or B (or both A and B) to the ON position for the main
speaker system (connected to this unit) that you want to use.
Set the button(s) for the main speaker system you don’t want to
use to the OFF position.
d TIME/LEVEL
Press this button to select the item in the TIME/LEVEL mode.
t A/B/C/D/E
f +/–
Press this button to select one of a group (A to E) of preset
stations.
These buttons are used to adjust the settings of the SET MENU
mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,
press + to increase the delay time or speaker output level.
Press – to decrease the delay time or speaker output level.
y Preset station number selector
Each of these buttons selects a preset station number
(1 to 8).
g SET MENU
Press this button to select functions in the SET MENU mode.
u Tone controls
These controls are only effective for the sound from the main
speakers.
h PROGRAM selector
Press or to select the DSP program.
The name of the selected program appears on the display.
BASS
Use this control to increase or decrease the low-frequency
response. The “0” position produces flat response.
TREBLE
Use this control to increase or decrease the high-frequency
response. The “0” position produces flat response.
j EFFECT
This button switches on and off the output from the center and
rear speakers so that the sound becomes the normal
2-channel.
* Even if the output from the center and rear speakers is off,
when the Dolby Digital is decoded, the signals on all
channels are distributed to the main channels and output
from the main speakers.
i BALANCE
This control is only effective for the sound from the main
speakers.
Turn the control to adjust the balance of the output volume to
the left and right speakers to compensate for sound imbalance
caused by the speaker location or listening room conditions.
k VIDEO AUX terminals
Connect an auxiliary video or audio input source unit such as a
camcorder to these terminals. The source connected to these
terminals can be selected by INPUT.
8
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DISPLAY PANEL
1 Multi-information display
8
,
and
” lights up when the built-in Dolby Digital decoder is
on and the signal of the selected source encoded in Dolby
Digital sound is not in 2-channel. “ ” lights up when the
built-in digital sound field processor is on, and “
lights up when the built-in Dolby Pro Logic Surround decoder is
on. Depending on the selected DSP program, both “
and “ ”, or both “ ” and “ ” will light up.
indicators
This displays various information, for example the station
frequency, preset station number and name of the selected
program source.
“
”
2 MEMORY indicator
When MEMORY is pressed, this indicator flashes for about five
seconds. During this period, the displayed station can be
stored in the memory.
”
9 PTY HOLD indicator
This lights up while a search is being performed in the PTY
SEEK mode.
3 AUTO TUNING indicator
This lights up when the unit is in the automatic tuning mode.
4 TAPE/MD MON indicator
0 EON indicator
This lights up when the tape deck (or MD recorder, etc.) is
selected as the program source by pressing TAPE/MD MON /
EXT. DECODER on the front panel or TAPE/MD on the remote
control transmitter.
This lights up when an RDS station that employs the EON data
service is being received.
q Program type name indicators
The name selected in the EON mode lights up.
5 STEREO indicator
This lights up when an FM stereo broadcast with sufficient
signal strength is being received.
w SLEEP indicator
This lights up while the built-in SLEEP timer is functioning.
6 Signal-level meter
This indicates the signal level of the station being received.
If multipath interference is detected, the indication decreases.
7 RDS mode indicators
The name(s) of RDS mode(s) employed by the currently
received RDS station light(s) up. Illumination of one of the
named indicators shows that the corresponding RDS mode is
now selected.
9
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REMOTE CONTROL TRANSMITTER
See “REMOTE CONTROL TRANSMITTER” on page 49 for full details.
1 Component selector
Press the button for the component you want to control with the
remote control transmitter. (The proper code must be set for
your component. See “SETUP CODES” on page 56.)
When the component selector has been pressed, the remote
control transmitter is set to operate that component.
2 POWER
When you have preset the code for a YAMAHA component, this
button switches between the power on and standby mode.
When you have preset the code for another manufacturer’s
component, this button turns on that component if it has a
remote control transmitter with a power button.
* It only functions when AMP<TUNER>, TAPE/MD, CD, DVD/LD or
DVD MENU on the component selector has been pressed.
3 TEST
Press this button to output the test tone for each speaker.
* It only functions when AMP<TUNER> on the component selector has
been pressed.
4 A/B/C/D/E, PRESET +/–
These buttons are used to select a preset station.
* They only function when AMP<TUNER> on the component selector
has been pressed.
5 MUTE
Press this button to mute the sound.
6 VOLUME
These buttons are used to adjust the volume.
: Turns up the volume.
: Turns down the volume.
7 SLEEP
This button is used to set the SLEEP timer.
8 PRG+, PRG–
These buttons are used to select a DSP program.
* They only function when AMP<TUNER> on the component selector
has been pressed.
9 Indicator
This flashes in red when a button on the remote control
transmitter is pressed. When it flashes rapidly several times,
press the selected button again.
0 Input selector (1 to 9)1)/Numeric buttons2)
1) These buttons are used to select the program source to be
played.
* They only function when AMP<TUNER>, TAPE/MD, CD or
DVD/LD on the component selector has been pressed.
2) These buttons are used to select the menu or channel.
* They only function when DVD MENU, VCR, CBL/DBS or TV on
the component selector has been pressed.
10
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q EFFECT1)/CLEAR2)/+1003)
1) This button is used to switch the DSP program on or off.
* It only functions when AMP<TUNER>, TAPE/MD, CD, DVD/LD,
VCR or TV on the component selector has been pressed.
2) This button is used to clear the settings.
* It only functions when DVD MENU on the component selector
has been pressed.
3) This button is used to select the channel.
* It only functions when CBL/DBS on the component selector has
been pressed.
w ENTER1)/+102)
1) This button is used to enter the channel.
* It only functions when VCR, CBL/DBS or TV on the component
selector has been pressed.
2) This button is used to select the menu.
* It only functions when DVD MENU on the component selector
has been pressed.
e DISC SKIP +/–1)/CH +/–2)
1) These buttons are used to skip to the next or previous disc.
* They only function when CD, DVD/LD or DVD MENU on the
component selector has been pressed.
2) These buttons are used to select the next or previous
channel.
* They only function when VCR, CBL/DBS or TV on the
component selector has been pressed.
r Operation buttons1)/Setup buttons2)
1) These buttons function as play, stop, skip, etc. for
operating the component.
* They only function when TAPE/MD, CD, DVD/LD, VCR or TV on
the component selector has been pressed.
2) These buttons are for adjusting various settings.
* They only function when AMP<TUNER>, DVD MENU or CBL/
DBS on the component selector has been pressed.
11
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SPEAKER SETUP
SPEAKERS TO BE USED
This unit is designed to provide the best sound-field quality with
a 5-speaker configuration, using main speakers, rear speakers
and a center speaker.
The main speakers are used for the main source sound plus
the effect sounds. They will probably be the speakers from
your present stereo system. The rear speakers are used for
the effect and surround sounds, and the center speaker is for
the center sounds (dialog, vocals, etc.). If for some reason it is
not practical to use a center speaker, you can do without it.
Best results, however, are obtained with the full system.
Use of a subwoofer expands your sound field
It is also possible to further expand your system with the
addition of a subwoofer and amplifier. The use of a subwoofer
is effective not only for reinforcing bass frequencies from any or
all channels, but also for reproducing the LFE (low frequency
effect) sound with high fidelity when playing back a source that
is Dolby Digital-decoded. You may wish to choose the
convenience of a YAMAHAActive Servo Processing Subwoofer
System, which has its own built-in power amplifier.
The main speakers should be high-performance models and
have enough power-handling capacity to accept the maximum
output of your audio system.
The other speakers do not have to be equal to the main
speakers. For precise sound localization, however, it is ideal to
use high-performance models that can reproduce sounds over
the full-range for the center speaker and the rear speakers.
SPEAKER CONFIGURATION
5-Speaker Configuration
4-Speaker Configuration
This configuration is the most effective and recommended one.
When playing back a source using the DSP program,
DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE
THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV
SPORTS, or when playing back a source which contains
center-channel signals (dialog, vocals, etc.) using any DSP
program that is Dolby Digital-decoded, conversations will be
output from the center speaker and the ambience will be
excellent.
The center speaker is not used in this configuration. When
playing back a source using the DSP program, DOLBY PRO
LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/
DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/
DIGITAL MOVIETHEATER, MONO MOVIE or TV SPORTS, or
when playing back a source which contains center-channel
signals (dialog, vocals, etc.) using any DSP program that is
Dolby Digital-decoded, the center sound is output from the left
and the right main speakers. However, the sound effect of
other programs will be the same as that of the 5-speaker
configuration.
Note: Set the CNTR (CENTER SPEAKER) mode to the
“LARGE” or “SMALL” position. (See page 21 for
details.)
Note: Be sure to set the CNTR (CENTER SPEAKER) mode to
the “NONE” position. (See page 21 for details.)
Main L
Main R
Main L
Center
Dialog
Main R
Dialog
Surround sound
Surround sound
Rear L
Rear R
Rear L
Rear R
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SPEAKER PLACEMENT
Refer to the following diagram when you place the speakers.
Main:
Rear:
The position of your present stereo speaker
system.
Main
speaker (R)
Behind your listening position, facing slightly
inward. Nearly 1.8 m (approx. 6 feet) up from the
floor.
Subwoofer
Rear
Center:
Precisely between the main speakers. (To avoid
interference with TV sets, use a magnetically
shielded speaker.)
Center speaker
speaker (R)
Main
speaker (L)
Subwoofer: The position of the subwoofer is not as critical,
because low bass tones are not highly directional.
Rear
speaker
(L)
13
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CONNECTIONS
Never plug in this unit and other components until all connections have been completed.
CONNECTIONS WITH OTHER COMPONENTS
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L
(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.
* If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.
SWITCHED AC OUTLET(S)
Europe model..................................... 2 SWITCHED OUTLETS
U.K. model ............................................1 SWITCHED OUTLET
Use these to connect the power cords from your components to
this unit.
DVD player,
The power to the SWITCHED AC OUTLET(S) is controlled by
this unit’s STANDBY/ON or the provided remote control
transmitter’s POWER. These outlets will supply power to any
component whenever this unit is turned on.
The maximum power (total power consumption of components)
that can be connected to the SWITCHED AC OUTLET(S) is
100 watts.
LD player, etc.
Turntable
Monitor TV
(Europe model)
To AC outlet
VCR
CD player
Tape deck,
MD recorder, etc.
TV/DBS tuner
(Video cassette recorder)
GND terminal (for turntable use)
Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better
results may be obtained with the ground wire disconnected.
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CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)
These terminals are used to connect any video input source, such as a camcorder, to this unit.
VIDEO AUX
Camcorder
CONNECTING TO AN EXTERNAL DECODER
When using the DTS or other decoder with 6-channel discrete outputs, connect the 6CH DISCRETE OUTPUT terminals of the
decoder to the EXTERNAL DECODER INPUT terminals of this unit.
DTS or other decoder with 6-channel
discrete outputs
L
L
R
R
(Europe model)
DVD player, LD player or other
unit with digital outputs
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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with
coaxial or optical digital audio signal output terminals, they can
be connected to this unit’s COAXIAL and/or OPTICAL digital
signal input terminals.
Notes
• When connecting an audio/video unit to both the digital and
analog terminals of this unit, make sure to connect between
terminals of the same name.
• Be sure to attach the covers when the OPTICAL terminals
are not being used in order to protect them from dust.
• The input signal from the DVD/LD input terminals is selected
in the following order of priority with the input mode set to the
AUTO position:
To make a connection between optical digital audio signal
terminals, remove the cover from each terminal, and then
connect them by using a commercially available optical fiber
cable that conforms to EIAJ standards. Other cables might not
function correctly.
1 COAXIAL terminal
2 OPTICAL terminal
3 Analog terminal
Even if you connect an audio/video unit to the COAXIAL (or
OPTICAL) terminal of this unit, you must keep the unit
connected with the same named analog audio signal terminals
of this unit, because a digital signal cannot be recorded by a
tape deck, MD recorder or VCR connected to this unit. You can
easily switch the selection of input signals between “digital” and
“analog”. (See page 28 for details.)
• All digital audio signal input terminals are applicable to
sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.
• If your LD player has Dolby Digital RF signal output terminal,
use the RF demodulator (separate purchase).
DVD or LD player
TV/DBS tuner
(Europe model)
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CONNECTING SPEAKERS
Main speakers A
Main speakers B
Right
Left
Right
Left
SPEAKERS
MAIN
L
R
REAR
(SURROUND)
CENTER
L
R
Rear speakers
OUTPUT
Left
Right
SUB
WOOFER
Center speaker
Subwoofer system
Subwoofer connection
Note
You may wish to add a subwoofer to reinforce low frequencies
or to output low bass sound from the subwoofer channel.
If you have a subwoofer with built-in amplifier, including the
YAMAHAActive Servo Processing Subwoofer System, connect
the SUBWOOFER OUTPUT terminal of this unit to the input
terminal of the subwoofer system.
If you have a separate amplifier and subwoofer, connect the
SUBWOOFER OUTPUT terminal of this unit to the input
terminal of the subwoofer amplifier, and then connect the
speaker terminals of the subwoofer amplifier to the subwoofer.
When the input signals to this unit are for normal 2-channel
stereo, this terminal outputs only frequencies below 90 Hz from
the main and center channels. When discrete signals are input
to this unit and are selected as the input source, this terminal
outputs signals from the subwoofer channel.
Use speakers with the specified impedance shown on the
rear panel of this unit.
Main speaker connections
One or two speaker systems can be connected to this unit. If
you use only one speaker system, connect it to either of the
SPEAKERS A or B terminals.
Rear speaker connections
A rear speaker system can be connected to this unit. Place
them to the rear of your listening position.
Center speaker connection
A center speaker can be connected to this unit. Place it on or
under the TV.
Note: The output level of signals from this terminal is adjusted
by VOLUME on the front panel or VOLUME (
) on
the remote control transmitter.
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How to connect
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.
Caution
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could
damage the unit and/or speakers.
Connecting to the MAIN SPEAKERS terminals
Connecting to the REAR and CENTER
SPEAKERS terminals
Red: positive (+)
Red: positive (+)
Black: negative (–)
Black: negative (–)
1 Press the tab.
1 Unscrew the knob.
2 Remove approx. 5 mm
2 Remove approx. 5 mm
(1/4”) of insulation from
each of the speaker
wires and insert the bare
wire into the terminal.
3 Release the tab to
secure the wire.
(1/4”) of insulation from
each of the speaker
wires and insert the bare
wire into the terminal.
1
2
1
3
3 Tighten the knob to
3
secure the wire.
2
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IMPEDANCE SELECTOR SWITCH
Select the position whose requirements your speaker system
meets.
WARNING
Do not change the IMPEDANCE SELECTOR switch setting
while the power to this unit is on, otherwise this unit may be
damaged.
(Upper position)
If this unit fails to turn on when the STANDBY/ON switch is
pressed, the IMPEDANCE SELECTOR switch may not be
fully set to either end. If so, set the switch to either end fully
when this unit is in the standby mode.
Main: If you use one pair of main speakers, the impedance of
each speaker must be 4 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 8 Ω or higher.
Center: The impedance of the speaker must be 6 Ω or higher.
IMPEDANCE SELECTOR
(Europe model)
Rear: The impedance of each speaker must be 6 Ω or
higher.
(Lower position)
Main: If you use one pair of main speakers, the impedance of
each speaker must be 8 Ω or higher.
If you use two pairs of main speakers, the impedance
of each speaker must be 16 Ω or higher.
Center: The impedance of the speaker must be 8 Ω or higher.
Rear: The impedance of each speaker must be 8 Ω or
higher.
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ANTENNA CONNECTIONS
Each antenna should be correctly connected to the designated terminals, referring to the following diagram.
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor
reception quality, an outdoor antenna may result in improvement.
Indoor FM
antenna
Outdoor AM antenna
Outdoor FM antenna
(included)
AM loop
antenna
(included)
75-ohm/300-ohm
antenna adapter
75-ohm coaxial cable
75-ohm/300-ohm
antenna adapter
300-ohm feeder
Ground
Connecting the AM loop antenna
1
2
3
1
3
Orient so that the best
reception is obtained.
2
* The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.
* The AM loop antenna always should be connected, even if an outdoor AM antenna is connected to this unit.
Notes
GND TERMINAL
• When connecting the indoor FM
antenna, firmly insert its connector
into the FM ANT terminal.
For maximum safety and minimum interference, connect the
GND terminal to a good earth ground. A good earth ground is a
metal stake driven into moist earth.
• If you need an outdoor FM antenna to
improve FM reception quality, either
300-ohm feeder or coaxial
cable may be used. In locations
troubled by electrical interference, coaxial cable is preferable.
20
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ADJUSTMENTS BEFORE USING THIS UNIT
SELECTING THE OUTPUT MODES
This unit provides you the following five functions to determine the method of distributing output signals to speakers suitable for
your audio system. When speaker connections have all been completed, select the proper setting for each function to make the
best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 47.)
1. CNTR (CENTER SPEAKER)
4. BASS (LFE/BASS OUT)
2. REAR (REAR SPEAKERS)
5. M.LVL (MAIN LEVEL)
3. MAIN (MAIN SPEAKERS)
DESCRIPTION OF EACH FUNCTION
CNTR (CENTER SPEAKER)
BASS (LFE/BASS OUT)
Choices: SW/MAIN/BOTH
Preset position: SW
Choices: LARGE/SMALL/NONE
Preset position: LARGE
MAIN:
Select this position if your system does not include a
subwoofer.
LARGE: Select this position when your center speaker is
approximately the same size as the main speakers.
SMALL: Select this position when you use a center speaker
that is smaller than the main speakers.
In this position, full-range signals present on the
main channels, signals from the LFE channel and
other low bass signals that are selected for “CNTR”
to “MAIN” to be distributed from other channels are
output from the main speakers.
In this position, low bass signals (below 90 Hz) on the
center channel are output from the main speakers (or
the SUBWOOFER OUTPUT terminal if the SMALL
position is selected for “MAIN” and the SW position is
selected for “BASS”).
SW/BOTH:
Select either the SW or BOTH position if your
NONE: Select this position when you do not have a center
speaker. The center channel sound will be output
from the left and right main speakers.
system includes a subwoofer.
In either position, signals on the LFE channel and
other low bass signals that are selected for “CNTR”
to “MAIN” to be distributed from other channels are
output from the SUBWOOFER OUTPUT terminal.
When the LARGE position is selected for “MAIN”, in
the SW position, no signal is distributed from the
main channels to the SUBWOOFER OUTPUT
terminal; however, in the BOTH position, low bass
signals from the main channels are output to both
the main speakers and the SUBWOOFER OUTPUT
terminal.
REAR (REAR SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your rear speakers have high
ability for bass reproduction, or a subwoofer is
connected to the rear speaker in parallel.
In this position, full-range signals are output from the
rear speakers.
SMALL: Select this position if your rear speakers do not have
high ability for bass reproduction.
M.LVL (MAIN LEVEL)
Choices: NRML (NORMAL)/–10 dB
Preset position: NRML (NORMAL)
In this position, low bass signals (below 90 Hz) on
the rear channels are output from the SUBWOOFER
OUTPUT terminal (or the main speakers if the MAIN
position is selected for “BASS”).
NRML (NORMAL):
Normally select this position.
–10 dB: Select this position if the sound output from the main
speakers is too loud and cannot be balanced with
the sound output from the center and rear speakers.
In this position, the sound output from the main
speakers is attenuated.
MAIN (MAIN SPEAKERS)
Choices: LARGE/SMALL
Preset position: LARGE
LARGE: Select this position if your main speakers have high
ability for bass reproduction.
In this position, full-range signals present on the
main channels are output from the main speakers.
SMALL: Select this position if your main speakers do not
have high ability for bass reproduction. However, if
your system does not include a subwoofer, do not
select this position.
In this position, low bass signals (below 90 Hz) on
the main channels are output from the
SUBWOOFER OUTPUT terminal if the SW or BOTH
position is selected for “BASS”.
21
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ADJUSTING METHOD
Adjustments should be made while watching the information on this unit’s display.
1
2
3
2
1
3
When adjusting with the remote control transmitter, press
AMP<TUNER> on the component selector on the remote
control transmitter.
3
Press + or – once or more to select the setting you
want.
Front panel
Remote control
or
1
2
Turn the power on.
Front panel
Remote control
or
Press SET MENU once or more to select the function
“CNTR” on the display.
4
Repeat steps 2 and 3 to change the setting for
“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same
way.
Front panel
Remote control
or
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SPEAKER BALANCE ADJUSTMENT
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from
each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder and the
Dolby Pro Logic Surround decoder.
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.
After completing the adjustment of the output level for each speaker, use VOLUME (
transmitter at your listening position to check if the adjustments are satisfactory.
) on the remote control
5,9
6
2
1
2
8
4 4,7
3
Press AMP<TUNER> on the component selector on the
remote control transmitter.
2
Turn the power on.
Front panel
Remote control
or
1
Set VOLUME to the “ ” position.
3
Select the main speakers to be used.
Front panel
Front panel
* If you use two main speaker systems, press both A and B.
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4
5
Set BASS, TREBLE and BALANCE to the “0” position.
6
Turn up the volume.
Front panel
Remote control
Press TEST so that “TEST LEFT” appears on the
display.
You will hear a test tone (like pink noise) from each
speaker for about two seconds in following order: left main
speaker, center speaker, right main speaker, right rear
speaker and left rear speaker. The display changes as
shown below.
Remote control
Main (L)
Center
Main (R)
Rear (R)
Rear (L)
* If the function “CNTR” in the SET MENU mode is set to
the NONE position, you will hear the center channel test
tone from the left and right main speakers.
7
Adjust BALANCE so that the sound output level of the
left main speaker and the right main speaker is the
same.
Front panel
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Notes
• Once you have completed these adjustments, you can only
adjust the overall sound level of your audio system by using
8
Adjust the sound output levels of the center speaker
and the rear speakers so that they become almost the
same as that of the main speakers.
VOLUME (or VOLUME (
) on the remote control
transmitter).
Press TIME/LEVEL once or more to select the speaker
to be adjusted so that “CENTER”, “R SUR.”, “L SUR.”
or “SWFR” appears on the display.
• If you use external power amplifiers, you may also use their
volume controls to achieve the proper balance.
• If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted in step 8. The center sound is
automatically output from the left and right main speakers.
• If there is insufficient sound output from the center and rear
speakers, you may decrease the main speaker output level
by setting “M.LVL” to “–10 dB”.
Remote control
* You cannot adjust the delay time while the test tone is
sounding even if “DELAY” appears on the display
after pressing TIME/LEVEL once or more.
Adjust the level.
* Pressing + raises and – lowers the level.
* While adjusting, the test tone is fixed on the selected
speaker.
Remote control
9
Press TEST again to stop the test tone.
Remote control
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BASIC OPERATIONS
TO PLAY A SOURCE
2
3 1,7
7
2
3,4
4
5
8
When using the remote control transmitter
3
Select the desired program source by using INPUT.
(Turn on the TV/monitor for video sources.)
• Press AMP<TUNER> on the component selector.
• When controlling an audio/visual component (tape deck,
MD recorder, CD player, DVD/LD player, etc.), press the
button on the component selector, TAPE/MD, CD, DVD/
LD, etc., for the component you want to control. (See
“SETUP CODES” on page 56.)
Front panel
Remote control
or
1
Set VOLUME to the “ ” position.
Front panel
The name of the selected program source will appear on
the display.
To play a tape or an MD
Front panel
Press TAPE/MD MON / EXT. DECODER
on the front panel or TAPE/MD on the
remote control transmitter so that the
“TAPE/MD MON” indicator lights up on
the display.
2
Turn the power on.
Front panel
Remote control
or
To use a decoder connected to the EXTERNAL
DECODER INPUT terminals
Press TAPE/MD MON / EXT. DECODER once or more on
the front panel or EXT. DEC. on the remote control
transmitter so that “EXT. DECDR” appears on the display.
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4
For a DVD/LD or TV/DBS source, the current input
mode is also shown.
7
8
Adjust the volume to the desired output level.
Front panel
Remote control
* To change the input mode for the DVD/LD or TV/DBS
source, press INPUT MODE (or the button that you
have pressed to select the program source in step 3
on the remote control transmitter) once or more until
the desired input mode (AUTO or ANALOG) is shown
on the display. (See page 28 for details on switching
the input mode.)
or
Front panel
Remote control
If desired, adjust BASS, TREBLE, BALANCE, etc.
and use the digital sound field processor (see
page 41).
or
BASS:
Turn this control clockwise to increase (or
counterclockwise to decrease) the low-
frequency response.
TREBLE: Turn this control clockwise to increase (or
counterclockwise to decrease) the high-
frequency response.
Input mode
BALANCE: Adjust the balance of the output volume
from the left and right speakers to
compensate for sound imbalance caused
by the speaker location or listening room
conditions.
5
Select the main speakers to be used.
Front panel
Front panel
* If you use two main speaker systems, press both A and B.
* These controls are only effective for the sound from the
main speakers.
6
Play the source. (See page 30 for detailed information
on tuning.)
When you have finished using this unit
Press STANDBY/ON on the front panel again or POWER on
the remote control transmitter to set this unit to the standby
mode.
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Notes on using INPUT
Switching the input mode
(for DVD/LD and TV/DBS)
• The audio source selected by INPUT will not be played if the
“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is
displayed.
This unit allows you to switch the input mode only for those
sources connected to the DVD/LD and TV/DBS input terminals
(on the rear panel of this unit) that input two or three types of
signal.
• If you select INPUT for a video source without canceling the
selection of TAPE/MD MON / EXT. DECODER on the front
panel (or TAPE/MD or EXT. DEC. on the remote control
transmitter), the play back result will be a video image from
the video source and the sound from the audio source
selected by TAPE/MD MON / EXT. DECODER on the front
panel (or TAPE/MD or EXT. DEC. on the remote control
transmitter).
• Once you start playing a video source, the video image will
not be interrupted even if INPUT for an audio source is
selected.
• When you select a program source by using INPUT, the DSP
program (or no DSP program) that was being used when the
same program source was selected the last time, will be
automatically recalled.
The following two input modes are provided:
AUTO For a source connected to the DVD/LD input
terminals
This mode is automatically selected when you turn on
the power to this unit. In this mode, the input signal is
automatically selected in the following order of priority:
1. Digital input signal from the COAXIAL terminal
2. Digital input signal from the OPTICAL terminal
3. Analog input signal
For a source connected to the TV/DBS input
terminals
This mode is selected when you turn on the power to
this unit if the AUTO position is selected for “INPUT” in
the SET MENU mode. (See page 48 for details.) In
this mode, the input signal is automatically selected in
the following order of priority:
1. Digital input signal from the OPTICAL terminal
2. Analog input signal
ANALOG
In this mode, only an analog input signal is selected,
even if a digital signal is input at the same time.
Select this mode when you want to use the analog
input signal instead of the digital input signal.
Notes on input mode selection
• To play back a source that is Dolby Digital-decoded, set the
input mode to AUTO.
• For the TV/DBS source only, the input mode selected for
“INPUT” in the SET MENU mode is effective when you turn
on the power to this unit.
• When you want to enjoy a source which has normal
2-channel signals with a Dolby Pro Logic Surround program,
select the ANALOG mode.
• In the AUTO mode, there may be a case, depending on the
LD player or DVD player, that when you search for a source
encoded with Dolby Digital during play and then play is
restored, the sound output is interrupted for a moment
because the digital input signal is selected again.
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TO RECORD A SOURCE ON TAPE OR MD
4 1 2
2
1,4
1
2
Select the source to be recorded.
4
When a tape deck or MD recorder is being used for
recording, you can monitor the sounds being recorded
by pressing TAPE/MD MON / EXT. DECODER on the
front panel or TAPE/MD on the remote control
transmitter so that the “TAPE/MD MON” indicator lights
up on the display.
Front panel
Remote control
Front panel
Remote control
or
or
Play the source and then turn up the volume to confirm
the program source. (See page 30 for detailed
information on tuning.)
Notes
• The settings of DSP and VOLUME, BASS, TREBLE and
BALANCE have no effect on the material being recorded.
• A source that is connected to this unit only through the digital
terminals cannot be recorded by a tape deck, MD recorder or
VCR connected to this unit.
Front panel
Remote control
• Please check the copyright laws in your country to record
from records, compact discs, radio, etc. Recording of
copyright material may infringe copyright laws.
or
If you use a video source that has scrambled or encoded
signals to prevent it from being dubbed, there may be a case
that the picture itself will be affected by those signals.
3
Begin recording on the tape deck, MD recorder or VCR
connected to this unit.
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TUNING OPERATIONS
Set INPUT on the front panel to the TUNER position. When using the remote control transmitter, press AMP<TUNER> on the
component selector and then press TUNER on the input selector.
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is
possible. However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).
2 3
1
AUTOMATIC TUNING
MANUAL TUNING
1
Select the reception band (FM or AM) and confirm it on
the display.
1
Select the reception band (FM or AM) and confirm it on
the display.
Front panel
Front panel
or
or
2
Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
2
3
Press TUNING MODE.
Front panel
Front panel
Confirm that the “AUTO
TUNING” indicator goes off.
Lights up
Tune in manually to the desired station.
3
To tune in to a higher frequency, press the UP side of
TUNING once.
Front panel
To tune in to a lower frequency, press the DOWN side
of TUNING once.
Front panel
* To continue the tuning search, press and hold the button.
Notes
• If you tune in manually to an FM station, it will be
automatically received in monaural mode to increase the
signal quality.
• If an RDS station that employs the PS data service is being
received, the station name is shown on the display.
* If the station where the tuning search stops is not the
desired one, press once more.
* If the tuning search does not stop at the desired station
(because the signal from the station is weak), take the
manual tuning procedure.
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MANUAL PRESET TUNING
This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by
selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.
3
2 4
To store stations
1
2
Tune in to the desired station.
(See the previous page for the tuning procedure.)
4
Select the preset station number with which you want to
store the station before the “MEMORY” indicator goes
off from the display.
Front panel
Press A/B/C/D/E once or more to select the desired
group (A to E) of preset stations and confirm it on the
display.
Front panel
The displayed station has been stored as A1.
3
Press MEMORY so that the “MEMORY” indicator
flashes for about five seconds.
* In the same way, store other stations as A2, A3 ... A8.
* You can store more stations as preset station numbers in
other groups in the same way by selecting another group
in step 2.
Front panel
Flashes
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1 2
1
2
To recall a preset station
Notes
• A new setting can be stored in place of the former one.
• For presets, the setting of the reception mode (stereo or
monaural) is stored along with the station frequency.
1
Select the group of preset stations.
Front panel
Remote control
Memory back-up
or
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the memory will be erased. If so, it can be re-stored
by simply following the preset tuning procedure.
2
Select the preset station number.
Front panel
Remote control
or
32
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AUTOMATIC PRESET TUNING (for RDS stations only)
You can also make use of the automatic preset tuning function for RDS stations only. This function enables the unit to perform
automatic tuning and to sequentially store RDS stations with strong signals. Up to 40 stations can be stored automatically in the
same way as that for manual preset tuning on page 31. Note that a new setting can be stored in place of the former one.
* See pages 35 to 39 for details on RDS stations.
3 1
2 4
To store stations
1
Select the FM band.
4
To tune in to higher frequencies, press the UP side of
TUNING once.
To tune in to lower frequencies, press the DOWN side
of TUNING once.
Front panel
Front panel
2
Press TUNING MODE so that the “AUTO TUNING”
indicator lights up on the display.
* If TUNING is not pressed, the automatic preset tuning
soon begins automatically toward higher frequencies.
Front panel
Automatic preset tuning begins from the frequency currently
displayed. Received stations are sequentially stored as A1,
A2 ... A8.
* If more than 8 stations are received, they are stored as the
preset station numbers in other groups (B, C, D and E) in
that order.
Lights up
3
Press MEMORY and hold for about three seconds.
If you want to store the first station received by automatic
preset tuning as a desired preset station number
For example, if you want to store the first received station as C5,
select “C5” while “A1”, the “MEMORY” indicator and the “AUTO
TUNING” indicator flash after pressing MEMORY in step 3. Then
press TUNING. The first received station is stored as C5, and the
next stations as C6, C7 ... sequentially.
Front panel
Flashes
If stations have been stored up to E8, automatic preset tuning
automatically stops.
When automatic preset tuning is complete
The display shows the frequency of the last preset station.
Check the contents and the number of preset stations by
following the procedure in the section “To recall a preset
station” on page 32.
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Notes
• You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “To
store stations” on page 31.
• An automatic preset tuning search will be performed through all RDS network frequencies until stations have been stored up to
E8. Even if the number of received stations is not enough to be stored up to E8, the search is automatically ended after
searching all frequencies.
• With this function, only RDS stations with sufficient signal strength are automatically stored. If the station you want to store is
weak in signal strength, tune in to it manually in monaural sound and store it by following the procedure in the section “To store
stations” on page 31.
* There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This
is because this function receives a large volume of PI (Program Identification) data along with the station.
EXCHANGING PRESET STATIONS
You can exchange the assigment of two preset stations with each other as shown below.
2,4
Example
If you want to change the preset station from “E1” to “A5”, or vice versa.
3
Next, recall preset station “A5” by following the same
procedure as in step 1.
1
2
Recall preset station “E1” by following the procedure in
the section “To recall a preset station” on page 32.
Press EDIT.
Front Panel
Flashes
4
Press EDIT once more.
Flashes
Front Panel
Shows the exchange of
stations has been
completed.
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The RDS broadcast functions do not operate in areas where RDS broadcasts cannot be received. (In such case, the
procedure from pages 35 to 39 is not necessary.)
RECEIVING RDS STATIONS
Radio Data System (RDS) is a data transmission system gradually being introduced by FM stations in many countries. Stations
using this system transmit an inaudible stream of data in addition to the normal radio signal.
RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT
(Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc.
The RDS function is used by network stations.
DESCRIPTION OF RDS DATA
This unit can receive PI, PS, PTY, RT, CT, and EON data when receiving RDS broadcast stations.
PS (Program Service name) mode:
The name of the RDS station being received is displayed.
RT (Radio Text) mode:
Information about the program (such as the title of a song,
name of the singer, etc.) on the RDS station being received is
displayed by a maximum of 64 alphabetical characters,
including the umlaut sign. If other characters are used for the
RT data, they are displayed with under-bars.
PTY (Program Type) mode:
The type of program on the RDS station being received is
displayed. There are 15 program types to classify RDS
stations. You can make this unit search for a station which is
broadcasting a program of the desired type. See page 37 for
details.
CT (Clock Time) mode:
The current time is displayed in the following form and updated
every minute.
Hour
Minute
If the data is accidentally cut off, “CT WAIT” may appear.
EON (Enhanced Other Networks):
See page 39.
35
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CHANGING THE RDS MODE
When an RDS station is received, PS, PTY, RT and/or CT that correspond to the RDS data services employed by the station light
up on the display. By pressing RDS MODE, you can change the display mode among the RDS modes employed by the received
station in the order shown below. Illumination of the RDS mode indicator shows that the corresponding RDS mode has been
selected.
* When an RDS station is received, do not press RDS MODE until one or more names of RDS modes light up on the display. If the
button is pressed before one or more names light up on the display, the mode cannot be changed. This is because the unit has
not yet received all of the RDS data on the station.
* If no RDS mode lights up on the display, the mode cannot be changed.
* An RDS mode not employed by the station cannot be selected.
Front panel
PS
mode
PTY
mode
RT
mode
CT
mode
Notes
• The RDS data service cannot be utilized by this unit if the received signal is not strong enough. In particular, the RT mode
requires a large amount of data to be received, so it is possible that the RT mode cannot be displayed even if other RDS modes
(PS, PTY, etc.) are displayed.
• There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press TUNING MODE so
that the “AUTO TUNING” indicator goes off from the display. Although the reception mode is changed to monaural by this
operation, when you change the display to RDS mode, RDS data may be displayed.
• If the signal strength is weakened by external interference during the reception of an RDS station, the RDS data service may be
...
cut off suddenly and “ WAIT” will appear on the display.
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PTY SEEK
By designating a program type, the unit automatically searches all preset RDS stations that are broadcasting a program of that
type.
* There are 15 program types to classify RDS stations. See page 38 for details.
1 2
3
1
2
Press PTY SEEK MODE to set the unit in the PTY
SEEK mode.
3
Press PTY SEEK START to begin searching all preset
RDS stations.
Front panel
Front panel
The program type of the station
being received or “NEWS”
flashes on the display.
Press TUNING (Up side or Down side) to select the
desired program type.
Flashes
Front panel
* The “PTY HOLD” indicator lights up on the display.
* If the station that is broadcasting a program of the required
type is found, the unit stops at the station and displays the
frequency of the station.
* If the called station is not the desired one, press PTY
SEEK START once more.
The unit begins searching for another station that is
broadcasting a program of the same type.
To cancel this function
Press PTY SEEK MODE twice.
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PROGRAM TYPES IN THE PTY MODE
News:
Pop:
NEWS
POP M
Short accounts of facts, events and publicly
expressed views, reportage and actuality.
Commercial music, which would generally be
considered to be of current popular appeal,
often featuring in current or recent record
sales charts.
Current affairs:
AFFAIRS
Topical program expanding or enlarging upon
the news, generally in different presentation
style or concept, including documentary
debate, or analysis.
Rock:
ROCK M
M.O.R. M
Contemporary modern music, usually written
and performed by young musicians.
Information:
M.O.R.:
INFO
Program whose purpose is to impart advice in
the widest sense, including meteorological
reports and forecasts, consumer affairs,
medical help, etc.
(Middle of the Road Music). Common term to
describe music considered to be “easy-
listening”, as opposed to Pop, Rock or
Classical. Music in this category is often but
not always, vocal, and usually of short
duration (<5 min.)
Sport:
SPORT
Program concerned with any aspect of sport.
Light classics:
LIGHT M
Education:
Program intended primarily to educate, of
which the formal element is fundamental.
Classical Musical for general, rather than
specialist appreciation. Examples of music in
this category are instrumental music, and
vocal or choral works.
EDUCATE
Drama:
All radio plays and serials.
DRAMA
Serious classics:
CLASSICS
OTHER M
Performances of major orchestral works,
symphonies, chamber music etc., and
including Grand Opera.
Culture:
CULTURE
Programs concerned with any aspect of
national or regional culture, including religious
affairs, philosophy, social science, language,
theatre, etc.
Other music:
Musical styles not fitting into any of the above
categories. Particularly used for specialist
music, of which Jazz, Rhythm & Blues, Folk,
Country, and Reggae are examples.
Science:
SCIENCE
Programs about the natural sciences and
technology.
Varied:
VARIED
Used for mainly speech-based programs
usually of light-entertainment nature, not
covered by above categories. Examples are:
quizzes, panel games, personality interviews,
comedy and satire.
38
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EON FUNCTION
This function uses the EON data service on the RDS station network.
By simply selecting the desired program type (NEWS, INFO, AFFAIRS or SPORT), the unit will automatically monitor all preset
RDS stations that broadcast a program of that type and switch from the program being currently received to that program when the
broadcast starts.
* This function can only be used when an RDS station that employs the EON data service is being received. (When such a station
is received, the “EON” indicator lights up on the display.)
2
1
Make sure that the “EON” indicator lights up on the
display.
3
When broadcasting of the selected program ends, the
previously received program (or another program on
the same station) is recalled.
Lights up
* If the “EON” indicator does not light up on the display, tune
in to another RDS station so that the “EON” indicator lights
up.
To cancel this function
Press EON once or more so that no program type name lights
up on the display.
2
Press EON once or more to select the desired program
type, NEWS, INFO, AFFAIRS or SPORT.
Front panel
Lights up
If a preset RDS program of the designated type starts
broadcasting, the unit will automatically switch from the
program being currently received to that program.
Flashes
39
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SETTING THE SLEEP TIMER
The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while
enjoying a broadcast or other desired program source, this timer function is useful. The SLEEP timer can only be controlled with
the remote control transmitter.
Notes
• To set the SLEEP timer for this unit, press AMP<TUNER>, TAPE/MD, CD or DVD/LD on the component selector.
• The components for which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear
panel of this unit.
1
To set the SLEEP time
To cancel the selected SLEEP time
Remote control
1
Press SLEEP once or more to select the desired
SLEEP time.
Remote control
Press SLEEP once or more so that “SLEEP OFF” appears on
the display. (It will soon disappear and the “SLEEP” indicator
will go off from the display.)
The SLEEP time is displayed.
Note
The SLEEP timer setting can also be canceled by setting the
unit in the standby mode with STANDBY/ON on the front panel
(or POWER on the remote control transmitter) or by
disconnecting the power plug of the unit from the AC outlet.
Flashes
Each time you press SLEEP, the SLEEP time will change as
follows:
(Minutes)
120
90
60
30
The SLEEP timer is off (SLEEP OFF).
(This is the state before SLEEP is
pressed.)
The “SLEEP” indicator soon lights up and the display returns
to the indication before the SLEEP timer was set.
2
The unit will be switched to the standby mode
automatically at the selected SLEEP time.
40
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(
)
USINGTHE DIGITAL SOUND FIELD PROCESSOR DSP
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically
expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in
your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,
depend on what you are listening to) and adding any desired adjustments.
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most
of these are precise digital re-creations of actual acoustic environments. The data for these sound fields were recorded at actual
locations using sophisticated sound field measurement equipment.
Note
The channel level balance between the left and right rear speakers may vary depending on the sound field you are
listening to. This is due to the fact that most of these sound fields are a re-creation of actual acoustic environments.
BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS
No.
1
PROGRAM
DOLBY PRO LOGIC (
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
FEATURES
)
This reproduces video discs, video tapes and similar sources
which are Dolby Surround encoded and bear the “DOLBY
SURROUND” logo.
Speaker output: main, center, rear
The built-in Dolby Pro Logic Surround decoder or Dolby Digital
decoder precisely reproduces the sounds and sound effects of
a source encoded with Dolby Surround. The realization of a
highly efficient decoding process improves crosstalk and
channel separation and makes sound positioning smoother
and more precise.
DOLBY DIGITAL (
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
Note: If the main channel sound is considerably altered by
overadjusting BASS or TREBLE, it may not produce suitable
surround sound.
2
DOLBY PRO LOGIC ENHANCED
This reproduces video discs, video tapes and similar sources
which are Dolby Surround encoded and bear the “DOLBY
SURROUND” logo.
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
This program ideally simulates the multi-surround speaker
systems of the 35 mm film theater. Dolby Surround decoding
is precisely performed without altering the original sound
orientation. The surround effects produced by this sound field
fold around the viewer naturally from the rear to the left and
right and toward the screen.
Speaker output: main, center, rear
DOLBY DIGITAL ENHANCED
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
3
70 mm MOVIE THEATER
This is ideal for reproducing video discs, video tapes and
similar sources which are Dolby Surround encoded and bear
the “DOLBY SURROUND” logo.
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
This program is ideal for precisely reproducing the sound
design of the newest 70 mm/Dolby Digital multi-track films.
The sound field is similar to that of the newest movie theaters,
so the reverberations of the sound field itself are restrained as
much as possible. The three-dimensional feeling of the sound
field is emphasized, and dialog is precisely oriented on the
screen. You can enjoy watching Sci-Fi, adventure movies, etc.
with considerable presence.
Speaker output: main, center, rear
DIGITAL MOVIE THEATER
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
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No.
4
PROGRAM
FEATURES
MONO MOVIE
This program is designed specifically to enhance mono audio
sources. Compared to a strictly mono setting, the sound image
created in this mode is wider and slightly forward of the speaker
pair, lending an immediacy to the overall sound. It is particularly
effective when used with old mono movies, news broadcasting
and dialog.
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, center, rear
)
(
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
5
6
7
8
TV SPORTS
This program is furnished with a tight sound field in which the
sound will not spread excessively on the front side, but the rear
surround side produces dynamic sound expansion. This
program is the most suitable for sports events.
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, center, rear
)
(
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
This program re-creates the acoustic environment of a lively
disco in the heart of a very lively city. The sound is dense and
highly concentrated. It is also characterized by a high-energy,
“immediate” sound.
DISCO
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, rear
(
)
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
ROCK CONCERT
This program is ideally suited for rock music. You will
experience a very dynamic and lively sound field.
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, rear
)
(
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
CONCERT HALL
In this program, the center will appear to be deep behind the
main speakers, creating an expansive, large hall ambience.
Orchestra and opera music are suited to this sound field.
(
)
This functions when the input signal is analog or
PCM audio, or encoded with Dolby Digital in
2-channel.
Speaker output: main, rear
)
(
This functions when the input signal is encoded
with Dolby Digital (not in 2-channel).
Speaker output: main, center, rear
Note: When the NONE position is selected for “CNTR” in the SET MENU mode, no sound is output from the center speaker(s).
42
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PLAYING AN AUDIO/VIDEO SOURCE WITH THE DIGITAL SOUND FIELD
PROCESSOR (DSP) EFFECT
2
2
1
2
Follow steps 1 to 7 shown in “BASIC OPERATIONS” on
pages 26 to 27.
3
If desired, adjust the delay time and the output level of
each speaker. (See pages 45 and 46 for details.)
Select the desired DSP program that is suitable for the
source. When using the remote control transmitter,
press AMP<TUNER> on the component selector first.
Notes
• You can select a program for each of the program sources.
Once you select a program, it is linked with the program
source selected at that time. So, when you select the
program source next time, the same program is automatically
called.
Front panel
Remote control
• If you prefer to cancel the DSP function, press EFFECT. The
sound will be that of normal 2-channel stereo without a
surround sound effect.
or
• When a monaural sound source is played with DOLBY PRO
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound can
be heard from the main speakers and the rear speakers.
Sound is heard only from the center speaker. However, if the
NONE position is selected for “CNTR” in the SET MENU
mode, the main speakers output the sound of the center
channel.
The name of the selected program appears
on the display.
43
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This unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of
sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a corresponding DSP
program including the combined operation of YAMAHA DSP and Dolby Digital or Dolby Pro Logic Surround.
To enjoy a video source with Dolby Pro Logic
Surround or Dolby Digital-decoded
To cancel the sound effect
EFFECT on the front panel and on the remote control
transmitter make it simple to compare the normal stereo sound
with the fully processed sound effect.
When you select the DOLBY PRO LOGIC/DOLBY DIGITAL,
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL
ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE
THEATER program, and the input signal of the source is
2-channel stereo, Dolby Pro Logic Surround is decoded. When
a program is selected and the input signal of the source is
encoded with Dolby Digital, Dolby Digital is automatically
decoded.
To cancel the sound effect and monitor only the main sound,
press EFFECT. Press EFFECT once more to turn sound effect
on.
Front panel
Remote control
* The following indicators on the display show you what sound
processing is being undertaken.
or
This lights up when Dolby Digital is being decoded and the
input signal of the selected source encoded with Dolby Digital
is not in 2-channel.
Notes
• If the sound effect is canceled when signals encoded with
Dolby Digital are input to this unit, the signals of all channels
are mixed and are output from the main speakers.
• If EFFECT is pressed to turn sound effects off when Dolby
Digital is decoded, it may happen that the sound is output
faintly or not output normally, depending on the source. In
that case, press EFFECT to turn sound effects on, or use
input signals not encoded with Dolby Digital.
This lights up when the digital sound
field processor is turned on.
This lights up when Dolby Pro
Logic Surround is being decoded.
* In addition, for the DOLBY PRO LOGIC/DOLBY DIGITAL,
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL
ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE
THEATER program, the name of the program on the display
will change according to the type of decoding. (See page 41
for details.)
Note
If the input signal of the source is encoded with Dolby Digital in
2-channel only, their sound processing is similar to that for
analog or PCM audio signals.
44
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ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS
When using the digital sound field processor with the Dolby Pro Logic Surround decoder or the Dolby Digital decoder, you can
adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.
1
2
1
2
Adjusting method
When adjusting with the remote control transmitter, press
AMP<TUNER> on the component selector.
2
3
Press + or – to adjust the settings for the delay time or
speaker output levels.
Front panel
Remote control
or
1
Press TIME/LEVEL once or more until the name of the
item which you want to adjust appears on the display.
Front panel
Remote control
Repeat steps 1 to 2 to adjust the settings of any other
item.
or
When pressed, the selection changes as follows:
D E L A Y
Delay time
C E N T E R
Center speaker output level
R
L
S U R .
S U R .
Right rear speaker output level
Left rear speaker output level
Subwoofer output level
S W F R
* Depending on the setting in the SET MENU mode, you
may not be able to select all items.
45
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Notes
Adjusting the delay time
• Adding too much delay will cause an unnatural effect with
some sources.
• When + or – is pressed, the sound is momentarily
interrupted.
You can adjust the time difference between the beginning of the
sound from the main speakers and the beginning of the sound
effect from the rear speakers.
The larger the value, the later the sound effect is generated.
This adjustment can be individually made to all programs.
Program
Control range (ms)
15 to 30
0 to 15
Preset value
1. DOLBY PRO LOGIC
DOLBY DIGITAL
20
5
2. DOLBY PRO LOGIC ENHANCED
DOLBY DIGITAL ENHANCED
3. 70 mm MOVIE THEATER
DIGITAL MOVIE THEATER
4. MONO MOVIE
15 to 30
0 to 15
20
5
15 to 30
1 to 99
20
16
49
9
1 to 99
5. TV SPORTS
1 to 99
6. DISCO
1 to 99
40
16
44
7. ROCK CONCERT
8. CONCERT HALL
1 to 99
1 to 99
Adjusting the output level of the center, right rear and left rear speakers, and subwoofer
If desired, you can adjust the sound output level of each
speaker even if the output level has already been set in
“SPEAKER BALANCE ADJUSTMENT” on pages 23 to 25.
• If the function “CNTR” in the SET MENU mode is set to the
NONE position, the sound output level of the center speaker
cannot be adjusted. This is because, in this mode, the center
sound is automatically output from the left and right main
speakers.
Notes
• The output level of the center speaker cannot be adjusted
when the DISCO, ROCK CONCERT or CONCERT HALL
program is selected, and the input signal is analog, PCM
audio, or encoded with Dolby Digital in 2-channel format.
• Once the output level has been adjusted, the level will be the
same for all digital sound field programs.
Speakers
Control range (dB)
MIN, –20 to +10
Preset value
CENTER
0
0
0
0
RIGHT REAR
LEFT REAR
SUBWOOFER
MIN, –20 to +10
MIN, –20 to +10
MIN, –20 to 0
Memory back-up
The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the
power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the
values for the delay time and the center/rear/subwoofer output levels you set the last time will automatically return to the preset
values. If so, they can be re-set by simply following the adjusting method on page 45.
46
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ADJUSTMENTS IN THE “SET MENU” MODE
The following ten types of functions maximize the performance of your system and expand your enjoyment for audio listening and
video watching.
1. CNTR (CENTER SPEAKER)
2. REAR (REAR SPEAKERS)
3. MAIN (MAIN SPEAKERS)
4. BASS (LFE/BASS OUT)
5. M.LVL (MAIN LEVEL)
6. LFE (LFE LEVEL)
7. D.RNG (DYNAMIC RANGE)
8. C.DELAY (CENTER DELAY)
9. GUARD (MEMORY GUARD)
10. INPUT (INPUT MODE)
For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,
see page 21. (Once you have selected the appropriate modes,
you do not have to change settings unless any alteration is
made in your speaker system.)
D.RNG (Adjusting the dynamic range)
Choices: MAX/STD/MIN
Preset position: MAX
LFE [Adjusting the output level of the LFE
(low frequency effect) channel]
* This adjustment is effective only when Dolby Digital is
decoded.
MAX:
“Dynamic range” is the difference between the
maximum level and the minimum level of sounds.
Sounds on a movie originally designed for movie
theaters feature very wide dynamic range. Dolby
Digital technology can modify the original sound
track into a home audio format with this wide
dynamic range unchanged.
Control range: –20 dB to 0 dB (in 1 dB steps)
Preset value: 0 dB
* This adjustment is effective only when Dolby Digital is
decoded and the signals of the selected source encoded with
Dolby Digital contain LFE signals.
In this position, a source encoded with Dolby Digital
is reproduced in the original sound track’s wide
dynamic range providing you with powerful sounds
just like those in a movie theater. Selecting this
position will be even better if you can listen to a
source at a high output level in a room specially
soundproofed for audio/video enjoyment.
This adjusts the output level of the LFE channel. If the LFE
signals are mixed with signals of other channels to output them
from the same speakers, the ratio of the LFE signal level to the
level of the other signals is adjusted.
(See page 5 for details about the LFE channel.)
STD (Standard):
Powerful sounds of extremely wide dynamic range
are not always suitable for home use. Depending on
the condition of your listening environment, it may
not be possible to increase the sound output level as
high as that in a movie theater. However, at the
normal level suitable for listening to in your room, the
low-level parts of source sound often cannot be
heard well because they will be lost among noise in
your environment. Dolby Digital technology has also
made it possible to reduce an original sound track’s
dynamic range for a home audio format by
“compressing” the sound data.
In this position, a source encoded with sound Dolby
Digital is reproduced in the “compressed” dynamic
range of sound that is suitable for low-level listening.
In this position, the dynamic range is more reduced
than in the STD position.
MIN:
Selecting this position will be effective when you
must listen to a source at a low level.
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Adjusting method
C.DELAY [Adjusting the delay of
center sounds (dialog, etc.)]
Adjustments should be made while watching the information on
this unit’s display.
Control range: 0 ms to 5 ms (in 1 ms steps)
Preset value: 0 ms
When adjusting with the remote control transmitter, press
AMP<TUNER> on the component selector.
* This adjustment is effective only when Dolby Digital is
decoded and the signals of the selected source encoded with
Dolby Digital contain center-channel signals.
This adjusts the delay between the main sound (on the main
channels) and dialog, etc. (on the center channel).
The larger the value, the later the dialog, etc. is generated.
Press SET MENU once or more so that the function which you
want to change appears on the display.
This is for making sounds from the left main, center and right
main speakers reach your listening position at the same time.
This is achieved by delaying the sound from the center speaker
if the distance from the center speaker to your listening position
is shorter than the distance from the left or right main speaker
to your listening position.
Front panel
Remote control
or
Press + or – to select any desired setting or to edit parameters
of the function.
GUARD
Choices: ON/OFF
Preset position: OFF
Front panel
Remote control
If you wish to prevent accidental alterations to SET MENU and
other adjustments on this unit, select ON. The following
functions on this unit can be locked by this operation:
• Functions in the SET MENU mode
or
• Functions in the TIME/LEVEL mode
• Functions when using TEST
Repeat these steps to change or adjust the settings of any
other function.
INPUT (Selecting the initial input mode of
the sources connected to the TV/DBS
input terminals)
Memory back-up
Choices: AUTO/LAST
Preset position: AUTO
The memory back-up circuit prevents the stored data from
being lost when this unit is set in the standby mode. If,
however, the power plug is disconnected from the AC outlet or
the power is cut due to temporary power failure for more than
one week, the settings of the SET MENU mode will
automatically return to the factory settings. If so, they can be
re-set by simply following the procedure above.
You can designate the input mode that is automatically selected
when the power for this unit is switched on for only the sources
connected to the TV/DBS input terminals of this unit.
AUTO:
LAST:
In this position, the AUTO input mode is always
selected when the power for this unit is switched on.
In this position, the input mode you selected last time
is memorized and will not be changed when the
power is switched on again.
* See page 28 for details on switching the input mode.
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REMOTE CONTROL TRANSMITTER
You can use the remote control transmitter to control not only this unit but also other components connected to it. The remote
control transmitter is factory set to control this unit and most YAMAHA audio components. To control other brands of components,
you must preset the remote control transmitter with manufacturers’ codes listed on pages 411 to 416.
Components which can be controlled
There are eight buttons on the component selector that you can select to control connected components with this remote control
transmitter. For example, if CD on the component selector is pressed, the remote control transmitter selects the CD operation
mode, allowing the CD player to be operated by the buttons on the remote control transmitter.
AMP<TUNER>
TAPE/MD
You can perform the basic operations of this unit,
set the speaker level, and set the DSP level and
delay time in the AMP<TUNER> mode.
The code for a YAMAHA tape deck is
preset. (The code for the YAMAHA MD
recorder can also be preset.)
CD
VCR
The code for a YAMAHA CD player is preset.
A VCR can be controlled.
DVD/LD & DVD MENU
CBL/DBS
An LD player can be controlled in the DVD/LD
mode. A DVD player can be controlled in the
DVD/LD and DVD MENU modes. The code for
a YAMAHA DVD player is preset. If the remote
control transmitter will not operate your
YAMAHA DVD player, you need to preset code
number “0048”.
A cable television or DBS tuner can be
controlled.
TV
A television can be controlled.
Notes
1. You can preset the code for the manufacturer of your component after pressing the shaded buttons in the illustration above.
Note that you can preset only one code for one mode. See “SETUP CODES” on page 56 for details.
2. In the DVD/LD and DVD MENU modes:
• Be sure to press DVD/LD on the component selector before presetting the code for the DVD/LD player. The code preset in
the DVD/LD mode is also simultaneously preset in the DVD MENU mode. You cannot preset the code for a DVD player in
the DVD MENU mode.
• DVD MENU operations cannot be performed for some DVD players.
3. When using a second (and third) VCR: (See “To use a second (and third) VCR” on page 56 for details.)
• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset in the CBL/DBS mode.
• If you are not using a DVD player, the second (or third) VCR can be preset in the DVD MENU mode. Note that in this case
you must preset the code for an LD player in the DVD/LD mode even if an LD player is not being used.
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The lightly marked buttons do not function.
Note: TV VOLUME and TV INPUT function if you have preset the code for your TV.
■AMP<TUNER> MODE
Press AMP<TUNER>.
Input selector
These buttons select the program source.
CD:
To play a CD
TUNER:
To listen to an FM (RDS) or
AM broadcast
TAPE/MD: To play a tape or MD
DVD/LD:
TV/DBS:
To play a DVD or LD
To watch a television or
satellite broadcast
To play a video tape
To play an analog record
To use a camcorder
POWER
Each time this button is pressed, the unit
will switch between the power on and
standby modes.
VCR:
PHONO:
V-AUX:
EXT. DEC.: To output the signals of a DTS
or other multi-channel
TEST
This button outputs a test tone for adjusting
the output levels of the speakers.
decoder
A/B/C/D/E & PRESET +/–
These buttons select a preset FM (RDS)
or AM broadcast.
A/B/C/D/E: To select a group of preset
stations.
PRESET +/–: To select the preset station
number.
EFFECT
This button switches the DSP
program on or off.
MUTE
This button mutes the sound. To cancel mute,
press this button once more, or press any
operation buttons of this unit.
TV VOLUME
TV INPUT
VOLUME (
)
These buttons adjust the volume level.
SLEEP
This button sets the SLEEP timer.
+/–
These buttons adjust the settings of the SET
MENU mode and the TIME/LEVEL mode.
PRG+/PRG–
These buttons select a DSP program.
TIME/LEVEL
SET MENU
This button selects the item in the TIME/LEVEL
mode.
This button selects functions in the SET
MENU mode.
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
Notes: • TV VOLUME functions if you have preset the code for your TV.
■ TAPE/MD MODE
• The code for the YAMAHA MD recorder can be preset.
Press TAPE/MD.
POWER
(TAPE) When you have preset the code for
a YAMAHA tape deck, this button turns the
unit on. When you have preset the code for
another manufacturer, this button turns on
INPUT
that component if it has a remote control
transmitter with a power button.
(MD) When you have preset the code for the
YAMAHA MD recorder, this button turns the
unit on.
EFFECT
VOLUME
MUTE
TV VOLUME
DISPLAY (MD)
DECK A/B (TAPE)
This button selects double-cassette tape
deck A or B.
SLEEP
REC/PAUSE
This button pauses recording on a tape
deck or MD recorder.
PAUSE (MD)
This button gives a pause in operation.
PLAY
This button plays a tape or an MD.
DIR B (TAPE)
This button selects the playing direction of
deck B.
SKIP+ (MD)
DIR A (TAPE)
This button selects the playing direction of
deck A.
This button skips to the next track.
SKIP– (MD)
This button skips to the previous track.
STOP
This button stops operation of a tape or
MD.
REWIND (TAPE)
This button rewinds a tape.
SEARCH (MD)
This button initiates a backward on the track
that is playing to find the point from which
you want to listen.
FAST FORWARD (TAPE)
This button winds a tape fast forward.
SEARCH (MD)
This button initiates a fast-forward search
on the track that is playing to find the point
from which you want to listen.
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
Note: TV VOLUME and TV INPUT function if you have preset the code for your TV.
■CD MODE
Press CD.
POWER
When you have preset the code for a
YAMAHA CD player, this button turns the
unit on. When you have preset the code for
another manufacturer, this button turns on
INPUT
that component if it has a remote control
transmitter with a power button.
EFFECT
DISC SKIP +/–
(for the CD player with CD changer)
These buttons skip to the next or previous
CD.
VOLUME
TV VOLUME
MUTE
DISPLAY
TV INPUT
PAUSE
SLEEP
This button gives a pause in operation.
The button functions as PAUSE/STOP* for
operating YAMAHA CD player under factory
setting.
PLAY
This button plays a CD.
SKIP+
SKIP–
This button skips to the next track.
STOP
This button skips to the previous track.
This button stops operation. The button
functions as PAUSE/STOP* for operating
YAMAHA CD players.
SEARCH
This button initiates a backward search on
the track that is playing to find the point from
which you want to listen.
SEARCH
This button initiates a fast-forward search
on the track that is playing to find the point
from which you want to listen.
* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
■ DVD/LD MODE
Note: TV VOLUME and TV INPUT function if you have
preset the code for your TV.
Press DVD/LD.
POWER
(DVD) When you have preset the code for
a YAMAHA DVD player, this button turns
the unit on. When you have preset the
INPUT
code for another manufacturer, this button
turns on that component if it has a remote
control transmitter with a power button.
(LD) When you have preset the code for a
YAMAHA LD player, this button turns the
unit on. When you have preset the code
for another manufacturer, this button turns
on that component if it has a remote
EFFECT
DISC SKIP +/–
VOLUME
MUTE
TV VOLUME
SLEEP
DISPLAY
control transmitter with a power button.
TV INPUT
PAUSE
SKIP+
SKIP–
STOP
PLAY
SEARCH
SEARCH
■DVD MENU MODE
Note: TV VOLUME and TV INPUT function if you have
preset the code for your TV.
Press DVD MENU.
POWER
When you have preset the code for a YAMAHA
DVD player, this button turns the unit on. When
you have preset the code for another
manufacturer, this button turns on that
component if it has a remote control transmitter
with a power button.
Numeric buttons
CLEAR
+10
DISC SKIP +/–
VOLUME
TV VOLUME
MUTE
INDEX
RETURN
MENU UP
TV INPUT
MENU LEFT
MENU RIGHT
MENU SELECT
MENU DOWN
MENU
TITLE
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.
■VCR MODE
■TV MODE
Note: TV VOLUME, TV INPUT and TV SLEEP function if you
Note: You can control your VCR if you have preset the code for
have preset the code for your TV.
it.
Press VCR.
PressTV.
TV POWER
CHANNEL
VCR POWER
CHANNEL
EFFECT
EFFECT
CHANNEL ENTER
TV CHANNEL +/–
CHANNEL ENTER
VCR CHANNEL +/–
VOLUME
VOLUME
TV VOLUME
TV VOLUME
MUTE
TV MUTE
TV SLEEP
DISPLAY
TV INPUT
TV SLEEP
DISPLAY
TV INPUT
VCR REC
VCR REC
Press this button twice
to start recording.
VCR PAUSE
Press this button twice.
VCR PAUSE
VCR STOP
VCR PLAY
VCR PLAY
VCR STOP
VCR
VCR REWIND
VCR REWIND
VCR
FAST FORWARD
FAST FORWARD
■CBL/DBS MODE
Note: TV VOLUME, TV INPUT and TV SLEEP
function if you have preset the code for your TV.
Press CBL/DBS.
CBL/DBS POWER
CHANNEL
+100
CHANNEL ENTER
CBL/DBS CHANNEL +/–
VOLUME
TV VOLUME
MUTE
DISPLAY
TV SLEEP
TV INPUT
MENU UP
MENU LEFT
MENU RIGHT
MENU SELECT
RECALL
MENU DOWN
MENU
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NOTES ABOUT THE REMOTE CONTROL TRANSMITTER
Battery installation
Remote control transmitter operation range
Remote control
sensor
2
1
Within approximately
6 m (20 feet)
3
Notes
Battery replacement
• There should be no large obstacles between the remote
control transmitter and the unit.
If the remote control transmitter operates only when it is close
to the unit, the batteries are weak. Replace all batteries with
new ones.
• If the remote control sensor is directly illuminated by strong
lighting (especially an inverter type of fluorescent lamp, etc.),
it might cause the remote control transmitter not to work
correctly. In this case, reposition the unit to avoid direct
lighting.
Be sure to replace batteries within about two minutes. If it
takes longer than two minutes, the codes preset for the
remote control transmitter will return to the factory-set.
Notes
• Use only AAA, R03, UM-4 batteries for replacement.
• Be sure the battery polarity is correct. (See the illustration
inside the battery compartment.)
• Remove the batteries if the remote control transmitter will not
be used for an extended period of time.
• If the batteries have leaked, dispose of them immediately.
Avoid touching the leaked material or letting it come into
contact with clothing, etc. Clean the battery compartment
thoroughly before installing new batteries.
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SETUP CODES
Presetting the remote control transmitter
Perform the presetting procedure for each component you want to control with the remote control transmitter.
Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control
transmitter that was supplied with the component.
To control your components
(MD recorder, DVD player,
TV, etc.)
To use a second (and third) VCR
Returning to the factory-set
codes
You can control a second (and/or third)
VCR in the CBL/DBS and DVD MENU
modes if a CBL (or DBS) or DVD player
is not being used.
To return all components to the factory-
set codes, follow these steps.
1. Press a button on the component
selector other than AMP<TUNER>.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
1. Turn on the component to be used.
2. Press the component selector which
matches the component to be
controlled (TAPE/MD, DVD/LD, TV
etc.).
If you want to control a second (and/or
third) VCR in the DVD MENU mode, you
must preset the code for an LD player in
that mode.
3. Enter the code number “9990”.
4. Make sure that the indicator flashes
twice.
1. Turn on the VCR to be used.
2. Press CBL/DBS or DVD MENU on
the component selector.
3. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
To return each component to the factory-
set codes, follow these steps.
1. Press the component selector which
matches the component to be
returned to the factory-set codes.
2. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Press both VOLUME buttons (
) for about four seconds at the
same time so that the indicator
flashes twice.
3. Enter the code number “0000”.
4. Make sure that the indicator flashes
twice.
4. Use the numeric buttons to enter the
four-digit manufacturer’s code for
the component to be used. Make
sure that the indicator flashes twice.
If the indicator does not flash, repeat
step 3 and re-enter the code.
The following codes are preset by the
factory.
4. Use the numeric buttons to enter the
four-digit code for the second (or
third) VCR. Make sure that the
indicator flashes twice. If the
Factory-set codes
Component
Component Code
selector
indicator does not flash, repeat step
3 and re-enter the code.
TV
TV
0101
5. Press POWER (or any other button)
on the remote control transmitter to
check if you have preset the code
correctly. If the component cannot
be controlled by the remote control
transmitter, try entering another
CBL/DBS DBS tuner 0006
VCR
VCR
0002
DVD/LD
CD
DVD player 0008 YAMAHA
CD player 0005 YAMAHA
TAPE/MD Tape deck 0004 YAMAHA
code for the same manufacturer.
5. Press POWER (or any other button)
on the remote control transmitter to
check if you have preset the code
correctly. If the VCR cannot be
controlled by the remote control
transmitter, try entering another
code for the same manufacturer.
We recommend that you write all code
numbers you have preset on the “Quick
Reference Card”.
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TROUBLESHOOTING
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and
contact your authorized YAMAHA dealer or service center for help.
SYMPTOM
CAUSE
REMEDY
The unit fails to turn on when
The power cord is not plugged in or the
plug is not completely inserted.
Firmly plug in the power cord.
STANDBY/ON is pressed, or set in
the standby mode suddenly soon
after the power has been turned on.
The IMPEDANCE SELECTOR switch
on the rear panel is not fully set at the
upper or lower end.
Slide the switch fully to the upper or
lower end.
The unit does not work normally.
The internal microcomputer has been
frozen by an external electric shock
(lightning, excessive static electricity,
etc.) or by a power supply with low
voltage.
Set the unit in the standby mode and
disconnect the AC power cord from the
AC outlet. After about 30 seconds have
passed, connect the power cord and
operate the unit again.
No sound or no picture.
Incorrect output cord connections.
Connect the cords properly. If the
problem persists, the cords may be
defective.
Appropriate program source has not
been selected.
Select an appropriate program source
by INPUT.
SPEAKERS have not been set
Set SPEAKERS corresponding to the
properly.
speakers in use to the ON position.
The speaker connections are not
secure.
Secure the connections.
The sound suddenly goes off.
The protection circuit has been
Set the unit in the standby mode and
activated because of a short circuit, etc. then switch on again to reset the
protection circuit.
The SLEEP timer has functioned.
Incorrect setting of BALANCE.
Incorrect cord connections.
Cancel the SLEEP timer.
Only one side speaker outputs
sound.
Adjust it to the appropriate position.
Connect the cords properly. If the
problem persists, the cords may be
defective.
A “humming” sound can be heard.
Incorrect cord connections.
Firmly connect the audio plugs. If the
problem persists, the cords may be
defective.
No connection from the turntable to the
GND terminal.
Make the GND connection between the
turntable and this unit.
The volume level is low while playing The record is being played on a
The turntable should be connected to
the unit through the MC head amplifier.
a record.
turntable with an MC cartridge.
The volume level cannot be
increased, or the sound is distorted.
The component connected to the REC
OUT terminals of this unit is in the
standby mode.
Turn on the power to the component.
No sound from the effect speakers.
No sound from the rear speakers.
The sound effect is set off.
Press EFFECT to turn it on.
A Dolby Surround decoding program is
being used with material not encoded
with Dolby Surround.
Use a different sound field program.
The sound output level of the rear
speakers is set to minimum.
Raise the sound output level of the rear
speakers.
A monaural sound source is being
played in the DOLBY PRO LOGIC or
DOLBY PRO LOGIC ENHANCED
program.
Select another sound field program
suitable for the monaural sound source.
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SYMPTOM
CAUSE
REMEDY
No sound from the center speaker.
The input signals of the source encoded Refer to the instruction for the source
with Dolby Digital do not have center
channel signals.
being currently played.
The sound output level of the center
speaker is set to minimum.
Raise the sound output level of the
center speaker.
The function “CNTR” in the SET MENU
is set to the NONE position.
Select the LARGE or SMALL position.
Incorrect sound field program selection.
Select the appropriate program.
The sound field cannot be recorded.
It is not possible to record the sound
field on a tape deck or MD recorder
connected to the unit’s REC OUT
terminals.
The DVD/LD,TV or DBS source
cannot be recorded on a tape deck,
MD recorder or VCR connected to
this unit.
The DVD/LD player, TV or DBS tuner is
connected to the unit by only the digital
terminals.
Make additional connections between
the analog terminals.
FM stereo reception is noisy.
The characteristics of FM stereo
broadcasts may cause this problem
when the transmitter is too far away or
the antenna input is poor.
Check the antenna connections.
Try using a high-quality directional FM
antenna.
Set TUNING MODE to the manual
tuning mode.
There is distortion and clear
reception cannot be obtained even
with a good FM antenna.
There is multipath interference.
The station is too weak.
Adjust antenna position to eliminate
multipath interference.
The desired station cannot be tuned
in with the automatic tuning method.
Use the manual tuning method.
Use a high-quality directional FM
antenna.
Previously preset stations can no
longer be tuned in.
This unit has been unplugged for a long
period.
Repeat the presetting procedure.
The desired station cannot be tuned
in with the automatic tuning method. connections are loose.
The signal is weak or antenna
Tighten the AM loop antenna
connections and rotate it for best
reception.
Use the manual tuning method.
There are continuous crackling and
hissing noises.
Noise will result from lightning,
fluorescent lamps, motors, thermostats
and other electrical equipment.
Use an outdoor antenna and a ground
wire. This will help somewhat, but it is
difficult to eliminate all noise.
There are buzzing and whining
A television set is being used nearby.
Relocate this unit away from the TV.
noises (especially in the evening).
The remote control transmitter does
not work.
Direct sunlight or lighting (from an
inverter type of fluorescent lamp, etc.) is
striking the remote control sensor of the
this unit.
Change the position of the unit.
The manufacturer’s code has not been
set properly.
Set the code again.
The proper manufacturer’s code for the
component to be controlled has not
been set.
Try entering another code for the same
manufacturer.
The component to be controlled has not Press the component selector which
been selected.
matches the component to be
controlled.
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SYMPTOM
CAUSE
REMEDY
The sound is degraded when
listening with the headphones to a
CD player or tape deck that is
connected to this unit.
The unit is in the standby mode.
Turn on the power to the unit.
There is noise interference from
digital or high-frequency equipment
or the unit.
The unit is too close to the digital or
high-frequency equipment.
Move the unit further away from those
equipment.
SPECIFICATIONS
Maximum Input Signal
Residual Noise (IHF-A Network)
AUDIO SECTION
Minimum RMS Output Power
PHONO MM
MAIN L/R SP OUT................ 150 µV or less
1 kHz, 0.1% THD .............100 mV or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT ON)
8 ohms, 20 Hz to 20 kHz, 0.04% THD
MAIN L/R ............................. 60 W + 60 W
CENTER ........................................... 60 W
REAR L/R ............................ 60 W + 60 W
8 ohms, 1 kHz, 0.07% THD
Channel Separation
(Vol. –30 dB, EFFECT OFF)
PHONO MM
1 kHz, 0.5% THD .................2.2 V or more
(Input Shorted, 1 kHz/10 kHz)
.................... 60 dB or more/55 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX
Output Level/Impedance
MAIN L/R ............................. 70 W + 70 W
CENTER ........................................... 70 W
REAR L/R ............................ 70 W + 70 W
REC OUT ..................... 150 mV/1.2 k-ohms
SUBWOOFER
(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms
(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)
.................... 60 dB or more/45 dB or more
Dynamic Power per Channel
(by IHF Dynamic Headroom measuring
method)
Headphones Jack Rated Output/Impedance
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX input,
Tone Control Characteristics
BASS:
Boost/cut ............. ±10 dB (50 Hz)
Turnover Frequency ......... 350 Hz
MAIN L/R
1 kHz, 150 mV, 8 ohms ...... 0.4 V/390 ohms
8/6/4/2 ohms ................ 80/100/120/145 W
TREBLE: Boost/cut ........... ±10 dB (20 kHz)
Turnover Frequency ........ 3.5 kHz
Frequency Response (20 Hz to 20 kHz)
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX to MAIN L/R SP OUT
DIN Standard Output Power per Channel
[Europe model only]
Filter Characteristics
4 ohms, 1 kHz, 0.7% THD ................. 100 W
.................................................... 0±0.5 dB
MAIN L/R, REAR L/R (SPEAKER: SMALL)
(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.
SUBWOOFER
IEC Power
RIAA Equalization Deviation
[Europe model only]
PHONO MM .................................. 0±0.5 dB
(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.
8 ohms, 1 kHz, 0.04% THD .... 65 W + 65 W
Total Harmonic Distortion (20 Hz to 20 kHz)
PHONO MM to REC OUT
Power Band Width
VIDEO SECTION
8 ohms, 30 W, 0.1% THD ... 10 Hz to 50 kHz
1 V........................................0.02% or less
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP OUT
30 W/8 ohms .....................0.025% or less
Video Signal Type .................................... PAL
Damping Factor
MAIN L/R
Video Signal Level ................ 1 Vp-p/75 ohms
Maximum Input Level .......... 1.5 Vp-p or more
Signal-to-Noise Ratio ...............50 dB or more
8 ohms, 20 Hz to 20 kHz.......... 60 or more
Signal-to-Noise Ratio (IHF-A Network)
PHONO MM to REC OUT
Input Sensitivity/Impedance
PHONO MM ................... 2.5 mV/47 k-ohms
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX ................... 150 mV/47 k-ohms
EXT. DECODER
(5 mV, Input Shorted) ..........81 dB or more
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/
VIDEO AUX (EFFECT OFF) to MAIN SP
OUT
Monitor Out Frequency Response
.............................. 5 Hz to 10 MHz, –3 dB
MAIN L/R .................... 150 mV/47 k-ohms
CENTER/SURROUND L/R/SUBWOOFER
.................................... 150 mV/40 k-ohms
(150 mV, Input Shorted) ......96 dB or more
59
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FM SECTION
GENERAL
Tuning Range................ 87.50 to 108.00 MHz
Power Supply ....................... AC 230 V, 50 Hz
Usable Sensitivity (DIN)
Power Consumption............................. 230 W
Mono (S/N 26 dB) .............................. 0.9 µV
Stereo (S/N 46 dB) ............................. 28 µV
AC Outlets
2 SWITCHED OUTLETS
Selectivity
[Europe model]............... 100 W max. total
1 SWITCHED OUTLET
(two signals, 40 kHz Dev. ±300 kHz)
......................................................... 55 dB
[U.K. model] ........................... 100 W max.
Signal-to-Noise Ratio
Dimensions (W x H x D)
(DIN-Weighted, 40 kHz Dev.)
Mono/Stereo .............................75 dB/69 dB
.................................. 435 x 151 x 391 mm
(17-1/8” x 5-15/16” x 15-3/8”)
Harmonic Distortion (1 kHz)
Weight .......................... 11.5 kg (25 lbs. 6 oz.)
Mono/Stereo ............................... 0.1%/0.2%
Accessories......................... AM loop antenna
Indoor FM antenna
Stereo Separation (1 kHz) .................... 48 dB
75-ohm/300-ohm antenna adapter
(U.K. model only)
Frequency Response
20 Hz to 15 kHz ................................ 0±1 dB
Remote control transmitter
Batteries
Antenna Input.............. 75 ohms, Unbalanced
Specifications are subject to change without
notice.
Output Level
(40 kHz Dev., 1 kHz)........................ 550 mV
AM SECTION
Tuning Range...................... 531 to 1,611 kHz
Usable Sensitivity............................ 300 µV/m
Signal-to-Noise Ratio ............................ 52 dB
Antenna.................................... Loop antenna
Output Level
(30% mod., 1 kHz) ........................... 150 mV
60
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LIST OF MANUFACTURER’S CODES
LISTES DES CODES FABRICANT
VERZEICHNIS DER HERSTELLERCODES
LISTA ÖVER TILLVERKARKODER
ELENCO DEI CODICI DEL FABBRICANTE
LISTA DE CÓDIGOS DE FABRICANTES
LIJST VAN CODES VAN FABRIKANT
Clarivox
Clatronic
Concerto
0821, 0961, 1971
1181, 1331
0791
Fisher
0021, 0091, 0141, 0511,
0601, 0801, 0821, 0981,
1021, 1081, 1981, 2091
2281
0451, 0491, 0761, 1081,
1451, 1541, 1981
TV
Admiral 0411, 0451, 0911, 1021, 1081
Condor
0761
Forgestone
Formenti
Aiko
Akai
0891
Contec
Continental Edison
Craig
Crosley 0021, 0491, 1021, 1081, 1401,
1981, 2201, 2251, 2271
Crown
Ctc Clatronic
CXC
Daewoo
Dansai
Decca
0151, 1171
0571, 0651, 0901
1171
0061, 0101, 0231, 1191, 1351,
1591, 1641, 1791, 1891, 1981
Formenti-phoenix
0021, 0431, 0451,
0591, 1411
1081
0451, 1181, 1981
1261
Akura
Alba
Albiral
Amstrad
Anam
Arc En Ciel
Arcam
Aristona
Arthur Martin
ASA
1331
1241, 1331, 2361
1971
Fortress
Frontech
Fujitsu
Funai
Futuretech
GBC
2541
0261
1171
1301, 1511
1171
0571
0571, 0761
0751
0451, 1641
0391, 0691, 1171, 1181, 1261
1171
0101, 1501, 1511, 2611
0101
0021, 0141, 1321,
1511, 1621, 1981
0451, 1101, 1281, 2321
0031, 0081, 0581, 0601,
1101, 1281, 1561
0271, 0581, 0601,
0971, 1101, 1691
0271, 0581, 0601,
1101, 1681
0451, 1351
0991, 1511
0101
GEC
GEC (UK)
0411, 0451, 0521, 0781,
0871, 1021, 1081, 1421,
2051, 2091, 2151, 2551
1511
Decca (UK)
Degraaf
Dixi
Domeos
Doric
Dual
Dual-Tec
Dumont
Geloso
0021, 0411, 0451, 1321,
1511, 1621, 1981
Astra
Atantic
Atlantic
Atori
Audiosonic
Ausind
Autovox
0761
0761
1511
General Technic
Genexxa
GoldStar
2681
0451, 1331
1031
0091, 0601, 1611, 1641, 2101
0601, 1511, 1621, 2111
0261, 0521, 0781, 1021,
1081, 1981, 2121, 2151
0101
0591, 0601, 0761, 0791,
1371, 1491, 1511,
1561, 1621, 1641
0141, 1101, 1371,
1641, 2301
1181, 1321, 1511
0491, 1411
0091, 0351, 0481, 0491,
0601, 0781, 0951, 1051,
1081, 1391, 1421
1101, 1351
Goodmans
Dynatron
Elbe
Electro Tech
Elektronska
Elman
1551, 1971, 2031
Gorenje
Graetz
Granada
0981, 1061
Baird
1511
0771
0261, 1621
0451
Bang & Olufsen
Basic Line
Bauer
1081
1321, 1331
0141, 0451, 0491, 0581,
0601, 1101, 1111,
1351, 1981, 2321
1451
Elta
Emerson
1511
Baur
0041, 0061, 0121,
0131, 0221, 1561
2491, 2501
0921, 1021, 1081, 1121,
1171, 1261, 1301
0101
Granada (UK) 0081, 0141, 0451, 0491,
0581, 0601, 1031, 1311,
Beko
Blaupunkt
Erres
Etron
Europhon
1521, 1561, 1641
0221, 0231, 0241, 0251,
0471, 0741, 2201, 2211,
2221, 2231, 2241,
2261, 2571, 2581
1981
Grundig
0221, 0231, 0471, 0491,
0711, 0741, 1381, 2021,
2041, 2141, 2151
0021, 0121, 0141,
0431, 0591, 1561
0581
0261, 0581, 0601, 0771,
1091, 1621, 2001
0101, 1511
0281, 0371, 0551, 0651,
0781, 0861, 0881, 1131,
1181, 1361, 1461, 1971,
1991, 2281, 2311, 2341
0451, 0761, 2281
0561, 0591, 1931, 2281
1141
Fenner
Ferguson
Hanseatic
Brandt
Brionvega
Britannia
Bruns
BSR
Bush
0571, 0651, 0731, 0901, 1821
1021, 1051, 1081
0761
0821, 0991, 1021, 1081
0391, 0691, 1621, 1901, 1981
0451, 1241, 1331, 1641,
1741, 2131, 2151
0481, 1561, 1611
0791
Hantarex
Hemmermann
Hifivox
0061
0331, 0571
Fidelity
Fidelity (UK)
Filmnet
Finlandia
Finlux
Hinari
0071, 0141, 0451, 1261, 1351,
1511, 1641, 1981, 2011
0001, 0011, 0031, 0081,
0141, 0291, 0331, 0341,
0451, 0601, 0631, 0701,
1281, 1561, 1601, 1821,
1831, 1841, 1861, 1871,
1881, 1891, 1941, 1981,
2051, 2321, 2341
Hitachi
Bush (UK)
Candle
Century
CGE
0451, 2321
0021, 0261, 0491, 0521,
0781, 0811, 0871, 1081,
1411, 1421, 1981, 2051,
2091, 2121, 2151, 2551
1981
1021, 1081
0491, 0811, 0981, 1401,
1531, 1611, 1621, 1981,
2201, 2251, 2271
0791
First Line
Citizen
411
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Hyper
Imperial
0591, 0601, 1511, 1621
0451, 0491, 0811, 0981,
1401, 1611, 1621,
2201, 2251, 2271
Magnafon
0261, 0491, 0581, 0591,
0641, 0761, 1091, 2001
Orion
0061, 0391, 0691, 0851, 1211,
1241, 1251, 1301, 1481, 1511,
1681, 1691, 1981, 2371, 2421
2011
Manesth
Marantz
Marelli
Mark
0101
0101
1081
0101
Osaka
Osaki
Osume
Ingersol
Inno Hit
1511
1101, 1331, 2011
0581, 0601, 0841, 1101,
1331, 1371, 1511, 2011
2591, 2601, 2611, 2621,
2641, 2651, 2661, 2711,
2721, 2761, 2771, 2781
0031, 0041, 0061, 0121,
0181, 0451, 0491, 1081,
1641, 1791, 1821,
1981, 2231
0151
Matsui 0061, 0451, 0601, 0691, 1101,
1151, 1241, 1271, 1301, 1511,
1561, 1681, 1691
Maximal
McMichael
Medion 2591, 2601, 2611, 2621, 2641,
2651, 2661, 2671, 2681, 2691,
2711, 2721, 2761, 2771, 2781
Otto Versand 0021, 0121, 0141, 0221,
0601, 1561, 1741, 1981
Pael
Innovation
Interfunk
0591, 1411
0031, 0201, 0211, 0451,
0701, 1311, 1751,
1961, 2561, 2741
2351
0071, 1981
1281
Panasonic
Panoramic
Pathe Marconi
0571
Irradio
Isukai
0491, 1321, 1331, 1371,
1411, 1511, 2011
Memorex
Metz
1511
0231, 0741, 1001, 1041,
1081, 1481, 2071, 2081
1231
2591, 2621, 2641, 2651,
2711, 2761, 2771, 2781
0221, 0231, 0491,
1381, 2141, 2151
2281
Pathe’ Cinema (F)
0431, 0591, 1621,
1661, 1971
1511
1331
Pausa
Pauza
Perdio
ITT
0031, 0041, 0051, 0061, 0071,
0081, 0181, 0411, 0451, 0491,
1241, 1291, 1351, 1501, 1601,
1641, 1741, 1921, 1981,
2091, 2331, 2431
MGA
Micromaxx
1511
0891, 1101
Philco
0021, 0491, 0811, 0981,
1021, 1081, 1401, 1611,
1621, 1751, 2201, 2251,
2271, 2451, 2471
Minerva
ITT-nokia
0031, 0041, 0051, 0061,
0071, 0081, 0181, 0411,
0451, 0491, 1241, 1291,
1351, 1501, 1601, 1641,
1741, 1921, 1981, 2091,
2331, 2431
Mistral
Mitsubishi
0141, 0201, 0231, 0661,
1191, 1201, 1231,
1671, 1691, 1741
Philips 0101, 0361, 0591, 0621, 0681,
0751, 0761, 1021, 1081,
1281, 2031, 2281, 2291,
2431, 2441, 2511, 2731
Mivar
0491, 0501, 0581, 0591, 0761,
0771, 1371, 1431, 2031
0791
Phoenix
Phonola
1081
0751, 1081
JVC
0071, 0721, 1441, 1581,
1591, 1741, 1791
MTC
Multitech
0261, 0581, 0601, 0641,
0981, 1321, 1511
0451, 2091
Pioneer
Prandoni-prince
0291, 0451, 1341, 1821
0411, 0451, 0491,
0581, 1411
Kaisui
Kamosonic
Karcher
0591, 1321, 1331
0601
0591, 0601, 0841, 1091,
1321, 1511, 1561, 2051
0761
Murphy
Murphy (UK)
N.E.I.
NAD
NEC
0081, 1031
0101, 0961
Prandoni-promce
Prima
Profex
0451, 0491, 0581
0451
1981
0641, 1181, 1981
Kawasho
Kendo
1341
0261
0141, 1711, 1721, 1731
Protech
Kennedy
Konka
Korting
KTV
Lenoir
Leyeo
0021, 0351, 0951, 1981
2701
0431, 1011, 1021, 1081, 1541
Neckermann 0451, 0601, 0981, 1081,
1561, 1931, 1981,
Quelle 0041, 0061, 0121, 0221, 0231,
0391, 0491, 0521, 0601, 0781,
1371, 1381, 1411, 1421, 1641,
1681, 2051, 2091, 2141, 2151,
2201, 2211, 2231, 2241, 2251,
2271, 2551, 2571, 2581
2211, 2231, 2241
0601, 1171
0601, 1511
1181
Nediator
Nicamagic
Nikkai
0101
0761
1101, 1331, 1641, 1701, 2011
0261, 0491, 0591,
Lifetec 2591, 2601, 2611, 2621, 2641,
2651, 2661, 2671, 2681, 2691,
2711, 2761, 2771, 2781
Nobliko
Radiomarelli
0101, 0451, 0661,
0771, 1081
0641, 1381, 1411
Nogamatic
Nokia
0571
Radionette
Radiola
Rank
0031, 2051, 2091
2291
Loewe Opta
0121, 0131, 0581,
0611, 1081
1691, 2281
0551, 1681, 2281
0831
0031, 0041, 0051, 0061,
0071, 0081, 0181, 0411,
0451, 0491, 1241, 1291,
1351, 1501, 1601, 1641,
1741, 1921, 1981, 2091,
2331, 2431, 2461, 2791
0481, 2151
Logic
Logik
Lowewe
Luma
Luxman
Rbm
2131, 2151
Rbm (UK)
Rediffusion
0481
0451, 0661, 1641,
1981, 2331
0351, 0451, 1901
0791
Nordmende
0031, 0291, 0331, 0451,
0531, 0541, 0571, 1051,
1131, 1591, 1791, 1811,
1821, 1891, 1941, 2631
0321, 1651, 1981
0031, 0061, 0321,
0441, 1661
Rediffusion (UK)
0061, 0081, 1031
Luxman Stereo Tuner
Luxor
0791
Rex
0071, 0101, 0351, 0411, 0451,
0951, 1901, 2061, 2101, 2111
0991, 2511
0001, 0061, 0181, 0341, 0421,
0451, 0461, 0491, 0601, 0671,
1351, 1371, 1561, 1601,
1911, 1921, 1981
Rft
Oceanic
Oceanic (F)
Roadstar
Rotel
Saba
1321, 1511
0151
Lyco
Magnadyne
1181
0291, 0331, 0421, 0451, 0531,
0541, 0571, 0581, 0651, 0731,
0931, 1021, 1071, 1081, 1131,
1791, 1811, 1821,
0021, 0061, 0261, 0581,
0641, 0771, 1021,
Onceas
Onwa
0601
1171
1081, 1621, 1981
1891, 1941, 2631
412
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Saccs
1971
Tashiko
Tatung
0141
0271, 0581, 0601, 0971,
1101, 1681, 1691
2621, 2641, 2711,
2761, 2771, 2781
1311
White Westinghouse
Yoko
0101, 0261,
0431, 0591,
0761, 1401, 1541
0601, 1511
Saisho 0451, 0601, 1161, 1241, 1301,
1511, 1671, 1681, 1691
Salora
0011, 0041, 0061, 0071, 0341,
0451, 0671, 1291, 1351, 1521,
1561, 1601, 1641, 1911, 1921,
1931, 1981, 2321
Tcm
Zanussi
0071, 0101, 0351, 0411,
0451, 0951, 1901,
2061, 2101, 2111
0451
Technics
Techwood
Teknika
Tele
Teleavia
Telefunken
0791
1171, 1231, 1261
1141
Sambers
Samsung
0261, 0491, 0581, 0641,
1091, 1371, 1411, 2001
0101, 0601, 0841,
Zoppas
0571, 0651, 0731, 1821
0291, 0301, 0311, 0551,
0731, 1131, 1471, 1591,
1791, 1801, 1811, 1821,
1991, 2161, 2171, 2181,
2191, 2201, 2251,
2271, 2521, 2631
1511
CABLE
0981, 1101, 1181,
1371, 1511, 2011
0141, 0151, 0401, 0601, 0801,
0821, 0981, 1021, 1101, 1111,
1291, 1351, 1691, 1741, 2051,
2091, 2551
Cabletime
Clyde Cablevision
Filmnet
France Telecom
GEC
Jerrold
Movie Time
NSC
Philips
1446, 1456, 1476
Sanyo
1426
1396, 1436
1386
1426
1416
1466
1466
1386
0006
1496
SBR
Schaub Lorenz
Schneider
0681, 0751, 1281, 2281
Teletech
Tempest
Tensai
Texet
Thomson
0451
0021, 0071, 0091, 0451,
0511, 0591, 0601, 0751,
1321, 1361, 1621, 1641,
2101, 2111, 2291
2381, 2391, 2401, 2411
1331, 2091
0601
0331, 0481, 0531, 0571,
0631, 0651, 0731, 0901,
1241, 1571, 1591, 1791,
1811, 1821, 1891,
1941, 2531
Pioneer
Samsung
Scientific Atlanta
Starcom
STS
Tele
Tele+1
Teleservice
Tudi
United Cable
Zenith
Scott
SEG
SEI
1171, 1261
1486, 1506
1416
0261, 0601, 0821, 0991
0641, 0691, 1081,
1301, 1481, 1981
0071, 0101, 0351, 0411,
0451, 0951, 1901,
2061, 2101, 2111
1466
1436
1436
Thorn
0741, 0861, 2091,
2251, 2271, 2281
0281, 0371, 0551,
0651, 0781, 0861,
0881, 1131, 1181,
1361, 1461, 1971,
1991, 2281
Seleco
Thorn-Ferguson
1406, 1476
1376
Sentra
Sharp
Siarem
1601
1416
1406
0141, 0151, 0191, 1761, 1781
0021, 0261, 0581, 0641,
1021, 1081, 1981
1971
TMK
Toshiba
0141, 0791, 1471
0141, 0381, 0481, 1221,
1271, 1701, 1741, 1851,
2151, 2801, 2811
0451
Sicatel
Siemens
DBS TUNER
0151, 0221, 0231, 0451,
0741, 2011, 2201, 2211,
2221, 2231, 2241,
2261, 2571, 2581
1181
0021, 0261, 1021, 1081
0101, 0021, 0061, 0261,
0391, 0641, 0691, 0851,
0941, 1021, 1081, 1241,
1301, 1321, 1481,
1631, 1981
Akai
Alba
Amstrad
1276
0826, 1276
0166, 0796, 1016,
1026, 1296
0476
Trans Continens
Tristar
Triumph
Uher
2281
Silver
Singer
Sinudyne
0481, 0581, 2121
0431, 0451, 0481, 0491,
0511, 1311, 1541
0021, 0261, 0591,
1021, 1081, 1981
1181, 2051
Ankaro
Ast
Astra
Barcom
0406
0126
0476
0966
0106
1276
0826
0956
Ultravox
Universum
Univox
Vegavox
Vexa
Victor
Videoton
Vortec
Voxson 0411, 0451, 0491, 1021, 1081
Waltham
Watson
Blaupunkt
Bmc Satellite
British Telecom
Bush
Bush (UK)
Cambridge
Chaparral
Columbus
Connexions
Discus Elipse
Diskxpress
Drake
1971
0811
0101, 1511
1441, 1591
2481
0101, 0651
Skantic
Solavox
Sonoko
Sony
0451
0451, 1641, 2011
1181, 1511, 0101
0141, 0171, 1121,
1681, 1691, 2751
0196, 1276
0016, 0696, 1006
0616
Soundesign
SSS
Stern
1171
1171
0451
0431, 2201, 2241
0021, 0061, 0261, 0591,
0641, 0761, 1091,
1971, 1981, 2001
0141, 1081, 1981
1021
0306, 0426
0856, 0866
0426, 0476
1516
0071, 0101, 0351, 0411, 0451,
0951, 1901, 2061, 2101, 2111
0691
Watt Radio
Sunkai
Supra
Tandberg
0791
Echostar
0226, 0236, 0606, 0626,
0666, 0926, 0996, 1046,
1056, 1066, 1106
1286
0161, 0331, 0611, 1021,
1421, 1771, 1791, 2081
0451, 0191, 1331, 1531
Wega
Wega Color
Weltblick
Weston
Tandy
0101
1621
Elta
Elta Sat
0146
413
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Eurodec
Ferguson
1226, 1236, 1246
0046, 0176, 0186, 0296,
0846, 0956, 1306
0976
0026, 0536, 0776
0476, 0616, 0636, 1056
0206, 0336
Salora
0066, 0126, 0136, 0446,
Bush (UK)
Capehart
CGE
Craig
Crown
Daewoo
Dansai
Daytron
Decca
Decca (UK)
Degraaf
0812
0112
0456, 0486, 0496, 0576
0746, 0756
0406
Samsung
Sat
0042, 0432, 0762
0072, 0482
0112, 0282, 0622
0112, 0282, 0622
0012
Finlux
Fracarro
Fuba
Giucar Record
Grundig
High Performance
Hirschmann
Satcom
Sateco
Sector
Sedea
Sentra
Siemens
Sintrack
Skylab
Skyscan
Sony
Stella
Strong
Stv
Tandberg
Tandy
Tantec
Tatung
Technisat
0896
0646
1266
1096
0176, 0946, 0956, 0966
0112
0916
0756, 0966
0446, 0516, 0706, 0946
0886
0066, 0126, 0176, 0446, 1156
0416
0042, 0052, 0432, 0942
0052
0896, 0966
0906
Hitachi
Icx International
0052, 0132, 0432,
0532, 0602
0442
0042, 0632
0052, 0432, 0532
0432
0476
0876
ITT
ITT/Nokia 0066, 0126, 0176, 0446, 1156
Jeemon
Jerrold
Johansson
JVC
Kathrein
Kosmos
Kyostar
Leng
Lifesat
Luxor
Dixi
Dual
Dumont
Dynatech
Dynatron
Elbe
0736, 0946
0306
0156, 0396, 1036, 1086
0636
0146
0846, 0986
0246
0012
0122
0072
1276
0116, 0266, 0276, 0366
0266
1116, 1366
0916
Elin
Emerson
0616
0012, 0162, 0202,
0432, 0512, 0522
0012
1036, 1086
0516, 0546
0086, 0096, 0526,
0556, 1056
0306
0246
Erres
Ferguson
1326, 1346, 1356
0126, 0136, 0446,
0466, 0506, 1156
0356
0042, 0712, 0722, 0852,
0902, 1012, 1022, 1082
0432
Telecom
Telemax
Thorn-Ferguson
0586
Fidelity
Finlandia
Macab
Maspro
Medion
Metz
Micromaxx
Mitsubishi
Morgans
Muratto
NEC
0046, 0076, 0176,
0186, 0956
0946
0052, 0532
0016, 0116, 0256, 0956
1326, 1346
Finlux
0012, 0042, 0052, 0082, 0262,
0382, 0432, 0462, 0492,
0532, 0572, 0602, 0912
0002, 0912
Toshiba
Triad
0966
1326, 1346
0406
Uniden 0036, 0216, 0676, 0716, 0726
US Electronics
Vortec
Vtech
Winersat
First Line
Fisher
0966
0596
0406
0886
0756, 1036, 1076
0436
0162, 0482, 0532,
0542, 0572, 0592
Formenti-Phoenix
Frontech
Funai
GBC
GEC (UK)
Geloso
0012, 0052
0112
0432
0002
0022, 0052
0002
0286, 0316, 0766, 0786, 0836
0046
0246
Network
Nikko
Nokia
Wisi
0056, 0356, 0376, 0386, 0406,
1136, 1146
0656, 1056, 1156
0916
0066, 0126, 0176, 0446,
1156, 1166, 1336
0786
Wolsey
Zehnder
Zender
0266, 0406
0406
Norsat
General Technic
1172
Otto Versand
Pace
0966
0046, 0176, 0296,
0936, 0956, 1306
0946
0616, 0686, 0706
0396
GoldStar
Goodmans
0012, 0122, 0812, 0952
0002, 0072, 0282,
0432, 0502
VCR
Pace Mss
Palcom
Palsat
Paltec
Panasonic
Pansat
Goodmans (UK)
Graetz
Granada
0002
0022, 0042
Aiwa
Akai
0042, 0352, 0432
0042, 0422, 0492, 0582, 0612,
0642, 0652, 0762, 0912
0002, 0112, 0282,
0332, 0342, 0972
0322, 0432, 0452
0002
0052, 0132, 0532, 0572
0052, 0092, 0462,
0602, 0812, 0822
0052, 0062, 0092, 0232,
0252, 0262, 0752, 0802
0052, 0812
0706
0806, 1306
Granada (UK)
Alba
1076
Grundig
Amstrad
Anitech
Anitsch
ASA
Audiosonic
Baird
Bang & Olufsen
Baur
Blaupunkt
Philips
0326, 0346, 0476, 0956,
1126, 1186, 1196, 1206,
1216, 1306, 1316
1176
Hanseatic
Harman/Kardon
Hcm
Hinari
Hitachi
1002
0012, 0052
0122, 0922
Prosat
Ptt Telecom
Quelle
Radix
Rediffusion
Rft
0002
0002
0042, 0282, 0492
0042
0052, 0062, 0812
0062, 0092, 0252,
0462, 0672, 0992
0032
0306, 0896
0002, 0202, 0412, 0442, 0522
0042, 0172, 0292, 0432,
0602, 0662, 0812, 1022
0072, 0432
0966
1056
0316, 0786
1186, 1196, 1206, 1216
1256
Imperial
Ingersol
Inno Hit
Innovation
Interfunk
0442
Sagem
Sakura
0002, 0052, 0072
1142, 1162, 1172
0022, 0052
Brionvega
Bush
0566, 0816
0002, 0282, 0332,
0342, 0512, 0972
414
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Irradio
ITT
0002, 0012
0022, 0032, 0042, 0072, 0292,
0492, 0532, 0572, 0762
0022, 0032, 0042, 0072,
0292, 0492, 0532,
0572, 0762
Osaka
Osaki
Otto Versand
Panasonic
0432
0002, 0012, 0432
0052, 0062, 0812
0022, 0212, 0462, 0672,
0992, 1092, 1102, 1182
0172, 0602
TCM
Teac
Technics
Teknika
Telefunken
1142, 1162, 1172
0042, 0432
0462
0012, 0432
0042, 0192, 0632, 0732,
0742, 0762, 0782,
0882, 0892
1032, 1042, 1052
0002
0042, 0102, 0142, 0192,
0402, 0632, 0762
0042, 0902
ITT-Nokia
Pentax
Perdio
Philco
Philips
Jensen
JVC
0042
0432
1062
0042, 0102, 0142, 0272,
0742, 0762, 0782, 0902
0052, 0072, 0812
0492
Tempest
Tenosal
Thomson
0052, 0082, 0092, 0152,
0182, 0362, 0372, 0382,
0472, 0502, 1072
0052, 0152
Karcher
Kendo
Kenwood
Lifetec
Lloyd
Loewe Opta
Logik
Luma
0042, 0142, 0572
1142, 1162, 1172
0432
0052, 0092, 0152
0002, 0072, 0442
0162
Phonola
Pilot
Pioneer
Portland
Proline
Pye
Thorn
Thorn-Ferguson
0012
0042, 0222, 0302,
0712, 0722, 0742,
0762, 0852, 0862,
0872, 0902
0052, 0142, 0372, 0472
0112
0432
0052, 0152
TMK
0522
Luxor
0492, 0572, 0812
0432
Quartz
Quelle
0572
Tonsai
0002
M Electronic
Magnadyne
Magnasonic
Manesth
Marantz 0012, 0052, 0092, 0122, 0502
Mark
0012, 0032, 0042, 0052,
0062, 0072, 0092, 0202,
0462, 0552, 0942
0022
0012, 0072, 0132, 0432,
0482, 0502, 0532, 0572
1072
Toshiba
Totevision
Triumph
Uher
Ultravox
Unitech
Vector Research
Victor
Videon
Weltblick
White Westinghouse
Xenon
Yoko
0042, 0622, 0912, 1212
0012, 0072
0052
0572
0012
0922
0042, 0072
Radionette
Realistic
0032
0072
0122
0012
0012
Marta
Matsui
Ret
Rex
Ricoh
Saba
0012, 0442, 0512,
0522, 0812, 0972
1142, 1162, 1172
0012, 0132, 0432,
0482, 0532, 0572
0062, 0092, 0932
0912
0042, 0742, 0782
0952
0042, 0102, 0142
1162, 1172
Medion
Memorex
0042, 0142, 0192, 0222, 0242,
0392, 0632, 0732, 0742,0762,
0772, 0782, 0792, 0872
0162, 0202, 0292, 0442,
0512, 0522, 0972
0012
0032
0162
Metz
MGA
Saisho
0012, 0062, 0072
Micromaxx
Minerva
Minolta
Mitsubishi
1142, 1162, 1172
0062, 0092, 0252
0172, 0602
0052, 0062, 0142,
0912, 0922
0072, 0432
0002, 0052, 0062,
0282, 0432
Salora
Samsung
0192, 0572, 0812, 0822, 0912
0052, 0072, 0622,
DVD PLAYER
0652, 1192
0042, 0142
0482, 0532, 0562, 0572
0052, 0152, 0182
Akai
JVC
0108
0168
0128
0048
0188
Sansui
Sanyo
SBR
Schaub Lorenz
Schneider
Onkyo
Panasonic
Philips
Pioneer
Samsung
Sharp
Sony
Toshiba
Yamaha
MTC
Multitech
0022, 0042
0002, 0012, 0052,
0072, 0432
0208, 0228
0148
Murphy
N.E.I.
National
NEC
0432
0012, 0052
SEG
Sei-Sinudyne
Seleco
Sentra
Sharp
Shintom
Siemens
Sinudyne
Sonoko
0002, 0072
0068
0028
0088
0462
0442
0042
0112
0042, 0122, 0142, 1202
Neckermann 0032, 0042, 0052, 0072,
0092, 0202, 0522,
0008, 0048
0132, 0502, 0702
0002
0062, 0092, 0252, 0572
0052, 0382, 0442, 0932
0282
0572, 0762, 0812
Nikkai
Nobliko
Nokia
0112
0092
LD PLAYER
0022, 0032, 0042, 0072, 0292,
0492, 0532, 0572, 0762, 1152
Aiwa
Funai
0137
0137
Sony
0432, 0552, 0682, 0692, 0942,
Nordmende
0042, 0102, 0142, 0192,
0222, 0242, 0392, 0402,
0632, 0732, 0742, 0762,
0782, 0792, 0832,
0842, 0872
0952, 0962, 1122, 1132
Hitachi
0047
0077
0027
0037
STS
0602
0512
0432
Magnavox
Panasonic
Pioneer
RCA
Sunkai
Sunstar
Sylvania
0432, 0912
0067
Olympus
Optonica
Orion
0462
0132, 0502
0162, 0202, 0312, 0442,
0512, 0522, 0982
Symphonic
Tandberg
Tashiko
0432, 0912
0062, 0162, 0522, 0932
0132, 0432
Realistic
Samsung
Sony
Victor
Yamaha
0137
0017, 0087
0057, 0097, 0107, 0117
Tatung
0042, 0052, 0432, 0922
0127
0007
415
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Light Control
Linn
Luxman
1155, 1645, 1655, 1665
0165, 1875
0265, 0275, 0795, 0805,
1295, 1305, 1555, 1925
0185, 1895, 1905
1865, 1875
0165, 0175, 0545, 0665,
1275, 1335, 1405, 1505,
1875, 1955
Scott
Sharp
1285, 1675
0025, 0035, 1025, 1115, 1275,
1635, 1785, 1815, 1825, 1835
1275, 1445
CD PLAYER
Accuphase
Adc
Adcom
0315
0865
0785, 1015
Sherwood
Siemens
Signature
Sony
Luxor
Magnavox
Marantz
1085
1155
Akai
0115, 0125, 0725, 0735,
0745, 0935, 1155
1875
0345, 0355, 0365, 0375, 0865,
1685, 1695, 1705, 1715, 1725,
1735, 1745
Arcam
Arcam-Rotel
Audio-Technica
Audiosonic
Awia
0165
0835
0155
Matsushita
MCS
Medion
1095, 1605
Sytvania
Tandberg
Tashiko
TCM
1875
1885
1525
0535
0075, 1995, 2005, 2015
0525, 1015, 1265, 1275,
1285, 1675
1105, 1235, 1245,
1765, 1915, 1935
0875
Memorex
1985, 2015
0235, 0245, 1275, 1365, 1375,
1395, 1435, 1465, 1475
Teac
BSR
MGA
Micromaxx
Mission
1125
2015
0165, 1875
1125, 1205
California Audio Lab
Carrera
Carver
Cyrus-Rotel
Denon
1075
0555, 0875
0825, 1415
Technics 0465, 0475, 1065, 1075, 1625
Telefunken
Theta Digital
Thomson
Toshiba
Vector Research
Victor
1005
1865
1005
Mitsubishi
0205
NAD
0255, 0285, 0295, 0305, 0345,
0135, 0755, 0765, 1315, 1325
0045, 0955, 1045,
1595, 1795, 1805
1005
0755, 0765
0555, 0865
0575
Nakamichi
NEC
Neckerman
Nikko
Oceanic
Okano
0635, 0645, 1565
0405, 0535, 0775, 0785
0155, 0225
Dual
Elin
Emerson
Fisher
0185
Yamaha
0005, 0015, 0895, 1815
1015, 1285, 1675
0105, 0595, 0605,
0825, 1165, 1175
0835, 1165
0185
0155, 0225
MD RECORDER
Genexxa
0525, 0825, 0855, 0875,
0995, 1265, 1285, 1345,
1355, 1485, 1575, 1675,
1715, 1825
Onkyo
Panasonic
Philips
0885, 1385, 1425, 1455, 1515
1055, 1075, 1615, 1625
0165, 0175, 0195, 1865, 1875
Yamaha
0024
Pioneer 0095, 0335, 0425, 0435, 0445,
0525, 0855, 1035, 1945
Proton
Quasar
Radiola
Radiotone
Realistic
TAPE DECK
GoldStar
Grundig
0555, 1185, 1195, 1585
0175
0905, 1875
1075
1845, 1855
Akai
0124
0204
0134
0044
0194
0164
0134
Harman Kardon
0495, 0565, 0325,
1135, 1145, 1155
0065, 0585, 0685, 0945,
1005, 1015, 1225, 1545
1995, 2005, 2015
0185
Denon
Grundig
Harman
JVC
Kenwood
Korting
Luxman
Marantz
NAD
Onkyo
Philips
Pioneer
Sony
Hitachi
0485
0825, 1015, 1265,
1275, 1285, 1575
1875
Innovation
ITT-Nokia
Rotel
Saba
SAE
Salora
Sansui
JVC
Karcher
Kenwood
0385, 0395, 0455, 0575, 0585
0485
1005
1875
0185
0054, 0064, 0074, 0084
0134, 0144
0174
0025, 0055, 0145, 0215,
0595, 0675, 0695, 0705,
0715, 0925, 1355, 1485,
1575, 1675, 1715, 1825
0175
0415, 0965, 0975, 0985,
1255, 1675, 1875
0625, 0825, 0845, 0915
1845, 1855
0184
0134, 0144, 0154
0034, 0114
0094, 0104
0004, 0014
Sanyo
Schneider
Korting
Lifetec
2015
Yamaha
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND
YAMAHA SCANDINAVIA A.B.
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA
Printed in Malaysia ID
V343270
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Quick Reference Card
AMP<TUNER>
TAPE/MD
CD
DVD/LD
POWER
POWER
POWER
POWER
Input selector
EFFECT
Input selector
EFFECT
Input selector
Input selector
TEST
EFFECT
EFFECT
DISC SKIP +/–
DISC SKIP +/–
A/B/C/D/E &
PRESET +/–
MUTE
VOLUME
MUTE
VOLUME
MUTE
VOLUME
MUTE
TV VOLUME
TV INPUT
TV VOLUME
TV VOLUME
TV VOLUME
VOLUME
SLEEP
DISPLAY (MD)
DISPLAY
SLEEP
SLEEP
SLEEP
DISPLAY
TV INPUT
PAUSE
TV INPUT
REC/PAUSE
PLAY
DECK A/B (TAPE)
PAUSE (MD)
+/–
PAUSE
PLAY
DIR A (TAPE)
SKIP– (MD)
DIR B (TAPE)
SKIP+ (MD)
STOP
SKIP+
SKIP+
PLAY
PRG+/PRG–
SET MENU
SKIP–
SKIP–
STOP
STOP
SEARCH
REWIND (TAPE)
SEARCH (MD)
TIME/LEVEL
SEARCH
SEARCH
FAST
FORWARD (TAPE)
SEARCH (MD)
SEARCH
V342650
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Quick Reference Card
DVD MENU
VCR
CBL/DBS
TV
VCR POWER
CHANNEL
POWER
CBL/DBS POWER
CHANNEL
TV POWER
CHANNEL
Numeric
buttons
EFFECT
CHANNEL
ENTER
+100
CLEAR
+10
EFFECT
CHANNEL
ENTER
VCR
CHANNEL +/–
CHANNEL
ENTER
TV
CBL/DBS
CHANNEL +/–
CHANNEL +/–
DISC SKIP+/–
VOLUME
MUTE
VOLUME
MUTE
VOLUME
VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
TV VOLUME
DISPLAY
TV MUTE
MUTE
TV SLEEP
RETURN
DISPLAY
INDEX
DISPLAY
TV SLEEP
TV SLEEP
TV INPUT
VCR REC (*1)
VCR REC (*1)
MENU UP
TV INPUT
TV INPUT
TV INPUT
MENU RIGHT
VCR PAUSE
MENU UP
VCR PAUSE
VCR STOP
MENU LEFT
MENU LEFT
MENU RIGHT
MENU DOWN
VCR PLAY
VCR PLAY
MENU SELECT
TITLE
MENU SELECT
RECALL
MENU DOWN
MENU
VCR STOP
VCR REWIND
VCR FAST
FORWARD
VCR REWIND
VCR FAST
FORWARD
MENU
*1: Press this button twice to start recording.
Appuyer deux fois sur cette touche pour lancer l’enregistrement.
Diese Taste zweimal drücken, um die Aufnahme zu starten.
Premere due volte questo tasto per iniziare la registrazione.
Presione dos veces este botón para comenzar a grabar.
Druk tweemaal op deze toets om te beginnen met opnemen.
Tryck två gånger på den här knappen för att börja spela in på videobandspelaren.
V342650
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