Yamaha Stereo Amplifier DSP A595 User Manual

B G R T

DSP-A595

Natural Sound AV Amplifier

Amplificateur audiovisuel

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

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• After unpacking, check that the following parts are included.

SUPPLIED ACCESSORIES

ACCESSOIRES FOURNIS

• Après le déballage, vérifier que les pièces suivantes sont incluses.

• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

• Kontrollera efter det apparaten packats upp att följande delar finns med.

MITGELIEFERTE ZUBEHÖRTEILE

MEDFÖLJANDE TILLBEHÖR

ACCESSORI IN DOTAZIONE

ACCESORIOS INCLUIDOS

BIJGELEVERDE ACCESSOIRES

•

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

• Remote control transmitter

• Télécommande

• Batteries (size AA, R6, UM-3)

• Piles (taille AA, R6, UM-3)

• Fernbedienung

• Fjärrkontroll

• Telecomando

• Transmisor de control remoto

• Afstandsbediening

• Batterien (Größe AA, R6, UM-3)

• Batterier (storlek AA, R6, UM-3)

• Batterie (dimensioni AA, R6, UM-3)

• Pilas (tamaño AA, R6, UM-3)

• Batterijen (maat AA, R6, UM-3)

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FEATURES

● 5 Speaker Configuration

● Automatic Input Balance Control for

Main: 65 W + 65 W (8Ω) RMS Output

Power, 0.04% THD, 20 Hz – 20 kHz

Center: 65 W (8Ω) RMS Output

Dolby Pro Logic Surround

● Test Tone Generator for Easier Speaker

Balance Adjustment

Power, 0.04%THD, 20 Hz – 20 kHz

Rear: 65 W + 65 W (8Ω) RMS Output

Power, 0.04%THD, 20 Hz – 20 kHz

● Speaker Output Mode Changing

Capability

● Video Signal Input/Output Capability

● Digital Sound Field Processor

● Dolby Digital Decoder

(Including S Video Connections)

● SLEEP Timer

● Dolby Pro Logic Surround Decoder

● Universal Remote Control

Transmitter with Preset Manufacturer

Codes

● CINEMA DSP:Theater-like Sound

Experience by the Combination of Dolby

Surround and YAMAHA DSP Technology

● 6-Channel External Decoder Input for DTS

and other future formats

CONTENTS

SUPPLIED ACCESSORIES........................................... 2

FEATURES .................................................................... 3

CAUTION ....................................................................... 4

●Information about DSP

USING DIGITAL SOUND FIELD

PROCESSOR (DSP) .............................................. 29

●Introduction

FEATURES ON SOUND EFFECT ................................. 5

CONTROLS AND THEIR FUNCTIONS ......................... 7

●Advanced Information

ADJUSTMENTS

IN THE “SET MENU” MODE................................... 35

●Preparation

●Remote Control Transmitter

SPEAKER SETUP ....................................................... 10

CONNECTIONS........................................................... 12

ADJUSTMENTS

REMOTE CONTROL TRANSMITTER ......................... 37

SETUP CODES ........................................................... 42

NOTES ABOUT THE REMOTE CONTROL

BEFORE USING THIS UNIT .................................. 19

TRANSMITTER ...................................................... 43

●Basic Oparation

BASIC OPERATIONS .................................................. 24

SETTING THE SLEEP TIMER..................................... 28

TROUBLESHOOTING ................................................. 44

SPECIFICATIONS ....................................................... 46

LIST OF MANUFACTURER’S CODE ........................ 311

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CAUTION : READ THIS BEFORE OPERATINGYOUR UNIT.

1. To assure the finest performance, please read this manual

For U.K. customers

If the socket outlets in the home are not suitable for the plug

carefully. Keep it in a safe place for future reference.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,

dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

supplied with this appliance, it should be cut off and an appro-

priate 3 pin plug fitted. For details, refer to the instructions

described below.

Note: The plug severed from the mains lead must be de-

stroyed, as a plug with bared flexible cord is hazardous if

engaged in a live socket outlet.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull the

wires themselves.

Special Instructions for U.K. Model

IMPORTANT

THE WIRES IN THE MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

5. The openings on the unit cover assure proper ventilation of

the unit. If these openings are obstructed, the temperature

inside the unit will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in a

well-ventilated area to prevent fire and damage.

Blue: NEUTRAL

Brown: LIVE

<U.K. and Europe models>

As the colours of the wires in the main lead of this apparatus

may not correspond with the coloured markings identifying

the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured

BLACK. The wire which is coloured BROWN must be

connected to the terminal which is marked with the letter L or

coloured RED. Make sure that neither core is connected to

the earth terminal of the three pin plug.

Be sure to allow a space of at least 20 cm behind, 20 cm

on the both sides and 30 cm above the top panel of the unit

to prevent fire and damage.

6. The voltage used must be the same as that specified on

this unit. Using this unit with a higher voltage than speci-

fied is dangerous and may result in fire or other accidents.

YAMAHA will not be held responsible for any damage

resulting from use of this unit with a voltage other than

specified.

7. Digital signals generated by this unit may interfere with

other equipment such as tuners, receivers or TVs. Move

this unit farther away from such equipment if interference is

observed.

This unit is not disconnected from the AC power source as

long as it is connected to the wall outlet, even if this unit

itself is turned off. This state is called the standby mode. In

this state, this unit is designed to consume a very small

quantity of power.

8. Always set the VOLUME control to “∞” before starting the

audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

9. Do not attempt to clean the unit with chemical solvents; this

might damage the finish. Use a clean, dry cloth.

10. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

11. When not planning to use this unit for long periods of time

(ie., vacation, etc.), disconnect the AC power plug from the

wall outlet.

12. To prevent lightning damage, disconnect the AC power

plug and disconnect the antenna cable when there is an

electrical storm.

13. Grounding or polarization – Precautions should be taken so

that the grounding or polarization of an appliance is not

defeated.

14. AC outlet

Do not connect audio equipment to the AC outlet on the

rear panel if that equipment requires more power than the

outlet is rated to provide.

15. Voltage Selector (China and General Models only)

The voltage selector on the rear panel of this unit must

be set for your local main voltage BEFORE plugging

into the AC main supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

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FEATURES ON SOUND EFFECT

This unit incorporates a sophisticated, multi-program digital

In addition, this unit incorporates a Dolby Pro Logic Surround

decoder and Dolby Digital decoder for multi-channel sound

reproduction of Dolby Surround encoded video sources. The

operation of the Dolby Pro Logic Surround or Dolby Digital

decoder can be controlled by selecting a corresponding DSP

program including combined operations of the YAMAHA DSP

and the Dolby Pro Logic Surround or Dolby Digital decoder.

sound field processor. The processor allows you to electroni-

cally expand and change the shape of the audio sound field

from both audio and video sources, creating a theater-like

experience in your listening room. This unit has a total of 8

digital sound field processor (DSP) modes. You can create an

excellent audio sound field by selecting a suitable sound field

(this will, of course, depend on what you will be listening to),

and adding desired adjustments.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but chances are you’ll still

notice something missing, the acoustic environment of the live

concert hall. Extensive research into the exact nature of the

sonic reflections that create the ambience of a large hall has

made it possible for YAMAHA engineers to bring you this same

sound in your listening room, so you’ll feel all the sound of a

live concert.

Furthermore, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of actual concert halls, theaters, etc.

from around the world, to allow you to accurately re-create any

one of these live performance environments, all in your home.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar

to professional Dolby Stereo decoders used in many movie

theaters. By using the Dolby Pro Logic Surround decoder, you

can experience the dramatic realism and impact of Dolby

Surround movie theater sound in your own home. Dolby Pro

Logic employs a four channel five speaker system. The Pro

Logic Surround system divides the input signal into four levels:

the left and right main channels, the center channel (used for

dialog), and the rear surround sound channels (used for sound

effects, background noise, and other ambient noises). The

center channel allows listeners seated in even less-than-ideal

positions to hear the dialog originating from the action on the

screen while experiencing good stereo imaging.

Dolby Surround is encoded on the sound track of pre-recorded

video tapes, laser discs, and some TV/cable broadcasts. When

you play a source encoded with Dolby Surround on this unit,

the Dolby Pro Logic Surround decoder decodes the signal and

distributes the surround-sound effects.

This Dolby Pro Logic Surround decoder employs a digital signal

processing system. This system improves the stability of sound

at each channel and crosstalk between channels, so that

positioning of sounds around the room is more accurate

compared with conventional analog signal processing systems.

In addition, this unit features a built-in automatic input balance

control. This always assures you the best performance without

manual adjustment.

Dolby Digital

The built-in Dolby Digital decoder leads you into a totally new

sound experiences.

Compared to Dolby Pro Logic that is referred to a “3/1” system

(left front, center, right front and just one surround channel),

Dolby Digital features two surround channels, called stereo or

split surrounds, each offering the same full range fidelity as the

three front channels.

Dolby Digital is a new generation of multi-channel digital audio

technology, or the newest spatial sound processing format

developed for 35 mm film-movies by employing a new kind of

low bit-rate audio coding.

Sound of wide dynamic range reproduced by the five full range

channels presents listeners much excitement that has never

been experienced before. Precise sound orientation by the

discrete digital sound processing expands realism that the

original movie possesses.

Dolby Digital is a digital surround sound system that provides

completely independent multi-channel audio to consumers. In

multi-channel form, Dolby Digital provides five full range

channels in what is sometimes referred to as a “3/2” configura-

tion: three front channels (left, center and right), plus two

surround channels. A sixth bass-only effect channel is also

provided for output of LFE (low frequency effect), or low bass

effects that are independent of other channels. This channel is

counted as 0.1, thus giving rise to the term 5.1 channels in

total.

LD and DVD are home audio formats that could benefit from

Dolby Digital. In the near future, Dolby Digital will also be

applied to DBS, CATV and HDTV. The ongoing release of

Dolby Stereo Digital theatrical films now underway will provide

an immediate source of Dolby Digital encoded video software.

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• Dynamic range (sound scale) of source can be changed

so that it will be suitable for the listening conditions.

• Output of low bass from any channel can be assigned to

either the MAIN SPEAKERS terminals or SUBWOOFER

terminal to maximize system performance.

• Output of LFE can be assigned to either the MAIN

SPEAKERS terminals or SUBWOOFER terminal to

maximize system performance.

Manufactured under license from Dolby Laboratories Licensing

Corporation. “Dolby”, “Pro Logic”, and the double-D symbol are

trademarks of Dolby Laboratories Licensing Corporation.

The following original functions make the surround-sound effect

of Dolby Digital become the most suitable for your audio

system and the listening conditions.

Dolby Surround + DSP (CINEMA DSP)

Dolby Surround sound system shows its full ability in a large

movie theater, because movie sounds are originally designed to

be reproduced in a large movie theater using many speakers.

It is difficult to create a sound environment similar to that of a

movie theater in your listening room, because the room size,

materials of inside walls, the number of speakers, etc. of your

listening room is much different from those of a movie theater.

YAMAHA DSP technology made it possible to present you with

nearly the same sound experience as that of a large movie

theater in your listening room by compensating for lack of

presence and dynamics in your listening room with its original

digital sound fields combined with Dolby Surround sound field.

C IN E M A D S P

The YAMAHA “CINEMA DSP” logo indicates those programs

are created by the combination of Dolby Surround and

YAMAHA DSP technology.

Dolby Pro Logic + 2 Digital Sound Fields

Dolby Digital + 3 Digital Sound Fields

Digital sound fields are created on the presence side and the

rear surround side of the Dolby Pro Logic Surround-decoded

sound field respectively. They create a wide acoustic

environment and emphasize surround-effect in the room,

letting you feel much presence as if you are watching a

movie in a popular Dolby Stereo theater.

Digital sound fields are created on the presence side and the

independent left and right surround sides of the Dolby Digital-

decoded sound field respectively. They create a wide

acoustic environment and much surround effect in the room

without losing high channel separation. With wide dynamic

range of Dolby Digital sound, this sound field combination lets

you feel as if you are watching a movie in the newest Dolby

Stereo Digital theater. This will be the most ideal home

theater sound at the present time.

This combination is available when the sound field program

DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER or TV SPORTS is selected, and the input signal of

source is analog, PCM audio or encoded with the Dolby

Digital in 2-channel.

This combination is available when the sound field program

DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED, 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER or TV SPORTS is selected, and the input signal of

source is encoded with the Dolby Digital (except in 2-chan-

nel).

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CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

5 INPUT

1 ^STANDBY/ON

Press this switch to turn the power of this unit on. Press it

again to turn this unit into the standby mode.

Turn this selector to select the program source (VCR, VIDEO

AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) to listen to or

watch.

The name of the selected program source appears on the

display.

Standby mode

In this state, this unit consumes a very small quantity of

power to receive infrared-signals from the remote control

transmitter.

6 VOLUME

This control is used to raise or lower the volume level.

7 PHONES jack

2 Remote control sensor

Receives signals from the remote control transmitter.

When you use headphones, connect the headphones to the

PHONES jack. You can listen to the sound to be output from

the main speakers through headphones.

3 Display

When using headphones only, set both SPEAKERS A and B to

the OFF position and switch off the digital sound field processor

(so that no DSP program name appears on the display) by

pressing EFFECT.

Shows various information. (For details, refer to page 9.)

4 TAPE/MD MON / EXT. DECODER

Press this button to play a tape or an MD. The “TAPE/MD

MON” indicator lights up on the display.

P H O N E S

When you press the button next, the “TAPE/MD MON” indicator

goes off and “EXT. DECDR” appears on the display and you

can play the signal connected to the EXTERNAL DECODER

INPUT terminals.

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8 SPEAKERS

w BALANCE

Set A or B (or both A and B) to the ON position for the main

speaker system (connected to this unit) you will use. Set it (or

them) for the main speaker system you will not use to the OFF

position.

This control is effective only for the sound from the main

speakers.

Adjusts the balance of the output volume to the left and right

speakers to compensate for sound imbalance caused by

speaker location or listening room conditions.

9 EFFECT

Switches on and off the output from the center and rear

speakers so that the sound becomes normal 2-channel.

* Even if the output from the center and rear speakers is off,

when the Dolby Digital is decoded, the signals at all channels

are distributed to the main channels and output from the main

speakers.

e SET MENU

Press this button to select functions in the SET MENU mode.

r TIME/LEVEL

Press this button to select the setting of delay time or speaker

output levels in the TIME/LEVEL mode.

0 PROGRAM selector

t +/–

Press these buttons to select the DSP program.

The name of the selected program appears on the display.

These buttons are used to adjust settings of the SET MENU

mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,

press + to increase delay time or speaker output levels. Press

– to decrease delay time or speaker output levels.

qTone controls

These controls are effective only for the sound from the main

speakers.

y INPUT MODE

Switches the DVD/LD and TV/DBS input signal mode (AUTO/

ANALOG).

BASS

Used to increase or decrease the low frequency response. The

“0” position produces flat response.

TREBLE

Used to increase or decrease the high frequency response.

The “0” position produces flat response.

u VIDEO AUX terminals

Connect an auxiliary video or audio input source unit such as a

camcorder to these terminals. If the connected video unit has a

S video output terminal, connect it to the S VIDEO terminal to

obtain a high resolution picture. The source connected to these

terminals can be selected by INPUT.

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DISPLAY PANEL

and

” lights up when the built-in Dolby Digital decoder is

on and the signals of selected source encoded with the Dolby

Digital is not in 2-channel. “ ” lights up when the built-in

digital sound field processor is on, and “ ” lights up

indicators

1 Multi-information display

Displays various information, for example name of selected

DSP program and name of selected input source.

“

2 TAPE/MD MON indicator

Lights up when the tape deck (or MD recorder etc.) is selected as

the input source by pressing TAPE/MD MON / EXT. DECODER

on the front panel orTAPE/MD on the remote control transmitter.

when the built-in Dolby Pro Logic Surround decoder is on.

Depending on the selected DSP program, both “

” and

“

”, or both “

” and “

” will light up.

4 SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

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SPEAKER SETUP

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with

a 5-speaker configuration, using main speakers, rear speakers

and a center speaker.

The main speakers are used for the main source sound plus

the effect sounds. They will probably be the speakers from

your present stereo system. The rear speakers are used for

the effect and surround sounds, and the center speaker is for

the center sounds (dialog, vocals, etc.). If for some reason it is

not practical to use a center speaker, you can do without it.

Best results, however, are obtained with the full system.

Use of a subwoofer expands your sound field

It is also possible to further expand your system with the

addition of a subwoofer and amplifier. The use of a subwoofer

is effective not only for reinforcing bass frequencies from any or

all channels, but also for reproducing the LFE (low frequency

effect) sound with high fidelity when playing back a source with

the Dolby Digital decoded. You may wish to choose the

convenience of a YAMAHAActive Servo Processing Subwoofer

System, which has its own built-in power amplifier.

The main speakers should be high performance models and

have enough power handling capacity to accept the maximum

output of your audio system.

Other speakers do not have to be equal to the main speakers.

For precise sound localization, however, it is ideal to use high

performance models that can reproduce sounds in the full

range for the center speaker and the rear speakers.

SPEAKER CONFIGURATION

5-Speaker Configuration

4-Speaker Configuration

This configuration is the most effective and recommended one.

When playing back a source using the DSP program,

DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC

ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE

THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV

SPORTS, or when playing back a source which contains

center-channel signals (dialog, vocals, etc.) using any DSP

program with the Dolby Digital decoded, conversations will be

output from the center speaker and the ambience will be

excellent.

The center speaker is not used in this configuration. When

playing back a source using the DSP program, DOLBY PRO

LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/

DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/

DIGITAL MOVIETHEATER, MONO MOVIE or TV SPORTS, or

when playing back a source which contains center-channel

signals (dialog, vocals, etc.) using any DSP program with the

Dolby Digital decoded, the center sound is output from the left

and the right main speakers. However, the sound effect of

other programs will be the same as that of the 5-speaker

configuration.

Note: Set the CNTR (CENTER SPEAKER) mode to the

“LARGE” or “SMALL” position. (For details, see

page 19.)

Note: Be sure to set the CNTR (CENTER SPEAKER) mode to

the “NONE” position. (For details, see page 19.)

Main L

Main R

Main L

Center

Dialog

Main R

Dialog

Surround sound

Rear L

Rear R

Rear L

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SPEAKER PLACEMENT

When you place the speakers, refer to the following diagram:

Main:

Rear:

The position of your present stereo speaker

system.

Behind your listening position, facing slightly

inward. Nearly 1.8 m (approx. 6 feet) up from the

floor.

Center:

Precisely between the main speakers. (To avoid

interference with TV sets, use a magnetically

shielded speaker.)

Subwoofer: The position of the subwoofer is not so critical

because low bass tones are not highly directional.

Center speaker

Rear speaker

Main speaker

Subwoofer

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CONNECTIONS

Never plug in this unit and other components until all connections are completed.

CONNECTIONS WITH OTHER COMPONENTS

When making connections between this unit and other components, be sure all connections are made correctly, that is to say L

(left) to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as !, @, #, $, etc. on the rear panel, connections can be made easily by making

sure to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.

Turntable

Monitor TV

DVD player, LD player, etc.

(Eupore model)

To AC outlet

CD player

Tuner

Tape deck,

MD recorder, etc.

TV/DBS tuner

VCR

(Video cassette recorder)

: See the next page.

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SWITCHED AC OUTLET(S)

GND terminal (For turntable use)

(China and General models) .............. 3 SWITCHED OUTLETS

(Europe models) ................................ 2 SWITCHED OUTLETS

(U.K. model) ..........................................1 SWITCHED OUTLET

Connecting the ground wire of the turntable to the GND

terminal will normally minimize hum, but in some cases better

results may be obtained with the ground wire disconnected.

Use these to connect the power cords from your components to

this unit.

The power to the SWITCHED outlets is controlled by this unit’s

STANDBY/ON or the provided remote control transmitter’s

POWER and STANDBY. These outlets will supply power to

any component whenever this unit is turned on.

The maximum power (total power consumption of components)

that can be connected to the SWITCHED AC OUTLET(S) is

100 watts.

CONNECTING TO AN EXTERNAL DECODER

When using the DTS or other decoder with 6-channel discrete outputs, connect the 6CH DISCRETE OUTPUT terminals of the

decoder to the EXTERNAL DECODER INPUT terminals of this unit.

DTS or other decoder with 6-channel

discrete outputs

(Eupore model)

DVD player, LD player or other

unit with digital outputs

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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS

If your DVD (LD) player, TV/DBS tuner, etc. are equipped with

coaxial or optical digital audio signal output terminals, they can

be connected to this unit’s COAXIAL and/or OPTICAL digital

signal input terminals.

Notes

• When connecting an audio/video unit to both of the digital

and analog terminals of this unit, make sure to connect to

both terminals of the same name.

• Be sure to attach the covers when the OPTICAL terminals

are not being used, in order to protect the terminals from

dust.

• The input signal from the DVD/LD input terminals is selected

in the following order of priority.

To make a connection between optical digital audio signal

terminals, remove the cover from each terminal, and then

connect them by using a commercially available optical fiber

cable that conforms to EIAJ standards. Other cables might not

function correctly.

(input mode: AUTO position)

1 COAXIAL terminal

2 OPTICAL terminal

3 ANALOG terminal

• All digital audio signal input terminals are applicable to the

sampling frequency of 32 kHz, 44.1 kHz and 48 kHz.

Even if you connect an audio/video unit to the COAXIAL (or

OPTICAL) terminal of this unit, you must keep the unit con-

nected with the same named analog audio signal terminals of

this unit, because digital signal cannot be recorded by a tape

deck or VCR connected to this unit. You can switch the

selection of input signals between “digital” and “analog” easily.

(See page 26 for details.)

DVD or LD player

TV/DBS tuner

(Eupore model)

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CONNECTING TO S VIDEO TERMINALS

If you have a VCR and a monitor equipped with “S” (high-

resolution) video terminals, those terminals can be connected

to this unit’s S VIDEO terminals. Connect the VCR’s “S” video

input and output terminals to this unit’s S VIDEO VCR OUT and

IN terminals respectively, and connect the monitor’s “S” video

input terminal to this unit’s S VIDEO MONITOR OUT terminal.

Otherwise, connect the VCR’s composite video terminals to this

unit’s composite VIDEO terminals, and connect the monitor’s

composite video input terminal to this unit’s composite

MONITOR OUT terminal.

Monitor TV

Note

If video signals are sent to both S VIDEO input and com-

posite input terminals, the signals will be sent to their

respective output terminals.

VCR

CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)

These terminals are used to connect any video input source, such as a camcorder, to this unit.

Camcorder

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CONNECTING SPEAKERS

Main speakers A

Main speakers B

Right

Left

Right

Left

(Eupore model)

Rear speakers

Left

Right

Center speaker

Subwoofer system

Note on a subwoofer connection:

Note

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel.

If you have a subwoofer with built-in amplifier, including the

YAMAHA Active Servo Processing Subwoofer System, connect

the SUBWOOFER OUTPUT terminal of this unit to the input

terminal of the subwoofer system.

If you have an amplifier and a subwoofer, connect the

SUBWOOFER OUTPUT terminal of this unit to the input

terminal of the subwoofer amplifier, and then connect the

speaker terminals of the subwoofer amplifier to the subwoofer.

Use speakers with the specified impedance shown on the

rear panel of this unit.

Note on main speaker connections:

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either the

SPEAKERS A or B terminals.

Note on center speaker connection:

Center speaker can be connected to this unit. Place it on or

under the TV.

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How to connect

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –

markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could

damage this unit and/or speakers.

For connecting to the MAIN SPEAKERS

terminals

For connecting to the REAR and CENTER

SPEAKERS terminals

Red: positive (+)

Black: negative (–)

1 Press the tab.

1 Unscrew the knob.

2 Insert the bare wire.

[Remove approx. 5 mm

(1/4”) insulation from

the speaker wires.]

[Remove approx. 5 mm

(1/4”) insulation from the

speaker wires.]

3 Release the tab and

3 Tighten the knob and

secure the wire.

Banana plug connections are also possible (except for U.K. and

Europe models). Simply insert the banana plug connector into

the corresponding terminal.

OUTPUT TERMINALS (FOR DRIVING SPEAKERS WITH EXTERNAL AMPLIFIERS)

(MAIN, CENTER and REAR OUTPUT terminals are provided for U.K. and Europe models only.)

MAIN OUTPUT terminals

These terminals are for the main channel line output. There is

no connection to these terminals when you use the built-in

amplifier.

However, if you drive the main speakers with an external stereo

power amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of a power amplifier or an

integrated amplifier) to these terminals.

* Output signals from the MAIN OUTPUT terminals are

affected by the use of BASS, TREBLE, and BALANCE.

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CENTER OUTPUT terminals

SUBWOOFER OUTPUT terminal

These terminals are for the center channel line output. There is

no connection to these terminals when you use the built-in

amplifier.

However, if you drive a center speaker with an external power

amplifier, connect the input terminal of the external amplifier to

this terminal.

If you are placing two center speakers on each side of the TV,

use two amplifiers and connect each amplifier to one of the two

CENTER OUTPUT terminals. Then connect the center

speakers to the amplifiers.

This terminal is for connecting to the input terminal of an

amplifier for driving a subwoofer.

When the input signals to this unit are in normal 2-channel

stereo, this terminal outputs only frequencies below 90 Hz from

the main and center channels. When discrete signals are input

to this unit and are selected as the input source, this terminal

outputs signals from the subwoofer channel.

Note

Output levels of signals from all of these terminals are

adjusted by the use of VOLUME on the front panel or

REAR (SURROUND) OUTPUT terminals

These terminals are for the rear channel line output. There is

no connection to these terminals when you use the built-in

amplifier.

VOLUME (

) on the remote control transmitter.

However, if you drive the rear speakers with an external stereo

power amplifier, connect the input terminals of the external

amplifier (MAIN IN or AUX terminals of a power amplifier or an

integrated amplifier) to these terminals.

IMPEDANCE SELECTOR SWITCH

Select the position whose requirements your speaker system

meets.

WARNING

Do not change the IMPEDANCE SELECTOR switch setting

while the power of this unit is on, otherwise this unit may be

damaged.

(Upper position)

IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/

ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR

switch may not be fully set to either end. If so, set the switch

to either end fully.

Main: If you use one pair of main speakers, the impedance of

each speaker must be 4Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8Ω or higher.

Center: The impedance of the speaker must be 6Ω or higher.

Rear: The impedance of each speaker must be 6Ω or higher.

IMPEDANCE SELECTOR

(Europe model)

(Lower position)

Main: If you use one pair of main speakers, the impedance of

each speaker must be 8Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 16Ω or higher.

Center: The impedance of the speaker must be 8Ω or higher.

Rear: The impedance of each speaker must be 8Ω or higher.

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ADJUSTMENTS BEFORE USING THIS UNIT

SELECTING THE OUTPUT MODES

This unit provides you the following five functions to determine the method of distributing output signals to speakers suitable for

your audio system. When speaker connections are all completed, select a proper position on each function to make the best use of

your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 35)

1. CNTR (CENTER SPEAKER) 2. REAR (REAR SPEAKER)

4. BASS (LFE/BASS OUT) 5. M.LVL (MAIN LEVEL)

3. MAIN (MAIN SPEAKER)

DESCRIPTION OF EACH FUNCTION

1. CNTR (CENTER SPEAKER)

4. BASS (LFE/BASS OUT)

Choices: SW/MAIN/BOTH

Preset position: SW

Choices: LARGE/SMALL/NONE

Preset position: LARGE

MAIN:

Select this position if your system does not include a

subwoofer.

LARGE: Select this position when your center speaker is

approximately the same size as the main speakers.

SMALL: Select this position when you use a center speaker

that is smaller than the main speakers.

In this position, full range signals present at the main

channels, signals from the LFE channel and other

low bass signals that are selected on “1. CNTR” to

“3. MAIN” to be distributed from other channels are

output from the main speakers.

In this position, low bass signals (below 90 Hz) at the

center channel are output from the main speakers (or

the SUBWOOFER OUTPUT terminal if the SMALL

position is selected on “3. MAIN” and the SW position

is selected on “4. BASS”).

SW/BOTH:

Select either the SW or BOTH position if your

NONE: Select this position when you do not have a center

speaker. The center channel sound will be output

from the left and right main speakers.

system includes a subwoofer.

In either position, signals at LFE channel and other

low bass signals that are selected on “1. CNTR” to

“3. MAIN” to be distributed from other channels are

output from the SUBWOOFER OUTPUT terminal.

When the LARGE position is selected on “3. MAIN”,

in the SW position, no signal is distributed from the

main channels to the SUBWOOFER OUTPUT

terminal, however in the BOTH position, low bass

signals from the main channels are output to both of

the main speakers and the SUBWOOFER OUTPUT

terminal.

2. REAR (REAR SPEAKER)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your rear speakers have a high

ability for bass reproduction, or a subwoofer is

connected to the rear speaker in parallel.

In this position, full range signals are output from the

rear speakers.

SMALL: Select this position if your rear speakers do not have

a high ability for bass reproduction.

5. M.LVL (MAIN LEVEL)

Choices: NORMAL (NRML)/–10 dB

Preset position: NORMAL (NRML)

In this position, low bass signals (below 90 Hz) at the

rear channels are output from the SUBWOOFER

OUTPUT terminal (or the main speakers if the MAIN

position is selected on “4. BASS”).

NORMAL (NRML):

Normally select this position.

–10 dB: Select this position if the sound output from the main

speakers is too loud and cannot be balanced with

the sound output from the center and rear speakers.

In this position, the sound output from the main

speakers is attenuated.

3. MAIN (MAIN SPEAKER)

Choices: LARGE/SMALL

Preset position: LARGE

LARGE: Select this position if your main speakers have a

high ability for bass reproduction.

In this position, full range signals present at the main

channels are output from the main speakers.

SMALL: Select this position if your main speakers do not

have a high ability for bass reproduction. However, if

your system does not include a subwoofer, do not

select this position.

In this position, low bass signals (below 90 Hz) at the

main channels are output from the SUBWOOFER

OUTPUT terminal if the SW or BOTH position is

selected on “4. BASS”.

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ADJUSTING METHOD

Operations should be made while watching the information on this unit’s display.

2 3

If you are using the remote control transmitter, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control transmitter.

Press + or – once or more to select the position you

want.

Front panel

Remote control

Turn the power on.

Front panel

Remote control

Changes.

Press SET MENU once or more to select the title

“1. CNTR” (so that “CNTR” appears on the display).

Repeat steps 2 and 3 to change selections on

“2. REAR”, “3. MAIN”, “4. BASS” and/or “5. M.LVL” in

the same way.

Front panel

Remote control

* After pressing SET MENU once on the remote control

transmitter, you can also select the title by pressing .

(Pressing goes back one selection.)

Appears.

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SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the main, center and rear speakers using the built-in test

tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from

each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder and the

Dolby Pro Logic Surround decoder.

The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.

After completing the adjustment of the output level for each speaker, use VOLUME (

ter at your listening position to check if the adjustments are satisfactory.

) on the remote control transmit-

5,9

4 4,7

Set the SELECTOR DIAL to the AMP/TUN or DSP position

on the remote control transmitter.

Turn the power on.

Front panel

Remote control

Set VOLUME to the “∞” position.

Front panel

Select the main speakers to be used.

Front panel

* If you use two main speaker systems, press both A and B.

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Set BASS, TREBLE and BALANCE to the “0” position.

Turn up the volume.

Front panel

Remote control

Press TEST (so that “TEST LEFT” appears on the

display).

You will hear a test tone (like pink noise) from the left main

speaker, then the center speaker, then the right main

speaker, then the right rear speaker, and then the left rear

speaker, for about two seconds each. The display changes

as shown below.

Remote control

Main (L)

Appears.

Center

Main (R)

Rear (R)

Rear (L)

* If the function “1. CNTR” in the SET MENU mode is set to

the NONE position, you will hear the center channel test

tone from the left and right main speakers.

Adjust BALANCE so that the sound output level of the

left main speaker and the right main speaker is the

same.

Front panel

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Notes

• Once you have completed these adjustments, you can adjust

the overall sound level on your audio system by using

Adjust the sound output levels of the center speaker

and the rear speakers so that they become almost as

same as that of the main speakers.

VOLUME (or VOLUME (

) on the remote control

transmitter) only.

• If you use external power amplifiers, you may also use their

volume controls to achieve the proper balance.

Remote control

• If the function “1. CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker

cannot be adjusted in step 8. The center sound is automati-

cally output from the left and right main speakers.

• If there is insufficient sound output from the center and rear

speakers, you may decrease the main speaker output level

by setting “5. M.LVL” to “–10 dB”.

a) Press or once or more so that “CENTER”, “R SUR.”

or “L SUR.” appears on the display.

* Select “CENTER” to adjust the output level of the

center speaker and select “R SUR.” or “L SUR.” to

adjust the output level of the rear speakers.

Remote control

b) Adjust the level.

* Pressing raises and lowers the level.

* While adjusting, the test tone is fixed on the selected

speaker.

Remote control

Press TEST once more to cancel the test tone.

Remote control

“TEST” disappears.

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BASIC OPERATIONS

TO PLAY A SOURCE

3 1,7

3,4

Notes

• Set the SELECTOR DIAL to the AMP/TUN position on the remote control transmitter.

• To operate the tuner, CD player, DVD/LD player, tape deck, MD recorder, or other components using this remote control transmit-

ter, set the SELECTOR DIAL to the component to be used. (See “SETUP CODES” on page 42.)

Set VOLUME to the “∞” position.

Select the desired input source by using INPUT.

(For video sources, turn the TV/monitor ON.)

See page 26 if you are using an external decoder or

playing a tape or an MD.

Front panel

Remote control

Turn the power on.

Front panel

Remote control

The name of the selected input source will appear on the

display.

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For the DVD/LD or TV/DBS source, the current input

mode is also shown.

If desired, adjust BASS, TREBLE, BALANCE, etc.

(see below) and use the digital sound field processor.

(see page 29.)

* To change the input mode for the DVD/LD or TV/DBS

source, press INPUT MODE (or the button that you

have pressed to select the input source in step 3 on

the remote control transmitter) once or more until the

desired input mode (AUTO or ANALOG) is shown on

the display. (See page 26 for details on switching the

input mode.)

Selecting the SPEAKER system

Because one or two speaker systems (as main speakers) can

be connected to this unit, SPEAKERS allow you to select

speaker system A or B, or both at once.

Front panel

Remote control

Adjusting the BALANCE control

Adjust the balance of the output volume from the left and right

speakers to compensate for sound imbalances caused by

speaker location or listening room conditions.

Input mode

Select the main speakers to be used.

Front panel

Note

This control is effective only for the sound from the main

speakers.

Adjusting the BASS and TREBLE controls

* If you use two main speaker systems, press both A and B.

BASS:

Turn this clockwise to increase (or counter-clockwise

to decrease) the low frequency response.

Play the source.

TREBLE: Turn this clockwise to increase (or counter-clockwise

to decrease) the high frequency response.

Adjust the volume to the desired output level.

Front panel

Remote control

Note

These controls are effective only for the sound from the main

speakers.

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• Once you play a video source, its video image will not be

interrupted even if INPUT for an audio source is selected.

• When you select an input source by using INPUT, the DSP

program (or no DSP program) that was used when the same

input source was selected the last time, will be automatically

recalled.

To play a tape or an MD

Press TAPE/MD MON / EXT. DECODER so that the “TAPE/MD

MON” indicator lights up on the display, then play the tape or

MD.

Front panel

Remote control

Switching the input mode

(for DVD/LD and TV/DBS)

This unit allows you to switch the input mode only for sources

connected to the DVD/LD and TV/DBS input terminals (on the

rear panel of this unit) that input two or three types of signals.

To stop playing the tape or MD, press TAPE/MD MON / EXT.

DECODER twice so that the “TAPE/MD MON” indicator and

“EXT. DECDR” disappear from the display and the play stops

(or press TAPE/MD once on the remote control transmitter).

The following two input modes are provided.

AUTO: For the source connected to the DVD/LD input

terminals:

To use a decoder connected to the EXTERNAL

DECODER INPUT terminals

This mode is automatically selected when you turn the

power of this unit on. In this mode, input signal is

automatically selected in the following order of priority.

Press TAPE/MD MON / EXT. DECODER once or more so that

the “EXT. DECDR” appears on the display.

Start the play by operating the DTS or other external decoder,

DVD player or LD player.

1. Digital input signal from the COAXIAL terminal

2. Digital input signal from the OPTICAL terminal

3. Analog input signal

Front panel

Remote control

For the source connected to the TV/DBS input

terminals:

This mode is selected when you turn the power of this

unit on if the AUTO position is selected on “10. INPUT”

in the SET MENU mode. (For details, see page 36.)

In this mode, input signal is automatically selected in

the following order of priority.

To stop playing, press TAPE/MD MON / EXT. DECODER once

so that “EXT. DECDR” disappears from the display and the play

stops (or press EXT. DEC. on the remote control transmitter).

1. Digital input signal from the OPTICAL terminal

2. Analog input signal

When you finish using this unit

ANALOG:

Press STANDBY/ON on the front panel again or STANDBY on

the remote control transmitter to turn this unit into the standby

mode.

In this mode, only analog input signal is selected even

if a digital signal is input at the same time.

Select this mode when you want to use the analog

input signal instead of the digital input signal.

Notes on using INPUT

• By using INPUT, you can to select the program sources

connected to the input terminals on the rear panel.

• To play a video source connected to the VIDEO AUX

terminals on the front panel, set INPUT to the VIDEO AUX

position.

• The audio source selected by INPUT will not be played if the

“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is

displayed.

• If you select INPUT for a video source without canceling the

selection of TAPE/MD MON / EXT. DECODER on the front

panel (or, TAPE/MD or EXT. DEC. on the remote control

transmitter), the playback result will be the video image from

the video source and the sound from the input source

selected by TAPE/MD MON / EXT. DECODER on the front

panel (or, TAPE/MD or EXT. DEC. on the remote control

transmitter).

Notes on input mode selection

• To playback a source with the Dolby Digital-decoded, set the

input mode to AUTO.

• For the TV/DBS source only, the input mode selected on the

function “10. INPUT” in the SET MENU mode is effective

when you turn the power of this unit on.

• When you want to enjoy a source which has normal

2-channel signals with a Dolby Pro Logic Surround program,

select the ANALOG mode.

• In the AUTO mode, there may be a case depending on some

LD players or DVD players that when you make a search on

a source encoded with the Dolby Digital during the play and

then the play is restored, sound output is interrupted for a

moment because the digital input signal is selected again.

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TO RECORD A SOURCE TO TAPE OR MD

4 1 2

1,4

Select the source to be recorded.

When the tape deck or MD recorder is used for

recording, you can monitor the sounds being recorded

by pressing TAPE/MD MON / EXT. DECODER so that

the “TAPE/MD MON” indicator lights up on the display.

Front panel

Remote control

Front panel

Remote control

Notes

Play the source and then turn VOLUME up to confirm

the input source.

• The settings of DSP and VOLUME, BASS, TREBLE and

BALANCE have no effect on the material being recorded.

• Composite video and S video signals pass independently

through this unit’s video circuits. Therefore, when recording

or dubbing video signals, if your video source unit is con-

nected to provide only an S video (or only a composite video)

signal, you can record only an S video (or only a composite

video) signal on your VCR.

Front panel

Remote control

• A source that is connected to this unit through digital

terminals only cannot be recorded by a tape deck or VCR

connected to this unit.

• Please check the copyright laws in your country to record

from records, compact discs, radio, etc. Recording of

Begin recording on the tape deck, MD recorder or VCR

connected to this unit.

If you watch a video software that uses scrambled or

encoded signals to prevent it from being dubbed, there may

be a case that the picture itself will be affected by those

signals.

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SETTING THE SLEEP TIMER

If you use the SLEEP timer of this unit, you can make this unit automatically switch to the standby mode. When you are going to

sleep while enjoying a broadcast or other desired input source, this timer function is useful. The SLEEP timer can be controlled

only with the remote control transmitter.

Notes

• To set the SLEEP timer for this unit, set the SELECTOR DIAL to a position other than the TV postition. To set the SLEEP timer

for your TV, set the SELECTOR DIAL to the TV position.

• The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear

panel of this unit.

To set the SLEEP time

To cancel the selected SLEEP time

Remote control

Press SLEEP once or more to select the desired

SLEEP time.

Remote control

Press SLEEP once or more so that “SLEEP OFF” appears on

the display. (It will soon disappear and the “SLEEP” indicator

will go off from the display.)

Indicates the SLEEP time.

Note

The SLEEP timer setting can also be canceled by tuning this

unit into the standby mode with STANDBY/ON on the front

panel (or STANDBY on the remote control transmitter) or

disconnecting the power plug of this unit from the AC outlet.

Flashes.

Whenever SLEEP is pressed, the SLEEP time will change

as follows.

(Minutes)

120

The SLEEP timer is off (SLEEP OFF).

(The state before SLEEP is

pressed.)

After a while, the “SLEEP” indicator lights up and the display

returns to the indication before the SLEEP timer was set.

The unit will be switched to the standby mode automati-

cally at the selected SLEEP time.

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(

)

USING DIGITAL SOUND FIELD PROCESSOR DSP

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically

expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in

your listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course,

depend on what you are listening to), and adding any desired adjustments.

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most

of these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual

locations using sophisticated sound field measurement equipment.

Note

The channel level balance between the left and right rear speakers may vary depending on the sound field you are listen-

ing to. This is due to the fact that most of these sound field are re-creation of actual acoustic environments.

BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS

No.

PROGRAM

DOLBY PRO LOGIC (

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

FEATURE

Reproduces video discs, video tapes and similar sources which

are Dolby Surround encoded and bear the “DOLBY SUR-

ROUND” logo.

)

The built-in Dolby Pro Logic Surround decoder or Dolby Digital

decoder precisely reproduces sounds and sound effects of a

source encoded with Dolby Surround. The realization of a

highly efficient decoding process improves crosstalk and

channel separation and makes sound positioning smoother

and more precise.

Speaker output: main, center, rear

DOLBY DIGITAL (

)

Functions when the input signal is encoded with the

Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

Reproduces video discs, video tapes and similar sources which

are Dolby Surround encoded and bear the “DOLBY SUR-

ROUND” logo.

DOLBY PRO LOGIC ENHANCED

(

)

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

This program ideally simulates the multi-surround speaker

systems of the 35 mm film theater. The Dolby Surround

decoding and the digital sound field processing is precisely

performed without altering the original sound orientation. The

surround effects produced by this sound field folds around the

viewer naturally from the rear to the left and right and toward

the screen.

Speaker output: main, center, rear

DOLBY DIGITAL ENHANCED

(

)

Functions when the input signal is encoded with the

Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

Note: If the main channel sound is considerably altered by

overadjustment of BASS or TREBLE, the relationship with the

rear channels may produce an unnatural effect.

Ideal for reproducing video discs, video tapes and similar

sources which are Dolby Surround encoded and bear the

“DOLBY SURROUND” logo.

70 mm MOVIE THEATER

(

)

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

This program is ideal for precisely reproducing the sound

design of the newest 70 mm/Dolby Digital multi-track films.

The sound field is made to be similar to that of the newest

movie theaters, so the reverberations of the sound field itself

are restrained as much as possible. The three dimensional

feeling of the sound field is emphasized, and dialog is precisely

oriented on the screen. You can enjoy watching Sci-Fi,

adventure movies, etc. with considerable presence.

Speaker output: main, center, rear

DIGITAL MOVIE THEATER

(

)

Functions when the input signal is encoded with the

Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

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No.

PROGRAM

FEATURE

MONO MOVIE

This program is designed specifically to enhance mono source

programs. Compared to a strictly mono setting, the sound

image created in this mode is wider and slightly forward of the

speaker pair, lending an immediacy to the overall sound. It is

particularly effective when used with old mono movies, news

broadcasting and dialog.

(

)

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, center, rear

)

(

Functions when the input signal is encoded with

the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

TV SPORTS

This program is furnished with a tight sound field in which the

sound will not spread excessively on the front side, but the rear

surround side produces a dynamic sound expansion. This

program is the most suitable for sports programs.

(

)

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, center, rear

)

(

Functions when the input signal is encoded with

the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

This program recreates the acoustic environment of a lively

disco in the heart of a very lively city. The sound is dense and

highly concentrated. It is also characterized by a high-energy,

“immediate” sound.

DISCO

(

)

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, rear

(

)

Functions when the input signal is encoded with

the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

ROCK CONCERT

This program is ideally suited for rock music. You will experi-

ence a very dynamic and lively sound field.

(

)

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, rear

)

(

Functions when the input signal is encoded with

the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

In this program, the center will appear to be deep behind the

main speakers, creating an expansive, large hall ambience.

Orchestra and opera music are suited to this sound field.

CONCERT HALL

(

)

Functions when the input signal is analog or PCM

audio, or encoded with the Dolby Digital in

2-channel.

Speaker output: main, rear

)

(

Functions when the input signal is encoded with

the Dolby Digital (not in 2-channel).

Speaker output: main, center, rear

Note: When the NONE position is selected on “1. CNTR” in the SET MENU mode, no sound is output from the center speaker(s).

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PLAYING A SOURCE WITH THE DIGITAL SOUND FIELD PROCESSOR (DSP)

EFFECT

Follow steps 1 to 7 shown in “BASIC OPERATIONS” on

pages 24 to 25.

If desired, adjust the delay time and the output level of

each speaker. (For details, see pages 33 and 34.)

Select the desired DSP program that is suitable for the

source.

Notes

• You can select the program for each of the input sources.

Once you select a program, it is linked with the input source

selected at that time. So, when you select the input source

next time, the same program is automatically called.

• If you prefer to cancel the DSP, press EFFECT or EFCT ON/

OFF. The sound will be the normal 2-channel stereo without

surround sound effect.

Front panel

• When a monaural sound source is played with DOLBY PRO

LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is

heard from the main speakers and the rear speakers. Sound

is heard only from the center speaker. However, if the NONE

position is selected on “1. CNTR” in the SET MENU mode,

the main speakers output the sound of the center channel.

• If the main-source sound is considerably altered by

overadjustment of BASS or TREBLE when this unit’s Dolby

Pro Logic Surround decoder or Dolby Digital decoder is used,

the relationship between the center and rear channels may

produce an unnatural effect.

Remote control

Press DSP. While the indicator lights up for about three

seconds, select a DSP program using the numeric buttons

(1 to 8).

* If the SELECTOR DIAL is set to the DSP position, you

can also select a DSP program using the numeric buttons

(1 to 8).

The name of selected program appears on

the display.

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This unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of

sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a corresponding DSP

program including the combined operation of YAMAHA DSP and Dolby Digital or Dolby Pro Logic Surround.

To enjoy a video source with the Dolby Pro

Logic Surround or Dolby Digital decoded

To cancel the effect sound

EFFECT on the front panel and EFCT ON/OFF on the remote

control transmitter make it simple to compare the normal stereo

sound with the fully processed effect sound.

When you select the program DOLBY PRO LOGIC/DOLBY

DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL

ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE

THEATER, and the input signal of the source is 2-channel

stereo, Dolby Pro Logic Surround is decoded. When some

program is selected and the input signal of the source is

encoded with Dolby Digital, Dolby Digital is automatically

decoded.

To cancel the effect sound and monitor only the main sound,

press EFFECT or EFCT ON/OFF. Press EFFECT or EFCT

ON/OFF once more to turn effect sound on.

Front panel

Remote control

* The following indicators on the display show you what sound

processing is being made.

Lights up when the Dolby Digital is being decoded and the

input signals of selected source encoded with Dolby Digital is

not in 2-channel.

Notes

• If the effect sound is canceled when signals encoded with

Dolby Digital are input to this unit, signals of all channels are

mixed and are output from the main speakers.

• If EFFECT or EFCT ON/OFF is pressed to turn effect sounds

off when the Dolby Digital is decoded, it may happen that the

sound is output faintly or not output normally depending on

the source. In that case, press EFFECT or EFCT ON/OFF to

turn effect sounds on, or use input signals not encoded with

Dolby Digital.

Lights up when the digital sound field

processor is turned on.

Lights up when the Dolby Pro Logic Surround is being

decoded.

* In addition, for the program DOLBY PRO LOGIC/DOLBY

DIGITAL, DOLBY PRO LOGIC ENHANCED/DOLBY

DIGITAL ENHANCED or 70 mm MOVIE THEATER/DIGITAL

MOVIE THEATER, the name of the program on the display

will change according to the type of decoding. (For details,

see page 29.)

Note

If the input signals of the source are encoded with Dolby Digital

in 2-channel only, the sound processing for them is similar to

that for analog or PCM audio signals.

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ADJUSTING DELAY TIME AND SPEAKER OUTPUT LEVELS

When using the digital sound field processor including the Dolby Pro Logic Surround decoder or the Dolby Digital decoder, you can

adjust the delay time between the main sound and effect sound, and each speaker’s output level as you prefer.

Adjusting method

If you are using the remote control transmitter, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control transmitter.

Press + or – to adjust the settings for delay time or

speaker output levels.

Front panel

Remote control

Press TIME/LEVEL once or more until the name of item

which you want to adjust appears on the display.

Front panel

Remote control

Repeat steps 1 to 3 to adjust settings on any other

item.

* After pressing TIME/LEVEL once on the remote control

transmitter, you can also select the name of item by

pressing .

When pressed, the selection changes as follows:

Delay time

D E L A Y

C E N T E R

Center speaker output level

Right rear speaker output level

Left rear speaker output level

Subwoofer output level

S U R .

S W F R

* Pressing on the remote control transmitter changes the

selection in the reverse order.

* Depending on the mode of this unit, you cannot select all

items.

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Notes

Adjusting delay time

• Adding too much delay will cause an unnatural effect with

some sources.

• When + or – is pressed, the sound is momentarily inter-

You can adjust the time difference between the beginning of the

sound from the main speakers and the beginning of the effect

sound from the rear speakers.

rupted.

The larger the value, the later the effect sound is generated.

This adjustment can be made to all programs individually.

Program

Control range (ms)

15 to 30

0 to 15

Preset value

1. DOLBY PRO LOGIC

DOLBY DIGITAL

2. DOLBY PRO LOGIC ENHANCED

DOLBY DIGITAL ENHANCED

3. 70 mm MOVIE THEATER

DIGITAL MOVIE THEATER

4. MONO MOVIE

15 to 30

0 to 15

15 to 30

1 to 99

5. TV SPORTS

1 to 99

6. DISCO

1 to 99

7. ROCK CONCERT

8. CONCERT HALL

1 to 99

Adjusting output level of the center, right rear and left rear speakers, and subwoofer

If desired, you can adjust the sound output level of each

speaker even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on pages 21 to 23.

• If the function “1. CNTR” in the SET MENU mode is set to the

NONE position, the sound output level of the center speaker

cannot be adjusted. This is because, in this mode, the center

sound is automatically output from the left and right main

speakers.

Notes

• Output level of the center speaker cannot be adjusted when

the program DISCO, ROCK CONCERT or CONCERT HALL

is selected, and the input signal is analog, PCM audio, or

encoded with Dolby Digital in 2-channel.

• Once the output level is adjusted, the level will be the same

for all digital sound field programs.

Speakers

Control range (dB)

MIN, –20 to +10

Preset value

CENTER

RIGHT SURROUND (Rear)

LEFT SURROUND (Rear)

SUBWOOFER

MIN, –20 to +10

MIN, –20 to 0

Note

The values of the delay time, center/rear/subwoofer output level you set the last time will remain memorized even when this unit is

in the standby mode. However, if the power cord is kept disconnected for more than one week, these values will automatically

change back to the original factory settings.

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ADJUSTMENTS IN THE “SET MENU” MODE

The following ten types of functions maximize the performance of your system and expand your enjoyment for audio listening and

video watching.

1. CNTR (CENTER SPEAKER)

2. REAR (REAR SPEAKER)

3. MAIN (MAIN SPEAKER)

4. BASS (LFE/BASS OUT)

5. M.LVL (MAIN LEVEL)

6. LFE (LFE LEVEL)

7. D.RNG (DYNAMIC RANGE)

8. C.DELAY (CENTER DELAY)

9. GUARD (MEMORY GUARD)

10. INPUT (INPUT MODE)

For details on “1. CNTR”, “2. REAR”, “3. MAIN”, “4. BASS” and

“5. M.LVL”, see page 19. (Once you have selected the

appropriate modes, you do not have to change settings unless

any alteration is made in your speaker system.)

7. D.RNG (Adjusting dynamic range)

Choices: MAX/STD/MIN

Preset position: MAX

6. LFE [Adjusting the output level of the

LFE (low frequency effect) channel]

* This adjustment is effective only when the Dolby Digital is

decoded.

MAX:

“Dynamic range” is the difference between the

maximum level and the minimum level of sounds.

Sounds on a movie originally designed for movie

theaters feature very wide dynamic range.

Dolby Digital technology can bring the original sound

track into a home audio format with this wide

dynamic range unchanged.

Control range: –20 dB to 0 dB (in 1 dB step)

Preset value: 0 dB

* This adjustment is effective only when the Dolby Digital is

decoded and the signals of selected source encoded with the

Dolby Digital contain LFE signals.

In this position, a source encoded with the Dolby

Digital is reproduced in the original sound track’s

wide dynamic range providing you with powerful

sounds just like in a movie theater.

Selecting this position will be even better if you can

listen to a source in a high output level in a room

specially soundproofed for audio/video enjoyment.

Adjusts the output level of the LFE (low frequency effect)

channel. If the LFE signals are mixed with signals of other

channels to output them from the same speakers, the ratio of

LFE signal level to the level of other signals are adjusted.

(See page 5 for details about the LFE channel.)

STD (Standard):

Powerful sounds of extremely wide dynamic range

are not always suitable for home use. Depending

upon the condition of your listening environment, it

may not be possible to increase the sound output

level as high as a movie theater. However, in a level

suitable for listening to in your room, the low level

parts of source sound often cannot be heard so well

because they will be lost among noises in your

environment.

Dolby Digital technology also made it possible to

reduce an original sound track’s dynamic range for a

home audio format by “compressing” the data of

sound.

In this position, a source encoded with the Dolby

Digital is reproduced in the “compressed” dynamic

range of the source suitable for low level listening.

In this position, dynamic range is more reduced than

in the STD position.

MIN:

Selecting this position will be effective when you

must listen to a source at lower level.

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Adjusting method

8. C.DELAY [Adjusting the delay of

center sounds (dialog etc.)]

Operations should be made while watching the information on

this unit’s display.

Control range: 0 ms to 5 ms (in 1 ms step)

Preset value: 0 ms

If you are using the remote control transmitter, set the

SELECTOR DIAL to the AMP/TUN or DSP position on the

remote control transmitter.

* This adjustment is effective only when the Dolby Digital is

decoded and the signals of selected source encoded with the

Dolby Digital contain center-channel signals.

Adjusts the delay between the main sounds (at the main

channels) and dialog etc. (at the center channel).

Press SET MENU once or more so that the title of function

The larger the value, the later the dialog etc. is generated.

which you want to change appears on the display.

This is for making sounds from the left main, center and right

main speakers reach your listening position at the same time.

This is achieved by delaying the sound from the center speaker

if the distance from the center speaker to your listening position

is shorter than the distance from the left or right main speaker

to your listening position.

Front panel

Remote control

* After pressing SET MENU once on the remote control

transmitter, you can also select the title by pressing .

(Pressing goes back one selection.)

9. GUARD

Choices: ON/OFF

Preset position: OFF

Press + or – to select any desired position or edit parameters

on the function.

If you wish to prevent accidental alteration to SET MENU and

other adjustments on this unit, select ON. The following

functions on this unit can be locked by this operation.

• Functions in the SET MENU mode

Front panel

Remote control

• Functions in the TIME/LEVEL mode

• Functions when using TEST

10. INPUT (Selecting the initial input

mode of the sources connected to

the TV/DBS input terminals)

Repeat these steps to change and adjust settings on any other

function.

For the sources connected to the TV/DBS input terminals of

this unit only, you can designate the input mode that is auto-

matically selected when the power of this unit is switched on.

AUTO:

LAST:

In this position, the AUTO input mode is always

selected when the power of this unit is switched on.

In this position, the input mode you selected last time

is memorized and will not be changed even if the

power of this unit is switched on.

* See page 26 for details on switching the input mode.

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REMOTE CONTROL TRANSMITTER

You can use this remote control transmitter to control not only this unit but also other components connected to it. This is factory

set to control this unit and most YAMAHA audio components. To control other brands of components, you must preset the remote

control transmitter with the manufacturer’s codes listed on pages 311 to 322.

Components which can be controlled

There are nine positions that you can select to control connected components with this remote control transmitter. When turning

the SELECTOR DIAL, the position changes as follows:

AMP/TUN:

TAPE/MD:

You can perform basic operations

of this unit and control a YAMAHA

tuner with the SELECTOR DIAL

set to this position.

The code for a YAMAHA tape deck is preset.

(Be sure to preset the proper code when operating a YAMAHA

MD recorder.)

CD:

TV:

The code for a YAMAHA CD player is preset.

A television can be

controlled.

DSP:

This unit can be controlled and DSP programs can be selected

directly.

CBL/DBS:

A cable television or

DBS tuner can be

controlled.

DVD/LD & DVD MENU:

An LD player can be controlled using the DVD/LD position.

A DVD player can be controlled using the DVD/LD and DVD

MENU position. When using the YAMAHA DVD player

(DVD-1000 or DVD-S700), be sure to preset the code number

“4490”.

VCR:

A VCR can be controlled.

Notes

1. The shaded positions in the diagram above indicate that you can preset the code for the manufacturer of your component.

Note that you can preset only one code for one position. For details, see “SETUP CODES” on page 42.

2. The DVD/LD and DVD MENU positions

• Be sure that the SELECTOR DIAL is set to the DVD/LD position when presetting the code for a DVD or an LD player. The

code that you preset to the DVD/LD position is also preset to the DVD MENU position simultaneously. You cannot preset the

code for a DVD player when the SELECTOR DIAL is set to the DVD MENU position.

• DVD MENU operations cannot be performed for some DVD players.

3. When using a second (and third) VCR (For details, see “To use a second (and third) VCR” on page 42.)

• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset using the CBL/DBS

position.

• If you are not using a DVD player, the second (or third) VCR can be preset using the DVD MENU position. Note that in this

case you must preset a code for an LD player to the DVD/LD position even if an LD player is not used.

Basic Operations

Select the component that you want to control by turning

the SELECTOR DIAL.

Note: Turn the SELECTOR DIAL until it stops with a click.

Press the desired operation button.

Note: Press the button with the remote control transmitter

aimed at the front panel.

The component name is

displayed in this window.

Indicator

The indicator will flash when the button

is pressed.

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Faintly colored buttons do not function.

■ AMP/TUN

Note: TV POWER and TV VOLUME function if you have preset the code for your TV.

1 POWER

This button turns this unit on.

2 INPUT

Indicator window:

Displays the names of

components which

can be controlled.

Press these buttons to select the program source.

Indicator:

Flashes in red

when the button

is pressed.

3 EXT. DEC.

Press this button when using a external decoder.

SELECTOR DIAL:

Selects the

component to be

controlled.

4 A/B/C/D/E

Press this button to select a group of preset stations when

using the YAMAHA tuner.

5 DSP selector

Press this button. While the indicator lights up for about three

seconds, select a DSP program using the number buttons (1 to

8). No DSP program can be selected after the indicator goes off.

6 PRESET (+/–)

Press these buttons to select the preset station number when

using the YAMAHA tuner.

7 VOLUME (

)

Press these buttons to adjust the volume level.

(TV VOLUME)

8 MUTE

Press this button to mute the sound. To cancel mute, press this

button once more, or press the operation buttons of this unit.

(TV POWER)

9 SLEEP

Press this button to set the SLEEP timer.

(LEFT)

This button is used to adjust the settings of the SET MENU

mode and the TIME/LEVEL mode.

r TIME/LEVEL

Press this button to select the item in the TIME/LEVEL mode.

t STANDBY

Press this button to turn this unit into Standby mode.

y TEST

Press this button to output a test tone for adjusting the output

level of the speakers.

u EFCT (EFFECT) ON/OFF

Press this button to switch the DSP program on or off.

■ DSP

(BACK)

Press this button to go back one selection in the SET MENU

mode and TIME/LEVEL mode.

(RIGHT)

This button is used to adjust the settings of the SET MENU

mode and the TIME/LEVEL mode.

(NEXT)

Press this button to advance one selection in the SET MENU

mode and TIME/LEVEL mode.

f SET MENU

Press this button to select functions in the SET MENU mode.

2 DSP program

Press these buttons to select the DSP program (1 to 8). When

you select the input source, set the SELECTOR DIAL to the

AMP/TUN position.

Note: The function of all buttons other than DSP program is

the same as with the AMP/TUN position.

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Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 38.

For details, please refer to the owner’s manual for each component.

Notes: • TV POWER and TV VOLUME function if you have preset the code for your TV.

■TAPE/MD

• Be sure to preset the proper code for your MD recorder.

TAPE

1 POWER

This button turns this unit on if

you have preset the code for

the YAMAHA MD recorder. If

other codes are preset, only

those MD recorders having a

remote controller with a

POWER button will be turned

on.

This button turns this unit on under the default settings. (The

code for a YAMAHA tape deck is preset as the default code.)

If other codes are preset, only those preset tape decks having

a remote controller with a POWER button will be turned on.

(REC/PAUSE)

Press this button to pause recording on a tape deck.

DIR A

(REC/PAUSE)

(SKIP)

Press this button to select the playing direction of deck A.

(PLAY)

(TV

Press this button to play a tape.

VOLUME)

(PLAY)

(TV

POWER)

(REWIND)

(BACKWARD)

Press this button to rewind a tape.

i DISPLAY

o DECK A/B

Press this button to select double cassette tape deck A or B.

(PAUSE)

DIR B

(SKIP)

Press this button to select the playing direction of deck B.

(STOP)

Press this button to stop operation of a tape.

(FAST FORWARD)

Press this button to fast forward a tape.

Note: TV POWER, TV VOLUME and TV INPUT function if you have preset the code

■CD

for your TV.

1 POWER

This button turns this unit on under the default settings. (The code for a YAMAHA CD

player is preset as the default code.) If other codes are preset, only those CD players

having a remote controller with a POWER button will be turned on.

6 DISC SKIP (+/–)

Press this button to skip to the next or previous CD.

(SKIP)

Press

to skip to the next track. Press

to skip to the previous track.

(PLAY)

Press this button to play a CD.

(TV

VOLUME)

(BACKWARD)

Press this button to backward the track that is playing.

(TV

DISPLAY

POWER)

(PAUSE)

(TV INPUT)

Press this button to pause operation. This button functions as PAUSE/STOP for

operating YAMAHA CD players under default settings.

(STOP)

Press this button to stop operation. This button functions as PAUSE/STOP for

operating YAMAHA CD players under default settings.

(FAST FORWARD)

Press this button to fast forward the track that is playing.

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Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 38.

For details, please refer to the owner’s manual for each component.

■DVD/LD

Note: TV POWER, TVVOLUME and TV INPUT

POWER

function if you have preset the code for your TV.

(DVD) This button turns this unit on under the default

settings. (The code for a YAMAHA DVD player is preset

as the default code.) If other codes are preset, only

those preset DVD players having a remote controller

with a POWER button will be turned on.

(LD) This button turns this unit on if you have preset the

code for the YAMAHA LD player. If other codes are

preset, only those preset LD players having a remote

controller with a POWER button will be turned on.

DISC SKIP

(TV VOLUME)

DISPLAY

(TV POWER)

(TV INPUT)

PAUSE

SKIP/SEARCH

PLAY

STOP

ANGLE (DVD)/FAST FORWARD (LD)

AUDIO (DVD)

SUBTITLE (DVD)/BACKWARD (LD)

SUBTITLE ON/OFF (DVD)

■DVD MENU

Note: TV POWER, TVVOLUME and TV INPUT

POWER

function if you have preset the code for your TV.

(DVD) This button turns this unit on under the default

settings. (The code for a YAMAHA DVD player is preset

as the default code.) If other codes are preset, only

those preset DVD players having a remote controller

with a POWER button will be turned on.

Numeric buttons

CLEAR

+10

DISC SKIP

(TV VOLUME)

TITLE/INDEX

(TV POWER)

(TV INPUT)

MENU UP

MENU LEFT

MENU RIGHT

MENU DOWN

RETURN

MENU SELECT

SET UP

TITLE

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Faintly colored buttons do not function. For the buttons which are not described here, see “AMP/TUN” on page 38.

For details, please refer to the owner’s manual for each component.

■VCR

■TV

Note: TV POWER, TVVOLUME and TV INPUT function if you

Note: You can control your VCR if you have preset the code for

have preset the code for your TV.

it.

POWER

CHANNEL

CHANNEL ENTER

TV EFFECT ON/OFF

CHANNEL UP DOWN

(TV VOLUME)

TV VOLUME

TV MUTE

TV SLEEP

DISPLAY

(TV POWER)

DISPLAY

VCR REC

TV POWER

(TV INPUT)

PAUSE

TV INPUT

(VCR REC

Press this button twice

(VCR PAUSE)

to start recording.

Press this button twice.)

PLAY

REWIND

(VCR PLAY)

(VCR STOP)

STOP

(VCR FAST

FAST FORWARD

(VCR REWIND)

FORWARD)

■CBL/DBS

POWER

Note: TV POWER, TVVOLUME and TV

INPUT function if you have preset

the code for your TV.

CHANNEL

+100

CHANNEL ENTER

CHANNEL UP DOWN

(TV VOLUME)

DISPLAY

(TV POWER)

(TV INPUT)

MENU UP

MENU LEFT

MENU RIGHT

MENU DOWN

MENU SELECT

RECALL

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SETUP CODES

Presetting the remote control transmitter

Perform the presetting procedure for each component you want to control with this remote control transmitter.

Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control that

came with the component.

6. Press POWER (or any other button)

To control your components

(MD recorder, DVD player,

TV etc.)

To use a second (and third) VCR

on the remote control transmitter to

check if you have preset the code

correctly. If the VCR cannot be

controlled using the remote control

transmitter, try entering another

code for the same manufacturer.

You can use the CBL/DBS and/or DVD

MENU positions to control a second

VCR (and/or third) if a CBL (or DBS) or

DVD player is not used.

1. Turn on the component to be used.

2. Set the SELECTOR DIAL to the

desired component (TAPE/MD,

DVD/LD, TV etc.).

If you are using the DVD MENU position

for a second (or third) VCR, you must

preset a code for an LD player to the

DVD/LD position.

Returning to the default code

To return all components to the default

code, follow these steps.

1. Turn on the VCR to be used.

2. Set the SELECTOR DIAL to the

CBL/DBS or DVD MENU position.

1. Press both VOLUME buttons (

) at the same time until the

indicator flashes twice.

2. Enter the code number “9987”.

3. Make sure that the indicator flashes

twice.

3. Press both VOLUME buttons (

) at the same time until the

indicator flashes twice.

To return each component to the default

code, follow these steps.

1. Set the SELECTOR DIAL to the

component to be return to the

default code.

3. Press both VOLUME buttons (

) at the same time until the

indicator flashes twice.

4. Use the numeric buttons to enter the

four-digit manufacturer’s code for

the component to be used. Make

sure that the indicator flashes twice.

If the indicator does not flash, repeat

step 3 and re-enter the code.

2. Press both VOLUME buttons (

) at the same time until the

indicator flashes twice.

3. Enter the code number “9999”.

4. Make sure that the indicator flashes

twice.

4. Press MUTE.

The following codes are preset as the

default code.

Default codes

5. Use the numeric buttons to enter the

four-digit code for a second (or third)

VCR. Make sure that the indicator

flashes twice. If the indicator does

not flash, repeat step 3 and 4, and

re-enter the code.

5. Press POWER (or any other button)

on the remote control transmitter to

check if you have preset the code

correctly. If the component cannot

be controlled using the remote

control transmitter, try entering

another code for the same manufac-

turer.

POSITION Component Code^*1Code^*2

CBL/DBS DBS tuner 2455 2566

VCR VCR 3072 3060

DVD/LD DVD player 4545 YAMAHA

CD CD player 6187 YAMAHA

0037 0047

TAPE/MD Tape deck 8524 YAMAHA

*1: U.K. and Europe models

*2: China and General models

We recommend that you write all code

numbers you have preset on the “Quick

Reference Card”.

DSP-A595-6

3/25/99, 3:54 PM

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NOTES ABOUT THE REMOTE

CONTROL TRANSMITTER

Battery installation

Remote control transmitter operation range

Remote control

sensor

Within approximately

6 m (20 feet)

Notes

Battery replacement

• There should be no large obstacles between the remote

control transmitter and this unit.

If the remote control transmitter operates only when it is closed

to this unit, the batteries are weak. Replace both batteries with

new ones.

• If the remote control sensor is directly illuminated by strong

lighting (especially an inverter type of fluorescent lamp etc.),

it might cause the remote control transmitter not to work

correctly. In this case, reposition this unit to avoid direct

lighting.

Be sure to replace batteries within about two minutes. If it

takes longer than two minutes, the codes preset for the

remote control transmitter will return to the default codes.

Notes

• Use only AA, R6, UM-3 batteries for replacement.

• Be sure the polarities are correct. (See the illustration inside

the battery compartment.)

• Remove the batteries if the remote control transmitter will not

be used for an extended period of time.

• If batteries leak, dispose of them immediately. Avoid touch-

ing the leaked material or letting it come in contact with

clothing, etc. Clean the battery compartment thoroughly

before installing new batteries.

DSP-A595-6

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TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and

contact your authorized YAMAHA dealer or service center for help.

SYMPTOM

CAUSE

REMEDY

The unit fails to turn on when

Power cord is not plugged in or is not

completely inserted.

Firmly plug in the power cord.

STANDBY/ON is pressed, or turns

into the standby mode suddenly

soon after the power is turned on.

The IMPEDANCE SELECTOR switch

on the rear panel is not fully set to the

upper or lower end.

Set the switch fully to the upper or

lower end.

The unit does not work normally.

There is an influence of strong external

noise (lightning, excessive static

electricity, etc.) or a misoperation while

using this unit.

Turn this unit into the standby mode

and disconnect the AC power cord from

the AC outlet. After about 30 seconds

have passed, connect the power and

operate this unit again.

No sound or no picture.

Incorrect output cord connections.

Connect the cords properly. If the

problem persists, the cords may be

defective.

Appropriate input source is not

selected.

Select an appropriate input source with

INPUT.

SPEAKERS are not set properly.

Set SPEAKERS corresponding to the

speakers in use to the ON position.

Speaker connections are not secure.

Secure the connections.

No picture.

There is no S video terminal connection Connect this unit’s S VIDEO MONITOR

between this unit and the TV, though S

video signals are input to this unit.

OUT terminal to the TV’s S video input

terminal.

The sound suddenly goes off.

The protection circuit has been

activated because of short circuit etc.

Turning the unit into the standby mode

and then on again will reset the

protection circuit.

The SLEEP timer has functioned.

Incorrect setting of BALANCE.

Incorrect cord connections.

Cancel the SLEEP timer function.

Adjust it to the appropriate position.

Only one side speaker outputs

sound.

Connect the cords properly. If the

problem persists, the cords may be

defective.

A “humming” sound can be heard.

Incorrect cord connections.

Firmly connect the audio plugs. If the

problem persists, the cords may be

defective.

No connection from the turntable to the

GND terminal.

Make the GND connection between the

turntable and this unit.

The volume level is low while playing The record is being played on a

The turntable should be connected to

the unit through the MC head amplifier.

a record.

turntable with an MC cartridge.

The volume level cannot be

increased, or the sound is distorted.

The component connected to the REC

OUT terminals of this unit is in the

standby mode.

Turn the power to the component on.

No sound from the rear speakers.

No sound from the center speaker.

The sound output level of the rear

speakers is set to minimum.

Raise the sound output level of the rear

speakers.

A monaural sound source is being

played in DOLBY PRO LOGIC or

DOLBY PRO LOGIC ENHANCED

mode.

Select another sound field program

suitable for the monaural sound source.

The sound output level of the center

speaker is set to minimum.

Raise the sound output level of the

center speaker.

The center channel mode is in NONE

mode.

Select LARGE or SMALL.

Incorrect sound field program selection. Select the appropriate program.

DSP-A595-7

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SYMPTOM

CAUSE

REMEDY

The remote control transmitter does

not work.

Direct sunlight or lighting (of an inverter

type of fluorescent lamp etc.) is striking

the remote control sensor of the main

unit.

Change the position of the main unit.

The manufacturer’s code is not set

properly.

Set the code again.

The proper manufacturer’s code for the

component to be controlled is not set.

Try entering another code for the same

manufacturer.

The component to be controlled is not

selected.

Set the SELECTOR DIAL to the proper

position.

The sound is degraded when

listening with headphones to a

CD player or tape deck that is

connected to this unit.

This unit is in the standby mode.

Turn the power of the unit on.

DSP-A595-7

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SPECIFICATIONS

Headphones Jack Rated Output/Impedance

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX input,

AUDIO SECTION

VIDEO SECTION

Minimum RMS Output Power

MAIN L/R

Video Signal Type

[U.K. and Europe models] ..................... PAL

[China and General models] ....... NTSC/PAL

1 kHz, 150 mV, 8 ohms ...... 0.5 V/390 ohms

8 ohms, 20 Hz to 20 kHz, 0.04% THD

............................................. 65 W + 65 W

CENTER

8 ohms, 20 Hz to 20 kHz, 0.04% THD

.......................................................... 65 W

REAR L/R

Frequency Response (20 Hz to 20 kHz)

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX to MAIN L/R SP OUT

Video Signal Level ................ 1 Vp-p/75 ohms

S-Video Signal Level

Y ......................................... 1 Vp-p/75 ohms

C .................................. 0.286 Vp-p/75 ohms

.................................................... 0±0.5 dB

8 ohms, 20 Hz to 20 kHz, 0.04% THD

............................................. 65 W + 65 W

RIAA Equalization Deviation

PHONO MM .................................. 0±0.5 dB

Maximum Input Level .......... 1.5 Vp-p or more

Signal-to-Noise Ratio ...............50 dB or more

Maximum Power

[China and General models only]

MAIN L/R

8 ohms, 1 kHz, 10% THD

......................................... 105 W + 105 W

CENTER

8 ohms, 1 kHz, 10% THD ............... 105 W

REAR L/R

Total Harmonic Distortion (20 Hz to 20 kHz)

PHONO MM to REC OUT

1 V........................................0.02% or less

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX to MAIN L/R SP OUT

(EFFECT OFF)

Monitor Out Frequency Response

.............................. 5 Hz to 10 MHz, –3 dB

GENERAL

Power Supply

[U.K. and Europe models]

........................................ AC 230 V, 50 Hz

[China model] .................... AC 220 V, 50 Hz

[General model]

8 ohms, 35 W .....................0.025% or less

8 ohms, 1 kHz, 10% THD

......................................... 105 W + 105 W

Signal-to-Noise Ratio (IHF-A Network)

PHONO MM to REC OUT

(5 mV, Input Shorted)

[U.K. and Europe models]

............................................81 dB or more

[China and General models]

............................................86 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX to SP OUT (EFFECT OFF)

(150 mV, Input Shorted) ......96 dB or more

Dynamic Power per Channel

(by IHF Dynamic Headroom measuring

method)

.............. AC 110/120/220/240 V, 50/60 Hz

8/6/4/2 ohms ................... 90/110/135/160 W

Power Consumption

[U.K. and Europe models] ................. 300 W

[China and General models] .............. 310 W

DIN Standard Output Power per Channel

[Europe model only]

4 ohms, 1 kHz, 0.7% THD ................. 110 W

Maximum Power Consumption

[General model only]

Residual Noise (IHF-A Network)

MAIN L/R SP OUT................ 150 µV or less

IEC Power

[Europe model only]

5-ch, 10% THD ............................... 650 W

8 ohms, 1 kHz, 0.04% THD .... 75 W + 75 W

AC Outlets

Channel Separation

3 SWITCHED OUTLETS

(Vol. –30 dB, EFFECT OFF)

PHONO MM

(Input Shorted, 1 kHz/10 kHz)

.................... 60 dB or more/55 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX

Power Band Width

8 ohms, 35 W, 0.1% THD

[China and General models]

....................................... 100 W max. total

2 SWITCHED OUTLETS

[Europe model]............... 100 W max. total

1 SWITCHED OUTLET

......................................... 10 Hz to 50 kHz

Damping Factor (SPEAKERS A)

8 ohms, 20 Hz to 20 kHz ............ 60 or more

[U.K. model] ................... 100 W max. total

(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)

.................... 60 dB or more/45 dB or more

Input Sensitivity/Impedance

Dimensions (W x H x D)

PHONO MM ................... 2.5 mV/47 k-ohms

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX ................... 150 mV/47 k-ohms

EXT. DECODER

MAIN L/R .................... 150 mV/47 k-ohms

CENTER/SURROUND L/R/SUBWOOFER

.................................... 150 mV/40 k-ohms

.................................. 435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

Tone Control Characteristics

BASS:

Boost/cut ............. ±10 dB (50 Hz)

Turnover Frequency ......... 350 Hz

Weight .......................... 12.5 kg (27 lbs. 8 oz.)

TREBLE: Boost/cut............ ±10 dB (20 kHz)

Turnover Frequency ........ 3.5 kHz

Accessories .......... Remote control transmitter

Batteries

Filter Characteristics

MAIN L/R, REAR L/R (SPEAKER: SMALL)

(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.

SUBWOOFER

Maximum Input Signal

PHONO MM

1 kHz, 0.1% THD .............100 mV or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR/

VIDEO AUX (EFFECT ON)

Specifications are subject to change without

notice.

(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.

1 kHz, 0.5% THD .................2.2 V or more

Output Level/Impedance

REC OUT ..................... 150 mV/1.2 k-ohms

PRE OUT

[U.K. and Europe models only]

....................................... 2.1 V/1.2 k-ohms

SUBWOOFER

(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms

DSP-A595-7

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LIST OF MANUFACTURER’S CODES (U.K. and Europe models)

LISTE DES CODES FABRICANTS (Modèles Royaume-Uni et Europe)

VERZEICHNIS DER HERSTELLER CODES (Großbritannien- und Europa-Modell)

LISTA ÖVER TILLVERKARKODER (Modellerna för Storbritannien och övriga Europa)

ELENCO DEI CODICI DEL FABBRICANTE (Modelli per la Gran Bretagna e l’Europa)

LISTA DE CÓDIGOS DE FABRICANTES (Modelos para el Reino Unido y Europa)

LIJST VAN CODES VAN FABRIKANT (Modellen voor het Verenigd Koninkrijk en Europa)

Carrefour

Cascade

Cathay

Centurion

Century

Cimline

Clarivox

Clatronic

Condor

0036

0009

0037

0213

GPM

0218

0009, 0213

0218, 0163

Geloso

Genexxa

GoldStar

Manufacturer

Code

0037, 0217, 0109,

0032, 0290

0037, 0217, 0374, 0371,

Abex

0032

0009

0037

Goodmans

Acura

Admiral

Adyson

Akai

Akura

Alaron

Alba

0072, 0036, 0235, 0317, 0343

0370

0093, 0163, 0213

0217, 0032

0208, 0361

0218, 0264, 0369

0216

0370, 0076, 0247

0370, 0320

0216, 0009, 0036, 0157

Gorenje

Gradiente

Graetz

0053

0163, 0361

Contec

Continental Edison

0196, 0198,

0205, 0333

0074, 0076, 0084, 0213

0037, 0370, 0418, 0009, 0076

0431

Granada

0037, 0217, 0072, 0146,

0208, 0339, 0359

0282

0037, 0554, 0070, 0191,

0195, 0205

0037, 0218, 0371, 0009,

0036, 0235

0294

Crosley

Crown

Crystal

Grandin

Grundig

Allorgan

Amplivision

Amstrad

Anam

Anitech

Arcam

Asberg

Asuka

Atlantic

Audiosonic

Autovox

BPL

BSR

BTC

Baird

Basic Line

Baur

Beko

Beon

Binatone

Blaupunkt

0217

Curtis Mathes

Cybertron

Daewoo

Dainichi

Dansai

Dayton

De Graaf

Decca

Dixi

Dual

Dual Tec

Dumont

Elbe

0093

0218

0037, 0374, 0009

0218, 0215

0037

HCM

Hanseatic

Harley Davidson

Harvard

Hinari

0009, 0282

0037, 0320, 0361

0371, 0009, 0362, 0369

0009, 0068

0009, 0068, 0076

0216, 0217

0076

0043

0068

0037, 0218, 0009, 0036

0282, 0455

0009

0208

0037, 0072

0037, 0009

0336, 0352

0217

Hisawa

0218

0206

0037, 0109

0206, 0076, 0336

0282

Hitachi 0217, 0036, 0109, 0032, 0043,

0044, 0105, 0163, 0196,

0198, 0225, 0306, 0349

Huanyu

Hypson

ICE

ICeS

ITS

0216, 0374

0037, 0282, 0264

0217, 0371, 0264

0294

0218

0343

0070

0259

0037

0218

0371

Elin

Elite

Elta

Emerson

Erres

0218, 0009

0037, 0010, 0554, 0349, 0361

0218, 0320

0009

0282, 0213, 0361

0037, 0012

0206

ITT

Imperial

0163, 0361

0370, 0418, 0074, 0076,

0370

0037

0084, 0247

Indiana

Ingelen

Inno Hit

Interbuy

Interfunk

Intervision

0037

0163

0072

0068

0217

0554, 0191, 0195, 0200,

0213, 0327, 0328

0218

Expert

Ferguson

0037, 0109, 0005, 0073,

0190, 0238, 0287, 0335, 0343

0216, 0361

0208, 0346, 0359

0037, 0072, 0070, 0105, 0346

0216, 0217, 0294, 0009,

0321, 0247

Blue Sky

Blue Star

Bondstec

Boots

Fidelity

Finlandia

Finlux

0037, 0163, 0247, 0361

0282

0247

0217

0037, 0217, 0264,

0102, 0068

Firstline

Isukai

JVC

KTV

Kaisui

Kamp

Kapsch

Kawasho

Kendo

Kingsley

Kneissel

0218

Brandt

0109, 0196, 0198,

0205, 0333, 0335

0362

0371, 0036, 0053, 0190, 0192

Fisher

Flint

0370, 0217, 0208, 0303

0455

0037, 0320, 0213

0264, 0431, 0163, 0247

0072, 0206

0217

Brionvega

Britannia

Bush

0216, 0217, 0218, 0009, 0282

0216

Formenti

Frontech

Fujitsu

Funai

0216

0206, 0163

0216

0037, 0218, 0374, 0371, 0294,

0009, 0282, 0036, 0349

0037, 0217

CCE

CGE

CS Electronics

CTC

0294, 0264, 0303

0282, 0093

0037, 0217, 0072, 0043, 0205

0037, 0235, 0362

0216

0074, 0076, 0084, 0247, 0306

0216

0247

GEC

0259

311

DSP-A595-CODE(EU)

311

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Korpel

Koyoda

Leyco

Liesenk & Tter

Lloytron

Loewe

Luma

Luxor

M Electronic

0037

0009

Pathe Cinema 0216, 0320, 0213, 0238

Pathe Marconi 0196, 0198, 0205, 0333

Solavox

Sonitron

Sonoko

Sonolor

Sontec

0032, 0163

0208

0037, 0009

0163, 0208, 0215

0037

0036, 0010, 0011

0037, 0418

0217, 0218, 0009

0206, 0163, 0259

0294, 0321

0218

0037, 0294, 0072, 0264

0037

Pausa

Penney

Perdio

Phase

Philco

Philips

0009

0032

0320

0032

0075

0206

0032

Sony

0074, 0076, 0084, 0213, 0247

0037, 0374, 0554, 0012,

0043, 0323

Soundwave

Standard

Stern

Sunkai

Susumu

Sysline

Tandy

Tashiko

Tatung

0349, 0361

0037, 0217, 0374, 0009,

0109, 0068, 0105, 0163,

0287, 0346

0150

Phonola

Pioneer

Profex

Proline

Protech

0037, 0012

0109, 0163, 0287

0009, 0076, 0361

0321

MGA

MTC

0037

0216, 0349

0102, 0247

0102, 0076, 0213

0036

0217, 0218, 0072, 0093, 0163

0217, 0036, 0043, 0359

0037, 0217, 0072

0217, 0247

Magnadyne

Magnafon

Magnavox

Manesth

Marantz

Mark

0037, 0217, 0418, 0009,

0264, 0102, 0431, 0247, 0337

0012

Pye

Tec

0217, 0320, 0264, 0235

0037

Quasar

Quelle

0250

Technema

Technics

Teknika

Teleavia

Telefunken

0320

0250

0150

0037, 0010, 0554, 0011,

0070, 0074, 0084, 0200,

0213, 0306, 0327, 0328, 0361

0036

0037

Matsui

0037, 0217, 0371, 0294,

0009, 0072, 0036, 0035,

0011, 0208, 0235

0250

0205, 0333, 0343

0109, 0005, 0074, 0084,

0101, 0213, 0262, 0306,

0335, 0343

Questa

R-Line

RBM

0037

0070

Matsushita

McMichael

Mediator

Memorex

Memphis

Metz

Midland

Minerva

Minoka

0043

RCA

0090, 0093

Telemeister

Teletech

Teleton

Tensai

Texet

0320

0009

0037, 0012

0009, 0250, 0150

0337

Radio Shack

Radiola

Rank Arena

Realistic

Rediffusion

Revox

0032

0037, 0012, 0323

0036

0217, 0206, 0349

0218, 0294, 0320, 0317

0216, 0218

0109, 0196, 0198, 0205,

0287, 0333, 0343, 0349

0037, 0072, 0035, 0074,

0084, 0190, 0192, 0361

0213, 0367

0032

0554, 0070

0369

0032

0361

0037

Thomson

Rex

0206, 0264, 0163, 0259

0216

0218, 0418, 0009, 0264

0037, 0012, 0043

0217, 0264, 0036, 0076

0294, 0102, 0213

Thorn

Mitsubishi

Mivar

Motion

0036, 0093, 0108, 0150

0216, 0290, 0291, 0292

0076

Rhapsody

Roadstar

SBR

SEG

SEI

Thorn-Ferguson

Tomashi

Toshiba

Trical

Triumph

Uher

Ultra

Ultravox

Universum

0343

0282

Motorola

0093

0036, 0035, 0070, 0243

Multitech 0216, 0217, 0009, 0102, 0076

NEC

NEI

Neckermann

0157

0243

0206, 0320, 0303

0192

0455, 0036

0037, 0431, 0337

0037, 0554, 0191,

0213, 0349

Saba

0109, 0075, 0163, 0196, 0198,

0205, 0213, 0287, 0335, 0343

0238

Saccs

Saisho

Salora

Sambers

Sampo

Samsung

0009, 0264, 0431, 0011, 0235

0163, 0349, 0359, 0361

0102, 0076, 0213

0102

Nikkai

0037, 0216, 0218, 0072,

0264, 0035, 0032, 0337

0317

0037, 0370, 0264,

0105, 0346

0037

Nikko

Nobliko

Nokia

0032

Vestel

Victor

0102, 0076

0037, 0370, 0217, 0009,

0264, 0032, 0090, 0290

0216

0053

0247

0217

0036

0320

0163

0217

0361

Videosat

Videotechnic

Vidtech

Vision

Voxson

Waltham

Watson

Watt Radio

Wega

Nordmende

0109, 0196, 0198,

0213, 0287, 0343

0163, 0215, 0361

0250

Sandra

Sanyo

0072, 0036, 0011, 0146, 0157,

0208, 0213, 0339

Oceanic

Optimus

Optonica

Orion

Osaki

Oso

Schaub Lorenz

Schneider

0361

0037, 0218, 0371, 0247,

0303, 0323, 0336, 0352

0146

0093

0037, 0294, 0320, 0321, 0235

0217, 0218, 0072, 0264, 0032

0218

0037, 0320

0102

Sears

Sei-Sinudyne

Seleco

Sentra

0010

0036

Osume

Otake

0072, 0032, 0157

0317

0206, 0163, 0259, 0362

0035

White Westinghouse 0037, 0216, 0320

Yoko

Zanussi

0037, 0217, 0264, 0431

0206

Otto Versand 0037, 0217, 0320, 0036,

0010, 0554, 0191, 0213,

0343, 0349

Palladium

Panama

Sharp

Shorai

0036, 0093, 0157

0294

Siarem

Siemens

0102, 0213

0037, 0554, 0157, 0191,

0370, 0418

0217, 0264

0250, 0163, 0213, 0214,

0226, 0367

0195, 0200, 0213, 0327, 0328

0036

Panasonic

Silver

Sinudyne

0294, 0102, 0213, 0235

312

DSP-A595-CODE(EU)

312

3/27/99, 1:33 PM

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Astro

Avalon

Axis

Barcom

Beko

Best

Blaupunkt

Boca

Brain Wave

Bush

CNT

Cambridge

Channel Master

Chaparral

CityCom

Commlink

Connexions

Crown

Cyrus

D-box

DDC

DNT

2520, 2173, 2358, 2501

Kyostar

La Sat

Lemon

Lenco

Lennox

2421

2520, 2513, 2464

2692

CABLE

2396

2369, 2530

Manufacturer

Code

2668

2217

2189

2421, 2335

2592

ABC

1003, 1008, 1014, 1017

Lupus

Luxor

2369

Birgmingham Cable Communications

1276

British Telecom

Cabletime

Clyde

Contec

Decsat

Filmnet

France Telecom

GEC

2369, 2217

2173

2243, 2513

2573, 2108

2455, 2592, 2520

2200

2092, 2328, 2336

2571, 2344

2243

Manhattan

Marantz

Maspro

Matsui

Mediamarkt

Micro Technology

Minerva

Morgan’s

Multistar

Muratto

Navex

1003, 1105

1161, 1271, 1377

1086

2332

2067

2520

2344

1019

1423

1443

1451

1086

1276

1144

2333, 2539

2571

2243, 2513

2331, 2464

2335

2332

2501

2692, 2834

2220

2362

2053, 2209

2394

2288

2396

2243

2200

2723

2362

General Instrument

GoldStar

Jerrold

1003, 1276, 1014

1443, 1019

1032

Neuhaus

Neusat

Newhaus

Nikko

MNet

Magnavox

Memorex

Movie Time

NSC

1000

1156

1019

1003

1000

2360

2396, 2200

Nokia

2455, 2573, 2108, 2328,

Diskxpress

Drake

EIF

Echostar

Emanon

FTE

Ferguson

Fidelity

Finlux

2217

2268

2417

2397, 2873

Oak

Nordmende

Orbitech

Oxford

2362

2501

2344

PVP Stereo Visual Matrix

Panasonic

Paragon

Pioneer

Pulsar

Runco

STS

Salora

Samsung

Satbox

Scientific Atlanta

Starcom

2396, 2871

2421

2331

Pace

2455, 2183, 2067, 2328,

1144, 1260

1000

2336, 2791

2297

2183, 2067, 2189, 2336

Palcom

Palladium

Palsat

Panda

Philips

1000

1156

1382

1144

2252

2571

2501

2455

2455, 2108, 2344, 2397

Fracarro

Freecom

Fuba

2871

2421, 2335

2421, 2369, 2396, 2217,

2455, 2571, 2200, 2292, 2328

1375

Phonotrend

Planet

2288, 2592

2871

1008, 1277, 1017

1003

2297, 2417

2183

2288, 2834, 2863

G-Sat

Galaxis

Plasmatic

Polytron

Promax

Prosat

Quadral

RFT

Radiola

Radix

SAT

SEG

STVI

Saba

Sabre

2442

2394

2455

2288

Tele+1

Teleservice

Toshiba

1443

1281

1000

1286

1003

1250

1105

1000

Galaxisat

GoldStar

Gooding

Goodmans

Grothusen

Grundig

Harting und Helling

Hinari

Hirschmann

2321

2335

2571

2189

2335

Tudi

2362, 2519

2288, 2220, 2200

2200

2396, 2882

2321, 2351, 2461

2421, 2369, 2539

2417

United Cable

Videoway

Westminster

Zenith

2571, 2173, 2189, 2328

2333

2183

2502, 2173, 2573,

DBS TUNER

Manufacturer

AST

Alba

Aldes

Allantide

Amstrad 2080, 2252, 2345, 2461, 2501

Ankaro 2369, 2288, 2220, 2519, 2217

Anttron

Arcon

Armstrong

Astra

2287, 2333, 2397, 2398

2520, 2336

2455

Code

Hitachi

Houston

Huth

2455

2668

Sagem

Salora

Samsung

SatPartner

2820

2108

2287

2321, 2351

2455, 2421, 2362, 2613

2243, 2288, 2220, 2346

ITT

2108

2871

2592

2571

2332

2421, 2332, 2520, 2502,

2335, 2692

2605, 2346

2183, 2328

2346

2288

2333

InVideo

Intervision

JVC

Johansson

Kathrein

Satcom

Satec

Satmaster

Schwaiger

Seemann

Siemens

2421, 2183

2368

2243

2108, 2539

2173, 2200, 2092, 2331,

2358, 2394, 2442, 2480, 2504

2331, 2335

2183, 2394, 2504

2396, 2530

2173

Kosmos

Kreiselmeyer

2173

313

DSP-A595-CODE(EU)

313

3/27/99, 1:33 PM

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CGE

Calix

Capehart

Carver

Catron

Cimline

Cineral

Citizen

Clatronic

Colt

Combitech

Condor

Craig

3000

3037

3020

3081

3020

Hanseatic

Harley Davidson

Harman/Kardon

Harwood

3037

3000

3038

3072

Skymaster

Star Trak

Strong

Sunstar

TPS

2288, 2605, 2519

2421

2513

2820

Headquarter

Hinari

Hitachi

3046

3072, 3004, 3240, 3352

3000, 3004, 3042, 3041,

3166, 3235, 3240

3072

3106, 3046, 3384, 3005,

3041, 3104, 3240

3037, 3278

3072

3278

Tantec

2455, 2297, 2336

TechniSat

Techniland

Telefunken

Teleka

Telesat

Thomson

Tonna

Triad

Triasat

Unitor

Universum

Vector

Ventana

Vortec

Vtech

Wevasat

Winersat

Wisi

2262, 2501

3037, 3278

3020

2346

2421

2243, 2613

Hypson

ITT

3072

3352

3020

2605

2455

ITV

3072, 3037, 3047, 3240

3072, 3020, 3278

3041, 3162

3240

Imperial

Ingersol

Interfunk

JVC

3000

3004

3081

2668, 2346

2321, 2333, 2335, 2351

Crown

Curtis Mathes

Cybernex

Cyrus

Daewoo

Dansai

Daytron

De Graaf

Decca

Denon

Dual

Dumont

Dynatech

ESC

2501

2332, 2217

2571, 2173

3067, 3384, 3008, 3041,

3206, 3207, 3486

3041

3081

3020, 3278, 3045

3072

Jensen

KEC

2333

2200

2421

2351

2333

2332

3037, 3278

3020

KLH

3072

3042, 3166

3000, 3081

3042

Kaisui

Kendo

Kenwood

Kodak

Korpel

LXI

Lenco

Leyco

LIoyd’s

Loewe

Logik

3209, 3106

3067, 3384, 3038, 3041

3037

3041

3000, 3081, 3104

3000

3072

3037

3278

3072

2455, 2396, 2173, 2321,

2351, 2372, 2406, 2407

2889

3278, 3240

3038

XSat

Xcom Multimedia

Zehnder

Elbe

2889

2520, 2321, 2331

Elcatech

Electrohome

Electrophonic

Emerex

Emerson

3072

3037

3032

3000

3037, 3004, 3081, 3006

3072, 3004, 3240

VCR

Luxor

3106, 3048, 3046, 3043, 3104

3000, 3037, 3278, 3209,

3036, 3043, 3088

3320, 3041, 3107, 3321

3000

3081, 3104

3000, 3081, 3042, 3104

3072, 3037, 3209,

3045, 3043

3046, 3047, 3054, 3104

3020

M Electronic

MGA

MGN Technology

MTC

Magnasonic

Magnavox

Magnin

Manesth

Marantz

3000

3043, 3240

3240

3000, 3240

3278

Manufacturer

Code

Ferguson

Fidelity

Finlandia

Finlux

ASA

3037, 3081

3048

Admiral

Adventura

Aiko

3000

3278

3000, 3081

3240

Firstline

Aiwa

Akai

Akiba

Alba

3000, 3037, 3307, 3348, 3352

3315, 3106, 3041, 3053

3072

3072, 3045

3081, 3003, 3006

3037

3209, 3004, 3036,

3088, 3348, 3352

3162

3000, 3037, 3048,

3046, 3047, 3104,

3162, 3240, 3307

3072

3347, 3195, 3003,

3006, 3162, 3227

3195, 3006

3042

Fisher

Frontech

Fuji

Funai

Marta

Matsui

3072, 3020, 3278, 3209,

3315, 3352

3020

3000, 3278, 3325, 3332

3072

3033

3000

3048, 3240

3081

Ambassador

Amstrad

Anitech

Asha

Asuka

Audiovox

Baird

Basic Line

Beaumark

Bell & Howell

Blaupunkt

Matsushita

Memorex

GEC

Garrard

General

Go Video

GoldHand

GoldStar

Goodmans

3000

3020

3432

3072

3240

3037

Memphis

Metz

3000, 3041, 3104, 3107

3072, 3020, 3278

3240

3037, 3038, 3225

3072, 3000, 3020,

3037, 3278, 3403

3000, 3008

3005, 3041, 3104, 3240

3081, 3046, 3104

3072, 3000, 3037

3072, 3081, 3347, 3226,

3195, 3003, 3006, 3007,

3207, 3349, 3403

3072

Minerva

Minolta

Mitsubishi

Motorola

Multitech

Murphy

NEC

Neckermann

Nesco

Nikko

3104

Gradiente

Graetz

Granada

Grandin

Grundig

3081, 3067, 3048, 3043

3048

3072, 3000

3000

3067, 3038, 3041, 3104

3081

3034, 3226, 3195,

3003, 3006, 3154,

3162, 3227, 3403

3320, 3187, 3321

3041

Brandt

Brandt Electronic

Broksonic

Bush

3209

3072

3037

3034

3072, 3278, 3209, 3352

3072, 3278

HCM

HI-Q

CCE

3047

Nikon

314

DSP-A595-CODE(EU)

314

3/27/99, 1:33 PM

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Noblex

Nokia

3240

Sears

3000, 3037, 3042, 3046,

DVD PLAYER

3106, 3046, 3041, 3104, 3240

3047, 3054, 3104

Nordmende

3320, 3384, 3041,

3297, 3321

3000, 3041

3315, 3348

3226

Seleco

Semp

Sentra

Sharp

Shintom

Shogun

Shorai

Siemens

3041

3045

3020

3048

Manufacturer

Code

Oceanic

Okano

Olympus

Kenwood

Magnavox

Onkyo

Panasonic

Philips

4534

4503

3072, 3104

Optimus 3037, 3432, 3048, 3104, 3162

Orion

3240

3004

4490

3209, 3004, 3036,

3088, 3348, 3352

3072, 3000, 3037

3081

4539, 4503

4525

3037, 3081, 3195, 3003,

Pioneer

Sony

Osaki

Otto Versand

Palladium

Panasonic

Pathe Cinema

Pathe Marconi

3006, 3054, 3104

Silva

Singer

3037

3072, 3045

3004, 3081

4533

4490

4551

4503

3072, 3037, 3006, 3041

3226, 3162, 3225, 3227

3036

Technics

Thomson

Toshiba

Yamaha

Zenith

Sinudyne

Solavox

Sonolor

Sontec

Sony

Sunkai

Sunstar

Suntronic

Sylvania

Symphonic

TMK

Tashiko

Tatung

Teac

3020

3046

3037

3041

4490, 4545

4503

Penney 3037, 3042, 3038, 3054, 3240

Pentax

Perdio

Philco

Philips

Phonola

Pilot

Pioneer

Portland

Profex

Profitronic

Proline

Protec

Pye

Quarter

Quartz

Quasar

Quelle

RCA

3042

3000

3209, 3038

3081, 3384, 3403

3081

3000, 3032, 3033, 3034, 3011

3348

3000

LD PLAYER

Manufacturer

Code

3000, 3081, 3043

3037

3000

3036, 3240

3000

3081, 3067, 3162, 3235

3020

Aiwa

Carver

Cyrus

Denon

Disco Vision

Funai

Hitachi

Magnavox

Marantz

Mitsubishi

NAD

Panasonic

Philips

Pioneer

Quasar

Radiola

Realistic

Salora

Sega

Sharp

Sony

5203

5064, 5194

5388

5059, 5172

5023

5203

5023

5194, 5217

5064, 5194

5059

3322

3240

3000

3072

3081

3046

3162

3000, 3081, 3041

3000, 3041

3020

Tec

Technics

Teknika

Teleavia

Telefunken

3226, 3162

3000, 3037

3041

3320, 3384, 3041,

3187, 3321

3072

3081

Tenosal

Tensai

Thomas

Thomson

Thorn

5059

3106, 3042, 3048, 3240

3403

3322, 3000

3000

5204, 5496

5064, 5388, 5194

5023, 5059

5204

RFT

Radio Shack

Radiola

Radix

Randex

Realistic

3000, 3037

3081

3320, 3384, 3041

3036, 3041, 3104

3081, 3045, 3384,

3041, 3043

3037, 3240

3322

3037

3000, 3037, 3048,

3046, 3047, 3104

3384, 3041

3034

Toshiba

5388

5203

5064

5023

Totevision

Towada

Uher

Unitech

Universum

Rex

3240

5001

Ricoh

Roadstar

SBR

SEG

SEI

5193, 5201

5204, 5496

5059

3072, 3037, 3278, 3240

3081

3000, 3037, 3081, 3106,

3195, 3006, 3240, 3325

3045

Technics

Telefunken

Theta Digital

Thorn

3322, 3240

3004, 3081

3042

Vector

Vector Research

Video Concepts

Videosonic

Wards

3038

3045

3240

5194

5014

5217

STS

Saba

3320, 3384, 3041, 3206,

3207, 3297, 3321

3209, 3004, 3036, 3088

3106, 3046, 3043

3432, 3045, 3053, 3240

3048

3000, 3067, 3041

3046, 3047, 3104, 3240

3352

Yamaha

3072, 3000, 3081, 3042,

3048, 3047, 3240

Saisho

Salora

Samsung

Sanky

Sansui

Sanyo

Saville

Schaub Lorenz

White Westinghouse

XR-1000

Yamaha

Yamishi

Yokan

Yoko

3278

3072, 3000

3038

3072

3020, 3240

3000, 3033, 3034

3000, 3005,

3041, 3104

3072, 3000, 3081

3045, 3043

Zenith

Schneider

Scott

315

DSP-A595-CODE(EU)

315

3/27/99, 1:33 PM

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Memorex

Meridian

Micromega

Mission

Mitsubishi

NAD

NSM

Naim

Nikko

Onkyo

6032, 6164

6157

6108, 6156

6000

CD PLAYER

MD RECORDER

Manufacturer

Code

Manufacturer

Code

Aiwa

Akai

Alba

Arcam

Audio Research

Audio Ton

Audiolab

Audiomeca

BSR

6124, 6157, 6419

6108, 6156, 6199

6536, 6288, 6334

6157

Kenwood

Sony

Yamaha

7826

7490

7888, 7490

6157

6525, 6164

6101, 6102

6000, 6032, 6037, 6536,

6048, 6179, 6196, 6342

6303, 6029, 6367

6157, 6274, 6287

6032

6157

6134

6164

6452

6029

TAPE DECK

Optimus

Manufacturer

Code

Panasonic

Philips

Pioneer

Poppy

Proton

QED

Quad

Quasar

RCA

Realistic

Revox

Roadstar

Rotel

SAE

Sansui

Sanyo

Schneider

Scott

Sharp

Sherwood

Siemens

Signature

Sony

Aiwa

Akai

Arcam

8029, 8197, 8200

8188, 8189

8076

Bestar

Binatone

California Audio Lab

Carver

Condor

Cyrus

DKK

Denon

Dual

Emerson

Fisher

6164

6157

6029

6179

Carver

Denon

Fisher

8029

8076, 8412

8074

6157, 6179

6134, 6164

6157

6000

6003, 6034

6196

Grundig

Harman/Kardon

JVC

8029

8182

6164, 6179

6157, 6113

6461, 6525, 6527

6157

8244, 8273, 8274

8070, 8071, 8092,

8205, 8233, 8234

8029

Kenwood

6164

6048, 6179, 6342

6334

Magnavox

Marantz

Memorex

Mitsubishi

Onkyo

6157

8029, 8009

8099, 8101

8189

8136, 8135

8027, 8220

8229

Genexxa

GoldStar

Goodmans

Grundig

Harman/Kardon

Hitachi

6032, 6164

6525, 6383

6536

6157, 6202, 6513

6048, 6179, 6342

6134

6157

6164

Optimus

Panasonic

Philips

6108, 6173

6032, 6291

6072

6037, 6262, 6265

6114, 6196

6516

8029

JVC

Kenwood

Pioneer

Revox

8027, 8099, 8101, 8220

8029

6037, 6523, 6028,

6048, 6190

6287

6108

6000, 6490

6378

Sansui

Sanyo

Sharp

Sony

Technics

Victor

Wards

8029, 8009

8074

8205

8170, 8243

8229

Kodak

Krell

Linn

Luxman

M Electronic

MCS

Teac

6157

6328

6525

Technics

Toshiba

Universum

Victor

Wards

Yamaha

Yorx

6207, 6303, 6029

6481

6157

6072

8273, 8274

8027

6029

6157, 6108

6036, 6082, 6187, 6712

6461

Magnavox

6157, 6038, 6129

Yamaha 8094, 8097, 8205, 8478, 8524

Marantz

Matsui

Mclntosh

6157, 6029, 6038, 6129

6157, 6288, 6307

6287

316

DSP-A595-CODE(EU)

316

3/27/99, 1:33 PM

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LIST OF MANUFACTURER’S CODES (China and General models)

LISTE DES CODES FABRICANTS (Modèles pour la Chine et général)

VERZEICHNIS DER HERSTELLER CODES (China- und allgemeines Modell)

LISTA ÖVER TILLVERKARKODER (Modellen för Kina och den allmänna modellen)

ELENCO DEI CODICI DEL FABBRICANTE (Modelli per la Cina e generale)

LISTA DE CÓDIGOS DE FABRICANTES (Modelos para China y general)

LIJST VAN CODES VAN FABRIKANT (Modellen voor China en algemene modellen)

Celebrity

Centurion

Cimline

Cineral

0000

0037

Gibralter

GoldStar

0017, 0030, 0019

0030, 0178, 0019, 0056,

0001, 0002, 0032, 0037, 0109

0009

0451, 0092

0060, 0030, 0056, 0039,

0046, 0092, 0186, 0280

0185

Manufacturer

Code

Goodmans

Gradiente

Granada

Grandin

Grundig

Grunpy

0179, 0037

0053, 0056, 0170

0037, 0208, 0339, 0502

0282

Citizen

A-Mark

AOC

Abex

Acura

Admiral

Adventura

Adyson

Aiko

0003

0030, 0019, 0003, 0052, 0185

Clairtone

Clarivox

Concerto

Contec

Craig

0032

0009

0093

0046

0032

0037

0056

0037, 0535, 0554

0180, 0179

0282, 0009

0178

0180, 0009, 0185, 0216

0180, 0161

HCM

Hallmark

Hanseatic

Harley Davidson

Harvard

Hinari

Crosley

Crown

0054

0037

0179

0092

0180, 0039, 0009, 0037, 0418

Akai

0030, 0208

0264

0179, 0216

0009, 0037

Curtis Mathes 0047, 0054, 0154, 0051,

0451, 0093, 0060, 0030,

0180, 0068

0179, 0009, 0037, 0283

0282

Akura

Alaron

Alba

Ambassador

Amstrad

Anam

Anam National

Anitech

Arcam

0145, 0056, 0016, 0039, 0166

Hisawa

Hitachi

Daewoo

0451, 0019, 0039, 0009,

0145, 0056, 0032,

0109, 0151, 0576

0216

0282, 0037, 0264

0264

0177

0009, 0171, 0177

0180, 0004, 0009, 0068

0037, 0066, 0092

Dansai

Dayton

Daytron

De Graaf

Decca

Denon

Dixi

Dumont

Ectec

Electroband

Elin

0037

0009

0019

0208

0037

0145

Huanyu

Hypson

ICE

0161

0009, 0068

ITT

0283

0418

0037

0054

0017

0068

0216

0003

0391

Imperial

Indiana

Infinity

Inteq

Interbuy

Interfunk

Intervision

JBL

JCB

JEC

JVC

Janeil

KEC

Archer

Audinac

Audiosonic

Audiovox

BPL

Basic Line

Baur

Baysonic

Belcor

Bell & Howell

Beon

Blaupunkt

Blue Star

Bradford

Brandt

Britannia

Brockwood

Broksonic

Bush

0004, 0009, 0037

0037, 0109

0451, 0180, 0003, 0092

0017, 0019

0391

0000, 0185

0282

0009

0037, 0512

0037, 0068, 0264

0054

0000

0502

0053, 0069, 0160

0046

0037

0009

0037, 0512, 0535, 0554

Elta

Emerson

0180

0019

0154, 0016

0037

0535, 0554

0154, 0236, 0463, 0180,

0282, 0178, 0019, 0179,

0039, 0177, 0185, 0280

Envision

Erres

Ferguson

Fidelity

Finlandia

Finlux

Firstline

Fisher

Formenti

Frontech

Fujitsu

0030

0037

0180

0282

0180

0109

0216

0037, 0109, 0287, 0560

KTV

0180, 0030, 0039, 0185, 0280

0216

0208

0179, 0037

0009, 0216

Kaisui

Kamp

Kawasho

Kaypani

Kendo

Kenwood

Kingsley

Kloss

Korpel

Koyoda

LXI

Leyco

0282, 0009, 0216

0216

0052

0037

0019

0236, 0463, 0003, 0426

0154, 0159, 0208

0282, 0009, 0037

0037

0264

0030, 0019

CCE

CS Electronics

CXC

Candle

Carnivale

Carver

0037

0216

0180

0216

0046

0037

0009

0056

0179

0180, 0179, 0171, 0264

0180

0047, 0051, 0451, 0093,

0282, 0178, 0021, 0135

0037

Funai

Futuretech

0030, 0056, 0046, 0186

0030

0054, 0170

0009

0047, 0054, 0154, 0156, 0178

0037, 0264

Cascade

Cathay

GEC

Geloso

0037

0009

Liesenk & Tter

0037

317

DSP-A595-CODE(US)

317

3/27/99, 1:34 PM

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Lloytron

Loewe

Logik

Luxman

M Electronic

0032

0512

0016, 0001

Phonola

Pilot

Pioneer

Portland

Prism

Profex

Proscan

Protech

Proton

Pulsar

Quasar

Quelle

R-Line

RCA

0037

0030, 0019, 0039

0109, 0166, 0287

0019, 0039, 0092

0051

Soundesign

Soundwave

Spectricon

Squareview

Standard

Starlite

0180, 0178, 0179, 0186

0037, 0418

0003

0171

0009

0180

0056

0046

0000

0056

0009, 0037, 0068,

0109, 0287

0009

0047

MEI

MGA

MTC

0185

Supra

0150, 0030, 0178, 0019

0060, 0030, 0019, 0056,

0185, 0216, 0512

0054, 0030, 0179,

0186, 0187

0009, 0037, 0264, 0418

0178, 0003, 0052

0017, 0019

Supre-Macy

Supreme

Sylvania

Symphonic

Sysline

TMK

Tandy

Tatung

Technics

Technol Ace

Techwood

Teknika

0054, 0030

0171

0037

0178, 0056, 0177

0093

Magnavox

0051, 0250, 0165

0037, 0252, 0512, 0535, 0554

0037

Majestic

Manesth

Marantz

Mark

0016

0264

0047, 0051, 0093, 0019,

0018, 0090, 0135

0054, 0030, 0037

0037

0009, 0035, 0037, 0177, 0208

0250

0003, 0037

0051, 0250

0179

Radio Shack 0047, 0154, 0165, 0180,

0030, 0178, 0019, 0056,

0039, 0032

Radiola

Realistic

Matsui

0051, 0056, 0003

0054, 0180, 0150, 0060,

0019, 0179, 0056, 0016,

0039, 0092, 0186

0056, 0109, 0252

0009

Matsushita

Mediator

Megatron

Memorex

0037

0154, 0165, 0180, 0030,

0178, 0019, 0056, 0039, 0032

0178, 0145, 0003

0154, 0250, 0150, 0178,

0056, 0016, 0009

0535

Revox

Rex

Rhapsody

Roadstar

Runco

SBR

SEG

SEI

SSS

Saba

0037

0264

0185, 0216

0009, 0264, 0418

Telefunken

Teletech

Teleton

Texet

Thomson

Thorn

Metz

Midland

0186

0216

0047, 0017, 0051,

0039, 0032, 0135

0535, 0554

0017, 0030

0109, 0287

0035, 0037, 0512, 0535

0282

Minerva

Minutz

Mitsubishi

0037

0264

0177

0021

Tomashi

Toshiba

0093, 0150, 0178,

0019, 0512, 0535

0216

0154, 0156, 0060,

0035, 0149, 0502

0185

0180, 0019

0109, 0287

0009, 0177, 0264

0030, 0039, 0032, 0052

0060, 0030, 0178, 0019,

0056, 0039, 0009, 0032,

0037, 0090, 0264, 0427

Mivar

Motorola

Multitech

NAD

NEC

NEI

NTC

Neckermann

Nesco

Nikkai

Nikko

Nisato

Tosonic

Totevision

Triumph

Ultra

Universum

Vector Research

Vestel

Victor

Vidikron

Vidtech

0093

Saisho

Sampo

Samsung

0039

0177

0391

0180, 0009, 0216

0156, 0178, 0166

0030, 0019, 0056, 0170

0037

0037, 0264, 0535

0030

0092

0037, 0554

0179

Samsux

Sandra

Sansei

Sansui

Sanyo

0039

0216

0451

0463

0037

0053

0054

0032, 0035, 0037, 0216, 0264

0030, 0178, 0092

0391

0178, 0019

0046

0154, 0159, 0208, 0339

Viking

Schneider

Scimitsu

Scotch

Scott

0037

0019

0178

Wards 0054, 0165, 0030, 0178, 0021,

0019, 0179, 0056, 0016, 0080

Nordmende

Noshi

Onwa

Optimus

Optonica

0109, 0287, 0560

0018

0180

0154, 0250, 0166

0093, 0165

Watson

0037

0037, 0216

0030, 0019

0037, 0264

0017, 0016, 0092

0003

0236, 0180, 0178, 0019, 0179

White Westinghouse

Yamaha

Yoko

Sears

0047, 0054, 0154, 0156, 0178,

0179, 0056, 0149, 0159, 0171

Orion

0236, 0463, 0179, 0037, 0177

Semivox

Semp

0180

0156

Zenith

Osaki

Osume

0032, 0264

0032

Zonda

Sentra

Sharp

0035, 0283

0093, 0165, 0039

0019

0037, 0535, 0554

0016

Otto Versand

Palladium

Panama

Panasonic

Pathe Cinema

Pausa

Penney 0047, 0156, 0051, 0060, 0030,

0178, 0021, 0019, 0018, 0056,

0039, 0002, 0003,

0037, 0512, 0535, 0554

0418

0264

0051, 0250, 0226

0216

Shogun

Siemens

Signature

Simpson

Sinudyne

Solavox

Sonitron

Sonoko

Sonolor

Sontec

Sony

0186, 0187

0177

0032

0208

0009, 0037

0208

0009

0032, 0135, 0149

Phase

Philco

Philips

0032

0054, 0463, 0030, 0145, 0019

0054, 0037, 0554

0037

0000, 0080

318

DSP-A595-CODE(US)

318

3/27/99, 1:34 PM

Download from Www.Somanuals.com. All Manuals Search And Download.

Starquest

TV86

TeleCaption

Teleview

Timeless

Tocom

Toshiba

Tusa

United Cable

Universal

Viewstar

Zenith

1015

1063

1221

1040

1418

1012

1000

1015

1003

Panasonic

Philips

Primestar

RCA

2701

2724

2627

2566

2639

2869

2790

2724

CABLE

Manufacturer

Code

Sony

ABC

Allegro

Archer

BBT

1003, 1008, 1014, 1011

Star Choice

Toshiba

Uniden

1315

1797

1267

1056

1003

1056

1315

1031

1040

Belcor

1056, 1191

1063, 1027

1000, 1054, 1525

1400

VCR

British Telecom

Cable Star

Citizen

Colour Voice

Comtronics

Contec

Emerson

Everquest

Focus

GC Electronics

Gemini

General Instrument

GoldStar

Goodmind

Hamlin

Hitachi

Jasco

Manufacturer

Code

Zentek

ASA

3037, 3081

DBS TUNER

Admiral

Adventura

Aiko

Aiwa

Akai

3048

3000

1019

1797

3278

3037, 3000

3041, 3061, 3281, 3288

3072

1015, 1040

1400

Manufacturer

Code

1056

1015

1476, 1011

1144, 1040

1797

AST

Audio Ton

Avalon

Chaparral

Connexions

DNT

Echostar

Elta

Expressvu

Fuba

Galaxis

Galaxisat

General Instrument

Huth

2321

2364

2396

Akiba

Akura

3271

Alba

3209, 3072, 3278, 3020, 3295

2053, 2209

2396

Ambassador

American High

Amstrad

Anitech

Asha

Asuka

Audiovox

Baird

Basic Line

Beaumark

Bell & Howell

Blaupunkt

3020

3035

3000, 3278

3072

1020, 1259, 1009, 1034

2396

2364

2775

2396

2364

2321

2361

2364

2775

2361

1011

1315

3240

3037

Jerrold

1003, 1012, 1476, 1014,

1015, 1011, 1024

1019

MNet

3000, 3104, 3041

3072, 3278, 3020

3240

Magnavox

Memorex

Movie Time

NSC

Novaplex

Oak

1027

1000

1063

1618

1019

1021

3104

JSR

JVC

Jerrold

Lemon

3162, 3034, 3195,

3226, 3227

3187, 3320

3041

Brandt

Brandt Electronic

Optimus

2692

Broksonic

3184, 3121, 3209, 3002,

PVP Stereo Visual Matrix

1003

NEC

2507

3295, 3361, 3479

3209, 3072, 3278

Panasonic

Paragon

Philips

Pioneer

Popular Mechanics

Prelude

1000, 1107, 1021

1000

Neusat

Next-Wave

Primestar

Radix

2692

2732

2361

2396

2321

2692

2396

2321

Bush

CCE

CGE

Calix

Canon

Capehart

Carver

Catron

Cimline

Cineral

Citizen

Clatronic

Colt

3072, 3278

1027, 1031

1144, 1533

1400

3000

3037

3035

3020

3081

3020

3072

3278

SAT

1770

1000

1021

SatPartner

Seemann

Triad

Wisi

Zehnder

Pulsar

RCA

Radio Shack

Recoton

Regal

Rembrandt

Runco

1015, 1315

1400

1020, 1259

1011

1000

1040

1144, 1040

1008, 1477

1015, 1040

1011

2321, 2396

2321

3037, 3278

(DSS)

3020

3072

3020

SL Marx

AlphaStar

Echostar

General Instrument

HTS

Hitachi

Hughes Network System

Jerrold

2772

2775

2869

2775

2819

2749

2627

2724

Condor

Craig

Crown

Samsung

Scientific Atlanta

Signal

Signature

Sprucer

StarSight

Starcom

Stargate

3037, 3047, 3240, 3072, 3271

3072, 3278, 3020

Curtis Mathes 3060, 3035, 3041, 3162

Cybernex

Cyrus

Daewoo

Dansai

3240

3081

3045, 3278, 3020

3072

1021

1422

1003, 1015

1015, 1040, 1770, 1797

Magnavox

Memorex

Daytron

3020

319

DSP-A595-CODE(US)

319

3/27/99, 1:34 PM

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De Graaf

Decca

Denon

3042, 3166

3081, 3000

3042

3041

3081, 3000, 3104

3000

LXI

3037

3278

3072

Portland

Profitronic

Proline

Proscan

Protec

Pulsar

Pye

3020

3240

3000

Lenco

Leyco

LIoyd’s

Loewe

Logik

Luxor

Dual

3000, 3208

3037, 3081

3240, 3072

3060, 3202

Dumont

Dynatech

ESC

3072

3039

3081

3240, 3278

3048, 3104, 3043, 3062, 3046

Elbe

3038

3072

3037

M Electronic

MEI

MGA

MGN Technology

MTC

Magnasonic

Magnavox

Magnin

3000

3035

3240, 3043, 3061

3240

Quarter

Quartz

Quasar

Quelle

RCA

3046

3035, 3162

3081

Elcatech

Electrohome

Electrophonic

Emerex

Emerson

3032

3240, 3000

3060, 3035, 3048,

3240, 3042, 3202

3037, 3000

3081

3037, 3184, 3000, 3121,

3043, 3209, 3002, 3278,

3036, 3061, 3068, 3208,

3212, 3295, 3361, 3479

3041, 3320

3278

3035, 3039, 3081, 3000

3240

3045, 3072

3035, 3081, 3062, 3295

3037

Radio Shack

Radiola

Radix

Randex

Realistic

Manesth

Marantz

Marta

3037

Ferguson

Fidelity

3000

3035, 3037, 3048, 3047,

Finlandia

Finlux

3081, 3104

3081, 3000, 3042, 3104

Matsui

Matsushita

3209, 3036, 3208, 3295

3035, 3162

3000, 3104, 3062, 3046, 3066

3041, 3384

Rex

Firstline 3037, 3045, 3043, 3209, 3072

Memorex

3035, 3037, 3048, 3039,

3047, 3240, 3000, 3104,

3162, 3046

Ricoh

Roadstar

Runco

SBR

SEG

SEI

3034

Fisher

Frontech

Fuji

3047, 3104, 3046, 3054, 3066

3037, 3240, 3072, 3278

3039

3020

3035, 3033

Memphis

Metz

Minerva

Minolta

Mitsubishi

3072

3162, 3195, 3227

3195

3081

3240

3081

3042

Funai

3000

3060, 3035, 3048, 3240, 3202

GEC

3081

STS

Saba

3042

Garrard

General

GoldHand

GoldStar

3000

3020

3072

3041, 3320, 3384

3209, 3036, 3208

3043, 3046

3048, 3081, 3067, 3043,

3061, 3173, 3196

3035, 3048

Saisho

Salora

Samsung

Sanky

Sansui

Sanyo

Schaub Lorenz

Schneider

Scott

Motorola

Multitech

Murphy

NEC

Neckermann

Nesco

Nikko

Nikon

Noblex

Nokia

Nordmende

Oceanic

Olympus

Optimus

Optonica

Orion

3037, 3038, 3225, 3471

3000, 3072

3240, 3045

3048, 3039

3000, 3067, 3041, 3271, 3479

3047, 3240, 3104, 3046

3000, 3104, 3041

3081, 3000, 3072

3184, 3045, 3121, 3043, 3212

Goodmans

3037, 3000, 3072, 3278,

3062, 3020

3000, 3008

3240, 3104, 3041

3081, 3104, 3046

3037, 3000, 3072

3081, 3072, 3195, 3226

3072

3000

3104, 3067, 3041, 3038, 3040

Gradiente

Graetz

Granada

Grandin

Grundig

HCM

3081

3072

3037

3034

3240

Sears

3035, 3037, 3047, 3000, 3042,

3240, 3104, 3041, 3046

3041, 3320, 3384

3000, 3041

3035, 3226

3037, 3048, 3104, 3162

3062

3184, 3121, 3209, 3002,

3036, 3208, 3295, 3479

3037, 3000, 3072

3081

3104, 3046, 3054, 3066

HI-Q

3047

Seleco

Semp

Sentra

Sharp

Shintom

Shogun

3041

3045

3020

Hanseatic

Harley Davidson

Harman/Kardon

Harwood

Headquarter

Hinari

3037

3000

3038

3048, 3062

3104, 3072

3240

3072, 3068

3046

3240, 3072, 3208

3240, 3000, 3042,

3041, 3166, 3235

3072

Siemens 3037, 3081, 3104, 3054, 3195

Silva

Singer

3037

3045, 3072

Hitachi

Osaki

Otto Versand

Palladium

Panasonic

Sinudyne

Solavox

Sonolor

Sontec

Sony

Sunstar

Suntronic

Sylvania

Symphonic

TMK

Tashiko

Tatung

Teac

3081

3020

3046

Hypson

3037, 3041, 3072

3035, 3162, 3225,

3226, 3227

ITT

3240, 3104, 3041, 3046, 3384

ITV

3037, 3278

3037

3035, 3032, 3000, 3033, 3034

3000

Imperial

Interfunk

JVC

3000

3081

Pathe Cinema

Pathe Marconi

Penney

3036

3041

3067, 3041, 3008, 3384

3035, 3037, 3240, 3042,

3038, 3040, 3054

3042

3000

Jensen

KEC

3041

3037, 3278

3035, 3081, 3000, 3043

Pentax

Perdio

Philco

Philips

Phonola

Pilot

3000

3240, 3036, 3208

3000

3081, 3000, 3041

3000, 3041

3020

KLH

3072

3000

Kaisui

Kendo

Kenwood

Kodak

Korpel

3072

3209

3035, 3209, 3038, 3479

3035, 3081, 3062, 3384

3081

3067, 3041, 3038, 3384

3035, 3037

3037

Tec

3072

Pioneer

3081, 3067, 3162, 3235

320

DSP-A595-CODE(US)

320

3/27/99, 1:34 PM

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Technics

Teknika

Teleavia

Telefunken

Tenosal

Tensai

Thomas

Thomson

Thorn

3035, 3162, 3226

3035, 3037, 3000

3041

Fisher

6179, 6048, 6088, 6342

LD PLAYER

Garrard 6420, 6393, 6245, 6280, 6425

Genexxa

Goodmans

Grundig

Harman/Kardon

Hitachi

JVC

Kenwood

Kodak

Krell

Kyocera

LXI

Linn

Luxman

MCS

6032, 6305, 6164, 6426

Manufacturer

Code

3041, 3187, 3320, 3384

3072

6305, 6245, 6280

6157

6426

6032, 6155

Aiwa

Carver

Denon

Disco Vision

Funai

5203

5064, 5194, 5323

5059, 5172

5023

3000

3041, 3320, 3384

3104, 3041, 3036

3081, 3045, 3043, 3041,

3066, 3212, 3366, 3384

3037, 3240

6072

6028, 6037, 6190, 6048

5203

5023

5194, 5217

5064, 5194

5059

5204

5064, 5194

5059, 5023

5204

Toshiba

6287

6157

6018

6305

6157

6093

Hitachi

Totevision

Triumph

Uher

Unitech

Universum

Magnavox

Marantz

Mitsubishi

NAD

Panasonic

Philips

Pioneer

Quasar

Realistic

Salora

Samsung

Sega

3208

3240

3037, 3081, 3240,

3000, 3195

6029, 6043

6420

6157, 6305

MTC

Vector

3045

3038, 3040

Magnavox

Marantz

Matsui

Mclntosh

Memorex

Vector Research

Video Concepts

Videosonic

Wards

6029, 6157, 6180

3045, 3040, 3061

3240

3060, 3035, 3048, 3047,

3081, 3240, 3000, 3042,

3072, 3062, 3212

5203

5064

5323

5023

6157

6287

6032, 6305, 6155,

6164, 6180

Sony

5193, 5201

5204

White Westinghouse

XR-1000

Yamaha

Yamishi

Yokan

3278

3035, 3000, 3072

3038

Meridian

Micromega

Mission

Mitsubishi

NAD

NEC

NSM

Nagaoka

Naim

Nakamichi

Nikko

6157

6156

6000

6043

6157

6018

Technics

Telefunken

Theta Digital

Yamaha

5059

5194

5217

3072

Yoko

Zenith

3240, 3020

3039, 3000, 3033, 3034

CD PLAYER

Manufacturer

Code

6157

DVD PLAYER

6147

6164, 6170

ADC

Acoustic Research

Adcom

Aiwa

Akai

6018

6420

6155

Manufacturer

Code

Onkyo

Optimus

6101

6000, 6032, 6179, 6305,

6037, 6420, 6048, 6145,

6468, 6087, 6280, 6342,

6426, 6437

JVC

4558

4534

4503

4521

4503

6157, 6012, 6124

6156

Kenwood

Magnavox

Mitsubishi

Onkyo

Panasonic

Philips

Pioneer

Proscan

RCA

Arcam

6157

6437

6157

6170

6157

6245

6164

6420

6245

6029

Audio Pro

Audio Research

Audio-Technica

Audio Ton

Audiolab

Audiomeca

BSR

Bestar

Burmester

Bush

Panasonic

Parasound

Philips

Pioneer

Poppy

Proton

QED

Quad

6029, 6303

6420

6157, 6287

4490

4503, 4539

4525

6032, 6305, 6468, 6244

6164

4522

4533

4490

6157

6029

Sony

Technics

Toshiba

Yamaha

Zenith

Quasar

RCA

4503

6179, 6305, 6053, 6155

4490, 4545

4503

California Audio Lab

Carver

Condor

Realistic 6179, 6420, 6155, 6164, 6180

6157, 6179, 6437

6164

Revox

Roadstar

Rotel

6157

6461

6157, 6420

Crown

6122

Cyrus

DAK

6157

6245

Royal

SAE

6420

6157

DKK

6000

STS

6018

Denon

Elektra

Emerson

6003, 6034

6393, 6437

6305, 6155, 6164

Sansui

Sanyo

Scott

6157, 6305, 6202

6179, 6048, 6087, 6342

6305, 6155, 6164

321

DSP-A595-CODE(US)

321

3/27/99, 1:34 PM

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Sears

Sharp

Sherwood

Shure

6305

6037, 6180, 6261

6114, 6180, 6426

6043

Universum

Victor

Wards

8375

8274

8027

Yamaha

8097, 8094, 8478, 8524

Sony

6000, 6185

6145, 6425

6420

Soundesign

Tascam

Teac

Technics

Universum

Victor

6420, 6393, 6180

6029, 6303

6157, 6437

6072

Wards

6157, 6053

Yamaha 6036, 6187, 6261, 6082, 6712

Yorx

6461

MD RECORDER

Manufacturer

Code

Kenwood

Sony

7826

7490

Yamaha

7888, 7490

TAPE DECK

Manufacturer

Code

ADC

Aiwa

Akai

8171

8029, 8197

8283

Arcam

Carver

Denon

Fisher

8076

8029

8076

8074

Garrard

GoldStar

Grundig

JVC

8308, 8309, 8375

8375

8029, 8375

8244, 8274, 8303, 8304, 8310

Kenwood

Kyocera

Magnavox

Marantz

Memorex

Mitsubishi

Onkyo

Optimus

Panasonic

Philips

8071, 8092, 8233, 8234

8171

8029

8029, 8009

8099

8283

8136, 8282

8027, 8220, 8337

8229

8029

Phonotrend

Pioneer

Revox

Sansui

Sanyo

8337

8027, 8220, 8099

8029, 8190

8029, 8009

8074

Sharp

8231

Sherwood

Sonic

8337

8375

Sony

Teac

Technics

8243, 8170, 8291

8280, 8289, 8308, 8309

8229

322

DSP-A595-CODE(US)

322

3/27/99, 1:34 PM

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