Sony Projector SXRD 4K User Manual

™

SXRD 4K Projection

Technology for Visualization, Simulation,

Auditoriums and Postproduction

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Table of Contents

Introduction...........................................................................................................2

Table of Contents..................................................................................................3

Sony and Digital Projection...................................................................................4

4K Resolution .......................................................................................................6

The SXRD Microdisplay......................................................................................12

The Projectors ....................................................................................................28

A Final Word.......................................................................................................33

Specifications......................................................................................................34

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Sony and Digital Projection

To casual observers, Sony's involvement in Large Venue and Digital

Cinema projection may come as a surprise. But industry insiders understand

Sony's deep involvement in the technology of digital entertainment almost every

step of the way, from acquisition and production to postproduction and projection.

In addition, modern microdisplay technologies are shared between large-venue

and home theater digital projectors. As a company that also makes consumer

products, Sony has a multi-million dollar incentive to excel in microdisplays.

•

Sony and projection. We announced our first video projection system

when Richard Nixon was in the White House and the original Godfather

was in first-run theaters. The year was 1972. We were also the first

company to deliver a consumer video projector in the United States.

Since that time, we've been a leader in projection systems for commercial

airliners, lecture halls, casino sports book, command & control rooms,

conference rooms and living rooms. We launched our first "universal"

PAL/NTSC/RGB projector, the VPH-1020Q in 1982. In 1989, our HDIH-

2000 high definition projector found such high profile applications as the

"World of Coke" exhibit in Atlanta. And we continued to develop and

refine professional CRT projectors up to the much loved VPH-G90U

(1999). Today's 4K models represent the latest generation in Sony

projection technology.

Our first projection systems (left) and our legendary 9-inch CRT projector,

the VPH-G90U (right).

•

Sony and display picture quality. Sony professional monitors are used

for critical picture evaluation. Our BVM Series monitors are front and

center when digital program content is scrutinized for exposure, focus,

color, contrast and detail.

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Sony digital production equipment includes such landmarks as the F23

CineAlta camera and BVM-L230 master monitor.

•

Sony digital production equipment. We build the CineAlta™ digital

cinema equipment used to shoot more high-profile movies than all other

digital systems combined. We're also a leader in high definition broadcast

cameras, recorders and switchers.

Sony Pictures Entertainment. Not only is Sony actively involved in

digital production of movies and television shows, but Sony Pictures

Imageworks is also an innovator in photorealistic digital effects. And Sony

Pictures Studios offer world renowned production and postproduction

facilities.

As you can see, Sony's involvement in digital production is comprehensive.

Our commitment to display picture quality is legendary. And our passion for

projection is measured not in months or years, but in decades.

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4K Resolution

Sony launched the world's first commercially available 4K projectors. That

raises some obvious questions. What is 4K? What signal sources support it?

For what applications is 4K suited? And how do you get a 4K signal into the

projectors?

In the metric system, "K" is short for kilo, the prefix for 1000. But in the

binary system of computers, "K" equals 2 to the tenth power, or 1024. In the

jargon of digital cinema, "4K" refers to an image that's 4 x 1024, or 4096 pixels

wide. Sony 4K projectors achieve a resolution of 4096 pixels horizontal x 2160

pixels vertical. This is slightly more than four times the pixels of the highest high

definition TV specification (1920 x 1080). You can think of 4K as delivering four

times the pixels per square inch. For example, if you held a credit card up to a

screen 27 feet wide, the card would be covered by over 1,000 pixels. And each

pixel would be the size of the letter "E" in the word LIBERTY on a US quarter.

Greater immersion

Just as high definition is more involving than standard definition, 4K is far

more immersive than HD. 4K projection enables you to sit close to the screen

and still retain the illusion of a seamless, continuous picture. As you sit closer,

you become more immersed in the visual experience.

4K Projection

4096 H x 2160 V

8,847,360 pixels

1080p Home

SXGA

HDTV

1280 H x 1024 V

1920 H x 1080 V

1,310,720 pixels

2,073,600 pixels

Home SDTV

720 H x 480 V

345,600 pixels

More pixels make for a far larger, far more immersive viewing experience

and provide space for more visual information.

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More visual information

If your business depends on rapid decision-making based on visual

information, it pays to make that information as clear and accessible as

technology will allow. That's why Command & Control and Visualization

customers have "edge blended" multiple projectors into a single image. This

incurred some sacrifice in real estate at the edges, as well as distracting shifts in

brightness and color. 4K SXRD projection represents a major advance.

Compared to edge blending, the 4K projection presents a giant canvas of 4096 x

2160 with no sacrifices. Third party vendors and system integrators have been

quick to use this pixel real estate to provide incredibly panoramic displays.

These can include multiple, configured-on-the-fly computer graphic windows,

each in its native resolution.

4K content, delivery and connection

4K content has originated from scanning 35mm or 65mm motion picture

film, from computer animation and from 4K digital cameras. For Digital Cinema,

this content is typically played from a growing selection of servers that are

compatible with the 4K signal.

The Sony 100 Series 4K projectors (SRX-S110, S105, R110 and R105)

have four input card slots, which can be configured to accept analog Y/Pb/Pr,

analog RGB, SD-SDI 4:2:2, HD-SDI 4:2:2, DC-SDI, dual link HD-SDI 4:4:4, dual

link DC-SDI and DVI inputs. A single standard definition video, high definition

video, computer RGB or 2K Digital Cinema source can be displayed across the

entire screen. Or four inputs can be displayed on four quadrants of the screen

simultaneously, a valuable feature for multi-point videoconferencing and multi-

part Sports Book display.

Superior presentation of HD content

Sony 4K SXRD projection enhances the display of HD and 2K sources,

making these projectors a smart choice even if you don't plan to show 4K content

in the immediate future. For audience members sitting close to the screen,

conventional HD projectors can reveal "jaggies"—unwanted pixel stair steps that

are particularly visible on hard-line picture edges, such as text and graphics.

Depending on microdisplay technology, conventional HD projectors can also

make the gaps between pixels readily visible on the screen. This unwanted

artifact is often called "screen door effect," because the picture appears to be

viewed through a screen door. Sony SXRD 4K projectors minimize both artifacts.

First, with SXRD the gaps between the pixels are unusually narrow in

proportion to the live image area. Roughly 92% of the image is live, with only

about 8% devoted to gaps. Then SXRD 4K projection presses this advantage

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further still, with pixels that are roughly 1/4 the area of HD pixels at a given

screen size. In this way, the gaps are rendered all but invisible with SXRD 4K

projection.

Here's an enlargement of a section of the screen where an HD projector

shows four pixels (left). In this same area, a 4K projector shows 16

pixels (right). This makes the gaps between the pixels far less visible.

Next, every Sony 4K projector can use Intelligent Smoothing, a Sony

circuit that scales an incoming HD or 2K picture up to the resolution of the 4K

screen. In the process, Intelligent Smoothing interpolates new display pixels "in

between" the source pixels. In HD-to-4K upscaling, the projector circuitry creates

three new pixel values for each pixel in the source signal. These new pixel

values do not represent additional picture information. (That can only come from

the source.) But the interpolated pixels do enable a more seamless display, for a

visible reduction in stairstep jaggies.

Sony 4K projectors feature Intelligent Smoothing, a circuit that performs

HD-to-4K upscaling. For each pixel in the HD source (dark circles), the

circuit creates three new pixel values (light circles) for a more seamless

picture.

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With Sony's HD-to-4K upscaling, the stairstep jaggies of HD images are

visibly reduced in 4K projection. You don't get added resolution. (That

can only come from the source.) But you do get a noticeably smoother

picture.

4 HD images

Thanks to the four input slots, Sony 4K SXRD projectors can also accept

four HD inputs to display four simultaneous high definition images. Each image

appears complete in its own quadrant of the common screen. And each retains

full 1920 x 1080 resolution. Here's a decisive advantage for Command & Control

applications that depend on multiple feeds, for Museum Exhibits, Casino Sports

Book and for any application that tracks more than one video feed at a time. The

projectors also support side-by-side display of two HD feeds.

High Definition Image 1

1920 H x 1080 V

High Definition Image 2

1920 H x 1080 V

High Definition Image 3

1920 H x 1080 V

High Definition Image 4

1920 H x 1080 V

Sony's 4K SXRD projectors can display four simultaneous HD pictures.

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High Definition Image 1

1920 H x 1080 V

High Definition Image 2

1920 H x 1080 V

The projectors can also display two side-by-side, full-resolution HD video

feeds.

Differentiation

Until recently, Large Venues, Rental and Staging, Trade Shows and

Museums could count on high definition projection to deliver a reliable "wow

factor." Unfortunately, this impact is fast being eroded. A growing share of home

HDTVs is now capable of displaying the full resolution of a 1080-line high

definition picture. These so-called "1080p" home televisions include LCD flat

panels, microdisplay rear projection televisions and even a few plasma panels.

These TVs are offered not only by Sony, but also by Hitachi, JVC, LG, Mitsubishi,

Panasonic, Samsung, Sharp and Toshiba. Computer displays are also migrating

to ever higher resolutions. As the home theater improves, out-of-home venues

need to offer a better viewing experience to maintain an advantage. Sony 4K

projection is a powerful way to set your audience experience apart from home

theater.

4K Applications

Since the launch of Sony 4K projection, end-users, integrators and third-

party vendors in various industries have embraced the technology. Sony 4K is

now featured in diverse applications where its higher resolution is making a

meaningful difference.

•

Command and Control. With the ability to display one, two or four

simultaneous HD video feeds at full 1920 x 1080 resolution, these Sony

projectors enable a new generation of mission-critical video monitoring.

Of course, you can display even more simultaneous feeds by driving the

4K projector from an external video processor. RGB inputs of full 4096 x

2160 resolution enable these projectors to display data, text and computer

graphics with superb clarity.

•

Visualization. By achieving 4096 x 2160 resolution on a single screen,

one projector can deliver more compelling, more involving, more realistic

visualizations than ever before. Compared to "edge blending" multiple

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projectors, this minimizes the loss of real estate at the edges and

distracting shifts in brightness or color. This also eliminates the effort and

cost of running and maintaining multiple projectors to cover the same field,

as well as the cost of external processing.

•

Simulation. Unprecedented resolution and a visually seamless picture

combine to deliver the most immersive display available from a fixed-pixel

projector. Now your trainees can react to subtle visual cues rather than

distracting display artifacts.

•

Museums. Sony 4K projection is making visitors more excited, more

impressed and more motivated for a return visit.

Rental and Staging. Customers need to deliver a message loudly,

clearly and memorably in trade shows and conferences. Nothing makes

more of a statement than a 4K image.

•

Casino Sports Book. With ever larger slices of the sports calendar

going high definition, SD projection will soon look boring and dated. Sony

4K SXRD projection supports up to four simultaneous high definition feeds

on a single screen. External processing can display even more windows

of standard definition, high definition or computer-based content at full or

scaled resolution on the 4K screen. And for high-profile events, you can

switch the entire screen to a single source.

•

Planetarium. The smaller the pixel, the more accurate the sky. With

Sony 4K SXRD projection, the stars are bright and distinct. Compared to

multiple, edge-blended projectors, you get superb detail in a much simpler

system, which lowers costs.

Digital Cinema. Sony offered the world's first commercially-available

projectors to match the 4096 x 2160 resolution defined in the Digital

Cinema Initiatives version 1.0 recommended specification. As of

September 2007, they remain the world's ONLY commercially-available

projectors to do so. And Sony has introduced dedicated cinema models:

the SRX-R220 and SRX-R210. For more information, visit

sony.com/digitalcinema.

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The SXRD Microdisplay

In the United States, literally hundreds of fixed-pixel projector models are

available from dozens of companies. These projectors serve every conceivable

market from home television rear projection to custom installation front projectors,

portable business projectors, fixed installation projectors, large venue projectors

and digital cinema projectors. But behind the apparent diversity, almost every

one of these projectors depends on just three types of microdisplays.

High Temperature Polysilicon Liquid Crystal Display (H-LCD) is a

transmissive technology in which the light shines through the panel. Digital

Light Processing™ (DLP™) panels use a reflective micro-mirror array. Liquid

Crystal on Silicon (LCoS) is a category of reflective panels that includes the

Direct drive Image Light Amplifier (D-ILA™) display.

From the outset, Sony was determined to create a fundamentally better

microdisplay. We set our sights on an ambitious development project, targeting

the full range of projector performance:

•

High Resolution. We were committed to breaking through the

conventional limits of projector performance, delivering the first consumer

microdisplay projectors with full 1920 x 1080 HD display, and the first

commercially-available professional projectors with 4096 x 2160 resolution.

High Pixel Density. Microdisplay panel size has an impact not only on

the cost of the panels themselves, but also on the cost of the associated

optical engine and projection lens. For this reason, Sony sought to

achieve maximum pixel count in minimum space.

High Aperture Ratio. Aperture ratio, also known as fill factor, describes

the percentage of screen area occupied by active pixels. Larger gaps

between the pixels, such as those used in H-LCD panels, reduce the

aperture ratio and heighten the visibility of the individual pixels.

•

Accurate Motion Rendering. Some displays can render still pictures

beautifully, yet introduce unwanted blur during fast motion sequences.

Slow panel switching is the culprit. Sony aimed for high switching speed.

High Contrast Ratio. Resolution by itself does not guarantee picture

quality. Resolution and contrast work hand-in-hand to create the

perception of image detail.

Low Dark Level. Some liquid-crystal designs tend to create milky blacks.

Sony sought to overcome this limitation.

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•

Long Operating Life. Sony required materials and operating structures

that could withstand thousands of hours in the high heat of a large-venue

projector without performance degradation.

•

Minimum Artifacts. Some projection systems tend to introduce artifacts

not present in the original picture. Sony sought to reduce artifacts.

Practical Manufacturing Process. Despite their performance

advantages, LCoS panels continue to frustrate companies that would

mass produce them. As a major consumer electronics manufacturer,

Sony absolutely required a microdisplay suitable for mass production.

•

Scalability. We wanted a system that could support both small,

affordable panels for mass-produced consumer televisions and large

panels for Large Venue and Digital Cinema projection.

Sony found the answers in an all-new approach to reflective liquid crystal

technology: the SXRD panel. The acronym is short for Silicon X-tal Reflective

Display, where "x-tal" is engineering shorthand for "crystal."

More than 8 megapixels on an inch and a half of silicon, this is Sony's 4K

SXRD panel. The four input ribbons correspond to the projector's four

input slots and the four 2K quadrants of the panel.

SXRD microdisplay basics

All liquid crystal displays use three elements to modulate the passage of

light: a pre polarizer, a rotation medium and a post polarizer. In H-LCD

microdisplays, these three elements form a sandwich. At the entrance, the pre

polarizer aligns the light. In the middle, the liquid crystal rotates the required

parts of the light path. At the exit, the post polarizer blocks the light not required

to make the picture.

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Filtered Light Input

Pre-Polarizer

H-LCD Liquid Crystal Layer

Post-Polarizer

Valved Light Output

Light passes through a high temperature polysilicon LCD (H-LCD) panel,

which features pre- and post-polarizing filters.

Light from Lamp

Light to Screen

Index Matching Indium-Tin-

Oxide (IMITO) Glass Substrate

Vertically Aligned Nematic

Liquid Crystal

Inorganic Alignment Layers

Silicon Backplane

In the SXRD panel, light from the lamp enters through the glass

substrate at the top, passes through the Liquid Crystal layer, reflects off

the mirrored surface of the Silicon backplane, then passes out through

the Liquid Crystal, toward the screen.

SXRD Panel

Polarized Light

Polarized Beam

Splitter

Filtered Light

Input

Valved Light

Output

Simplified view of Sony's optical engine. It performs polarization with a

series of Polarized Beam Splitters external to the SXRD panels

themselves.

Where H-LCD panels include all three of these elements, SXRD panels

include only one: the liquid crystal. Polarization is handled by external Polarized

Beam Splitters (PBS's). Before light reaches the SXRD panel, it reflects off the

corresponding pre-PBS. This pre-polarized light passes through the SXRD liquid

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crystal where it is aligned as the image requires and reflected back out. If the

SXRD pixel has rotated the light, it then is not aligned with the post-PBS

polarization and is allowed to pass. If the incoming light has not been rotated,

then it is blocked by the post-PBS and reflected back into the source light path.

4^thAluminum Process

3^rdAluminum Process

2^ndAluminum Process

1^stAluminum Process

Polysilicon Process

Silicon Substrate

Photomicrograph of the SXRD panel silicon backplane in cross section.

SXRD panel production

Unlike conventional LCoS panels, which are notoriously difficult to

manufacture, the SXRD panel uses a production process that Sony has

perfected in the company’s own, dedicated manufacturing facilities. This has

enabled Sony to bring SXRD technology smoothly into production, while taking

advantage of its many benefits.

Si backplane

IMITO glass

Si backplane

Singlation

Print Sealing &

Common Electrode

Inorganic Alignment

Layer

Assembly

LC fill & Seal

Electrode Attachment

Packaging

Sony assembles the IMITO glass and silicon backplane prior to cutting

the wafer into individual panels (singlation). In this way, Sony achieves

three key features: a narrow cell gap, dust-free process and no LC gap

spacers in the image area.

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Sony produces the SXRD panel's silicon backplane at our Kokubu

Technology Center. The backplane uses a 0.35 micron process and an

innovative drive circuit. A special planarization technique yields an extremely flat

silicon backplane—important for cell gap uniformity. The panels themselves are

assembled at Sony's Kumamoto Technology Center. There, Sony affixes the

Index Matching Indium-Tin-Oxide (IMITO) glass to the backplane before we cut

the wafer into individual panels. This process minimizes the Liquid Crystal cell

gap, minimizes dust and keeps LC gap spacers clear of the image area—all

important considerations in picture quality.

High Resolution

Sony SXRD panels have been establishing resolution benchmarks from

Day One. The very first product to incorporate SXRD technology, Sony's

Qualia™ 004 custom installation front projector, was also the world's first home

microdisplay projector to deliver full 1920 x 1080 HD resolution. Critics were

dazzled not only by the resolution but also the stable color and vivid contrast.

Sony soon incorporated the same 0.78-inch diagonal SXRD panel into the Qualia

006 home theater rear projection television.

Sony's Qualia 004 custom installation projector (left) was the first product

to incorporate SXRD technology, using the 0.78-inch 1920 x 1080 SXRD

panel. It was soon joined by the Qualia 006 (right, shown with optional

stand).

The next landmarks in SXRD resolution were the world's first commercially

available 4K projectors, the SRX-R110 and SRX-R105, which take advantage of

a substantially larger 1.55-inch microdisplay, Sony's second-generation SXRD

panel.

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The BRAVIA VPL-VW50 projector takes advantage of Sony's third-

generation SXRD panels.

At the time of its launch, the 0.61-inches diagonal third-generation SXRD

panel was the world's smallest microdisplay to achieve full 1920 x 1080

resolution. This device is featured in Sony's BRAVIA® VPL-VW100 and VPL-

VW50 home theater projectors.

With panel sizes from 0.61 to 1.55 inches and pixel counts from 2.0 to 8.8

megapixels, SXRD technology is also highly scalable.

Generation

Application

1st Generation

Custom

Installation, Home

Theater

2nd Generation 3rd Generation

Digital Cinema,

Large Venues,

Command &

Control, Museums

and Exhibits

SRX-S110

Home Theater

Qualia 004 front

projector

VPL-VW100

VPL-VW50

Products

SRX-S105

Qualia 006 rear

projector

SRX-R110

SRX-R105

SRX-R210

SRX-R220

0.78 inches

diagonal

1.55 inches

diagonal

0.61 inches

diagonal

Size

1920 x 1080

4096 x 2160

1920 x 1080

Resolution, HxV pixels

Reflectivity

65%

72%

74%

> 3000:1

9 μm

> 4000:1

8.5 μm

0.35 μm

> 5000:1

7 μm

Device Contrast Ratio

Pixel Pitch

Inter-Pixel Spacing

0.35 μm

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High Pixel Density

All other things being equal, smaller microdisplay panels are better than

larger. Smaller panels not only mean lower manufacturing costs for the

microdisplays themselves. They also mean smaller size and lower cost for the

optical engine and for the projection lens that focuses the picture onto the screen.

For this reason, the "pixel density" of a microdisplay is of enormous

practical importance. Higher pixel density is the key to delivering high

performance at reasonable prices. While it is possible to measure the density as

pixels per square inch or square millimeter, the more common measure is "pixel

pitch." This measures the center-to-center distance of adjacent pixels, taking into

account not only the size of the pixel itself but also the gap between the pixels.

Sony's 4K SXRD panel has a pixel pitch of just 8.5 micrometers. In comparison,

a human hair is roughly 70 micrometers thick. It is this 8.5-micrometer pitch that

enables Sony to deliver 8.8 Megapixels on a device not much bigger than a

competing panel that delivers just 2.2 Megapixels.

PIXELS

1.55" SXRD

4K Panel

╋

7 μm

pitch

11 μm

pitch

9 μm

pitch

13 μm

pitch

15 μm

pitch

Pixel Density

0.61" SXRD

HD Panel

◆

╋

0.78" SXRD

HD Panel

╋

1.26" 2K

Competing

Panel

500K

1.6

0.9

1.0

1.3

2.0

3.0

0.5

0.6

0.8

0.7

PANEL SIZE (inches diagonal)

To achieve maximum resolution at minimum cost, microdisplay panel

suppliers are pushing toward higher pixel density. Sony SXRD panels

have the highest pixel density currently available.

High aperture ratio

On all fixed-pixel panels, the pixels are separated by gaps that contain no

picture information. To generate the effect of a seamless, continuous picture,

these gaps should be minimized. In the SXRD panel design, all the transistors

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are hidden in the silicon backplane behind the reflective surface. This

arrangement enabled Sony to reduce inter-pixel gaps by 90%, compared to

previous H-LCD panels. In the case of the 4K panel, the distance from the

center of one SXRD pixel to the center of the next is 8.5 micrometers, while the

inter-pixel gap is just 0.35 micrometers! According to Sony's review of currently

available technology, this is the world's smallest inter-pixel spacing.

0.35 μm

Photomicrograph of the SXRD panel surface, showing the aperture ratio

of over 92% and 0.35 micrometer inter-pixel gap.

This tight spacing means that 92% of the 4K SXRD panel surface is

devoted to live image area—with just 8% wasted on inter-pixel gaps. So the

aperture ratio (fill factor) is 92%. The silicon backplane also contributes to

superb uniformity and low crosstalk.

Accurate motion rendering

Liquid Crystal is viscous, with consistency more like honey than water.

When the transistors command a pixel to change its state, the liquid crystal takes

a few milliseconds to respond. In motion pictures, milliseconds are important. In

the most demanding scenario, 60 frames-per-second sources require the

projector to display a new scene every 16.7 milliseconds. Slow LCD response

can blur fast motion, for example a race car zooming past a trackside camera.

Both transmissive H-LCDs and the SXRD panel use a liquid crystal layer.

But while light travels through the transmissive H-LCD liquid only once, light

passes through the SXRD panel liquid twice, first coming in to strike the mirrored

backplane and then reflecting out toward the screen. Because the light passes

through twice, the layer of liquid itself can be half as thick.

Having an LC layer that's half as thick is a huge advantage because

thinner layers mean fewer LC molecules to twist. And that means more power is

available to twist each molecule, for faster response.

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2.0

μm

3.0 μm

4.0 μm

A thinner Liquid Crystal layer (right) means fewer LC molecules to twist

and more available power to twist each molecule. The result? Faster

response.

In practice, response time decreases dramatically as you reduce the LC

layer thickness. So reducing the panel thickness by 50% means cutting the

response time by more than 75%.

@50°C

12.5

7.5

SXRD

2.5

tr, tf < 2.5ms

0.5

1.5

2.5

3.5

Cell thickness [μm]

Reduce the Liquid Crystal layer thickness and you reduce the response

time dramatically. A typical operating temperature of 50° C equals 122° F.

At less than 2 micrometers, the SXRD panel's liquid crystal layer is not

only thinner than in a transmissive H-LCD; it's also thinner than in the typical

LCoS device. As a result, the SXRD panel responds much faster than

transmissive H-LCD panels. So the picture remains crisp and clear, even during

the fastest action.

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120%

100%

80%

60%

40%

20%

rise

fall

time [ms]

Measured response time of the SXRD panel is less than 2.5 milliseconds.

Specified response is 2.5 milliseconds for the rise time (tr) and also 2.5

milliseconds for fall time (tf). This speed means incredibly clean motion

rendering.

High contrast, low dark level

Contrast, an essential requirement of any display system, is measured as

the ratio between the brightest possible bright and the blackest possible black.

Sony's SXRD panels achieve superb contrast ratio, thanks to three distinct

innovations.

• Sony-designed Vertically Aligned Nematic (VAN) liquid crystal. Most H-

LCD projectors use Twisted Nematic (TN) liquid crystal, which normally

displays white. Sony achieves higher contrast because the SXRD panel uses

VAN liquid crystal, which normally displays black. This crystal material is

proprietary to Sony SXRD devices.

• Ultra-thin LC layer, less than 2 micrometers. The contrast ratio is defined

in part by the "dark level"—the blackest possible black that the panel can

display. Lower dark levels are better. As with response time, the dark level

falls dramatically as the LC layer thickness is reduced. For this reason,

Sony's ultra-thin LC layer—less than 2 micrometers—contributes directly to a

higher contrast ratio.

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at 50°C

1.0

Contrast Ratio 75:1

0.1

SXRD Panel:

Contrast Ratio

4000:1

Contrast Ratio 750:1

Contrast Ratio 7500:1

0.01

0.001

0.5

1.5

2.5

3.5

Cell thickness [μm]

Dark level (left scale) and contrast ratio (right scale) vary dramatically as

the Liquid Crystal layer thickness varies. This graphs shows contrast

ratio of the SXRD panel alone, when measured with a conoscope.

• Spacer-less design. Many LCD panels require spacers in the image area to

maintain a uniform cell gap. Unfortunately, these spacers interrupt the

regularity of the nearby liquid crystal molecules, degrading contrast. The

SXRD panel incorporates a spacer/sealer around the periphery of the live

display area. As a result, the image is entirely free from spacers, to maintain

maximum contrast. In addition, Sony's silicon backplane planarization helps

establish an ultra-flat surface. Together with Sony's spacer/sealer, this

maintains cell gap uniformity to a highly precise ±3%.

Sealing/Spacer Area

Timing controller

Data line driver

8.5 μm pixel pitch

4096 x 2160

(8.8 million pixels)

Plan view, not to scale, of Sony's 4K SXRD microdisplay panel. By

locating the Sealing/Spacer outside the active picture area, the SXRD

design maintains maximum contrast.

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Thanks to these features and additional refinements to the SXRD panel

structure, contrast is substantially improved over H-LCD designs. The contrast

ratio of Sony's 4K SXRD panel alone is better than 4000:1, when measured with

a conoscope, a tool for analyzing the optical properties of bifringent materials.

Total contrast ratio of Sony 4K projectors, when viewed on a screen with unity

gain is greater than 1800:1. That's comparable to other digital projection

technologies.

Long operating life

CRTs have phosphors that are subject to burn-in when an image stays on

the screen too long. Projection CRTs are particularly susceptible, because they

run at higher output to achieve high brightness. Fixed-pixel projector display

panels are immune to burn-in, offering far longer life. And the SXRD panel is

particularly robust.

Two thin sheets of material hold the liquid crystal in alignment. Typically

this material is organic polyimide film. This generally works well but has less

than optimal operating life in the stressful, high-heat environment of a digital

projector. Sony's inorganic thin-film alignment layer not only maintains vertical

liquid crystal alignment but also exhibits exceptional thermal stability. This

extends the operating life of the SXRD panel.

In addition, H-LCD panels are squarely in the light transmission path,

making them relatively difficult to cool. Because light reflects off the SXRD

panels, their "dark" side is out of the light transmission path, making them easier

to cool. This prolongs the panel life further still.

Minimum artifacts

There's more to picture quality than just the microdisplay panels.

Electronic and electro-mechanical systems associated with the microdisplays can

add artifacts not present in the original picture. These artifacts may be visible

depending on picture content and viewing circumstances. When comparing

microdisplay projection systems, three potential sources of artifacts stand out.

• Color wheels are used in consumer and affordable business-class projectors

to generate multiple colors from a single microdisplay panel.

• Optical actuators are used to double the native resolution of the

microdisplay panel.

• Spatial dithering is used to conceal limitations in a microdisplay panel.

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Sony's design program for SXRD projection called for the closest possible

fidelity to the original picture. For this reason, SXRD projection does not resort to

color wheels, optical actuators, special dithering or sub-pixel processing.

Color Wheels. These are a throwback to the mechanical color television

proposals of the 1950s. Color is separated by a rotating color wheel that is timed

to coincide with a subframe for each color segment on the wheel, such as Red,

Green and Blue. Contemporary color wheels now use as many as eight

segments. Regardless of the number of segments, this system can only flash

one color at a time. In fact, the colors remain completely separate until they are

combined by the human visual system.

This single-chip system generates adequate color under many viewing

conditions. However, under certain high-contrast conditions, rainbow flashes of

the individual colors may be seen. This can occur when looking away from the

screen or even blinking.

Single Chip

Color separation

via rotating filter

wheel

One panel

Screen

flashes Red,

Green & Blue

Colors

combined by

human visual

system

Color breakup

Three Chips

Three SXRD

panels

Color separation

via dichroic

mirrors

Colors combined

by prism

Stable, natural

color to viewers

No color breakup

Projectors with a single microdisplay panel and color wheel are subject

to color breakup, which may be visible or concern certain viewers.

SXRD projectors use three separate panels for Red, Green and Blue to

display all the colors all the time. So color breakup is never a problem.

(Sample illustration of color breakup that may be visible to viewers with a

high-contrast image.)

Even the least expensive consumer SXRD televisions use three

independent microdisplay panels, one each for Red, Green and Blue. In this way,

SXRD projectors display all the colors, all the time. Thanks to this three-panel

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design, you get stable, consistent color under all viewing conditions, in addition to

high optical efficiency.

In addition, the Sony 4K projectors mount the SXRD panels into optical

engines that provide almost precisely equal length for the Red, Green and Blue

beams. This feature also helps provide consistent, natural color.

SXRD Panel R

Trimming Filter R

Condenser

Lens 2R

Pre-

Main

PBS R

Mirror R

Post

PBS R

Collimator

Lens

P/S Converter

T-shaped Prism

Dichroic Mirror R1

Condenser

Lens 1

Cross

Dichroic

prism

Main

Post

SXRD

Panel G

PBS G

Dichroic

Mirror C

Pre-

PBS

Post

PBS

Fly Eye 1

Fly Eye 2

Condenser

Lens 2C

Trimming Filter G

Dichroic Mirror G

Mirror C

Pre-

PBS B

Main

PBS

Trimming Filter B

SXRD Panel B

This schematic view of the Sony 4K light engine shows the three SXRD

panels and the nearly equal-length optical paths for Red, Green and Blue.

This simplified rendering shows the SXRD panels, Main PBS blocks and

the final Cross Dichroic Prism, where the three colors combine.

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Optical Actuators. Most microdisplay projectors offer a one-to-one

relationship between the pixels on the microdisplay and the pixels on the screen.

But in a move oddly reminiscent of interlace scanning, recent projection systems

divide each display frame into two "subframes." A pivoting mirror outside the

display panel called an optical actuator toggles the screen image back and forth.

The system shows the pixels of the first subframe, then toggles to show the

pixels of the second.

Data split into

Original data

for 20 pixels

Subframe A (shown in

green) and Subframe

B (shown in red), 10

pixels each.

Addressed pixels

with optical actuator

in position 1.

Addressed pixels with

optical actuator in

position 2, half pixel

offset from position 1.

Data = Subframe B

20 pixels shown using

a chip with half the

resolution and half the

frame duration given to

each subframe.

Data = Subframe A

An "optical actuator" works to double the native resolution of the panel

itself.

The optical actuator system also uses a different orientation for the pixels.

Instead of an "orthogonal" array, arranged in vertical columns and horizontal

rows, the optical actual system adopts a diamond or diagonal pixel array.

In the optical actuator system, a diagonal array pixel (left) shares its area

with four adjacent pixels. An orthogonal array pixel (right) never shares

its area.

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Thanks in part to the pitch of the SXRD pixels, Sony projectors do not use

an optical actuator. Each pixel has its own, unique space on the screen, not

shared with any other pixel. And the SXRD system displays all the pixels, all the

time.

Spatial Dithering. Some projection systems use electronic processing to

conceal resolution limitations and deliver a subjectively pleasing picture on

typical moving images. But the action of these circuits can be glaringly obvious

during motion picture credits and other fine text applications. The Sony 4K

projectors do not use this type of processing. In addition, as a natural

consequence of their lower resolution, 2K projectors will also exhibit aliasing and

black dither noise on images while SXRD 4K projectors do not.

With three separate microdisplay panels and no optical actuator, Sony

SXRD projectors display all the colors, on all the pixels, all the time. And with a

minimum of electronic tricks, those pixels are extremely faithful to the original

source. Unwanted artifacts are kept to a minimum.

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The Projectors

Sony now offers four SXRD 4K projectors designed for Visualization,

Simulation, Auditoriums and Postproduction, the 100 Series. The four projectors

are differentiated by light output, input configuration, how they accept 4K signals

and maximum refresh rate.

Projector Model

SRX-

S110

10,000

SRX-

S105

5,000

SRX-

R110

10,000

SRX-

R105

5,000

None

Brightness, Lumens

Pre-Installed Input Boards

DVI-D in DVI-D in None

slot A

4K Signals Accepted

Analog Y, Pb, Pr

Analog RGB

HD-SDI

DVI

Maximum Refresh Rate

Yes

60 Hz

Yes

60 Hz

48 Hz

(NOTE: Since there are multiple methods of measuring brightness, the way that brightness is

specified will vary among manufacturers.)

For information on the SRX-R210 and SRX-R220 projectors for Digital Cinema,

please refer to sony.com/digitalcinema.

Physical layout

Tipping the scales at over 200 pounds, these projectors have an imposing

physical presence. Each projector includes two lamphouses arranged

symmetrically around the central axis, which contains the optical engine and lens.

The projectors can be operated on one or both lamps. In case of an outage, the

projectors automatically failover to the surviving lamp.

AC Input

Status Panel

Input Card Slots

RS232

Ethernet

Right side of the projector chassis, showing input and control interfaces.

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Lamp

House

Lamp

Power

Supplies

Lamp

House

Optical

Block

Power

Input

Signal

processing

Input Cards

Lens

This view of the projector internal layout shows the two, symmetrical

lamphouses.

Xenon lamp

Microdisplay projection lamps are not simply responsible for screen

brightness, but also for color gamut. Sony chose a Xenon lamp both because

Xenon is recommended in the Digital Cinema Initiatives (DCI) specification and

because it delivers a flat and wide spectral response. Xenon is capable of an

extended range of colors far beyond that used in television. The projectors can

display both ITU 709 and P3/DCDM color space, and also decode the new XYZ

modulation specification detailed by the DCI.

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XYZ Color Space

P3/DCDM

709

DCI W/P

6500K

The P3/DCDM color gamut is substantially broader than the ITU 709

gamut for video. Sony projectors support both ITU 709 and P3 color

spaces.

The projectors differ in power supply, lamps and projected brightness.

The SRX-S105 and R105 each incorporate two 1 kilowatt Xenon lamps for a

maximum output of 5,000 lumens, with both lamps operating at 100%. This is

appropriate for screens up to 25 feet (7.6 meters) wide. The SRX-S110 and

R110 each incorporate two 2 kilowatt Xenon lamps for a maximum output of

10,000 lumens—good for screens up to 40 feet (12 meters) wide. (Since there

are multiple methods of measuring brightness, the way that brightness is

specified will vary among manufacturers.)

Optional lenses

Sony offers six optional projection lenses, identified by the ratio of

projection distance to screen width. These include five zoom lenses and a 0.9x

short-throw lens for special applications.

Optional Lens

Ratio of projection

distance to screen width

0.90x Fixed focal length

1.48 to 1.81x zoom

1.72 to 2.39x zoom

1.81 to 2.94x zoom

2.33 to 3.96x zoom

3.81 to 7.12x zoom

LKRL-90

LKRL-Z115

LKRL-Z117

LKRL-Z119

LKRL-Z122

LKRL-Z140

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Circuitry

To accommodate the full range of SD, HD, computer and Digital Cinema

inputs, the projectors have four input slots that accept optional input boards.

Optional Input Board

LKRI-001

Description

Analog Input Board

LKRI-002

LKRI 003

HD-SDI, SD-SDI (4:2:2) Input Board

Dual-Link HD-SDI (4:4:4), Single-

Link HD-SDI (4:2:2) Input Board

DVI Interface Input Board

LKRI-004

Internal signal transport is accomplished by Low Voltage Differential

Signal (LVDS). The projectors can put a single SD, HD, computer or Digital

Cinema image across the entire screen, show a quad split of four simultaneous

images, or show two simultaneous images. The switching and matrixing is

handled by the MX board.

Primary signal processing is handled by the four PR boards, which apply

gamma, contrast, brightness, color, sharpness and color temperature

adjustments. The projectors offer a gamma curve of 2.6 (recommended by DCI)

as well as gamma of 2.2 and 1.8. The LPD panel driver board operates with 12

bits of precision, for extremely natural images.

PR Board-1

LPD Board

LVDS

DFD

PLD

LVDS

QDI

LVDS

SDRAM

DDR

Panel

LVDS

MX Board

INPUT A

INPUT B

INPUT C

INPUT D

LVDS

PR Board-2

LVDS

DFD

PLD

QDI

SDRAM

DDR

LVDS

LKRI-001 / 002

/ 003 / 004

PR Board-3

LVDS

PLD

QDI

SDRAM

DDR

LVDS

Matrix SW

PR Board-4

LVDS

PLD

QDI

LVDS

SDRAM

DDR

LVDS

Signal Processor.

Panel Driver

SY Board

Control

CPU

NEW ＩＣ

Four DC-SDI inputs can be combined to form a single, 4096 x 2160

image.

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PC-based control

The projectors are designed to be operated by a PC running the Microsoft

Windows® XP Professional operating system. You can attach the PC directly via

RS-232C interface, or use a single PC to manage a fleet of projectors via

Ethernet. The control system tracks lamp life and service intervals and can alert

you to error conditions via automated emails. A conventional handheld infrared

remote control is also supplied for basic on/off and input switching functions.

Supplied software (left) enables comprehensive PC control. The

supplied infrared remote control (right) operates basic input switching

functions.

Maintenance

Sony paid special attention to periodic maintenance. Lamp bulbs and

lamp houses can be replaced without special jigs or tools. (Of course,

appropriate safety equipment should always be worn.) This minimizes downtime

during the replacement cycle. And there are no cumbersome adjustments after

lamp replacement.

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A Final Word

While our story has been long and detailed, our conclusions are short and

simple.

• Sony is in projection for the long haul. We've been doing this for 35 years.

And our SXRD 4K projectors are already used in high-profile applications in

the commercial, educational, content creation and digital cinema sectors.

• With the SXRD panel, Sony is a leader in projection technology. Our

Silicon X-tal Reflective Display (SXRD) panel is not simply a development for

the 4K projectors. It also stands behind the Sony BRAVIA home theater

projectors. These are multi-million-dollar markets in which SXRD technology

is proving to be a pivotal competitive advantage.

• 4K resolution is established. The 4096 x 2160 resolution is established in

Visualization, Simulation, Auditoriums and Postproduction. 4K is supported

by media servers and external image processors. And 4K is an accepted part

of the Digital Cinema workflow from acquisition to postproduction to

distribution and exhibition.

• These are the world's first. These Sony SXRD projectors are the world's

first commercially-available projectors to provide 4K resolution. And these

projectors also support 2K, high definition video, standard definition video and

computer sources.

Of course, no technical document, however detailed, can substitute for an

eyes-on demonstration. No technical document should. If you haven't already

seen a demonstration, you owe it to yourself to see Sony's 4K SXRD projection

in action.

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Specifications

SXRD DEVICE

Display device

Size

SXRD (Silicon X-tal Reflective Display) panel

1.55 inches, diagonal

4096 (H) X 2160 (V) Pixels

72%

Resolution

Reflectivity

Contrast (device only)

Pixel pitch

More than 4000:1

8.5 μm

Spacing between pixels

Response speed

Liquid crystal mode

Alignment layer

Backplane process

Liquid crystal cell gap

0.35 μm

5.0 msec (2.5 msec tr + 2.5 msec tf)

Vertical Aligned Mode

Inorganic Thin Film

0.35 μm MOS Process

Less than 2 μm

OPTICAL

Projection system

Imaging device

3 SXRD panel, prism color integrated system

SXRD panel

1.55-inch (diagonal)

4096 (H) x 2160 (V) pixels on each chip

Lamp

SRX-S110, SRX-R110: 2 kW Xenon lamp x 2

SRX-S105, SRX-R105: 1 kW Xenon lamp x 2

Screen Coverage (Approx.)

Light output

14 feet to 51 feet (4.5 to 15.5 m) (viewable area,

measured horizontally)

SRX-S110, SRX-R110: 10,000 lumens ±10%

SRX-S105, SRX-R105: 5,000 lumens ±10%

(Since there are multiple methods of measuring brightness, the way

that brightness is specified will vary among manufacturers.)

GENERAL

Xenon White Reference

Contrast

X: 0.314, Y: 0.351

Greater than 1800:1

Resolution

600 TV lines (SDI input/SMPTE-259M)

1920 x 1080 pixels (HD-SDI input, SMPTE-292M)

4096 x 2160 pixels (RGB)

Signal specifications

SRX-S110, SRX-S105:

Video: SD Component (Y,Cb,Cr)

HD (RGB; Y/Pb/Pr)

Computer: XGA, SXGA, UXGA

DVI-D: XGA, Quad-VGA, SXGA, UXGA, WUXGA, 1920

x 1080, 2048 x 1080

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SRX-R110, SRX-R105:

Video: SD Component (Y,Cb,Cr)

HD (RGB; Y/Pb/Pr)

Computer: XGA, SXGA, UXGA

Power requirements

SRX-S110, SRX-R110: AC 200 to 240 V, 50/60 Hz, 30 A

SRX-S105, SRX-R105: AC 100 to 240 V, 50/60 Hz, 30 A

Operating temperature

Storage temperature

Operating humidity

Storage humidity

5° C to 35° C (41° F to 90° F)

-20° C to 60° C (-4° F to 140° F)

35% to 85% (without condensation)

10% to 90%

Dimensions (W x H x D)

Approx. 740 x 500 x 1330 mm

(29 4/5 x 19 4/5 x 52 3/5 inches)

Mass

Approx. 110 kg (242 lbs. 8 oz)

INPUT/OUTPUT

Input A

SRX-S110, SRX-S105:

DVI-D interface board

SRX-R110, SRX-R105:

Open for optional signal interface board

Input B

Open for optional signal interface board

Input C

Input D

Remote interface

D-sub 9-pin, RS-232C (female) x 1

Ethernet terminal, 10Base-T/100Base-TX x 1

OPTIONAL LKRI-001 ANALOG INPUT BOARD

Inputs

BNC x 5, (HD/SD analog video signal: RGB/Y or Y, Cb,

Cr selectable

Computer Signals [RGB]

R: 0.7 Vp-p ±2dB positive, 75Ω

G: 0.7 Vp-p ±2dB positive, 75Ω

B: 0.7 Vp-p ±2dB positive, 75Ω

Sync

HD horizontal: TTL level, high impedance, sync

positive/negative

HD Vertical: TTL level, high impedance, sync

positive/negative

Standard Definition Video [Y/Cb/Cr]

High Definition Video [RGB]

Y: 1.0 Vp-p ±2dB sync negative, 75Ω

Cb: 0.7 Vp-p ±2dB positive, 75Ω

Cr: 0.7 Vp-p ±2dB positive, 75Ω

R: 0.7 Vp-p ±2dB positive, 75Ω

G with sync: 1.0 Vp-p ±2dB, 75Ω, Tri-level sync: ±0.3

Vp-p, Bi-level sync: 0.3 Vp-p

B: 0.7 Vp-p ±2dB positive, 75Ω

High Definition Video [Y/Pb/Pr]

Y: 1.0 Vp-p ±2dB, 75Ω, Tri-level sync: ±0.3 Vp-p,

Bi-level sync: 0.3 Vp-p

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Pb: ±0.35 Vp-p ±2dB, positive, 75Ω

Pr: ±0.35 Vp-p ±2dB, positive, 75Ω

OPTIONAL LKRI-002 HD-SDI, SD-SDI (4:2:2) INPUT BOARD

Inputs

BNC x 2 (Input x1, Loop-through out x1)

SMPTE-292M / ITU-R-BT.709 / BTA-S004

SMPTE-259M / ITU-R.BT601

HD-SDI

SD-SDI

OPTIONAL LKRI-003 DUAL-LINK HD-SDI (4:4:4), Single-Link HD-SDI (4:2:2)

INPUT BOARD

Inputs

BNC x 4 (Input x2, Loop-through out x2)

Y, Pb, Pr (4:2:2, SMPTE-292M)

Y, Pb, Pr (4:2:2)

Single-Link HD-SDI

Single-Link DC-SDI

Dual-Link HD-SDI

Dual-Link DC-SDI

RGB (4:4:4 SMPTE-372M)

RGB (4:4:4)

OPTIONAL LKRI-004 DUAL-DVI INPUT BOARD

SRX-S110, S105 Supported Signals

1024 x 768 at 60 Hz (XGA), 1280 x 960 at 60 Hz

(SXGA), 1280 x1024 at 60 Hz (SXGA), 1400 x 1050 at

60 Hz (SXGA+), 1600 x 1200 at 60 Hz (UXGA), 2048 x

1080 at 60 Hz, 1920 x 1080 at 24 Hz, 2048 x 1080 at 24

Hz, 1920 x 1200 at 59.95 Hz Reduced Blanking

(WUXGA), 1920 x 1080 at 60 Hz, 2048 x 1080 at 48 Hz

SRX-R110, R105 Supported Signals

1024 x 768 at 60 Hz (XGA), 1280 x 960 at 60Hz (SXGA),

1280 x 1024 at 60 Hz (SXGA), 1400 x 1050 at 60 Hz

(SXGA+), 1600 x 1200 at 60 Hz (UXGA), 1920 x 1080 at

24 Hz, 2048 x 1080 at 24 Hz

OTHER SPECIFICATIONS

Safety regulations

UL60950 listed; cUL60950; FCC Class A; IC Class A;

VCCI Class A; EN60950; CE Class A, C-tick, GB4943,

GB9254, K60950, CISPR22, CISPR24

Supplied accessories

Remote controller x 1

CD-ROM x 1 (Remote control application software for

Windows XP Professional Edition)

AA Batteries x 2

Ethernet cross cable x 1 (3-meter)

Operation instructions x 1

Installation manual x 1

Optional accessories

LKRL-90: 0.9x fixed lens

LKRL-Z115: 1.48 to 1.81x zoom lens

LKRL-Z117: 1.72 to 2.39x zoom lens

LKRL-Z119: 1.81 to 2.94x zoom lens

LKRL-Z122: 2.33 to 3.96x zoom lens

LKRL-Z140: 3.81 to 7.12x zoom lens

LKRI-001: Analog input board

LKRI-002: HD-SDI, SD-SDI (4:2:2) input board

LKRI-003: Dual-Link HD-SDI (4:4:4), Single-Link HD-SDI

(4:2:2) input board

LKRI-004: DVI input board

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LKRX-110: 2kW Xenon lamp bulb for replacement (for

SRX-S110, SRX-R110)

LKRX-B110: 2kW Xenon lamp house unit for

replacement (for SRX-S110, SRX-R110)

LKRX-105: 1kW Xenon lamp bulb for replacement (for

SRX-S105, SRX-R105)

LKRX-B105: 1kW Xenon lamp house unit for

replacement (for SRX-S105, SRX-R105)

LKRA-001: 8-inch Exhaust Duct Adaptor

PRSSRXRS: Rigging & Stacking Cage

PRSSRXTS1: Projector Stand

Required specifications for control PC OS: Microsoft Windows XP Professional Edition (English

and Japanese only) with Service Pack 2

Required Memory: 256MB or more

HDD Capacity: 8MB or more

Equipped with: 10Base/100Base-T Ethernet Connector

CD-ROM drive with reading-speed of 8x or faster

Display with XGA or larger

CPU: Intel Celeron® 1GHz or faster (recommendation)

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COMPATIBLE FORMATS AND STANDARDS

Signal

format

Pixel count

Aspect

ratio

Signal

type

Standard

SRX-S110, S105

SRX-R110, R105

LKRI

-001

LKRI

-002

LKRI

-003

LKRI

-004

LKRI

-001

LKRI

-002

LKRI

-003

LKRI

-004

525 Line

625 Line

XGA

SXGA

720 x 480 @60i

720 x 567 @50i

1024 x 768 @60P

1024 x 768 @70P

1024 x 768 @75P

1024 x 768 @85P

1280 x 960 @60P

1280 x 960 @75P

1280 x 1024 @60P

1280 x 1024 @75P

1280 x 1024 @85P

1400 x 1050 @60P

1600 x 1200 @60P

1920 x 1200 @59.95P

1920 x 1200 @60P

1280 x 720 @50P

1.33

1.25

1.33

1.6

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

Y/Pb/Pr

RGB

ITU 601

Yes

VESA 0.79M3

VESA 1.23M3

VESA 1.31M4

VESA 1.47M3

VESA 1.92M3

VESA 2.30MA-R

Yes

SXGA

SXGA+

UXGA

WUXGA

720P

1080i

1080P

DC 1080P

Yes

1.6

1.78

1.85

Yes

1280 x 720 @60P

1920 x 1080 @50i

1920 x 1080 @59.94i

1920 x 1080 @60i

SMPTE 296M

SMPTE 274M

SMPTE RP211

Yes

1920 x 1080 @60i

1920 x 1080 @23.98PsF

1920 x 1080 @24PsF

1920 x 1080 @25PsF

1920 x 1080 @29.97PsF

1920 x 1080 @30PsF

1920 x 1080 @24P

1920 x 1080 @60P

2048 x 1080 @23.98PsF

2048 x 1080 @24PsF

2048 x 1080 @25PsF

2048 x 1080 @30PsF

2048 x 1080 @24P

2048 x 1080 @48P

2048 x 1080 @60P

Yes

SMPTE 372M

Yes

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Sony Electronics Inc.

Broadcast and Production Systems Division

1 Sony Drive

Park Ridge, NJ 07656

www.sony.com/sxrd

DI-0099A

Second Edition, Version 3.11; January 2, 2008

metric weights and measures are approximate. Sony, BRAVIA, CineAlta, Qualia and SXRD are trademarks of Sony.

Microsoft and Windows are registered trademarks of Microsoft Corporation. Celeron is a trademark of Intel Corporation.

D-ILA is a trademark of the Victor Company of Japan, Limited. Digital Light Processing and DLP are trademarks of Texas

Instruments.

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