-
R 865
Audio/Video Receiver
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SAFETY INSTRUCTION
1. Read Instructions - All the safety and operating instructions should
be read before the product is operated.
2. Retain instructions - The safety and operating instructions should
be retained for future reference.
3. Heed Warnings - All warnings on the product and in the operating
instructions should be adhered to.
4. Follow Instructions - All operating and use instructions should be
followed.
5. Cleaning - Unplug this product from the wall outlet before cleaning.
Do not use liquid cleaners or aerosol cleaners. Use a damp cloth for
cleaning.
grounding conductors, location of antenna-discharge unit,
connection to grounding electrodes, and requirements for the
grounding electrode. See Figure 1.
Figure 1
Example of antenna grounding as per
National Electrical Code, ANSI/NFPA 70
ANTENNA
LEAD IN
WIRE
GROUND
CLAMP
ANTENNA
DISCHARGE UNIT
(NEC SECTION 810-20)
6. Attachments - Do not use attachments not recommended by the
product manufacturer as they may cause hazards.
7. Water and Moisture - Do not use this product near water - for
example, near a bath tub, wash bowl, kitchen sink, or laundry tub; in
a wet basement, or near a swimming pool; and the like.
8. Accessories - Do not place this product on an unstable cart, stand,
tripod, bracket, or table. The product may fall, causing serious injury
to a child or adult, and serious damage to the product. Use only with
a cart, stand, tripod, bracket, or table recommended by the
manufacturer, or sold with the product. Any mounting of the product
should follow the manufacturer’s instructions, and should use a
mounting accessory recommended by the manufacturer.
9. A product and cart combination should be moved with care. Quick
stops, excessive force, and uneven surfaces
ELECTRIC
SERVICE
EQUIPMENT
GROUNDING CONDUCTORS
(NEC SECTION 810-21)
GROUND CLAMPS
POWER SERVICE GROUNDING
ELECTRODE SYSTEM
(NEC ART 250, PART H)
NEC - NATIONAL ELECTRICAL CODE
15. Lightning - For added protection for this product during a lightning
storm, or when it is left unattended and unused for long periods of
time, unplug it from the wall outlet and disconnect the antenna or
cable system. This will prevent damage to the product due to
lightning and power-line surges.
16. Power Lines - An outside antenna system should not be located in
the vicinity of overhead power lines or other electric light or power
circuits, or where it can fall into such power lines or circuits. When
installing an outside antenna system, extreme care should be taken
to keep from touching such power lines or circuits as contact with
them might be fatal.
may cause the product and cart combination
to overturn.
10. Ventilation - Slots and openings in the
cabinet are provided for ventilation and to
ensure reliable operation of the product and
to protect it from overheating, and these
openings must not be blocked or covered.
The openings should never be blocked by
17. Overloading - Do not overload wall outlets, extension cords, or
integral convenience receptacles as this can result in a risk of fire
or electric shock.
PORTABLE CART WARNING
placing the product on a bed, sofa, rug, or other similar surface.
This product should not be placed in a built-in installation such as a
bookcase or rack unless proper ventilation is provided or the
manufacturer’s instructions have been adhered to.
18. Object and Liquid Entry - Never push objects of any kind into this
product through openings as they may touch dangerous voltage
points or short-out parts that could result in a fire or electric shock.
Never spill liquid of any kind on the product.
11. Power Sources - This product should be operated only from the
type of power source indicated on the marking label. If you are not
sure of the type of power supply to your home, consult your product
dealer or local power company. For products intended to operate
from battery power, or other sources, refer to the operating
instructions.
19. Servicing - Do not attempt to service this product yourself as
opening or removing covers may expose you to dangerous voltage
or other hazards. Refer all servicing to qualified service personnel.
20. Damage Requiring Service - Unplug this product form the wall
outlet and refer servicing to qualified service personnel under the
following conditions:
12. Grounding or Polarization - This product may be equipped with a
polarized alternating-current line plug (a plug having one blade
wider than the other). This plug will fit into the power outlet only one
way. This is a safety feature. If you are unable to insert the plug
fully into the outlet, try reversing the plug. If the plug should still fail
to fit, contact your electrician to replace your obsolete outlet. Do not
defeat the safety purpose of the polarized plug.
a) When the power-supply cord or plug is damaged,
b) If liquid has been spilled, or objects have fallen into the product,
c) If the product has been exposed to rain or water,
d) If the product does not operate normally by following the
operating instructions. Adjust only those controls that are
covered by the operating instructions as an improper adjustment
of other controls may result in damage and will often require
extensive work by a qualified technician to restore the product to
its normal operation.
e) If the product has been dropped or damaged in any way, and
f) When the product exhibits a distinct change in performance - this
indicates a need for service.
Alternate Warnings - This product is equipped with a three-wire
grounding-type plug, a plug having a third(grounding) pin. This plug
will only fit into a grounding-type power outlet. this is a safety
feature. If you are unable to insert the plug into the outlet, contact
your electrician to replace your obsolete outlet. Do not defeat the
safety purpose of the grounding-type plug.
21. Replacement Parts - When replacement parts are required, be
sure the service technician has used replacement parts specified
by the manufacturer or have the same characteristics as the
original part. Unauthorized substitutions may result in fire, electric
shock, or other hazards.
22. Safety Check - Upon completion of any service or repairs to this
product, ask the service technician to perform safety checks to
determine that the product is in proper operating condition.
23. Wall or Ceiling Mounting - The product should be mounted to a
wall or ceiling only as recommended by the manufacturer.
24. Heat - The product should be situated away from heat sources
such as radiators, heat registers, stoves, or other products
(including amplifiers) that produce heat.
13. Power-Cord Protection - Power-supply cords should be routed so
that they are not likely to be walked on or pinched by items placed
upon or against them, paying particular attention to cords at plugs,
convenience receptacles, and the point where they exit from the
product.
14. Outdoor Antenna Grounding - If an outside antenna or cable
system is connected to the product, be sure the antenna or cable
system is grounded so as to provide some protection against
voltage surges and built-up static charges. Article 810 of the
National Electrical Code, ANSI/NFPA 70, provides information with
regard to proper grounding of the mast and supporting structure,
grounding of the lead-in wire to an antenna discharge unit, size of
3
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CONTENTS
• Introduction
READ THIS BEFORE OPERATING YOUR UNIT | 2
SAFETY INSTRUCTION | 3
• System Connections | 5
• Front Panel Controls | 14
• Universal Remote Controls | 16
OPERATING COMPONENTS WITH REMOTE CONTROL | 18
REMOTE CONTROL OPERATION RANGE | 18
LOADING BATTERIES | 18
USING FUNCTIONS OF REMOTE CONTROL | 19
• ROOM 2 Remote Controls
REMOTE CONTROL OPERATION RANGE | 27
LOADING BATTERIES | 27
• Operations
LISTENING TO A PROGRAM SOURCE | 28
SURROUND SOUND | 31
ENJOYING SURROUND SOUND | 34
LISTENING TO RADIO BROADCASTS | 39
RECORDING | 42
DIGITAL AUDIO RECORDING WITH MD RECORDER | 43
OTHER FUNCTIONS
|
44
ROOM 2 SOURCE PLAYBACK
|
46
• Using OSD
CURRENT STATUS DISPLAY | 47
• OSD Menu Settings | 47
SETTING THE POWER AMP ASSIGN | 49
SETTING THE SPEAKER SETUP | 49
SETTING THE SYSTEM SETUP | 57
SETTING THE SURROUND SETUP | 63
SETTING THE CH LEVEL SETUP | 66
SETTING THE ROOM2 FEED SETUP | 69
• Troubleshooting Guide | 71
• Specifications | 72
• Setup Code Table | 73
4
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System Connections
• Pleas be certain that this unit is unplugged from the AC outlet before making any connections.
• Since different components often have different terminal names, carefully read the operating instructions of the component
connected.
• Be sure to observe the color coding when connecting audio, video and speaker cords.
• Make connections firmly and correctly. If not, it can cause loss of sound, noise or damage to the unit.
3
12
7
1
14
8 10 11
MANUFACTURED UNDER LICENSE FROM DOLBY
LABORATORIES. "DOLBY", "PRO LOGIC", AND THE
DOUBLE-D SYMBOL ARE TRADEMARKS OF DLOBY
LABORATORIES.
9
9
SPEAKER IMPEDANCE
FRONT
SURROUND BACK
SURROUND and
,
CENTER
,
SURROUND
A
or B,
:
6
OHMS
(
)
)
MIN.
MIN.
A
B
:
12 OHMS(
6
5
4
2
3
5
13
1. CONNECTING ANTENNAS
FM Indoor Antenna
FM Outdoor Antenna
• Change the position of the FM indoor antenna until you
get the best reception of your favorite FM stations.
• A 75Ω outdoor FM antenna may be used to fur-
ther improve the reception. Disconnect the indoor
antenna before replacing it with the outdoor one.
AM Outdoor Antenna
AM Loop Antenna
AM Loop Antenna
• Place the AM loop antenna as far as possible
from the receiver, TV set, speaker cords and
the AC input cord and set it to a direction for
the best reception.
• If the reception is poor with the AM loop anten-
na, an AM outdoor antenna can be used in
place of the AM loop antenna.
5
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2. CONNECTING AUDIO COMPONENTS
TAPE MONITOR Tape deck, MD recorder, etc.
AUX Additional tape deck. etc.
L
AUDIO
IN
R
L
L
AUDIO
AUDIO
OUT
OUT
R
R
CD CD player, etc.
L
AUDIO
OUT
R
• The TAPE MONITOR IN/OUT jacks may also be connected to the LINE OUT/IN jacks of an optional graphic equalizer.
3. CONNECTING VIDEO COMPONENTS
• There are three types of video jacks(COMPONENT, S-VIDEO, COMPOSITE) for connecting video components.
Connect them to the corresponding video jacks according to their capability.
• For your reference, the excellence in picture quality is as follows : “COMPONENT” >“S-VIDEO”>“COMPOSITE”.
• When making COMPONENT VIDEO connections, connect “Y” to “Y”, “CB” to “CB”(or “B-Y”, “PB”) and “CR” to “CR”(or “R-Y”,
“PR” ).
• When connecting to video recording component such as video deck, DVD recorder, etc . or TV for ROOM 2, you must use
the same type of video jacks that you did connect to video playback components such as DVD player, LD player, etc.
• This unit is equipped with a function that up-converts composite video or S-Video signals to component video signals or down-
converts S-Video signals to composite video signals and outputs them from the MONITOR OUTs. Because of this, one of
three types of MONITOR OUT jacks can be connected to the monitor TV regardless of how the video components are
connected to VIDEO IN jacks of this unit.
• Connect the video components, referring to the following table.
Relationship between the video input signal and video output signal
Video input signals
S-VIDEO
MONITOR OUTs
S-VIDEO
VIDEO 2 / ROOM 2 OUTs
COMPONENT
COMPOSITE
COMPONENT
Composite
S-Video
COMPOSITE
Composite
S-Video
S-VIDEO
COMPOSITE
Composite
Composite
S-Video
S-Video
S-Video
S-Video
S-Video
Composite
Composite
Composite
Composite
Component
Component
Component
Component
Composite
S-Video
Composite
S-Video
S-Video
S-Video
S-Video
Composite
Notes :
• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a
movie via MONITOR COMPONENT OUTs, if the OSD menu operation is performed with the OSD, CURSOR control(
), ENTER buttons, etc., the picture is automatically turned off and only the OSD menu is displayed.
,
,
,
• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is
performed, the OSD menu cannot be displayed via MONITOR COMPOSITE OUT.
• When Sherwood DVD player such as V-768, etc. is connected to the DIGI-LINK jack for system control, you should connect
the DVD player to the “ VIDEO 2” jacks of this unit.
Because, if the PLAY button, etc. is pressed on the DVD player, the VIDEO 2 is automatically selected as an input source on
this unit. Then playback, etc. starts.
6
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VIDEO 1 Video deck, DVD recorder, etc.
VIDEO 2 DVD player, DVD recorder, etc.
Y
C
C
COMPONENT
OUT
Y
C
C
COMPONENT
OUT
B
R
B
R
AUDIO
OUT
AUDIO
IN
(COMPOSITE)
VIDEO
OUT IN
S-VIDEO
OUT IN
AUDIO
OUT
AUDIO
IN
(COMPOSITE)
VIDEO
S-VIDEO
OUT IN
R
L
R
L
R
L
R
L
OUT
IN
• The jacks of VIDEO 1/VIDEO 2 may also be connected to a DVD recorder or other digital video recording
component. For details, refer to the operating instructions of the component to be connected.
• For ROOM 2 playback, the VIDEO 2/ ROOM 2 OUT jacks can be connected to the amplifier, TV, etc. installed in
another room.(For details, refer to “ROOM 2 connections” on page 12.)
VIDEO 3 DVD player, LD player, Video deck, etc.
MONITOR TV, Projector, etc.
Y
C
C
COMPONENT
IN
B
R
AUDIO
OUT
(COMPOSITE)
VIDEO
OUT
S-VIDEO
OUT
(COMPOSITE)
VIDEO
IN
S-VIDEO
IN
R
L
• The jacks of VIDEO 3 can also be connected to an additional video component such as a cable TV tuner, an LD
player or satellite system .
Component video input default settings : (*)
• If you connect the COMPONENT VIDEO INs to your video components, it is easier to do so following the default
settings.
• If your component video connections are different from the default setting , you should assign the COMPONENT
INs you used with the “When selecting the COMPONENT VIDEO SETUP” procedure on page 59.
• The default settings are as follows :
COMPONENT IN 1 : VIDEO 1, COMPONENT IN 2 : VIDEO 2
7
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4. CONNECTING DIGITAL INs and OUT
• The OPTICAL and the COAXIAL DIGITAL OUTs of the
components that are connected to CD, AUX and VIDEO
1~ VIDEO 4 of this unit can be connected to these
DIGITAL INs.
• A digital input should be connected to the components
such as a CD player, LD player, DVD player, etc. capable
of outputting DTS Digital Surround, Dolby Digital or PCM
format digital signals, etc.
• If the component with OPTICAL IN jack is connected to
the OPTICAL OUT jack of this unit, you can record the
high quality sound of CDs, etc. without degradation.
• For details, refer to the operating instructions of the
component connected.
• When making the COAXIAL DIGITAL connection, be sure
to use a 75 Ω COAXIAL cord, not a conventional AUDIO
cord.
Component with
OPTICAL DIGITAL OUT
Component with
OPTICAL DIGITAL OUT
Component such as an
MD recorder, CD recorder
with OPTICAL DIGITAL IN
Component with
COAXIAL DIGITAL OUT
Component with
COAXIAL DIGITAL OUT
• All of the commercially available optical fiber cords cannot
be used for the equipment. If there is an optical fiber cord
which cannot be connected to your equipment, consult
your dealer or nearest service organization.
Note :
• Be sure to make either a OPTICAL or a COAXIAL
DIGITAL connection on each component. (You don’t need
to do both.)
Digital input default settings
• If you connect the DIGITAL INs to your components, it is easier to do so following the default settings.
• If your DIGITAL connections are different from default settings, you should assign the DIGITAL INs you used with the “When
selecting the DIGITAL INPUT SETUP” procedure on page 57.
• The default settings are as follows :
OPTICAL IN 1 : VIDEO 1, OPTICAL IN 2 : VIDEO 2, COAXIAL IN 1 : CD, COAXIAL IN 2 : VIDEO 3, (Front) OPTICAL IN 3 :
VIDEO 4
5. CONNECTING 8CH DIRECT INs
• Use these jacks to connect the corresponding analog
audio and video outputs of a DVD player or a external
decoder, etc. that has 6, 7 or 8 channel audio and video
outputs.
• In case of 6 or 7 channel outputs, do not connect both of
the SURROUND BACK L and R inputs or the
SURROUND BACK R input of this unit.(For details, refer
to the operating instructions of the component to be
connected.)
Decoder with 6, 7 or 8 channel outputs
S-VIDEO
OUT
8 CH DIRECT OUTs
(COMPOSITE)
VIDEO OUT
SURROUND SURR.BACK
FRONT
CENTER SUBWOOFER
R
L
R
L
R
L
8
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6. CONNECTING PREOUTs
powered
subwoofer
Power amplifiers
CENTER
L
Center speaker
FRONT
R
Front speakers
L
SURROUND
R
Surround speakers
L
SURROUND BACK
R
Surround back speakers
• Use these jacks when adding additional power amplifiers.
• Connect the PREOUT jacks to the powered speakers or the power amplifiers connected to speakers respectively.
• When using only one surround back speaker, connect the SURROUND BACK LEFT jack to the power amplifier.
• If this is the case, you can connect the subwoofer without built-in amplifier to SURROUND BACK RIGHT terminals of the
power amplifier.(For details, refer to “When selecting the SUBWOOFER” on page 53.)
• To emphasize the deep bass sounds, connect a powered subwoofer.
Notes :
• After installing the speakers , first adjust the speaker settings according to your environment and speaker layout (For details,
refer to “SETTING THE SPEAKER SETUP” on page 49.)
• According to speaker settings, you cannot use either SURROUND BACK RIGHT jack or both of SURROUND BACK jacks.
7. CONNECTING SYSTEM CONTROL
• Connect this jack to the DIGI LINK jack of the external
Sherwood component that uses the DIGI LINK II or III
remote control system.
Sherwood component
with DIGI LINK II or III
CD player
System
control
cord
Tape deck
DVD player
8. CONNECTING DC TRIGGER OUT
• Connect a component to DC TRIGGER OUT jack that
allows DC 12 V to turn on or off when a specfic input
source is selected or not.
• For details, refer to the operating instructions of the
components to be connected.
• To link DC TRIGGER OUT with a specific input source,
Component to be triggered
by DC when a specific input
source is selected
refer to “When selecting the DC TRIGGER SETUP” on
page 61.
Notes :
• This output voltage (12 V d.c., 100 mA ) is for (status)
control only, it is not sufficient for drive capability.
• When making DC TRIGGER connection, you should use
the stereo mini cord, not a mono mini cord.
9
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9. CONNECTING SPEAKERS
Front right
Center
Front left
Surround A
right
Surround A
left
Surround B
right
Surround B
left
Surround back left
Surround back right
(or "Passive" subwoofer)
• Be sure to connect speakers firmly and correctly according to the channel(left and right) and the polarity(+ and -). If the
connections are faulty, no sound will be heard from the speakers, and if the polarity of the speaker connection is incorrect, the
sound will be unnatural and lack bass.
• For installing the speakers, refer to “Speaker placement” on page 11.
• After installing the speakers, first adjust the speaker settings according to your environment and speaker layout.(For details,
refer to “SETTING THE SPEAKER SETUP” on page 49.)
• You can connect the surround and the surround back speakers with various combinations according to the usage purpose.
Surround speakers A and B
• This unit allows you to connect two different sets of surround speakers and to place them in the appropriate locations in your
room, resulting in enjoying both movie soundtracks and music listening with optimum surround sound and no compromise.
• However, if you have only a set of surround speakers, connect them to either SURROUND A or SURROUND B SPEAKER
terminals according to your taste.
Surround back speakers
• When using only one surround back speaker , you should connect it to SURROUND BACK LEFT channel. In this case, you
can connect a subwoofer without built-in amplifier to SURROUND BACK RIGHT channel.(For details, refer to “When selecting
the SUBWOOFER” on page 53.)
• If you assign the power amplifier for the surround back channels to the ROOM 2, this unit can drive the speakers in another
room(ROOM 2).
(For details, refer to “ROOM 2 connections” on page 12. and “SETTING THE POWER AMP ASSIGN” on page 49.)
Caution :
• For safe amplifier operation, in case of using either surround A or surround B speakers, use all the speakers with impedance
of over 6 ohms. However, in case of using both surround A and surround B speakers, use only these speakers with
impedance of over 12 ohms and other speakers with impedance of over 6 ohms.
• Do not let the bare speaker wires touch each other or any metal part of this unit. This could damage this unit and/or the
speakers.
10
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Speaker placement
Ideal speaker placement varies depending on the size of your room
and the wall coverings, etc. The typical example of speaker placement
and recommendations are as follows :
1
4
3
Front left and right speakers and center speaker
• Place the front speakers with their front surfaces as flush with TV or
monitor screen as possible.
• Place the center speaker between the front left and right speakers and
no further from the listening position than the front speakers.
• Place each speaker so that sound is aimed at the location of the
listener’s ears when at the main listening position.
6
7
Surround speakers A and B
13
12
• To achieve more effective surround sound for both movies and music ,
connect two different sets of surround speakers and place them in the
appropriate locations for two types of sources as follows :
• Surround speakers A :
10
1. TV or screen
11
For watching movies, place the surround speakers A approximately 1
meter (40 inches ) above the ear level of a seated listener on the
direct left and right of them or slightly behind.
8. Surround left speaker B
9. Surround right speaker B
10. Surround back left speaker
11. Surround back right speaker
12. Surround center speaker
13. Listeing position
2. Front left speaker
3. Subwoofer
• Surround speakers B :
For playing multi-channel music , place the surround speakers B at
the same height as the front speakers and slightly at an angle to the
rear of the listening position , and point them toward the listening
position .
4. Center speaker
5. Front right speaker
6. Surround left speaker A
7. Surround right speaker A
Surround back left and right speakers
• Place the surround back speakers at the back facing the front at a
narrower distance than front speakers.
• When using a single surround back speaker, place it at the rear center
facing the front at a slightly higher position (0 to 20 cm ) than the
surround speakers.
Surround speaker A
Front speaker
Surround back
speaker
Point slightly
downward
• We recommend installing the surround back speaker(s) at a slightly
downward facing angle. This effectively prevents the surround back
channel signals from reflecting off the TV or screen at the front center,
resulting in interference and making the sense of movement from the
front to the back less sharp.
60 to 90 cm
Surround
speaker B
Subwoofer
• The subwoofer reproduces powerful deep bass sounds.
Place a powered subwoofer anywhere in the front as desired.
Notes :
When using a conventional TV , to avoid interference with the TV
picture, use only magnetically shielded front left and right and center
speakers.
To obtain the best surround effects, the speakers except the
subwoofer should be full range speakers.
11
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ROOM 2 connections
• ROOM 2 playback feature allows you to play a different program source in another room as well as one source in the main
room at the same time.
• For ROOM 2 playback, connect the VIDEO 2 / ROOM 2 OUT jacks to the amplifier, TV, etc. installed in another room, or
connect the SURROUND BACK speaker terminals to the speakers.
• In case of using a pair of speakers only, you should assign the power amplifier for surround back channels to the ROOM
2.(For details, refer to “SELECTING THE POWER AMP ASSIGN” on page 49.)
Notes :
• To minimize hum or noise, use high quality connected cords.
• You cannot use the digital audio signal for ROOM 2 playback.
Main room
Another room(Room 2)
• When connecting VIDEO 2/ROOM 2 OUTs to the components.
This receiver
IN
IN
S-VIDEO
VIDEO
(COMPOSITE)
TV or projector
L
AUDIO
IN
R
Speakers
Amplifier
• When connecting SURROUND BACK speaker terminals to
the speakers.
This receiver
Speakers
left right
10. CONNECTING MULTI-ROOM SYSTEM KIT
• The multi-room system kit (sold separately ) is essential for operation from a remote location.
• IR IN jack allows you to control this receiver from another room with the remote control unit.
• To control this receiver from another room with the remote control unit, connect the IR IN jack to the output of the connecting block.
• If this receiver is located inside a cabinet or other enclosure where the infrared beams from the remote control unit cannot
enter, then operation with the remote control unit will not be possible.
In such a case, connect the IR IN jack to the output of the connecting block.
Note:
• Remote operation may become unreliable if the IR receiver is exposed to strong light such as direct sunlight or inverted fluorescent.
Another room(Room 2)
Main room
This receiver
MULTI CONTROL
MASTER VOLUME
Connecting block
(Multi-room system kit)
INPUT SELECTOR
AUDIO .MON
POWER
STANDBY
DECODING
STEREO
DIGITAL/ANALOG
PURE AUDIO
VIDEO
T
8CH DIRECT
O
N
/
O
F
F
output
A/V RECEIVER R-865
IR receiver
(Multi-room system kit)
• When this receiver is located inside a cabinet.
In the cabinet
This receiver
MULTI CONTROL
MASTER VOLUME
INPUT SELECTOR
AUDIO .MON
POWER
STANDBY
DECODING
STEREO
DIGITAL/ANALOG
PURE AUDIO
VIDEO
T
8CH DIRECT
O
N
/
O
F
F
output
A/V RECEIVER R-865
IR receiver
(Multi-room system kit)
Connecting block
(Multi-room system kit)
12
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11. CONNECTING MICROPHONE
• To use Auto Speaker Setup function, connect the supplied
microphone to the SETUP MIC jack.(For details, refer to
“When selecting the AUTO SPEAKER SETUP” on page
55.)
Notes:
• Because the microphone for Auto Speaker Setup is
designed for use with this receiver, do not use a
microphone other than the one supplied with this receiver.
• After you have completed the auto speaker setup
procedure, disconnect the microphone.
Microphone
12. CONNECTING PC FOR UPGRADES
• This receiver incorporates RS-232C terminal that may be
used in the future to update the operating software so that
it will be able to support new digital audio formats, external
control by using an external device and the like.
PC with RS-232C port
• Connect RS-232C terminal to your PC.
Notes :
• Be sure to set the UPGRADE switch to “SVC” (service)
before updating.
UPGRADE switch
• This switch should be set to “OPR” (operation) during
normal operation except for upgrades.
If not, this receiver will not operate normally.
• Programming for upgrades and external control requires specialized programming knowledge and for that reason we
recommend that it only be done by qualified installers. For more information on future upgrades and external control, visit the
• Do not disconnect the connection cable while updating the operating software, etc.
Should this happen, it may be result in malfunction or cause damage to the unit.
13. SWITCHED AC OUTLETs
• Theses outlets are switched on(power-on mode) and
off(standby mode) according to power control as
follows(Maximum total capacity is 100 W, 1 A).
Standby mode - Switched AC outlet off
Power-on mode - Switched AC outlet on
14. AC INLET
• Plug the supplied AC input cord into this AC INLET and
then into the wall AC outlet.
Note:
• Do not use an AC input cord other than the one supplied
with this unit. The AC input cord supplied is designed for
use with this unit and should not be used with any other
device.
To a wall AC outlet.
13
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Front Panel Controls
13
14
12
1
11
15
2
3
4
5
6
7
8
9
10
• To open the panel door push
gently on the lower third of
the panel door.
16 17 18 19 20 21 22 23
24
25 26 27 28 29 30 31
32
33
1. POWER switch
20. LABEL button
2. STANDBY button/indicator
3. DECODING MODE button
4. STEREO button
5. DIGITAL/ANALOG button
6. PURE AUDIO button
7. VIDEO SELECTOR button
8. AUDIO SELECTOR button
9. TAPE MONITOR button
10. 8 CH DIRECT button
21. ENTER/MEMORY button
22. BAND button
23. TUNING UP(+)/DOWN( ) buttons
24. HEADPHONE jack
25. HEADPHONE SELECTOR button
26. CHANNEL SELECTOR button
27. DOLBY PL II MUSIC PARAMETER
button
28. CINEMA EQ button
11. MASTER VOLUME CONTROL knob
12. MULTI CONTROL knob
13. REMOTE SENSOR
29.TONE MODE button
30. ROOM 2 button
31. FM MODE button
14. FLUORESCENT DISPLAY
For details, see next page.
15. PANEL DOOR
32. PRESET UP(+)/DOWN(-) buttons
33. VIDEO 4 INPUT jacks
For details, see next page.
16. DOLBY HEADPHONE button
17. DOLBY VIRTUAL SPEAKER button
18. DOLBY PL IIx button
19. DYNAMIC RANGE button
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FLUORESCENT DISPLAY
1
2
3
4
5
6 7
3
8
DOLBY H DIGITAL EX VIRTUAL DIRECT AUTO DTS ES 96/24 NEO:
6
VIDEO SET
1 2 3 4
9
Z
PCM PRO LOGIC
SOUND TAPE MON STEREO
L
C
R
18
19
20
R2 MUTE
CINE-EQ
MEMORY
MPEG PURE ANALOG DIGITAL
TUNED
PRESET
SL SW SR
A B
21
LFE
SB
AP-SW
22
10 11
12
13 14
15
16
17
1. CHANNEL indicators
2. PCM SIGNAL indicator
3. SURROUND MODE indicators
4. TAPE MONITOR indicator
5. DIRECT indicator
13. DIGITAL INPUT indicator
14. Input, frequency, volume level, operating
information, etc.
15. TUNED indicator
16. PRESET indicator
6. STEREO indicator
17. ROOM 2 indicator
7. AUTO indicator
18. MUTE indicator
8. SLEEP indicator
19. CINEMA EQ indicator
20. MEMORY indicator
21. SURROUND A/B indicators
22. SUBWOOFER indicators
9. VIDEO INPUT indicators
10. MPEG SIGNAL indicator
11. PURE AUDIO indicator
12. ANALOG INPUT indicator
VIDEO 4 INPUT JACKS
VIDEO
4
• The VIDEO 4 input jacks may be also connected to an
additional video component such as a camcorder, a
video game player, etc.
OPTICAL IN3
VIDEO
L
-
AUDIO
-
R
S-VIDEO
• If the OPTICAL IN 3 is connected to the component
connected to VIDEO 4, it is easier to do so following the
default settings.(For details, refer to “Digital input default
settings” o page 8.)
• If the OPTICAL IN 3 connection is different from the
default settings, you should assign the DIGITAL INs you
used with the “When selecting the DIGITAL INPUT
SETUP” procedure on page 57.
OPTICAL
DIGITAL OUT
S-VIDEO
OUT
VIDEO
OUT
L
R
AUDIO OUT
VIDEO 4 Camcorder, video game player, etc.
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Universal Remote Controls
This universal remote control can operate not only this receiver but also most popular brands of audio and video components
such as CD players, tape decks, TVs, cable boxes, VCRs, DVD players, satellite receivers, etc.
• To operate 7 components other than this receiver, you should enter the setup code for each component.
(For details, refer to “USING FUNCTIONS OF REMOTE CONTROL” on page 19.)
• The numbered buttons on the remote control have different functions in different device modes.
For details, refer to “FUNCTION TABLE of the NUMBERED BUTTONS” on the next page.
LCD SCREEN
POWER ON button
STANDBY button
DEVICE buttons
To operate the desired component with
this remote control, first select the
corresponding DEVICE button.
SLEEP button
TEST TONE button
DIMMER button
ROOM 2 button
CHANNEL SELECTOR button
CHANNEL/ADJUST UP/DOWN(
/
) buttons
VOLUME UP/DOWN(
/
) buttons
MUTE button
OSD button
DOLBY PL II MUSIC PARAMETER button
CURSOR CONTROL(
ENTER buttons
,
,
,
)/
RETURN button
DISPLAY button
TUNING UP/DOWN(+/-) buttons
PRESET SCAN button
PRESET TUNING UP/DOWN(+/-) buttons
DSP MODE UP/DOWN(
/
) buttons
DECODING MODE button
SURROUND A/B button
STEREO button
SURROUND BACK button
DIGITAL/ANALOG button
PURE AUDIO button
NUMERIC(0~9, +10, +100) /
INPUT SELECTOR buttons
To select the desired input source
of TUNER~8 CH DIRECT IN.
DECODING MODE buttons
LIGHT button
MACRO(M1~M3) buttons
To operate a macro function,
press the corresponding
MACRO button.
Activates the backlighting of the remote
control for about 20 seconds. If only other
button is pressed while the backlighting is on,
the remote control will remain backlight for
an additional period.
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FUNCTION TABLE of the NUMBERED BUTTONS.
Device to be
controlled
(for CD player)
POWER ON
(for tape deck)
POWER ON
(for TV)
(for VCR)
(for DVD player) (for satellite receiver) (for cable box)
Button symbol
POWER ON
POWER ON
POWER ON
STANDBY
POWER ON
STANDBY
POWER ON
STANDBY
STANDBY
STANDBY
STANDBY
MUTE
STANDBY
MUTE
MUTE
MUTE
INPUT
INPUT
INPUT
INPUT
SELECTOR
SELECTOR
SELECTOR
SELECTOR
CHANNEL
CHANNEL
CHANNEL
CHANNEL
UP/DOWN(
/
)
)
UP/DOWN(
/
)
)
UP/DOWN(
/
)
)
UP/DOWN(
/
)
)
VOLUME
VOLUME
VOLUME
VOLUME
UP/DOWN(
/
UP/DOWN(
/
UP/DOWN(
/
UP/DOWN(
/
MENU
SETUP
CURSOR
CONTROL
ENTER
ENTER
DISPLAY
RETURN
RECORD
RECORD
REVERSE SEARCH( ) /
REWIND( ) /
REWIND( ) /
REVERSE SEARCH( ) /
FORWARD SEARCH(
)
FAST FORWARD(
)
FAST FORWARD(
)
FORWARD SEARCH(
)
STOP
STOP
STOP
STOP
REVERSE SKIP( ) /
REVERSE SKIP( ) /
FORWARD SKIP(
)
FORWARD SKIP(
)
PLAY
FORWARD PLAY
REVERSE PLAY
PLAY
PAUSE
PLAY
PAUSE
PAUSE
NUMERIC
NUMERIC
NUMERIC
NUMERIC
NUMERIC
NUMERIC
Notes :
• Some functions for each component may not be available or may work differently.
• Depending on other kinds of components that are available for each DEVICE button, some functions may not be available or
may work differently. too.
• For details about functions , refer to the operating instructions of each component.
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OPERATING COMPONENTS WITH REMOTE CONTROL
REMOTE CONTROL OPERATION RANGE
Enter the setup code for each component
other than this receiver you wish to
control. For details, refer to “Entering a
setup code” on page 19.
• Use the remote control unit within a range of
about 7 meters (23 feet) and angles of up to 30
degrees aiming at the remote sensor.
1
Turn on the component you want to
operate.
2
Press the DEVICE button on the remote
control corresponding to the component
you wish to operate.
7m
3
Aim the remote control at the REMOTE
SENSOR of the component you wish to
control and press the button corresponding
to the operation you want.
4
• When operating a Sherwood CD player or tape deck
using digi link system remote control, aim the remote
control at the REMOTE SENSOR of this receiver.
However, to operate a Sherwood DVD player, aim at
the REMOTE SENSOR of the corresponding
component.
LOADING BATTERIES
• When the remote control does not operate, the old batteries should be replaced. In this case, load new batteries within several
minutes after removing old batteries.
• If the batteries are removed or have been exhausted for a longer period of time, memorized contents will be cleared. Should
this happen, you should memorize them again.
Remove the cover.
Load four batteries(“AAA” size) matching
the polarity.
2
1
• Remove the batteries when they are not used for a
long time.
• Do not use the rechargeable batteries.
• Be sure to use alkaline batteries.
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USING FUNCTIONS OF REMOTE CONTROL
• This remote control can control up to 8 different components.
• Before operating audio and video components other than this receiver with using this remote control, the setup code for each
component should be entered.
• For system remote control operation, “000” was stored previously in the memory of the device button “CD” for Sherwood CD player,
“DVD” for Sherwood DVD player, “AUX” for Sherwood tape deck and “TV” for Sherwood TV respectively as its factory setup code.
So, you don’t need to enter its code for each Sherwood component except in such a case that its code does not work.
Entering a setup code
Find the setup codes according to the type
and the brand name of your component,
referring to “Setup Code Table” on page 73.
• Setup code entry is the easiest way to program this
remote control for operating audio and video
components.
2
4
Turn on the component you want to
operate
1
Press and hold down both the ENTER
While “LEARN” is displayed, press the
button and the desired one of the DEVICE
buttons for more than 2 seconds.
CURSOR UP( )/DOWN( ) buttons to
select the setup code mode (“CODE”), then
press the ENTER.
3
• Then “LEARN” is displayed on the LCD screen for
several seconds.
• Each time the CURSOR UP( )/DOWN( ) buttons
are pressed, the mode changes as follows :
LEARN
CODE
DELETE
PUNCH
MACRO
Notes:
• The AUDIO button is unavailable for the audio
components other than this receiver.
• During setting operation, to exit from the setting
mode, press any of the DEVICE buttons.
• Then “PRESET” and 3 digit number are displayed.
• If “PRESET”, etc. go off, start again from the above
step
.
While “PRESET”, etc. are displayed, enter a 3 digit code and press the ENTER button, aiming
the remote control sensor on the component.
5
• Then “OK” is displayed on the LCD screen.
• To be sure that the setup code is correct, press the
POWER ON (or STANDBY) button.
• If the setup code is correct, your component will be
turned off.
• When your component is not turned off, repeat the
above steps to , trying entering each code for
your component until you find one that works.
• If “NG” is displayed, retry entering the correct setup
code while “PRESET” and 3 digit number are
displayed.
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Operate the component using the corresponding function buttons.
6
• If any of buttons fails to operate as they should , start from the step
Notes:
again to enter the correct setup code.
• Manufacturers may use different setup codes for the same product category. For that reason, it is important that you check to see
if the code you have entered operates as many controls as possible. If only a few functions operate, check to see if another code
will work with more buttons.
• When operating a Sherwood CD player or tape deck using the system remote control, aim the remote control at the REMOTE
SENSOR on this receiver.
However, in case of Sherwood DVD player and MD recorder, aim it at the REMOTE SENSOR on the corresponding component.
Repeat the above steps
to for each of your other components.
7
Perform the steps and
setup code” procedure on page 19 to select
in “Entering a
Searching a setup code
• In addition to enter a setup code using “Setup Code
Table” on page 73, it is also possible to search
through all the codes that are stored in the library of
this remote control.
2
4
the setup code mode (“CODE”).
Turn on the component you want to
operate.
1
While “PRESET” is displayed, search a
While “PRESET” is displayed, press the
ENTER button to store the setup code.
setup code, aiming the remote control at the
remote semsor on the component.
3
• Each time the CURSOR UP( )/DOWN(
buttons are pressed, the setup code is selected one
)
• Then “OK” is displayed on the LCD screen.
by one.
• If the selected code is correct, your component will
be turned off.
• When your component is not turned off, repeat this
step until you find one that works.
Operate the component using the
corresponding function buttons.
5
Repeat the above steps
your other components
to for each of
6
• If any of buttons fails to operate as they should,
start from the step again to find the correct setup
code.
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Press and hold down the ENTER button
and the desired one of the DEVICE buttons
for more than 2 seconds.
Programing the commands from other
remote controls( LEARNING mode )
2
• If the setup codes are not available for your component
or you want to program a missing or special function
into one button of a device, the learning function
enables this remote control to learn the commands
from other remote controls.
Place this remote control and other remote
control facing each other at a distance of 5
to 15 cm (2 to 6 inches ) apart.
1
• Then “LEARN” is displayed on the LCD screen for
several seconds
Note :
• During setting operation , to exit from the setting
mode, press any of the DIVICE buttons.
5 to 15 cm
(2 to 6 inches)
While “LEARN” is displayed, press the
ENTER button.
While “SEL” is flickering, on this remote
control, press the button corresponding to
3
4
the function to be learned.
Example) If the function to be learned is playback,
press the PLAY( ) button.
• Then “SEL” is flickering.
• If “SEL” goes off, start again from the above step
.
• Then “READY” is displayed.
Note:
• You cannot program a function into some buttons
such as DEVICE, MACRO and LIGHT buttons.
While “SEL” is flickering, repeat the above
While “READY” is displayed, on the other
remote control, press the button of the
function to be learned.
steps
and to program all the
6
5
commands you want to the buttons on this
remote control under the same device mode.
• If the command has been learned successfully,
“OK” is displayed and then “SEL” is flickering.
• If “ERROR” is displayed and then “SEL” is
flickering, it means that for some reason the
command was not learned. In this case, repeat the
To exit from the setting mode, press any of the
DEVICE buttons.
Repeat the above steps
the commands from a different remote
control.
to to program
above steps and
.
7
8
Notes :
• If an incorrect signal has been sent or, in some
cases, the command from other remote control
simply cannot be learned.
• In some “ERROR” cases, the remote controls just
need to be moved closer together or farther apart.
Operate the newly programmed buttons to
make sure the learning function was
performed properly.
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While “BTTN” is displayed, press the
Erasing the programmed command
from one button
CURSOR UP( )/DOWN( ) buttons to
select the one command deleting mode
(BTTN), then press the ENTER button.
2
Perform the steps and
in “Entering a
setup code” procedure on page 19 to select
the delecting mode (“DELETE”).
1
• Then “BTTN” is displayed on the LCD screen for
several seconds.
While “SEL” is flickering, press the button
for the command you want to erase.
3
• Each time the CURSOR UP( )/DOWN( ) buttons
are pressed, “BTTN” or “LEARN”(all command
deleting mode) is selected.
Example) When the button for the command to be
erased is PLAY button
• Then “SEL” is flickering.
• If “BTTN” goes off, start again from the above step
.
While “SEL” is flickering, repeat the above
step to erase other commands.
4
• “OK” is displayed and then “SEL” is flickering.
While “BTTN” is displayed, press the
CURSOR UP( )/DOWN( ) buttons to
select the all command deleting mode
(“LEARN”), then press the ENTER button.
Erasing all the commands
programmed under a device mode
2
Perform the steps and
in “Entering a
setup code” procedure on page 19 to select
the deleting mode (“DELETE”).
1
• Then “BTTN” is displayed on the LCD screen for
several seconds.
While “SURE?” is displayed, press the
ENTER button
3
• Then “SURE?” is displayed .
• If “SURE?” goes off, start again from the above
step
To erase all the commands programmed
under other device mode, repeat the above
4
steps to
.
•Then all the commands programmed are erased.
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While “M1” is displayed, press the
Programming a macro function
CURSOR UP( )/DOWN( ) buttons to
select the MACRO button to be programmed
into, then press the ENTER button.
• The macro function enables you to program a series
of button operations(up to 15) on this remote control
into a single button.
2
• You can store up to three separate macro command
sequences into “M1”, “M2” and “M3” buttons.
Perform the steps and
in “Entering a
setup code” procedure on page 19 to select
the macro mode (“MACRO”).
1
• Then “M1” is displayed on the LCD screen for
several seconds.
• During macro setting operation, pressing any of the
DEVICE buttons cannot exit from the macro mode.
• Each time the CURSOR UP( )/DOWN( ) buttons
are pressed, “M1”, “M2” or “M3” is selected.
• Then “SEL” is flickering.
• If “SEL” goes off, start again from the above step
.
Press any of the MACRO buttons
(M1~M3) to complete the programming.
4
While “SEL” is flickering, press the
operation buttons you want to program in
order.
3
Example) When playing a DVD on the DVD player
connected to VIDEO 2 jacks of this receiver.
1. Press “AUDIO” button to control this receiver.
2. Press “POWER ON” button to turn this receiver on.
3. Press “VIDEO 2(7)” button to select the desired
input source.
4. Press “DVD” button to control the DVD player.
5. Press “POWER ON” button to turn the DVD player
on.
• Then “OK” is displayed.
6. Press “PLAY ( )” button to start playback.
To erase a macro program
• When erasing a macro program, perform the above
steps
To change a macro program
• When a new macro program is stored into a MACRO
button with performing the above steps to , the
,
and , but ignore the step
.
• Each time the operation buttons are pressed, the
programmed order is displayed.
previous macro program is erased from the memory
of the MACRO button.
Operating a macro function
Notes:
• Aim the remote control at the REMOTE SENSORs
of the components to be controlled and press the
MACRO button you want.
• The codes programmed into a MACRO button will be
transmitted at an interval of 0.5 seconds. However,
some components may not be able to complete one
operation in 0.5 seconds and may miss the next code.
In this case, the macro function cannot control the
corresponding components correctly.
Example) When pressing “M1” button.
• Be sure to use the remote control within the remote
control operation range of the components.
• Depending on the operation status of the components,
etc., the macro function cannot control the
corresponding components correctly.
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While “VOL” is displayed, press the
Programing a punch-through function
CURSOR UP( )/DOWN( ) buttons to
select the desired punch-through mode ,
then press the ENTER button.
• The punch-through function allows the volume
controls , channel controls or transport controls to
link to a different device while a device is controlled
with this remote control as a master device.
2
• For example, since this receiver will likely be used
as the sound system while watching TV, you may
want to use volume controls to operate this receiver
although this remote control is set to control the TV.
Perform the steps and
in “Entering a
setup code” procedure on page 19 to select
a master device and the punch -through
mode (“PUNCH”).
1
• Then “VOL” is displayed on the LCD screen for
several seconds.
• Each time the CURSOR UP( )/DOWN(
buttons are pressed, the mode changes as follows:
)
VOL : The volume punch -through mode allows
the “VOLUME
/
” and “MUTE” buttons to
function to operate a different device.
While the device is displayed, press the
CURSOR UP( )/DOWN( ) buttons to
select the desired punch-through device,
DELETE : All punch-through deleting
mode.
3
then press the ENTER button.
PLAY : The transport punch-through mode allows
the “ ”, “ ”, “ ”, “
”, “ ”, “
”, “
” and “ ” buttons to function to operate a
different device.
CH : The channel punch-through mode allows the
“CH/ADJUST
/
” and “CH. SEL” buttons
to function to operate a different device.
• Then the device to which you can link the selected
punch-through mode is displayed.
• Each time the CURSOR UP( )/DOWN( ) buttons
are pressed , depending on the selected punch-
through mode, punch-through devices and the one
punch-through deleting mode (“DELETE”) are
selected as follows :
While the punch-through mode is
displayed, repeat the above steps
to program other punch-through function
under the same master device mode.
and
4
5
• In case of the volume punch-through,
AUDIO
DELETE
TV
• In case of the transport punch-through,
CD
DELETE
DVD
VCR
AUX
To program punch-through functions under
other master device mode, repeat the above
• In case of the channel punch-through,
TV
DELETE
SAT
CABLE
VCR
steps to
.
• Then “OK” is displayed and the current punch-
through mode is displayed.
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Operating a punch-through function
• While this remote control is set to control a master
device, aim the remote control at the REMOTE
SENSOR of the punch-through device and press the
desired button of the programmed punch-through
controls.
• Then the punch-through device is displayed on the
LCD screen.
Example ) When pressing “PLAY ( )” button.
While “VOL” is displayed, press the
CURSOR UP( )/DOWN( ) buttons to
select the punch-through mode to be erased,
then press the ENTER button.
Erasing the programmed puch-through
function
2
Perform the steps and
in “Entering a
setup code” procedure on page 19 to select
a master device and the punch-through
mode (“PUNCH”).
1
• Then “VOL” is displayed on the LCD screen for
several seconds.
While the device is displayed, press the
CURSOR UP( )/DOWN( ) buttons to
select the one punch-through deleting
mode(“DELETE”), then press the ENTER
button.
3
• Each time the CURSOR UP( )/DOWN( ) buttons
are pressed, the mode changes as follows:
VOL
DELETE
PLAY
CH
• Then the device is displayed .
While the punch-through mode is
displayed, repeat the above steps
to erase other punch-through function under
and
4
5
the same master device mode.
• Each time the CURSOR UP( )/DOWN( ) buttons
are pressed, depending on the selected punch-
through mode, the punch-through devices and the
deleting mode (“DELETE”) are selected.
• Then “OK” is displayed and the current punch-
through mode is displayed .
To erase punch-through functions under
other master device mode, repeat the above
steps
to
.
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While “VOL” is displayed, press the
Erasing all the punch-through functions
programmed under a master device mode
CURSOR UP( )/DOWN( ) buttons to
select the all punch-through deleting mode
(“DELETE”).
2
Perform the steps and
in “Entering a
setup code” procedure on page 19 to select
a master device and the punch-through
mode (“PUNCH”).
1
• Then “VOL” is displayed on the LCD screen for
several seconds.
While “DELETE” is displayed, to erase all
the punch-through functions programmed
under the master device mode, press
ENTER button.
• Each time the CURSOR UP( )/DOWN(
buttons are pressed, the mode changes as follows:
)
3
VOL
DELETE
PLAY
CH
• Then “DELETE” is displayed .
To erase all the punch-through functions
programmed under other master device
4
mode , repeat the above steps to
.
• Then “OK” is displayed and “DELETE” is
displayed.
• To exit from the deleting mode, press any of the
DEVICE buttons.
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ROOM 2 Remote Controls
This remote control unit is an additional remote control unit for the ROOM 2 source playback only.
• You can use the ROOM 2 functions with this remote control unit more conveniently in another room than with the universal
remote control unit.
REMOTE CONTROL OPERATION RANGE
• Aim the ROOM 2 remote control(or the
ROOM2
ROOM 2 BUTTON
universal remote control) at the IR receiver
installed in another room.(For details, refer to
“CONNECTING MULTI-ROOM SYSTEM
KIT” on page 12.)
Each time this button is pressed,
the ROOM 2 function is activated or
canceled.
PHONO
AUX
CD
TUNER
AUDIO
ROOM 2 INPUT SELECTOR
BUTTONS
When one of these buttons is pressed,
the corresponding input source is
selected.
VIDEO 1
VIDEO 4
VIDEO 2
VIDEO 5
VIDEO 3
Another room(Room 2)
VIDEO 6
To main room
VIDEO
IR receiver
(Multi-room system kit)
MUTE BUTTON
Mutes the sound of the ROOM2 source.
• To resume the previous sound level,
press it again.
MUTE
• When you operate the ROOM 2 function in the
main room, aim the universal remote control(or
the ROOM 2 remote control) at the remote
sensor of this receiver.
VOLUME UP/DOWN(
BUTTONS
)
VOLUME
Adjust the sound volume of the
ROOM 2 source.
LOADING BATTERIES
Remove the cover.
1
Note:
• On the remote control, “PHONO”, “VIDEO 5” and
“VIDEO 6” buttons are not available for this receiver.
Load two batteries (“AAA” size, 1.5V )
matching the polarity.
2
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Operations
Notes :
•
Before operating this receiver with the supplied remote control, refer to “ Universal Remote Controls” on page 16 for
details about operation.
•
Before operating this receiver, first set this unit as desired for optimum performance, doing the OSD menu setting
procedures. (For details, refer to “OSD Menu Settings” on page 47.)
LISTENING TO A PROGRAM SOURCE
Select the desired input source.
Before operation
3
• Enter the standby mode.
• The STANDBY button lights up in amber.
This means that the receiver is not
or
disconnected from the AC mains and a
small amount of current is retained to
support the operation readiness.
• To switch the power off, push the POWER switch again.
• Each time the “AUDIO” button is pressed,
the input source changes as follows:
• Then power is cut off and the STANDBY button goes off.
TUNER
(frequency display)
CD
AUX
• Each time the “VIDEO” button is pressed, the input
source changes as follows:
In the standby mode, turn the power on.
VIDEO 1
VIDEO 2
VIDEO 3
VIDEO 4
1
• When the TAPE MONITOR button is set to on so that
“TAPE MON” lights up, other inputs can not be heard
from the speakers.
To listen to an input source except TAPE MONITOR, be sure
to set the TAPE MONITOR button to off.
or
TAPE MONITOR function
You can connect either a tape deck or a graphic equalizer to the
receiver’s TAPE MONITOR jacks.
Only when you listen to the component connected to these jacks, set
the TAPE MONITOR button to on.
If you connect a 3-head tape deck, you can listen to the sound being
recorded during recording, not the source sound.
For further details, refer to the operating instructions of the
component connected.
• Each time the STANDBY button on the front panel is
pressed, the receiver is turned on to enter the
operating mode (the STANDBY button lights up in
blue) or off to enter the standby mode(the STANDBY
button lights up in amber).
• On the remote control, press the POWER ON button
to enter the operating mode or press the STANDBY
button to enter the standby mode.
When selecting the 8 CH DIRECT as desired
• In the standby mode, if the INPUT SELECTOR
button is pressed, the receiver is turned on
automatically and the desired input is selected.
or
Switch the speakers on.
• Depending on the power amplifier setting for the surround
back channels and the surround back speaker setting, “8(, 7 or
6) CH DIRECT” is displayed and the 8(/7/6) separate analog
signals from the component connected to this input pass
through the tone, volume and bass management(if selected)
circuits only and can be heard from your speakers.(In case
that the TAPE MONITOR button is set to on, the TAPE
MONITOR button is automatically set to off.)
2
• Then the SPEAKER indicator ( ) lights up and the
sound can be heard from the speakers.
• When using the headphones for private listening,
press this button again to switch the speakers off,
• Press the 8 CH DIRECT button or select the desired input
source to cancel the 8 CH direct function.
• These analog signals can be heard only. They cannot be
recorded.
then the SPEAKER indicator ( ) goes off(speaker
off mode).
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When CD, AUX or VIDEO 1~ VIDEO 4 is
selected
Adjusting the tone (bass and treble)
Select the tone mode as desired.
Select the digital or the analog input as
desired.
7
4
or
• Each time this button is pressed, the tone mode
changes as follows:
• Each time this button is pressed, the corresponding
input is selected as follows:
BASS
TREBLE
DEFEAT OFF(or ON)
DIGITAL
ANALOG
• The tone display is shown for several seconds.
• If the tone display disappears, press the TONE
MODE button again.
• ( ) : When the tone defeat function is activated
(“DEFEAT ON”), bass and treble modes
cannot be selected
• When TUNER or TAPE MONITOR is selected as an
input source, the analog input is automatically
selected.
Notes:
• When the selected digital input is not connected,
“DIGITAL” is flickering, meaning no sound.(Refer to
“ENJOYING SURROUND SOUND” on page 34.)
Note:
• When the pure audio function is activated, the tone
mode cannot be selected.
• To select the digital input, you should assign the
connected DIGITAL IN to the corresponding input
source. (For details, refer to “When selecting the
DIGITAL INPUT SETUP” on page 57.)
At the desired tone mode, adjust as
desired.
8
Operate the selected component for
playback.
5
• When playing back the program sources with
surround sound, refer to “ENJOYING SURROUND
SOUND” on page 34.
At the tone defeat mode, each time the MULTI
CONTROL knob is rotated, the tone defeat mode
changes as follows:
DEFEAT ON : When listening to a program source
without the tone effect.
DEFEAT OFF : When adjusting the tone for your
Adjust the (overall) volume.
taste.
6
At the desired tone (bass or treble), each time the
MULTI CONTROL knob is rotated, the tone level
can be adjusted within the range of +10~ -10 dB.
• In general, we recommend the bass and treble to be
adjusted to 0(flat) level.
or
• To complete tone adjustment, repeat the above steps
and
.
DOWN
UP
• Extreme settings at high volume may damage your
speakers.
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Achieving higher purity of sound quality
Compensating for edgy or shrill movie
sound tracks
or
• Only when playing program sources recorded in
either analog stereo or 2 channel PCM format, the
pure audio function can be selected.
• When the pure audio function is selected, the cinema
EQ function can not be selected.
• “CINEMA-EQ ON” will scroll on the display.
• “PURE” lights up and the stereo mode is
automatically selected and all the video-related
circuits as well as the digital processing circuits are
turned off.
• Press it again to cancel, then “CINEMA-EQ OFF”
will scroll on the display.
• Press this button again to cancel the pure audio
function.
• When you select other input source or the other
between digital and analog inputs, the pure audio
function is automatically canceled.
Muting the sound
Listening with the headphones
• Ensure that the HEADPHONE SELECTOR button is
set to the speaker off mode.
• “MUTE” lights up.
• To resume the previous sound level, press the button
again.
• Depending on the signal format which is being input,
you can listen in different Dolby Headphone modes,
stereo mode, etc. with pressing the DOLBY
HEADPHONE button. (For details, refer to “To listen
in a Dolby Headphone mode” on page 36).
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SURROUND SOUND
• This receiver incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound
atmosphere in your personal Home Theater.
Surround modes
• DTS Neo : 6 Cinema
DTS Digital Surround
This mode is optimum for playing movies. Decoding is
performed with emphasis on separation performance to
achieve the same atmosphere with 2-channel sources as with
6.1-channel sources.
DTS Digital Surround(also called simply DTS) is a multi-channel
digital signal format which can handle higher data rates. Discs
bearing the “
” include the recording of up to
5.1 channels of digital signals, which can be generally thought
to provide better sound quality due to the lower audio
compression required.
It also provides wide dynamic range and separation, resulting
in magnificent sound.
• DTS Neo : 6 Music
This mode is suited mainly for playing music. The front left
and front right signals bypass the decoder and are played
directly so there is no loss of sound quality, and the effect of
the surround signals from the center, surround left, surround
right and surround back channels adds a natural sense of
expansion to the sound field.
(
)
DTS - ES Extended Surround™
This is a new multi channel digital signal format which greatly
improves the 360- degree surround impression and space
expression thanks to further expanded surround signals,
offering high compatibility with the conventional DTS format.
In addition to the 5.1 channels, DTS-ES Extended Surround
also offers the surround back (sometimes also referred to as
“surround center”) channel for surround playback with a total
of 6.1 channels. DTS-ES Extended Surround includes two
signal formats with different surround signal recording
methods as follows:
DTS 96/24
Conventional surround formats used sampling frequencies of
48 or 44.1 kHz, so 20 kHz was about the maximum playback
signal frequency. With DTS 96/24, the sampling frequency is
increased to 96 or 88.2 kHz to achieve a wide frequency
range of over 40 kHz. In addition, this format has a resolution
of 24 bits, resulting in the same frequency band and dynamic
range as 96kHz / 24 bit PCM signals.
As with conventional DTS surround, DTS 96/24 is compatible
with a maximum of 5.1 channels. DTS 96/24 is fully
compatible with the conventional DTS surround format, so
DTS 96/24 sources can be played using a conventional DTS
5.1 channel decoder.
• DTS-ES™ Discrete 6.1
Because the signals for 6.1 channels (including the surround back
channel) are fully independent, it is possible to achieve a sense
that the acoustic image are moving about freely among the
background sounds surrounding the listener from 360 degrees.
Though maximum performance is achieved when sound
tracks recorded with this system are played using a DTS -ES
decoder, when played with a conventional DTS decoder, the
surround back channel signals are automatically downmixed
to the surround left and surround right channels so that none
of the signal components are lost.
“DTS”, “DTS-ES”, “DTS 96/24” and “Neo:6” are trademarks of
Digital Theater Systems, Inc.
Dolby Digital
Dolby Digital is the multi- channel digital signal format
developed by Dolby Laboratories. Discs bearing the
“
” includes the recording of up to 5.1 channels of
DOLBY
D I G I T A L
• DTS - ES™ Matrix 6.1
digital signals, which can reproduce much better sound
quality, spatial expansion and dynamic range characteristics
than the previous Dolby Surround effect.
With this format, the additional surround back channel
signals undergo matrix encoding and are input to the
surround left and surround right channels beforehand. During
playback, they are decoded to the surround left, surround
right and surround back channels.
Dolby Digital EX
Because the bit stream format is 100% compatible with
conventional DTS signals, the effect of the DTS-ES Matrix 6.1
format can be achieved even with DTS 5.1- channel signal
sources. Of course, it is possible to play DTS-ES Matrix 6.1 -
channel signal sources with a DTS 5.1 - channel decoder.
When DTS-ES Discrete 6.1 or Matrix 6.1 sources are decoded
with a DTS - ES decoder, the format is automatically detected
upon decoding and the optimum surround mode is selected.
However, some DTS - ES Matrix 6.1 sources may be detected
as DTS sources. In this case, the DTS - ES Matrix mode
should be selected manually to play these sources.
This mode creates the back (sometimes also referred to as
“surround center”) signals from the surround left and right
signals in Dolby Digital 5.1 channel source using a matrix
decoder and provides 6.1 channel surround playback. For the
best results, this mode should be selected during playback of
DOLBY
sources(bearing the “
”) recorded in Dolby Digital
EX. With this additional channel, you can experience more
dynamic and realistic moving sound especially.
When Dolby Digital EX sources are decoded with a Dolby
Digital EX decoder, the format is automatically detected upon
decoding and the Dolby Digital EX mode is selected.
However, some Dolby Digital EX sources may be detected as
Dolby Digital sources. In this case, the Dolby Digital EX mode
should be selected manually to play these sources.
DTS Neo : 6™ surround
This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals to the high precision digital
matrix decoder used for DTS-ES Matrix 6.1 to achieve 6.1-
channel surround playback. DTS Neo : 6 surround includes two
modes for selecting the optimum decoding for the signal source.
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• The following modes apply conventional 2-channel signals
such as digital PCM or analog stereo signals to high
performance Digital Signal Processor to recreate sound
fields artificially. Select one of the 13 provided surround
modes according to the program source you want to play.
Dolby Pro Logic IIx surround
Dolby Pro Logic IIx decodes all stereo (2 channel ) and 5.1
channel sources and extends to 7.1channel surround
playback. It delivers the most natural, full range and
immersing 7.1 channel listening experience. Dolby Pro Logic
IIx surround includes two modes as follows :
• Dolby Pro Logic IIx Movie
Theater
When enjoying movies, this mode allows you to further
enhance the cinematic quality by adding processing that
emphasizes the sounds of the action special effects.
This mode provides the effect of being in a theater -in-the
round when watching a play.
Movie
• Dolby Pro Logic IIx Music
This mode provides the effect of being in a movie theater
when watching a movie.
When listening to music, this mode allows you to further
enhance the sound quality by adding processing that
emphasizes the musical effects.
Hall 1/2
This mode provides the ambience of a chamber hall for
chamber music or an instrumental solo (Hall 1) or a concert
hall for orchestral music or an opera (Hall 2).
Dolby Pro Logic II surround
This mode applies conventional 2-channel signals such as
digital PCM or analog stereo signals as well as Dolby
Surround signals, etc. to surround processing to offer
improvements over conventional Dolby Pro Logic circuits.
Dolby Pro Logic II surround includes Dolby Pro Logic II Movie
and Dolby Pro Logic II Music like Dolby Pro Logic IIx
surround.
Stadium
This mode provides the expansive sound field to achieve the
true stadium effect when watching baseball or soccer games.
Church
This mode provides the ambience of a church for baroque,
string orchestral or choral group music.
Dolby Virtual Speaker
This mode creates a virtual surround sound field using as few
as two front speakers, allowing you to experience listening
from 5.1 channel speakers.
This mode is effective not only for 5.1 channel sources but
also for stereo( 2 channel ) sources.
Club 1/2
This mode creates the sound field of a jazz club with a low
ceiling and hard walls (Club 1) or a live house with a relatively
spacious floor (Club 2).
Arena 1/2
Dolby Headphone
This mode provides the feeling of a live concert in a medium -
sized (Arena 1) or large (Arena 2) arena.
The Dolby Headphone function simulates 5.1 channel
surround sound, which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like
listening from 5.1 channel speakers.
This mode is effective not only for 5.1 channel sources but
also for stereo( 2 channel ) sources.
Game
Use this mode to enjoy video game sources.
4CH Stereo
Manufactured under license from Dolby Laboratories.
“Dolby”, “Pro Logic” and the double-D symbol are trademarks
of Dolby Laboratories.
This mode creates a wider, deeper and more natural
soundstage from 2 channel PCM or analog stereo sources.
The front left channel signals are output to the surround left
channel and the front right channel signals are output to the
surround right channel.
MPEG Multichannel
This mode is a surround system which faithfully reproduces
the ambience and dynamics of movie soundtracks and music
alike. Though the number of audio channels are same as
Matrix
This mode reproduces a delayed signals from the surround
channels to emphasize the sense of expansion for music
sources.
Dolby Digital, discs bearing the “
” provides
much better at locating individual sounds to the correct and
stable position in the sound stage.
• When using the 8 CH DIRECT INs to play back the sound
from the additional multi-channel decoder for surround
sound, you can enjoy the corresponding surround sound,
too.( For details, refer to the operating instructions of the
component to be connected.)
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For your reference, the sound from each channel can be reproduced according to the surround modes as follows:
Channels
SURROUND
L/R
SURROUND BACK
L/R
FRONT L/R
CENTER
SUBWOOFER
Modes
DTS, DTS 96/24
DTS ES DISCRETE/MATRIX
DTS NEO 6: CINEMA/MUSIC
DOLBY DIGITAL
DOLBY DIGITAL EX
DOLBY PRO LOGIC IIx MOVIE/MUSIC
DOLBY PRO LOGIC II MOVIE/MUSIC
DOLBY VIRTUAL SPEAKER
MPEG
4CH STEREO
Other Surrounds
STEREO
8 CH DIRECT
(*): Depending on the subwoofer mode setting, the sound from the subwoofer channel may be reproduced.
• Depending on the speaker settings and the number of the encoded channels, etc. the sound from the corresponding channels
cannot be reproduced.(For details, refer to “SETTING THE SPEAKER SETUP” on page 49.)
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ENJOYING SURROUND SOUND
• Surround sound effect will not work properly if the signal passes through a graphic equalizer.
Please refer to your equalizer operating instructions for guidance on switching off (or defeating) the equalizer.
Note:
• Before surround playback, first perform the SPEAKER SETUP procedure, etc. on the OSD menu for optimum performance.
(For details, refer to “SETTING THE SPEAKER SETUP” on page 49.)
Depending on the input digital signal format, select the desired decoding mode.
• You can select the “DTS”, “DOLBY DIGITAL”, “MPEG” or
“PCM” mode directly on the remote control.
• Each time the DECODING MODE button is pressed, the
decoding mode changes as follows :
1
or
* Auto mode(“AUTO” lights up): The input digital signal format
(DTS, Dolby Digital, MPEG or PCM( 2 channel stereo), etc.)
used by the selected digital input source is detected
automatically to perform the necessary decoding process for
optimum surround mode.
* Dolby Digital mode(“DOLBY DIGITAL” lights up): The Dolby
Digital signal processing is performed only when Dolby Digital
signals are input.
* DTS mode(“ DTS” lights up): The DTS signal processing is
performed only when DTS signals are input.
* MPEG mode(“MPEG” lights up): The MPEG signal processing
is performed only when MPEG signals are input.
* PCM mode(“PCM” lights up): The PCM signal processing is
performed only when PCM signals are input.
Notes :
• Only when the digital input is selected as signal input for the
input sources except TUNER and TAPE MONITOR, the
decoding mode can be selected.
• Noise may be generated at the beginning of playback and
while searching during DTS playback in the auto mode. In this
case, try playing in the DTS mode.
Select the desired surround mode.
2
or
• Each time the MULTI CONTROL knob is rotated or the DSP
MODE UP(>) or DOWN(<) button is pressed , the surround
mode changes depending on the input signal format and the
selected decoding mode as follows :
Signal format being input
Dolby Digital 5.1,
Selected decoding mode
Auto, Dolby Digital mode
Selectable surround mode
(DOLBY DIGITAL EX,)
Dolby Digital EX 6.1 channel sources
Dolby Digital 2 channel sources
DOLBY DIGITAL
(DOLBY DIGITAL EX,) DOLBY DIGITAL, PL II MOVIE,
PL II MUSIC
DTS sources
DTS 96/24 sources
MPEG sources
PCM ( 2 channel ) sources
Analog stereo sources
Auto, DTS mode
(DTS ES MATRIX or DTS ES DISCRETE,) DTS
DTS 96/24
MPEG
PL II MOVIE, PL II MUSIC, BYPASS,
DTS NEO 6 : CINEMA, DTS NEO 6 : MUSIC, THEATER,
MOVIE, HALL 1/2, STADIUM, CHURCH, CLUB 1/2,
ARENA 1/2, GAME, 4CH STEREO, MATRIX
Auto, MPEG mode
Auto, PCM mode
( ): Possible only when surround back channel is not set to “None”.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)
BYPASS mode: Audio signals bypass signal processing circuits for surround sound and are played in stereo mode.
If Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode is combined with BYPASS mode, you will enjoy its original surround
effects, not affected by other surround modes.
• When MPEG signals are input in the required decoding mode, the corresponding surround mode will be automatically selected
regardless of using the MULTI CONTROL knob or DSP MODE UP(>) or DOWN(<) button.
Notes:
• When the selected decoding mode is not matched to the input signal format, the indicator of the signal being input flickers, meaning
the required process cannot be performed and no sound is heard. Therefore, be sure to select the required decoding mode and the
available surround mode according to the input signal format.
• When the 8 CH DIRECT is selected as an input source, the decoding and surround modes cannot be selected.
• When the pure audio function is activated, the surround mode cannot be selected.
• When 96 kHz PCM signals are input, only the stereo mode can be selected.
• When DTS 96/24 or MPEG signals are input, the Dolby Pro Logic IIx, Dolby Virtual Speaker and Dolby Headphone modes cannot
be selected.
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Continued
When canceling the surround mode for normal stereo operation.
• Depending on the signal format which is being input, either the stereo
mode or the 2CH downmix mode is selected.
• To cancel either the stereo mode or the 2 CH downmix mode, select
the desired surround mode with using the MULTI CONTROL knob
or DSP MODE UP/DOWN (>/<) buttons.
or
2CH downmix mode
• This mode allows the multi-channel signals encoded in DTS, Dolby Digital or MPEG format to be mixed down into
2 front channels and to be reproduced through only two front speakers or through headphones.
• When the HEADPHONE SELECTOR button is set to the speaker off mode to listen with headphones, if the Dolby
Headphone off mode is selected while playing the digital signals from DTS, Dolby Digital or MPEG sources, it will
enter the 2CH downmix mode automatically.
To cancel the 2CH downmix mode, select the desired Dolby Headphone mode with pressing the DOLBY
HEADPHONE button.(For details, refer to “To listen in a Dolby Headphone mode” on page 36.)
Listening in a Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode
To listen in a Dolby Pro Logic IIx mode
Note : When the power amplifier for the surround back channels is assigned to the “ROOM2” or the surround back
channel is set to “None”, the Dolby Pro Logic IIx mode cannot be selected.
• While listening in a surround mode, select the desired Dolby Pro Logic IIx mode.
• Each time this button is pressed, the mode changes as follows:
or
PL IIx MOVIE
PL IIx MUSIC
Off(original surround mode)
• Combined with the original surround mode, Dolby Pro Logic IIx decoding creates 6.1 or 7.1 channel surround
sound depending on whether the surround back channel is set to “1CH” or “2CH”.
• In case of playing in the stereo or 2CH downmix mode, it is canceled and the selected Dolby Pro Logic IIx mode
will be combined with the previous surround mode.
• The desired mode can be selected with pressing the CURSOR RIGHT( ) button only when the OSD menu
operation is not performed.
To listen in a Dolby Virtual Speaker mode
• This mode creates a virtual surround sound field using as few as two front speakers, allowing you to experience
listening from 5.1 channel speakers.
Note : Before using Dolby Virtual Speaker function, first set the speaker layout and virtualization mode as
desired.(For details, “When selecting the VIRTUAL SPEAKER SETUP” on page 52.)
• While playing in a surround mode,
• “DOLBY VS ~” is displayed and combined with the original
surround mode, this mode is activated.
• In case of playing in the stereo or 2CH downmix mode, it is
canceled and the selected Dolby Virtual Speaker mode will be
combined with the previous mode.
or
• To cancel the Dolby Virtual Speaker mode, press this button again.
Then it returns to the previous mode.
• The desired mode can be selected with pressing the CURSOR LEFT
(
) button only when the OSD menu operation is not performed.
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Continued
To listen in a Dolby Headphone mode
• The Dolby Headphone function simulates 5.1 channel surround sound, which allows you to enjoy 5.1 channel
surround sound through 2 channel headphones, just like listening from 5.1 channel speakers.
Note : Only when the HEADPHONE SELECTOR button is set to the speaker off mode, the Dolby Headphone
mode can be selected.
• While listening with headphones, select the desired Dolby Headphone mode.
• Each time this button is pressed, the mode changes as follows :
DOLBY HEADPHONE 1: This simulates the soundfield as if you were in a
relatively small room with less reverberations.
DOLBY HEADPHONE 2: This simulates the soundfield as if you were in a
typical listening room with moderate reverberations.
or
DOLBY HEADPHONE 3: This simulates the soundfield as if you were in a
large space like theater.
Off : Depending on the signal format which is being input, either the stereo
mode or the 2CH downmix mode is selected.
• Combined with the current mode, the selected Dolby Headphone
mode is activated.
• The desired mode can be selected with pressing the CURSOR UP(
)
button only when the OSD menu operation is not performed.
Notes :
• In case that the original surround mode is “DOLBY DIGITAL EX” or “DTS ES” mode, it will be automatically
changed to “DOLBY DIGITAL” or “DTS” mode.
• Only when playing a stereo (2 channel) source in “PL IIx”, “DOLBY VS” or “DOLBY HEADPHONE” mode, you
can select the original surround mode to be combined with use of the MULTI CONTROL knob or the DSP MODE
UP(>)/DOWN(<) buttons.(However, in case of “PL IIx” mode, you cannot select “PL II”mode.)
• When “PL IIx” mode is selected while playing in “PL II” mode, it will be automatically changed to “DOLBY
DIGITAL” or “BYPASS” mode depending on the signal format which is being input.
Selecting the desired surround speakers for different program sources
• When two sets of surround speakers are connected to the SURROUND A and B speaker terminals and are installed
as described in “Speaker placement” on page 11, to achieve more effective surround sound depending on whether
program source is movie or music and the different surround modes for the two types of sources, you can select the
desired surround speakers.
• Each time this button is pressed, the surround speakers are selected
as follows :
Surround A : When using surround speakers A for watching movies.
(“
” lights up)
Surround B : When using surround speakers B for playing multi-channel
(“
” lights up)
music.
Surround A and B : When using both surround speakers A and B.
(“
” light up)
Selecting the surround back channel mode as connected
• You can set the surround back channel mode according to surround back speaker connection.
• Each time this button is pressed, the mode changes as follows :
1 channel : When a surround back speaker is connected.
(“
” lights up)
SB
2 channel : When two surround back speakers are connected.
(“
SB
” lights up)
None : When surround back speakers are not connected.
Note: When the power amplifier for surround back channels is assigned to “ROOM2” or the surround speakers are
all set to “None”, the surround back channel is automatically set to None.
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Adjusting each channel level with test tone
• The volume level of each channel can be adjusted easily with the test tone function.
Note: When speakers are switched off , the test tone function does not work.
Enter the test tone mode.
• The test tone will be heard from the speaker of each
channel for 2 seconds as follows:
FL
FC
FR
SR
1
Front Left
Center
Front Right
Surround Right
SUB
SL
(
SC) or
(
B L
BR)
SUBwoofer Surround Left (Surround Center)
(Surr. Back Left Surr. Back Right)
• Depending on the speaker setting(None or No), the
test tone of the corresponding channel is not
available.
• ( ): possible depending on whether the surround back
channel is set to 2 CH or 1 CH.
At each channel, adjust the level as desired
until the sound level of each speaker is
heard to be equally loud.
Cancel the test tone function.
3
2
or
DOWN
UP
• You can select the desired channel and adjust its
level with repeating the steps and in
“Adjusting the current channel levels” procedure.
Adjusting the current channel levels
• After adjusting each channel level with test tone, adjust the channel levels either according to the program
sources or to suit your tastes.
• If you have performed the CH LEVEL SETUP procedure on the OSD menu, you can memorize the adjusted
channel levels into preset memory(PRESET 1, PRESET 2) and recall the memorized whenever you want.
(Refer to “SETTING THE CH LEVEL SETUP” on page 66.)
Select the desired channel.
• Each time this button is pressed, the corresponding
channel is selected as follows:
FRONT-L FRONT-C FRONT-R SURR-R
1
SUBWOOFER SURR-L ( SURR-C) or ( BACK-L BACK-R)
• Depending on the speaker settings and surround
mode, etc., some channels cannot be selected.
• ( ): possible depending on whether the surround back
or
channel is set to 2 CH or 1 CH.
Note: When speakers are switched off, only
FRONT-L and FRONT-R channels can be
selected.
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Adjust the level of the selected channel as
desired.
Repeat the above steps
each channel level.
and to adjust
3
2
or
DOWN
UP
Adjusting the Dolby Pro Logic IIx / Dolby Pro Logic II Music parameters
• When selecting either the Dolby Pro Logic IIx Music mode or the Dolby Pro Logic II Music mode depending on
whether “S/B CH” is set to “None” or not, you can adjust the various surround parameters for optimum surround
effect.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)
• In case of PL IIx MUSIC mode, only when original surround mode is “BYPASS” mode or 2 channel digital signals
from Dolby Digital sources, etc. are input, these parameter settings affect the surround effects.
Press the DOLBY PL II MUSIC PARAMETER button to select the desired parameter.
1
• Each time this button is pressed, the parameter changes
and is displayed for several seconds as follows;
Panorama mode(“PANORAMA”, default value : OFF)
This mode extends the front stereo image to include
the surround speakers for an exciting “wraparound”
effect with side wall imaging. Select “OFF” or “ON”.
Center width control(“C-WIDTH”, default value : 0)
This adjusts the center image so it may be heard only
or
from the center speaker, only from the left/right
speakers as a phantom image, or from all three front
speakers to varying degrees.
The control can be set in 8 steps from 0 to 7.
Dimension control(“DIMENSION”, default value : 0)
This gradually adjusts the soundfield either towards
the front or towards the rear. The control can be set
in 7 steps from -3 to +3.
At the desired parameter, adjust it as desired.
Repeat the above steps
adjust other parameters.
and to
2
3
or
DOWN
UP
• If the parameter display disappears, start from the
step again.
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LISTENING TO RADIO BROADCASTS
Select the desired band.
Auto tuning
2
Select the tuner.
1
BAND
FREQUENCY
or
• Each time this button is pressed, the band is changed
to FM or AM.
• When pressing the BAND button without selecting
the TUNER, the tuner will be selected automatically.
Press the TUNING UP(+) or DOWN(-) button for more than 0.5 second.
3
+
• Then “ AUTO” appears on the display. The tuner
will now search until a station of sufficient strength
has been found. The display shows the tuned
frequency and “TUNED”.
or
• If the station found is not the desired one, simply
repeat this operation.
• Weak stations are skipped during auto tuning.
Manual tuning
+
• Manual tuning is useful when you already know the
frequency of the desired transmitter.
or
• Perform the steps
~
in “Auto tuning” procedure and
press the TUNING UP(+) or DOWN(-) button
repeatedly until the right frequency has been reached.
Auto presetting
• Auto presetting function automatically searches for FM stations only and store them in the memory.
• While listening to radio broadcasts, press and hold down the (ENTER/)MEMORY button for more than 3 seconds.
• Then “AUTO” lights up and this unit starts auto
presetting.
• Up to 30 FM stations can be stored.
Notes:
• FM stations of weak strength cannot be memorized.
• To memorize AM stations or weak stations, perform
“Manual presetting” procedure with using “Manual
tuning” operation.
or
• When performing auto presetting with the remote
control, first be sure to turn off the OSD menu display.
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Press the (ENTER/) MEMORY button.
Manual presetting
• You can store up to 30 preferred stations in the
memory.
2
Tune in the desired station with auto or
manual tuning.
1
or
Note
• When performing manual presetting with the remote
control, first be sure to turn off the OSD menu
display.
• “MEMORY” is flickering for several seconds.
Select the desired preset number (1~30) and press the (ENTER/)MEMORY button.
3
+
• The station has now been stored in the memory.
• A stored frequency is erased from the memory by
storing another frequency in its place.
or
• If “MEMORY” goes off, start again from the above
step
.
MEMORY BACKUP FUNCTION
The following items, set before the receiver is turned
off, are memorized.
Repeat the above steps to
memorize other stations.
to
4
• INPUT SELECTOR settings
• Surround mode settings
• Preset stations, etc.
Tuning to preset stations
• After selecting the tuner as input source, select the desired preset number.
+
or
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Scanning preset stations in sequence
Listening to FM stereo broadcasts
• While listening to FM broadcasts.
• Each time this button is pressed,
the FM mode changes as follows;
Stereo mode : “STEREO” lights up.
Mono mode : “STEREO” goes off.
• The receiver will start scanning the stations in the
preset sequence and each station is received for 5
seconds.
• When FM stereo broadcasts are poor because of weak
broadcast signals, select the FM mono mode to reduce
the noise, then FM broadcasts are reproduced in
monaural sound.
• At the desired station, press this button again to
stop scanning.
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RECORDING
• The analog signals from the 8 CH DIRECT inputs as well as the digital signals from DIGITAL inputs can be heard but cannot
be recorded.
• The volume, channel level, tone(bass, treble) settings, etc. have no effect on the recording signals.
Start recoding on the component
connected to TAPE MONITOR.
Recording with TAPE MONITOR
2
Select the desired input as a recording source
except TAPE MONITOR.
1
Start play on the desired input.
or
3
• For tape monitor function, refer to “TAPE MONITOR
function” on page 28.
Start recording on the component
connected to VIDEO 1.
Dubbing from video components onto
VIDEO 1
2
Select the desired input of VIDEO 2~ 4 as
a recording source except VIDEO 1.
Start play on the desired input.
1
3
• The audio and video signals from the desired input will be
dubbed onto the VIDEO 1and you can enjoy them on the
TV set and from the speakers.
• When the VIDEO 2(/ROOM 2) IN/OUT jacks are
connected to video recording component such as video
deck, etc., in the same manner, recording with VIDEO 2
can be performed.
or
(If this is the case, be sure to deactivate the ROOM 2
function and to set the VIDEO 2 OUT to On. For details,
refer to “When selecting the VIDEO 2 OUT” on page 60.)
Select VIDEO 2 as a image recording
source with performing “When selecting
the CURRENT VIDEO” procedure on
page 59.
Dubbing the sound and image signals
separately onto VIDEO 1
2
E
xample) When dubbing the VIDEO 2 image signal and
the CD sound signal separately onto VIDEO 1.
Select CD as an sound recording source.
1
Image source
Sound source
or
Image source
Sound source
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Start recording on the component
connected to VIDEO 1.
Start play on the components connected to
VIDEO 2 and CD respectively.
3
4
• The audio signal from the CD and the video signal
from the VIDEO 2 will be dubbed and you can enjoy
them on the TV set and from the speakers.
• When the VIDEO 2(/ROOM 2) IN/OUT jacks are
connected to video recording component such as
video deck, etc., in the same manner, recording with
VIDEO 2 can be performed.
(If this is the case, be sure to deactivate the ROOM
2 function and to set the VIDEO 2 OUT to On. For
details, refer to “When selecting the VIDEO 2
OUT” on page 60.)
DIGITAL AUDIO RECORDING WITH MD RECORDER
• Only when the OPTICAL DIGITAL OUT of this receiver is connected to the OPTICAL DIGITAL IN of the MD recorder or CD
recorder, you can enjoy high-quality sound of digital recording without converting the original signals. Refer to “CONNECTING
AUDIO COMPONENTS” and “CONNECTING DIGITAL INs and OUT” on page 6 and 8 and the operating instructions of the
MD recorder or CD recorder.
Notes:
• Digital recording is available for the digital audio program sources such as CDs, MDs, some DVDs, etc.
• In most DVDs as well as some CDs, etc., digital recording may not be available depending on the signal format.
• There are some restrictions on recording digital signals. When making digital recordings, refer to the operating instructions of
your digital recording equipment to know what restrictions are imposed.
Select a desired input of CD, AUX and
VIDEO 1~VIDEO 4 as a recording source.
For digital recording, select the desired
digital input as recording signal input.
1
3
2
or
or
• Each time this button is pressed, the corresponding
input is selected as follows:
DIGITAL
ANALOG
Note : When the selected digital input is not
connected, “DIGITAL” is flickering,
meaning no recording as well as no sound.
Start play on the desired input.
Start recording on the component
connected to OPTICAL DIGITAL OUT.
4
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OTHER FUNCTIONS
Adjust the dynamic range as desired.
Compressing the dynamic range
(Dolby Digital sources only)
2
• This function compresses the dynamic range of
previously specified parts of the Dolby Digital sound
track(with extremely high volume)to minimize the
difference in volume between the specified and non-
specified parts.
This makes it easy to hear all of the sound track when
watching movies at night at low levels.
While the digital signals from the Dolby
Digital program source are being input.
1
• Each time the MULTI CONTROL knob is rotated,
the compression rate changes as follows:
• In some Dolby Digital software, this function may
not be available.
• “DYNAMIC : ~” is displayed for several seconds.
• If the dynamic range mode disappears, start again
from the above step
.
Operating the sleep timer
Adjusting the brightness of the
fluorescent displays
• The sleep timer allows the system to continue to
operate for a specified period of time before
automatically shutting off.
• To set the receiver to automatically turn off after the
specified period of time.
• Each time this button is pressed, the brightness of all
fluorescent displays of Sherwood components
connected by the DIGI LINK III changes together as
follows:
• Each time this button is pressed, the sleep time
changes and disappears in several seconds as follows:
10
20
30
60
90
OFF
Unit : minutes
ON
dim
OFF
• While operating the sleep timer, “
” lights up.
• In the display OFF mode, pressing any button will
restore the display ON mode.
• When the sleep time is selected, all display panels of
Sherwood components connected by the DIGI LINK
III are dimly lit.
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Press the LABEL button to enter the label
input mode.
Example ) When selecting VIDEO 1.
Entering a label
2
4
• This function can be operated on the input sources
except TUNER, TAPE MONITOR and 8 CH
DIRECT.
Select the desired input source to enter its
label.
1
Confirm your selection.
or
• Then the next digit will flicker.
Select the character on the flickering digit.
Repeat the above steps
the desired characters on the rest of the
digits.
and to enter
3
5
• On up to 9 digits, the desired characters can be entered.
Note: If any of INPUT SELECTOR buttons is
pressed while entering a label, the label input
mode will be canceled.
• Each time the MULTI CONTROL knob is rotated,
the characters change as follows:
Blank (
)
Memorize the desired label.
Alphabets: A~Z, a~z
Numerals: 0~9
Symbols:
6
Repeat the steps
label” procedure.
~
in “Entering a
Correcting or clearing a label
2
Select the desired input source to be
rectified or cleared.
1
• To clear a label, make a blank on each digit and
memorize it, then the label is cleared and its factory
input source will be displayed.
• If the LABEL button is pressed for more than 3
seconds, blanks will be made on all the digits at
once.
or
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ROOM 2 SOURCE PLAYBACK
• This function allows enjoying one source in the main room and playing another in a different room at the same time.
• The analog signals from the 8 CH DIRECT inputs and TAPE MONITOR INs as well as the digital signals from the coaxial or optical digital input
cannot be output from the (VIDEO 2/) ROOM 2 OUTs, meaning no playback in a different room.
• When you connect the multi-room system kit to the IR IN jack of this unit, you can control this unit with not only the universal remote control unit
but also the ROOM2 remote control unit in a different room, too.
(For details, refer to “CONNECTING MULTI-ROOM SYSTEM KIT” on page 12 and “ROOM 2 Romte controls” on page 27.)
CAUTION : Even when the ROOM 2 function is deactivated, if the VIDEO 2 OUT is set to On, the signals of the selected source as a
main room source will be output from the VIDEO 2/ROOM 2 OUTs.(For details, refer to “When selecting the VIDEO 2 OUT”
on page 60.)
When using the ROOM 2 remote control unit
• You can use the ROOM 2 function with the ROOM 2
remote control unit more conveniently.
When using the universal remote control unit or the
buttons on the front panel.
Press the ROOM 2 button.
Press the ROOM 2 button.
ROOM2
ROOM2
PHONO
AUX
CD
TUNER
1
AUDIO
VIDEO
VIDEO
1
4
VIDEO
VIDEO
2
5
VIDEO
3
VIDEO
6
1
VIDEO
MUTE
VOLUME
or
• “R2” lights up and “(R2)~” is displayed for several
seconds and the ROOM 2 function is activated.
• To cancel the ROOM 2 function, press it again.
Then “R2” goes off.
• “R2” lights up and “(R2)~” is displayed for several seconds
• In the operating mode, when one of the ROOM 2
INPUT SELECTOR buttons on this remote control
is pressed, the ROOM 2 function is automatically
activated without pressing the ROOM 2 button and
the desired input is selected.
and the ROOM 2 function is activated.
• To cancel the ROOM 2 function, press it again.
Then “R2” goes off.
• You can cancel the ROOM 2 function with using these
buttons even in the standby mode.
Select the desired
input as a ROOM 2
source.
ROOM2
PHONO
AUX
Select the desired input as a ROOM 2 source
while displaying “(R2)~”.
CD
TUNER
CD
TUNER
AUDIO
VIDEO
VIDEO
1
4
VIDEO
VIDEO
2
5
VIDEO
3
AUX
VIDEO
VIDEO
VIDEO
6
AUDIO
2
VIDEO
2
1
4
VIDEO
2
VIDEO
3
MUTE
VOLUME
• The selected ROOM 2 source is
displayed for several seconds as
follows: (R2) TUNER, (R2) CD,
(R2) AUX, (R2) VIDEO 1~4.
VIDEO
or
• Only these sources can be played in another room.
• When an audio program source is selected, as a ROOM 2
source, the image of the video program source selected
previously can be played separately, too. (For details, refer
to “ SETTING THE ROOM2 FEED SETUP” on page 69.)
• The selected ROOM 2 source is displayed for several
seconds.
• The MUTE and VOLUME UP/DOWN(
this remote control can be available only when the ROOM 2
/
) buttons on
function is operating.
Note:
• Only while displaying “(R2)~”, the volume level for the
ROOM 2 source can be adjusted.
• When “(R2)~” is not displayed, press the ROOM 2 button
briefly twice.
• When the muting effect for the ROOM 2 source is operating,
“MUTE” is flickering.
Start play on the component related to the
ROOM 2 source.
Start play on the component related to the
ROOM 2 source.
3
3
Notes:
• When the pure audio function is activated for the main room source, the video signals of the ROOM 2 source cannot be output, too.
• Even when this receiver enters the standby mode, in such a case that “R2” lights up still and the STANDBY button lights up in blue
as it does in the operating mode, meaning only the ROOM 2 circuitry operates, the ROOM 2 source can be played independently.
• When the ROOM 2 function is operating in the standby mode, only the ROOM 2 remote control unit is available.
• When you do not use the ROOM 2 function, cancel the ROOM 2 function to save electricity.
• For ROOM 2 volume adjustment, refer to “SETTING THE ROOM 2 FEED SETUP” on page 69.
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Using the OSD
This unit incorporates an OSD(On-screen display) function to provide information about basic operation of this unit and to simplify the
setup procedures.
The OSD function uses a monitor TV connected to this unit as a display and has two kinds of display modes such as current status display
and menu screen.
Notes :
• Any on-screen display shown on the monitor TV will not be recorded.
• Because this unit cannot support the OSD function for the progressively scanned video signal, the OSD for current status and menu
settings may be displayed abnormally or may not be displayed.
CURRENT STATUS DISPLAY
This mode shows the status corresponding to each operation.
• The on-screen display will automatically disappear in several seconds.
• For examples, there are 2 status displays as follows.
Notes :
• When watching a movie earnestly, if you want to turn off the current status display function, set the OSD auto display mode to Off.(For
details, refer to “When selecting the OSD AUTO DISPLAY” on page 59.)
Current status display function might not operate as expected if :
• You view a movie via MONITOR COMPONENT OUTs while component video signals are input into this receiver.
• You view a movie via MONITOR COMPOSITE OUT while S-Video signals and composite video signals are input into this receiver.
When selecting the desired input source.
When selecting the TEST TONE mode.
VIDEO 1 (OPTICAL 1)
Channel level or
overall volume display
FL
:
------ ------
:
0 dB
Input source
Signal input
• When adjusting overall volume, the volume level display will be shown.
• The test tone display will be shown until the test tone mode is canceled.
OSD Menu Settings
• The OSD menu allows you to perform the setup procedures easily. In most situations, you will only need to set this once during the installation
and layout of your home theater, and it rarely needs to be changed later. The OSD menu consists of 6 main menus: power amp assign, speaker
setup, system setup, surround setup, CH level setup and room 2 feed setup. Some of these menus are divided into various sub-menus.
• The OSD menu settings are performed easily with the CURSOR control(
,
,
,
), OSD, RETURN and ENTER buttons.
Notes :
• In such a case of making only COMPONENT VIDEO connections between this receiver and video component, while viewing a movie via
the MONITOR COMPONENT OUTs, if the OSD menu operation is performed, the picture is automatically turned off and only the OSD
menu is displayed.
• When S-Video signals and composite video signals are input into this receiver, even though the OSD menu operation is performed, the
OSD menu cannot be displayed via MONITOR COMPOSITE OUT.
Turn the menu screen on.
M A I N
ME N U
1
POWE R A MP A S S I G N
S P E A K E R
S Y S T E M
S E T U P
S E T U P
S E T U P
S E T U P
S U R R O U N D
C H L E V E L
R OOM 2 F E E D S E T U P
,
: M o v e
O S D : Q u i t
E N TE R : S e l e c t
• In the bottom of the display, “OSD” stands for the OSD button,
“RETURN” for “RETURN”, “ENTER” for “ENTER”, “ ”,
“
”, “ ” and “ ” for CURSOR UP( ), DOWN( ),
• The main menu will be shown.
LEFT( ) and RIGHT( ).
• To turn the menu screen off, press this button again.
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Select the desired menu using the CURSOR
UP( )/DOWN( ) buttons.
2
3
Confirm your selection.
• The selected category or item will provide the needed
setting details using the subsequent screens.
When selecting the POWER AMP ASSIGN
When selecting the SPEAKER SETUP
P O WE R
AMP A S S I G N
S P E AKE R
S E T U P
S P E A K E R C O N F I G U R A T I O N
S P E A K E R D I S T A N C E
V I R T UA L S P E A K E R S E TUP
SUBWOOFER : A C T I V E
SUBWOOFER M O D E : L F E
C R O S S O V E R F R E Q . : 8 0 H z
A U T O S P E A K E R S E T UP
S / B AC K
ROOM 2
49
49
,
: Mo v e
R E T U R N : B a c k
,
: S e l e c t
R E T U R N : B a c k E N T E R : S e l e c t
When selecting the SYSTEM SETUP
When selecting the SURROUND SETUP
S Y S T E M
S E T U P
S URROUN D
S E T U P
D I G I T A L I N P U T S E T U P
TO NE C O N T R O L
OSD A U T O D I S P L A Y :
DE C O D I NG M O D E
S U R R OUN D M O D E
:
:
A U T O
On
VID 1
CURR E N T V I D E O :
DO L B Y D I G I T A L E X
N O N E
DY N A M I C R A N G E
P L I MUS I C P A R A M E T E R
63
57
COMPON E N T V I D EO S E T U P
Off
+
V I DE O
2
O U T :
:
0 . 0
D C T R I G G E R S E TU P
A / V S Y N C : 0 F r a m e
I
x
R E T U R N : B a c k
,
: S e l e c t
R E T UR N : B a c k E N T E R : S e l e c t
When selecting the CH LEVEL SETUP
When selecting the ROOM2 FEED SETUP
R OO M 2 F E E D S E T U P
C H
L E V E L
S E T U P
Variable
Off
P R E SE T 1
P R E SE T 1
P R E SE T 2
P R E SE T 2
:
:
C AL L
T R I M
C AL L
T R I M
V O L U M E MOD E
R O O M 2 F E E D
T U N E R
C D
A U X
:
:
V I D E O
V I D E O
V I D E O
V I D E O
1
2
3
4
69
66
C H
L E V E L T R I M
L F E L E V E L T R I M
,
: S e l e c t
R E T U R N : B a c k
E N T E R : C a l l
R E T U R N : B a c k
,
: S e l e c t
• For the setting details, see page in
.
• Adjust the setting(s) in each setting category to your preference.
• When the RETURN button is pressed on a sub-menu, the previous menu is resumed.
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SETTING THE POWER AMP ASSIGN
• You can assign the power amplifier for the surround back channels to the ROOM 2.
In this case, you need not use the power amplifier to drive the speakers additionally in a different room (ROOM 2).
P O WE R
AMP A S S I G N
S / B AC K
ROOM 2
R E T U R N : B a c k
,
: S e l e c t
Press the CURSOR LEFT( )/RIGHT( ) buttons to use the power amplifier as desired.
• Each time these buttons are pressed, the power amplifier is
assigned as follows :
S /BACK : Select this to use power amplifier for the surround back
channels.
ROOM 2 : Select this to use it for the ROOM 2.
SETTING THE SPEAKER SETUP
• After you have installed this unit and connected all the components, you first perform the speaker setup settings for the
optimum sound acoustics according to your environment and speaker layout.
• Even when you change speakers, speaker positions, or the layout of your listening environment, you should perform the speaker
setup settings, too.
• When performing the AUTO SPEAKER SETUP procedure, you need not perform the SPEAKER CONFIGURATION, SPEAKER
DISTANCE and CH LEVEL SETUP procedures.
To select the sizes of the speakers that are connected.
S P E AKE R
S P E A K E R C O N F I G U R A T I O N
S P E A K E R D I S T A N C E
S E T U P
To enter the distance between the listening position and each speaker to set
the delay time automatically for the optimum surround playback.
V I R T UA L S P E A K E R S E TUP
SUBWOOFER : A C T I V E
SUBWOOFER M O D E : L F E
C R O S S O V E R F R E Q . : 8 0 H z
A U T O S P E A K E R S E T UP
To adjust the Dolby Virtual Speaker setting modes as desired.
To select the type of the subwoofer that is connected.
To select the desired subwoofer mode
,
: Mo v e
To select the desired crossover frequency
R E T U R N : B a c k E N T E R : S e l e c t
To set the speaker setup and channel level setup automatically.
When selecting the SPEAKER CONFIGURATION
Press the CURSOR UP( )/DOWN( ) buttons to select the SPEAKER CONFIGURATION, then press
the ENTER button.
1
S P E A K E R CON F I G UR A T I O N
Yes
SU BWOO F E R :
Large
F R ON T
CE N T E R
SU R R . A / B
SU R R . ( A )
SU R R . ( B )
S / B C H
:
:
:
:
:
:
:
Large
A + B
Large
Large
2CH
Large
SU R R . B A CK
R E T U R N : B a c k
,
: S e l e c t
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Press the CURSOR UP( )/DOWN( ) buttons to select the desired speaker.
2
• Each time these buttons are pressed, “ ” and “ ” are
moved to the corresponding speaker mode.
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.
3
• Depending on your speaker type, you can select one of these following speaker types.
• Yes/No : Select the desired depending on whether a subwoofer is connected or not.
• Large : Select this when connecting speakers that can fully reproduce sounds below
crossover frequency.
• Small : Select this when connecting speakers that cannot fully reproduce sounds below
crossover frequency.When this is selected, sounds below crossover frequency
are sent to the subwoofer.
• None : Select this when no speakers are connected. When this is selected, sounds are
sent to the speakers which are not set to None.
• A/B/A+B : Select the desired depending on surround speaker connections (and whether
program source is movie or music in such a case that two sets of surround
speakers are connected).
• 2CH/1CH : Select the desired depending on the number of surround back speakers.
Notes :
• When speakers are set to “Small”, you should set the CROSSOVER FREQUENCY correctly according to their low
frequency playback capacity. (Refer to “When selecting the CROSSOVER FREQUENCY” on page 54.)
• When “FRONT’ is set to “Small”, “SUBWOOFER” is automatically set to “Yes”, and when “SUBWOOFER” is set
to “No”, “FRONT” is automatically set to “Large”.
• When “FRONT” is set to “Small”, “CENTER”, “SURROUND” and “SURR. BACK” cannot be set to “Large”.
• When the power amplifier for surround back channels is assigned to “ROOM2” or the surround speakers are all set
to None, “S/B CH” is automatically set to “None”.
• When “SURR. (A)” or “SURR. (B)” is set to “Small”, “SURR. BACK” cannot be set to “Large”.
• If either “SURR. (A)” or “SURR. (B)” is set to “Small”, the output is the same as when “SURR. (A)” and “SURR.
(B)” are both set to “Small”.
Repeat the above steps and
until the speakers are all set to the desired mode.
4
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When selecting the SPEAKER DISTANCE
Press the CURSOR UP( )/DOWN( ) buttons to select the SPEAKER DISTANCE, then press the
ENTER button.
1
S P E A K E R D I S T A N C E
Feet
UN I T
:
F L : 1 0
R : 1 0
F C : 1 0
SURR . ( A )
L
:
1 0
SURR . ( A ) R : 1 0
SURR . ( B ) 1 0
SURR . ( B ) R : 1 0
L
:
B L
:
1 0
R : 1 0
R E T U R N : B a c k
,
: S e l e c t
Press the CURSOR UP( )/DOWN(
buttons to select the unit.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired unit.
)
2
3
• Each time these buttons are pressed, “Meters” or
“Feet” is selected.
• Then “ ” and “ ” are moved to the unit mode.
• Once a unit is selected, the distances are
automatically changed in the selected unit.
Press the CURSOR UP( )/DOWN(
buttons to select the desired speaker.
4
)
Press the CURSOR LEFT( )/RIGHT(
buttons to enter the distance from the
selected speaker to the listening position.
)
5
• You can set the distance within the range of 0.3~9
meters in 0.3 meter intervals(or 1~30 feet in 1 feet
intervals)
• Then “ ” and “ ” are moved to its distance.
• You cannot select the subwoofer and the speakers
set to “None”.
Repeat the above steps
and until the distances are all entered.
6
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When selecting the VIRTUAL SPEAKER SETUP
Press the CURSOR UP( )/DOWN( ) buttons to select the VIRTUAL SPEAKER SETUP, then press
the ENTER button.
1
V I R T U A L S P E A K E R S E T U P
DO L B Y V S : Off
S P E A K E R L A Y OU T :
2 - SPE A K E R
MOD E :
W I DE
R E T U R N : B a c k
,
: S e l e c t
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the DOLBY VS(Virtual Speaker) mode as
desired.
2
3
• Each time these buttons are pressed, the Dolby
Virtual Speaker mode changes as follows :
On : Select this to activate the Dolby Virtual Speaker
function.
Off : Select this to cancel it.
Press the CURSOR UP( )/DOWN(
buttons to select the SPEAKER LAYOUT
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
4
mode.
• You can select the desired one of four speaker
layouts for actual speakers to be used .
• Each time these buttons are pressed , the speaker
layout mode changes as follows :
2- SPEAKER : Select this when using 2 front
speakers.
3- SPEAKER : Select this when using 2 front and
center speakers.
4- SPEAKER : Select this when using 2 front and
2 surround speakers.
5- SPEAKER : Select this when using 2 front, center
and 2 surround speakers.
Note :
• When the speakers are set to “None”, the corresponding
speaker layout modes cannot be selected.
52
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Press the CURSOR UP( )/DOWN(
buttons to select the virtualization mode.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
5
6
• Each time these buttons are pressed, the virtualization
mode changes as follows:
WIDE: This mode expands the front channel sound
field.
REFERENCE: This is the standard mode.
Notes :
• When “WIDE” is selected as virtualization mode,
you can select “2-SPEAKER”, “3-SPEAKER”, “4-
SPEAKER” or “5-SPEAKER”.
• When “REFERENCE” is selected as virtualization
mode, you can select “2-SPEAKER” or “3-
SPEAKER” only.
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the SUBWOOFER
2
• When the subwoofer without built-in amplifier is
connected to “SURROUND BACK/SW” terminals,
you should set “SUBWOOFER” to “PASSIVE”.
Press the CURSOR UP( )/DOWN(
buttons to select the SUBWOOFER.
)
1
• Depending on your subwoofer type , you can select
one of following types.
ACTIVE: Select this when connecting the powered
subwoofer to “SW” of PREOUT jacks.
PASSIVE: Select this when connecting the subwoofer
without built-in amplifier to “SURROUND
BACK/SW” terminals.
Note :
• When “S/B CH” is set to “2 CH” on the SPEAKER
CONFIGURATION menu, the SUBWOOFER
cannot be selected.
Note :
• If “SUBWOOFER” is set to “PASSIVE”, the
SURROUND BACK RIGHT channel of the speaker
terminals and PREOUT jacks is automatically
changed to SUBWOOFER channel.
53
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Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the SUBWOOFER MODE
2
Press the CURSOR UP( )/DOWN(
buttons to select the SUBWOOFER
MODE.
)
1
• Each time these buttons are pressed, the mode
changes as follows :
LFE: Select this when the subwoofer reproduces only
the low Frequency Effects from multi-channel
sources that contain LFE channel, also called
the “.1” channel.
LFE + SW: Select this when the subwoofer reproduces
not only the Low Frequency Effects but
also the bass sounds from stereo(2
channel) analog or PCM sources only.
• Regardless of subwoofer mode setting, the bass
sounds of the speakers set to “Small” can be sent to
the subwoofer.
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired crossover
frequency.
)
When selecting the CROSSOVER
FREQUENCY
2
• Crossover frequency is the frequency (Hz) below
which the bass sound of each main speakers is to
output from the subwoofer or from front speakers
which are set to “Large”(when not using a
subwoofer).
Press the CURSOR UP( )/DOWN(
buttons to select the CROSSOVER
FREQUENCY.
)
1
• You can select the desired within 40~120 Hz in 20 Hz
intervals(default value: 80 Hz).
• For speakers set to “Small”, sound with a frequency
below the selected crossover frequency is cut, and
instead the cut bass sound is output from the
subwoofer or speakers which are set to “Large”.
Example) When 100 Hz is selected, the bass sound
below 100 Hz is output from the
subwoofer or large front speakers(when
not using a subwoofer).
54
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When selecting the AUTO SPEAKER SETUP
• Auto Speaker Setup lets you avoid troublesome listening-based speaker setup and achieve good surround sound. You should
connect the supplied microphone to the SETUP MIC jack so that this receiver can analyze the information from a series of test
tones emitted from speakers and can adjust the size, distance and sound level of each speaker automatically.
• If you want to personalize your speaker setup and channel level setup by making the settings manually, perform the “When
selecting the SPEAKER CONFIGURATION” procedure on page 49, “When selecting the SPEAKER DISTANCE” procedure
on page 51, “Adjusting each channel level with test tone” and “Adjusting the current channel levels” procedures on page 37.
2. Place the microphone on a flat level surface at your normal
listening position.
Preparations
1. Connect the supplied microphone to the SETUP MIC
jack on the rear panel.(For details, refer to
“CONNECTING MICROPHONE” on page 13.)
Note:
• If possible, use a tripod, etc. to attach the microphone at the
same height as your ears would be when you are seated in
your listening position.
• Ensure there are no obstacles between the speakers and the
microphone.
3. For the speakers to be set to “Small”, select the desired
crossover frequency performing the “CROSSOVER FREQ.”
procedure.(For details, refer to “When selecting the
CROSSOVER FREQUENCY” on page 54.)
• After you have completed the auto speaker setup
procedure, be sure to disconnect the microphone.
Press the CURSOR UP( )/DOWN( ) buttons to select the AUTO SPEAKER SETUP, then press
the ENTER button.
1
AUTO SPEAKER SETUP
S T AR T
F L :
F C :
0
0
0
0
0
0
0
0
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
dB , L , 1 0 f
t
t
t
t
t
t
t
t
F R :
AS R :
B S R :
B R :
B L :
B S L :
R E T U R N : B a c k E NTER : S e l e c t
Channel level
Speaker size
• For your reference, “ASR” / “ASL” stands for Surround A
Right/Left and “BSR” / “BSL” for Surround B Right/Left.
Speaker distance
Press the ENTER button to start the auto speaker setup procedure.
Result report
2
AUTO SPEAKER SETUP
ME MORY
F R :
AS R :
B S R :
B R :
0
1
dB , L , 1 0 f
dB , S , 1 0 f
t
t
t
dB , N ,
f
1
dB , S , 0 9 f
t
B L : + 2 dB , S , 0 9 f
t
t
t
B S L :
AS L :
dB , N ,
dB , S , 0 9 f
f
1
SW: + 8 dB
R E T U R N : B a c k ENTER : S e l e c t
• Loud test tones are output from each speaker and then if auto speaker setup procedure has been completed, the results of each
adjustment will be displayed.
• Each time the ENTER button is pressed, the auto speaker setup procedure will start or stop.
• If there may be a problem with speaker or microphone connection, error message will be displayed. In this case, turn off the power,
check the connection as illustrated in error message and then retry the auto speaker setup procedure.
Notes:
• For your reference, other channel levels displayed are the relative levels as compared with FL channel, not adjusted levels.
• Depending on “POWER AMP ASSIGN” and “SUBWOOFER” settings, etc., some channels may be excluded.
(For details, refer to “SETTING THE POWER AMP ASSIGN” and “SETTING THE SPEAKER SETUP” on page 49.)
• Because the test tones are loud, ensure there no infants or small children in the room.
• For best results, ensure the room is as quiet as possible during the auto speaker setup procedure.
If there is too much ambient noise, the results may not be satisfactory.
• If the results are not satisfactory, you can also personalize your speaker setup and channel level setup by making the settings manually.(For
details, refer to “When selecting the SPEAKER CONFIGURATION” on page 49, “When selecting the SPEAKER DISTANCE” on page
51, “Adjusting each channel level with test tone” and “Adjusting the current channel levels” on page 37.)
55
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Continued
To confirm the results, press the CURSOR LEFT( )/RIGHT( ) buttons to select the “MEMORY”,
then press the ENTER button.
3
AUTO SPEAKER SETUP
S T AR T
F L :
0
dB , L , 1 0 f t
F C : + 4 dB , S , 1 0 f t
F R :
AS R :
B S R :
0
1
dB , L , 1 0 f t
dB , S , 1 0 f t
dB , N ,
f t
B R : + 1 dB , S , 0 9 f t
B L : + 2 dB , S , 0 9 f t
B S L :
dB , N ,
f t
R E T U R N : B a c k E NTER : S e l e c t
• Then the results are memorized.
• Each time the CURSOR LEFT( ) or RIGHT( ) button is pressed, the “MEMORY” or “START” is selected.
• However, if error message is displayed, the results cannot be memorized due to incorrect speaker connections,
etc.. In this case, turn off the power, check the connections or change speakers as illustrated in error message
and then retry the auto speaker setup procedure(, or memorize the result suggested in error message).
56
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SETTING THE SYSTEM SETUP
To assign the connected DIGITAL INs to the desired input sources respectively
To adjust the tone as desired or to select the desired cinema EQ mode.
To set the OSD AUTO DISPLAY mode as desired .
S Y S T E M
S E T U P
D I G I T A L I N P U T S E T U P
TO NE C O N T R O L
OSD A U T O D I S P L A Y :
On
VID 1
CURR E N T V I D E O :
To select a video input source
COMPON E N T V I D EO S E T U P
Off
To assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1~4.
To set the VIDEO 2 OUT mode as desired.
V I DE O
2
O U T :
D C T R I G G E R S E TU P
A / V S Y N C : F r a m e
R E T UR N : B a c k E N T E R : S e l e c t
0
To select the desired input source that uses the DC trigger function.
To adjust the A/V SYNC as desired.
Note:
• When the pure audio function is activated, the TONE CONTROL cannot be selected.
When selecting the DIGITAL INPUT SETUP
• You should assign the connected DIGITAL INs to the desired of CD, AUX and VIDEO 1~4.
(For details, refer to “CONNECTING DIGITAL INs and OUT” on page 8.)
Press the CURSOR UP( )/DOWN( ) buttons to select the DIGITAL INPUT SETUP, then press the
ENTER button.
1
D I G I TA L I N P U T S E T U P
COAX1
None
OPT1
CD
A UX
V I DE O 1
V I DE O 2
V I DE O 3
V I DE O 4
:
:
:
:
:
:
OPT2
COAX2
OPT3
R E T U R N : B a c k
,
: S e l e c t
Press the CURSOR LEFT( )/RIGHT(
)
Press the CURSOR UP( )/DOWN(
)
buttons to select the desired DIGITAL IN.
buttons to select the desired input source.
3
2
• Each time these buttons are pressed, the DIGITAL
INs change.
• Each time these buttons are pressed, “ ” and “
are moved to the corresponding DIGITAL IN.
”
Notes:
• When you select “None” instead of a DIGITAL IN
for an input source, the analog input is automatically
selected.
Repeat the above steps
and until the
• In such a case that a DIGITAL IN is assigned to two
input sources or more, when these input sources are
selected, the digital audio signals can be heard from
the same DIGITAL IN.
connected DIGITAL INs are assigned to
the desired input sources respectively.
4
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When selecting the TONE CONTROL
Press the CURSOR UP( )/DOWN( ) buttons to select the TONE CONTROL, then press the
ENTER button.
1
TON E C ON TR OL
Off
C I N EMA E Q
:
:
Off
T O N E D E F E A T
B A S S
T R E B L E
----- -----
----- -----
0
0
dB
dB
R E T U R N : B a c k
,
: S e l e c t
Note:
• When the pure audio function is activated, the TONE CONTROL cannot be selected.
Press the CURSOR UP( )/DOWN( ) buttons to select the desired item.
2
• Each time these buttons are pressed, “ ” and “
”
are moved to the corresponding mode.
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.
3
• Each time these buttons are pressed, the modes change
as follows:
When CINEMA EQ mode is selected
• When the pure audio function is activated, the cinema
When the tone defeat mode is set to Off to
adjust the tone (bass and treble)
EQ function cannot be activated.
On : Select this to compensate for edgy or shrill movie
sound tracks.
1. Press the CURSOR UP( )/DOWN( ) buttons to
select the desired tone mode.
2. At the desired tone mode, press the CURSOR
LEFT( )/RIGHT( ) buttons to adjust the selected
tone as desired.
Off : Select this to cancel the cinema EQ function.
• The tone level can be adjusted within the range of -10
~+10 dB.
• In general, we recommend the bass and treble to be
adjusted to 0 dB(flat level).
When TONE DEFEAT mode is selected
On : Select this when listening to a program source
without the tone effect.
• Extreme settings at high volume may damage your
speakers.
3. To complete tone adjustment, repeat the above steps 1
and 2.
Off : Select this when adjusting tone for your taste.
Note :
• When the tone defeat mode is set to On, the tone (bass
and treble) cannot be adjusted.
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Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the OSD AUTO DISPLAY
2
• When the OSD AUTO DISPLAY is set to On, the
current status display overlaps the program image on
the monitor TV and may interfere with your movie
enjoyment. In such a case, set the OSD AUTO
DISPLAY to Off.
Press the CURSOR UP( )/DOWN(
buttons to select the OSD AUTO
DISPLAY.
)
1
• Each time these buttons are pressed, the mode
changes as follows:
On : To turn on the current status display.
Off : To turn off the current status display.
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired video input
source.
)
When selecting the CURRENT VIDEO
2
• You can select a video input source on the OSD
menu and enjoy its image.
Press the CURSOR UP( )/DOWN(
)
buttons to select the CURRENT VIDEO.
1
• Each time these buttons are pressed, the video
input source changes.
When selecting the COMPONENT VIDEO SETUP
• You should assign the connected COMPONENT VIDEO INs to the desired of VIDEO 1~4.
(For details, refer to “CONNECTING VIDEO COMPONENTS” on page 6~7.)
Press the CURSOR UP( )/DOWN( ) buttons to select the COMPONENT VIDEO SETUP, then press
the ENTER button.
1
COMP ONE NT V I D E O S E T U P
V I D E O 1
V I D E O 2
V I D E O 3
V I D E O 4
:
:
:
:
I N 1
I N 2
None
None
R E T U R N : B a c k
,
: S e l e c t
59
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Continued
Press the CURSOR UP( )/DOWN(
buttons to select the desired input source.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired
)
2
3
COMPONENT VIDEO IN.
• Each time these buttons are pressed , the
COMPONENT VIDEO INs change .
• Each time these buttons are pressed, “ ” and
” are moved to the corresponding
COMPONENT VIDEO IN.
“
Note :
• In such a case that a COMPONENT VIDEO IN is
assigned to two input sources or more, when these
input sources are selected, the component video
signals can be viewed from the same COMPONENT
VIDEO IN.
Repeat the above steps
and until the connected COMPONENT VIDEO INs are assigned to
the desired input sources respectively.
4
Press the CURSOR LEFT( )/RIGHT(
buttons to select the desired mode.
)
When selecting the VIDEO 2 OUT
2
• When performing recording with the video
recording component connected to VIDEO 2
(/ROOM 2) IN/OUT jacks, you should set the
VIDEO 2 OUT to On and deactivate the ROOM 2
function.
Note: When the ROOM 2 function is activated,
ROOM 2 source playback will be
performed regardless of the VIDEO 2 OUT
setting.
Press the CURSOR UP( )/DOWN(
buttons to select the VIDEO 2 OUT.
)
1
• Each time these buttons are pressed, the mode
changes as follows:
On : Select this to output the signals of the selected
source as a recording (main room) source from
the VIDEO 2/ROOM 2 OUTs.
Off : Select this not to output the signals.
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When selecting the DC TRIGGER SETUP
• To turn on the component connected to DC TRIGGER OUT jack when the desired input source is selected,
you should link DC TRIGGER with the desired input source.
Press the CURSOR UP( )/DOWN( ) buttons to select the DC TRIGGER, then press the ENTER
button.
1
D C T R I GGE R S E T U P
D C T R I GGER
T U N E R
C D
A U X
T A P E MON .
:
Off
V I D E O
V I D E O
V I D E O
V I D E O
1
2
3
4
E N T E R : S e t
,
,
,
: M o v e
When the DC TRIGGER mode is set to On
Press the CURSOR LEFT( )/RIGHT(
buttons to select the DC TRIGGER mode
as desired.
)
2
Press the CURSOR UP( )/
DOWN( )/LEFT( )/RIGHT(
)
3
buttons to select the desired input source
that uses the DC trigger function, then
press the ENTER button.
• Each time these buttons are pressed, the DC
TRIGGER mode changes as follows:
On : Select this to activate the DC trigger function.
• Each time the CURSOR CONTROL buttons are
Off : Select this to cancel the DC trigger function.
pressed, “ ” is moved to the corresponding input
source.
When the ENTER button is pressed at the desired
input source, “+” is marked it with.
• When the input sources marked with “+” on this
menu are selected with the AUDIO and VIDEO
SELECTOR buttons, etc.,the DC trigger function is
automatically activated. (For details, refer to
“CONNECTING DC TRIGGER OUT” on page 9.)
• When the ENTER button is pressed at the input
source marked with “+”, “+” is cleared and the DC
trigger function is canceled for this input source.
• Repeat this step until the desired input sources are all
selected.
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When selecting the A/V SYNC
• There may be a slight delay between the video and audio signals in case that some video playback equipments
may process the video signals later than the audio signals due to signal processing procedure, etc..
Should this happen, you can adjust the A/V SYNC to synchronize sound with image.
Press the CURSOR UP( )/DOWN( ) buttons to select the A/V SYNC.
1
Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the A/V SYNC as desired.
2
• Each time these buttons are pressed, the A/V SYNC can
be adjusted within the range of 0~6 frame.
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SETTING THE SURROUND SETUP
S URROUN D
S E T U P
To select the desired decoding mode.
To select the desired surround mode.
DE C O D I NG M O D E
S U R R OUN D M O D E
:
:
A U T O
DO L B Y D I G I T A L E X
N O N E
DY N A M I C R A N G E
P L I MUS I C P A R A M E T E R
+
To select the desired Dolby surround mode.
To adjust the dynamic range as desired.
:
0 . 0
I
x
To adjust the PL IIx MUSIC PARAMETER as desired.
R E T U R N : B a c k
,
: S e l e c t
Notes :
• Only when the digital input is selected as signal input, the decoding mode and the surround mode can be both selected as
desired.
• When the analog input is selected, only the surround mode can be selected as desired.
• When the 8 CH DIRECT is selected as an input source, you cannot perform the surround setup.
When selecting the DECODING MODE, SURROUND MODE, DYNAMIC RANGE
Press the CURSOR UP( )/DOWN( ) buttons to select the desired item.
1
• Each time these buttons are pressed, “ ” and “ ” are
moved to the corresponding mode.
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired mode.
2
• Each time these buttons are pressed, the modes change as
follows according to the selected item :
When DECODING MODE is selected
• Depending on the input digital signal format, you can select the desired decoding mode.
AUTO : Select this for automatic detection of a digital input signal format.
The input digital signal format (DTS, Dolby Digital, MPEG or PCM(2 channel stereo), etc.) used by the
selected digital input source is detected automatically to perform the necessary decoding process for
optimum surround modes.
DOLBY DIGITAL : Select this for Dolby Digital signal processing. The decoding process is preformed only when
Dolby Digital signals are input.
DTS : Select this for DTS signal processing. The decoding process is performed only when DTS signals are input.
MPEG : Select this for MPEG signal processing. The decoding process is performed only when MPEG signals are
input.
PCM : Select this for PCM signal processing. The decoding process is performed only when PCM signals are input.
Notes :
• Surround sound effect will not work properly if the signal passes through a graphic equalizer.
Please refer to your equalizer operating instructions for guidance on switching off(or defeating) the equalizer.
• Only when the digital input is selected as signal input for the input sources except TUNER and TAPE MONITOR,
the decoding mode can be selected.
• Noise may be generated at the beginning of playback and while searching during DTS playback in the auto mode.
In this case, try playing in the DTS mode.
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When the SURROUND MODE is selected
• Depending on the input signal format and the selected decoding mode, you can select the desired surround mode as follows:
Signal format being input
Dolby Digital 5.1,
Selected decoding mode
Auto, Dolby Digital mode
Selectable surround mode
(DOLBY DIGITAL EX,)
Dolby Digital EX 6.1 channel sources
Dolby Digital 2 channel sources
DOLBY DIGITAL
(DOLBY DIGITAL EX,) DOLBY DIGITAL, PL II MOVIE,
PL II MUSIC
DTS sources
DTS 96/24 sources
MPEG sources
PCM ( 2 channel ) sources
Analog stereo sources
Auto, DTS mode
(DTS ES MATRIX or DTS ES DISCRETE,) DTS
DTS 96/24
MPEG
PL II MOVIE, PL II MUSIC, BYPASS,
DTS NEO 6 : CINEMA, DTS NEO 6 : MUSIC, THEATER,
MOVIE, HALL 1/2, STADIUM, CHURCH, CLUB 1/2,
ARENA 1/2, GAME, 4CH STEREO, MATRIX
Auto, MPEG mode
Auto, PCM mode
( ): Possible only when surround back channel is not set to “None”.(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)
BYPASS mode: Audio signals bypass signal processing circuits for surround sound and are played in stereo mode.
If Dolby Pro Logic IIx, Dolby Virtual Speaker or Dolby Headphone mode is combined with BYPASS mode, you will enjoy
its original surround effects, not affected by other surround modes.
Notes:
• When the selected decoding mode is not matched to the input signal format, the indicator of the signal being input flickers,
meaning the required process cannot be performed and no sound is heard. Therefore, be sure to select the required
decoding mode and the available surround mode according to the input signal format.
• When the pure audio function is activated, the surround mode cannot be selected.
• When 96 kHz PCM signals are input, only the stereo mode can be selected.
• When DTS 96/24 or MPEG signals are input, the Dolby Pro Logic IIx, Dolby Virtual Speaker and Dolby Headphone modes
cannot be selected.
When the Dolby surround mode is selected
* In case that the HEADPHONE SELECTOR button is set to speaker on mode.
• Combined with the original surround mode, the Dolby surround mode can be selected as follows:
(PL IIx MOVIE
PL IIx MUSIC
DOLBY VS~
NONE(Dolby surround off)
(original surround mode)
( ) : Impossible only when the power amplifier for the surround back channels is assigned to the “ROOM2” or surround back channel
is set to “None”.
• In case of playing in the stereo or 2CH downmix mode, it is canceled and the selected “PL IIx” or “DOLBY VS” mode
will be combined with the previous mode.
* In case that the HEADPHONE SELECTOR button is set to speaker off mode.
• Combined with the current mode, the Dolby Headphone mode can be selected as follows:
DOLBY HEADPHONE 1 DOLBY HEADPHONE 2 DOLBY HEADPHONE 3 NONE(Dolby Headphone off)
• If you select the Dolby Headphone off mode, either the stereo mode or the 2 CH downmix mode will be selected
depending on the signal format which is being input.
Notes :
• In case that the original surround mode is “DOLBY DIGITAL EX” or “DTS ES” mode, it will be automatically changed to
“DOLBY DIGITAL” or “DTS” mode.
• Only when playing a stereo(2 channel) source in “PL IIx”, “DOLBY VS” or “DOLBY HEADPHONE” mode, you can
select the original surround mode to be combined.(However, in case of “PL IIx” mode, you cannot select “PL II”mode.)
• When “PL IIx” mode is selected while playing in “PL II” mode, it will be automatically changed to “DOLBY DIGITAL”
or “BYPASS” mode depending on the signal format which is being input.
When the DYNAMIC RANGE is selected
• This function compresses the dynamic range of previously specified parts of the Dolby Digital sound track (with extremely
high volume) to minimize the difference in volume between the specified and non-specified parts.
This makes it easy to hear all of the sound track when watching movies at night at low levels.
• The compression rate changes as follows :
Notes :
• Only while the digital signals from the Dolby Digital program source are being input, the dynamic range function can be
activated.
• In some Dolby Digital software, this function may not be available.
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When selecting the PL IIx MUSIC PARAMETER(or the PL II MUSIC PARAMETER)
Notes:
• Depending on whether “S/B CH” is set to “None” or not, you can select either the Dolby Pro Logic II surround
or the Dolby Pro Logic IIx surround and can adjust its parameters as desired only while listening in either the PL
II MUSIC mode or the PL IIx MUSIC mode.
(Refer to “When selecting the SPEAKER CONFIGURATION” on page 49.)
• In case of PL IIx MUSIC mode, only when original surround mode is “BYPASS” mode or 2 channel digital
signals from Dolby Digital sources, etc. are input, these parameter settings affect the surround effects.
Press the CURSOR UP( )/DOWN( ) buttons to select the PL II(x) MUSIC PARAMETER, then press
the ENTER button.
1
P L I I x MU S I C P A R A ME T E R
Off
P A N OR AMA
:
C EN T E R W I D T H
D I ME NS I O N
+
-------
0
0
----+--
+
-
0
R E T U R N : B a c k
,
: S e l e c t
Press the CURSOR UP( )/DOWN(
buttons to select the desired parameter.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to adjust the selected parameter as
desired.
)
2
3
When selecting the PANORAMA mode
This mode extends the front stereo image to include the
surround speakers for an exciting “wraparound” effect
with side wall imaging. Select “Off” or “On”(default
value:Off).
When selecting the CENTER WIDTH control
This adjusts the center image so it may be heard only
from the center speaker, only from the left/right
speakers as a phantom image, or from all three front
speakers to varying degrees.
The control can be set in 8 steps from 0 to 7(default
value : 0).
When selecting the DIMENSION control
This gradually adjusts the soundfield either towards the
front or towards the rear. The control can be set in 7
steps from -3 to +3(default value : 0).
Repeat the above steps
and to adjust other parameters.
4
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SETTING THE CH LEVEL SETUP
To recall the channel levels memorized into preset memory or to memorize
the channel levels adjusted in the CH LEVEL TRIM menu, etc.
C H
L E V E L
S E T U P
P R E SE T 1
P R E SE T 1
P R E SE T 2
P R E SE T 2
:
:
C AL L
T R I M
C AL L
T R I M
To memorize the adjusted channel levels into preset memory.
C H
L E V E L T R I M
To adjust the current channel levels as desired.
L F E L E V E L T R I M
,
: S e l e c t
To adjust LFE (Low Frequency Effect) levels included in Dolby Digital,
DTS and MPEG program sources.
R E T U R N : B a c k
E N T E R : C a l l
Press the CURSOR
LEFT( )/RIGHT( ) buttons to select
the desired mode, then press the ENTER
button.
When selecting the PRESET 1 or
PRESET 2
2
• You can recall the memorized channel levels
whenever you want or can memorize the channel
levels adjusted in the CH LEVEL TRIM men, etc.
into preset memory.
Press the CURSOR UP( )/DOWN(
buttons to select the PRESET 1 or
PRESET 2.
)
1
• Each time these buttons are pressed , the mode
changes as follows :
CALL : Select this to recall the channel levels
memorized into preset memory .
SAVE : Select this to memorize the channel levels
adjusted in the CH LEVEL TRIM menu or in
“Adjusting the current channel levels”
procedure on page 37.
When selecting the PRESET 1 TRIM or PRESET 2 TRIM
• You can adjust the channel levels directly in the PRESET TRIM menu and can memorize them into preset memory.
Press the CURSOR UP( )/DOWN( ) buttons to select the PRESET 1TRIM or PRESET 2 TRIM,
then press the ENTER button.
1
Example) When the PRESET 2 TRIM is selected.
P R E S E T 2
T R I M
F L
:
:
:
:
:
:
:
:
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
:
:
:
:
:
:
:
:
0
0
0
0
0
0
0
0
dB
dB
dB
dB
dB
dB
dB
dB
F C
F R
S R
B R
B L
S L
SW
R E T U R N : B a c k
,
: S e l e c t
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Press the CURSOR UP( )/DOWN(
buttons to select the desired channel.
)
Press the CURSOR LEFT( )/RIGHT(
buttons to adjust the level of the selected
channel as desired.
)
2
3
• Each time these buttons are pressed, the channel
level can be adjusted within the range of -15~+15
dB.
• Each time these buttons are pressed, “ ” is moved
to the corresponding channel.
Note :
• Depending on the speaker settings and surround
mode, etc., some channels cannot be selected.
Repeat the above steps
and to adjust each channel level until the sound level of each speaker
is heard to be equally loud.
4
When selecting the CHANNEL LEVEL TRIM
• You can adjust the current channel levels as desired. These adjusted levels are just memorized, not into preset
memory.
Press the CURSOR UP( )/DOWN( ) buttons to select the CH LEVEL TRIM, then press the
ENTER button.
1
C H
L E V E L T R I M
F L
:
:
:
:
:
:
:
:
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
------ ------
:
:
:
:
:
:
:
:
0
0
0
0
0
0
0
0
dB
dB
dB
dB
dB
dB
dB
dB
F C
F R
S R
B R
B L
S L
SW
R E T U R N : B a c k
,
: S e l e c t
Preform the steps
the previous page.
~
in “When selecting the PRESET 1 TRIM or PRESET 2 TRIM” procedure on
2
• You can memorize the current channel levels into preset memory with performing “When selecting the PRESET
1 or PRESET 2 ” procedure on the previous page.
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When selecting the LFE LEVEL TRIM
Press the CURSOR UP( )/DOWN( ) buttons to select the LFE LEVEL TRIM, then press the ENTER
button.
1
L F E L E V E L T R I M
DOL B Y
D T S
MPE G
-----
----------
----- -----
+
0
dB
+ 10 dB
0
+
dB
R E T U R N : B a c k
,
: S e l e c t
Press the CURSOR UP( )/DOWN( ) buttons to select the desired LFE level mode.
2
3
• Each time these buttons are pressed, “ ” is moved to
the corresponding LFE level mode.
Press the CURSOR LEFT( )/RIGHT( ) buttons to adjust the selected LFE level as desired.
• Each time these buttons are pressed, the LFE level can be
adjusted within the range of either -10~0 dB for Dolby
Digital program sources or -10~+10 dB for DTS and
MPEG program sources.
• In general, we recommend the LFE level for Dolby
Digital program sources to be set at 0 dB and at +10 dB
for DTS program sources.(However, the recommended
LFE level for some early DTS program sources is 0 dB.)
If the recommended levels seem too high, lower the
setting as necessary.
Repeat the above steps and
until each level is adjusted as desired.
4
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SETTING THE ROOM2 FEED SETUP
R OO M 2 F E E D S E T U P
To select the desired volume mode.
To select the desired ROOM 2 source.
Variable
Off
V O L U M E MOD E
R O O M 2 F E E D
T U N E R
C D
A U X
:
:
V I D E O
V I D E O
V I D E O
V I D E O
1
2
3
4
R E T U R N : B a c k
,
: S e l e c t
• The ROOM 2 function allows enjoying one source in the main room while playing another in a different room at the same time.
• The analog signals from the 8 CH DIRECT inputs and TAPE MONITOR INs as well as the digital signals from the coaxial or
optical digital input cannot be output from the VIDEO 2 / ROOM 2 (audio) OUTs.
When selecting the VOLUME MODE
Press the CURSOR UP( )/DOWN( ) buttons to select the VOLUME MODE.
1
Press the CURSOR LEFT( )/RIGHT( ) buttons to select the desired volume mode for the ROOM 2
source.
2
• Each time these buttons are pressed, the volume mode
changes as follows:
Variable : Select this when an power amplifier is connected
to the VIDEO 2/ROOM 2(audio) OUTs for ROOM
2 source playback. You can adjust the ROOM 2
volume level with the MASTER VOLUME
CONTROL knob of this receiver or the VOLUME
UP/DOWN buttons on the remote control.
Fixed : Select this when an integrated amplifier, etc. is
connected to the VIDEO 2/ROOM 2(audio) OUTs.
You can adjust the ROOM 2 volume level on the
connected integrated amplifier, etc.
Notes :
• When you assign the power amplifier for the surround back channels to the ROOM 2, the volume mode is
automatically set to Variable.
• In case that an integrated amplifier, etc. is connected to the VIDEO 2/ROOM 2(audio) OUTs and the volume
mode is set to Variable, if the ROOM 2 volume level is adjusted to high level on both this receiver and the
connected amplifier, the ROOM 2 speaker and the connected amplifier may be damaged.
Therefore, be sure to set the volume mode to Fixed for safe operation when using amplifier with its own volume
control for ROOM2.
• When selecting the Fixed mode, first adjust the volume level as desired in the Variable mode and select the Fixed
mode. Then the volume level will be fixed to the adjusted level.
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Press the CURSOR LEFT( )/RIGHT(
buttons to select the ROOM 2 FEED
mode as desired.
)
When selecting the ROOM 2 FEED mode
2
Press the CURSOR UP( )/DOWN(
buttons to select the ROOM 2 FEED
mode.
)
1
• Each time these buttons are pressed, the ROOM 2
FEED mode is changed to “On” or “Off”.
• When the ROOM 2 FEED mode is set to “Off”, the
ROOM 2 source cannot be selected.
• When you do not use the ROOM 2 function, set the
ROOM 2 FEED mode to Off to save electricity.
When the ROOM 2 FEED mode is set to On
Press the CURSOR UP( )/DOWN( )/LEFT( )/RIGHT( ) buttons to select the desired ROOM 2
source, then press the ENTER button.
3
• Each time the CURSOR CONTROL buttons are
pressed, “+” is moved to the corresponding input
source.
• When the audio and video input sources are both
marked with “+” , you can enjoy the sound of the
audio input source and the image of the video input
source separately.
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Troubleshooting Guide
If a fault occurs, run through the table below before taking your unit for repair.
If the fault persists, attempt to solve it by switching the unit off and on again. If this fails to resolve the situation, consult
your dealer. Under no circumstances should you repair the unit yourself as this could invalidate the warranty!
PROBLEM
POSSIBLE CAUSE
REMEDY
• Connect cord securely.
• Check the outlet using a lamp or another appliance.
No power
No sound
• The AC input cord is disconnected.
• Poor connection at AC wall outlet or the outlet is
dead or off.
• Check the speaker connections.
• Adjust the master volume.
• Press the MUTE button to cancel the muting effect.
• Select the available decoding mode.
• The speaker wires are disconnected.
• The master volume is adjusted too low.
• The MUTE button is pressed to ON.
• The selected decoding mode is not matched to the
input signal format.
• Select the desired input source correctly.
• Make connections correctly.
• Incorrect selection of input source.
• Incorrect connections between the components.
• Select a surround mode.
No sound from the surround
speakers
• Surround mode is switched off(normal stereo mode).
• Master volume and surround level are too low.
• Monaural source is used.
• Adjust master volume and surround level.
• Select a stereo or surround source.
• Select the desired surround speaker setting.
• Surround speaker setting is “None”.
• Select the desired surround mode.
No sound from the center speaker
• Dolby Virtual Speaker, normal stereo mode, etc is
selected.
• Select the desired center speaker setting.
• Adjust master volume and center level.
• Center speaker setting is “None”.
• Master volume and center level are too low.
• Under the proper situations, perform the 7.1(or 6.1)
surround playback.(For details, refer to
No sound from the surround back
speakers
• The input signal format or the current surround
mode cannot support the 7.1(or 6.1) surround.
“ENJOYING SURROUND SOUND” on page 34.)
• Assign the power amplifier to the surround back
channels.(For details, refer to “SETTING THE
POWER AMP ASSIGN” on page 49.)
• The power amplifier for the surround back
channels is assigned to the ROOM 2.
• Adjust master volume and surround back level.
• Select the desired surround back speaker setting.
• Master volume and surround back level are too low.
• Surround back speaker setting is “None”.
• Connect an antenna.
Stations cannot be received
• No antenna is connected.
• Tune in the desired station frequency.
• Move antenna and retry tuning.
• The desired station frequency is not tuned in.
• Antenna is in wrong position.
• Memorize the correct station frequency.
• Memorize the stations again.
Preset stations cannot be received
Poor FM reception
• An incorrect station frequency has been memorized.
• The memorized stations are cleared.
• Connect an antenna.
• No antenna is connected.
• Change the position of the antenna.
• The antenna is not positioned for the best reception.
• Change the position of the antenna.
• Install an outdoor FM antenna.
Continuous hissing noise during FM
reception, especially when a stereo
broadcast is received.
• Weak signals.
• Keep the receiver away from noise sources.
• Install an outdoor AM antenna.
Continuous or intermittent hissing
noise during AM reception,
especially at night.
• Noise is caused by motors, fluorescent lamps or
lightning, etc.
• Replace the batteries.
• Remove the obstacle.
Remote control unit does not
operate.
• Batteries are not loaded or exhausted.
• The remote sensor is obstructed.
• Make proper DIGI LINK connections.
Other Sherwood components do
not react to remote control
commands.
• DIGI LINK connections are not made properly.
• Clear it using “To clear a label”. (Refer to
“Correcting or clearing a label” on page 45)
A label cannot be displayed.
OSD function is not available.
• Malfunction due to external influences such as
static electricity, etc.
• Make proper video connections.
• Video connections between this unit and the
monitor TV are not made correctly.
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Specifications
AMPLIFIER SECTION
• Power output, stereo mode, 8 Ω, THD 0.05%, 20 Hz~20 kHz
|
2
100 W
• Total harmonic distortion, 8 Ω, 100 W, 1 kHz
|
0.05 %
• Intermodulation distortion
60 Hz : 7 kHz = 4 : 1 SMPTE, 8 Ω, 100 W
• Input sensitivity/impedance
Line (CD, TAPE MONITOR, VIDEO)
• Signal to noise ratio, IHF “A” weighted
Line (CD, TAPE MONITOR, VIDEO)
• Frequency response
|
0.09 %
|
|
200 mV/47 kΩ
105 dB
LINE (CD, TAPE MONITOR, VIDEO), 10~100,000 Hz
• Output level
TAPE MONITOR REC, 1 kΩ
PRE OUT(Front, Center, Surround, Surround back, Subwoofer), 1 kΩ
|
+0, -3 dB
|
200 mV
|
1.0 V
• Bass/Treble control, 100 Hz/10 kHz
|
10 dB
• Surround mode, only channel driven
Front power output, 8 Ω, 1 kHz, THD 0.7 %
|
110 W+110 W
110 W
Center power output, 8 Ω, 1 kHz, THD 0.7 %
|
Surround power output, 8 Ω, 1 kHz, THD 0.7 %
Surround back / ROOM2 power output, 8 Ω, 1 kHz, THD 0.7 %
|
110 W+110 W
|
110 W+110 W
DIGITAL AUDIO SECTION
• Sampling frequency
• Digital input level
Coaxial, 75 Ω
|
32, 44.1, 48, 96, 192 kHz
|
0.5 Vp-p
-15~-21 dBm
Optical, 660 nm
|
VIDEO SECTION
• Video format
|
NTSC
• Input sensitivity(=Output level), 75 Ω
Video(Composite (normal))
S-Video(luminance signal)
(chrominance signal)
|
1 Vp-p
1 Vp-p
0.286 Vp-p
|
|
Component video(R-Y signal)
(B-Y signal)
|
0.5 Vp-p
0.5 Vp-p
|
(Y signal)
|
1.0 Vp-p
FM TUNER SECTION
• Tuning frequency range
|
87.5~108 MHz
• Usable sensitivity, THD 3 %, S/N 30 dB
• 50 dB quieting sensitivity, mono/stereo
• Signal to noise ratio, 65 dBf, mono/stereo
|
17.2 dBf
25.2/43.2 dBf
|
|
72/68 dB
• Total harmonic distortion, 65 dBf, 1 kHz, mono/stereo
• Frequency response, 20 Hz~15 kHz 1.5 dB
• Stereo separation, 1 kHz 45 dB
|
0.2/0.3 %
|
|
• Capture ratio
• IF rejection ratio
|
3.0 dB
120 dB
|
AM TUNER SECTION
• Tuning frequency range
|
520~1710 kHz
12.5 mV
| 51 dB
• Usable sensitivity
|
• Signal to noise ratio
• Selectivity
|
30 dB
GENERAL
• Power supply
• Power consumption
• Switched AC outlets
• Dimensions(W
• Weight(Net)
|
120 V~60 Hz
5 A
TOTAL 100 W, 1A max.
440 196 450 mm(17-3/8 7-3/4 17-3/4 inches)
22.4 kg(49.4 lbs)
|
|
D)
H
|
|
Note: Design and specifications are subject to change without notice for improvements.
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Setup Code Table
TV
AOC
005 003
Goldstar
Gradiente
Grunpy
Hallmark
Harley Davidson
Harman/Kardon
Havard
Hitachi
Infinity
005 025 003 011
Admiral
Aiko
041 031
009 011
014
027 026
Akai
005
025
Alaron
026
026
Ambassador
America Action
Ampro
024
010
027
027
043
016 011 018
Anam
027 047 048 049
010
Audiovox
Baysonic
Belcor
030 027 014 034
Inteq
002
027
JBL
010
003
JCB
050
Bell & Howell
Bradford
Brockwood
Broksonic
CXC
019 001
JVC
009 046
027
KEC
027
003
KTV
027 005 006
028 031
Kenwood
LG
005 003
027
011 003
Candle
005 011
LXI
007 010 019 020 025
Carnivale
Carver
005
Logik
001
010
Luxman
MGA
011
Celebrity
Cineral
050
017 005 025 003
030 014
MTC
012 005 003 011
Citizen
012 005 011 006 014
Magnavox
Magestic
Marantz
Matsushita
Magatron
Memorex
010 005 026
Concerto
Contec
011
001
027
010 005
Craig
027
042
Crosley
Crown
010
025 016
027 006
019 042 031 017 025 011
Curtis Mathes
007 010 019 008 030 041
001
012 005 016 011 001 006
Midland
Minutz
Mitsubishi
Motorola
Multitech
NAD
007 002 008 006 015
022 032 038 040
004
Daewoo
Daytron
Denon
030 003 006 014 034 035
041 017 025 003
003
041
016
027
Dumont
Dwin
002 003
020 025 022
005 003 011
014
044 036
NEC
Electroband
Emerson
050
NTC
019 028 031 027 029 025
Nikko
005 025 014
027
003 026 006 024 034 035
Onwa
Envision
Fisher
Fujitsu
Funai
005
Optimus
Optonica
Orion
019 042 022
041 021
019
026
028 031 026
008 042
027 026 023
Panasonic
Penney
Futuretech
GE
027
007 020 008 012 005 025
004 003 011 006 015 040
010 031 005 016 003
010
007 008 030 041 029 025
004 015 038 040
002 005 003
Pilco
Gibralter
Philips
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Pilot
005 003 006
Vidtech
Wards
025 003
Pioneer
Portland
Prism
022
010 021 005 025 004 003
026 011 001
003 006 014
008
White Westinghouse
Yamaha
031 034 035
Proscan
Proton
Pulsar
Quasar
RCA
007
005 003
025 032
Zenith
002 031 001 014
002 003
008 042 021
007 008 041 003 013 015
VCR
037 038 039 040
Radio Shack
Realistic
007 019 021 027 005 025
Admiral
027 021
003 011 006
Adventura
Aiko
000
019 021 027 005 025 003
025
011 006
Aiwa
005 000
Runco
SSS
002 005 033
Akai
026
027 003
America Action
America High
Asha
025
Sampo
Samsung
Samsux
Sansei
Sansui
Sanyo
Scimitsu
Scotch
Scott
005 006
004
012 005 025 003 011 045
023
006
Audiovox
Beaumark
Bell & Howell
Brocksonic
Broksonic
CCE
005
030
023
031
017
019
021
003
020 018 021 001
025
015 025
028 027 025 003 026
Calix
005
Sears
007 010 019 020 025 026
Canon
004
011 006
Carver
081
Semivox
Semp
027
Cineral
025
020
Citizen
005 025
Sharp
041 021 006
Colt
015
Sherwood
Shogun
000
Craig
005 012 023 015 024
003
Curtis Mathes
Cybernex
Daewoo
Denon
013 004 026 028
Signature
Sony
001
023
050
010 025
Soundesign
Squareview
Starlite
027 025 026
008
023
Dynatech
Electrohome
Electrophonic
Emerex
000
027
005
Supreme
Sylvania
Symphonic
TMK
050
005
010 005
002
023
Emerson
005 020 000 018 009 021
025 011 024
001 025
Tandy
041
Fisher
012 017
Technics
Technoi Ace
Techwood
Teknika
008 042
Fuji
004 003
026
Funai
000
008 011
GE
013 004 027 023
010 027 017 012 003 026
Garrard
Go Video
GoldStar
Gradiente
HI-Q
000
011 001 006 014
052
Telefunken
Toshiba
011
005 006
000
019 020 012
Totevision
Vector Research
Victor
006
005
009
010
012
Harley Davidson
Harman/Kardon
Harwood
000
016 006
015
Vidikron
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Headquarter
Hitachi
011
Realistic
004 005 027 012 000 017
000 008 026
011
Hughes Net.Sys
JVC
008
Runco
STS
007
014 026
008
Jensen
KEC
026
Samsung
Sanky
Sansui
Sanyo
Scott
023 010 033
005 025
027 007
KLH
015
000 014 021 026 024
Kenwood
Kodak
014 026 006
012 023 017 011
004 005
020 010 018 009
LXI
005
Sears
004 005 012 000 008 017
Lloyd’s
000
011
Logik
015
Semp
010
MEI
004
Sharp
027
MGA
023 009
Shintom
Shogun
Singer
015
MGN Technology
MTC
023
023
023 000
015
Magnasonic
Magnavox
Magnin
Marantz
Marta
025
Sony
004 002 000 003
004 007 016 000 019
Syvania
Symphonic
TMK
004 016 000 009
023
000
004 016
023
005
Tatung
026
Matsushita
Memorex
004 028 029
Teac
000 026
004 005 027 007 012 023
Technics
Teknika
Thomas
Toshiba
Totevision
Unitech
Vector
004 028
000 017 021 011 031 032
004 005 000
Minolta
Mitsubishi
Motorola
Multitech
NEC
008
000
027 014 009
010 009
004 027
005 023
000 015
023
017 014 026 006
010
Nikko
005
Vector Research
Video Concepts
Videosonic
Wards
006
Noblex
Olympus
Opimus
023
010
004
023
005 027 017 028 029 030
013 004 027 012 016 023
031 032
000 008 015 019
Orion
020 021 001
White WestingHouse
XR-100
021 025
Panasonic
Penny
004 028 022 029 031
004 000 015
004 005 023 008 006
Yamaha
Zenith
006
Pentax
Philco
008
007 000 021 003
004 021
Ameira High
Brocksonic
Colt
004 (TV use 008)
Philips
Pilot
004 016
001
005
015
Pioneer
Profitronic
Proscan
Protec
014
Cutis Mathes
Daewoo
Emerson
Funai
004 (TV use 008)
023
025
013
001
015
000
Pulsar
007
GE
004 (TV use 008) 013 (TV use 012)
Quarter
Quartz
Quasar
RCA
011
027 (TV use 041) 023
011
Hitachi
HQ
004 (TV use 008) 000
004 028 029 031
000
013 004 027 023 008 019
Lloyds
MGA
000
Radio Shack
Radix
000
005
005
023
Megavox
016 (TV use 010) 004 (TV use 008)
000
Randex
75
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Magnin
023
CBL
Memorex
Mitsubishi
Orion
005 028 (TV use 025)
027 (TV use 041)
ABC
002 003 009 030
001
007 006 008
Panasonic
Penney
004 (TV use 008) 028 (TV use 042)
Allegro
018 021
004 (TV use 008) 023
Archer
018 026
028 (TV use 042)
Bell&Howell
Century
Citizen
009
Quasar
RCA
004 (TV use 008) 028 (TV use 042)
018
013 (TV use 012) 004 (TV use 008)
018 021
027 (TV use 041)
Comtronics
Contec
014
Sansui
Sanyo
Sear
000
011
023
Easten
001
000 005
027 (TV use 041)
002 (TV use 000)
000
Emerson
Everquest
Focus
026
Sharp
010 014
Sony
022
Symphonic
Zenith
Garrard
Gemini
018
000
010
General Instrument
GoldStar
Goodmind
Hamlin
033 276 006 034
017 040
DVD
026
012 020 004 013
Harman/Kardon
JVC
009
Hitachi
006
008
Hytex
007
Kenwood
Megavox
Mitsubishi
Onkyo
005
Jasco
010 018 021
011
Jerrold
002 007 033 032 009 010
016
006 034
011
Memolex
Movie Time
NSC
000
Panasonic
Philips
013
015
011 006
015
Pioneer
003 014 026
Oak
011
Proscan
RCA
002
Optimus
Panasonic
Paragon
Philips
031
002
000 016 031
000
Samsung
Sherwood
017
001 012 000 018 019
018
020 021 022 023 025
Pioneer
017 025
Sony
004
Popular Mechanics 022
Technics
Theta Digital
Toshiba
Yamaha
Zenith
013
Pulsar
000
014
Quasar
000
011
RCA
031
013 007
011 010
Radio Shack
Recoton
Regal
010 021 026 028
022
012 020
Regency
Rembrandt
Runco
001
006
000
SL Marx
Smasung
Scientific Atlanta
Signal
014
017 014
003 023 030 027
010 014
006
Signature
Sprucer
031
Starcom
002 010
76
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Stargate
Starquest
TV86
010 014 026
010
AUX-LD
015
Denon
007
Teleview
Tocom
014
Mitsubishi
NAD
007
007 008
000
007
Toshiba
Tusa
Pioneer
Sony
007
010
017 018
Unika
018
United Artists
Universal
Viewstar
Zenith
007
153 019
015
AUX-TAPE
000 024
022
Zentek
Aiwa
004 034
004
Carver
Harman/Kardon
JVC
016 004
022 024
008
SAT
Kenwood
Megavox
Marantz
Onkyo
AlphaStar
Chaparral
Echostar
Expreevu
General Instrument
HTS
008
004
001
004
009
012 025
002 020
038
009
Opimus
Panasonic
Pioneer
Sansui
016 015 018
009
002 020 011
004
Hitachi
011
Hughes Net.Sys
JVC
007
Sony
021 014 026
038
009
Technics
Victor
Jerrold
016 015
024
Megavox
Memorex
Next Level
Panasonic
Philips
006 005
Wards
002
006
Yamaha
010 009
006
017
006 005
AUX-AMP
Primestar
RCA
016 015
003 000 002 012
Radio Shack
Realistic
Sony
018
Awia
029
014
Carver
023
004
Curtis Mathes
Denon
027
Star Choice
Toshiba
018
037
010
Harman/Kardon
Linn
040
Uniden
006 005 014
013
023
Zenith
Megavox
Marantz
Panasonic
Philips
023
023
039
023 040
003 027
019 033
039
AUX-TAPE/MD
Pioneer
Sony
Sherwood
000 (for tape deck)
035 (for MD recorder)
Technics
Wards
003
Yamaha
028
77
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Kenwood
Krell
003 029 016 024 025
AUX-HOME AUTOMATION
010
LXI
035
GE
043
044
042
043
042
042
042
Linn
010
Lutron
MCS
002
One For All
Radio Shack
Security System
Universal X10
X10
MTC
019
Megavox
Marantz
Mission
NSM
010 035
002 010 013
010
010
Nikko
033
Onkyo
Opimus
008 026
001 004 012 035 029
AUX-DBS
019 009 021 020
Panasonic
Parasound
Philips
Pioneer
Proton
QED
002 031
Awia
045 059 029
019
Fisher
005
046
046
047
031
006
032
045
031
010 023
Harman/Kardon
JBL
004 035 021 017
010
JVC
010
Jerrold
Quasar
RCA
002
RCA
012 035 006 036
Scientific Artlanta
Sony
Realistic
Rotel
012 019 013
010 019
Starcom
SAE
010
Sansui
Sanyo
Scott
010 035
012
035
AUX-ACCESSARY
Sears
035
Sharp
029 013 037
Archer
013
013
013
036
013
Sherwood
013 027 038 039 040 041
GC Electronics
Jebsee
000
Sony
001 014 022
Rabbit
Soundesign
Tascam
Teac
009
Radio Shack
019
019 018 033 013
002 031
007
Technics
Victor
CD
Wards
Yamaha
Yorx
010 006
005 015
032
Awia
010 030
019
Burmester
California Audio Lab
Carver
002
010 012 020
001
DKK
Denon
028 034
035
Emerson
Fisher
012 033
019 018
004 035
010 011
004
Garrard
Genexxa
Harman/Kardon
Hitachi
JVC
007
78
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-
R 865
Audio/Video Receiver
5707-04745-001-1
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