WORKING WITH
COmpReHeNsIve GuIde
TO seTTING up, CONfIGuRING aNd usING
evOluTION WIReless G3 sysTems
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Table of Contents
Introduction .......................................................................... 4
The Building Blocks of a Wireless System...................... 5
The Transmitter.................................................................... 6
The Receiver......................................................................... 7
Antennas ............................................................................... 8
Wireless Monitoring Systems ........................................... 9
Choosing a Wireless System............................................10
Selecting Systems and Components.............................11
Accessorizing a Wireless System ...................................11
Operation: Frequency Considerations...........................12
Putting Together a System..............................................13
Four Channel Wireless System....................................13
Eight Channel Wireless System ..................................14
Single Channel Wireless Monitor System ................15
Four Channel Wireless Monitor System....................15
Antenna Distribution and Mounting Packages...........16
Frequently Asked Questions ...........................................17
Conclusion............................................................................19
Appendix: Frequency Preset Charts...............................19
Visit Sennheiser's YouTube channel at:
www.youtube.com/sennheiserusa
to watch several video clips that will help
you set up and operate the evolution
wireless G3 systems
3
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Welcome to evolution wireless G3
Wireless microphone and monitoring systems have become standard equipment for musicians,
broadcasters, theatre productions, television shows, and sound contractors alike. Sennheiser has
been the industry leader in wireless systems for over 50 years, and is proud to bring its Emmy Award-
winning advances in RF (radio frequency) to evolution wireless G3.
Sennheiser’s evolution wireless G3 systems elegantly solve two classic challenges: avoiding
interference and building complex, multi-channel systems. Sennheiser evolution wireless G3 offers
1,680 tunable UHF frequencies across 42 MHz and an easy-to-use “Easy Setup” function that scans
for interference and recommends “free” frequencies that will yield the most reliable operation.
For setting up multi-channel systems, evolution wireless G3 includes 20 banks of coordinated
frequencies, each set calculated to work together without interference – an undesirable effect called
intermodulation. With evolution wireless G3, building a reliable, interference-free multi-channel setup
has never been easier!
From small clubs to boardrooms to Broadway stages or stadium-sized concert halls, Sennheiser
evolution wireless G3 is used with confidence every day by professional users the world over.
about uHf Wireless
Sennheiser wireless systems operate in the UHF (Ultra High Frequency) range. UHF is the most
common, most reliable format for wireless systems today. Within the US, wireless systems are
allowed to operate from 470 – 698 MHz. Within this available spectrum, Sennheiser evolution
wireless G3 systems are available in three frequency ranges: a (516-558 MHz), G (566-608 MHz),
B (626-668 MHz)
4
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The Building Blocks of a Wireless System
Every wireless system consists of three main components:
1) Transmitter
The transmitter accepts a (mic or line) input signal, converts it into an RF
(radio frequency) signal, and then transmits it.
G3 sKm Handheld Transmitter
G3 sKp plug-On Transmitter
G3 sK Bodypack Transmitter
2) Receiver
The receiver picks up the transmitted RF signal, converts it back into an audio signal,
and then outputs it for mixing and amplification.
G3 em Rack-mount Receiver
G3 eK Camera-mount Receiver
3) antennas
Antennas handle the sending and receiving of the RF signal between the two components.
Antennas may be either active or passive, depending on the system configuration.
a1031-u
passive Omnidirectional
uHf antenna
a2003-uHf
passive directional
uHf antenna
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The Transmitter
The transmitter has a fairly straightforward job: take a microphone or line-level input signal, convert
it into an RF signal, and transmit it. It sounds easy, but there are a number of variables involved in
producing accurate and dependable transmissions.
Professional events demand reliability and extensive operating range, regardless of conditions.
Sennheiser’s evolution wireless G3 transmitters meet that challenge with 30 mW of output power,
which can deliver approximately 300 feet of operating range (line of sight) in a good RF environment.
With rugged metal housings, G3 series transmitters are built to endure wear-and-tear, for consistent
results, night after night.
To preserve every nuance of your performance, evolution wireless G3 employs a proprietary noise-
reduction system called HDX™, which maximizes audio quality and avoids the noise inherent in most
RF systems. HDX™ converts the analog audio signal to RF and back to analog again, all with stunning
accuracy and quality. With a wide frequency response of 25 Hz to 18 kHz (line), evolution wireless G3
sounds as good as our wired microphones.
There are three basic types of wireless transmitters:
1) Handheld transmitters
Handhelds are the most recognizable form of
transmitter, most closely resembling traditional wired
microphones. All evolution wireless G3 handheld
transmitters (SKM 100 G3, SKM 300 G3, and SKM 500
G3) are designed to offer exceptional sound, with user-
swappable dynamic and condenser capsules from our
evolution 800 (e835, e845, e865) and 900 (e935, e945,
e965) series wired microphones.
G3 Handheld Transmitter
2) Bodypack transmitters
Sennheiser evolution wireless G3 bodypack transmitters
(SK 100 G3, SK 300 G3, and SK 500 G3) offer adjustable
input sensitivity control to complement a wide range of
lavalier microphones (ME2 omni, ME4 cardioid, MKE 2
Gold omni), headmics (ME3-ew, HSP4-ew, Ear Set 4-ew),
or line-level signals such as electric guitars and basses.
With compact, rugged designs, bodypack transmitters
are commonly used in musicals, theatrical stages, film
and television sets.
me3 Headset mic
me2 and 4
lavalier mics
G3 Bodypack Transmitter
3) plug-on transmitters
Plug-on transmitters are often used on location news-
casts, reality TV, and movie sets to convert traditional
wired microphones or line level signals into wireless
devices. The SKP 100 G3 plug-on is ideal suited for dy-
namic mics, such as the MD 42 or MD 46. For condenser
mics requiring 48v phantom power, such as the MKH
416 shotgun microphone, Sennheiser also offers the
phantom power-equipped SKP 300 G3.
G3 plug-On Transmitter
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Sennheiser’s G3 portable transmitters can operate for up to 8 hours on a pair of AA batteries. Audio
and RF transmission quality is never compromised as batteries run down, thanks to dedicated
circuitry that maintains a constant internal system voltage. G3 transmitters also relay battery
strength to their receivers, allowing sound engineers to remotely monitor battery life at a glance. G3
handheld and bodypack transmitters also feature external charging contacts, for use with optional
BA 2015 rechargeable battery packs and the L 2015 charging station.
The Receiver
The heart of every wireless system, the receiver is designed to pick up an RF signal sent from
the transmitter, convert it back into an audio signal, and output it for mixing, recording, and
amplification.
There are two basic types of wireless receivers:
1) fixed (rack-mount) receivers
The most common version, G3 series fixed receivers (EM 100 G3, EM 300 G3, and EM 500 G3)
are compact, half-rack sized units which can be mounted in standard 19” equipment racks using
the optional GA3 rack-mount adapter. Sennheiser employs True Diversity antenna technology
in its G3 rack-mount receivers, to ensure the most stable, uninterrupted wireless reception.
True Diversity receivers contain two independent tuning modules and a comparison circuit
that continuously routes the stronger signal to the receiver’s output. Put simply, True Diversity
maximizes system reliability.
G3 Rack-mountable Receiver
G3 portable Receiver
2) portable (camera-mount) receivers
Portable receivers are used in film, television, and video applications to wirelessly feed audio
into a video camera or other portable recording device. The EK 100 G3 portable camera-mount
receiver is compact, lightweight, battery-powered, and can mount directly onto a wide variety
of motion-picture or video cameras which have a standard shoe mount. Adaptive Diversity
antenna technology is featured on evolution wireless G3 portable receivers to increase stability.
In Adaptive Diversity, the receiver utilizes the output cable as a secondary antenna, enhancing
reception and reducing dropouts.
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Antennas
For basic wireless applications, the supplied antenna rods provide excellent results. For more
complicated systems, remote antennas can further enhance reliability and reception.
There are two common remote antennas used for multi-channel systems:
1) Omnidirectional antennas
Omnidirectional antennas, such as the passive A1031-U, receive or radiate
UHF signals in a circular, ‘donut’ shaped pattern. Omnidirectional antennas
are an excellent choice for indoor applications and situations where the
transmitter’s range of movement is unpredictable.
a1031-u
2) directional antennas
Directional antennas, such as the passive A2003-UHF, provide superior
passive forward gain and ‘reach’ by suppressing unwanted RF signals
from behind. Directional antennas excel in outdoor applications and
situations where the transmitter’s range of movement is contained to
a specific area, such as a stage.
a2003-uHf
Remote antennas often enhance system performance through better placement. Stand-mountable
remote antennas can be located physically higher than antenna rods, which improves line of sight
and reduces disruptive reflections. Wider antenna spacing is also possible, which enhances stability
by maximizing diversity. In multi-channel setups, receivers are often rack-mounted, which can place
numerous metal housings in the transmission path. By relocating the antennas out of the rack, signal
quality can also be significantly enhanced.
In multi-channel applications, the signal from a master pair of remote antennas can be distributed to
multiple receivers simultaneously by an antenna splitter.
active antenna distribution
The ASA 1 is an active, dual 1:4 splitter, capable of feeding up to four diversity receivers from
a pair of master antennas. Two ASA 1s can be coupled together to feed up to eight receivers.
The ASA 1 maintains unity gain by first boosting the incoming signal before passively splitting
it to multiple outputs. In addition to antenna distribution, the ASA 1 also provides DC power
distribution for all connected G3 series receivers, streamlining wiring by eliminating numerous
individual power supplies.
asa 1 active antenna splitter
8
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Wireless Monitoring Systems
Wireless monitor systems are quietly revolutionizing live sound. In-ear monitor receivers allow
musicians to hear themselves and other instruments while performing, without the need for loud
monitor wedges. Monitor systems not only reduce stage volume and the risk of feedback, they also
provide freedom of movement and excellent hearing protection due to reduced listening levels.
Similar to the wireless microphone systems discussed earlier, wireless monitoring systems utilize very
similar building blocks:
(Rack-mount) Transmitter:
The SR 300IEM G3 transmitter can send either a mono or stereo-multiplexed signal via a pair
of balanced ¼” / XLR combination jacks. With 1,680 available UHF frequencies and easy multi-
channel operation, the system can provide wireless monitoring for every performer on stage.
Robust output power (30 mW) provides extended range and signal stability.
sR 300Iem G3 Transmitter
(portable) Receiver:
The compact EK 300IEM G3 bodypack receiver provides the performer
with clear, interference-resistant monitoring. A unique “Stereo / Focus”
mode toggles between standard stereo monitoring and Focus (mono)
mode. In Focus mode, users can freely adjust the balance of the system’s
two channels to create a custom monitor mix (for example, to create a
balance between vocals with instrumentation). A large, easy-to-use knob
allows users to control volume, while an adjustable Audio Limiter can be
engaged to protect against hearing loss. Multiple receivers can receive
and listen to the same signal, allowing performers to share a monitor mix.
eK 300 Iem + Ie 4
The ew 300IEM G3 monitor system includes Sennheiser’s high quality IE4 stereo earphones, which
provide lightweight, comfortable listening. The receiver can also be used with custom ear molds
(ordered separately) for the ultimate in wireless comfort, fit and performance. The EK 300IEM G3
receiver utilizes Adaptive Diversity, which uses the IE4’s output cable as a secondary antenna,
increasing system stability.
antennas / antenna Combiners:
Monitor systems use a single transmit antenna to send
their signal to the receiver. The A2003-UHF passive
directional antenna is an excellent choice for a remote
IEM transmit antenna, particularly in situations where
the performers are in a set location, such as a stage.
aC3
For larger systems, Sennheiser offers the AC3 antenna combiner, which can combine up to
four transmission signals onto a single transmit antenna, greatly reducing the possibility of
intermodulation.
9
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Choosing a Wireless System
Sennheiser’s evolution wireless G3 line is available in three performance grades – ew 100 G3,
ew 300 G3, and ew 500 G3. All three lines are fully compatible, sharing identical RF technology with
1,680 tunable frequencies, 30 mW of output power and True Diversity reception on all rackmount
receivers. Every component features Sennheiser’s proprietary HDX™ compander circuitry for
crystal-clear audio, and an innovative infrared sync that allows the receiver to quickly program the
transmitter to a new frequency. With the press of the SYNC button, the receiver transfers the desired
frequency into the transmitter, greatly simplifying the setup process.
Looking beyond the shared core RF platform, each series offers unique features that address
increasingly complex multi-channel applications. The ew 100 G3 series offers streamlined, portable
wireless solutions. The ew 300 G3 series enhances control with integrated mute functions and remote
control over Ethernet. The ew 500 G3 series delivers with Sennheiser’s top-of-the-line mic capsules
and lavalier elements, for the best possible audio quality.
EW 100 G3
EW 300 G3
42 MHz
1,680
EW 500 G3
switching bandwidth
Tunable frequencies
synchronization
Infrared
HDX
Noise Reduction
Rf output power
30 mW
selectable 10 / 30 mW
20 Preset (intermod free)
1 User Programmable
20 Preset (intermod free)
6 User Programmable
frequency Banks
Channels per Bank
12
24
32
mic capsules (handheld)
mic elements (lavalier)
audio Control (handheld)
audio Control (bodypack)
Receiver display
e 800 series
ME 2 / ME 4
e 900 series
MKE 2 Gold
-
Mute button on body
Optional RMS 1
-
-
-
Small / 1 color
Large / 2-color
Networkable (remote
monitoring, media control)
-
Ethernet / RJ45
Adjustable in 3 levels
(low/medium/high)
squelch
Adjustable in 2dB steps
One of the most important considerations in selecting the right wireless series for an application is
the number of channels required. G3 systems offer 20 “Banks” of coordinated frequency presets,
known as “Channels.” For reliable operation, all systems in a given frequency range should be set to
the same Bank, each to a unique available Channel. The number of Channels per Bank increases with
the series, up to 32 per bank in ew 500 G3. Larger multi-channel systems will be easier to set up and
coordinate with the more advanced series, like ew 500 G3.
One of the more powerful features found in ew 300 and ew 500 G3 systems is an Ethernet RJ 45
port, which allows users to remotely program and monitor their systems using Sennheiser’s Wireless
Systems Manager software, on either a Mac or PC. When interconnected with an Ethernet switch, ew
300 and 500 series systems can also perform a networked Easy Setup, distributing the results of a
common scan to all connected receivers - resulting in faster setup and coordination.
10
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Selecting Systems and Components
Sennheiser offers a wide range of evolution wireless G3 systems to cover almost any wireless
application, from wireless instruments to personal monitoring to portable ENG systems. G3 systems
are sold in sets, containing a matched transmitter and receiver, including:
EW 100 G3
EW 300 G3
EW 500 G3
ew 135 G3
ew 145 G3
ew 165 G3
ew 335 G3
ew 345 G3
ew 365 G3
ew 500-935 G3
ew 500-945 G3
ew 500-965 G3
Handheld systems
ew 112 G3
ew 122 G3
ew 312 G3
ew 322 G3
lavalier systems
ew 512 G3
Headmic systems
ew 152 G3
ew 172 G3
ew 352 G3
-
-
Instrument systems
ew 572 G3
ew 112P G3
ew 122P G3
portable / Camera systems
-
-
-
ew 135P G3
ew 100 ENG G3
ew 300 IEM G3
ew 300 2-IEM G3
monitoring systems
-
Additional components can be added to enhance any system, but it is important to identify and
select the matching frequency range to ensure compatibility. To help simplify the matching process,
Sennheiser clearly prints the tuning range (A, G or B) on the back of all components. Transmitters and
receivers must also use the same compander circuitry to provide correct audio results. Sennheiser’s
proprietary HDX™ circuitry is featured in all three generations of evolution wireless (G1 / G2 / G3), as
well as our 2000 Series. As long as the frequency range matches, evolution wireless and 2000 Series
are fully forward and backwards compatible.
Accessorizing a Wireless System
Sennheiser offers many useful accessories for evolution wireless G3 to help expand the functionality of
the system. A few common accessories include:
Ga3 Rack adapter
For convenient side-by-side mounting of up to two fixed EM receivers,
SR transmitters, ASA1 splitters or AC3 combiners in a standard 19”
rack. Included with ew 300 G3 and ew 500 G3 systems, available
separately for ew 100 G3 systems.
Ga3
am2 front mount antenna Kit
For use with a rack-mounted G3 receiver, transmitter, splitter or
combiner, the AM2 extends a pair of antenna rods to the half-rack
front panel included in the GA3 rack-mounting kit. Front-mounting
antenna rods can enhance system performance, when compared to
antennas “buried” inside the rack.
am2
Rms 1 Remote mute switch
For use exclusively with the SK 300 G3, the RMS 1 is a programmable
remote mute switch which performs specialty applications such as
press-to-talk or press-to-mute.
Rms 1
11
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Operation: Frequency Considerations
The successful operation of an RF wireless system greatly depends on two things:
1) The frequencies used must avoid interference from competing signals, such as television
broadcast.
2) The frequencies used must not interfere with each other. Selected frequencies need to be
carefully calculated for sufficient spacing, and to avoid creating disruptive interference known as
intermodulation.
Geographic location plays a major role in the performance of your wireless system. The primary source
of competition is television broadcast transmission towers. It is likely that one or more television
stations will be broadcasting within range of your wireless system, creating sources of interference.
In planning your systems’ frequency requirements, it is advisable to determine what frequencies are
in use by local television stations. Sennheiser’s website, www.sennheiserUSA.com, has an interactive
Frequency Finder which can assist in identifying the local TV stations broadcasting in your area.
Local television stations are not the only source of interference, so having a complete knowledge of
your RF environment is an important step in planning your wireless microphone system.
To provide users with additional flexibility to avoid interference, evolution wireless G3 systems are
available in three distinct frequency ranges (A, G, B). Each range contains 1,680 user-selectable
frequencies and 20 “Banks” of coordinated frequency presets, known as “Channels.” For proper
multi-channel setup, all units in a frequency range should be set to the same Bank, each to a different
available Channel.
All G3 systems include an easy-to-use EASY SETUP process, which ensures your units are set to fully
compatible frequencies that avoid local interference.
easy setup / scan New list:
1. On the receiver, press SET to enter menu. Press up/down buttons to select “Easy Setup”. Press SET
and choose “Scan New List.” Press SET to start scan.
2. After the scan is complete, the receiver will recommend the “Bank” with the most “Channels” free.
Press SET. Select a Channel using the up/down arrows and press SET to confirm. The receiver will
say “STORED.”
3. Tap the POWER button to exit the menu. The new selected frequency will be displayed. You should
see little to no RF activity on the meter (meaning, you are on a free channel).
4. Power up the transmitter you wish to pair with the receiver. Locate the transmitter’s infrared
(IR) port. On a G3 handheld transmitter, the port is located on the LCD display. On a bodypack
transmitter, it is located inside the battery compartment, to the right of the ON/OFF button.
5. For a rack-mount (EM) receiver, press the “SYNC” button on the front of the receiver. On a
portable (EK) receiver, press SET and use the up/down button to find “Sync.” Press SET. Hold
the transmitter‘s IR port in front of the receiver’s IR port, which is located on the left side of the
display. Be sure to align the IR ports so they face each other, approximately 1” to 2” apart.
6. If the SYNC is successful, you will see a " " on the receiver screen. If you see an “X”, SYNC failed
and you should repeat step 5.
7. After a successful SYNC, you should see the same frequency displayed on both the receiver and
transmitter.
8. If setting up another system in the same frequency range (A/B/G), you can repeat the process
from Step 1. Make sure to choose the same BANK number as you did in step 2 to ensure compatible
operation, and a different channel number.
12
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Putting Together a System
Following are diagrams of several typical wireless microphone and wireless monitor systems.
NOTE: For systems larger than 8 channels, we recommend using Sennheiser's 2000 Series wireless:
Four Channel Wireless System
(4 Handheld Systems)
Qty model
description
4
1
ew 335 G3
G3 front Kit 4
Handheld systems w/mmd 835-1 capsules
active splitter kit for four receiver system using front-mount antennas,
includes asa1/NT, Ga3, am2
Antenna
Antenna
ASA1/NT
NT1-1-US
EM300G3
EM300G3
EM300G3
EM300G3
RF Cables
Power
PRO TIP: dC power for (em) receivers is provided via the "a" Outputs
13
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Eight Channel Wireless System
(4 Handheld Systems and 4 Lavalier Systems)
Qty
Model
Description
4
4
1
ew 365 G3
ew 312 G3
G3 Omni Kit 8
Handheld systems w/mme865-1 capsules
lavalier systems w/me2 capsules
active splitter kit for eight receiver system using omnidirectional remote
paddle antennas, includes two (2) asa1/NT, two (2) a1031-u, Ga3, two (2)
BB1
Note: various lengths of Rf cable available for antenna run (sold separately)
*aB3 boosters may be used to compensate for Rf loss associated
with long cable runs.
Antenna
Antenna
AB3 (optional*)
AB3 (optional*)
NT1-1-US
NT1-1-US
ASA1/NT
ASA1/NT
EM300G3
EM300G3
EM300G3
EM300G3
EM300G3
EM300G3
EM300G3
EM300G3
RF Cables
Power
PRO TIP: dC power for )em) receivers is provided via the "a" Outputs
14
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Single Channel Wireless Monitor System
(1 ew 300IEM G3 system, for a single stage mix)
NOTE: additional EK300 receivers may be added as needed to monitor the same mix
Qty
Model
Description
1
ew 300Iem G3
Wireless monitor system with rack mountable transmitter,
Ga3 rack mount kit, bodypack receiver and Ie4 earbuds
Four Channel Wireless Monitor System
(4 ew300IEMG3 systems)
Qty
Model
Description
4
ew 300Iem G3
Wireless monitor system with rack mountable transmitter, Ga3 rack mount
kit, bodypack receiver and Ie4 earbuds
1
G3 Iem dir Kit 4
active combiner kit for four Iem transmitters with dC power distribution,
includes aC3/NT, Ga3, a2003-uHf
Note: various lengths of Rf cable available for antenna run (sold separately)
pro Tip:
The AC3 has four (4) status LEDs on the front panel to indicate
that power is being distributed to the connected SR300G3.
Connect the included BNC cables as shown above to quickly
diagnosis any potential power issues with your equipment and
immediately identify the problematic rack position.
Antenna
ANT
RF IN
1
RF IN
2
RF IN
3
RF IN
4
NT1-1-US
RF OUT
DC OUT
12V/350mA
USE NT 3-1 ONLY
13,8V/3,5A
DC IN
PUSH
PUSH
PUSH
PUSH
Stereo Transmitter SR 300 IEM
Stereo Transmitter SR 300 IEM
IDENT NO 627925
SER NO 2518100155
IC 2099A-G3SREK
IDENT NO 627925
SER NO 2518100155
IC 2099A-G3SREK
FREQ Range-D 780-822 MHz
FREQ Range-D 780-822 MHz
0682
0682
DESIGNED AND MADE IN GERMANY
DESIGNED AND MADE IN GERMANY
ANT
ANT
Loop Out
BAL
Loop Out
BAL
+22dBu
MAX
+22dBu
MAX
BAL
AF IN
BAL
AF IN
L(I)
R(II)
L(I)
PUSH
+22dBu MAX
R(II)
PUSH
RF OUT
L(I)
R(II)
L(I)
PUSH
+22dBu MAX
R(II)
PUSH
RF OUT
Stereo Transmitter SR 300 IEM
Stereo Transmitter SR 300 IEM
IDENT NO 627925
SER NO 2518100155
IC 2099A-G3SREK
IDENT NO 627925
SER NO 2518100155
IC 2099A-G3SREK
FREQ Range-D 780-822 MHz
FREQ Range-D 780-822 MHz
0682
0682
DESIGNED AND MADE IN GERMANY
DESIGNED AND MADE IN GERMANY
ANT
ANT
Loop Out
BAL
Loop Out
BAL
+22dBu
MAX
+22dBu
MAX
BAL
AF IN
BAL
AF IN
L(I)
R(II)
L(I)
+22dBu MAX
R(II)
RF OUT
L(I)
R(II)
L(I)
+22dBu MAX
R(II)
RF OUT
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Antenna Distribution and Mounting Packages
Sennheiser has put together several antennas distribution packages to address common wireless
scenarios.
G3 OMNI KIT 4
G3 DIR KIT 4
G3 FRONT KIT 4
Active splitter kit for four receiver
system using omnidirectional
remote paddle antennas, includes:
(1) ASA1/NT active splitter
(2) A1031-U antennas
(1) GA3 rack mount kit
Active splitter kit for four receiver
system using directional remote
paddle antennas, includes:
(1) ASA1/NT active splitter
(2) A2003-UHF antennas
(1) GA3 rack mount kit
Active splitter kit for four receiver
system using front-mount antennas,
includes:
(1) ASA1/NT active splitter
(1) AM2 front mount kit
(1) GA3 rack mount kit
G3 DIR KIT 8
G3 FRONT KIT 8
G3 OMNI KIT 8
Active splitter kit for eight receiver
system using directional remote
paddle antennas, includes:
(2) ASA1/NT active splitters
(2) A2003-UHF antennas
Active splitter kit for eight receiver
system using front-mount antennas,
includes:
(2) ASA1/NT active splitters
(1) AM2 front mount kit
(1) GA3 rack mount kit
Active splitter kit for eight receiver
system using omnidirectional
remote paddle antennas, includes:
(2) ASA1/NT active splitters
(2) A1031-U antennas
(1) GA3 rack mount kit
(2) BB1 interconnect BNC cables
(1) GA3 rack mount kit
(2) BB1 interconnect BNC cables
(2) BB1 BNC interconnect cables
G3 IEM DIR KIT 4
Active combiner kit for four IEM
transmitters with DC power
distribution, includes:
(1) AC3/NT active combiner
(1) A2003-UHF antennas
(1) GA3 rack mount kit
NOTe: The antennas supplied with all ew rack-mountable receivers are to be used only in chassis-mounted (rear
jacks), or in conjunction with the AM2 front-mounting kit. These are ground plane devices and are never to be
used as a remote antenna solution on the end of a cable.
The following items are not included with Sennheiser’s antenna distribution kits.
You may require any of the following:
• Low loss antenna cable to connect remote antennas to the antenna distribution
(cable length to suit the application)
• Mounting brackets for remote antennas
• Rack screws
• Additional GA3 rack-mount kits (not included with ew 100 G3 series systems)
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Frequently Asked Questions
Why does my receiver emit a horrible loud static noise when I power off my transmitter?
This simply means your wireless system is operating on a frequency that is already in use, most likely
by a television station. When the transmitter is on, everything may work fine because the transmitter’s
proximity overpowers the television signal. When the transmitter is powered off, the receiver still
attempts to latch onto any signal it can find. If you see RF activity on the receiver’s meters while the
transmitter powered off, that means that there is another signal interfering with your system (most
likely TV). You can use the “Easy Setup” / “Scan New List” process to find a new free frequency. Once
you identify and select a free frequency, this loud static noise will no longer come through your system
when the transmitter is powered off. If you use your system in various locations, it is always a good
idea to perform the “Easy Setup” process to identify a clean frequency as the RF environment will
change with geographic location. If your receiver cannot find a free Channel on which to operate, a
temporary solution is to raise “Squelch” from “Low” to the “Med” setting. Raising Squelch will block
larger RF signals. This is a temporary solution, and should only be used as a last resort as raising
Squelch also reduces operating range. It is always best to find a free frequency, whenever possible.
My wireless system is on and functioning, however I am experiencing feedback and
poor sound quality through my PA system.
From the factory, the output level on G3 rack-mount receivers is set to +18dB. This is a very strong
signal and can result in feedback or poor sound quality with certain mixing consoles and amps. To
remedy this, you can adjust the “AF OUT” menu on the receiver to a lower number. It is recommended
to start at around “0 dB” and perhaps “+3 dB or +6 dB” depending on your application. These are
guidelines, so feel free to experiment to get the best sound possible from your particular system.
Can I use rechargeable batteries?
Yes. Sennheiser offers the BA2015 rechargeable battery pack and the L2015/NT charging station.
Most G3 portable components feature external charging contacts to allow charging the BA2015 by
simply placing the portable device into the L2015 charger. Standard “AA” rechargeable batteries can
be used with G3 systems, however the external contacts will only serve to charge the BA2015. The
battery meter may also indicate a low battery status more quickly, due to the lower voltage produced
by NiMH rechargeable batteries. The BA2015 was designed to provide the correct battery reading,
and is the recommended solution.
AF and RF Mute – what’s the difference?
With G3 bodypack transmitters, users can program the Mute switch to act as either an AF Mute (audio
frequency) or an RF Mute (radio frequency). AF Mute performs a traditional audio mute. RF Mute will
cut the transmitter’s RF signal, which in turn mutes the receiver. This is particularly important for back-
up transmitters and guitarists/bassists with multiple transmitters connected to multiple instruments
and only one receiver. (Two transmitters cannot operate on the same frequency at the same time!).
With RF Mute, multiple guitars can all be equipped with transmitters, all set to the same frequency,
with only one active at a time. To switch instruments, simply engage the “Mute,” switch instruments
and “Unmute” the new instrument.
What are the advantages of Low Power mode on ew 300/500 G3 transmitters?
In many instances, users think more power is better but, with respect to wireless systems, “just
enough” power is best. The stronger your RF output power is, the greater chance your systems may
interfere with each other. Higher RF output power also makes it more difficult to deploy large multi-
channel systems. It will be possible to achieve higher channel counts in a 42 MHz switching bandwidth
by decreasing your RF output power and utilizing properly designed antenna systems.
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Frequently Asked Questions(Continued)
What is cable emulation?
Cable emulation allows a guitar player to add the effect of cable back into their instrument’s tone.
Longer cables add increasing amounts of capacitance, which can “load” the instrument’s pickups. The
result is a subtle but pleasing reduction of the instrument’s high frequencies. When guitarists move
from traditional cables to a wireless system, the sudden lack of capacitance can sound too bright or
“clean”. Cable emulation allows guitars to dial in three increasing levels (low / medium / high) of that
familiar treble roll-off back into their sound.
Why can’t I front-mount my antennas on the GA3 rack ears? The rack rails seem to get
in the way of the two holes.
To rack-mount the antennas on a full 19” rack unit, you will need the GA3030-AM accessory. This
accessory includes two rack handle mounting pieces that will enable you to attach the female BNC
bulkhead to the rack, right where there are already drilled and tapped threads. The antenna cable
will pass through the rack mount, via the holes, to the back of the receiver where it will connect. More
common is the use of the GA3 with the AM2. This allows one to rack mount a single system and place
the antennas in the same rack space on the included blank panel.
How do I use the built-in guitar tuner on my ew 100 or 500 series G3 receiver?
From the factory, the Tuner is inactive. To activate, access the receiver’s menus by pressing the “SET”
button. Use the up/down buttons (100 series) or jog dial (500 series) to find the “Advanced” menu
and press “SET.” Find “Guitar Tuner” and press “SET” again. Change the setting from “Inactive” to
either “Active” or “Audio Mute.” Press “SET” to store, and then tap the power button to exit to the
main operating screen. With the tuner now active, use the up/down buttons or jog wheel to access
the tuner screen. With the tuner set to “Active,” the receiver will always pass audio as you tune. If you
set the tuner to “Audio Mute,” the receiver will automatically mute the audio when the tuner screen is
active, allowing you to tune in silence.
Where’s the mute switch on the handheld?
SKM 100 / 500 G3 handheld transmitters do not have a “Mute” button. True professional
microphones (wired and wireless) usually do not have a mute button, as Front of House wants to
retain control over the audio. If a mute button is desired for a specific application, the SKM 300 G3
handheld transmitter does have a programmable button. You can program this model to have the
mute latch on/off, or be momentary such as “push to talk” or “push to cough.” In addition, you can
disable it entirely.
Conclusion
Wireless microphone and monitor systems have become standard fixtures in modern culture. Each time
we turn on a television, see a performance, watch the news, go to the theatre, or enjoy a concert, we are
surrounded by wireless technology. Wireless mic and monitoring systems allow you to express yourself
to your audience without being constrained by cables.
Sennheiser is committed to making wireless systems powerful, yet simple to use. As such, evolution
wireless G3 systems are ready to perform, right out of the box. With exceptional clarity, extended
transmission range, and proven durability, evolution wireless G3 is the best choice for affordable,
professional wireless performance.
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Appendix: Frequency Preset Charts
The following charts detail evolution wireless G3 ranges (A / G / B). Each range covers a 42 MHz with
a total of 1,680 UHF frequencies. All evolution wireless G3 systems include 20 banks of frequency pre-
sets. All channels (frequency presets) within a bank are calculated to be intermodulation-free. Banks
1-20 are factory-preset and cannot be changed.
The “U” frequency banks (ew 100: bank “U”, ew 300/ew 500: banks “U1”–“U6”) allow the user to
store custom frequencies, freely selectable in 25 kHz steps. These frequencies will not necessarily be
intermodulation-free.
The following tables list the frequency presets in the frequency banks “1” through “20”. ew 100 G3
systems include the first 12 channels in each frequency bank, ew 300 G3 series include the first 24
channels, and ew 500 G3 systems include the maximum 32 channels in each frequency bank.
for additional information about evolution wireless G3 or other sennheiser products, please
contact sennheiser at (860) 434-9190, or visit our website: www.sennheiserusa.com
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Frequency Range A
516–558 MHz
Ch. 21 (512–518 MHz)
Ch. 22 (518–524 MHz)
Ch. 23 (524–530 MHz)
Ch. 24 (530–536 MHz)
Ch. 25 (536–542 MHz)
Ch. 26 (542–548 MHz)
Ch. 27 (548–554 MHz)
Ch. 28 (554–560 MHz)
US TV Channel
Channel Bank 1
Bank 2
Bank 3
Bank 4
Bank 5
Bank 6
Bank 7
Bank 8
Bank 9 Bank 10
1
518.200 524.250 530.100 536.350 542.900 548.850 554.100 518.125 516.000 516.000
518.700 524.800 530.800 537.700 543.600 549.800 554.550 518.500 516.875 516.400
519.650 525.550 531.650 538.650 544.450 550.250 555.200 519.000 517.500 517.000
520.450 526.550 532.050 539.300 545.050 551.100 555.700 519.625 520.175 517.800
520.900 527.700 533.050 540.100 545.450 551.500 556.450 520.375 522.625 519.000
521.600 528.100 533.550 540.700 546.200 552.150 557.050 521.375 524.800 520.600
522.000 529.050 534.850 541.100 546.750 552.950 557.450 523.375 529.625 522.800
522.900 529.500 535.750 541.800 547.700 553.500 558.000 525.875 530.825 526.000
528.800 516.950 517.300 518.900 516.900 524.050 516.300 534.125 540.525 528.400
2
3
4
5
6
7
8
9
10 535.100 535.250 523.300 519.800 524.750 533.500 524.750 535.375 553.625 533.200
11 552.350 536.750 547.200 550.100 551.250 537.700 533.550 537.500 516.375 537.200
12 531.600 554.900 551.050 555.050 553.200 556.900 538.250 540.125 518.425 541.600
13 539.900 519.200 520.150 516.150 518.100 518.950 517.200 541.750 520.975 549.000
14 540.500 540.400 520.800 516.900 521.900 522.300 526.800 521.000 521.525 552.400
15 542.900 541.850 521.250 524.600 522.800 523.450 529.550 522.125 523.350 519.475
16 543.950 542.650 521.850 525.500 523.850 527.250 532.700 522.500 526.375 521.300
17 546.050 545.150 523.900 526.550 528.450 528.400 538.950 524.125 531.400 523.850
18 546.600 546.050 525.000 545.300 528.950 529.000 544.800 524.500 532.250 527.625
19 550.850 547.250 553.150 546.500 531.900 532.600 547.200 525.125 533.975 530.150
20 552.950 548.150 555.700 549.350 553.650 534.100 550.350 534.500 534.725 531.175
21 553.700 550.400 556.900 556.250 555.000 538.300 530.250 535.000 536.200 539.950
22 556.100 557.900 557.550 520.550 519.500 545.100 531.350 536.125 543.875 544.975
23 524.750 527.000 528.900 523.100 521.300 521.350 534.900 536.750 545.050 547.675
24 529.500 519.650 539.250 531.800 525.500 529.750 537.750 537.875 533.375
25 533.900 521.100 541.900 535.850 527.750 531.850 542.550 538.750
26 543.350 530.250 549.250 551.600 533.300 539.500 549.350 539.125
27 545.150 534.500 550.050 552.500 540.600 543.400
28 547.550 546.750 550.450 553.250 555.900 544.500
539.750
540.625
541.000
29 548.900 551.450 557.950
557.400
30
31
32
552.200
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Frequency Range A
516–558 MHz (continued)
Ch. 21 (512–518 MHz)
Ch. 22 (518–524 MHz)
Ch. 23 (524–530 MHz)
Ch. 24 (530–536 MHz)
Ch. 25 (536–542 MHz)
Ch. 26 (542–548 MHz)
Ch. 27 (548–554 MHz)
Ch. 28 (554–560 MHz)
US TV Channel
Channel Bank 11 Bank 12 Bank 13 Bank 14 Bank 15 Bank 16 Bank 17 Bank 18 Bank 19 Bank 20
1
2
3
4
5
6
7
8
9
516.100 516.200 516.000 516.150 516.275 516.375 516.100 516.000 518.100 517.500
516.500 516.600 516.400 516.550 516.675 516.775 516.975 516.400 518.475 517.875
517.100 517.200 516.900 517.050 517.175 517.275 517.600 517.000 518.975 518.375
517.900 518.000 517.500 517.650 517.775 517.875 520.275 517.800 519.600 519.000
519.100 519.200 517.950 518.100 518.225 518.325 522.725 519.000 520.350 519.750
520.700 520.800 518.500 518.650 518.775 518.875 524.900 520.600 521.350 520.750
522.900 523.000 519.150 519.300 519.425 519.525 529.725 522.800 522.975 522.375
526.100 526.200 520.500 520.650 520.775 520.875 530.925 526.000 524.975 524.375
528.500 528.600 521.200 521.350 521.475 521.575 540.625 528.400 527.100 526.500
10 533.300 533.400 522.650 522.800 522.925 523.025 553.725 533.200 530.100 529.500
11 537.300 537.400 523.400 523.550 523.675 523.775 516.475 537.200 531.350 530.750
12 541.700 541.800 525.100 525.250 525.375 525.475 518.525 541.600 534.475 533.875
13 549.100 549.200 526.500 526.650 526.775 526.875 521.075 549.000 537.975 537.375
14 519.575 557.800 529.100 529.250 529.375 529.475 521.625 552.400 542.725 540.125
15 521.400 519.675 530.900 531.050 531.175 531.275 523.450 519.475 548.350 548.125
16 523.950 521.500 532.050 532.200 532.325 532.425 526.475 521.300 553.350 552.000
17 527.725 524.050 533.950 534.100 534.225 534.325 531.500 523.850 521.850 521.875
18 530.250 527.825 538.600 538.750 538.875 538.975 532.350 527.625 522.475 523.750
19 531.275 530.350 543.150 543.300 543.425 543.525 534.075 530.150 523.850 525.500
20 540.050 531.375 543.950 544.100 544.225 544.325 534.825 531.175 524.350 527.000
21 545.075 540.150 547.900 548.050 548.175 548.275 536.300 539.950 527.725 527.375
22 547.775 545.175
543.975 544.975 528.975 528.375
545.150 547.675 529.475 528.750
533.475 541.975 532.225 531.375
543.725 532.725 531.875
546.550 538.475 533.375
539.100 538.125
23
24
25
26
27
28
29
30
31
32
547.875
539.600 538.625
540.975 540.500
542.225 542.625
543.850
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Frequency Range G
566–608 MHz
Ch. 30 (566–572 MHz)
Ch. 31 (572–578 MHz)
Ch. 32 (578–584 MHz)
Ch. 33 (584–590 MHz)
Ch. 34 (590–596 MHz)
Ch. 35 (596–602 MHz)
Ch. 36 (602–608 MHz)
US TV Channel
Channel Bank 1
Bank 2
Bank 3
Bank 4
Bank 5
Bank 6
Bank 7
Bank 8
Bank 9 Bank 10
1
566.450 572.400 578.400 584.400 590.700 596.400 602.250 566.000 566.000 566.100
566.950 573.100 579.300 584.900 591.550 596.800 602.800 566.875 566.400 566.500
567.900 574.100 579.700 585.550 592.600 597.500 603.200 567.500 567.000 567.100
568.350 574.950 580.750 586.000 593.400 598.000 604.300 570.175 567.800 567.900
569.500 576.150 581.200 586.850 593.950 599.400 605.100 572.625 569.000 569.100
570.050 576.550 582.400 587.400 594.700 600.050 605.550 574.800 570.600 570.700
570.850 577.200 583.250 588.600 595.100 601.050 606.550 579.625 572.800 572.900
571.250 577.650 583.800 589.500 595.700 601.600 607.700 580.825 576.000 576.100
584.300 567.900 568.100 567.250 571.100 570.200 568.250 590.525 578.400 578.500
2
3
4
5
6
7
8
9
10 591.550 581.850 568.700 574.450 578.450 575.900 574.850 601.700 583.200 583.300
11 604.250 597.000 592.250 598.000 584.450 581.750 580.700 603.625 587.200 587.300
12 606.450 607.750 603.500 601.150 605.600 585.050 587.900 608.000 591.600 591.700
13 572.800 566.150 573.800 567.850 566.450 566.450 566.300 566.375 599.000 599.100
14 577.900 566.950 575.150 568.900 567.650 567.800 567.350 567.900 602.400 602.500
15 580.150 580.900 587.450 571.600 568.100 568.250 571.700 568.425 607.600 607.700
16 586.550 586.700 597.200 572.200 569.900 569.600 572.450 569.125 568.175 568.275
17 589.750 590.300 597.950 573.850 571.550 571.700 574.100 569.575 569.475 569.575
18 593.550 593.100 600.200 580.750 572.750 573.500 575.900 570.975 571.300 571.400
19 595.050 595.250 600.950 582.100 576.800 577.850 578.900 571.525 573.850 573.950
20 596.700 601.300 602.750 595.750 583.550 578.600 582.800 573.350 577.625 577.725
21 599.550 602.100 604.100 598.600 586.100 589.550 591.350 576.375 580.150 580.250
22 601.050 602.650 605.900 601.750 600.050 594.650 593.450 581.400 581.175 581.275
23 603.250 606.000 606.500 603.550 603.950 605.000 597.500 582.250 589.950 590.050
24 607.750 606.950 607.850 606.100 605.150 606.050 598.550 583.975 594.975 595.075
25 574.900 569.350 569.900 566.500 566.900 572.900 568.850 584.725 597.675 597.775
26 582.650 570.250 571.550 570.400 573.500 574.250 570.500 586.200 600.975 601.075
27 593.150 583.350 572.750 574.900 574.700 576.500 571.250 593.875 601.900 602.000
28 594.200 583.900 575.750 590.800 577.700 580.400 576.800 595.050 604.625 604.725
29 596.200 590.800 584.600 591.850 600.950 580.850 582.200 600.625 605.250 605.350
30 597.550 594.500 594.650 593.200 602.150 590.300 583.850 601.275 604.125 604.225
31 603.850 603.550 598.550 600.100 606.500 602.900 596.300 607.050 603.375 603.475
32 607.200 604.600 607.400 607.900 607.700 607.250 601.100 583.375
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Frequency Range G
566–608 MHz (continued)
Ch. 30 (566–572 MHz)
Ch. 31 (572–578 MHz)
Ch. 32 (578–584 MHz)
Ch. 33 (584–590 MHz)
Ch. 34 (590–596 MHz)
Ch. 35 (596–602 MHz)
Ch. 36 (602–608 MHz)
US TV Channel
Channel Bank 11 Bank 12 Bank 13 Bank 14 Bank 15 Bank 16 Bank 17 Bank 18 Bank 19 Bank 20
1
2
3
4
5
6
7
8
9
566.200 566.000 566.125 566.275 566.375 566.150 607.850 566.100 568.100 567.500
566.600 566.400 566.525 566.675 566.775 566.525 607.475 566.975 568.475 567.875
567.200 566.900 567.025 567.175 567.275 566.975 607.025 567.600 568.975 568.375
568.000 567.500 567.625 567.775 567.875 567.500 606.500 570.275 569.600 569.000
569.200 567.950 568.075 568.225 568.325 568.100 605.900 572.725 570.350 569.750
570.800 568.500 568.625 568.775 568.875 568.775 605.225 574.900 571.350 570.750
573.000 569.150 569.275 569.425 569.525 569.525 604.475 579.725 572.975 572.375
576.200 570.500 570.625 570.775 570.875 570.425 603.575 580.925 574.975 574.375
578.600 571.200 571.325 571.475 571.575 571.625 602.375 590.625 577.100 576.500
10 583.400 572.650 572.775 572.925 573.025 573.125 600.875 601.800 580.100 579.500
11 587.400 573.400 573.525 573.675 573.775 574.850 599.150 603.725 581.350 580.750
12 591.800 575.100 575.225 575.375 575.475 577.325 596.675 566.475 584.475 583.875
13 599.200 576.500 576.625 576.775 576.875 580.400 593.600 568.000 587.975 587.375
14 602.600 579.100 579.225 579.375 579.475 582.575 591.425 568.525 592.725 590.125
15 607.800 580.900 581.025 581.175 581.275 585.350 588.650 569.225 598.350 598.125
16 568.375 582.050 582.175 582.325 582.425 589.025 584.975 569.675 603.350 602.000
17 569.675 583.950 584.075 584.225 584.325 592.175 581.825 571.075 606.100 607.000
18 571.500 588.600 588.725 588.875 588.975 596.675 577.325 571.625 571.850 571.250
19 574.050 593.150 593.275 593.425 593.525 598.550 575.450 573.450 572.475 571.875
20 577.825 593.950 594.075 594.225 594.325 601.850 572.150 576.475 573.850 573.750
21 580.350 597.900 598.025 598.175 598.275 605.675 568.325 581.500 574.350 575.500
22 581.375 600.250 600.375 600.525 600.625 606.725 567.275 582.350 577.725 577.000
23 590.150 601.200 601.325 601.475 601.575 607.900 566.100 584.075 578.975 577.375
24 595.175 606.300 606.425 606.575 606.675 607.275 566.725 584.825 579.475 578.375
25 597.875 607.550 607.675 607.825 607.925 603.300 570.700 586.300 582.225 578.750
26 601.175
27 602.100
28 604.825
29 605.450
30 604.325
31 603.575
32
602.500 571.500 593.975 582.725 581.375
595.725 578.275 595.150 588.475 581.875
589.725 584.275 600.725 589.100 583.375
584.575 589.425 601.375 589.600 588.125
579.000 595.000 607.150 590.975 588.625
575.275 598.725 583.475 592.225 590.500
569.925 604.075
593.850 592.625
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Frequency Range B
626–668 MHz
Ch. 40 (626–632 MHz)
Ch. 41 (632–638 MHz)
Ch. 42 (638–644 MHz)
Ch. 43 (644–650 MHz)
Ch. 44 (650–656 MHz)
Ch. 45 (656–662 MHz)
Ch. 46 (662–668 MHz)
US TV Channel
Channel Bank 1
Bank 2
Bank 3
Bank 4
Bank 5
Bank 6
Bank 7
Bank 8
Bank 9 Bank 10
1
626.300 632.350 638.450 644.550 650.200 656.350 662.750 632.925 626.000 626.000
626.750 632.800 639.050 645.450 650.750 656.800 663.150 635.425 626.875 626.400
627.450 633.750 639.450 646.650 651.600 657.450 663.950 639.350 627.500 627.000
628.450 634.350 640.200 647.200 652.800 657.850 664.500 640.050 630.175 627.800
628.900 635.700 640.750 648.050 653.250 659.050 665.650 648.500 632.625 629.000
629.700 636.200 641.550 648.500 654.300 659.900 666.100 653.950 634.800 630.600
630.800 636.900 642.600 649.150 654.700 660.900 667.050 655.350 639.625 632.800
631.750 637.300 643.450 649.650 655.600 661.600 667.550 656.250 640.825 636.000
640.550 628.850 628.550 630.500 630.500 626.250 627.550 659.025 650.525 638.400
2
3
4
5
6
7
8
9
10 646.100 641.600 649.700 636.050 641.750 637.000 629.750 665.175 661.700 643.200
11 653.300 647.150 655.700 659.600 665.300 640.900 642.450 665.675 663.625 647.200
12 659.150 665.300 663.050 666.800 665.900 652.150 649.700 667.275 668.000 651.600
13 635.450 643.100 629.000 627.950 626.150 627.050 626.250 631.200 626.375 659.000
14 636.500 643.850 630.200 632.300 627.500 628.000 630.750 633.750 627.900 662.400
15 642.650 648.200 634.100 632.900 628.100 631.350 632.950 636.025 628.425 667.600
16 651.200 652.250 648.050 635.450 629.900 631.900 634.450 638.500 629.125 628.175
17 655.100 653.000 650.600 638.300 631.250 632.700 637.300 640.450 629.575 629.475
18 658.100 656.450 657.350 651.950 633.050 638.750 638.950 643.650 630.975 631.300
19 659.900 658.250 661.400 653.300 633.800 643.700 640.450 653.000 631.525 633.850
20 661.550 661.250 662.600 660.200 636.050 647.300 644.250 655.875 633.350 637.625
21 662.300 662.300 664.250 661.850 636.800 653.100 647.450 660.050 636.375 640.150
22 665.750 663.050 666.050 662.450 646.550 666.100 653.850 661.200 641.400 641.175
23 666.650 664.550 666.500 665.150 658.850 667.050 656.100 662.500 642.250 649.950
24 667.700 666.950 667.700 666.200 660.200 667.850 661.200 667.700 643.975 654.975
25 632.900 626.150 626.450 626.150 626.600 629.400 626.800 636.750 644.725 657.675
26 638.150 626.900 627.650 633.950 635.450 630.450 630.150 641.425 646.200 660.975
27 646.850 628.100 632.000 640.850 639.350 636.250 636.450 651.150 653.875 661.900
28 650.150 641.150 633.200 642.200 649.400 639.500
29 651.800 653.600 656.450 643.250 658.250 643.250
30 656.150 655.700 659.450 659.150 661.250 650.650
31 663.500 660.350 660.650 663.650 662.450 663.700
32 664.550 665.900 667.250 667.550 664.100 664.500
637.800 655.050 664.625
639.800 660.625 665.250
640.850 661.275 664.125
651.350 667.050 663.375
659.100 643.375
24
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Frequency Range B
626–668 MHz (continued)
Ch. 40 (626–632 MHz)
Ch. 41 (632–638 MHz)
Ch. 42 (638–644 MHz)
Ch. 43 (644–650 MHz)
Ch. 44 (650–656 MHz)
Ch. 45 (656–662 MHz)
Ch. 46 (662–668 MHz)
US TV Channel
Channel Bank 11 Bank 12 Bank 13 Bank 14 Bank 15 Bank 16 Bank 17 Bank 18 Bank 19 Bank 20
1
2
3
4
5
6
7
8
9
626.100 626.200 626.050 626.175 626.300 626.375 626.150 667.850 626.100 628.100
626.500 626.600 626.450 626.575 626.700 626.775 626.525 667.475 626.975 628.475
627.100 627.200 626.950 627.075 627.200 627.275 626.975 667.025 627.600 628.975
627.900 628.000 627.550 627.675 627.800 627.875 627.500 666.500 630.275 629.600
629.100 629.200 628.000 628.125 628.250 628.325 628.100 665.900 632.725 630.350
630.700 630.800 628.550 628.675 628.800 628.875 628.775 665.225 634.900 631.350
632.900 633.000 629.200 629.325 629.450 629.525 629.525 664.475 639.725 632.975
636.100 636.200 630.550 630.675 630.800 630.875 630.425 663.575 640.925 634.975
638.500 638.600 631.250 631.375 631.500 631.575 631.625 662.375 650.625 637.100
10 643.300 643.400 632.700 632.825 632.950 633.025 633.125 660.875 661.800 640.100
11 647.300 647.400 633.450 633.575 633.700 633.775 634.850 659.150 663.725 641.350
12 651.700 651.800 635.150 635.275 635.400 635.475 637.325 656.675 626.475 644.475
13 659.100 659.200 636.550 636.675 636.800 636.875 640.400 653.600 628.000 647.975
14 662.500 662.600 639.150 639.275 639.400 639.475 642.575 651.425 628.525 652.725
15 667.700 667.800 640.950 641.075 641.200 641.275 645.350 648.650 629.225 658.350
16 628.275 628.375 642.100 642.225 642.350 642.425 649.025 644.975 629.675 663.350
17 629.575 629.675 644.000 644.125 644.250 644.325 652.175 641.825 631.075 666.100
18 631.400 631.500 648.650 648.775 648.900 648.975 656.675 637.325 631.625 631.850
19 633.950 634.050 653.200 653.325 653.450 653.525 658.550 635.450 633.450 632.475
20 637.725 637.825 654.000 654.125 654.250 654.325 661.850 632.150 636.475 633.850
21 640.250 640.350 657.950 658.075 658.200 658.275 665.675 628.325 641.500 634.350
22 641.275 641.375 660.300 660.425 660.550 660.625 666.725 627.275 642.350 637.725
23 650.050 650.150 661.250 661.375 661.500 661.575 629.925 626.100 644.075 638.975
24 655.075 655.175 666.350 666.475 666.600 666.675 635.275 626.725 644.825 639.475
25 657.775 657.875 667.600 667.725 667.850 667.925 639.000 630.700 646.300 642.225
26 661.075 661.175
27 662.000 662.100
28 664.725 664.825
29 665.350 665.450
30 664.225 664.325
31 663.475 663.575
32
644.575 631.500 653.975 642.725
649.725 638.275 655.150 648.475
655.725 644.275 660.725 649.100
662.500 649.425 661.375 649.600
663.300 655.000 667.150 650.975
667.275 658.725 643.475 652.225
667.900 664.075
653.850
25
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Notes:
26
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www.sennheiserusa.com
sennheiser electronic Corporation
One Enterprise Drive, Old Lyme, CT 06371
Tel: (860) 434-9190 • Fax: (860) 434-1759
Latin America: Tel: 52-55-5639-0956 • Fax: 52-55-5639-9482
Canada: Tel: (514) 426-3013 Fax: (514) 426-3953
Revised: 04/2012
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