INSTALLATION/OPERATION MANUAL
RS-900 Series
RS1100 Series
TM
1080p DLP Home Theater Projectors
RS-900
RS-900/CineWide™
RS-900/CineWide with AutoScope™
RS1100
RS1100/CineWide™
RS1100/CineWide with AutoScope™
RS1100 Ultra
RS1100 Ultra/CineWide™
RS1100 Ultra/CineWide with AutoScope™
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TWO YEAR LIMITED WARRANTY
For Projectors, Video Processors and Controllers
from Runco International, LLC (“Runco”)
Congratulations on your purchase of a Runco video product and welcome to the Runco family! With proper installation, setup
and care, you should enjoy many years of unparalleled video performance.
This is a LIMITED WARRANTY as defined in the Magnuson-Moss Warranty Act. Please read it carefully and retain it with your
other important documents.
WHAT IS COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:
The following Runco product models are covered under this Limited Warranty:
RS-900, RS-900/CineWide, RS-900/CineWide-AutoScope, RS1100, RS1100/CineWide, RS1100/CineWide-AutoScope,
RS1100 Ultra, RS1100 Ultra/CineWide, RS1100 Ultra/CineWide-AutoScope (“Product” individually and “Products”
collectively).
SERVICE LABOR: Runco will pay for service labor at an Authorized Service Center when needed as a result of manufacturing
defect for a period of two (2) years from the date of delivery to the initial end user (excluding the lamp).
PARTS (not including the lamp): Runco will provide new or rebuilt replacement parts for the parts that fail due to defects in
materials or workmanship for a period of two (2) years from the effective date of delivery to the initial end user. Such
replacement parts are then subsequently warranted for the remaining portion (if any) of the original warranty period.
PROJECTOR LAMP: Runco will pay for service labor at an Authorized Service Center when needed as a result of a
manufacturing defect for a period of six (6) months or 1000 hours, whichever comes first, from the effective date of delivery to
the initial end user. In addition, Runco will provide a new or rebuilt replacement lamp for the lamp that fails due to defects in
materials or workmanship for a period of six (6) months or 1000 hours, whichever comes first, from the effective date of delivery
to the initial end user. Such replacement parts are then subsequently warranted for the remaining portion (if any) of the original
warranty period.
WHAT IS NOT COVERED UNDER THE TERMS OF THIS LIMITED WARRANTY:
This Limited Warranty only covers failure due to defects in materials and workmanship that occur during normal use and does
not cover normal wear and tear nor any Product on which the serial number has been defaced, modified, or removed. This
Limited Warranty does not cover: cabinets or any appearance items; failure resulting from accident, misuse, abuse, neglect,
mishandling, misapplication, or faulty or improper installation or setup adjustments; improper maintenance; alteration; improper
use of any input signal; damage due to lightning or power line surges, spikes and brownouts; damage that occurs during
shipping or transit; damage that is attributed to acts of God; customer caused defects; or rental costs incurred due to Product
failure. In the case of remote control units, damage resulting from leaking, old, damaged or improper batteries is also excluded
from coverage under this Limited Warranty.
CAUTION: THIS LIMITED WARRANTY ONLY COVERS RUNCO PRODUCTS PURCHASED FROM AUTHORIZED RUNCO
DEALERS. ALL OTHER PRODUCTS ARE SPECIFICALLY EXCLUDED FROM COVERAGE UNDER THIS WARRANTY.
MOREOVER, DAMAGE RESULTING DIRECTLY OR INDIRECTLY FROM IMPROPER INSTALLATION OR SETUP IS
SPECIFICALLY EXCLUDED FROM COVERAGE UNDER THIS LIMITED WARRANTY. IT IS IMPERATIVE THAT INSTALLATION
AND SETUP WORK BE PERFORMED ONLY BY AN AUTHORIZED RUNCO DEALER TO PROTECT YOUR RIGHTS UNDER
THIS WARRANTY. THIS WILL ALSO ENSURE THAT YOU ENJOY THE FINE PERFORMANCE OF WHICH YOUR RUNCO
PRODUCT IS CAPABLE WHEN INSTALLED AND CALIBRATED BY AN AUTHORIZED RUNCO DEALER.
RS-900 and RS1100 Series Installation/Operation Manual
iii
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RIGHTS, LIMITS AND EXCLUSIONS:
THE FOREGOING DESCRIBED WARRANTIES ARE THE ONLY WARRANTIES THAT APPLY TO THE PRODUCTS. RUNCO
MAKES NO OTHER WARRANTY OR REPRESENTATION AND HEREBY DISCLAIMS ALL OTHER WARRANTIES, EXPRESS
OR IMPLIED, INCLUDING, BUT NOT LIMITED TO, THE IMPLIED WARRANTIES OF MERCHANTABILITY AND FITNESS FOR
A PARTICULAR PURPOSE. RUNCO’S LIABILITY RELATED TO THE PRODUCT IS LIMITED TO THE COST OF THE
APPLICABLE REMEDY AS NOTED ABOVE. IN NO EVENT SHALL RUNCO BE LIABLE FOR:
• DAMAGE TO OTHER PROPERTY CAUSED BY ANY DEFECTS IN THE PRODUCT, DAMAGES BASED UPON
INCONVENIENCE, LOSS OF USE OF THE PRODUCT, LOSS OF TIME, LOSS OF PROFITS, LOSS OF BUSINESS
OPPORTUNITY, LOSS OF GOODWILL, INTERFERENCE WITH BUSINESS RELATIONSHIPS, OR OTHER COMMERCIAL
LOSS, EVEN IF ADVISED OF THE POSSIBILITY OF SUCH DAMAGES;
• ANY OTHER DAMAGES, WHETHER INCIDENTAL, CONSEQUENTIAL OR OTHERWISE;
• ANY CLAIM AGAINST THE CUSTOMER BY ANY OTHER PARTY; OR
• ANY VERBAL WARRANTY ASSURANCES MADE BY A RUNCO EMPLOYEE OR A RUNCO AUTHORIZED DEALER THAT
CONFLICTS WITH OR ENHANCES THE WRITTEN WARRANTY INCLUDED HEREIN.
EFFECTIVE WARRANTY DATE:
This Limited Warranty begins on the date of delivery to the end user. For your convenience, keep the original bill of sale as
evidence of the purchase date.
CONTACT AN AUTHORIZED SERVICE CENTER TO OBTAIN SERVICE:
Repairs made under the terms of this Limited Warranty covering your RS-900/RS1100 Product will be performed at the
location of the Product, during usual working hours, provided that the location of the Product is within normal operating
distance from an Authorized Runco Service Center. In some instances it may be necessary for the Product to be returned to
the Runco factory for repairs. If, solely in Runco’s judgment, location of Product to be repaired is beyond normal operating
distance of the closest Authorized Runco Service Center, or the repair requires the unit be returned to the Runco factory, it is
the owner’s responsibility to arrange for shipment of the Product for repair. These arrangements must be made through the
selling Runco Dealer. If this is not possible, contact Runco directly for a Return Authorization number and shipping instructions.
Runco will return Product with transportation prepaid in the United States, unless no Product defect is discovered. In that
instance, shipping costs will be the responsibility of the Product owner.
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COPYRIGHT AND TRADEMARKS:
© Copyright 2008 Runco International, LLC (“Runco”). This document contains proprietary information protected by copyright,
trademark and other intellectual property laws. All rights are reserved. No part of this manual may be reproduced by any
mechanical, electronic or other means, in any form, without prior written permission of Runco.
The trademarks reporduced in this Runco Owner’s Manual and used on the Runco Products are either owned by Runco or are
licensed by Runco. You may not reproduce or use the trademarks without the prior written consent of Runco.
Runco Products are manufactured under one or more of the following patents: US. Patent 6755540 and Other Patents
Pending.
ADDITIONAL INFORMATION:
To locate the name and address of the nearest Authorized Runco Service Center, or for additional information about this
Limited Warranty, please call or write:
RUNCO INTERNATIONAL, LLC
1195 NW Compton Drive
Beaverton, OR 97006-1992
Ph: (503) 748-5799
Fax: (503) 748-8161
Toll Free: (800) 23-RUNCO (800-237-8626)
PRODUCT INFORMATION
RETAIN FOR YOUR RECORDS
_________________________________________________________
Model Purchased
________________________________________
Date
____________________________________________________________________________________________________________
Serial Number
____________________________________________________________________________________________________________
Runco Authorized Dealer Name
____________________________________________________________________________________________________________
Address
____________________________________________
__________________
State/Province
________________________
Postal Code
City
____________________________________________
Phone
_______________________________________________________
Fax
RS-900 and RS1100 Series Installation/Operation Manual
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Important Safety Instructions
Thank you for your purchase of this quality Runco video product! It has been designed to provide you with the quality of video
that is expected in a home theater. For the best performance, please read this manual carefully as it is your guide through the
menus and operation.
WARNING
This symbol is intended to alert the user to the presence of
uninsulated “dangerous voltage” within the product’s enclosure
that may be of sufficient magnitude to constitute a risk of electric
shock.
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION:
TO REDUCE THE RISK OF ELECTRIC SHOCK
DO NOT REMOVE COVER (OR BACK)
NO USER SERVICEABLE PARTS INSIDE.
REFER SERVICING TO QUALIFIED
SERVICE PERSONNEL.
This symbol is intended to alert the user to the presence of
important operating and maintenance (servicing) instructions in the
literature accompanying the appliance.
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
7. Do not block any of the ventilation openings. Install in accordance with the manufacturer’s instructions.
8. Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that
produce heat.
9. Do not defeat the safety purpose of the polarized or grounding type plug. A polarized plug has two blades with one wider
than the other. A grounding type plug has two blades and a third grounding prong. The wide blade or the third prong is
provided for your safety. When the provided plug does not fit into your outlet, consult an electrician for the replacement of
the obsolete outlet.
10. Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles and the point
where they exit from the apparatus.
11. Only use the attachments/accessories specified by the manufacturer.
12. Use only with a cart, stand, tripod, bracket or table specified by the manufacturer or sold with the apparatus.
When a cart is used, use caution when moving the cart/apparatus to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in
any way, such as power supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does not operate normally, or has been dropped.
15. The +12V trigger only outputs 12Vdc signal for triggering. Do not connect to any other power input or output. This could
cause damage to this unit.
16. Keep the packing material in case the equipment should ever need to be shipped.
17. The lamp becomes extremely hot during operation. Allow the projector to cool down for approximately 45 minutes prior to
removing the lamp assembly for replacement.
18. Do not operate lamps beyond the rated lamp life. Excessive operation of lamps beyond rated life could cause them to
explode in rare occasions.
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19. Never look directly into the lens when the lamp is on.
Compliance Information
DECLARATION OF CONFORMITY:
Manufacturer’s Name: Runco International, LLC
Manufacturer’s Address: 1195 NW Compton Drive, Beaverton, OR 97006-1992
hereby declares that the Products’ Model Numbers:
RS-900, RS-900/CineWide, RS-900/CineWide-AutoScope, RS1100, RS1100/CineWide, RS1100/CineWide-AutoScope,
RS1100 Ultra, RS1100 Ultra/CineWide, RS1100 Ultra/CineWide-AutoScope
conform with the provisions of:
Council Directive 2004/108/EC on Electromagnetic Compatibility;
EN 55022 “Limits and methods of measurements of radio interference characteristics of information technology equipment”
1998;
EN 55024 “Limits and methods of measurements of immunity characteristics of information technology equipment” 1998;
Including:
• EN 61000-4-2 “Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 2:
Electrostatic discharge immunity test”
• EN 61000-4-3 “Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 3: Radiated,
Radio-Frequency, Electromagnetic Field Immunity Test”
• EN 61000-4-4 “Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 4: Electrical
fast transient/burst immunity test”
• EN 61000-4-5 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 5: Surge
immunity test"
• EN 61000-4-6 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 6: Conducted
disturbances induced by radio-frequency fields immunity test"
• EN 61000-4-8 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 8: Conducted
disturbances induced by power frequency magnetic fields immunity test"
• EN 61000-4-11 "Electromagnetic compatibility (EMC) Part 4: Testing and measurement techniques Section 11: Voltage
dips, short interruptions and voltage variations immunity tests"
And:
• EN 61000-3-2 "Electromagnetic compatibility (EMC) Part 3, Section 2: Limits for harmonic current emissions (equipment
input current up to and including 16 A per phase)" 2000;
• EN 61000-3-3 "Electromagnetic compatibility (EMC) Part 3, Section 3: Limitations of voltage changes, voltage
fluctuations and flicker in public low-voltage supply systems, for equipment with rated current up to and including 16 A
and not subject to conditional connection" 1995;
Council Directive 2006/95/EC and amended by M1 and C1 on Low Voltage Equipment Safety;
EN 60950 “Safety of information technology equipment, including electrical business equipment”
The Technical Construction file required by this Directive is maintained at the corporate headquarters of Runco International,
LLC, located at 1195 NW Compton Drive, Beaverton, OR 97006-1992.
RS-900 and RS1100 Series Installation/Operation Manual
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Date of Declaration: June 2008
FCC PART 15:
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of
the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation.
This equipment generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the
instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not
occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be
determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the
following measures:
• Reorient or relocate the receiving antenna.
• Increase the separation between the equipment and receiver.
• Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
• Consult the dealer or an experienced radio/TV technician for help.
INDUSTRY CANADA (ICES-003):
This Class B digital apparatus complies with Canadian ICES-003.
Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.
PRODUCT DISPOSAL:
The Product contains small amounts of tin, lead and/or mercury. Disposal of these materials may be regulated due to
environmental considerations.
IMPORTANT RECYCLE INSTRUCTIONS
Lamp(s) inside this product contain mercury. This product may contain other electronic waste that can be
hazardous if not disposed of properly. Recycle or dispose in accordance with local, state, or federal Laws.
DISPOSAL OF OLD ELECTRICAL AND ELECTRONIC EQUIPMENT (Applicable throughout the European
Union and other European countries with separate collection programs)
This symbol found on your product or on its packaging, indicates that this product should not be treated as
household waste when you wish to dispose of it. Instead, it should be handed over to an applicable collection
point for the recycling of electrical and electronic equipment. By ensuring this product is disposed of correctly,
you will help prevent potential negative consequences to the environment and human health, which could
otherwise be caused by inappropriate disposal of this product. The recycling of materials will help to conserve
natural resources. This symbol is only valid in the European Union. If you wish to discard this product, please
contact your local authorities or dealer and ask for the correct method of disposal.
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Table of Hazardous Substances
Model Name: RS900 Series
Presence of one of the following RoHS-regulated substances would be indicated on the table via
an “O” = compliant or a “X” = non-compliant.
㦘㹡㦘⹂䓸德⚜䱿♙⚺摞䤓㪖幕㫋㆞
Table of hazardous substances’ name and concentration
㦘㹡㦘⹂䓸德㒥⏒侯
捷ↅ⚜䱿
hazardous substances’ name
Component
Name
⮩䅃ℛ啾搩
(PBDE)
杔
(Pb)
O
㻭
(Hg)
O
柘
(Cd)
O
⏼ↆ杻 ⮩䅃勣啾
(Cr6+)
(PBB)
O
O
O
O
O
O
O
O
⏘㧉ㆤ㝝ꢀದꢀ(QJLQHꢀ
䋾㽰ꢀದꢀ/DPSꢀ
O
X
O
X
O
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
䍈䋾⣷ꢀದꢀ%DOODVWꢀ
㇈䓖ꢁ㉺ⓙ䮆杫ꢂꢀದꢀ6SULQJꢀ
歝㓖兓ↅꢀದꢀ)DQꢀ
摠㞾㩅ꢁ杬㒥杬某⚗摠ꢂꢀ ದꢀ
6KHHWPHWDOꢀSDUWVꢀ
X
O
O
O
O
O
O
O
O
O
O
O
⫠启㞾㩅ꢁ⏶攔㪀ꢂꢀದꢀ3ODVWLFꢀ
3DUWVꢀ
䋾 㽰 䥥 ≬ 㔳 ␂ ꢀ ದꢀ /DPSꢀ
'RRUꢀ6ZLWFKꢀ
O
X
O
O
O
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
䂸ㄵ␂ꢀದꢀ7KHUPDOꢀ6ZLWFKꢀ
⪉㨎兓ↅꢀದꢀ3&%$ꢀ
冕兎ꢃ兎㧟ꢀದꢀ:LUHVꢀ
䟄䄟兎ꢀದꢀ3RZHUꢀFRUGꢀꢀ
䟄䄟㙡ㄶ兓ↅꢀದꢀ$&ꢀVRFNHWꢀ
拴㘶⣷ꢀದꢀ5HPRWHꢀ&RQWUROꢀ
O᧶嫷䯉年㦘⹂䓸德⦷年捷ↅ㓏㦘⧖德㧟㠨₼䤓⚺摞⧖⦷ SJ/T 11363-2006 㪖屓⸩䤓棟摞尐㻑ⅴₚᇭ
X᧶嫷䯉年㦘⹂䓸德咂⺠⦷年捷ↅ䤓㩟⧖德㧟㠨₼䤓⚺摞怔⒉ SJ/T 11363-2006 㪖屓⸩䤓棟摞尐
㻑ᇭ(←₩♾⦷㷳⮓᧨㫈㗽⸭棔㍔⑄⺈ₙ嫷₼㓢“X” 䤓㔏㦾☮⥯扪嫛扪㷴広㢝ᇭ)
O: Indicates that this toxic or hazardous substance contained in all of the homogeneous materials for
this part is below the limit requirement in SJ/T11363-2006.
X: Indicates that this toxic or hazardous substance contained in at least one of the
homogeneous materials used for this part is above the limit requirement in SJ/T11363-2006.
(Enterprises may further provide in this box technical explanation for marking “X” based on their
actual conditions.)
RS-900 and RS1100 Series Installation/Operation Manual
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Table of Hazardous Substances
Model Name: RS1100 Series
Presence of one of the following RoHS-regulated substances would be indicated on the table via
an “O” = compliant or a “X” = non-compliant.
㦘㹡㦘⹂䓸德⚜䱿♙⚺摞䤓㪖幕㫋㆞
Table of hazardous substances’ name and concentration
㦘㹡㦘⹂䓸德㒥⏒侯
捷ↅ⚜䱿
hazardous substances’ name
Component
name
⮩䅃ℛ啾搩
(PBDE)
杔
(Pb)
O
㻭
(Hg)
O
柘
(Cd)
O
⏼ↆ杻 ⮩䅃勣啾
(Cr6+)
(PBB)
O
O
O
O
O
O
O
O
⏘㧉ㆤ㝝ꢀꢄꢀ(QJLQHꢀ
O
X
O
X
O
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
䋾㽰ꢀꢄꢀ/DPSꢀ
䍈䋾⣷ꢀꢄꢀ%DOODVWꢀ
㇈䓖ꢁ㉺ⓙ䮆杫ꢂꢀꢄꢀ6SULQJꢀ
歝㓖兓ↅꢀꢄꢀ)DQꢀ
摠㞾㩅ꢁ杬㒥杬某⚗摠ꢂꢀ ದꢀ
6KHHWPHWDOꢀSDUWVꢀ
X
O
O
O
O
O
O
O
O
O
O
O
⫠启㞾㩅ꢁ⏶攔㪀ꢂꢀದꢀ3ODVWLFꢀ
3DUWVꢀ
䋾 㽰 䥥 ≬ 㔳 ␂ ꢀ ದꢀ /DPSꢀ
'RRUꢀ6ZLWFKꢀ
O
X
O
O
O
X
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
O
䂸ㄵ␂ꢀದꢀ7KHUPDOꢀ6ZLWFKꢀ
⪉㨎兓ↅꢀದꢀ3&%$ꢀ
冕兎ꢃ兎㧟ꢀꢄꢀ:LUHVꢀ
䟄䄟兎ꢀದꢀ3RZHUꢀFRUGꢀꢀ
䟄䄟㙡ㄶ兓ↅꢀದꢀ$&ꢀVRFNHWꢀ
拴㘶⣷ꢀದꢀ5HPRWHꢀ&RQWUROꢀ
O᧶嫷䯉年㦘⹂䓸德⦷年捷ↅ㓏㦘⧖德㧟㠨₼䤓⚺摞⧖⦷ SJ/T 11363-2006 㪖屓⸩䤓棟摞尐㻑ⅴₚᇭ
X᧶嫷䯉年㦘⹂䓸德咂⺠⦷年捷ↅ䤓㩟⧖德㧟㠨₼䤓⚺摞怔⒉ SJ/T 11363-2006 㪖屓⸩䤓棟摞尐
㻑ᇭ(←₩♾⦷㷳⮓᧨㫈㗽⸭棔㍔⑄⺈ₙ嫷₼㓢“X” 䤓㔏㦾☮⥯扪嫛扪㷴広㢝ᇭ)
O: Indicates that this toxic or hazardous substance contained in all of the homogeneous materials for
this part is below the limit requirement in SJ/T11363-2006.
X: Indicates that this toxic or hazardous substance contained in at least one of the
homogeneous materials used for this part is above the limit requirement in SJ/T11363-2006.
(Enterprises may further provide in this box technical explanation for marking “X” based on their
actual conditions.)
x
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1Table of Contents
TWO YEAR LIMITED WARRANTY .................................................................................iii
Important Safety Instructions ........................................................................................vi
Compliance Information ............................................................................................... vii
1. Introduction ...............................................................................................................1
About This Manual .......................................................................................................1
If You Have Comments About This Manual.............................................................1
2. Controls and Functions ............................................................................................5
3. Installation ...............................................................................................................13
Notes on Batteries................................................................................................13
Notes on Remote Control Operation.....................................................................13
Quick Setup ...............................................................................................................14
Installation Type....................................................................................................15
Other Considerations............................................................................................21
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RS-232 Controller Connection..............................................................................35
Adjusting the Picture Orientation ................................................................................39
4. Operation .................................................................................................................49
Selecting an Aspect Ratio ..........................................................................................49
Adjusting the Picture ..................................................................................................49
Using Picture-In-Picture (PIP) .....................................................................................50
Using the On-Screen Menus ......................................................................................50
Aspect Ratio.........................................................................................................57
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5. Maintenance and Troubleshooting ........................................................................69
6. Serial Communications ..........................................................................................73
RS-232 Connection and Port Configuration ...............................................................73
7. Specifications ..........................................................................................................77
Overall Dimensions – RS-900/CineWide with AutoScope and RS1100/CineWide
with AutoScope ..........................................................................................................82
RS-900 and RS1100 Series Installation/Operation Manual
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Notes:
xiv
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1List of Figures
2-4. RS-900/RS1100 Remote Control.................................................................................9
3-1. Estimating Throw Distance.........................................................................................16
3-2. Projector Placement...................................................................................................18
3-5. Folded Optics.............................................................................................................21
3-6. RS-900/CineWide with AutoScope or RS1100/CineWide with AutoScope
Motor Assembly – Exploded View ..............................................................................22
3-10. Projector with Whitney (Prismatic) Lens Base Plate and Ceiling Mounting Plate -
Bottom View.............................................................................................................27
3-11. RS-900/CineWide or RS1100/CineWide with Rainier II/McKinley (Cylindrical)
Lens Base Plate and Ceiling Mounting Plate - Exploded View...................................28
3-12. RS1100 Ultra/CineWide with Rainier II/McKinley (Cylindrical) Lens Base Plate and
Ceiling Mounting Plate - Exploded View....................................................................29
4-3. Typical Gray Bar Pattern for Adjusting Contrast..........................................................54
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List of Figures
RS1100/CineWide with AutoScope............................................................................82
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1. Introduction
This Owner’s Manual describes how to install, set up and operate a Runco RS-900 Series
or RS1100 Series DLP™ Home Theater Projector. This product family consists of the
RS-900, RS1100 and RS1100 Ultra Projectors.
1.1
About This Manual
Throughout this manual, the Runco RS-900/RS1100 Series Home Theater Projector
families are referred to collectively as the “RS-900/RS1100.” Except where noted, the
features and functions described in this manual are common to all versions of this
product.
Runco has prepared this manual to help home theater installers and end users get the
most out of the RS-900/RS1100.
Target Audience
Runco has made every effort to ensure that this manual is accurate as of the date it was
printed. However, because of ongoing product improvements and customer feedback, it
may require updating from time to time. You can always find the latest version of this and
other Runco product manuals on-line, at www.Runco.com.
If You Have Comments
About This Manual...
Text Conventions: The following conventions are used in this manual, in order to clarify
the information and instructions provided:
Textual and Graphic
Conventions
• Remote and built-in keypad button identifiers are set in upper-case bold type; for
example, “Press EXIT to return to the previous menu.”
• Computer input (commands you type) and output (responses that appear on-screen) is
shown in monospace (fixed-width) type; for example: “To select the Component 1
input, type X133X.”
• All keys with functional names are initial-capped, set in bold type and enclosed in angle
brackets. These keys are the following: <Enter>, <Spacebar>, <Control>,
<Esc>and <Tab>.
• <Enter>indicates that you may press either the RETURN or ENTER key on your
keyboard if it has both keys.
In addition to these conventions, underlining, boldface and/or italics are occasionally used
to highlight important information, as in this example:
A carriage return must be used after each command or string.
Note
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Graphic Conventions: These symbols appear in numerous places throughout the
manual, to emphasize points that you must keep in mind to avoid problems with your
equipment or injury:
TIPS highlight time-saving short cuts and helpful guidelines for using
certain features.
Tip
NOTES emphasize text with unusual importance or special
significance. They also provide supplemental information.
Note
CAUTIONS alert users that a given action or omitted action can
degrade performance or cause a malfunction.
Caution
WARNINGS appear when a given action or omitted action can result
in damage to the equipment, or possible non-fatal injury to the user.
WARNING
DANGER!
DANGER appears when a given action can cause severe injury or
death.
Use the following table to locate the specific information you need in this manual.
If you need... ... Turn to page:
Information about obtaining service
1.2
Using This Manual
General information about the RS-900/RS1100 Series Home
Theater Projector
Installation instructions
First-time configuration instructions
Advanced configuration instructions
Troubleshooting tips
jectors
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The RS-900 and RS1100 family of Home Theater Projectors offer the astounding picture
quality and versatility heretofore associated with more expensive projectors. Their
1920 x 1080, native-resolution DLP light engine features Runco's powerful SuperOnyx™
technology for bright, pristine high-definition (1080p) images.
1.3
Description, Features
and Benefits
Contrast ratio and dynamic range extend to new heights with Runco's exclusive
Reflectance Volume Regulation™ (RVR), an electronically-controlled iris system. The
RS1100 takes this technology a step further with DynamicBlack™, which analyzes the
program material and adjusts the iris automatically, in real time to maximize contrast and
dynamic range at all times.
All models feature a precision optics package with electronic lens shift. The standard
RS-900/RS1100 projection lens has a throw range of from 1.87 to 2.20 times the screen
width. The RS1100 Ultra provides even greater installation flexibility, with five lens options
from which to choose offering throw distances ranging from 1.06 to 4.80 times the screen
width. Electronic focus and zoom controls further simplify installation and setup of an
RS1100 Ultra.
The RS-900/RS1100's illumination system provides two light intensity levels to allow
maximum flexibility for screen size, ambient light conditions, brightness and contrast
balance, and lamp life preservation. It also has a newly refined cooling system, which
increases efficiency and reduces noise levels.
The RS-900/RS1100 has been engineered to comply with Imaging Science Foundation™
(ISF) standards for maximum home theater image quality. Runco's sophisticated
parameters for white balance and color gamut control have also been implemented for
precise balance of gray scale and color. The RS-900/RS1100 incorporates
Runco-proprietary de-interlacing technology that provides exceptional scaling and
film-to-video (3:2 pulldown) conversion for the most artifact-free images possible.
For uncompromising widescreen reproduction of movies originally filmed in the “scope”
(2.35:1) format, the RS-900/RS1100 can be equipped with Runco’s patent-pending
CineWide™ technology, a combination of software, electronics and high-quality
anamorphic optics. CineWide maintains constant vertical height on the screen just as in a
movie theater. When a viewer transitions from 1.78:1 (16:9) program material to 2.35:1,
the image simply gets wider while full height is maintained. Also available with the
RS-900/RS1100 is CineWide with AutoScope™, an enhanced, remote-controlled
motorized version of CineWide.
CineWide requires the use of a 2.35:1 or similar aspect ratio superwide
format screen.
Note
Discrete IR and RS-232 control make custom installation seamless, while discrete source
and aspect ratio selection accommodate any automation control system.
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Key Features and Benefits
The RS-900/RS1100 offers these key features and benefits:
➤
• Native Resolution: 1920 x 1080 (16:9 Native Aspect Ratio)
• DLP system using SuperOnyx™ Digital Micromirror Device (DMD)
• 7-segment color wheel produces wide dynamic range and rich grayscale
• Picture in Picture function allows you to display two inputs on the screen at the same
time
• Two (2) HDMI Inputs with High-bandwidth Digital Content Protection (HDCP)
• HDTV Compatible
• Reflectance Volume Regulation (RVR™) provides for infinitely variable adjustment of the
light path through the optics, enabling the perfect balance of black and white levels for
each individual installation
• DynamicBlack™ provides automatic, real-time iris adjustment, maximizing contrast
ratio and dynamic range especially in dark scenes (RS1100 only)
• CinOptx™ Proteus lens options for stunning sharpness and throw distance flexibility
(RS1100 Ultra only)
Parts List
Your RS-900/RS1100 is shipped with the following items. If any items are missing or
damaged, please contact your Runco dealer or Runco Customer Service at (800)
23-RUNCO.
➤
• RS-900/RS1100 Series DLP Home Theater Projector
• Remote Control Unit and two (2), AAA-size batteries
• AC Power Cords (North America, Europe, United Kingdom), 8.2 feet (2.5 meters)
• Source Connection Cables, 9.8 feet (3.0 meters):
• Composite Video
• S-Video
• Component Video
• RGB (DB15HD to 5xBNC)
• HDMI to HDMI
• HDMI to DVI-D
• Serial Communication Cable (D-sub 9-pin female to RJ-11 male), 9.8 feet (3.0 meters)
• RS-900 and RS1100 Series Installation/Operation Manual (this document)
Optional Accessories:
• Ceiling mount kit (part number 956-0099-00)
• CineWide™ technology (fixed, secondary anamorphic lens)
• CineWide™ with AutoScope™ system (secondary anamorphic lens and motorized
mount)
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2. Controls and Functions
2.1
RS-900/RS1100 at a
Glance
1
2
3
10
9
8
7
6
5
4
Figure 2-1. RS-900/RS1100 Front/Side/Top View
1. EXHAUST VENT
2. ZOOM TAB (Standard RS-900/RS1100)
Use this to change the projected image size with a standard RS-900 or RS1100. (Use
the remote control unit to adjust the zoom with an RS1100 Ultra.)
3. TOP IR SENSOR
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4. TEMP LED
Indicates fan status and internal temperature as follows:
• Off during normal operation
• Red when internal temperature is too high or a fan failure occurs
5. INTAKE VENT
6. POWER/STANDBY LED
Indicates power status as follows:
• Orange when the projector is in standby mode
• Flashes green for approximately 45 seconds after the projector is turned on to
indicate that the lamp is warming up
• Green during normal operation
• Flashes orange for approximately 110 seconds after the projector is turned off to
indicate that the lamp is cooling down
• Red when an internal failure requiring service has occurred
7. LAMP LED
Indicates lamp status as follows:
• Off during normal operation
• Red when the lamp has exceeded its usage life or developed a problem
8. RUNCO LOGO
The logo can be rotated to match the projector orientation: inverted (ceiling-mounted)
or upright. To rotate the logo, grip it at the sides, pull it away from the projector and
rotate it 180 degrees.
9. FRONT IR SENSOR
10. FOCUS RING (Standard RS-900/RS1100)
To adjust the focus, grasp the lens by the outer ring and rotate it. (Use the remote
control unit to adjust the focus with an RS1100 Ultra.)
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1
2
3
4
6
5
5
Figure 2-2. RS-900/RS1100 Rear/Bottom/Side View
1. RUNCO LOGO
The logo can be rotated to match the projector orientation: inverted (ceiling-mounted)
or upright. To rotate the logo, grip it at the sides, pull it away from the projector and
rotate it 180 degrees.
2. CABLE OPENING
Pass cables through this opening.
3. CABLE ACCESS DOOR
Open to access connectors.
4. LAMP MODULE COVER
Remove this cover to access the lamp compartment.
5. FRONT/REAR ADJUSTERS
Use these to adjust the projector height or projection angle.
6. CEILING MOUNT HOLES
Use these to attach the ceiling bracket to the projector.
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Figure 2-3 shows the RS-900/RS1100 rear panel.
2.2
RS-900/RS1100 Rear
Panel
1
2
3
4
5
6
7
S - V I D
S-VID
/
10
9
8
Figure 2-3. RS-900/RS1100 Rear Panel
1. HDMI 1 (Digital)
HDCP-compliant digital video input for connecting a DVD player or HD tuner with a
DVI or HDMI output.
2. HDMI 2 (Digital)
3. COMP 1 (RCA connectors)
Standard- or high-definition (480i/480p/576i/576p/720p/1080i/1080p) Component
(YPrPb) input for connecting a DVD/HD-DVD/BD player, HD set-top box or other
SD/HD source.
4. COMPOSITE VIDEO INPUT
Standard composite video input for connecting a VCR, laser disc player or other
composite video source.
5. S-VIDEO
A standard S-Video input for connecting a DVD player, satellite receiver or Super VHS
(S-VHS) VCR.
6. POWER INPUT (100 to 240 VAC)
Connect the RS-900/RS1100 to power here.
7. MAIN POWER SWITCH
Disconnects or applies power to the RS-900/RS1100.
8. RS-232 CONTROL PORT
A female, RJ-11 connector for interfacing with a PC or home theater
automation/control system.
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9. 12-VOLT (250 mA) TRIGGER OUTPUT (3.5-mm, mini phono jack)
Connection for a 12-volt trigger-controlled device. This can be a retractable screen,
screen mask or the Runco CineWide with AutoScope system.
10. COMP 2 / RGB
Five BNCs for connecting either RGB or component (YPbPr), SD or HD video signals.
(The RS-900/RS1100 automatically detects the signal format.)
Figure 2-4 shows the RS-900/RS1100 remote control, and the paragraphs that follow
describe its functionality.
2.3
RS-900/RS1100
Remote Control
LIGHT
1
ON
S-VID
HDMI
OFF
2
3
VID
COMP1
HDMI 2
COMP2
RGB
INFO
RVR
ENTER
4
6
EXIT
BRT
MENU
CONT
COL
TINT
5
7
ISF
NIGHT
ISF
CUST1
CUST2
DAY
VWIDE
VCINE
LBOX
4 : 3
1
16 : 9
CINEMA
2
5
9
3
7
4
6
0
8
8
PIP
ACT
PIP +
LENS
PIP -
9
(FOCUS)
(ZOOM)
10
Figure 2-4. RS-900/RS1100 Remote Control
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1. LIGHT
Press to illuminate the buttons.
2. ON / OFF
Use these buttons to turn the projector on or off.
3. Source Selection Buttons:
VID
Press to select Composite video input as the source.
S-VID (S-Video)
Press to select the S-Video input as the source.
COMP1
Press to select Component 1 video input as the source.
COMP2
Press to select Component 2 video input as the source.
RGB
Press to select the Component 2 RGB input.
HDMI / HDMI 2
Press to select an HDMI input.
4. INFO
Displays active source, signal resolution, aspect ratio and other projector status
information.
Cursor Keys (
,
,
,
)
Use these buttons to select items or settings, adjust settings or switch display
patterns.
RVR (Reflectance Volume Regulation)
Adjusts the lens aperture (iris) setting according to the ambient light level in the
viewing area.
EXIT
Press to save menu item setting(s), exit the current menu and return to the previous
one.
ENTER
Press to select a highlighted menu item or confirm a changed setting.
MENU
Press this button to show or hide the on-screen display (OSD) controls.
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5. Picture Adjustment Buttons:
BRT (Brightness)
Press to adjust black level.
CONT (Contrast)
Press to adjust white level.
COL (Color)
Press to adjust color intensity.
TINT
Press to adjust color hues.
6. Memory Preset Buttons:
ISF NIGHT
Press to recall settings for the current input from the “ISF Night” memory preset.
ISF DAY
Press to recall settings for the current input from the “ISF Day” memory preset.
CUST1 / CUST2
Press to recall settings for the current input from the “Custom 1” or “Custom 2”
memory preset.
7. Aspect Ratio Selection Buttons
Use these buttons to select an aspect ratio directly, as follows:
16:9
For viewing 16:9 DVDs or HDTV programs in their native aspect ratio.
4:3
Scales the input signal to fit 4:3 display mode in the center of the screen.
LBOX (Letterbox)
For viewing LaserDisc movies or non-anamorphic DVDs on a 16:9 screen.
VWIDE (VirtualWide)
Enlarges a 4:3 image horizontally in a NON-linear fashion to fit 16:9 full screen display.
CINEMA
For viewing 2.35:1 source material.
VCINE (Virtual Cinema – CineWide-equipped projectors only)
Selects the Virtual Cinema aspect ratio, used for viewing 16:9 source material on a
2.35:1 screen.
8. 0 - 9
Use these keys to enter menu passcodes.
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9. Picture-In-Picture (PIP) Controls:
ACT
Press to switch to the active window in PIP mode.
PIP
Press to activate PIP mode.
PIP+
Press to enlarge the PIP window.
PIP-
Press to shrink the size of the PIP window.
10. Motorized Lens Controls:
FOCUS (RS1100 Ultra only)
Press to focus the image.
ZOOM (RS1100 Ultra only)
Press to reduce or enlarge the projected image size.
LENS
Press to access the lens shift controls.
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3. Installation
To install batteries in the remote control, push the
battery cover and slide it off. Install the two AAA
batteries with the correct polarity and then
replace the cover.
3.1
Remote Control
• Make sure that the battery polarities are correct when installing the batteries.
• Do not mix an old battery with a new one or different types of batteries.
Notes on Batteries
• If you will not use the remote control for a long time, remove the batteries to avoid
damage from battery leakage.
• Make sure that there is nothing obstructing the infrared beam between the remote
control and the IR receiver on the projector.
Notes on Remote Control
Operation
• If the effective range of the remote control decreases, or it stops working, replace the
batteries with new ones.
• The remote control may fail to operate if the infrared remote sensor is exposed to bright
sunlight or fluorescent lighting.
• Ambient conditions may possibly impede the operation of the remote control. If this
happens, point the remote control at the projector, and repeat the operation.
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Table 3-1 gives a quick overview of the RS-900/RS1100 installation process. The sections
following this one provide detailed instructions.
3.2
Quick Setup
Installation should be performed by a qualified custom video
installation specialist.
Note
Table 3-1. Installation Overview
For Details, Refer to
Step
Procedure
page...
Choose a location for the projector
1
If installing a CineWide-equipped projector: Install
AutoScope lens motor or fixed CineWide base plate
(optional)
2
Mount the projector
3
4
5
Connect signal sources to the RS-900/RS1100
Connect external controller to RS-232 port (optional)
Connect 12-volt trigger output to AutoScope lens motor or
other equipment (optional)
6
7
Apply power to the projector
Primary lens adjustments: focus, projected image size
(zoom) and position (shift)
8
Change the OSD Language (optional)
9
For rear-screen and/or ceiling-mount installations, select
the proper picture orientation
10
11
12
Install CineWide anamorphic lens (optional)
CineWide lens adjustments: position, pitch (angle),
geometry and focus
Projector calibration: adjust the following for each input;
save settings when finished:
Aspect ratio
Brightness
13
Contrast
Color level
Tint
Input position
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Proper installation of your projector will ensure the quality of your display. Whether you are
installing a projector temporarily or permanently, you should take the following into
account to ensure your projector performs optimally.
3.3
Installation
Considerations
Choose the installation type that best suits your needs: front or rear screen, floor mount or
Installation Type
Table 3-2. Projector Installation Options
Advantages
Front Screen, Floor Mount Installation
• Shares floor space with audience
Considerations
• Easy to set up
• Can be moved or changed quickly
• Easy to access
Front Screen, Inverted Mount (ceiling) Installation
• Does not take up audience space
• Projector is unobtrusive
• Installation is more permanent
• Projector access is more difficult
• Projector cannot be accidentally moved
Rear Screen, Floor Mount Installation
• Projector is completely hidden
• Projector is easily accessed
• Requires separate room
• Installation cost is usually higher
• Usually good ambient light rejection
Rear Screen, Inverted Mount (ceiling) Installation
• Projector is completely hidden
• Requires separate room
• Usually good ambient light rejection
• Installation cost is usually higher
Rear Screen, Floor Mount with Mirror
• Projector is completely hidden
• Usually good ambient light rejection
• Requires less space behind screen than
other rear screen installations
• Requires separate room
• Installation cost is usually higher
In general, minimize or eliminate light sources directed at the screen. Contrast ratio in your
images will be noticeably reduced if light directly strikes the screen, such as when a shaft
of light from a window or floodlight falls on the image. Images may then appear washed
out and less vibrant.
Ambient Light
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Throw Distance
Throw distance is the distance measured from the front of the projector to the screen.
This is an important calculation in any projector installation as it determines whether or not
you have enough room to install your projector with a desired screen size and if your
image will be the right size for your screen.
➤
You can quickly estimate the throw distance by taking the width of the screen and
roughly how far back the projector should be positioned from the screen in order to
project a focused image large enough to fill the screen.
Estimating Throw Distance
Throw Distance (TD) = Screen Width (w) x Lens Throw Ratio
S
cr
een width (w)
TD
Figure 3-1. Estimating Throw Distance
Table 3-3 gives the throw ratios for the RS-900 Series and RS1100 Series.
Table 3-3. Throw Ratios for the RS-900 and RS1100 Series
Throw Range in
inches, with
72.6x40.8-inch
(1.78:1) Screen
Throw Ratio
with
Primary
Lens and
Anamorphic
Lens
Throw Range in
inches, with
96x40.8-inch (2.35:1)
Screen
Throw
Ratio with
Primary
Projector Model
Lens Only
Minimum Maximum
Minimum Maximum
Standard
RS-900/RS1100
1.87 – 2.20
135.76
(n/a)
159.72
(n/a)
RS-900/CineWide
or
RS1100/CineWide
(Whitney Lens)
1.87 – 2.20
1.55 – 1.65
179.52
148.80
211.20
158.40
RS-900/CineWide
or
RS1100/CineWide
(Rainier II Lens)
(n/a)
RS-900/CineWide
with AutoScope or
RS1100/CineWide
with AutoScope
(Rainier II Lens)
1.87 – 2.20
135.76
159.72
1.55 – 1.65
148.80
158.40
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Table 3-3. Throw Ratios for the RS-900 and RS1100 Series (continued)
Throw Range in
inches, with
72.6x40.8-inch
(1.78:1) Screen
ThrowRatio
with
Primary
Lens and
Anamorphic
Lens
Throw Range in
inches, with
96x40.8-inch (2.35:1)
Screen
Throw
Ratio with
Primary
Projector Model
Lens Only
Minimum Maximum
Minimum Maximum
RS-900/CineWide
or
RS1100/CineWide
(McKinley Lens)
(n/a)
1.40 – 1.65
1.40 – 1.65
134.40
134.40
158.40
158.40
RS-900/CineWide
with AutoScope or
RS1100/CineWide
with AutoScope
(McKinley Lens)
1.87 – 2.20
135.76
159.72
Table 3-4 gives the throw ratios for the RS1100 Ultra.
Table 3-4. Throw Ratios for the RS1100 Ultra
Throw Range in
ThrowRatio
with
Primary
Lens and
Anamorphic
Lens
Throw Range in
inches, with
96x40.8-inch (2.35:1)
Screen
Throw
Ratio with
Primary
inches, with
72.6x40.8-inch
(1.78:1) Screen
Lens Option
Lens Only
Minimum Maximum
Minimum Maximum
Proteus B (Note 1)
Proteus C
1.06 - 1.20
76.96
87.12
108.90
143.75
Not Applicable
(Note 2)
1.40 - 1.50 101.64
1.55 - 1.98 112.53
Proteus D
1.18 - 1.48
113.28
177.60
150.72
198.72
225.60
142.08
190.08
215.04
288.00
342.72
Proteus D+Whitney
(Note 3)
Not Applicable
2.07 - 3.00 150.28
Not Applicable
1.85 - 1.98
1.57 - 2.24
2.07 - 3.00
2.35 - 3.57
Proteus E
217.80
348.48
Proteus E+Whitney
(Note 3)
Proteus F
3.10 - 4.80 225.06
Notes:
1. The Proteus B lens can only be used in rear-projection installations.
2. Only the Proteus D, E and F lenses can be used with the optional CineWide (secondary
anamorphic) lens. Doing so affects the throw distances as shown here.
3. When using the Proteus D or E with the Whitney anamorphic lens, the screen width must be
78 inches or greater and the throw distance must be 144 inches or greater.
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Vertical and Horizontal
Proper placement of the projector relative to the screen will yield a rectangular,
perfectly-centered image that completely fills the screen.
➤
Position
Ideally, the projector should be positioned perpendicular to the screen and in such a way
that the lens center is aligned with either the top or bottom edge of the screen area, and
Ceiling Installation
Ceiling
Height
Projection Distance
x
Lens Center
Lens Center
Screen
Floor Installation
Screen
Lens Center
Height
Lens Center
x
Projection Distance
Floor
Figure 3-2. Projector Placement
Vertical and Horizontal
Lens Shift
You can use the lens shift (LENS) controls on the projector remote to center the image on
the screen. Lens shift is generally expressed as a percentage of the screen height or
➤
Screen Center
0%
50% Height
Lens Shift
(0.5 x H)
Base plate
to lens center =
approx. 5-6" (depending
on the amount of lens shift)
100% Height
Lens Shift
(1.0 x H)
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular
lens or projector is used in this example.
Figure 3-3. Vertical Lens Shift (Example Only)
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100% Width Lens Shift
(1.0 x W)
50% Width Lens Shift
(0.5 x W)
Screen Center
0%
Screen Width (W)
Note: This is a general example of lens shift. Lenses vary in their shift capabilities. No particular
lens or projector is used in this example.
Figure 3-4. Horizontal Lens Shift (Example Only)
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Table 3-5 lists the lens shift limits for each available RS-900/RS1100 lens, as percentages
and absolute measurements with a 100 x 56 inch (1.78:1) screen.
Table 3-5. Vertical and Horizontal Lens Shift Limits
Lens Option
RS-900/
RS1100 Ultra
RS1100
Proteus
Proteus
Proteus
--
Proteus E Proteus F
B
C
D
Lens Shift Limits, as Percentages of Screen Height or Width (Notes 1, 2 and 3)
Vertical
(Notes 2
and 3)
Up
35%
50%
18%
25%
20%
44%
20%
44%
20%
46%
20%
46%
Down
Left
0%
0%
10% (Note 4)
10% (Note 4)
10%
10%
Horizontal
(Note 2)
Right
Lens Shift Limits in Inches, with a 100-by-56 inch (1.78:1) Screen
Up
Down
Left
19.60
28.00
0
10.08
14.00
11.20
11.20
24.64
11.20
25.76
11.20
25.76
Vertical
24.64
10.00 (Note 4)
10.00 (Note 4)
10.00
10.00
Horizontal
Right
0
Notes:
1. With no vertical or horizontal lens shift, the lens center and screen center are aligned with each
other.
2. Vertical shift limits are percentages of the screen height. Horizontal shift limits are percentages of
the screen width.
3. Vertical lens shift figures are for ceiling mount configurations. For floor installations
(where the projector is upright), reverse the up/down vertical lens shift percentages.
4. With these lenses, horizontal lens shift is not possible when the maximum amount of vertical lens
shift is used.
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In rear-screen applications where space behind the projector is limited, a mirror may be
mirror must be accurately set. If you are considering this type of installation, contact your
dealer for assistance.
Folded Optics
Screen
Mirror
Figure 3-5. Folded Optics
Other considerations and tips that can help improve your installation:
Other Considerations
• Keep the ambient temperature constant and below 35°C (95°F). Keep the projector
away from heating and/or air conditioning vents. Changes in temperature may cause
drifts in the projector circuitry, which may affect performance.
• Keep the projector away from devices that radiate electromagnetic energy such as
motors and transformers. Common sources of these include slide projectors,
speakers, power amplifiers and elevators.
If you are installing a standard (non-CineWide) RS-900, RS1100 or RS1100 Ultra, skip this
3.4
Installing the Optional
CineWide/AutoScope
Lens Mount
If you are installing a CineWide projector equipped with a prismatic
(Whitney) anamorphic lens, proceed with Installing the Fixed CineWide
If you are installing a CineWide projector equipped with a
cylindrical (Rainier II or McKinley) anamorphic lens, proceed
If you are installing an RS-900/CineWide with AutoScope, RS1100/CineWide with
AutoScope or RS1100 Ultra/CineWide with AutoScope, proceed as follows to install the
AutoScope lens motor.
1. Do not install the CineWide lens yet, only the fixed CineWide
base plate or AutoScope lens motor. You will install the CineWide
lens after you install the projector and adjust the primary lens.
Note
2. Some components shipped with your projector may differ slightly
from what is shown in these instructions.
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Installing the AutoScope
Lens Motor
Figure 3-6 shows the RS-900/CineWide with AutoScope or RS1100/CineWide with
AutoScope motor assembly.
➤
CineWide with AutoScope
Ceiling Mount Adapter/
Projector Stand, Right
4
CineWide with
AutoScope
Ceiling Mount Adapter/
Projector Stand, Left
5
Screw, Phillips Flat-Head,
3
10-32 x 1/4” (2x)
AutoScope Lens Motor
2
6
Screw, Phillips
Flat-Head,
Undercut,
M6 x 12mm
(4x)
Screw, Phillips
Pan-Head,
10-32 x 1/2”
(4x)
1
Nylon Spacer,
5/8” diameter x
3/16” high (4x)
7
Figure 3-6. RS-900/CineWide with AutoScope or RS1100/CineWide with
AutoScope Motor Assembly – Exploded View
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Figure 3-7 shows the RS1100 Ultra/CineWide with AutoScope motor assembly.
CineWide with AutoScope
Ceiling Mount Adapter/
Projector Stand, Right
4
5 CineWide with
AutoScope
Ceiling Mount Adapter/
Projector Stand, Left
Screw, Phillips Flat-Head,
3
2
10-32 x 1/2” (2x)
AutoScope Lens Motor
6 Screw, Phillips
Flat-Head,
Undercut,
M6 x 12mm
(4x)
1
7
Screw, Phillips
Pan-Head,
10-32 x 3/4” (4x)
Standoff, 10mm x
5mm x M5,
Aluminum/Black
Anodize (4x)
Figure 3-7. RS1100 Ultra/CineWide with AutoScope Motor Assembly – Exploded
View
Remove Projector Front Height Adjusters:
Place the projector upside down on a blanket
or other soft surface. Then, remove the two
height adjusters at the front of the projector by
turning them counterclockwise until they come
out.
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Install Ceiling Mount Adapters/Projector Stands: For ceiling installations, these
brackets bring the mounting points for the projector mounting plate (included with the
projector ceiling mount kit) from the bottom of the projector up and around the AutoScope
lens motor housing. For floor installations (where the projector is upright), the adapters
allow the projector to lie flat on the mounting surface.
Using the four (4), supplied M6 x 12mm Flat-Head Phillips screws (item #6), attach the
AutoScope Ceiling Mount Adapters/Projector Stands (items #4 and #5) to the projector as
Figure 3-8. RS-900/RS1100 with Ceiling Mount Adapters/Projector Stands
DO NOT OVER-TIGHTEN THE SCREWS.
Caution
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Install Lens Motor:
2. Line up the mounting holes on the lens motor housing with those on the underside of
the projector.
3. Secure the motor to the projector with the four (4), supplied 10-32 Pan-Head Phillips
screws (item #1) and nylon spacers or aluminum standoffs (item #7).
4. Secure the AutoScope Ceiling Mount Adapters/Projector Stands to the motor using
the two (2), supplied 10-32 Flat-Head Phillips screws (item #3).
Figure 3-9. AutoScope Lens Motor Installation
After you have installed the AutoScope lens motor, proceed with Mounting the
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Installing the Fixed
CineWide Base Plate
(Prismatic Lens)
To install the fixed CineWide base plate on an RS-900/CineWide, RS1100/CineWide or
RS1100 Ultra/CineWide with a prismatic anamorphic lens:
➤
1. Place the projector upside down on a blanket or other soft surface.
2. For a standard RS-900/CineWide or RS1100/CineWide that is to be
ceiling-mounted: Line up the four holes on the projector ceiling mounting plate
(included with the projector ceiling mount kit) with those on the bottom of the
projector.
3. Line up the two mounting holes on the CineWide base plate with those on the bottom
of the projector (and at the front of the ceiling mount plate, if present).
4. Secure the CineWide base plate (and ceiling mounting plate, if needed) to the
projector with the M6x12mm screws and washers provided with the CineWide lens
1. Do not use the mounting screws provided with the ceiling
mounting plate. Use only the hardware provided with the
Caution
CineWide lens base plate.
2. DO NOT OVER-TIGHTEN THE SCREWS.
3. Washers are not needed to install the base plate on an
RS1100 Ultra.
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RS-900/CineWide or RS1100/CineWide
RS-900/CineWide or RS1100/CineWide
with Prismatic Lens Base Plate and
Ceiling Mounting Plate
with Prismatic Lens Base Plate
Washers under
Lens Base Plate
(2 places)
Washers between
Lens Base Plate and
Ceiling Mounting Plate
(2 places)
RS1100 Ultra/CineWide
with Prismatic Lens Base Plate
Figure 3-10. Projector with Whitney (Prismatic) Lens Base Plate and Ceiling
Mounting Plate - Bottom View
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Installing the Fixed
CineWide Base Plate
(Cylindrical Lens)
Figure 3-11 shows the cylindrical (Rainier II/McKinley) lens base plate assembly for an
RS-900/CineWide or RS1100/CineWide.
➤
Ceiling Mount
Plate (part of
Ceiling Mount
Kit)
1
Screw,
Phillips
Pan-Head,
M6 x 1.0 x
12mm (4x)
2
Anamorphic Lens
Base Plate
3
Nylon Spacer,
5/8” diameter x
3/16” high (4x)
Figure 3-11. RS-900/CineWide or RS1100/CineWide with Rainier II/McKinley
(Cylindrical) Lens Base Plate and Ceiling Mounting Plate - Exploded View
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Figure 3-12 shows the RS1100 Ultra/CineWide cylindrical (Rainier II/McKinley) lens base
plate assembly.
Ceiling Mount
Plate (part of
Ceiling Mount
Kit)
Screw,
Phillips Pan-
Head,
1
M6 x 1.0 x
12mm (4x)
2 Anamorphic Lens
Base Plate
Nylon Spacer,
5/8” diameter x
3/16” high (4x)
3
Figure 3-12. RS1100 Ultra/CineWide with Rainier II/McKinley (Cylindrical) Lens
Base Plate and Ceiling Mounting Plate - Exploded View
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1. Place the projector upside down on a blanket or other soft surface.
2. Install a nylon spacer (item #3) at each mounting hole location.
3. Place the CineWide base plate (item #2) on the bottom of the projector. For a
standard RS-900/CineWide or RS1100/CineWide, position the plate as shown in
3-12.
4. If you are mounting the projector on a ceiling: Line up the four holes on the
projector ceiling mounting plate (included with the projector ceiling mount kit) with
those on the bottom of the projector and CineWide base plate.
5. Secure the CineWide base plate (and ceiling mounting plate, if needed) to the
projector with the M6x12mm screws (item #1) and nylon spacers provided with the
CineWide lens base plate.
1. Do not use the mounting screws provided with the ceiling
mounting plate. Use only the hardware provided with the
Caution
CineWide lens base plate.
2. DO NOT OVER-TIGHTEN THE SCREWS.
There are several methods for mounting the projector. Depending on your chosen
installation, one method may be more suitable than another.
3.5
Mounting the
RS-900/RS1100
Floor Mounting (Upright)
In typical front and rear screen installations, the projector can be mounted to a secure and
level surface such as a table or cart. Carts are useful when moving a projector during a
presentation or from site to site. If possible, lock the wheels when it’s in position to prevent
it from being moved during a presentation.
➤
➤
Ceiling Mounting
(Inverted)
For fixed installations, and for those that want the projector out of sight or have a limited
space for projector and audience, you can invert the RS-900/RS1100 and suspend it from
the ceiling using a specially-designed ceiling mount fixture.
Use only the Runco-approved ceiling mount kit designed for your
projector. Install the mount kit according to the instructions
provided with it.
Note
The projector can also be inverted and placed in an enclosure above and behind the
viewing area. Install four feet on the inside bottom surface of the enclosure on which the
projector can rest. A variety of materials can be used for this purpose (for example, rubber
crutch tips or turntable feet).
Adjusting the Projector
Height or Projection Angle
If the screen is significantly higher or lower than the projector, you can also tilt the
projector at a slight angle. In a ceiling installation, you do this by adjusting the ceiling
mount.
➤
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For a floor installation, turn the four adjustable
feet on the bottom of the projector to adjust
the projector height and/or projection angle.
If you do this, you may need to make keystone
adjustments or vertically shift the image using
the on-screen display (OSD) controls, to
compensate. For detailed instructions, refer to
Proceed as follows to connect the RS-900/RS1100 to your video sources, external
controller(s) – if present – and AC power.
3.6
Connections to the
RS-900/RS1100
When connecting your equipment:
• Turn off all equipment before making any connections.
• Use the correct signal cables for each source.
• Ensure that the cables are securely connected. Tighten the thumbscrews on
connectors that have them.
To access the connector panel, pull
firmly on the cable access cover to
open it.
Connector Panel Access
Connect your video sources to the RS-900/RS1100 as shown and described in the
sections that follow.
Connecting Source
Components to the
RS-900/RS1100
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HDMI-to-HDMI cable; with a DVI source, use the included DVI-to-HDMI cable.
Use the HDMI input whenever possible. This ensures the highest
Tip
video quality because the signal is carried in the digital domain
throughout the entire signal path, from source component output
into the projector.
S - V I D
S-VID
/
HDMI or DVI Source(s)
(BD/HD-DVD/DVD Player,
HD Set Top Box,
Game Console etc.)
Figure 3-13. HDMI/DVI Source Connections
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RGB Connections: Connect your personal computer or other RGB source (DVD player
DB15HD-to-5 x BNC cable if your RGB source has a 15-pin, VGA-type connector.
S - V I D
S - V I D
S-VID
/
S-VID
/
Green Blue Red Horiz Vert
Green Blue Red Horiz Vert
DVD Player or
HD Set Top Box
Personal Computer
Figure 3-14. RGB Connections
Progressive Component Video Connections: Connect your progressive component
3-15.
S - V I D
S-VID
/
Y
Pb Pr
DTV or Progressive
Component (YPbPr)
Source
Figure 3-15. Progressive Component Video Connections
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Composite/S-Video/Component Video Connections: Use the included cables to
connect your composite, S-Video and component video sources to the RS-900/RS1100
S - V I D
S-VID /
DTV Source,
DVD Player, VCR,
Satellite Receiver
etc.
Figure 3-16. Composite, S-Video and Component Video Connections
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Use the communication cable supplied with the projector to connect a PC or home
theater control/automation system (if present) to the RS-232 port on the RS-900/RS1100;
RS-232 Controller
Connection
S - V I D
S-VID
/
Communication Cable,
RJ-11 male to
D-Sub 9-pin female
RJ-11 Male
Yellow
Green
Yellow
Green
5
4
3
2
1
1
2
3
4
9
8
7
6
Black
Red
Black
D-Sub 9-pin female
Red
RS-232 Adapter Wiring
D-Sub 9-pin female
4-pin RJ-11
Function
Transmit Data
Receive Data
Ground
2
2
3
3
5
1, 4
--
1, 4, 6, 7, 8, 9
Not Connected
Figure 3-17. RS-232 Control System Connection
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Connecting 12-Volt
Trigger Output to External
Theater Equipment
If you are installing an RS-900/CineWide with AutoScope, RS1100/CineWide with
AutoScope or RS1100 Ultra/CineWide with AutoScope, use the cable supplied with the
AutoScope Lens Motor to connect the motor to the 12-volt trigger output as shown in
➤
S - V I D
S-VID /
3.5-mm
mini plug
AutoScope
Lens Motor (Rear)
Power
Switch
AC Input
Figure 3-18. Connecting the 12-Volt Trigger Output to the AutoScope Lens Motor
If your home theater contains a retractable screen, screen mask or other 12-volt
trigger-activated equipment, connect it to the 12-volt trigger output as shown in Figure
3-19.
S - V I D
S-VID
/
3.5-mm
mini plug
to other,
12-volt
Black = Ground (Sleeve)
trigger-activated equipment
(screen, screen mask etc.)
Red = +12V (Tip)
Figure 3-19. Connecting the 12-Volt Trigger Output to Other Equipment
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Projector: The RS-900/RS1100
ships with various types of AC
power cords. Choose the one that
is appropriate to your locale.
Connecting to AC Power
Power
switch
Plug the female end of the power
cord into the AC receptacle on the
rear of the projector (AC 100V ~
240V). Then, connect the other end
to your AC power source.
AutoScope Lens Motor: With AutoScope-equipped projectors, an additional power
cord is provided for the lens motor. Plug the female end of the AC power cord into the AC
input on the rear of the lens motor assembly. Connect the other end to a 110 VAC power
source.
The input voltage to the AutoScope lens motor must be between
100 and 120 VAC. Do not connect the AutoScope lens motor
Caution
to a 200-240 VAC power source!
AutoScope Lens Motor (Rear)
to
110 VAC
Power
Power
Switch
AC Input
1. Turn on your source components.
3.7
Turning on the Power
2. If this is an AutoScope-equipped projector, turn on the main power switch at the rear
of the AutoScope lens motor. The lens motor power switch is located next to the AC
input (see above).
3. Turn on the main power switch at the rear of the projector. The POWER LED lights
orange. The LAMP and TEMP LEDs light red briefly, then go out.
4. Press the ON button on the remote control to turn on the RS-900/RS1100. The
POWER LED flashes green to indicate that it is warming up.
5. When the projector is ready for use, the POWER LED lights solid green.
6. “[Input Name] Source Searching” appears on the screen before the RS-900/RS1100
identifies the input signal and remains there until a valid signal is detected.
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The RS-900/RS1100 gives you a great deal of control over the picture size, position and
focus.
3.8
Primary Lens
Adjustments
Focus and Zoom –
To focus the projected image, grasp the lens by the outer
ring and rotate it.
➤
Zoom
in
RS-900/RS1100
To make the picture smaller (zoom out) or larger (zoom in),
move the zoom tab in the appropriate direction.
Zoom
out
Focus
Focus and Zoom –
RS1100 Ultra
The RS1100 Ultra has motorized focus and zoom
➤
(FOCUS)
(ZOOM)
controls. To access them, use the two, white
buttons on the remote control to the left of the
LENS button.
LENS
To focus the projected image, press the FOCUS
button, then use the left- and right-arrow buttons
(
,
) to adjust the focus.
To make the picture smaller (zoom out), press the ZOOM button, then use the left-arrow
(
) button. To enlarge the picture (zoom in), press the ZOOM button, then use the
right-arrow ( ) button.
Lens Shift
Vertical Lens Shift: To shift the projected image vertically, press the LENS button, then
use the up and/or down-arrow ( ) buttons.
➤
,
Horizontal Lens Shift (RS1100 Ultra Only): To shift the projected image horizontally,
press the LENS button, then use the left and/or right-arrow ( ) buttons.
,
The RS-900/RS1100 OSD language is initially set to English, but can also display the
menus in French, Spanish, Italian or German. To change the OSD language:
3.9
Changing the OSD
Language
1. Press MENU.
2. Select Installation from the Main Menu and press ENTER.
3. Select Language from the Installation Menu.
4. Press
or
to select the desired language. (The change takes effect immediately.)
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By default, the RS-900/RS1100 is configured for a “floor/front” installation, in which the
projector is installed upright and in front of the screen. If it is installed behind the screen
and/or mounted on a ceiling, you must change the picture orientation. To do this:
3.10
Adjusting the Picture
Orientation
1. Press MENU on the remote control.
2. Select Installation from the Main Menu and press ENTER.
4. Choose Floor Rear, Ceiling Front or Ceiling Rear to match the installation method.
If you are installing a CineWide-equipped projector, proceed as follows to install and
adjust the anamorphic lens.
3.11
Installing and
Adjusting the
CineWide Anamorphic
Lens
It is extremely important that the primary lens is properly
Note
adjusted before you install the anamorphic lens. Ensure that
the image from the primary lens is perfectly centered on the
screen.
Runco offers two types of anamorphic lenses for its CineWide projectors: prismatic and
cylindrical.
• The prismatic lens compresses the height of the image (as opposed to stretching the
width) to achieve a 2.35:1 aspect ratio with a 1.78:1 display device.
• The cylindrical anamorphic lens has a larger aperture than the prismatic lens. It
stretches the width of the image to achieve a 2.35:1 aspect ratio with a 1.78:1 display
device. Two, cylindrical anamorphic lens options are available: Rainier II and McKinley.
procedure for both lenses is similar.
The following models are available with either a prismatic or a cylindrical anamorphic lens:
• RS-900/CineWide
• RS1100/CineWide
• RS1100 Ultra/CineWide
The following models always use a cylindrical lens:
• RS-900/CineWide with AutoScope
• RS1100/CineWide with AutoScope
• RS1100 Ultra/CineWide with AutoScope
If you are installing a CineWide projector with a prismatic lens, refer to Whitney
installing a CineWide projector with a cylindrical lens, continue with the next section.
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Cylindrical Anamorphic
Some components shipped with your projector may differ slightly from what is shown in
these instructions.
➤
Lens Installation and
Adjustment
Lens Adapter Ring and
1
Mounting Screws (3x)
Anamorphic Lens
10
Set Screw
Pitch Adjustment
T-Nut (2x)
9
Pitch Adjustment Yoke for Lens
2
Height/Y Adjustment
T-Screw and Washer
(2x)
3
4
Pitch Adjustment
T-Screw and
Washer (2x)
Anamorphic Lens
Holder
5
Yaw/X Adjustment
Lever (2x)
8
1/4-20 Hex Bolt (2x)
and Washer (2x)
6
7
AutoScope Carriage Plate or
Fixed CineWide Base Plate
Figure 3-20. Cylindrical Anamorphic Lens Mounting Assembly - Exploded View
Attaching Lens Mounting Assembly to Lens Motor Carriage Plate or Fixed
CineWide Base Plate:
1. Remove the two Yaw/X Adjustment Levers (item #8) from the bottom of the
Anamorphic Lens Holder (item #5).
2. Place the Anamorphic Lens Holder on top of the AutoScope Carriage Plate or Fixed
CineWide Base Plate (item #7). Position the bracket so that the long slot at the bottom
of the lens holder is perpendicular to the corresponding slots on the plate.
3. Secure the Anamorphic Lens Holder to the plate using the Hex Bolts/Washers
(item #6) and Yaw/X Adjustment Levers that you removed in Step 1.
4. Use the Lens Mounting Screws to attach the Lens Adapter Ring (item #1) to the Pitch
yoke.)
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5. Use the Height/Y Adjustment T-Screws/Washers (item #3), Pitch Adjustment
T-Screws/Washers (item #4) and T-Nuts (item #9) to attach the Pitch Adjustment
Yoke and Lens Adapter Ring to the Anamorphic Lens Holder. The Yoke should be
as close to the primary lens as possible.
6. Attach the lens to the Lens Adapter Ring by threading it clockwise.
Lens threads into ring
Figure 3-21. Attaching the Anamorphic Lens to the Lens Ring
Configure Lens Motor Trigger: CineWide with AutoScope maintains constant image
height independent of the aspect ratio, while using the full display resolution of the
projector. It accomplishes this by moving the anamorphic lens in front of the primary lens
when widescreen material is being viewed. When the viewer transitions back to 16:9 or
4:3 source material, the anamorphic lens moves out of the light path.
To configure the lens motor trigger on the RS-900/RS1100 for proper AutoScope
operation:
1. Press MENU on the remote control.
prompted and press ENTER again. Then, press MENU on the remote control.
anamorphic lens into position (in front of the primary lens) when the Cinema or Virtual
Cinema aspect ratio is selected.
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6. Select the Cinema or Virtual Cinema aspect ratio to move the anamorphic lens into
position, if it isn’t already. To do this, press CINEMA or VCINE on the
Adjusting the Horizontal (X) Lens Position:
1. Project a white field on the screen.
2. Loosen the Yaw/X-Adjustment Levers underneath the lens.
3. Slowly move the anamorphic lens into place (from right to left or vice versa) so that
there are no shadows on either side of the screen:
Too Far Left
Correct position
Too Far Right
4. When the horizontal position is properly set, tighten the Yaw/X-Adjustment Levers to
secure the lens in place.
Adjusting the Height (Y): With the white field still on-screen, loosen the
Height/Y Adjustment T-Screws on either side of the lens. Then, slowly move the
anamorphic lens into place so that there are no shadows on the top or bottom of the
screen:
Too Low
Correct position
Too High
When the height is properly set, tighten the Height Adjustment T-Screws to secure the
lens in place.
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Adjusting the Pitch (Angle): Next, angle the lens to even out any top-to-bottom
pincushion distortion. To do this, loosen the Pitch Adjustment T-Screws (directly below
the Height/Y Adjustment T-Screws) on either side of the lens to allow it to pivot freely.
Then, adjust the anamorphic lens angle so that the projected image is rectangular:
Correct Lens Angle
Incorrect Lens Angle
The anamorphic lens will almost always be angled with respect to the projector; this is
normal.
Once the proper lens angle has been set, firmly tighten the Pitch Adjustment T-Screws to
secure the lens in place.
There may be some pincushion distortion even after the lens is
Note
properly adjusted, especially at shorter throw distances. If this is the
case, Runco recommends that you slightly over-scan the image
into the screen frame area to mask the distortion.
Adjusting the Yaw: Loosen the Yaw/X-Adjustment Levers to allow the lens to pivot freely
from side to side. Then, angle the lens to even out any left-right pincushion distortion:
Anamorphic Lens (Top View)
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Correct Position
Wrong Position
Once the proper lens angle has been set, firmly tighten the Yaw/X-Adjustment Levers to
secure the lens in place.
Geometry:
1. Input an anamorphic cross-hatch test pattern to the projector.
2. Unscrew the Anamorphic Lens just enough to allow it to rotate freely.
3. Grasp the lens by the center ring and rotate the lens until the image is properly
anamorphic:
Wrong Position
Correct Position
4. When the image geometry appears correct, tighten the
Anamorphic Lens Set Screw (item #10) to secure the lens in place.
(When viewed from the front, the rear opening on the anamorphic
lens should appear as a tall, narrow oval.)
Focus: Finally, rotate the Focus Ring on the anamorphic
lens to fine-tune the optical focus.
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Some components shipped with your projector may differ slightly from what is shown in
these instructions.
Whitney (Prismatic)
Anamorphic Lens
Installation and
Adjustment
1
Anamorphic Lens
6 Pitch/Y-Adjustment
Screw, Phillips
Pan Head, 4-40 x 3/8”
(4x) and Fender
Washer (4x)
2 Base Plate
3
Screw, Phillips
M6x16mm (2x) and
5 Vertical Mounting
1/4” Flat Washer (2x)
(not shown; secures Base Plate
to bottom of projector)
Bracket (2x)
4 Yaw/Z-Adjustment
Knob (2x) and
Washer (2x)
Figure 3-22. Prismatic Anamorphic Lens Mounting Assembly - Exploded View
1. Use the Pitch Adjustment Screws and Washers (item #6) to attach the Vertical
Mounting Brackets (item #5) to the Anamorphic Lens (item #1).
2. Place the lens with the brackets installed on top of (or under, if the projector is
inverted) the Base Plate (item #2), so that the two threaded posts at the bottom of the
brackets pass through the corresponding slots on the base plate.
3. Secure the lens assembly to the base plate with the Yaw/Z-Adjustment Knobs and
Washers (item #4).
To avoid clipping the corners of the image, position the anamorphic
lens as close as possible to the primary lens.
Tip
Ceiling Mount
Bracket
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Adjusting the Lens Height (Y):
1. Project a white field on the screen.
2. Ensure that the four Height (Y) Adjustment Screws are loose enough to allow vertical
movement of the lens assembly.
3. Slowly move the anamorphic lens into place so that there are no shadows on the top
or bottom of the screen:
Too Low
Correct position
Too High
4. When the height is properly set, tighten the Height Adjustment Screws to secure the
lens in place.
Adjusting the Pitch (Angle): Next, angle the lens to even out any top-to-bottom
pincushion distortion. To do this, loosen the Pitch Adjustment Screws on either side of the
lens to allow it to pivot freely. Then, adjust the anamorphic lens angle so that the projected
image is rectangular:
Correct Lens Angle
Incorrect Lens Angle
The anamorphic lens will almost always be angled with respect to the projector; this is
normal.
Once the proper lens angle has been set, firmly tighten the Pitch Adjustment Screws to
secure the lens in place.
There may be some pincushion distortion even after the lens is
Note
properly adjusted, especially at shorter throw distances. If this is the
case, Runco recommends that you slightly over-scan the image into
the screen frame area to mask the distortion.
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Adjusting the Yaw: Loosen the Yaw/Z-Adjustment Knobs to allow the lens to pivot freely
from side to side. Then, angle the lens to even out any left-right pincushion distortion:
Anamorphic Lens (Top View)
Correct Position
Wrong Position
Once the proper lens angle has been set, firmly tighten the Yaw/Z-Adjustment Knobs to
secure the lens in place.
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Notes:
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4. Operation
• Press the CUST1 or CUST2 button on the
remote control to recall settings for the current
input from the “Custom 1” or “Custom 2”
memory preset.
4.1
ISF
NIGHT
ISF
DAY
CUST1
CUST2
Selecting Video
Memory
• Press ISF NIGHT to recall settings for the current input from the “ISF Night” memory
preset.
• Press ISF DAY to recall settings for the current input from the “ISF Day” memory
preset.
Use these buttons to select the appropriate
4.2
VWIDE
VCINE
LBOX
4 : 3
16 : 9
aspect ratio for the type of program material being
viewed. For more information on aspect ratios,
Selecting an Aspect
Ratio
CINEMA
1
2
• Press the BRT button on the remote control to
4.3
BRT
CONT
COL
TINT
adjust the image brightness.
Adjusting the Picture
• Press CONT to adjust the image contrast.
• Press COL to adjust the image color level.
• Press TINT to adjust the hue of the image.
When you turn on the RS-900/RS1100, it
switches to the last selected input and looks for a
valid signal.
4.4
VID
S-VID
HDMI
COMP1
HDMI 2
COMP2
Selecting An Input
Source
RGB
Use these buttons on the remote control to select
an input source directly.
INFO
RVR
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For PIP purposes, there are two groups of inputs
separated by their display modes:
4.5
Using
PIP
ACT
PIP +
LENS
PIP -
• Video (SD) group: Video and S-Video inputs.
Picture-In-Picture (PIP)
• Graphic (HD) group: HDMI 1, HDMI 2,
Component 1 and Component 2/RGB inputs.
PIP shows one input from the Graphic group within one input from the Video group, or
vice versa.
• Press PIP to enable the PIP function. Press PIP again to turn PIP off.
• To adjust the size of the PIP window, press PIP+ or PIP-.
• When PIP is active, press ACT (Active) to display the Main and Secondary source
menu.
Main
Secondary
>
To select a main window input source, press
or
to highlight it and press ENTER.
Then, do the same for the secondary window input source using the
,
,
and
ENTER buttons. When finished, press EXIT.
>
• Press the MENU button on the remote control to display the Main Menu. To select a
menu item, use the and buttons on the remote control to highlight it. Press
ENTER or to confirm your selection.
4.6
Using the On-Screen
Menus
• Use the arrow buttons to select menu items or change settings.
• Press EXIT to return to the previous menu.
• Press MENU to turn off the OSD menu. (When the Main Menu is displayed, pressing
EXIT also turns off the menu.)
The RS-900/RS1100 OSD menus are arranged hierarchically, as shown in Figure 4-1.
Depending on the selected input source and signal characteristics, some menu options
may not be available.
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Lamp Power
Lamp Hours
170W or 200W
View / Reset
Normal, Hi. Altitude or
Manual
Speed (if Manual mode is
selected)
Fan Mode
Background Color
PIP
Black, Blue or Gray
On / Off
RVR
0, 1, 2 ... 19
Normal or Cinema
0 ... 8
Setup
12-volt Trigger
V. Correction
Horizontal
0 ... 8
0 ... 4
Amplitude
Vertical
Auto Off
5, 10 ... 30 or Off
Yes / No
Default
Picture Memory
Copy Settings
Brightness
Contrast
Color
ISF Night, ISF Day,
Custom 1 or Custom 2
Video
0 ... 100
0 ... 100
0 ... 100
0 ... 100
0 ... 8
S-Video
Component 1
Component 2
HDMI 1
Source Select
Tint
Sharpness
HDMI 2
5400 K, 6500 K, 9300 K,
Custom 1 or Custom 2
RGB HD
Color Temperature
Picture Memory
Copy Settings
Brightness
Contrast
ISF Night, ISF Day,
Custom 1 or Custom 2
White Balance
(available only when
Custom 1 or
Custom 2 color temp.
is selected)
Gain
0 ... 100
0 ... 100
0 ... 100
0 ... 100
0 ... 8
Red / Green / Blue
Offset
ISF
Picture
Adjust
Color
DNR
Tint
Detail Enhance
Luma Enhance
Chroma Enhance
0 IRE or 7.5 IRE
2.8, 2.6, 2.5, 2.4 or 2.2
Sharpness
Image Enhance
5400 K, 6500 K, 9300 K,
Custom 1 or Custom 2
Color Temperature
Reset to Defaults
16:9
Advanced Options
Reset to Defaults
Black Threshold
Gamma Selection
4:3
Advanced Color Enhance
(ACE)
R / G / B / Y / C / M
Limit / Saturation
Letterbox
Virtual Wide
Cinema
Gamut
Aspect Ratio
Yes / No
(available only on
RS-900/RS1100
projectors equipped with
the CineWide option)
Virtual Cinema
English, French, Spanish,
German or Italian
Language
Orientation
Floor Front, Floor Rear,
Ceiling Front or Ceiling
Rear
V. Keystone
H. Keystone
Pincushion
0 ... 3
GeoCorrection
Overscan
Auto
Installation
Frequency
0 ... 100
HD & RGB Adjust
(480p and higher-res. Phase
signals only)
-15, -14 ... 0 ... +14, +15
H. Position
0 ... +30
V. Position
OSD Timer
0, 3, 6, 9 ... 60 sec.
Horizontal
OSD Setup
OSD Position
Vertical
Blue Image
Sleep Timer
Source
On / Off
0, 30, 60, 90 ... 360 min.
Resolution
Aspect Ratio
Picture Memory
Lamp Hours
Serial
(read only)
Information
Figure 4-1. RS-900/RS1100 OSD Menu Structure
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Main Menu
The Main Menu is the starting point for accessing all projector functions.
➤
RS-900
RS1100
➤
The active source is indicated by an arrow to its left; in this example, Video is the active
Source
source. To select a different source, use the
or
button to highlight it and press
Video
➨
ENTER.
S-Video
➤
Custom 1
To adjust a setting, use the
or
button to highlight it and press ENTER. Use the
>
50
or button to change the setting. When finished, press EXIT.
The RS-900/RS1100 has been designed to incorporate setup and calibration standards
established by the Imaging Science Foundation (ISF). The ISF has developed carefully
crafted, industry-recognized standards for optimal video performance and has
implemented a training program for technicians and installers to use these standards to
obtain optimal picture quality from Runco video display devices. Accordingly, Runco
recommends that setup and calibration be performed by an ISF certified installation
technician.
50
50
0
5
6500
All signal types require separate processing. Therefore, you need to calibrate each input
separately.
Although it may be possible to obtain satisfactory picture quality using the naked eye and
regular program material, Runco recommends using the following calibration tools for best
results:
• External test pattern source – Ovation Multimedia, Digital Video Essentials or AVIA test
DVD or equivalent.
• A blue filter (provided with many test DVDs), for color level and tint adjustments.
Connect your test pattern source to the input that you are calibrating and proceed as
follows. Perform the adjustments in the order listed here.
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Picture Memory: For each input, the RS-900/RS1100 lets you store picture quality
settings as presets that you can recall at a later time. You can create up to four presets
per input and resolution, to accommodate changing lighting conditions or viewer
preferences.
Then, press
or
to select “Custom 1,” “Custom 2,” “ISF Night” or “ISF Day.” When
you select “Custom 1” or “Custom 2,” any changes to picture quality settings are stored in
the selected preset.
1. To store changes to the ISF Night or ISF Day Picture Memory
Note
menu.
when the projector is powered off, then on again. To specify
you can copy the settings from another preset to the selected preset. This gives you a
convenient starting point for creating a new, custom preset. To do this, select Copy
“Custom 2,” “ISF Night” or “ISF Day.”
To copy changes to the ISF Night or ISF Day Picture Memory
Note
menu.
pattern.
Below Black
Above Black
Figure 4-2. Typical PLUGE Pattern for Adjusting Brightness
PLUGE patterns vary but generally consist of some combination of black, white and gray
areas against a black background. The example above includes two vertical bars and four
shaded boxes.
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that:
• The darkest black bars disappear into the background.
• The dark gray areas are barely visible.
• The lighter gray areas are clearly visible.
• The white areas are a comfortable level of true white.
• The image contains only black, gray and white (no color).
Figure 4-3. Typical Gray Bar Pattern for Adjusting Contrast
point just below which the white rectangle starts to increase in size.
may require a subtle change to the other in order to achieve the
optimum setting.
Note
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Color: On your external test pattern source, select a color bar pattern like the one shown
Figure 4-4. Typical Color Bar Pattern for Adjusting Color Saturation and Tint
bar pattern through a blue filter, adjust the color saturation level until the outermost (gray
and blue) color bars appear to be a single shade of blue:
When tint is decreased, the image appears redder; when it is increased the image
ENTER. While looking at the color bar pattern through a blue filter, adjust the tint level until
the cyan and magenta color bars (on either side of the green bar) appear to be a single
shade of blue.
are interactive. A change to one may require a subtle change to the
other in order to achieve the optimum setting.
Note
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needed, looking for white edges around the transitions from black to gray and
differently-sized lines in the “sweep” patterns at the top and bottom. Lower the sharpness
setting to eliminate them.
Figure 4-5. Typical Test Pattern for Adjusting Sharpness
Color Temperature
6500
• 5400 kelvins
• 6500 kelvins
• 9300 kelvins
• Custom 1
• Custom 2
Custom 1 and Custom 2 are installer-adjustable and can be used to create custom
settings. There are six (6) adjustable “white balance” parameters available for the Custom
1 and Custom 2 settings (two each for red, green and blue). These are described later in
Note
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To change the aspect ratio (size and shape) of the projected image, select Aspect Ratio
from the Main Menu and press ENTER. Select the appropriate aspect ratio for your
screen size and the type of program material being viewed, then press ENTER; refer to
➨
Table 4-1. Aspect Ratio Settings
Remote
Control
Key
Aspect Ratio
Description
16:9
16 : 9
Select 16:9 to view 16:9
DVDs and HDTV programs
in their native aspect ratio.
16:9 Image on
16:9 Screen (Display)
4:3 images are stretched
horizontally to fit a 16:9
screen.
4:3 Image, stretched to fill
16:9 Screen (Display)
4:3
4 : 3
4:3 scales the input signal
to fit in the center of the
16:9 screen. 4:3 is the
aspect ratio used by
computer monitors,
4:3 Image on
16:9 Screen (Display)
standard television
programming and most
VHS video cassettes.
Letterbox
LBOX
Letterbox mode scales
(zooms in on) a 4:3 image
linearly (by the same
amount on all sides) to fill a
16:9 display.
4:3 Image on
16:9 Display
(Letterbox aspect ratio)
Letterbox is best suited for
viewing LaserDisc movies
or non-anamorphic DVDs
on a 16:9 screen.
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Table 4-1. Aspect Ratio Settings (continued)
Remote
Aspect Ratio
Control
Key
Description
VirtualWide
VWIDE
VirtualWide scales a 4:3
image NON-linearly (more
on the sides than in the
center) to fit a 16:9 screen.
4:3 Image on
16:9 Screen (Display)
4:3 Image on
16:9 Screen
with VirtualWide
On a 2.35:1 screen, the
image is centered between
black bars on either side.
4:3 Image on
2.35:1 Screen
with VirtualWide
Cinema
CINEMA
Select Cinema to view 2.35
source material in its native
aspect ratio.
With a 16:9 screen and a
non-CineWide projector (no
anamorphic lens), the upper
and lower portions of the
screen are masked, but the
geometry of the active
2.35:1 Image on
16:9 Screen
(Cinema aspect ratio / no CineWide)
image area is unchanged.
With a 2.35:1 screen and a
CineWide-equipped
projector, the video
processor scales the 2.35:1
image so that the active
image area fills the 16:9
chip surface, eliminating the
black bars. The secondary,
anamorphic lens then
restores the proper
2.35:1 Image on
2.35:1 Screen
(Cinema aspect ratio / CineWide)
geometry to the 2.35:1
image.
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Table 4-1. Aspect Ratio Settings (continued)
Remote
Aspect Ratio
Control
Key
Description
Virtual Cinema
VCINE
A 16:9 image is scaled
NON-linearly (more on the
sides than in the center) to
fit a 2.35:1 screen.
2.35:1 Screen
16:9 Image on
Virtual Cinema is available
only on RS-900/RS1100
projectors equipped with
the CineWide option.
16:9 Image on
2.35:1 Screen with
Virtual Cinema
To access the Installation adjustments, press MENU, then press the
return to the previous menu or press MENU to close all menus.
or
button to
English
Floor Front
When you change a setting in the Installation menu, the change takes
effect immediately; you do not need to press ENTER afterwards.
(Press EXIT to return to the previous menu or MENU to exit.)
Note
>
0
Off
Off
Language: Press the
or
button to select from the available languages: English,
French, Spanish, German and Italian.
The RS-900/RS1100 can be installed on a ceiling or in a rear-screen configuration with
one or more mirrors. There are four settings: Floor Front, Ceiling Front, Floor Rear and
Ceiling Rear.
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GeoCorrection: Projector placement and other factors can cause geometric distortion in
sub-menu provides the following options:
0
0
0
or
Runco recommends that the keystone feature not be used unless
absolutely necessary, as it may cause artifacts in the image.
Tip
Horizontal Keystone Correction
-
+
Projector
Projected Image
Negative values
Positive values
compress left side.
compress right side.
Vertical Keystone Correction
-
+
Negative values
compress bottom.
Positive values
compress top.
Figure 4-6. Keystone Correction
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short and/or the projector is equipped with an anamorphic lens (refer to Installing and
Adjusting the CineWide Anamorphic Lens in Section 3). To correct it, select
or
button to make the
-
+
Projector
Projected Image
Negative values
decrease image height
at screen center.
Positive values
increase image height
at screen center.
Figure 4-7. Pincushion Correction
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signal out beyond the edge of the display area.
Some television programs are produced based on the assumption that older television
trims away these inactive, outer edges and enlarges the remaining portion of the image to
fill the display area.
Use the on-screen slidebar to select the desired amount of over scan.
For HDTV, DVDs and other video sources, overscan is generally not necessary or
desirable.
higher-resolution signals for optimum picture quality.
• Auto: Adjusts the phase, frequency and position automatically.
• Frequency: Adjusts the frequency of the signal.
• Phase: Adjust the phase if the image (usually from an RGB source) shows shimmer or
“noise.” Pixel phase adjusts the phase of the pixel sampling clock relative to the
incoming signal. The effect of this control is similar to that of a tracking control on a
VCR.
For best results, use a good test pattern such as a smooth gray consisting of a clear
pattern of black and white pixels, or a similar “half on, half off” graphic image. (You may
find that you can stabilize the image at more than one point. Use either setting in this
case.)
• H. Position: Adjusts the horizontal position of the image.
• V. Position: Adjusts the vertical position of the image.
appearance of the OSD menus.
or
long the menus remain on-screen after selecting them. Select from 0 to 60 seconds, in
until you hide them by pressing MENU.
or
button to select H. Position or V. Position and use the
or
button to adjust.
Blue Image: Press the
removes all red and green color information from the image (simulating a blue filter), and is
useful for color-calibrating the projector or other video components.
Sleep Timer: The Sleep Timer automatically puts the projector into standby mode after
the amount of time you specify here. (A warning appears on-screen one minute before this
is to occur.)
Use the
or
button to set the timer for anywhere from 30 minutes to 6 hours, in
30-minute increments. To disable the Sleep Timer, set it to 0.
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currently-active source, input signal resolution, aspect ratio, picture memory and lamp
usage. This menu also displays the projector serial number.
HDMI 1
Should you ever need to contact Runco Technical Support, this information will help them
answer your questions or resolve product performance issues.
1920x1080
16:9
ISF Night
450
You can also press INFO on the RS-900/RS1100 remote control unit
Tip
RUP900RS0805001
To access advanced projector settings, use the up- or down-arrow keys to highlight
menu passcode when prompted and press ENTER again. Then, press MENU on the
remote control.
200 Watts
>
Normal
Note
select that menu after turning on the projector.
Black
Off
0
You can choose to run the lamp as bright as possible (200W; this is the default setting) or
you can choose the lower (170W) setting. Generally, lower lamp output prolongs the life of
the lamp, but decreases brightness.
Normal
0
>
0
Setup menu. Press the right-arrow key on the remote to highlight “Yes,” then press
ENTER to confirm the reset.
Reset the Lamp Timer ONLY after you replace the lamp. Otherwise,
the reported “Lamp Hours” will be inaccurate.
Note
Do not exceed the recommended lamp life of 2000 hours. An old
lamp becomes increasingly fragile and prone to sudden failure.
WARNING
projector’s cooling fan.
In most cases, the default Fan Mode (Normal) will maintain the correct operating
temperature. If the lamp frequently turns off due to overheating, or in certain high-altitude
operating environments, you may need to change this setting to Hi. Altitude or Manual.
To manually set the fan speed, select Manual and press ENTER. Then, use the on-screen
slidebar to adjust the speed.
Background Color: Press the
or
button to select the image Background Color
menu and press
or
to select On or Off.
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lens; similar to an “f-stop” on a camera). Doing so allows you to optimize brightness and
contrast according to the amount of ambient light in the viewing area.
Use a higher setting for rooms with a lot of ambient light. Use a lower setting for more
“theater-like” viewing conditions (little or no ambient light).
trigger output.
is turned on (for instance, if the trigger is controlling a retractable screen).
Virtual Cinema aspect ratio is selected. Choose this setting if your RS-900/RS1100 is
equipped with the Runco CineWide with AutoScope system.
V. Correction: To achieve the proper image geometry with the secondary anamorphic
or
button to change
the native aspect ratio of the display, in small increments.
it horizontally or vertically, in small increments. This can be useful if your projector is
equipped with an anamorphic lens.
The Horizontal control adjusts the image width while keeping the height constant.
Similarly, the Vertical control adjusts the image height while keeping the width constant.
have the RS-900/RS1100 go into standby mode when no source signal is present on the
current input. (A warning message appears on-screen for approximately eight seconds
before this occurs.) Select an Auto-Off interval of from five to 30 minutes, in five-minute
increments. To return to normal operating mode from the Auto Off standby mode, select
the input with the remote control or operate your computer.
When Auto Off is disabled, the RS-900/RS1100 remains in normal operating mode,
regardless of the presence or absence of an input sync signal.
1. If the computer is turned off or not properly connected to the
RS-900/RS1100, the system is set to the off state.
Note
2. For instructions on using the computer's power management
features, refer to the instructions for your computer.
and press the button to highlight “Yes.” Then, press ENTER.
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Use the number buttons on the remote control to enter the ISF Calibration menu
passcode when prompted and press ENTER again. Then, press MENU on the remote
control.
ISF Night
>
50
50
50
0
This menu should be used by ISF-certified technicians only.
Note
section (page 52).
5
6500
>
projector is powered off, then on again.
Note
>
White Balance: To remove any trace of color from the white areas of the projected
• Gain: Use the Gain controls to correct color imbalances in the bright areas of the
image. A good way to do this is to use a test pattern consisting mostly of solid white
areas, such as an 80 IRE “window” pattern. If the white areas contain traces of red,
green or blue, decrease the Gain for that color.
• Offset: Use the Offset controls in the White Balance sub-menu to correct color
imbalances in the dark areas of the image. A good way to do this is to use a test
pattern consisting mostly of dark gray areas, such as a 30 IRE “window” pattern. If the
gray areas contain traces of red, green or blue, decrease the Offset for that color.
The Gain controls increase or decrease the full-scale input range; the Offset controls
Gain and Offset controls interact with each other.
OFFSET = 1023
OFFSET = 512
1.0
OFFSET = 0
0.5
OFFSET = 1023
OFFSET = 512
0
OFFSET = 0
0
1023
GAIN
Figure 4-8. Gain and Offset
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Generally, higher Gain settings reduce the image contrast; higher
Offset settings reduce the image brightness.
Note
quality of standard-definition, 480i images. (For 480p and higher-definition images, the
controls in this menu are disabled.) Keep in mind that these controls add frequencies
that are not present in the original signal, and may make images appear “noisy” if
misused.
or
button to adjust the Digital Noise Reduction (DNR). DNR is
useful for clearing up noisy images from interlaced SD sources. Adjust as desired,
keeping in mind that reducing noise (which reduces high frequencies) may also
soften the image.
and/or vertical resolution of the image.
of the image.
and can make colors appear more vibrant and saturated.
present in certain video signals, and ensures that blacks in the display are neither
“crushed” (where dark grays appear black) nor excessively elevated (where blacks
appear dark gray). By default, the projector automatically determines the best setting
according to the type of incoming video signal:
• 0 IRE: Used for DVD output with “enhanced black,” SECAM, most PAL standards
and Japanese NTSC.
• 7.5 IRE: Used for most NTSC video signals.
For some types of video, you may want to override the setting. Generally, if black
appears crushed when brightness = 30, choose “0 IRE.” If black appears excessively
elevated, use “7.5 IRE.”
and conditions. If excess ambient light washes out the image and it becomes difficult or
impossible to see details in dark areas, lower the gamma setting to compensate. This
will improve contrast while maintaining good details for blacks. Conversely, if the image
is washed out and unnatural, with excessive detail in black areas, increase the setting.
Again, good gamma improves contrast while maintaining good details for blacks and
whites.
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to customize the stored color space characteristics. To do this, use the or button
to select a component color (Red, Green, Blue, Yellow, Cyan or Magenta).
For each component color, you can adjust the following:
• Limit: This slidebar adjusts the intensity – also known as luminance – of a given
color.
• Saturation: This slidebar adjusts the color saturation level – the amount of that color
in a video image. Lower settings produce less saturated colors; a setting of “0”
removes that color from the image entirely. If the saturation is too high, that color will
be overpowering and unrealistic.
To restore the color space settings to their factory-default values, select Reset to
Defaults and press ENTER.
(ACE) controls in the Calibration menu are adequate for producing accurate and
realistic colors from a variety of sources.
In rare cases, though, you may need more precise control over the RS-900/RS1100
display color gamut (range). For example, you may require a unique color gamut for a
given projector or application.
The RS-900/RS1100 enables you to define the precise hue of each primary color
component (white, red, green and blue) used to generate the millions of colors
produced in displays. You do this by specifying x/y coordinates and luminance values
for each primary color component.
The x and y coordinates for each color define its location on the standard CIE
l’Éclairage” (International Commission on Illumination), the organization responsible for
color measurement and management standards.)
1.0
y
0.9
0.8
0.7
0.6
0.5
0.4
D50
D65
D93
0.3
0.2
0.1
0.0
0.0
0.1
0.2
0.3
0.4
0.5
0.6
0.7
0.8
0.9
x
1.0
Figure 4-9. CIE 1931 Chromaticity Diagram
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Changing either or both of these numbers changes the hue of the color and relocates
the “triangle” for possible colors. For example, changing the x/y coordinates for red
moves the color closer to either orange or violet, which in turn affects all displayed
colors having a red component.
To perform these adjustments, you will need a color analyzer (Sencore
ColorPro 5000 software and ColorPro III sensor, or equivalent).
Note
To adjust the gamut:
2. To do an automatic gamut adjustment, highlight “Enter” and press ENTER. If further
Settings
White
Red
Manual
calibration is necessary, continue with the next step.
x:312 y:329 Y:045
x:640 y:330 Y:015
x:300 y:600 Y:022
x:150 y:060 Y:018
3. Highlight “Settings” and press
or
to select “Manual.”
4. Highlight “White” and press ENTER. The RS-900/RS1100 displays a white field on
Green
Blue
the screen.
D. White x:312 y:329 Y:045
5. Using the color analyzer, measure the x and y coordinates for about 15 seconds.
Make a note of the results.
Enter
Save
Color Temp.
6500
6. Press EXIT or ENTER.
7. Highlight “White” and press
.
8. Press ENTER to select the first digit of the x coordinate value for White (obtained in
White
x:000 y:000 Y: 000
9. Press
10. Press
or
repeatedly to set the digit.
to select the next digit; use the
and
buttons to change it.
11. Repeat Step 10 for the third digit.
12. Press ENTER.
13. Press
to highlight the “y” coordinate value for White. Then, press ENTER to select
the first digit.
14. Repeat Steps 9 through 12 to set the “y” coordinate value for White.
15. Press
digit.
to highlight the “Y” coordinate value. Then press ENTER to select the first
16. Repeat Steps 9 through 12 to set the “Y” coordinate value for White.
17. Press EXIT.
18. Repeat Steps 4 through 17 for Red, Green, Blue and D. White (Desired White).
19. Highlight “Save” and press ENTER.
To undo the effects of a previous calibration, highlight “Settings” and press
select “Default.”
or
to
button to highlight “Yes.” Then, press
ENTER.
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5. Maintenance and Troubleshooting
The lamp should be replaced when it reaches the end of its life (typically 2000 hours), or
sooner if a noticeable degradation in brightness occurs. Contact your Runco dealer to
obtain a replacement lamp.
5.1
Lamp Replacement
1. Turn off the projector and unplug the power cord.
Allow the projector to cool down for
approximately 45 minutes prior to removing
the lamp assembly for replacement.
2. Loosen the two captive screws from the lamp
cover.
3. Remove the lamp cover.
4. Remove the two lamp assembly mounting screws.
5. Grasp the lamp assembly handle and pull gently,
removing the lamp module from the projector
housing.
6. Install the new lamp module and replace the two
screws.
7. Replace the lamp cover at the right side first and
secure it with the two screws.
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Table 5-1 provides some general guidelines for troubleshooting problems you may
encounter with the RS-900/RS1100. If the suggested solutions fail to resolve the problem
or if you encounter an issue not described here, please contact Runco Technical Support.
5.2
Troubleshooting Tips
Table 5-1. Troubleshooting Chart
Symptom
Possible Cause(s)
Solution
The projector does not turn
on.
• The RS-900/RS1100 is
not plugged in or the AC
outlet is not active.
• Ensure that the
RS-900/RS1100 is
plugged in and that the AC
outlet is active.
• The main power switch (at
the rear of the projector) is
off.
• Turn on the power switch.
• Lamp cover is not securely
attached.
• Securely attach the lamp
cover.
The projector does not turn
back on after it was powered
off.
• The projector will not turn
on for two minutes after
power-off, to protect the
lamp.
• Wait until the
RS-900/RS1100
completes its cool-down
(POWER LED lights solid
orange).
The remote control does not
work correctly.
• The batteries have run out.
• Replace the batteries.
The projector is on and OSD
menus appear, but there is no
video image on-screen.
• Incorrect source selection.
• Source component is not
turned on.
• Select the correct source.
• Turn on the source.
• Source component is
connected incorrectly or
not at all.
• Check cable connection
from source component to
projector.
A projected image from a
DVD is split or otherwise
scrambled.
• DVD player is connected
to the Component input
and set to progressive
scan mode.
• Turn off progressive scan
on the DVD player.
Image is blurred.
• The lens is not correctly
focused.
• Adjust the focus with the
remote control.
Image is too bright and/or
lacks definition in the bright
areas of the image.
• Contrast is set too high.
• Lower the contrast setting.
Image appears “washed out”
and/or dark areas appear too
bright.
• Brightness is set too high.
• Lower the brightness
setting.
Colors in the image are
swapped; for example, reds
appear blue or vice versa.
• The Red/Pr, Green/Y or
Blue/Pb outputs from the
source are connected to
the wrong inputs on the
RS-900/RS1100.
• Ensure that the source
outputs are connected to
the correct
RS-900/RS1100 input.
POWER LED lights solid red.
• Internal failure.
• Please contact your Runco
dealer for assistance.
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Table 5-1. Troubleshooting Chart (continued)
Symptom
Possible Cause(s)
Solution
LAMP LED lights solid red.
• The lamp has failed or
exceeded its usage life.
• Replace the lamp with a
new one.
TEMP LED lights solid red.
• RS-900/RS1100 internal
temperature is too high or
one or more fans have
failed.
• Power off the
RS-900/RS1100 and allow
it to cool down. Ensure
that the intake and exhaust
vents are not blocked.
Turn the projector back
on. If the problem persists,
please contact your Runco
dealer for assistance.
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Notes:
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6. Serial Communications
To interface the RS-900/RS1100 with a home theater automation/control system or a PC
running terminal emulation software:
6.1
RS-232 Connection
and Port Configuration
2. Start a terminal session on your PC using a terminal-emulation program, such as
HyperTerminal.
3. Configure the RS-232 controller or PC serial port as follows: no parity, 8 data bits, 1
stop bit and no flow control. Set the baud rate to 19200.
Component 1 input, type X133X. Do not send a carriage return after the
command.
Serial commands to the RS-900/RS1100 take the following form:
• Commands are in ASCII format.
6.2
Serial Command
Syntax
• Commands must be in UPPERCASE; for example, X001X, not x001x.
• When you send a valid command, the RS-900/RS1100 performs the following actions:
1. Echoes the command back to the PC or control system, unless the command is
X001X (Power On).
2. Executes the command.
3. Sends a confirmation message in the form X0_[command number]X<CR>. The
confirmation message does not include the leading zeros in the command.
For example, when you send the command X003X, the RS-900/RS1100 responds
with X003XX0_3X<CR>. When you send the command X061X, the RS-900/RS1100
responds with X061XX0_61X<CR>. When you send the command X133X, the
RS-900/RS1100 responds with X133XX0_133X<CR>.
• When you enter an invalid command, the RS-900/RS1100 echoes the command and
does nothing else.
The RS-900/RS1100 will not accept serial commands for 20
seconds after it is turned on or off.
Note
Table 6-1. Serial Commands
Code
Function
X001X
X002X
X003X
X004X
X005X
Power On
Power Off
Menu
Enter
Exit
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Table 6-1. Serial Commands (continued)
Code
Function
X006X
X007X
X008X
X009X
X011X
X021X
X022X
X023X
X024X
X025X
X026X
X027X
X028X
X029X
X030X
X041X
X042X
X043X
X044X
X047X
X048X
X051X
X056X
X057X
X058X
X059X
X060X
X061X
X062X
X063X
X064X
Up (arrow key)
Down (arrow key)
Left (arrow key)
Right (arrow key)
Show active source and aspect ratio information
Keypad 1
Keypad 2
Keypad 3
Keypad 4
Keypad 5
Keypad 6
Keypad 7
Keypad 8
Keypad 9
Keypad 0
Restore image settings from Custom 1
Restore image settings from Custom 2
Restore image settings from ISF Day
Restore image settings from ISF Night
Set Gamma to 2.2
Increase PIP sub-window size
Decrease PIP sub-window size
Swap main and PIP windows
Set PIP on
Set PIP off
16:9 aspect ratio
4:3 aspect ratio
Letterbox aspect ratio
VirtualWide aspect ratio
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Table 6-1. Serial Commands (continued)
Code
Function
X065X
X066X
X082X
X083X
X084X
X085X
X091X
X092X
X100X
X101X
X112X
X113X
X114X
X115X
X116X
X121X
X122X
X123X
X124X
X125X
X131X
X132X
X133X
X134X
X135X
X136X
X137X
X151X
X156X
X157X
X158X
Cinema aspect ratio
Virtual Cinema aspect ratio
Image orientation = floor front
Image orientation = ceiling front
Image orientation = floor rear
Image orientation = ceiling rear
Lamp Power = 170W
Lamp Power = 200W
Black Threshold = 0 IRE
Black Threshold = 7.5 IRE
Color Temperature = 5400K
Color Temperature = 6500K
Color Temperature = 9300K
Color Temperature = Custom 1
Color Temperature = Custom 2
OSD Language = English
OSD Language = French
OSD Language = Spanish
OSD Language = German
OSD Language = Italian
Switch to Composite input
Switch to S-Video input
Switch to Component 1 input
Switch to Component 2 input
Switch to HDMI 1 input
Switch to HDMI 2 input
Switch to RGBHV input
Reset Lamp Timer
Background Color = Black
Background Color = Blue
Background Color = Gray
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Table 6-1. Serial Commands (continued)
Code
Function
X180X
X181X
Blue Image ON
Blue Image OFF
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7. Specifications
Table 7-1 lists the RS-900/RS1100 specifications.
7.1
RS-900/RS1100
Specifications
Table 7-1. RS-900/RS1100 Specifications
Projector Type:
Digital Light Processing (DLP), Single-Chip SuperOnyx DMD
Native Resolution:
Aspect Ratios:
1920 x 1080 (16:9)
4:3, Letterbox, 16:9, VirtualWide, Cinema, Virtual Cinema
NTSC, PAL, ATSC
Video Standards:
Video Compatibility:
Scan Frequency:
480i, 480p, 576i, 576p, 720p, 1080i, 1080p
Horizontal: 15 - 80 kHz
Vertical: 50 - 100 Hz
Picture Size (16:9 Screen):
Recommended Width: 72 in. (1.83 m) to 96 in. (2.44 m)
Throw Distance
(Factor x Screen Width):
Vertical Offset (when
projector is inverted):
Refer to Table 3-5
Refer to Table 3-5
Horizontal Offset:
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Table 7-1. RS-900/RS1100 Specifications (continued)
Brightness and Contrast:
Cinema Standards Measurement System (CSMS)
Specifications – RS-900 Series
-
-
Brightness*: 13.9 to 19.8 foot-Lamberts (fL)
Contrast Ratio*: 200:1 to 220:1
Cinema Standards Measurement System (CSMS)
Specifications – RS1100 Series
-
-
Brightness*: 14.9 to 21.8 foot-Lamberts (fL)
Contrast Ratio*: 205:1 to 225:1
*Variable depending on RVR setting
These measurements are taken from the projector in a controlled,
home theater environment. All measurements are made to
ANSI/NAPM IT7.228-1997 specifications using the Photo Research
PR-650 SpectraColorimeter and Minolta LS-100 Luminance Meter,
Video Essentials test DVD and a 1.3 gain, 72-inch wide screen. The
projector is calibrated to a color temperature of 6,500K and has a
minimum of 150 hours of usage.
The foot-Lambert (fL) is the unit of measurement used in commercial
movie theaters to express image brightness at the screen surface. The
Society of Motion Picture and Television Engineers (SMPTE) specifies
16 fL as the target image brightness for film-based projectors using an
open gate (without film in the projector). More importantly, today
SMPTE specifies 12 fL as the target image brightness in Digital
Cinema theaters. The foot-Lambert measurement is dependent on
screen size, screen gain and projector light output.
Home Theater Calibration Specifications –
RS-900 Series
-
-
Light Output: 438 to 543 ANSI Lumens
Contrast Ratio*: 200:1 to 220:1
Home Theater Calibration Specifications –
RS1100 Series
-
-
Light Output: 447 to 591 ANSI Lumens
Contrast Ratio*: 205:1 to 225:1
These specifications are obtained by calibrating the projector as
described above for CSMS measurements.
Industry-Standard Specifications – RS-900 Series
-
-
Light Output: 1200 ANSI Lumens
Contrast Ratio: 3000:1
Industry-Standard Specifications – RS1100 Series
-
-
-
Light Output: 1300 ANSI Lumens
Contrast Ratio – RS1100 Ultra: 1600:1 to 3200:1
Contrast Ratio – RS1100: 11,000:1
These are typical projector brightness and contrast specifications
found in most companies’ sales literature. Runco includes these
measurements in its literature to allow for direct comparison with other
manufacturers’ projectors. These measurements are typically taken at
9,000K to 13,000K to get expected performance data when the
projector is used in professional, commercial and industrial displays.
Lamp:
200 Watts
Estimated Lamp Life:
Video Inputs:
2000 hours
(1) Composite Video, (1) S-Video, (1) RGB/Component Video
(5 x BNC), (1) RCA Component Video (3 x RCA), (2) HDMI
Control Options:
-
-
Discrete IR remote
Serial commands via RS-232
RS-232 Communication
19200 bps, no parity, 8 data bits, 1 stop bit, no flow control
Parameters:
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Table 7-1. RS-900/RS1100 Specifications (continued)
+12V Output:
Max. 0.25 Amps, active when Cinema or Virtual Cinema
Aspect Ratio is selected (CineWide versions only) or when
projector is turned on; Tip = +12V; Sleeve = Ground
Power Requirements:
Operating Environment:
Dimensions:
100 to 240 VAC (auto-sensing), 50/60 Hz, 290 Watts
(989.8 BTUs/hour)
41°F to 95°F (5°C to 35°C), 20% to 80% humidity
(non-condensing)
Weight (without lens):
34 lbs. (15.42 kg)
Regulatory Approvals:
Complies with FCC Class B, CE, C-Tick, GOST, TUV-GS,
cTUV-US
Limited Warranty:
Projector: Two (2) years parts and labor from the date of
delivery to the end user.
Lamp: 1000 hours or six (6) months, whichever comes first.
Specifications are subject to change without notice.
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Figure 7-1 shows the RS-900/RS1100 dimensions (all dimensions are in inches).
7.2
Overall Dimensions –
RS-900/CineWide and
RS1100/CineWide
17.7
17.5
0
.5
6.8
5.9
0
.9
1.4
2.9
3.2
5.6
6.0
7.3
8.0
9.1
4.9
5.5
5.7 5.0
2.4
4.2
3.9
1.6
.8
0
1.4
2.2
4.5
9.7
11.4
14.4
14.4
16.1
17.5
17.7
8.7
Figure 7-1. Overall Dimensions – RS-900/CineWide and RS1100/CineWide
(Prismatic Lens)
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Figure 7-2 shows the RS1100 Ultra dimensions (all dimensions are in inches).
7.3
Overall Dimensions –
RS1100 Ultra
19.7
19.7
2X 18.5
18.8
15.3
14.2
14.9
9.8
5.5
5.3
4.1
2X 1.2
0
0
Figure 7-2. Overall Dimensions – RS1100 Ultra
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Figure 7-3 shows the RS-900/RS1100/CineWide with AutoScope dimensions (all
dimensions are in inches).
7.4
Overall Dimensions –
RS-900/CineWide with
AutoScope and
RS1100/CineWidewith
AutoScope
19.7
18.5
17.9
15.3
19.7
18.7
19.7
9.8
14.9
15.1
14.3
14.2
13.5
6.0
5.5
5.3
5.3
4.2
4.1
1.2
0
9.8
6.1
3.0
0
0
Figure 7-3. Overall Dimensions – RS-900/CineWide with AutoScope and
RS1100/CineWide with AutoScope
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Table 7-2 lists the signal types supported by each input on the RS-900/RS1100.
7.5
Supported Timings
Table 7-2. Supported Signal Timings
Horizontal
Frequency (kHz)
Pixel Frequency
Format
Resolution
Refresh Rate (Hz)
(MHz)
Analog/Digital PC SIgnals (RGB HD / HDMI 1 / HDMI 2)
720x350
720x400
720x350
720x400
70.00
70.00
85.00
60.00
72.00
75.00
85.00
50.00
56.00
60.00
72.00
75.00
85.00
60.00
60.00
70.00
75.00
85.00
75.00
60.00
60.00
75.00
85.00
60.00
85.00
60.00
75.00
85.00
60.00
31.469
31.469
37.900
31.469
37.861
37.500
43.269
31.300
35.156
37.879
48.077
46.875
53.674
31.02
28.322
28.322
35.500
25.175
31.500
31.500
36.000
32.051
36.000
40.000
50.000
49.500
56.250
33.750
65.000
75.000
78.750
94.500
108.000
68.250
79.500
102.250
117.500
108.000
148.500
108.000
135.000
157.500
85.500
640x480
640x480
800x600
800x600
848x480
848x480
1024x768
1024x768
48.363
56.476
60.023
68.677
67.500
47.396
47.776
60.289
68.633
60.000
85.938
63.981
79.976
91.146
47.712
1152x864
1280x768
1152x864
1280x768
1280x960
1280x960
1280x1024
1280x1024
1360x768
1360x768
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Table 7-2. Supported Signal Timings (continued)
Horizontal
Frequency (kHz)
Pixel Frequency
(MHz)
Format
Resolution
Refresh Rate (Hz)
1400x1050
1400x1050
60.00
60.00
75.00
60.00
60.00
75.00
85.00
60.00
60.00
60.00
60.00
64.744
65.317
82.278
55.469
59.935
70.635
80.430
75.000
64.674
65.290
74.038
101.000
121.750
156.000
88.750
1440x900
1440x900
106.500
136.750
157.000
162.000
119.000
146.250
154.000
1600x1200
1680x1050
1600x1200
1680x1050
1920x1200
1920x1200
EDTV/HDTV Signals
(HDMI 1 / HDMI 2 / Component 1 (YPbPr) / Component 2 (YPbPr or RGB))
480/60i
480/60p
576/50i
720x487
720x483
59.94
59.94
15.734
31.469
13.500
27.000
720x576
50.00
15.625
14.750
576/50p
540/60p
540/60p
720/24p
720/30p
720/50p
720/60p
1080/50i
1080/60i
1080/24p
1080/48p
1080/25p
1080/30p
1080/50p
1080/60p
720x576
50.00
31.250
29.000
1920x540
1920x540
1280x720
1280x720
1280x720
1280x720
1920x1080
1920x1080
1920x1080
1920x1080
1920x1080
1920x1080
1920x1080
1920x1080
59.94
33.746
74.250
60.00
33.250
74.250
24.00
18.000
29.700
30.00
22.500
37.130
50.00
37.500
75.250
60.00
45.000
74.250
50.00
28.125/31.250
33.716/33.750
26.978/27.000
27.000
74.250/72.000
74.175/74.250
74.175/74.250
148.500
59.94/60.00
23.98/24.00
48.000
25.000
29.97/30.00
50.00
28.125
74.250
33.716/33.750
56.250
74.175/74.250
148.500
59.94/60.00
67.433/67.500
148.350/148.500
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Table 7-2. Supported Signal Timings (continued)
Horizontal
Frequency (kHz)
Pixel Frequency
(MHz)
Format
Resolution
Refresh Rate (Hz)
SDTV Signals (Video / S-Video)
NTSC 3.58
NTSC 4.43
PAL-B/G
PAL-M
–
–
–
–
–
–
–
59.94/60.00
59.94/60.00
50.00
15.734/15.750
3.580
4.430
15.734/15.750
15.625
4.430
59.94/60.00
50.00
15.734/15.750
15.625
3.580
PAL-N
3.580
PAL-60
59.94/60.00
50.00
15.734/15.750
15.625
4.430
SECAM
4.250/4.410
RS-900 and RS1100 Series Installation/Operation Manual
85
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Notes:
86
RS-900 and RS1100 Series Installation/Operation Manual
Download from Www.Somanuals.com. All Manuals Search And Download.
Download from Www.Somanuals.com. All Manuals Search And Download.
SERIAL NUMBER
020-0706-03 Rev. A
June 2008
Runco International • (800) 23RUNCO • Fax (503) 748-8161 • www.runco.com
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