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WARNING: To reduce the risk of fire or electric shock, do not expose this apparatus to rain or moisture.
The lightning flash with arrowhead symbol, within an
equilateral triangle, is intended to alert the user to the
presence of uninsulated “dangerous voltage” within the
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
product’s enclosure that may be of sufficient magnitude to
ATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
constitute a risk of electric shock to persons.
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,
The exclamation point within an equilateral triangle is
DO NOT REMOVE COVER (OR BACK).
NO USER-SERVICEABLE PARTS INSIDE.
intended to alert the user to the presence of important
operating and maintenance (servicing) instructions in the
literature accompanying the product.
REFER SERVICING TO QUALIFIED SERVICE PERSONNEL.
INSTRUCTIONS PERTAINING TO A RISK OF FIRE, ELECTRIC SHOCK, OR INJURY TO PERSONS.
IMPORTANT SAFETY INSTRUCTIONS
SAVE THESE INSTRUCTIONS
WARNING - When using electric products, basic precautions should always be followed, including the following:
1. Read these instructions.
2. Keep these instructions.
3. Heed all warnings.
10. Protect the power cord from being walked on or pinched
particularly at plugs, convenience receptacles, and the
point where they exit from the apparatus.
4. Follow all instructions.
5. Do not use this apparatus near water.
6. Clean only with a dry cloth.
11. Only use attachments/accessories specified by the
manufacturer.
12. Use only with the cart, stand, tripod, bracket,
or table specified by the manufacturer, or
7. Do not block any of the ventilation openings. Install in
accordance with the manufacturers instructions.
8. Do not install near any heat sources such as radiators,
heat registers, stoves, or other apparatus (including
amplifiers) that produce heat.
9. Do not defeat the safety purpose of the polarized or
grounding-type plug. A polarized plug has two blades with
one wider than the other. A grounding type plug has two
blades and a third grounding prong. The wide blade or the
third prong are provided for your safety. If the provided plug
does not fit into your outlet, consult an electrician for
replacement of the obsolete outlet.
sold with the apparatus. When a cart is used,
use caution when moving the cart/apparatus
combination to avoid injury from tip-over.
13. Unplug this apparatus during lightning storms or when
unused for long periods of time.
14. Refer all servicing to qualified service personnel. Servicing
is required when the apparatus has been damaged in any
way, such as power-supply cord or plug is damaged, liquid
has been spilled or objects have fallen into the apparatus,
the apparatus has been exposed to rain or moisture, does
not operate normally, or has been dropped.
For the U.K.
IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE.
BLUE: NEUTRAL
BROWN: LIVE
As the colours of the wires in the mains lead of this apparatus may not correspond with the coloured markings identifying
the terminals in your plug, proceed as follows:
The wire which is coloured BLUE must be connected to the terminal which is marked with the letter N or coloured BLACK.
Under no circumstances must either of the above wires be connected to the earth terminal of a three pin plug.
201b
Before using this unit, carefully read the sections entitled: “IMPORTANT SAFETY INSTRUCTIONS,” “USING THE
UNIT SAFELY” (p. 8), and “Important Notes” (p. 11). These sections provide important information concerning
the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of
every feature provided by your new unit, owner’s manual should be read in its entirety. The manual should be
saved and kept on hand as a convenient reference.
202
Copyright © 2008 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form
without the written permission of ROLAND CORPORATION.
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Introduction
Thank you, and congratulations on your choice of the LX-10. To ensure that you obtain the maximum
carefully.
About the Manual
You should first read the “Before You Play” (p. 18) section of the owner’s manual (this document). This
explains how to connect the power cord and turn on the power.
This owner’s manual explains everything from basic operations that use the LX-10’s playback
functions to more advanced operations, such as using the LX-10 to record a song.
Conventions in this Manual
In order to explain the operations as clearly as possible, this manual uses the following conventions.
•
Text enclosed in square brackets [ ] indicates the name of a button or a knob, such as the [Piano]
button.
NOTE
or an asterisk * are cautionary statements that you must be sure to
•
•
•
Lines that begin with
read.
The numbers of pages that you can turn to for additional, related information are given like this:
(p. **).
This document uses screen shots for explanatory purposes. Please be aware that the settings in
these explanatory screen shots may not match the actual factory settings (Tone names, etc.).
Features of the LX-10
Piano sounds with rich resonance and broad expressive range
The LX-10 uses a 88-key stereo multi-sampling piano sound generator that realistically reproduces
even the sound of the hammers striking the strings, providing a faithful simulation of the sounds of a
high-quality concert grand piano. With a maximum polyphony of 128 notes, it has ample capability
even for performances that make extensive use of pedaling.
It contains not only piano sounds, but a total of more than 300 different sounds covering a wide range
of musical styles. You can also play a drum set from the keyboard.
“Ivory feel” keyboard for realistic grand piano playing sensation
The unrivaled feel of the ivory and ebony traditionally used in the highest quality piano keyboards has
been replicated using modern technology in the “ivory feel” keyboard. The white keys are a two-piece
structure consisting of a base material and surface, providing a natural appearance as well as the ideal
combination of strength and response.
The progressive hammer action II (PHA II) gives you a highly natural touch in which the low ranges
have an appropriate weightiness and the high ranges have a light playing feel. In addition, the
escapement mechanism that causes a distinctive sense of “click” when you play a note softly has also
been faithfully replicated, giving the LX-10 a high degree of playability.
To ensure sanitary conditions under extended use, long-lasting antibacterial processing has also been
applied.
4
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Introduction
Compact design with an air of sophistication
With a traditional design featuring a subdued color scheme and mirror-finish panel, the LX-10 is only
45 cm deep, while exuding a sense of sophistication and quality.
An enveloping sound field
The sound reproduction system features six speakers, delivering the full, rich sound of a piano
throughout its full range, low through high.
You’ll experience an enveloping sound field that emanates not only from speakers near your feet, but
also from the top of the unit.
You can open or close the lid to change the tonal character in the same way as adjusting the lid of a
grand piano.
Versatile functionality you expect from a digital piano
Piano Designer
The LX-10 rivals the sound and expressive power of a grand piano, with careful simulation of the
changes in sound produced by opening or closing the grand piano lid, the subtle sounds of releasing
a key, the sympathetic resonance between strings, and the sound of the damper pedal being pressed
to move the damper away from the strings.
These aspects of the sound can be customized to your taste.
Concert hall reverberation
In addition to high-quality reverberation effects, the LX-10 provides a 3D Sound Control function,
which reproduces the spatial depth of a full concert grand piano, and a Dynamics Sound Control
function, which enhances the coherence and power of the sound.
You can also enjoy a special presence effect when performing with headphones.
Versatile functions to assist practicing, and built-in piano songs with
accompaniment
The metronome function, a “3-track recorder,” and internal preset songs with orchestral
accompaniment and an included score collection (containing sixty songs) make the LX-10 an
excellent choice for piano lessons.
Perform and save data
Data you perform using the recorder can be saved on a separately available floppy disk drive or USB
memory device.
In addition to a floppy disk drive or USB memory, you can connect a commercially available USB-type
CD drive and play back SMF music files, music CDs, or audio data.
SMF music files from USB memory, floppy disk, or CD-ROM can also be saved in internal memory.
5
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About the Manual.........................................................................4
Changing the Key of the Keyboard (Key Transpose)..... 38
Changing the Way in which the Sound is Heard
Features of the LX-10...................................................................4
(Twin Piano Mode).................................................................41
Performing with Two Layered Tones (Dual Play)............ 42
Changing the Tone Variations...........................................43
Changing the Volume Balance for Dual Play ...............44
Names of Things and What They Do 14
Performing with Different Tones in the Left and Right
Sides of the Keyboard (Split Play)......................................... 45
Switching Tone Groups and Tone Variations ..............46
Getting Ready to Play................................................................18
Connecting the Speaker Cable..........................................18
Determining the Volume of a Muted Part ....................55
Adjusting the Volume of the Audio Data and Music
CDs ..............................................................................................55
Changing the Tempo of a Song............................................56
Playing Back at a Fixed Tempo (Tempo Mute)............56
Listening through Headphones ............................................23
Installing the Floppy Disk Drive ........................................24
Connecting a CD Drive .........................................................24
Cancel)............................................................................................59
Listening to Piano Designer Demo Songs.....................27
Performing ......................................... 28
Recording Your Playing Along with a Song...................... 66
Erasing Recorded Performances...........................................69
Performing with a Variety of Sounds...................................28
Saving Your Performance ................. 70
Saving and Copying ..................................................................72
Saving the Songs You Record................................................73
Deleting a Song ..........................................................................75
Copying a Song...........................................................................77
(3D Sound Control) ....................................................................33
Adding Liveliness to the Sound
(Dynamics Sound Control) ......................................................34
Adding Reverberation to Sounds (Reverb Effect)...........35
Changing the Depth of Reverb Effect.............................35
Adding a Variety Effects to the Sound (Effects) ...............36
Editing the Effect Settings...................................................36
6
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Switching VIMA TUNES Recommended Tones
Changing the Language Displayed in the Screen
Restoring the Settings to the Factory Condition
Disabling the Buttons (Panel Lock)..................................91
Matching the Pitch with Other Instruments
(Master Tuning).......................................................................80
Equalizer Settings .......................................................................81
Song Playback Settings ............................................................82
Using the [Accomp] Button to Switch the Part to be
Muted (Accomp Track) .........................................................82
Connecting Speakers to the LX-10 and Outputting
Sounds .......................................................................................92
Playing Sounds of an Audio Device
Changing the CD Settings .......................................................83
(CD/Audio Type) .....................................................................83
Connecting to MIDI Devices...................................................94
Producing Sounds from a MIDI Sound Module
Accompaniment (CD/Audio Sync)...................................83
Changing the Sound of the Metronome
(Metronome Pattern) ............................................................83
Connecting a Computer..........................................................95
(Countdown)............................................................................84
(Countdown Sound)..............................................................84
(Countdown Part)...................................................................84
Keyboard Settings ......................................................................84
(Transpose Mode)...................................................................84
Shift) ............................................................................................84
Changing the Velocity When the Key Touch is Set to
Changing How the Pedal Effects Are Applied
Changing How the Pedals Work
(Center/Left Pedal Func)......................................................85
Sequencer (Local Control)...................................................85
Other Settings..............................................................................86
Specifying the V-LINK Transmission Channel ..............87
Changing the USB Driver Settings (USB Driver) ..........87
Changing the External Memory Setting
(Ext. Memory Mode) ..............................................................87
Adjusting the Volume (Master Gain)...............................88
Changing How Grand Space is Applied (3D Mode)...88
Changing the Parts Assigned to the Track Buttons
During SMF Playback (Track Assign) ...............................88
7
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USING THE UNIT SAFELY
The
symbol alerts the user to important instructions or
Used for instructions intended to alert the
user to the risk of death or severe injury
should the unit be used improperly.
warnings.The specific meaning of the symbol is
determined by the design contained within the triangle. In
the case of the symbol at left, it is used for general
cautions, warnings, or alerts to danger.
Used for instructions intended to alert the
user to the risk of injury or material
damage should the unit be used
improperly.
The
symbol alerts the user to items that must never be
carried out (are forbidden). The specific thing that must
not be done is indicated by the design contained within
the circle. In the case of the symbol at left, it means that
the unit must never be disassembled.
* Material damage refers to damage or
other adverse effects caused with
respect to the home and all its
furnishings, as well to domestic animals
or pets.
The ● symbol alerts the user to things that must be
carried out. The specific thing that must be done is
indicated by the design contained within the circle. In the
case of the symbol at left, it means that the power-cord
plug must be unplugged from the outlet.
Do not disassemble or modify
Connect the power cord to an outlet of the correct
voltage
002a
Do not open or perform any internal modifications on
the unit.
008a
The unit should be connected to a power supply only
of the type described in the operating instructions, or
as marked on the rear side of unit.
.................................................................................................................................
Do not repair or replace parts
003
.................................................................................................................................
Do not attempt to repair the unit, or replace parts
Use only the included power cord
008e
within it (except when this manual provides specific
instructions directing you to do so). Refer all servicing
to your retailer, the nearest Roland Service Center, or
an authorized Roland distributor, as listed on the
“Information” page.
Use only the attached power-supply cord. Also, the
supplied power cord must not be used with any other
device.
.................................................................................................................................
.................................................................................................................................
Do not bend the power cord or place heavy
objects on it
Do not use or store in the following types of
locations
004
009
Do not bend the power cord excessively, or place
heavy objects on the power cord. Doing so will
damage the power cord, and may cause short circuits
or faulty connections, possibly resulting in fire or
electrical shock.
•
•
Subject to temperature extremes (e.g., direct
sunlight in an enclosed vehicle, near a heating
duct, on top of heat-generating equipment); or are
Damp (e.g., baths, washrooms, on wet floors); or
are
.................................................................................................................................
Avoid extended use at high volume
•
•
•
•
•
•
Exposed to steam or smoke; or are
Subject to salt exposure; or are
Humid; or are
010
Do not excessively twist or bend the power cord, nor
place heavy objects on it. Doing so can damage the
cord, producing severed elements and short circuits.
Damaged cords are fire and shock hazards!
Exposed to rain; or are
Dusty or sandy; or are
.................................................................................................................................
Subject to high levels of vibration and shakiness.
Do not insert foreign objects
.................................................................................................................................
011
Do not place in an unstable location
Do not allow any objects (e.g., flammable material,
coins, pins); or liquids of any kind (water, soft drinks,
etc.) to penetrate the unit.
007
Make sure you always have the unit placed so it is
level and sure to remain stable. Never place it on
stands that could wobble, or on inclined surfaces.
.................................................................................................................................
.................................................................................................................................
8
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USING THE UNIT SAFELY
Turn off the power if an abnormality or
malfunction occurs
Do not place containers of water on the unit
026
Do not put anything that contains water (e.g., flower
012a
vases) on this unit. Also, avoid the use of insecticides,
perfumes, alcohol, nail polish, spray cans, etc., near
the unit. Swiftly wipe away any liquid that spills on
the unit using a dry, soft cloth.
Immediately turn the power off, remove the power
cord from the outlet, and request servicing by your
retailer, the nearest Roland Service Center, or an
authorized Roland distributor, as listed on the “Infor-
mation” page when:
.................................................................................................................................
•
The power-supply cord or the plug has been
damaged; or
•
•
If smoke or unusual odor occurs
Objects have fallen into, or liquid has been spilled
onto the unit; or
•
•
The unit has been exposed to rain (or otherwise
has become wet); or
The unit does not appear to operate normally or
exhibits a marked change in performance.
.................................................................................................................................
Do not allow children to use without supervision
013
In households with small children, an adult should
provide supervision until the child is capable of
following all the rules essential for the safe operation
of the unit.
.................................................................................................................................
Do not drop or subject to strong impact
014
Protect the unit from strong impact.
(Do not drop it!)
.................................................................................................................................
Do not share an outlet with an unreasonable
number of other devices
015
Do not force the unit’s power-supply cord to share an
outlet with an unreasonable number of other
devices. Be especially careful when using extension
cords—the total power used by all devices you have
connected to the extension cord’s outlet must never
exceed the power rating (watts/amperes) for the
extension cord. Excessive loads can cause the
insulation on the cord to heat up and eventually melt
through.
.................................................................................................................................
Do not use overseas
016
Before using the unit in a foreign country, consult
with your retailer, the nearest Roland Service Center,
or an authorized Roland distributor, as listed on the
“Information” page.
......................................................................................
Do not use a CD-ROM in an audio CD player or
DVD player
023
If you attempt to play back a CD-ROM in a conventional
audio CD player or DVD player, the resulting high
volume may damage your hearing or your speakers.
.................................................................................................................................
9
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USING THE UNIT SAFELY
Place in a well ventilated location
Unplug the power cord from the AC outlet before
cleaning
101a
The unit should be located so that its location or
position does not interfere with its proper venti-
lation.
109a
Before cleaning the unit, turn off the power and
unplug the power cord from the outlet(p. 18).
.................................................................................................................................
.................................................................................................................................
If there is a possibility of lightning strike,
110a
Grasp the plug when connecting or disconnecting
the power cord
102b
Always grasp only the plug on the power-supply cord
Whenever you suspect the possibility of lightning in
your area, pull the plug on the power cord out of the
outlet.
when plugging into, or unplugging from, an outlet or
this unit.
.................................................................................................................................
.................................................................................................................................
Periodically wipe the dust off the power cord plug
Cautions when opening/closing the lid
116
103a
At regular intervals, you should unplug the power
Be careful when opening/closing the lid so you do
plug and clean it by using a dry cloth to wipe all dust
and other accumulations away from its prongs. Also,
disconnect the power plug from the power outlet
whenever the unit is to remain unused for an
not get your fingers pinched (p. 19). Adult super-
vision is recommended whenever small children use
the unit.
.................................................................................................................................
extended period of time. Any accumulation of dust
between the power plug and the power outlet can
result in poor insulation and lead to fire.
Keep small items out of the reach of children
118c
To prevent small items such as the following from
.................................................................................................................................
being swallowed accidentally, keep them out of the
reach of children.
Manage cables for safety
104
Try to prevent cords and cables from becoming
•
Included items
entangled. Also, all cords and cables should be
placed so they are out of the reach of children.
.................................................................................................................................
•
•
Screws for assembling the stand
Wing nut for headphone hook
•
Removed parts
•
•
Do not stand or place heavy objects on this unit
Volume knob
Brilliance knob
106
Never climb on top of, nor place heavy objects on the
unit.
.................................................................................................................................
.................................................................................................................................
Do not connect or disconnect the power cord with
wet hands
107b
Never handle the power cord or its plugs with wet
hands when plugging into, or unplugging from, an
outlet or this unit.
.................................................................................................................................
Cautions when moving this unit
108d
If you need to move the instrument, take note of the
precautions listed below. At least two persons are
required to safely lift and move the unit. It should be
handled carefully, all the while keeping it level. Make
sure to have a firm grip, to protect yourself from
injury and the instrument from damage.
1
•
Check to make sure the screws securing the unit to
the stand have not become loose. Fasten them
again securely whenever you notice any loosening.
2
3
4
5
•
•
•
•
Disconnect the power cord.
Disconnect external devices.
Raise the adjuster of the stand (p. 22).
Close the lid and top board.
.................................................................................................................................
10
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Important Notes
358
•
Power Supply
Do not allow objects to remain on top of the keyboard. This
can be the cause of malfunction, such as keys ceasing to
produce sound.
301
•
Do not connect this unit to same electrical outlet that is being
used by an electrical appliance that is controlled by an inverter
(such as a refrigerator, washing machine, microwave oven, or
air conditioner), or that contains a motor. Depending on the
way in which the electrical appliance is used, power supply
noise may cause this unit to malfunction or may produce
audible noise. If it is not practical to use a separate electrical
outlet, connect a power supply noise filter between this unit
and the electrical outlet.
359
•
Do not paste stickers, decals, or the like to this instrument.
Peeling such matter off the instrument may damage the
exterior finish.
add
•
This unit is designed to be stable. However, if you are placing
it at a distance from the wall, please install the included anti-
tipping hardware to ensure maximum safety.
For details on installing the anti-tipping hardware, refer to the
assembly leaflet.
307
•
Before connecting this unit to other devices, turn off the
power to all units. This will help prevent malfunctions and/or
damage to speakers or other devices.
Maintenance
308
•
Although the LCD and LEDs are switched off when the POWER
switch is switched off, this does not mean that the unit has
been completely disconnected from the source of power. If
you need to turn off the power completely, first turn off the
POWER switch, then unplug the power cord from the power
outlet. For this reason, the outlet into which you choose to
connect the power cord’s plug should be one that is within
easy reach and readily accessible.
•
Since your piano has a polished finish that is as delicate as that
found on finely crafted wooden furniture, it needs careful,
periodic care. A few important suggestions concerning the
proper care of the unit follow.
•
For dusting, using a soft, clean cloth and/or piano-use
feather duster. Be sure to wipe gently. Even the tiniest
grains of sand or grit can leave scratches on the surface if
too much force is applied while wiping. Do not use any
cleaners or detergents, since they might deteriorate the
surface of the cabinet, and produce cracks.
Placement
351
•
•
Do not use any cleaners or detergents, since they might
deteriorate the surface of the cabinet, and produce cracks.
Do not use dusting cloths that contain chemicals.
Using the unit near power amplifiers (or other equipment
containing large power transformers) may induce hum. To
alleviate the problem, change the orientation of this unit; or
move it farther away from the source of interference.
401b
•
To clean other part, use a dry, soft cloth; or one that is slightly
dampened. Try to wipe the entire surface using an equal
amount of strength, moving the cloth along with the grain of
the wood. Rubbing too hard in the same area can damage the
finish.
352a
•
This device may interfere with radio and television reception.
Do not use this device in the vicinity of such receivers.
352b
•
Noise may be produced if wireless communications devices,
402
•
such as cell phones, are operated in the vicinity of this unit.
Such noise could occur when receiving or initiating a call, or
while conversing. Should you experience such problems, you
should relocate such wireless devices so they are at a greater
distance from this unit, or switch them off.
Never use benzine, thinners, alcohol or solvents of any kind, to
avoid the possibility of discoloration and/or deformation.
403
•
The pedals of this unit are made of brass.
Brass eventually darkens as the result of the natural
oxidization process. If the brass becomes tarnished, polish it
using commercially available metal polisher.
354b
•
Do not expose the unit to direct sunlight, place it near devices
that radiate heat, leave it inside an enclosed vehicle, or
otherwise subject it to temperature extremes. Also, do not
allow lighting devices that normally are used while their light
source is very close to the unit (such as a piano light), or
powerful spotlights to shine upon the same area of the unit
for extended periods of time. Excessive heat can deform or
discolor the unit.
Repairs and Data
452
•
Please be aware that all data contained in the unit’s memory
may be lost when the unit is sent for repairs. Important data
should always be backed up on a USB memory, or written
down on paper (when possible). During repairs, due care is
taken to avoid the loss of data. However, in certain cases (such
as when circuitry related to memory itself is out of order), we
regret that it may not be possible to restore the data, and
Roland assumes no liability concerning such loss of data.
355b
•
When moved from one location to another where the
temperature and/or humidity is very different, water droplets
(condensation) may form inside the unit. Damage or
malfunction may result if you attempt to use the unit in this
condition. Therefore, before using the unit, you must allow it
to stand for several hours, until the condensation has
completely evaporated.
356
•
Do not allow rubber, vinyl, or similar materials to remain on
the unit for long periods of time. Such objects can discolor or
otherwise harmfully affect the finish.
11
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Important Notes
Additional Precautions
Floppy Disk Handling
(Using Optional Floppy Disk Drive)
551
•
Please be aware that the contents of memory can be
irretrievably lost as a result of a malfunction, or the improper
operation of the unit. To protect yourself against the risk of
loosing important data, we recommend that you periodically
save a backup copy of important data you have stored in the
unit’s memory on a USB memory.
651
•
Floppy disks contain a plastic disk with a thin coating of
magnetic storage medium. Microscopic precision is required
to enable storage of large amounts of data on such a small
surface area. To preserve their integrity, please observe the
following when handling floppy disks:
552
•
•
•
Never touch the magnetic medium inside the disk.
Do not use or store floppy disks in dirty or dusty areas.
Do not subject floppy disks to temperature extremes (e.g.,
direct sunlight in an enclosed vehicle). Recommended
temperature range: 10–50 degrees C (50–122 degrees F).
Do not expose floppy disks to strong magnetic fields, such
as those generated by loudspeakers.
•
Unfortunately, it may be impossible to restore the contents of
data that was stored on a internal memory or a USB memory
once it has been lost. Roland Corporation assumes no liability
concerning such loss of data.
553
•
Use a reasonable amount of care when using the unit’s
buttons, sliders, or other controls; and when using its jacks
and connectors. Rough handling can lead to malfunctions.
•
652
•
Floppy disks have a “write protect” tab which can protect the
disk from accidental erasure. It is recommended that the tab
be kept in the PROTECT position, and moved to the WRITE
position only when you wish to write new data onto the disk.
554
•
Never strike or apply strong pressure to the display.
555
•
A small amount of noise may be heard from the display during
normal operation.
fig.DiskProtect.e.eps
556
•
When connecting / disconnecting all cables, grasp the
connector itself—never pull on the cable. This way you will
avoid causing shorts, or damage to the cable’s internal
elements.
Rear side of the disk
Write
(can write new data onto disk)
557
•
A small amount of heat will radiate from the unit during
normal operation.
Write Protect Tab
Protect
(prevents writing to disk)
558a
•
To avoid disturbing your neighbors, try to keep the unit’s
653
volume at reasonable levels. You may prefer to use
headphones, so you do not need to be concerned about those
around you (especially when it is late at night).
•
The identification label should be firmly affixed to the disk.
Should the label come loose while the disk is in the drive, it
may be difficult to remove the disk.
559b
654
•
When you need to transport the unit, pack it in shock-
•
Store all disks in a safe place to avoid damaging them, and to
protect them from dust, dirt, and other hazards. By using a
dirty or dust-ridden disk, you risk damaging the disk, as well as
causing the disk drive to malfunction.
absorbent material. Transporting the unit without doing so
can cause it to become scratched or damaged, and could lead
to malfunction.
560
•
Do not apply undue force to the music stand while it is in use.
562
•
Some connection cables contain resistors. Do not use cables
that incorporate resistors for connecting to this unit. The use
of such cables can cause the sound level to be extremely low,
or impossible to hear. For information on cable specifications,
contact the manufacturer of the cable.
565
•
Before opening or closing the keyboard lid, always make sure
that no pets or other small animals are located on top of the
instrument (in particular, they should be kept away from the
keyboard and its lid). Otherwise, due to the structural design
of this instrument, small pets or other animals could end up
getting trapped inside it. If such a situation is encountered,
you must immediately switch off the power and disconnect
the power cord from the outlet. You should then consult with
the retailer from whom the instrument was purchased, or
contact the nearest Roland Service Center.
Add
•
The horizontal bars that connect the main unit to the bottom
of the front legs are quite strong; however for safety’s sake,
please do not allow children to get on them.
12
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Important Notes
USB Memory Handling
(Using Optional USB Memory)
Handling the CDs (CD-ROMs)
(Using Optional CD-Drive)
704
Add
•
When connecting USB memory, firmly insert it all the way in.
•
When handling the discs, please observe the following.
705
•
•
•
•
Do not touch the encoded surface of the disc.
Do not use in dusty areas.
Do not touch the pins of the USB memory connector, or allow
them to become dirty.
Do not leave the disc in direct sunlight or an enclosed
vehicle.
708
•
USB memory is made using high-precision electronic
components, so please observe the following points when
handling it.
801
•
Avoid touching or scratching the shiny underside (encoded
surface) of the disc. Damaged or dirty CD-ROM discs may not
be read properly. Keep your discs clean using a commercially
available CD cleaner.
•
To prevent damage from static electrical charges,
discharge any static electricity that might be present in
your body before handling USB memory.
Do not touch the terminals with your fingers or any metal
object.
Add
•
Add
•
Add
•
Add
•
•
•
•
Keep the disc in the case.
Do not keep the disc in the CD drive for a long time.
Do not put a sticker on the label of the disc.
Do not bend or drop USB memory, or subject it to strong
impact.
Do not leave USB memory in direct sunlight or in locations
such as a closed-up automobile. (Storage temperature: 0–
50 degrees C)
Wipe the disc with a soft and dry cloth radially from inside to
outside. Do not wipe along circumference.
Add
•
•
Do not allow USB memory to become wet.
Do not disassemble or modify USB memory.
•
Do not use benzine, record cleaner spray or solvents of any
kind.
Addition
Add
•
When connecting USB memory, position it horizontally with
the external memory connector and insert it without using
excessive force. The external memory connector may be
damaged if you use excessive force when inserting USB
memory.
•
Do not bend the disc. Bending discs may prevent proper
reading and writing of data, and may further result in
malfunction.
Addition
•
Do not insert anything other than USB memory (e.g., wire,
coins, other types of device) into the external memory
connector. Doing so will damage the external memory
connector.
Addition
•
Do not apply excessive force to the connected USB memory.
Addition
•
If you will not be using USB memory for an extended period of
time, close the USB memory cover.
203
*
GS (
) is a registered trademark of Roland
Corporation.
Add
*
XGLite (
) is a registered trademark of Yamaha
Corporation.
220
*
All product names mentioned in this document are
trademarks or registered trademarks of their respective
owners.
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Names of Things and What They Do
1
2
3
4
5
6
7
8
9
10
11
12
13
Front Panel
1
8
[Power] switch
[Transpose] button
Turns the power on/off (p. 20).
Transposes the keyboard and/or song (p. 38).
By holding down this button and pressing the [Split]
the two sounds when using Dual play (p. 44).
2
[Volume] knob
Adjusts the overall volume of the LX-10 (p. 21).
If headphones are connected, this adjusts the
headphone volume (p. 23).
9
[Split] button
Divides the keyboard into right-hand and left-hand
area (p. 45).
3
4
5
[Brilliance] knob
Adjusts the tone brightness (p. 21).
10
[Twin Piano] button
[V-LINK] button
allowing two people to perform in the same registers
(p. 40).
Turns V-LINK on/off (p. 86).
[Effects] button
Lets you apply a variety of effects to the sound (p.
36).
11
12
Tone buttons
Here you can select the sound you’ll hear when you
play the keyboard (p. 28).
You can also set a number of different functions
when this button and the [3D] button are held down
(p. 79).
[Metronome/Count In] button
Turns the metronome on/off (p. 48).
6
7
[3D] button
This also lets you sound a count before the song
begins, so that you can match the timing of your
playing to the song (p. 49).
Adds a sense of depth to the sound (p. 33).
By holding down this button and pressing the
[Reverb] button to change the setting, you can make
the sound more expressive (p. 34).
13
[Piano Designer] button
Here you can adjust the character of the piano sound
to your taste by modifying parameters such as the
sympathetic resonances of the piano strings (p. 29).
[Reverb] button
Adds reverberation similar to what you would hear
when performing in a concert hall (p. 35).
14
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Names of Things and What They Do
15
16
17 18
19 20
21
22 23
24
14
14
15
20
Display
[
] (Rec) button
This shows the sound name, song number, tempo,
time signature, and the value of various settings.
LX-10 (p. 60).
21
[Tempo/Beat] (▲) button
Track buttons
Here you can adjust the tempo and time signature of
the metronome (p. 48).
You can use these buttons to play back or record
your performance separately for each hand (p. 54,
The right-hand performance of internal preset songs
performance to the [Left] button, and the remaining
parts of the performance to the [Accomp] button.
16
17
This lets you select the song to play back (p. 50).
[
] (–) button
You can select the preceding song by pressing this
button while the song select screen is displayed (p.
50).
22
23
24
[Key Touch] button
This lets you adjust the touch sensitivity of the
keyboard (p. 32).
If you hold down this button while a song is playing,
the song will be rewound (p. 51).
You can listen to the demo songs by holding down
Use this button to select variations of the sound
you’re playing on the keyboard (p. 28).
[File] button
This button is also used to edit various values.
This lets you save a recorded song in internal
memory or in USB memory (p. 73).
18
[
] (+) button
You can also copy songs between internal memory
and USB memory (p. 77).
You can select the next song by pressing this button
while the song select screen is displayed (p. 50).
If you hold down this button while a song is playing,
the song will be fast-forwarded (p. 51).
[Display Contrast] knob
This adjusts the brightness of the screen (p. 21).
you’re playing on the keyboard (p. 28).
19
[
] (Play/Stop) button
Use this button to play/stop an internal preset song
or a song you’ve recorded (p. 50).
This button is also used to begin recording your
performance (p. 60).
15
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Names of Things and What They Do
Bottom Panel (Rear)
fig.Rearpanel.eps
25
26
27
28
25
26
27
28
Input jacks (L/Mono, R)
Pedal connector
Here you can connect an audio device or another
electronic musical instrument, and listen to the
93).
Connect the pedal cord of the dedicated stand to this
connector (p. 18).
Ac In (AC Inlet)
Connect the included power cord here (p. 18).
Output jacks (L/Mono, R)
You can connect an audio device or external
powered speakers here to reproduce the LX-10’s
sound (p. 92).
Bottom Panel (Front Bottom Left)
fig.JackPanel.eps
29
31
32
30
29
30
31
32
Phones jacks
USB connector
you use two sets of headphones simultaneously (p.
23).
You can connect this to your computer for
Input jacks (L/Mono, R)
MIDI Out/In connectors
Here you can connect an audio device or another
electronic musical instrument, and listen to the
connected device through the LX-10’s speakers (p.
93).
You can connect these to external MIDI devices to
transfer performance data (p. 94).
16
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Names of Things and What They Do
Bottom Panel (Front Right)
fig.ExtMemoryPort.eps
33
33
External Memory connector
Here you can connect USB memory, a floppy disk
drive, or a CD drive, and play back stored songs (p.
50). You can also use USB memory to save a song
you’ve recorded on the LX-10 (p. 73).
By rotating the base you can neatly store the USB
memory or USB cable.
*
CD drives that draw their power from the USB connector
cannot be used.
17
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Before You Play
Connecting the Power Cord
Getting Ready to Play
1. Make sure that the [Power] switch located at
the left side of the front panel is off (in the
Before connecting cables to the bottom panel (the
back edge of the LX-10’s bottom), you’ll need to
remove the rear board upper.
upward position).
fig.PowerOff-e.eps
To remove the rear board upper, remove the three
screws from the locations shown in the illustration.
Upward
position
OFF
Rear Board Upper
2. Turn the [Volume] knob all the way toward
the left to minimize the volume.
3. Connect the included power cord to the AC In
(AC Inlet) located at the rear of the bottom
panel.
Connecting the Speaker Cable
Plug the speaker cable extending from the stand
into the SPEAKER connector located at the rear of
the LX-10’s bottom panel.
4. Plug the other end of the power cord into an
AC outlet.
fig.PowerCord.eps
Pay attention to the shape of the speaker cable’s
connector, and insert it until you hear it click
securely into place.
fig.SpeakerCable.eps
3
Connecting the Pedal Cord
4
Plug the pedal cord extending from the stand into
the Pedal connector located at the rear of the LX-
10’s bottom panel.
fig.PedalCord.eps
NOTE You must use the power cord included with the LX-10.
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Before You Play
Opening/Closing the Top Lid
Opening/Closing the Lid
To open the lid, use both hands to lift it lightly.
NOTE The top lid must be opened or closed by an adult.
The lid of the LX-10 is designed to close softly even if
Do not force the top lid backward; doing so will
NOTE
NOTE
you remove your hands from it. However, it will close
damage it.
quite abruptly if it has been opened only slightly. Be
careful not to pinch your fingers.
NOTE Be careful not to pinch your fingers.
Opening the Top Lid
1. To open thelid, use both hands to lift it.
1. Lift up the top lid.
2. Raise the topstick located at the right edge.
3. Gently lower the top lid.
2. To close the lid, use both hands to gently
lower it.
Closing the Top Lid
1. Lift up the top lid.
2. Fold down the topstick.
3. Gently lower the top lid.
If you need to move the piano, make sure the lid is
NOTE
closed first to prevent accidents.
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Before You Play
Using the Music Rest
Turning the Power On/Off
You can place music books or sheet music on the top edge of the
opened lid.
941
Once you’ve got everything connected properly, you
can turn on the power using the following procedure. If
you fail to perform these steps in the correct order, you
risk causing a malfunction or damaging your speakers.
NOTE
Turning the Power On
1. Turn the [Volume] knob all the way toward
the left to minimize the volume.
fig.VolumeMin-e.eps
2. Press the [Power] switch.
fig.PowerOn.eps
Tips for Placing Music
Lower
position
•
•
•
Insert the sheet music into the groove on the top edge of the
lid.
ON
Crease sheet music so that it will stay open.
If this does not work, use paper clips to secure it.
If the sheet music is thin, attach it to a clipboard before
placing it on the music Rest.
The power will turn on. The [Piano] button will light.
After a brief interval, you’ll be able to produce sounds by
942
Due to a circuitry protection feature, this unit requires a
NOTE few moments after power is turned on before it is
ready for normal operation.
3. Use the [Volume] knob to adjust the volume
(p. 21).
20
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Before You Play
Turning the Power Off
Adjusting the Brightness of
the Display
1. Turn the [Volume] knob all the way toward
the left to minimize the volume.
fig.VolumeMin-e.eps
You can adjust the brightness of the LX-10’s display.
fig.Contrast-e.eps
2. Press the [Power] switch.
The screen goes blank and the power is turned off.
fig.PowerOff-e.eps
1. To adjust the brightness, turn the [Display
Contrast] knob located at the right of the
front panel.
Upward
position
OFF
Cautions Regarding the LCD Display
•
You may notice something like vertical lines in the screen,
but this is due to the characteristics of a liquid crystal display,
and is not a malfunction.
945
If you need to turn off the power completely, first turn
NOTE
off the [Power] switch, then unplug the power cord
from the power outlet. Refer to “Power Supply” (p. 11).
You can minimize this by using the [Display Contrast] knob
to adjust the brightness of the screen.
•
The brightness may be affected by the temperature.
Adjusting the Sound’s
Volume and Brilliance
Here’s how to adjust the volume of your keyboard playing or the
playback volume of an internal song or USB memory song.
If headphones are connected, use the [Volume] knob to adjust
the headphone volume.
1. Turn the [Volume] knob to adjust the overall
volume.
Adjust the volume while you play the keyboard to produce
sound.
Turning the knob toward the right will increase the volume,
and turning it toward the left will decrease the volume.
2. Turn the [Brilliance] knob to adjust the
brightness of the sound.
Turning the knob toward the right will make the sound
brighter, and turning it toward the left will make the sound
more mellow.
fig.VolBri-e.eps
Min
Max
Mellow
Bright
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Before You Play
About the Adjuster
About the Pedals
If you feel that the pedal is unstable (for example if you’ve moved
the LX-10 to a different location), you can adjust the adjuster
located on the bottom of the pedals as follows.
The pedals perform the following operations. You’ll use them
mainly when playing piano.
fig.Pedals-e.eps
•
Turn the adjuster to lower it until the adjuster is in firm
contact with the floor. The pedal may be damaged if there is
a gap between the adjuster and the floor. In particular, when
you’ve placed the LX-10 on carpet, you must turn the
adjuster until it is pressing firmly against the floor.
Damper Pedal
Sostenuto Pedal
Soft Pedal
Damper Pedal (right pedal)
Use this pedal to sustain the sound.
While this pedal is held down, notes will be sustained for an
extended time even if you release your fingers from the
keyboard.
The length of sustain will change subtly depending on how
deeply you press the pedal.
Adjuster
When you press the damper pedal of an acoustic piano, a slight
noise is heard when the damper frees the strings, and a richly
spacious resonance is added by the strings that vibrate in
sympathy with the strings of the notes you actually play. The LX-
10 replicates the sound created when the damper releases the
string (“damper noise”) and the sympathetic vibration (“damper
resonance”).
You can modify the sound of the damper releasing the
string and the sound of the sympathetic vibration.
Refer to the Piano Designer function (p. 29) settings
“Damper Noise” and “Damper Resonance.”
Sostenuto Pedal (center pedal)
The notes you are pressing when this pedal is depressed will be
sustained.
Soft Pedal (left pedal)
This pedal is used to make the sound softer.
strength. This is the same function as the left pedal of an acoustic
piano.
The softness of the tone can be varied subtly by the depth to
which you press the pedal.
You can switch the function of the sostenuto pedal.
Refer to “Changing How the Pedals Work (Center/Left
Pedal Func)” (p. 85).
If you disconnect the pedal cable from the LX-10 while
the power is turned on, the pedal effect will remain
NOTE
applied. You must connect or disconnect the pedal
cable while the LX-10’s power is switched off.
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Before You Play
Using the Headphone Hook
Listening through
Headphones
Whenever you are not using the headphones, you can hang
them on the headphone hook of the LX-10.
You can use headphones to enjoy the LX-10 without disturbing
those around you, such as at night. Since the LX-10 has two
headphone jacks, two people can also use headphones
simultaneously.
Attaching the Headphone Hook
1. Press and twist the headphone hook
included with the LX-10 into the hole in the
bottom left of the LX-10 (refer to the figure
above).
If you’re using only one set of headphones, you may connect
them to either of the two headphone jacks.
fig.Headphones.eps
2. Turn the headphone hook wing nut to secure
the headphone hook.
Headphones
Wing Nut
Headphone Hook
Do not hang anything other than headphones on the
1. Plug the headphones into the Phones jack
located at the left of front side bottom of the
LX-10’s bottom panel.
NOTE
headphone hook. Doing so may damage the
instrument or the hook.
If headphones are connected, a headphone symbol is
shown in the lower left of the screen.
If headphones are connected, no sound will be output
from the LX-10’s speakers.
fig.PhonesMark.eps
2. Use the LX-10’s [Volume] knob (p. 21) to
adjust the headphone volume.
Cautions when Using Headphones
•
•
•
•
To prevent damage to the cord’s internal conductors, avoid
rough handling. When using headphones, mainly try to
handle either the plug or the headset.
Your headphones may be damaged if the volume of a device
is already turned up when you plug them in. Minimize the
volume before you plug in the headphones.
Excessive input will not only damage your hearing, but may
also strain the headphones. Please enjoy music at an
appropriate volume.
Use headphones that have a stereo 1/4” phone plug.
23
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Before You Play
Using External Memory
Using CD
A song you’ve recorded on the LX-10 can be saved by copying it
to separately sold USB memory (p. 77). You can also copy songs
to a disk using a separately sold floppy disk drive.
You can play back audio CDs and CD-ROMs containing saved
SMF music files.
*
You can also play songs on VIMA CD-ROMs (VIMA TUNES)
sold by Roland.
SMF Music files or audio data saved on USB memory or floppy
disk can also be played back (p. 50).
Precautions Concerning Use of the CD
Use USB memory and floppy disk drive available from
NOTE
Roland. Proper operation cannot be guaranteed if
other USB device is used.
•
•
CDs that contain both music tracks and data will not play
correctly.
The LX-10 is capable of playing back only commercial CDs
that conform the official standards-those that carry the
“COMPACT disc DIGITAL AUDIO” logo.
Connecting USB Memory
1. Connect the USB memory to the External
Memory connector.
fig.ConnectUSBMem.eps
•
•
•
The usability and sound quality of audio discs that
incorporate copyright protection technology and other non-
standard CDs cannot be guaranteed.
For more detailed information on audio discs featuring
copyright protection technology and other non-standard
CDs, please consult the disc vendor.
You cannot save songs to CDs, and you cannot delete songs
recorded to CDs. Furthermore, you cannot format CDs.
931
Connecting a CD Drive
Carefully insert the USB memory all the way in—until it is
firmly in place.
*
The LX-10 does not support CD drives that are powered by
the USB bus. If you use a USB-bus-powered CD drive, you
must use the power supply included with the CD drive so
that the drive will operate under its own power.
If you’re using new USB memory or floppy disk, you’ll
need to initialize (format) it on the LX-10. For details,
refer to “Initializing the Memory” (p. 70).
1. Switch off the power to the LX-10 and the CD
drive to be connected.
Installing the Floppy Disk Drive
Attach the floppy disk drive as shown the figure, using the
mounting holes on the LX-10’s bottom panel.
2. Connect the USB cable included with the CD
drive to the External Memory connector on
the LX-10.
*
For details of the attachment, refer to the owner’s
manual of the floppy disk drive.
3. Turn on the power to the LX-10.
4. Turn on the power to the connected CD drive.
For information on how to perform the following CD-
NOTE
drive operations, refer to the owner’s manual for the
drive.
• Switching the power on and off
• Inserting and ejecting a CD
A list of the CD drives that have been tested and found
to be compatible is available on the Roland website.
http://www.roland.com/
24
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Listening to Demo Songs
Listening to the Tone Demo Songs
Now, try listening to demo songs.
The LX-10 comes with seven demo songs.
The six Tone buttons and the [Twin Piano] button are each assigned one demo song.
981a
All rights reserved. Unauthorized use of this material for purposes other than private, personal
enjoyment is a violation of applicable laws.
NOTE
NOTE
No MIDI data for the music that is played will be output.
fig.Panel-Demo-e.eps
1. Hold down the [Key Touch] button and press the [File] button.
The indicators for the Tone, [Twin Piano], and [Piano Designer] buttons flash.
The following appears in the display.
fig.d-Demo.eps
Button with tone demo
[Piano]
Demo content
Piano tone demo song
[E. Piano]
E. piano tone demo song
Organ tone demo song
[Organ]
[Strings]
Strings tone demo song
[Voice]
Demo song using Voice tones
Demo song using Guitar tones
Demo song using the Twin Piano function (p. 40)
[Others]
[Twin Piano]
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Listening to Demo Songs
When the following appears in the display
If there is the performance you recorded but have not yet saved, the following display will
appear if you attempt to select a song.
fig.d-SongDelete.eps
You cannot play back a demo song if memory contains an unsaved song.
If you want to delete your performance and play back the demo song, press the [ ] button.
If you don’t want to delete your performance, press the [
] button. If you want to save
your recorded performance, refer to “Saving the Songs You Record” (p. 73).
2. Press one of the six Tone buttons or the [Twin Piano] button.
The songs will play consecutively, starting with the demo song you selected.
The button for the song currently being played back flashes on and off.
When playback of the last song is reached, playback continues by returning to the first song and
playing that again.
The display will show the name of the currently playing demo song.
fig.d-DemoSongName.eps
3. To stop playback, press the flashing button.
4. Press the [Key Touch] button or the [File] button to exit Demo mode.
The indicators return to their previous state.
If a button is not flashing, it means that it has no demo song.
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Listening to Demo Songs
Listening to Piano Designer Demo Songs
Here’s how you can listen to the differences in various sounds created by the Piano Designer
function (p. 29).
1. Hold down the [Key Touch] button and press the [File] button.
The indicators for the Tone, [Twin Piano], and [Piano Designer] buttons flash.
The following appears in the display.
fig.d-Demo.eps
You can’t play back the demo songs if your recorded performance has not been saved. Either press
NOTE the [ ] button to erase your performance (p. 26), or press [
] button and save your recorded
performance (p. 73).
2. Press the [Piano Designer] button.
Several of the tone buttons at the left and the [Piano Designer] button will flash.
The piano designer demo screen appears.
fig.d-DemoPnoDsgn1.eps
3. Use the [▲] [▼] buttons to select the demo you want to hear.
4. Press the flashing tone button.
The demo corresponding to the button you pressed will play.
fig.d-DemoPnoDsgn2.eps
By repeating steps 3 and 4, you can listen to other demos.
5. Press the [Key Touch] button or the [File] button to exit Demo mode.
The indicators return to their previous state.
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Performing
Performing with a Variety of Sounds
The LX-10 features over 300 different internal sounds, allowing you to enjoy performing with
sounds suitable for many different types of music.
These onboard sounds are called “Tones.” The Tones are divided into six different groups,
each of which is assigned to a different Tone button.
The Tone “Grand Piano 1” is selected when the instrument’s power is turned on.
fig.Panel-Tones-e.eps
1. Press a Tone button to select a tone group.
You’ll hear the Tone assigned to Tone number 1 in the selected Tone Group. Try fingering the
keyboard.
The display will indicate the name and the number of the currently selected tone.
fig.d-Piano001.eps
2. Use the [-] [+] buttons to select a sound from the tone group.
The Tone you’ve selected is heard when you finger the keyboard.
The next time you select this Tone button, you’ll hear the tone you selected here.
fig.d-Piano003.eps
About the Tone name, refer to “Tone List” (p. 101).
NOTE For some sounds, there are keys that do not produce sound.
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Performing
Adjusting the Piano Sound to Your Taste (Piano Designer)
The LX-10 provides a “Piano Designer” function that lets you customize the piano sound by
adjusting aspects such as the sound of the sympathetically vibrating piano strings.
You can also save a favorite sound you’ve created (p. 89).
1. Press the [Piano Designer] button.
The [Piano Designer] button will light, and the Piano Designer screen appears.
The Tone “Grand Piano 1” is selected.
2. Use the [-] [+] buttons to select the setting you want to adjust, and press
the [
] button to enter the setting screen.
There are four Piano Designer screens.
fig.d-PianoDesigner.eps
3. Use the [▲] [▼] buttons to select the item you want to adjust.
4. Use the [-] [+] buttons to adjust the setting.
The lid setting can also be adjusted using the [▲] [▼] buttons.
5. Press the [Piano Designer] button to return to the previous screen.
6. Repeat steps 3–6 to adjust the piano sound to your taste.
7. Press the [Piano Designer] button to return to the tone select screen.
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Performing
Display
Lid
Parameter
Value
Description
Adjusts the extent to which the lid of the grand piano is open.
The sound will become more mellow as you close the lid of the piano in the screen.
The sound will become brighter as you open the lid of the piano in the screen.
Open/Close Lid
0–6
Fixed, Super Light,
Light, Medium,
Heavy, Super
Heavy
Adjusts the touch sensitivity of the keyboard.
If you select “Fixed,” notes will sound at a uniform volume regardless of how
strongly you play the keyboard.
Key Touch
This lets you make further detailed adjustments to the keyboard sensitivity as
appropriate for the strength of your fingers.
Key Touch Offset
-10–0–9
Higher settings will produce a heavier playing feel.
Keyboard
This adjusts the time from when you play a key until the piano sound is heard.
Higher settings will produce slower response. If this is OFF, the sound will be heard
as soon as you strike the key, regardless of how strongly you strike it.
Hammer Response Off, 1–10
This adjusts the sound produced when the hammer of an acoustic piano strikes the
string. Higher settings will produce a louder sound of the hammer striking the
string.
Hammer Noise
Master Tuning
-2–0–+2
415.3–440.0–
466.2 Hz
You can play classical styles such as Baroque using historic temperaments (tuning
methods).
Most modern songs are composed for and played in equal temperament, the most
common tuning in use today. But at one time, there were a wide variety of other
tuning systems in existence.
Equal, Just (Major),
Just (Minor),
Arabic,Kirnberger,
Meantone,
Temperament
By playing in the temperament that was in use when a composition was created,
you can experience the sonorities of chords originally intended for that song.
For details, refer to “Temperaments” (p. 31).
Pythagorean,
Werkmeister
Tuning
When playing with tuning other than equal temperament, you need to specify the
tonic note for tuning the song to be performed (that is, the note that corresponds
to C for a major key or to A for a minor key).
Tonic
C–B
If you choose an equal temperament, there’s no need to select a tonic note.
This lets you specify the amount of “stretched tuning,” a tuning method specifically
for pianos, in which the high range is tuned slightly sharper, and the low range is
tuned slightly flatter.
If you select “Preset,” a standard tuning curve created for the LX-10 will be used.
If you select “User,” you’ll be able to edit the stretched tuning yourself. Play the key
whose pitch you want to adjust, then use the [-] [+] buttons to adjust its pitch. (If
you adjust the “Preset” setting, the selection will change to “User.”)
Off, Preset, User
(User: -50–0–+50)
Stretch Tuning
This adjusts the damper resonance of the acoustic piano sound (the sympathetic
vibration produced in strings other than those actually played when you press the
damper pedal).
Damper
Resonance
Off, 1–10
Higher settings will make the sympathetic vibration louder.
This adjusts the damper noise of the acoustic piano sound (the sound of the
damper releasing the strings when you press the damper pedal).
Damper Noise
Duplex Scale
Off, 1–10
Off, 1–10
This adjusts the sympathetic vibrations of an acoustic piano’s Duplex Scale (p. 31).
Higher settings will make the sympathetic vibration louder.
Resonance
This adjusts the string resonance of the acoustic piano sound (the sympathetic
vibrations of strings for previously played notes that occur when you play another
note).
String Resonance
Off, 1–10
Higher settings will make the sympathetic vibration louder.
This adjusts sympathetic vibrations such as an acoustic piano’s key-off sound (the
subtle sound that occurs when you release a note).
Key Off Resonance Off, 1–10
Higher settings will make the sympathetic vibration louder.
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Performing
Temperaments
Temperament
Qualities
In this tuning, each octave is divided into twelve equal steps. Every interval
produces about the same amount of slight dissonance.
Equal
This tuning eliminates ambiguities in the fifths and thirds. It is unsuited to playing
melodies and cannot be transposed, but is capable of beautiful sonorities.
Just (Major)
The Just tunings differ from major and minor keys. You can get the same effect
with the minor scale as with the major scale.
Just (Minor)
Arabic
This tuning is suitable for the music of Arabia.
This is an improvement of the Meantone and Just tunings that provides a high
degree of freedom of modulation. Performances are possible in all keys (III).
Kirnberger
This scale makes some compromises in just intonation, enabling transposition to
other keys.
Meantone
This tuning, devised by the philosopher Pythagoras, eliminates dissonance in
fourths and fifths. Dissonance is produced by third-interval chords, but melodies
are euphonious.
Pythagorean
Werkmeister
This temperament combines the Meantone and Pythagorean tunings.
Performances are possible in all keys (first technique, III).
What is the Duplex Scale?
The Duplex Scale is a system of sympathetically vibrating strings sometimes included in
grand pianos.
These sympathetically vibrating strings are not struck directly with hammers, but sound by
vibrating in sympathy with the vibrations of other strings. By resonating with the overtones,
these strings add richness and brilliance to the sound. These sympathetic strings are added
only to the high register above approximately C4. Since they do not have a damper (a
mechanism that stops them from sounding), they will continue sounding even after you play
a note and then release it to stop the sound of the string that was actually struck.
Duplex scaling is often seen on expensive grand pianos, but some manufacturers do not use
it. It is rarely used on upright pianos.
Saving the Piano Designer Settings
The piano sound you create using Piano Designer will return to its original state when you
turn off the power. If you want to keep the sound you created so that it will be preserved
even when the power is off, execute the Memory Backup operation (p. 89) to save your
settings.
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Performing
Adjusting the Keyboard Sensitivity (Key Touch)
You can change the touch sensitivity, or response of the keys. You can adjust the keyboard
touch as appropriate for the playing strength of the person who is performing.
fig.Panel-KeyTouch-e.eps
1. Press the [Key Touch] button so it’s flash.
fig.d-KeyTouch.eps
2. Press the [-] [+] buttons to select the keyboard touch.
Indicate
Button color
Orange
Green
Description
The sound plays at one set volume, regardless of the force used to play the
keys.
Fixed
Super Light
Light
This setting produces the lightest keyboard touch.
You can achieve fortissimo (ff) play with a less forceful touch than usual, so the
keyboard feels lighter. This setting makes it easy to play, even for children.
Green
This sets the standard keyboard touch. You can play with the most natural
touch. This is the closest to the touch of an acoustic piano.
Medium
Heavy
Dark
Red
You have to finger the keyboard more forcefully than usual in order to play
fortissimo (ff), so the keyboard touch feels heavier. Dynamic fingering adds
Super Heavy Red
This setting produces the heaviest keyboard touch.
3. Press the [Key Touch] button so its illumination is turned off.
You can specify the volume at which the sound plays when the keyboard touch is set to “Fixed.”
Refer to “Changing the Velocity When the Key Touch is Set to “Fixed” (Fix Velocity)” (p. 84).
You can also specify the keyboard touch from the Piano Designer screen. There you can also make
more detailed settings for keyboard touch (p. 30).
You can use the Memory Backup function to store this setting in internal memory (p. 89).
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Performing
Adding Spatial Depth to the Sound (3D Sound Control)
The LX-10 provides a “3D Sound Control” function, which creates the sense of spatial depth
that you experience when playing a grand piano. This function adds the natural resonance
and spaciousness that are characteristic of an acoustic piano.
fig.Panel-3D-e.eps
1. Press the [3D] button so it’s lit.
The 3D Sound Control function will be turned on, and the sound will have more spatial depth.
2. While holding down the [3D] button, use the [-] [+] buttons to adjust the
spatial depth of the sound.
You can adjust the spatial depth over four levels.
Increasing the value will increase the spatial depth of the sound.
fig.d-3DType.eps
You can use the Memory Backup function to store this setting in internal memory (p. 89).
You can change the way in which the 3D Sound Control function is applied (p. 88).
NOTE 3D Sound Control cannot be applied to audio data or a music CD.
3D Sound Control does not affect the sound from the Input jack or the sound of external devices
NOTE
connected to the MIDI Out connector.
NOTE
NOTE
If the Piano Designer screen is displayed, 3D Sound Control will be turned off.
When you turn Twin Piano on, 3D Sound Control will be turned off.
If you use the Playback Transpose function (p. 58) or the Center Cancel function (p. 59) when a music
CD song or an audio file is selected, 3D Sound Control will be turned off.
NOTE
Turning off 3D Sound Control
1. Press the [3D] button so its light is turned off.
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Performing
Adding Liveliness to the Sound (Dynamics Sound Control)
You can add liveliness to the sound to give it superb clarity and distinctness.
fig.Panel-Dynamics-e.eps
1. Hold down the [3D] button and press the [Reverb] button.
A screen appears, allowing you to select the type of Dynamics Sound Control.
fig.d-Dynamics.eps
2. Use the [-] [+] buttons to select the desired sound control setting.
fig.d-Dynamics2.eps
Indicate
Description
Dynamics sound control is turned off.
Off
Sharp
Clear
Creates a sound with boosted bass and treble.
Produces a sound with chords in the low registers that are clear and distinct.
Creates a sound with boosted bass.
Power
3. Press the [3D] button or the [Reverb] button.
You will return to the normal screen.
You can use the Memory Backup function to store this setting in internal memory (p. 89).
NOTE For some sounds, you may hear distortion. If so, lower the master gain (p. 88).
Dynamics Sound Control does not affect the sound from the Input jack or the sound of external
NOTE
devices connected to the MIDI Out connector.
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Performing
Adding Reverberation to Sounds (Reverb Effect)
You can apply a reverb effect to the notes you play on the keyboard. With the reverb effect,
you obtain a pleasant reverberation, making it sound as if you were performing in a concert
hall or similar space.
fig.Panel-Reverb-e.eps
1. Press the [Reverb] button so it’s lit.
Try fingering the keyboard.
The reverb effect is applied to the entire tone.
NOTE Reverb cannot be applied to audio data or a music CD.
Turning Off the Reverb Effect
1. Press the [Reverb] button so its light is turned off.
NOTE
Reverb will not be applied if Twin Piano is turned on with Twin Piano Mode “2” selected.
Changing the Depth of Reverb Effect
You can select from ten levels of depth for the reverb effect.
1. Hold down the [Reverb] button and press the [-] [+] buttons.
The depth for the reverb effect appears in the display.
fig.d-ReverbDepth.eps
You can use the Memory Backup function to store this setting in internal memory (p. 89).
You cannot make separate reverb effect depth settings for each individual tone.
The effect will be applied with the same depth to all tones.
NOTE
NOTE
This will not change the reverb depth for the song that is playing back.
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Performing
Adding a Variety Effects to the Sound (Effects)
In addition to reverb, you can apply a variety of effects to the LX-10’s sounds.
These are referred to as “effects.” With the factory settings, an effect suitable for each tone is
selected.
NOTE
Effects may not be applied with some of sounds.
fig.Panel-Effects-e.eps
1. Press the [Effects] button so it’s lit.
Try fingering the keyboard.
The effect is applied to the currently selected tone.
Some tones initially have effect applied. Selecting such a tone makes the [Effects] button light up
automatically.
NOTE Effects cannot be applied to audio data or a music CD.
Turning Off the Effects
1. Press the [Effects] button so its light is turned off.
Editing the Effect Settings
Here’s how to edit the settings of the effect.
1. Hold down the [Effects] button and press the [-] [+] buttons.
The screen will show the effect parameters and their values.
fig.d-EffectDepth.eps
The most suitable type of effect is assigned for each tone.
NOTE Depending on settings such as 3D Sound Control, the effect may not be applied in some cases.
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Performing
Adding a Spinning Sound to Organ Tones (Rotary Effect)
The Rotary effect is applied to some Organ tones you can select with the [Organ] button.
When one of these tones is selected, you can use the [Effects] button to change the speed of
the rotary effect.
What’s the Rotary Effect?
What the rotary effect does is to add a “spinning” effect similar to the sound of an organ using
a rotating speaker. In most rotary speakers, the high-frequency speaker and low-frequency
speaker rotate at different speeds. The LX-10 can simulate this complex type of modulation.
1. Press the [Effects] button to switch the speed of the rotary effect
between rapid and slow rotation.
Pressing the [Effects] button toggles the rotary effect between fast and slow rotation.
If the [Effects] button is flashing rapidly, the rotary effect is being applied with the fast rotational
speed. If the [Effects] button is flashing slowly, the rotary effect is being applied with the slow
rotational speed.
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Performing
Changing the Key of the Keyboard (Key Transpose)
The “Key Transpose” function lets you play a song at a different key. If you’re accompanying
a singer, you can use the Key Transpose function to shift the pitch to a key that’s comfortable
for the singer while you continue playing in the same familiar key (fingering).
You can also use this function to transpose the pitch of your playing without changing your
fingering on the keyboard. For example, if the song is in a difficult key with numerous sharps
(
) or flats ( ), you can transpose to a key that’s easier for you to play.
fig.Panel-Transpose-e.eps
On the LX-10, you can transpose the pitch of just the keyboard, or the pitch of the keyboard and song
together, or the pitch of just the song (Transpose Mode; p. 84).
When the LX-10 is shipped from the factory, it is set so that the pitch of the keyboard and song will be
transposed together “Changing the Key of the Song Playback (Playback Transpose)” (p. 58).
1. Hold down the [Transpose] button and press the key corresponding to
the tonic of the desired key. (In this case, the note will not sound.)
The Key Transpose settings value continues to appear in the display while the [Transpose] button is
held down.
fig.d-Transpose0.eps
With the [Transpose] button held down, you can change the value, even by pressing the [-] [+]
buttons.
The available range is -6–0–+5 (semitone steps).
If this is set to a value other than 0, the [Transpose] button will light.
If the transpose value is not “0,” you can use the [Transpose] button to turn the Transpose function on/
off.
When you release the [Transpose] button, you return to the previous screen.
By holding down the [Transpose] button and pressing both the [-] and [+] buttons simultaneously,
the setting returns to its original value (0).
NOTE If you set Transpose Mode (p. 84) to “Song,” the Key Transpose function will not be applied.
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Performing
Example: Playing a Song in the Key of E Major After Transposition to C Major
Hold down the [Transpose] button and press the E key (since E is the tonic).
Counting from C as a reference point, one moves up four keys, including the black keys, to
reach E, thus “+4” appears in the display.
fig.d-Transpose4.eps
fig.Transpose.eps
If you play C E G
It will sound E G#
B
If you switch songs or turn off the power, the Transpose setting will return to “0.”
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Performing
Dividing the Keyboard for Two-person Performance (Twin Piano)
You can divide the keyboard into left and right areas so that two people can play the same
range of pitches.
This means that you’ll be able to use the keyboard as though it were two separate pianos.
For example, this provides a convenient way for one person to follow along with another
person’s performance to check it.
fig.TwinPiano.eps_80
C1
C2
C3
C4
C6
C5
C6
C7
C8
C3
C4
C5
C3
C4
C5
C6
fig.Panel-TwinPiano-e.eps
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Performing
1. Press the [Twin Piano] button, getting its indicator to light.
fig.d-TwinPiano.eps
When you turn Twin Piano on, the instrument will be in the following state.
•
The keyboard will be divided into left and right areas, with “middle C” located in the center of
each area.
•
•
The left and right areas will have the same sound (Grand Piano 1).
The right pedal will be the damper pedal for the right area, and the left pedal will be the damper
pedal for the left area.
•
•
If the Split function or the Dual function was on when you turned Twin Piano on, the Split function
and the Dual function will be turned off.
3D Sound Control and the effect will be off.
Turning Off Twin Piano
1. Press the [Twin Piano] button so its illumination is turned off.
Changing the Way in which the Sound is Heard (Twin Piano Mode)
1. Hold down the [Twin Piano] button and press the [-] [+] buttons.
You can choose one of the following ways in which the sound will be heard.
fig.d-TwinPianoMode.eps
Indicate
1
Description
As usual, the sound will be heard from the right as you play toward the right of the keyboard,
and from the left as you play toward the left.
Notes played in the right area will be heard from the right speaker, and notes played in the
left area will be heard from the left speaker.
2
If you set Twin Piano mode to “2,” reverb will no longer be applied when you turn on Twin Piano
mode.
NOTE
NOTE
For some sounds, the sound may not be split even if you set Twin Piano mode to “2.”
You can use the Memory Backup function to store this setting in internal memory (p. 89).
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Performing
Performing with Two Layered Tones (Dual Play)
You can play two different sounds from a single key at the same time. This method of
performance is called “Dual Play.”
As an example, let’s try layering piano and strings sounds.
fig.Panel-Tones-e.eps
1. Hold down the [Piano] button and press the [Strings] button.
The indicators for both buttons light.
Try fingering the keyboard. Both the piano and string sounds play.
Pressing two Tone buttons at the same time in this manner activates Dual Play.
Of the two selected tones, the one for the tone button at left is called “Tone 1” and the one for the
button at right is called “Tone 2.”
fig.d-Dual.eps
Tone 1
Tone 2
Here, the piano tone is the Tone 1 and the strings tone is the Tone 2.
NOTE
You can’t select Dual Play if you’ve turned on Split play or Twin Piano.
Now you’ll hear only the tone of the button you pressed.
You can change the pitch of the Tone 2 an octave at a time. Refer to “Changing the Pitch of the Tone
in Octave Steps (Octave Shift)” (p. 84).
You can vary the volume-level balance of the two tones. Refer to “Changing the Volume Balance for
Dual Play” (p. 44).
If you press the pedals while using Dual Play, the effect will be applied to both Tone 1 and Tone 2.
However, you can change this setting so that the pedals will affect only one of the tones. Refer to
“Changing How the Pedal Effects Are Applied (Damper/Center/Left Pedal Part)” p. 85.
NOTE
Depending on the combination of the two tones, the effect may not be applied to Tone 2.
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Performing
Changing the Tone Variations
Changing the Tone 1
1. Press the [-] [+] buttons.
fig.d-Dual.eps
Changing the Tone 2
1. Hold down the Tone button for the Tone 2 (the rightmost of the lit Tone
buttons), and press the [-] [+] buttons.
fig.d-Dual.eps
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Performing
Changing the Volume Balance for Dual Play
You can change the volume balance of the Tones 1 and 2.
fig.Panel-Balance-e.eps
1. Hold down the [Transpose] button and press the [Split] button.
The current volume balance is shown.
fig.d-DualBalance.eps
2. Press the [-] [+] buttons to change the volume balance.
The volume balance will change.
If you want to return to the original volume balance, press the [-] [+] buttons simultaneously.
fig.d-DualBalance2.eps
3. Press the [Transpose] button or [Split] button to return to the tone select
screen.
You can use the Memory Backup function to store this setting in internal memory (p. 89).
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Performing
Performing with Different Tones in the Left and Right Sides of
the Keyboard (Split Play)
Performing with the keyboard divided at a certain key into a left side and a right side is called
“Split Play,” and the point at which the keyboard is divided is called the “split point.”
In Split Play, you can have a different tone sound in the left and right sides.
When the instrument is turned on, the split point is set to “F 3.” The split point key is
included in the left side.
While in Split Play, a sound played in the right side is called a “right-hand tone,” and the
sound played in the left side is called a “left-hand tone.”
fig.SplitPoint-e.eps
Split Point (Power-up default: F 3)
A0 B0 C1 D1 E1 F1 G1 A1 B1 C2
C3
C4
C5
B7 C8
Left-hand Tone
Right-hand Tone
As an example, here’s how to play the tone of the [Piano] button as part of a Split play.
fig.Panel-Split-e.eps
1. Press the [Piano] button.
Now, the piano tone is selected.
2. Press the [Split] button, getting its indicator to light.
The keyboard will be divided into left and right sides.
The F 3 key forms the division between the left and right sides of the keyboard.
fig.d-Split.eps
The right-hand section of the keyboard plays piano tone, and the left-hand section plays “A.
Bass+Cymbal” tone.
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Performing
Turning Off Split Play
1. Press the [Split] button so its illumination is turned off.
The right-hand tone becomes the tone for the entire keyboard.
When you switch from Dual Play (p. 42) to Split Play, the Tone 1 used in Dual Play is selected as the
right-hand one for Split Play.
Switching Tone Groups and Tone Variations
Changing the Right-hand Tone
1. Press the Tone button to choose a tone group.
2. Press the [-] [+] buttons to select a variation tone.
fig.d-Split.eps
Changing the Left-hand Tone
1. Hold down the [Split] button and press the Tone button to choose a tone
group.
2. Hold down the [Split] button and press the [-] [+] buttons to select a
variation tone.
fig.d-Split.eps
You can change the pitch of the left-hand tone an octave at a time. Refer to “Changing the Pitch of
the Tone in Octave Steps (Octave Shift)” (p. 84).
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Performing
Changing the Keyboard’s Split Point
You can change the split point (the key at which the keyboard is divided).
The split point can be set to any value from B1 through B6.
This is set to “F 3” at the factory settings.
fig.SplitPoint-3-e.eps_78
Split Point (Power-up default: F 3)
A0
C1
B1 C2
C3
C4
C5
C6
B6 C7
C8
Range in which you can specify the split point (B1–B6)
fig.Panel-Split-e.eps
1. Hold down the [Split] button and press a key set as the split point.
The key you pressed becomes the split point, and appears in the display.
fig.d-SplitPoint.eps
The key being used as the split point belongs to the left-hand section of the keyboard.
The previous display will reappear when you release the [Split] button.
The name of the left-hand tone is displayed while you hold down the [Split] button.
You can use the Memory Backup function to store this setting in internal memory (p. 89).
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Performing
Performing with the Metronome
You can perform while the metronome sounds. The LX-10 provides a versatile Metronome function.
You can adjust the volume or time signature of the metronome, and change the way that
beats are marked. If a song is playing, the metronome will sound at the tempo and time
signature of that song.
NOTE
The metronome will not sound while audio data or a music CD is playing.
fig.Panel-Metronome-e.eps
1. Press the [Metronome] button so it’s lit.
The metronome screen appears, and the metronome will be heard.
The [Metronome] button flashes in red and green in time with the beat selected at that time.
fig.d-Metronome.eps
You can change the sound of the metronome (p. 83).
Stopping the Metronome Function
1. Press the [Metronome] button so its light is turned off.
Changing the Tempo
1. Press the [Tempo/Beat] button several times so it’s lit in red.
The tempo is displayed.
If audio data or a music CD song is selected, the “audio tempo” (p. 57) is displayed. In this case, press
the [Tempo/Beat] button once again to display the tempo.
fig.d-MetronomeTempo.eps
2. Press the [-] [+] buttons to adjust the tempo.
The tempo is set in terms of the value of a quarter note, with possible values ranging from 10 up to 500.
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Performing
Changing the Beat
1. Press the [Tempo/Beat] button several times so it’s lit in green.
The beat is displayed.
fig.d-MetronomeBeat.eps
2. Press the [-] [+] buttons to select the beat.
With the “0/4” setting, only weak beats will be sounded.
When you record your performance, it will record in the beat that is selected.
You can change the way in which the metronome will distinguish the beats.
For details, refer to “Changing How the Metronome Marks the Beat (Metronome Pattern)” p. 83.
When you play back a song, the metronome’s beat will be set to the beat of that song.
You can’t change the metronome’s beat while a song is playing.
NOTE
Changing the Volume
The volume of the metronome can be adjusted, with 11 volume levels available.
1. While holding down the [Metronome] button, press the [-] or [+] button.
The display will indicate the metronome volume.
fig.d-MetronomeVol.eps
When the metronome volume is set to “0,” the metronome sound does not play.
Sounding a Count to Keep Your Timing Accurate
A “count-in” is a count that is sounded before the song begins to play.
your own playing with the song.
1. Press the [
] button while the metronome is sounding.
A two-measure count sounds before the song plays.
A “count-down” is a count that is sounded at the end of the song’s introduction (before you begin
playing the keyboard) (p. 84).
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Playing Back Songs
Listening to Songs
The LX-10 allows you to select and play built-in piano songs (74 songs) as well as the
following.
•
•
•
SMF music files (when USB memory, CD drive, or floppy disk drive is connected)
Audio data (WAV) (when USB memory or CD drive is connected)
VIMA TUNES (CD-ROM for VIMA), music CDs (when CD drive is connected)
For details on the types of audio data that can be played by the LX-10, refer to p. 99.
fig.Panel-SongPlay-e.eps
Selecting a Song
1. Press the [Song] button so it’s lit.
The following appears in the display.
Songs can be selected from internal memory only if the song you
want to hear has already been saved in internal memory. For
details, refer to “Copying a Song” (p. 77).
2. Press the [-] [+] buttons to select the song.
If an internal preset song is selected, the screen will indicate “Preset.”
Songs in internal memory are indicated as “Internal,” songs in USB memory as “External,” songs on
floppy disk as “Disk,” songs on CD-ROM as “CD,” and songs on a music CD as “Music CD.”
If a WAV song is selected, the indication “Audio” will appear below the song name.
To select a song that’s inside a folder, select the folder and press the [
To exit the folder, select “Up” and press the [ ] button.
If a folder contains 500 or more files and/or folders, some of the files and folders may not be displayed.
] button.
NOTE
Playing the Song
3. Press the [
] button.
The selected song will play. The selected song is played to the end, and then playback stops.
To stop playback, press the [
The next time you press the [
] button once more.
] button, playback will resume from the point at which you stopped.
If you play back song data that contains lyrics, the lyrics will be shown in the screen. You can specify whether the
lyrics will be shown (p. 88).
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Playing Back Songs
Fast-forward and Rewind
•
•
Press the [
Press the [
] button to move to the beginning of the next song.
] button to move to the beginning of the currently selected song. If you’re already
at the beginning of the song, you will move to the beginning of the preceding song.
•
•
If you hold down the [
If you hold down the [
] button while a song is playing, the song will fast-forward.
] button while a song is playing, the song will rewind.
About the Song Select Screen
The song select screen shows the following information.
New Song to record
Song
in USB Memory
Song
in Internal Memory
Song Number
Song
Name
Internal Preset Song
Measure
Number
Song Tempo
Beat
select the first song in each song group; e.g., “the first song in external memory,” “the
first song in internal memory,” or “the first internal preset song.”
You won’t be able to select “external memory” if there are no songs on the USB
memory, or if no USB memory is connected.
NOTE
About the name of the internal song, refer to “Internal Song List” (p. 108).
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Playing Back Songs
Playing Back All Songs Continuously (All Song Play)
All songs in internal memory can be played repeatedly in succession.
fig.Panel-Function-e.eps
Making Preparations for Continuous Playback
1. Hold down the [Effects] button and press the [3D] button.
A screen like the following will appear, and you’ll be in Function mode.
fig.d-FuncMenu.eps
2. Use the [▲] [▼] buttons to select “Play Mode.”
fig.d-FuncSongPlay.eps
3. Press the [
] button to enter the setting screen.
fig.d-SinglePlay.eps
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Playing Back Songs
4. Press the [-] [+] buttons to select “All Song.”
fig.d-AllSongPlay.eps
5. Press the [Piano Designer] button twice.
You will return to the tone select screen.
Specifying the First Song
6. Press the [Song] button so it’s lit.
7. Press the [-] [+] buttons to select the song.
8. Press the [
] button.
The songs will play successively, starting with the selected song.
When the last song finishes playing, playback will return to the first song and then continue.
If you’re playing in All Song Play mode, a symbol to indicate this is shown in the upper right of the
screen.
fig.AllSong-e.eps
All Song Play
The songs in internal memory will play consecutively if an internal memory song is selected, and the
songs in USB memory will play consecutively if a USB memory song is selected.
To Stop Playback
9. Press the [
] button so its illumination is turned off.
The next time you press the [
stopped.
] button, playback will resume from the point at which you
You can use the Memory Backup function to store this setting in internal memory (p. 89).
By holding down the [Song] button and pressing the [
regardless of the Song Play mode.
] button, you can play all songs
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Playing Back Songs
Listening to Each Part Separately
When playing back internal songs or external memory songs, you can select the
performance parts that will play.
You can also practice each hand separately while playing along with the song.
NOTE
You can’t play back (mute) individual parts for audio data or a song from a music CD.
fig.Panel-TrackMute-e.eps
The performance data is assigned to the Track buttons as shown below.
fig.TrackButtons-e.eps
The left-hand performance is assigned to the Track [Left]
button, the right-hand performance is assigned to the
Track [Right] button, and other performance is assigned to
the Track [Accomp] button. “Tracks” are areas in which
Part
Right-hand
Part
music files is held, and buttons [Left], [Right], and [Accomp]
are referred to as the “track buttons.”
Left-hand Part
Some songs don’t include an accompaniment.
If you select one of these songs, the [Accomp] button will not light.
1. Select the song that you want to play (p. 50).
2. Press the [ ] button to play the song.
3. Select the part that you don’t want to play back.
Press the Track [Left] button, Track [Right] button, or the Track [Accomp] button.
The button you pressed will go out, and the corresponding part will no longer be heard.
Temporarily silencing a specific part in this way is called “muting.”
For example, if you want to practice the right-hand part, press the Track [Right] button so its
illumination is turned off. When you play back the song, the right-hand part will not play.
You can select the part that will be muted when you press the Track [Accomp] button and turn off its
light. Please refer to p. 82.
If you mute the accompaniment part before initiating playback, you can skip the intro.
4. If you again press the button you selected in step 3, so the button is lit,
the sound of that part will be heard.
NOTE Mute settings will be cleared when you switch songs.
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Playing Back Songs
Determining the Volume of a Muted Part
Here’s how to adjust the volume that a part will have after you’ve pressed a track button to
mute the playback while playing back a song.
The LX-10 lets you play back a specific part at a reduced volume so you can use that part as
a “guide” for your own playing.
1. Hold down a track button and use the [-] [+] buttons to specify the
volume that the track will have when its playback is muted.
The volume for when the track is muted will be shown while you hold down the track button.
The track mute volume can be set to any value from 0 to 80.
fig.d-MuteVol-R.eps
When you turn off the power, the track mute volume will be reset to “0.”
Changing the Song Playback Volume
Here’s how to change the volume at which the song will play.
When you’re practicing along with a song, this allows you to adjust the volume balance
between your keyboard performance and the song playback.
1. While holding down the [
] button, press the [-] [+] buttons.
The song playback volume is displayed while you hold down the [
] button.
The playback volume can be set to any value from 0 to 127.
fig.d-SongVolume.eps
NOTE
When you turn off the power, the song playback volume will revert to “127.”
Adjusting the Volume of the Audio Data and Music CDs
When you select an audio file or a song from music CD, it will play back at a separately-
specified volume setting.
1. While holding down the [
] button, press the [-] [+] buttons.
NOTE
When you turn off the power, this playback volume will return to a setting of “64.”
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Playing Back Songs
Changing the Tempo of a Song
You can change the tempo at which the song plays.
When you’re practicing one of the internal songs, slowing down the tempo of the playback
can make it easier to play along with a difficult song.
1. Press the [Tempo/Beat] button several times so it’s lit in red.
The display will indicate the tempo.
If you’ve selected audio data or a song from a music CD, the screen will indicate “Audio Tempo” (p. 57).
2. Use the [-] [+] buttons to change the tempo.
Playing Back at a Fixed Tempo (Tempo Mute)
Some of the internal preset songs have a tempo that varies during the song.
Here’s how you can make these songs play back at a fixed, unchanging tempo.
1. While holding down the [Tempo/Beat] button, use the [-] [+] buttons to
change the setting.
fig.d-TempoMuteOff.eps
Setting
On
Description
The tempo changes recorded in the song will be ignored, and the song will play at a fixed tempo.
The song will play back according to the tempo changes recorded in the song.
Off
If you turn Tempo Mute on, the tempo indication in the screen will be highlighted.
fig.TempoMute1-j.eps
Highlighted
Highlighted
When you switch songs, the Tempo Mute function will revert to the “Off” setting.
The tempo mute screen will not appear if you’ve selected audio data or a song from a music CD.
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Playing Back Songs
Changing the Tempo of Audio Data or a Music CD (Audio Tempo)
You can change the playback tempo of audio data or a song from a music CD.
1. Press the [Tempo/Beat] button a number of times until “Audio Tempo”
appears.
Press the button repeatedly to cycle through the available choices for the screen, like this:
tempo (button lit red) → audio tempo (button lit red) → time signature (button lit green), then back
to tempo (button lit red).
fig.d-TempoMuteOff.eps
2. Use the [-] [+] buttons to adjust the audio tempo.
Relative to the original tempo as 100%, you can adjust the tempo in a range of 75% (slow) to 125%
(fast).
The audio tempo screen will not appear if you’ve selected something other than audio data or a
music CD.
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Playing Back Songs
Changing the Key of the Song Playback (Playback Transpose)
The “Playback Transpose” function lets you change the key of the song playback.
fig.Panel-Transpose-e.eps
1. Play back the song that you want to hear or play along with (p. 50).
2. While holding down the [Transpose] button, use the [-] [+] buttons to
adjust the pitch.
The pitch of the song will change in semitone steps.
The Playback Transpose setting is shown while you hold down the [Transpose] button.
The range is -6–0–+5 (semitone steps).
If this is set to a value other than 0, the [Transpose] button will light.
If the transpose value is other than “0,” you can use the [Transpose] button to turn the Playback
Transpose function on/off.
If you hold down the [Transpose] button and press both the [-] and [+] buttons simultaneously, this
setting will return to its original value (0).
NOTE
NOTE
The Playback Transpose function won’t be applied if the Transpose Mode (p. 84) is set to “Keyboard.”
If you’ve selected a song from a music CD or an audio data, using Playback Transpose may affect the
tonal character and 3D Sound Control will be turned off.
The transpose setting will return to “0” when you select another song.
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Playing Back Songs
Minimizing the Center Sounds in the Playback (Center Cancel)
When playing back a commercially available music CD or audio data, you can minimize the
sounds that are located in the center (such as vocals).
fig.Panel-CenterCancel-e.eps
1. Play back an audio data or music CD (p. 50).
2. Press the [Right] track button so its illumination is turned off.
The melody or vocal sound will be minimized.
NOTE
For some songs, the sounds in the center may not be entirely eliminated.
Defeating the Center Cancel Function
1. Press the [Right] track button so it’s lit.
NOTE
For some songs, using the Center Cancel function may affect the tonal character.
If you use Center Cancel when 3D Sound Control (p. 33) is on, 3D Sound Control will be turned off.
The Center Cancel setting will be cancelled when you select another song.
NOTE
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Recording
You can easily record your performances.
By playing back your performance you can listen to yourself playing, or use the keyboard to
play the melody along with the song you recorded.
You can perform the following types of recording.
Recording just your own
→ “Recording Your Keyboard Performance” (p. 61)
keyboard performance
Selecting a track button and
→ “Recording Your Performance Separately for Each Hand” (p. 63)
recording
Re-recording
→ “Recording Your Performance Separately for Each Hand” (p. 63)
Recording along with an
internal song
→ “Recording Your Playing Along with a Song” (p. 66)
NOTE
You can’t perform recording operations for audio data or a song from a music CD.
Memo
With second or later recordings, the previously recorded song is erased as the new material
is recorded. When recording a new performance, it is probably a good idea to erase the
previously recorded performance first (p. 69).
fig.OverRec.eps
1st Pass
2nd Pass
The first Performance is preserved
If the Following Display Appears
A display like the one shown below will appear if you attempt to select another song when
there is a recorded performance that has not been saved.
fig.d-SongDelete.eps
You can’t play back an another song if there is an unsaved (user) song.
If it is OK to delete the song, press the [ ] button.
If you don’t want to delete the song, press the [
memory or USB memory (p. 73).
] button and save your song to internal
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Recording
Recording Your Keyboard Performance
Here’s how to record just your own keyboard performance without using an internal song.
fig.Panel-RecNew-e.eps
Performance Settings
1. Press the [Song] button so it’s lit.
2. Press the [-] button a number of times, until “New Song” appears in the
display.
fig.d-NewSong.eps
pressing the [ ] button.
3. Select the Tone to be played (p. 28).
4. If necessary, sound the metronome.
Press the [Metronome] button (p. 48).
While listening to the metronome, adjust the song tempo (p. 48) and the beat (p. 49) as desired.
Settings for Recording
5. Press the [ ] button.
The [ ] button lights, the [
] button begins flashing, and the LX-10 is put into recording
standby.
If you decide not to record, press the [ ] button once again.
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Recording
Starting Recording
6. Press the [
] button or play the keyboard.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [
case, a count is not sounded.
] button). In this
When recording begins, the [ ] button and [
] button will light.
During the count-in, the count measure is indicated in the lower right of the display as “-2” then “-1.”
Stopping Recording
7. Press the [
] button.
Recording will stop.
Listening to the Recorded Performance
8. In the song select screen, press the [
] button.
You will return to the beginning of the performance you recorded.
9. Press the [
] button.
The recorded performance will play back.
If you press the [
] button while the metronome is sounding, there will be a two-measure
count (“count-in”) before playback begins.
10. Press the [
The recorded performance will disappear when you turn off the power. If you want to keep the
NOTE performance you recorded, you must save it in internal memory or USB memory. Refer to “Saving the
Songs You Record” (p. 73).
If you have not saved the performance you recorded, you won’t be able to play back another song.
NOTE
You’ll have to erase (p. 69) or save (p. 73) the performance before playing back another song.
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Recording
Recording Your Performance Separately for Each Hand
The LX-10’s recorder has three track buttons.
You can record the performance of each hand separately to different track buttons (for
example, the left-hand performance to the [Left] button and the right-hand performance to
performance.
How the track buttons correspond to the recorded performances
The recorded performances are assigned to the track buttons as follows.
● Twin Piano (p. 40), Split performance (p. 45)
Recorded performance
Track button
Twin Piano
Right area
Left area
Split play
[Right] button
[Left] button
Right-hand tone
Left-hand tone
●
Normal performance (the entire keyboard plays a single tone), Dual play
When you record with just one recording track specified
The performance will be recorded on the specified track.
•
•
When you record with multiple recording tracks specified
Recording will take place in this order of priority: [Right] button → [Left] button →
[Accomp] button.
fig.Panel-RecTrack-e.eps
Settings for Recording
1. Press the [Song] button so it’s lit.
2. Press the [-] button a number of times, until “New Song” appears in the
display.
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Recording
3. Press the [ ] button.
The [ ] button will light, the [
] button indicator will flash, and the LX-10 will enter recording
standby mode.
If you decide not to record, press the [ ] button once again.
The button of the track to be recorded will flash.
4. Press the button of each track you don’t want to record, turning off its
illumination.
You can record to only one track button at a time.
Recording
5. Press the [
] button.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [
case, a count is not sounded.
] button). In this
When recording begins, the [ ] button and [
] button will light.
During the count-in, the count measure is indicated in the lower right of the display as “-2” then “-1.”
6. To stop recording, press the [
Recording an Additional Part
] button.
7. In the song select screen, press the [
] button.
You will return to the beginning of the recorded performance.
8. Press the [ ] button.
The following screen appears.
fig.d-OverRec.eps
If you want to erase the previously recorded performance and re-record a new performance, press the
] button.
[
9. If you want to record another track, press the [ ] button.
The following screen appears.
fig.d-OverRec2.eps
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Recording
10. Press the button of the track you want to record, making it flash.
If you select a previously recorded track, that track will be overwritten by the newly recorded
performance, and the previously recorded performance will be lost.
NOTE
The [ ] button will light, the [
standby mode.
] button indicator will flash, and the LX-10 will enter recording
If you decide not to record, press the [ ] button once again.
11. Press the [
] button.
After two measures of count sound, recording begins.
Recording starts when you start playing the keyboard (without pressing the [
case, a count is not sounded.
] button). In this
When recording begins, the [ ] button and [
] button will light.
During the count-in, the count measure is indicated in the lower right of the display as “-2” then “-1.”
If you record additional parts without erasing the previously recorded song, the song tempo and
time signature will remain as it was when the song was first recorded.
NOTE
12. To stop recording, press the [
Listening to the Recorded Performance
13. In the song select screen, press the [
] button.
] button.
You will return to the beginning of the recorded performance.
14. Press the [
] button.
The recorded performance will play back.
15. When you press the [
] button once again, playback will stop.
If you hold down one of the track buttons while you press the [ ] button, the performance of only
that track will be erased. If you erase the performance from all tracks, the display will indicate “New
Song.”
The recorded performance will disappear when you turn off the power. If you want to keep the
performance you recorded, you must save it in internal memory or USB memory. Refer to “Saving the
Songs You Record” (p. 73).
NOTE
NOTE
If you have not saved the performance you recorded, you won’t be able to play back another song.
You’ll have to erase (p. 69) or save (p. 73) the performance before playing back another song.
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Recording
Recording Your Playing Along with a Song
Here’s how you can play along with an internal memory song or an external memory song,
and record your performance.
For example, you can listen to the left-hand part while you record the right-hand part.
The performance you play on the keyboard will be recorded in place of the sound of the part
you select using the track buttons.
The sound of the track button you selected will not be heard during recording.
fig.Panel-RecSong-e.eps
Performance Settings
1. Select a song.
For details on how to select a song, refer to “Listening to Songs” (p. 50).
drive before you continue (p. 24).
By adjusting the playback volume of the song, you can also change the volume balance between the
song and the sound you’re playing from the keyboard (p. 55).
2. Select the Tone to be played (p. 28).
3. Specify the recording tempo.
The performance will be recorded at the tempo of the song you selected when recording. If you
NOTE
record your playing along with a song, it will be recorded with the time signature of that song.
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Recording
Settings for Recording
4. Press the [ ] button.
The following screen appears.
fig.d-OverRec.eps
5. Press the [ ] button once again.
The following screen appears.
fig.d-OverRec2.eps
6. Press the track button for the part you want to record, making the
button flash.
This allows you to record while listening to the selected song.
The [ ] button will light, the [
standby mode.
] button indicator will flash, and the LX-10 will enter recording
If you decide not to record, press the [ ] button once again.
How performance parts correspond with track buttons
Track button
Track [Right] button
Track [Left] button
Performance part
Right-hand part
Left-hand part
Track [Accomp] button
Performance data other than the right-hand part and left-hand part
Starting Recording
7. Press the [
] button.
After a two-measure count, recording will begin.
Even if you don’t press the [
] button, recording will begin when you play the keyboard. In this
case, a count won’t be sounded.
When recording begins, the [ ] button and [
] button will light.
During the count, the count measure is indicated in the lower right of the display as “-2” then “-1.”
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Recording
Stopping Recording
8. Press the [
] button.
Recording will stop.
Listening to the Recorded Performance
9. In the song select screen, press the [
] button.
You will return to the beginning of the recorded performance.
10. Press the [
] button.
The recorded performance will play.
11. Press the [
The recorded performance will disappear when you turn off the power. If you want to keep the
performance you recorded, you must save it in internal memory or USB memory. Refer to “Saving the
Songs You Record” (p. 73).
NOTE
If you have not saved the performance you recorded, you won’t be able to play back another song.
You’ll have to erase (p. 69) or save (p. 73) the performance before playing back another song.
NOTE
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Recording
Erasing Recorded Performances
You can erase recorded performances.
fig.Panel-RecNew-e.eps
1. Press the [Song] button.
The screen for the recorded performance appears.
fig.d-NewSong2.eps
2. Press the [+] button.
A confirmation message appears in the display.
fig.d-SongDelete.eps
If you decide not to delete the song, press the [
] button.
3. Press the [ ] button.
The recorded performance is erased.
You can also erase the recorded performance by holding down the [Song] button and pressing the
] button.
[
If you hold down one of the track buttons and press the [ ] button, the performance of only that
track will be erased. If you erase the performances from all tracks, the display will indicate “New
Song.”
A performance you recorded will be deleted automatically when you turn off the power.
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Saving Your Performance
Initializing the Memory
Here’s how you can completely erase all songs that were saved in internal memory, USB
memory (sold separately), or a floppy disk (sold separately).
Once an initialization is performed, all songs that have been saved in memory will be erased. The
you proceed.
NOTE
NOTE
If you’re using new USB memory (sold separately) or floppy disk (sold separately) with the LX-10 for
the first time, you’ll need to initialize (format) the USB memory or floppy disk before using it. The LX-
10 can’t use USB memory or floppy disk that has not been initialized.
For details on handling USB memory, refer to “Using External Memory” (p. 24).
fig.panel-deleteSong-e.eps
1. If you will be initializing internal memory, connect the USB memory to
the external memory connector (p. 24).
If you will be initializing a floppy disk, connect your floppy disk drive to
the external memory connector, and insert the disk into the drive.
2. Press the [File] button.
The File Menu screen appears.
3. Use the [▲] [▼] buttons to select “Format Media.”
fig.d-FileMenuFormat.eps
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Saving Your Performance
4. Press the [
] button.
The Initialize Media screen appears.
fig.d-Format.eps
5. Use the [-] [+] buttons to select whether you will initialize Internal
Memory, External Memory (USB memory), or Disk (floppy disk).
6. Press the [
] button.
A confirmation message appears.
fig.d-Format2.eps
If you press the [
] button, you’ll return to the previous screen without initializing.
7. Press the [ ] button.
Initialization will begin.
The entire contents of the selected memory will be erased.
NOTE Never turn off the power while “Executing...” is shown in the display.
NOTE If the screen indicates “Error,” please refer to “Error Messages” (p. 100).
Initializing the LX-10’s internal memory will not initialize settings other than the contents of internal
memory. If you want to return settings other than the contents of internal memory to their factory-
set condition, execute the Factory Reset operation (p. 90).
NOTE
NOTE Don’t disconnect the USB memory until USB memory initialization has been completed.
While a floppy disk is being initialized, do not eject the floppy disk from the floppy disk drive or
NOTE
disconnect the cable of the disk drive.
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Saving Your Performance
Saving and Copying
A song you’ve recorded can be saved in internal memory or USB memory.
Songs saved in internal memory can be copied to external memory, such as USB memory.
fig.SongSaveCopy.eps
LX-10
Recorded Song
Save
Save
1
2
3
4
Copy
Copy
External Memory
USB Memory, Floppy Disk
(Sold Separately)
LX-10
Internal Memory
Saving a recorded song in internal memory
•
A song you’ve recorded can be saved in the LX-10 so it won’t disappear when you turn off the
power.
A song you’ve recorded (but not saved) will disappear when you turn off the power. However,
songs that have been saved in internal memory will not disappear when you turn off the power;
the next time you turn on the power, you’ll still be able to play these songs and listen to your
performances.
Saving a recorded song to USB memory
•
A song you’ve recorded can be saved to USB memory as a backup.
It’s a good idea to save important performance data on USB memory.
Saving songs listened to frequently in internal memory
•
Internal preset songs you’re practicing can be saved in internal memory.
NOTE Audio data or songs from a music CD can’t be copied to internal memory.
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Saving Your Performance
Saving the Songs You Record
A song you’ve recorded can be saved in internal memory or USB memory (sold separately).
The songs you record will be lost if you simply turn off the LX-10’s power before they’ve been
saved. Since songs saved in internal memory won’t be lost when the power is turned off, it’s
convenient to save a song in internal memory if you want to keep it.
fig.Panel-SaveSong-e.eps
1. If you want to save the song on USB memory, connect the USB memory
to the external memory connector (p. 24).
If you want to save the song on a floppy disk, connect your floppy disk drive to the external memory
connector and insert a disk into the drive.
2. Press the [File] button.
The file menu screen appears.
fig.d-FileMenu.eps
3. Use the [▲] [▼] buttons to select “Save Song.”
Edit the Song Name
4. Press the [
] button.
A screen in which you can edit the name of the song appears.
fig.d-FileName.eps
5. Use the [-] [+] buttons to select the character that you want to change.
6. Use the tone buttons to select the character type.
Button
[Piano]
[E. Piano]
[Organ]
[Strings]
[Voice]
Character
Letters
Numerals
Symbols
Insert space
Delete character
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Saving Your Performance
7. Use the [▲] [▼] buttons to change the character.
8. When you’ve finished editing the name, press the [
] button.
A screen in which you can choose the save destination appears.
Selecting the Save Destination for the Song
fig.d-FileSave2.eps
9. Use the [-] [+] buttons to specify whether you want to save the song in
internal memory (inside the LX-10), external memory (USB memory) or
floppy disk.
10. Use the [▲] [▼] buttons to highlight the save-destination number.
fig.d-FileSave3.eps
11. Use the [-] [+] buttons to select the save-destination number.
The song name is shown at the right of the number.
Wherever “Empty” is shown as the song name, it means that no song is saved at that number. Select
a number at which no song has been saved.
If you want to erase an unwanted song and replace it with the newly saved song, select the number
of the unwanted song.
Saving the Song
12. Press the [
] button.
The song will be saved.
NOTE Never turn off the power while “Executing...” is shown in the display.
If in step 11 you selected a number at which a song has already been saved, the following
confirmation message will appear when you press the [
] button in step 12.
fig.d-FileSave4.eps
If you decide not to save the song, press the [
] button.
If you want to erase the previously saved song and replace it with the newly saved song, press the [
button.
]
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Saving Your Performance
Here’s how you can delete a previously saved song from internal memory , USB memory or
floppy disk.
If you want to delete all songs from internal memory, USB memory or floppy disk, refer to “Initializing
the Memory” (p. 70).
fig.Panel-deleteSong-e.eps
1. If you’re deleting a song from USB memory, connect your USB memory
to the external memory connector (p. 24).
If you’re deleting a song from floppy disk, connect your floppy disk drive to the external memory
connector and insert the floppy disk into the drive.
2. Press the [File] button.
The file menu screen appears.
3. Use the [▲] [▼] buttons to select “Delete Song.”
fig.d-FileMenuDel.eps
4. Press the [
] button.
The Delete Song screen appears.
fig.d-FileDelete.eps
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Saving Your Performance
Selecting the Song to Delete
5. Use the [-] [+] buttons to select whether you will be deleting a song from
internal memory (the LX-10’s memory), external memory (USB memory)
or floppy disk.
6. Press the [▼] button.
fig.d-FileDelete2.eps
7. Use the [-] [+] buttons to select the song that you want to delete.
Deleting the Song
8. Press the [
] button.
A confirmation message appears.
fig.d-FileDelete3.eps
If you decide not to delete the song, press the [
] button.
9. Press the [ ] button.
The selected song will be deleted.
NOTE Never turn off the power while “Executing...” is shown in the display.
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Saving Your Performance
Copying a Song
Songs that have been saved in internal memory can be copied to USB memory or floppy disk.
Alternatively, songs stored on a USB memory device or floppy disk can be copied to internal
memory.
fig.Panel-SaveSong-e.eps
Preparing for the Copy
1. Connect your USB memory to the external memory connector (p. 24).
Alternatively, connect your floppy disk drive to the external memory
connector, and insert the floppy disk into the drive.
2. Press the [File] button.
The file menu screen appears.
3. Use the [▲] [▼] buttons to select “Copy Song.”
fig.d-FileMenuCopy.eps
4. Press the [
] button.
The song copy-source selection screen appears.
fig.d-FileCopy.eps
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Saving Your Performance
Selecting the Song to Copy
5. Use the [-] [+] buttons to select the copy-source memory.
6. Press the [▼] button.
fig.d-FileCopy2.eps
7. Use the [-] [+] buttons to select the song that you want to copy.
If you choose “Copy all,” all songs in the copy-source memory will be copied.
8. Press the [
] button.
The song copy-destination selection screen appears.
fig.d-FileCopy3.eps
9. Use the [-] [+] buttons to select the copy-destination number.
The song name is shown at the right of the number.
Wherever “Empty” is shown as the song name, it means that no song is saved at that number. Select
a number at which no song has been saved.
If you want to erase an unwanted song and replace it with the newly copyed song, select the number
of the unwanted song.
Copying the Song
10. Press the [
] button.
The selected song will be copied.
NOTE Never turn off the power while “Executing...” is shown in the display.
NOTE You cannot copy songs on audio data.
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Various Settings
In “Function mode” you can make various settings for performance and recording.
Basic Operation in Function Mode
fig.Panel-Function-e.eps
The settings you change will return to their original
state when you turn off the power. If you want your
changes to be retained even after the power has been
turned off, carry out the Memory Backup procedure (p.
89) to save the settings.
1. Hold down the [Effects] button and press the
[3D] button.
NOTE
A screen like the following appears, and you’ll be in
Function mode.
fig.FuncMenu-d.eps
Settings You Can Change
Function
Page
Master Tuning
Equalizer
p. 80
p. 81
p. 82
p. 82
p. 82
p. 83
p. 83
p. 83
p. 83
p. 84
p. 84
p. 84
p. 84
p. 84
p. 84
p. 85
p. 85
p. 85
The [Effects] button, [3D] button, and [
] button will
blink, and the [▲] button, [▼] button, and [Piano Designer]
button will light.
Part Mute
Accomp Track
Play Mode
2. Use the [▲] [▼] buttons to select the setting
that you want to change.
CD/Audio Type
CD/Audio Sync
Metronome Sound
Metronome Pattern
Countdown
3. Press the [
screen.
] button to enter the setting
4. Use the [-] [+] buttons to change the setting.
5. Press the [Piano Designer] button to return
to the previous screen.
Countdown Sound
Countdown Part
Transpose Mode
Octave Shift
If you want to make other settings, return to step 2 and
select the setting you want to change.
6. Press the [Piano Designer] button to exit
Function mode.
Fix Velocity
Damper Pedal Part
Center Pedal Part
Center Pedal Func
The indicators on buttons will return to their original state.
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Various Settings
Function
Page
Tuning Settings
Left Pedal Part
Left Pedal Func
Local Control
MIDI Transmit Ch.
Composer MIDI Out
USB Driver
p. 85
p. 85
p. 85
p. 86
p. 86
p. 87
p. 87
p. 88
p. 88
p. 88
p. 88
p. 89
p. 89
p. 89
p. 90
Matching the Pitch with Other
Instruments (Master Tuning)
When playing ensemble with other instruments and in other
such instances, you can match the standard pitch to another
instrument.
The standard pitch generally refers to the pitch of the note that’s
played when you finger the middle A key. For a cleaner ensemble
sound while performing with one or more other instruments,
ensure that each instrument’s standard pitch is in tune with that
of the other instruments. This tuning of all the instruments to a
standard pitch is called “master tuning.”
Ext. Memory Mode
Master Gain
3D Mode
Track Assign
Lyrics
Recommended Tone
Language
1. Hold down the [Effects] button and press the
[3D] button.
The LX-10 will enter Function mode.
Memory Backup
Factory Reset
2. Use the [▲] button to select “Master Tuning.”
fig.d-FuncMenu.eps
3. Press the [
] button to enter the setting
screen.
fig.d-Tuning.eps
4. Use the [-] [+] buttons to set the standard
pitch.
Settings
415.3 Hz–440.0 Hz–466.2 Hz
When the instrument is shipped from the factory, this is set
to “440.0 Hz.”
5. Press the [Piano Designer] button twice to
exit Function mode.
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Various Settings
Item
Value
Description
Equalizer Settings
Selects a set of preset
equalizer settings.
EQ Number 1–4
Changing the Equalizer Settings
(Equalizer)
Adjusts the level of the high-
frequency range.
High Gain
High Freq
-12–+12 dB
You can use the equalizer to modify the tonal character of the
sound by boosting or reducing just the low-frequency or high-
frequency range of the sound.
Frequency point in the high-
frequency range. Generally,
this changes the level at and
over this frequency.
1.25 k–16.0 k (Hz)
-12–+12 dB
High Mid
Gain
Adjusts the level of the mid-
to high-frequency range.
1. Hold down the [Effects] button and press the
[3D] button.
Frequency point in the mid-
to high-frequency range to
midrange. This changes the
level of the specified
2. Use the [▲] [▼] buttons to select “Equalizer.”
High Mid
Freq
16–16.0 k (Hz)
bandwidth centered on this
frequency.
3. Press the [
] button.
The following appears in the display.
Changes the bandwidth of
the mid- to high-frequency
range. The bandwidth
affected by the controls
narrows as the value
increases.
fig.d-EQ-Off.eps
0.5, 1.0, 2.0, 4.0,
8.0
High Mid Q
Adjusts the level of the low-
frequency range to
midrange.
Low Mid
Gain
-12–+12 dB
4. Press the [+] button to select “On.”
fig.d-EQ-On.eps
Frequency point in the low-
frequency range to
Low Mid
Freq
midrange. This changes the
level of the specified
bandwidth centered on this
frequency.
16–16.0 k (Hz)
Changes the bandwidth of
the low-frequency range to
midrange. The bandwidth
affected by the controls
narrows as the value
increases.
5. Press the [
The equalizer setting screen appears.
fig.d-EQ-Number.eps
] button.
0.5, 1.0, 2.0, 4.0,
8.0
Low Mid Q
frequency range.
Low Gain
Low Freq
-12–+12 dB
Frequency point in the low-
frequency range. Generally,
this changes the level at and
below this frequency.
100–1.0 k (Hz)
6. Use the [▲] [▼] buttons to select an item.
fig.d-EQ-Param.eps
The sound may distort if you raise the gain value. If so,
lower the master gain (p. 88).
NOTE
7. Use the [-] [+] buttons to change the setting
for the selected item.
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Various Settings
Song Playback Settings
Most commercially available SMF music files consists of
sixteen channels (parts).
Determining the Parts that Sound
(Part Mute)
Each channel contains a separate performance; for example,
channel 1 might contain strings and channel 2 bass, with the
drums on channel 10. The song data consists of these sixteen
channels of performances, played back simultaneously.
fig.MelodyChannel.eps
For each part of the song data, you can specify whether or not it
will be sounded.
Channel 1
Strings
Bass
:
Channel 2
1. Hold down the [Effects] button and press the
[3D] button.
:
The LX-10 will enter Function mode.
Channel 10
:
Drums
:
2. Use the [▲] [▼] buttons to select “Part Mute.”
Channel 16
Guitar
3. Press the [
] button.
The following appears in the display.
fig.d-PartMute.eps
Using the [Accomp] Button to Switch
the Part to be Muted (Accomp Track)
Here’s how to switch the part that will be muted when you press
the [Accomp] track button and turn off its light.
Setting
Description
4. Use the [▲] [▼] buttons to select a part.
Accomp &
Rhythm
Both the accompaniment and rhythm will
be muted.
5. Use the [-] [+] buttons to select the playback
status for that part.
Only the accompaniment will be muted.
(The rhythm will not be muted.)
Accomp
Rhythm
If you press the [+] button, an “M” will appear at the left of
the selected part, and that part will be muted (i.e., it will not
be heard). If you press the [+] button once again, muting
Only the rhythm will be muted.
(The accompaniment will not be muted.)
The change you make to this setting will not be
applied until you select a song.
will be cleared.
fig.d-PartMute2.eps
NOTE
Changing the Song Playback Method
(Play Mode)
You can choose the way in which songs are played back on the
LX-10; one song at a time, or all songs successively.
If you press the [-] button, an “M” will appear at the left of
parts other than the selected part, and only the selected
part will be heard (“soloed”). Press the [-] button once again
Setting
Description
to clear this setting.
fig.d-PartMute3.eps
Songs will play one at a time.
When the selected song has played to the
end, playback will stop.
One Song
All internal preset songs, all songs in internal
memory, or all songs in USB memory will
continue being played consecutively.
All Song
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Various Settings
Changing the CD Settings
Metronome Setting
Setting the Type of CD To be Played
Back (CD/Audio Type)
Changing the Sound of the
Metronome (Metronome Sound)
The LX-10 may be unable to correctly recognize the type of CD
being used. In such instances, you can specify the type of CD
manually.
You can change the sound that’s played by the metronome. The
metronome will sound when you enter the setting screen.
Sound
Value
Auto
Description
Click, Electronic, Voice (Japanese), Voice (English), Animal,
Wood Block, Triangle & Castanets, Handclap
The CD type is detected automatically.
General CDs for Player Piano contain audio
and MIDI data, and the data format may vary
from one CD to the next. If the CD’s data
format does not match the LX-10’s settings,
a “beep” will sound. Certain general Piano
player CDs may not be playable on the LX-
10.
Type A
Type B
Changing How the Metronome Marks
the Beat (Metronome Pattern)
You can set the metronome to play at even smaller intervals.
The metronome will sound when you enter the setting screen.
Commercial Audio CD
Stereo
(CDs other than those designed for use with
the player piano)
Setting
Normal
Description
Usual sound
Note that some commercial player piano CDs cannot
be played back on the LX-10.
NOTE
dotted half note
half note
dotted quarter note
quarter note
Synchronizing the Timing of the Piano
and Accompaniment (CD/Audio Sync)
With certain CDs designed to be used with the player function,
the timing of the piano and accompaniment sounds may not be
synchronized.
dotted eighth note
eighth note
However, you can synchronize the piano and accompaniment.
sixteenth note
Value
0–100
Description
Double
Triplet
Shuffle
note added to back beat of the first beat
added notes sound the first beat as a triplet
notes added to create a shuffle
The piano sound is delayed more as the
value is increased.
The metronome will not sound if you are playing
audio data or a song from a music CD.
NOTE
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Various Settings
Sounding a Count Before the Melody
Begins (Countdown)
Keyboard Settings
will Affect (Transpose Mode)
A “count-down” is when a count is sounded at the end of the
song’s introduction (before you begin playing the keyboard). If
you will be playing along with the song, sounding a count will
help you match the timing of your playing with the song.
This setting specifies what the key transpose will affect.
You can use the key transpose to change the pitch of both the
song and the keyboard, the pitch of only the song, or the pitch of
only the keyboard.
Setting
Description
A count is sounded
A count is not sounded
On
Off
→ Key Transpose (p. 38), Playback Transpose (p. 58)
Setting
Keyboard
Song
Description
Keyboard notes
Song playback
Selecting the Count-down Sound
(Countdown Sound)
You can select the sound that will be used to play the count-
down.
Changing the Pitch of the Tone in
Octave Steps (Octave Shift)
Sound
Voice (English), Voice (Japanese)
You can change the pitch of the Tone 2 in Dual Play (p. 42) and
Lower Tone in Split Play (p. 45) an octave at a time.
Altering the pitch in one-octave units in this way is called “Octave
Shift.”
Selecting the Part that Will Begin the
Count-down (Countdown Part)
For example, you can raise the pitch of the Lower Tone to the
same pitch of the Upper Tone in Split Play.
Specifies the part that will determine the beginning of the
performance when adding a count-down.
Setting
The count will sound before the selected part begins playing.
-2–0–+2
Setting
Description
The range of available pitch change spans from two octaves
higher to two octaves lower.
Right & Left
Track
Right-hand and left-hand parts of a song
The pitch is lowered one octave each time the [-] button is
pressed, while each press of the [+] button raises the pitch by one
octave.
Left Track
Right Track
Part 1–16
Left-hand part of a song
Right-hand part of a song
Part 1–16
simultaneously.
When you select another song, this setting will return
to “Right & Left Track.”
Changing the Velocity When the Key
Touch is Set to “Fixed” (Fix Velocity)
NOTE
This sets the velocity the sound will have when the keyboard
touch (p. 32) is set to “Fixed.”
If you turn the keyboard’s touch sensitivity “Fixed,” all notes will
sound at a fixed loudness regardless of how strongly you play the
keyboard. The setting described below specifies the loudness in
this case.
Setting
1–127
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Pedal Settings
MIDI Settings
Here you can make various MIDI-related settings for the LX-10.
For more about MIDI, refer to “Connecting to MIDI Devices” (p.
94).
Changing How the Pedal Effects Are
Applied (Damper/Center/Left Pedal Part)
When you press the pedal during Dual play or Split play, the
pedal effect is normally applied to both tones, but you can also
select the tone to which the effect is to be applied. This setting
can be changed for each pedal.
Preventing Doubled Notes When
Connected to a Sequencer (Local Control)
When you have a MIDI sequencer connected, set this parameter
to Local Off.
Setting
Description
Since the Thru function of your sequencer will normally be
turned on, notes played on the keyboard or played back by the
recorder will be transmitted to the sound generator by the two
routes (1) and (2) shown in the illustration, causing notes to be
sounded in duplicate or to be cut off unnaturally. To prevent this,
Right & Left
All enabled
Applied only to the Tone 1 (in dual mode)/
Right-hand Tone (in split mode)
Right
Left
Applied only to the Tone 2 (in dual mode)/
Right-hand Tone (in split mode)
(1).
fig.LocalCntr.e
Local On
(1)
Changing How the Pedals Work
(Center/Left Pedal Func)
Sequencer
Memory
MIDI
OUT
MIDI
IN
Sound
Generator
When you turn on the power, the left pedal functions as the soft
pedal, and the center pedal functions as the sostenuto pedal (p.
22). You can change the function of the pedal to a variety of other
operations.
MIDI
OUT
MIDI
IN
Soft Thru On
(2)
Each note played is sounded twice
Function
Damper
Description
Local On: The keyboard and recorder are connected to the
Sets function to damper pedal.
Sets function to soft pedal.
internal sound generator.
fig.LocalOn.e
Soft
Sound is emitted
Sostenuto
Expression
Sets function to sostenuto pedal.
Allows control of the volume.
The pedal will have the same function as the
Sound Generator
Local On
Play/Stop
[
] button.
Effects can be switched on/off by pressing
the pedal instead of pressing the [Effects]
button. When effect type is rotary, you can
control the slow/fast of spinning.
Effect Sw
Local Off: The keyboard and recorder are not connected to the
internal sound generator. No sound will be produced
by the keyboard when it is played.
Bend Up
Pitch rises by pressing the pedal.
Pitch lowers by pressing the pedal.
Vibrato is added by pressing the pedal.
Bend Down
Modulation
fig.LocalOff.e
No sound produced
Pressing the pedal will layer on Tone 2, used
for Dual play.
Sound Generator
Local Off
Layer
*
The Layer function can be applied only when
using Dual play (p. 42).
Pressing the pedal will layer on a sound one
octave higher.
Octave
*
The Octave function cannot be applied while
using Twin Piano (p. 40), Dual play (p. 42), or
Split play (p. 45).
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Various Settings
Setting
Description
Other Settings
The setting is Local On.
On
Off
The keyboard and recorder are connected to
the internal sound generator.
Using the V-LINK Function (V-LINK)
The setting is Local Off.
Connecting the LX-10 to a V-LINK compatible image device
allows you to control the images with the LX-10.
The keyboard and recorder are not
connected to the internal sound generator.
Playing the keyboard or playing back a song
will not produce sound.
921
To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and turn
NOTE
off the power on all devices before making any
connections.
MIDI Transmit Channel Settings
(MIDI Transmit Ch.)
What is the V-LINK?
V-LINK (
) is a function that allows music and
This setting specifies the MIDI channel on which the LX-10 will
transmit.
images to be performed together. By using MIDI to connect two
or more V-LINK compatible devices, you can easily enjoy a wide
range of visual effects that are linked to the expressive elements
of a music performance.
MIDI uses sixteen “MIDI channels,” which are numbered 1
through 16.
By connecting MIDI devices and specifying the appropriate MIDI
channel for each device, you can play or select sounds on those
devices.
How to Use the V-LINK
The LX-10 will receive all sixteen channels (1–16).
1. Press the [V-LINK] button to switch the V-
LINK function On or off.
Off, 1–16
Setting
On
Off
Description
If you turn this “Off,” the LX-10 will not transmit MIDI
data.
The V-LINK function is switched on.
The V-LINK function is switched off.
For details on connecting MIDI devices, refer to
“Connecting to MIDI Devices” (p. 94).
When the V-LINK function is on, the V-LINK icon appears on
the screen.
fig.VLinkIcon.eps
Sending Recorded Performance Data
to a MIDI Device (Composer MIDI Out)
When Composer MIDI Out is “On,” you can send performance
data recorded with the LX-10 to a connected MIDI device or
computer.
You can control images using the twelve keys at the left
end of the keyboard.
Setting
Description
On
Off
Performance data is transmitted.
Performance data is not transmitted.
A0 B0 C1 D1 E1 F1 G1
A0 – G1#
While V-LINK is switched on, no sound is produced
NOTE
when you press any of the twelve keys at the left end
of the keyboard.
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Various Settings
Specifying the V-LINK Transmission
Channel
Changing the USB Driver Settings
(USB Driver)
Here’s how to specify the channel on which messages for
Normally, you don’t need to install a driver in order to connect
the LX-10 to your computer. However, if some problem occurs, or
if the performance is poor, using the Roland original driver may
solve the problem.
controlling video will be transmitted.
921
1. While holding down the [V-LINK] button,
press the [-] [+] buttons.
Specify the USB driver you want to use, and then install the
driver.
The screen for setting the V-LINK transmission channel
appears.
Setting
Description
Choose this if you want to use the standard
USB driver that was included with your
computer.
Generic
Normally, you should use this mode.
Choose this if you want to use a USB driver
downloaded from the Roland website.
Original
2. Use the [-] [+] buttons to specify the
transmission channel.
For details on downloading and installing the Roland
original driver, refer to the Roland website.
Roland website:
Setting
http://www.roland.com/
1–16
For details on connecting your computer via the USB
connector, refer to “Connecting a Computer” (p. 95)
With the factory settings, this is set to “16.”
This setting is remembered even when the power is
turned off.
Changing the External Memory Setting
(Ext. Memory Mode)
In some cases, when USB memory is connected to the external
memory connector, it may take longer for data to be loaded, or
data may fail to be loaded successfully. If this occurs, you may be
able to solve the problem by changing the external memory
setting.
Setting
Mode 1, Mode2
If you change this setting, turn on the power once again.
This setting is remembered even when the power is
turned off.
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Various Settings
Adjusting the Volume (Master Gain)
Changing the Parts Assigned to the
Track Buttons During SMF Playback
(Track Assign)
If you are playing the LX-10 through a connected external
system, there may be cases in which the volume from your
external system is too low even when the LX-10’s [Volume] knob
is turned to the maximum setting. In such cases, you can adjust
the master gain setting as follows.
Ordinarily, when playing back SMF music files for Roland Piano
Digital instruments (p. 110), the left-hand part is assigned to the
Track [Left] button, and the right-hand part is assigned to the
Track [Right] button. However, right-hand and left-hand part
assignments in certain SMF music files may differ.
Adjusting the master gain will also affect the volume of the
internal speakers and headphones.
The sound may distort if you increase the volume
NOTE
If these are set to “Auto,” and as a result you are unable to use the
track buttons to control the left- and right-hand parts (p. 54)
properly, change the setting to “2/1 Part” or “3/4 Part.”
excessively.
Setting
-12–0–12 dB
This setting can be used for SMF format songs other
NOTE
than the internal preset songs. It will not affect internal
preset songs.
Changing How Grand Space is Applied
(3D Mode)
Setting
Description
The part assigned to each track will be
determined automatically, depending on
the song file.
Auto
This specifies how 3D Sound Control (p. 33) will be applied.
Setting
Description
Assigns Part 1 to the [Right] button, Part 2 to
the [Left] button, and the remaining parts to
the [Accomp] button.
2/1 Part
When the headphones are connected, the
depth effect is optimized for headphones,
and when no headphones are connected,
the optimal depth for speakers is applied.
Auto
Assigns Part 4 to the [Right] button, Part 3 to
the [Left] button, and the remaining parts to
the [Accomp] button.
3/4 Part
The optimal depth for speakers is used,
regardless of whether or not headphones
are connected.
3D sound control is also applied to the
sound output from the Output connectors,
making this convenient when you want to
play through speakers connected to the
Output connectors.
After changing this setting, try selecting the song once
again.
NOTE
Speaker
Switching On/Off the Display of Lyrics
(Lyrics)
The optimal depth for headphones is used,
regardless of whether or not headphones
are connected.
Headphones
This lets you specify whether lyrics will be displayed in the screen
when you play back song data that contains lyrics.
Setting
Description
Lyrics will be displayed.
Lyrics will not be displayed.
On
Off
This is set to “On” at the factory.
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Various Settings
Switching VIMA TUNES Recommended
Tones (Recommended Tone)
Remembering the Settings
(Memory Backup)
You can connect a commercially available USB CD drive to the
LX-10, and play back separately sold CD-ROMs created for the
VIMA (VIMA TUNES).
Normally, the settings of the various variations will revert to their
default values when the power is turned off. However, you can
specify that the various settings will be remembered even when
the power is turned off.
Songs on VIMA CD-ROM (VIMA TUNES) are programmed with
“recommended tones” suitable for each song.
This function is called “Memory Backup.”
When you select a song from a VIMA CD-ROM (VIMA TUNES),
recommended tones will be assigned to the LX-10’s [Strings],
[Voice], and [Others] tone buttons, and these three tone buttons
will blink.
1. Hold down the [Effects] button and press the
[3D] button.
The LX-10 will enter Function mode.
When you press a flashing Tone button, the recommended tone
is then selected, enabling you to perform the selected song using
a tone matched to that song as it plays back.
2. Use the [▲] [▼] buttons to select “Memory
Backup.”
fig.d-FuncMenu-Backup.eps
You can set the LX-10 so that the recommended tones are
automatically assigned or not assigned.
Setting
Description
When you select a song from a VIMA CD-
ROM (VIMA TUNES), recommended tones
will automatically be assigned to the LX-10’s
[Strings], [Voice], and [Others] tone buttons.
On
Off
3. Press the [
The following appears in the display.
fig.d-Backup.eps
] button.
The recommended tones are not used, and
only the LX-10’s internal tones can be
selected.
This is set to “On” at the factory.
Changing the Language Displayed in
the Screen (Language)
If you decide to cancel without executing, press the [Piano
Designer] button.
You can change the language that is displayed in the screen.
4. If you’re sure you want to execute Memory
Settings
Backup, press [
].
A confirmation message appears in the screen.
fig.d-Backup2.eps
English, Japanese
If you decide to cancel without executing, press the
[
] button.
When the memory backup operation is completed, the
function mode menu screen will appear.
For details on the items that are memorized, refer to
NOTE
“Parameters Stored in Memory Backup” (p. 109).
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Various Settings
4. If you’re sure you want to execute Factory
Reset, press [ ].
Restoring the Settings to the Factory
Condition (Factory Reset)
A confirmation message appears in the screen.
fig.d-Reset2.eps
The settings you’ve changed in Function mode can be restored
to their factory-set condition. This operation is called “Factory
Reset.”
Execute this operation if you want the settings you’ve stored
using Memory Backup to be returned to their original state.
When you execute “Factory Reset,” all settings you’ve
5. Press the [ ] button.
NOTE
their factory-set condition.
If you decide to cancel without executing, press the
[
] button.
Executing this operation will not erase the songs from
internal memory or USB memory.
When the Factory Reset is complete and the following
appears in the screen.
If you want to erase all songs from the LX-10‘s internal
memory and all songs from USB memory, refer to
“Initializing the Memory” (p. 70).
fig.d-Reset3.eps
1. Hold down the [Effects] button and press the
[3D] button.
6. Turn the [Volume] knob all the way toward
the left to minimize the volume.
The LX-10 will enter Function mode.
2. Use the [▲] [▼] buttons to select “Factory
Reset.”
fig.d-FuncMenu-Reset.eps
7. Switch the power off, then back on.
3. Press the [
] button.
The following appears in the display.
fig.d-Reset.eps
If you decide to cancel without executing, press the [Piano
Designer] button.
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Various Settings
Disabling the Buttons (Panel Lock)
If you activate the Panel Lock function, all buttons will be locked
and non-functional. You can use this to prevent a child from
accidentally changing the settings by inadvertently pressing
buttons.
1. Press the [V-LINK] button and [File] button
simultaneously.
Panel Lock will be activated.
A key symbol will appear in the upper right of the screen,
and all buttons will be disabled.
Canceling the Panel Lock Function
Once again, press the [V-LINK] button and [File]
button simultaneously.
Panel Lock will be cancelled when you turn off the
power.
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Connecting to Other Devices
Connecting to Audio Equipment
You can connect audio devices to play the sound of the LX-10
926a
*
When connection cables with resistors are used, the
performance on a tape recorder or other recording device.
volume level of equipment connected to the input jacks
may be low. If this happens, use connection cables that
do not contain resistors.
Use phone plug audio cables (sold separately) to make
connections.
*
To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and turn off
the power on all devices before making any connections.
Before connecting audio cables to the bottom panel
NOTE
(the back edge of the LX-10’s bottom), you’ll need to
remove the rear board upper (p. 18).
Connecting Speakers to the LX-10 and Outputting Sounds
Output Jacks
Amplified Speakers,
Audio System, etc.
Input (Line In)
Turning Off the Power
1. Turn the volume all the way down on the LX-
10 and on the device you’re about to
connect.
1. Turn the volume all the way down on the LX-
10 and on the connected speakers.
2. Turn off the power to the LX-10 and
connected speakers.
2. Turn off the connected speakers.
3. Turn off the LX-10.
3. Use audio cables (sold separately) to make
the connection.
4. Switch on the LX-10.
5. Switch on the connected speakers.
6. Adjust the volume level on the LX-10 and the
connected speakers.
When you play the LX-10’s keyboard, the sound is played
from the connected speakers.
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Connecting to Other Devices
Playing Sounds of an Audio Device through the LX-10
Input jacks
Audio System, etc.
RCA pin-type Input jacks are located
to the lower left of the front of the
LX-10.
They provide a convenient way to
connect portable audio devices.
Output (Line Out)
Turning Off the Power
1. Turn the volume all the way down on the LX-
10 and on the audio device you’re about to
connect.
1. Turn the volume all the way down on the LX-
10 and on the connected speakers.
2. Turn off the power to the LX-10 and
connected audio device.
2. Turn off the LX-10.
3. Use audio cables (sold separately) to make
the connection.
3. Turn off the connected audio device.
4. Switch on the connected audio device.
5. Switch on the LX-10.
6. Adjust the volume level on the LX-10 and the
connected audio device.
The sounds from the connected audio device are played by
the LX-10.
Adjust the volume by using the controls of your audio
device.
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Connecting to Other Devices
Connecting to MIDI Devices
By connecting an external MIDI device and exchanging
performance data, you can control one device from the other. For
instance, you can output sound from the other instrument or
switch Tones on the other instrument.
Producing Sounds from a MIDI Sound
Module by Playing the LX-10
What’s MIDI?
MIDI, short for “Musical Instrument Digital Interface,” was
developed as a universal standard for the exchange of
performance data between electronic instruments and
computers.
The LX-10 is equipped with MIDI connectors to let it
exchange performance data with external devices. These
connectors can be used to connect the LX-10 to an external
device for even greater versatility.
MIDI Out
connector
Connecting a Computer to
the LX-10
MIDI cable
MIDI
OUT
THRU
IN
MIDI Sound Module
Making the Connection
1. Turn the volume all the way down on the LX-
10 and on the MIDI device you’re about to
connect.
MIDI Out/In
connector
2. Switch off the power to the LX-10 and the
MIDI device you’re about to connect.
3. Use a MIDI cables (sold separately) to connect
the MIDI connectors to each other.
MIDI cable
connected device.
OUT
MIDI
IN
connected device.
MIDI sequencer
When the LX-10 is connected to a MIDI sequencer, set
it to “Local Off.” Refer to “Preventing Doubled Notes
When Connected to a Sequencer (Local Control)” (p.
85).
6. You should also set the MIDI transmit
channel as needed.
NOTE
For details on the MIDI transmit channel, refer to “MIDI
Transmit Channel Settings (MIDI Transmit Ch.)” (p. 86).
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Connecting to Other Devices
Connecting a Computer
The following become possible once you connect a USB cable
(available separately) between the USB (MIDI) connector on the
LX-10’s Bottom panel (front bottom left) and the USB connector
of your computer.
If Connection to Your Computer is
Unsuccessful...
Normally, you don’t need to install a driver in order to connect
the LX-10 to your computer. However, if some problem occurs, or
•
You can use the LX-10 to play sounds from SMF music files
played back with MIDI software.
•
By exchanging MIDI data with sequencer software, you can
save songs recorded with the LX-10 to your computer, and
enjoy a variety of musical control and editing features.
For details on downloading and installing the Roland original
driver, refer to the Roland website.
Connect the LX-10 to your computer as shown below.
Roland website: http://www.roland.com/
Specify the USB driver you want to use, and then install the
driver. For details, refer to “Changing the USB Driver Settings
(USB Driver)” (p. 87).
Caution
•
To prevent malfunction and/or damage to speakers or
other devices, always turn down the volume, and turn
off the power on all devices before making any
connections.
USB connector
•
•
Only MIDI data can be transmitted using USB.
USB cables are not included. Consult your Roland dealer
if you need to purchase.
Computer
•
Turn on the power to the LX-10 before starting up MIDI
applications on the computer. Do not turn the LX-10 on
or off while any MIDI application is running.
USB cable
USB
connector
*
Refer to the Roland website for system requirements.
Roland website: http://www.roland.com/
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Troubleshooting
If you think there’s a problem, read this first.
Symptom
Cause/Action
Page
Power does not turn on
Is the power cord connected correctly?
p. 18
Since the LX-10 uses a liquid crystal screen, it may happen that no text or graphics
appear in the screen if the temperature is below zero degrees Celsius (32 degrees
Fahrenheit).
Nothing appears in the screen
—
Is the pedal connected correctly?
Plug the cable firmly into the pedal connector.
p. 18
If you disconnect the pedal cable from the LX-10 while the power is on, the pedal
effect may remain “stuck” in the On condition.
You must power-off the LX-10 before connecting or disconnecting the pedal
cable.
Pedal does not work, or is
“stuck”
—
If you’ve switched the function of the soft pedal or sostenuto pedal, these pedals
will not operate as the soft pedal or sostenuto pedal.
p. 85
—
Are you using (optional) Roland USB memory?
Reliable performance cannot be guaranteed if you use non-Roland USB memory
products.
Unable to read from/write to
USB memory
If you are unable to read or write USB memory successfully, change the External
Memory setting.
p. 87
—
“Buzz” is heard from external
devices
Are the external devices connected to more than one AC power outlet?
If you connect external devices, be sure to connect them to the same AC outlet.
Device connected to the Input
jacks have insufficient volume
Could you be using a connection cable that contains a resistor?
Use a connection cable that does not contain a resistor.
—
No sound
Is the speaker cable connected correctly?
p. 18
p. 21
Could the LX-10’s volume or the volume of the connected equipment be turned
down?
Could headphones be connected?
Could there be a plug inserted in a headphone jack?
The speakers will not produce sound if headphones or plug are connected to the
headphone jacks.
No sound
p. 23
p. 85
Has Local Control been set to “Off”?
When Local Control is set to Off, no sound is produced by playing the keyboard.
Set Local Control to On.
Has Local Control been set to “Off”?
When Local Control is set to Off, no sound is produced by playing back a song. Set
Local Control to On.
p. 85
p. 55
p. 86
No sound when you play back a
song
Could the song volume be set to “0”?
Is V-LINK switched on?
When V-LINK is on, the lowest twelve notes of the keyboard are used to control
the image, and will not produce sound.
No sound from the leftmost
notes of the keyboard
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Troubleshooting
Symptom
Cause/Action
Page
—
Are all devices powered on?
No sound (when a MIDI device is
connected)
Are the MIDI cables connected correctly?
p. 94
p. 86
Do the MIDI channels of the LX-10 and the connected device match?
The maximum simultaneous polyphony is 128 notes. If you are playing along with
a song and making heavy use of the damper pedal, the number of notes the LX-
10 is attempting to produce may exceed the maximum polyphony, meaning that
some of the notes will drop out.
Not all the notes you play are
sounded
—
Notes don’t sound right
Sound is not loud enough
Is the speaker cable connected correctly?
p. 18
Only the high sounds are heard
Could you have made Key Transpose settings?
Is the Master Tune setting appropriate?
Is the setting for the Temperament correct?
Is the settings for the Stretch Tuning correct?
Is the LX-10 in Dual performance?
p. 38
p. 80
p. 31
p. 30
p. 42
Pitch of the keyboard or song is
incorrect
Sounds are heard twice
(doubled) when the keyboard is
played
When the LX-10 is connected to an external sequencer, set the Local Control to
off. Alternatively, the sequencer could be set so its Soft Thru feature is Off.
p. 85
INSTRUMENT buttons [Strings] [Voice] [Others] also operate as buttons that select
“Recommended Tones.”
With the factory settings, connecting a commercially-available CD-ROM drive to
the external memory connector and selecting a song from a CD-ROM produced
for the VIMA (VIMA TUNES) will automatically cause sounds appropriate for that
song to be assigned to the [Strings], [Voice], and [Others] Tone buttons, so that
you can select “recommended” sounds by pressing one of these buttons.
You can also make settings so that “recommended” sounds are not automatically
assigned.
The wrong instrument is
selected when you press the
[Strings], [Voice], or [Others]
button
p. 89
When you are using Dual performance or Split performance, and different effects
are specified for the two selected tones, the effect will not be applied to Tone 2
(when using Dual performance) or the left-hand tone (when using Split
performance).
Effect does not apply
—
—
The LX-10’s piano sound faithfully simulates the depth and resonance of an
acoustic piano, and this may give the impression of reverberation even if you’ve
defeated the Reverb effect.
Reverberation remains even if
You defeat the Reverb effect
On an acoustic piano, the approximately one and a half octaves of notes at the
top of the keyboard will continue sounding regardless of the damper pedal.
These notes also have a somewhat different tonal character. LX-10 faithfully
simulate this characteristic of acoustic pianos. On the LX-10, the range that is
unaffected by the damper pedal will change according to the key transpose
setting.
The sound of the higher notes
suddenly changes from a certain
key
—
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Troubleshooting
Symptom
Cause/Action
Is the speaker cable connected correctly?
Page
p. 18
If you hear this in headphones:
Piano sounds that have a brilliant and crisp character contain substantial high-
frequency components that may sound as though a metallic ringing has been
added. This is because the character of an actual piano is being faithfully
reproduced, and is not a malfunction. This ringing is more obtrusive if the reverb
effect is applied heavily, so you may be able to minimize it by decreasing the
reverb.
High-pitched ringing is heard
—
If you don’t hear this in headphones:
It is likely that there is some other reason (such as resonances within the unit).
Please contact your dealer or a nearby Roland service center.
If you don’t hear this in headphones:
Performing at high volumes may cause the speakers or objects near the LX-10 to
resonate. Fluorescent lights or glass doors may also resonate sympathetically. In
particular, this is more likely to occur for lower notes and higher volumes. You can
take the following measures to minimize resonances.
• Locate the speakers 10–15 cm away from walls or other surfaces.
• Keep the volume down.
—
• Move away from the objects that are resonating.
Low notes sound wrong, or are
buzzy
If you hear this in headphones:
It is likely that there is some other reason. Please contact your dealer or a nearby
Roland service center.
If you set the volume to the maximum setting, the sound may be distorted
depending on how you perform.
If this occurs, turn down the volume.
p. 21
p. 88
Alternatively, lower the master gain.
Song does not play correctly
Could the screen be indicating “OK to delete Song?”
You can’t play back an internal song if internal memory contains performance
data you recorded. Erase the performance data you recorded before you play
back the song.
p. 26
p. 69
Song won’t play
Could a track be muted?
If the button indicator is out, the music on that track is not heard. Press the track
p. 54
p. 82
Only the sound of a particular
instrument in a song does not
play
button so the indicator is illuminated.
Could the Part Mute setting be active?
Muted parts will not be heard.
Sound is heard from a muted
track
Could the track mute volume be set to other than “0”?
If you set this to “0,” the sound of a muted track will be completely inaudible.
p. 55
p. 55
—
Song volume is low
Could the song volume be lowered?
When playing a song from USB memory, the tempo may become unstable if there
is an excessive amount of performance data.
Song tempo becomes unstable
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Troubleshooting
Symptom
Cause/Action
Page
Is the audio data of a type that the LX-10 can play?
Refer to “Audio data that the LX-10” can play.
p. 99
Can’t play back a song saved in
USB memory
Is the filename extension “MID”?
—
Files with other filename extensions cannot be handled as song data.
The song name will not be shown if the song information in the file is empty or
consists only of spaces.
—
—
Song name in USB memory is not
shown
Is the filename extension “MID”?
Files with other filename extensions cannot be handled as song data.
Can’t record / play back
Has one of the track buttons for recording been selected?
p. 63
p. 67
Can’t record
Your recorded performance will disappear if you switch off the LX-10’s power or
select a song.
The recorded performance
disappeared
p. 73
There is no way to recover the lost performance. Before you turn off the power,
save your recorded performance in internal Memory.
Audio data that the LX-10 can play
● WAV
Sampling frequency
Bit depth
44.1kHz
16 bit
.wav
File name extension
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Error Messages
Indication
Meaning
You can only read the music file. It can not be saved.
An error occurred during writing.
Error: 1
Error: 2
The external media’s protect tab may be in the “Protect” (writing prohibited) position, or the external
media may not yet be initialized.
Error: 10
Error: 11
No external media is inserted. Insert the external media and try again.
There is not sufficient free memory in the save destination. Either insert other external media or delete
unneeded files and try again.
An error occurred during writing. The external media may be corrupted. Insert other external media and
try again. Alternatively, you can initialize the external media.
Error: 14
Error: 15
Error: 16
The file is unreadable. The data format is not compatible with the LX-10.
Data was not called up in time for playback of the song. After waiting several seconds, you may be able
to play back the song by pressing the [
] button again.
This audio format is not supported.
Error: 18
Use audio data of a type that is supported.
For details on audio data formats, refer to “Audio data that the LX-10 can play” (p. 99).
The internal memory capacity of the LX-10 is full.
Error: 30
Error: 40
The LX-10 cannot deal with the excessive MIDI data sent from the external MIDI device. Reduce the
amount of MIDI data sent to the LX-10.
Error: 41
Error: 43
A MIDI cable has been disconnected. Connect it properly and securely.
A MIDI transmission error has occurred. Check the MIDI cable and connected MIDI device.
There may be a problem with the system. Repeat the procedure from the beginning. If it is not solved
after you have tried several times, contact the Roland service center.
Error: 51
Error: 65
The External Memory port was subjected to excessive current. Make sure that there is no problem with
the external media, then turn the power off, then on again.
* External Media: USB memory, Floppy Disk, CD-ROM, etc.
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Tone List
Piano
Organ
Voice
001
002
003
004
005
006
007
008
009
010
011
Grand Piano1
Piano + Str.
001
002
003
004
005
006
007
008
009
010
011
012
ChurchOrgan1
ChurchOrgan2
Combo Jz.Org
Ballad Organ
Accordion
001
002
003
004
005
006
007
008
009
010
011
012
013
Aerial Choir
Jazz Scat
Harpsichord
Grand Piano2
Piano + Pad
Grand Piano3
MagicalPiano
Rock Piano
Harpvox
Glass Pad
Angels Choir
Beauty Vox
Soft Pad
Nason flt 8’
Gospel Spin
Full Stops
Female Aahs
Male Aahs
Thum Voice
Lunar Strngs
Decay Choir
Dcy ChoirPad
Piano+Choir
Honky-tonk
Coupled Hps.
Mellow Bars
Light Organ
Lower Organ
’60s Organ
*
*
E.Piano
Strings
001
002
003
004
005
006
007
008
009
010
011
012
013
014
015
Pop E.Piano
Vintage EP
FM E.Piano
Vibraphone
EP Belle
001
002
003
004
005
006
007
008
009
010
011
012
Rich Strings
OrchestraStr
Orchestra
ChamberWinds
Harp
Celesta
’60s E.Piano
Clav.
Violin
Velo Strings
Flute
Mallet Isle
Morning Lite
Marimba
Cello
OrchestraBrs
PizzicatoStr
DecayStrings
Stage Phaser
Ballad Bells
’70s E.Piano
E.Grand
*
*
Tones indicated by ”*” are suitable for playing layered with a piano tone.
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Tone List
Others
033
034
035
036
037
038
039
040
041
042
043
044
045
046
047
048
049
050
051
052
053
054
055
056
057
058
059
060
061
062
063
064
065
066
067
068
069
Detuned EP 2
St.FM EP
070
071
072
073
074
075
076
077
078
079
080
081
082
083
084
085
086
087
088
089
090
091
092
093
094
095
096
097
098
099
100
101
102
103
104
105
106
Harmonica
Bandoneon
Nylon-str.Gt
Ukulele
001
002
003
004
005
006
007
008
009
GM2
010
011
012
013
014
015
016
017
018
Nylon-str.Gt
EP Legend
EP Phase
Steel-str.Gt
Jazz Guitar
AcousticBass
A.Bass+Cymbl
FingeredBass
BrassSection
Alto Sax
Harpsichord
Coupled Hps.
Harpsi.w
Nylon Gt o
Nylon Gt 2
Steel-str.Gt
12-str.Gt
Harpsi.o
Clav.
Mandolin
Pulse Clav.
Celesta
Steel+Body
Jazz Guitar
Hawaiian Gt
Clean Guitar
Chorus Gt 1
Mid Tone Gt
Muted Guitar
Funk Guitar1
Funk Guitar2
Chorus Gt 2
Overdrive Gt
Guitar Pinch
DistortionGt
Gt Feedback1
Dist.Rtm Gt
Gt Harmonics
Gt Feedback2
AcousticBass
FingeredBass
Finger Slap
Picked Bass
FretlessBass
Slap Bass 1
Slap Bass 2
Synth Bass 1
WarmSyn.Bass
Synth Bass 3
Clav.Bass
Tenor Sax
Glockenspiel
Music Box
Vibraphone
Vibraphone w
Marimba
STANDARD Set
ROOM Set
POWER Set
ELEC.Set
ANALOG Set
JAZZ Set
Marimba w
Xylophone
TubularBells
Church Bell
Carillon
BRUSH Set
ORCH.Set
SFX Set
*
010–018 are drum sets. Refer to p.
105–p. 107 for details on the
sounds in the drum sets.
Santur
Organ 1
019
020
021
022
023
024
025
026
027
028
029
030
031
032
Piano 1
TremoloOrgan
’60s Organ
Organ 2
Piano 1w
Piano 1d
Piano 2
Perc.Organ 1
Chorus Organ
Perc.Organ 2
Rock Organ
Church Org.1
Church Org.2
Church Org.3
Reed Organ
Puff Organ
Accordion 1
Accordion 2
Piano 2w
Piano 3
Piano 3w
Honky-tonk
Honky-tonk w
E.Piano 1
Detuned EP 1
Vintage EP
’60s E.Piano
E.Piano 2
102
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Tone List
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
Hammer
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
Tuba
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
SequencedSaw
Syn.Calliope
Chiffer Lead
Charang
Synth Bass 2
Synth Bass 4
RubberSyn.Bs
Attack Pulse
Violin
MuteTrumpet1
MuteTrumpet2
French Horn1
French Horn2
Brass 1
Wire Lead
Solo Vox
Slow Violin
Viola
Brass 2
5th Saw Lead
Bass+Lead
Delayed Lead
Fantasia
Synth Brass1
Synth Brass3
AnalogBrass1
Jump Brass
Synth Brass2
Synth Brass4
AnalogBrass2
Soprano Sax
Alto Sax
Cello
Contrabass
Tremolo Str.
PizzicatoStr
Harp
Warm Pad
Sine Pad
Polysynth
Space Voice
Itopia
Yang Qin
Timpani
Strings
Bowed Glass
Metallic Pad
Halo Pad
Orchestra
’60s Strings
Slow Strings
Syn.Strings1
Syn.Strings3
Syn.Strings2
Choir 1
Tenor Sax
Baritone Sax
Oboe
Sweep Pad
Ice Rain
English Horn
Bassoon
Soundtrack
Crystal
Clarinet
Piccolo
Synth Mallet
Atmosphere
Brightness
Goblins
Choir 2
Flute
Voice
Recorder
Humming
Synth Voice
Analog Voice
OrchestraHit
Bass Hit
Pan Flute
Bottle Blow
Shakuhachi
Whistle
Echo Drops
Echo Bell
Echo Pan
Star Theme
Sitar 1
Ocarina
6th Hit
Square Lead1
Square Lead2
Sine Lead
Euro Hit
Sitar 2
Trumpet
Banjo
Dark Trumpet
Trombone 1
Trombone 2
Bright Tb
Saw Lead 1
Saw Lead 2
Doctor Solo
Natural Lead
Shamisen
Koto
Taisho Koto
Kalimba
103
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Tone List
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
Bagpipe
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
Helicopter
Car Engine
Car Stop
Car Pass
Fiddle
Shanai
Tinkle Bell
Agogo
Car Crash
Siren
Steel Drums
Woodblock
Castanets
Taiko
Train
Jetplane
Starship
Concert BD
Melodic Tom1
Melodic Tom2
Synth Drum
TR-808 Tom
Elec.Perc.
Reverse Cym.
Gt FretNoise
Gt Cut Noise
BsStringSlap
Breath Noise
Fl.Key Click
Seashore
Rain
Burst Noise
Applause
Laughing
Screaming
Punch
Heart Beat
Footsteps
Gun Shot
Machine Gun
Laser Gun
Explosion
*
In the tone group “Others” when you
hold down the [-] or [+] button to
switchtone in succession, the tones will
stop changing at number 010 and
number 019.
Thunder
Wind
To select the next sound, release the
[-] or [+] button, then press it again.
Stream
Bubble
Bird 1
Dog
Horse Gallop
Bird 2
Telephone 1
Telephone 2
DoorCreaking
Door
Scratch
Wind Chimes
104
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Tone List
Standard Set
Room Set
Power Set
Electronic Set
27
High-Q
Slap
High-Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Room Kick 1
Side Stick
High-Q
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 1
Power Kick
Side Stick
Power Snare
Hand Clap
Electric Snare 5
Power Low Tom 2
Closed Hi-Hat 2
Power Low Tom 1
Pedal Hi-Hat 2
Power Mid Tom 2
Open Hi-Hat 2
Power Mid Tom 1
Power High Tom 2
Crash Cymbal 3
Power High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
High-Q
Slap
28
29
31
33
35
36
38
40
41
43
45
47
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Kick Drum 2
Kick Drum 1
Side Stick
Snare Drum
Hand Clap
Electric Snare 3
Low Tom 2
Closed Hi-Hat 1
Low Tom 1
Pedal Hi-Hat 1
Mid Tom 2
Open Hi-Hat 1
Mid Tom 1
High Tom 2
Crash Cymbal 1
High Tom 1
Ride Cymbal 1
Chinese Cymbal 1
Ride Bell 1
Tambourine
Splash Cymbal
Cowbell
[EXC7]
[EXC7]
[EXC7]
[EXC7]
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Power Kick
Electric Kick
Side Stick
[EXC7]
[EXC7]
30
32
34
C2
37
39
Room Snare
Hand Clap
Electric Snare 1
Hand Clap
Electric Snare 2
Electric Snare 4
Room Low Tom 2
Closed Hi-Hat 2
Room Low Tom 1
Pedal Hi-Hat 2
Room Mid Tom 2
Open Hi-Hat 2
Room Mid Tom 1
Room High Tom 2
Crash Cymbal 3
Room High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Electric Low Tom 2
Closed Hi-Hat 2
Electric Low Tom 1
Pedal Hi-Hat 2
Electric Mid Tom 2
Open Hi-Hat 2
Electric Mid Tom 1
Electric High Tom 2
Crash Cymbal 3
Electric High Tom 1
Ride Cymbal 3
Reverse Cymbal
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
[EXC1]
42
44
46
C3 48
50
49
51
52
53
54
56
58
55
57
Crash Cymbal 2
Vibraslap
59
Ride Cymbal 2
High Bongo 1
Low Bongo 1
Mute High Conga 1
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
C4 60
62
61
63
64
65
66
68
70
67
69
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
71
C5 72
74
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
73
75
76
77
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
78
80
82
79
81
83
Jingle Bell
Jingle Bell
Jingle Bell
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
C6 84
86
85
87
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
88
*
*
- - - - - : No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
105
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Tone List
Analog Set
Jazz Set
Brush Set
Orchestra Set
27 High-Q
High-Q
Slap
High-Q
Slap
Closed Hi-Hat 2
Pedal Hi-Hat 2
Open Hi-Hat 2
Ride Cymbal 3
Sticks
Square Click
Metronome Click
Metronome Bell
Concert Bass Drum 2
Concert Bass Drum 1
Side Stick
Concert Snare Drum
Castanets
Concert Snare Drum
Timpani F
Timpani F#
Timpani G
Timpani G#
Timpani A
Timpani A#
Timpani B
Timpani C
Timpani C#
Timpani D
[EXC1]
[EXC1]
[EXC1]
28
29
31
33
35
36
38
40
41
43
45
47
Slap
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
TR-808 Kick 2
TR-808 Kick 1
TR-808 Rim shot
TR-808 Snare
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
[EXC7]
[EXC7]
Scratch Push
Scratch Pull
Sticks
Square Click
Metronome Click
Metronome Bell
Room Kick 2
Jazz Kick
Side Stick
Brush Tap
Brush Slap1
Brush Swirl
Brush Low Tom 2
Brush Closed Hi-Hat [EXC1]
Brush Low Tom 1
Brush Pedal Hi-Hat [EXC1]
Brush Mid Tom 2
Brush Open Hi-Hat [EXC1]
Brush Mid Tom 1
Brush High Tom 2
Jazz Crash Cymbal
Brush High Tom 1
Jazz Ride Cymbal 1
Chinese Cymbal 2
Jazz Ride Cymbal 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
[EXC7]
[EXC7]
30
32
34
C2
Side Stick
Jazz Snare
Hand Clap
37
39 Hand Clap
Electric Snare 6
TR-808 Low Tom 2
Electric Snare 7
Jazz Low Tom
Closed Hi-Hat 2
Low Tom 1
Pedal Hi-Hat 2
Mid Tom 2
Open Hi-Hat 2
Jazz Mid Tom
Jazz High Tom 2
Crash Cymbal 3
Jazz High Tom 1
Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Tambourine
Splash Cymbal
Cowbell
Crash Cymbal 4
Vibraslap
Ride Cymbal4
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Closed Hi-Hat 1 [EXC1]
TR-808 Low Tom 1
TR-808 Closed Hi-Hat 2 [EXC1]
TR-808 Mid Tom 2
TR-808 Open Hi-Hat [EXC1]
TR-808 Mid Tom 1
[EXC1]
[EXC1]
[EXC1]
42
44
46
TR-808 High Tom 2
C3 48
50
TR-808 Crash Cymbal
TR-808 High Tom 1
49
51 Ride Cymbal 3
Chinese Cymbal 2
Ride Bell 2
Timpani D#
Timpani E
Timpani F
52
53
Tambourine
Tambourine
Splash Cymbal
Cowbell
Concert Cymbal 2
Vibraslap
Concert Cymbal 1
High Bongo 2
Low Bongo 2
Mute High Conga 2
Open High Conga
Low Conga
High Timbale
Low Timbale
High Agogo
Low Agogo
Cabasa
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
54
56
58
Splash Cymbal
TR-808 Cowbell
Crash Cymbal 4
Vibraslap
55
57
59
Ride Cymbal4
High Bongo 2
Low Bongo 2
TR-808 High Conga
C4 60
62
61
63 TR-808 Mid Conga
TR-808 Low Conga
High Timbale
64
65
Low Timbale
High Agogo
Low Agogo
Cabasa
TR-808 Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
66
68
70
67
69
Maracas
Short High Whistle [EXC2]
Long Low Whistle [EXC2]
71
C5 72
74
Short Guiro
Long Guiro
[EXC3]
[EXC3]
Short Guiro
Long Guiro
Claves
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
[EXC3]
73
75 Claves
76
High Woodblock
High Woodblock
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
Low Woodblock
Mute Cuica
Open Cuica
Mute Triangle
Open Triangle
Shaker
77
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
[EXC4]
[EXC4]
[EXC5]
[EXC5]
78
80
82
79
81
83
Jingle Bell
Jingle Bell
Jingle Bell
Jingle Bell
Bar Chimes
Castanets
Mute Surdo
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
Bar Chimes
Castanets
Mute Surdo
Open Surdo
-----
Bar Chimes
Castanets
Mute Surdo
Open Surdo
Applause
C6 84
86
85
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
[EXC6]
87 Open Surdo
-----
88
*
*
- - - - - : No sound.
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
106
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Tone List
SFX Set
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
-----
27
28
29
31
33
35
36
38
40
41
43
45
47
30
32
34
C2
37
39
High Q
Slap
Scratch Push [EXC7]
Scratch Pull [EXC7]
Sticks
42
44
46
Square Click
Metronome Click
Metronome Bell
Guitar Fret Noise
Guitar Cutting Noise Up
Guitar Cutting Noise Down
String Slap of Double Bass
Fl.Key Click
Laughing
Screaming
Punch
Heart Beat
Footsteps 1
Footsteps 2
Applause
Door Creaking
Door
C3 48
50
49
51
52
53
54
56
58
55
57
59
C4 60
62
Scratch
61
63
Wind Chimes
Car-Engine
Car-Stop
Car-Pass
Car-Crash
Siren
64
65
66
68
70
67
Train
69
Jet Plane
Helicopter
Starship
71
Gun Shot
Machine Gun
Laser Gun
Explosion
Dog
C5 72
74
73
75
76
Horse-Gallop
Birds
Rain
Thunder
Wind
Seashore
Stream
77
78
80
82
79
81
83
Bubble
-----
-----
-----
C6 84
86
85
87
88
-----
*
- - - - - : No sound.
*
[EXC]: will not sound simultaneously with other percussion instruments of the same number.
107
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Internal Song List
No.
1
Song Name
Die Forelle (Schubert=Liszt)
Nocturne No.20
Reflets dans l'Eau
My Pleasure
No.
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
Song Name
Prélude, op.28-15
No.
69
70
71
72
73
74
Song Name
Sonatine op.20-1 (Kuhlau)
Sonatine No.5 (Beethoven)
Late Night Chopin
Fly Flee
2
Harmonious Blacksmith
Ungarische Tänze 5
Türkischer Marsch (Beethoven)
Nocturne No.2
3
4
5
La Fille aux Cheveux de Lin
La Campanella
Leveil de lamour
6
Frühlingslied
Preludelight
7
Trio Grande
Präludium
*
All rights reserved. Unauthorized use of
this material for purposes other than
private, personal enjoyment is a
violation of applicable laws.
8
Wedding Song
Jägerlied
9
Scherzo No.2
Menuet Antique
Für Elise
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
Étude, op.10-12
Sonate No.15
982
*
No data for the music that is played will
be output from MIDI OUT.
Türkischer Marsch (Mozart)
Ständchen
Liebesträume 3
Étude, op.10-3
Humoreske
Je te veux
Blumenlied
Valse, op.64-1
Alpenglöckchen
Menuett G dur (Beethoven)
Venezianisches Gondellied
Alpenabendröte
Farewell to the Piano
Brautchor
Golliwog’s Cakewalk
Fantaisie-Impromptu
Arabesque 1
An der schönen, blauen Donau
Auf Flügeln des Gesanges
Mazurka No.5
Battle of Waterloo
Wiener Marsch
Gymnopédie 1
Étude, op.25-1
Le Coucou
Clair de Lune
Menuett G dur (Bach)
Spinnerlied
Étude, op.10-5
Dr. Gradus ad Parnassum
Grande Valse Brillante
La priére d’une Vierge
Course en Troïka
To The Spring
Gavotte
Heidenröslein
Zigeuner Tanz
La Cinquantaine
Csikos Post
Valse, op.64-2
Dolly’s Dreaming Awakening
La Violette
Radetzky Marsch
Träumerei
Fröhlicher Landmann
Sonatine op.36-1 (Clementi)
Moments Musicaux 3
108
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Parameters Stored in Memory Backup
Open/close lid
Key Touch
p. 30
p. 30, p. 32
p. 30
p. 30
p. 30
p. 30, p. 80
p. 30
p. 30
p. 30
p. 30
p. 30
p. 30
p. 30
p. 81
p. 82
p. 83
p. 84
p. 84
p. 85
p. 86
p. 88
p. 88
p. 88
p. 89
p. 87
p. 33
p. 34
p. 35
p. 44
p. 47
p. 41
Key Touch Offset
Hammer Response
Hammer Noise
Master Tuning
Piano Designer Settings
Temperament (Temperament, Tonic)
Stretch Tuning
Damper Resonance
Damper Noise
Duplex Scale
String Resonance
Key Off Resonance
Equalizer (On/Off, Parameter Settings)
Play Mode
Metronome Sound
Countdown Sound
Transpose Mode
Function Mode Settings
Damper Pedal Part
MIDI Transmit Ch.
3D Mode
Track Assign
Lyrics
Language
V-LINK Transmit Ch.
3D Sound Control (On/Off, Depth)
Dynamics Sound Control (Type)
Reverb (On/Off, Depth)
Dual Balance
Other Settings
Split Point
Twin Piano Mode
Settings stored immediately, whenever a
change is made (Memory Backup
procedure not needed)
USB Driver Setting
Ext. Memory Mode
p. 87
p. 87
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Music Files That the LX-10 Can Use
What Are Music Files?
Music files contains musical information such as how long the
General MIDI
The General MIDI is a set of recommendations which seeks to
key for a corresponding pitch is played, the force applied to the
key played, and other such information. When the performance
data (music file) is sent by your computer or similar device, the
song will be played exactly as specified by the data. This is
different than a audio CD, since the music file does not contain a
recording of the sound itself. This makes it possible to change
tempos and keys freely, allowing you to use it in many different
ways.
provide a way to go beyond the limitations of proprietary
designs, and standardize the MIDI capabilities of sound
generating devices. Sound generating devices and music files
that meets the General MIDI standard bears the General MIDI
logo. Music files bearing the General MIDI logo can be played
back using any General MIDI sound generating unit to produce
essentially the same musical performance.
General MIDI 2
Regarding Copyright
The upwardly compatible General MIDI 2 recommendations pick
up where the original General MIDI left off, offering enhanced
expressive capabilities, and even greater compatibility. Issues
that were not covered by the original General MIDI
recommendations, such as how sounds are to be edited, and
how effects should be handled, have now been precisely defined.
Moreover, the available sounds have been expanded. General
MIDI 2 compliant sound generators are capable of reliably
playing back music files that carry either the General MIDI or
General MIDI 2 logo.
Use of the song data supplied with the CD-ROM attached to this
product for any purpose other than private, personal enjoyment
without the permission of the copyright holder is prohibited by
law. Additionally, this data must not be copied, nor used in a
secondary copyrighted work without the permission of the
copyright holder.
Please be aware that if you create derivative works that are based
on existing copyrighted material, such as commercially available
SMF music files, such works may violate copyright law if used for
any purpose other than personal enjoyment. Roland takes no
responsibility for any copyright violation you may commit by
creating such works.
In some cases, the conventional form of General MIDI, which
does not include the new enhancements, is referred to as
“General MIDI 1” as a way of distinguishing it from General MIDI
2.
The LX-10 Allows You To Use the Following
Music Files
GS Format
The GS Format is Roland’s set of specifications for standardizing the
performance of sound generating devices. In addition to including
support for everything defined by the General MIDI, the highly
compatible GS Format additionally offers an expanded number of
sounds, provides for the editing of sounds, and spells out many
details for a wide range of extra features, including effects such as
reverb and chorus. Designed with the future in mind, the GS
Format can readily include new sounds and support new hardware
features when they arrive. Since it is upwardly compatible with the
General MIDI, Roland’s GS Format is capable of reliably playing back
GM Scores equally as well as it performs GS music files (music files
that have been created with the GS Format in mind).
VIMA TUNES
VIMA TUNES is a Roland specification for music files that contains
image and lyric data, allowing you to enjoy songs with lyrics and
images simultaneously. When data bearing the “VIMA TUNES” logo
is played back on a device that bears the same logo, lyrics can be
shown on the screen of a connected external display or television,
letting you enjoy karaoke or watch a slide show.
*
This instrument (LX-10) is not able to play back VIMA TUNES
images.
XGLite
SMF Music Files
XG is a tone generator format of YAMAHA Corporation, that
defines the ways in which voices are expanded or edited and the
structure and type of effects, in addition to the General MIDI 1
specification. XGlite is a simplified version of XG tone generation
format. You can play back any XG music files using an XGlite tone
generator. However, keep in mind that some music files may play
back differently compared to the original files, due to the
reduced set of control parameters and effects.
SMFs (Standard MIDI Files) use a standard format for music file that
was formulated so that files containing music file could be widely
compatible, regardless of the manufacturer of the listening device.
An enormous variety of music is available, whether it be for
listening, for practicing musical instruments, for Karaoke, etc.
SMF with Lyrics
“SMF with Lyrics” refers to SMF (Standard MIDI File) that contains
the lyrics. When Music Files carrying the “SMF with Lyrics” logo
are played back on a compatible device (one bearing the same
logo), the lyrics will appear in its display.
The LX-10 come equipped with GM 2/GS sound generators.
110
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MIDI Implementation Chart
DIGITAL PIANO
Model LX-10
Date : Oct. 1, 2008
Version : 1.00
MIDI Implementation Chart
Transmitted
Recognized
Remarks
Function...
Basic
Channel
Default
Changed
1
1–16
1–16
1–16
Default
Messages
Altered
Mode 3
x
**************
Mode 3
Mode 3, 4 (M=1)
* 2
Mode
Note
Number :
15–113
**************
0–127
0–127
True Voice
Note ON
Note OFF
O
O
O
O
Velocity
*1
*1
After
Touch
Key’s
Ch’s
x
x
O
O
Pitch Bend
O
O
0, 32
O
O
x
O
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
*1
Bank select
Modulation
Portamento time
Data entry
1
O
5
6, 38
7
O
x
O
x
x
O
Volume
10
O
Panpot
11
O
O
x
O
Expression
Hold 1
Control
Change
64
O
65
O
Portamento
Sostenuto
66
O
O
x
O
67
O
Soft
84
O
Portamento control
Effect1 depth
Effect3 depth
NRPN LSB, MSB
RPN LSB, MSB
91
O
x
O (Reverb)
93
O (Chorus)
98, 99
100, 101
x
O
O
*1
*1
x
Prog
Change
0–127
**************
O
0–127
: True #
Program number 1–128
System Exclusive
O
O
: Song Pos
: Song Sel
: Tune
x
x
x
x
x
x
System
Common
System
Real Time
: Clock
: Commands
O
O
x
x
x
x
x
x
O
x
O (120, 126, 127)
: All sound off
O
:
Reset all controllers
Aux
Message
O
: Local Control
: All Notes OFF
: Active Sense
: Reset
O (123–125)
O
x
* 1 O x is selectable by Sys Ex.
* 2 Recognized as M=1 even if M=1.
Notes
Mode 1 : OMNI ON, POLY
Mode 3 : OMNI OFF, POLY
Mode 2 : OMNI ON, MONO
Mode 4 : OMNI OFF, MONO
O : Yes
X : No
111
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Main Specifications
LX-10: Digital Piano
<Keyboard>
Keyboard
88 keys (PHA II ivory feel Keyboard with Escapement)
Touch: 100 levels / Fixed Touch (level adjustable)
Hammer Response: 10 levels
Touch Sensitivity
Keyboard Mode
Whole, Dual (volume balance adjustable), Split (split point adjustable), Twin piano
<Sound Generator> Conforms to GM2/GS/XGLite
Max. Polyphony
Tones
128 voices
337 tones (including 8 drum sets, 1 SFX set)
8 types, selectable tonic
Temperament
Stretched Tuning
Master Tuning
Off/Preset/User tuning (adjustable in individual notes: -50.0– +50.0 cent)
415.3–466.2 Hz (adjustable in increments of 0.1 Hz)
Key Transpose: -6–+5 (in semitones)
Playback Transpose (with Audio CD/Audio Data): -6–+5 (in semitones)
Transpose
3D (4 Levels), Dynamics (3 types), Reverb (10 levels),
Rotary Speaker Effect (only for organ tones, Slow/Fast), 4-band Digital Equalizer,
Tone effects (only adjust values)
Effects
Only for Piano Tones:
Open/close lid (only for piano tones, 7 levels), Hammer Noise (5 levels),
Damper Resonance (10 levels), Damper Noise (10 levels), Duplex Scale (10 levels),
String Resonance (10 levels), Key Off Resonance (10 levels)
<Recorder>
Tracks
3 tracks
Recorder section: 1 song
Internal Memory: Max. 99 songs
Songs
Note Storage
Approx. 30,000 notes
Song Select, Play/Stop, Rec, Previous/Rewinding, Next/Fast-forwarding,
Track Mute (Mute Level adjustable), Tempo, Tempo Mute, All Song Play, Count-in, Count-down,
16 part Mute, Song Volume
Control
Center Cancel (only for audio playback)
Quarter note = 10 to 500, Audio Playback Speed: 75–125%
120 ticks per quarter note
Tempo
Resolution
Beat: 2/2, 0/4, 2/4, 3/4, 4/4, 5/4, 6/4, 7/4, 3/8, 6/8, 9/8, 12/8
Volume: 0–10 levels
Metronome
Metronome Pattern: 11 patterns
Metronome Sound: 8 types
112
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Main Specifications
<Internal Memory>
Songs
Max. 99 songs
Save Song
Standard MIDI Files (Format 0)
<External Memory>
USB Memory
External Storage
Playable Software
Floppy Disk (when using an optional floppy disk drive)
Standard MIDI Files (Format 0/1)
Roland Original Format (i-Format)
Audio Data (WAV 44.1kHz / 16-bit Linear Format)
Audio CDs (CD-DA) (when using an optional CD drive
*1
)
<Others>
Internal Songs
Rated Power Output
Speakers
74 songs + 7 Tone Demo Songs
60 W x 2
16 cm x 2, 10 cm x 2, 5 cm x 2
128 x 64 dots Graphic monochrome LCD (with backlit)
English, Japanese
Display
Language
Lyrics
Yes (Built-in Display)
Control
Volume, Brilliance, LCD Contrast
Damper (half-pedal recognition), Soft (half-pedal recognition, function assignable),
Sostenuto (function assignable)
Pedal
Other Function
Panel Lock, V-LINK
AC inlet, Pedal connector, Input jacks (Front: L/Mono, R Rear: L/Mono, R),
Output jacks (L/Mono, R), USB (MIDI) connector, MIDI connectors (IN, OUT),
Phones jack (Stereo) x 2, Ext Memory port
Connectors
Power Supply
AC 115 V, AC 117 V, AC 220 V, AC 230 V, AC 240 V (50/60 Hz)
150 W
Power Consumption
1410(W) x 446(D) x 1071(H) mm (top closed)
55-9/16(W) x 17-9/16(D) x 42-3/16(H) inches
Dimensions
1410(W) x 453(D) x 1116(H) mm (top opened)
55-9/16(W) x 17-7/8(D) x 43-15/16(H) inches
Weight
91 kg / 200 lbs 10 oz
Owner’s Manual, Power Cord, Roland 60 Classical Piano Masterpieces, Headphones Hook,
Cord Clamps, Stabilizer
Accessories
Options
USB Memory, Floppy Disk Drive, CD Drive, MIDI Implementation, Audio Cable, MIDI cable
*1 A list of the CD drives that have been tested and found to be compatible is available on the Roland website.
http://www.roland.com/
962a
In the interest of product improvement, the specifications and/or appearance of this unit are subject to change without
NOTE
prior notice.
113
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Numerics
[3D] button ................................................................................................... 33
3D Mode ........................................................................................................ 88
3D Sound Control ...................................................................................... 33
Effect Settings ..................................................................................... 36
Rotary ..................................................................................................... 37
[Effects] button ........................................................................................... 36
Equalizer ....................................................................................................... 81
Erasing
Error Messages ......................................................................................... 100
Ext. Memory Mode .................................................................................... 87
A
AC inlet ................................................................................................... 16, 18
[Accomp] button ................................................................................. 54, 67
Adjusting
All Song Play ................................................................................................ 52
F
B
Balance
Factory Reset ............................................................................................... 90
Fast-forward ................................................................................................ 51
Fix Velocity ................................................................................................... 84
Floppy Disk Drive ...................................................................................... 24
Forward button .......................................................................................... 15
Front Panel ................................................................................................... 14
Function Mode ........................................................................................... 79
Volume ................................................................................................... 44
Beat
Bottom Panel ....................................................................................... 16–17
Brightness
C
General MIDI .............................................................................................. 110
General MIDI 2 .......................................................................................... 110
GS Format ................................................................................................... 110
CD .................................................................................................................... 24
Center Cancel .............................................................................................. 59
Center/Left Pedal Func ............................................................................ 85
Composer MIDI Out .................................................................................. 86
Computer ...................................................................................................... 95
Connecting
Audio Equipment ............................................................................... 92
CD drive ................................................................................................. 24
Computer .............................................................................................. 95
MIDI devices ......................................................................................... 94
Pedal cord ............................................................................................. 18
Power cord ............................................................................................ 18
Speaker cable ...................................................................................... 18
Speakers ................................................................................................ 92
USB memory ........................................................................................ 24
Countdown Part ......................................................................................... 84
Count-In ........................................................................................................ 49
Hammer Noise ............................................................................................ 30
Initializing
Internal Memory ........................................................................................ 72
K
Key Off Resonance .................................................................................... 30
Key Touch ....................................................................................... 30, 32, 84
[Key Touch] button ................................................................................... 32
Key Touch Offset ........................................................................................ 30
Key Transpose ............................................................................................. 38
Keyboard Settings ..................................................................................... 84
D
Damper Noise ............................................................................................. 30
Damper pedal ............................................................................................. 22
Damper Resonance ................................................................................... 30
Damper/Center/Left Pedal Part ............................................................ 85
Deleting
Saved Song ........................................................................................... 75
Demo songs ................................................................................................. 25
Display ........................................................................................................... 15
Brightness ............................................................................................. 21
[DISPLAY BRIGHTNESS] knob ................................................................ 21
[Display Contrast] knob ........................................................................... 15
Dual Play ....................................................................................................... 42
Duplex Scale ........................................................................................ 30–31
Dynamics Sound Control ........................................................................ 34
L
Language ...................................................................................................... 89
Layering ........................................................................................................ 42
[Left] button .................................................................................. 54, 63, 67
Lid ............................................................................................................. 19, 30
List
Error Messages .................................................................................. 100
Internal Song ..................................................................................... 108
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Parameters ......................................................................................... 109
Tones ................................................................................................... 101
Troubleshooting ................................................................................. 96
Local Control ............................................................................................... 85
Locking
R
[Rec] button ................................................................................... 15, 61, 64
Recommended Tone ................................................................................ 89
Additional Part .................................................................................... 64
Along with a Song ............................................................................. 66
For Each Hand ..................................................................................... 63
New Song ............................................................................................. 61
Panel ....................................................................................................... 91
[Reverb] button .......................................................................................... 35
Reverb Effect ............................................................................................... 35
Rewind ........................................................................................................... 51
Rewind button ............................................................................................ 15
[Right] button ............................................................................... 54, 63, 67
Rotary Effect ................................................................................................ 37
M
Master Gain .................................................................................................. 88
Master Tuning ...................................................................................... 30, 80
Memory Backup ......................................................................................... 89
Metronome ........................................................................................... 48, 83
[Metronome] button ................................................................................ 48
Metronome Pattern .................................................................................. 83
Metronome Sound .................................................................................... 83
MIDI .......................................................................................................... 85, 94
MIDI connector ........................................................................................... 95
MIDI Out/In connector ............................................................................. 16
MIDI Transmit Ch. ...................................................................................... 86
Music Files ................................................................................................. 110
Muting
S
Saving ..................................................................................................... 70, 72
Piano Designer Settings .................................................................. 31
Recorded Song ................................................................................... 73
Selecting
Song ........................................................................................................ 50
Sounds ................................................................................................... 28
Tones ............................................................................................... 43, 46
Sensitivity ..................................................................................................... 32
Keyboard ............................................................................................... 84
Metronome .......................................................................................... 83
MIDI ......................................................................................................... 85
Remembering ..................................................................................... 89
Song Playback ..................................................................................... 82
USB Driver ............................................................................................. 87
SMF Music Files ........................................................................................ 110
SMF with Lyrics ......................................................................................... 110
Soft pedal ..................................................................................................... 22
All Song Play ........................................................................................ 52
[Song] button ............................................................................................. 50
Song Name .................................................................................................. 73
Demo ...................................................................................................... 25
Sostenuto pedal ......................................................................................... 22
Speaker cable .............................................................................................. 18
Speaker connector .................................................................................... 18
Specifications ............................................................................................ 112
[Split] button ............................................................................................... 45
Split Play ....................................................................................................... 45
Split Point .............................................................................................. 45, 47
Standard Pitch ............................................................................................ 80
Stretched Tuning ....................................................................................... 30
String Resonance ....................................................................................... 30
System Settings .......................................................................................... 79
Part Volume .......................................................................................... 55
Tempo .................................................................................................... 56
N
Noise ............................................................................................................... 30
O
Octave Shift .................................................................................................. 84
Opening/Closing
Lid ............................................................................................................ 19
Output jack ................................................................................................... 16
P
Panel Lock ..................................................................................................... 91
Parameters ................................................................................................ 109
Part Mute ...................................................................................................... 82
Pedal ........................................................................................................ 22, 85
Pedal connector .................................................................................. 16, 18
Pedal cord ..................................................................................................... 18
Phones jack ........................................................................................... 16, 23
Piano Designer ..................................................................................... 29, 31
Demo Songs ......................................................................................... 27
[Piano Designer] button .......................................................................... 29
Pitch ......................................................................................................... 38, 80
Play Mode ..................................................................................................... 52
Play/Stop button ........................................................................................ 15
Playback Transpose ................................................................................... 58
Playing
Song ........................................................................................................ 50
Power ............................................................................................................. 20
Power cord ................................................................................................... 18
[Power] switch ............................................................................... 14, 18, 20
115
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Index
T
Temperament ............................................................................................. 30
Tempo
USB connector ..................................................................................... 16, 95
USB Memory ......................................................................................... 24, 72
Metronome ........................................................................................... 48
Tempo Mute ................................................................................................ 56
[Tempo/Beat] button ............................................................................... 49
Tone button .......................................................................................... 14, 28
Tone Demo songs ...................................................................................... 25
Tone List ..................................................................................................... 101
Tones .............................................................................................................. 46
Layering ................................................................................................. 42
Tonic ............................................................................................................... 30
Track Assign ................................................................................................. 88
Track button .................................................................... 15, 54, 63, 67, 88
Transpose .............................................................................................. 38, 58
[Transpose] button ............................................................................. 38, 58
Transpose Mode ......................................................................................... 84
Troubleshooting ........................................................................................ 96
Tuning ..................................................................................................... 30, 80
Twin Piano .................................................................................................... 40
[Twin Piano] button .................................................................................. 41
Twin Piano Mode ....................................................................................... 41
VIMA TUNES ....................................................................................... 89, 110
Audio Data ........................................................................................... 55
Dual Play ............................................................................................... 44
Headphones ........................................................................................ 21
Master Gain .......................................................................................... 88
Metronome .......................................................................................... 49
Music CD ............................................................................................... 55
Muting ................................................................................................... 55
Song ........................................................................................................ 55
Volume Balance ......................................................................................... 44
[Volume] knob ..................................................................................... 14, 21
X
XG lite .......................................................................................................... 110
For China
(
)
For C.A. US Proposition 65
WARNING
This product contains chemicals known to cause cancer, birth defects and other reproductive harm, including lead.
116
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For EU Countries
For EU Countries
This product complies with the requirements of European Directives EMC 89/336/EEC and LVD 73/23/EEC.
For the USA
FEDERAL COMMUNICATIONS COMMISSION
RADIO FREQUENCY INTERFERENCE STATEMENT
This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the
FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential
installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in
accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee
that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or
television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the
interference by one or more of the following measures:
–
–
–
–
Reorient or relocate the receiving antenna.
Increase the separation between the equipment and receiver.
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
Consult the dealer or an experienced radio/TV technician for help.
This device complies with Part 15 of the FCC Rules. Operation is subject to the following two conditions:
(1) This device may not cause harmful interference, and
(2) This device must accept any interference received, including interference that may cause undesired operation.
Unauthorized changes or modification to this system can void the users authority to operate this equipment.
This equipment requires shielded interface cables in order to meet FCC class B Limit.
For Canada
NOTICE
This Class B digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations.
AVIS
Cet appareil numérique de la classe B respecte toutes les exigences du Règlement sur le matériel brouilleur du Canada.
For the USA
DECLARATION OF CONFORMITY
Compliance Information Statement
Model Name :
LX-10
Type of Equipment : Digital Piano
Responsible Party : Roland Corporation U.S.
5100 S. Eastern Avenue, Los Angeles, CA 90040-2938
(323) 890-3700
Address :
Telephone :
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Information
When you need repair service, call your nearest Roland Service Center or authorized Roland
distributor in your country as shown below.
PHILIPPINES
CURACAO
URUGUAY
NORWAY
JORDAN
AFRICA
G.A. Yupangco & Co. Inc.
339 Gil J. Puyat Avenue
Makati, Metro Manila 1200,
PHILIPPINES
Zeelandia Music Center Inc.
Orionweg 30
Todo Musica S.A.
Francisco Acuna de Figueroa
1771
Roland Scandinavia Avd.
MUSIC HOUSE CO. LTD.
Kontor Norge
FREDDY FOR MUSIC
P. O. Box 922846
Amman 11192 JORDAN
TEL: (06) 5692696
EGYPT
Al Fanny Trading Office
9, EBN Hagar Al Askalany
Street,
ARD E1 Golf, Heliopolis,
Cairo 11341, EGYPT
TEL: (022)-418-5531
Curacao, Netherland Antilles
TEL:(305)5926866
Lilleakerveien 2 Postboks 95
Lilleaker N-0216 Oslo
NORWAY
C.P.: 11.800
Montevideo, URUGUAY
TEL: (02) 924-2335
TEL: (02) 899 9801
DOMINICAN REPUBLIC
Instrumentos Fernando Giraldez
Calle Proyecto Central No.3
Ens.La Esperilla
Santo Domingo,
Dominican Republic
TEL:(809) 683 0305
TEL: 2273 0074
SINGAPORE
SWEE LEE MUSIC
COMPANY PTE. LTD.
150 Sims Drive,
SINGAPORE 387381
TEL: 6846-3676
KUWAIT
EASA HUSAIN AL-YOUSIFI
& SONS CO.
Al-Yousifi Service Center
P.O.Box 126 (Safat) 13002
KUWAIT
VENEZUELA
Instrumentos Musicales
Allegro,C.A.
Av.las industrias edf.Guitar
POLAND
ROLAND POLSKA SP. Z O.O.
UL. Gibraltarska 4.
PL-03 664 Warszawa
POLAND
REUNION
Maison FO - YAM Marcel
25 Rue Jules Hermann,
Chaudron - BP79 97 491
Ste Clotilde Cedex,
import
#7 zona Industrial de Turumo
Caracas, Venezuela
TEL: (212) 244-1122
TEL: (022) 679 4419
TEL: 00 965 802929
ECUADOR
Mas Musika
Rumichaca 822 y Zaruma
Guayaquil - Ecuador
TAIWAN
ROLAND TAIWAN
ENTERPRISE CO., LTD.
Room 5, 9fl. No. 112 Chung
Shan N.Road Sec.2, Taipei,
TAIWAN, R.O.C.
PORTUGAL
Roland Iberia, S.L.
Portugal Office
Cais das Pedras, 8/9-1 Dto
4050-465, Porto, PORTUGAL
TEL: 22 608 00 60
LEBANON
Chahine S.A.L.
George Zeidan St., Chahine
Bldg., Achrafieh, P.O.Box: 16-
5857
Beirut, LEBANON
TEL: (01) 20-1441
REUNION ISLAND
TEL: (0262) 218-429
TEL:(593-4)2302364
SOUTH AFRICA
T.O.M.S. Sound & Music
(Pty)Ltd.
2 ASTRON ROAD DENVER
JOHANNESBURG ZA 2195,
SOUTH AFRICA
EUROPE
EL SALVADOR
OMNI MUSIC
75 Avenida Norte y Final
Alameda Juan Pablo II,
Edificio No.4010 San Salvador,
EL SALVADOR
TEL: (02) 2561 3339
AUSTRIA
Roland Elektronische
Musikinstrumente HmbH.
ROMANIA
FBS LINES
Piata Libertatii 1,
535500 Gheorgheni,
ROMANIA
THAILAND
Theera Music Co. , Ltd.
100-108 Soi Verng
OMAN
Austrian Office
TALENTZ CENTRE L.L.C.
Malatan House No.1
Al Noor Street, Ruwi
SULTANATE OF OMAN
TEL: 2478 3443
TEL: (011)417 3400
Eduard-Bodem-Gasse 8,
A-6020 Innsbruck, AUSTRIA
TEL: (0512) 26 44 260
Nakornkasem, New
TEL: 262-0788
Road,Sumpantawongse,
Bangkok 10100 THAILAND
TEL: (02) 224-8821
Paul Bothner(PTY)Ltd.
Royal Cape Park, Unit 24
Londonderry Road, Ottery 7800
Cape Town, SOUTH AFRICA
TEL: (021) 799 4900
TEL: (266) 364 609
GUATEMALA
BELGIUM/FRANCE/
HOLLAND/
LUXEMBOURG
Roland Central Europe N.V.
Houtstraat 3, B-2260, Oevel
(Westerlo) BELGIUM
RUSSIA
MuTek
Dorozhnaya ul.3,korp.6
117 545 Moscow, RUSSIA
TEL: (095) 981-4967
Casa Instrumental
Calzada Roosevelt 34-01,zona 11
Ciudad de Guatemala
Guatemala
QATAR
Al Emadi Co. (Badie Studio &
Stores)
P.O. Box 62, Doha, QATAR
AUSTRALIA/
NEW ZEALAND
TEL:(502) 599-2888
ASIA
CHINA
Roland Shanghai Electronics
TEL: 4423-554
SLOVAKIA
HONDURAS
Almacen Pajaro Azul S.A. de C.V.
BO.Paz Barahona
3 Ave.11 Calle S.O
San Pedro Sula, Honduras
TEL: (504) 553-2029
TEL: (014) 575811
DAN Acoustic s.r.o.
Povazská 18.
AUSTRALIA/
SAUDI ARABIA
aDawliah Universal
NEW ZEALAND
Roland Corporation
Australia Pty.,Ltd.
38 Campbell Avenue
Dee Why West. NSW 2099
AUSTRALIA
CROATIA
ART-CENTAR
Degenova 3.
HR - 10000 Zagreb
TEL: (1) 466 8493
SK - 940 01 Nové Zámky
TEL: (035) 6424 330
Electronics APL
Behind Pizza Inn
Prince Turkey Street
aDawliah Building,
PO BOX 2154,
Alkhobar 31952
SAUDI ARABIA
TEL: (03) 8643601
Co.,Ltd.
5F. No.1500 Pingliang Road
Shanghai 200090, CHINA
TEL: (021) 5580-0800
SPAIN
Roland Iberia, S.L.
Paseo García Faria, 33-35
08005 Barcelona SPAIN
TEL: 93 493 91 00
MARTINIQUE
Musique & Son
Z.I.Les Mangle
97232 Le Lamantin
Martinique F.W.I.
TEL: 596 596 426860
CZECH REP.
CZECH REPUBLIC
DISTRIBUTOR s.r.o
Voctárova 247/16
CZ - 180 00 PRAHA 8,
CZECH REP.
Roland Shanghai Electronics
Co.,Ltd.
(BEIJING OFFICE)
10F. No.18 3 Section Anhuaxili
Chaoyang District Beijing
100011 CHINA
For Australia
Tel: (02) 9982 8266
For New Zealand
Tel: (09) 3098 715
SWEDEN
Roland Scandinavia A/S
SWEDISH SALES OFFICE
Danvik Center 28, 2 tr.
S-131 30 Nacka SWEDEN
TEL: (0)8 702 00 20
SYRIA
Technical Light & Sound
Center
Rawda, Abdul Qader Jazairi St.
Bldg. No. 21, P.O.BOX 13520,
Damascus, SYRIA
Gigamusic SARL
10 Rte De La Folie
97200 Fort De France
Martinique F.W.I.
TEL: 596 596 715222
TEL: (2) 830 20270
TEL: (010) 6426-5050
CENTRAL/LATIN
AMERICA
DENMARK
HONG KONG
Tom Lee Music Co., Ltd.
Service Division
22-32 Pun Shan Street, Tsuen
Wan, New Territories,
HONG KONG
Roland Scandinavia A/S
Nordhavnsvej 7, Postbox 880,
DK-2100 Copenhagen
DENMARK
SWITZERLAND
Roland (Switzerland) AG
Landstrasse 5, Postfach,
CH-4452 Itingen,
SWITZERLAND
TEL: (061) 927-8383
TEL: (011) 223-5384
MEXICO
ARGENTINA
Instrumentos Musicales S.A.
Av.Santa Fe 2055
(1123) Buenos Aires
ARGENTINA
TEL: (011) 4508-2700
TURKEY
ZUHAL DIS TICARET A.S.
Galip Dede Cad. No.37
Beyoglu - Istanbul / TURKEY
TEL: (0212) 249 85 10
Casa Veerkamp, s.a. de c.v.
Av. Toluca No. 323, Col. Olivar
de los Padres 01780 Mexico
D.F. MEXICO
TEL: 3916 6200
TEL: 2415 0911
FINLAND
Roland Scandinavia As, Filial
Finland
Elannontie 5
FIN-01510 Vantaa, FINLAND
TEL: (0)9 68 24 020
Parsons Music Ltd.
TEL: (55) 5668-6699
UKRAINE
EURHYTHMICS Ltd.
P.O.Box: 37-a.
Nedecey Str. 30
UA - 89600 Mukachevo,
UKRAINE
8th Floor, Railway Plaza, 39
Chatham Road South, T.S.T,
Kowloon, HONG KONG
TEL: 2333 1863
U.A.E.
Zak Electronics & Musical
Instruments Co. L.L.C.
Zabeel Road, Al Sherooq Bldg.,
No. 14, Ground Floor, Dubai,
U.A.E.
NICARAGUA
Bansbach Instrumentos
Musicales Nicaragua
Altamira D'Este Calle Principal
de la Farmacia 5ta.Avenida
1 Cuadra al Lago.#503
Managua, Nicaragua
BARBADOS
A&B Music Supplies LTD
12 Webster Industrial Park
Wildey, St.Michael, Barbados
TEL: (246)430-1100
GERMANY
Roland Elektronische
Musikinstrumente HmbH.
Oststrasse 96, 22844
Norderstedt, GERMANY
TEL: (040) 52 60090
INDIA
Rivera Digitec (India) Pvt. Ltd.
411, Nirman Kendra
Mahalaxmi Flats Compound
Off. Dr. Edwin Moses Road,
Mumbai-400011, INDIA
TEL: (022) 2493 9051
TEL: (03131) 414-40
TEL: (04) 3360715
BRAZIL
Roland Brasil Ltda.
Rua San Jose, 780 Sala B
Parque Industrial San Jose
Cotia - Sao Paulo - SP, BRAZIL
TEL: (011) 4615 5666
UNITED KINGDOM
TEL: (505)277-2557
Roland (U.K.) Ltd.
Atlantic Close, Swansea
Enterprise Park, SWANSEA
SA7 9FJ,
NORTH AMERICA
PANAMA
SUPRO MUNDIAL, S.A.
Boulevard Andrews, Albrook,
Panama City, REP. DE
PANAMA
GREECE/CYPRUS
STOLLAS S.A.
Music Sound Light
155, New National Road
Patras 26442, GREECE
TEL: 2610 435400
UNITED KINGDOM
TEL: (01792) 702701
INDONESIA
PT Citra IntiRama
Jl. Cideng Timur No. 15J-15O
Jakarta Pusat
INDONESIA
TEL: (021) 6324170
CANADA
Roland Canada Ltd.
(Head Office)
5480 Parkwood Way
Richmond B. C., V6V 2M4
CANADA
CHILE
Comercial Fancy II S.A.
Rut.: 96.919.420-1
Nataniel Cox #739, 4th Floor
Santiago - Centro, CHILE
TEL: (02) 688-9540
TEL: 315-0101
PARAGUAY
Distribuidora De
Instrumentos Musicales
J.E. Olear y ESQ. Manduvira
Asuncion PARAGUAY
TEL: (595) 21 492147
MIDDLE EAST
HUNGARY
TEL: (604) 270 6626
KOREA
Roland East Europe Ltd.
Warehouse Area ‘DEPO’ Pf.83
H-2046 Torokbalint,
HUNGARY
BAHRAIN
Moon Stores
No.1231&1249 Rumaytha
Building Road 3931, Manama
339 BAHRAIN
Cosmos Corporation
1461-9, Seocho-Dong,
Seocho Ku, Seoul, KOREA
TEL: (02) 3486-8855
COLOMBIA
Centro Musical Ltda.
Cra 43 B No 25 A 41 Bododega 9
Medellin, Colombia
Roland Canada Ltd.
(Toronto Office)
170 Admiral Boulevard
Mississauga On L5T 2N6
CANADA
TEL: (23) 511011
PERU
Audionet
Distribuciones Musicales SAC
Juan Fanning 530
Miraflores
TEL: 17 813 942
TEL: (574)3812529
IRELAND
Roland Ireland
G2 Calmount Park, Calmount
Avenue, Dublin 12
Republic of IRELAND
TEL: (01) 4294444
MALAYSIA
TEL: (905) 362 9707
Roland Asia Pacific Sdn. Bhd.
45-1, Block C2, Jalan PJU 1/39,
Dataran Prima, 47301 Petaling
Jaya, Selangor, MALAYSIA
TEL: (03) 7805-3263
IRAN
MOCO INC.
No.41 Nike St., Dr.Shariyati Ave.,
Roberoye Cerahe Mirdamad
Tehran, IRAN
COSTA RICA
JUAN Bansbach Instrumentos
Musicales
Ave.1. Calle 11, Apartado
10237,
San Jose, COSTA RICA
TEL: 258-0211
U. S. A.
Lima - Peru
TEL: (511) 4461388
Roland Corporation U.S.
5100 S. Eastern Avenue
Los Angeles, CA 90040-2938,
U. S. A.
TRINIDAD
AMR Ltd
Ground Floor
Maritime Plaza
Barataria Trinidad W.I.
TEL: (868) 638 6385
TEL: (021)-2285-4169
ITALY
Roland Italy S. p. A.
Viale delle Industrie 8,
20020 Arese, Milano, ITALY
TEL: (02) 937-78300
VIET NAM
Suoi Nhac Company, Ltd
370 Cach Mang Thang Tam St.
Dist.3, Ho Chi Minh City,
VIET NAM
TEL: (323) 890 3700
ISRAEL
Halilit P. Greenspoon & Sons
Ltd.
8 Retzif Ha'alia Hashnia St.
Tel-Aviv-Yafo ISRAEL
TEL: (03) 6823666
TEL: 9316540
As of Oct. 1, 2007 (ROLAND)
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