A 31
Three Channel Amplifier
OWNER’S GUIDE
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Table of Contents
Introduction
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4
5
Placement and Ventilation Guidelines.
AC Mains Voltage
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5
Rack Mounting
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6
Audio Input and Output Connections
7
Gain Control Settings
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9
Turn On Options
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10
12
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17
18
19
Front Panel Operation
Technically Speaking
Design Overview
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Problems and Remedies
If You Require Assistance or Warranty Repair
Specifications
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3
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INTRODUCTION
Thank You for Choosing Parasound
Your new Parasound Halo A 31 power amplifier has been designed with the most advanced,
proven class A/AB amplifier technology. The A 31 is built to extremely strict quality and
performance standards for which Parasound is renowned. We’re proud to offer you this
exceptional audio component that will bring you many years of enjoyment and dependability. We
designed your new Halo Series A 31 Amplifier to perform at a higher level of sonic performance
than you may have expected and we encourage you to read this entire manual to maximize your
enjoyment. We wish you many years of listening enjoyment.
-The Parasound Staff
Keeping Records for Future Reference
Record the serial number located on the back panel or bottom of your A 31 in the space below.
Also note your Parasound Dealer’s name and telephone number. Your purchase receipt/bill of
sale is required to determine if your A 31 is eligible for Parasound warranty service. We
recommend that you make an extra copy of your original purchase receipt/bill of sale and store it
inside the A 31’s carton.
Parasound A 31 Amplifier Serial #: ______________ (5 digit number below the bar code)
Parasound Dealer: ___________________________________________________
Parasound Dealer Phone Number: ___________________
Date of Purchase: ______________________
Important Warranty information
There is no Parasound warranty for this unit if it was not purchased from an Authorized
Parasound Dealer. Investigate warranty coverage statements made by an unauthorized dealer
very carefully, as you will need to depend entirely upon your dealer, and NOT upon Parasound.
Unauthorized dealers lack the capability to make repairs or arrange for repairs of Parasound
equipment. A list of Authorized Parasound Dealers and detailed warranty information is available
A missing or altered serial number could indicate that this unit was re-sold by an unauthorized
dealer or is stolen merchandise. If this unit is missing its serial number or the serial number has
been altered, you should return it to your dealer immediately for a full refund.
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Unpacking Your A 31 & Placement Guidelines
Unpacking Your A 31
Carefully remove your A 31 from its shipping carton and locate the enclosed accessories:
• AC power cord
• Two trigger wires, one with 3.5 mm mini plugs, one with a 2.5mm and a 3.5mm mini plug
While you are unpacking your A 31, inspect it thoroughly for possible shipping damage and tell
your Parasound dealer immediately if you find any evidence of shipping damage.
This would be a good time to make a copy of your sales receipt to store with the A 31’s original
packing.
Note: Please save and store both the inner and outer cartons and, most especially, the foam
packing inserts to protect the A 31 if you have to move it or ship it. You may wish to flatten the
cardboard cartons to save room in storage after cutting the taped seams on the bottom flaps.
Placement Guidelines
The A 31 will be easier to use and will last longer if you follow these simple guidelines:
• Place the A 31 on a surface that will adequately support its substantial weight.
• Use input and output cables that are long enough to leave some slack; that will enable you to
pull the A 31 out of a cabinet to check or to change connections without inadvertently
disconnecting cables.
• The A 31 should never be placed in a completely enclosed cabinet
• Place your A 31 where you can route input and output signal cables as far as possible from
any AC cords.
• Where signal cables must cross AC cords they should do so only at a 90° right angle.
Ventilation Requirements
• Always position the A 31 horizontally.
•The A 31 should never be stacked above another power amplifier.
• Do not install the A 31 in an unventilated equipment cabinet or compartment. Pockets of
stagnant hot air can build up even in a cabinet with an open front and back. A ventilation fan
such as the Parasound Zbreeze is highly recommended to prevent “hot spots” in confined
spaces.
AC Mains Voltage
NOTE: Before you plug this amplifier into an AC mains outlet:
If you live in a region with 220V-230V AC mains:
Plugging this amplifier into a 220V-240V AC mains outlet when the unit is wired internally for
115V and its main fuse rated for 115V operation will severely damage it and could put you at risk
of personal injury. If you are unsure of the internal voltage setting for this amplifier you should
have a qualified electronics technician inspect it and change it as required.
AC Voltage Rewiring Technical Information
Parasound will provide technical information which pertains to the interior of this amplifier only to
a qualified electronics technician. This restriction is for your safety as well as the correct
functioning of your amplifier.
AC Voltage Warranty Exclusion
Amplifiers set for 115V which are damaged by 220V-240V are not covered under the Parasound
Limited Warranty.
Before Making Any Audio Connections
Always turn off your A 31 and disconnect the AC cord before making or changing any input,
output or trigger wire connections. Inserting or removing an input or output cable while the A 31
and your preamp are turned on can result in a blast of sound that can damage your
loudspeakers.
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Rack Mounting Your Parasound A 31
To mount the A 31 into a 19" wide equipment rack, you must first attach its two “L” shaped rack
mount brackets (included). With its four feet removed, the A 31 chassis and front panel height
occupies four rack spaces (7" or 176 mm). When mounting equipment below the A 31, you will
also need to allow about 1⁄8" below the unit for the bottom chassis screws.
To attach the rack mount brackets:
• Remove the three screws from each side of the A 31. These are arranged vertically, behind its
front panel and in front of its first heatsink fin.
• Line up the three holes on each bracket with the three holes on the A 31 and reinsert the
screws.
• Make sure the screws are tight because they will support the entire weight of the A 31 in the
equipment rack.
Note: Tighten each bolt just enough to keep the unit secure in the rack to avoid deforming the
shoulder washers. Eliminating metal-to-metal contact reduces the likelihood of creating a ground
loop that might introduce hum into your system.
A single standard rack space is 1-3⁄4" (44mm) high in a 19" wide equipment rack. This
measurement standard was developed by the EIA (Electronic Industries Association) so
manufacturers of electronic components and equipment racks could build products in
standardized heights that would fit in a uniform space. Please call your Parasound dealer or
Parasound Technical Services if you need additional advice about rack mounting the A 31.
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Audio Connections
Always disconnect the AC cord to your A 31 before making or changing any input,
output or trigger wire connections. Inserting or removing an input or output cable while the
A 31 is turned on can result in a blast of sound that can damage your loudspeakers. Make
sure there is no strain or tension on any cables that could cause them to pull loose.
Audio Input Connections
Balanced XLR Input Jacks
Balanced connections will give you the best sound. If your surround sound preamplifier has
balanced XLR output jacks, we recommend that you connect them to these inputs. Refer to
the Balanced and Unbalanced Lines in the Technically Speaking section for additional
information about why we recommend using balanced lines.
Unbalanced RCA Input Jacks
Use these inputs if your surround sound preamplifier doesn’t have balanced output
connections or if you simply prefer to use unbalanced connections.
Balanced/Unbalanced Selector Switches
Place the switch in the position for the input type you will be using.
Note: The Balanced/Unbalanced switches are not input selectors. Their
function is to optimize the s/n ratio for each type of input. You should
not connect both the Balanced and Unbalanced jacks at the same time
with the expectation of switching between to different signals.
Balanced XLR Pin Configuration
The balanced inputs of the A 31 use XLR jacks that conform to the
industry standard of:
Pin 1: Ground Pin 2: Positive (+) Pin 3: Negative (–).
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Speaker Connections
Speaker Terminals
The A 31 speaker terminals accept speaker wires with banana plugs, spade connectors or
bare wire. Refer to “Bare Wire Speaker Ends” in the Technically Speaking section for
information about bare wire termination.
Correct Speaker Polarity is Important
Polarity refers to + and – connections. Speaker wires are coded with color, printing or a ridge
on the insulation on one of the leads so you know which lead was connected to the + and –
terminals at the other end. This coding will help you keep the + and - polarity consistent for
all channels. If some of the speakers are wired with incorrect polarity you will significantly
affect sound quality.
Speaker Wire Length and Gauge (thickness)
When selecting speaker wire, follow these guidelines:
• Keep the length of your speaker wire as short as possible.
• Use the thickest wire practical. For lengths greater than 50 feet, use speaker wire with
an AWG (gauge) of 14 or lower. The smaller the AWG number, the thicker the wire.
• Do not use speaker wire that is thinner than 16 AWG.
• Keep wire lengths for both channels as close to equal as possible.
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Gain Control Settings
The Gain control knobs should be left at the 12 o’clock Normal/THX setting for most
applications. When a Gain control knob is set to Normal the gain for that channel is 29. This is
the THX Ultra2 Reference Level where 1V input = 28.28V output. (28.28V driving an 8Ω
speaker equals 100 watts.) If you are unsure where to set the Gain control knobs it is best to
start with them in the Normal position and only change them if needed, as described below.
When to Set the Gain Control Knobs Above or Below Normal
You can increase loudness by turning the Gain control knobs clockwise if your system will not
play loud enough with the Gain control knobs set at Normal. This could be the case if your
A 31 is driven from the pre-out jacks of an AV receiver (as opposed to an AV processor). We
recommend advancing the gain as little as possible past Normal. As you increase gain
settings you increase the chance of hearing a “hiss” sound from your speakers. You also run
the risk of damaging your speakers (not to mention your hearing) if the volume level is too
high.
The primary reason to reduce the gain below Normal would be if your speakers’ efficiency is
extremely high and your listening position is close to your speakers. Reducing the gain would
reduce audible “hiss” from your speakers.
Don’t worry about setting the A 31 Gain control to exactly the same levels for all channels
because you can always balance the channel volume using the speaker level calibration in
your home theater AV receiver or AV processor’s setup menu.
Note: We recommend re-calibrating your AV receiver or processor’s speaker levels
after adjusting the A 31 gain controls.
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Turn On Options
For convenience, there are three ways the A 31 can be turned on and off:
• Manually, by pressing the On-Off (Power) button on the front panel.
• Automatically, when an audio signal is present at any of the audio Input jacks.
• Automatically, when a suitable trigger voltage is applied to the 12V input jack.
Note: When either automatic turn on option is selected the front panel
On-Off button is disabled so that power on/off is determined solely by
the triggering preamp, receiver or active audio signal.
Manual Position
When the Turn On Options switch is in its Manual position, the Turn On
Options function is disabled and the A 31 must be turned on and off manually
by pressing the On-Off button on its front panel every time you wish to use
your audio system.
Audio Position (Automatic on/off)
When the Turn On Options switch is set to its Audio position, the A 31 will be turned on only
when an audio signal is present at any of the Input jacks. After the audio signals cease the
A 31 will remain on for about 8 minutes before shutting off. This prevents unintended turn-off
during pauses in your music or movies.
Note: The Audio position of the Turn On Options switch disables the
front panel On-Off button.
Turn On Threshold
This knob sets the audio signal level required for the A 31 to automatically turn on when
the Turn On switch is set to the Audio position. Fully counter-clockwise is the most
sensitive setting and therefore is labeled “Quieter.” Fully clockwise will require a higher
audio signal voltage and is therefore labeled “Louder.” In most systems the best results
will be with the Turn On Threshold knob set towards the Quieter position. In some
systems the A 31 might turn on if there is transient noise in the AC line, even when an
audio signal is not present. Similarly, the A 31 might never shut off even after waiting
more than 10 minutes. In this case, try setting the knob towards the Louder position.
Note: When the Turn On Options switch is set to Audio the A 31 will turn itself on
immediately when you connect its AC cord, even without any audio signal
present. This is normal.
Note: If the A 31 is driving only the sub(s), surround, center, or rear channels you will
achieve more consistent automatic turn on by using the 12V DC trigger. At the
beginning of most films the sub, center and surround levels are lower than the
minimum level required by the Audio sensing circuit.
12V Position (Automatic on/off)
When the Turn On Options switch is set to its 12V position, the A 31 is turned on and off only
with an external +9 V to + 12 V voltage from your preamp or AV Receiver. When the external
voltage ceases the A 31 will turn off immediately. The 12V switch position disables the front
panel On-Off button.
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12 Volt Jacks
12V In Jack
The A 31 12V input uses a 3.5mm jack (mono). To use the 12V trigger, insert the trigger wire
plug into this jack and the plug at the wire’s other end into the AV receiver or preamp’s 12V
output jack. We have included a 3.5mm to 3.5mm trigger wire as well as a 3.5mm to 2.5mm
trigger wire.
Note: If the controller’s trigger output is a + and – terminal, you can cut the 3.5mm plug
off one end of the included trigger wire and attach the bare wires to these terminals. The
lead with the white stripe on it corresponds to the plug’s tip and the unmarked lead
corresponds to the sleeve of the plug. The trigger plug tip is + (positive) and its sleeve –
(negative).
Note: The A 31 trigger circuit draws a negligible 15 mA. The total load on your preamp’s
trigger output(s) is the sum of the trigger current drawn by each of the components
you’ve looped together. Check the maximum capacity of your AV receiver, processor or
home controller’s trigger outputs so you do not overload them by connecting too many
power amplifiers. Typical ratings are 50mA to 100mA.
12V Loop Out Jack
The Trigger Out jack lets you loop or “daisy-chain” the incoming trigger voltage to an
additional A 31 or another component(s).
3.5mm vs. 2.5mm jacks
Some other Parasound power amplifiers and preamplifiers might use 2.5mm “sub-mini”
trigger jacks. To use the A 31 with products that use a 2.5mm jack we have included a
trigger wire with a 3.5mm plug at one end and a 2.5mm plug at the other end.
AC Power Cord
The IEC standard AC cord supplied with your A 31 is an audiophile-grade component.
Please connect it directly to an AC wall outlet or power conditioner that is always “live.” If
possible, plug your A 31 into the same AC outlet that your preamplifier is plugged into. If
different AC outlets are used for the A 31 and the preamplifier the ground potential may be
higher or lower between the outlets, resulting in audible hum.
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Front Panel Operation
On-Off Button
Push once to turn on the A 31. When the A 31 is turned on the blue glow around the On-Off
button will be brighter, the red P badge will glow brighter and then the 3 channel indicators
will illuminate blue. Push again to turn off the A 31. The front panel On-Off button will be
disabled when the Turn On Options switch is set to Audio or 12V.
Whenever the A 31 is turned on, the soft blue glow behind its On-Off button will change
to red for a few seconds as its internal circuits stabilize. Then the red glow is replaced
by a brighter blue glow to indicate normal operation. If the glow remains red after turn on
or while the amp is playing, it indicates activation of the A 31’s protection circuits and no
sound will be heard from the speaker.
The A 31 protects itself from external conditions such as excessive heat, load impedance
that is too low, or a short-circuited speaker connection or wire. After you correct the fault,
the A 31 will resume operation. If the A 31 remains “in protection” after it has cooled down
and you’ve confirmed there are no external faults, it could indicate an internal problem.
Please contact Parasound’s Technical Service Department.
Channel Indicators
When all three blue channel indicators are lit, the A 31 is operating normally. If one or more
of the indicators do not light even though the amp is turned on there is a fault in your system.
In the case of a fault first check that there is no short circuit with your speaker wire or
speakers.
Hi Temp Indicator
This indicator is near the right side of the panel recess. It will glow red if any channel
overheats. The On-Off button will also glow red if the A 31 overheats. If such a condition
occurs you must provide for better ventilation around the amplifier or check speakers for
faulty operation that is causing the A 31 to over heat.
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Technically Speaking
Balanced and Unbalanced Lines
Recording and broadcast studios use balanced connections exclusively because of
their inherent ability to reject noise and hum, thus assuring the best sound. Certain high
quality preamplifiers and surround controllers built for residential use utilize balanced
connections with XLR jacks for the same reasons. All Parasound Halo series power
amplifiers have balanced inputs with XLR jacks so you can take full advantage of their
inherent noise reduction capability and superior sound quality.
Unbalanced connections with RCA jacks are found on all home audio equipment. RCA
jacks and two-conductor wires are less costly than the additional circuitry, higher priced XLR
connectors and three-conductor wiring required for balanced connections.
In an unbalanced line, the positive audio signal appears at the center pin of the RCA
jack and the negative signal on the outer shield wire, which also functions as the ground
connection. Unbalanced interconnect cables are vulnerable to hum from an AC line, or other
noise, such as RF (Radio Frequency), which can be reproduced through your loudspeakers.
Since the unbalanced line’s ground also carries the audio signal, there is no way for the
connected amplifier or preamplifier to distinguish between the audio signals you want and
unwanted noise emanating from external sources.
Balanced lines are superior because they utilize separate conductors for audio and
ground: two inner conductors carry the positive and negative audio signal, and a third outer
wire connects the grounds and also shields the two signal conductors. When the positive and
negative signals appear at the component receiving the signal they are equal, but 180
degrees out of phase with each other with respect to ground. To send and receive balanced
signals requires special differential circuitry.
A differential input circuit amplifies only the difference between the positive and
negative signals. For example, when a 1 Volt signal arrives at a balanced input stage, the
differential input “sees” a positive 1 Volt minus a negative 1 Volt, or 2 Volts total. External
hum and noise that somehow gets into a balanced line is common to both its positive and
negative conductors with respect to ground. Therefore, it is canceled or rejected by the
differential input circuit.
This phenomenon of rejecting noise signals common to both positive and negative
conductors is called common mode rejection. Differential inputs are specified according to
how well they reject signals common to both conductors. This is measured in dB and is called
the common mode rejection ratio or CMRR.
Ground Loops - Eliminating Hum and Buzz
Audible hum and buzzing noises in a system are usually related to issues with the
component grounds. Ground (sometimes called common) is a point of reference for voltages
in virtually all audio and video components. Ground is supposed to remain at zero volts while
the audio signal swings positive (voltage above ground) and negative (voltage below ground).
If ground isn’t at zero, there can be an audible 60 Hz hum (or 50 Hz hum in regions with 50
Hz AC). The harmonics of these frequencies (120 Hz, 240 Hz, 480 Hz or 100 Hz, 200 Hz,
400 Hz) may add buzz in addition to the hum.
The ideal of zero voltage ground for all the components in a system is practically
impossible, because some resistance between the ground points of different components is
inevitable. By keeping components close together with their power cords plugged into a
common AC outlet or power strip, you’ll avoid the problems created by resistance in the
house’s wiring.
Hum and buzz is also caused when unwanted voltage flows through multiple
component ground points called ground loops. Here are three tips to avoid ground loops:
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1. Your Cable TV or Satellite receiver box might require a Cable TV ground isolator.
2. Use balanced input lines with your Parasound A 31. (See Balanced and Unbalanced
Lines in this section).
3. When rack mounting, always use the insulated “shoulder” washers. These break the
ground loops caused by metal-to-metal contact between the rack, the components, and their
rack-mount bolts. Extra washers are available from rack manufacturer Middle Atlantic
Bare Speaker Wire Ends
If you plan to use connections with bare wire ends, use a wire stripper to remove just
enough insulation to expose a 1⁄2" (13 mm) length of bare wire. You can insert the stripped
wire into the hole that goes sideways through the terminal’s metal post. Before inserting the
wire, twist its bare strands to prevent any of the strands from making contact across the two
speaker terminals. If you have a soldering iron, you can “tin” (apply a small amount of molten
solder) to each stripped bare wire to prevent it from unraveling, fraying and oxidizing.
Parasound A 31 Design Overview
Circuit Designed by John Curl
Parasound design consultant John Curl has been a legend among audiophiles and
electronic engineers for decades. He pioneered measurements to correlate musical accuracy
with the materials used in parts, worked with world-class touring companies, has designed
highly coveted audio classics, including the original Mark Levinson JC-2, Denneson JC-80,
Vendetta Phono Preamplifier, and CTC Blowtorch preamplifiers; master recorders for Wilson
Audio and Mobile Fidelity; and the mixing consoles used in live concerts by The Grateful
Dead and the Montreux Jazz Festival in Switzerland.
As our featured amplifier designer since 1990, he has created many products that have
earned Parasound worldwide acclaim. John is particularly proud of what he and Parasound
have accomplished together: “The circuits I design for Parasound are extremely sophisticated
and are typical of products that are far more expensive. I can’t think of any other audio
products that offer nearly as much bang for the buck.”
Parts Selection
Every part within the A 31 is carefully chosen for its accuracy and reliability. Metal film
resistors with 1% tolerance are selected for their precision and because their values don’t
drift as they heat up during operation. Polypropylene and mica capacitors are used
extensively for their superior linearity and low dielectric absorption. Semiconductors are
selected for superior performance in their specific roles in the circuit. Gold has the best
conductivity of any metal, so we use high quality gold-plated input connectors and speaker
terminals. The double-sided circuit boards are FR4 glass epoxy for long-term durability. The
chassis is made of heavy gauge steel to safely house the internal circuitry. This attention to
detail when selecting parts makes the difference between a very good amplifier and an
outstanding amplifier.
The Power Supply
The heart of the power supply is a 1.5 kVA toroid power transformer, chosen for its
efficiency, low hum field, and high power rating. Encapsulating this massive power
transformer in an epoxy-filled steel canister assures ultra-quiet performance.
The A 31 power transformer employs multiple independent secondary windings so that
each amplifier channel has its own power supply, assuring more than ample DC voltage at all
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times and under all conditions. It also reduces inter-channel crosstalk that can blur the sound
and impair the correct sense of where instruments, dialogue and effect are positioned.
Each channel’s +/- 80 Vdc B+ and B- supply rails use high-speed rectifier diodes and
four enormous 8,200 uF electrolytic filter capacitors, chosen for their low Equivalent Series
Resistance (ESR) and dielectric absorption. In addition, these filter capacitors are bypassed
with smaller polypropylene capacitors to reduce AC ripple in the DC supply and to further
eliminate noise and interference that is generated in AC power lines from computers and
other appliances in the home.
Relay-Bypassed Soft Start Circuit
When the A 31 is first turned on, there is a significant amount of in-rush current
required to charge the enormous power supply capacitors. In order to suppress this in-rush
current and to prevent nuisance tripping of circuit breakers, we employ NTC (negative
temperature coefficient) resistors. These resistors cut the in-rush current by approximately
50%. Once they heat up, they essentially become a jumper with zero ohms resistance.
However, the A 31 goes one step further for this circuit. After the NTC resistors have done
their job of suppressing in-rush current a gold contact relay automatically is activated to jump
across the NTC resistors to completely bypass them. This extra step insures that the
resistors do not restrict any current whatsoever to the power supply once the A 31 is in full
operation.
Audio Circuit Path Topology
Parasound’s circuit topology is a hybrid of carefully chosen discrete transistors that
result in superior performance at each stage. We use JFETs (Junction Field Effect
Transistors) for the input stage; MOSFETs (Metal Oxide Field Effect Transistors) for the
driver stage and bipolar transistors for the output stage. Discrete transistors are more
sonically accurate than integrated circuits commonly used by other brands.
Complementary Configuration
Each stage of amplification has transistors fed by the positive DC power supply and
complementary transistors fed by the negative DC power supply. Thus, half of the devices
amplify the positive half of the musical waveform while the other half of the devices amplify
the negative half. This complementary topology is inherently linear, which reduces distortion
and improves sonic accuracy.
The Input Stage
The A 31’s input stage uses matched pairs of discrete JFETs arranged in a differential
configuration. JFETs are ideal for the input stage because their inherently high impedance is
unaffected by the impedance of source components. Differential configuration provides
superior noise reduction. These precision input JFETs are also cascaded to produce the
current necessary to drive the MOSFET drivers in the following stage.
The Driver Stage
The driver stage provides critical amplification for which we employ a complementary
matched pair of MOSFETs selected for their tube-like sonic qualities. MOSFETs tend to
generate less odd-order harmonic distortion than bipolar transistors. This is important
because odd-order distortion sounds unnatural and fatiguing to the human ear, whereas
even-order distortion is less offensive because it is consonant, rather than dissonant. Our
MOSFET driver stage prevents the harshness and brittle sound so often found in other solid
state amplifiers.
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The Output Stage
The amplifier’s sonic characteristics are established by its input and driver stages. Now,
the sole job of its output stage is to deliver the enormous current and voltage from its power
supply to the speakers. Bipolar output transistors are better than MOSFETS in the output
stage because of their higher safe operating area (SOA) and inherent ruggedness. Each
channel’s output stage employs four pairs of high current (15-ampere) bipolar transistors to
insure long-term reliability, even with continuous high power operation and challenging
speaker loads. Lightning-fast (60 MHz) transistors respond instantly to complex demands in
the musical signal, virtually eliminating distortions that occur with slower transistors. Slew rate
limiting and Transient Intermodulation Distortion (TIM) are simply not an issue in the A 31.
Class A-A/B Operation
Pure class A operation provides the purest sound. However, an amplifier operating
entirely in class A operation would be enormous, highly inefficient, and generate too much
heat. Class A/B combines some of the advantages of Class A with the efficiency of Class B
operation. It is a compromise that reduces the heat generated in pure class A operation and
the odd-order harmonic distortion created in class B. In class AB, the driver and output
stages are always partially turned on, which provides a nominal amount of pure class A
operation. At higher power levels, when the musical waveform swings from positive to
negative and vice versa, each bank of transistors is allowed to rest momentarily. This resting,
or quiescent time, makes it possible to deliver high amounts of power without overheating. It
also makes it possible to use passive cooling and avoid fans, whose noise can be heard over
the music. The A 31 input and driver stages employ pure Class A while its output stage
operates with higher pure Class A power than many amplifiers selling for twice or three times
its price. The result is less fatiguing, more natural sound.
Total Protection - DC Servos
Direct Current (DC) burns out speakers. Every power amplifier must have some way to
insure that DC from its power supply never reaches its + or - speaker terminals. Most
amplifiers simply use trim controls to reduce their DC offset or capacitors to block DC.
Unfortunately, trim controls can allow DC offset to increase over time, and even the most
expensive capacitors in the audio signal path will “veil” sonic clarity and attenuate bass
response.
Parasound power amplifiers incorporate ingenious and fast-acting DC servo circuits,
completely eliminating the need for coupling and blocking capacitors. The A 31 is direct (DC)
coupled from its input jacks to its speaker terminals. This advanced circuitry never needs
adjustment or maintenance. It operates outside the audio signal path to keep the DC offset at
the output of the A 31 at a constant 0.00 Vdc. The results are startling clarity, freedom from
listening fatigue, and formidable bass response.
Total Protection - Relays
Each channel of the A 31 has a high-quality protection relay with gold-plated contacts
for long-term reliability. These relays function to protect either the amplifier, the speakers, or
both. When the A 31 is first powered on, these relays remain open for three seconds as the
positive and negative power supplies stabilize and reach equilibrium. This prevents annoying
popping or other transient noises. Relay protection also prevents damage to your speakers in
case of a catastrophic amplifier failure. Any amplifier that doesn’t use relay protection for its
speaker outputs compromises the safety of the amplifier and your speakers.
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Total Protection - Current Overload
Specialized current-sensing transistors are connected to the output stages of the A 31
to constantly monitor the current flow through the output transistors. If the current drawn by
this stage exceeds a predetermined safe level due to a load impedance below 1 ohm or a
short circuit at the speaker terminals, the output relay will open immediately to prevent any of
the output transistors or other parts from failing.
Total Protection - Fuses
Each channel of the amplifier has a separate fuse for its positive and negative DC
voltage rails. These fuses provide backup protection in case the over-current protection does
not work in time, or if an internal part fails. In the event of a part failure, these fuses halt
operation to minimize damage to additional parts.
Problems and Remedies
Unit will not turn on
• Check the setting of the Turn On Options switch. (The front panel On-Off button
will be disabled if the switch is set to Audio or 12V)
• If using Audio Turn on, try increasing the sensitivity of the audio trigger by
turning the audio threshold knob to the “Quieter” position.
• Check that the AC power is live.
No sound from speakers
• Check that input cables and speaker wires are secure at both ends.
• Make sure the surround preamp is switched to the correct input.
• Is the Hi-Temp light illuminated? All three blue channel indicators should be
illuminated. Check for excessive temperature, short-circuited speaker wires,
low impedance speaker load, and inadequate ventilation.
Background Hum or Hiss
• Move audio cables and AC cords away from each other.
• Try different routes for the audio cables and AC cords.
• Make sure insulating shoulder washers are used if unit is rack mounted.
• If you have cable or satellite TV, try disconnecting the incoming TV or satellite
cable; if hum is eliminated you will need a Cable TV Ground Isolator or contact
your TV service provider for assistance.
• Try turning down the input gain controls
Overheating
• Remove any nearby external sources of heat such other audio equipment or
heaters.
• Increase ventilation around the A 31.
• Check speakers for faults
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Are You Having Difficulty?
Repair or Service
Call your Parasound dealer first. If the dealer can’t help you with your problem we encourage
you to call Parasound’s Technical Service Department at 415 397 7100, Monday - Friday,
8am - 4pm Pacific Time. We can suggest other diagnostic tests you can easily perform.
If we determine that your A 31 should be returned to Parasound or an Authorized Parasound
Warranty Center for inspection and possible servicing, we will provide the location of a
warranty center near you or shipping instructions for the unit’s return to Parasound.
Before You Return Any Unit to Parasound for Service
Before you send your unit to Parasound, you will need to obtain a specific Return
Authorization (RA) number and shipping instructions from Parasound’s Technical
Department. The RA number must be clearly marked on the outer carton. Use the original
factory packing materials and arrange adequate insurance to cover its value. You must
include a copy of your purchase receipt, since this document establishes the validity of this
unit’s warranty. Warranty repairs are only performed by Parasound or Parasound Authorized
warranty centers when your purchase receipt is from a Parasound Authorized Dealer or
Parasound Authorized Reseller.
Shipments Will Be Refused by Parasound Under the Following Conditions:
1. Unit was sent without the Parasound-assigned RA number marked on the carton.
2. Unit was sent in an unsuitable shipping carton and packing inserts and is likely to have
been damaged in transit.
3. Unit has inadequate packing materials and is likely to have been damaged in transit.
Wrapping the A 31 with bubble wrap will not protect it during shipment.
4. Unit was shipped collect for shipping charges. We do not accept collect shipments.
5. Unit was shipped via the US Postal Service.
6. Unit was sent to an address other than the address instructed by our Technical
Department.
Warranty Repair
Please read your accompanying Parasound Limited Warranty carefully to understand the
applicable rights and limitations. This section provides instructions for obtaining repairs, both for
units covered under the Parasound Limited Warranty and for units or situations which are
Unit is not eligible for repair under the terms of the Parasound warranty if:
1. Unit was not purchased from a Parasound Authorized Dealer.
2. You do not have the original bill of sale or sales receipt from a Parasound Authorized
Dealer.
3. You are not the original owner. The Parasound warranty is not transferable.
4. Unit’s serial number was removed, modified, or defaced.
5. Unit shows evidence of abuse and/or misuse.
6. Unit was modified in any way.
7. A prior repair was attempted by an unauthorized repair station.
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Specifications
Power Output - All Channels Driven
250 watts RMS x 3, continuous,
(20 Hz - 20 kHz, 8Ω)
Input Sensitivity for 28.28 V Output into 8Ω
Unbalanced: 1 V
Balanced: 1 V per leg
(Gain controls set to Normal / THX)
400 watts RMS x 3, continuous,
(20 Hz - 20 kHz, 4Ω)
S/N Ratio
Current Capacity:
> 112 dB, input shorted, IHF A-weighted
> 102 dB, input shorted, unweigh
60 amperes peak per channel
Slew Rate
Damping Factor
> 130 volts per microsecond
> 1100 at 20 Hz
Frequency Response
DC Trigger Requirements
5 Hz - 100 kHz, +0/-3 dB at 1 watt
+9 Vdc to +12 Vdc, 2 mA
Total Harmonic Distortion
< 0.2 % at full power
Audio Trigger Requirements
2 mV AC - 10 mV AC
< 0.03 % at typical listening levels
XLR Pin Identification
1 = Ground (Shield)
2 = Positive
IM Distortion
< 0.04 %
3 = Negative (Return)
TIM
Unmeasurable
Dimensions
Width: 171⁄2" (445 mm)
Panel height: 7" (178 mm)
Height with feet: 7 5⁄8" (194 mm)
Depth: 19 1/8" (485 mm)
Dynamic Headroom
> 1.5 dB
Interchannel Crosstalk
> 78 dB at 1 kHz
Net Weight
> 63 dB at 20 kHz
65 lb. (29.5 kg)
Input Impedance
Unbalanced: 47k Ω
Balanced: 94k Ω per leg
Shipping Weight
79 lb. (35.9 kg)
Power Requirement
Standby: 1 Watt
Maximum: 1800 Watts
Specifications and features subject to change or improvement without notice.
Copyright Parasound Product Inc., 2012
Rev. 1.0
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Parasound Products, Inc. 2250 McKinnon Ave, San Francisco, CA 94124
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