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TABLE OF CONTENTS
Table of Contents ..............................................................................4
Name of Parts ...................................................................................8
Quick Operation ..............................................................................14
Metering
Selectable Metering.............................................................74
Exposure Compensation .....................................................77
Automatic Exposure Lock (AEL)..........................................81
Setting the ISO Manually.....................................................86
BASIC OPERATION
Batteries ..........................................................................................17
Loading Film....................................................................................20
Handling the Camera ......................................................................23
Taking Pictures in Full-Auto ............................................................24
Focusing..........................................................................................28
Using the Built-in Flash...................................................................31
Rewinding the Film..........................................................................33
Drive
Flash
Continuous ..........................................................................88
Self-Timer.............................................................................90
Exposure Bracketing............................................................92
Multiple Exposure ...............................................................96
Flash Mode Switch ..............................................................99
Red-eye Reduction............................................................100
Rear flash Sync .................................................................101
Slow-shutter Sync..............................................................102
Flash Compensation..........................................................103
Flash Bracketing................................................................104
Accessory Flash ................................................................107
Flash Metering...................................................................108
High Speed Sync ...............................................................110
Wireless/Remote Off-camera Flash...................................112
PC Terminal........................................................................118
DETAILED OPERATION
Navigation Display ..........................................................................36
Display Selection .................................................................37
When Upper Part Turns Black.............................................43
Display Brightness/Contrast ................................................44
Focusing
Focus Mode.........................................................................46
AF/MF Control Button..........................................................50
Focus Area...........................................................................53
AF Illuminator.......................................................................59
Exposure
Additional Features
Date/Time Imprinting..........................................................120
P Mode.................................................................................61
A Mode.................................................................................63
S Mode ................................................................................66
M Mode................................................................................69
Eye-Start............................................................................125
Time Exposures (Bulb) ......................................................126
Depth-of Field Preview ......................................................128
Diopter Adjustment ............................................................130
Setting/Cancelling the Audio..............................................131
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TABLE OF CONTENTS
Memory
18
Exposure compensation control with rear control dial
in P, A, and S mode
Control dial - exchanged control
Flash-metering
Storing memory .................................................................135
Recalling settings in memory.............................................137
Data memory
Storing the data .................................................................141
Film area and data number ...............................................143
Data recall..........................................................................146
Deleting stored data...........................................................151
Custom Functions
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
AF illuminator
Tasking on the focus-mode switch - AF-A position
AF using shutter-release button
Full-auto mode of the exposure-mode dial
Tasking on exposure mode dial - position “3”
Flash burst with exposure compensation
Detailed display
Operation display
Large icon display
Meter index display
Exposure-history display
1
2
3
4
5
6
7
8
AF priority/Shutter-release priority
Film rewind start
Film tip
DX memory
Release lock (film)
Lens focus-hold button
Eyepiece sensor activation
Frame counter
AF/MF control button
AE-lock button
Exposure bracketing/Flash bracketing sequence
Film rewind speed
Meter display duration
AF area display
Vertical display
Imprint intensity
Camera’s ID number
Language on navigation display
9
10
11
12
13
14
15
16
17
APPENDIX
Accessory information .......................................................189
Trouble shooting ................................................................192
Care and Storage ..............................................................196
Specifications.....................................................................198
Index ..................................................................................202
Front and rear control dial Lock
Release lock (lens)
AF drive speed
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NAMES OF PARTS
For information on specific parts, refer to the page numbers shown in
parenthesis.
Camera Body
Built-in
Exposure-compensation dial
AF illuminator (59)/Self-
timer lamp (90)
Diopter-adjustment dial (130)
Eyepiece cup (15)
Metering-mode switch (75)
AE-lock button (81)
flash* (31) lock-release button (77)
Exposure-compensation
dial (77)
Shutter-release
button
Exposure-mode dial lock-
release button (24)
Accessory shoe (107)
Front control
dial
Flash-compensa-
tion dial (103)
Viewfinder* (12)
Exposure-mode dial (60)
Drive-mode lever (87)
Eyepiece sensor* (125)
PC terminal
(118)
AF/MF control button (50)
Main switch (13)
Strap eyelet (16)
Top data panel (10)
Strap eyelet (16)
Back-cover release
(20)
Grip sensor
(125)
Lens release (19)
Rear control
dial
Display-
selection
button (37)
Depth-of-field pre-
view button (128)
Remote-control
terminal (191)
Focus-mode switch (46)
Flash-mode
switch (99)
Lens contacts*
Mirror*
Lens mount
Spot-AF but-
ton (52)
Film window
(20)
Navigation-display
illuminator (44)
Wide/Local
Battery-chamber release (17)
Focus-area
selector (55)
focus-area
switch (54)
Battery-chamber
door
Tripod socket
Manual-rewind button (34)
Control-panel door (120)
Eye-start switch (125) Navigation display (36)
Vertical-control-grip
contacts (189)*
* Do not touch
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NAMES OF PARTS
Control Panel
Navigation Display
Shutter-speed display
Drive-mode indi-
cators (87)
Release-priority indicator (158)
Exposure-mode indicator (60)
Audio-on indicator (131)
Aperture display
Exposure-com-
pensation display
(77)
Flash-mode indicators
(99)
Data-memory button
(141)
Custom button (154)
Enter button (135)
Adjust button
AF-mode indicator (46)
Flash-compen-
sation display
(103)
Metering-mode indicator
(74)
ISO button (86)
Date button (120)
Film-transport signals
Frame counter
Focus-area indicator (46)
Data-memory-on indicator (141)
Battery-condition indicator (18)
Top Data Panel
Cartridge mark
Shutter-speed display
Imprint indicator (120)
Display-selection indicator (147)
Focus-area-selector indicator (142)
Frame counter/
Aperture display
Cartridge mark
Film-transport signals
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NAMES OF PARTS
QUICK OPERATION
1. Insert the batteries.
• The camera uses two CR123A batter-
Viewfinder
ies.
Spot-metering area (75)
Local focus area (56)
Spot-focus area (55, 56)
2. Attach a lens.
• Align the red marks, then turn it gen-
Wide focus frame
tly clockwise until it clicks.
Flash-compensation indicator (103)
Wireless/Remote flash indicator (114)
3. Turn the camera on.
• Turn the main switch to ON.
Manual-focus indicator (48)
AEL indicator (81, 102)
Exposure-mode indicator
Frames-remaining counter (26)
4. Load the film
• Align the film-tip with the red mark,
then close the back cover.
Aperture display
Meter index
Shutter-speed display
Focus signals (28)
Metering-mode indicator (75)
High-speed-sync indicator(110)
Flash indicator (31)
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QUICK OPERATION
If the camera is turned on and the date and
time have not been set, this message
appears. See page 121 for instructions for set-
ting the date and time.
5. Set the camera for automatic
operation.
• While pressing the exposure-mode
dial lock-release button, set the
exposure-mode dial to
.
The navigation display panel can provide infor-
mation in any one of five languages
(Japanese, English, German, French, or
Spanish). To select the language you wish to
use, see Custom 35 (p. 187).
6. If using a zoom lens, rotate the
zooming ring to frame your
subject as desired.
Attach the eyepiece cup for comfort-
able viewing.
7. Center your subject in the
focus frame, then press the
shutter-release button partway
down.
• Focus is set automatically.
8. Take the picture.
• Gently press the shutter release but-
ton all the way down.
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BATTERIES
Installing the Batteries
Your camera uses two 3V CR123A lithium batteries to supply power
for all camera operations.
BASIC
OPERATION
1. Turn the main switch off. Then
slide the battery chamber
release as shown, and open
the door.
Attach the strap as shown.
2. Insert the batteries as indicat-
ed by the + and - marks.
3. Close the battery-chamber
door.
If the camera’s batteries are removed for a
long period of time, the date and time settings
will be lost. When this happens, this message
appears, and the date/time information will not
be imprinted. See page 121 for instructions for
setting the date and time.
• If you have Remote Cord RC-1000S or RC 1000L, you can use the
cord holder on the strap. Attach the strap so that the holder comes to
the side of the remote-control terminal (p. 191).
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BATTERIES
LENS
Battery Condition Indicators
Attaching the Lens
1. Remove the body and rear lens
caps.
The battery condition indicator displays the power status of the bat-
teries when the main switch is set to ON.
Full-battery indicator
Power is sufficient for all camera operations.
2. Align the red bead on the lens
with the red dot on the cam-
era’s lens mount. Press the
lens against the lens mount,
and turn the lens clockwise
until it clicks in the locked
position.
Half-battery indicator
Power is low, but all functions are operational.
Keep a fresh battery handy.
Low-battery indicator
• Do not press the lens release when
mounting the lens. The lens will not
couple properly.
Power is extremely low. The batteries will
need to be replaced soon. Flash recycling time
may be slow.
Removing the Lens
1. While pressing the lens
release, turn the lens counter-
clockwise until it stops.
Batteries are exhausted
Power is insufficient for camera operation.
Replace the batteries.
2. Remove the lens and replace
the caps, or attach another
lens.
• If no display appears, power is too low for the camera to operate.
Replace the batteries or make sure they have been inserted correctly.
Caution
• Do not force the lens if it does not turn smoothly.
• Do not touch the inside of the camera, especially the lens contacts
and mirror.
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LOADING FILM
Remove and discard the protective
cover on the film gate before loading
film for the first time.
3. Extend the leader between the
guide rails to the index mark.
• If the film tip extends beyond the
index mark, push the excess film
back into the cartridge.
Check the film window before loading film. If
film is already loaded, refer to Manual Rewind
on page 34 to remove a partially exposed roll.
• Load film in the shade to reduce the chances of
fogging the film.
4. Close the back cover.
• The camera automatically advances
the film to the first frame. 1 will
appear in the frame counter.
1. Slide the back-cover release
and open the back cover.
• The ISO is shown in the navigation display
for 5 seconds after loading.
• If loading was unsuccessful, this message
appears in the navigation display. Repeat
steps 1-4.
2. Insert film cartridge into the
film chamber.
• Refer to page 159 to reload a partially
exposed roll.
The shutter curtain’s precision design makes
it extremely sensitive to pressure. Never
touch it with your fingers or the film tip.
shutter curtain
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LOADING FILM
HANDLING THE CAMERA
• Once the film is loaded, the back cover will lock until film rewind-
ing is complete, preventing accidental opening.
• ISO is set automatically if DX-coded film is loaded. See page 86
for changing ISO manually.
• Non-DX-coded film is automatically rewound at the end of the roll
or after 36 exposures.
• Non-DX-coded film is set to the ISO from the previous roll. Refer
to page 86 to set the film speed manually.
• Do not use Polaroid Instant 35mm film. Winding problems may
occur.
Holding the Camera
Grip the camera firmly with your right
hand, while supporting the lens with
your left. Keep your elbows at your
side and your feet shoulder-width
apart to hold the camera steady. Keep
the camera strap around your neck or
wrist in the event you accidentally
drop the camera.
• Do not touch the end of the lens
barrel while taking a picture.
• Do not block the AF illuminator.
• Use a tripod when using slow shutter
speeds or a telephoto lens.
• Do not use infrared film in this camera. The camera’s frame
counter sensor will fog infrared film.
• When taking vertically aligned pho-
tographs, the use of the vertical con-
trol grip, allows for easy access to all
camera functions.
Pressing the Shutter-Release Button
Press the shutter-release button partway down to activate the cam-
era’s autofocus and auto-exposure systems. Gently press the shut-
ter-release button all the way down to take the picture.
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TAKING PICTURES IN FULL-AUTO
1. Turn the main switch to ON.
4. If using a zoom lens, rotate the
zooming ring to frame your
subject as desired.
2. While pressing the exposure-
mode dial lock-release button,
set the exposure-mode dial to
full-auto.
5. Center your subject in the
focus frame.
6. Press the shutter-release but-
ton partway down.
• Focus will be set automatically.
• Audio sounds and the local focus
area LED appears briefly indicating
the focus area selected by the cam-
era.
Full-auto is shown in the display. When the
upper part is black, as shown, the position of
the dials and levers may not match the actual
camera control.
3. Raise the built-in flash.
• If the flash is raised, it will automati-
cally fire when needed.
• For details on using the built-in flash,
see page 31.
7. When
or
appears in the
viewfinder, press the shutter-
release button all the way
down to take the picture.
• Use focus lock (p.29) if your subject
is outside the focus frame.
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TAKING PICTURES IN FULL-AUTO
• The number of frames remaining is displayed in the
viewfinder for the last 19 frames on the roll. This
countdown does not appear for non-DX-coded film.
Function
Exposure
Full-Auto Settings
Page No.
77
+/- 0.0EV
+/- 0.0EV
Cleared
compensation
• You can not take more pictures on a roll than what is stated on the
film cartridge.
• Audio sound can be canceled (p 131).
Flash
compensation
103
• After taking picture, turn the camera
off.
• After the camera is turned off, the
frame counter remains displayed in the
top data panel, but not in the rear navi-
gation display.
PA/PS creative
program mode
62
108
Flash-metering ADI (Advanced Distance Integration)
method 4-segment metering
• The frame counter in the top data
panel disappears when the main switch
is turned on.
• When the exposure-mode dial is set to
above are reset to full-auto mode, and locked in order not to be
, the functions in the table
Full-Auto Basic Settings
changed. However, if Custom 24-2 (p. 178) is selected, these settings
can be changed after the dial is set to
• The following items will not be reset when the exposure-mode dial is
set to . Additional changes to these can be made after selecting
.
When the exposure-mode dial is set to
below are reset to the full-auto mode, and locked in order not to be
changed.
, the functions in the table
.
- Whether built-in flash fires or not
- Red-eye reduction
Function
Full-Auto Settings
Page No.
- Date and time imprinting
- Data memory
- Eye-start
Exposure mode Program (P)
61
74
Metering mode 14-segment honeycomb-pattern
Autoflash, if the built-in flash is up.
- ISO setting
- Audio sound setting
- Custom function settings, except for custom functions 1, 20, 21, 22
and 23.
(Pre-flash for red-eye reduction fires in
Flash mode
99
accordance with the position of the
flash-mode switch).
Focus mode
AF area
AF-A, Autofocus priority
Wide focus area
46
54
87
Drive mode
26
Single frame advance
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FOCUSING
Focus Signals
Focus Lock
The following signals appear in the
viewfinder to indicate the focus status
when the shutter-release button is
pressed partway down.
Use focus lock when your subject is
outside the focus frame or when auto-
focus is difficult to confirm.
• The focus lock method described on
this page, is used for stationary sub-
jects. For moving subjects, see page
47 .
Focus is confirmed.
1. Center your subject in the
focus frame, then press the
shutter-release button partway
down.
Continuous autofocus – Focus is confirmed.
Continuous autofocus – Lens focusing. Shutter is
locked.
•
appears in the viewfinder when
focus is confirmed.
(Blinks) Focus cannot be confirmed – Shutter is
locked.
Subject is too close or is one of the special focus situa-
tions described on page 30.
• Focus lock also locks the exposure
settings when 14 segment honey-
comb-pattern metering is selected (p.
74).
2. Continue to hold the shutter-
release button partway down
while you compose your pic-
ture.
• In the above chart, the shutter is locked when the lens is focusing or
when focus cannot be confirmed. To change so that the shutter can
be released, even if focus has not been confirmed, select Custom1-
2.
• If eye-start is on, it is possible to activate focus by bringing the cam-
era to your eye. See eye-start for more information (p. 125).
3. Press the shutter-release but-
ton the rest of the way down to
take the picture.
• If the shutter-release button is raised partway up, focus lock will not
be cancelled. If you want the camera to refocus, remove your finger
from the shutter-release button.
• Focus lock is not possible unless
appears in the viewfinder.
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FOCUSING
USING THE BUILT-IN FLASH
The built-in flash provides coverage for focal lengths as wide as
24mm.
Special Focus Situations
The camera may not be able to focus in situations like those
described below. When the focus signal blinks, use focus lock
(p. 29) or manual focus (p. 48). See page 28 for an explanation of
the focus signals.
1. Turn the main switch to ON
and set the exposure-mode
dial to
.
2. Raise the built-in flash.
3. Press the shutter-release
button to take the picture.
If the subject within the
focus frame is very
bright, or low in con-
trast.
If two subjects at dif-
ferent distances over-
lap in the focus frame.
• When the exposure mode dial is set to
only when necessary.
, the built-in flash will fire
• For red-eye reduction, turn the flash-mode switch to the red-eye
reduction position.
• To cancel the flash, push the flash down.
Flash Signals
The following signals appear in the
viewfinder to indicate the flash status
when the shutter-release button is
pressed partway down.
If a subject composed
of alternating light and
dark lines completely
fills the focus frame.
If your subject is near
a very bright object or
area.
Flash is charged.
(Blinks) Previous exposure was correct.
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USING THE BUILT-IN FLASH
REWINDING THE FILM
Flash Range
Automatic Rewind
The film is automatically rewound after the last frame is exposed.
The range of the built-in flash depends on the speed of the film and
the selected aperture. Make sure your subject is within the flash
range specified in the table below.
1. Wait until the film is completely
rewound.
Aperture
f/2.8
ISO 100
1.0 ~ 4.3m
(3.3 ~ 14.1 ft.)
ISO 200
1.0 ~ 6.1m
(3.3 ~ 20.0 ft.)
ISO 400
1.0 ~ 8.6m
(3.3 ~ 28.2 ft.)
• Do not open the back cover until this
message appears in the navigation
display. Never use force.
1.0 ~ 3.4m
(3.3 ~ 11.2 ft.)
1.0 ~ 4.8m
(3.3 ~ 15.7 ft.)
1.0 ~ 6.8m
(3.3 ~ 22.3 ft.)
f/3.5
f/4
1.0 ~ 3.0m
(3.3 ~ 9.8 ft.)
1.0 ~ 4.2m
(3.3 ~ 13.8 ft.)
1.0 ~ 6.0m
(3.3 ~ 19.7 ft.)
1.0 ~ 2.1m
(3.3 ~ 6.9 ft.)
1.0 ~ 3.0m
(3.3 ~ 9.8 ft.)
1.0 ~ 4.3m
(3.3 ~ 14.1 ft.)
f/5.6
2. When the film is completely
rewound, open the back cover
and remove the film.
Lens Shadowing
Lens shadowing occurs when the lens or lens hood blocks part of
the output from the built-in flash. Lens shadowing appears as semi-
circular shaded area at the bottom (horizontal) or side (vertical) of
your image.
• Make sure you are at least 1m (3.3 ft.) from your subject when using
the built-in flash.
• Remove the lens hood before using the built-in flash.
• Lens shadowing may occur with the following lenses at shorter focal
lengths.
• If the manual rewind button is pressed while the film is rewinding, the
rewind speed will change.
AF Zoom 17-35mm f/3.5G
AF Zoom 28-85mm f/3.5-4.5
AF Zoom 28-70mm f/2.8G
AF Zoom 28-135mm f/4-4.5
• The built-in flash can not be used with the following lenses:
AF 300mm f/2.8 (APO tele)
AF 300mm f/4 (APO tele)
AF 600mm f/4 (APO tele)
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REWINDING THE FILM
Manual Rewind
DETAILED
OPERATION
Use manual rewind to rewind the film before the roll is finished.
Gently press the manual-rewind
button.
• Use a blunt object. A sharp object may
cause damage.
Once you have mastered the basic opera-
tion, you can move on to the Detailed
Operation section to expand your expertise.
Read those pages pertaining to the areas of
your interest and need.
DETAILED OPERATION
Navigation Display ................................36
Focusing................................................45
Exposure ...............................................60
Metering ................................................73
Drive......................................................87
Flash......................................................98
Additional Features..............................119
Memory Functions...............................132
Data Memory.......................................140
Custom Functions ...............................153
Custom Function Notes
Custom 2, 3 and 12 refer to the rewinding of film.
Custom 2 - Automatic (1) or manually initiated (2) rewind start.
Custom 3 - Rewind the leader into the cartridge (1) or leave the
leader out (2).
Custom 12 - Fast (1) or slow/silent (2) rewind.
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DISPLAY SELECTION
When the camera is first turned on,
the detailed display is shown.
Pressing the display-selection button
causes the displays to change as fol-
lows:
NAVIGATION
DISPLAY
Detailed display
Your camera uses the navigation dis-
Large icon display
Meter-index display
Exposure-history display
Display-selection button
play (a dot-matrix presentation in the
large LCD panel on the back of the
camera) to provide you with useful
photographic information.
• The horizontal detailed display is used for explanations throughout this
manual.
• Only general information is included in this section. Please refer to
each specific section for more detailed information.
• Display will be slow in cold weather, but it normalizes when it
warms up.
• If the camera is not operated for more than 1 hour, with the main
switch on, the display will disappear. Press the shutter-release
button partway down, or turn the main switch off and then back
on, for the display to re-appear.
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DISPLAY SELECTION
Detailed Display
Detailed display
Detailed display
The detailed display shows all the settings.
Switch
horizontal/
vertical
• By selecting Custom 27-2 (p. 182), you can
show only those settings which differ from
the standard settings.
Display selec-
tion button
Large icon display
Display selection
button
Large icon display
Switch
horizontal/
vertical
Large Icon Display
Display-selec-
tion button
For easier viewing of only a few items, select the large-icon display
option.
Meter-index display
Shutter speed
Aperture
Display-selec-
tion button
Exposure mode
Exposure compensation
Frame counter
Audio-on indicator
Display-selec-
tion button
Battery condition
indicator
Meter-index
display
Exposure-history
display
• To cancel this display, select Custom 29-2 (p. 184).
Display-selection
button
Exposure-
history display
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DISPLAY SELECTION
Meter-Index Display
Exposure-History Display
The meter index display shows the values of compensation and
bracketing that you have selected. The lower part shows compen-
sation/bracketing with flash. The upper part of the display is shown
in both the viewfinder and the navigation display.
The exposure data for the next frame appears in the top of the dis-
play, followed by the those of the last 5 frames.
Top left part usually shows frame counter, but changes when multi-
ple exposure drive mode or STF is selected:
,
..: When in multiple-exposure mode.
: When in STF mode.
Current exposure information
Shutter speed
Aperture
Exposure compensation
The metering index display contains the following:
Exposure compensation (p. 77)
Flash compensation (p. 103)
Metered manual value (p. 71)
Next frame’s exposure data.
Exposure bracketing (p. 92)
Previous 5 frames’ exposure data
Flash bracketing (p. 104)
When AEL appears, EV difference between the AE locked and cur-
rent exposure value. (p. 83)
• Displays present frame count.
• If there is no film in the camera, there will be no display.
•
or appears if the index is
more than +/- 3.0 EV.
• In this display, the imprint indicator
and the audio indicator
, data memory ON indicator
will not appear.
• After 5 exposures, whenever the shutter is released, the oldest
exposure data is deleted.
• For multiple exposures, the history shows the data of every exposure.
• Exposure-history is cleared by the replacement of the battery.
• To cancel this display, select Custom 31-2 (p. 185).
• To cancel this display, select Custom 30-2 (p. 185).
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DISPLAY SELECTION
DISPLAY (WHEN UPPER PART TURNS BLACK)
When the exposure-mode dial is
turned to P ,A, S, or M, the upper part
of the display remains normal. But
Vertical Display
The horizontal/vertical operation automatically changes the orienta-
tion of the navigation display, when the camera’s position is
changed to a vertical or horizontal position.
when
, 1, 2, or 3 is selected, the
upper part turns black.
• Only the detailed and large-icon display are able to be displayed verti-
cally. All others remain in the horizontal orientation.
• If you want the display to remain in the horizontal orientation, regard-
less of the camera’s position, choose Custom 32-2 (p. 186).
When the dial is set to full-auto
or to one of the memory set-
tings, the upper part of the display turns black and the position of
the dials and levers may not match the actual camera control. The
camera recalls the full-auto settings or the settings saved in the
selected memory function, and these are correctly shown on the
navigation display.
Operation Display
The operation display appears whenever you operate a camera dial
or function that is not currently on the display. The new settings will
appear for 5 seconds. When the detailed display has been select-
ed, the operation display will not appear.
Example 1: Exposure-mode dial set to P.
(Normal)
Example below shows the large icon display. When continuous
(high-speed) drive mode is selected, the display changes to the
operation display showing the new change, and then returns to the
large icon display 5 seconds later.
Example 2: Exposure-mode dial set to
auto mode. Top part of display has
turned black.
, full-
Example 3: Exposure-mode dial set to 1.
(memory setting). Top part of display has
turned black.
• During the display’s 5 second period, pressing the shutter-release but-
ton partway down will return the display to the previous display.
• To cancel this display, select Custom 28-2 (p. 184).
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DISPLAY BRIGHTNESS AND CONTRAST
Display Illumination
If desired, the display can be illuminated.
FOCUSING
Press the navigation display illu-
minator.
• The display illuminator shuts off
approximately 5 seconds after the last
camera operation.
• If the button is pressed again before
the 5 seconds, it will shut off.
Your camera features complete
focus control, utilizing a newly
developed 9-point autofocus sys-
tem with center dual cross-hair
sensors to give great flexibility
when composing photographs,
and the ability to switch between
AF and MF using the AF/MF con-
trol button without changing hold-
ing positions.
Display Contrast
The contrast level of the display is adjustable.
1. Press the display selection but-
ton for 3 seconds to select the
contrast set display.
• The contrast set display
appears.
2. Turn either the front or rear-
control dial to adjust the con-
trast intensity.
The location of the film
plane is indicated by
the arrow.
• Turning the dial in the +
direction increases the
intensity.
• The contrast display will disappear when the shutter-release but-
ton is pressed partway down.
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FOCUS MODE
Your camera has 3 autofocus modes plus manual focus. With the
Continuous Autofocus (C)
camera set to other than
modes.
, you can select one of the following
Use continuous autofocus when shooting
sporting events or when you know the
subject will be in constant motion.
Automatic autofocus (A)
Continuous autofocus (C)
Single-shot autofocus (S)
Manual focus (MF)
1. Turn focus-mode switch to C.
Automatic Autofocus (A)
2. Press the shutter-release but-
ton partway down to activate
autofocus.
Designed to work well in almost any situation, automatic autofocus
is especially suited to moving subjects that stop suddenly. When the
subject is moving, continuous autofocus is set. When not moving,
single-shot autofocus is set.
•
appears in the dis-
1. Turn the focus-mode switch to
A.
play.
2. Press the shutter-release but-
ton partway down to activate
autofocus.
• The camera continues to focus as long as the shutter-release button is
pressed partway down.
• Audio doesn’t sound and the local focus area LED doesn’t appear in
the viewfinder in this mode.
• The camera will contin-
ue to focus as long as
the subject is moving,
then lock focus when
the subject is still.
Single-Shot Autofocus (S)
•
appears in the
display.
Use single-shot AF when photographing
non-moving subjects or to lock focus on
subjects outside the focus area.
• When the exposure-mode dial is set to
set.
, automatic autofocus is
• Using custom functions, you can choose to select direct manual focus
(DMF) when the focus-mode switch is in the A position (p. 176).
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FOCUS MODE
1. Turn the focus-mode switch to
S.
2. Press the shutter-release but-
ton partway down to activate
autofocus.
2. Turn the focusing ring until
your subject appears sharp
and focused.
•
appears in the dis-
play.
•
appears in the viewfinder when the subject in the focus frame is in
focus.
• Once confirmed, focus remains locked until your finger is removed
from the shutter-release button.
• Even though manual focus has been selected, it is possible to utilize
autofocus by pressing the AF/MF control button (p. 51).
• When the focus ring doesn’t turn smoothly (for example when using a
teleconverter) see page 52.
• This camera uses distance information, even when in manual focus
mode, to obtain a proper exposure. In order to get precise information,
the focus position is at infinity when the camera’s main switch is
moved to the ON position.
Manual Focus (MF)
Focus the lens manually when autofocus is not suitable and focus
lock is not possible. The autofocus system will monitor focus and
indicate when a subject in the focus frame is in focus.
AF Power Zoom and xi Series Lenses
1. Turn the focus-mode switch to
MF.
Pull and turn the zoom ring until your subject appears sharp.
•
is displayed in both
the viewfinder and navi-
gation display.
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AF/MF CONTROL BUTTON
The AF/MF control button is located on the back allowing an instant
selection of focus mode with the right thumb without changing the
holding position.
• AF/MF control button cannot be used with xi series and AF Power
zoom lenses.
MF to AF
In MF mode (focus-mode switch
set to MF), when the AF/MF con-
trol button is pressed, the MF
mode is switched to AF-S, auto-
focus is activated, and then focus
is locked.
AF to MF
In AF mode (focus-mode switch
set to C, A, or S), the AF mode is
switched to MF mode while
pressing the AF/MF control but-
ton.
• When you release the AF/MF control button, the camera returns to MF
mode, and now re-focusing is possible using the focusing ring.
• When the AF/MF control button is pressed, the camera will also meter
the subject.
• Turn the focusing ring while pressing
the AF/MF control button.
• While pressing the AF/MF control button,
viewfinder, but will remain in the navigation display.
• If Custom 9-2 is selected, autofocus and manual focus are automati-
cally switched over by every push of the AF/MF control button, instead
of while pressing the AF/MF control button (p. 167).
disappears in the
•
will appear in the viewfinder while the AF/MF control button is
pressed. However, the AF-mode indicator in the navigation display
(AF-A, AF-C, AF-S) doesn’t change.
• If you don’t change the focus, the focus will remain locked while
pressing the AF/MF control button.
• If Custom 9-2 is selected, autofocus and manual focus are automati-
cally switched over by every push of the AF/MF control button, instead
of while pressing the AF/MF control button (p. 167).
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FOCUS AREA
The camera’s standard focus mode,
wide focus area, covers the entire
center area making it easier for the
camera to focus on moving subjects.
Nine sensors are located in the wide
focus area, which are shown by the
local focus area in the viewfinder.
When you press the shutter-release
button partway down, the camera
automatically decides which sensor to
be used, and the corresponding local
focus area LED lights in the viewfind-
er.
Smooth Focusing
The advance total focus control system has many advantages over
the conventional system. However, when used with certain lenses,
such as a teleconverter, the lens may have a heavier feel than con-
ventional models, when focusing manually. If desired, users can
temporarily select a conventional manual focus operation.
Wide focus area
1. Set the focus-mode switch
to MF.
2. Simultaneously press the
spot-AF button and lens
release.
3. Release your finger from
the lens release first, then
from the spot-AF button.
The local focus area mode also uti-
lizes 9 point sensors, resulting in
greater flexibility when photographing
still objects. When you select any of
these local focus areas, the corre-
sponding sensor is shown in the
viewfinder.
•
appears instead of the normal
.
Local focus area
• The AF/MF control button is inactive when the reversed
appears on the navigation display.
• When continuous autofocus (C) or automatic AF (A) with continuous
focus is selected, the local-focus area LED will not be illuminated in
the viewfinder.
• Some benefits, such as improved exposure metering and flash-
metering accuracy in manual focus, will now be the same as with
a conventional camera.
• The display time of the local focus area can be selected by using
Custom 14 (p. 170).
• 14-segment honeycomb-pattern (p. 74) is changed to metering
similar to center-weighted averagewhen this option is selected.
• To return to the usual camera operation, set the focus-mode switch to
C, A, or S, or set the exposure-mode dial to
full-auto.
• AF Power zoom and xi Series lenses cannot be used.
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FOCUS AREA
Choose the wide or local focus area as desired. By simply pressing
the spot-AF button, the center spot-focus area is selected.
2. Press the focus-area selec-
tor to focus using the wide
focus area. Press the spot-
AF button to use the center
spot-focus area.
Wide Focus Area
The camera automatically decides which
sensor to be used.
• Viewfinder shows which sensor is
being used for focusing.
• While pressing the spot-AF button or
the focus-area selector, the focus is
locked.
1.Set the wide/local focus-area
switch to wide.
3. While pressing either the focus-area selector or the spot-
AF button, press the shutter-release button and take the
picture.
• When the exposure-mode dial is set to
, wide focus area is set.
• After taking the picture, as long as the spot-AF button or the focus-
area selector remains pressed, focus remains locked, and additional
pictures may be taken.
• Wide focus area appears in the display.
• If 14-segment honeycomb-pattern is selected, the exposure is locked
when the focus is locked.
• When
is selected, autofocus is not activated by pressing the
focus-area selector or the spot-AF button.
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FOCUS AREA
• Viewfinder shows which sensor is
being used for focusing.
• While pressing the spot-AF button or
the focus-area selector, the focus is
locked.
Local Focus Area
Any one of the 9 local focus areas can be
selected.
3. While pressing either the focus-area selector or the spot-
AF button, press the shutter-release button and take the
picture.
• After taking the picture, as long as the spot-AF button or the focus-
area selector remains pressed, focus remains locked, and additional
pictures may be taken.
1. Set the wide/local focus-area
switch to local.
• If you release your finger from the focus-area selector or the spot-AF
button, locked focus (position) is canceled, but local focus area
remains.
• The local focus-area
• If 14-segment honeycomb-pattern is selected, the exposure is locked
when the focus is locked.
appears in the navigation
display.
• The same local focus area can be used to adjust focus (see p. 58).
• Only the center spot-focus area can be used with the AF Reflex
500mm f/8 lens and AF Power zoom 35-80mm, f/4-5.6.
2. Press the focus-area selector
to select the local focus area
you want. Press the spot-AF
button to use the center spot-
focus area.
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FOCUS AREA
AF ILLUMINATOR
In low-light/low subject contrast situa-
tions, the AF illuminator automatically
projects a pattern of lines onto the
subject for the camera’s AF sensors
to focus on.
How to Lock the Local/Spot Focus Area
1. Turn the wide/local focus area
switch to local, and select the
focus area you want to lock.
2. Turn the wide/local focus-area
switch to lock.
• Do not to obstruct the AF illuminator.
• AF illuminator works for the center focus area only.
• The range of the AF illuminator is 0.7 – 7.0 meters (2.3 – 23.0 ft.).
• The AF illuminator will not fire in continuous autofocus mode.
• The AF illuminator may not operate with 300mm or longer single
focal length lenses.
• The AF illuminator will not operate with 3x-1x Macro Zoom.
• When an accessory flash is attached, its AF illuminator may be active
in place of the camera’s AF illuminator.
How to Lock the Wide Focus Area
1. Turn the wide/local focus area
switch to wide.
2. Turn the wide/local focus-area
switch to lock.
• AF illuminator can be canceled by Custom 21-2 (p. 176).
• After taking the picture, the focus area remains locked.
• When the wide/local focus-area switch is locked, pressing the focus-
area selector or the spot-AF button doesn’t activate the focus.
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P MODE
Select P mode (Programmmed AE) when you want to give your full
attention to your subject and composition. The P mode software
analyzes the subject’s size, motion, and magnification as well as the
focal length of your lens, then sets the shutter speed and aperture
according to the requirements of the scene.
EXPOSURE
1. While pressing the exposure-
mode dial lock-release button,
turn the exposure-mode dial to
P.
Your camera’s exposure-mode dial has 8
positions;
2 Compose your scene, focus,
and take the picture.
Full-auto
P, A, S, and M modes
• When the shutter-release button is pressed
partway down, metering occurs and the shut-
ter speed and aperture are shown on the navi-
gation, top data panel, and viewfinder dis-
plays.
1, 2, and 3 memory modes
This section of the manual covers the P, A, S, and M modes.
• For the
full-auto mode, see pages 24-27.
For memory modes, see page 132.
Comparison of
(full-auto) mode to P (program) mode:
In the
ically.
(full-auto mode), all the camera settings are set automat-
In the P (program mode), the camera sets the shutter-speed and
aperture, but all other camera settings are changeable.
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P MODE
A MODE
In A mode (aperture priority), you select the aperture and the cam-
era automatically sets the shutter speed required for proper
exposure. Set the camera to A mode when you want to control the
range of focus (depth-of-field) in an image.
P-Mode Flash
When the built-in flash is up or an attached accessory flash is on, it will
fire each time the shutter is released. The camera’s automatic flash
metering system will ensure proper exposure.
• Make sure your subject is within the flash range (p. 32).
1. While pressing the exposure-
mode dial lock-release button,
turn the exposure-mode dial to
A.
PA/PS Mode
After the AE system has been activated, you can change the shutter
speed or aperture selected by the camera. Creative program remains
active until the display disappears.
• A appears in the naviga-
tion display.
While the aperture/shutter speed are displayed in P mode…
•
appears in the viewfind-
er, next to the aperture
Turn the front control
dial to change the
shutter speed.
display, indicating that the
aperture can be changed.
• Aperture is adjusted
automatically.
2. Turn either control dial to
select the aperture.
• The aperture setting changes in 1/2
or 1/3 EV increments depending on
the position of the exposure compen-
sation dial. See page 77.
Turn the rear control
dial to change the
aperture.
• Shutter speed is adjust-
ed automatically.
• The aperture and shutter speed change in 1/2 or 1/3 EV increments
depending on the position of the exposure compensation dial.
• Flash can not be used with the PA and PS modes.
-Built-in and accessory flashes will not fire when the PA and PS
modes are active.
-PA and Ps modes can not be selected when the built-in flash is
up or the accessory flash is on.
• To cancel PA / Ps mode, press the exposure-mode dial lock-release
button. It will also be cancelled 5 seconds after the display disap-
pears, or immediately when the built-in flash is raised.
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A MODE
• When pressing the shutter-release button part-
way down, if 8000 or 30” blinks or the printing
reverses, the required setting is beyond the
camera’s shutter speed range. Turn the con-
trol dial until the blinking/reversing stops.
Aperture Control
A-Mode Flash
Large Aperture
(small f-number)
Small Aperture
(large f-number)
1. Follow the steps on the previous page.
2. Raise the built-in flash, or turn the accessory flash on.
•
appears in the viewfinder when the flash is charged.
The size of the aperture (lens opening) determines the depth-of-
field in the final image as well as the intensity of the light falling on
the film. Depth-of-field is the area in front of and behind the point
where the lens is focused which will appear sharp.
• The shutter speed is automatically set to 1/200 or slower.
• When the built-in flash is up or an attached accessory flash is on, it
will fire each time the shutter is released. The camera’s automatic
flash metering system will ensure proper exposure.
• The use of a large aperture is recommended for a longer flash range.
Large apertures (small f-numbers) limit the depth-of-field to a nar-
row range. Choose a large aperture if you want a defocused back-
ground so your main subject stands out, such as with portraits.
• When pressing the shutter-release button part-
way down, if 200 blinks or the printing reverses,
the required setting is beyond the camera’s
shutter speed range. Turn the control dial until
the blinking/reversing stops.
Small apertures (large f-numbers) provide greater depth-of-field.
Choose a small aperture when you want maximum focus range,
such as in a landscape photograph.
• In general, wider lenses provide more depth-of-field and longer
(telephoto) provide less depth-of-field.
• There is less depth-of-field when your subject is close to the lens.
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S MODE
In S mode (shutter priority), you select the shutter speed and the
camera automatically sets the aperture for the proper exposure.
Use S mode when you want to control the blur caused by subject
movement.
•
(Time exposure) should be used when in the M mode.
S-Mode Flash
1. While pressing the exposure-
mode dial lock-release button,
turn the exposure-mode dial to
S.
1. Follow the steps on the previous page.
2. Raise the built-in flash, or turn the accessory flash on.
•
appears in the viewfinder when the flash is charged.
• S appears in the naviga-
tion display.
• Shutter speeds of 1/200 or slower can be selected. However, shutter
speeds greater than 1/200 can be achieved using high speed sync
5600HS(D), 3600HS(D), or 5400HS (p. 110).
• When the built-in flash is up or an attached accessory flash is on, it
will fire each time the shutter is released. The camera’s automatic
flash metering system will ensure proper exposure.
•
appears in the viewfind-
er, next to the shutter
speed, indicating that the
shutter-speed can be
changed.
2. Turn either control dial to
select the shutter speed.
• The aperture setting
changes in 1/2 or 1/3 EV
increments depending
on the position of the
exposure compensation
dial. See page 77.
• When pressing the shutter-release button part-
way down, if the aperture value blinks or the
printing reverses, the required setting is beyond
the camera’s aperture range. Turn the control
dial until the blinking/reversing stops.
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S MODE
M MODE
M mode (Manual) gives you full control of the exposure. The cam-
era’s meter index displays how your settings compare to the
exposure determined by the camera’s metering system.
Shutter Control
1. While pressing the exposure-
mode dial lock-release button,
turn the exposure-mode dial to
M.
Fast Shutter Speed
Slow Shutter Speed
Because the shutter speed controls the duration of exposures, it
also determines how moving subjects will appear in the final image.
Use a slow shutter speed to blur the motion of your subject. Use a
fast shutter speed to stop the motion of your subject. In addition to
stopping action, fast shutter speeds can help prevent blur caused
by camera movement during the exposure.
2. Turn front control dial to select
the shutter speed.
3. Turn rear control dial to select
the aperture.
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M MODE
•
appears in the viewfinder, next to the shutter-speed and aperture
display, indicating that both can be changed.
Metering in M Mode
The meter index displays the EV difference between your settings and
the ‘correct’ exposure determined by the camera. The 0 position (null
point) represents the recommended exposure using the currently
selected metering pattern (pp.82-83). (Metered manual).
• The aperture setting changes in 1/2 or 1/3 EV increments depending
on the position of the exposure compensation dial.
M-Mode Flash
1. Follow the steps on the previous page.
2. Raise the built-in flash, or turn the accessory flash on.
Your settings match the rec-
ommended exposure.
Your settings will overex-
pose the metered area by
1EV.
•
appears in the viewfinder when the flash is charged.
• The shutter speeds of 1/200 or slower are selectable. However, shut-
ter speeds greater than 1/200 can be achieved using high speed
sync flash 5600HS(D), 3600HS(D), or 5400HS (p. 110).
• When the built-in flash is up or an attached accessory flash is on, it
will fire each time the shutter is released. The camera’s automatic
flash metering system will ensure proper exposure.
Your settings will underex-
pose the metered area by
1.5EV.
Your settings will overex-
pose the metered area by
1.3EV.
• The EV scale is marked in 1/2 or 1/3 EV increments depending on the
current setting of the exposure compensation dial (p. 77).
•
or will blink in the meter index if
the settings will over or underex-
pose the subject by more than 3.0
EV.
• If you press the display-selection button, the
meter-index display appears in the navigation
display. Index in M mode (Metered manual) is
shown in the upper mid- area with
.
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M MODE
Manual Shift
Manual shift lets you shift to equivalent aperture/shutter speed com-
binations without changing the exposure value (EV).
METERING
1. Select a desired shutter speed
and aperture.
2. Press the AE-lock button and
turn the front control dial until
the desired aperture/shutter
speed combination appears in
the display.
• While pressing the AE-lock button, AEL appears
in the viewfinder and
gation display.
appears in the navi-
• The operation of the AE-lock button can be changed by custom fucn-
tion 10 (p. 168).
• When you select the 1/3 EV increments setting, the locked exposure
may change if the maximum aperture of 1/2 EV increments is chosen.
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SELECTABLE METERING
Your camera takes meter readings of the light in the scene to deter-
mine the correct exposure. It has three methods of taking meter
readings. Use the method most appropriate for your subject.
Turn the metering-mode switch to
.
14-Segment Honeycomb-Pattern Metering
Fourteen-segment honeycomb-pattern metering uses information from
the autofocus system to set the metering pattern according to the
position of the main subject. The light metered by each applicable
segment is then evaluated to determine the degree of spot-lighting or
backlighting present in your scene. The local focus-area (LED)
momentarily displays the sensor being used when the shutter release
button is pressed partway down.
•
appears in both the
viewfinder and navigation
display.
Spot Metering
Spot metering uses only the center honeycomb segment to meter the
image. The center honeycomb segment is shown by the spot metering
area in the viewfinder.
Fourteen-segment honeycomb-pattern metering is the camera’s
standard metering mode and is appropriate for most photographic
situations.
Turn the metering-mode switch to
.
•
appears in both the
viewfinder and naviga-
tion display.
Centered subject
Subject on the right
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SELECTABLE METERING
EXPOSURE COMPENSATION
Center-Weighted Average Metering
Center-weighted average mode bases the exposure on an average of
the readings from each of the honeycomb segments - with emphasis
placed on the center of the image.
Care should be taken when photographing backlit, spotlighted, or off-
center subjects, as non-subject areas may be included in the exposure
calculation.
Under exposure
Proper exposure
Over exposure
Especially helpful when using the spot or center weighted metering
patterns, exposure compensation lets you manually adjust the
metered exposure +/– 3 EVs in 1/2 or +/– 2 EVs in 1/3 EV incre-
ments. This function is especially useful when shooting with slide
film, because of the film’s low tolerance for exposure error.
While pressing the exposure-
compensation dial lock-release
button, turn the exposure-com-
pensation dial to the desired
compensation value.
Turn the metering-mode switch to
.
•
appears in both the
viewfinder and navigation
display.
• Selected compensation
value appears in the naviga-
tion display.
• Dial is locked only when you go from the 0.0 compensation setting.
• Select Custom 18 (p. 173) to change the exposure compensation
value using the rear control dial in P, A, and S modes.
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EXPOSURE COMPENSATION
Changing to 1/3 Increments
Meter Index
The meter index displays the exposure compensation value you set.
1/3EV increment
1/2EV increment
Exposure compensation
value of -1.5
Exposure compensation
value of +1.3
(1/2EV increment)
(1/3EV increment)
Example below shows changing from 1/2EV to 1/3EV increment.
• If you press the display-selection button, the
meter-index display appears in the navigation
display. Exposure compensation index is shown
1. Set the exposure-compensation
dial to the edge of the 1/2EV
increment (ie; +/-3.0EV).
in the upper mid-area with
.
2. While pressing the exposure-
compensation dial lock-release
button, turn the exposure-com-
pensation dial to the edge of the
1/3EV increment (ie; +/- 2.0EV).
• When going from 1/3EV increment to 1/2EV increment, use the same
procedure as described in steps 1 and 2 above.
• If you select 1/3EV increment, aperture, shutter speed, and the value
on the meter index will change to 1/3EV increment.
• If 1/3EV increments are selected, the lens’ maximum/minimum aper-
ture may not appear correctly, but the camera will be set correctly.
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EXPOSURE COMPENSATION
AUTOMATIC EXPOSURE LOCK (AEL)
Press the AE-lock button to lock the exposure using the currently
selected metering pattern without locking the focus. The exposure
remains locked until the AE-lock button is released.
Comparison between exposure compensation and flash
compensation.
1. For exposure compensation, when the flash doesn’t fire, the pic-
ture will be compensated by changes in both the shutter speed and
the aperture.
1. Select the desired metering
pattern (pp. 74-76), and focus
on subject.
2. For exposure compensation, when the flash does fire, compen-
sation will be due to changes in shutter speed, aperture, and the
flash burst.
3. For flash compensation, only the flash burst changes.
2. Press and hold the AE-lock
button.
• Specifically for 1 and 2 above, when in;
P-mode - both shutter speed and aperture change.
A-mode - only the shutter speed changes.
S-mode - only the aperture changes.
•
appears in the
viewfinder and navigation
display.
• See page 103 for additional information regarding flash compen-
sation.
• Meter index also appears in
the viewfinder (p. 83).
• If you desire a fixed flash burst for exposure compensation with
flash, select Custom 26-2 (p. 181).
3. While pressing the AE-lock
button, recompose the scene
as desired.
4. While still pressing the AE-
lock button, press the shutter-
release button all-the-way
down to take the picture.
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AUTOMATIC EXPOSURE LOCK (AEL)
• If you keep pressing the AE-lock button after taking the picture, the
exposure remains locked.
• Pressing the AE-lock button sets the flash to slow-shutter sync mode
(p. 102).
• If Custom 10-2 is selected, pressing the AE-lock button once activates
automatic exposure lock. Pressing again cancels.
14-Segment Honeycomb-Pattern and Center-Weighted
Average Metering
Keep pressing AE-lock button
1
Press AE-lock button
.
2
while recomposing picture
.
Exposure currently in the spot-metering area
Meter Index When AE-Lock Button is Pressed
The meter index displays the EV difference between the locked
exposure and the exposure for the subject area currently inside the
spot-metering area. Using the AE-lock button function, you can
compare the difference between the locked (actual) exposure and
the exposure in each part of the image. If the difference is more
than +2.3EV, that part of the picture will be washed out. If the differ-
ence is more than -2.7EV, the picture will be dark and the details
will be gone. Depending on the type of film, these values may
change. Without taking the picture, you can measure the brightness
and predict the results.
Locked exposure value (0EV)*
*Locked exposure will always be 0EV unless exposure compensation is
set.
Spot Metering
Keep pressing AE-lock button
1
Press AE-lock button
.
2
while recomposing picture
.
1
2
Example: Recompose the picture from
AE-lock button.
to , while pressing the
1
2
Exposure in the spot-metering area
Locked exposure value (0EV)*
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AUTOMATIC EXPOSURE LOCK (AEL)
• The EV scale is marked in 1/2 or 1/3EV increments depending on the
current setting of the exposure compensation dial (p. 77).
Shutter speed
Aperture
Exposure compensation
•
or
will blink in the meter index if the settings will over or underex-
3 EV over
the locked
value.
Difference is between -1EV
and +1EV.
pose the subject by more than 3.0EV.
• If you press the display-selection button, the
2EV under
meter-index display appears in the navigation
display. When you press the AE-lock button,
the index shows the differences between the
locked exposure and the exposure currently in
the spot-metering area.
• If more than 3.0EV, only + or - will appear, instead of a value.
• Press the display-selection button once again to cancel the bright-
ness-distribution display while still pressing the AE-lock button.
• If you release your finger from the AE-lock button, both brightness dis-
tribution and locked exposure will be canceled.
• Shutter speed, aperture, and exposure compensation appear in the
top portion of the display.
Brightness-Distribution Display
The display shows the difference between the
locked value “0” and the output from each of
the 14-honeycomb segments.
• If a non-displayed setting is changed, the operation display appears.
• This feature is useful for monitoring which areas of the picture are
under or over-exposed, and allows the user to also confirm the varia-
tion on the brightness distribution with the exposure-compensation
dial.
• If bracketing is selected, the normal position (+/- 0) of the bracketing
series will be displayed in the brightness-distribution display.
• Brightness-distribution display shows values without flash. When flash
fires, displayed values may be slightly lower than the values without
flash.
While pressing the AE-lock but-
ton, press the display-selection
button. Each segment will be
shaded and a value indicated.
• The shading appears as;
White : +1EV or more.
• The EV scale is marked in 1/2 or 1/3EV increments depending on the
current setting of the exposure copmensation dial (p. 77-78).
Gray : when between -1EV and +1EV.
(No value given when gray)
Black : -1EV or less.
84
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SETTING THE ISO MANUALLY
Set the ISO manually to override the DX-coded ISO or when using non-
DX coded film.
• Film must be loaded before the ISO can be changed.
• Non-DX coded film is initially set to the previous roll’s ISO.
DRIVE
1. Open the control-panel door
and press the ISO button.
Continuous drive, exposure bracketing, multiple exposures, and
other options can be selected using the drive-mode lever.
• The current ISO is shown
in the display.
The standard drive-mode setting for this
camera is single-frame (drive-mode lever
set to
).
The selectable modes are represented
by;
2. Turn either control dial to set
the desired ISO value.
(Single-frame advance)
(Continuous advance)
Bracketing
S (Single frame advance)
C (Continuous advance)
Self-timer
• The ISO can be changed
manually from 6 to 6400 in
1/3 EV increments.
Multiple Exposure
3. Press the shutter-release but-
ton partway down to enter the
new ISO.
• The drive-mode lever can not be changed while pressing the
exposure-mode dial lock-release button.
Custom 4-2 DX Memory ON (p. 164).
Applies ISO changes to future rolls with the same DX-coded ISO.
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CONTINUOUS
• Press the shutter-release button partway down
to enter the setting. HI remains for high con-
LO remains for low continuous
This camera has both single-frame and continuous advance drive
modes. Select single-frame advance to expose and advance the
film one frame at a time. Switch to continuous drive to photograph
dynamic action sequences at up to 4 frames per second in high
speed mode (3.7 when AF-A or AF-C is selected) or 2 frames per
second in low speed mode.
tinuous,
mode.
4. Keep pressing the shutter-release button to take the pic-
tures.
1. Turn the drive-mode lever to the
desired drive mode.
• The high or low setting will remain selected until you change it.
• When the built-in flash is up or an accessory flash is on, the shutter
can not be released until the flash is charged.
- Single-Frame Advance
- Continuous Advance
• The shutter can not be released until the camera has focused on your
subject.
• If AF-S (Single-shot autofocus) is selected, focus will be locked until
the series of continuous frames is finished.
If continuous advance is selected...
• Return the drive-mode lever to
mode.
to cancel the continuous drive
2. Open the control-panel door,
then press the adjust button.
• AF Zoom xi and Power zoom lenses cannot be zoomed when
continuous-advance mode is selected.
• When the battery power is low or in low temperatures, the maxi-
mum drive speed may temporarily drop. Continued operation with
low battery power may even cause a complete stoppage.
• The display will switch to the
setting display.
3. Turn either control dial to
select high or low speed con-
tinuous drive.
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SELF-TIMER
• Press the shutter-release button partway down
to enter the setting. 2s remains for 2 second
Use the self-timer to delay the shutter release for 2 or 10 seconds
(approx.) after the shutter-release button is pressed all the way
down. In addition to delaying release of the shutter, the 2 second
delay pops the mirror up two seconds before the shutter opens to
reduce blur caused by camera vibration.
delay,
10s remains for 10 second delay.
• Attach the eyepiece cap (p.127) when there is a bright light source
behind the camera.
4. Center your subject in the
focus frame, then press the
shutter-release button partway
down to confirm the focus.
1. Place the camera on a tripod,
then turn the drive-mode lever
to
.
5. Press the shutter-release but-
ton all the way down to start
the timer.
Open the control panel door
and press the adjust button.
2.
• 10 seconds (10 s) –The self-timer lamp on the front of the camera
will blink slowly, then blink rapidly just before the shutter releases.
• An audio sound will also be heard for the 10 second self-timer. It can
be canceled if desired (p. 131).
• Self-timer set display
appears.
• Turn the camera off or select another drive mode to cancel the 10
second self-timer.
• 2 seconds (2 s) –The mirror pops up when the shutter-release button
is pressed all-the-way down. The shutter is released two seconds
later.
• The 2 second self-timer cannot be cancelled.
• The red-eye reduction flash mode is not effective when the 2 second
self-timer is selected.
3. Turn either control dial until the
desired delay appears in navi-
gation display.
90
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EXPOSURE BRACKETING
Exposure bracketing automatically exposes a series of frames with
exposures above and below the metered exposure value. Bracket
your exposures when shooting slides and other films with a low tol-
erance for exposure error. A larger bracketing increment is recom-
mended when shooting negative film.
3. Turn the front control dial to
set the bracketing increment
(0.3, 0.5, 0.7, 1.0 EV).
• This camera can expose a 3, 5, or 7 frame brackets in increments of
0.3, 0.5, 0.7, or 1.0 EV.
1. Turn the drive-mode lever to
the desired bracketing mode.
S - Single Frame Advance
C - Continuous Advance
4. Turn the rear control dial to
set the size of the bracket (3,
5 or 7 frames).
2. Open the control-panel door,
then press the adjust button.
• The current bracketing increment and
size of the bracket is shown in the
display.
• Press the shutter-release button partway down
to enter the setting.
frame advance,
remains for single
remains for continuous
frame advance mode.
Exposure-bracket-
ing indicator
5. Compose (and meter) your subject, then press the shut-
ter-release button all the way down to start the bracket-
ing.
Front-control-dial
indicator
• In
S - Single-frame advance, press the shutter-release button for
each exposure.
Meter index
• In
C - Continuous advance, hold the shutter-release button until
Rear-control-dial
indicator
the series is finished.
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EXPOSURE BRACKETING
• To cancel, move the drive-mode lever to a different mode.
• The normal sequence (for a 5 frame bracket in 1/2 increments) is;
Normal ➝ -0.5EV ➝ +0.5EV ➝ -1.0EV ➝ +1.0EV
However by selecting Custom 11-2, the following sequence is possi-
ble; (p 169.)
Meter Index
When bracketing is selected, the meter index appears in the
viewfinder.
• If exposure compensation is also selected, the whole bracketing
series will be shifted.
• Meter index doesn’t appear in the viewfinder while adjusting the incre-
ment and size of the bracketing.
-1.0EV
➝ -0.5EV ➝ Normal➝ +0.5EV ➝ +1.0EV
• Exposure is locked on the first frame of the series.
• P mode (programmed autoexposure) exposures are bracketed by
changing both the aperture and shutter speed.
• Every time the picture is taken, the corresponding bar will disappear.
• S (shutter priority) mode and PS mode exposures are bracketed by
changing the aperture.
• M mode (manual), A mode (aperture priority) and PA mode exposures
are bracketed by changing the shutter speed.
Bracketing increment - 0.7EV
Size of bracket - 3 frames
Bracketing increment - 0.5EV
Size of bracket - 5 frames
Exposure compensation - +1.0EV
• Press the AE-lock button when the shutter is released to bracket using
the aperture in manual (M) mode.
• If a 1/2EV exposure increment is selected with a 0.3 or 0.7EV
exposure bracketing increment, or if a 1/3EV exposure increment is
selected with a 0.5EV exposure bracketing increment, then the posi-
tion of the bar in the meter index shown in the viewfinder will be slight-
ly shifted. However, the exposure will be exactly as set.
Single Frame Advance
• The number above the bracket indicator in the display and also in the
viewfinder, increases each time you take a picture.
• Film can be changed in the middle of the bracketed series.
• Turn the camera off, or select another drive mode to cancel single
frame advance bracketing.
• If you press the display-selection button, the
meter-index display appears in the navigation
display. Exposure bracketing index is shown in
Continuous Advance
the upper mid-area with
.
• Removing your finger from the shutter-release button before the series
is complete resets the camera to the first frame of the bracket.
• Continuous advance bracketing is cancelled at the end of the roll.
With the exposure history display, the next exposure value is reversed
printed to tell you that camera setting is different.
Dial setting only. The actual bracketing value may
not be as indicated in the reverse printed area.
Actual exposure values for the previous 5 expo-
sures.
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MULTIPLE EXPOSURE
The multiple exposure function makes
it possible to expose 2 or more
images on the same frame.
The meter in your camera determines exposure (EV) based on the
assumption that only one exposure will be made on each frame.
When making multiple exposures, the EV for each additional
exposure may need to be reduced or over exposure can result.
Compensate the exposures as follows:
Number of
Exposures
1
0
2
3
4
6
8
Exposure
Adjustment
1. Turn the drive-mode lever to
.
-1 -1 1/2 -2 -2 1/2 -3
• The above corrections are intended as a general guideline. Some
testing may be necessary to produce the desired results.
• Compensation may not be necessary if all of the exposures have dark
backgrounds and the subjects of the exposures will not overlap.
• Exposure can be compensated in 1/2 or 1/3 EV increments using the
exposure compensation function (p. 77).
•
appears in the display’s
frame counter.
• The camera can be turned off and back on during a multiple exposure
series.
• When date/time imprinting is selected, the date/time will be printed
when the film is wound.
• When using negative film, tell your photofinisher there are multiple
exposures on the roll. Some photofinishers may not automatically print
multiple exposure.
• If Custom 3-2 is selected, you can partially rewind the film and overlap
an exposure on a previously exposed frame (p. 161-163).
2. Compose the scene, then press the shutter-release but-
ton all the way down to take the first exposure.
• After the first exposure,
appears in the dis-
play and is reverse printed telling you that the
next exposure will be overlapped.
• Take additional exposures as desired.
• Additional exposures are counted only up to
, but an unlimited number of exposures can
be taken.
• The number on the
also increases up to 9.
3. Select another drive mode to cancel multiple exposure
mode and to advance the film to the next frame.
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FLASH MODE SWITCH
Flash pictures can be taken using the built-in flash or with separate-
ly sold accessory flash units.
FLASH
Built-in flash - Raise the built-in
flash.
This section of your manual covers the operation of accessory
flashes as well as the built-in flash.
Accessory flash - Turn the
accessory flash on.
The high accuracy of your camera’s flash metering is realized by
ADI (Advanced Distance Integration) flash metering in combination
with the newly developed D flash units and D lenses. Flash meter-
ing is controlled by the guide number in addition to pre-flash meter-
ing. Compared with the conventional TTL flash metering, flash out-
put is less influenced by the background conditions or the subject’s
reflectance in ADI flash metering, offering optimum flash metering.
• In
full-auto mode, the flash will automatically fire when necessary.
will appear in the navigation display.
• When you are not in
full-auto mode, the flash will fire every time.
will appear in the navigation display.
• The flash-mode switch has four posi-
tions.
Your camera’s built-in flash provides coverage for a 24mm angle of
view, with a flash guide number of 12.
Built-in flash
Program Flash
Normal flash
Red-eye reduction (p. 100)
Normal flash (p. 31)
Normal flash
Rear flash sync (p. 101)
Wireless/remote flash (p.112)*
Rear flash sync (p. 101)
Normal flash
REAR
WL
ADI flash metering
Conventional TTL metering
*
If you use the built-in flash with the flash-mode switch set to WL, the
exposure will not be correct.
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RED-EYE REDUCTION
REAR FLASH SYNC
When photographing people or animals at night or in other low-light
situations, the effect called red-eye may occur due to the flash
reflecting off the inside of the subject’s eyes. To reduce this effect,
the flash fires a series of small bursts before the main flash burst.
This causes the subject’s pupils to close, greatly reducing the
amount of light which will reflect off the retina.
With rear flash sync
Without rear flash sync
1. Raise the built-in flash and turn
the flash-mode switch to
.
Slow sync flash exposures can appear unnatural because the
motion blur precedes the subject in the final image. Use rear flash
sync to create more natural looking slow shutter speed flash expo-
sures that leave a blur of motion behind the subject.
•
appears in the naviga-
tion display.
1. Raise the built-in flash, or turn
the accessory flash on, and
turn the flash-mode switch to
2. Press the shutter-release but-
ton to take the picture.
REAR
.
• Warn your subject that the flash will
fire a few short bursts just before the
picture is taken.
•
appears in the
display.
• Red-eye reduction can only be used
with the built-in flash.
• Red-eye reduction is not effective
when used with self-timer, mirror lock-
up function (p. 90).
2. Press the shutter-release but-
ton to take the picture.
• Flash synchronization returns to front sync (standard operation) when
shutter speeds faster than 1/60 are selected.
• Rear flash sync cannot be used with red-eye reduction or wireless
flash.
100
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SLOW-SHUTTER SYNC
FLASH COMPENSATION
Use flash compensation to increase or decrease the output of the
built-in or an attached accessory flash up to +/–2 EV in 1/2EV incre-
ments. This function is especially useful when shooting with slide
film, because of the film’s low tolerance for exposure error.
Flash compensation changes the flash exposure by the amount set
relative to the ambient exposure.
Slow-shutter sync
Conventional flash
Rotate the flash-compensation
dial to the desired compensation
value.
In P and A-modes, slow-shutter sync sets a slower shutter speed to
increase the background or ambient exposure in a flash picture. Flash
output is automatically decreased to maintain correct subject exposure.
• Selected compensation
values appear in the naviga-
tion display.
1. Raise the built-in flash or turn
the accessory flash on.
2. While pressing the AE-lock but-
ton, press the shutter-release
button all the way down to take
the picture.
•
appears in the
viewfinder.
• Flash compensation does not modify the output of a flash set to man-
ual flash or connected to the PC terminal.
• Flash compensation has no effect on the ambient light exposure.
• Flash compensation and exposure compensation can be used togeth-
er. See page 80 for their comparison.
• Over exposure, using flash compensation, may not be possible with
the built-in flash.
• AEL and the locked exposure will be displayed
in the display and the viewfinder.
• The shutter speed may not be reduced if the
background is bright or a large aperture is set
(A-mode).
• Use a tripod if the shutter speed becomes too
slow to allow sharp, hand-held pictures.
• Custom 10-2 lets you press the AE-lock button
once to activate slow-shutter sync. Press again
to cancel (p. 168).
• If you press the display-selection button, the
meter-index display appears in the navigation
display. The flash compensation index is shown
in the lower mid-area with
.
102
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FLASH BRACKETING
Flash bracketing lets you expose a series of frames with exposures
below and above the normal metered exposure while using flash.
You can choose a series of 3, 5, or 7 frame flash exposure brackets
in 0.3, 0.5, 0.7, or 1.0 EV increments. Exposures are bracketed by
controlling the flash output.
4. Turn the front control dial to
set the bracketing increment
(0.3, 0.5, 0.7, 1.0 EV).
• A larger bracketing increment is recommended when shooting nega-
tive film.
1. Raise the built-in flash or turn the accessory flash on.
2. Turn the drive-mode lever to
5. Turn the rear control dial to set
the size of the bracket (3, 5 or 7
frames).
single-frame advance (
S) or
continuous-frame advance
(
C) bracketing mode.
• The shutter-release button must be
pressed for each exposure, even
when the lever is in the (C) position.
3. Open the control-panel door,
then press the adjust button.
• The set display appears in the navi-
gation display.
• Press the shutter-release button partway down
to enter the settings.
or
remains in the
display while flash bracketing is set.
6. Compose your subject and press the shutter-release but-
ton all the-way-down to take the picture.
Flash-
bracketing
indicator
7. Repeat step 6 until the series is complete.
• Turn the camera off, change the drive mode, push the built-in flash
down to cancel the bracketed series.
Front control dial
Rear control dial
Meter index
104
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FLASH BRACKETING
ACCESSORY FLASH
• The normal sequence (for a 5 frame bracket in 1/2 increments) is;
Normal ➝ -0.5EV ➝ +0.5EV ➝ -1.0EV ➝ +1.0EV
However by selecting Custom 11-2, the following sequence is possi-
ble; (p 169.)
By using an optional accessory flash, such as the 5600HS(D), you
can get improved flash performance over the built-in flash. The
accessory flash units fit in the shoe located on the top of your cam-
era.
-1.0EV
➝ -0.5EV ➝ Normal➝ +0.5EV ➝ +1.0EV
• Your camera comes with
an accessory shoe cap
which protects the
1
2
• The number above the bracket indicator in the display and also in the
viewfinder, increases each time you take a picture.
• Film can be changed in the middle of the bracketed series.
• Bracketing towards overexposure may not be possible with the built-in
flash.
accessory shoe contacts.
When using a flash or
other accessory, remove
the accessory shoe cap
(1) and store the shoe
cap into the eyepiece cap
for safekeeping (2).
• If you press the display-selection button, the
meter-index display appears in the navigation
display. The flash bracketing index is shown in
the lower mid-area with
.
• The flash signals for the accessory flash are the same as those for the
built-in flash (p. 31).
• Refer to the specific instruction manual for each accessory flash to
obtain the flash range. For the 5600HS(D), 5400HS, and 5400xi, the
flash range will also appear in their data panels.
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FLASH METERING
Flash metering changes according to the flash unit and lens being
used.
When using an accessory flash with HSS function, and if HSS is
turned on, then pre-flash fires and ADI/Pre-flash metering will occur
(blue area of the chart
also done using the built-in flash (
). When using a D lens, ADI metering is
area).
D lens
Other lenses
5600HS(D)
3600HS(D)
ADI metering
(HSS on, with pre-flash)
Pre-flash metering
(HSS on)
• TTL 4-segment flash metering will be used instead of ADI/Pre-flash
metering, when HSS is off, bounce flash is set, or when an off-camera
cable is used to connect multiple flash units. TTL average metering
will be used instead of ADI/Pre-flash metering when rear flash or the
mirror lock-up function is selected.
Pre-flash metering
(HSS on)
Pre-flash metering
(HSS on)
5400HS
Other accessory
flashes
TTL metering
TTL metering
TTL metering
Use of a Flash/Color Meter with Pre-Flash
When pre-flash fires, a flash/color meter cannot meter accurately.
This is because the purpose of pre-flash is to assist ADI/Pre-flash-
metering, not to provide illumination for the picture. Cancel HSS
(see flash manual) or eliminate the influence on metering using
ADI metering
(without pre-flash)
Built-in flash
Custom 20-2/3 (p. 175). Those items affected are in
chart on page 108. However, if you use the test-flash button on the
flash, the pre-flash will not fire.
in the
• When the shutter speed is faster than 1/200 sec, flash metering will
be HSS-TTL. If Wireless/Remote flash is set, metering will be
Wireless/Remote-TTL.
When Using a Close-up Diffuser, Certain Filters and Lenses
TTL metering (Through-the-lens):
When close-up diffuser CD-1000, or a filter whose stop’s increase is
not 0 (i.e., ND) is used, or when the focus-range limiter or macro
release of certain lenses are used, the proper exposure will not be
The TTL flash metering system determines the flash
exposure automatically.
Pre-flash metering:
A pre-flash fires before the main exposure. The preflash is
metered (14 segment) and fed back to the flash exposure
system to more accurately determine the flash exposure.
ADI metering (Advanced Distance Integration):
Flash metering is controlled by the guide number in addi-
tion to TTL metering. Flash output is less influenced by the
background conditions or the subjects reflectance.
obtained by ADI or Pre-flash metering. For those items in
(p. 108),
cancel the HSS or choose Custom 20-2/3. When using the built-in flash
, you must choose Custom 20-2/3 .
• Custom 20 gives you the choice of (1) ADI 4-segment flash metering,
(2) TTL 4-segment flash metering, (3) TTL average flash metering (p.
175).
108
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HIGH-SPEED SYNC
• When using flash and color meters, high-speed sync is not possible.
Turn the flash’s HSS off or use a shutter speed of 1/200 second or
slower.
• Shutter speeds faster than 1/200 second are not available when the 2
second self-timer or rear flash sync has been selected.
High-speed sync
Conventional-fill flash
The maximum sync speed for this camera is 1/200. However, with the
5600HS(D), 5400HS, and 3600HS(D) accessory flashes (sold
separately) shutter speeds up to 1/8000 can be used. High-speed sync
(HSS) allows faster shutter speeds when fill flash is used on moving
subjects outdoors. HSS also lets you use large aperture/high shutter-
speed combinations to separate your subject from the background by
limiting the depth-of-field.
Attach the 5600HS(D), 5400HS or 3600HS(D) and set it to
HSS mode.
•
automatically appears in the viewfinder and
the navigation display at shutter speeds faster
than 1/200 sec when the 5600HS(D), 5400HS,
or 3600HS(D) is attached.
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WIRELESS/REMOTE OFF-CAMERA FLASH
Wireless/Remote Flash is available
with the Minolta 5600HS(D), 5400HS,
3600HS(D), 5400xi, and 3500xi
1. Attach the accessory flash to
the camera, then turn the cam-
era and the flash on.
accessory flashes. Wireless/Remote
flash lets you experience the creative
control available with an accessory
flash.
Normal Flash
In Wireless/Remote flash mode, the
off-camera flash is triggered by a
coded signal from the camera’s built-
in flash when you press the shutter-
release button. When proper
2. Turn the flash-mode switch to
WL.
• The wireless set display
appears in the navigation
display.
exposure has been received, another
signal cuts the accessory flash off.
You can also achieve a 2:1 lighting
ratio automatically. When remote ratio
flash is selected, the off-camera flash
provides 2/3 of the full exposure while
3. Turn either control dial and
select normal wireless or ratio.
Wireless/Remote Flash
the built-in flash provides the remain-
ing 1/3.
• Normal Wireless : When selected, only the accessory flash fires.
• Ratio: When selected, the built-in flash will provide 1/3 and the
accessory flash will provide 2/3 of the total exposure.
Wireless/Remote Ratio Flash
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WIRELESS/REMOTE OFF-CAMERA FLASH
4. Press the shutter-release but-
ton partway down.
6. Position your camera and flash unit using the information
on this page.
• Navigation display returns to the pre-
vious display.
• WL appears in the display.
• Wireless/Remote flash is most effective when used in dark or poorly
lighted areas.
• Refer to your flash instruction manual for more detailed flash to sub-
ject distance information.
5. Detach the accessory flash,
then raise the built-in flash.
Camera-Subject
Flash-Subject
Distance
Distance
The off-camera flash may not
detect the control signals if it is
placed behind the subject.
• WL appears in the viewfinder.
The maximum flash-subject
distance is 5m.
Flash - subject
Camera -
subject
Non HSS
HSS
Shutter
speed
Aperture
All shutter
speeds
1/60 -
- 1/60
1/250
1/1000
1 - 2.5 m
1/200
1.4 - 5m 1.4 - 5 m
4.6 - 16 ft. 4.6 - 16 ft. 3.3 - 16 ft. 3.3- 16 ft. 3.3 - 8 ft.
1- 5 m
1 - 5 m
2.8
1 - 5m
1 - 5 m
1 - 5 m
1 - 3.5m
1 - 1.7m
4
3.3 - 16 ft. 3.3 - 16 ft. 3.3 - 16 ft. 3.3 - 11.5 ft. 3.3 - 5.5 ft.
1 - 5m 1 - 5 m 1 - 5 m 1 - 2.5m 1 - 1.2 m
3.3 - 16 ft. 3.3 - 16 ft. 3.3 - 16 ft. 3.3 - 8 ft. 3.3 - 3.9 ft.
5.6
• The table above is for ISO 100 film. Distance will be double if you are
using ISO 400 film (maximum 5m/16 ft).
• HSS is possible only with D flash.
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WIRELESS/REMOTE OFF-CAMERA FLASH
7. Wait until both flash units are
fully charged.
Canceling the Wireless/Remote Flash
1. Attach the accessory flash to the camera, and turn both
the camera and flash on.
2. Turn the flash-mode switch to a position other than WL.
•
appears in the viewfinder when the
built-in flash is charged.
• When the off-camera flash is
charged, its AF illuminator will blink.
8. Press the AE-lock button to test
fire the accessory flash.
Wireless/Remote Flash Using more than one flash
Wireless/remote flash with two or more accessory flashes is also
possible. If you use both a D series flash and a non-D series flash,
attach a non-D flash to the camera and set wireless mode.
Otherwise, the non-D flash doesn’t fire.
• Caution; Test firing the flash will acti-
vate slow-shutter sync (p. 102) if
Custom 10-2 (p. 168) is selected.
Custom setting 10-1 is recommended.
• If unsuccessful, change the position of
the camera or the flash.
9. Press the shutter-release but-
ton all the way down to take
the picture.
Additional Wireless/Remote Flash Options
In addition to the procedure described on p. 112-116, where the
built-in flash acts as the controller, there are two other ways in
which wireless/remote flash can be used;
Using 2 accessory flashes with one
(5600HS(D), 5400HS, or 5400xi)
attached to the camera acting as the
controller, the other accessory flash
acting as an off-camera flash.
Using a Wireless/Remote Flash
Controller as the controller, and one
or more accessory flash as an off-
camera flash.
• There is no limit for shutter speed when using 5600HS(D)/3600HS(D)
in normal wireless, as these have high-speed sync capability in wire-
less/remote off camera flash mode. However, in wireless ratio mode or
when using 5400HS, 5400xi, or 3500xi in wireless/remote flash mode,
the shutter speed should be 1/60 second or slower.
Switching Between Normal WL Flash and Ratio WL Flash
1. Turn flash-mode switch to a position other than WL and
then back to WL.
2. The wireless set display appears in the navigation dis-
play. Select normal or ratio-flash by turning either the
front or rear control dial.
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PC TERMINAL
Flash units which can not be connect-
ed to the accessory shoe can be con-
nected to the camera via the PC ter-
minal.
• Set the exposure mode dial to M.
• Set the shutter speed to 1/200 or slow-
er.
ADDITIONAL
FEATURES
• The flash unit may fire unexpectedly if it is on when the sync. cord is
plugged into the PC terminal.
• TTL flash metering does not function when the flash is connected to
the PC terminal.
• Flash compensation is not possible. However, flash bracketing is pos-
sible if you press the AE-lock button while taking a picture.
• The PC terminal is compatible with both center positive (normal polari-
ty) and center negative (positive polarity) flash units.
• When using the PC terminal, rear flash sync can not be used.
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DATE/TIME IMPRINTING
• When you press the shutter-release button
partway down, the display returns to the previ-
ous display.
The Quartz-data function lets you record the
date or time onto the lower left-hand corner
of the photograph. The automatic calendar is
good through the year 2039.
• If the printing option is selected,
remains in the navigation display.
• “M” appears over the month.
or
• Imprinted data may be difficult to read if the lower left area of the pho-
tograph is bright or non-uniform.
Approximate location
of print area.
• Printing intensity can be changed using Custom 33 (p. 186).
• Imprinting may not be done or it may be overlapped on the last frame
of a roll.
1. Open the control-panel door
and press the DATE button.
• The sequence of the date off, date on, and time imprint displays can
also be controlled using the fcus-area selector.
2. Turn the front or rear control
dial to select the date you
want.
Setting the Date/Time
• If the camera batteries are removed for a long period of time, the
date/time may have to be reset.
1. Open the control-panel door
and press the DATE button.
• The display changes as follows;
• The date imprint window
appears in the navigation
display.
No printing
Date printing
Time printing
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DATE/TIME IMPRINTING
2. Press the ADJ button.
When
appears at the top right side, it is
possible to use the focus-area selector instead
of the dial.
• The date adjust win-
dow appears and the
year is high-lighted.
If you press the right/left side
of the selector, the high-lighted
area moves.
3.Turn the front control dial to
selected the item you wish to
change.
If you press the top/bottom
side of the selector, the high-
lighted value changes.
• Display returns to normal when you press the shutter-release button
partway down.
4. Turn the rear control dial to
change the value.
After the camera batteries have been installed for two days, a
second battery (non-accessable) will have been charged. This
second battery will be able to provide power to retain the
date/time settings for approximately 6 months should the cam-
era’s batteries be removed. After that, this message appears and
the date/time information will not be imprint-
ed, and must be set. See pages 121-122 for
instructions for setting the date and time.
5. Repeat steps 3 and 4 until the correct date/time is set.
6. After all items are set, press the shutter-release button
partway down. The normal display returns.
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DATE/TIME IMPRINTING
EYE-START
Eye-start automatically activates the
camera’s focus and exposure systems
as you bring the camera to your eye.
When an object is detected near the
viewfinder, the camera’s systems are
activated to set the focus and
Changing the Format
The order of the year/month/day can be changed.
Eyepiece sensor
1. Open the control-panel door
and press the DATE button.
exposure as you frame your subject.
• The date imprint win-
dow will appear in the
navigation display.
Grip Sensor
Using Eye-Start
1. Slide the eye-start switch to
ON.
2. Turn the main switch to ON.
• The grip sensor is activated.
3. Touching the grip sensor acti-
vates the eyepiece sensor.
2. Hold the ADJ button for 3 sec-
onds. The year, month, and day
will appear high-lighted.
4. When an object is detected near the viewfinder, the cam-
era’s systems are activated to set the focus and exposure
as you frame your subject.
• Autofocus and exposure systems shut down approx. five seconds
after eye or grip sensor contact is broken.
• Eye-start may not work properly when using a tripod, gloves, or if your
hands are dry. In these cases, press the shutter-release button part-
way down to activate focus and metering.
3. Turn either the front or rear
control dial to select the
desired format.
• Infrared absorbing sunglasses may affect eye-start operation.
• Choose Custom 7- 2 to activate the eyepiece sensor when the main
switch is in the ON position (ie; grip sensor is not used) (p.166).
4. Press the shutter-release button partway down to save
the desired format.
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TIME EXPOSURES (BULB)
Set the shutter speed to bulb when
3. Turn the rear control dial to
select the aperture.
you want to take time exposures.
When selected, the shutter remains
open as long as the shutter-release
button is held down.
• Mount the camera on a tripod.
1. While pressing the exposure-
dial mode dial lock-release but-
ton, turn the exposure-mode
dial to M.
4. Compose your picture.
• If the scene is too dark for autofocus to operate, turn the focus-mode
switch to MF and focus the lens manually (p. 48).
5. Cover the viewfinder with the
eyepiece cap.
• The eyepiece cap prevents light from
entering through the viewfinder and
affecting the metered exposure.
2. Turn the front control dial until
BULB appears in the naviga-
tion display.
6. Press and hold the shutter-
release button to take the pic-
ture.
• During the time exposure, the exposure time will
be shown on the navigation display.
• To reduce camera blur, attach a remote cord (p. 191).
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DEPTH-OF-FIELD PREVIEW
When the lens is focused on a subject, there is a range behind and
in front of the subject that appears sharp. This is the depth-of-field.
To check how much of your scene will appear in focus, press the
depth-of-field preview button. The lens is stopped down to the aper-
ture that appears in the display.
• If
blinks or
glows in the viewfinder (ie; focus not confirmed),
then the shutter cannot be released.
When using a D lens, and the depth-of-field preview button is
pressed, the following information is presented in the navigation dis-
play.
Range in focus
Aperture
Shutter speed, aperture,
exposure compensation
Large
Small
Front depth-of-
field
Rear depth-of-field
Will be shown if magnification is greater than
1:10 when using a D macro lens.
Depth-of-field can be increased by:
If the D.O.F. is less than 0.01m , appears.
1. Using smaller apertures (larger f-=stop numbers).
2. Using short focal length (wider angle) lenses.
3. Moving farther away form your subject.
If more than 20m (66ft),
If near infinity, appears.
appears.
∞
Press the depth-of-field preview
button.
When focus point is near infinity
• The lens will stop down to the currently
selected aperture.
• The viewfinder will appear darker at
larger f#s (smaller lens opening).
• The aperture can be changed while
the depth-of-field preview button is
pressed.
The magnification ratio is the ratio of the actual size of an object to
the size of its image on the film plane.
If an object is actually 12 mm in size, and the image is also 12mm
in size, then the magnification ratio is 1:1. If the image size is 6mm,
then the magnification ratio is 1:2.
• If you press the depth-of-field preview button after pressing the shutter-
release button partway down, the shutter can still be released.
• Cancel by removing your finger from the depth-of-field preview button.
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DIOPTER ADJUSTMENT
SETTING/CANCELLING THE AUDIO
Turn the diopter adjustment dial to compensate the eyepiece for
near or far sighted vision problems. The adjustment range is from
–2.5 to + 0.5 diopters.
Your camera has the capability of producing an audio tone to let
you know when focus is confirmed and locked. It can also sound
when using the self-timer mode.
Turn the diopter-adjustment dial
until the focus frame appears
sharpest.
1. Open the control-panel door
and simultaneously press the
ADJ and CUSTOM buttons.
• The audio set display will
appear.
• It may be easier to adjust if
the eyepiece cup is removed.
Farsighted users – turn the
dial clockwise.
Nearsighted users – turn the
dial counter-clockwise.
2. Turn either the front or rear
control dial to select audio ON
or OFF.
• For easier adjusting, before attaching the lens, look through the
viewfinder at a well illuminated blank wall or clear blue sky.
• If additional correction is needed, attach a Minolta Eyepiece Corrector
(optional accessory) to the camera’s eyepiece. There are 4 types
available for near sighted and 5 types for far sighted vision.
• The navigation display returns to the previous
display when the shutter-release button is
pressed partway down.
is selected.
appears when audio
• When audio ON is selected, a tone will be heard when;
Focus is confirmed - 2 short beeps, except when the subject is
moving, or when AF-C is set.
Self-timer countdown - will beep slowly at first, then rapidly, and
finally a solid tone just before the shutter releases.
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