OWNER'S MANUAL
Quad 200 HD
Congratulations on the purchase of your new Kustom amp! Your Quad 200 HD model
successfully draws on more than 30 years of amplifier design and manufacturing
experience at Kustom. This amp was planned from the ground up by our engineers to
offer top-notch tone and dependable performance. Inside this manual, you'll find useful
information about the amp's features and some suggested settings to illustrate its tonal
capabilities. We wish you many years of enjoyment with your Kustom amplifier.
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FRENCH
IMPORTANTES INSTRUCTIONS DE SECURITE
1. Lire avec attention toutes les recommandations et précautions
d'emploi avant d'utiliser ce produit.
Danger
2. Toutes les recommandations et précautions d'emploi doivent être
conservées afin de pouvoir s'y reporter si nécessaire.
3. Lire et comprendre tous les avertissements énumérés dans les
précautions d'emploi.
L‘exposition a des niveaux eleves de bruit peut provoquer une perte
permanente de l’audition, Chaque organisme humain reagit
differemment quant a la perte de l’audition, mais quasiment tout le
monde subit une diminution de I’acuite auditive lors d’une exposition
suffisamment longue au bruit intense. Les autorites competentes en
reglementation de bruit ont defini les expositions tolerees aux niveaux
de bruits:
4. Suivre toutes les précautions d'emploi pour utiliser ce produit.
5. Ce produit ne doit pas être utilisé près d'eau, comme par exemple
baignoires, éviers, piscine, sous-sol humides ... Etc.
6. Utiliser exclusivement un chiffon sec pour nettoyer ce produit.
7. Ne bloquér aucune ouverture de ventilation. Ne pas placer le
produit tout contre un mur ou dans une enceinte fernée, cela
gênerait le flux d'air nécessaire au refroidissement.
DURE EN HEURES PAR JOUR
8
6
4
3
2
1
INIVEAU SONORE CONTINU EN dB
90 93 95 97 100 103
8. Ne pas placer le produit près de toute source de chaeur telle que
radiateurs, arrivées d'air chaud, fourneaux ou autres appareils
générant de la chaleur (incluant les amplificateurs producteurs
de chaleur) .
Selon les autorites, toute exposition dans les limites citees ci-dessus,
peuvent provoquer certaines pertes d’audition. Des bouchons ou
protections dans l’appareil auditif ou sur l’oreille doivent etre portes lors
de l’utilisation de ce systeme d’amplification afin de prevenir le risque
de perte permanente de l’audition, Dans le cas d’expositions
superieures aux limites precitees il est recommande, afin de se
premunir contre les expositions aux pressions acoustiquese I evees
potentielIement dangeure u ses, aux personnes exposees aux
equipements capables de delivrer de telles puissances, tels ce
systeme d’amplification en fonctionnement, de proteger l’appareil
auditif.
9. Ne pas négliger la sécurité que procure un branchement polarisé
ou avec raccordement à la terre, Un branchement polarisé
comprend deux fiches dont l'une est plus large que l'autre. Un
branchement à la terre comprend deux fiches plus une troisième
reliée à la terre. Si la fiche secteur fournie ne s'insert pas dans
votre prise de courant. consulter un 'électricien afin de remplacer
votre prise obsolète.
10. Protéger le cordon d'alimentation de tout écrasement ou
pincement, particulièrement au niveau des fiches, des
réceptacles utilisés et à l'endroit de sortie de l'appareil. Ne pas
casser la fiche de terre du cordon d'alimentation.
ATTENTION
RISQUE DE CHOC ELECTRIQUE
NE PAS OUVRIR.
11. Utiliser uniquement les accessoires spécifiés par le constructeur.
12. Utiliser uniquement avec le chariot de transport, le support, le
trépied, la console ou la table spécifiés par le constructeur ou
vendus avec l'appareil. Lors de l'utilisation d'un chariot, bouger
avec précaution l'ensemble chariotlappareil afin d'éviter les
dommages d'un renversement.
ATTENTION: AFIN DE LlMlTER LE RISQUE DE CHO ELECTR/QUE, NE
PAS ENLEVER LE CHASSIS. NE CONTIENT PAS DE
PIECES POUVANT ETRE REPAREE PAR L’UTILISATEUR.
CONFER LE SERVICE APRES-VENTE AUX
REPARATEURS
13 Débrancher cet appareil lors d'orages ou s'il n'est pas utilisé
pendant une longue période.
CE SYMBOLE A POUR BUT D'AVERTIR L'UTILISATEUR DE LA PRESENCE
DE VOLTAGE DANGEREUX NON-ISOLE A L'INTERIEUR DE CE PRODUIT
QUI PEUT ETRE DE PUISSANCE SUFFISAMMENT IMPORTANTE POUR
PROVOQUER UN CHOC ELECTRIQUE AUX PERSONNES.
14. Des précautions doivent être prises afin qu'aucun objet ne tombe
et qu'aucun liquide ne se répande à l'intérieur de l'appareil par
les orifics de ventilation ou n'importe quelle autre ouverture.
15. Pour toutes interventions techniques s'adresser à un technicien
qualifié.L'intervention technique est nécessaire lorsque l'appareil
a été endommagé de n'importe quelle façon, comme par
exemple si le cordon secteur ou sa fiche sont détériorés,si du
liquide a coulé ou si des objets sont tombés à l'intérieur de
l'apparei1,si l'appareil a été exposé à la pluie ou à l'humidité, s'il
ne fonctionne pas normalement ou s'il est tombé.
CE SYMBOLE A POUR BUT D'AVERTIR L'UTILISATEUR DE LA PRESENCE
D'INSTRUCTIONS D'UTILISATION ET DE MAINTENANCE DANS LES
DOCUMENTS FOURNIS AVEC CE PRODUIT.
AFIN DE REDUIRE LES RISQUÉ D'INCENDIE ET DE DECHARGE
ELECTRIQUE, NE PAS EXPOSER CET APPAREILA LA PLUIE OU A
L'HUMIDITE.
16. ATTENTI0N:Pour réduire le risque d'incendie ou de choc
electrique ne pas exposer l'appareil à la pluie ou à l'humidité.
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LEAD CHANNEL
RHYTHM CHANNEL
DIGITAL EFFECTS
BIGGER
BALLS
LINE OUT
AUX
INPUT
GUITAR
INPUT
BALLS
LOW
MID
HIGH
VOLUME
CHANNEL
SELECT
BASS
MIDDLE
TREBLE
VOLUME
LEVEL
PROGRAM
5
Quad 100 HD
PREAMP
PREAMP
EFFECTS
1. HALL REVERB
4
6
2. SPRING REVERB
3. SLAP BACK
74.
3
DELAY
5. CHORUS
6. CHORUS/REVERB
7. FLANGE/REVERB
8. TREMOLO
8
2
POWER
1
ON
OFF
PUNCH
GRIND
LEAD
RHYTHM
LEAN
FAT
ON
OFF
1
2
3
4
5
6
7
8
9
10 11 12 13
14 15 16 17 18 19 20
21
22 23
1.) Line Output - this is a 3 cond. XLR output jack for plugging into Lo-Z microphone inputs as found on PA or
recording mixers. It is intended in place of external mics or used as a built in direct box.
2.) CD/Tape Input - this 1/4" 3 conductor jack will allow you to plug in a CD player, tape or any other source to practice
along with. It sums the left and right signals into a mono signal. To control the volume of the source, adjust the output
volume of the device.
3.) Guitar Input Jack - this is a 1/4" 2 conductor input jack for plugging in your instrument. It is intended for guitars but
will accept other instruments as well.
4.) B.A.L.L.S. (Ballistic Audio Loudness Level Saturation)- adjust this clockwise to increase the amount of distortion
you Add lower ranges of the control, you get a less distorted sound, a "bluesy"tone .As you increase the gain, you
add Tremendous amounts of distortion to the signal for a harder edged "crunch"tone.
5.) Bigger B.A.L.L.S.- this switch will add more distortion to the lead channel.
6.) Low - this control is the bass control for the lead channel. It is passive and set to shelve frequencies at 100 Hz.
Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the low will be rolled off -12db.
7.) Mid - this control is the midrange control for the instrument channel and is passive and set to shelve frequencies at
800Hz.Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the low will be rolled off -12db.
8.) Preamp Select Switch- this switch selects which preamp style you are using. It will switch between the PUNCH and
GRIND.
9.) High - this is the high frequency tone control for the microphone channel. It is passive and set to shelve frequencies
at 3KHz. Turning it fully clockwise, the signal is unaltered Turning it counterclockwise, the highs will be rolled off -
12db.
10.) Lead Channel On LED - when this LED light is on, it indicates that the Lead Channel is on.
11.) Volume - this is a volume control for the Lead Channel ONLY.
12.) Channel Select Switch - this switch selects between the Lead or Rhythm Channel.
13.) Bass - this control is the bass control. It is passive and set to shelve frequencies at 100Hz. Turning it fully clockwise,
the signal is unaltered Turning it counterclockwise, the low will be rolled off -12db.
14.) Middle - this control is the midrange control for the instrument channel, and is passive and set to shelve frequencies
at 1KHz. Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the low will be rolled off -
12db.
15.) Preamp Switch - when engaged, this switch will boost the treble sound of the Rhythm channel. It boosts 3 KHz by
+6 db.
16.) Treble - this is the high frequency tone control. It is passive and set to shelve frequencies at 3KHz on the instrument
channel. Turning it fully clockwise, the signal is unaltered. Turning it counterclockwise, the highs will be rolled off -
12db.
17.) Rhythm Channel On LED - when this LED light is on, it indicates that the Rhythm Channel is on.
18.) Volume - this is a volume control for the Rhythm Channel ONLY.
19.) Effects On/Off - this switch engages the digital effects section.
20.) Effects Level - this control adds the digital effects section and mixes it into the main signal buss. Several different
effects are available.
21.) Program Select - this switch will select any of eight different effects. 2- Reverbs, 2- Echos, Chorus, Chorus/Reverb,
Flange/Reverb and Tremolo.
22.) Jewel Light - this jewel light lets you know that the amplifier is on.
23.) Power Switch - this switch turns on and off the AC power to the amp.
Back Panel - (not pictured)
Speaker Out - these are 2 conductor 1/4" speaker output jacks. Rating is 4 ohms total. If using both jacks, a load
lower than 8 ohms per jack is not recommended. If using one jack, a load lower than 4 ohms is not recommended.
Line Output - this is a 2 conductor 1/4" line output jack. This will allow an external amplifier or mixing board to be
supplied with the signal from this amp.
Effects Loop I/O - This is an effects Insert jack. Tip send (preamp out) and ring return (power amp in).
Footswitch Jack - this is a 3 conductor 1/4" jack. This is for hooking up a footswitch to switch channels and to turn
on/off the effects section.
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Suggested Settings
(These settings are general starting points. They
are designed to get you close to the sound you
are looking for. If the control is not shown, then it
doesn't apply to this particular sound. )
LEAD CHANNEL
RHYTHM CHANNEL
DIGITAL EFFECTS
BIGGER
BALLS
BALLS
LOW
MID
HIGH
VOLUME
CHANNEL
SELECT
BASS
MIDDLE
TREBLE
VOLUME
LEVEL
PROGRAM
5
PREAMP
PREAMP
EFFECTS
1. HALL REVERB
2. SPRING REVERB
3. SLAP BACK
4
6
7
3
4. DELAY
5. CHORUS
6. CHORUS/REVERB
7. FLANGE/REVERB
8. TREMOLO
8
2
1
ON
OFF
PUNCH
GRIND
LEAD
RHYTHM
LEAN
FAT
ON
OFF
Clean Rhythm Guitar - these settings are the basic clean sounds and for general rhythm
guitar, country lead guitar, and funky/chunky rhythm sounds.
The bottom end depends on what type of guitar you are using. Add Reverb and Chorus
as desired.
LEAD CHANNEL
RHYTHM CHANNEL
DIGITAL EFFECTS
BIGGER
BALLS
BALLS
LOW
MID
HIGH
VOLUME
CHANNEL
SELECT
BASS
MIDDLE
TREBLE
VOLUME
LEVEL
PROGRAM
5
PREAMP
PREAMP
EFFECTS
1. HALL REVERB
2. SPRING REVERB
3. SLAP BACK
4. DELAY
4
6
7
3
5. CHORUS
6. CHORUS/REVERB
7. FLANGE/REVERB
8. TREMOLO
8
2
1
ON
OFF
PUNCH
GRIND
LEAD
RHYTHM
LEAN
FAT
ON
OFF
Blues Lead or Mellow Crunch - this setting is particularly useful in blues or softer rock songs and it
is good for leads as well as rhythm parts. It is good for power chords in back of leads. You need to
switch to the lead channel to make these settings work. Blues, depending on the guitar you use,
usually adds treble but with more midrange and a "fat" bottom end. This setting does not have as
much gain as full out crunch, adjust the gain control to the amount of distortion you desire. Blues
usually has a reverb trail on the notes. Chorus is sometimes used to create a vibrato style sound.
Adjust to taste.
LEAD CHANNEL
RHYTHM CHANNEL
DIGITAL EFFECTS
BIGGER
BALLS
BALLS
LOW
MID
HIGH
VOLUME
CHANNEL
SELECT
BASS
MIDDLE
TREBLE
VOLUME
LEVEL
PROGRAM
5
PREAMP
PREAMP
EFFECTS
1. HALL REVERB
2. SPRING REVERB
3. SLAP BACK
4. DELAY
4
6
7
3
5. CHORUS
6. CHORUS/REVERB
7. FLANGE/REVERB
8. TREMOLO
8
2
1
ON
OFF
PUNCH
GRIND
LEAD
RHYTHM
LEAN
FAT
ON
OFF
Alternative/Harder Edged Rock - this setting will deliver more of a cutting tone. Whether used for
rhythm or lead sounds, it will "cut" through the drums and get you heard. If you need more "grunge",
increase the gain control for more distortion. This style of music requires a slightly thinner, harder
edged tone full of midrange. Less reverb is required as it tends to muddy up faster songs but Chorus
give the tone a fatter fuller sound. Adjust to taste.
LEAD CHANNEL
RHYTHM CHANNEL
DIGITAL EFFECTS
BIGGER
BALLS
BALLS
LOW
MID
HIGH
VOLUME
CHANNEL
SELECT
BASS
MIDDLE
TREBLE
VOLUME
LEVEL
PROGRAM
5
PREAMP
PREAMP
EFFECTS
1. HALL REVERB
2. SPRING REVERB
3. SLAP BACK
4. DELAY
4
6
7
3
5. CHORUS
6. CHORUS/REVERB
7. FLANGE/REVERB
8. TREMOLO
8
2
1
ON
OFF
LEAD
RHYTHM
ON
OFF
PUNCH
GRIND
LEAN
FAT
Heavy Metal/Maximum Crunch - this setting is a good starting point for the "notched out middle"
sounds associated with metal and heavy alternative sounds. Adjust the Treble, Lows, Reverb and
Chorus to taste. Usually, for a rhythm tone, you want to have more lower end and less for leads.
Distortion is an integral part of this style of music and this amp delivers it quite well.
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Model Power Equalizer Channels Impedance
Effects
Amplifier Type
Dimensions
Weight
1
1
1
/4
/4
8 Preset Hybrid Class B modular. 30 ”x11 ”x12
Digital EFX
/4
Quad 200 200 W
HD
Dual
3 Band
4 Ohms
”
40.5 Lbs.
77x28.5x31.1 CM 18.4 Kg
(2 Rhythm)
(2 Lead)
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Kustom Inc., 4940 Delhi Pike, Cincinnati, OH • USA
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