250 Crossways Park Drive, Woodbury, New York 11797
© 1999 Harman Kardon, Incorporated
Printed in China Part #1111-AVR500OM
6311-004-010
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AVR 500 Audio/VideoReceiver
3
4
4
5
7
8
Introduction
Safety Information
Unpacking
Front Panel Controls
Front Panel Information Display
Rear Panel Connections
10 Remote Control Functions
13 Installation and Connections
15 System Configuration
20 Operation
20
20
21
21
22
23
24
25
25
25
25
Basic Operation
Using the On-Screen Display
Source Selection
Surround Mode Selection
Surround Mode Chart
Digital Audio Playback
Tuner Operation
Tape Recording
Output Level Trim Adjustment
6-Channel Direct Input
Memory Backup
26 Multiroom Operation
27 Programming the Remote
27
27
27
28
28
28
29
Direct Code Entry
Auto Search Method
Code Readout
Programmed Device Functions
Macro Programming
Volume Punch-Through
Reassigning Device Control
Selectors
30
31
34
36
36
37
37
37
Function List
Setup Code Tables: TV
Setup Code Tables: VCR
Setup Code Tables: CD
Setup Code Tables: DVD
Setup Code Tables: DVD/LD
Setup Code Tables: CABLE
Setup Code Tables: SAT
38 Troubleshooting Guide
38 Processor Reset
39 Technical Specifications
Typographical Conventions
In order to help you use this manual with the remote control, front-panel controls and rear-panel
connections, certain conventions have been used.
EXAMPLE – (bold type) indicates a specific remote control or front-panel button, or rear-panel
connection jack
EXAMPLE– (OCR type) indicates a message that is visible on the front-panel information display
EXAMPLE – (outlined type) indicates a lit indicator in the front-panel information display
1– (number in a square) indicates a specific front-panel control
a– (number in an oval) indicates a button or indicator on the remote
¡– (number in a circle) indicates a rear-panel connection
å– (letter in a circle) indicates an indicator in the front-panel display
2 TABLE OF CONTENTS
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Introduction
Thank you for choosing Harman Kardon!
With the purchase of a Harman Kardon
AVR 500 you are about to begin many years of
listening enjoyment. The AVR 500 has been cus-
tom designed to provide all the excitement and
detail of movie sound tracks and every nuance
of musical selections. With onboard Dolby*
Digital and DTS† Decoding, the AVR 500 deliv-
ers six discrete channels of audio that take
advantage of the digital sound tracks from the
latest DVD and LD releases and Digital
If you have any questions about this product,
its installation or its operation, please contact
your retailer or custom installer. They are your
best local source of information.
The AVR 500’s powerful amplifier uses
traditional Harman Kardon high-current design
technologies to meet the wide dynamic range
of any program selection.
Description and Features
Harman Kardon invented the high-fidelity
receiver over forty-five years ago. With state-
of-the-art circuitry and time-honored circuit
designs, the AVR 500 is one of the finest
receivers ever offered by Harman Kardon.
The AVR 500 is a full-featured A/V receiver,
incorporating a wide variety of listening
options. In addition to Dolby Digital and DTS
decoding, Dolby Pro Logic* and Dolby 3 Stereo
are available for compatibility with the tens of
thousands of movies and television programs
encoded with analog surround information. In
addition, Harman Kardon is the only receiver
brand to offer Logic 7® to create wider,
enveloping sound field environments and more
defined pans and flyovers. Our exclusive
VMAx® delivers a spacious sound field even
when only two front speakers are available.
Television broadcasts.
■ Onboard Dolby Digital and
DTS Decoding
While complex digital systems are hard
at work within the AVR 500 to make all of this
happen, hookup and operation are simple.
Color-keyed connections, a backlit, programma-
ble remote control, and on-screen menus make
the AVR 500 easy to use. To obtain the maxi-
mum enjoyment from your new receiver, we
urge you to take a few minutes to read
through this manual. This will ensure that con-
nections to speakers, source playback units and
other external devices are made properly. In
addition, a few minutes spent learning the
functions of the various controls will enable
you to take advantage of all the power the
AVR 500 is able to deliver.
■ Harman Kardon’s Exclusive VMAx and
Logic 7 Surround Modes
■ Coax and Optical Digital Inputs and
Outputs
■ On-Screen Menu Displays
■ Backlit, Programmable Remote Control
■ Composite and S-Video Switching
■ Complete Multiroom Control
A total of four audio/video inputs, each with
both composite and S-Video, as well as three
additional audio-only inputs, are selected
through a learning remote control and an easy-
to-read front-panel display or on-screen graph-
ics through a TV monitor. Multiroom operation
is available with independent source and
volume selection.
■ 6-Channel Direct Input and Preamp
Output for ALL Channels Permits Ease
of Expansion
CAUTION
RISK OF ELECTRIC SHOCK
DO NOT OPEN
CAUTION: To prevent electric shock,
do not remove the grounding plug
on the power cord, or use any plug
or extension cord that does not have
a grounding plug provided.
Make certain that the
AC outlet is properly grounded.
Do not use an adapter plug
with this product.
The lightning flash with arrowhead symbol,
within an equilateral triangle, is intended to
alert the user to the presence of uninsulated
“dangerous voltage” within the product’s
enclosure that may be of sufficient magnitude to constitute a
risk of electric shock to persons.
The exclamation point within an equilateral
triangle is intended to alert the user to the
presence of important operating and
maintenance (servicing) instructions in the
literature accompanying the appliance.
3 INTRODUCTION
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Safety Information
40 of the NEC that provides guidelines for
proper grounding and, in particular, specifies
that the cable ground shall be connected to the
grounding system of the building, as close to
the point of cable entry as possible.
ference to radio communication. However, there
is no guarantee that harmful interference will
not occur in a particular installation. If this
equipment does cause harmful interference to
radio or television reception, which can be
determined by turning the equipment off and
on, the user is encouraged to try to correct the
interference by one or more of the following
measures:
Important Safety Information
Verify Line Voltage Before Use
Your AVR 500 has been designed for use with
120-volt AC current. Connection to a line volt-
age other than that for which it is intended
can create a safety and fire hazard and may
damage the unit.
Installation Location
■To assure proper operation and to avoid the
potential for safety hazards, place the unit
on a firm and level surface. When placing the
unit on a shelf, be certain that the shelf and
any mounting hardware can support the
weight of the product.
If you have any questions about the voltage
requirements for your specific model, or about
the line voltage in your area, contact your selling
dealer before plugging the unit into a wall outlet.
■ Reorient or relocate the receiving antenna.
■ Increase the separation between the equip-
ment and receiver.
■ Make certain that proper space is provided
both above and below the unit for ventila-
tion. If this product will be installed in a
cabinet or other enclosed area, make certain
that there is sufficient air movement within
the cabinet. Under some circumstances a fan
may be required.
■ Connect the equipment into an outlet on a
circuit different from that to which the
receiver is connected.
Do Not Use Extension Cords
To avoid safety hazards, use only the power
cord attached to your unit. We do not recom-
mend that extension cords be used with this
product. As with all electrical devices, do not
run power cords under rugs or carpets or place
heavy objects on them. Damaged power cords
should be replaced immediately with cords
meeting factory specifications.
■ Consult the dealer or an experienced
radio/TV technician for help.
This device complies with Part 15 of the FCC
Rules. Operation is subject to the following two
conditions: (1) this device may not cause harm-
ful interference, and (2) this device must accept
interference received, including interference
that may cause undesired operation.
■ Do not place the unit directly on a carpeted
surface.
■Avoid installation in extremely hot or cold
locations, or an area that is exposed to direct
sunlight or heating equipment.
Handle the AC Power Cord Gently
When disconnecting the power cord from an
AC outlet, always pull the plug, never pull the
cord. If you do not intend to use the unit for
any considerable length of time, disconnect the
plug from the AC outlet.
■Avoid moist or humid locations.
NOTE: Changes or modifications may cause
this unit to fail to comply with Part 15 of the
FCC Rules and may void the user’s authority to
operate the equipment.
■ Do not obstruct the ventilation slots on the
top of the unit, or place objects directly
over them.
Do Not Open the Cabinet
Cleaning
Unpacking
There are no user-serviceable components
inside this product. Opening the cabinet may
present a shock hazard, and any modification
to the product will void your guarantee. If water
or any metal object such as a paper clip, wire
or a staple accidentally falls inside the unit, dis-
connect it from the AC power source immedi-
ately, and consult an authorized service station.
When the unit gets dirty, wipe it with a clean,
soft, dry cloth. If necessary, wipe it with a soft
cloth dampened with mild soapy water, then a
fresh cloth with clean water. Wipe dry immedi-
ately with a dry cloth. NEVER use benzene,
aerosol cleaners, thinner, alcohol or any other
volatile cleaning agent. Do not use abrasive
cleaners, as they may damage the finish of metal
parts. Avoid spraying insecticide near the unit.
The carton and shipping materials used to pro-
tect your new receiver during shipment were
specially designed to cushion it from shock and
vibration. We suggest that you save the carton
and packing materials for use in shipping if you
move, or should the unit ever need repair.
To minimize the size of the carton in storage,
you may wish to flatten it. This is done by care-
fully slitting the tape seams on the bottom and
collapsing the carton. Other cardboard inserts
may be stored in the same manner. Packing
materials that cannot be collapsed should be
saved along with the carton in a plastic bag.
CATV or Antenna Grounding
If an outside antenna or cable system is con-
nected to this product, be certain that it is
grounded so as to provide some protection
against voltage surges and static charges.
Section 810 of the National Electrical Code,
ANSI/NFPA No. 70-1984, provides information
with respect to proper grounding of the mast
and supporting structure, grounding of the lead-
in wire to an antenna discharge unit, size of
grounding conductors, location of antenna dis-
charge unit, connection to grounding electrodes
and requirements of the grounding electrode.
Moving the Unit
Before moving the unit, be certain to discon-
nect any interconnection cords with other com-
ponents, and make certain that you disconnect
the unit from the AC outlet.
Important Information for the User
If you do not wish to save the packaging mate-
rials, please note that the carton and other sec-
tions of the shipping protection are recyclable.
Please respect the environment and discard
those materials at a local recycling center.
This equipment has been tested and found to
comply with the limits for a Class-B digital
device, pursuant to Part 15 of the FCC Rules.
The limits are designed to provide reasonable
protection against harmful interference in a
residential installation. This equipment gener-
ates, uses and can radiate radio-frequency energy
and, if not installed and used in accordance
with the instructions, may cause harmful inter-
NOTE TO CATV SYSTEM INSTALLER: This
reminder is provided to call the CATV (Cable
TV) system installer’s attention to article 820-
4 SAFETY INFORMATION
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Front Panel Controls
˘
ˆ
36
35
¯˜
¸
AVR 500
Volume
Speaker Multi Room Dig. Select Delay
COAX
DIGITAL
Set
TAPE
CD
D
V
D
VID 1
VID 2
VID 3
6 CH
AM/ FM
TUNING
PRESET SCA
N
PRESET
TUN MODE
DIGITAL PRO LOGIC 3-STEREO
VMAx LOGIC 7 C/ M THEATER
SURR. OFF
Mute
1
2
Bass
Treble
Balance
VIDEO 3
Power
Phones
Min
Max
Min
Max
L
R
Video
L
Audio
R
5 6 7
8
3
4
@ #$ % ^ &
9)!
*(ÓÔ ÒÚ Û
Ùı
1Main Power Switch
#6-Channel Direct Selector
$AM/FM Selector
%Tuning Button
^Preset Scan
&Preset Stations Selector
*Tuner Mode
(Dolby Digital Selector
ÓDolby Pro Logic Selector
ÔDolby 3 Stereo Selector
VMAx mode Selector
ÒLogic 7 Mode Selector
ÚTheater Mode Selector
ÛDTS Selector
ÙSurround Off
ıMute
ˆVolume Control
˜Delay
2System Power Control
3Power Indicator
4Headphone Jack
5Bass Control
6Treble Control
7Balance Control
8Video 3 Inputs
¯Digital Input Selector
˘Set Button
¸Multiroom Selector
33 Speaker Select Button
34 Selector Buttons
35 Information Display
36 Remote Sensor
9Tape Selector
)CD Input Selector
!DVD Input Selector
@Video Input Selectors
to turn on the AVR 500; press it again to turn
the unit off. Note that the Power Indicator
1 Main Power Switch: Press this button to
apply power to the AVR 500. When the switch
is pressed in, the unit is placed in a Standby
mode, as indicated by the amber LED 3sur-
rounding the System Power Control 2.
This button MUST be pressed in to operate the
unit. To turn the unit off and prevent the use
of the remote control, this switch should be
pressed until it pops out from the front panel
so that the word “OFF” may be read at the
top of the switch.
5Bass Control: Turn this control to modify the
low-frequency output of the left/right channels by
as much as ±10dB. Set this control to a suitable
position for your taste or room acoustics.
3
surrounding the switch
when the unit is on.
will turn green
3Power Indicator: This LED will illuminate
in amber when the unit is in the Standby mode
to signal that the unit is ready to be turned on.
When the unit is in operation, the indicator will
turn green.
6Treble Control: Turn this control to modify
the high-frequency output of the left/right chan-
nels by as much as ±10dB. Set this control to a
suitable position for your taste or room acoustics.
7Balance Control: Turn this control to
change the relative volume for the front
left/right channels.
4Headphone Jack: This jack may be used to
listen to the AVR 500’s output through a pair of
headphones. Be certain that the headphones
have a standard 1/4" stereo phone plug. Note
that the main room speakers will automatically
be turned off when the headphone jack is in use.
NOTE: In normal operation this switch is left in
the “ON” position.
NOTE: For proper operation of the surround
modes this control should be at the midpoint
or “12 o’clock” position.
2System Power Control: When the Main
1
Power Switch
is “ON,” press this button
5 FRONT PANEL CONTROLS
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Front Panel Controls
8Video 3 Inputs: These audio/video inputs
may be used for temporary connection of video
games, camcorders, digital still cameras or
portable audio products. To select a source
connected to these jacks, press the Vid 3
Input Selector @.
&Preset Stations Selector: Press this but-
ton to select stations that have been entered
into the preset memory. (See pages 24–25 for
more information on tuner programming.)
ÙSurround Off: Press this button to turn off
all surround processing and to listen to a pro-
gram in traditional stereo from the left front
and right front speakers only.
*Tuner Mode: Press this button to select
the stereo or mono mode for FM tuning. In the
STEREO mode a Stereo indicator Twill illu-
minate in the information display, and stereo
reception will be provided when stations are
transmitting stereo signals. In the MONO mode
the left and right signals from stereo broadcasts
will be mixed together. Select MONO for better
reception of weak signals.
ı
Mute: Press this button to momentarily
silence the speaker and headphone outputs of
the AVR 500.
9Tape Selector: Press this button to select
the device connected to the Tape In jacks f
as the listening source.
ˆVolume Control: Turn the knob clockwise
to increase volume, counterclockwise to
decrease the volume. If the AVR is muted,
adjusting volume control will automatically
release the unit from the silenced condition.
)CD: Press this button to select the device
connected to the CD Input jacks ¶as the
listening source.
!DVD Input Selector: Press this button to
select the device connected to the DVD Input
jacks ∞as the listening and viewing source.
˜Delay: Press this button to begin the
sequence of steps required to enter delay time
settings. (See pages 18–19 for more informa-
tion on delay times.)
(Dolby Digital Selector: Press this button to
select the Dolby Digital surround mode when lis-
tening to a program that carries Dolby Digital
information. (See pages 21–24 for more informa-
tion on surround modes and digital audio.)
@Video Input Selectors: Press one of
these buttons to select a source connected to
the rear panel Video inputs ¡a, or the front
panel Video 3 input 8.
¯Digital Input Selector: When playing a
source that has a digital output, press this
button to select between the Optical dand
Coaxial eDigital inputs. (See pages 23–24
for more information on digital audio.)
ÓDolby Pro Logic Selector: Press this
button to select the Dolby Pro Logic surround
mode when listening to an analog program
that is encoded with surround-sound informa-
tion. (See page 21–23 for more information on
surround modes.)
#6-Channel Direct Selector: Press this
button to select the output of an optional,
external 6-channel decoder connected to the
6-Ch Direct inputs §as the listening source.
˘Set Button: When making choices during
the setup and configuration process, press this
button to enter the desired setting as shown
in the Information Display 35,, into the
AVR 500’s memory.
ÔDolby 3 Stereo Selector: Press this but-
ton to select the Dolby 3 Stereo listening mode.
This mode is used primarily when a center
channel speaker but no surround speakers, are
installed. (See pages 22 for more information
on surround modes.)
$AM/FM: Press this button to select the
tuner as the AVR 500’s input source. When it is
first pressed the last station tuned will be
heard. Press it again to change between AM
and FM bands.
¸Multiroom Selector: Press this button
to activate the AVR 500’s Multiroom system.
(See page 26 for complete information on
Multiroom operation.)
%Tuning Button: Press the left side of the
button to tune lower frequency stations and the
right side of the button to tune higher frequency
stations. When a station with a strong signal is
reached, the TUNED indicator Uwill illumi-
VMAx Mode Selector: Press this button
to activate the VMAx mode. When only front
left and right speakers are installed, VMAx
uses proprietary circuits to create a virtual
surround sound. (See pages 22 for more infor-
mation on VMAx.)
33 Speaker Select Button: Press this button
to begin the process of selecting the speaker
positions that are used in your listening room.
(See page 16 for more information on setup
and configuration.)
nate in the Information Display 35
.
To tune manually, tap the button lightly and
note that the tuner will step up one frequency
per button press. When the button is held for a
few seconds you will note that the unit will
quickly search the frequency band. Release it
once the fast tuning starts and the tuner will
automatically scan for the next station with an
acceptable signal and then stop.
ÒLogic 7 Mode Selector: Press this button
to activate the Logic 7 modes. One press brings
up the Logic 7 Cinema mode, another press
activates the Logic 7 Music mode. When a
stereo source is in use, Logic 7 delivers sound
to all five speakers, creating a multichannel
sound field. (See page 22 for more information
on Logic 7.)
34 Selector Buttons: When you are establish-
ing the AVR 500’s configuration settings, use
these buttons to select between the choices avail-
able, as shown in the Information Display 35,.
35 Information Display: This display deliv-
ers messages and status indications to help you
operate the receiver. (See page 7 for a complete
explanation of the Information Display.)
^Preset Scan: Press this button to automat-
ically scan through the stations that have been
programmed in the AVR 500’s memory. The
tuner will play five seconds of each station
before moving to the next preset station. To
stop the scan when the desired station is heard,
press the button again. (See pages 24–25 for
more information on the tuner memory system.)
ÚTheater Mode Selector: Press this button
to activate the Theater mode as an alternate
surround mode when stereo sources are in use.
36 Remote Sensor Window: The sensor
behind this window receives infrared signals
from the remote control. Aim the remote at this
area and do not block or cover it unless an
external remote sensor is installed.
ÛDTS Selector: Press this button to select
DTS decoding when listening to an audio or
video program that is encoded in the DTS for-
mat. (See pages 22–24 for more information on
surround modes and digital audio.)
6 FRONT PANEL CONTROLS
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Front Panel Information Display
X W
V U T S R Q
P
PRESET
NIGHT
STEREO
MEMORY
SLEEP
TUNED
MONO AUTO
MUTE
COAX
O
N
M
A
B
C
D
1
2
OPT
ANALOG
DIGITAL
PCM
PRO LOGIC
3
-
STEREO
VMAx
LOGIC 7 C
THEATER
LOGIC 7 M
MULTI
SURR. OFF
F
E
G
I
H
J
L
K
ACoax Source
BDigital Source Input Number
COptical Source
DAnalog Source Indicator
EPCM Indicator
FDolby Digital Indicator
ITheater Mode Indicator
QMemory
RAuto
JLogic 7 Mode Indicators
KDTS Mode Indicator
LSurround Off
MMultiroom System Indicator
NNight Mode Indicator
OPreset Number
SMono Indicator
TStereo Indicator
UTuned Indicator
VMain Information Display
WSleep Indicator
XMute
GAnalog Dolby Surround Mode Indicators
HVMAx Mode Indicator
PPreset Indicator
minates to show that the Theater mode is in use.
ACoax Source: This indicator illuminates
when a digital source is in use via a connection
to the Coaxial Digital inputs e.
QMemory: This indicator flashes when
entering presets and other information into the
tuner’s memory.
JLogic 7 Mode Indicators: These indica-
tors illuminate when the Logic 7 mode is in
use. LOGIC7Cappears for the Cinema ver-
sion of Logic 7, LOGIC7Mappears for the
Music version of Logic 7.
BDigital Source Input Number: These
indicators tell you which of the two digital
inputs is selected. This indicator works in cojunc-
tion with the Coax Source Aand Optical
Source Cindicators to show which form of
digital signal is in use.
RAuto: This indicator illuminates when the
Auto mode is in use for FM tuning.
SMono Indicator: This indicator illuminates
when the tuner has been placed in the monaural
mode by pressing the Tune Mode button *.
Set the tuner for mono listening to reduce noise
and improve the quality of distant stereo signals.
KDTS Mode Indicator: This indicator illumi-
nates when a DTS-encoded source is playing.
LSurround Off: This indicator illuminates
when the surround processing has been dis-
abled by pressing the Surround Off button
Ù. When this indicator is lit, the AVR 500 will
play traditional stereo sound using the front-left
and front-right speakers only.
COptical Source: This indicator illuminates
when a digital source is in use via a connection
to the Optical Digital input d.
TStereo Indicator: This indicator illuminates
when an FM station is being tuned in stereo.
DAnalog Source Indictor: This indicator
illuminates when an analog input source is in use.
UTuned Indicator: This indicator illuminates
when a station is being received with sufficient sig-
nal strength to provide acceptable listening quality.
MMultiroom System Indicator: This indica-
tor illuminates when the multiroom system is in
operation. (See page 26 for more information
on the multiroom system.)
EPCM Indicator: This indicator illuminates
to show that a standard PCM (S/P-DIF) digital
audio signal is being decoded by the digital-to-
analog converter.
VMain Information Display: This display
shows messages relating to the status, input
source, surround mode, tuner, volume level or
other aspects of unit’s operation.
NNight Mode Indicator: This indicator
lights when the AVR 500 is in the Night mode,
which preserves the dynamic range of digital
program material at low volume levels.
FDolby Digital Indicator: This indicator
illuminates when a Dolby Digital source is
being played.
WSleep Indicator: This indicator is illumi-
nated when the Sleep function is in use. The
number that appears above the indicator is
the number of minutes remaining before the
AVR 500 will return to the Standby mode.
GAnalog Dolby Surround Mode
Indicators: These indicators illuminate when
one of the analog (matrix) Dolby Surround
modes is in use.
OPreset Number: This two-digit display
indicates the station preset number that is
currently in use, or that is being entered.
XMute: This indicator illuminates to remind
you that the AVR 500’s output has been
silenced by pressing the Mute button ıf.
Press the Mute button again to return to the
previously selected output level.
PPreset Indicator: This indicator illuminates
when a station previously entered into the preset
memory is tuned. The number that appears below
the indicator is the preset station’s memory.
HVMAx Mode Indicator: This indicator illu-
minates to show that the VMAx mode is in use.
ITheater Mode Indicator: This indicator illu-
7 FRONT PANEL INFORMATION DISPLAY
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Rear Panel Connections
ag
f
e d c
™∞ ·
°
b a¡
L
R
DIGITAL INPUT
IN
VIDEO
MODEL NO. AVR 500
HARMAN KARDON
OPTICAL
2
~
AC 120V 60 Hz
TAPE
OUT
TV
MONITOR
OUT
OPTICAL
1
NORTHRIDGE
CALIFORNIA, USA
VIDEO
2
VIDEO 2
¡
™
COAXIAL 2
COAXIAL 1
ANTENNA
IN
IN
AC OUTLETS
(120V.60Hz)
VIDEO
1
AM
VIDEO 1
DIGITAL INPUT
DIGITAL OUTPUT
OPTICAL
TOTAL 150W or 1.5A MAX
OUT
DVD
£
OUT
DVD
GND
UNSWITCHED
TOTAL 100W or 1A MAX.
1
FM
(75Ω)
FRONT
CENTER
SURROUND
¢
∞
OUT
IN
COAXIAL
1
REMOTE
CD
CONTROL
ML
FL
SL SUB WOOFER
CENTER
SL
FL
MULTI IN
SWITCHED
TOTAL 150W or 0.5A MAX.
RIGHT
LEFT
CENTER
RIGHT
LEFT
SERIAL NO.
MR
FR
SR
CENTER
SUB WOOFER SR
6 CH. DIRECT
FR
MULTI OUT
PRE OUT
SPEAKERS 8 Ohms
SPEAKER 8 Ohm
SPEAKERS 8 Ohms
§
•
‹
›
fl
‡
‚
fi
⁄¤
¶
ª
¡Video 1 Inputs
™Video 1 Outputs
£AM Antenna
¢FM Antenna
∞DVD Inputs
§6-Channel Direct Inputs
¶CD Inputs
•Multiroom Audio Outputs
ªDigital Outputs
‚Preamp Outputs
⁄Subwoofer Output
¤Multiroom IR Input
‹Front Speaker Terminals
›Center Speaker Terminals
fiSurround Speaker Terminals
flSwitched AC Outlet
‡Unswitched AC Outlet
°AC Power Cord
·Remote IR Input
aVideo 2 Inputs
bTV Monitor Video Outputs
cRemote IR Output
dOptical Digital Inputs
eCoaxial Digital Inputs
fTape Inputs
gTape Outputs
NOTE: For all video inputs and outputs ¡ ™
∞ a b, the same number is used to indicate
the audio, composite-video and S-Video connec-
tions related to that input. This accounts for the
same number appearing in more than one place
on the rear-panel drawing.
8 REAR PANEL CONNECTIONS
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Rear Panel Connections
¡Video 1 Inputs: Connect these jacks to
the audio and video PLAY/OUT jacks of a VCR.
⁄Subwoofer Output: Connect this jack to
the line-level input of a powered subwoofer. If
an external subwoofer amplifier is used, con-
nect this jack to the subwoofer amplifier input.
· Remote IR Input: If the AVR 500’s front-
panel IR sensor is blocked due to cabinet
doors or other obstructions, an external IR
sensor may be used. Connect the output of
the sensor to this jack.
™Video 1 Outputs: Connect these jacks to
the audio and video RECORD/IN jacks of a VCR.
¤Multiroom IR Input: Connect the output
of an IR sensor in a remote room to this jack to
operate the AVR 500’s multiroom control system.
£AM Antenna: Connect the AM loop antenna
supplied with the receiver to these terminals. If an
external AM antenna is used, make connections
to the AM and GND terminals in accordance
with the instructions supplied with the antenna.
a Video 2 Inputs: Connect these jacks to
the audio and video outputs of a TV Tuner,
Cable TV converter box, satellite receiver or any
other audio/video source.
‹ Front Speaker Teminals: Connect the
front left/right speakers to these terminals.
bTV Monitor Video Output: Connect this
jack to the composite or S-Video input of a TV
monitor or video projector to view the on-screen
menus and the output of any standard video
source selected by the receiver’s video switcher.
¢FM Antenna: Connect the supplied indoor or
the optional external FM antenna to this terminal.
›Center Speaker Terminals: Connect the
center speaker to these terminals.
∞DVD Inputs: Connect the analog audio
outputs and composite video output of a DVD
or LD player to these jacks.
fiSurround Speaker Terminals: Connect
the surround speakers to these terminals.
cRemote IR Output: This connection per-
mits the IR sensor in the receiver to serve other
remote controlled devices. Connect this jack to
the “IR IN” jack on Harman Kardon or other
compatible equipment.
NOTE: When making connections to the
Speaker Terminals ‹ ›fi always be certain
to maintain correct polarity between the speak-
er’s terminals and those on the AVR by con-
necting red (+) termianls to red and black (–)
terminals to black. See page 13 for more infor-
mation on speaker polarity.
§6-Channel Direct Inputs: If an external
digital audio decoder is used, connect the out-
puts of that decoder to these jacks.
¶CD Inputs: Connect these jacks to the out-
put of a compact disc player or CD changer.
dOptical Digital Inputs: Connect the opti-
cal digital output from a DVD player, HDTV
receiver, LD player or CD player to these jacks.
The signal may be either a Dolby Digital signal,
a DTS signal or a standard PCM digital source.
•Multiroom Audio Outputs: Connect
these jacks to the inputs of an optional audio
power amplifier so that the input selected by
the multiroom control system will be heard in a
remote room.
flSwitched AC Outlet: This outlet may be
used to power any device that you wish to have
turn on when the unit is turned on with the
System Power Control switch 2.
e Coaxial Digital Inputs: Connect the coax
digital output from a DVD player, HDTV receiver,
LD player or CD player to these jacks. The signal
may be either a Dolby Digital signal, DTS signal
or a standard PCM digital source.
‡Unswitched AC Outlet: This outlet may
be used to power any AC device. The power will
remain on at this outlet regardless of whether
the AVR 500 is on or off.
ªDigital Audio Outputs: Connect these
jacks to the matching digital input connector
on a digital recorder such as a CD-R or
MiniDisc recorder.
fTape Inputs: Connect these jacks to the
PLAY/OUT jacks of an audio recorder.
NOTE: The power consumption of the device
plugged into each of these outlets fl‡
should not exceed 100 watts.
‚Preamp Outputs: If external power ampli-
fiers are used for any channels, connect them to
these jacks.
gTape Outputs: Connect these jacks to the
RECORD/INPUT jacks of an audio recorder.
°AC Power Cord: Connect the AC plug to a
nonswitched AC wall output.
9 REAR PANEL CONNECTIONS
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Remote Control Functions
aAVR Selector
bCD/Tape/DVD Input Selectors
cVideo Remote Selectors
dPower Off Button
eTest Tone
fMute
⁄ ¤
/
g
Buttons
hChannel-Select Button
iSet Button
‹
j
Button
ON
kDigital Select
a
l 6-Ch. Direct Input
mVideo Input Selectors
nAM/FM Tuner Select
oTuner Mode
pMemory Button
qNumeric Keys
rMacro 1/2 Buttons
sOSD Button
tLight Button
uDirect/Macro Button
vClear/Macro Button
wPreset Up/Down
xTuning Up/Down
yForward/Reverse Transport Buttons
zNight Mode
b
c
33
32
d
f
T/V
e
31
30
GUIDE
CH.
h
j
g
i
29
28
`Multi-Room
Delay/Prev. Ch.
28
29
g
●
●
›
Button
k
l
Speaker Select
30
●
Surround Mode Selector
Volume Up/Down
Sleep Button
31
●
●
z
32
NIGHT
MULTI-ROOM
33
●
6 CH.
VID1
VID2
VID3
`
y
NOTE: The function names shown here are each
button’s feature when used with the AVR. Most
buttons have additional functions when used
with other devices. See page 30 for a list of
these functions.
AM/FM
m
TUN-M
MEMORY
x
w
n
o
p
t
q
r
DIRECT
CLEAR
v
u
s
AVR 500
10 REMOTE CONTROL FUNCTIONS
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Remote Control Functions
IMPORTANT NOTE: The AVR 500’s remote
may be programmed to control up to eight
devices, including the AVR 500. Before using the
remote, it is important to remember to press the
Device Control Selector button ab
cthat corresponds to the unit you wish to
operate. In addition, the AVR 500’s remote is
shipped from the factory to operate the AVR 500
and most Harman Kardon CD or DVD players
and cassette decks. The remote is also capable
of operating a wide variety of other products
using the control codes that are part of the
remote. Before using the remote with other
products, follow the instructions on pages
27–29 to program the proper codes for the
products in your system.
eTest Tone: Press this button to begin the
sequence used to calibrate the AVR 500’s output
levels. (See pages 17–18 for more information
on calibrating the AVR 500.)
nAM/FM Tuner Select: Press this button to
select this AVR’s tuner as the listening choice.
Pressing this button when a tuner is in use will
select between the AM and FM bands.
fMute: Press this button to momentarily
silence the AVR 500 or TV set being controlled,
depending on which device has been selected.
oTuner Mode: Press this button when the
tuner is in use to select between automatic
tuning and manual tuning. When the button is
pressed so that the AUTO indicator Rgoes
out, pressing the Tuning buttons xwill
move the frequency up or down in single-step
increments. When the FM band is in use, press-
ing this button when a station’s signal is weak
will change to monaural reception, as indicated
by the MONO indicator S. (See page 24 for
more information.)
When the AVR 500 remote is being programmed
to operate another device, this button is pressed
with the Device Control Selector button b
cto begin the programming process. (See
page 27 for more information on programming
the remote.)
⁄ ¤
/
g
Buttons: These are multi-purpose
buttons. They will be used most frequently to
select a surround mode. To change the surround
¤
pMemory Button: Press this button to enter
a radio station into the AVR 500’s preset memory.
After pressing the button the MEMORY indicator
Qwill flash; you then have five seconds to
enter a present memory location using the
Numeric Keys q. (See pages 24–25 for
more information.)
It is also important to remember that many of
the buttons on the remote take on different
functions, depending on the product selected
using the Device Control Selectors. The descrip-
tions shown here primarily detail the functions
of the remote when it is used to operate the
AVR 500. (See page 29 for information about
alternate functions for the remote’s buttons.)
mode, first press the SURR/CH
button
.
31
●
Next press these buttons to scroll up or down
through the list of surround modes that appear in
the Information Display 35.. These buttons are
also used to increase or decrease output levels
when configuring the unit with either the inter-
nal test tone or an external source. They are
also used to enter delay time settings after the
qNumeric Keys: These buttons serve as a
ten-button numeric keypad to enter tuner preset
positions. They are also used to select channel
numbers when TV has been selected on the
remote, or to select track numbers on a CD,
DVD or LD player, depending on how the
remote has been programmed.
aAVR Selector: Pressing this button will
switch the remote so that it will operate the
AVR’s functions. If the AVR is in the Standby
mode, it will also turn the AVR on.
Delay button
has been pressed.
28
●
hChannel-Select Button: This button is
used to start the process of setting the AVR 500’s
output levels to an external source. Once this
⁄ ¤
bCD/Tape/DVD Input Selectors: Pressing
one of these buttons will perform three actions
at the same time. First, if the AVR is not turned
on, this will power up the unit. Next, it will
select the source shown on the button as the
input to the AVR. Finally, it will change the
remote control so that it controls the device
selected. After pressing one of these buttons
you must press the AVR Button aagain to
operate the AVR’s functions with the remote.
button is pressed, use the
/
buttons gto
select the channel being adjusted, then press the
rMacro 1–2 Buttons: These buttons are
used to recall or enter the programming
sequence for a preprogrammed Macro
sequence. (See page 28 for more information
on programming and using Macros.)
⁄ ¤
/
Set button i, followed by the
buttons
again, to change the level setting. (See page 25
for more information.)
iSet Button: This button is used to enter
settings into the AVR 500’s memory. It is also
used in the setup procedures for delay time,
speaker configuration and channel output level
adjustment.
sOSD Button: Press this button to view the
on-screen displays.
tLight Button: Press this button to activate
the remote’s built-in backlight for better
legibility of the buttons in a darkened room.
cVideo Remote Selectors: Press one of
these buttons to use the remote to control the
functions of the device shown on the button. (For
more information on programming the remote to
operate these devices, see pages 27–29.
‹
j
Button: This button is used to change
the menu selection or setting during some of
the setup procedures for the AVR.
uDirect/Macro 3 Button: This button has
two functions. Pressing it when the tuner is in
use will start the sequence for direct entry of a
station’s frequency. After pressing the button
simply press the proper Numeric Keys qto
select a station. This button may also be used
to store or recall a macro sequence. (See pages
24–25 for more information on the tuner, and
page 28 for more information on programming
and using Macros.)
kDigital Select: Press this button to assign
one of the digital inputs d eto a source.
(See page 23 for more information on using
digital inputs.)
NOTE: As any of these buttons is pressed, it
will briefly flash red to confirm your selection.
dPower Off Button: Press this button to
place the unit in the Standby mode. Note that
this will turn off the main room functions, but
if the Multiroom system is activated, it will
continue to function.
l6-Ch. Direct Inputs: Press this button to
select the component connected to the 6-Ch.
direct Input §as the source
m Video Input Selectors: Press this button
to select one of the video inputs as the listening
and viewing source.
11 REMOTE CONTROL FUNCTIONS
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Remote Control Functions
vClear/Macro 4 Button: This button may
be used to store and recall a macro; it may also
be programmed for use with other devices. (See
page 28 for nore information on macros.)
`Multiroom: Press this button to activate
the Multiroom system or to begin the process
of changing the input or volume level for the
second zone. (See page 26 for more information
on the Multiroom system.)
Selector b. When the AVR 500 remote is
being programmed for the codes of another
device, this button is also used in the “Auto
Search” process. (See page 27 for more infor-
mation on programming the remote.)
wPreset Up/Down: When the tuner is in
use, these buttons scroll through the stations
that have been programmed into the AVR 500’s
memory. When some source devices, such as
CD players, VCRs and cassette decks, are
selected using the Device Control Selectors
bc, these buttons will normally function
as chapter step or track advance.
Volume Up/Down: Press these buttons
to raise or lower the system volume.
32
●
Delay/Prev Ch.: Press this button to
28
●
begin the process for setting the delay times
used by the AVR 500 when processing surround
sound. After pressing this button, the delay
times are entered by pressing the Set button
⁄ ¤
Sleep Button: Press this button to place
33
●
the unit in the Sleep mode. After the time
shown in the display, the AVR 500 will auto-
matically go into the Standby mode. Each press
of the button changes the time until turn-off in
the following order:
iand then using the
/
buttons gto
change the setting. Press the Set button again
to complete the process. (See page 18–19 for
more information.)
xTuning Up/Down: When the tuner is in
use, these buttons will tune up or down through
the selected frequency band. If the Tuner Mode
button ohas been pressed so that the AUTO
indicator Ris illuminated, pressing and holding
the buttons for three seconds will cause the
tuner to seek the next station with acceptable
signal strength for quality reception. When the
AUTO indicator Ris NOT illuminated, pressing
these buttons will tune stations in single-step
increments. (See page 24 for more information.)
90
min
80
min
70
min
60
min
50
min
40
min
›
30
min
20
min
10
min
5
min
1
min
Button: Press this button to change a
29
●
OFF
setting or selection when configuring many of the
AVR’s settings.
Press and hold the button for two seconds to
turn off the Sleep mode setting.
Speaker Select: Press this button to
30
●
begin the process of configuring the AVR 500’s
Bass Management System for use with the type
of speakers used in your system. Once the button
⁄ ¤
Note that this button is also used to change
channels on your TV when the TV is selected
using the Device Control Selectors bc.
has been pressed, use the
/
buttons gto
select the channel you wish to set up. Press the
Set button iand then select another channel
to configure. When all adjustments have been
completed, press the Set button twice to exit the
settings and return to normal operation. (See
page 16 for more information.)
When the AVR 500 remote is being programmed
for the codes of another device, this button is
also used in the “Auto Search” process. (See
page 27 for more information on programming
the remote.)
yForward/Reverse Transport Buttons:
These buttons do not have any functions for
the AVR, but they may be programmed for the
forward/reverse play operation of a wide variety
of CD or DVD players, and audio or video-
cassette recorders. (See page 27 for more
information on programming the remote.)
Surround Mode Selector: Press this
31
●
button to begin the process of changing
the surround mode. After the button has
⁄ ¤
zNight Mode: Press this button to activate
the Night mode. This mode is available in spe-
cially encoded digital sources, and it preserves
dialog (center channel) intelligibilty at low
volume levels.
been pressed, use the
/
buttons g to
select the desired surround mode. (See page 21
for more information.) Note that this button is
also used to tune channels when the TV is
selected using the Device Control
12 REMOTE CONTROL FUNCTIONS
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Installation and Connections
System Installation
6. Connect the supplied FM antenna to the FM
(75 ohm) connection ¢. The FM antenna may
be an external roof antenna, an inside powered
or wire lead antenna or a connection from a
cable TV system. Note that if the antenna or
connection uses 300-ohm twin-lead cable, you
must use the 300-ohm-to-75-ohm adapter sup-
plied with the unit to make the connection.
or surround-left and surround-right speakers,
even if the speakers are a different distance
from the AVR 500.
After unpacking the unit, and placing it on a solid
surface capable of supporting its weight, you will
need to make the connections to your audio and
video equipment.
NOTE: While most speaker manufacturers
adhere to an industry convention of using black
terminals for negative and red ones for positive,
some manufacturers may vary from this config-
uration. To assure proper phase and optimal
performance, consult the identification plate on
your speaker or the speaker’s manual to verify
polarity. If you do not know the polarity of your
speaker, ask your dealer for advice before pro-
ceeding, or consult the speaker’s manufacturer.
Audio Equipment Connections
We recommend that you use high-quality inter-
connect cables when making connections to
source equipment and recorders to preserve the
integrity of the signals.
7. Connect the front, center and surround
speaker outputs ‹›fi to the respective
speakers.
When making connections to audio source
equipment or speakers it is always a good prac-
tice to unplug the unit from the AC wall outlet.
This prevents any possibility of accidentally
sending audio or transient signals to the speak-
ers that may damage them.
To assure that all the audio signals are carried
to your speakers without loss of clarity or reso-
lution, we suggest that you use high-quality
speaker cable. Many brands of cable are avail-
able and the choice of cable may be influenced
by the distance between your speakers and the
receiver, the type of speakers you use, personal
preferences and other factors. Your dealer or
installer is a valuable resource to consult in
selecting the proper cable.
8. Connections to a subwoofer are normally
made via a line level audio connection from the
Subwoofer Output ⁄to the line-level input
of a subwoofer with a built-in amplifier. When a
passive subwoofer is used, the connection first
goes to a power amplifier, which will be con-
nected to one or more subwoofer speakers. If
you are using a powered subwoofer that does
not have line-level input connections, follow the
instructions furnished with the speaker for con-
nection information.
1. Connect the analog output of a CD player to
the CD inputs ¶.
NOTE: When the CD player has both fixed and
variable audio outputs it is best to use the fixed
output unless you find that the input to the
receiver is so low that the sound is noisy, or so
high that the signal is distorted.
Regardless of the brand of cable selected, we
recommend that you use a cable constructed of
fine, multistrand copper with a gauge of 14 or
smaller. Remember that in specifying cable, the
lower the number, the thicker the cable.
Video Equipment Connections
2. Connect the analog Play/Out jacks of a cas-
sette deck, MD, CD-R or other audio recorder to
the Tape In jacks f. Connect the analog
Record/In jacks on the recorder to the Tape
Out jacks gon the AVR 500.
Video equipment is connected in the same man-
ner as audio components. Again, the use of high-
quality interconnect cables is recommended to
preserve signal quality.
Cable with a gauge of 16 may be used for short
runs of less than ten feet. We do not recom-
mend that you use cables with an AWG equiva-
lent of 18 or higher due to the power loss and
degradation in performance that will occur.
1. Connect a VCR’s audio and video Play/Out
jacks to the Video 1 In jacks ¡on the rear
panel. The audio and Record/In jacks on the
VCR should be connected to the Video 1 Out
jacks ™on the AVR 500.
3. Connect the output of any digital sources
to the appropriate input connections on the
AVR 500 rear panel. Note that the Optical
and Coaxial digital inputs demay be
used with a Dolby Digital or DTS source or
the output of a conventional CD or LD player’s
PCM (S/P-DIF) output.
Cables that are run inside walls should have the
appropriate markings to indicate listing with UL,
CSA or other appropriate testing agency stan-
dards. Questions about running cables inside
walls should be referred to your installer or a
licensed electrical contractor who is familiar
with the NEC and/or the applicable local build-
ing codes in your area.
2. Connect the analog audio and video outputs
of a satellite receiver, cable TV converter or
television set or any other video source to the
Video 2 In jacks a.
4. Connect the Coax or Digital Outputs ªon
the rear panel of the AVR to the matching digital
input connections on a CD-R or MiniDisc recorder.
3. Connect the analog audio and video
outputs of a DVD or laser disc player to the
DVD jacks ∞.
When connecting wires to the speakers, be cer-
tain to observe proper polarity. Remember to
connect the “negative” or “black” wire to the
same terminal on both the receiver and the
speaker. Similarly, the “positive” or “red” wire
should be connected to like terminals on the
AVR 500 and speaker.
5. Assemble the AM Loop Antenna supplied
with the unit as shown below. Connect it to the
AM and GND screw terminals £.
4. Connect the digital audio outputs of a DVD
player, satellite receiver, cable box or HDTV con-
verter to the appropriate Optical or Coaxial
Digital Inputs de.
We also recommend that the length of cable
used to connect speaker pairs be identical.
For example, use the same length piece of
cable to connect the front-left and front-right
5. Connect the TV Monitor Out bjacks on
the receiver to the composite or S-Video input
of your television monitor or video projector.
13 INSTALLATION AND CONNECTIONS
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Installation and Connections
NOTE: The AVR 500 will accept both standard
(composite) or S-Video signals. However, it will
not convert signals from one video format type
to the other.
AVR 500 and the remote IR link will provide
that function. At the AVR 500, plug the audio
interconnect cables into the Multi Out jacks
•on the AVR 500’s rear panel.
tion to a DVD player or HDTV set with a built-in
decoder and discrete 6-channel analog outputs.
AC Power Connections
This unit is equipped with two accessory AC
outlets. They may be used to power accessory
devices, but they should not be used with high-
current draw equipment such as power ampli-
fiers. The total power draw to each outlet may
not exceed 150 watts.
System and Power Connections
NOTE: The remote power amplifier must have
signal sensing capability or be left on constantly to
assure automatic operation at the remote room.
The AVR 500 is designed for flexible use with
multiroom systems, external control compo-
nents and power amplifiers.
B. Place the amplifier that will provide power to
the remote location speakers in the same room
as the AVR 500, and connect the Multi Out
jacks •on the rear panel of the AVR to the
audio input of the remote room amplifier. Use
the appropriate speaker wire to connect the
optional power amplifier to the remote speakers.
High-quality wire of at least AWG14 is recom-
mended for long multiroom connections.
Main Room Remote Control Extension
If the receiver is placed behind a solid or
The Switched floutlet will receive power
only when the unit is on. This is recommended
for devices that have no power switch or a
mechanical power switch that may be left in
the “ON” position.
smoked glass cabinet door, the obstruction may
prevent the remote sensor from receiving com-
mands. In this event, an optional remote sensor
may be used. Connect the output of the remote
sensor to the Remote Cont. In jack ·.
NOTE: Many audio and video products go into
a Standby mode when they are used with
switched outlets, and cannot be fully turned on
using the outlet alone without a remote control
command.
If other components are also prevented from
receiving remote commands, only one sensor is
needed. Simply use this unit’s sensor or a
remote eye by running a connection from the
Remote IR Output jack cto the Remote In
jack on Harman Kardon or other compatible
equipment.
IMPORTANT NOTE: Any cables run inside walls
should be CL3/FT4 rated, or carry any other certi-
fication that is required by the NEC or state and
local building and electrical codes. To avoid inter-
ference, audio and speaker cables should not be
parallel to, or run in the same conduits or path
with, AC cables. If you have any questions about
multiroom wiring, consult your dealer, custom
installer or a licensed or low-voltage contractor.
The Unswitched ‡outlet will receive power
as long as the unit is plugged into a powered
AC outlet.
Multiroom IR Link
Finally, when all connections are complete, plug
the power cord into a nonswitched 120-volt AC
wall outlet. You’re almost ready to enjoy the
AVR 500!
The remote room IR receiver should be connected
to the AVR 500 via standard coaxial cable. Plug
the IR connection cable into the Multiroom jack
¤on the AVR 500’s rear panel.
External Audio Power Amplifier
Connections
If desired, optional external power audio power
amplifiers may be used with the AVR 500.
Connections to these amplifiers are made by
using audio interconnect cables connected to
both the Preamp Outputs ‚on the rear
panel and the audio input jacks of the external
amplifiers.
If other Harman Kardon compatible source
equipment is part of the main room installation,
the Remote IR Output jack con the rear
panel should be connected to IR IN jack on the
CD player or cassette deck. This will enable the
remote room location to control source equip-
ment functions in addition to the remote room
input and volume.
External Audio Decoder Connection
To provide for ultimate flexibility, the AVR 500
may be used in conjunction with optional,
external decoders for digital audio systems
other than the AVR 500’s own built-in Dolby
Digital and DTS decoding system. If an external
decoder is used, connect the output jacks of the
decoder to the 6-Channel Direct inputs §,
making sure to match channels.
NOTE: All remotely controlled components
must be linked together in a daisy chain.
Connect the IR OUT jack of one unit to the IR
IN of the next to establish this chain.
Multiroom Audio Connections
Depending on the distance from the AVR 500
to the remote room, two options (A and B)
are available:
These jacks may also be used for connections to
devices such as DVD players or High Definition
Television (HDTV) sets or decoders that feature
built-in digital surround decoders. Although the
digital decoding system in the AVR 500 will typi-
cally provide audio performance that is superior
to other decoders, you may use these jacks to
provide an additional 6-channel input for connec-
A. Use high-quality, shielded audio interconnect
cable from the AVR 500’s location to the
remote room. At the remote room, connect the
interconnect cable to a stereo power amplifier.
The amplifier will be connected to the room’s
speakers. No volume control is required, as the
14 INSTALLATION AND CONNECTIONS
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System Configuration
Center Front Speaker
When all audio, video and system connections
have been made, there are a few configuration
adjustments that must be made. A few minutes
spent to correctly configure and calibrate the
unit will greatly add to your listening experience.
Using these guidelines, you’ll find that it takes
some experimentation to find the correct loca-
tion for the front speakers in your particular
installation. Don’t be afraid to move things
around until the system sounds correct. Optimize
your speakers so that audio transitions across
the front of the room sound smooth, and that
sounds from all speakers appear to arrive at the
listening position at the same time (without
delay from the center speaker compared to the
left and right speakers.)
No more
than 24"
Left Front
Speaker
Right Front
Speaker
Speaker Selection and Placement
The placement of speakers in a multichannel
home-theater system can have a noticeable
impact on the quality of sound reproduced.
A) Front Channel Speaker Installation with
Direct-View TV Sets or Rear-Screen Projectors
TV or Projection Screen
No matter which type or brand of speakers is
used, the same model or brand of speaker
should be used for the front-left, center and
front-right speakers. This creates a seamless
front soundstage and eliminates the possibility
of distracting sonic disturbances that occur
when a sound moves across mismatched
front-channel speakers.
Surround speakers should be placed on the side
walls of the room, at or slightly behind the
listening position. The center of the speaker
should face into the room. The speakers should
be located so that the bottom of the cabinet
is at least two feet higher than the listeners’
ears when the listeners are seated in the
desired area.
Center Front
Speaker
Left Front
Speaker
Right Front
Speaker
Speaker Placement
Depending on the type of center-channel
speaker in use and your viewing device, place
the center speaker either directly above or
below your TV, or in the center behind a perfo-
rated front-projection screen.
If side-wall mounting is not practical, the
speakers may be placed on a rear wall, behind
the listening position. Again, they should be
located so that the bottom of the cabinet is at
least two feet higher than the listeners’ ears.
The speakers should be no more than six feet
behind the rear of the seating area.
Optional Rear-Wall Mounting
Once the center-channel speaker is installed,
position the left-front and right-front speakers
so that they are as far away from one another
as the center-channel speaker is from the pre-
ferred listening position. Ideally, the front-channel
speakers should be placed so that their tweeters
are no more than 24" above or below the
tweeter in the center-channel speaker.
Subwoofers produce nondirectional sound, so
they may be placed almost anywhere in a
room. Actual placement should be based on
room size and shape and the type of subwoofer
used. One method of finding the optimal loca-
tion for a subwoofer is to begin by placing it in
the front of the room, about six inches from a
wall, or near the front corner of the room.
Another method is to temporarily place the
subwoofer in the spot where you will normally
sit, and then walk around the room until you
find a spot where the subwoofer sounds best.
Place the subwoofer in that spot. You should
also follow the instructions of the subwoofer’s
manufacturer, or you may wish to experiment
with the best location for a subwoofer in your
listening room.
B) The distance between the left and right
speakers should be equal to the distance
from the seating position to the viewing
screen. You may also experiment with plac-
ing the left and right speakers slightly for-
ward of the center speaker.
Depending on the specifics of your room
acoustics and the type of speakers in use, you
may find that imaging is improved by moving
the front-left and front-right speakers slightly
forward of the center-channel speaker. If possi-
ble, adjust all front loudspeakers so that they
are aimed at ear height when you are seated
in the listening position.
At least 6 inches from ceiling
At least 2 feet
15 SYSTEM CONFIGURATION
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System Configuration
System Setup
IMPORTANT NOTE: When viewing the displays
on a projection TV it is important that they not be
left on the screen for an extended period of time.
As with any video display, but particularly with
projectors, constant display of a static image such
as these menus or video- game images may
cause the image to be permanently “burned
into” the CRT. This type of damage is not covered
by the AVR 500 warranty and may not be cov-
ered by the projector TV set’s warranty.
Speaker Configuration
Once the speakers have been placed in the
room and connected, the remaining steps in
the setup process are to program the AVR 500’s
bass management system for the type of
speakers used in your system, calibrate the
output levels, and set the delay times used by
the surround sound processor.
The first few adjustments tell the AVR 500
which type of speakers are in use. This is
important as it adjusts the settings that deter-
mine which speakers receive low-frequency
(bass) information. For each of these settings
use the LARGEsetting if the speakers for a
particular position are traditional full-range
loudspeakers that are capable of reproducing
sounds below 100Hz. Use the SMALLset-
ting for smaller, frequency-limited satellite
speakers that do not reproduce sounds below
100Hz. Note that when “small” speakers are
used, a subwoofer is required to reproduce
low-frequency sounds. Remember that the
“large” and “small” descriptions do not refer
to the actual physical size of the speakers, but
their ability to reproduce low-frequency
sounds. If you are in doubt as to which cat-
egory describes your speakers, consult the
specifications in the speakers’ owner’s manual,
or ask your dealer.
You are now ready to power up the AVR 500 to
begin these final adjustments.
The AVR 500 has two on-screen display modes,
“Semi-OSD” and “Full-OSD.” When making
configuration adjustments, it is recommended
that the Full-OSD mode be used. This will place
a complete status report or option listing on
the screen, making it easier to view the avail-
able options. The Semi-OSD mode uses one-line
displays only.
1. Plug the Power Cable °into an
unswitched AC outlet.
2. Press the Main Power Switch 1in so
that it latches in with the word “OFF”
appearing on the top of the switch inside
the front panel. Note that the Power
Indicator 3 will turn amber, indicating
that the unit is in the Standby mode.
To view the Full-OSD screens, press the OSD
button sthree times. The first press will bring
up the Semi-OSD mode and the second press
will turn the OSD system off; the third press will
call up the Full-OSD display (Figure 1).
3. Install the four supplied AAA batteries in
the remote as shown. Be certain to follow
the (+) and (–) polarity indicators that are
on the bottom of the battery compartment.
With the AVR 500 turned on, follow these steps
to configure the speakers:
When either OSD mode has been selected, a
message will appear at the bottom of the
screen any time the mode or source is changed.
First, the new mode or source will show, and if
the source is changed there will also be a con-
firmation of the mode in use.
1. Put the AVR 500 in the Dolby Pro Logic
mode by pressing the Dolby Pro Logic
Selector Óon the front panel or by
pressing the Surround Mode Selector
⁄ ¤
31 on the remote, followed by the
/
●
buttons guntil PROLOGICappears
in the Main Information Display Vand
the PRO LOGIC indicator Glights.
Note that the full-screen displays will time-out
after 20 seconds. However, the on-screen display
used with the channel output level adjustments
will remain on the screen as long as the settings
are being changed. This display must be manu-
ally turned off by pressing the OSD button ·.
4. Turn the AVR 500 on either by pressing the
System Power Control 2on the front
panel, or via the remote by first pressing the
AVR Selector aor any of the CD/Tape/
DVD selectors bon the remote. The Power
Indicator 3will turn green to confirm that
the unit is on, and the Information Display
35will also light up.
2. Press the Speaker button
k
33 on the
remote or front panel. The words FRNT
SPEAKERwill appear in the Main
Information Display V.
If you are using the on-screen display sys-
tem, a display will appear indicating the
status of each speaker (Figure 2).
AUDIO
VIDEO
AUDIO
SOURCE
SOURCE
INPUT
:DIGITAL
:DVD
:OPT
:3/2
1
BITSTREAM
IN
1CH
.
Using the On-Screen Display
When making the following adjustments, you
may find them easier to make if you use the
unit’s on-screen display system. These easy-to-
read displays give you a clear picture of the cur-
rent status of the unit and make it easy to see
which speaker, delay, input or digital selection
you are making.
SURR.
MULTI
MASTER
MODE
ROOM
:DOLBY
DIGITAL
:OFF ON
MODE
:DOLBY
PRO
LOGIC
FRONT
SP :LARGE
SMALL
SMALL
CENTER
SP:LARGE
NONE
VOLUME:Ð20DB
SURR
SPK
:LARGE
NONE
SMALL
SUBWOOFER:OFF
ON
Figure 1
MASTER
VOLUME:Ð20DB
When making most setup adjustments, the full
on-screen readout may be displayed at any
time by pressing the OSD button sonce.
The displays will remain on the screen as long
as adjustments are being made, or for twenty
seconds after the last button is pressed to
change a setting.
To view the on-screen displays, make certain
you have made a connection from the TV
Monitor Video Out jack bon the rear panel
to the composite or S-Video input of your TV or
projector. In order to view the AVR’s displays,
the correct video source must be selected on
the video display.
Figure 2
3. Press the Set button i 31 and note
›
that the pointer will stop flashing.
16 SYSTEM CONFIGURATION
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System Configuration
⁄ ¤
center-channel information will be sent to
the left- and right-front channel outputs.
when no subwoofer is selected, low-
frequency sounds below 100Hz will be
sent to the front-left and front-right speakers,
provided that the selection in Step 4 has
been set to LARGE. Otherwise, no low-
frequency sounds will be heard at all. This
option is notavailable when the front, center
or surround speakers are set to SMALL.
4. Press the
/
buttons g on the
remote or the Selector buttons 34on
the front panel until either LARGEor
SMALLappears, matching the type of
speakers you have at the left-front and
right-front positions, as described by the
definitions shown on preceding page.
7. When you have completed your selection
for the center channel, press the Set but-
⁄ ¤
ton i 31, and then press the
buttons gon the remote or the
Selector buttons 34 on the front
panel to change the display to SUR
SPEAKER.
/
When SMALLis selected, low-frequency
sounds will be sent to the subwoofer output
only. Note that if you choose this option,
and there is no subwoofer connected, you
will not hear any low-frequency sounds from
the front channels.
11. When all speaker selections have been
made, press the Set button i 31 to
return to normal operation.
8. Press the Set button i 31 again, and
⁄ ¤
/
then use the
buttons gon the
remote or the Selector buttons 34 on the
front panel to select the option that best
describes your system based on the speaker
definitions shown on preceding page.
Output Level Adjustment
Output level adjustment is a key part of the
configuration process for any surround-sound
product. It is particularly important for a Dolby
Digital receiver such as the AVR 500, as correct
outputs will ensure that you hear sound tracks
in their proper place with the proper direction-
ality and intensity.
When LARGEis selected, a full-range
output will be sent to the front-left and
front-right outputs, and NO low-frequency
signals will be sent to the subwoofer output.
When SUR SPSMALLis selected,
low-frequency surround-channel sounds
will be sent to the subwoofer output only.
Note that if you choose this option and
there is no subwoofer connected, you will
not hear any low-frequency sounds from
the surround speaker.
NOTE: To use the On-Screen Display sys-
tem, press the OSD button sonce. The
selected speaker option will appear in
highlighted video. The selection will
change in response to the steps outlined
on these pages.
IMPORTANT NOTE: Listeners are often con-
fused about the operation of the surround
channels. While some assume that sound
should always be coming from each speaker,
most of the time there will be little or no
sound in the surround channels. This is because
they are only used when a movie director or
sound mixer specifically places sound there to
create ambiance, a special effect or to continue
action from the front of the room to the rear.
When the output levels are properly set it is
normal for surround speakers to operate only
occasionally. Artificially increasing the volume
to the rear speakers may destroy the illusion
of an enveloping sound field that duplicates
the way you hear sound in a movie theater or
concert hall.
When SUR SPLARGEis selected,
a full-range output will be sent to the
surround-channel outputs, and NO sur-
round channel signals will be sent to the
subwoofer output.
5. When you have completed your selection for
the front channel, press the Set button i
⁄ ¤
31, and then press the
/
buttons g
on the remote or the Selector buttons 34
on the front panel to change the display to
CEN SPEAKER.
When SUR SPNONEis selected,
surround-sound information will be split
between the front-left and front-right out-
puts. Note that for optimal performance
when no surround speakers are in use, the
Dolby 3 Stereo mode should be used
instead of Dolby Pro Logic.
6. Press the Set button i 31 again, and
⁄ ¤
/
use the
buttons gon the remote,
or the Selector buttons 34 on the front
panel, to select the option that best
describes your system based on the speaker
definitions shown on preceding page.
9. When you have completed your selection
for the surround channel, press the Set
⁄ ¤
Before beginning the adjustment process make
certain that all speaker connections have been
properly made. The system volume should be
set to the level that you will use during a typi-
cal listening session. Finally, make certain that
the Balance Control 7 is set to the center
“12 o’clock” position.
When CEN SP SMALLis selected,
low-frequency center-channel sounds will be
sent to the subwoofer output only. Note
that if you choose this option and there is
no subwoofer connected, you will not hear
any low-frequency sounds from the center-
channel speaker.
button i 31, and then press the
buttons gon the remote or the
/
Selector buttons 34 on the front panel
to change the display to S-WSPEAKER.
10. Press the Set button i 31, and then
⁄ ¤
/
press the
buttons g on the
To adjust and calibrate the output levels, follow
these steps. For accurate calibration, it is a
good idea to make these adjustments while
seated in your favorite listening position:
remote or the Selector buttons 34 on
the front panel to select the option that
best describes your system.
When CEN SPLARGEis selected, a
full-range output will be sent to the center-
speaker output, and NO center channel sig-
nal will be sent to the subwoofer output.
Select S-W SPONif a subwoofer is
connected to your system.
1. Put the AVR 500 in the Dolby Pro Logic
mode by pressing the Dolby Pro Logic
Selector Óon the front panel or by
pressing the Surround Mode Selector
⁄ ¤
When CEN SP NONEis selected, no
signals will be sent to the center-channel
output. The receiver will operate in a
“phantom” center-channel mode and
Select S-W SPOFFif a subwoofer is
NOT connected to your system. Note that
31 on the remote, followed by the
/
31
●
17 SYSTEM CONFIGURATION
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System Configuration
will pause on the channel being adjusted to
give you time to make the adjustment.
When you release the button, the circula-
tion will resume after 20 seconds.
a. When setting the delay time for the
Dolby Digital surround modes, the opti-
mal delay time is the result of that sub-
traction. For example, if the front speak-
ers are ten feet away and the surround
speakers are five feet away, the optimal
delay time is figured as 10–5=5. Thus, in
this example, the delay time for Dolby
Digital should be set at five milliseconds.
buttons guntil PRO LOGIC appears in
the Main Information Display V and
the PRO LOGIC indicator G lights up.
2. Press the Test button eon the remote.
The words T-T FL 0dBwill appear
in the Main Information Display V, and
the letters FLwill flash once each second.
5. Continue to adjust the individual speakers
until they all have the same volume. Note
that adjustments should be made with the
⁄ ¤
/
buttons gon the remote or the
Selector buttons 34 on the front panel
only, NOT the main volume controls. Then
press the Set button i 31 to memo-
rize the change. If you are using a sound
pressure (SPL) meter for precise level
adjustment, set the volume so that the
meter reads 75dB, C-Weighting Slow.
NOTE: To use the on-screen display while
making output level adjustments, press the
OSD button s. A map of the installed
speakers will appear on your video screen
(Figure 3), and the channel where the test
noise should be heard will be indicated by
the highlighted lettering. As adjustments
are made, the numbers under the channel
location will increase or decrease to show
the change from the reference level.
b. When setting the delay time for the Pro
Logic mode, take the result of the sub-
traction and add 15 to obtain the opti-
mal delay time. For example, if the front
speakers are ten feet away and the sur-
round speakers are five feet away, the
optimal delay time is figured as
10–5+15=20. Thus, in this example, the
Pro Logic delay should be set at twenty
milliseconds.
NOTE: The subwoofer output level is not
adjustable using the test tone. To change the
subwoofer level, follow the steps for Output
Level Trim Adjustment on page 25.
MODE
FL
TEST
TONE
C
0
FR
0
NOTE: The DTS, Logic 7 and Theater modes use
a fixed, nonadjustable delay time.
0
6. When you have adjusted the outputs so
that all channels have the same level, press
the Test Tone button eon the remote
to complete the adjustment.
The Dolby Digital Mode also includes a sepa-
rate setting for the center-channel delay mode,
since the discrete nature of these signals makes
the location of the center-channel speaker more
critical. To calculate the delay for the center
channel, measure the distance from the pre-
ferred listening position in the center of the
room to both the center-channel speaker and
either the left or right speaker.
SL
0
SR
0
Delay Settings
MASTER
VOLUME:Ð20
DB
Due the different distances between the front-
channel speakers and the listening position
compared to the surround speakers and the lis-
tening position, the amount of time it takes for
sound to reach your ears from the front or sur-
round speakers is different. You may compen-
sate for this difference through the use of the
delay settings to adjust the timing to tailor the
specific speaker placement and acoustic condi-
tions in your listening room or home theater.
Figure 3
3. At this point, the test noise will begin to
circulate among all the speakers in a clock-
wise rotation.
If the distances are equal, no further adjustment
is required and the center delay should be set to
zero. If the distance to the front speakers is
greater than the distance to the center speaker,
you may wish to reposition the speakers by
moving the front-left and front-right speakers
closer to the listening position or the center
speaker further away from the listening position.
NOTE: This is a good time to verify that
the speakers have been properly connected.
As the test noise circulates, listen to make
certain that the sound comes from the
speaker position shown in the Main
Information Display. If the sound from
a speaker location does NOT match the
position indicated in the display, turn the
AVR 500 off using the Main Power
Switch 1and check the speaker wiring
to make certain that each speaker is con-
nected to the correct output terminal.
The factory setting is appropriate for most
rooms, but some installations create an uncom-
mon distance between the front and surround
speakers that may cause the arrival of front-
channel sounds to become disconnected from
surround-channel sounds.
If repositioning of the speakers is not possible,
adjust the center delay time, adding one mil-
lisecond of center-channel delay for every foot
closer to the listening position the center
speaker is than the front speakers. For example,
if the front-left and front-right speakers are
each 10 feet from the listening position and the
center-channel speaker is 8 feet away, the delay
is figured as 10–8=2, suggesting an optimal
center delay of 2 milliseconds.
To resynchronize the front and surround chan-
nels, follow these steps:
4. After checking for speaker placement, let
the test noise circulate again, and listen to
see which channels sound louder than the
others. Using the front left (FLin the
display) speaker as a reference, press the
⁄ ¤
1. Measure the distance from the listening/
viewing position to the front speakers.
2. Measure the distance from the listening/
viewing position to the surround speakers.
/
buttons gon the remote or the
Selector buttons 34 on the front panel
on each channel to begin to bring them to
the same level. Note that when one of the
buttons is pushed, the test noise circulation
3. Subtract the distance to the surround speak-
ers from the distance to the front speakers.
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System Configuration
To set the delay times, follow these steps:
6. Before setting the center-channel delay
time, make certain that a digital source has
been selected. If a digital source is playing,
COAXAor OPTICALCwill
appear in the Information display V,
along with the DIGITALindicator F.
If a digital source is already connected and
1. Put the AVR 500 in the Dolby Pro Logic
mode by pressing the Dolby Pro Logic
Selector Óon the front panel or by
pressing the Surround Mode Selector
⁄ ¤
31 on the remote, followed by the
/
●
buttons guntil PROLOGICappears
in the Main Information Display Vand
the PRO LOGIC indicator Glights up.
playing, press the Delay button ˜
that the words C DELAY TIME
so
28
●
appear in the Main Information Display
35 and proceed to step #10. If a digital
source is not playing, follow steps 6
through 10.
2. Press the Delay button
i
˜on
the remote or front panel. The words
S DELAY TIMEwill appear in the
Main Information Display Vand at the
bottom of a video screen when the Semi-
OSD display is in use.
7. Press the Set button i 31
.
8. Select the Dolby Digital mode either by
pressing the front panel Dolby Digital
Selector (or by pressing the Surround
To use the on-screen display system while
making delay adjustments, press the OSD
button s until the full-screen menu
shown in Figure 4 appears on the screen.
Mode Selector 31 on the remote, and
●
⁄ ¤
then pressing the
/
buttons gon the
remote until DOLBY Dappears in the
Main Information Display Vor in the
on-screen display. Ignore any “NO
MODE:DOLBY
PRO
LOGIC
DATA” message that may appear.
9. Press the Delay button
i
˜ on the
SURROUND:20
MS
remote or front panel. The words S
DELAY TIMEappear in the Main
Information Display V.
MASTER
VOLUME:Ð20
DB
⁄ ¤
/
10. Press the
buttons gon the remote
once, so that C DELAY TIME
appears in the Main Information Display
Vor in the on-screen display.
Figure 4
3. Press the Set button i 31
.
11. Press the Set button i 31
.
4. Adjust the delay time by pressing the
⁄ ¤
/
buttons gon the remote or the
⁄ ¤
12. Press the
/
buttons gon the
Selector buttons 34 on the front panel
until the delay time figure calculated using
the formula entered above appears in the
display.
remote until the desired delay time for
the center channel appears in the display.
13. Press the Set button i 31 to enter
the setting into the AVR 500’s memory.
5. If only analog sources will be used, no
adjustment is needed for the center-channel
delay. In that case, press the Set button
You have now completed the setup, adjustment
and calibration of the AVR 500. You are now
ready to enjoy the finest in music and home
theater listening.
i
31 to enter the surround delay set-
tings into the AVR’s memory. However, if
you will be using digital sources and the
calculations outlined above indicate that
the center-channel delay requires an adjust-
ment, continue with the following steps.
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Operation
When you will be away from home for an
extended period of time it is always a good
idea to completely turn the unit off using the
view OSD items and video at the same time you
must use the Semi-OSD mode.
Basic Operation
Once you have completed the setup and config-
uration of the AVR 500, it is simple to operate
and enjoy. The following instructions should be
followed for you to maximize your enjoyment of
your new receiver:
1
.
front panel Main Power Switch
The status report will vary depending on the type
of audio input in use. For an analog source, the
first line in the display will show which audio
input is active (Figure 5). When a digital audio
source is in use, the display will indicate which
coaxial or optical input is active (Figure 6).
NOTE: All preset memories are lost if the unit is
left turned off with the Main Power Switch
1
for more than two weeks.
• When using the AVR 500 for the first time, you
Using the On-Screen Display
1
must press the Main Power Switch
on the
front panel to turn the unit on. This places the
unit in a Standby mode, as indicated by the
AUDIO
VIDEO
AUDIO
SOURCE
SOURCE
INPUT
:VIDEO
:VIDEO
:ANALOG
1
1
The AVR 500 is equipped with a powerful on-
screen display system that makes it easy to view
the current status of the unit or to have mes-
sages appear to confirm any functional change,
such as a volume increase, input source selec-
tion, or surround-mode selection. Two modes of
on-screen display are available, a “Semi-OSD”
mode that only displays a message when some
aspect of the operation is changed, and a “Full-
OSD” mode that displays a complete status
report on the unit’s current condition.
3
amber color of the Power Indicator . Once
the unit is in Standby, you may begin a listening
session by pressing the System Power Control
SURR.
MULTI
MASTER
MODE
ROOM
:DOLBY
PRO
LOGIC
ON
2
on the front panel or the AVR Selector a
or CD/TAPE/DVD Input Selector b. Note
:OFF
VOLUME:Ð17
DB
3
that the Power Indicator
will turn green.
This will turn the unit on and return it to the
input source that was last used. The unit may also
be turned on from Standby by pressing any of the
Source Selector buttons on the remote m
Figure 5
9)!@#$
nor front panel
.
AUDIO
VIDEO
AUDIO
SOURCE
SOURCE
INPUT
:DIGITAL
:DVD
Semi-OSD
:OPT
:3/2
1
In the Semi-OSD mode, a one-line message will
appear at the bottom of the screen when
changes are made to the unit’s operational sta-
tus. to activate the Semi-OSD mode, press the
OSD button sonce. A confirmation message
(Figure 5) will appear briefly at the bottom of
your video display to remind you that this feature
is turned on. The message will time-out and
disappear after a few seconds.
To turn the unit off at the end of a listening
session, simply press the System Power
Control 2on the front panel or the Power
Off Button don the remote. Power to any
equipment plugged into the rear panel
BITSTREAM
IN
1CH
.
SURR.
MULTI
MASTER
MODE
ROOM
:DOLBY
DIGITAL
:OFF ON
VOLUME:Ð20DB
Switched AC Outlet flwill be shut off and
the Power Indicator 3will turn amber.
Figure 6
When the remote is used to turn the unit “off”
it is actually placing the system in a Standby
mode, as indicated by the amber color of the
Power Indicator 3.
Activating the Full-OSD will also simplify adjust-
ments to any system parameter, as a full list of
choices will be shown. The selected option will
appear in reversed, highlighted video, while other
choices will appear in normal white on blue video.
When Semi-OSD mode is in use, single-line
messsages will appear at the bottom of the
screen to confirm changes to the volume,
source, surround mode or tuner frequency.
These messages, which will also be superim-
posed on any video program that is playing,
will disappear after a few seconds.
• To program the AVR 500 for automatic turn-
off, press the Sleep Button 33 on the
remote. Each press of the button will increase
the time before shut down in the following
sequence:
The Full-OSD system may be turned off by
pressing the OSD button sonce.
To turn off the Semi-OSD mode after it has been
activated, simply press the OSD button s
once. When the OSD OFFmessage
Display Brightness
90
80
70
60
50
40
min
min
min
min
min
min
30
min
20
min
10
min
5
min
1
min
OFF
In the normal, factory default setting , the front
panel Information Display 35 will always
illuminate at full brightness. However, in some
installations you may prefer to have the display
appear at half brightness or not illuminate at all.
To adjust the setting so that the display lights at
other than full brightness, follow these steps:
appears, the on-screen displays are deactivated.
The sleep time will be displayed in the
Information Display and it will count down until
the time has elapsed.
Full-OSD
An alternative display option is to have a full-
screen report of the AVR 500’s status appear. To
activate the Full-OSD, press the OSD button
sthree times in quick succession. The first
press will turn the Semi-OSD on, the second
will turn the Semi-OSD off, and the third will
bring a full-status report to the screen. NOTE:
Full-OSD displays will always appear against a
blue background. Even if video is playing, they
will not be superimposed over the signal. To
When the programmed time has elapsed, the
unit will automatically turn off. Note that the
front-panel display will dim to one-half bright-
ness when the Sleep function is programmed.
To cancel the Sleep function, press and hold the
Sleep Button
display returns to normal brightness and the
Sleep indicator numbers disappear.
• Press both
Selector Buttons 34 at
the same time. Note that VFD DIMMER
will appear in the Main Information Diaplay V.
33
until the information
• Quickly release both buttons, and then
press and release the Set Button ˘. The
20 OPERATION
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Operation
Main Information Display Vwill now
read VFD FULL.
the Mute button fıagain to return to
normal operation.
Buttons 34. again and note that VOL
DEFAULT will appear in the Main
Information Display V.
• Within five seconds, press either of the
Selector Buttons 34 to choose either half
brightness, as indicated by the display VFD
HALF, or completely off with the display
blank. You may cycle through all of the options
• During a listening session you may wish to
5
adjust the Bass Control
and Treble
3. Press the Set Button i 31
.
6
Control
to suit your listening tastes or
room acoustics.
4. Press the Selector Buttons 34. until
DEFAULT OFFappears in the Main
Information Display V.
by continually pressing the
Selector
• For private listening, plug the 1/4" stereo
phone plug from a pair of stereo headphones
Buttons 34..
4
.
into the front-panel Headphone Jack
5. Press the Set Button i 31 twice to
• When the desired brightness setting is reached,
return to normal operation.
Press Set Button 31 twice to return to normal.
• In normal operation, when the AVR 500 is
turned on, it will always return to the volume
setting in effect when the unit was turned off.
However, for some installations you may prefer
to always have the AVR turn on at a specific
setting, regardless of the level when the unit
was turned off. To enter that mode and setting,
folow these steps:
Surround-Mode Selection
Source Selection
One of the most important features of the
AVR 500 is its ability to reproduce a full multi-
channel surround-sound field from digital
sources, analog matrix surround-encoded pro-
grams and standard stereo programs. In all, a
total of eight listening modes are available on
the AVR 500.
• To select a source at any time, press any of
the Source Selector buttons on the remote
9)!@
b m nor front panel
#$
.
8
• The front-panel Video 3 Inputs
may be
1. Press both of the
Selector
used to connect a device such as a video game
or camcorder to your home entertainment
system on a temporary basis.
Buttons 34. at the same time. Note that
VFD DIMMERwill appear in the
Main Information Display V.
Selection of a surround mode is based on per-
sonal taste, as well as the type of program
source material being used. For example, motion
pictures or TV programs bearing the logo of one
of the major surround-encoding processes, such
• When an audio source is selected the last
video input used remains routed to the Video
Outputs 1 ™and TV Monitor Video
Output b. This permits simultaneously
viewing and listening to different sources.
2. Quickly release both buttons, and then
†
press either one of the
Selector
as Dolby Surround, DTS Stereo or UltraStereo
Buttons 34. again and note that VOL
DEFAULTwill appear in the Main
Information Display V.
may be played in either the Dolby Digital, Dolby
Pro Logic or Movie Surround modes depending
on the source material.
NOTE: Once a program has been encoded with
surround information, it retains the surround
matrix as long as the program is broadcast in
stereo. Thus, movies with surround sound will
carry surround information when they are broad-
cast via conventional TV stations, cable, pay TV
and satellite transmission. In addition, a growing
number of made-for-television programs, sports
broadcasts, radio dramas and music CDs are also
recorded in surround sound. You may view a list
of these programs at the Dolby Laboratories Web
• When a Video Input source is selected, the
video signal for that input will be routed to the
TV Monitor Video Output jack band will
be viewable on a TV monitor connected to the
AVR 500. Make certain that your TV is set to the
proper input to view the signal.
3. To have the volume control always turn on
at the same level, press the Set Button
iand then release it. The Main
Information Display will now read Vol
Set Ð xxDB, with the actual
number being the current volume level.
Volume Control
4. Within five seconds, use the Volume
Control ˆ to set the desired volume level
for turn on.
• Adjust the volume to a comfortable level
using the front-panel Volume Control ˆor
32
remote Volume Up/Down
buttons.
5. When the volume level is set, press the
Set Button i 31 twice to return to
normal operation.
When a program is not listed as carrying inten-
tional surround information, you may find that
the Pro Logic, Dolby 3 Stereo, Logic 7 and VMAx
modes often deliver enveloping surround presen-
tations through the use of the natural informa-
tion present in all stereo recordings. However, for
stereo, but non-surround programs, we suggest
that you try the Logic 7, VAMx or Theater modes.
• When listening in the Stereo mode, with the
surround circuits off, the Balance Control 7
may be used to adjust the relative sound output
between the left-front and right-front speakers.
• To return the Volume Control setting at
turn on to the last volume level in use, follow
these steps:
• To temporarily silence all speaker outputs
press the Mute button fı. This will inter-
rupt the output to all speakers and the head-
phone jack, but it will not affect any recording
or dubbing that may be in progress. When the
system is muted the MUTE indicator X will
light in the Information Display 35. Press
1. Press both of the
Selector Buttons
34. at the same time. Note that VFD
DIMMERwill appear in the Main
Information Display V.
Surround modes are selected using either the
front-panel controls or the remote. To select a
surround mode from the front panel, simply
press the button that corresponds to the
(continued on page 23)
2. Quickly release both buttons, and then
press either one of the
Selector
21 OPERATION
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Operation
Surround Mode Chart
MODE
FEATURES
DELAY TIME RANGE
DOLBY DIGITAL
Available only with digital input sources encoded with Dolby Digital data. It provides
up to five separate main audio channels and a special dedicated Low-Frequency Effects
channel.
Center: 0 ms – 5 ms
Surround: 0 ms –15 ms
Available only with digital input sources encoded with DTS data. Available on special
DVD, LD and audio-only discs, DTS provides up to five separate main audio channels and
a special dedicated low-frequency channel.
DTS
Delay not adjustable
The standard mode for analog surround sound decoding. It uses information encoded
in a two-channel stereo recording to produce four distinct outputs: Left, Center, Right and
a Mono Surround channel. Use this mode for accurate reproduction of programs bearing
the Dolby Surround, DTS Stereo, UltraStereo or other “Surround” logos. Surround-encoded
programs include videocassette, DVD and LD movies, TV and cable programs, radio
programs and audio CDs. Dolby Pro Logic processing may also be used to provide a
pleasing surround effect with some stereophonic source material that does not carry
surround encoding.
DOLBY PRO LOGIC
15 ms – 30 ms
Initial Setting = 20 ms
An advanced mode that extracts the maximum surround information from either
surround-encoded programs or conventional stereo material. When used with encoded
material, decoding is more accurate in terms of the placement of sounds, and fades and
pans are much smoother and more realistic than with other decoding techniques. Logic 7
also delivers increased spaciousness and a wider sound stage when it is used with con-
ventional stereo recordings and music programs. The Logic 7C or Cinema mode is tailored
to provide an optimal sound field for movie soundtracks. The Logic 7M or Music mode
uses a decoding formula that is best suited to music.
LOGIC 7 C
LOGIC 7 M
Delay time not adjustable
Uses the information contained in a surround-encoded or two-channel stereo program to
create center-channel information. In addition, the information that is normally sent to the
rear-channel surround speakers is carefully mixed in with the front-left and front-right
channels for increased realism. Use this mode when you have a center-channel speaker
but no surround speakers.
DOLBY 3 STEREO
No surround channels
THEATER
VMAx
Surround processing uses matrix surround decoding to simulate a standard movie or
stage theater.
27.3 ms (not adjustable)
No surround channels
When only the two front-channel loudspeakers are used, Harman’s patented VMAx mode
delivers a three-dimensional sound space with the illusion of “phantom speakers” at the
center and surround positions.
No surround channels
This mode turns off all surround processing and presents the pure left and right
channel presentation of two-channel stereo programs.
STEREO
22 OPERATION
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Operation
(continued from page 21)
demodulator is required for use with DTS-
encoded laser discs.
the desired choice. When the digital source is
playing, the AVR 500 will automatically detect
whether it is a multichannel Dolby Digital or
DTS source, or a conventional PCM signal,
which is the standard output from CD players.
An indicator will light in the Information
Display to confirm the digital signal is Dolby
Digital For PCM Eand if the source is
desired mode (ÓÔÒÚ. To select
a surround mode using the remote, press the
Surround Mode Selector
DTS
31
, and then
DTS is another digital audio system that is
capable of delivering 5.1 audio. Although both
DTS and Dolby Digital are digital, they use dif-
ferent methods of encoding the signals, and
thus they require different decoding circuits to
convert the digital signals back to analog.
⁄ ¤
/
press the
buttons gto change the
mode. As you press the buttons, the Surround
mode name will appear in the Main
Information Display V, and an individual
mode indicator will also light up F G H I
J K.
Cor
A.
COAX
OPTICAL
Digital Status
DTS-encoded soundtracks are available on
select DVD and LD discs, as well as on special
audio-only DTS discs. You may use any LD or
CD player equipped with a digital output to
play DTS-encoded discs with the AVR 500. All
that is required is to connect the player’s output
to either the Optical or Coaxial input on the
rear panel de.
When a digital source is playing, the AVR 500
will automatically switch to the proper surround
mode. It is important to note, however, that not
all Dolby Digital or DTS sources are encoded
with the full complement of five channels plus
LFE. When a digital source is playing, the Main
Information Display Vor on-screen display
will change to show the input source and
digital type (OPTICALor COAX). When a
source with digital encoding is playing, the
input source name will appear in the
Note that the Dolby Digital or DTS modes may
only be selected when a digital input is in use.
For more information on selecting digital sources,
see the following section of this manual.
To listen to a program in traditional two-channel
stereo, using the front-left and front-right speak-
ers only (plus the subwoofer if installed and
configured), press the Surround Off button Ù
on the front panel, or follow the instructions
shown above for using the remote until SURR
OFFappears in the Main Information
Display V. When the AVR 500’s surround cir-
cuits are turned off, and it is in the Stereo mode,
the SURR OFFindicator Lwill illuminate
In order to listen to DVDs encoded with DTS
sound track, the DVD player must be compati-
ble with the DTS signal as indicated by a DTS
logo on the player’s front panel. Note that early
DVD players may not be able to play DTS-
encoded DVDs. This does not indicate a prob-
lem with the AVR 500, as some players cannot
pass the DTS signal through to the digital out-
puts. If you are in doubt as to the capability of
your DVD player to handle DTS discs, consult
the player’s owner’s manual.
Information Display or on-screen display, fol-
lowed by a numeric key indicating the type and
number of channels being decoded as follows:
in the Information Display 35
.
3/2.1: This message appears when a
full complement of Dolby Digital signals is
present: 3 front channels (left, center and
right), 2 surround channels (surround left
and surround right) and “1” channel,
which is the dedicated Low Frequency
Effects (LFE) channel.
Digital Audio Playback
Digital audio such as Dolby Pro Logic is a major
advancement over past systems. It delivers five
discrete channels: left front, center, right front, left
surround and right surround. Each channel is full
range and offers dramatically improved dynamic
range and significant improvements to signal-to-
noise ratios. In addition, both of the digital sys-
tems have the capability to deliver an additional
channel that is specifically devoted to low-
frequency information. This is the “.1” channel
referred to when you see these systems descibed
as “5.1”. The bass channel is totally separate but
since it is intentionally bandwidth limited, sound
designers have given it that unique designation.
Selecting a Digital Source
To utilize either digital mode you must have
a digital source properly connected to the
AVR 500. Connect the digital outputs from DVD
players, HDTV receivers and CD players to the
Optical or Coaxial inputs on the rear panel
d e. In order to provide a backup signal and
a source for analog stereo recording, the ana-
log outputs provided on digital source equip-
ment should also be connected to their appro-
priate inputs on the AVR 500 rear panel (e.g.,
connect the analog stereo audio output from a
DVD to the DVD inputs ∞on the rear panel
when you connect the source’s digital outputs).
3/1: This message indicates the system
is decoding a standard Dolby Pro Logic sig-
nal with left-front, center and right-front
channels and a single mono surround
channel.
2/0: This message indicates that the sys-
tem is decoding a traditional two-channel
stereo signal and that no center, surround
or LFE signals are present.
1/0: This is a monaural signal that plays
through the center-channel speaker only.
There is no sound at the front-left, front-right
or surround speakers.
Dolby Digital
Dolby Digital (originally known as AC-3®) is avail-
able on DVD and LD discs and is a part of the
new high-definition television (HDTV) system.
When playing a digital source such as DVD, first
select the input using the remote or front-panel
controls as outlined in this manual. Next, select
the digital source by pressing the appropriate
Digital Input Selector button ¯and then
⁄ ¤
The current status of the AVR may also be
obtained by pressing the OSD Button s
until the Full-OSD appears on your video
display’s screen.
Note that an optional, external RF demodulator
is required to use the AVR 500 to listen to the
Dolby Digital sound tracks available on laser
discs. Connect the RF output of the LD player to
the demodulator and then connect the digital
output of the demodulator to the the Optical
or Coaxial inputs d e of the AVR 500. No
using the
/
buttons gon the remote or
the Selector buttons 34on the front panel to
choose either of the two OPTICALor
COAXIALinputs, as they appear in the
Main Information Display Vor on-screen
display. Press the Set button i˘to enter
Night Mode
A special feature of Dolby Digital is the Night
mode, which enables AC-3 input sources to be
23 OPERATION
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Operation
played back with full digital intelligibilty while
reducing the minimum peak level by 1/4 to 1/3.
This prevents abruptly loud transitions from dis-
turbing others without reducing the impact of
the digital source. The Night mode is available
only when Dolby Digital signals with special
data are being played.
discs. The digital circuits in the AVR 500 are
capable of high-quality digital-to-analog decod-
ing, and they may be connected directly to the
digital audio output of your CD or LD player.
illuminated, press the buttons for two seconds
and then release to cause the tuner to search
for the next highest or lowest frequency station
that has an acceptable signal. When tuning FM
stations in the Auto mode, the tuner will only
select Stereo stations. To tune to the next sta-
tion, press the button again. If the MONOindi-
cator Sis illuminated, tap the Tuning button
Connections may be made to either the Optical
or Coaxial inputs deon the rear panel.
%
To engage the Night mode, press the Night
button zon the remote and note that the
NIGHTmode indicator Nwill illuminate in
the Information Display and a message will
appear on the OSD.
To listen to a PCM digital source, first select the
input for the desired source (e.g., CD). Next press
the Digital Select button ¯kand then
⁄ ¤
xto advance one frequency increment at
a time, or press and hold it to locate a specific
station. When the TUNED indicator Uillumi-
nates, the station is properly tuned and should
be heard with clarity.
use the
/
buttons gon the remote or the
Selector buttons 34 on the front panel until
the desired choice of either OPTICALor
COAXappears in the Main Information
Display V. Press the Set button i31 to
enter the desired choice.
IMPORTANT NOTES ON
DIGITAL PLAYBACK:
5. Stations may also be tuned directly by press-
ing the Direct button u, and then pressing
the Numeric Keys
q
that correspond to the
1. When the digital playback source is stopped,
or in a pause, fast forward or chapter search
mode, the digital audio data will momentarily
stop, causing a NO DATAmessage to be dis-
played in the Main Information Display V
or on-screen display. This is normal and does
not indicate a problem with either the AVR 500
or the source machine. The AVR 500 will return
to digital playback as soon as the data is avail-
able and when the machine is in a standard
play mode.
station’s frequency. The desired station will
automatically be tuned.
When a PCM source is playing, the PCM indi-
cator Ewill light, and the Main Information
Display will show the input source and the digi-
tal type. During PCM playback you may select
any surround mode except Dolby Digital. When
an audio-only DTS disc is played, the AVR will
automatically select the DTS mode, and no
other mode may be selected.
NOTE: When the FM reception of a station is
weak, audio quality will be increased by
switching to Mono mode by pressing the
*
Tune Mode button
ountil the STEREO
indicator Tgoes out.
Preset Tuning
Tuner Operation
Up to 30 stations may be stored in the
AVR 500’s memory for easy recall using the
front-panel controls or the remote.
The AVR 500’s tuner is capable of tuning AM,
FM and FM Stereo broadcast stations. Stations
may be tuned manually, or they may be stored
as favorite station presets and recalled from a
30-position memory.
2. Although the AVR 500 will decode virtually all
DVD movies, CDs and HDTV sources, it is possible
that some future digital sources may not be com-
patible with the AVR 500.
To enter a station to the memory, first tune the
station using the steps outlined above; then:
1. Press the Memory button pon the
remote. Note that MEMORY indicator Qwill
illuminate and flash in the Information Display.
3. Note that not all digitally encoded programs
contain full 5.1 channel audio. Consult the pro-
gram guide that accompanies the DVD or laser
disc to determine which type of audio has been
recorded on the disc. The AVR 500 will auto-
matically sense the type of digital surround
encoding used and adjust to accommodate it.
Station Selection
$
1. Press the AM/FM button
the tuner as an input.
nto select
nagain to
2. Within five seconds, press the Numeric
Keys qcorresponding to the location where
you wish to store this station’s frequency.
$
2. Press the AM/FM button
switch between AM and FM so that the desired
frequency band is selected.
3. Repeat the process after tuning any
additional stations to be preset.
4. When a digital source is playing, you may not
select any of the analog surround modes such
as Dolby Pro Logic, Dolby 3 Stereo or Theater or
Logic 7.
*
3. Press the Tune Mode button
o
to select manual or automatic tuning.
Recalling Preset Stations
• To manually select a station previously
entered in the preset memory, press the
Numeric Keys qthat correspond to the
desired station’s memory location.
When the AUTO indicator Ris illuminated in
the Main Information Display the tuner will only
stop at those stations that have a strong enough
signal to be received with acceptable quality.
5. When a Dolby Digital or DTS source is play-
ing, it is not possible to make an analog record-
ing using the Tape gand VCR 1 ™record
outputs. However, the digital signals will be
passed through to the digital audio outputs ª.
• To manually tune through the list of stored
preset stations one by one, press the Preset
buttons &won the front panel or remote.
When the MONO indicator Sis illuminated,
the tuner is in a manual mode and will stop at
each frequency increment in the selected band.
PCM Audio Playback
PCM (Pulse Code Modulation) is the non-
compressed digital audio system used for
compact discs and Dolby Digital or DTS laser
• To automatically scan through the stations
entered in the preset memory, press the
4. To select stations press the Tuning button
%
x. When the AUTO indicator Ris
^
Preset Scan button
on the front panel.
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Operation
The tuner will run through the list of preset
stations, stopping for five seconds at each one.
Press the button again to stop the scan at your
desired station.
• Please make certain that you are aware of
any copyright restrictions on any material you
copy. Unauthorized duplication of copyrighted
materials is prohibited by Federal law.
Once the change has been made, press the Set
button i31 and then press the Selector
⁄ ¤
g
buttons 34 or the
/
buttons
to select
the next output channel location that you wish
to adjust. To adjust the subwoofer level, press
Output-Level Trim Adjustment
⁄ ¤
• To view a list of the stations entered in the
preset memory, press the OSD button sto
bring up the Full-OSD screen while the tuner is
in use and then press the Memory button
p. The video display screen will show the
first 16 stations that have been preset, as
shown in Figure 7.
the Selector buttons 34or the
g
/
buttons
until S-WOOFER LEVappears in the
Main Information Display V.
Normal output-level adjustment for the
AVR 500 is established using the Test Tone, as
outlined on page 18. In some cases, however, it
may be desirable to adjust the output levels
using program material such as a test disc, or a
selection you are familiar with. Additionally, the
output level for the subwoofer can only be
adjusted using this procedure.
Press the Set button i31 when the name
of the desired channel appears in the Main
Information Display V, and follow the
instructions shown earlier to adjust the level.
MEMORY
TABLE
Repeat the procedure as needed until all chan-
nels requiring adjustment have been set. When
all adjustments have been made and no further
adjustments are made for twenty seconds, the
AVR 500 will return to normal operation.
1:FM102. 70
2:FM
4:AM
6:FM
94. 70
1130
3:AM
5:FM
7:FM
9:AM
1070
89. 90
95. 50
790
To adjust the output levels using program
material, first set the reference volume for the
front-left and front-right channels using the
Volume Control ˆ 32 . If you wish to vary
the difference between the left and right chan-
nels, use the Balance Control 7.
91. 50
8:FM106. 70
10:AM 1150
12:FM101. 10
14:AM 1110
16:NONE
11:FM105. 30
13:AM
15:FM
640
98. 70
NOTE: The output levels may be separately
trimmed for each digital and analog surround
mode. If you wish to have different trim levels for
a specific mode, select that mode using the front
Figure 7
Once the reference level has been set, press
h
the Channel Select button
and note that
(ÓÔÒ
31
on
panel buttons
Ú or
The word NONE simply indicates that no sta-
tion information has been entered and that the
memory slot is available. To view the remaining
stations, press the Numeric Keys qfor a
preset number not on the list, and the display
will change.
FRONT L LEVwill appear in the Main
Information Display V. To change the
level, first press the Set button i31, and
then use the Selector buttons 34 or the
⁄ ¤
the remote control and follow the instructions in
the steps shown above.
6-Channel Direct Input
g
/
buttons
to raise or lower the level.
DO NOT use the volume control, as this will
alter the reference setting.
The AVR 500 is equipped for future expansion
through the use of optional, external adapters
for formats that the AVR 500 may not be capa-
ble of processing. When an adapter is connected
to the 6-Channel Direct Input §, you may
select it by pressing the 6-Ch Input Selector
Tape Recording
Adjusting the output-level trim is easier when
the Full-OSD system is used. To do this, first
In normal operation, the audio or video source
selected for listening through the AVR 500 is
sent to the record outputs. This means that any
program you are watching or listening to may
be recorded simply by placing machines con-
nected to the outputs for Tape Out gor
Video 1 ™in the record mode.
h
press the Channel Select Button
and
#
.
then press the OSD button so that the display
shows all available speaker positions as shown
in Figure 8. Note that there will be a flashing
pointer under the FL, or front-left position.
When the Set button i is pressed to start
adjustments, the pointer will stop flashing.
During adjustments the numbers will increase
or decrease to indicate the change from the
reference-level setting.
l
Note that when the 6-Channel Direct Input is in
use, you may not select a surround mode, as
the external decoder determines processing. In
addition, there is no signal at the record out-
puts when the 6-Channel Direct Input is in use.
When a digital audio recorder is connected to
the digital outputs ª, you are able to record
the digital signal to a CD-R, MiniDisc or other
digital recording system.
Memory Backup
This product is equipped with a memory backup
system that preserves tuner presets and system
configuration information if the unit is acciden-
tally unplugged or subjected to a power out-
age. This memory will last for approximately
two weeks, after which time all information
must be reentered.
NOTES:
MODE:
DOLBY
PRO
LOGIC
FL
0
C
0
FR
0
• The digital outputs are active only when a
digital signal is present, and they do not
convert an analog input to a digital signal,
or change the format of the digital signal.
In additonal, the digital recorder must be
compatible with the output signal. For
example, the PCM digital input from a CD
player may be recorded on a CD-R or
MiniDisc, but Dolby Digital or DTS signals
may not.
S-W
0
SL
0
SR
0
MASTER
VOLUME:Ð20DB
Figure 8
25 OPERATION
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Multiroom Operation
The AVR500 is fully equipped to operate
as the control center for a sophisticated multi-
room operation with optional remote external
InfraRed (IR) sensors, speakers and power
amplifiers. Although some multi- room installa-
tions will require the services of a specially
trained installer, it is possible for the average
do-it-yourself hobbyist to install a simple
remote room system.
When the multiroom system is turned on, the
previously selected input will be fed to the Multi
Out jacks •on the rear panel. The volume will
be as set in the previous selection, although it
may also be adjusted using an optional volume
control in the remote location or on the optional
audio power amplifier connected to the Multi
Out jacks •.
MULTI
MULTI
ROOM
:
OFF
TAPE
CD
ON
INPUT:
DVD
VIDEO
VIDEO
VIDEO
TUNER
1
2
3
MULTI
LEVEL:
Ð20
DB
MULTIROOM
MUTE:
OFF
ON
If an optional IR sensor is located in the remote
room and connected to the AVR500’s Multi IR
jack ¤, the multiroom system may be turned
on or controlled by simply pointing the AVR500
remote, or an optional programmable remote
that includes codes for the AVR500, at the IR
sensor. Note that depending on the type of pro-
grammable remote used, the code for the AVR’s
Multi button may not be contained in the
preprogrammed code library, and must be
“learned” into the remote, if possible.
Figure 9
Installation
The key to remote room operation is to link the
remote room to the AVR500’s location with
wire for an infrared receiver and speakers or an
amplifier. For complete installation instructions
for Multiroom use, see page 14.
⁄
¤
2. Press the or buttons gto turn the
multiroom system on or off, as indicated by
the front-panel Information Display message,
the Semi-OSD message, or the change in the
highlighted video in the Full-OSD screen. Press
the Set button ito enter the settings.
Multiroom Setup
¤
3. Press the Button gto move to the input
settings. Press the Set button ito change
the input source. Press the
gto select the desired input. When the
input source you wish to send to the remote
room location appears on the front-panel
Information Display, in the lower screen Semi-
OSD message, or is highlighted in reverse
video in the Full-OSD listing, press the Set
button ito enter the selection.
Once the audio and IR link connections have
been made, the AVR500 needs to be configured
for multiroom operation using the steps below.
When making these selections, you may use the
front-panel Information Display, or use the On-
Screen Display System. Either the Semi-OSD sys-
tem may be used, in which case the choices will
appear as a single-line display at the bottom of
the screen, or the full-screen display may be used.
When the Full-OSD display system is in use, the
complete list of choices will appear on the screen.
⁄ ¤
/
buttons
To change the input source for the multiroom
feed once it has been turned on, follow the
instructions on this page.
Once the multiroom system is turned on, it will
remain on even if the AVR500 is placed in the
Standby mode in the main room by pressing
the Power Off Button dor the System
Power Control 2on the front panel. To turn
off the multiroom sysytem, even when the AVR
is in Standby mode in the main listening room,
press the Multi button ` and then the Set
⁄ ¤
¤
4. Press the Button gto move to the
multilevel setting. Press the Set button i
if you wish to change the output level.
Within twenty seconds, press the or
buttons gto change the output level for
the multiroom feed. The volume change will
appear as a number in dB increments below
the 0dB reference level in the front-panel
Information Display, as a lower third Semi-
OSD message, or as the last line in the
Full-OSD status display.
To activate the Semi-OSD, press the OSD button
sonce. To activate the Full-OSD, press the
OSD button sthree times. This will turn the
Semi-OSD on and then off. The Full-OSD will
appear after the third button press.
⁄
¤
button i. Press the
/
buttons g so
that the MULTI indicator Min the Infor-
mation Display 35 goes out, and the Main
Information Display Vor OSD will display
MUL ROOM OFF. Press the Set button
ito enter the setting and turn the unit off.
Once you have determined which, if any, OSD
system to use, setup and operation of the multi-
room system is simple.
Even when the AVR is turned off in the main
room, the multiroom system may be turned on
at any time by pressing the Multi button `.
1. Press the Multi button `to initiate the
multiroom system. If the Semi-OSD system is
engaged, a message will appear at the bot-
tom of the screen. If the Full-OSD system is
engaged, the complete multiroom menu
(Figure 9) will be shown on the video display.
Press the Set button iwithin twenty
seconds to enter the multiroom menus.
5. Press the Set button ito enter the set-
ting. If no further buttons are pressed within
five seconds, the unit will return to normal
operation.
Multiroom Operation
To activate the feed to the remote room, press
the Multi button `on the remote. Next,
⁄ ¤
press the Set button i. Press the
/
but-
tons gto turn the multiroom feed on or off.
When the multiroom system is on, the MULTI
indicator Mwill light in the Information
Display 35, and the Main Information
Display Vor OSD will display MUL
ROOM ON. Press the Set button ito
enter the setting.
26 MULTIROOM OPERATION
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Programming the Remote
The AVR 500 is equipped with a powerful
remote control that will control not only the
receiver’s functions, but also most CD players
and cassette decks manufactured by Harman
Kardon. For increased flexibility, the remote also
contains the codes for most popular brands of
audio and video equipment, including CD play-
ers, cassette decks, TV sets, cable boxes, VCRs,
satellite receivers and other home-theater
equipment. Once the AVR 500’s remote is pro-
grammed with the codes for the products you
own, it is possible to eliminate most other
remotes and replace them with the convenience
of a single, backlit universal remote control.
code numbers until the equipment turns off.
At this point, the correct code has been
entered. Press the Input or Remote
Selector bcagain and note that the
red light will flash twice before going dark
to confirm the entry.
5. Try all of the functions on the remote to
make certain that the product operates.
Keep in mind that many manufacturers use
a number of different combinations of
codes, and it is a good idea to make certain
that that not only the Power control works,
but the volume, channel and transport con-
trols, as appropriate. If all functions do not
work properly, you may need to Auto-Search
for a different code, or enter a code via the
Direct Code Entry method.
6. Try all of the functions on the remote to
make certain that the product operates
properly. Keep in mind that many manufac-
turers use a number of different combina-
tions of codes, so it is a good idea to make
certain that not only does the Power control
work, but that the volume, channel and
transport controls work as they should. If
functions do not work properly, you may
need to use a different remote code.
Code Readout
When the code has been entered using the Auto
Search method, it is always a good idea to find
out the exact code so that it may be easily reen-
tered if necessary. You may also read the codes
to verify which device has been programmed to
a specific Control Selector button.
Programming the Remote
As shipped from the factory, the remote
is fully programmed for all AVR 500 functions, as
well as those of most Harman Kardon CD chang-
ers, CD players and cassette decks. In addition,
by following one of the methods below, you may
program the remote to operate a wide range of
devices from other manufacturers.
7. If a code cannot be entered to turn the
unit off, if the code for your product does
not appear in the tables in this manual, or
if not all functions operate properly, try
programming the remote with the Auto
Search Method.
1. Press and hold both the Input or Remote
Selector bcfor the type of product
to be entered (e.g., VCR, TV) and the
Mute button fat the same time. Hold
both buttons until the red light under the
button stays lit. Note that the next step
must take place while the red light is on,
and it must begin within 20 seconds after
the light illuminates.
Direct Code Entry
This method is the easiest way to program your
remote to work with different products.
Auto Search Method
If the unit you wish to include in the AVR 500’s
remote is not listed in the code tables in this
manual or if the code does not seem to operate
properly, you may wish to program the correct
code using the Auto Search method that follows:
1. Use the tables in the following pages to
determine the three-digit code or codes that
match both the product type (e.g., VCR, TV),
and the specific brand name. If there is
more than one number for a brand, make
note of the different choices.
2. Press the Delay button k. The red light
under the Input or Remote Selector b
cwill blink in a sequence that corresponds
to the three-digit code, with a one-second
pause between each digit. Count the number
of blinks between each pause to determine
the digit of the code. One blink is the number
1, two blinks is the number 2, and so forth.
Ten blinks are used to indicate a “0”.
1. Turn on the unit that you wish to include in
the AVR 500 remote.
2. Press the Input or Remote Selector b
cfor the type of product to be entered
(e.g., VCR, TV) and the Mute button fat
the same time. Hold both buttons until the
red light under the button stays lit. Note that
the next step must take place while the red
light is on, and it must begin within 20
seconds after the light illuminates.
2. Turn on the unit you wish to program into
the AVR 500 remote.
3. Press and hold both the Input or Remote
Selector bcfor the type of product
to be entered (e.g., VCR, TV) and the Mute
button fat the same time. Hold both
buttons until the red light under the
Example: One blink, followed by a one-second
pause, followed by six blinks, followed by a
one-second pause, followed by ten blinks indi-
cates that the code has been set to 160.
Selector button stays lit. Note that the next
step must take place while the red light is
on, and it must begin within 20 seconds
after the light illuminates.
3. Point the AVR 500 remote towards the
unit to be programmed, and press and
hold the Surround Mode Selector
For future reference enter the Setup Codes for
the equipment in your system here:
31
33
. This will
or the Sleep button
send out a series of codes from the remote’s
built-in data base, with each flash of the red
light under the Input or Remote Selector
bcindicating that a code has been
sent. When the device to be programmed
turns off, IMMEDIATELY release the
CD ______________ TAPE ______________
AUX ______________ SAT ______________
TV ______________ VCR ______________
CBL ______________DVD ________________
4. Point the AVR 500’s remote towards the unit
to be programmed, and enter the first three-
digit code number using the Numeric but-
tons q. If the unit turns off, the correct
code has been entered. Press the Input or
Remote Selector bcagain, and note
that the red light will flash twice before
going dark to confirm the entry.
Surround Mode or Sleep button.
4. Press the Input or Remote Selector
bcagain, and note that the red light
will flash twice before going dark to confirm
the entry.
5. If the device to be programmed in does NOT
turn off, continue to enter the three-digit
27 PROGRAMMING THE REMOTE
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Programming the Remote
Programmed Device Functions
Notes on Using the AVR 500 Remote With
Other Devices.
button bcwill blink once to confirm
each button press as you enter commands.
Once the AVR 500’s remote has been pro-
grammed for the codes of other devices, press
the appropriate Input or Remote Selector
bcto change the remote from control over
the AVR 500 to the additional product. When you
press any of the Input or Remote Selectors, it
will briefly flash in red to indicate that you have
changed the device being controlled.
• Manufacturers may use different code sets for
the same product category. For that reason, it
is important that you check to see if the code
set you have entered operates as many con-
trols as possible. If it appears that only a few
functions operate, check to see if another
code set will work with more buttons.
NOTE: While entering commands for Power
On/Off of any device during a macro sequence,
press the Mute button f. DO NOT press the
actual Power button.
4. When the eight steps have been entered,
33
press the Sleep button
to enter the
When operating a device other than the
• When a button is pressed on the AVR 500
remote, the red light under the Input or
Remote Selector bcfor the product
being operated should flash briefly. If the
Device Control Selector flashes for some but
not all buttons for a particular product, it
does NOT indicate a problem with the
remote, but rather that no function is pro-
grammed for the button being pushed.
commands. The red light under the Input
or Remote Selectors bcwill blink
and then turn off.
AVR 500, the controls may not correspond
exactly to the function printed on the remote
or button. Some commands, such as the volume
control, are the same as they are with the
AVR 500. Other buttons will change their func-
tion so that they correspond to a secondary
label on the remote. For example, the Sleep
and Surround Mode selector buttons also func-
tion as the Channel Up and Channel Down
buttons when operating most TV sets, VCRs or
cable boxes. The Channel Up/Down indication is
printed directly on the remote. The same is true
for standard CD player, cassette deck, VCR and
DVD functions, which follow the standard func-
tion icons printed on top of the buttons.
Example: To program your TV, Cable Box
and the AVR 500 to turn on when the
Power button is pressed, first press and hold
down the AVR aand Mute buttons f
until the red light comes on under the AVR
button. Next, press the Mute button fto
enter the Power command for the AVR. Press
the TV Device Control Selector cto
select the TV mode, and then press the
Mute button fagain, to select TV Power.
Finally, press the CBL Device Control
Selector cfollowed by the Mute button
fto select Cable Power. Press the Sleep
Macro Programming
Macros enable you to easily repeat frequently
used combinations of commands with the press
of a single button on the AVR’s remote control.
Once programmed, a macro will send out
up to eight different remote codes in a pre-
determined sequential order enabling you to
automate the process of turning on your system,
changing devices, or other common tasks. The
AVR’s remote can store up to five separate
macro command sequences, one that is associ-
ated with the Power Button d, and four more
that are accessed by pressing the Macro Buttons
ruv.
For some products, however, the function of a
particular button does not follow the command
printed on the remote. In order to see which
function a button controls, consult the Function
List tables printed on page 30. To use those
tables, first check the type of device being con-
trolled (e.g., TV, VCR). Next, look at the remote
control diagram pictured on page 29. Note that
each button has a number on it.
33
button
to enter the commands.
After following these steps, each time you
press the Power button d, the remote
will send the Power On/Off command.
To remove a macro program, follow steps 1, 2
and 4 above, but ignore step three. For exam-
ple, to erase the macro just entered, press the
Device Selector bcand the Mute
button fat the same time until the red light
under the Device Control Selector turns on.
Press the Power button dand then press
1. Press any of the Input or Remote
Selectors bcand the Mute button
fat the same time until the red light
under the Device Control Selector turns on.
To find out what function a particular button
has for a specific device, find the button num-
ber on the Function List and then look in the
column for the device you are controlling. For
example, button number 9 is the Test Tone but-
ton for the AVR 500, but it is the “Favorite”
button for many VCRs and Satellite receivers.
Button number 34 is the Preset Tune Down but-
ton for the AVR 500, the “Reverse Skip” button
for CD players and the “Page Down” button for
some cable boxes.
2. Press the button on the remote that you
wish to use for this remote. This may be
either the Power button dor any of the
four Macro buttons ruv. However,
it is recommended that to avoid confusion,
the Power button only be used to enter
turn-on/turn-off sequences. When you press
the button the macro will be programmed
to, the light under Selector button b
cwill blink once.
33
the Sleep button
. The red light under the
Device Control Selector will blink twice to
confirm the data entry and then turn off.
Volume Punch-Through
The AVR 500’s remote may be programmed to
operate the Volume Control
from either
32
the TV or the AVR to operate in conjunction
with any of the eight devices controlled by the
remote. For example, since the AVR 500 will
likely be used as the sound system for TV view-
ing, you may wish to have the AVR’s volume
activated although the remote is set to run the
TV. Either the AVR or TV volume control may be
associated with any of the remote’s devices. To
program the remote for Volume Punch-Through,
follow these steps:
Note that the numbers used to describe the
button functions on page 29 for the purposes
of describing how a button operates are a dif-
ferent set of numbers than those used in the
rest of this manual to describe the button
functions for the AVR.
3. Enter up to eight steps for the macro
sequence by pressing the Selector button
bcfor the device to be controlled and
then pressing the button for the actual com-
mand step. Although the macro may contain
up to eight steps, each button press, includ-
ing those used to change devices, count as
a step. The red light under the Selector
28 PROGRAMMING THE REMOTE
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Programming the Remote
1. Press the Input or Remote Selector
bcfor the unit you wish to have associ-
ated with the volume control and the Mute
button fat the same time until the red
light illuminates under the Device Selector.
mal programming steps for either Three-Digit
entry or Auto Search code entry, you must first
reassign the button with the following steps:
1. Press the Input or Remote Selector
bcyou wish to reassign and the Mute
button fat the same time until the red
light illuminates under the Device Control
Selector.
32
2. Press the Volume Up button
.
3. Press either the AVR aor the TV Device
Control Selector c, depending on which
system’s volume control you wish to have
attached for the punch-through mode. Note
that the red light under the Device Control
Selector will blink twice and then go out to
confirm the data entry.
1
2
3
4
2. Press the Input or Remote Selector
bc for the function you wish to
program into the reassigned button.
3. Enter the three-digit code for the specific
model you wish the reassigned button to
operate.
5
6
7
Example: To have the AVR’s volume con-
trol activated even though the remote is set
to control the TV, first press the TV Device
Control Selector bcand the Mute
button fat the same time. Next, press the
8
9
10
11
4. Press the same Input or Remote Selector
bcpressed in Step 1 once again to
store the selection.
12
14
13
16
19
32
Volume Up button
, followed by the
AVR Device Control Selector a.
Example: To use the SAT button to operate
a second VCR, first press the SAT Device
Control Selector cand the Mute
button fat the same time until the red
light glows under the SAT button. Press the
VCR button, followed by the three-digit code
for the specific model you wish to control.
Finally, press the SAT button again.
15
17
NOTE: Should you wish to return the remote to
the original configuration after entering a
Volume Punch-Through, you will need to repeat
the steps shown above. However, press the same
Device Control Selector in steps one and three.
18
20
21
22
26
30
33
23
24
28
32
35
Reassigning Device-Control
Selectors
25
29
27
31
34
Although each of the seven Input or Remote
Selectors bcis normally assigned to the
category of product shown on the remote, it is
possible to reassign one of these buttons to
operate a second device of another type. For
example, if you have two VCRs but no satellite
receiver, you may program the “SAT” button to
operate a second VCR. Before following the nor-
36
41
37
42
38
43
39
44
40
45
49
46
50
47
48
51
AVR 500
29 PROGRAMMING THE REMOTE
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Function List
No. Button Name
CD
Tape
Aux (DVD)
TV
VCR
CBL
SAT
1
2
3
4
5
6
7
8
9
AVR Selector
CD Selector
Tape Selector
Aux/DVD Selector
Power Off
Sleep
Volume Up
Mute
Test
Power On
Power On
Power Off
CDP Select
Input Level Up
Power Off
Skip Fwd
Skip Rev
Power On/Off
Channel +
Vol Up
Power On/Off
Vol Up
Power On/Off
Channel +
Vol Up
Power On/Off
Channel +
Vol Up
Mute
Input Select
CDR Select
Input Level Down
Fav
Fav
10 Surround Select
11 Volume Down
12 Channel Select
Channel –
Volume Down
Guide
Channel –
Channel –
Volume Down
Guide
Channel –
Volume Down
Guide
Up
Title
Up
Guide
Up
⁄
13
Up
Up
14 Speaker
Intro Scan
Menu
Left
Enter
Menu
Left
Select
Right
Exit
Down
Prev Channel
Menu
Left
Select
Right
Exit
Menu
Left
Select
Right
Exit
Down
Prev Channel
Music
Menu
Left
Select
Right
15
16 Set
17
fi
fl
Right
18 Digital Select
Record
Subtitle
Down
Return
Sub W On/Off
Exit
¤
19
Down
Down
Prev Channel
Alt
20 Delay
Open/Close
Track Direct
21 Vid 1 Select
22 6 Ch Select
23 Night
24 Multi Room
25 Vid 2 Select
26 AM/FM
Pause
Stop
Track Increment
Rec/Pause
Stop
Pause
Stop
Open/Close
Rec/Pause
Stop
27 Transport Reverse
Play Reverse
28 Transport Forward Play
Play Forward Play
Disk Skip
Play
29 Vid 3 Select
Disk Skip
30 Tuner Mode
31 Tuning Down fifi Rev Search
Rewind
Fast Forward Fwd Search
Rev Search
Rewind
Fast Fwd
Day –
Day +
32 Tuning Up flfl
33 Memory
Fwd Search
34 Preset ‡fi
35 Preset fl·
Rev Skip
Fwd Skip
Rev Slow
Fwd Slow
Page –
Page +
36
37
38
39
40
41
42
43
44
45
1
2
3
4
5
6
7
8
9
0
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
1
2
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
9
0
9
0
9
0
9
0
9
0
46 Macro 1
47 Macro 2
48 Direct/Macro 3
49 Clear/Macro 4
50 OSD
Time
Audio
Angle
Chapter
Clear
Enter
Enter
PPV
Enter
Repeat
Random Play
+ 10
Bypass
Info
Next
Info
Program
51 Backlight
30 SETUP CODES
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Setup Code Tables: TV
Manufacturer/Brand
Setup Code Number
ADMIRAL
AKAI
AMPRO
ANAM
AOC
072
001
073
043
001
001
058
043
001
043
004
043
054
143
001
004
004
177
062
024
001
007
028
043
004
004
004
164
129
164
081
167
167
054
004
002
161
055
058
003
056
112
004
080 104 108
112 118 121
CANDLE
CAPEHART
CENTRONIC
CITIZEN
CLASSIC
CONCERTO
CONTEC
CRAIG
CROWN
CURTIS MATHES
DAEWOO
DAYTRON
DWIN
DYNATECH
ELECTROHOME
EMERSON
FISHER
FUNAI
FUTURETECH
GE
GOLDSTAR
HITACHI
INFINITY
INKEL
002
051
003
004
101 143
004
055
143
101
103
143
111
114 127 143
143
004
057
043
005
028
043 047 048
051 096 143
151
155
153 154 155
008
106
007
009
110
010
034
112
011
056 073 074
113 119 127
012 023 075
091 130 144
143
143 158 163
160 161
JBL
31 SETUP CODES
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Setup Code Tables: TV (continued)
Manufacturer/Brand
Setup Code Number
JC PENNEY
JENSEN
JVC
KENWOOD
KLOSS
KTV
LUXMAN
LXI
MAGNAVOX
MARANTZ
MEMOREX
METZ
004
013
034
001
002
043
004
007
001
001
004
088
001
088
004
001
015
001
019
034
001
001
004
004
144
004
034
004
001
008
024
030
083
065
101 143
160
038
070
059
143
070
154
015
003
164
007
052
004
081
022
160
059
164
060 061
063 064 127 164
072
024
MGA
004
042
MINERVA
MITSUBISHI
MTC
NAD
NEC
OPTONICA
PANASONIC
PHILCO
024
004
025
019
081
056
003
003
018
143
160
058
056
019
004
040
062
042
101
109
056
146
024
040
130 134
080
004
004
023
164
024
005
025
056
038
135
059 060
059 093
176
063 064 127 143 164
164
PHILIPS
PIONEER
PORTLAND
PROSCAN
PROTON
QUASAR
RADIO SHACK
RCA
161
143
167
171
173
047
023
127
024
143
056
065 074
144 152 156 160 161
32 SETUP CODES
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Setup Code Tables: TV (continued)
Manufacturer/Brand
Setup Code Number
REALISTIC
RUNCO
SAMPO
SAMSUNG
SANYO
SCOTT
SEARS
SHARP
SIGNATURE
SONY
SOUNDESIGN
SUPRE MACY
SYLVANIA
SYMPHONIC
TANDY
TATUNG
TECHNICS
TECHWOOD
TENIKA
007
072
001
004
007
004
004
004
072
070
003
002
001
052
081
056
034
004
002
172
004
015
143
008
146
174
004
004
004
004
072
019
169
004
101
020
028
007
014
047
058
127
021
043
015
019
133
033
048
028
022
143
053
143
030
028
160
057 082
057 082
143 175
094
160
143
143 160
085
004
126
028
139
043
003
059
060
063
064 127
164
062
080
003
004
040
028
062
043
101
072 101
TERA
TMK
TOSHIBA
TOTEVISION
UNIVERSAL
VIDEO CONCEPTS
VIDIKRON
VIDTECH
WARDS
YAMAHA
YORK
ZENITH
030
009
008
073
009
095
019
103
028
060 061
063
064 072
074 164
33 SETUP CODES
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Setup Code Tables: VCR
Manufacturer/Brand
Setup Code Number
AIWA
ANAM
034
031
012
035
028
108
001
031
007
108
012
034
059
006
131
001
034
031
132
004
012
018
031
004
043
012
014
034
001
031
012
101
027
031
001
045
004
004
034
024
012
043
103
023
037
031
AUDIO DYNAMICS
BROKSONIC
CANON
CAPEHART
CRAIG
CURTIS MATHES
DAEWOO
DAYTRON
DBX
DYNATECH
ELECTROHOME
EMERSON
129
043
129
040
041
010
135
017
043
065
108
111
023
053
017
138
008
025
153
009
027
010
107
101
043
101
046
029
109
063
055
031
144
137
060
034
147
150
130
035
036
037
046
101
FISHER
FUNAI
GE
063
136
012
045
026
072
020
034
040
GO VIDEO
GOLDSTAR
HARMAN KARDON
HITACHI
INSTANTREPLAY
JC PENNEY
JENSEN
JVC
KENWOOD
LLOYD
012
031
034
043
048
150
152
LXI
004
034
031
009
041
067
017
067
069
034
068
MAGNAVOX
MARANTZ
MARTA
MATSUI
MEI
MEMOREX
MGA
MINOLTA
MITSUBISHI
MTC
MULTITECH
NEC
NORDMENDE
030
010
046
020
020
040
034
023
014
059
031
051
048
034
059
040
061
053
142
072
101
134
139
046
043
34 SETUP CODES
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Setup Code Tables: VCR
Manufacturer/Brand
Setup Code Number
OPTONICA
PANASONIC
PENTAX
PHILCO
PHILIPS
PILOT
PIONEER
PORTLAND
PULSAR
QUARTZ
RCA
REALISTIC
RICO
SAMSUNG
SANSUI
053
070
004
031
031
101
004
108
072
014
004
001
058
017
043
001
017
001
031
024
001
034
031
034
010
043
034
031
031
034
006
004
040
040
012
048
012
040
001
012
034
054
133
020
034
034
140
031 063
067
054 067 101
021
048
020
008
034 040 041 107 109 140 144 147
010 014 031 034 040 053 054 101
040
048
007
037
004
054
107 109 113 115 124
135
010 014 040 134
129 131
SANYO
SCOTT
SEARS
SHARP
008 009 010 014 017 020 081 101
SHINTOM
SONY
SOUNDESIGN
SYLVANIA
SYMPHONIC
TANDY
TATUNG
TEAC
TECHNICS
TEKNIKA
THOMAS
TMK
TOSHIBA
TOTEVISION
UNITECH
VECTOR RESEARCH
VICTOR
VIDEO CONCEPTS
VIDEOSONIC
WARDS
009
034
034
031 052 056 057 058
059 067
043
070
034
101
008
101
017 059 082 131
034
046 141
004
034
048
017 024 031 034 040 053 054 131
043
056 058 072 080 101
YAMAHA
ZENITH
35 SETUP CODES
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Setup Code Tables: CD
Manufacturer/Brand
Setup Code Number
ADCOM
AIWA
AKAI
CARVER
DENON
HARMAN KARDON
JVC
KENWOOD
MARANTZ
MONDIAL
NAD
NAKAMICHI
ONKYO
OPTIMUS
PANASONIC
PIONEER
REALISTIC
RCA
062
187
202
003
205
047
022
007
107
147
215
217
038
049
068
010
181
012
013
166
225
062
068
012
042
170
195
167
226
033
136
055
044
041 135
138 139 050 203
208 001
163
002
023 137
072 142
005
218
168
085
219
030
020
187
150
051
112
097
131
200
054
174
102
SHARP
SHERWOOD
SONY
TEAC
TECHNICS
YAMAHA
066 031
115 119
126 133
015 182
008 060
024
093
081
Setup Code Tables: DVD
Manufacturer/Brand
Setup Code Number
DENON
LG
MAGNAVOX
MITSUBISHI
PANASONIC
PHILIPS
PIONEER
PROSCAN
RCA
SAMSUNG
SONY
001
010
012
002
003
012
004
005
006
011
007
008
009
012
TOSHIBA
YAMAHA
JVC
36 SETUP CODES
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Setup Code Tables: DVD/LD
Manufacturer/Brand
Setup Code Number
DAEWOO
DENON
024
030
027
025
026
032
021
026
GOLDSTAR
KENWOOD
MAGNAVOX
OPTIMUS
PANASONIC
PHILIPS
PIONEER
RCA
REALISTIC
SAMSUNG
SHARP
020
031
032
023
025
022
021
025
033
034
029
028
SONY
TECHNICS
TOSHIBA
YAMAHA
Setup Code Tables: CABLE
Manufacturer/Brand
Setup Code Number
Remote Control Model
PIONEER
AMERICAST
JERROLD
JERROLD
PIONEER
PIONEER
SCIENTIFIC-ATLANTIC
TOCOM
ZENITH
ZENITH
001
005
006
007
002
003
004
010
008
009
BR-200
RT-J22 (CFT2200)
RT-J550C
BR-95
RT-P81/82
RT-S6X/USV86
RT-T7/T8
MN2500
RT-ZPMV
Setup Code Tables: SAT
Manufacturer/Brand
Setup Code Number
GE
001
006
001
003
013
002
005
001
004
008
009
ECHOSTAR
HITACHI
HUGHES
PANASONIC
PRIMESTAR
PRIMESTAR
RCA
SONY
TOSHIBA
UNIDEN
012
010
37 SETUP CODES
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Troubleshooting Guide
SYMPTOM
CAUSE
SOLUTION
Unit does not function when
Power Switch is pushed
• No AC Power
• Make certain AC power cord is plugged into
a live outlet
• Check to see if outlet is switch controlled
Display lights, but no sound
or picture
• Intermittent input connections
• Mute is on
• Make certain that all input and speaker connections
are secure
• Volume control is down
• Press Mute button
• Turn up volume control
Unit turns on, but Front-Panel
Display does not light up
• Display brightness is turned off.
• Follow the instructions in the Display Brightness section
on page 20 so that the display is set to VFD FULL
• Amplifier is in protection mode
due to possible short
• Check speaker-wire connections for shorts at receiver and
speaker ends
No sound from any speaker;
Light around power switch is red
• Amplifier is in protection mode
due to internal problems
• Contact your local Harman Kardon service depot
• Incorrect surround mode
• Input is monaural
• Incorrect configuration
• Stereo or Mono program material
• Select a mode other than Stereo
• There is no surround information from mono sources
• Check speaker mode
• The surround decoder may not create center- or rear-channel
information from nonencoded programs
No sound from surround or
center speakers
• Weak batteries in remote
• Wrong device selected
• Remote sensor is obscured
Unit does not respond to
remote commands
• Change remote batteries
• Press the AVR selector
• Make certain front-panel sensor is visible to remote
or connect remote sensor
• Local interference
Intermittent buzzing in tuner
• Move unit or antenna away from computers, fluorescent
lights, motors or other electrical appliances
If the system is still operating incorrectly, there
may have been an electronic discharge or
severe AC line interference that has corrupted
the memory or microprocessor.
the Main Power Switch 1so that it pops
Processor Reset
out from its normal recessed position. Next,
press and hold the AM/FM $and the Dolby
Pro Logic Óbuttons while pushing in the
Main Power Switch 1to turn the unit back
on. Note that once you have cleared the memory
in this manner, it is necessary to re-establish all
system configuration settings and tuner presets.
In the rare case where the unit’s operation or
the displays seem abnormal, the cause may
involve the erratic operation of the system’s
memory or microprocessor.
If these steps do not solve the problem, consult
an authorized Harman Kardon service depot.
To correct this problem, first unplug the unit
from the AC wall outlet and wait at least three
minutes. After the pause, reconnect the AC
power cord and check the unit’s operation. If
the system still malfunctions, a system reset
may clear the problem.
NOTE: Resetting the processor will erase any
configuration settings you have made for
speakers, output levels, surround modes, digital
input assignments as well as the tuner presets.
After a reset the unit will be returned to the
factory presets, and all settings for these items
must be reentered.
To clear the AVR 500’s entire system memory
including tuner presets, output level settings,
delay times and speaker configuration data,
first turn the unit off by pressing and releasing
38 TROUBLESHOOTING GUIDE
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Technical Specifications
Audio Section
Stereo Mode
FM Tuner Section
Frequency Range
87.5–108MHz
Continuous Average Power (FTC)
Usable Sensitivity
Signal-to-Noise Ratio
Distortion
Stereo Separation
Selectivity
IHF 1.3 µV/13.2dBf
Mono/Stereo 70/68dB
Mono/Stereo 0.3/0.3%
40dB @ 1kHz
±400kHz, 65dB
80dB
80 Watts per channel, 20Hz–20kHz,
@ < 0.07% THD, both channels driven into 8 ohms
Five-Channel Surround Modes
Power Per Individual Channel
Image Rejection
IF Rejection
90dB
Front L&R channels:
Tuner Output Level
1kHz, ±75kHz Dev 500mV
70 Watts per channel,
@ < 0.07% THD, 20Hz–20kHz into 8 ohms
AM Tuner Section
Center channel:
Frequency Range
Signal-to-Noise Ratio
Usable Sensitivity
Distortion
520–1710kHz
45dB
Loop 500µV
1kHz, 50% Mod 0.8%
±10kHz, 30dB
70 Watts, @ < 0.07% THD, 20Hz–20kHz into 8 ohms
Surround channels:
70 Watts per channel,
@ < 0.07% THD, 20Hz–20kHz into 8 ohms
Selectivity
Input Sensitivity/Impedance
Linear (High Level)
200mV/47 kohms
95dB
Video Section
Video Format
Signal-to-Noise Ratio (IHF-A)
NTSC
Input Level/Impedance 1Vp-p/75 ohms
Output Level/Impedance 1Vp-p/75 ohms
Surround System Adjacent Channel Separation
Analog Decoding
(Pro Logic, etc.)
Dolby Digital (AC-3)
DTS
40dB
Video Frequency
Response
10Hz–8MHz (–3dB)
55dB
55dB
General
Frequency Response
@ 1W (+0dB, –3dB)
Power Requirement
Power Consumption
AC 120V/60Hz
78W idle, 694W maximum
(2 channels driven)
10Hz–100kHz
±45 Amps
High Instantaneous
Current Capability (HCC)
Dimensions (Max)
Width
Transient Intermodulation
Distortion (TIM)
17.3 inches (440mm)
6.5 inches (165mm)
17.1 inches (435mm)
34 lb (15.4 kg)
Unmeasurable
16 µsec
Height
Depth
Weight
Rise Time
Slew Rate
40V/µsec
Depth measurement includes knobs, buttons and terminal connections.
Height measurement includes feet and chassis.
All features and specifications are subject to change without notice.
Harman Kardon is a registered trademark, and Power for the Digital Revolution is a
trademark, of Harman International Industries, Inc.
*Manufactured under license from Dolby Laboratories.
“Dolby,” “Pro Logic,” “AC-3” and the Double-D symbol are
trademarks of Dolby Laboratories. Confidential Unpublished
Works. ©1992–1999 Dolby Laboratories, Inc. All rights reserved.
†
DTS and DTS Surround are trademarks of Digital Theater Systems, Inc.
††
UltraStereo is a trademark of UltraStereo Corp.
VMAx is a trademark of Harman International Industries, Inc., and is an
implementation of Cooper Bauck Transaural Stereo under patent license.
Logic 7 is a registered trademark of Lexicon, Inc.
39 TECHNICAL SPECIFICATIONS
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