MODEL T24830
LEFT-HANDED ELECTRIC
GUITAR
INSTRUCTION MANUAL
(For models manufactured since 9/12)
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WARNING: NO PORTION OF THIS MANUAL MAY BE REPRODUCED IN ANY SHAPE
OR FORM WITHOUT THE WRITTEN APPROVAL OF GRIZZLY INDUSTRIAL, INC.
ꢁBB&*(+(ꢀEG>CI:9ꢀ>Cꢀ?6E6Cꢀ
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SECTION 1: SAFETY
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hiViZYꢀ^cꢀi]^hꢀeaVc#ꢀLZꢀignꢀidꢀhj\\Zhiꢀi]ZꢀZVh^ZhiꢀbZi]dYhꢀedhh^WaZ#ꢀ=dlZkZg!ꢀdcanꢀndjꢀ`cdlꢀndjgꢀ
h`^aahꢀ l^i]ꢀ ZVX]ꢀ e^ZXZꢀ d[ꢀ bVX]^cZgn#ꢀ CZkZgꢀ Xdbegdb^hZꢀ ndjgꢀ hV[Zinꢀ Wnꢀ jh^c\ꢀ Vꢀ Xjii^c\ꢀ bZi]dYꢀ
l^i]ꢀl]^X]ꢀndjꢀVgZꢀcdiꢀXdb[dgiVWaZ#ꢀ>chiZVY!ꢀ[^cYꢀVcꢀVaiZgcVi^kZꢀVeegdVX]ꢀi]Viꢀl^aaꢀn^ZaYꢀi]ZꢀhVbZꢀ
gZhjai#ꢀ
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ldg`^c\ꢀbVX]^cZgnꢀVcYꢀlddYldg`^c\ꢀiddah!ꢀVcYꢀi]ViꢀndjꢀjcYZghiVcYꢀi]ZꢀiZX]c^fjZhꢀjhZYꢀidꢀWj^aYꢀ
i]^hꢀegd_ZXi#ꢀ>[ꢀndjꢀYdꢀcdiꢀfjVa^[nꢀ[dgꢀWdi]ꢀd[ꢀi]ZhZꢀXg^iZg^V!ꢀSTOP building this project for your
own safety.ꢀGZVYꢀVcYꢀjcYZghiVcYꢀi]ZꢀdlcZghꢀbVcjVaꢀ[dgꢀi]ZꢀbVX]^cZgnꢀndjꢀ^ciZcYꢀidꢀjhZ!ꢀiV`Zꢀ
VꢀlddYldg`^c\ꢀXaVhhꢀdgꢀk^h^iꢀndjgꢀadXVaꢀa^WgVgnꢀ[dgꢀbdgZꢀ^c[dgbVi^dc#ꢀLddYldg`^c\ꢀbVX]^cZgnꢀVcYꢀ
iddahꢀVgZꢀ^c]ZgZcianꢀYVc\ZgdjhꢀWZXVjhZꢀi]ZnꢀjhZꢀh]VgeꢀZY\Zhꢀi]ViꢀXVcꢀXVjhZꢀhZg^djhꢀeZghdcVaꢀ
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ZgnꢀidꢀXVjhZꢀ^c_jgn#ꢀCZkZgꢀdeZgViZꢀVcnꢀiddaꢀl^i]djiꢀVaaꢀ\jVgYhꢀ^cꢀeaVXZꢀVcYꢀValVnhꢀlZVgꢀVeegdkZYꢀ
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SECTION 2: INTRODUCTION
Contact Info
Manual
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NOTICE
There is potential danger when operating
woodworking machinery. Accidents are fre-
quently caused by lack of familiarity or fail-
ure to pay attention. Use any machines with
respect and caution to decrease the risk of
operator injury. If normal safety precautions
are overlooked or ignored, serious personal
injury may occur.
WE STRONGLY RECOMMEND that you read
books, review industry trade magazines, or
get formal training before beginning any
projects. Regardless of the content in this
section, Grizzly Industrial will not be held
liable for accidents caused by lack of train-
ing.
No list of safety guidelines can be com-
plete. Every shop environment is different.
Always consider safety first, as it applies
to your individual working conditions. Use
tools and any machinery with caution and
respect. Failure to do so could result in seri-
ous personal injury, damage to equipment,
or poor work results.
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SECTION 3: PARTS INVENTORY
2
1
3
1
2
Figure 1.ꢀ7dmZYꢀXdbedcZcih#
Boxed Components
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2.ꢀ <j^iVgꢀCZX`ꢀ################################################ &
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3
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2
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Figure 2.ꢀ7V\ꢀ&ꢀXdbedcZcih#
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Bag 3
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9
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Supplies/Tools
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Recommended Tools & Supplies:
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2
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3.ꢀ &#*bbꢀ=ZmꢀLgZcX]ꢀ#################################### &
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SECTION 4: ASSEMBLY
Sanding Body
Sanding Neck
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To sand the guitar body:
Note:ꢀ Take your time with this sub-section and
consider testing ideas in scrap wood before per-
forming the work on the actual headstock.
1. LZVgꢀ Vcꢀ 6CH>"VeegdkZYꢀ Yjhiꢀ bVh`ꢀ VcYꢀ
hV[Zinꢀ\aVhhZhꢀl]ZcꢀhVcY^c\ꢀlddYꢆ
2. Jh^c\ꢀZ^i]ZgꢀVcꢀZaZXig^XꢀeVabꢀhVcYZgꢀdgꢀVꢀhVcY"
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\j^iVgꢀcZX`ꢀcdiX]ꢀVcYꢀdi]ZgꢀgZXZhhZYꢀVgZVhꢃꢀ
l^i]ꢀꢁ&-%ꢀ\g^iꢀVajb^cjb"dm^YZꢀhVcY^c\ꢀeVeZgꢀ
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i]ZꢀZci^gZꢀhjg[VXZ#ꢀ
To sand the guitar neck:
1. LZVgꢀ Vcꢀ 6CH>"VeegdkZYꢀ Yjhiꢀ bVh`ꢀ VcYꢀ
hV[Zinꢀ\aVhhZhꢀl]ZcꢀhVcY^c\ꢀlddYꢆ
2. EZg[dgbꢀVcnꢀXjhidbꢀXjii^c\!ꢀ^caVn!ꢀdgꢀYZh^\cꢀ
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eVeZgꢀjci^aꢀi]ZgZꢀ^hꢀVꢀXdch^hiZciꢀhXgViX]ꢀeVi"
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3. Jh^c\ꢀi]ZꢀhVcY^c\ꢀiZX]c^fjZꢀYZhXg^WZYꢀ^cꢀi]Zꢀ
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cZX`!ꢀ :M8:EIꢀ [dgꢀ i]Zꢀ [^c\ZgWdVgYꢀ hjg[VXZꢀ
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iZgcꢀdcꢀi]ZꢀZci^gZꢀhjg[VXZ#
ꢀ
Note: Sanding the fingerboard will affect the
playability of the guitar, and could lead to
unrepairable damage.
5.ꢀ L^eZꢀ i]Zꢀ \j^iVgꢀ WdYnꢀ l^i]ꢀ Vꢀ YVbeꢀ Xadi]#ꢀ
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WZ[dgZꢀi]Zꢀ[^cVaꢀhVcY^c\ꢀ]Zaehꢀidꢀ¸gV^hZ¹ꢀi]Zꢀ
lddYꢀ\gV^c0ꢀi]jh!ꢀVaadl^c\ꢀi]Zꢀ¸gV^hZY¹ꢀ\gV^cꢀ
idꢀWZꢀhVcYZYꢀhbddi]#
6.ꢀ DcXZꢀi]Zꢀ\j^iVgꢀWdYnꢀ^hꢀYgn!ꢀgZeZViꢀStep 4#
7.ꢀ L^eZꢀ i]Zꢀ \j^iVgꢀ WdYnꢀ l^i]ꢀ Vꢀ iVX`ꢀ Xadi]ꢀ idꢀ
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Masking Tape Areas
Painting/Finishing
In preparation for the finish coating, the fol-
lowing parts of the guitar (see Figures 9 & 10)
need to be covered with masking tape:
EV^ci^c\ꢀ VcYꢀ [^c^h]^c\ꢀ hjeea^Zhꢀ VgZꢀ cdiꢀ hjeea^ZYꢀ
l^i]ꢀi]Zꢀ\j^iVgꢀ`^i#ꢀ
Note/ꢀ The guitar body is made from alder wood
and the neck from maple wood. Clear finishes
such as lacquer look exceptionally stunning and
glossy on these nice types of wood.
™ꢀ CZX`ꢀEdX`Zi
™ꢀ ;^c\ZgWdVgYꢀ
™ꢀ IgjhhꢀGdYꢀ8ji"Dji
Painting/Finishing Tips:
s
!LWAYS WORK IN A WELL VENTILATED AREA WHEN
using finishing materials.
s
7EAR AN !.3)ꢀAPPROVED RESPIRATOR MASK
and safety glasses when using finishing
materials!
s
;VWg^XViZꢀ ]dd`hꢀ [gdbꢀ h]^giꢀ ]Vc\Zghꢀ idꢀ hjh"
eZcYꢀi]Zꢀ\j^iVgꢀXdbedcZcihꢀYjg^c\ꢀi]Zꢀ[^c^h]"
^c\ꢀegdXZhh#
s
s
ꢀ
HZkZgVaꢀi]^ccZgꢀXdVihꢀjhjVaanꢀegdYjXZꢀVꢀc^XZgꢀ
[^c^h]ꢀi]VcꢀdcZꢀ]ZVknꢀXdVi#
Figure 9.ꢀCZX`ꢀedX`ZiꢀVcYꢀ[^c\ZgWdVgYꢀVgZVh#
9jhiꢀeVgi^XaZhꢀhjheZcYZYꢀ^cꢀi]ZꢀV^gꢀl^aaꢀhZiiaZꢀ
dcꢀlZiꢀ[^c^h]Zh!ꢀgZhjai^c\ꢀ^cꢀaZhhꢀi]VcꢀhVi^h"
[VXidgnꢀgZhjaih#ꢀIdꢀVkd^Yꢀi]^hꢀegdWaZb/
a.ꢀAZVkZꢀ i]Zꢀ gddbꢀ l]ZgZꢀ i]Zꢀ [^c^h]^c\ꢀ l^aaꢀ
iV`Zꢀ eaVXZꢀ XdbeaZiZanꢀ jcY^hijgWZYꢀ [dgꢀ ')ꢀ
]djghꢀeg^dgꢀidꢀVeean^c\ꢀi]Zꢀ[^c^h]#
b.ꢀ=VkZꢀi]Zꢀ\j^iVgꢀXdbedcZcihꢀedh^i^dcZꢀ[dgꢀ
i]Zꢀ [^c^h]ꢀ Veea^XVi^dcꢀ jedcꢀ ZciZg^c\ꢀ i]Zꢀ
gddb#ꢀ
Figure 10.ꢀIgjhhꢀgdYꢀVgZV#
c.ꢀ6kd^Yꢀ bV`^c\ꢀ jccZXZhhVgnꢀ bdkZbZciꢀ
jedcꢀZciZg^c\ꢀi]Zꢀ[^c^h]ꢀgddb#
JhZꢀ Vꢀ hbVaaꢀ hi^X`ꢀ d[ꢀ lddYꢀ idꢀ XVgZ[jaanꢀ egZhhꢀ Vaaꢀ
i]Zꢀ bVh`^c\ꢀ iVeZꢀ ZY\Zhꢀ hZXjgZanꢀ idꢀ i]Zꢀ \j^iVgꢀ
e^ZXZh#ꢀ I]Zꢀ [^c^h]ꢀ XdViꢀ XVcꢀ hZZeꢀ jcYZgꢀ i]ZhZꢀ
ZY\Zh!ꢀ ZheZX^Vaanꢀ cZVgꢀ XdgcZgh!ꢀ jcZkZcꢀ ZY\Zh!ꢀ
VcYꢀl]ZgZꢀi]Zꢀ[gZihꢀbZZiꢀi]Zꢀ[^c\ZgWdVgY#ꢀ
d.ꢀ6eeanꢀi]Zꢀ[^c^h]ꢀidꢀi]ZꢀYZh^gZYꢀ\j^iVgꢀeVgihꢀ
VcYꢀ^bbZY^ViZanꢀaZVkZꢀi]Zꢀ[^c^h]ꢀgddb#
e.ꢀ9DꢀCDIꢀgZijgcꢀidꢀi]Zꢀgddbꢀjci^aꢀi]ZꢀheZX^"
[^ZYꢀYgn^c\ꢀi^bZꢀ]VhꢀZaVehZY#ꢀ
Note/ꢀ Failure to correctly mask off these areas
could result in unrepairable damage to the guitar.
ꢀ Note:ꢀ Always follow the finish manufac-
turer’s instructions.
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7.ꢀ >chZgiꢀi]ZꢀijcZghꢀ^cidꢀi]ZꢀWjh]^c\hꢀVcYꢀbdjciꢀ
i]Zbꢀl^i]ꢀi]Zꢀꢁ'ꢀmꢀ($-ꢄꢀhXgZlh!ꢀVhꢀh]dlcꢀ^cꢀ
Figure 12#
Mounting Tuners
To install the tuners:
1. Ha^YZꢀZVX]ꢀd[ꢀi]Zꢀh^mꢀWjh]^c\hꢀ^cidꢀi]ZꢀegZ"
Yg^aaZYꢀ ]daZhꢀ i]gdj\]ꢀ i]Zꢀ [gdciꢀ [VXZꢀ d[ꢀ i]Zꢀ
]ZVYhidX`#ꢀ
ꢀ
Note: If you have trouble inserting the bush-
ings, turn a drill bit by hand in the top of the
hole to widen it just enough to insert the
bushings. You can also use a deadblow ham-
mer or a dowel in a drill press to press the
bushings into the tuner mounting holes.
IjcZgꢀ
Bdjci^c\ꢀ=daZ
2. Ha^YZꢀ ZVX]ꢀ d[ꢀ i]Zꢀ ijc^c\ꢀ bVX]^cZhꢀ i]gdj\]ꢀ
i]ZꢀWjh]^c\hꢀ[gdbꢀi]ZꢀWVX`ꢀ[VXZꢀd[ꢀi]Zꢀ]ZVY"
hidX`#
Figure 12#ꢀIjcZghꢀVa^\cZYꢀidꢀZY\Zꢀd[ꢀ]ZVYhidX`#
3. 6a^\cꢀi]Zꢀijc^c\ꢀbVX]^cZh!ꢀhZXjgZꢀi]Z^gꢀedh^"
i^dcꢀdcꢀi]Zꢀ]ZVYhidX`ꢀl^i]ꢀbVh`^c\ꢀiVeZ!ꢀVcYꢀ
bVg`ꢀi]Zꢀbdjci^c\ꢀ]daZh#
4.ꢀ GZbdkZꢀi]ZꢀijcZgh#ꢀ
5. ꢀ ;VhiZcꢀVꢀꢀ,¿&+ꢄꢀi]^X`ꢀlddYꢀh]^bꢀl^i]ꢀiVeZꢀdcꢀ
i]Zꢀideꢀh^YZꢀd[ꢀi]ZꢀeZ\]ZVYꢀcZVgꢀi]Zꢀi^eꢀꢂhZZ
Figure 11ꢃ#ꢀI]^hꢀl^aaꢀ]ZaeꢀhiVW^a^oZꢀi]ZꢀcZX`ꢀ
Yjg^c\ꢀi]ZꢀcZmiꢀhiZe#
H]^b
Figure 11#ꢀEZ\]ZVYꢀhjeedgiZYꢀl^i]ꢀh]^b#ꢀ
6. Jh^c\ꢀVꢀ&¿&+ꢄꢀYg^aaꢀW^i!ꢀYg^aaꢀ(¿-ꢄꢀYZZeꢀ]daZhꢀ^cidꢀ
i]ZꢀWVX`ꢀd[ꢀi]ZꢀeZ\]ZVYꢀꢂhZZ Figure 11ꢃ#
ꢀ
Note: Drilling the holes deeper than 3⁄8" could
result in drilling out through the front face of
the headstock.
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Note: Drilling the holes deeper than 13⁄4
could result in drilling out through the finger-
board.
"
Mounting Neck
To attach the neck to the guitar body:
5.ꢀ EaVXZꢀi]ZꢀWaVX`ꢀcZX`eaViZꢀhZiiZgꢀVcYꢀi]Zꢀh^a"
kZgꢀcZX`eaViZꢀdkZgꢀi]Zꢀ]daZhꢀdcꢀi]ZꢀWVX`ꢀd[ꢀ
i]Zꢀ\j^iVgꢀWdYn#
1. GZbdkZꢀ i]Zꢀ bVh`^c\ꢀ iVeZꢀ [gdbꢀ i]Zꢀ cZX`ꢀ
edX`Zi.
6.ꢀ HZXjgZꢀ i]Zꢀ cZX`eaViZꢀ VhhZbWan!ꢀ i]Zꢀ \j^iVgꢀ
WdYn!ꢀVcYꢀi]ZꢀcZX`ꢀid\Zi]Zgꢀl^i]ꢀi]Zꢀ^cXajYZYꢀ
&(¿)ꢄꢀlddYꢀhXgZlhꢀꢂhZZ Figure 15ꢃ#ꢀ9DꢀCDIꢀ
jhZꢀ\ajZ#
2. EaVXZꢀi]ZꢀcZX`ꢀ^cidꢀi]ZꢀcZX`ꢀedX`ZiꢀꢂFigure
13ꢃ#ꢀ
Note: Make sure the neck is fully seated into
the neck pocket. No gaps should be visible
between the neck and the body.
Figure 15.ꢀ8dggZXianꢀViiVX]ZYꢀcZX`#
Figure 13.ꢀ;^ii^c\ꢀcZX`ꢀ^cidꢀcZX`ꢀedX`Zi#
3. =daYꢀi]ZꢀcZX`ꢀidꢀi]ZꢀWdYnꢀl^i]ꢀVꢀ8"XaVbe#
·ꢀ>[ꢀ i]Zꢀ WVX`ꢀ h^YZꢀ d[ꢀ i]Zꢀ [^c\ZgWdVgYꢀ YdZhꢀ
cdiꢀh^iꢀ[ajh]ꢀV\V^chiꢀi]Zꢀ\j^iVgꢀWdYn!ꢀi]Zcꢀ
a^\]ianꢀhVcYꢀi]ZꢀcZX`ꢀedX`Zi!ꢀhdꢀi]ZꢀcZX`ꢀ
[^ihꢀhcj\an#
4. Jh^c\ꢀ Vꢀ *¿('ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ &(¿)ꢄꢀ YZZeꢀ ]daZhꢀ
higV^\]iꢀi]gdj\]ꢀi]Zꢀ[djgꢀ]daZhꢀ^cꢀi]ZꢀWVX`ꢀd[ꢀ
i]ZꢀWdYnꢀꢂhZZꢀFigure 14ꢃ#
Figure 14.ꢀ9g^aa^c\ꢀi]ZꢀhXgZlꢀ]daZh#
"-"
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3. HZXjgZꢀi]Zꢀl^gZhꢀl^i]ꢀbVh`^c\ꢀiVeZꢀhdꢀi]Znꢀ
Ydꢀcdiꢀ[VaaꢀWVX`ꢀdjiꢀi]gdj\]ꢀi]Zꢀ]daZh.
Positioning Pick
Guard
4.ꢀ 6a^\cꢀ i]Zꢀ e^X`ꢀ \jVgYꢀ dcꢀ i]Zꢀ \j^iVgꢀ WdYn!ꢀ Vhꢀ
h]dlcꢀ^cꢀFigure 18#ꢀEVnꢀheZX^VaꢀViiZci^dcꢀidꢀ
i]ZꢀcZX`ꢀXjidjiꢀVa^\cbZciꢀdcꢀi]ZꢀWdYn#
To position the pick guard on the guitar
body:
1. Ejh]ꢀdcZꢀl]^iZꢀVcYꢀdcZꢀWaVX`ꢀl^gZꢀi]gdj\]ꢀ
i]Zꢀ]daZꢀh]dlcꢀ^cꢀFigure 16.
Figure 18.ꢀE^X`ꢀ\jVgYꢀVa^\cbZci#
5.ꢀ HZXjgZꢀi]Zꢀedh^i^dcꢀd[ꢀi]Zꢀe^X`ꢀ\jVgYꢀidꢀi]Zꢀ
WdYnꢀl^i]ꢀbVh`^c\ꢀiVeZ#
Figure 16.ꢀE^X`ꢀ\jVgYꢀl^gZh#
6.ꢀ 9Dꢀ CDIꢀ Yg^aaꢀ i]Zꢀ hXgZlhꢀ Viꢀ i]^hꢀ i^bZꢆꢀ ;^cVaꢀ
VY_jhibZcihꢀcZZYꢀidꢀWZꢀbVYZꢀV[iZgꢀ^chiVaa^c\ꢀ
VcYꢀl^cY^c\ꢀi]Zꢀhig^c\h#
2. Ejh]ꢀ i]Zꢀ gZbV^c^c\ꢀ WaVX`ꢀ l^gZꢀ i]gdj\]ꢀ i]Zꢀ
]daZꢀh]dlcꢀ^cꢀFigure 17#
Figure 17.ꢀE^X`ꢀ\jVgYꢀl^gZ#
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3. 6iiVX]ꢀe^ZXZhꢀd[ꢀhZl^c\ꢀi]gZVYꢀidꢀi]Zꢀ&hiꢀVcYꢀ
i]Zꢀ +i]ꢀ bVX]^cZꢀ ]ZVYꢀ VcYꢀ iVeZꢀ i]Zꢀ deed"
h^iZꢀZcYhꢀidꢀi]Zꢀ&hiꢀVcYꢀ+i]ꢀedh^i^dchꢀd[ꢀi]Zꢀ
igZbdadꢀWg^Y\Z.
Tremolo Bridge
To attach the tremolo bridge to the guitar
body:
4.ꢀ 6Y_jhiꢀi]ZꢀigZbdadꢀWg^Y\Zꢀhdꢀi]ZgZꢀ^hꢀVcꢀZfjVaꢀ
Vbdjciꢀ d[ꢀ heVXZꢀ WZilZZcꢀ i]Zꢀ [^c\ZgWdVgYꢀ
ZY\ZhꢀVcYꢀi]Zꢀi]gZVYhꢀꢂhZZ Figure 21ꢃ#
1. EaVXZꢀi]ZꢀigZbdadꢀWg^Y\Zꢀ^cꢀi]ZꢀXji"djiꢀh]dlcꢀ
^cꢀFigure 19#
6iiVX]ꢀI]gZVYhꢀ=ZgZ
:fjVaꢀHeVXZ
6iiVX]ꢀI]gZVYhꢀ=ZgZ
Figure 21.ꢀ8]ZX`^c\ꢀcZX`ꢀVa^\cbZciꢀl^i]
Figure 19.ꢀIgZbdadꢀWg^Y\ZꢀeaVXZbZci#
ꢀigZbdadꢀWg^Y\Z#
2. I]Zꢀ igZbdadꢀ Wg^Y\Zꢀ ^hꢀ XdggZXianꢀ edh^i^dcZYꢀ
l]Zcꢀi]ZꢀY^hiVcXZꢀWZilZZcꢀi]ZꢀXZciZgꢀd[ꢀi]Zꢀ
&'i]ꢀ [gZiꢀ VcYꢀ i]Zꢀ [gdciꢀ ZY\Zꢀ d[ꢀ i]Zꢀ igZbdadꢀ
Wg^Y\ZꢀVgZꢀegZX^hZanꢀ&',¿&+ꢄꢀVeVgiꢀꢂFigure 20ꢃ#
5.ꢀ L]ZcꢀVaaꢀVY_jhibZcihꢀVgZꢀXdggZXi!ꢀhZXjgZꢀi]Zꢀ
edh^i^dcꢀ d[ꢀ i]Zꢀ igZbdadꢀ Wg^Y\Zꢀ idꢀ i]Zꢀ \j^iVgꢀ
WdYnꢀl^i]ꢀbVh`^c\ꢀiVeZ#
(
&
6.ꢀ Jh^c\ꢀ Vꢀ ¿('ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ ¿'ꢄꢀ YZZeꢀ ]daZhꢀ
higV^\]iꢀi]gdj\]ꢀi]Zꢀh^mꢀ]daZhꢀ^cꢀi]ZꢀigZbdadꢀ
Wg^Y\ZꢀꢂhZZꢀFigure 22ꢃ#ꢀ
&',¿&+ꢄ
ꢀ
Note: Drilling the holes deeper than 1" could
result in drilling out through the back of the
guitar body.
&'i]ꢀ;gZi
Figure 20.ꢀ8dggZXiꢀY^hiVcXZꢀWZilZZcꢀi]Zꢀ&'i]ꢀ
[gZiꢀVcYꢀi]ZꢀigZbdadꢀWg^Y\Z#
Figure 22.ꢀ9g^aa^c\ꢀi]ZꢀWg^Y\Zꢀbdjci^c\ꢀ]daZh#
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7.ꢀ HZXjgZꢀi]ZꢀigZbdadꢀWg^Y\Zꢀidꢀi]Zꢀ\j^iVgꢀWdYnꢀ
11.ꢀ HdaYZgꢀi]ZꢀWaVX`ꢀl^gZꢀidꢀi]Zꢀheg^c\ꢀ]Vc\Zg#
12.ꢀ HZXjgZꢀi]Zꢀheg^c\ꢀ]Vc\Zgꢀidꢀi]Zꢀ\j^iVgꢀWdYnꢀ
l^i]ꢀi]Zꢀ^cXajYZYꢀh^mꢀ&ꢄꢀlddYꢀhXgZlh#
&
8.ꢀ ;a^eꢀi]Zꢀ\j^iVgꢀWdYnꢀdkZgꢀVcYꢀeaVXZꢀi]Zꢀheg^c\ꢀ
]Vc\Zgꢀ^cꢀi]ZꢀXVk^in!ꢀVhꢀh]dlcꢀ^cꢀFigure 23#
l^i]ꢀi]Zꢀ^cXajYZYꢀildꢀ& ¿'ꢄꢀlddYꢀhXgZlh#
13.ꢀ =Vc\ꢀi]Zꢀi]gZZꢀheg^c\hꢀ[gdbꢀi]Zꢀheg^c\ꢀ]Vc\"
Zgꢀidꢀi]ZꢀigZbdadꢀWg^Y\Z!ꢀVhꢀh]dlcꢀ^cꢀFigure
25#
Figure 23.ꢀHeg^c\ꢀ]Vc\ZgꢀeaVXZbZci#
Figure 25.ꢀ8dggZXiꢀheg^c\ꢀeaVXZbZci#
9.ꢀ HZXjgZꢀ i]Zꢀ edh^i^dcꢀ d[ꢀ i]Zꢀ heg^c\ꢀ ]Vc\Zgꢀ idꢀ
i]Zꢀ\j^iVgꢀWdYnꢀl^i]ꢀbVh`^c\ꢀiVeZ#
Strap Buttons
&
&
10. Jh^c\ꢀ Vꢀ ¿-ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ & ¿'ꢄꢀ YZZeꢀ ]daZhꢀ
higV^\]iꢀ i]gdj\]ꢀ i]Zꢀ ildꢀ ]daZhꢀ ^cꢀ i]Zꢀ heg^c\ꢀ
]Vc\ZgꢀꢂhZZ Figure 24ꢃ#ꢀ
I]ZꢀhigVeꢀWjiidchꢀVgZꢀedh^i^dcZYꢀdcꢀi]Zꢀ\j^iVg!ꢀVhꢀ
h]dlcꢀ^cꢀFigure 26#
ꢀ
Note: DO NOT drill the holes deeper than
1 ⁄2".
1
Figure 26.ꢀAdXVi^dcꢀd[ꢀhigVeꢀWjiidch#
To attach the strap buttons to the guitar
body:
Figure 24.ꢀ9g^aa^c\ꢀi]Zꢀheg^c\ꢀ]Vc\Zgꢀ
bdjci^c\ꢀ]daZh#
1. Jh^c\ꢀ Vꢀ (¿('ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ (¿)ꢄꢀ YZZeꢀ ]daZhꢀ Viꢀ
ZVX]ꢀd[ꢀi]Zꢀbdjci^c\ꢀadXVi^dch.
2.ꢀ HZXjgZꢀ i]ZꢀhigVeꢀWjiidchꢀ idꢀ i]Zꢀ\j^iVgꢀ WdYnꢀ
l^i]ꢀi]Zꢀ^cXajYZYꢀildꢀ(¿)ꢄꢀlddYꢀhXgZlh#
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Audio Jack
Winding Strings
To attach the audio jack to the guitar body:
I]ZꢀXdggZXiꢀedh^i^dcꢀd[ꢀi]Zꢀ\j^iVgꢀhig^c\hꢀ^hꢀh]dlcꢀ
^cꢀFigure 28#ꢀI]Zꢀi]^cꢀ=^\]ꢀ:ꢀhig^c\ꢀ^hꢀXVaaZYꢀi]Zꢀ
ꢄ&hiꢄꢀhig^c\ꢀVcYꢀi]Zꢀi]^X`ꢀAdlꢀ:ꢀhig^c\ꢀ^hꢀXVaaZYꢀi]Zꢀ
ꢄ+i]ꢄꢀhig^c\#
1. HdaYZgꢀi]Zꢀl^gZhꢀh]dlcꢀ^cꢀFigure 27ꢀidꢀi]Zꢀ
iVWhꢀdcꢀi]ZꢀVjY^dꢀ_VX`#
+
:
*
6
(
)
9
<
'ꢀꢀꢀ 7ꢀꢀꢀ
&
:
Figure 27.ꢀHdaYZgZYꢀVjY^dꢀl^gZ#
Figure 28.ꢀ8dggZXiꢀhig^c\ꢀadXVi^dch#
2. Ijgcꢀi]ZꢀVjY^dꢀ_VX`ꢀdkZgꢀVcYꢀ^chZgiꢀ^iꢀ^cꢀi]Zꢀ
To install the guitar strings:
XVk^inꢀdcꢀi]Zꢀ\j^iVgꢀWdYn#
1.ꢀ Ha^YZꢀi]Zꢀ&hiꢀ\j^iVgꢀhig^c\ꢀi]gdj\]ꢀi]Zꢀ]daZꢀ^cꢀ
i]ZꢀWVX`ꢀeaViZꢀꢂhZZꢀFigure 29ꢃ#
3.ꢀ HZXjgZꢀi]Zꢀedh^i^dcꢀd[ꢀi]ZꢀVjY^dꢀ_VX`ꢀidꢀi]Zꢀ
\j^iVgꢀWdYnꢀl^i]ꢀbVh`^c\ꢀiVeZ#
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&
4.ꢀ Jh^c\ꢀ Vꢀ ¿('ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ ¿'ꢄꢀ YZZeꢀ ]daZhꢀ
higV^\]iꢀ i]gdj\]ꢀ i]Zꢀ ildꢀ ]daZhꢀ ^cꢀ i]Zꢀ VjY^dꢀ
_VX`#ꢀ
ꢀ
Note: Drilling the holes deeper than 1⁄2" could
result in drilling out through the back of the
guitar body.
5.ꢀ HZXjgZꢀi]ZꢀVjY^dꢀ_VX`ꢀidꢀi]Zꢀ\j^iVgꢀWdYnꢀl^i]ꢀ
i]Zꢀ^cXajYZYꢀildꢀ&¿'ꢄꢀlddYꢀhXgZlh#
Figure 29.ꢀ7VX`ꢀeaViZꢀ]daZꢀadXVi^dc#
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2.ꢀ <j^YZꢀ i]Zꢀ hig^c\ꢀ dkZgꢀ i]Zꢀ hig^c\ꢀ hVYYaZꢀ dcꢀ
i]Zꢀ igZbdadꢀ Wg^Y\Z!ꢀ dkZgꢀ i]Zꢀ hig^c\ꢀ cji!ꢀ VcYꢀ
i]gdj\]ꢀi]Zꢀhig^c\ꢀ]daZꢀ^cꢀi]ZꢀXdggZhedcY^c\ꢀ
bVX]^cZꢀ]ZVY#
String Retainers
I]Zꢀ h]dgiꢀ hig^c\ꢀ gZiV^cZgꢀ bdjcihꢀ WZilZZcꢀ i]Zꢀ
&hiꢀVcYꢀ'cYꢀhig^c\hꢀVcYꢀi]ZꢀiVaaZgꢀheg^c\ꢀgZiV^cZgꢀ
bdjcihꢀ WZilZZcꢀ i]Zꢀ (gYꢀ VcYꢀ )i]ꢀ hig^c\hꢀ ꢂhZZꢀ
Figure 30ꢃ#
3.ꢀ 6aadlꢀdcanꢀZcdj\]ꢀhaVX`ꢀ^cꢀi]Zꢀhig^c\ꢀ[dgꢀ'"(ꢀ
gdiVi^dchꢀVgdjcYꢀi]ZꢀbVX]^cZꢀ]ZVY#ꢀ
ꢀ
Note: If too much slack is allowed, then the
string could wind off the machine head after
many successive rotations. If not enough
slack is allowed, then the string may not hold
the winding tension.
4.ꢀ 7ZcYꢀ i]Zꢀ hig^c\ꢀ Viꢀ Vꢀ g^\]iꢀ Vc\aZꢀ VXgdhhꢀ i]Zꢀ
ZY\Zꢀd[ꢀi]ZꢀbVX]^cZꢀ]ZVY#
5.ꢀ GdiViZꢀi]Zꢀijc^c\ꢀbVX]^cZꢀjci^aꢀi]Zꢀhig^c\ꢀ_jhiꢀ
WZ\^chꢀidꢀ]daYꢀi]Zꢀl^cY^c\ꢀiZch^dc#ꢀ
IVaaꢀGZiV^cZg
H]dgiꢀGZiV^cZg
ꢀ
Note: DO NOT tighten the strings beyond the
initial tensioning at this time. Final tensioning
should be completed during the string tuning
process.ꢀ
Figure 30.ꢀHig^c\ꢀgZiV^cZgꢀadXVi^dch#
To install the string retainers:
6.ꢀ JhZꢀl^gZꢀXjiiZghꢀidꢀXjiꢀd[[ꢀi]ZꢀZmXZhhꢀhig^c\#
1.ꢀ HZXjgZꢀi]Zꢀedh^i^dcꢀd[ꢀi]Zꢀhig^c\ꢀgZiV^cZghꢀidꢀ
7.ꢀ GZeZViꢀi]ZꢀVWdkZꢀegdXZhhꢀ[dgꢀi]ZꢀgZbV^c^c\ꢀ
i]Zꢀ]ZVYhidX`ꢀl^i]ꢀbVh`^c\ꢀiVeZ#
hig^c\h#
&
&
2.ꢀ Jh^c\ꢀ Vꢀ ¿&+ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ ¿'ꢄꢀ YZZeꢀ ]daZhꢀ
higV^\]iꢀi]gdj\]ꢀi]Zꢀ]daZhꢀ^cꢀi]Zꢀhig^c\ꢀgZiV^c"
Zgh#ꢀ
ꢀ
Note: Drilling the holes deeper than 1⁄2" could
result in drilling out through the front face of
the headstock.
3.ꢀ HZXjgZꢀi]Zꢀhig^c\ꢀgZiV^cZghꢀidꢀi]Zꢀ\j^iVgꢀl^i]ꢀ
i]Zꢀ^cXajYZYꢀildꢀ&¿'ꢄꢀlddYꢀhXgZlh#
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Mounting Pick Guard Mounting Back Plate
To secure the pick guard to the guitar body:
DcXZꢀ bdjciZY!ꢀ i]Zꢀ h^mꢀ ]daZhꢀ ^cꢀ i]Zꢀ WVX`ꢀ eaViZꢀ
cZZYꢀ idꢀ Va^\cꢀ l^i]ꢀ i]Zꢀ h^mꢀ ]daZhꢀ ^cꢀ i]Zꢀ igZbdadꢀ
Wg^Y\Z#ꢀI]^hꢀl^aaꢀh^bea^[nꢀi]Zꢀhig^c\ꢀ^chiVaaVi^dcꢀVcYꢀ
gZbdkVaꢀegdXZhh#
1. Edh^i^dcꢀ i]Zꢀ e^X`ꢀ \jVgYꢀ hdꢀ i]Zꢀ &hiꢀ hig^c\ꢀ ^hꢀ
XZciZgZYꢀdkZgꢀi]ZꢀXdggZhedcY^c\ꢀgdjcYꢀbZiVaꢀ
e^X`"jeꢀeZ\!ꢀVhꢀh]dlcꢀ^cꢀFigure 31#
To mount the back plate to the guitar body:
1. Edh^i^dcꢀi]ZꢀWVX`ꢀeaViZꢀdkZgꢀi]ZꢀXVk^inꢀ^cꢀi]Zꢀ
WVX`ꢀd[ꢀi]Zꢀ\j^iVgꢀWdYn!ꢀVhꢀh]dlcꢀ^cꢀFigure
32#
&hiꢀhig^c\ꢀ
Figure 31.ꢀE^X`ꢀ\jVgYꢀbdjci^c\ꢀadXVi^dc#
2.ꢀ HZXjgZꢀi]Zꢀedh^i^dcꢀd[ꢀi]Zꢀe^X`ꢀ\jVgYꢀidꢀi]Zꢀ
\j^iVgꢀWdYnꢀl^i]ꢀbVh`^c\ꢀiVeZ#
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&
Figure 32.ꢀBdjci^c\ꢀi]ZꢀWVX`ꢀeaViZ#
3.ꢀ Jh^c\ꢀ Vꢀ ¿('ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ ¿'ꢄꢀ YZZeꢀ ]daZhꢀ
higV^\]iꢀi]gdj\]ꢀi]ZꢀZaZkZcꢀ]daZhꢀ^cꢀi]Zꢀe^X`ꢀ
\jVgY#ꢀ
2.ꢀ HZXjgZꢀi]Zꢀedh^i^dcꢀd[ꢀi]ZꢀWVX`ꢀeaViZꢀidꢀi]Zꢀ
\j^iVgꢀWdYnꢀl^i]ꢀbVh`^c\ꢀiVeZ#
ꢀ
Note: Drilling the holes deeper than 1⁄2" could
result in drilling out through the back of the
guitar body.
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&
3.ꢀ Jh^c\ꢀ Vꢀ ¿('ꢄꢀ Yg^aaꢀ W^i!ꢀ Yg^aaꢀ ¿'ꢄꢀ YZZeꢀ ]daZhꢀ
higV^\]iꢀ i]gdj\]ꢀ i]Zꢀ h^mꢀ ]daZhꢀ ^cꢀ i]Zꢀ WVX`ꢀ
eaViZ#ꢀ
4.ꢀ HZXjgZꢀi]Zꢀe^X`ꢀ\jVgYꢀidꢀi]Zꢀ\j^iVgꢀWdYnꢀl^i]ꢀ
i]Zꢀ^cXajYZYꢀZaZkZcꢀ&¿'ꢄꢀlddYꢀhXgZlh#
ꢀ
Note: Drilling the holes deeper than 1⁄2" could
result in drilling out through the front of the
guitar body.
4.ꢀ HZXjgZꢀi]ZꢀWVX`ꢀeaViZꢀidꢀi]Zꢀ\j^iVgꢀWdYnꢀl^i]ꢀ
i]Zꢀ^cXajYZYꢀh^mꢀ&¿'ꢄꢀlddYꢀhXgZlh#
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SECTION 5: SET UP
String Height
General
<j^iVgꢀhZiꢀjeꢀ^hꢀVcꢀVgiꢀi]ViꢀgZfj^gZhꢀh`^aa!ꢀeVi^ZcXZꢀ
VcYꢀZmeZg^ZcXZ#ꢀ>[ꢀndjꢀ]VkZꢀi]ZꢀeVi^ZcXZ!ꢀndjꢀXVcꢀ
VXfj^gZꢀi]Zꢀh`^aaꢀVcYꢀZmeZg^ZcXZ#ꢀ>[ꢀndjꢀYdcꢇiꢀ]VkZꢀ
i]ZꢀeVi^ZcXZ!ꢀndjꢀbVnꢀlVciꢀidꢀ]VkZꢀndjgꢀ\j^iVgꢀ
hZiꢀjeꢀWnꢀVꢀfjVa^[^ZYꢀ\j^iVgꢀiZX]c^X^Vc#
8dggZXiꢀhig^c\ꢀ]Z^\]iꢀ^hꢀXgjX^Vaꢀ[dgꢀbVm^b^o^c\ꢀi]Zꢀ
eaVnVW^a^inꢀ d[ꢀ ndjgꢀ cZlꢀ ZXig^Xꢀ \j^iVg#ꢀ I]Zꢀ hig^c\ꢀ
]Z^\]iꢀ^hꢀi]ZꢀY^hiVcXZꢀWZilZZcꢀi]Zꢀideꢀ[VXZꢀd[ꢀi]Zꢀ
[gZiꢀVcYꢀi]ZꢀWdiidbꢀ[VXZꢀd[ꢀi]Zꢀhig^c\!ꢀVhꢀ^aajhigViZYꢀ
^cꢀFigure 33#
I]^hꢀhZXi^dcꢀegZhZcihꢀVcꢀdkZgk^Zlꢀd[ꢀhZijeꢀegVX"
i^XZh#ꢀLZꢀ]^\]anꢀgZXdbbZcYZYꢀi]ViꢀndjꢀgZhZVgX]ꢀ
bdgZꢀ ^c"YZei]ꢀ bZi]dYh#ꢀ 7dd`hꢀ dcꢀ hZii^c\ꢀ jeꢀ
ZaZXig^Xꢀ \j^iVghꢀ XVcꢀ WZꢀ dgYZgZYꢀ i]gdj\]ꢀ <g^ooanꢀ
>cYjhig^Va!ꢀaji]^ZgꢀhjeeanꢀXViVad\h!ꢀdgꢀbVnꢀWZꢀVkV^a"
VWaZꢀi]gdj\]ꢀndjgꢀadXVaꢀa^WgVgn#
Hig^c\
Hig^c\ꢀ=Z^\]i
;gZi
Neck Adjustment
;^c\ZgWdVgY
I]Zꢀ \j^iVgꢀ cZX`ꢀ lVhꢀ VY_jhiZYꢀ eZg[ZXianꢀ higV^\]iꢀ
WZ[dgZꢀ ^iꢀ lVhꢀ eVX`V\ZY0ꢀ ]dlZkZg!ꢀ i]Zꢀ bd^hijgZꢀ
XdciZciꢀ d[ꢀ lddYꢀ VXXa^bViZhꢀ idꢀ i]Zꢀ ]jb^Y^inꢀ d[ꢀ
i]ZꢀhjggdjcY^c\ꢀZck^gdcbZci#ꢀI]^hꢀX]VgVXiZg^hi^Xꢀ
gZhjaihꢀ^cꢀbdkbZciꢀd[ꢀi]ZꢀlddYꢀXdbedcZcihꢀl^i]ꢀ
gZ\VgYhꢀidꢀVa^\cbZci#ꢀ>iꢀ^hꢀcdiꢀjcXdbbdcꢀ[dgꢀi]Zꢀ
cZX`ꢀ idꢀ gZfj^gZꢀ VY_jhibZciꢀ hZkZgVaꢀ i^bZhꢀ ZVX]ꢀ
nZVg!ꢀ ZheZX^Vaanꢀ ^cꢀ gZ\^dchꢀ l]ZgZꢀ i]Zꢀ hZVhdcVaꢀ
Xa^bViZꢀX]Vc\ZhꢀVgZꢀbdgZꢀYgVhi^X#
Figure 33.ꢀHig^c\ꢀ]Z^\]iꢀbZVhjgZbZciꢀ
ꢂh^YZꢀk^Zlꢃ#
BZVhjgZbZcihꢀ VgZꢀ iV`Zcꢀ Viꢀ i]Zꢀ [daadl^c\ꢀ adXV"
i^dch#ꢀ
Note: Use a steel ruler with a resolution of at least
1⁄64"/
>[ꢀ ndjgꢀ \j^iVgꢀ cZX`ꢀ ^hꢀ cdꢀ adc\Zgꢀ higV^\]i!ꢀ ]VkZꢀ ^iꢀ
VY_jhiZYꢀWnꢀVꢀfjVa^[^ZYꢀ\j^iVgꢀiZX]c^X^Vc#
s
s
ꢁST FRETꢂꢀ&hiꢀhig^c\!ꢀ+i]ꢀhig^c\
ꢁꢃTH FRETꢂꢀ&hiꢀhig^c\!ꢀ+i]ꢀhig^c\
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To check the string heights of the 1st and 6th
strings at the 1st fret:
To check the string heights of the 1st and 6th
strings at the 12th fret:
1. BZVhjgZꢀi]Zꢀhig^c\ꢀ]Z^\]ihꢀViꢀi]Zꢀ&hiꢀ[gZiꢀꢂhZZ
Figure 34ꢃ#
1. BZVhjgZꢀ i]Zꢀ hig^c\ꢀ ]Z^\]ihꢀ Viꢀ i]Zꢀ &'i]ꢀ [gZiꢀ
ꢂhZZ Figure 35ꢃ#
+i]ꢀHig^c\/ꢀ*¿+)ꢄ
<j^iVgꢀ7dYn
Hig^c\ꢀCji
<j^iVgꢀ7dYn
+i]ꢀHig^c\ꢀ'¿+)ꢄ
&hiꢀHig^c\/ꢀ(¿+)ꢄ
&hiꢀHig^c\/ꢀ&¿+)ꢄ
&hiꢀ;gZi
&'i]ꢀ;gZi
Figure 34.ꢀ8dggZXiꢀ&hiꢀ[gZiꢀhig^c\ꢀ]Z^\]ih#
Figure 35.ꢀ8dggZXiꢀ&'i]ꢀ[gZiꢀhig^c\ꢀ]Z^\]ih#
·ꢀ>[ꢀi]Zꢀhig^c\ꢀ]Z^\]ihꢀVgZꢀXdggZXiꢀꢂhZZ Figure
33ꢃ!ꢀ i]Zcꢀ bdkZꢀ idꢀ X]ZX`^c\ꢀ i]Zꢀ hig^c\ꢀ
]Z^\]ihꢀViꢀi]Zꢀ&'i]ꢀ[gZi#
·ꢀ>[ꢀi]Zꢀhig^c\ꢀ]Z^\]ihꢀVgZꢀXdggZXi!ꢀi]ZcꢀXdc"
i^cjZꢀidꢀi]ZꢀcZmiꢀhjW"hZXi^dc#
·ꢀ>[ꢀi]Zꢀhig^c\ꢀ]Z^\]ihꢀVgZꢀ^cXdggZXiꢀViꢀi]Zꢀ&'i]ꢀ
[gZi!ꢀi]ZcꢀXdci^cjZꢀidꢀi]ZꢀcZmiꢀhiZe#
·ꢀ>[ꢀi]Zꢀhig^c\ꢀ]Z^\]ihꢀVgZꢀ^cXdggZXiꢀViꢀi]Zꢀ&hiꢀ
[gZi!ꢀi]^hꢀ^hꢀVcꢀ^cY^XVi^dcꢀi]Viꢀi]Zꢀ\gddkZꢀi]Zꢀ
hig^c\ꢀcjiꢀh^ihꢀ^cꢀcZZYhꢀidꢀWZꢀZ^i]ZgꢀYZZe"
ZcZYꢀdgꢀbVYZꢀh]VaadlZg#ꢀI]^hꢀXdcY^i^dcꢀ^hꢀ
bdhiꢀa^`ZanꢀVꢀgZhjaiꢀd[ꢀlddYꢀbdkZbZciꢀYjZꢀ
idꢀ ]jb^Y^inꢀ X]Vc\Zhꢀ ^cꢀ i]Zꢀ Zck^gdcbZci#ꢀ
LZꢀ gZXdbbZcYꢀ ]Vk^c\ꢀ Vꢀ fjVa^[^ZYꢀ \j^iVgꢀ
iZX]c^X^Vcꢀ gV^hZꢀ dgꢀ adlZgꢀ i]Zꢀ cjiꢀ WZ[dgZꢀ
Xdci^cj^c\ꢀl^i]ꢀhig^c\ꢀ]Z^\]iꢀVY_jhibZciꢀViꢀ
i]Zꢀ&'i]ꢀ[gZi#
2.ꢀ L^i]ꢀi]Zꢀhjeea^ZYꢀ&#*bbꢀ]ZmꢀlgZcX]!ꢀVY_jhiꢀ
i]Zꢀ hig^c\ꢀ hVYYaZꢀ hZihXgZlhꢀ jci^aꢀ i]Zꢀ hig^c\ꢀ
]Z^\]ihꢀVgZꢀXdggZXi#ꢀ
™ꢀ Ijgcꢀ i]Zꢀ hXgZlhꢀ XadX`l^hZꢀ idꢀ gV^hZꢀ i]Zꢀ
]Z^\]iꢀ d[ꢀ i]Zꢀ hig^c\ꢀ hVYYaZ0ꢀ i]ZgZ[dgZ!ꢀ
^cXgZVh^c\ꢀi]Zꢀhig^c\ꢀ]Z^\]i#ꢀ
™ꢀ Ijgcꢀi]ZꢀhXgZlhꢀXdjciZgXadX`l^hZꢀidꢀadlZgꢀ
i]Zꢀ]Z^\]iꢀd[ꢀi]Zꢀhig^c\ꢀhVYYaZ0ꢀi]ZgZ[dgZ!ꢀ
YZXgZVh^c\ꢀi]Zꢀhig^c\ꢀ]Z^\]i#
3.ꢀ 6Y_jhiꢀ i]Zꢀ b^YYaZꢀ hig^c\hꢀ hdꢀ i]Znꢀ \gVYjVaanꢀ
^cXgZVhZꢀ^cꢀ]Z^\]iꢀ[gdbꢀi]Zꢀ&hiꢀhig^c\ꢀ]Z^\]iꢀ
i]gdj\]ꢀi]Zꢀ+i]ꢀhig^c\ꢀ]Z^\]i#
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·ꢀ>[ꢀ i]Zꢀ hig^c\ꢀ ]Z^\]iꢀ ^hꢀ WZilZZcꢀ ¿('ꢄꢀ VcYꢀ
&
Pick Up Height
¿-ꢄ!ꢀi]Zcꢀi]Zꢀe^X`ꢀjeꢀ^hꢀVY_jhiZYꢀXdggZXian#ꢀ
8dci^cjZꢀidꢀi]ZꢀcZmiꢀhjW"hZXi^dc#
E^X`ꢀjeꢀ]Z^\]iꢀXVcꢀ]VkZꢀVꢀYgVbVi^XꢀZ[[ZXiꢀdcꢀi]Zꢀ
VjY^dꢀdjiejiꢀh^\cVa#ꢀI]ZꢀXadhZgꢀi]Zꢀhig^c\hꢀVgZꢀidꢀ
i]Zꢀ e^X`ꢀ jeh!ꢀ i]Zꢀ ]^\]Zgꢀ i]Zꢀ VjY^dꢀ djiejiꢀ h^\cVaꢀ
l^aaꢀWZ#ꢀI]^hꢀXVcꢀWZꢀ^YZVaꢀjcaZhhꢀi]Zꢀhig^c\hꢀVgZꢀ
XadhZꢀZcdj\]ꢀidꢀXVjhZꢀY^hidgi^dcꢀYjZꢀidꢀbV\cZi^Xꢀ
^ciZg[ZgZcXZꢀ XVjhZYꢀ Wnꢀ i]Zꢀ ZaZXigdc^Xꢀ Xdbed"
cZcih#ꢀI]Zꢀe^X`ꢀjeꢀ]Z^\]iꢀlVhꢀVY_jhiZYꢀXdggZXianꢀ
WZ[dgZꢀ ^iꢀ lVhꢀ eVX`V\ZY0ꢀ ]dlZkZg!ꢀ [jijgZꢀ VY_jhi"
bZcihꢀbVnꢀWZꢀcZZYZY#ꢀ
·ꢀ>[ꢀi]Zꢀe^X`ꢀjeꢀYdZhꢀcdiꢀ[Vaaꢀl^i]^cꢀi]ZꢀVWdkZꢀ
]Z^\]ih!ꢀi]ZcꢀXdci^cjZꢀidꢀi]ZꢀcZmiꢀhiZe#
2.ꢀ L^i]ꢀ Vꢀ E]^aa^ehꢀ ]ZVYꢀ hXgZlYg^kZg!ꢀ VY_jhiꢀ i]Zꢀ
hXgZlhꢀ dcꢀ ZVX]ꢀ h^YZꢀ d[ꢀ i]Zꢀ e^X`ꢀ jeꢀ ꢂhZZꢀ
Figure 35ꢃꢀ jci^aꢀ i]Zꢀ hig^c\ꢀ ]Z^\]ihꢀ VgZꢀ Xdg"
gZXi#ꢀ
™ꢀ Ijgcꢀ i]Zꢀ hXgZlhꢀ XadX`l^hZꢀ idꢀ gV^hZꢀ i]Zꢀ
]Z^\]iꢀd[ꢀi]Zꢀe^X`ꢀje!ꢀi]ZgZ[dgZ!ꢀYZXgZVh"
^c\ꢀi]Zꢀhig^c\ꢀ]Z^\]i#ꢀ
To measure the string height at the pick up:
1.ꢀ BZVhjgZꢀi]Zꢀ]Z^\]iꢀd[ꢀi]Zꢀ&hiꢀVcYꢀ+i]ꢀhig^c\hꢀ
Viꢀi]Zꢀe^X`ꢀjeꢀl]^aZꢀi]Zꢀhig^c\hꢀVgZꢀ¸[gZiiZY¹ꢀViꢀ
i]Zꢀ''cYꢀ[gZiꢀꢂhZZꢀFigure 36ꢃ#ꢀ
™ꢀ Ijgcꢀ i]Zꢀ hXgZlhꢀ XdjciZgXadX`l^hZꢀ idꢀ
adlZgꢀi]Zꢀ]Z^\]iꢀd[ꢀi]Zꢀe^X`ꢀje!ꢀi]ZgZ[dgZ!ꢀ
^cXgZVh^c\ꢀi]Zꢀhig^c\ꢀ]Z^\]i#
ꢀ
Note: Use a steel ruler with a resolution of at
least 1⁄32".
Tremolo Arm
(¿('ꢄꢀidꢀ&¿-
ꢄ
HXgZlꢀi]ZꢀigZbdadꢀVgbꢀ^cidꢀi]Zꢀbdjci^c\ꢀadXVi^dcꢀ
h]dlcꢀ^cꢀFigure 37#
(¿('ꢄꢀidꢀ&¿-
ꢄ
''cYꢀ;gZi
Figure 36.ꢀ8dggZXiꢀhig^c\ꢀ]Z^\]ihꢀdkZgꢀi]Zꢀe^X`ꢀ
jeꢀl]^aZꢀi]Zꢀhig^c\hꢀVgZꢀ[gZiiZYꢀdcꢀi]Zꢀ''cYꢀ[gZi#
Figure 37.ꢀ>chiVaa^c\ꢀi]ZꢀigZbdadꢀVgb#
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To tune the guitar:
Tuning
1. EaVnꢀVꢀ`cdlcꢀAdlꢀ:ꢀe^iX]#ꢀ6ꢀe^Vcd!ꢀVꢀijc^c\ꢀ
[dg`!ꢀdgꢀVcꢀZaZXigdc^XꢀXdbejiZgꢀ[^aZꢀl^aaꢀldg`#
Ijc^c\ꢀ^hꢀi]Zꢀbdhiꢀ^bedgiVciꢀXdcXZeiꢀd[ꢀeaVn^c\ꢀVꢀ
\j^iVg#ꢀ>[ꢀi]Zꢀ\j^iVgꢀ^hꢀcdiꢀ^cꢀijcZꢀl^i]ꢀ^ihZa[!ꢀdgꢀi]Zꢀ
di]Zgꢀ ^chigjbZcihꢀ ^cꢀ Vcꢀ ZchZbWaZ!ꢀ i]Zꢀ gZhjai^c\ꢀ
bjh^Xꢀl^aaꢀcdiꢀhdjcYꢀeaZVh^c\ꢀidꢀi]ZꢀZVg#ꢀ=Vk^c\ꢀVꢀ
\ddYꢀjcYZghiVcY^c\ꢀd[ꢀijc^c\ꢀ^hꢀZhhZci^VaꢀidꢀbVm^"
b^o^c\ꢀi]Zꢀ[jaaꢀediZci^Vaꢀd[ꢀVcnꢀ\j^iVg#
2.ꢀ EaVnꢀ Vcꢀ deZcꢀ ꢂcdc"[gZiiZYꢃꢀ +i]ꢀ hig^c\#ꢀ I]Zꢀ
\dVaꢀ ^hꢀ idꢀ bViX]ꢀ i]Zꢀ deZcꢀ +i]ꢀ hig^c\ꢀ idꢀ i]Zꢀ
`cdlcꢀAdlꢀ:ꢀe^iX]#
3.ꢀ 6Y_jhiꢀ i]Zꢀ ijc^c\ꢀ eZ\ꢀ jci^aꢀ i]Zꢀ e^iX]ꢀ d[ꢀ i]Zꢀ
deZcꢀ+i]ꢀhig^c\ꢀhdjcYhꢀZmVXianꢀa^`Zꢀi]Zꢀ`cdlcꢀ
Adlꢀ:ꢀhdjgXZ#
Important issues to consider when tuning a
guitar:
·ꢀ>[ꢀ i]Zꢀ hig^c\ꢀ ^hꢀ ijcZYꢀ iddꢀ ]^\]!ꢀ WVX`ꢀ i]Zꢀ
iZch^dcꢀ d[[ꢀ VcYꢀ gZijcZꢀ i]Zꢀ hig^c\ꢀ WVX`ꢀ jeꢀ
idꢀ bViX]ꢀ i]Zꢀ Adlꢀ :ꢀ e^iX]#ꢀ Cdlꢀ i]Zꢀ di]Zgꢀ
hig^c\hꢀXVcꢀWZꢀijcZYꢀidꢀi]Zꢀ+i]ꢀhig^c\#ꢀ
™ꢀ <Ziꢀ^cidꢀi]Zꢀ]VW^iꢀd[ꢀijc^c\ꢀi]Zꢀ\j^iVgꢀZkZgnꢀ
i^bZꢀ^iꢀ^hꢀe^X`ZYꢀjeꢀidꢀWZꢀeaVnZY#
™ꢀ 6alVnhꢀijcZꢀi]Zꢀhig^c\hꢀ¸je#¹ꢀI]Zꢀ[^cVaꢀijcZYꢀ
iZch^dcꢀ d[ꢀ ZVX]ꢀ hig^c\ꢀ h]djaYꢀ WZꢀ gZVX]ZYꢀ
l]^aZꢀi^\]iZc^c\ꢀi]Zꢀhig^c\!ꢀcdiꢀaddhZc^c\ꢀ^i#ꢀ>[ꢀ
i]Zꢀhig^c\ꢀ^hꢀiZch^dcZYꢀiddꢀ[Vg!ꢀaddhZcꢀi]ZꢀiZc"
h^dcꢀVcYꢀijcZꢀ¹je¹ꢀV\V^c#
4.ꢀ CZmi!ꢀi]Zꢀ*i]ꢀhig^c\ꢀcZZYhꢀidꢀWZꢀijcZY#ꢀI]Zꢀ
idcZꢀd[ꢀi]Zꢀ*i]ꢀhig^c\ꢀbjhiꢀWZꢀbViX]ZYꢀidꢀi]Zꢀ
idcZꢀ d[ꢀ i]Zꢀ +i]ꢀ hig^c\ꢀ Wnꢀ eaVn^c\ꢀ i]Zꢀ hVbZꢀ
cdiZꢀdcꢀZVX]ꢀhig^c\!ꢀdcZꢀV[iZgꢀVcdi]Zg#ꢀI]^hꢀ^hꢀ
YdcZꢀWnꢀeaVn^c\ꢀi]Zꢀ+i]ꢀhig^c\ꢀl]^aZꢀ^iꢀ^hꢀWZ^c\ꢀ
egZhhZYꢀꢂ[gZiiZYꢃꢀViꢀi]Zꢀ*i]ꢀ[gZi!ꢀVcYꢀ^bbZY^"
ViZanꢀV[iZg!ꢀeaVn^c\ꢀi]ZꢀdeZcꢀ*i]ꢀhig^c\#
™ꢀ I]Zꢀ\dVaꢀl]Zcꢀijc^c\ꢀ^hꢀidꢀbV`Zꢀi]Zꢀhig^c\hꢀ
^cꢀijcZꢀl^i]ꢀdcZꢀVcdi]Zg#ꢀHiVcYVgYꢀijc^c\ꢀ^hꢀ
h]dlcꢀ^cꢀFigure 38#
5.ꢀ A^hiZcꢀidꢀi]ZꢀildꢀidcZh#ꢀ6hꢀi]ZꢀildꢀcdiZhꢀVgZꢀ
hi^aaꢀgZhdcVi^c\!ꢀVY_jhiꢀi]Zꢀijc^c\ꢀeZ\ꢀd[ꢀi]Zꢀ
*i]ꢀhig^c\ꢀjci^aꢀi]ZꢀildꢀcdiZhꢀ]VkZꢀbViX]^c\ꢀ
idcZh#ꢀGZbZbWZgꢀidꢀijcZꢀ¸je#¹
+
:
*
6
(
)
9
<
'ꢀꢀꢀ 7ꢀꢀꢀ
&
6.ꢀ EZg[dgbꢀi]ZꢀhVbZꢀijc^c\ꢀhiZehꢀdcꢀi]Zꢀ)i]ꢀVcYꢀ
:
(gYꢀhig^c\h#
7#ꢀ L]Zcꢀ ijc^c\ꢀ i]Zꢀ 'cYꢀ hig^c\!ꢀ i]Zꢀ (gYꢀ hig^c\ꢀ
h]djaYꢀWZꢀ[gZiiZYꢀViꢀi]Zꢀ)i]ꢀ[gZiꢀ^chiZVYꢀd[ꢀi]Zꢀ
*i]ꢀ[gZi#
8.ꢀ IjcZꢀi]Zꢀ&hiꢀhig^c\ꢀ^cꢀi]ZꢀhVbZꢀbVccZgꢀVhꢀi]Zꢀ
+i]!ꢀ*i]!ꢀ)i]!ꢀVcYꢀ(gYꢀhig^c\h#
Figure 38.ꢀHig^c\ꢀijc^c\ꢀcdiZh#
™ꢀ I]Zꢀ ZVh^Zhiꢀ lVnꢀ idꢀ ijcZꢀ Vꢀ \j^iVgꢀ ^hꢀ jh^c\ꢀ
Vcꢀ ZaZXigdc^Xꢀ ijcZgꢀ hjX]ꢀ Vhꢀ i]Zꢀ <g^ooanꢀ
I'(%..ꢀ8]gdbVi^XꢀIjcZgꢀh]dlcꢀdcꢀPage 19#ꢀ
=dlZkZg!ꢀ`cdl^c\ꢀ]dlꢀidꢀijcZꢀVꢀ\j^iVgꢀWnꢀZVgꢀ
^hꢀVcꢀ^bedgiVciꢀeVgiꢀd[ꢀWZ^c\ꢀVcꢀVXXdbea^h]ZYꢀ
\j^iVgꢀeaVnZg#
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BdYZaꢀI')-(%ꢀꢂB[\#ꢀH^cXZꢀ.$&'ꢃ
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SECTION 6: REFERENCE INFO
H4412—The Guitar Handbook.
I]Zꢀ <j^iVgꢀ =VcYWdd`ꢀ ^hꢀ i]Zꢀ XdbeaZiZꢀ \j^YZꢀ
idꢀ eaVn^c\ꢀ i]Zꢀ \j^iVgꢀ ·ꢀ [gdbꢀ h^beaZꢀ X]dgYhꢀ idꢀ
VYkVcXZYꢀ^begdk^hVi^dch#ꢀ>ihꢀjc^fjZꢀaZVgc^c\ꢀegd"
\gVbꢀXdbW^cZhꢀhiZe"Wn"hiZeꢀe]did\gVe]hꢀl^i]ꢀVꢀ
X]dgYꢀY^Xi^dcVgnꢀXdciV^c^c\ꢀdkZgꢀ-%%ꢀZVhn"id"[da"
adlꢀ[^c\Zg^c\h#ꢀ>iꢀ^hꢀVahdꢀVꢀXdbegZ]Zch^kZꢀbVcjVaꢀ
dcꢀ\j^iVgꢀ]VgYlVgZꢀVcYꢀeZg[dgbVcXZꢀiZX]cdad\n!ꢀ
Accessories
NOTICE
Refer to our website or latest catalog for
additional recommended accessories.
hdjcYꢀZfj^ebZciꢀVcYꢀheZX^VaꢀZ[[ZXih#ꢀ'*+ꢀeV\Zh#
T23099—Chromatic Tuner/Metronome
I]^hꢀ bZigdcdbZ$ijcZgꢀ ^hꢀ hj^iVWaZꢀ [dgꢀ Vaaꢀ ZaZXig^Xꢀ
VcYꢀVXdjhi^Xꢀhig^c\ZYꢀ^chigjbZcih#ꢀ>iꢀ]VhꢀVcꢀZVhn"
id"gZVYꢀA89ꢀY^heaVnꢀVcYꢀ^hꢀVWaZꢀidꢀijcZꢀcdiZh/ꢀ6!ꢀ
6ꢁ!ꢀ7!ꢀ8!ꢀ8ꢁ!ꢀ9!ꢀ9ꢁ!ꢀ:!ꢀ;!ꢀ;ꢁ!ꢀ<!ꢀVcYꢀ<ꢁ#ꢀHZkZcꢀ
WZViꢀ hZii^c\hꢀ VcYꢀ *ꢀ g]ni]bhꢀ bV`Zꢀ i]^hꢀ kZghVi^aZꢀ
YZk^XZꢀVꢀbjhiꢀ[dgꢀi]Zꢀcdk^XZꢀdgꢀZmeZg^ZcXZYꢀbjh^"
X^Vc#
Figure 41.ꢀI]Zꢀ<j^iVgꢀ=VcYWdd`#
T21359—Guitar Finishing DVD
I]^hꢀ9K9ꢀ\^kZhꢀkZgnꢀheZX^[^Xꢀ^chigjXi^dchꢀ[dgꢀ[^c"
^h]^c\ꢀVꢀ\j^iVgꢀl^i]ꢀVZgdhdah#ꢀ>iꢀh]dlhꢀi]ZꢀhiZehꢀ
cZXZhhVgnꢀ [dgꢀ Vꢀ idcZYꢀ [^c^h]!ꢀ Vꢀ hjcWjghiꢀ Z[[ZXi!ꢀ
Figure 39.ꢀI'(%..ꢀ8]gdbVi^XꢀIjcZg#
VcYꢀ Vꢀ XaZVgꢀ [^c^h]ꢀ jh^c\ꢀ 7Z]aZcꢀ K^cnaꢀ HZVaZg!ꢀ
Hig^c\ZYꢀ >chigjbZciꢀ AVXfjZg!ꢀ HiVgXVhiꢀ 6bWZgꢀ
<j^iVgꢀ IdcZg!ꢀ VcYꢀ :cXdgZꢀ 7gdlcꢀ <j^iVgꢀ IdcZgꢀ
H4409—The Art of Inlay
I]^hꢀWdd`ꢀ^hꢀWdi]ꢀVꢀXZaZWgVi^dcꢀd[ꢀi]ZꢀVgiꢀd[ꢀ^caVnꢀ
VcYꢀVꢀ]VcYh"dcꢀ\j^YZꢀidꢀ^ihꢀbViZg^Vah!ꢀiddahꢀVcYꢀ
VZgdhdah#
iZX]c^fjZh#ꢀ >cXajYZhꢀ dkZgꢀ ,%ꢀ Xdadgꢀ e]didh!ꢀ Y^V"
\gVbh!ꢀ ]dlꢀ idꢀ ^chigjXi^dchꢀ VcYꢀ YZh^\cꢀ ^ch^\]ihꢀ
[gdbꢀAVggnꢀGdW^chdc#ꢀ&&'ꢀeV\Zh#
Figure 42.ꢀ<j^iVgꢀ;^c^h]^c\ꢀ9K9#
Figure 40.ꢀI]Zꢀ6giꢀd[ꢀ>caVnꢀ7dd`#
dgYZgꢀdca^cZꢀViꢀlll#\g^ooan#XdbꢀdgꢀXVaaꢀ&"-%%"*'("),,,
"&."
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H3901—Behlen Jet Spray™ Clear Lacquer–
Flat
H3903—Behlen Jet Spray™ Clear Lacquer–
Satin
H3937—Behlen Top Coat Lacquer - Satin
H3938—Behlen Sanding Sealer, 13 Oz.
7Z]aZcꢀ BVhiZgꢀ Ideꢀ 8dViꢀ AVXfjZgꢀ HZVaZgꢀ ^hꢀ Vcꢀ
VaXd]daꢀ VcYꢀ lViZgꢀ gZh^hiVci!ꢀ ]^\]ꢀ hda^Yꢀ c^igdXZa"
ajadhZꢀ aVXfjZgꢀ hZVaZg#ꢀ JhZꢀ idꢀ hZVaꢀ VcYꢀ egdiZXiꢀ
7Z]aZcꢀ hdakZciꢀ WVhZYꢀ hiV^chꢀ VcYꢀ di]Zgꢀ BVhiZgꢀ
6Zgdhdah#ꢀ BVhiZgꢀ IdeXdViꢀ AVXfjZgꢀ HZVaZgꢀ eZg"
[dgbhꢀ a^`Zꢀ Vꢀ hegVnꢀ \jcꢀ Veea^ZYꢀ [^c^h]#ꢀ &(ꢀ [a#ꢀ do#ꢀ
8Vccdiꢀh]^eꢀV^g#
H2499—Small Half-Mask Respirator
H3631—Medium Half-Mask Respirator
H3632—Large Half-Mask Respirator
H3633—Disposable Cartridge Filter Pair
H3635—Disposable Cartridge Filter Pair
I]^hꢀa^\]ilZ^\]iꢀZaVhidbZg^Xꢀ[VXZe^ZXZꢀ]VhꢀXgVYaZꢀ
hjheZch^dc!ꢀ ZVhnꢀ VY_jhiꢀ ]ZVYhigVehꢀ VcYꢀ adlꢀ
egd[^aZꢀ[dgꢀ\gZViZgꢀ[^ZaYꢀd[ꢀk^h^dcꢀVcYꢀXdbeVi^W^a^inꢀ
l^i]ꢀcdgbVaꢀjhZꢀd[ꢀ\aVhhZhꢀdgꢀ\d\\aZh#ꢀEjgX]VhZꢀ
XVgig^Y\Zhꢀ hZeVgViZanꢀ YZeZcY^c\ꢀ jedcꢀ ^ciZcYZYꢀ
Veea^XVi^dc#
Figure 45. =Va["bVh`ꢀgZhe^gVidgꢀVcYꢀY^hedhVWaZꢀ
XVgig^Y\Zꢀ[^aiZgh#
H5962—Guitar Stand-Electric/Archtop
™ꢀ HiVWaZꢀ hiVcYꢀ `ZZehꢀ ZaZXig^Xꢀ VcYꢀ VgX]ideꢀ
fj^iVghꢀ hV[Zꢀ nZiꢀ VXXZhh^WaZꢀ dcꢀ hiV\Zꢀ dgꢀ dcꢀ
Y^heaVn
™ꢀ ;daYhꢀjeꢀ[dgꢀZVhnꢀigVchedgi^c\
™ꢀ I]gZZꢀVY_jhiVWaZꢀadX`^c\ꢀedh^i^dch
™ꢀ EVYYZYꢀegdiZXi^dcꢀViꢀVaaꢀXdciVXiꢀed^cih
™ꢀ Cdc"ha^eꢀgjWWZgꢀ[ZZi
Figure 43.ꢀ=(.(-·7:=A:CꢀHVcY^c\ꢀHZVaZg
H0818—Fine Prepolishing Paste, 1.85 Lb.
H4873—Medium Prepolish Liquid, 1 Qt.
H0821—High Gloss Polishing Liquid, 1 Qt.
BZcoZgcVꢀegd[Zhh^dcVaꢀeda^h]^c\ꢀXdbedjcYhꢀl^aaꢀ
gZbdkZꢀVcnꢀ[^cZꢀhXgViX]Zhꢀ[gdbꢀi]Zꢀ[^c^h]ꢀVcYꢀ\^kZꢀ
ndjgꢀ ^chigjbZciꢀ i]Zꢀ ^cXgZY^Wanꢀ ]^\]ꢀ \adhhꢀ [^c^h]ꢀ
i]ViꢀndjꢀVgZꢀadd`^c\ꢀ[dg#
Figure 44.ꢀBZcoZgcVꢀeda^h]^c\ꢀXdbedjcYh#
Figure 46.ꢀBdYZaꢀ=*.+'ꢀ<j^iVgꢀHiVcY#
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BdYZaꢀI')-(%ꢀꢂB[\#ꢀH^cXZꢀ.$&'ꢃ
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Buy Direct and Save with Grizzly® – Trusted, Proven and a Great Value!
~Since 1983~
Visit Our Website Today For
Current Specials!
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24 HOURS A DAY!
1-800-523-4777
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