Dynaudio Speaker BM 10S User Manual

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IMPORTANT SAFETY INSTRUCTIONS  
The lightning flash with an arrowhead symbol within an  
The exclamation point within an equilateral triangle is  
intended to alert the user to the presence of important  
operating and maintenance (servicing) instructions in the  
literature accompanying the product.  
equilateral triangle, is intended to alert the user to the  
presence of uninsulated “dangerous voltage” within the  
product’s enclosure that may be of sufficient magnitude to  
constitute a risk of electric shock to persons.  
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Read these instructions.  
Keep these instructions.  
Heed all warnings.  
Follow all instructions.  
Do not use this apparatus near water.  
Clean only with dry cloth.  
Do not block any ventilation openings. Install in accordance with the manufacturer's instructions.  
Do not install near any heat sources such as radiators, heat registers, stoves, or other apparatus (including amplifiers) that produce heat.  
Do not defeat the safety purpose of the polarized or grounding-type plug. A polarized plug has two blades with one wider than the other. A  
grounding type plug has two blades and a third grounding prong. The wide blade or the third prong are provided for your safety. If the provided  
plug does not fit into your outlet, consult an electrician for replacement of the obsolete outlet.  
10 Protect the power cord from being walked on or pinched particularly at plugs, convenience receptacles, and the point where they exit from the  
apparatus.  
11 Only use attachments/accessories specified by the manufacturer.  
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Use only with the cart, stand, tripod, bracket, or table specified by the manufacturer, or sold with the apparatus. When a cart is used,  
use caution when moving the cart/apparatus combination to avoid injury from tip-over.  
13 Unplug this apparatus during lightning storms or when unused for long periods of time.  
14 Refer all servicing to qualified service personnel. Servicing is required when the apparatus has been damaged in any way, such as power-  
supply cord or plug is damaged, liquid has been spilled or objects have fallen into the apparatus, the apparatus has been exposed to rain or  
moisture, does not operate normally, or has been dropped.  
Warning!  
To reduce the risk of fire or electrical shock, do not expose this equipment to dripping or splashing and ensure that no objects filled with liquids,  
such as vases, are placed on the equipment.  
This apparatus must be earthed.  
Use a three wire grounding type line cord like the one supplied with the product.  
Be advised that different operating voltages require the use of different types of line cord and attachment plugs.  
Check the voltage in your area and use the correct type. See table below:  
Voltage  
110-125V  
220-230V  
240V  
Line plug according to standard.  
UL817 and CSA C22.2 no 42.  
CEE 7 page VII, SR section 107-2-D1/IEC 83 page C4.  
BS 1363 of 1984. Specification for 13A fused plugs and switched and un-switched socket outlets.  
This equipment should be installed near the socket outlet and disconnection of the device should be easily accessible.  
To completely disconnect from AC mains, disconnect the power supply cord from the AC receptable.  
The mains plug of the power supply shall remain readily operable.  
Do not install in a confined space.  
Do not open the unit - risk of electric shock inside.  
Caution:  
You are cautioned that any change or modifications not expressly approved in this manual could void your authority to operate this equipment.  
Service  
There are no user-serviceable parts inside.  
All service must be performed by qualified personnel.  
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IMPORTANT SAFETY INSTRUCTIONS  
This equipment has been tested and found to comply with the limits for a Class B Digital device, pursuant to part 15 of the FCC rules.  
These limits are designed to provide reasonable protection against harmful interference in residential installations. This equipment  
generates, uses and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful inter-  
ference to radio communications. However, there is no guarantee that interference will not occur in a particular installation.  
If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on.  
The user is encouraged to try to correct the interference by one or more of the following measures:  
Reorient or relocate the receiving antenna.  
Increase the separation between the equipment and receiver.  
Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.  
Consult the dealer or an experienced radio/TV technician for help.  
Caution:  
You are cautioned that any change or modifications not expressly approved in this manual could void your authority to operate this equipment.  
For the customers in Canada:  
This Class B Digital apparatus meets all requirements of the Canadian Interference-Causing Equipment Regulations ICES-003.  
Cet appareil numérique de la classe B respecte toutes les exigences du Réglement sur le matériel brouilleur du Canada.  
This Class B digital apparatus complies with Canadian ICES-003. Cet appareil numérique de la classe B est conforme à la norme NMB-003 du Canada.  
Advice on maintenance and care  
Certificate Of Conformity  
Maintenance / Care  
TC Electronic A/S, Sindalsvej 34, 8240 Risskov,  
No special maintenance is necessary. Cleaning the  
Denmark, hereby declares on own responsibility that  
cabinet's surfaces with a damp cloth will suffice. Never use  
following products:  
cleaners or chemicals.  
BM12S and BM10S  
About Wood Veneer Finishes  
- that are covered by this certificate and marked with  
CE-label conforms with following standards:  
Dynaudio speaker cabinets are finished with the highest  
quality real wood veneers. As with many natural products,  
wood finish may change color over time, particularly if  
exposed to bright sunlight.  
EN 60065  
Safety requirements for mains  
operated electronic and related  
apparatus for household and similar  
general use  
(IEC 60065)  
EN 55103-1  
EN 55103-2  
Product family standard for audio,  
video, audio-visual and entertainment  
lighting control apparatus for  
professional use. Part 1: Emission.  
Product family standard for audio,  
video, audio-visual and entertainment  
lighting control apparatus for  
professional use. Part 2: Immunity.  
With reference to regulations in following directives:  
73/23/EEC, 89/336/EEC  
Issued in Risskov, April 2004  
Mads Peter Lübeck  
Chief Executive Officer  
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TABLE OF CONTENTS  
introduction  
Introduction  
Important Safety Instructions &  
Certificate of Conformity and Maintenance . . .a-b  
Table of Contents . . . . . . . . . . . . . . . . . . . . . . .3  
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . .4  
Quick Setup Reference . . . . . . . . . . . . . . . . . . .5  
Installation and Connections . . . . . . . . . . . . . . .6  
Unpacking . . . . . . . . . . . . . . . . . . . . . . . . . . . .6  
Connections . . . . . . . . . . . . . . . . . . . . . . . . . . .6  
Back Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . .7  
Setting up & Tuning In  
Master/Slave mode . . . . . . . . . . . . . . . . . . . . . .8  
Single Subwoofer Connection . . . . . . . . . . . . . .8  
Multiple Subwoofer Connection . . . . . . . . . . . . .8  
Remote Control and Battery Connection . . . . . .9  
Adjusting settings . . . . . . . . . . . . . . . . . . . . . .10  
Switching the Subwoofer On/Off . . . . . . . . . . .10  
Automatic Mode for On/Standby . . . . . . . . . . .10  
Temporary Manual mode for On/Standby . . . .11  
Subwoofer Level Control . . . . . . . . . . . . . . . .11  
Setting Cross-over Frequency . . . . . . . . . . . . .12  
Select EXT On or Off . . . . . . . . . . . . . . . . . . .12  
Setting Phase . . . . . . . . . . . . . . . . . . . . . . . . .12  
Storing and recalling presets . . . . . . . . . . . . . .12  
Positioning the Subwoofer  
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . .13  
Finding Optimal Settings . . . . . . . . . . . . . . . . .15  
Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .15  
Cross-over frequency . . . . . . . . . . . . . . . . . . .15  
Phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17  
Finding Optimal Phase Settings . . . . . . . . . . .17  
Troubleshooting . . . . . . . . . . . . . . . . . . . . . . .18  
Factory Defaults . . . . . . . . . . . . . . . . . . . . . . .19  
Technical Specifications . . . . . . . . . . . . . . . . .20  
Prod. No. 606111012  
Manual Rev. 1.01  
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INTRODUCTION  
Congratulations!  
Thank you for purchasing this Dynaudio subwoofer. With it, you have chosen for the latest in audio technology and  
engineering, culminating into the finest in audio reproduction.  
With their dynamic, accurate performance and ease of integration into even elaborate systems, Dynaudio subwoofers are  
ideally suited to obtain maximum enjoyment from High-Resolution formats such as DVD-Audio™ and SACD™. These  
characteristics in combination with sustained high volume level capabilities make Dynaudio subwoofers also an ideal  
choice for demanding Home Theater set-ups.  
In order to obtain the best possible performance from your Dynaudio subwoofer, please carefully read and follow the  
instructions. We wish you many musical and exciting moments with your Dynaudio Subwoofer.  
Wilfried Ehrenholz  
Dynaudio.  
Features:  
• Powerful integrated amplifier  
• Full remote control  
• 4 presets to store your favorite settings for volume, roll-off frequency, phase and low  
frequency extension.  
• "Master" & "Slave" function for easy integration when using multiple subwoofers  
• Automatic On/Standby switching through music-sensing  
• XLR in- and Outputs for interference-free connections  
• Front and back panel remote control command receivers ("eyes") allow for flexible  
positioning  
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QUICK SETUP GUIDE  
This quick set-up guide assumes some knowledge with  
regards to installing, connecting and using a  
subwoofer. We strongly recommend that you do read  
through the instruction manual in order to get the best  
performance from your Dynaudio subwoofer, even if  
you already have installed the subwoofer.  
Pressing either the "I" or "O" button briefly, regardless if the  
subwoofer is switched On or in Standby mode, will set the  
subwoofer back to Automatic switching again:. The Manual  
status LED will extinguish.  
• Set the subwoofers volume level by pressing the Level  
"+" or "-" button.  
• Select the desired cross-over frequency by pressing  
either 60, 80, 100Hz or Flat. If cross-over frequency  
selection is handled by the multi-channel processor or  
receiver (most cases), select "Flat".  
Installing:  
• Carefully unpack the subwoofer and accessories.  
• Install the battery cell in the remote control.  
• Connect the processor's or receiver's subwoofer Output  
to either the RCA or XLR Input.  
• Select the desired Phase setting by pressing either the  
0°, 90°, 180 or 270° button.  
• Set the Input button to "Master" unless the subwoofer is  
used in a multiple subwoofer setup where another  
subwoofer is set as master.  
• Set the Preset/Settings switch to "Store".  
• Double-check all connections; now connect the supplied  
mains lead to the subwoofer and AC outlet.  
• In the Ext Off mode, the very deepest bass will be  
filtered; this will allow the subwoofer to achieve even  
higher sound pressure levels. Generally speaking, this  
setting is best suited for movies and most music. Press  
the EXT On for deepest bass response, as suited for  
some music or movie soundtracks with extreme deep  
bass.  
You can store your settings in one of the 4 presets A, B,  
C or D. Make sure the Preset/Settings switch on the  
subwoofers back panel is set to "Store". Press and hold  
the desired Preset button for 3 seconds to store. The  
Power status LED will blink 3 times to confirm. Previously  
stored settings will have been over-written. Set the  
Preset/Settings switch to "lock" to prevent accidental  
over-writing of the presets.  
Using:  
• Controlling the subwoofer is entirely done by using the  
remote control. Whenever the subwoofer receives a  
command from the remote control, the Power status LED  
will blink.  
• Set the mains switch on the back panel of the subwoofer  
to On. The Power status LED will light up green.  
• The subwoofer switches to On or Standby automatically:  
It will switch to On when a signal presents itself, it will  
switch to Standby when no signal has been available for  
20 minutes. When switched to Standby, the power status  
LED is red; switched to On, the LED is green.  
To recall a preset, simply press the desired preset button  
briefly.  
Install and make all connections to the subwoofer  
and rest of the system before switching the system  
and subwoofer on.  
It is possible to temporarily override Automatic switching:  
Briefly pressing the green "I" (Power On) button on the  
remote will switch the subwoofer to On, even if no signal is  
present. Note that if no music signal presents itself within  
20 minutes, the subwoofer will switch back to Standby  
again. If you prefer the subwoofer to stay switched On all  
the time -regardless of Input signal- press and hold the  
green "I' button for 2 seconds to set to Manual Standby/On  
switching: The Manual status LED will light up green.  
Briefly pressing the red "O" (Power Standby) button will  
switch it to Standby, even if a music signal is still present.  
Note that on the next occasion a music signal presents  
itself (after a 20 minute silence), the subwoofer will switch  
to On again automatically. If you prefer the subwoofer  
remains switched to Standby all the time -regardless of  
Input signal- press and hold the red "O" button for 2  
seconds to set to manual Standby/On switching: The  
Manual status LED will light up green.  
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INSTALLATION & CONNECTIONS  
Check that the contents are complete:  
Unpacking  
• Subwoofer. The factory-set power requirements (refer to  
label on rear of subwoofer) should correspond for the  
region where the subwoofer was purchased. Refer also  
to chapter "Safety Instructions".  
Due to its weight and size, we strongly recommend  
that help is at hand when unpacking and installing the  
subwoofer. Unpack the subwoofer on a clean, even and  
soft area; floor carpeting is very suitable. Please refer  
to Fig. 1.  
• DSC1 Remote Control.  
• AC mains lead. The supplied lead should be suitable for  
the region where the subwoofer was purchased.  
• Instruction Manual.  
• The packaging should be opened from the top. Remove  
all accessories that come packed with the subwoofer,  
such as AC power cord, remote control and warranty  
card). Do not remove the top part of the protective  
material.  
• With the protective material still in place but with  
accessories removed, carefully tilt the packaging on its  
side and tilt again to turn it upside-down. Ensure that no  
part of the top-cover is obstructing the opening at the  
top.  
To decide on the most suitable location for the subwoofer,  
please refer to chapter "Positioning Subwoofers". Once the  
subwoofer is positioned in the listening room, it can be  
connected to the rest of the system.  
Making connections  
Before making any connections to the subwoofer we  
strongly recommend that the subwoofer is disconnected  
from the mains outlet. Refer to figure 2.  
• The outer packaging can now be lifted away from the  
subwoofer itself. Remove the protective material that now  
is on top. Through the polythene bag you can now see  
the underside of the subwoofer.  
• Open the polythene bag and remove from around the  
base of the subwoofer.  
• Again, carefully tilt the subwoofer on its side and again to  
turn it onto its feet. Note that the top part of the protective  
material will now come off easily so ensure that the  
subwoofer doesn't drop or slide away in the process.  
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BACK PANEL  
Figure 2  
1. Mains power Input.  
6. Unbalanced processed audio Output  
2. Power switch  
7. Input Master/Slave function switch  
8. Preset/Settings Store & Protect switch  
9. Remote Control sensor  
3. Balanced audio Input  
4. Unbalanced audio Input  
5. Balanced processed audio Output  
10. Heat sinks  
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SETTING UP & TUNING IN  
Master and Slave mode  
• Any subsequent Slave subwoofers can be connected in  
a daisy-chain style, going from the "processed Out"  
Output (No. 6 in fig. 2 to the next Slave subwoofers  
Input.  
• Set the Slave subwoofers Input switch (No. 7 in fig. 2) to  
the "Slave" position.  
The subwoofer can operate in two different modes: Master  
or Slave mode. If your system consists of multiple  
subwoofers, it is desirable that all subwoofers operate with  
identical settings (Volume, Low-Pass filter (Hz), Phase and  
LF Extension).  
• After all connections are made, connect the supplied  
mains leads to the subwoofers IEC power sockets (No. 1  
in fig. 2) and a mains outlet.  
Using the Master/Slave feature of Dynaudio subwoofers  
this is easily achieved: The Master subwoofer (connected  
directly to the subwoofer Output of the amplifier or receiver)  
will control all Slave subwoofers (connected to the Master  
subwoofer). Thus, using a single remote control, all  
subwoofers in the system will follow all settings from the  
Master subwoofer. Note that in Slave mode, only the  
On/Off and Auto/Manual selections are available.  
Figure 4  
Single subwoofer connection  
• From the processor or receiver's low-level (not a speaker  
Output) subwoofer Output (often marked as "subwoofer  
out", "Sub out" or "LFE"), connect a mono RCA-to-RCA  
(No. 4 in fig. 2; refer also to fig. 3) or XLR-to-XLR patch  
cord to the subwoofers Input. Refer also to the section  
"Using the XLR connectors" below in this chapter.  
• Set the subwoofers Input switch (No. 7 in fig. 2) to the  
"Master" position if you wish to use and change the  
settings with the remote control.  
• After all connections are made, connect the supplied  
mains lead to the subwoofers IEC power socket (No. 1 in  
fig. 2) and a mains outlet.  
• In order to avoid interference and noise, we  
recommend you use quality, well shielded cables.  
• When using multiple subwoofers in a Master-  
Slave setup, it is recommended that the  
subwoofers are all the same model.  
• If you wish to use multiple subwoofers with full  
individual control, set the Input switch for all to the  
"Master" position. From the Amplifier, processor or  
receiver's subwoofer Output, use a Y-connector.  
Multiple Subwoofer connection  
• From the processor or receiver's subwoofer Output (often  
marked as "subwoofer out", "Sub out" or "LFE"), connect  
a mono RCA-to-RCA or XLR-to-XLR patch cord to the  
Input (No. 4 in fig. 2) of the first subwoofer in the daisy-  
chain. This is now the Master subwoofer.  
• Set the master subwoofers Input switch (No. 7 in fig. 2)  
to the "Master" position.  
• From the Master subwoofers "processed Out" Output  
(No. 6 in fig. 2), connect a mono RCA-to-RCA or XLR-to-  
XLR patch cord to the next subwoofers (Slave) Input.  
Refer also to fig. 4.  
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SETTING UP & TUNING IN  
Connecting using the XLR sockets  
Fig. 5  
A balanced signal connection (XLR sockets) provides a  
connection that is far less susceptible to cable signal  
interference compared to an unbalanced connection (RCA  
connection). It is for this reason that XLR and balanced  
connections are used almost exclusively in critical and  
professional installations.  
Provided your processor or receiver has a XLR symmetric  
or balanced Output for subwoofer you should consider  
using the XLR Input (No. 3 in fig. 2) on the Dynaudio  
subwoofer. In a setup with multiple subwoofers you can  
use the XLR connections between the Master and Slave  
subwoofers, even if the connection between the processor  
or receiver has been made using the RCA connectors.  
Configuring and making connections using XLR is done in  
the same way as using the RCA connectors. Please refer  
to the sections "single subwoofer connection" and "multiple  
subwoofer connections" in this chapter.  
Dynaudio follows the most usual convention for termination  
of XLR sockets:  
Pin 1 = ground  
Pin 2 = signal +  
Pin 3 = signal -  
Remote Control battery & battery replacement  
Before the DSC 1 remote control can be used, it needs to  
be fitted with the battery cell that comes separately packed  
with the remote control. To replace and insert a battery  
(refer to fig. 5):  
• Always ensure that all connections are correct: It  
may be that the source equipment follows a  
different way of terminating the XLR sockets or it  
may be that the XLR connection cables  
themselves do not comply. When in doubt, consult  
your dealer.  
• Release the battery tray by pushing its locking tab (No. 1  
in fig. 5) on the back of the remote sideways with your  
nail and at the same time; slide the tray out of the remote  
control battery compartment.  
• Remove the exhausted battery and dispose of properly.  
Insert a fresh battery in the battery tray: Observe correct  
polarity (both battery and tray are marked with a "+").  
• Slide the battery tray into the battery compartment until  
the locking tab clicks into place. Make sure it is inserted  
the correct way up, the tray will slide into place easily, do  
not use force.  
• DO NOT use XLR and RCA connections in  
parallel at the same time for the same connection.  
• The battery will last a considerable time,  
depending on frequency of use. When you notice  
that the subwoofer doesn't always respond or only  
from a very close range to commands from the  
remote control, it is likely the battery is exhausted  
and will need replacing.  
• Use only CR2025 button cell batteries to replace  
the original battery with; these are readily  
available from most electrical stores.  
Do not leave the remote control in high temperature  
environments (such as in direct sunlight). In worst cases  
this can possibly result in deformation of the remote control.  
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SETTING UP & TUNING IN  
Adjusting the settings and using the subwoofer  
Switching the subwoofer On and Off  
Once you have ensured yourself that all necessary  
connections have been made, the subwoofer can be  
switched on and used. With the exception of the mains  
power switch (No. 2 in fig. 2) controlling the subwoofer is  
done through the DSC 1 remote control; the numbering at  
the beginning of each section corresponds to the  
numbering in fig. 6.  
The Power Switch on the subwoofers back panel switches  
the subwoofer completely off: Set to the Off position, the  
subwoofer will not respond to commands from the remote  
control. For normal operation, the switch will always be set  
to the On position.  
• Switch the subwoofer on with the Power switch on the  
back panel.  
Fig. 6  
• The Status LED (No. 2 in fig. 7) on the front of the  
subwoofer will light up green.  
Automatic Mode for On/Standby  
The subwoofer switches to On or Standby automatically:  
Automatic switching works by signal-sensing. As long as a  
music signal is available on the subwoofers Input, it will  
remain switched on. After 20 minutes of not sensing any  
Input music signal or receiving a signal from the remote  
control, the subwoofer will automatically switch to Standby  
mode.  
When in Standby mode, the Power status LED (No. 2 in fig.  
7) is red; when switched to On, the LED is green. During  
the minute prior to switching to Standby, the Status LED  
(No. 2 in fig. 7) will alternate slowly between green and red  
to indicate it is about to switch to Standby.  
Even in automatic mode, it is possible to switch the  
subwoofer to Standby or On, using the on/standby  
buttons (buttons in No. 2 in fig. 6):  
• By pressing the upper button briefly, the subwoofer will  
switch On (if it was already on, nothing will happen).  
Note that if no music signal presents itself within 20  
minutes, the subwoofer will switch back to Standby  
again.  
• By pressing the lower button briefly, the subwoofer will  
switch to Standby (if it was already in Standby, nothing  
will happen). Note that on the next occasion a music  
signal presents itself (after a 20 minute silence), the  
subwoofer will switch to On again automatically.  
1. Subwoofer manual On/Off  
2. Subwoofer Volume level  
3. Subwoofer Roll-off frequency setting  
4. LF Extension On/Off  
The Power status LED (No. 2 in fig. 7) will show if the  
subwoofer is in Standby mode (LED is Red) or On (LED is  
green).  
5. Subwoofer Phase selection  
6. Configuration presets  
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SETTING UP & TUNING IN  
Fig. 7  
The subwoofer can be switched from Standby either  
manually or automatically. The subwoofer is factory-set at  
Automatic, as this will be the most convenient setting in  
most cases.  
1
2
3
Back to Automatic mode:  
Press either the "I" or "O" button briefly. Regardless if the  
subwoofer is switched On or in Standby mode, the  
subwoofer will switch back to Automatic mode again: The  
Manual status LED will extinguish.  
• Unlike all other functions on the remote control,  
the On/Standby buttons remain active when the  
subwoofer is set to "Slave" mode.  
• When powering up, the subwoofer always reverts  
to the same settings as when it was switched off.  
Even if mains power is removed completely for a  
prolonged period of time, the last settings will be  
retained.  
1 Manual Mode (Manual/Automatic) LED.  
Green = Manual mode  
Off = Automatic mode  
2 Power Status LED  
Green = On  
Red = Standby  
Off = completely Off  
3 Remote control command receiver.  
Subwoofer Level control  
• Press Level + (upper button No. 1 fig. 6) to increase the  
volume of the subwoofer, release when the desired level  
has been reached. Each short, momentary press will  
increase the volume level with 1 dB.  
• Press Level - (lower button No. 1 in fig. 6) to decrease  
the volume of the subwoofer, release when the desired  
level has been reached. Each short, momentary press  
will decrease the volume level with 1 dB.  
Temporary Manual Mode for On/Standby  
It is possible to temporarily override Automatic switching:  
Briefly pressing the green "I" (Power On) button on the  
remote will switch the subwoofer to On, even if no signal is  
present. Note that if no music signal presents itself within  
20 minutes, the subwoofer will switch back to Standby  
again.  
The right volume level is one of the critical aspects of  
correct and seamless integration of any subwoofer as part  
of a speaker system. Please refer to the chapter "Finding  
the correct settings" for more information.  
Briefly pressing the red "O" (Power Standby) button will  
switch the subwoofer to Standby, even if a music signal is  
still present. Note that on the next occasion a music signal  
presents itself (after a 20 minute silence), the subwoofer  
will switch to On again automatically.  
Together with the other settings, the volume level  
can be stored in one of the 4 presets. Refer to  
section "Storing and recalling Presets" in this  
chapter. Together with the other settings Cross-  
over frequency and Phase we recommend that,  
once found, you store the optimum volume level  
into one of the presets.  
If you prefer the subwoofer to stay switched On or to  
Standby all the time -regardless of Input signal- you can  
override the Automatic mode completely in two different  
ways. The Manual status LED (top button in No. 2 in fig. 6)  
indicates to which state the subwoofer is set: Manual LED  
is lit green; in Automatic mode, LED is off.  
• The Volume control is disabled when the  
subwoofer is set to "Slave" mode. Refer also to  
section "Master and Slave Mode" in this chapter.  
• Press and hold the green "I' button (top button in No. 2 in  
fig. 6) for 2 seconds to set to Manual Standby/On  
switching: The Manual status LED (No. 1 in fig. 7) will  
light up green. If the subwoofer was already switched  
On, it will remain On; if it was set to Standby, it will switch  
to On.  
• Press and hold the red "O' button (lower button in No. 2  
in fig. 6) for 2 seconds to set to Manual Standby/On  
switching: The Manual status LED (top button in No. 2 in  
fig. 6) will light up green. If the subwoofer was already  
switched to Standby, it will remain in Standby; if it was  
switched On, it will switch to Standby.  
11  
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SETTING UP & TUNING IN  
Setting the Cross-over Frequency  
• The EXT mode is disabled when the subwoofer is set to  
"Slave" mode. Refer also to section "Master and Slave  
Mode" in this chapter.  
The Cross-over frequency can be set to four positions: 60,  
80, 100Hz and Flat. The roll-off slope is 24dB per octave.  
In most cases, selecting cross-over frequencies is done  
through the bass-management system of your processor or  
receiver. In this case, use the "Flat" position. Refer to the  
instruction manual of the processor or receiver how to set  
cross-over frequency.  
• Loud volume levels over prolonged periods of time  
can cause permanent damage to your hearing!  
• Press the button for the desired position. When pressing  
the button, ensure that the command from the remote  
control is received (the Power Status LED; No. 2 in fig. 7  
blinks).  
Setting Phase  
The Phase setting of the subwoofer has been factory-set at  
0° which in many cases will be the appropriate setting.  
Press the 0°, 90°, 180° or 270° button (No. 5, fig. 6) to  
select the desired phase setting.  
Check the owner's manual of the other speakers in the  
system if a specific frequency is recommended. Please  
refer to the chapter "Finding the optimal settings" for more  
information.  
Together with the other settings, the Phase setting  
can be stored in one of the 4 presets. Refer to  
section "Storing and recalling Presets" in this  
chapter. Together with the other settings, Volume  
and Cross-over frequency, we recommend that,  
once found, you store the correct phase setting  
into one of the presets.  
• The Phase selector is disabled when the  
subwoofer is set to "Slave" mode. Refer also to  
section "Master and Slave Mode" in this chapter.  
Together with the other settings, the Cross-over  
frequency can be stored in one of the 4 presets.  
Refer to section "Storing and recalling Presets" in  
this chapter. Together with the other settings  
Volume and Phase we recommend that, once  
found, you store the correct cross-over frequency  
into one of the presets.  
• The Cross-over frequency control is disabled  
when the subwoofer is set to "Slave" mode. Refer  
also to section "Master and Slave Mode" in this  
chapter.  
Storing and recalling presets  
With four presets available you have the flexibility of  
recalling different sets of subwoofer settings, depending on  
what suits the occasion best. For instance, you may store  
the settings best suited for classical music setting under  
Preset A, program Preset B to have the best settings for  
action movies and program Preset C for late-night listening,  
etc.  
Selecting EXT On or Off  
EXT stands for Extension, in this case Low Frequency  
Extension. Dynaudio subwoofers allow for deep and  
accurate bass response even at high levels. In the EXT Off  
mode, the very deepest bass will be mildly filtered; this will  
allow the subwoofer to achieve even higher sound  
pressure levels. Generally speaking, this setting is best  
suited for movies and most music. Some movies and high  
quality, audiophile recordings can contain extreme low  
frequencies. To experience these:  
The presets are also an excellent tool for recalling different  
settings when experimenting with either location or settings  
of the subwoofer.  
Once you have stored all presets, you can choose to block  
access to storing, so that presets can not be over-written  
by mistake.  
• Press the EXT On button (lower button in No. 4, fig. 6) to  
switch Low Frequency extension on.  
Each preset stores settings for Volume Level, Cross-over  
frequency, LF Extension and Phase.  
Together with the other settings, the Low Frequency  
Extension status can be stored in one of the 4 presets.  
This way, you can program the EXT switched On as part  
of a setting for "audiophile listening" and program EXT  
Off as part of a setting for "cinema mode" for instance.  
Refer to section "Storing and recalling Presets" in this  
chapter.  
• If you use a turntable, you will get the best results with  
EXT switched off. Many vinyl records contain, and the  
turntable itself will generate, very low frequencies  
(rumble) which, with the subwoofers low frequencies  
capabilities can otherwise prove distracting from enjoying  
the music.  
To store a preset:  
• Ensure that Preset programming hasn't been blocked:  
The Preset/Settings switch on the subwoofers back panel  
(No. 8 in fig. 2) must be in the "Store" position.  
• Set all parameters (Volume Level, Cross-over frequency,  
LF Extension and Phase) to your liking.  
• Press and hold the desired Preset A, B, C or D button  
(No. 6 in fig. 6) for 3 seconds. Ensure that the subwoofer  
receives the commands from the remote control without  
interruption.  
• The Status LED (No. 2 in fig. 7) will blink 3 times to  
confirm the preset has been stored. Any previously  
12  
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POSITIONING THE SUBWOOFER  
stored settings has been overwritten with your new  
settings.  
Introduction  
Although it is often said that the location of a subwoofer in  
a listening room is not critical (as the human ear can not  
locate direction at very low frequencies) we recommend  
that you choose its position carefully so the subwoofer can  
integrate fluently with the other speakers in the system and  
interact in the correct way with the acoustical environment.  
To avoid accidental over-writing of presets, set the  
Preset/Settings switch on the subwoofers back panel  
(No. 8 in fig. 2) to the "Protect" position. Adjustments on-  
the-fly for all settings are still possible.  
To recall a Preset:  
• Simply briefly press the desired Preset button A, B, C or D.  
All of the following should be taken as rule-of-thumb  
guidelines; bass response in general is very dependent on  
the acoustics of the listening environment. Finding the best  
position often involves a lot of trial-and-error experimenting.  
Always trust your ears, even if seemingly the position of  
the subwoofer goes against the guidelines. Contradictory  
as it may seem, good integration of subwoofers has been  
achieved when one isn't aware that a subwoofer is present  
at all in the system, yet performance involves fast, deep  
and solid bass without sounding stressed, even at loud  
levels.  
• Presets can only be stored or recalled in "Master"  
mode.  
• Program one preset with the best global settings  
for your system and use this as the starting point  
to program the other presets. This way you always  
have a starting and reference point.  
• Trying to find the right location will also involve finding  
the right settings such as Level, Cross-over frequency  
and Phase for that location. The subwoofers presets will  
prove to be a useful tool when trying to find a suitable  
setting: You can store the settings that match a particular  
position so you can easily swap between locations. It will  
also allow you to make small changes in settings and to  
store these as separate presets. This way, you can  
compare between presets to find the best setting. Refer  
also to section "Storing and recalling a Preset" in Chapter  
"Adjusting and Using the subwoofer".  
• When experimenting to find the optimal location, use a  
couple of music tracks with repetitive bass across a large  
spectrum. The tracks should be sufficiently different from  
each other and each should cover a wide bass-range.  
Musical instruments, such as a double-bass, bass guitar,  
church organ, etc. cover a wide spectrum in the bass  
region and are therefore very suitable. Using non-music  
(such as action movies) material to position and adjust  
the subwoofer with, may lead to spectacular results with  
such material but almost always it will result in overblown  
and excessive bass when playing music with the same  
setting. Remember that the Dynaudio subwoofers allow  
for 4 different preset settings, so you can store a preset  
with the setting that matches the occasion (be it for  
action movie or music listening) best.  
Every listening environment will have specific "room-  
modes", whereby in some specific locations in the room  
and at particular frequencies, the bass may be too much or  
too lean. This effect will be stronger in square and "shoe-  
box" shaped rooms. With a single subwoofer, the better  
position for the subwoofer relative to the listening position  
will be the one where bass is perceived to be neither too  
much or too lean at any given frequency.  
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POSITIONING THE SUBWOOFER  
Fig. 8  
This position still provides considerable boost but less than  
the corner placement as above. Room-modes can also still  
be considerable but less so than with corner placement.  
• Generally, avoid placing the subwoofer at ¼, ½ or ¾ of  
either the length or width of the room as at these  
locations the room-modes are likely to be strongest (the  
dashed lines in fig. 8)  
From the listening position, check if the bass is even  
across the entire bass spectrum. If not, move the  
subwoofer away or towards your listening position until  
most even response has been obtained.  
Fig. 9  
Avoid placing the subwoofer exactly half-way or at a  
quarter of the wall's length (refer to fig. 8).  
Corner placement  
Free standing, away from wall and corner  
Fig. 11  
Maximum boost of bass level but potentially uneven  
distribution of bass in the room (room-modes), particularly  
if the room is square or shoe-box shaped.  
From the listening position, check if the bass is even  
across the entire bass spectrum. If not, move the  
subwoofer out of the corner. Try moving it along either wall.  
This position will give least boost compared to wall or cor-  
ner placement, but in general offers best flexibility at  
achieving most even bass distribution at the listening posi-  
tion.  
Fig. 10  
Next to the wall - away from the corner  
Avoid placing the subwoofer exactly half-way or at a quar-  
ter's length of either sidewall (refer to fig. 8).  
Particularly in smaller square or "shoe-box" shaped rooms  
the free standing position is recommended.  
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FINDING THE OPTIMAL SETTINGS  
Multiple subwoofers.  
Level  
By using carefully positioned multiple subwoofers it is pos-  
sible to even out the different room-modes and thus create  
a more coherent overall bass response in the room. It is  
worth experimenting with different locations around the  
room for the additional subwoofers, even using the rear of  
the room. As adding subwoofers will not increase the effect  
of room-modes, even adding a subwoofer without much  
care or thought to positioning is likely to help even out  
room-modes.  
With the "+" and "-" Level buttons (No. 2 in fig. 6) you can  
adjust the relative volume level of the subwoofer to the  
main speakers of the system:  
• Play the same track a couple of times, adjusting the level  
so that the instrument sounds homogenous across its  
range.  
• If you find that at certain specific bass tones the  
response is either too loud (bloated sound) or soft (thin  
sound), it may be that you have to experiment further  
with the location of the subwoofer and/or the cross-over  
settings. Refer to the chapter "positioning the subwoofer"  
and section "Cross-over setting" in this chapter.  
Always position subwoofers at least 1 mtr/3 ft away  
from a television as the magnetic field emanating  
from the subwoofer may otherwise distort the  
picture. If you see discolorations on the television  
screen, try moving the subwoofer and other  
speakers close by away from the television.  
When using multiple subwoofers, ensure that all  
settings such as level, cross-over frequency, phase  
and LF extension are identical. Use the "Master"  
and "Slave" mode options to ensure that all  
subwoofers operate on the same settings (refer to  
chapter "Installation and Connections", section  
"Master and Slave mode").  
Finding the correct settings  
Before deciding on a final setting, you will probably want to  
experiment with both location and adjustment of the  
subwoofer. Here, the subwoofers presets will prove an  
ideal tool. When trying to decide on a particular location,  
simply store the settings that are best for the location and  
swap back and forth, using the appropriate preset every  
time. Refer also to section "Storing and recalling a Preset"  
in Chapter "Adjusting and using the subwoofer".  
Cross-over frequency  
With the Cross-over frequency setting you can select up to  
what frequency the subwoofer will work. Fig. 12 shows the  
effect of each setting. Note that curves are for explanation  
purposes only.  
• When experimenting to find the optimal settings, use a  
couple of music tracks with repetitive bass across a large  
spectrum. The tracks should be sufficiently different from  
each other and each should cover a wide bass-range.  
Musical instruments, such as a double-bass, bass guitar,  
church organ, etc. covering a wide spectrum in the bass  
region and above, are very suitable as these depend on  
accurately balanced subwoofers and main speakers.  
Fig. 12  
• Although in general it is best to make adjustments in the  
sequence outlined below, note that changing one setting  
may influence another. For example, finding the right  
setting for "Phase" may result in having to decrease  
"level", even if this was set correct before. It is  
recommended that you double-check the previous  
settings before moving on to the next one. Obtaining the  
best integration of the subwoofers generally involves a  
considerable amount of repeated fine-tuning.  
• Once done, use the presets to store the settings. It is  
advisable to reserve one preset as the "system default"  
settings so you can always revert to this setting when  
you have made temporary changes to any of the  
settings.  
Selecting the ideal cross-over frequency depends in most  
part on the main speakers. Ideally, the signal to these  
speakers has passed a low-frequency filter so that these  
can take over seamlessly from the subwoofer at the correct  
cross-over frequency. If the cross-over frequency for the  
main speakers has been set too high (or looking at it  
differently, the cross-over point for the subwoofer is set too  
low), there will be a significant gap in the combined  
15  
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FINDING OPTIMAL SETTINGS  
frequency response; see fig. 13. In the same manner, with  
Fig. 15  
the cross-over frequency for the main speakers set too low  
(cross-over freq. for the subwoofer too high), there will be  
too much of an overlap between subwoofer and main  
speakers, again resulting in incorrect overall frequency  
response; see fig. 14. Correct settings are illustrated in fig. 15.  
Subwoofer & main speakers cross-over frequencies set  
correctly: Smooth frequency response.  
Fig. 13  
Subwoofer cross-over frequency set too high (main  
speakers too low): Bump in frequency response.  
Many multi-channel processors and receivers provide  
elaborate bass-management systems where the cross-over  
frequency for both subwoofer and main speakers can be  
set. If you are using such a bass-management system, you  
can select the "Flat" setting on the subwoofers remote  
control, as all filtering has been done by the bass-  
management system. Carefully follow the instructions for  
the amplifier/processor or receiver.  
• If you are using your system's bass-management  
system, ensure that the subwoofers cross-over  
frequency hasn't been set to the same or lower  
frequency compared to the setting chosen with the  
bass management system.  
Fig. 14  
Subwoofer cross-over frequency too low (main speakers  
too high): Gap in frequency response  
• Selecting the correct frequency depends to a large  
extend on the main speakers. Sometimes main  
speakers are specifically intended to work with a  
subwoofer. In such cases, the main speakers can  
get damaged by a full-range amplifier signal. If in  
doubt, check the instruction manual for the main  
speakers for any restrictions or recommendations.  
Of course it is possible to combine the subwoofer in a  
system where the loudspeakers are being fed with a full-  
range signal. In that case, setting the cross-over frequency  
for the subwoofer depends very much on the natural roll-off  
frequency in the bass of the main speakers. In general, a  
large, floor-standing speaker will still have significant  
Output in the deeper bass range, in which case the cross-  
over frequency should be set to 60Hz. A small or very small  
speaker will have less deep bass Output in which case the  
setting should be 80Hz. or 100Hz. To find the correct  
setting in such scenarios:  
• Play a music track that has a significant amount of bass  
over a large bass region. An instrument such as a  
double-bass or bass-guitar is very suitable. Starting with  
the "60" Hz position (first button left in row No. 3 in fig.  
6), use this track to set the subwoofers relative volume  
level.  
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FINDING OPTIMAL SETTINGS  
• Listen carefully to the bass-line played by the instrument.  
Fig. 16  
As it goes up and down in the bass range, the overall  
bass volume should remain the same, be it with very  
deep or higher bass notes. Particularly with very small  
main speakers, it may be that you can hear a "hole" in  
the bass response: You can hear the deepest bass notes  
and everything from lower midrange easily, but overall  
the bass leaves a thin impression. On the other hand, it  
may be that using the 60Hz setting the system already  
sounds good. In both cases, select the next setting, "80"  
Hz.  
Incorrect phase relation of subwoofer to main speakers in  
critical overlap area: Reduced acoustical Output in overlap  
area, even if levels are set correct.  
• Playing the same track at the same volume level, again  
listen to the overall bass volume level. If the apparent  
hole in bass response is still present or if the system  
sounds good now, move on to the next setting, 100Hz.  
Should the bass volume suddenly become louder or  
bloated at certain tones compared to the 60Hz setting  
earlier, revert to this setting; in this case setting the  
cross-over frequency is done.  
• Again play the track to listen to the overall bass volume  
level. If the bass sounds correct now, leave the setting at  
100Hz. Should the bass volume suddenly become louder  
or bloated at certain tones compared to the 80Hz setting  
earlier, revert to this setting.  
Finding optimal Phase Settings  
• Playing the same bass-rich track which also covers the  
overlap area, repeatedly press the 0°, and its opposite  
phase, the 180° button in succession. Without changing  
volume level, do the same with the 90° and its opposite  
phase, the 270° button (No. 5 in fig. 6). Note which set of  
phase settings (0°-180° or 90°-270°) provides the biggest  
difference in bass response.  
Phase  
With the phase settings you can adjust the timing  
relationship between the subwoofers and main speakers. If  
either subwoofer or main speaker are slightly delayed in  
response in relation to the other, it can result in decreased  
bass Output in the frequency response area where they  
overlap each other..  
• Using the set of phase settings found in the step above  
(either 0°-180° or 90°-270°) press each of the two  
buttons in alteration. The position in which you  
experience the most bass is the correct setting, even if it  
appears that the bass is too much (this can be adjusted  
for later).  
The Phase relationship between subwoofer and satellite  
speakers is very dependent on relative distance,  
construction and working principles of the main speakers.  
Fig 16 shows a case whereby phase of the subwoofer and  
main speakers are incorrect in the critical overlap area,  
thus significantly reducing acoustic Output in the listening  
room in that area.  
17  
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TROUBLESHOOTING  
Problem  
Cause  
Solution  
The subwoofer switches itself off while  
music is being played  
• There is hardly any low-frequency signal  
available in the signal. This can happen if  
the music or movie itself does not contain  
very low frequencies (e.g. long dialogues)  
and if the processor or receiver already  
performs bass-management.  
• Use the temporary manual On/Standby  
facility by pressing the green "I" button on  
the remote for more than two seconds.  
The subwoofer responds intermittently to  
remote control commands  
• The remote control battery is becoming  
weak.  
• The remote control eye (either front- or  
back panel) is obstructed.• The  
subwoofer is in direct, strong sunlight  
• Replace battery  
• Ensure there is a clear line-of-sight from  
the remote control to either the front- or  
back panel remote receiver. If this is not  
possible, consider an IR repeating  
system which consists of a separate  
remote receiver which connects by wire  
to a remote control emitter which can be  
positioned close to the subwoofers  
remote eye.  
• Avoid placing the subwoofer in strong  
direct sunlight.  
• AC mains cable has become  
disconnected (no LEDs are lit).•  
Mains switch on the back (No. 1 fig. 2) is  
switched to off (no LEDs are lit).  
The subwoofer will not switch on at all  
• Reconnect mains cable• Switch  
mains back on• Check if all signal  
cables are connected properly. Make  
sure to switch the system off first  
before making any changes.  
The subwoofer will not switch on  
automatically  
• No signal is present on either of the  
subInputs (Status LED is red)•  
subwoofer has been set to temporary  
• Check if all signal cables are connected  
Make sure to switch the system off first  
before making any changes.  
The  
manual On/Standby switching. (Manual  
status LED is green)woofer's  
• Check if the subwoofer Output on the  
source is engaged.  
• Switch back to automatic On/Standby  
facility by briefly pressing the green "I"  
button on the remote: The subwoofer will  
switch on and the Manual status LED will  
extinguish properly.  
The subwoofer will not switch to standby  
automatically  
• The subwoofer has been set to temporary • Use the temporary manual On/Standby  
manual On/Standby switching. (Manual  
status LED is green)  
facility by pressing the red "O" button on  
the remote for more than two seconds:  
The subwoofer will switch to Standby and  
the Manual status LED will extinguish.  
I cannot store a setting  
• Preset/Setting switch (No. 8 fig. 2) is set  
to "protect"  
• Set Preset/Setting switch from "Protect"  
to "Store"  
Subwoofer is switched on but no sound  
from the subwoofer  
• No signal is present on either of the  
subwoofers Inputs.•In the processor or  
receiver's bass-management set-up,  
subwoofer has been disabled•  
Subwoofer volume level has been turned  
down all the way on the amplifier or  
receiver.  
• Subwoofer volume level has been turned  
down all the way with the subwoofers  
remote control  
• Check if all signal cables are connected  
properly. Make sure to switch the system  
off first before making any changes.•  
Check settings in Bass Management  
menu of the connected amplifier or  
receiver.  
• Carefully and gradually Increase the  
subwoofer volume level on the amplifier  
or receiver.  
• Carefully and gradually Increase the  
subwoofer volume level with its remote  
control.  
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FACTORY DEFAULTS  
Factory Default settings.  
The factory default settings are as follows:  
Power Mode:  
Phase:  
Automatic  
0°  
Level:  
0dB  
EXT:  
On  
LF Cut-off:  
100Hz  
To reinstate the factory default settings:  
• Switch the subwoofer off completely using the switch on  
the back panel (No.2 in fig.2).  
• Wait for at least 10 seconds.  
• Press and hold the "A" preset button (No. 6 in fig 6).  
• While holding down the "A" preset button, switch on  
subwoofer back on: The power Status LED will start to  
flash green.  
• Release the "A" preset button. The subwoofer is now  
reset to the factory default settings.  
All previously stored presets will be deleted also  
when resetting to factory defaults  
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TECHNICAL SPECIFICATIONS  
Technical Specifications for BM10S BM12S  
BM12S  
BM10S  
Frequency Response (+/- 3 dB)  
Low Frequency Limit*  
High Frequency Limit*  
18 Hz - 250 Hz  
18 Hz - 27 Hz  
60 Hz - 250 Hz  
25 Hz - 250 Hz  
25 Hz - 33 Hz  
60 Hz - 250 Hz  
Amplifier Power  
250 W @ 4 Ohms  
200 W @ 5 Ohms  
Crossover Frequencies  
Crossover Slope  
Crossover Bypass  
Phase adjustment  
60 Hz / 80 Hz / 100 Hz  
4th order Linkwitz-Riley  
Yes (Flat)  
60 Hz / 80 Hz / 100 Hz  
4th order Linkwitz-Riley  
Yes (Flat)  
0° / 90° / 180° / 270°  
0° / 90° / 180° / 270°  
Inputs  
Single ended/RCA, Balanced/XLR  
Single ended/RCA, Balanced/XLR  
Input Sensitivity for Full Output*  
Maximum Input  
Input Impedance  
Output  
0.1 V - 5 V  
10 V  
20 k Ohms  
Single ended/RCA, Balanced/XLR  
0.1 V - 5 V  
10 V  
20 k Ohms  
Single ended/RCA, Balanced/XLR  
Master / Slave Link  
Remote Control  
Yes  
included  
Yes  
included  
No. of Presets  
4
4
Each Preset includes  
level, crossover frequency, phase,  
extended frequency range  
level, crossover frequency, phase,  
extended frequency range  
Drive Unit  
Magnetic Shielding  
12" (30 cm), long throw  
Yes  
10" (24 cm), long throw  
Yes  
Internal Cabinet Volume  
Bass Principle  
36 litres  
Closed  
19 litres  
Ported  
Power Consumption Max.  
Power Consumption Standby  
Mains Voltage**  
480 W  
5 W  
480 W  
5 W  
120 V/60 Hz or 230 V/50 Hz  
120 V/60 Hz or 230 V/50 Hz  
Weight (net)  
28.2 kg  
16.7 kg  
Dimensions (W x H x D)  
360 x 378 x 576 mm  
320 x 338 x 474 mm  
* Depended on setting  
** Please refer to your local network  
Note: Technical specifications are subject to change without notice.  
20  
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