DigiTech Musical Toy Instrument Obscura Altered Delay User Manual

OWNER’S MANUAL  
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INTRODUCTION  
Thanks for choosing the DigiTech® Obscura stereo delay pedal. The Obscura was designed for the  
selective guitarist who wants the highest quality delay in a compact package. The Obscura provides  
such distinguishing features as organic delay algorithms, true bypass, constant high voltage operation,  
and true stereo processing, making the Obscura an essential addition to the signal chain of players who  
know about sound quality and demand the utmost in performance with superior tone and control.  
The Obscura is more than just a digital delay pedal. Using the Repeat Hold feature, it can be used  
for creating interesting real-time effects that will repeat as long as you like, even when the effect is  
bypassed, allowing you to create amazing ambient effects and textures that you can play over the top  
of.  
The Obscura offers 4 delay types:  
• Analog  
• Tape  
• Lo-Fi  
• Reverse  
To use the Obscura pedal, enable the effect with the Footswitch (the LED will light when the effect is  
enabled). Adjust the LEVEL control to mix in the amount of delay effect. Select the desired delay type  
with the DELAY TYPE selector knob. Adjust the TIME and REPEATS controls to set the delay time and  
adjust the length of the delay repeats (or tail). To use Tap Tempo, press and hold the FOOTSWITCH for 3  
seconds then tap in the tempo. Change the tone and quality of the delay with the TONE and DEGRADE  
controls. Set the TAILS switch to the ‘ONposition if you want the delay tails to decay naturally after  
switching the effect off or want to use the Repeat Hold feature for additional real-time effect control.  
Set the TAILS switch to the ‘OFFposition if you want the delay tails to end abruptly when switching the  
effect off or want to utilize the true bypass feature.  
FEATURES  
• 4 Delay Algorithm Types  
• Up to 2 Seconds of Stereo Delay Time  
• Tap Tempo  
• Delay Repeat Hold  
• Tails On/Off Switch  
• True Bypass  
• Stereo 1/4Inputs & Outputs w/ True Stereo Processing  
• Constant High Voltage Power Rails  
• Effect On/Off LED Indicator  
• Soft Touch Vacuum Switch  
• Included StompLock™ & Pedalboard Hook & Loop Pad  
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USER INTERFACE  
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10  
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1. Tails Switch  
When this switch is set to the ON position, delay tails will decay naturally when the effect is  
switched to bypass. When set to the OFF position, delay decays will end abruptly when the effect is  
switched to bypass. When the Tails Switch is set to ON, the Obscura does not utilize true hardwire  
bypass. If you always want to use true hardwire bypass, set the Tails Switch to the OFF position.  
2. DC Power Jack  
Connect the specified Harman power supply (sold separately) to this jack. Be sure to use the proper  
power supply for your area’s mains line voltage. See ‘Specifications’ on page 14 for power supply  
model information. The Obscura can only be powered using the external power supply.  
3. Delay Type Selector Knob  
Selects from the following delay algorithm types:  
• ANALOG - Classic sound of a vintage bucket brigade analog delay circuit.  
TAPE - Emulates a classic tube tape echo.  
• LO-FI - A low-fidelity delay that has limited bandwidth and reduced bit-depth to approximate  
the effects of low sample rate and 8-bit signal processing used in vintage digital delays.  
• REVERSE - A delay where the repeats are played backwards. No dry signal is present when  
REVERSE is selected.  
4. Tone Knob  
Adjusts the frequency response of the delay effect, making it brighter or darker in tone.  
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5. Degrade Knob  
This knob controls the amount of degradation and its effect on the sound varies depending on  
which delay type is selected. Here’s a description of the DEGRADE control for each delay type:  
• ANALOG - Increases aliasing and grit.  
TAPE - Increases wow and flutter.  
• LO-FI - Increases “input channel overdrive.  
• REVERSE - Increases “tape saturation.  
6. Input 1 (Mono)  
Use this jack when only a single connection is needed. Connect your instrument, the output of a  
pedal, or an amp effects send to this jack. Signals are heard at both outputs when only this jack is  
used.  
7. Indicator LED  
This multi-color LED lights red to indicate when the effect is turned on. When using Tap Tempo, the  
LED will flash at the rate of the delay time and will flash yellow, red, or green, depending on the  
position of the TIME knob. See Tap Tempo’ on page 8 for more information on using the Tap  
Tempo feature.  
8. Input 2  
Connect a second input to this jack for stereo operation. Inputs 1 and 2 are processed separately  
through the stereo delay effect then fed to Outputs 1 and 2, keeping true stereo separation  
between channels.  
9. Footswitch  
Turns the effect on and off. The Footswitch is also used for tapping in the delay time when using  
the Tap Tempo feature, see Tap Tempo’ on page 8 for further information on using this feature.  
10. Output 2  
Connect this output to the input of a second guitar amplifier when a second amp is being used.  
When only the Input 1 (Mono) jack is connected, guitar and delay signal can be heard in both  
Outputs 1 and 2 when they are used.  
11. Output 1 (Mono)  
Connect this output to the input of a single guitar amplifier or amp effects return.  
12. Repeats Knob  
Controls the number of delay repeats. Turn this knob clockwise to increase and counter-clockwise  
to decrease the number of repeats. Turn this knob to the 3 ‘o clock or higher position (indicated by  
the screened line next to the knob) to engage Repeat Hold, see ‘Using Repeat Hold’ on page 9  
for more information.  
13. Time Knob  
Controls the amount of delay time. When Tap Tempo is active, you can use the TIME knob to set the  
tap multiplier. See Tap Tempo’ on page 8 for information on using this feature.  
14. Level Knob  
Controls the delay level. Turn this knob clockwise to increase and counter-clockwise to decrease  
the delay level. Note that when the REVERSE delay type is selected, no dry signal is added, so when  
the LEVEL knob is at the minimum position, no signal will be heard.  
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MAKING CONNECTIONS/APPLYING POWER  
To connect the Obscura pedal to your rig:  
1. Turn down the amplifier’s master volume control.  
2. Make all audio connections to the Obscura as shown in Tap Tempo’ on page 8.  
3. Connect the appropriate Harman power supply (not included) to the POWER input connector  
and connect the other end to an available AC outlet.  
4. Strum your guitar and gradually increase your amplifier’s master volume control until the  
desired level is achieved.  
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CONNECTION DIAGRAMS  
Mono/Stereo Amplifier Setup  
Amp 1  
Harman  
Power Supply  
IN  
IN 1 (MONO)  
IN 2  
OUT 1 (MONO)  
OUT  
OUT 2  
Amp 2  
IN  
Other Effects  
Use only unbalanced TS instrument cables for audio connections.  
Optional  
Amplifier Effects Loop Setup  
Harman  
FX SND  
FX RTN  
Power Supply  
Amp  
IN 1 (MONO)  
OUT 1 (MONO)  
OUT  
Other Effects  
IN  
Use only unbalanced TS instrument cables for audio connections.  
Optional  
NOTE: If the amp effects loop has a mix control, set the mix to 100% full wet.  
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EXAMPLE SETTINGS  
Try these settings to get started.  
Get Out Of My Way  
Dark Wobbly Lead  
Dirty Pulse  
Backwards Saturated Tape  
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Tick Tock Runaway Clock (Oscillating)  
Motion Of The Ocean (Oscillating)  
Play Part Then  
Engage  
Play Part Then  
Engage  
Repeat  
Repeat  
Hold  
Hold  
Dark Stalker (Oscillating)  
Tar Pit (Oscillating)  
Play Part Then  
Engage  
Play Part Then  
Engage  
Repeat  
Repeat  
Hold  
Hold  
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TAP TEMPO  
The Obscura’s Footswitch can be used as a Tap Tempo switch for setting the delay time during a live  
performance.  
To use Tap Tempo:  
1. Press and hold the FOOTSWITCH for 3 seconds. The Indicator LED will begin flashing to indicate  
Tap Tempo mode is now active and the LED will flash at the current delay time rate.  
2. Tap the FOOTSWITCH at least two times to set a new delay time. The last two pedal tap intervals  
set the delay time.  
3. While Tap Tempo is active, the TIME knob can  
be used to set the multiplier value of eighth  
note, dotted eighth note (quarter note triplet),  
and quarter note (1:1 tap ratio). A flashing green  
LED indicates eighth note multiplier is selected,  
a flashing yellow LED indicates dotted eighth  
multiplier is selected, and a flashing red LED  
indicates the quarter note multiplier is selected.  
TIME Knob -  
Delay Time Multiplier Range  
Yellow  
Green  
Red  
4. To exit Tap Tempo, press and hold the FOOTSWITCH for 3 seconds until the Indicator LED stops  
flashing and lights solid RED again. Once Tap Tempo mode is exited, the tapped delay time  
remains active until either the delay type is changed or the TIME knob is adjusted.  
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USING REPEAT HOLD  
The Obscura has some musically useful behaviors that may not be apparent at first glance. The Repeat  
Hold feature can be used to create delays that repeat infinitely (or at least until you stop them). This  
allows you to:  
• Create sonically interesting noises, rhythmic glitches, and ambient soundscapes that you can play  
over the top of.  
• Manipulate and destroy time using Tap Tempo, the TAILS switch, and the control knobs.  
• Create effects that build up or delays that run away, then fade them out or stop them abruptly.  
Repeat Hold is enabled by setting the REPEATS  
knob to the 3 ‘o clock or higher position (indicated  
by the screened line next to the knob).  
REPEATS Knob -  
Repeat Hold Enabled Range  
Delay Repeats  
Range  
Repeat Hold  
Enabled Range  
The following section describes how to use Repeat Hold and the various ways to manipulate the delay,  
and then it is up to your creativity to discover the musical application (that’s the fun part).  
To use the Repeat Hold feature:  
1. Set the REPEATS knob somewhere below the 3 ‘o clock position.  
2. Make sure the effect is enabled using the FOOTSWITCH (LED should be on).  
3. Play something on the guitar then turn the REPEATS knob to the full clockwise position.  
4. The delayed signal will now repeat infinitely and you can play over the top of it or manipulate  
the controls to perform real-time special effects as outlined in the following section.  
TIP: With Repeat Hold active, setting the TAILS switch to ON will keep the Repeat Hold repeating forever,  
even when the effect is bypassed. When used in this way, any of the following actions can be performed  
while the effect is on or bypassed.  
TIP: When performing any of the following actions, runaway oscillation can be controlled at any time by  
turning up the DEGRADE knob, turning down the TONE knob, or a combination of the two. To quickly  
stop runaway oscillation or clear the delay repeats, set the TAILS switch to OFF then bypass the effect or  
simply change the DELAY TYPE SELECTOR knob.  
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Control(s)  
Manipulated  
Action  
Instructions  
• If starting in with a quick delay, the TIME knob can  
be increased to cause the delay pitch to drop and  
the repeats to slow.  
Manipulate Time  
TIME  
• If starting in with a long delay, the TIME knob can be  
decreased to cause the delay pitch to rise and the  
repeats to speed up.  
1. Enter Tap Tempo mode (see Tap Tempo’ on page  
8) then tap in new times and the repeating delay  
will change abruptly to the new division, giving you  
blipping, cycling, repeats that can be timed to the  
tempo of your song.  
Manipulate Time  
(w/ Subdivisions)  
TAP TEMPO/  
TIME  
2. Turning the TIME knob while in the Tap Tempo mode  
alters the delay by changing the subdivision note  
values (see Tap Tempo’ on page 8), .  
• Increase the TONE knob to make the delay “stand  
outmore and/or cause the delay to go into  
runaway.  
Manipulate Tone,  
Create Build-Up or  
Runaway  
TONE  
• Decrease the TONE knob to move the delay  
“underneathyour guitar tone and/or tame runaway.  
• Increase the DEGRADE knob to modify the character  
of the sound and/or tame runaway.  
• Decrease the DEGRADE knob to modify the  
character of the sound and/or cause the delay to go  
into runaway.  
Modify Character,  
Create Build-Up or  
Runaway  
DEGRADE  
NOTE: DEGRADE can alter the repeats in various  
ways depending on the delay type selected, see the  
2 for more information.  
10  
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Control(s)  
Manipulated  
Action  
Instructions  
1. Adjust the LEVEL control to alter the direct guitar  
vs. delayed signal levels or to manually fade delay  
signals in and out.  
Adjust Level or  
Manually Fade In/Out  
LEVEL  
NOTE: Delays will continue to repeat-hold under the  
hood until the TAILS switch is turned OFF and the effect  
is bypassed, the REPEATS knob is lowered to disable  
the Repeat Hold feature, or the DELAY TYPE SELECTOR  
knob is changed.  
To cause a delay signal to fade out automatically,  
lower the REPEATS knob into the delay repeats  
range. This will cause the Repeat Hold feature to be  
disabled and the delays will then repeat as long as  
dictated by the REPEATS knob setting (the further  
counter-clockwise you turn the REPEATS knob, the  
faster the fade out will be).  
REPEATS/  
TAILS/  
FOOTSWITCH  
Automatic  
Fade Out  
• Another option is to set the TAILS switch ON, enable  
bypass with the FOOTSWITCH, lower the REPEATS  
knob to disable Repeat Hold, then play over top the  
repeating delays as they fade out.  
To abruptly stop and clear the delay repeats, bypass  
the effect (LED off) and set the TAILS switch to OFF  
or change the DELAY TYPE SELECTOR knob  
TAILS/  
Stop Abruptly and  
Clear Delay Repeats  
FOOTSWITCH/  
DELAY TYPE  
SELECTOR  
NOTE: Performing the above actions will cause the  
delay repeats to be lost.  
Using the Obscura’s controls as previously described will yield a dizzying array of otherwise obscure  
altered delays that can be modified in real-time to create an extremely dynamic and interesting  
performance.  
11  
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PERFORMANCE ACCESSORIES  
The performance accessories make integrating the Obscura pedal into any pedalboard a snap. The  
following accessories are included:  
Hook-and-loop Pedalboard Pad  
(designed to attach to the surfaces found on most commercial pedalboards)  
StompLock™  
(keeps your settings where you want them)  
Hook-and-loop Pedalboard Pad  
To attach the Pedalboard Pad, do the following:  
1. Peel off the existing rubber skid pad from the bottom of the pedal.  
2. Peel the adhesive protector from the back of the Pedalboard Pad.  
3. Apply the Pedalboard Pad to the bottom of the pedal.  
12  
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Stomplock™  
The included StompLock lets you lock your settings in place, while the open-top design lets you see  
your settings.  
To place the StompLock over the pedal knobs:  
1. Set the knobs to your preferred settings.  
2. Orient the StompLock so that it lines up with the knobs and gently push it over the top of the  
knobs.  
3. To remove the StompLock, grip it from the sides and gently lift it up and off the knobs.  
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SPECIFICATIONS  
Interface  
Controls:  
Level, Delay Type, Time, Repeats, Tone, Degrade, Tails On/Off, Effect On/  
Off  
Jacks:  
Input 1 (Mono), Input 2, Output 1 (Mono), Output 2  
Inputs  
Input Impedance:  
Effect on: >1 MΩ (stereo), >500 kΩ (mono)  
Effect off: >1 MΩ (stereo), >500 kΩ (mono) with Tails switch on  
Effect off: True hardwire bypass with Tails switch off  
Outputs  
Output Impedance:  
Effect on: 1 kΩ  
Effect off: 1 kΩ with Tails switch on  
Effect off: True hardwire bypass with Tails switch off  
Physical  
Dimensions:  
4.40(L) x 2.65(W) x 2.0”(H)  
1.0 lb.  
Weight:  
Power  
Power Requirements:  
9 VDC external power supply  
675 mW (< 75 mA @ 9 VDC)  
75 mA (typical at 9 VDC)  
PS0913DC-01 (US, JA, EU)  
PS0913DC-02 (AU, UK)  
Power Consumption:  
Current Draw:  
Power Supply Model:  
Power Supply Polarity:  
Power Supply Output:  
9 VDC 1.3 A  
14  
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PHONE: (801) 566-8800  
Obscura Owner's Manual Rev A  
© 2015 Harman. All rights reserved.  
DigiTech is a registered trademark of Harman.  
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