Cambridge Audio Stereo Receiver 551R User Manual

AV receiver

User’s manual

azur

551R

Your music + our passion

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azur 551R

Introduction

Before connecting

Thank you for purchasing this 551R AV Receiver. We are confident that you

will enjoy many years of listening pleasure from it. Like all Cambridge Audio

products the 551R adheres to our three core principles – stunning

performance, ease of use and incredible value.

The process of setting up the 551R is first to make all the connections to your

speakers and source equipment and then set the unit up via its On-Screen

Display (OSD) as there are various settings and adjustments that need to be

made before the 551R can be used.

As such, the seven 60W audiophile grade fully discrete amplifiers are kept as

separate as possible from the processing and input stages and feature a

large power supply with a low flux toroidal transformer. This careful design of

the amplifier stages ensure that the 551R can reproduce the dynamics and

scale required for modern movie soundtracks whilst also being able to

However before you actually decide which connections to make or perform

any adjustments it is strongly advised that you read through the ‘551R

setup’ section of this manual first, starting on page 14.

A lot of explanation is included that will help you to choose the right

connection types for both your sources and TV.

reproduce

multichannel music sources.

genuinely musical performance with either stereo or

A full range of HDMI, digital and analogue inputs are fitted. These allow the

connection of suitably equipped Blu-ray players, DVD players, satellite/set-

top boxes and games consoles for decoding into stereo, stereo + sub or

various digital surround formats.

The latest formats are supported including Dolby True HD, Dolby Digital Plus,

DTS-HD Master Audio and DTS-HD High Resolution Audio in 5.1 or 7.1

variants. In particular support for the true lossless Dolby True HD and DTS-

HD Master Audio formats provides unprecedented audio fidelity from Blu-ray

discs.

Various HDMI 1.4 features are supported including 3D TV and deep-colour

pass-through from suitable sources and Audio Return from TVs with this

feature.

The 551R is also capable of decoding encoded analogue or digital stereo

sources in Dolby Pro Logic® II or IIx and DTS Neo:6, for a convincing and

effective surround experience from a matrix encoded stereo source.

Sophisticated post-processing of 5.1 digital material is also possible with

PLIIx or DTS Neo:6 to turn these formats into 7.1.

Conventional analogue stereo inputs allow the connection of audiophile CD

players and the like, and an Analogue Stereo Direct mode with no processing

ensures the very best possible stereo reproduction for these.

The 551R also carries a 5.1 / 7.1 channel analogue input. This feature allows

for the connection of a DVD-Audio or SACD player equipped with a 5.1 output

and is compatible with any future external 7.1 audio formats.

As well as the full complement of audio inputs, the 551R performs

Composite, S-Video, Component Video and HDMI switching with transcoding

and scaling (up-converting) of all analogue video to HDMI.

An RS232 port and IR Emitter In also make it easy to integrate the 551R into

a Custom Install situation.

All this proprietary engineering is housed within our low resonance,

acoustically damped chassis. An Azur Navigator remote control is also

provided, giving full remote control of your AV receiver in an attractive and

easy to use handset.

Remember your 551R can only be as good as the system it is connected to.

Please do not compromise on your source equipment, speaker package or

video and audio cabling. Naturally we particularly recommend our Blu-ray

players, digital and analogue iPod docks, Network and CD players from the

Cambridge Audio Azur range, which have been designed to the same

exacting standards as our receivers. Your dealer can also supply excellent

quality Cambridge Audio interconnects to ensure your system realises its full

potential.

Thanks for taking the time to read this manual, we do recommend you keep

it for future reference.

Matthew Bramble

Cambridge Audio Technical Director

and the 551R design team

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Important safety instructions

For your own safety please read the following important safety instructions

carefully before attempting to connect this unit to the mains power supply.

They will also enable you to get the best performance from and prolong the

life of the unit:

1. Read these instructions.

2. Keep these instructions.

3. Heed all warnings.

The lightning flash with the arrowhead symbol within an equilateral triangle

is intended to alert the user to the presence of un-insulated ‘dangerous

voltage’ within the product’s enclosure that may be of sufficient magnitude

to constitute a risk of electric shock to persons.

4. Follow all instructions.

The exclamation point within an equilateral triangle is intended to alert the

user to the presence of important operating and maintenance instructions in

the service literature relevant to this appliance.

5. Do not use this apparatus near water.

6. Clean only with a dry cloth.

The symbol on this product indicates that it is of CLASS II (double

insulated) construction.

7. Do not block any ventilation openings. Install in accordance with the

manufacturer's instructions.

WEEE symbol

8. Do not install near any heat sources such as radiators, heat registers,

stoves, or other apparatus (including amplifiers) that produce heat.

The crossed-out wheeled bin is the European Union symbol for

indicating separate collection for electrical and electronic

equipment. This product contains electrical and electronic

equipment which should be reused, recycled or recovered and

should not be disposed of with unsorted regular waste. Please

return the unit or contact the authorised dealer from whom you purchased

this product for more information.

9. Do not defeat the safety purpose of the polarized or grounding-type plug.

A polarized plug has two blades with one wider than the other. A

grounding-type plug has two blades and a third grounding prong. The

wide blade or the third prong are provided for your safety. If the provided

plug does not fit into your outlet, consult an electrician for replacement

of the obsolete outlet.

10. Protect the power cord from being walked on or pinched, particularly at

plugs, convenience receptacles and the point where they exit from the

apparatus.

CE mark

This product complies with European Low Voltage (2006/95/EC),

Electromagnetic

Compatibility

(2004/108/EC)

and

Environmentally-friendly design of Energy-related Products (2009/125/EC)

Directives when used and installed according to this instruction manual. For

continued compliance only Cambridge Audio accessories should be used

with this product and servicing must be referred to qualified service

personnel.

11. Only use attachments/accessories specified by the manufacturer.

12. Use with only the cart, stand, tripod, bracket, or table

specified by the manufacturer, or sold with the apparatus.

When a cart is used, use caution when moving the cart/

apparatus combination to avoid injury from tip-over.

13. Unplug this apparatus during lightning storms or when unused for long

periods of time.

C-Tick mark

This product meets the Australian Communications Authority’s

Radio communications and EMC requirements.

14. Refer all servicing to qualified service personnel. Servicing is required

when the apparatus has been damaged in any way, such as the power-

supply cord or plug having been damaged, liquid has been spilled or

objects have fallen into the apparatus, the apparatus has been exposed

to rain or moisture, does not operate normally, or has been dropped.

Gost-R Mark

This product meets Russian electronic safety approvals.

FCC regulations

WARNING

NOTE: THE MANUFACTURER IS NOT RESPONSIBLE FOR ANY RADIO OR TV

INTERFERENCE CAUSED BY UNAUTHORIZED MODIFICATIONS TO THIS

EQUIPMENT. SUCH MODIFICATIONS COULD VOID THE USER AUTHORITY TO

OPERATE THE EQUIPMENT.

– To reduce the risk of fire or electric shock, do not expose this unit to rain

or moisture.

– Batteries (battery pack or batteries installed) shall not be exposed to

excessive heat such as sunshine, fire or the like.

This equipment has been tested and found to comply with the

limits for a Class B digital device, pursuant to Part 15 of the FCC

Rules. These limits are designed to provide reasonable protection

against harmful interference in a residential installation. This equipment

generates, uses and can radiate radio frequency energy and, if not installed

and used in accordance with the instructions, may cause harmful

interference to radio communications. However, there is no guarantee that

interference will not occur in a particular installation.

The unit must be installed in a manner that makes disconnection of the

mains plug from the mains socket outlet (or appliance connector from the

rear of the unit) possible. Where the mains plug is used as the disconnect

device, the disconnect device shall remain readily operable. Only use the

mains cord supplied with this unit.

Please ensure there is ample ventilation (at least 10cm clearance all round).

Do not put any objects on top of this unit. Do not situate it on a rug or other

soft surface and do not obstruct any air inlets or outlet grilles. Do not cover

the ventilation grilles with items such as newspapers, tablecloths, curtains,

etc.

If this equipment does cause harmful interference to radio or television

reception, which can be determined by turning the equipment off and on, the

user is encouraged to try to correct the interference by one or more of the

following measures:

This unit must not be used near water or exposed to dripping or splashing

water or other liquids. No objects filled with liquid, such as vases, shall be

placed on the unit.

- Re-orient or relocate the receiving antenna.

- Increase the separation between the equipment and receiver.

- Connect the equipment into an outlet on a circuit different from that to

which the receiver is connected.

- Consult the dealer or an experienced radio/TV technician for help.

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azur 551R

Limited warranty

Cambridge Audio warrants this product to be free from defects in materials

and workmanship (subject to the terms set forth below). Cambridge Audio will

repair or replace (at Cambridge Audio's option) this product or any defective

parts in this product. Warranty periods may vary from country to country. If in

doubt consult your dealer and ensure that you retain proof of purchase.

Ventilation

IMPORTANT – The unit will become hot when in use. Do not stack multiple units

on top of each other. Do not place in an enclosed area such as a bookcase or in a

cabinet without sufficient ventilation.

Ensure that small objects do not fall through any ventilation grille. If this happens,

switch off immediately, disconnect from the mains supply and contact your dealer

for advice.

To obtain warranty service, please contact the Cambridge Audio authorised

dealer from which you purchased this product. If your dealer is not equipped

to perform the repair of your Cambridge Audio product, it can be returned by

your dealer to Cambridge Audio or an authorised Cambridge Audio service

agent. You will need to ship this product in either its original packaging or

packaging affording an equal degree of protection.

Positioning

Choose the installation location carefully. Avoid placing it in direct sunlight or

close to a source of heat. No naked flame sources, such as lighted candles,

should be placed on the unit. Also avoid locations subject to vibration and

excessive dust, cold or moisture. The unit can be used in a moderate climate.

Proof of purchase in the form of a bill of sale or receipted invoice, which is

evidence that this product is within the warranty period, must be presented

to obtain warranty service.

This unit must be installed on a sturdy, level surface. Do not place in a sealed

area such as a bookcase or in a cabinet. Any space open at the back (such

as a dedicated equipment rack) is fine, however. Do not place the unit on an

unstable surface or shelf. The unit may fall, causing serious injury to a child

or adult as well as serious damage to the product. Do not place other

equipment on top of the unit.

This Warranty is invalid if (a) the factory-applied serial number has been

altered or removed from this product or (b) this product was not purchased

from a Cambridge Audio authorised dealer. You may call Cambridge Audio or

your local country Cambridge Audio distributor to confirm that you have an

unaltered serial number and/or you purchased from a Cambridge Audio

authorised dealer.

Due to stray magnetic fields, turntables or CRT TVs should not be located

nearby due to possible interference.

This Warranty does not cover cosmetic damage or damage due to acts of

God, accident, misuse, abuse, negligence, commercial use, or modification

of, or to any part of, the product. This Warranty does not cover damage due

to improper operation, maintenance or installation, or attempted repair by

anyone other than Cambridge Audio or a Cambridge Audio dealer, or

authorised service agent which is authorised to do Cambridge Audio warranty

work. Any unauthorised repairs will void this Warranty. This Warranty does not

cover products sold AS IS or WITH ALL FAULTS.

Electronic audio components have a running in period of around a week (if

used several hours per day). This will allow the new components to settle

down and the sonic properties will improve over this time.

Power sources

The unit should be operated only from the type of power source indicated on

the marking label. If you are not sure of the type of power-supply to your

home, consult your product dealer or local power company.

REPAIRS OR REPLACEMENTS AS PROVIDED UNDER THIS WARRANTY ARE

THE EXCLUSIVE REMEDY OF THE CONSUMER. CAMBRIDGE AUDIO SHALL

NOT BE LIABLE FOR ANY INCIDENTAL OR CONSEQUENTIAL DAMAGES FOR

BREACH OF ANY EXPRESS OR IMPLIED WARRANTY IN THIS PRODUCT.

EXCEPT TO THE EXTENT PROHIBITED BY LAW, THIS WARRANTY IS EXCLUSIVE

AND IN LIEU OF ALL OTHER EXPRESS AND IMPLIED WARRANTIES

WHATSOEVER INCLUDING, BUT NOT LIMITED TO, THE WARRANTY OF

MERCHANTABILITY AND FITNESS FOR A PRACTICAL PURPOSE.

This unit has been designed to be left in Standby mode when not in use as

this will increase the life of the unit (this is true with all electronic equipment).

To turn the unit off, switch off at the rear panel. If you do not intend to use

this unit for a long period of time, unplug it from the mains socket.

Some countries and US states do not allow the exclusion or limitation of

incidental or consequential damages or implied warranties so the above

exclusions may not apply to you. This Warranty gives you specific legal rights,

and you may have other statutory rights, which vary from state to state or

country to country.

Overloading

Do not overload wall outlets or extension cords as this can result in a risk of

fire or electric shock. Overloaded AC outlets, extension cords, frayed power

cords, damaged or cracked wire insulation and broken plugs are dangerous.

They may result in a shock or fire hazard.

For any service, in or out of warranty, please contact your dealer.

Be sure to insert each power cord securely. To prevent hum and noise, do not

bundle the interconnect leads with the power cord or speaker leads.

Cleaning

To clean the unit, wipe its case with a dry, lint-free cloth. Do not use any

cleaning fluids containing alcohol, ammonia or abrasives. Do not spray an

aerosol at or near the unit.

Battery disposal

Batteries may contain substances harmful to the environment. Please

dispose of any discharged batteries with due consideration and in

accordance with local environmental/electronic recycling guidelines.

Plug Fitting Instructions (UK Only)

The cord supplied with this appliance is factory fitted with a UK mains plug fitted

with a 5 amp fuse inside. If it is necessary to change the fuse, it is important that

a 5 amp one is used. If the plug needs to be changed because it is not suitable for

your socket, or becomes damaged, it should be cut off and an appropriate plug

fitted following the wiring instructions below. The plug must then be disposed of

safely, as insertion into a mains socket is likely to cause an electrical hazard.

Should it be necessary to fit a 3-pin BS mains plug to the power cord the wires

should be fitted as shown in this diagram. The colours of the wires in the mains

lead of this appliance may not correspond with the coloured markings identifying

the terminals in your plug. Connect them as follows:

Loudspeakers

Before making any connections to loudspeakers, make sure all power is

turned off and only use suitable interconnects.

Servicing

These units are not user serviceable. Never attempt to repair, disassemble or

reconstruct the unit if there seems to be a problem. A serious electric shock

could result if this precautionary measure is ignored. In the event of a

problem or failure, please contact your dealer.

The wire which is coloured BLUE must be

connected to the terminal which is marked

with the letter ‘N’ or coloured BLACK.

The wire which is coloured BROWN must be

connected to the terminal which is marked

with the letter ‘L’ or coloured RED.

IMPORTANT

If the unit is run at a very high level, a sensor will detect a temperature rise and

show "PROTECTION OVERLOAD" on the display. The unit will then go into Standby

mode. It cannot be switched on again until the temperature has fallen to a more

normal level.

The wire which is coloured GREEN/YELLOW

must be connected to the terminal which is

marked with the letter ‘E’ or coloured GREEN.

If your model does not have an earth wire, then disregard this instruction.

If a standard 13 amp (BS 1363) plug is used, a 5 amp fuse must be fitted, or if any

other type of plug is used a 5 amp fuse must be fitted, either in the plug or adaptor,

or on the distribution board.

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Front panel controls

Note: The 551R remembers the audio and video input type and processing

mode for each individual source input. These are recalled each time a source

is selected.

Standby/On

Switches the unit between Standby mode (indicated by a dim power LED) and

On (indicated by a bright power LED). Standby is an eco-friendly <1W low

power mode. The unit may be left in Standby mode when not in use.

Audio input type

Press this button to select between analogue, digital (optical/coaxial) or HDMI

input types as the source of the audio for the currently selected source input.

Phones

Allows for the connection of stereo headphones with a 6.35mm/¼" Jack

plug. Headphones with an impedance of between 32 and 600 ohms are

recommended.

The choices available depend on the inputs that have been assigned to that

source, see later section.

Note: Plugging in headphones will automatically mute the main and pre-amp

outputs and select a 2-channel stereo down-mix to be created for headphone

use.

Stereo modes

Press to listen to a source in either digitally processed stereo or stereo and

sub modes.

Tuning +/-

Used to tune FM/AM frequencies and skip presets for the built-in Tuner.

Surround modes

Press to select Dolby Digital or DTS surround modes (with suitably encoded

digital source material), or various Pro Logic II/IIx, DTS Neo:6 modes for

matrix encoded analogue or digital material.

Mode/Store

Press to cycle between Tuner modes. Press and hold for storing presets (refer

to the ‘Operating Instructions’ of this manual for more information).

Picture Adjustment

Display

Displays the status of the unit.

Press to select various picture adjustments for sources that have the Scaler

set to Process only (see ‘Source setup’ section in the manual). An

adjustment bar will appear on the TV for the current item (Brightness,

Contrast etc.) Press the Pic. Adj. button again to move to the next item.

BD/DVD

Press to select the source equipment connected to the BD/DVD input.

This button is also used to change the scaler output resolution. Press and

hold the button for 10 seconds and the current output resolution will appear

on the 551Rs front panel display. Keep holding the button down and the

551R will change to the next available resolution and show it on the front

panel display. See later section.

Video 1

Press to select the source equipment connected to the Video 1 input.

Video 2

Press to select the source equipment connected to the Video 2 input.

Mute/Info

Press to mute the sound from the main and pre-amp outputs of the 551R.

Press again to cancel mute.

Video 3/MP3

Press to select the source equipment connected to the Video 3 or MP3 input

(if a device is plugged into its 3.5mm mini-jack input).

Note: Selecting a new source always cancels mute.

Press and hold to re-display the current decoding mode.

Note: The L audio input is also used for the supplied auto setup microphone.

Refer to the ‘Auto setup’ section of this manual for more information.

Analogue Stereo Direct

Press to listen directly to the analogue inputs for the current source directly with

no analogue to digital conversion or DSP processing for highest possible stereo

sound quality.

Tuner FM/AM

Press to select the tuner. Once in Tuner mode press to switch between FM

and AM modes.

Volume

Use to increase/decrease the level of the sound from the outputs of the 551R.

Tape/MD/CDR

Press to select the source equipment connected to the Tape/MD/CDR input.

Infrared sensor

Receives IR commands from the supplied remote control.

unobstructed line of sight between the remote control and the sensor is

required.

CD/Aux/TV

Press to select the source equipment connected to the CD/Aux input.

clear,

With ARC enabled (see later section), press again to select Audio Return

Channel from a suitable TV.

Video 3 Input

For occasional use with camcorders or games consoles etc.

7.1 Direct

Press to select a 7.1 or 5.1 source (DVD-A or SACD player etc) connected to

the 7.1 Direct In sockets.

MP3 Input

This input can be used with the line or headphone outputs of portable music

players.

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Rear panel connections

FM/AM antennas

HDMI

All tuner antenna connections are made here. Refer to the ‘Antenna

Connections’ section of this manual for more information.

Inputs and output to a suitable TV/Monitor. The HDMI inputs can be assigned

in the OSD. By Default the HDMI inputs are assigned to BD/DVD, Video 1 and

Video 2, with the 4th input unassigned.

Emitter In

Allows modulated IR commands from multi-room systems or IR repeater

systems to be received by the 551R.

These inputs can be freely assigned, see later section on assigning video

inputs.

All video inputs whether analogue or HDMI are transcoded and output via the

HDMI output.

Service/Normal

For dealer use only - Switches the 551R between normal (default) mode and

two Service modes. Do not change the mode to service or make RS232

connections to it in service mode as damage may result!

Component Video inputs

By default the component inputs are unassigned, these inputs can be freely

assigned, see later section on assigning video inputs.

Composite and S-Video inputs

These may be freely assigned to any source, see later section.

Note: The preferred connection method for video inputs is always Composite

Video, then S-Video, then Component Video, then HDMI in ascending order

of quality (HDMI being the highest quality). HDMI and Component Video

sources often also support Progressive Scan which gives better picture

quality if supported by both your BD/DVD player and TV.

RS232C

Used for control of the 551R in Custom Install situations. A full protocol is

available for the 551R on our website.

¹⁷. Speaker terminals

Connect to loudspeakers with an impedance of between 4-8 ohms. 7.1, 5.1

or less connections can be made.

Analogue Audio inputs

For use with the line level outputs of CD players, BD/DVD players etc.

Power On/Off

Switches the unit on and off.

Tape/MD/CDR In / Out

For use with suitable recording devices. The output allows recording of the

currently selected analogue source.

Mains power lead

Once you have completed all connections, plug the AC power lead into an

appropriate mains socket. The AV receiver is now ready for use.

Digital Inputs

S/P DIF or Toslink digital inputs for each source.

You can choose to use a different type for each source but do not connect

both at the same time for the same source.

Digital Outputs

S/P DIF and Toslink digital outputs for recording . The outputs allow recording

of the currently selected digital source.

These are concurrent and both can be connected at the same time.

7.1 Preamp Out

Connect to the 5.1/7.1 channel input terminals of another amplifier system,

separate power amps, subwoofer or active loudspeakers.

7.1 Direct In

Connect to the output terminals of a DVD-A, SACD player or other 5.1/7.1

analogue source.

Heat tunnel vent grille

Allows cooling of internal circuitry via the 551R’s proprietary X-TRACT heat

tunnel. DO NOT OBSTRUCT!

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Remote control

The 551R is supplied with an Azur Navigator remote control.

Insert the supplied AAA batteries to use. For full details of the

various adjustment functions available from the remote, refer

to the later sections of this manual.

Picture Adjustment

Press to select various picture adjustments for sources that

have the Scaler set to Process only.

An adjustment bar will appear on the TV for the current item

(Brightness, Contracts etc.) Press the Pic. Adj. button again to

move to the next item.

Standby/On

Switches the unit between Standby mode and On.

Lip sync

Press to activate and adjust the lip sync delay function if the

audio and video appear out of sync. While the Lip sync delay

Analogue Direct

Directly selects a stereo analogue input for the current source

with no A/D conversion or DSP processing.

status is shown on the units display, use the Vol

and Vol

buttons to adjust the delay time. Adjusting the value to zero

causes lip sync delay to be turned off. See later section in this

manual.

Stereo Modes

Selects Stereo or Stereo + Sub modes for Analogue or Digital

sources (digitally processed).

Tuner AM/FM, BD/DVD, Video 1, Video 2,

Vid 3/MP3, Tape/MD/CDR, CD/Aux/TV

Surround Modes

Selects digital surround processing modes and various matrix

encoded surround processing modes for analogue or digital

sources (digitally processed).

Press the corresponding button to change the input source.

Pressing the Tuner AM/FM button a second time toggles

between AM and FM modes.

Pressing the CD/Aux/TV button a second time if ARC is enable

(see later section) selects TV-ARC (Audio Return Channel).

Info

Press to view the current source material and decoding mode.

Press again whilst the current decoding mode is scrolling (as

long as mute is not on) to display the incoming sample rate.

When listening to FM with RDS, press to cycle round various

RDS information modes.

The above button descriptions are naturally brief. Please

refer to the ‘Operating Instructions’ section of this manual for

more information on the relevant functions implemented.

Apple device compatibility

The Azur 551R Navigator remote control can control the basic

functions of Apple devices such as Apple TV and Apple’s

iPod/iPhone/iPad range when docked in a Cambridge Audio

or Apple dock.

Stereo Mono

When listening to FM, press to alternate between stereo and

mono modes.

Store

Press to store the current frequency when in Tuner mode.

Press and hold the source button that corresponds to the

input that the Apple product is connected to whilst also

pressing one of the buttons below.

Mode

Press to select Auto/Manual or Preset tuning when in Tuner

mode.

The functions are slightly different depending on the Apple

product.

Enter

Mute

Mutes the audio on the AV Receiver. Press again to cancel

mute.

Play/Pause

Volume

Increase or decrease the volume of the AV receiver output.

Also used as up/down in the OSD setup menus.

Used to control volume and/or navigate menus.

Used to navigate menus or Skip/Scan depending

on Apple product used.

Tune / Left & Right

Press the right arrow to increase tuner frequency/change

preset. Press the left arrow to decrease tuner

frequency/change preset. Also used to scroll left/right in the

OSD setup menus.

In addition, the Azur remote can be paired with up to six

speciﬁc Apple devices using any of the six source buttons.

This can be useful if you have more than one Apple product.

Enter

Used in the OSD setup menus.

For more information on pairing refer to your Apple

device’s instruction manual.

On-Screen Display (OSD)

Press to turn on and off the on-screen setup menus for

display on your monitor/screen.

Pairing – To pair with an Apple device, press and hold the

required source button along with the  button for six

seconds. Some devices like Apple TV have visual indication

once pairing is achieved.

Bass/Treble

Press for bass/treble adjustment, using the Volume up/down

buttons. Note: Bass/Treble is bypassed in analogue stereo

direct and 7.1 direct modes.

Un-pairing – To un-pair an Apple device, press and hold any

of the source buttons along with the  button for six

seconds.

Audio In Type

Switches the audio between the types available for the

current source. Depending on the source selected and

whether you have assigned an HDMI input to it, Analogue,

Digital and HDMI can be available.

7.1 Direct

Selects the 5.1/7.1 direct input.

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Front panel display

Loudspeaker connections

To avoid damaging the speakers with a sudden high-level signal, be sure to

switch the power off before connecting the speakers. Check the impedance

of your speakers. Speakers with an impedance of between 4 and 8 ohms

(each) are recommended.

The coloured speaker terminals are positive (+) and the black speaker

terminals are negative (-). Make sure correct polarity is maintained at each

speaker connector or the sound can become weak and “phasey” with little

bass.

Prepare the speaker cords for connection by stripping off approximately

10mm (3/8”) or less (no more than 10mm, as this could cause a short-

circuit) of the outer insulation. Twist the wire tightly together so there are no

loose ends. Unscrew the speaker terminal knob, insert the speaker cable,

tighten the knob and secure the cable.

Mode icons

Direct indicator

Lights when the 551R is in a Direct mode - Analogue Stereo Direct or 7.1

Direct.

Note: All connections are made via loudspeaker cable, except if using an

active subwoofer which would be connected via a standard RCA phono cable.

HDMI

Indicates the current source audio input type is HDMI.

Multi

Indicates the 551R is receiving multi-channel PCM over HDMI.

Digital/Analogue indicators

Indicates whether the current source audio input type is Digital (S/P

DIF/Toslink) or Analogue.

Decoding mode indicators (PCM, Dolby Digital, DTS

etc)

Banana Plugs (4mm standard) connected to the speaker cable are

recommended for direct insertion into the speaker terminals.

Shows the current decoding mode, Dolby Digital, DTS etc. In conjunction with

the Output Channel indicators these give full details of the current processing

mode.

Please refer to the ‘Speaker Configuration’ section of this manual for more

information on 5.1 and 7.1 speaker setups.

Powered subwoofer

Video input icons

Indicates the current video input type as Video (composite), S-Video, YUV

(Component) or HDMI.

Centre speaker

Main information display

Shows the current source selected, also the surround mode and station

name/frequency when in tuner mode etc.

Phono/RCA cable

Output channel indicators

Shows the currently active channels depending on decoding mode and

source material. Icons lit indicate active channels in the source material.

Icons with a box around them indicate actual channels being output by the

551R.

Display examples

Indicates a 5.1 Dolby Digital source being played back as 5.0 (Sub off). The

lit LFE indicates a low frequency effects channel is present in the source

material. When this icon isn’t boxed it indicates the LFE channel is not being

sent to a subwoofer but will be mixed into the front left and right instead.

Surround

speakers

Front

speakers

Surround back

speakers

Indicates a 7.1 playback of DTS ES material.

Indicates a 2.1 output created in the digital domain from analogue input

material.

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Analogue audio connections

Note: Do not plug in the mains power lead or turn the unit on until all

connections have been made.

Connect to source equipment using stereo phono cables (stereo 2RCA-

2RCA). Tape/MD/CDR recorder/players require two sets of stereo

phono/RCA cables, one for recording, one for listening.

Examples

CD player

Out

BD/DVD player

Phono cable (2RCA-2RCA)

Audio player/recorder

(Tape/MD/CD-R)

Out

Digital audio connections

Two types of digital audio connections can be made to the 551R:

1. Optical (Toslink)

Either type can be used for a source as the 551R automatically uses the

active one.

Note: Only one connection type should be used per source.

2. Coaxial (S/P DIF)

CD player

Out

BD/DVD player

Examples

iD100 Digital iPod Dock

Audio player/recorder

(Tape/MD/CD-R)

Out

A recording device such as MD or CD-R can be connected to the digital

outputs as shown.

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HDMI input connections

HDMI (High-Definition Multi-Media Interface) is an all digital connection that

can carry both audio and video in one cable. Direct digital transfer of audio

and video and support for various types of High Definition video content and

high resolution audio make this the best connection type to use. The 4 HDMI

inputs can be assigned to the BD/DVD, Video 1, Video 2, CD/Aux/TV,

Tape/MD/CDR or 7.1 Direct sources (see the “Assigning HDMI sources”

section for more information).

DVI switching can be supported by using DVI to HDMI adaptors as these two

connection types are compatible. When using DVI only video will be passed

to the TV/Monitor and a Co-axial (S/P DIF) or Optical (Toslink) digital audio

connection must be made from each source to the 551R for it to be able to

receive audio and decode surround sound etc.

Examples

HDMI cable

Blu-ray player with HDMI output

HDMI cable

Set-top box with HDMI output

Analogue video input connections

Three types of analogue video connections can be made to the 551R:

1. Composite - connect with single 75 ohm video phono cable (RCA-RCA).

2. S-Video - connect with S-Video cable.

For sources that only support analogue video for best picture quality we

recommend making Component video connections, then in declining order of

quality, S-Video connections and then Composite video connections.

The 551R is able to transcode i.e. upconvert analogue video to HDMI for the

main monitor/TV output.

3. Component - connect with 75 ohm Component video cables (3RCA-3RCA)

For sources that support HDMI this is always the best choice.

Video player

BD/DVD player

Examples

Games console

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Video output connection (HDMI)

Connection to the TV is by HDMI. The 551R converts incoming analogue

video to HDMI and scales it for best picture quality. See later section.

HDMI cable

5.1/7.1 Direct in

DVD-A or SACD players can be connected to the 551R via its 5.1/7.1 Direct

inputs allowing multi-channel music playback from these sources.

If the player is selected via the BD/DVD button you can then view its content

and decode any relevant surround sound soundtracks.

DVD-A and SACD both support 5.1 output. The 551R's direct inputs also allow

optional connection of Surround Back or Surround Left and Surround Right

signals for compatibility with future 7.1 sources or external decoders.

If 7.1 Direct is then pressed, the audio is now switched to come from the

players analogue outputs.

These connections are pure analogue for best sound quality and no DSP

processing or Bass and Treble adjustment by the 551R is possible.

To select the Direct Input press the 7.1 Direct button on the front panel or

remote.

It can be desirable to connect DVD-A/SACD players to the 551R by two

methods at the same time.

A Digital or HDMI input can be made to the 551R for surround sound

decoding and an analogue 5.1 connection to 7.1 Direct for DVD-A/SACD

playback.

DVD-A player or SACD multi-channel player 5.1 connections

Phono cables

(2RCA-2RCA)

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7.1 Preamp out

Front input connections

If it is desired to connect external power amplifiers, use Phono/RCA leads

connected to the 7.1 Preamp Outputs on the rear panel.

The front panel Video 3/MP3 input is for temporary connections to video

games consoles etc. Remove the cap to access the Video 3 inputs and

connect to a video game console or video camera’s outputs using stereo

phono cables (RCA-RCA) and a Composite video cable. Alternatively, use the

3.5mm mini-jack MP3 socket for the headphone/line outputs of portable

MP3 players.

For 5.1/7.1 use set the ‘Preamp Out’ setting in the ‘Output Setup’ OSD menu

to 'Pre Out' rather than 'Normal'. This mutes all the internal power amplifiers

as they are not being used.

Power amplifier/s

Audio In/Out Setup Menu

BD/DVD

HDMI1

Digital

HDMI3

Video1

Video2

CD/Aux

Analog

Tape/MD/CDR

Preamp Out

TV ARC

Pre Out

Enable

Return : [OSD]

Subwoofer

Phono cables

(2RCA-2RCA)

Composite

video cable

Stereo phono cable

(RCA-RCA)

MP3

Player

Video games console/

Video camera outputs

When pressing Video 3/MP3, the 551R automatically selects the MP3 socket

if there is a device plugged into it.

Alternatively the 551R features an External 2-Channel mode. This allows the

551R to reproduce all the surround channels of suitable source material

(Centre, Surrounds and Sub) whilst the Left and Right Front speakers are

driven by an external power amplifier or other amplifier capable of supporting

fixed level inputs (e.g. Cambridge Audio’s own 7/8 series amplifiers).

Note: The Left front input is also used for the supplied auto setup

microphone. Refer to the ‘Auto setup’ section of this manual for more

information.

Aerial connections

FM aerial

Connect an aerial to the FM 75 ohm socket (a simple wire aerial is supplied

only for temporary use). Extend the lead and move the aerial around until you

get the best reception. For continued use, we strongly recommended using a

75ohm outdoor FM aerial.

Amplifier

551R

AM loop aerial

Sub

Connect each end of the single length antenna to the antenna terminals.

Place the antenna as far from the main system as possible to prevent

unwanted noise and to obtain optimum reception. If the AM loop aerial

provided does not receive sufficient reception, it may be necessary to use an

outdoor AM aerial.

FM aerial

FM external

aerial

SBR

SBL

Set the ‘Preamp Out’ to ‘Ext 2 Ch’ in the OSD to mute the 551R’s own front

left and right amplifier outputs only:

Audio In/Out Setup Menu

AM external

aerial

BD/DVD

HDMI1

Digital

HDMI3

Video1

Video2

CD/Aux

Analog

AM loop

aerial

Tape/MD/CDR

Preamp Out

TV ARC

Ext 2Ch

Enable

Ground

(optional)

Return : [OSD]

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551R setup

The setup of the 551R is a reasonably simple 4 stage process. The speaker

setup process (stage 2.) can either be performed manually or via the

CAMCAS (Cambridge Audio Microphone Controlled Auto Setup) procedure.

Front Left and Right speakers

For stereo and multi-channel sound.

The procedure is as follows:

Centre speaker

For dialogue and centre sounds. Ideally position at a similar height to the front

left and right speakers (above or below the TV/monitor). Using a centre

speaker from the same manufacturer/range as used for the front left and

right speakers is advisable. This “timbre matching” allows surround effects to

flow more naturally from left to right without obvious transitions between the

speakers.

1. Speaker configuration.

2. Speaker setup (Speaker delay and Level calibration)

3. Assigning HDMI and Analogue video inputs

4. Source setup

Surround Left and Right speakers

For ambient and multi-channel sound. Floorstanding speakers should be

angled towards the listening position. Bookshelf/standmount speakers should

be wall mounted or used with dedicated speaker stands, positioned at or above

ear height.

1. Speaker configuration

First tell the unit what kind of speaker package you have. The options are 5.1

or 7.1 as shown below. The 551R can support up to a 7.1 speaker setup

which means 7 speakers (Front Left, Front Right, Centre, Surround Left,

Surround Right, Surround Back Left, Back Right) plus a mains powered

Subwoofer (the .1).

Subwoofer

For improving the bass in your system, as well as reproducing dedicated LFE

(Low Frequency Effects) cinema effects when playing Dolby Digital or DTS

encoded discs. Your subwoofer can often be placed almost anywhere in the

room as bass is less directional, but experimentation with positioning is

recommended.

Refer to the diagrams below for typical examples of 5.1 and 7.1 loudspeaker

setups. Always adjust the speaker and listening positions until you are happy

with the sound. Please refer to your loudspeaker and subwoofer manuals for

more detailed positioning information.

Surround Back Left and Right speakers

Individual back speakers in place of a single surround back. Used with the

7.1 processing types. Remember to experiment with the positions until you

are happy with the sound.

In each case the 5.1/7.1 in fact relates to the maximum number of speakers

that can be used, as the Centre, Sub and Surround speakers can all be

deleted if required (although of course performance is reduced). For

example, if you choose not to use a Centre Channel speaker you can set this

to 'None' in the settings as shown later and the 551R will automatically

redirect the centre channel audio information into the Left and Right Front

channels, creating what is known as a 'Phantom Centre'.

5.1

Similarly, you might decide not to use a subwoofer if your main Left and Right

speakers are capable of reproducing enough bass for a satisfying

music/movie experience. The 551R will then automatically re-direct the bass

from the Subwoofer/Low Frequency Effect channel to the Left and Right

Front Speakers.

Note: This setup is very important as the 551R will also automatically use

this information to select appropriate Dolby and DTS decoding modes

dependant not only on the source material but also the speaker package it

knows you have.

To tell the unit the type of package you have, turn on the On-Screen Display

via the remote button as shown. Highlight the ‘Speaker Configuration’ menu

by using volume up and down on the remote then go to it by pressing Enter:

7.1

azur 551R Main Menu

Speaker Setup

Vol

Audio In/Out Setup

Video Input Setup

Scaler Assign/Processing Setup

Enter

Tone/Sub/LFE Config

Advanced Dolby/DTS Setup

OSD Setup

Vol

Quit

[OSD]

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2. Speaker setup

Set the Decode mode as 5.1 or 7.1 by highlighting the Decode Mode item and

using the Left and Right arrows to scroll through the options:

The following two sections can be performed by Cambridge Audio CAMCAS

procedure so you can if you wish jump straight to that section. However, it is

recommended that you do read these sections to understand the reasons for

these settings and their implications.

Speaker Config Menu

Decode Mode

Front L/R

Centre

7.1

Large

Small

Yes

Speaker delay

Surr. L/R

Surr. LB/RB

Subwoofer

Because the speakers in a surround sound system are usually different

distances from the listener the 551R incorporates the ability to apply a

variable digital delay to each of the channels so that the sound from each

arrives at the same time at the listening position for best surround-sound

effect.

Return : [OSD]

To set the delay times automatically, refer to the Auto setup section of this

manual.

Now move down and by highlighting each speaker in turn and using the Left

and Right arrows select from ‘Large’, ‘Small’ or ‘None’ for each speaker.

'Large' or 'Small' are used to describe each speaker in terms of bass

response, they do not necessarily reflect the actual physical size of the

speaker.

To set the delay times manually, simply measure the distances from the

listening position to each speaker as shown in the following diagram:

1 = Front Left speaker

Large = Speakers with an extended low frequency response of approximately

20-40Hz to 16-20kHz (floorstanders or high quality larger stand-mounted

speakers).

2 = Front Right speaker

3 = Centre speaker

Small = Speakers with a less extended low frequency response of

approximately 80-100Hz to 16-20kHz (small stand-mounted, bookshelf or

satellite speakers).

4 = Surround Left speaker

5 = Surround Right speaker

Setting each speaker allows the 551R to perform what is called Bass

Management and to direct low frequency bass from music and the Low

Frequency Effects channel of surround sound material to those speakers

best able to reproduce it. If you do not wish to use any of the speakers set its

setting to ‘None’.

6 = Surround Back Left

(when used)

7 = Surround Back Right

(when used)

8 = Subwoofer (can be placed

almost anywhere)

The Subwoofer output can also be set to Yes or No. If no sub is being used

make sure this setting is set to No to allow the 551R to re-direct the bass

information in this channel to other speakers.

Note: No delay setting for the subwoofer is necessary.

Note: The 551R will force some speakers to certain settings in the following

circumstances!

Set the distances in the OSD Speaker Distance menu to the nearest value in

metres (1 foot = 0.3 metres). The speed of sound is approx 340 metres per

second, the 551R thus introduces approx 3mS of delay per metre of distance

set.

The Front Left and Right speakers may be ‘Large’ or ‘Small’ but never ‘None’

as they are always required for any type of music/movie reproduction.

Bass must always be reproduced by either the Front Left and Right or

Subwoofer channel (or both). Setting the Front Left and Right to ‘Small’ will

result in the Subwoofer automatically being set to ‘Yes’. Setting the

Subwoofer to ‘No’ will automatically result in the Front Left and Right being

set to ‘Large’.

Go to the ‘Speaker Distance’ and highlight each speaker in turn. Set the

distance to the nearest value to that which you measured by using the Left

and Right arrows (the values do not need to be exact):

Press the OSD button to exit the menu.

If the Front Left and Right cannot reproduce low frequency bass a Subwoofer

must be used. I.e. If the Front Left and Right are set as ‘Small’ the Sub must

be Set to ‘Yes’.

Speaker Distance Menu

Unit

Meters

2.9

Front L

Front R

Centre

Also, setting the Front Left and Right as ‘Small’ will always set the other

speakers as ‘Small’ (and the Sub to ‘Yes’). This is because LFE/ bass

information should not be redirected to the surround channels.

2.9

Surr. L

Surr. R

Surr. LB

Surr. RB

2.0

To store the setting simply come back out of the OSD (pressing the OSD

button always moves back one menu item, and then exits and stores from

the main menu screen).

2.0

Return : [OSD]

Note: In addition to the delays as set above Dolby Pro Logic II/IIx playback

also requires an extra 15 milliseconds delay to the surround channels only.

This extra delay is part of the Dolby ProLogic II specification and ensures that

sound from the surrounds arrives just after sound from the front reducing the

audibility of sound leakage from the front to the surround speakers. Because

the relationship between the Dolby Digital and Dolby ProLogic IIx two delays

is fixed (15mS extra to the surround channels), it is only necessary to set the

delay by measuring the distances as we have described. The 551R will

automatically provide the appropriate extra delay whenever you switch to a

Pro Logic Mode.

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Level calibration

The 551R allows level calibration to match the acoustic level between

different types/sizes or even manufacturers of speaker that may be being

used for each channel. This is achieved by adjusting the relative level of each

speaker. This can be done manually through the ‘Level Calibration’ menu in

the OSD or automatically, see the following Auto setup section of this manual.

The basic process for manual adjustment is to listen to or measure with a

Sound Pressure Level (SPL) meter (more accurate and recommended but not

essential) the level of sound produced by each speaker and set relative levels

for each speaker so that they all sound the same loudness at the normal

listening position. The 551R incorporates a Test Signal Generator (broad-

band white noise) to facilitate this.

To perform Auto Distance/Level setup first connect the supplied microphone

to the front Left front panel audio input on the front panel and place it at your

normal listening position in the room.

Press the OSD button on the remote control then select the ‘Level

Calibration’ menu. Now turn on the test signal by highlighting this item and

pressing the Left or Right arrows:

Press the OSD button on the remote control to access the OSD and then

select the Speaker Setup Menu. Now select the option 'Auto Setup'. This will

access the 'Auto Setup Menu' as below.

Level Calibration Menu

Speaker Setup Menu

Test Signal

Front L

0 dB

Auto Setup

Front R

Speaker Configuration

Speaker Distance

Level Calibration

Speaker Crossover

Surround L

Surround R

Centre

Subwoofer

Surr. LB

Surr. RB

Return : [OSD]

You can now move up and down the channels using Volume Up/Down on the

remote. Each time a new channel is selected the test signal will be heard to

move to that channel. Compare the loudness of all channels as heard at the

listening position.

Follow the on-screen instructions and press 'Enter' on the remote control

when ready to start the Auto Setup function.

Auto Setup Menu

A “rushing” or “hissy” sound should be heard.

Plug the microphone into the left channel of Video

3 on the front panel and place the microphone at

normal listening position and height

Continue : [ENTER]

Once activated the OSD will display the message below and the word

'AUTOSETUP' will also be displayed on the front panel of the 551R to confirm.

Auto Setup Menu

The unit is now checking which speakers are

connected and their phase

Please wait........

Now adjust the channels so they all sound the same (in terms of loudness

only, channels of different frequency responses can sound different in terms

of the “tone” of the sound i.e. more or less hissy).

Pick the channel that sounds most different and select it to listen to the test

signal. Now adjust the relative level in dB (using Arrow left/right on the

remote) and continue comparing it to other channels until it is of equal

loudness. The level can be adjusted up to + or - 10dB in 1dB steps. Repeat

the process with the next most different channel. Once all channels sound

the same in terms of loudness, press the OSD button again to save the

settings and exit the menu.

A series of test signals will now be output from all of the connected speaker

terminals of the 551R (including the Subwoofer output).

Once finished the unit will display a screen similar to the one below reporting

which speakers were found and any that appear out of phase.

Auto Setup Menu

Auto speaker setup for Distance/Level

The speakers that have been found are:

L C R SL SR LB RB SW

All speakers are in phase

The 551R includes our simple automatic speaker setup system called

'CAMCAS' (Cambridge Audio Mic Controlled Auto Setup). The system performs

two sets of tests firstly checking which speakers are connected and whether

they are wired correctly and in phase then second automatically measuring

and adjusting the speaker delay timings (i.e. distance setting ) and levels.

Continue : [ENTER]

Before activating this feature the 'Decode Mode' (i.e. type of speaker

package e.g. 5.1, 7.1) of the 551R and Large/Small/None status of each

speaker must be set correctly as per section 1. This is important as the unit

will only look for and check the speakers you have told it you have.

If any speakers appear unconnected or out of phase carefully check the

connections on the speaker and the back of the unit. Also check any bi-wiring

links that might be present on the speaker. For any out of phase speakers

check that the relevant + terminal of the 551R goes to the + terminal of that

speaker and similarly the – terminal of the 551R goes to the – terminal of the

speaker for that channel.

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3. Assigning Video inputs

If necessary press the OSD button to perform a retest or press Enter to start

the second part of the autosetup procedure as below.

The 551R has 4 HDMI (High Definition Multi-Media Interface) inputs and one

HDMI output. HDMI is a fully digital audio/video system for picture and audio

in digital format for best possible picture quality. DVI (Digital Video Interface)

is a subset of HDMI that uses different connectors and only supports digital

video (no audio). The 551R is compatible with DVI in that simple passive DVI-

HDMI adaptors are available which allow the conversion of the DVI connector

to an HDMI format connector (and back again if required) for routing via the

551R.

Auto Setup Menu

The unit is now measuring the Distance and Level

settings for your speakers

Please wait........

HDMI outputs on Blu-ray, DVD players and Set-top boxes also often support

higher resolution formats including progressive scan types. Consult both your

HDMI source and TV manuals for details, it is often possible to select from

various options, you will want to select the highest quality output that both

your source and TV are compatible with.

From Blu-ray players, HDMI can also carry the latest Dolby Digital Plus and

True-HD formats as well as DTS-HD High Resolution and Master Audio.

Again a series of test signals will now be output from all of the connected

speaker terminals and Subwoofer. The 551R uses these to measure the

levels and distances (and hence introduce the correct delays) appropriate to

your speakers and room characteristics.

Ensure that the HDMI output of your player has been set to ‘Bitstream’ or

‘Raw’ to pass the formats to the 551R for decoding.

When the auto setup of the 551R is completed successfully, the 551R will

return to the Speaker Setup Menu.

Also some Blu-ray players feature settings to allow down conversion of Dolby

Digital Plus etc. to backwards compatible Dolby Digital 5.1 for older AV

receivers which do not support these formats.

Speaker Setup Menu

Ensure any such settings are disabled to allow our 551R access to all the

latest formats.

Auto Setup

Speaker Configuration

Speaker Distance

Level Calibration

Speaker Crossover

For all the above reasons HDMI is the preferred connection method for both

Audio and Video.

The 551R can however also accept Composite, S-Video and Component

video for sources without HDMI outputs and automatically transcode and

scale this video to the HDMI output.

Return : [OSD]

Select the Video Input Assignment Menu.

The Speaker Distance and Level Calibration settings for each speaker will

have been updated.

For each source the currently selected video input type will be shown.

It is possible to assign any of the video input sockets to each Source in turn.

It is of course now possible to go into the Speaker Delay and Level Calibration

menus if you want to manually check/adjust the settings made by the

CAMCAS system, and it is always advisable to check them as no system can

be totally foolproof.

The Options are Composite 1 and 2, S-Video 1 and 2, Component 1 and 2,

HDMI1 – 4.

Video Input Assignment

To exit the auto setup menu of the 551R continue to press the OSD button

on the remote control to exit all menus or until ‘OSD ‘is no longer displayed

on the front panel. You can now unplug the microphone and put it away for

future use.

BD/DVD

HDMI 1

Composite 1

HDMI 3

Video 1

Video 2

CD/Aux

-----

Tape/MD/CDR

7.1 Direct

-----

Note: If the auto setup of the 551R is unsuccessful for some reason a 'Fail'

message will appear on the OSD. Included in this message will be details of

the speaker channel or channels which have not been successfully adjusted.

If this is the case, please again check that the speaker or speakers detailed

in the OSD as 'failed' are connected correctly & have not been wired out of

phase. Also check the microphone connection and any other external issues

that could have affected the tests such as noise in the room etc.

-----

Return : [OSD]

Note: Assigning a HDMI input to a source automatically also selects Scaler

Bypassing for that source.

Note: Like all such systems CAMCAS has some limitations. Speakers that

exhibit very strong phase angles or deliberately wire some drive units out of

phase can of course appear to the system as an out of phase speaker when

correctly connected. If a speaker is reported as out of phase but is correctly

wired please consult the speakers manufacturer in case this is the case.

You can process these sources if you wish simply by setting the Scaler to

Process in the Scaler Assign Processing menu afterwards.

Similarly bi-polar speakers which radiate in more than one direction can

make it difficult to measure the distance and sometimes level accurately as

you might expect.

In all cases it is always advisable to manually check the settings CAMCAS has

made for a ‘reality check’ to ensure there are no obvious errors.

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4. Source setup

Scaler Assign/Processing

The next step is to select each source input in turn on the 551R and tell the

unit:

The 551R features a Faroudja digital video processor/ scaler.

This can if desired process any of the video sources and scale them up (or

down) to various resolutions.

• The type of audio connection you want to use for that source (Analogue,

Digital or HDMI).

This feature is most useful with analogue video sources where the processor

can clean up the picture and scale it to 720p, 1080i or 1080p before

outputting them over HDMI to a suitable TV.

• The processing mode for that source.

The 551R remembers these settings individually for every source input and

automatically recalls them as and when you change source input.

On entering this menu you will see that the sources that you assigned an

analogue video input are automatically set to Process.

Sources that you assigned an HDMI input for video are automatically set to

Bypass (i.e. no processing).

Audio connection type

Select the ‘Audio In/Out Setup’ menu. Highlight each source in turn and

select either analogue, digital or HDMI input types (use the Left and Right

arrows):

Scaler Assign/Processing Setup

BD/DVD

Process

Bypass

Video 1

Video 2

Audio In/Out Setup Menu

Video 3

CD/Aux

BD/DVD

HDMI 1

Digital

HDMI 3

Analog

Tape/MD/CDR

7.1 Direct

Video 1

Video 2

CD/Aux

Output resolution

Return : [OSD]

1080P/60Hz

Tape/MD/CDR

Preamp Out

TV ARC

Normal

Enable

This is because many HDMI sources will be natively 1080p or may have high

quality processing built in where it is best to send this video directly to the TV

without any further processing in the 551R.

Return : [OSD]

The options shown will be Analogue, Digital and HDMI if that source has been

assigned an HDMI input for video as above.

For analogue video sources it is almost always desirable to process these for

best picture quality before passing them to the TV.

Analogue inputs will require a stereo phono/RCA to phono/RCA cable

connection to the 551R. Digital inputs will require either a 75ohm digital type

phono/RCA to phono/RCA co-axial cable (S/P DIF) or an optical fibre cable

(TOSLINK). The 551R will automatically use whichever is connected. Do not

make connections to both the Optical and Co-axial inputs for a source.

To change the Process/Bypass status of any source (including HDMI) simple

select it in the menu and use the left and right buttons on the remote.

You can also set the desired output resolution for any Processed video

(Bypassed video is unaffected).

Note: The Preamp output item at the bottom of this menu selects between

Normal mode (the default), Pre Out Mode (when external power amps are

used) and Ext 2 Ch Mode (where external power amps for front left and right

only are used). These options are covered later. Make sure this setting shows

Normal. TV-ARC is also covered in a later section.

The options are 480p 60Hz, 576p 50Hz, 720p 50Hz, 720p 60Hz, 1080i

50Hz, 1080i 60Hz, 1080p 50Hz and 1080p 60Hz.

Note: 3D TV content, 24fps content or other video standards that the 551R

cannot process or recognise are always Bypassed to the output whatever the

setting in this OSD.

Once you have set the audio types exit the OSD to save.

This setting can also be changed at any time without using the OSD by

pressing the Audio Input Type button on the front panel or remote, this will

then cycle between analogue, digital or HDMI input types where available for

the currently selected source, as usual they will then be remembered the

next time you return to that source.

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azur 551R

Surround sound modes

The 551R supports several music and home-cinema listening modes. The

output the 551R can provide, depends both on the source signal present, the

speaker setup selected and the decode mode selected. Before we describe

how to operate the 551R, below is a brief guide to the Surround Sound

formats that the 551R is compatible with for reference:

Known also as DD (3/3) or DD 6.1, an enhanced form of Dolby Digital. On top

of the discretely encoded 5.1 channels DD EX provides an extra 6th channel

(Surround Back, giving 6.1) matrix encoded into the rear surrounds for

greater image depth and more solid sound localisation behind the listener.

DD EX requires a DD EX encoded disc. DD EX is backwards compatible with

DD 5.1 decoding. If DD EX is decoded as normal DD the Surround Back signal

will be present in both Left and Right Rear Surrounds (forming a phantom

rear centre). It can also be decoded as 7.1 by sending the Surround Back

decode to both the Surround Back Left and Right speakers (forming two

mono Back Surrounds).

Dolby’s lossless audio technology developed primarily for high capacity Blu-

ray discs/players. Dolby True HD delivers theoretically bit-for-bit sound

identical to the studio master by the use of 100% lossless encoding. Previous

formats such as Dolby Digital 5.1 or EX have used lossy encoding where

some data (that is theoretically less audible) is always lost in the encoding

process to reduce the storage capacity needed on the disc. This is a new

format that supports up to eight (usually used as 7.1) full-range channels of

24-bit/96 kHz audio or two channels of 24/192 kHz via Blu-ray discs and is

not backwards compatible with earlier schemes. The format can either be

Known also as DTS (3/3) Matrix, an enhanced form of DTS. On top of the

discretely encoded 5.1 channels DTS ES also provides an extra 6th channel

(Surround Back giving 6.1), matrix encoded into the rear surrounds for

greater image depth and more solid sound localisation behind the listener.

DTS ES requires a DTS ES encoded disc. DTS ES material is backwards

compatible with DTS 5.1 decoding. If DTS ES is decoded as normal DTS the

Surround Back signal will be present in both Left and Right Rear Surrounds

(forming a phantom rear centre). It can also be decoded as 7.1 by sending

the Surround Back decode to the both the Surround Back Left and Right

speakers (forming two mono Back Surrounds).

transmitted as

‘bitstream’ to the 551R for internal decoding

(recommended) or can be decoded by some Blu-ray players internally and

sent to the 551R as multi-channel PCM. In both cases an HDMI connection

is required to the 551R and a suitable Blu-ray player as Dolby True HD is only

ever transmitted over HDMI.

An encoding scheme based on the original Dolby Digital CODEC, but with

enhancements to improve coding efficiency and improved audio quality.

Dolby Digital Plus supports 7.1 fully discrete channels compared to Dolby

Digitals 5.1 (or 6.1 in its EX variant where the 6th channel is matrix encoded).

These Dolby Digital Plus bitstreams are not backward compatible with legacy

Dolby Digital decoders but require an AV Receiver developed to decode them

(such as the 551R) and an HDMI connection as Dolby Digital Plus is currently

only transmitted over HDMI. It is however a requirement that any Dolby Digital

Plus enabled Blu-ray player must also be able transform the Dolby Digital

Plus into a backwards compatible Dolby Digital 5.1 output for playback on

legacy Dolby Digital systems. The 551R is however fully compatible with

Dolby Digital Plus.

Another enhanced form of DTS, also known as DTS (3/3) Discrete or DTS ES

Discrete 6.1. DTS ES Discrete also provides an extra channel (Surround Back)

for greater image depth and more solid sound localisation behind the

listener, however in this case extra data is included in the bitstream so that

all channels are discretely encoded. The Surround Back has greater

separation from the other channels than is possible with matrix encoded

technologies. DTS-ES Discrete requires a DTS-ES Discrete encoded disc.

DTS ES Discrete is backwards compatible with both DTS 5.1 and DTS ES

Matrix 6.1 decoding. If DTS ES Discrete is decoded as normal DTS the

Surround Back signal will be present in both Left and Right Rear Surrounds

(forming a phantom rear centre). If DTS ES Discrete is decoded with DTS ES

Matrix the Surround Back signal will be decoded separately (i.e. as 6.1) but

by a matrix process, which will give the same channel separation as if the

source disc were actually DTS ES Matrix (but not as good as DTS EX Discrete).

A new lossless audio CODEC from DTS, rather than being incompatible with

earlier versions, DTS-HD Master Audio is transmitted as an extension to a

normal DTS bitstream. A second embedded stream is sent which contains

the "difference" between the original studio master and the lossy

compressed DTS, plus the two extra channels. DTS-HD Master Audio

enabled devices (such as the 551R) are able to use this difference

information to recreate a bit for bit lossless version of the original 7.1 data.

Devices which do not support the Master Audio extension simply decode the

original 5.1 DTS stream and ignore the Master Audio extension providing

backwards compatibility.

It can also be decoded as 7.1 by sending the Surround Back decode to both

the Surround Back Left and Right speakers (forming two mono Back

Surrounds).

The replacement for the original ProLogic, Pro Logic II is a technology where

5 channels (Front Left, Front Right, Centre, Surround Left, Surround Right)

are encoded into a Stereo mix by an analogue matrix process. Dolby Pro Logic

II material can be played back by normal Stereo equipment (as Stereo) or

decoded into 5 channel surround-sound.

DTS-HD High Resolution Audio

Known also as DTS-HR an extension to the original DTS audio format. DTS-HD

High Resolution Audio supports 7.1 fully discrete channels compared to

DTS’s 5.1 (or 6.1 in its DTS ES Matrix or DTS ES Discrete variants). As with

DTS-HD Master Audio a second embedded stream is sent which contains the

"difference" between the original studio master and the lossy compressed

DTS, plus the two extra channels, however in this case the extra stream is

also formed by lossy compression. Effectively this is a 7.1 version of DTS

which can be decoded by devices (such as the 551R) which are able to

decode DTS-HD High Resolution Audio. Devices which do not support the

High Resolution extension simply decode the original 5.1 DTS stream and

ignore the High Resolution extension providing backwards compatibility

Dolby Pro Logic II is compatible with the earlier 4 channel (Left, Centre, Right

and mono Surround) Dolby Pro Logic system (which was the decoding

counterpart to Dolby Surround encoding) as used widely on Video tapes, TV

broadcasts and earlier films.

Note: Pro Logic does not include a Low Frequency Effects channel for the

Subwoofer, but the 551R can create a Subwoofer output (for 5.1) via Bass

management. Refer to the ‘Tone/Sub/LFE configuration’ section in the

‘Operating instructions’ part of this manual.

A newer version of Dolby Pro Logic II which is able to recreate 7 discrete

surround sound channels from suitable encoded stereo source material. Pro

Logic IIx also has modes for post processing either Stereo material or 5.1

material into 7 channels whether or not it has been Pro Logic IIx encoded.

When 5.1 decoding is required, Dolby Prologic II decoding will always be used

by the 551R in place of Pro Logic IIx as IIx only works for 7 channel output.

Known also as DD (3/2) or DD 5.1, provides (up to) 5.1 output from suitable

encoded Dolby Digital material, with 5 main channels (Front Left, Front Right,

Centre, Surround Left, Surround Right) and a Low Frequency Effects Channel

for the subwoofer, all discretely encoded. Decoding Dolby Digital requires a

Dolby Digital encoded DVD disc and a digital connection from the source

equipment (Such as a DVD player) to the 551R.

Note: Pro Logic IIx does not include a Low Frequency Effects channel for the

Subwoofer, but the 551R can create a Subwoofer output (for 7.1) via Bass

management. Refer to the ‘Tone/Sub/LFE configuration’ section in the

‘Operating instructions’ part of this manual.

Note: Dolby Digital and DTS formats can sometimes carry less channels than

their maximum such as Dolby Digital (2/0) which means a Dolby Digital

encoded signal which is actually only carrying a two channel stereo signal

(other channels inactive).

Known also as DTS (3/2) or DTS 5.1, DTS provides (up to) 5.1 output from

suitable encoded DTS material, with 5 main channels (Front Left, Front Right,

Centre, Surround Left, Surround Right) and a Low Frequency Effects Channel

for the subwoofer, all discretely encoded. Decoding DTS requires a suitably

encoded DTS disc and a digital connection from the source equipment to the

551R.

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Surround sound modes cont.

Operating instructions

To activate the 551R, switch the Power button on the rear panel to On then

press the Standby/On button on the front panel.

A DTS technology which is able to recreate 6 channel (Left Front, Right Front,

Centre, Left Surround, Right Surround, Surround Back ) surround sound from

suitable analogue matrix encoded stereo source material. DTS Neo:6

material can be played back by normal Stereo equipment (as Stereo) or

decoded into 7.1 by sending the Surround Back decode to the both the

Surround Back Left and Right speakers (forming two mono Back Surrounds).

Selecting the source

1. Select the desired source by pushing the corresponding source button on

the front panel or remote control.

Note: Neo:6 does not include a Low Frequency Effects channel for the

Subwoofer, but the 551R can create a Subwoofer output via Bass

management. Refer to the ‘Tone/Sub/LFE configuration’ section in the

‘Operating instructions’ part of this manual.

2. If necessary, press the Audio Input Type button to select the input mode of

the source equipment, either analogue, digital or HDMI (depending on the

connection made on the rear panel). You may have already assigned this

in the ‘Audio In/Out Setup Menu’ in the OSD.

A DTS technology that provides 5.1 channels of 96kHz / 24bit audio (along

with video if required) on DVD-Video and DVD-Audio (video zone) discs (when

suitably encoded in DTS 96/24). DVD players which allow 'DTS digital out'

pass the DTS 96/24 bitstream over S/P DIF or HDMI for decoding in the

551R.

DSP modes

These modes allow a surround-sound experience from source material that

has no encoding at all. The surround sound effect is achieved by Digital

Signal Processing of the Analogue or Digital stereo source used. Five modes

are possible: Movie, Music, Room, Theatre and Hall.

The digital, analogue or HDMI icons on the display show which is the

currently selected input type.

Stereo/Stereo + Sub

Only the Front Left and Front Right speakers (and subwoofer if selected) have

output in this mode. If an analogue source is selected it will be converted to

digital via 24 bit A/D converters to allow digital domain sub creation and

bass/treble controls.

Note: The 551R stores the input type for each source so that it is

automatically recalled when that source is selected again.

Selecting the desired listening mode

Select an appropriate mode for the source material/type you are listening to

by pressing the Stereo or Surround Modes button and cycling through sub-

modes where available.

If a digital source is selected the 551R will be processing either LPCM stereo

(from the digital outputs of a CD player for instance) or a Stereo downmix of

DD or DTS material (from the digital output of a DVD player for instance).

Other modes

In all cases the first time a mode button is pressed the 551R will report the

current decoding mode on the front panel display. Pressing the button again

will then cycle to the next available mode (if there is one). If no button is

pressed for 4 or 5 seconds the 551R returns to normal operation without

changing mode.

Analogue Stereo Direct

Selects the analogue inputs for the current source directly with no A/D

conversion, DSP processing, Bass/Treble or subwoofer channel active.

Provides the very best fidelity for analogue Hi-Fi source equipment. In this

mode the 551R is acting just like a normal Hi-Fi integrated amplifier.

Stereo Modes - Selects 2 channel Stereo operation for stereo material,

pressing again selects Stereo + Sub mode.

This is a digitally processed mode that allows bass and treble controls, and

sub generation if required. The input can be either analogue (in which case

it will be turned into digital by 24 bit A/D conversion) or natively digital.

Multi Channel PCM

Some playback devices (in particular Blu-ray players) are able to decode

some of the above formats themselves internally and then output the

decoded audio as Multi Channel PCM to the 551R. In addition Blu-ray disks

can support native unencoded Multi Channel PCM soundtracks (of up to 8

channels) on the disc itself. In either case if your player can output these over

HDMI the 551R is able to receive them in Multi-Channel PCM mode.

Surround Modes - Selects a range of digital surround modes for the

appropriately digitally encoded material

Note: Some Surround Sound types (such as the Dolby and DTS HD) are

available only from Blu-ray disc over HDMI.

Pressing the Surround Modes button will cause the 551R to lock onto the

incoming bitstream and select the first available mode for the current

bitstream type.

In some circumstances (see tables) pressing the button again will switch to

an alternative decoding option.

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azur 551R

ProLogic and Neo:6 are both available in various guises to decode

appropriately encoded soundtracks. Additionally DSP modes are available to

process sources with no encoding at all. Due to the matrix encoding process

none of these modes incorporate flags that tell the 551R the type of

encoding used in the source material. Thus you must manually select these

modes.

Pressing the Surround Modes button when the 551R has locked to a DD/DTS

bitstream will present more options where possible including Post-Processed

modes.

These are modes that allow extra processing to be applied after the main

surround-sound decoding. For instance Dolby Digital (2/0) + PLII Music.

Which adds a 5.1 ProLogic decode to a Stereo Dolby Digital decode to turn 2

channel stereo into 5.1.

For 7.1 Speaker setups, the number of decoding possibilities increases as

shown in the following ‘Decode modes’ tables. Several extra Post Processing

modes are available using either Prologic IIx or Neo:6.

Incoming Dolby Digital/DTS streams are always shown on the front

panel display as Dolby Digital (x/x).x or DTS (x/x).x, where the

bracketed numbers indicate the active channels in the source material.

Active output channels are shown by the icons on the right hand side

of the front panel display. Possible incoming DD/DTS types are:

(1/0)

- Mono, Centre channel only

- Left/Right stereo

(2/0)

(2/0).1

(2/2)

- Left/Right stereo and LFE (Sub)

- Left/Right stereo and Left/Right surround

- Left, Centre, Right

(3/0)

(3/0).1

(3/2).1

- Left, Centre, Right and LFE (Sub)

- 5.1: Left, Right, Centre, Left Surround, Right Surround and

LFE (Sub)

(3/4).1

- 7.1: Left, Right, Centre, Left Surround, Right Surround,

Surround Back Left, Surround Back Right and LFE (Sub)

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Operating instructions continued

Decode modes - 5.1 speaker setup

Incoming

audio

format

Native

channel

resolution

Modes available

Output

channels

PCM

2 "

>5.1

>5.1 !

PCM + PLII Movie

PCM + PLII Music

PCM + PLII Game

PCM + Neo:6 Cinema

PCM + Neo:6 Music

Movie

Music

Room

Theatre

Hall

Dolby Digital (2/0)

2 "

>5.1

Dolby Digital (2/0) + PLII Movie

Dolby Digital (2/0) + PLII Music

Dolby Digital (2/0) + PLII Game

Dolby Digital

5.1

Dolby Digital (3/2).1

Dolby Digital EX (3/3).1

DTS (2/0)

5.1

Dolby Digital EX

DTS (2/0)

6.1

5.1<

2 "

5.1

DTS

5.1

DTS (3/2).1

DTS ES Matrix

6.1

DTS ES Matrix (3/3).1

DTS ES Discrete (3/3).1

DTS 96/24

5.1<

5.1

DTS ES Discrete

DTS 96/24

6.1

5.1

Multi Channel PCM

Dolby Digital Plus

Dolby True HD

5.1 $

7.1 $

5.1 $

7.1 $

5.1 $

7.1 $

5.1 $

7.1 $

5.1 $

7.1 $

Multi PCM (3/2).1

Multi PCM (3/4).1

Dolby Digital Plus (3/2).1

Dolby Digital Plus (3/4).1

Dolby True HD (3/2).1

Dolby True HD (3/4).1

DTS-HD HR (3/2).1

DTS-HD HR (3/4).1

DTS-HD MA (3/2).1

DTS-HD MA (3/4).1

5.1

5.1<

5.1

5.1<

5.1 &

5.1< &

5.1

Dolby True HD

DTS HD High Resolution

DTS Master Audio

5.1<

5.1 &

5.1< &

Lossless encoded format.

Key (all tables)

5.1< Indicates a 5.1 decode of 6.1 or 7.1 material (phantom back

centre).

Note: Bold entries are being output in their native resolution/format.

>5.1 Indicates a 5.1 output created by a 2.0 decode post processed to

5.1.

In all cases, pressing the Stereo Modes button always cycles round:

>7.1 Indicates 7.1 output created by a 2.0 or 5.1 decode, post-

processed to 7.1.

Stereo Modes

Stereo

Output channels

7.1 Upmix of 5.1 material, Left and Right Surrounds mixed to both

Left and Right Surrounds and Left and Right Rear Surrounds.

Stereo + Sub

2.1

Either native Stereo or downmix of DD/DTS 5.1/6.1/7.1 etc.

7.1 ‘upmix’ of 6.1 material. Center back surround channel played

back via two mono rear surrounds. Acoustically this is actually a

native format presentation.

Pressing a mode button will first cause the 551R to scroll the

current decode mode across the front panel display. Pressing the

mode button again whilst text is scrolling on the display or within 4

seconds of it finishing will select and display the next available

mode.

Stereo or Stereo + Sub, Press Stereo Modes Button to change.

Digital Signal Processing created modes for signals with no encoding.

Available via HDMI inputs only.

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azur 551R

Decode modes - 7.1 speaker setup

Incoming

audio

format

Native

channel

resolution

Modes available

Output

channels

PCM

2 "

>7.1

>7.1 !

PCM + PLIIx Movie

PCM + PLIIx Music

PCM + PLIIx Game

PCM + Neo:6 Cinema

PCM + Neo:6 Music

Movie

Music

Room

Theatre

Hall

When the source has been

appropriately encoded PLII gives

5 channel Neo:6 6 channel and

PLIIx 7 channel matrix encoding

Dolby Digital (2/0)

Dolby Digital

Dolby Digital (2/0)

2 "

>7.1

Dolby Digital (2/0) + PLIIx Movie

Dolby Digital (2/0) + PLIIx Music

Dolby Digital (2/0) + PLIIx Game

5.1

Dolby Digital (3/2).1 + EX

Dolby Digital (3/2).1

Dolby Digital (3/2).1 + PLIIx Movie

Dolby Digital (3/2).1 + PLIIx Music

>7.1

5.1

Dolby Digital EX

DTS (2/0)

6.1

Dolby Digital EX (3/3).1 Upmix

Dolby Digital (3/3).1 + PLIIx Movie

Dolby Digital (3/3).1 + PLIIx Music

7.1 %

>7.1

DTS (2/0)

2 "

>7.1

>7.1 %

DTS (2/0) + PLIIx Movie

DTS (2/0) + PLIIx Music

DTS (2/0) + Neo:6 Cinema

DTS (2/0) + Neo:6 Music

DTS

5.1

DTS (3/2).1 Upmix

DTS (3/2).1

DTS (3/2).1 + PLIIx Movie

DTS (3/2).1 + PLIIx Music

DTS (3/2).1 + Neo:6 Cinema

DTS (3/2).1 + Neo:6 Music

>7.1 #

>7.1

>7.1 %

5.1

DTS ES Matrix

DTS ES Discrete

DTS 96/24

6.1

5.1

DTS ES Matrix (3/3).1 Upmix

DTS ES Matrix (3/3).1 + PLIIx Movie

DTS ES Matrix (3/3).1 + PLIIx Music

DTS ES Matrix (3/3).1 + Neo:6 Cinema

DTS ES Matrix (3/3).1 + Neo:6 Music

7.1 %

>7.1

>7.1 %

DTS ES Discrete (3/3).1 Upmix

7.1 %

>7.1

>7.1 %

DTS ES Discrete (3/3) + PLIIx Movie

DTS ES Discrete (3/3) + PLIIx Music

DTS ES Discrete (3/3) + Neo:6 Cinema

DTS ES Discrete (3/3) + Neo:6 Music

DTS 96/24 Upmix

DTS 96/24

DTS 96/24 (3/2).1 + PLIIx Movie

DTS 96/24 (3/2).1 + PLIIx Music

DTS 96/24 (3/2).1 + Neo:6 Cinema

DTS 96/24 (3/2).1 + Neo:6 Music

>7.1

5.1

Multi Channel PCM

5.1 $

Multi PCM 3/2.1

Multi PCM (3/2).1 + PLIIx Movie

Multi PCM (3/2).1 + PLIIx Music

5.1

>7.1

Multi Channel PCM

Dolby Digital Plus

7.1 $

5.1 $

Multi PCM 3/4.1

7.1

Dolby Digital Plus (3/2).1 Upmix

Dolby Digital Plus (3/2).1

Dolby Digital Plus (3/2).1 + PLIIx Movie

Dolby Digital Plus (3/2).1 + PLIIx Music

>7.1 #

>7.1

5.1

Dolby Digital Plus

7.1 $

Dolby Digital Plus (3/4).1

7.1

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Operating instructions continued

Decode modes - 7.1 speaker setup

Incoming

audio

format

Native

channel

resolution

Modes available

Output

channels

Dolby True HD

5.1 $

Dolby True HD (3/2).1 Upmix

Dolby True HD (3/2).1

>7.1 &#

>7.1

Dolby True HD (3/2).1 + PLIIx Movie

Dolby True HD (3/2).1 + PLIIx Music

5.1 &

Dolby True HD

7.1 $

5.1$

Dolby True HD (3/4).1

7.1 &

DTS HD High Resolution

DTS-HD HR (3/2).1 Upmix

DTS-HD HR (3/2).1

>7.1 #

5.1

DTS HD High Resolution

DTS HD Master Audio

7.1$

DTS-HD HR (3/4).1

7.1

5.1 $

DTS-HD MA (3/2).1 Upmix

DTS-HD MA (3/2).1

>7.1 &#

5.1 &

DTS HD Master Audio

7.1 $

DTS-HD MA (3/4).1

7.1 &

* <=96kHz

Using the Tuner

Press the Info button on the remote and go through the displayed functions.

There are functions for PS, PTY, CT and RT:

PS (Station Name) - current station name will be shown

PTY (Program Type) - current name type of the program will be shown

CT (Clock/Time) - current time from Radio Station will be displayed.

Note: Clock/Time will be only transmitted from local radio station once a

minute. If the Clock - Time is not available the message “NO CT” will appear

briefly on the display.

1. Press the Tuner FM/AM button on the front panel or remote control to

select Tuner mode.

RT (Radiotext) - some Text messages will be shown.

2. Press the Tuner FM/AM button again to select FM or AM if desired.

3. Press the Mode/Store button on the front panel (or Mode button on the

remote control) to select automatic tuning, manual tuning or preset mode.

Lip sync

4. Press the Tuning + and Tuning - buttons (or the left and right arrow buttons

on the remote) to select the station you want to listen to.

The 551R can if required apply a small delay to the audio playback to

resynchronise it to any video playback which appears to be behind the audio

in time.

In automatic tuning mode the unit scans to the next strong station. In manual

tuning mode the user can step manually through the frequencies. In preset

mode the unit cycles through the presets only.

This can sometimes happen if the video is slightly delayed by a player or TV

performing a lot of video processing.

Two FM modes are available, stereo and mono - Press the Stereo Mono

button on the remote to alternate between Stereo mode and Mono mode. If

the Display button is pressed, the RDS station names of FM stations will be

displayed if available.

Pressing the Lip Sync button on the remote will bring up the

current Lip Sync value on the 551Rs main display and allow

adjustments in 10mS (10 thousandths of a second) increments.

Setting the Lip sync value to 0 causes Lip Sync delay to be turned off.

Storing stations

1. Tune in a station you wish to store as explained previously.

2. Press and hold the Mode/Store button (or use the Store button on the

remote) for 5 seconds.

3. Use the Tuning+/- buttons to select a preset station number (1-15). The

station number will be displayed on the screen.

4. Press the Mode/Store button (or use the Store button on the remote) to

memorise the frequency.

Note: The Lip sync value is stored and recalled separately for each source.

Radio Data Systems (RDS)

RDS is a method for the transmission of additional information from local

radio stations. It is only available in FM mode. RDS will only work if the local

broadcasting stations have RDS transmission and the signal is strong

enough.

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You can use the up/down buttons to make changes to the picture or press

Pic.Adj. again to move to the next item.

Audio Return Channel

The 551R supports an Audio Return Channel (ARC) function from TVs that

also support this function (which must feature an HDMI1.4 input and have

actually implemented the ARC feature, see your TVs manual).

Adjustments are available for Brightness, Contrast, Hue, Saturation and

4:3/16:9 Zoom.

A second feature of the Picture Adjustment button is setting the output

resolution for the scaler (this can also be done in the OSD see earlier

section).

ARC allows a TV to send audio back down its incoming HDMI lead to the

551Rs HDMI output socket.

This function allows the 551R to play back the audio from a TVs built-in

terrestrial cable or satellite tuner whilst you watch it’s picture.

If the button is pressed and held for 10 seconds approx the 551R will show

the current scaler output resolution on the 551Rs front panel display.

To enable the use of ARC navigate to the select TV– ARC and use the

up/down buttons to select the Enabled setting.

Holding for a further 10S will change the output resolution to the next

available one (and allow time for the TV to re-sync).

Holding further will continue the process and the video output will gradually

move through all possible resolutions 480i 50Hz, 576i 60HZ, 720p 50Hz,

720p 60Hz, 1080i 50Hz, 1080i 60Hz, 1080p 50Hz and 1080p 60Hz (and

back round).

Audio In/Out Setup Menu

BD/DVD

HDMI 1

Digital

HDMI 3

Analog

Video 1

Video 2

CD/Aux

This feature can be useful if the scaler output is accidentally set to a

resolution your TV does not support and picture is lost.

Tape/MD/CDR

Preamp Out

TV ARC

Ext 2ch

Enable

By pressing and holding Pic.Adj. you can cause the 551R to scroll through all

resolutions automatically. Simply let go of the button when a visible video

image at a suitable resolution appears.

Return : [OSD]

Using ARC

ARC can be started in one of two ways. If your TV supports it there may be a

menu item to start ARC on your TV.

Audio split mode

In some circumstances the 551R is able to allow the user to view one source

whilst listening to another. For instance you could watch the video of a sports

channel whilst getting an audio commentary from another such as the Tuner.

Your TV then sends commands to the 551R which cause it to start an ARC

session and ‘TV-ARC’ will appear on the front panel display automatically.

To perform Audio Split:

Some TVs may also start an ARC session whenever you select the in-built

tuner and stop when you select another source.

1. Select the source you wish to watch in the normal way.

Alternatively you can start ARC by pressing the CD/Aux/TV button twice on

the 551R (as long as TV-ARC has been enabled in the 551Rs OSD as above).

2. Press and hold the button for the source you wish to listen to. After 4

seconds approx “Audio Split” will scroll across the display and you will now

be listening to that source instead. Video will not have changed.

The first press selects CD/Aux, the second selects ARC and ‘TV-ARC’ appears

on the front panel display. The 551R will then send commands to the TV over

HDMI to try to start an ARC session.

The 551R allows splitting from any source whatever its video input type

(Composite, S-Video, Component or HDMI) but only to sources where

analogue or digital audio is the current audio input type, not HDMI.

To finish ARC simply disengage it on your TV or press a different source

button on the 551R.

If the combination is not allowed “Mode Unavailable” will instead scroll

across the display and no change will be made.

To cancel audio split mode simply select a new source and normal operation

will be resumed.

Picture Adjustment

For sources that have had the Scaler set to Process the 551R can provide

some picture adjustments.

These adjustments are remembered source by source.

Pressing a source for which the scaler is in Bypass will do nothing.

Pressing a source for which the scaler is set to Process will bring up the first

adjustment item, shown at the top of the screen as below:

Brightness

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Advanced setup

For most users the basic four stage setup process (Page 14 onwards) should

be sufficient for normal use.

See diagram below of a bi-amped system (only front left and right speakers

shown).

However the 551R also features many more advanced settings for users who

wish to further customise the settings and operation to personal preference.

Note: Bi-wire links must be removed on the speaker’s terminals.

Speaker Impedance 4-8 Ohms

Sub crossovers and bass management

As covered in the ‘551R Setup’ section the 551R performs bass

management for any speaker that is set to ‘Small’ in the OSD. This means

that bass for speakers that are unable to reproduce bass effectively is

instead routed to the subwoofer.

Surround

Back Left/

Surround Back

Surround

Back Right

Front

Right

Front

Left

Surround

Right

Surround

Left

Centre

7.1

6.1

5.1

Speaker Crossover Menu

Front L/R

Centre

80Hz

Surr. L/R

Surr. LB/RB

Tone/Sub/LFE configuration

Select the ‘Tone/Sub/LFE’ menu:

Return : [OSD]

Tone/Sub/LFE Menu

Bass

0dB

Off

0dB

Off

0dB

Treble

LFE Trim

The crossover adjustments in the Speaker crossover menu are used to

determine the point as which this transition is made. In other words they set

the frequency below which bass is routed away from any ‘Small’ speakers

and into the Subwoofer channel. It should be understood that bass sent to

the subwoofer by bass management is different to bass encoded into the

surround-sound material as a dedicated Low Frequency Effects channel.

Dolby Digital/DTS Sub Trim

Dolby Digital/DTS Bass Aug

Dolby PLIIx/NEO Sub Trim

Dolby PLIIx/NEO Bass Aug

Stereo+Sub Trim

Return : [OSD]

If the source material contains a separate LFE channel (ie DD or DTS

material) this is always routed to the subwoofer (if it is On) and is not affected

by the crossover setting. Some encoding types (Such as Dolby PLII/IIx and

Neo:6) do not actually have a LFE channel.

The Bass response can be adjusted +/- 10dB @ 100Hz (shelving). The Treble

response can be adjusted +/-10dB @ 10kHz (shelving). The “Tone” icon will

light up on the display if these controls are adjusted away from 0dB (flat). The

Subwoofer crossover point can also be adjusted from 40 to 150Hz in 10Hz

steps and also to 200Hz.

The default setting for all bass management crossovers is 80Hz and is a

good global starting point. If you do not wish to make any adjustments simply

leave all crossovers at this default setting.

The 551R incorporates a couple of advanced Bass Management features.

The overall Sub Level for DD/DTS modes, PLII/x/Neo:6 modes and Stereo +

Sub mode can be set to different levels. This can be useful if you prefer to

have a high level of Sub operation whilst watching movies but a lower level

for music playback. The three levels are simply adjusted by up to +/-10dB in

the OSD. The second feature is that the way Bass Management is applied

can be changed.

Note: These settings are actually only used for speakers that have been set

to Small in the Speaker Configuration Menu.

For advanced users it is however possible to adjust the speaker crossovers

used for any speakers set as ‘Small’ independently to allow for the fact that

you may wish to direct bass away from front floorstanding speakers (and to

the Subwoofer) at perhaps 50Hz but away from Surround Left and Rights at

perhaps 100Hz. If you wish to make these adjustments it is best to consult

your loudspeaker manufacturers documentation or contact your dealer to

determine the frequency response of your system and where each speaker

types bass response starts to tail off (often called the 3dB or 6dB roll

off/cutoff point). This would be approximately the point the corresponding

crossover should be set to.

In normal operation (Bass Augment Off) if the Front speakers are set to

‘Small’ (in the ‘Speaker Config’ menu) their bass is re-directed by high-pass

filtering the Fronts and sending that bass to the Sub channel (i.e. bass is

removed from the Fronts and sent to the Sub). If they are set to ‘Large’ no

filtering takes place and no bass is sent from them to the Sub channel.

However with the Bass Augment function On and the Front speakers set to

‘Large’, bass from the Front Left and Right is now sent to the Sub channel

without any filtering of the Front Left and Right taking place (i.e. these

channels remain full range). In other words, the bass in the Sub channel is

augmented by extra bass from the Front Left and Right channels. If the Front

Left and Right are set ‘Small’, Bass Augment has no effect and operation is

the same as for Bass Augment Off.

Bi-amping

If you a running a 5.1 (or less) speaker setup only the 551R allows for bi-

amping of the front left and right channels. It will be seen in the Speaker

Configuration menu that with the Decode mode set as 5.1 a Bi-amp On/Off

item appears.

Bass Augment can be On or Off separately for DD/DTS or PLII/IIx/Neo:6

operation.

Speaker Config Menu

Decode Mode

Front L/R

Centre

5.1

Large

Small

There is no Bass Augment function for Stereo + Sub mode because in this

mode if the Front speakers are set to ‘Large’ they will actually always be

unfiltered.

Surr. L/R

Bass Augment can be a useful function with PLII/IIx and Neo:6 material

because these encoding types do not include an LFE Channel. This would

normally mean that if all the speakers in your setup were set to ‘Large’, the

subwoofer would in fact be inactive (as no bass has been re-directed plus

there is no LFE channel). If it is desired to have the subwoofer running with

all Large Speakers and these encoding types, enable Bass Augment for

PLII/Neo6 and then set the Crossover points and levels by ear. A Sub channel

will now be created from the Front Left and Right channels without filtering

them. As with all adjustments it is a good idea to experiment to determine

what works best with your particular setup.

Subwoofer

Biamp

Yes

Return : [OSD]

When selected, the 551R sends the front left and right signals to the SBL and

SBR outputs as well.

In conjunction with bi-wireable/bi-ampable speakers this allows you to use

two runs of speaker cable to each speaker with a dedicated amplifier

channel for the bass and treble drivers of each speaker which can slightly

increase the sound quality.

Note: These adjustments work in all digitally processed Stereo or Surround

modes but not in Analogue Stereo Direct or 7.1 Direct modes.

The LFE channel (for DD / DTS material) can also be trimmed by up to 10dB

in 1dB steps useful for late night listening or other situations where it might

be desired to reduce the low frequency effect level perhaps temporarily.

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azur 551R

Remember the LFE is the Low Frequency Effects channel encoded into the

disc and is different to the over all sub level which can include bass

management from the other speakers.

Dynamic range control

Advanced Dolby/DTS Setup

Bass/Treble adjustments can also be made from the remote without

entering the OSD by pressing the Bass/Treble button and then using the Vol

Up/Down buttons.

Dolby Pro Logic IIx Panorama

Off

Dolby Pro Logic IIx Centre Width

Dolby Pro Logic IIx Dimension

DTS HD Spkr Remap

Sub trim adjustments can also be made from the remote without the OSD

by holding down the Sub On/Off button and using the Vol Up/Down buttons

whilst it is kept down.

Dolby DRC

Auto

Return : [OSD]

OSD setup

On-Screen Display is available on all video outputs.

This setting controls the dynamic range of Dolby Digital movie soundtracks by

compressing the audio to limit the difference in level between loud and quiet

passages in the movie.

OSD Setup Menu

This can be a useful feature when watching movies late at night for instance.

Three settings are possible:

Language

Firmware

English

1.6/1.6/1.0

Auto – Compression is always applied for Dolby Digital and Dolby Digital Plus

soundtracks. The application and amount of compression to Dolby True HD

soundtracks is dictated by the soundtrack itself.

(MCU/HDMI/DSP)

Off – No Compression (normal full dynamic range playback)

Return : [OSD]

On – Compression is always applied for all Dolby soundtracks (reduced

dynamic range playback)

The OSD can be shown in several different languages. To change the OSD

language highlight the ‘Language’ menu and use the Left and Right arrows

to select between English, Dutch, French, German, Spanish, Italian,

Norwegian, Swedish and Danish. Press the OSD button again to exit and save

the options.

Advanced Dolby/DTS adjustments

The first three adjustments affect Dolby Prologic II or IIx processing (or post-

processing) in Music mode only. Movie and Game modes where available are

preset as part of their specification to match the encoding or provide a

specific effect. These adjustments have no affect in these modes.

Advanced Dolby/DTS Setup

Dolby Pro Logic IIx Panorama

Dolby Pro Logic IIx Centre Width

Dolby Pro Logic IIx Dimension

DTS HD Spkr Remap

Off

Dolby DRC

Auto

Return : [OSD]

Panorama mode - A Prologic II/IIx mode that extends the front Stereo image

to the surround sound speakers for a more enveloping experience. This mode

can be either On or Off.

Centre Width - Allows gradual adjustment of the centre image from being

produced only by the Centre speaker (Setting 0) through levels of being

spread between the centre channel and Left and Right speakers to finally

being produced by the Front Left and Right speakers only (Phantom Centre,

Setting 7). Useful in optimising the Front/Centre/Right soundfield for best

integration of the 3 speakers. Best tuned by ear.

Dimension - Adjusts the soundfield to be gradually shifted from the front of

the room to the back to suit taste, speaker positioning and size of room.

Setting 0 has the image furthest forward, 6 furthest back.

All three adjustments are a matter of personal preference, experiment for the

settings that you prefer when you are using PLII or PLIIx decoding.

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Advanced setup continued

Configuration 4 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lh, Rh

DTS-HD speaker re-map

Center

As there is no “official” speaker layout for discrete 7.1 channel audio it could

be possible that the original master track of a 7.1 soundtrack was mastered

with a different speaker layout than the one being used in your home. DTS

have addressed this issue for DTS-HD Master Audio and High Resolution Audio

by including in the bitstream flags to tell the receiving AV Receiver which of a

7 nominal 7.1 speaker layouts was actually used. By using special DTS

Speaker Remap algorithms the 551R is able to electronically “reposition” the

speakers (i.e. direct the audio propagation), so that the playback matches the

original encoded layout for the best possible sound quality.

Left Height

Right Height

Left (30°)

LFE

Right (30°)

Left Surround (110°)

A second aim of this technology is that by re-purposing some of the 7.1

available channels it is possible to use some of them to do new things such

as adding a height element to the sound field.

Right Surround (110°)

The following digrams show the 7 possible encoding schemes for reference.

Configuration 5 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lsr, Rsr

The angles quoted refer to the angle from a nominal 0 degrees line through

the centre channel to each speaker either side right or left of that line.

Center

Left (30°)

Configurations 1 and 5 are variants of normal 7.1 setups whilst Configuration

6 can increase the available panning of the front channels.

Right (30°)

LFE

Configurations 2,3,4 and 7 are less conventional and re-purpose some of the

available 7.1 channels to provide an extra height dimension to the sound field

in different ways. Please refer to the DTS website for more details on this new

technology.

Left Surround (110°)

Right Surround (110°)

Configuration 1 - 7.1 channel: L, C, R, LFE, Lss, Rss, Lsr, Rsr

Left Surround Rear (150°)

Center

Right Surround Rear (150°)

Left (30°)

Right (30°)

LFE

Configuration 6 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lw, Rw

Left Surround Side (90°)

Right Surround Side (90°)

Center

Left (30°)

Right (30°)

LFE

Left Surround Rear (150°)

Right Surround Rear (150°)

Left Wide (60°)

Right Wide (60°)

Configuration 2 - 7.1 channel: L, C, R, LFE, Ls, Rs, Lhs, Rhs

Left Surround (110°)

Right Surround (110°)

Center

Left (30°)

Configuration 7 - 7.1 channel: L, C, R, LFE, Ls, Rs, Ch, Cs

Right (30°)

LFE

Left Height Side (90°)

Center Height

Center

Right Height Side (90°)

Left (30°)

LFE

Right (30°)

Left Surround (110°)

Right Surround (110°)

Configuration 3 - 7.1 channel: L, C, R, LFE, Ls, Rs, Cs, Oh

Left Surround (110°)

Right Surround (110°)

Center Surround

Center Over-Head

Center

Left (30°)

LFE

Right (30°)

Left Surround (110°)

Right Surround (110°)

Center Surround

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Custom installation (C.I.) use

An IR Emitter Input is provided that allows

modulated IR remote control commands to be

received electrically by the unit. An RS232 port is

also featured which allows the 551R to be controlled

by C.I. systems.

RS232C

For playback the 551R expects you to have an actual physical speaker setup

approximately conforming to one of the layouts as shown below.

5.1

Center

In addition the unit features 'direct' IR/Control codes as well as toggle codes

for some of their features to simplify programming custom installation

systems. Special direct On/Off and Mute commands can be accessed on the

supplied remote control for teaching into C.I. systems as follows:

Left (30°)

Right (30°)

LFE

1.Press and hold the Standby/On button on the remote control. The remote

first generates it's standby (toggle) command. Keep the button held down,

after 12 seconds an AV receiver “On” command will be generated. If the

button is kept held down for a further 12 seconds, an AV receiver “Off”

command is generated.

Left Surround Rear (150°)

Repeat this procedure with the Mute, Sub On/Off, Stereo Mono and Tuner

AM/FM buttons to send On/Off commands. The Tuner AM/FM button also

provides unique FM and AM commands to allow switching to a specific band.

Right Surround Rear (150°)

A full code table and RS232 protocol for this product is available on the

Cambridge Audio website at www.cambridge-audio.com.

7.1

Configuration 1

or Configuration 5

Reset/Back-up memory

The 551R has a function that preserves the preset memory and other

settings. In the event of a power failure, or if the power cord of the unit is

disconnected from the mains outlet, the back-up memory will preserve the

preset memory for approximately one week. If the power supply is interrupted

for 7 days or longer, the memory settings will be erased.

If it is desired to reset all settings to their factory defaults (or in the unlikely

event that the unit locks up due to an electrical discharge etc), with the unit

on and out of Standby mode press and hold the DVD and Analogue Stereo

Direct buttons on the front panel for three seconds.

For 5.1 setups the situation is simple, the 551R automatically performs any

DTS Speaker Remapping required, mapping any of the 7 incoming

possibilities to this configuration.

“RESET” will appear briefly on the front panel display before returning to

Standby mode.

For 7.1 there are two alternative speaker setup you might have. These

corresponds to configuration 1 and configuration 5 as above.

Here you need to tell the 551R which configuration best matches your

speaker setup by selecting the DTS-HD speaker menu and selecting the 1 or

5 option.

Advanced Dolby/DTS Setup

Dolby Pro Logic IIx Panorama

Dolby Pro Logic IIx Centre Width

Dolby Pro Logic IIx Dimension

DTS HD Spkr Remap

Off

Dolby DRC

Auto

Return : [OSD]

The 551R can then perform any speaker re-mapping required automatically,

and maps any of the incoming 7 possibilities to whichever one of the two 7.1

possibilities you have.

Note: This feature by its nature only works for 7.1 DTS HD Master Audio or

DTS HD High Resolution Audio bitstreams.

Also note that where the incoming speaker configuration and your physical

speaker configuration actually match the 551R performs no mapping as

you’d expect.

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Troubleshooting

A low hum or buzz sound can be heard

Power cords or lighting placed near this product.

Analogue inputs not connected securely.

Sound is not audible from one channel

Speaker connections disconnected.

Speaker set to “None” in OSD setup menu.

Sound cuts off when listening to music or there is no

sound even though power is ON

Speaker impedance is less than prescribed for the 551R.

The unit is not adequately ventilated and may be overheating.

Low bass or “phasey” response

Speaker polarity (+/-) of one or more speakers is reversed.

An unusual hissing noise is heard when listening to a radio

broadcast in stereo, but not heard when listening in mono

A slight noise may be heard because the method used for modulation of FM

stereo broadcasts is different than that used for mono broadcasts.

Aerial quality also effects the level of hiss heard.

Noise is excessive in both stereo and monaural radio broadcasts

Poor location and/or direction of the antenna.

Transmitting station is too far away.

No sound from the rear speakers

Source being played is not recorded in surround sound.

Speaker/s set to “None” in OSD setup menu.

A stereo mode has been selected.

No sound from the centre speaker

Centre speaker has been set to “None” in OSD setup menu.

A stereo mode has been selected.

No sound from the subwoofer

Sub has been set to ‘Off’ in the OSD setup menu or via the remote.

DTS Neo:6, DD PLII/IIx modes (which have no LFE channel) have been

selected with all speakers set to “Large”.

Remote control is not working

The batteries are flat.

The remote is too far from the receiver or out of the effective range.

No sound from speakers when connected to a digital

input

Audio input type is set to analogue (check display). Press the Audio Input

Type button to switch to digital.

No sound from speakers when connected to an analogue input

Audio input type is set to digital. Press the Audio Input Type button to switch

to analogue (check display).

Audio input type can also be set in the Input/Output Setup menu of the OSD.

No Sound from any speakers

Receiver is set for ‘Pre-out’ operation.

By entering the OSD menu, selecting the input/output setup menu, the

Preamp out setting can be changed from ‘Normal’ to ‘Pre-out’. This disables

the internal amplifiers when an external decoder amplifier is being used.

Reset this to ‘Normal’ to restore sound.

No Sound from front speakers, but rear speakers work

Receiver is set for ‘Ext 2Ch’ operation.

By entering the OSD menu, selecting the input/output setup menu, the

Preamp out setting can be changed from ‘normal’ to ‘Ext. 2 Ch’. This disables

the internal amplifiers for the front channels when an external amplifier is

being used to drive those channels. Reset this to ‘Normal’ to restore sound.

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Technical specifications

Audio

Power Output

General

Architecture

All Channels : 110 watts rms per channel,

6 ohms (two channels driven)

Cirrus Logic CS43122 24 Bit 192kHz

capable DAC for Front Left & Right

All Channels : 90 watts rms per channel,

8 ohms (two channels driven)

Cirrus Logic CS52526 24 Bit 192kHz

capable CODEC for surround

channels + 24 Bit 2 channel A/D

conversion

All Channels : 60 watts rms per channel,

8 ohms (all 7 channels driven)

Cirrus Logic CS497004 dual 32 bit DSP

Faroudja FLI2310 scaler

THD

<0.006% @1kHz

Crosstalk

<-60dB @ 1kHz

Audio Inputs

6 Line Level Analogue

Tuner (FM/AM)

7.1 Analogue Input

Frequency response

S/N Ratio

10Hz - 20kHz -1dB

>90dB 'A' weighted

47kOhms / 175mV or greater

4 Digital Co-axial, 4 Digital Optical

Audio Input Impedance /

Sensitivity

Video Inputs

2 Composite, 2 S-Video,

2 Component Video, 4 HDMI

Digital Input Impedance

75 ohms (Coaxial/S/P DIF)

Main Audio Outputs

7 Amplified Speaker Outputs

7.1 Preamp outputs

Tone Control

- Bass

- Treble

+/-10dB @ 100Hz

+/-10dB @ 10kHz

Main Video Output

1 HDMI

Recording Audio Outputs

1 Line Level Analogue

1 Digital Co-Axial, 1 Digital Optical

Tuner

- FM mode

- AM mode

87.5-108MHz, 75 ohm coaxial aerial

522-1629kHz, 300 ohm loop aerial

Other connections

1 1/4" / 6.35mm Headphone Output

(32 To 600 ohms recommended)

1 IR Emitter In

1 RS232C

1 IEC type mains inlet

Video

Video Levels /Impedance

- Composite (CVBS)

1Vp-p / 75 ohm

Standby power consumption <1w

Quiescent power consumption <70w

- S-Video (S-VHS)

- Component

Y 1Vp-p / 75 ohm

C 0.286 Vp-p / 75 ohm

Y 1Vp-p / 75 ohm

Cb/Cr 0.75Vp-p / 75 ohm

Pb/Pr 0.75Vp-p / 75 ohm

Max power consumption

Dimensions - H x W x D

Weight

700w

110 x 430 x 340mm

10kg (22lbs)

HDMI

HDMI 1.4

EIA/CEA - 861D

HDCP 1.1

All audio modes supported except reception of native Direct Stream

Digital (DSD).

ARC and 3D-TV/deep colour pass through supported.

CEC and HEC not supported.

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Cambridge Audio is a brand of Audio Partnership Plc

Registered Ofﬁce: Gallery Court, Hankey Place

London SE1 4BB, United Kingdom

Registered in England No. 2953313

www.cambridge-audio.com

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