Behringer Electronic Keyboard U CONTROL UMX61 User Manual

User’s Manual  
Version 1.0 January 2006  
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U-CONTROL UMX49/UMX61  
U-CONTROL  
The Ultimate Studio in a Box: 49-Key USB/MIDI Controller Keyboard with USB/Audio  
Interface, 50 Software Instruments and Ableton® Live Lite 4 BEHRINGER Edition  
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Unleash your creativity and play 50 virtual instruments and synthesizers, take off with an unlimited number of sound creations.  
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Velocity-sensitive USB/MIDI keyboard featuring 49 full-size keys and unbeatable programming versatility, real-time control and  
playability  
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USB/audio interface to connect your instruments and mixer, etc. to your computer for recording and playback  
Powerful DAW software Ableton® Live Lite 4 BEHRINGER Edition included  
Plug and play with Mac OS® X and Windows XP®  
8 real-time rotary controls plus 10 assignable switches  
Freely assign MIDI control changes to the modulation wheel, volume fader and pedal port for ultimate flexibility  
Full 128 tone range via the octave shift function with multi-purpose LED status indication  
Separate MIDI Out allows controlling external samplers, synths and other equipment  
Runs via USB bus, batteries or a power adapter (not included)  
High-quality components and exceptionally rugged construction ensure long life  
Conceived and designed by BEHRINGER Germany  
* All trademarks mentioned belong to their respective owners and are not affiliated with BEHRINGER®  
YOUR U-CONTROL  
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U-CONTROL UMX49/UMX61  
VORWORT  
TABLE OF CONTANTS  
Dear Customer,  
WICHTIGE SICHERHEITSHINWEISE .............................. 2  
VORWORT ..................................................................... 4  
1. EINFÜHRUNG .............................................................. 5  
welcome to the team of  
BEHRINGER users, and  
thank you very much for  
expressing your confi-  
dence in us by pur-  
chasing the U-CONTROL.  
Writing this foreword  
for you gives me great  
pleasure, because it  
represents the culmi-  
nation of many months of  
hard work delivered by  
our engineering team to  
achieve a very ambitious  
goal: With the UMX we  
1.1 Bevor Sie beginnen ........................................................ 5  
1.1.1 Auslieferung ........................................................ 5  
1.1.2 Inbetriebnahme und Stromzufuhr........................ 5  
1.1.3 Garantie ............................................................... 5  
1.2 Systemanforderungen.................................................... 6  
2.2 USB-Modus und Standalone-Betrieb .............................. 7  
2.2.1 Der USB-Modus................................................... 7  
2.2.2 Der Standalone-Betrieb ....................................... 7  
present you our first  
keyboard which, thanks  
3. BEDIENELEMENTE UND ANSCHLÜSSE .................... 7  
to its flexibility, can be  
used on stage as a  
4. BEDIENUNG ................................................................ 8  
master keyboard controller as well as a pure MIDI controller.  
The task of designing our new U-CONTROL certainly meant a  
great deal of responsibility, which we assumed by focusing on  
you, the discerning user and musician. Meeting your expectations  
also meant a lot of work and night shifts. But it was fun, too.  
Developing a product usually brings a lot of people together, and  
what a great feeling it is when all who participated in such a  
project can be proud of what they’ve achieved.  
4.1 DER PLAY-MODUS .......................................................... 9  
4.1.1 Das FACTORY MEMORY .................................... 9  
4.1.2 Das USER MEMORY ............................................ 9  
4.2 DERASSIGN-MODUS ...................................................... 9  
4.2.1 Einstellung des GLOBAL CHANNELs ................. 9  
4.2.2 Die individuelle Kanal-Zuordnung ....................... 9  
4.2.3 Zuordnung des GLOBAL CHANNELs: ............... 9  
4.2.4 Die PANIK-Tastenkombination ............................. 9  
4.2.5 Der SNAPSHOT SEND-Befehl ........................... 10  
4.2.6 LOCAL OFF beim UMX ...................................... 10  
4.2.7 Zuweisung von Bedienelementen .................... 10  
4.2.8 Programm- und Bankwechsel .......................... 11  
4.2.9 WeitereFunktionenderOCTAVESHIFT-Taster..... 12  
4.2.10 Die Anschlagsempfindlichkeit ........................... 12  
4.2.11 Der FACTORY RESET-Befehl ............................ 13  
It is our philosophy to share our enjoyment with you, because  
you are the most important member of the BEHRINGER team.  
With your highly competent suggestions for new products you’ve  
made a significant contribution to shaping our company and  
making it successful. In return, we guarantee you uncompromising  
quality as well as excellent technical and audio properties at an  
extremely reasonable price. All of this will enable you to give free  
rein to your creativity without being hampered by budget  
constraints.  
5. TECHNISCHE DATEN ................................................13  
6. ANHANG ...................................................................14  
7. GARANTIE ................................................................15  
We are often asked how we manage to produce such high-  
quality devices at such unbelievably low prices. The answer is  
quite simple: it’s you, our customers! Many satisfied customers  
mean large sales volumes enabling us to get better purchasing  
terms for components, etc. Isn’t it only fair to pass this benefit on  
to you? Because we know that your success is our success too!  
I would like to thank all of you who have made the B-CONTROL  
possible. You have all made your own personal contributions,  
from the developers to the many other employees at this company,  
and to you, the BEHRINGER user.  
My friends, it’s been worth the effort!  
Thank you very much,  
Uli Behringer  
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FOREWORD / TABLE OF CONTENT  
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U-CONTROL UMX49/UMX61  
1. INTRODUCTION  
Thank you for showing your confidence in BEHRINGER  
products by purchasing the UMX. The UMX is an extremely flexible  
master keyboard with a controller unit that can be used for a  
wide array of applications. Whether you need independent control  
of computer rack synthesizers, general MIDI sound modules or  
effects devices, or want to use the UMX for conveniently  
operating sequencing software or computer plug-ins – the UMX  
offers you tremendous ease of use and allows you to realize  
your ideas intuitively.  
USB Cable (included)  
The following user’s manual is intended to  
familiarize you with the unit’s control elements, so  
that you can master all the functions. After having  
thoroughly read the user’s manual, store it at a safe  
place for future reference.  
U-CONTROL UMX  
Figure 1.1: Power supply via USB  
1.1 Before you get started  
1.1.1 Shipment  
The U-CONTROL was carefully packed at the assembly plant  
to assure secure transport. Should the condition of the cardboard  
box suggest that damage may have taken place, please inspect  
the unit immediately and look for physical indications of damage.  
Damaged equipment should NEVER be sent directly  
to us. Please inform the dealer from whom you  
acquired the unit immediately as well as the  
transportation company from which you took  
delivery of the unit. Otherwise, all claims for  
replacement/repair may be rendered invalid.  
To assure optimal protection of your UMX during  
transport, we recommend utilizing a carrying case.  
Figure 1.2: The battery compartment on the bottom side of  
the UMX  
Please always use the original packaging to avoid  
damage due to storage or shipping.  
Open the battery compartment by pressing the shutter clamp  
carefully in the direction of the battery compartment, while pulling  
the cover of the compartment upwards.  
Never let unsupervised children play with the  
B-CONTROL or with its packaging.  
Please note the following points when inserting the batteries:  
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The +symbol of the batteries must coincide with the  
+symbol of the compartment! Incorrect polarity will damage  
the electronics!  
Please dispose of all packaging materials in an  
environmentally-friendly fashion.  
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Do not mix old and new batteries! When you change the  
batteries, always change all 3 batteries at the same time.  
1.1.2 Initial operation and power supply  
Please make sure that the unit is provided with sufficient  
ventilation, and never place the UMX on top of an amplifier or in  
the vicinity of a heater to avoid the risk of overheating.  
Do not use damaged batteries. The UMX could be damaged  
due to the leakage of chemicals.  
If you do not use the unit for an extended period of time,  
please remove the batteries from the compartment. Here  
again, the batteries could leak and damage the device.  
The power supply can be realized in different ways depending  
on the main application area: For the installation of the UMX in a  
studio environment, it is possible to connect the device directly  
to a free USB port of the computer using the USB cable provided  
(see fig. 1.1).  
After inserting the batteries, please close the battery  
compartment and make sure the shutter clamp snaps into place  
again.  
In case it is not possible to establish the power supply over  
USB (e.g. because of an overload of the host computer due to  
several USB devices connected), it is also possible to operate  
the UMX with three 1.5-Volt batteries (type “AA”, see fig. 1.2).  
If you do neither want to connect the power supply over USB  
nor operate the unit with batteries, there is yet another possibility  
to connect the UMX over an external power pack. Best suited  
here is the BEHRINGER POWERSUPPLY PSU-SB. If you use a  
different power supply, please observe the correct operational  
data (9 V DC; 100 mA) and correct polarity of the connector  
plug; you will find information about this above the DC input on  
the rear of the unit. Reverse polarity can damage the electronics.  
1.1.3 Online registration  
Please, do remember to register your new BEHRINGER  
equipment right after your purchase by visiting  
kindly read the terms and conditions of our warranty carefully.  
1. INTRODUCTION  
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U-CONTROL UMX49/UMX61  
Should your BEHRINGER product malfunction, our goal is to  
have it repaired as quickly as possible. To arrange for warranty  
service, please contact the retailer from whom the equipment  
was purchased. Should your BEHRINGER dealer not be located  
in your vicinity, you may directly contact one of our subsidiaries.  
Corresponding contact information is included in the original  
equipment packaging (Global Contact Information/European  
Contact Information). Should your country not be listed, please  
contact the distributor nearest you. A list of distributors can be  
found in the support area of our website (www.behringer.com).  
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Remotely controlling groove boxes, step sequencers, MIDI  
generators and other “live” software  
Program changes and volume control on sound generators  
(just like on a master keyboard)  
Can be used by band keyboardists, solo entertainers,  
organists, electronic music performers, DJs, sound  
engineers, home/project studio owners, theater technicians  
etc. alike  
And how does it work?  
Registering your purchase and equipment with us helps us  
process your repair claims quicker and more efficiently.  
Remote control is realized by assigning the individual control  
elements of the UMX to individual MIDI parameters. Whenever  
one of these control elements is operated, the UMX generates  
the control data assigned to this control element, which are then  
transferred to external devices over a data link. Thus, for  
example, the VOLUME/DATA fader is programmed ex works to  
send data controlling the volume level of a channel.  
Thank you for your cooperation!  
1.2 System requirements  
For USB operation, a current WINDOWS® PC or MAC® with a  
USB connection is sufficient. Both USB 1.1 and USB 2.0 are  
supported.  
The data connection is usually a standard MIDI cable with a  
5-pole DIN plug on each end. Such cables should not exceed a  
length of 15 meters. With the UMX there is one more data  
connection available: the USB cable to the host computer. Here,  
the cable should not exceed a length of 5 meters.  
The UMX supports the USB MIDI compatibility of  
WINDOWS® XP and MAC OS X® operating systems.  
The data transmission takes place over 16 channels. The  
control data generated by the individual control elements are  
also called MIDI messages, which can be divided into 3 major  
groups:  
The UMX can also be operated as a stand-alone MIDI  
controller with no PC connected. Software control  
via MIDI is also possible, provided your computer  
has a MIDI interface.  
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Channel Messages: Here, channel-specific control  
information is transmitted. An example of a channel  
message is the note-on instruction. As soon as a key is  
played on the keyboard of the UMX, the device generates  
an instruction which contains the pitch, channel number  
and velocity. The receiving sound generator “knows” which  
tone has to be played.  
2. INTRODUCTION TO MIDI  
2.1 MIDI control for beginners  
Application possibilities for the UMX models are truly wide-  
ranging. We’ll start with a couple of general explanations and  
examples that should quickly let you get a good understanding of  
MIDI basics.  
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System Messages: These messages are not channel-  
specific but relate to the entire system to which they are  
sent. They are divided into 3 groups: System Exclusive  
Messages (for operating system backup, updates,  
management of memory contents); System Real-Time  
Messages (e.g. for remote control of other devices);  
System Common Messages (e.g. for the synchronization  
of several devices).  
The definition of the MIDI standard began in 1982 with the  
cooperation of various international companies (MIDI: Musical  
Instruments Digital Interface). At that time, musicians were looking  
for a possibility of managing the communication of electronic  
musical instruments of different makes with one another.  
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Control Messages: Also known as Control Changes or  
Controllers, abbreviated as “CC… (controller number)”.  
There are 128 controllers in total, which are numbered  
from 0 to 127.  
What exactly does the UMX do?  
Simply put, this a remote control for all kinds of MIDI equipment.  
Using the faders, encoders and buttons, the foot pedal and the  
keyboard, an entire array of control instructions can be  
generated, which in turn can control the most diverse functions  
of external devices.  
Please refer to the table on page 16 to find out which  
type of controller you are currently working with.  
MIDI data are only control data and contain no audible  
audio information! The data transmission takes  
place over 16 channels.  
What kinds of equipment can I control with the UMX?  
You can basically control any device supporting the MIDI format.  
Both hardware and software MIDI devices are controlled in exactly  
the same way. The only difference is in the wiring.  
What settings do I have to make? Where? How?  
Basically, which control element generates which controller  
must be set on the UMX, and how arriving controller commands  
should be interpreted must be set on the receiving device.  
Regarding controller assignment, there are two possible  
principles:  
Here are a couple of suggestions on how you can use  
your UMX:  
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Editing sound parameters of (virtual) synthesizers, sound  
samplers, GM/GS/XG sound generators  
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You use the preset controller configuration set in the  
factory (see fig. 2.1). In this case, you only need to make  
the assignments on the receiving device.  
Controlling parameters on effects equipment/software plug-  
ins such as effects processors, reverbs, compressors,  
equalizers etc.  
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You use your own controller configuration set up in  
ASSIGN mode. How to assign controllers to the UMX is  
described in chapter 4 “operation”.  
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Remotely controlling software mixers (volume, panorama,  
mute functions, etc.)  
Remotely controlling transport functions (playback, forward,  
stop etc.) on sequencers, hard disk recorders, drum  
computers etc.  
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Live control of volume and sound parameters on expanders  
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2. INTRODUCTION TO MIDI  
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U-CONTROL UMX49/UMX61  
The MODULATION wheel functions ex works as a  
2.2 USB mode and stand-alone operation  
conventional modulation wheel (MIDI CC 1). In ASSIGN  
mode, any MIDI controller can be assigned to it. When you  
release the MODULATION wheel, it retains its adjusted  
value.  
The UMX can be operated as a USB interface or stand-alone  
device. The two modes are different with respect to the MIDI  
signal flow.  
The PITCH BEND wheel is normally used to change the  
pitch in real time. In this way, a sound can be “bent”  
upwards/downwards by several half-tones while playing.  
As a default factory setting, pitch bending is assigned to  
this wheel. However, in ASSIGN mode you can assign any  
MIDI control command to the pitch wheel.  
2.2.1 USB mode  
When the UMX is linked via USB to a computer, the signal flow  
is as shown below (fig. 2.1).  
Ex works, the VOLUME/DATA fader controls the volume  
of the notes played on the keyboard (MIDI CC 7). In ASSIGN  
mode, it can be set to control any MIDI controller.  
Sound-Modul  
VOLUME  
MUTE  
DEMO  
TYPE  
FILTER  
COMBI  
LEVEL  
PLAY  
PHONES  
PROG  
POWER  
The ASSIGN button allows you to assign different  
functions to the various control elements.  
The basic principle is always the same:  
IN  
1) Press the ASSIGN button and keep it pressed. The  
status LED above the button lights up. The UMX signals  
that it has entered ASSIGN mode.  
OUT  
(intern)  
2) Select the control element to which you would like to  
assign a new MIDI function by operating it.  
USB  
MIDI  
3) Release the ASSIGN button.  
ON  
OFF  
4) Depending on the choice you made, you may have to  
define an additional value range (see below for more  
details).  
5) Press the  
confirm your assignments. To discard your assignments  
either press the -button or the ASSIGN button  
again. In either case the ASSIGN LED goes out and the  
UMX quits ASSIGN mode.  
-Taste. button on the keyboard to  
(intern)  
Fig. 2.1: Block diagram of MIDI signal flow  
The USER MEMORY button is used to recall the internal  
memory. The internal memory contains all assignment  
information set in ASSIGN mode. Any changes that were  
made after USER MEMORY selection are automatically  
saved without further user prompts. The USER MEMORY  
is retained even after the unit is switched off.  
After the UMX has been connected to the host computer, a  
virtual MIDI IN and MIDI OUT interface is emulated.  
MIDI data generated in the UMX are first sent over the USB  
interface to the host computer, where they are received at the  
emulated MIDI IN. A sequencer software running on the host  
computer receives the MIDI data via the MIDI IN and relays them  
to the emulated MIDI OUT – if all sequencer parameters are set  
properly. The data are then sent back to the UMX via the USB  
interfaces on the computer/UMX, where they are looped through  
The two OCTAVE SHIFT buttons are preset to shift the  
keyboard range by up to three octaves up or down. The  
associated LEDs help you identify the current octave setting  
(see table 3.1). Since the OCTAVE SHIFT buttons can also  
be assigned to any MIDI controller, we would like to refer  
you to chapters 4.2.8 and 4.2.9 for detailed information.  
to the physical MIDI OUT (  
). From here, the MIDI data are sent  
to the devices connected to the MIDI OUT.  
The MIDI OUT connector  
interface, independently of the sequencer software operating  
the UMX.  
can also be used as a normal MIDI  
The eight high-resolution rotary controls R1 – R8 generate  
continuous controller information. They are the controllers  
that are shown above the buttons in the table  
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All  
rotary controllers can be assigned to any controller in  
ASSIGN mode.  
2.2.2 Stand-alone operation  
When the UMX25 is not linked via USB to a computer, it is  
automatically set to stand-alone mode. In this case, the UMX25  
can only send out MIDI data from its MIDI OUT connector.  
The eight buttons B1 - B8 generate switch controllers.  
Again, they are assigned to various functions ex factory  
(see table  
on the device). Like the rotary controls the  
buttons can be freely assigned to any controller in ASSIGN  
mode.  
3. CONTROL ELEMENTS AND  
CONNECTIONS  
The table shows the controller assignment preset at the  
factory.  
Keyboard legend: Informs you about the special functions  
performed by individual keys on the keyboard. The  
individual elements of the keyboard legend are described  
in detail in chapter “4. Operation”.  
The following factory settings refer to GLOBAL MIDI  
channel 1.  
The keyboard of the UMX25: 25 large, velocity-sensitive  
keys for maximum playing comfort. The keyboard not only  
provides for playing, but also functions  
as an encoder  
in the context of the assignment procedure.  
3. CONTROL ELEMENTS AND CONNECTIONS  
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U-CONTROL UMX49/UMX61  
Fig. 3.1: TOP view of the UMX  
4. OPERATION  
We will explain the operation of the UMX in detail in the following.  
You must observe the following: There is a differentiation  
between push-buttons (refer to control elements  
) and  
keys (control element )! Please do not confuse these!  
Fig. 3.2: Rear panel connectors  
4.1 THE PLAY MODE  
The UMX will be in the Play Mode immediately after it is switched  
on. Here you can immediately begin to play, modify the filtering  
process via the rotary controls, execute panning, control  
software synthesizers and so on...  
Use this socket to supply the UMX with current from an  
external power supply unit (not included).  
The USB connector of the UMX. The connector (type B) on  
the device is connected using the cable supplied to a free  
slot on the host computer (where you will find a type A  
connector). It is compatible with the USB1.1 and/or USB2.0  
standards.  
4.1.1 THE FACTORY MEMORY  
The FACTORY MEMORY is the installed memory in which the  
basic settings of the UMX are defined. The controller map  
described under  
MEMORY. These settings are automatically loaded after each  
start of the device and control many useful parameters.  
is the most important item of the FACTORY  
Operation  
Octave shift  
Shift one octave  
up or dow n  
LED  
press once  
LED on  
Instructions which are changed within a session are discarded  
when the device is switched off. We have equipped the UMX  
with a USER MEMORY, in order to still be able to store changed  
allocations.  
press 2nd  
time  
press 3rd  
time  
press both  
buttons  
Shift 2 octaves  
up or dow n  
Shift 3 octaves  
up or dow n  
Reset (all octave  
shifts are reversed)  
flashing  
flashing  
LED off  
4.1.2 THE USER MEMORY  
Settings which are stored in the USER MEMORY remain stored  
in the internal Flash ROM and are retained after the device is  
switched off.  
Table 3.1: LED activity depending on the  
OCTAVE SHIFT status  
Change to the USER MEMORY by pressing push-button  
. If  
In addition to the connection to the computer, you can use  
the MIDI OUT to connect additional MIDI devices, so that the  
UMX transforms into a fully-featured, easily accessible  
MIDI interface for your host computer.  
you call up the USER MEMORY for the first time, the settings of  
the FACTORY MEMORY will be used initially. As soon as you  
execute changes in the existing controller map, they are  
automatically stored - without requiring any further action.  
Use the FOOT SWITCH connector to connect a sustain  
pedal. This interface is factory preset and assigned to  
the MIDI parameter “Foot Pedal” (CC 64), which represents  
a switch controller. When the pedal is pressed (and held)  
in normal Play mode, it generates a controller with the  
value 127. When the pedal is released, the controller falls  
back to 0 (typical piano sustain pedal behavior). Apart  
from that the pedal assignment is the same as the button  
assignment, i.e. you can assign any MIDI controller to it.  
In the USER MEMORY, allocations including channel information  
of the following control elements can be permanently stored:  
- FOOT SWITCH connection  
- OCTAVE SHIFT push-button  
- VOLUME/DATA fader  
- PITCH BEND wheel  
The POWER switch is used to switch the unit on and off.  
- MODULATION wheel  
- Rotary controls R1 - R8  
- Push-buttons B1 - B8  
Please close all programs if you want to switch off  
the UMX25 while the computer is running or  
terminate the USB connection.  
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4. OPERATION  
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U-CONTROL UMX49/UMX61  
4.2.3 Assigning the GLOBAL CHANNELs:  
4.2 THE ASSIGN MODE  
1)  
2)  
Press the ASSIGN push-button and hold it down.  
As already mentioned in previous chapters, the ASSIGN Mode  
is a powerful tool to optionally reconfigure the UMX into an ultra-  
comfortable controller.  
Activate the control element for which the GLOBAL  
CHANNEL is to be set. If this is a controller or fader, briefly  
move the control element; when you have decided on a  
push-button, press this push-button once. The UMX now  
"knows" to which control element you would like to assign  
a GLOBAL CHANNEL.  
The basic logic of the allocation process has been introduced  
to you in chapter „3 Control elements“. In the following we will  
offer you more detailed information to enable you to use the UMX  
even more efficiently.  
3)  
4)  
5)  
Release the ASSIGN push-button.  
4.2.1 Setting the GLOBAL CHANNEL  
Press the  
key.  
The UMX recognizes two separate classifications in regard to  
MIDI channels. There is a GLOBAL CHANNEL and 15 additional  
SINGLE CHANNELs.  
Finally, press the  
assignments, please press the  
key. In order to discard your  
key or press the  
ASSIGN push-button again. The ASSIGN LED will go off  
in all 3 cases.  
The GLOBAL MIDI CHANNEL is the channel through which all  
MIDI commands are sent in the factory setting: messages by  
various control elements, as well as the Note On and Note Off  
commands. To change this channel, proceed as follows:  
4.2.4 The PANIC key combination  
Imagine that you have been working continuously on one song  
for several hours and a note suddenly "hangs up". If you now  
execute a PANIC command, a sound producing device receiving  
this command becomes silent immediately.  
1)  
2)  
3)  
4)  
Press the ASSIGN push-button and hold it down.  
Press the key.  
Release the ASSIGN push-button.  
1)  
2)  
Press the ASSIGN push-button and hold it down.  
Press one of the two keys or  
Define the GLOBAL CHANNEL by operating one of the  
.
keys  
through  
on the keyboard.  
3)  
Release the ASSIGN push-button. The device will  
automatically return to the normal play mode.  
5)  
Finally, press the  
assignments, please press the  
key. In order to discard your  
key or press the  
ASSIGN push-button again. The ASSIGN LED will go off  
in all 3 cases.  
The command "All Notes Off" will be sent  
immediately after you have pressed one of the two  
keys.  
The factory setting for the GLOBAL CHANNEL is  
channel 1.  
4.2.5 The SNAPSHOT SEND command  
4.2.2 The individual channel assignment  
The SNAPSHOT command triggers the transmission of all  
parameters including their current values. All control element  
assignments as well as their temporary settings on the respective  
channels are transmitted to the MIDI OUT socket and to the USB  
output of the UMX.  
The assignment of individual control elements to defined  
channels is useful if you want to control several external devices  
independently from each other.  
Example:  
It is possible by this method to transfer the complete UMX  
mapping to a sequencer software at the beginning of a song.  
This is to make sure the song is played with the last valid controller  
values. Apart from this, the SNAPSHOT allows you to reset the  
correct values in an external device where parameters have  
shifted.  
You are playing synthesizer A through channel 2 with the  
keyboard and have a sequencer program controlling another  
synthesizer B through channel 5. You can now control the filter  
frequency of device B through one of the eight jog/shuttle  
controls in real time and simultaneously continue to play device A  
without changing the filter frequency.  
1)  
2)  
3)  
Press the ASSIGN push-button and hold it down.  
Press the push-button on the keyboard.  
1)  
2)  
Press the ASSIGN push-button and hold it down.  
Activate the control element, for which another channel  
than the GLOBAL CHANNEL is to be set. If this is a controller  
or fader, briefly move the control element; when you have  
decided on a push-button, press this push-button once.  
The UMX now "knows" to which control element you would  
like to assign a SINGLE CHANNEL.  
Release the ASSIGN push-button. The device automatically  
returns to the normal play mode.  
The SNAPSHOT command is transmitted  
immediately after activating the keyboard.  
3)  
4)  
Release the ASSIGN push-button.  
4.2.6 LOCAL OFF in the UMX  
Press one of the 16 channel keys  
.
through  
The LOCAL OFF in the UMX has the effect that value entries  
made via the control elements are neither transmitted to the MIDI  
OUT socket nor to the USB OUT. It is therefore possible in the  
LOCAL OFF mode, for example, to readjust the rotary controls  
without transmitting data to the generally selected external  
devices.  
5)  
Finally, press the  
assignments, please select the  
key. In order to discard your  
key or press the  
ASSIGN push-button again. The ASSIGN LED will go off in  
all 3 cases.  
1)  
2)  
3)  
Press the ASSIGN push-button and hold it down.  
Press the key.  
All control elements of the UMX follow the GLOBAL  
CHANNEL in their channel settings (factory settings).  
This means that a control element is always in the  
GLOBAL CHANNEL until you assign it to another  
channel. Please also consider this when you change  
the GLOBAL CHANNEL, since various elements will  
also change accordingly!  
Release the ASSIGN push-button again and complete the  
desired settings on the control elements.  
4)  
Then, press the  
key or the  
key. The LED  
of the ASSIGN key goes off in both cases and you are in  
normal play mode again.  
4. OPERATION  
9
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4.2.7 Assignment of control elements  
Please note two exceptions in conjunction with the push-  
buttons and/or the sustain pedal.  
We explained in chapter 4.2.2 how an individual channel can  
be assigned to each control element. You will now find out how  
to assign new controllers and a channel.  
If you assign CC 07 (Channel Volume) to the push-  
buttons, a channel volume of 0 is triggered each  
time you press the push-button. This means the  
channel is always mute. This feature is very useful  
for live operation.  
a) The assignment for rotary controls R1 - R8, the  
MODULATION controller, the PITCH BEND wheel, as well  
as the DATA fader  
1)  
Press the ASSIGN push-button and hold it down.  
If you use controller CC 10 (panning) for the push-  
buttons or the sustain pedal, pressing the control  
element transmits value 64. This results in hearing  
the content of the channel in the center of the  
stereo panorama.  
2a) If you would like to assign one of the eight rotary controls,  
turn the respective controller.  
2b) If you assign the MODULATION controller, please activate  
one of the keys located below the lettering  
,
,
or  
. You can bypass step 5, if you decide on the  
and/or the key. The MIDI controller  
Der Befehl “All Notes Off” wird sofort gesendet,  
nach-dem Sie eine der beiden Tasten gedrückt  
haben.  
“MODULATION” (CC 1) and/or “CHANNEL VOLUME” (CC  
7) is then directly assigned to the MODULATION controller  
without having to enter a controller number first.  
4.2.8 Program and bank change  
You have three different optionsachieving a program change  
in external devices with the UMX. This is a very powerful function,  
which will enable you to use the full spectrum of all of your  
sound producers.  
2c) If you assign the PITCH BEND wheel, please activate one  
of  
the  
keys  
located  
,
below  
or  
the  
lettering  
. You can  
key. The  
bypass step 5, if you decide on the  
original pitch bend function is then directly assigned to  
the PITCH BEND wheel.  
Options a) and b) will allow you to select any programs by  
means of a defined selection procedure, which always has to  
be completed. The process is generally accelerated in the third  
option c), so that you will be able to directly select programs by  
pressing the push-button once.  
2d) If you complete an assignment for the DATA fader, please  
activate one of the keys located below the lettering  
,
or  
. You can bypass  
step 5 if you decide on the  
function is then directly assigned to the DATA fader.  
key. The original volume  
a) If you are sure that you want to select from 128  
different programs only, you will achieve the ASSIGN  
mode program change by the following method. As soon  
as the quantity of 128 is exceeded, however, you must  
apply the process described under paragraph b).  
3)  
4)  
Release the ASSIGN push-button again.  
Press one of the 16 channel push-buttons  
through  
to define the channel.  
1)  
2)  
Press the ASSIGN push-button and hold it down.  
Press one of the 16 white channel keys through  
5)  
Press the number keys on the keyboard in sequence until  
you have completely entered the desired controller number.  
Only value entries between 0 and 127 are possible. Greater  
values are ignored by the device.  
on the keyboard. You have now defined the  
channel by which the program change will be transmitted.  
3)  
4)  
5)  
Release the ASSIGN push-button.  
Example:  
- Press  
for example.  
- Press  
and  
if you have decided on CC 14,  
and if you would like to  
Press the  
key.  
Press the number keys in sequence until you have  
completely entered the desired program number. Only value  
entries between 0 and 127 are possible. Greater values  
are ignored by the device.  
,
select CC 107.  
6)  
Finally press the  
key. In order to discard your  
key or press the  
Example:  
- Press  
program 15, for example.  
- Press  
to select program 127.  
assignments, please press the  
ASSIGN push-button again. The LED of the ASSIGN push-  
button will go off in all 3 cases.  
and  
if you have decided on  
if you would like  
,
and  
b) Assigning push-buttons B1 - B8 and the optional sustain  
pedal connected to the socket  
.
6)  
Press the  
please press the  
button again. The ASSIGN LED will go off in all 3 cases.  
key. In order to discard your assignments,  
key or press the ASSIGN push-  
1)  
2)  
Press the ASSIGN push-button and hold it down.  
Press the related control element once (however, it is not  
necessary to continue pressing it).  
b) If you have more than 128 programs, you must apply  
the following process to achieve a program change. In  
this case, your programs will be organized in banks which  
are activated by a special MIDI command: the BANK  
SELECT command. In the following section, this  
command is briefly described. A brief introduction for  
this is listed in the following:  
3)  
4)  
Release the ASSIGN push-button again.  
Press one of the 16 channel push-buttons  
through  
to define the channel.  
5)  
Press the number keys on the keyboard in sequence until  
you have completely entered the desired controller number.  
Only value entries between 0 and 127 are possible. Greater  
values are ignored by the device.  
The BANK SELECT command consists of two parts: An MSB  
part and an LSB part.  
6)  
Finally, press the  
assignments, please press the  
key. In order to discard your  
key or press the  
The MSB part describes a value range of 128 different values  
and is the more important part of the DATA BASE SELECT  
command for many external devices.  
ASSIGN push-button again. The LED of the ASSIGN push-  
button will go off in all 3 cases.  
4. OPERATION  
10  
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2)  
The LSB part describes each of the 128 MSBs in another 128  
individual stages. Both are individually numbered from 0 to 127.  
Select the OCTAVE SHIFT push-button which you want to  
assign to the program change function.  
The enormous value range of a total of 128 x 128 = 16.384  
different values is therefore available to you via the BANK  
SELECT command. This theoretically means that you could use  
external devices which support the same amount of different  
banks.  
3)  
4)  
Release the ASSIGN push-button again.  
Defined the channel by which the program change will be  
transmitted. Press one of the 16 channel keys  
through  
on the keyboard.  
5)  
Press the  
key. Then press the number keys on  
If you consider that each of these banks again contains another  
128 individual programs, you will receive the unbelievably large  
number of 2,097,152 different options to organize these  
programs.  
the keyboard in sequence until you have completely entered  
the desired preset number. Only value entries between 0  
and 127 are possible. Greater values are ignored by the  
device.  
1)  
2)  
Press the ASSIGN push-button and hold it down.  
Press one of the 16 channel keys through  
6)  
Finally, press the  
assignments, please select the  
key. In order to discard your  
key or press the  
, or press the  
key.  
ASSIGN push-button again. The ASSIGN LED will go off in  
all 3 cases.  
3)  
4)  
Release the ASSIGN push-button.  
As soon as you have assigned the direct program  
selection to one or both OCTAVE SHIFT push-  
buttons simultaneously, pressing both push-  
buttons will not activate ANYTHING!  
Press the  
key. Then press the number keys in  
sequence until you have completely entered the desired  
BANK MSB number. Only value entries between 0 and  
127 are possible. Greater values are ignored by the device.  
The BANK MSB has now been defined.  
4.2.9 Additional functions of the OCTAVE SHIFT push-  
buttons  
Example:  
- Press  
14, for example.  
- Press  
and  
if you have decided on MSB  
and if you would like to  
The OCTAVE SHIFT push-buttons of the device are in their initial  
state every time the UMX is switched on (refer to table 3.1).  
,
select MSB 107.  
Further special functions can be assigned to both push-buttons  
in the ASSIGN mode in addition to the already covered functions  
regarding direct program change and octave transposition:  
5)  
Now define the BANK LSB by pressing the  
key.  
Then enter the number value of the BANK LSB with the  
already familiar procedure (see step 4). The same entry  
rules apply as for the BANK MSB.  
a)  
b)  
c)  
Transposition in individual semitone steps  
Sequential scrolling in program libraries  
Optional controller functions  
You have defined the bank in which the desired program  
will be called up in steps 4 and 5. Now all you have to  
define is the program itself:  
As soon as you assign a function to one of the two  
push-buttons, the second push-button will  
automatically assume the same function - however,  
it is still restricted in its functionality: It is not capable  
of sending data until you assign a function to this  
push-button with the ASSIGN procedure.  
6)  
7)  
Press the  
key and then press the number keys  
in sequence until you have completely entered the desired  
program number. Only entries between 0 and 127 are  
possible, greater values are ignored by the device. Ready!  
Finally, press the  
assignments, please press the  
key. In order to discard your  
key or press the  
As soon as you assign an individual MIDI channel to  
one of the two push-buttons, the other push-button  
will also switch to this channel. This also applies if  
you return to the GLOBAL CHANNEL.  
ASSIGN push-button again. The ASSIGN LED will go off  
in all 3 cases.  
Example:  
You want to select preset No. 49 in bank 25 of an external  
device on channel 14 via the UMX. Only the LSB will be used to  
describe the bank, since the bank number remains less than  
128. The MSB in this case equals 0.  
a) Transposition in individual semitone steps  
1)  
2)  
3)  
4)  
Press the ASSIGN push-button and hold it down.  
Press the key.  
Release the ASSIGN push-button.  
1)  
2)  
3)  
2)  
4)  
5)  
Press and hold the ASSIGN push-button.  
Press the channel key  
.
Finally, press the  
key. In order to discard your  
Press and hold the ASSIGN push-button.  
Press the channel key.  
assignments, please press the  
key or press the  
ASSIGN push-button again. The ASSIGN LED will go off  
in all 3 cases.  
Then, press the  
key or the  
key.  
Pressing the right hand one of the two push-buttons causes a  
shift by one semitone upward pressing the left hand one leads to  
a shift by one semitone downward. Pressing both push-buttons  
cancels all transpositions.  
Press  
key and then describe bank 25 with push-  
buttons  
and  
.
6)  
7)  
Define the program: Press the  
key and then the  
and keys for program 49.  
A keyboard can consist of a maximum of 128  
semitones according to the MIDI standard. If you have  
reached the lower or upper end of this tone range  
with the transposition function, you cannot exceed  
the highest or lowest tone despite continued  
pressing of the transposition push-button. This also  
applies to the transposition in octave steps.  
Press the  
key.  
c) Direct program selection through the two OCTAVE  
SHIFT push-buttons.  
1)  
Press the ASSIGN push-button and hold it down.  
4. OPERATION  
11  
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b) Sequential scrolling in program libraries.  
4.2.10 RANGE definitions  
The RANGE parameter can be defined for the PITCH BEND  
wheel and the key velocity.  
Most sound producers have the option to store presets in a  
separate bank (frequently called a User Bank). If the sequence  
of songs to be played at a concert is defined by your band, you  
can store all of the sounds used for the gig in the User Bank in  
the sequence they occur in the concert and completely  
concentrate on your playing. A cumbersome search for sounds  
in the sound producers is no longer required thanks to the  
OCTAVE SHIFT push-buttons.  
a) for the PITCH BEND RANGE: This defines to what extent  
the movement of the PITCH BEND wheel affects the pitch of the  
sound. Proceed as follows to change the PITCH BEND RANGE:  
1)  
2)  
Press the ASSIGN button and keep it pressed.  
Use the number keys to enter the keyboard velocity (see  
table 4.1).  
1)  
2)  
3)  
4)  
Press the ASSIGN push-button and hold it down.  
Press the key.  
Release the ASSIGN push-button.  
3)  
4)  
Release the ASSIGN button.  
Confirm your selection with  
assignments either press the  
button again.  
. To discard your  
button or the ASSIGN  
Finally, press the  
key. In order to discard your  
assignments, please press the  
key or press the  
ASSIGN push-button again. The ASSIGN LED will go off  
in all 3 cases.  
KEY  
EFFECT ON KEY VEOLCITY  
OFF: velocity value is fixed to 110.  
Change of key pressure has no effect on  
volume level.  
Pressing the right hand one of the two push-buttons now causes  
your external device to switch one preset number upward to be  
switched upward in your external device; pressing the left hand  
causes a step downward in your preset library. By pressing both  
push-buttons you jump to Preset 0 in the current bank.  
SOFT: key pressure is very sensitive; low  
velocity changes create high changes in  
volume level  
Please note that you must assign an individual MIDI channel to  
the OCTAVE SHIFT push-buttons if you do not want to work in  
the GLOBAL CHANNEL (refer to chapter 4.2.2).  
MEDIUM: key pressure is “normal”; (very) hard  
hit notes are (very) loud, (very) soft hit notes  
produce (very) low volume  
c) Optional controller functions  
Please note that the OCTAVE SHIFT push-buttons generate  
switch controllers in the event of a controller assignment. One  
of the two values 0 or 127 will always be produced.  
HARD: key pressure is more unsusceptible  
compared to all other settings  
bis  
invalid input  
There are two exceptions: if you assign controller  
CC 07 (Channel Volume) to the OCTAVE SHIFT push-  
buttons, pressing one of the push-buttons will  
always generate the value 0. In case of controller  
CC 10 (panning), pressing a push-button will always  
produce the value 64.  
Table 4.1: Effect of RANGE definition on keyboard velocity  
4.2.11 The FACTORY RESET command  
To reset all settings on your UMX25, proceed as follows:  
Please note that pressing both push-buttons  
simultaneously does not generate anything when  
assigning a controller.  
1)  
Press the ASSIGN push-button and hold it down.  
2a) To cause a temporary FACTORY RESET, simultaneously  
press both OCTAVE SHIFT push-buttons. All temporarily  
changed control elements are returned to their factory  
settings. The USER MEMORY, however, is retained and  
will not be reset.  
1)  
2)  
Press the ASSIGN button and keep it pressed.  
Press the one of the two OCTAVE SHIFT buttons to which  
you want to assign a controller.  
2b) Simultaneously press the  
,
and  
3)  
4)  
Release the ASSIGN button.  
keys to perform a complete FACTORY RESET.  
In this case, the USER memory is also overwritten, in addition  
to resetting all control elements of the FACTORY MEMORY.  
Press the number keys on the keyboard to enter the controller  
number of your choice (as described in chapter 4.2.1).  
5)  
Confirm your selection with  
assignments either press the  
button again. In either case the ASSIGN LED goes out.  
. To discard your  
button or the ASSIGN  
3)  
4)  
Release the ASSIGN push-button again. The LED of the  
ASSIGN push-button continues to be illuminated.  
Finally, press the  
key. If you do not wish to perform  
Remember to assign the OCTAVE SHIFT buttons to an individual  
MIDI channel if you do not want to use the GLOBAL CHANNEL  
(see chapter 4.2.2).  
the RESET command, please press either the  
key or press the ASSIGN push-button again.  
-
12  
4. OPERATION  
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5. SPECIFICATIONS  
USB connections  
Type  
Type B; USB1.1  
MIDI connections  
Type  
5-pin DIN plug OUT  
CONTROL ELEMENTS  
Controller  
1 control wheel with center reset  
1 control wheel without center reset  
8 rotary knobs  
1 fader  
Buttons  
Keyboard  
UMX49  
12 buttons  
49keys; velocity-sensitive  
61keys; velocity-sensitive  
UMX61  
SWITCH PLUG  
Foot pedal  
1/4'' -Monojack with automatic  
polarity recognition  
POWER SUPPLY  
USB  
Battery  
3 x 1,5 Volt Mignon (Typ “AA”)  
Mains connection  
negative  
2 mm (1/13'’) DC connection, Center  
9 V  
, 200 mA DC, regulated; extern  
via:  
China/Korea  
Europe  
Japan  
Australia  
UK  
PSU-SB-CN BEHRINGER 220 V~, 50 Hz  
PSU-SB-EU BEHRINGER 230 V~, 50 Hz  
PSU-SB-JPBEHRINGER100V~, 50/60Hz  
PSU-SB-SAA BEHRINGER 240 V~, 50 Hz  
PSU-SB-UK BEHRINGER 240 V~, 50 Hz  
PSU-SB-UL BEHRINGER 120 V~, 60 Hz  
USA  
Power consumption  
UMX49  
UMX61  
max. 0.9 W  
max. 0.9 W  
DIMENSIONS/WEIGHT  
Dimensions (W x H x L)  
UMX49  
UMX61  
215 mm x 97 mm x 825 mm  
215 mm x 97 mm x 990 mm  
Weight  
UMX49  
UMX61  
3,904 kg  
4,689 kg  
BEHRINGER is constantly striving to manintain the highest professional standards. As a result of these efforts, modifications may be made from  
time to time to existing products without prior notice. Specifications and appearance may differ from those listed or illustrated.  
5. SPECIFICATIONS  
13  
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U-CONTROL UMX49/UMX61  
6. APPENDIX  
Tab. 6.1: MIDI-Controller overview  
14  
6. APPENDIX  
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U-CONTROL UMX49/UMX61  
2. If the product needs to be modified or adapted in order to  
comply with applicable technical or safety standards on a national  
or local level, in any country which is not the country for which  
7. WARRANTY  
§ 1 OTHER WARRANTY RIGHTS AND NATIONAL LAW  
the product was originally developed and manufactured, this  
modification/adaptation shall not be considered a defect in  
materials or workmanship. The warranty does not cover any  
such modification/adaptation, irrespective of whether it was  
carried out properly or not. Under the terms of this warranty,  
BEHRINGER shall not be held responsible for any cost resulting  
from such a modification/adaptation.  
1. This warranty does not exclude or limit the buyer’s statutory  
rights provided by national law, in particular, any such rights  
against the seller that arise from a legally effective purchase  
contract.  
2. The warranty regulations mentioned herein are applicable  
unless they constitute an infringement of national warranty law.  
3. Free inspections and maintenance/repair work are expressly  
excluded from this warranty, in particular, if caused by improper  
handling of the product by the user. This also applies to defects  
caused by normal wear and tear, in particular, of faders,  
crossfaders, potentiometers, keys/buttons, tubes, guitar strings,  
illuminants and similar parts.  
§ 2 ONLINE REGISTRATION  
Please do remember to register your new BEHRINGER  
equipment right after your purchase by visiting  
kindly read the terms and conditions of our warranty carefully.  
4. Damages/defects caused by the following conditions are  
not covered by this warranty:  
Registering your purchase and equipment with us helps us  
process your repair claims quicker and more efficiently.  
V
V
V
improper handling, neglect or failure to operate the unit in  
compliance with the instructions given in BEHRINGER user  
or service manuals.  
Thank you for your cooperation!  
§ 3 WARRANTY  
1. BEHRINGER (BEHRINGER International GmbH including all  
BEHRINGER subsidiaries listed on the enclosed page, except  
BEHRINGER Japan) warrants the mechanical and electronic  
components of this product to be free of defects in material and  
workmanship for a period of one (1) year* from the original date  
of purchase, in accordance with the warranty regulations  
described below. If the product shows any defects within the  
specified warranty period that are not excluded from this  
warranty as described under § 5, BEHRINGER shall, at its  
discretion, either replace or repair the product using suitable  
new or reconditioned parts. In the case that other parts are used  
which constitute an improvement, BEHRINGER may, at its  
discretion, charge the customer for the additional cost of these  
parts.  
connection or operation of the unit in any way that does  
not comply with the technical or safety regulations  
applicable in the country where the product is used.  
damages/defects caused by force majeure or any other  
condition that is beyond the control of BEHRINGER.  
5. Any repair or opening of the unit carried out by unauthorized  
personnel (user included) will void the warranty.  
6. If an inspection of the product by BEHRINGER shows that  
the defect in question is not covered by the warranty, the  
inspection costs are payable by the customer.  
7. Products which do not meet the terms of this warranty will  
be repaired exclusively at the buyer’s expense. BEHRINGER will  
inform the buyer of any such circumstance. If the buyer fails to  
submit a written repair order within 6 weeks after notification,  
BEHRINGER will return the unit C.O.D. with a separate invoice  
for freight and packing. Such costs will also be invoiced  
separately when the buyer has sent in a written repair order.  
2. If the warranty claim proves to be justified, the product will  
be returned to the user freight prepaid.  
3. Warranty claims other than those indicated above are  
expressly excluded.  
§ 4 RETURN AUTHORIZATION NUMBER  
§ 6 WARRANTY TRANSFERABILITY  
1. To obtain warranty service, the buyer (or his authorized  
dealer) must call BEHRINGER (see enclosed list) during normal  
business hours BEFORE returning the product. All inquiries must  
be accompanied by a description of the problem. BEHRINGER  
will then issue a return authorization number.  
This warranty is extended exclusively to the original buyer  
(customer of retail dealer) and is not transferable to anyone  
who may subsequently purchase this product. No other person  
(retail dealer, etc.) shall be entitled to give any warranty promise  
on behalf of BEHRINGER.  
2. Subsequently, the product must be returned in its original  
shipping carton, together with the return authorization number to  
the address indicated by BEHRINGER.  
§ 7 CLAIM FOR DAMAGES  
Failure of BEHRINGER to provide proper warranty service shall  
not entitle the buyer to claim (consequential) damages. In no  
event shall the liability of BEHRINGER exceed the invoiced value  
of the product.  
3. Shipments without freight prepaid will not be accepted.  
§ 5 WARRANTY REGULATIONS  
1. Warranty services will be furnished only if the product is  
accompanied by a copy of the original retail dealer’s invoice.  
Any product deemed eligible for repair or replacement under the  
terms of this warranty will be repaired or replaced.  
* Customers in the European Union please contact BEHRINGER  
Germany Support for further details.  
Technical specifications and appearance subject to change without notice. The information contained herein is correct at the time of  
printing. The names of companies, institutions or publications pictured or mentioned and their respective logos are registered trademarks  
of their respective owners. Their use neither constitutes a claim of the trademarks by BEHRINGER® nor affiliation of the trademark  
owners with BEHRINGER®. BEHRINGER® accepts no liability for any loss which may be suffered by any person who relies either wholly  
or in part upon any description, photograph or statement contained herein. Colours and specification may vary slightly from product.  
Products are sold through our authorised dealers only. Distributors and dealers are not agents of BEHRINGER® and have absolutely no  
authority to bind BEHRINGER® by any express or implied undertaking or representation. No part of this manual may be reproduced or  
transmitted in any form or by any means, electronic or mechanical, including photocopying and recording of any kind, for any purpose,  
without the express written permission of BEHRINGER Spezielle Studiotechnik GmbH. BEHRINGER® is a registered trademark.  
ALLRIGHTS RESERVED. © 2005 BEHRINGER Spezielle Studiotechnik GmbH,  
Hanns-Martin-Schleyer-Str. 36-38, 47877 Willich-Münchheide II, Germany.  
Tel. +49 2154 9206 0, Fax +49 2154 9206 4903  
7. WARRANTY  
15  
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