Fostex DV40 User Manual

8288 486 000  
DVD Master Recorder  
Model  
Operation Manual  
Table of Contents  
About this manual ........................................................................................................8  
Manual construction ........................................................................................................8  
Precautions ................................................................................................................10  
Precautions on installation ...........................................................................................10  
Precautions on safety ....................................................................................................10  
DV40 main features ....................................................................................................11  
Chapter-1: Before using the DV40  
Turning on the power ............................................................................................1-2  
Setting the internal clock ......................................................................................1-3  
Loading a DVD-RAM disk ......................................................................................1-4  
Formatting a DVD-RAM disk .................................................................................1-5  
About audio files on a formatted disk ..................................................................1-7  
About REMAIN display ..........................................................................................1-8  
Chapter-2: Names of Functions  
Front panel part 1 ..................................................................................................2-3  
Front panel part 2 ..................................................................................................2-6  
FL display ................................................................................................................2-11  
Front panel part 3 .................................................................................................2-12  
Rear panel ...............................................................................................................2-14  
Chapter-3: Reformatting/optimizing a DVD-RAM disk  
Reformatting a DVD-RAM disk .............................................................................3-2  
Optimizing a disk ...................................................................................................3-5  
Chapter-4: Recording/Playback the audio signal  
About the expression for audio files in this manual ...........................................4-2  
About the NEW FILE and INSERT mode ................................................................4-2  
Recording an analog source in the NEW FILE mode ............................................4-3  
Preparation ....................................................................................................4-3  
Preparation for recording ............................................................................4-4  
Recording .......................................................................................................4-5  
Playback of recorded audio ..................................................................................4-6  
You can create an audio file before recording .....................................................4-6  
Recording an analog source in the INSERT mode ................................................4-7  
Preparation for recording ............................................................................4-7  
Recording .......................................................................................................4-7  
Multiple-undo function .........................................................................................4-8  
Selecting a desired file on a disk ...........................................................................4-9  
3
Recording to a “Tape mode” audio file in the INSERT mode ............................4-10  
Creating a “Normal mode” audio file on a disk formatted in the Tape mode .4-11  
Recording a digital source in the NEW FILE mode .............................................4-12  
Preparation ....................................................................................................4-12  
Preparation for recording ...........................................................................4-13  
Recording .......................................................................................................4-13  
Recording a digital source in the INSERT mode ................................................4-14  
Preparation for recording ...........................................................................4-14  
Recording .......................................................................................................4-14  
MUTE recording .....................................................................................................4-15  
Slate tone function ................................................................................................4-16  
Cueing by the jog function ..................................................................................4-17  
Cueing/high speed shuttle by the shuttle function ..........................................4-17  
Chapter-5:Time code recording  
Time code recording ..............................................................................................5-2  
Selecting the recording mode ......................................................................5-2  
Selecting source time code ..........................................................................5-2  
Recording time code generated by the internal time code generator ..............5-3  
Settings of the DV40 .....................................................................................5-3  
Recording external time code ...............................................................................5-4  
Connection to external devices/Setting of the DV40 ................................5-4  
TC Setup mode details ...........................................................................................5-5  
To enter the TC Setup mode ........................................................................5-5  
Setting the internal TC generator start time ..............................................5-6  
Force-jamming to external time code .........................................................5-6  
Selecting output time code ..........................................................................5-7  
Editing the chase offset ................................................................................5-7  
Trimming the chase offset ...........................................................................5-8  
Editing the LTC start time ............................................................................5-8  
Catch offset ....................................................................................................5-9  
Chase mode selection ...................................................................................5-9  
Chapter-6: Storing time data  
Location memory keys ..........................................................................................6-2  
Storing a time to an edit point memory ...............................................................6-3  
Capturing a time “on the fly” ......................................................................6-3  
Storing a time to an edit point using the numeric keys ............................6-4  
Storing a time to locate memory (CUE/MEMORY) ..............................................6-5  
Storing a time to a locate point memory  
(CUE or MEMORY point memory) “on the fly” ..................................6-6  
Storing a time to a locate point using the numeric keys ...........................6-7  
Editing a name of CUE or MEMORY point .............................................................6-8  
Clearing a CUE or MEMORY point memory ..........................................................6-9  
4
Chapter-7: Locate Function  
A variety of locate functions .................................................................................7-2  
Location to the beginning (ABS 0) of an audio file ....................................7-2  
Location to the end (REC END) of the current audio file ..........................7-2  
Location to the last playback start position ...............................................7-3  
Location to the last recording start position ..............................................7-3  
Location to the last recording end position ...............................................7-3  
Location to the point where the recorder located last time ......................7-4  
Location to an audio file edit point .............................................................7-4  
Location to a CUE point ................................................................................7-4  
Location to a MEMORY point .......................................................................7-5  
Location to the next or previous  
CUE/MEMORY point using the skip mode (Skip locate function) ...7-5  
Chapter-8: Preview Function  
Preview at an edit point .........................................................................................8-2  
Preview at a locate point .......................................................................................8-3  
Trimming while previewing audio .......................................................................8-4  
Chapter-9: Audio file management  
Creating a new audio file .......................................................................................9-2  
Creating a new file on a disk just after formatted in the Normal mode ..9-2  
Creating a new file on a disk just after formatted in the Tape mode ......9-3  
Selecting an audio file ...........................................................................................9-4  
Selecting a file using the file select function ..............................................9-4  
Selecting a file using the skip function .......................................................9-4  
Editing an audio file name ....................................................................................9-5  
Deleting an audio file ............................................................................................9-6  
Restoring a deleted audio file ...............................................................................9-7  
Duplicating an audio file .......................................................................................9-8  
Chapter-10: Editing track data  
Pasting track data ................................................................................................10-2  
Inserting track data .............................................................................................10-4  
Erasing track data ................................................................................................10-6  
Cutting track data ................................................................................................10-8  
Chapter-11: LIST PLAY function  
LIST PLAY function ..............................................................................................11-2  
Turning on List Play mode ..................................................................................11-3  
Reprogramming Play List ....................................................................................11-4  
Locating to Beginning of Play List .......................................................................11-4  
Locating to End of Play List .................................................................................11-4  
5
Chapter-12: Using a PS/2 keyboard  
Controlling the DV40 from a PS/2 keyboard ....................................................12-2  
Ineffective keys ....................................................................................................12-2  
The common functions between keys on the DV40 and a PS/2 keyboard .....12-3  
Accessing setting menus using the [Alt] key .....................................................12-3  
Chapter-13: FTP server function  
FTP server function .............................................................................................13-2  
Connection ...................................................................................................13-2  
FTP command compliance ........................................................................13-3  
Server file location .....................................................................................13-3  
FTP client application ................................................................................13-3  
Checking TCP/IP menus ............................................................................13-4  
Changing the TCP/IP setting .....................................................................13-5  
IP Address ..........................................................................................13-5  
Gateway ...............................................................................................13-5  
Sub net ...............................................................................................13-6  
Login name (Administrator) ............................................................13-6  
MAC Address ......................................................................................13-7  
Chapter-14: Importing an audio file to a computer  
Importing an audio file to the Digidesign Pro Tools .........................................14-2  
Chapter-15: Setup mode  
How to access and set a Setup menu ..................................................................15-2  
Display contrast setting ......................................................................................15-3  
Reference level setting ........................................................................................15-3  
Digital input track selection ...............................................................................15-3  
Digital output signal format selection ...............................................................15-3  
Skipped item selection for the skip mode ..........................................................15-4  
Auto EE mode On/Off ..........................................................................................15-4  
Self diagnoses On/Off ..........................................................................................15-4  
Panel lock On/Off ................................................................................................15-5  
Setting RS-422 ......................................................................................................15-5  
1. Device code setting ................................................................................15-5  
2. Sync play On/Off setting .......................................................................15-5  
3. Editor preset setting ...............................................................................15-5  
Peak hold time setting .........................................................................................15-6  
GPI On/Off setting ...............................................................................................15-6  
Slate tone recording time ....................................................................................15-6  
Mute recording time ............................................................................................15-6  
File name mode setting .......................................................................................15-7  
Default file name setting .....................................................................................15-7  
Setting a file name and take number ........................................................15-7  
Save/load of setup data ......................................................................................15-8  
Saving setup data .......................................................................................15-8  
6
Loading setup data .....................................................................................15-9  
TCP/IP settings .....................................................................................................15-10  
Showing the IP address .............................................................................15-10  
Setting the IP address ................................................................................15-10  
Showing and setting the router IP address .............................................15-11  
Showing and setting the subnet mask ....................................................15-11  
Login name/password settings .................................................................15-12  
Showing the MAC address ........................................................................15-13  
Showing the main software version .................................................................15-13  
Showing the ethernet software version ...........................................................15-13  
Chapter-16: Utility mode  
How to select a Utility menu ...............................................................................16-2  
Selecting Rec Protect On or Off..................................................................16-2  
Renumbering CUE points ...........................................................................16-3  
Releasing undo files ...................................................................................16-3  
Selecting On or Off of the resume function ..............................................16-4  
Editing a volume name ..............................................................................16-4  
Setting user bit data ...................................................................................16-5  
Chapter-17: Specifications  
7
About this manual  
This manual is intended to be used as a guide for using the Fostex DV40, a DVD master  
recorder.  
It is divided into Chapters. Each Chapter covers instructions for a specific subject or  
feature of the DV40 which you should know for using the unit, as well as safety  
instructions, precautions, etc. Please retain this manual at hand so that you can read it  
whenever necessary.  
<Manual construction>  
The following shows a brief description of each chapter though you may know the  
contents of each chapter by the "Table of Contents".  
Chapter 1: Before using the DV40  
Before using the DV40, you must carry out some preparations. This chapter describes  
how to set the internal clock, as well as details about formatting a DVD-RAM disk,  
including UDF format details, format modes ("Normal mode" and "Tape mode") and  
audio file types ("BWF" and "SDII").  
Read this chapter first before using the DV40.  
Chapter 2: Names of Functions  
This chapter describes names and functions of keys and controls on the front panel, as  
well as those of connectors on the rear panel.  
If you are familiar with digital equipment, you may roughly understand the functions  
the DV40 offers.  
Chapter 3: Reformatting/optimizing a DVD-RAM disk  
This chapter describes how to reformat a DVD-RAM disk and how to optimize a disk.  
To format a new disk, see Chapter 1.  
Chapter 4: Recording/playback the audio signal  
This chapter describes audio recording/playback (for both analog and digital) using the  
DV40. Two recording modes, "NEW FILE" and "INSERT" modes, are available. You can  
choose the appropriate mode depending on the situation.  
You can also find description about mute recording, slate tone recording, cueing by the  
jog/shuttle mode, etc.  
Chapter 5:Time code recording  
This chapter describes how to record SMPTE/EBU time code to the DV40, as well as the  
TC Setup mode which provides preferences/settings for time code recording/playback.  
Read this chapter when carrying out the operations for internal time code generator  
setting, force-jamming to an external time code, chase offset to an external time code,  
etc.  
Chapter 6: Storing time data  
This chapter describes how to store time data to location memories (CUE and MEMORY  
points). It also describes how to erase or edit time data.  
Chapter 7: Locate Function  
This chapter describes various locate functions including direct location to the  
beginning or end of an audio file, location to a “CUE” or “MEMORY” point, etc.  
8
Chapter 8: Preview Function  
This chapter describes the fade-in/fade-out preview (point rehearsal) function at an  
edit/CUE/MEMORY point. It also describes how to trim the point while previewing.  
Chapter 9: Audio file management  
This chapter describes the management of audio files ("BWF" and "SDII") created on  
a DVD-RAM disk. It includes details about how to create a new audio file, select an  
audio file, edit a file name, and delete/copy an audio file.  
Chapter 10: Editing track data  
This chapter describes how to edit track data using the paste, insert, cut and erase  
functions.  
Chapter 11: List play function  
This chapter describes the list play function. This function allows you to play back  
more than one recorded track continuously in order of file number or by assigning  
files at appropriate LTC positions.  
Chapter 12: Using a PS/2 keyboard  
This chapter describes how to control the DV40 using a PS/2 keyboard connected to  
the [KEYBOARD] terminal. You can edit a file name or volume label by a PS/2 key  
board.  
Chapter 13: FTP server function  
This chapter describes the FTP (File Transport Protocol) server function of the ETHER  
card mounted on the DV40. The ETHER card can be used as an FTP server by  
connecting the ETHER connector on the DV40 rear panel to a personal computer  
using a LAN cable. You can transfer an audio file between the DV40 and a personal  
computer via the TCP/IP.  
Chapter 14: Importing an audio file to a computer  
This chapter describes how to import an audio file created by the DV40 to a  
computer software (Digidesign Pro Tools).  
Chapter 15: Setup mode  
This chapter describes details about the menu in the Setup mode. You can set  
preferences, etc. of the DV40.  
Chapter 16: Utility mode  
This chapter describes the Utility mode.  
This mode, as well as the Setup mode, deals with preference menus of the DV40.  
9
Precautions  
<Precautions on installation>  
Do not install the unit in the following conditions.  
- in a extremely hot or cold place  
- in a moist place  
- in a dusty place  
- in a strong magnetic field or near a device which generates a magnetic field  
- in the direct sunshine  
<Precautions on safety>  
• Be sure to connect the unit to the power supply specified in the specification section of this  
manual.  
If you use the unit in an area with a different power voltage, first consult your dealer or the  
nearest Fostex service station.  
• When you unplug the power cord from AC outlet or the unit, hold the plug, to avoid  
possible electric shock.  
• Do not plug or unplug the power cord from or to AC outlet or the unit while your hands are  
wet to avoid possible electric shock.  
• Plug the power cord firmly to AC outlet and the unit.  
• It is very dangerous to use a power cord that is frayed or damaged. In such a case, stop  
using the unit immediately and change the cord to a new one.  
• If the unit is not going to be used for a long period of time, we recommend to disconnect  
the power cord form AC outlet.  
• Do not let water or other liquid, or metal objects such as pins, accidentally enter the inside  
of the unit (especially the inside of the tray) because this may lead to electric shock or  
damage. Should water enter the inside of the unit, remove the power cord from AC outlet,  
and consult your dealer or the nearest Fostex service station.  
• Do not drop or the unit or give a strong shock to the unit, which may lead to damage of the  
internal circuits or FL display.  
10  
DV40 main features  
• Using a DVD-RAM disk as a recording media, you can directly record or play back audio  
data. For recording, the Verify Write recording method, with which data is always verified,  
is applied, allowing the highly reliable recording.  
• The most popular "UDF format" is used for the DVD-RAM disk format. Audio data recorded  
to a DVD-RAM disk is stored as an "SDII" or "BWF" file in an appropriate directory ("sd2f"  
for an SDII file, "bwff" for a BWF file). Therefore, two kinds of audio files can share a single  
disk.  
• The "TAPE mode" is available, in which audio data currently being recorded is never lost  
even if the unit is accidentally shut down by the power failure, etc. A very useful mode for  
live recording, etc.  
• Three track modes are available; mono track, stereo (2 tracks), and multitrack (4 tracks).  
• The supporting sampling frequencies are 44.1 kHz, 48 kHz, 88.2 kHz, 96 kHz, 176.4 kHz  
and 192 kHz. In addition, the 0.1 % pull-up/pull-down function is available.  
Note: You cannot record audio data of 88.2 kHz/4-track mode, 96 kHz/4-track mode, 176.4  
kHz and 192 kHz.  
• Non-destructive editing (copy, paste, insert, cut and erase) for track data is possible.  
• Two recording modes, "NEW FILE mode" and "INSERT mode", are available. In the "INSERT  
mode", you can undo recording to go back to the desired take by selecting the date/time  
when the take is executed (multiple undo function).  
• Equipped with four XLR analog inputs (24 bit/192 kHz A/D) and four sets of XLR and 1/4-  
inch phone analog outputs (24 bit/192 kHz AD).  
• Equipped with two sets of digital inputs/outputs (AES/EBU).  
• Equipped with the WORD IN and VIDEO IN connectors, allowing synchronization to a word  
or video signal.  
• Equipped with a 15-pin remote connector which conforms to the Sony 9-pin protocol,  
allowing the unit to be controlled by an editor.  
• The chase mode function allows chase-sync to external LTC.  
• Built in a time code generator which supports "24H RUN", "REC RUN", "FREE RUN" and "EXT  
RUN" modes.  
• Supports all kinds of time code frame rates, including "23.97" for tele-cine conversion.  
• The "List play" function allows continuous playback of multiple audio files in order of file  
number or LTC start time.  
• The comprehensive locate function allows you to locate to any of various edit points and  
memory locate points.  
• Precision analog scrub using a jog dial is possible.  
• A PS/2 keyboard can be used for file name/label name editing.  
• You can transfer an audio file on TCP/IP between the DV40 and a personal computer by  
using the ETHER card as an FTP server.  
• You can record a blank space or slate tone manually, or automatically by setting the  
desired time range in the Setup menu.  
• The file management on a VGA monitor, a waveform editing using a PS/2 keyboard,  
playback of a DVD Audio disc, etc. are planned to be available by version-up or adding an  
option in the future.  
11  
Chapter-1  
Before using the DV40  
Before using the DV40, you must carry out some preparations. This chap-  
ter describes how to set the internal clock and how to format a DVD-RAM  
disk.  
Turning on the power  
After connecting the supplied power cord, you can turn on the power of the unit.  
1. Press down the [POWER] switch.  
After showing the start-up display (showing the system clock, followed by "Disk Initialize!"), the unit  
activates and scans the disk (showing "Scan Disk!"), then shows "No Disk".  
DATE  
Y
M
D
H
M
S
LTC  
H
M
S
F
PGM  
0 OL  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
8
60  
50 42 34 28  
2018  
12  
6
5
4
3
2
1
FORMAT  
BWF  
3
4
<Note>  
When turning off the power, make sure that the unit is not in the Setup mode and ceases disk  
access.  
1-2  
Setting the internal clock  
The internal clock is built in the unit, which is adjusted to the Japanese time when shipped.  
Set the clock to your local time before using according to the following procedure.  
The internal clock time is used for date information and a tentative name when creating an  
audio file, as well as necessary data for executing the multiple undo function.  
1. Press the [SETUP] key.  
The display changes to the "Adjust RTC?", one of menu items in the Setup mode, from "No Disk".  
The current internal clock time is shown.  
LTC  
H
M
S
F
Flashing  
SETUP  
Y
M
D
H
M
S
2. Press the [ENTER/YES] key.  
"?" disappears while the number in the "second" digit starts flashing, showing that the date/time  
value now can be edited.  
Set the date/time value appropriately according to the following methods.  
SETUP  
Y
M
D
H
M
S
Flashing  
• Use the [SKIP/CURSOR] I<</>>I keys to move the editing point, and use the jog dial to enter  
the value.  
or  
• Use the numeric keys to enter the date/time value directly.  
When entering data using the numeric keys, regardless of the current editing point, the value is  
entered from the right-hand (second) digit which moves left as additional digits are entered.  
For example, to set the clock to 3:10:00 p.m. of April 1. 2002, press the numeric keys in the  
following order.  
0 -> 2 -> 0 -> 4 -> 0 -> 1 -> 1 -> 5 -> 1 -> 0 -> 0 -> 0  
3. Press the [ENTER/YES] key after enter the value.  
The internal clock starts from the entered date/time value.  
You can precisely set the clock by listening to the time signal when pressing the [ENTER/YES] key.  
4. Press the [EXIT/NO] key.  
The unit exits the Setup mode and the display shows "No Disk" again.  
1-3  
Loading a DVD-RAM disk  
About usable DVD-RAM disks  
TYPE 2, one-side disks with 4.7 GB capacity can be used  
with the DV40.  
<Note>  
Use a 4.7GB/TYPE 2 DVD-RAM disk with the DV40.  
The DV40 only can play back data on a 2.6GB disk recorded  
by other equipment.  
TYPE  
2
Please note that the DV40 does not guarantee recording and  
editing operations with a 2.6GB disk.  
REWRITABLE  
<Note>  
Do not use a DVD-RAM disk whose tab (in-  
dicated by an allow in the figure on the left)  
is removed in order to take out the disk from  
the case. If you use such a disk, 2- or 4-track  
recording with 176.4kHz/24 bit or 192kHz/  
PROTECT  
PROTE
24 bit may not be properly executed. Also  
note that, if you use an used DVD-RAM disk  
with the DV40, we recommended to format  
the disk by a computer first, then format it  
by the DV40.  
1. Press the [OPEN/CLOSE] key.  
The display shows "Tray Open!" and the tray opens.  
LTC  
H
M
S
F
PGM  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
60  
50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL  
FORMAT  
BWF  
3
4
2. Place a DVD-RAM disk in the tray, and press the [OPEN/CLOSE] key again (or push  
the front of the tray lightly).  
The disk is loaded. After the unit scans the disk ("Disk Scan!" is shown as a flashing display while  
scanning), it automatically recognizes that the disk is unformatted and enters the "Format" menu  
("Format" with flashing "?" is shown).  
Flashing  
You can format the disk by the following procedure in the next page.  
1-4  
Formatting a DVD-RAM disk  
To make a DVD-RAM disk usable with the DV40, format the disk by the “UDF format”.  
Two format modes, “Normal” and “Tape”, are available with this unit. Use either format  
according to the situation.  
<About UDF format>  
The DV40 formats a disk in the UDF “R1.50” format. It can read a disk formatted in the “R1.50” or “R2.0*”  
format using a personal computer without any difficulty. Note that MAC OS 9.1 supports the “R1.50” format but  
does not support the “R2.0*” format. Therefore, a Macintosh computer running on MAC OS 9.1 cannot read a  
disk formatted in the “R2.0*” format using a Windows 98 computer. To ensure the compatibility among the  
DV40 and computers, we recommend to format a disk in the “R1.5” format if you have a Windows 98 computer.  
Tape Mode  
Normal Mode  
Two “Tape mode” audio files (“BWF” or “SDII”) of ap-  
proximately 2 GB each are automatically created on a  
disk when formatting the disk in the Tape mode.  
Like an analog tape, a “Tape mode” audio file has the  
fixed available space, and can playback recorded data  
even if the system unexpectedly shuts down during  
recording and the system data is destroyed. There-  
fore, a “Tape mode” audio file is suitable for live re-  
cording or preserving recorded data for a long period  
of time.  
Normally, format a disk by selecting the format mode  
to Normal. No audio file is automatically created when  
formatting the disk in the Normal mode ("No Audio  
Files!" is shown after formatting is completed).  
On a "Normal format" disk, a "Normal mode" audio  
file ("BWF" or "SDII") is automatically created when  
executing recording in the NEW FILE mode.  
Or you can also create "Normal mode" audio files us-  
ing the file select function before recording. Up to 200  
audio files can be created.  
A disk formatted in the Tape mode reserves the “Normal mode” area (approx. 0.7GB) in addition to the “Tape  
mode” area (2GB + 2GB = 4GB). In the Normal mode area, you can create “Normal mode” audio files (“BWF” or  
“SDII”). See “About audio files on a formatted disk” on page 1-7 for details.  
<Tips for using a disk formatted in theTape mode effectively>  
The following shows tips for using a disk formatted in the Tape mode effectively.  
• If a 2GB “Tape mode” file is too large for you to handle, we recommended to create a “Normal mode” file and  
copy & paste the necessary data on the “Tape mode” file to it. This is allows you to handle data, originally  
recorded on the “Tape mode” file, on a small file.  
• If the 0.7GB “Normal mode” area on a “Tape mode” file is too small, delete one of the “Tape mode” files and  
optimize the disk. This increases the “Normal mode” area to 2.7GB.  
<Notes for formatting a disk in theTape mode>  
When a disk is formatted in the Tape mode, an audio file is automatically created. Therefore, before formatting,  
you must set the AUDIO FILE, TR MODE and SAMPLING FREQ switches on the front panel appropriately. Note that  
you cannot change the settings after formatting.)  
When formatting a disk in the Normal mode, you do not need to set these switches. However, you must set them  
appropriately when making recording in the NEW FILE mode or creating a new audio file using the file select  
function.  
1.While "Format" with flashing "?" is shown on the display, press the [ENTER/YES] key.  
The display changes to show "Format Disk DVD" (in which "DVD" is flashing).  
Flashing  
2. Press the [ENTER/YES] key again.  
The display changes to show "Label [DV40-DVD" (in which "D" of "DV40" is flashing).  
This shows the label name of the disk can be edited and "DV40-DVD" is the tentative name.  
See the following Tips for details about how to enter a desired label name. Of course, you may use  
the tentative name when formatting. (You can also rename the tentative name in the Utility mode  
described later.)  
Flashing  
1-5  
Tips: How to enter a desired label name  
Press the [MARGIN RESET/CLR] key repeatedly until the tentative name currently shown is erased.  
By using the Jog dial (or using the appropriate numeric key), you can enter the desired character at the  
editing point (flashing point). You can move the editing point by pressing [SKIP/CURSOR] I<</>>I key after  
entering a character.  
3. After entering a volume name, press the [ENTER/YES] key.  
The display changes to show "Format Md?" with flashing "Norm".  
You can select the format mode between "Norm" (Normal) and "Tape" using the jog dial.  
Flashing  
4. Select the format mode and press the [ENTER/YES] key.  
If you select "Norm", the display shows "If enter key is pushed, will start formatting and delete DVD area data.  
Are you sure?". If you are sure, proceed to the next step.  
Flashing  
If you select "Normal", go to the next step after the message above is shown.  
When selecting "Tape", select "New" or "Used" using the jog dial, and then press the [ENTER/YES] key.  
Go to the next step after the same message as above (shown when selecting “Norm”) is shown.  
<Note>  
• When formatting a used disk in the Tape mode, select "Used". If you select "New", the existing  
data may not be erased, with the result that a noise may generated when playing back the disk  
or a recording error may occur when a new recording is made.  
• If you format a disk in the Tape mode with "Disk Type" set to "used", it takes some time for  
formatting because the audio data area is also formatted. The display counts down the  
unformatted area.  
Because each of two “Tape mode” audio files reserves approximately 2GB of recording space,  
the countdown of REMAIN starts from approximately 4GB.  
5. Press the [ENTER/YES] key.  
If you set the disk type to "New", regardless of the format mode ("Norm" or "Tape"), the formatting  
is completed quickly and "Fmt Completed!" is shown, followed by the screens as below depending on  
the formatting mode.  
Formatting a disk in the Normal mode  
Formatting a disk in theTape mode with "DiskType" set to "New"  
LTC  
LTC  
H
M
S
F
H
M
S
F
or  
After completing formatting a disk in the Nor-  
mal mode, "No Audio Files!" appears, showing  
that there is no audio file on the disk.  
LTC  
H
M
S
F
Note that the display shows the file format, track  
mode and Fs/bit according to the settings of  
[AUDIO FILE], [TR MODE] and [SAMPLING FREQ]  
switches when the disk is formatted.  
When performing recording in the NEW FILE  
mode or creating file format, track format and  
Fs/bit for a newly create audio file can be se-  
lected by the settings of these switches.  
After completing formatting, two "Tape mode" audio files  
are created, with appropriate audio file format (BWF or  
SDII), track mode and Fs/bit according to the settings of  
the [AUDIO FILE], [TR MODE] and [SAMPLING FREQ] switches.  
Also, the “TAPE MODE” indicator (red) on the front panel  
is lit.  
1-6  
About audio files on a formatted disk  
As described earlier, two format modes, Normal and Tape, are available with this unit, and in result, there  
are two audio file types; "Normal mode" file and "Tape mode" file.  
In short, a "Normal mode" file is a typical disk recorder file that can be edited comprehensively, while  
a "Tape mode" file is more straightforward and you may regard it as a tape-like file.  
The following describes detail information about disks formatted in Normal and Tape modes.  
•A disk formatted in the "Normal" format mode  
As described earlier in “Formatting a DVD-RAM disk”, the display shows “No Audio Files!” when format-  
ted in the “Normal” format mode, showing that no audio file is created on the disk.  
LTC  
H
M
S
F
PGM  
0 OL  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
60  
50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
FORMAT  
BWF  
3
4
To create a “Normal mode” audio file on a disk formatted in the “Normal” format mode, perform  
recording in the NEW FILE mode or use the file select function.  
Performing recording in the NEW FILE mode creates an audio file automatically, while the file select  
function allows to create an audio file before preforming recording.  
You can create audio files of two formats, BWF (Broadcast Wave Format) and SDII (Sound Designer II),  
decided by the setting of the [AUDIO FILE] switch on the front panel.  
A created file is stored in either of two directories, “bwff” for BWF (Broadcast Wave Format) and “sd2f”  
for SDII (Sound Designer II) files.  
You can create up to 200 audio files on a disk formatted in the “Normal” mode.  
Disk just after formatted  
*************.wav (001)  
*************.wav (002)  
*************.wav (003)  
*************.wav (004)  
“No Audio Files!”  
*************.wav (005)  
*************.sd2 (001)  
*************.sd2 (002)  
*************.sd2 (003)  
*************.sd2 (004)  
*************.sd2 (005)  
<Notes>  
On a disk formatted in the “Normal” mode, the maximum recording space for each audio file is  
approximately 2.0GB (the maximum recording time differs depending on the track mode, Fs and bit  
length). If a file exceeds the maximum recording space during recording, the unit automatically  
stops recording, while showing “File Size Over!” on the display.  
Up to 200 audio files can be created on a disk, however, if the available space on the disk is short, the  
number of audio files are limited.  
For example, if there are two audio files each of which occupies 2.0GB disk space, the remaining  
space is approximately 0.7GB.  
If you create another audio file which occupies 0.7GB, you cannot create an audio file anymore. If  
you try to make recording in the NEW FILE mode or to create an audio file using the file select  
function, “Disk Full!” is shown on the display and the operation is rejected.  
1-7  
•A disk formatted in the "Tape" format mode  
Two “Tape mode” audio files (“BWF” or “SDII”) of approximately 2 GB size are created on a disk formatted  
in the “Tape” format mode.  
A created file are stored in either of two directories, “bwff” for BWF (Broadcast Wave Format) and “sd2f”  
(Sound Designer II) files, according to the [AUDIO FILE], [TR MODE] and [SAMPLING FREQ] switch set-  
tings.  
The two “Tape mode” audio files are more tape-like, so you may regard as if there were two analog tapes  
on a disk. If an accident, such as a sudden power failure or shutdown of the unit, may happens during  
recording, data on a “Tape mode” audio file recorded before the accident happens will survive (while,  
in the same situation, all data on a “Normal mode” audio file will be lost).  
“SDII” file  
“BWF” file  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
BIT  
BIT  
24  
48  
24  
48  
1
2
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
SDII  
<About the time display>  
After completing formatting, the time of an audio file is shown in the LTC mode with one-hour offset to ABS 0  
(LTC 01H: 00M: 00S: 00F). You can switch it to the ABS mode by pressing the [DISP TIME] key as many times as  
required.  
On a disk formatted in the “Tape” mode, two 2GB “Tape mode” files are automatically created, and no  
more “Tape mode” audio file can be created.  
Note that you can make recording to a “Tape mode” audio file only in the INSERT mode.  
You can use the approximately 0.7GB remaining area on a disk formatted in the Tape mode as the  
“Normal mode” area, to create “Normal mode” audio files (“BWF” or “SDII”). “Normal mode” audio files  
are stored in the appropriate directories as shown in the figure below.  
<Note>  
When first time creating a “Normal mode” audio file in the “Normal mode” area (of approximately 0.7GB size) on  
a disk formatted in the Tape mode, use the file select function (See 4-12 for details).  
However, if any “Normal mode” audio file created is selected, you can create a new audio file by making record-  
ing in the NEW FILE mode.  
A disk just after formatted  
************.wav (001)  
************.wav (002)  
Tape_mode1.wav (001)  
Tape_mode2.wav (002)  
bwff  
bwff  
************.wav (003)  
************.wav (004)  
************.wav (005)  
*************.wav (003)  
*************.wav (004)  
*************.wav (005)  
Tape Mode  
File-1  
Tape Mode  
File-2  
Tape_mode1.sd2 (001)  
Tape_mode2.sd2 (002)  
*************.sd2 (001)  
*************.sd2 (002)  
sd2f  
sd2f  
*************.sd2 (003)  
*************.sd2 (004)  
*************.sd2 (005)  
*************.sd2 (003)  
*************.sd2 (004)  
*************.sd2 (005)  
<Note>  
With a “Tape mode” audio file, you cannot make editing such as inserting or cutting track data, and converting,  
deleting or duplicating a file.  
See "Chapter 4: Audio recording/playback" and "Chapter 9: Editing an audio file" for details about how to  
create a new audio file.  
1-8  
About REMAIN display  
You can check the remaining (recordable) time/space by selecting the appropriate display using the  
[DISP TIME] key. The unit can show the remaining time and space that can be used for "Normal mode"  
files, regardless of whether the disk is formatted in the "Normal" or "Tape" mode.  
• If a disk is formatted in the Normal mode  
1. While a disk is stopped and the display shows "No Audio Files!", press the [DISPTIME] key three  
times.  
The display shows the "FreeArea" screen, in which the recordable space (in MB) and time (in hours/minutes/  
seconds) for files with the current [TRACK MODE] and [SAMPLING FREQ] switch settings are shown.  
The screen example on the right below shows the recordable time and space when the disk is formatted with the  
[TR MODE] and [SAMPLING FREQ] switch settings to "MONO" and "44.1 kHz/24 bit" respectively.  
LTC  
REMAIN  
H
M
S
H
M
S
F
MB  
PGM  
2. Press the [TR MODE] and [SAMPLING FREQ] switches as desired.  
By changing the [TRACK MODE] and [SAMPLING FREQ] switch settings, you can check the recordable space and  
time according to the current switch settings.  
The screen examples below shows the values in two cases when the [TR MODE] switch is set to "STEREO" and  
"MULTI (4TR)" while the [SAMPLING FREQ] switch is fixed to "44.1 kHz/24 bit".  
TR MODE -> "MULTI (4TR)"  
TR MODE -> "STEREO"  
REMAIN  
REMAIN  
H
M
S
H
M
S
MB  
MB  
• If a disk is formatted in theTape mode  
1. While the "Tape mode" audio file is selected, press the [DISP TIME] key three times.  
The display shows the “FreeArea” screen, as with a disk formatted in the Normal mode. In this screen, the  
recordable space (in MB) and time (in hours/minutes/seconds) for “Normal mode” files, with the same track mode  
and sampling frequency/bit length settings as when the disk is formatted, are shown. In other words, the  
recordable space shown here is the value calculated by subtracting 4.0 GB from all recordable space of the disk.  
The screen example on the right below shows the values when the disk is formatted by setting the [TR MODE] and  
[SAMPLING FREQ] switches to “MONO” and“48kHz/24bit” respectively.  
The recording time in mono is 47 minutes 30 seconds, while the available space is 0.4 GB.  
Note that, with a disk formatted in the Tape mode, if you change the settings of the [TR MODE] and [SAMPLING  
FREQ] switches, the values on the display may not be changed.  
LTC  
REMAIN  
H
M
S
F
H
M
S
PGM  
MB  
BIT  
BIT  
24  
24  
1
<Tips>  
The recordable space of each “Tape mode” file is fixed to approximately 2.0 GB, which is not included in the Free  
Area, as shown above. You can see the maximum recordable time of the “Tape mode” audio file by following the  
operation below.  
• While a disk is stopped, press the [F FWD] key while holding down the [STOP] key.  
The current position moves to the end of the “tape”, and the maximum recordable time of a“Tape mode” file, with  
the track mode and sampling frequency/bit length selected by the [TR MODE] and [SAMPLING FREQ] switches  
when formatted, is shown on the display.  
You can calculate the remaining time of a “tape mode” file by subtracting the elapsed time from the maximum  
recordable time.  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
BIT  
24  
BIT  
1
24  
1
1-9  
Chapter-2  
Names and Functions  
This chapter describes names and functions of controls on the front panel, as well as  
those of connectors on the rear panel.  
Front panel  
We divide the front panel into three parts and describe names and functions of controls for each section.  
*Some keys have the secondary function which is available when the SHIFT indicator is lit, while the primary  
function is available when the SHIFT indicator is unlit. In this manual, we sometimes say "when shifted" and  
"when unshifted" instead of "when the SHIFT indicator is lit" and "when the SHIFT indicator is unlit" respec-  
tively.  
Front panel part 2  
Front panel part 1  
DVD MASTER RECORDER  
OPEN/CLOSE  
SKIP/CURSOR  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
SETUP  
LTC IN  
DATE  
REMAIN  
LOCATE  
CUE ABS  
Y
M
D
H
M
S
%
H
M
S
F
SF  
dB  
UTILITY  
SHIFT  
DIRECTORY  
DISP  
MEMORY GEN UB OFFSET CHASE DIGITAL TC RDY CHASE PGM MB NEXT MARGIN LEVEL  
LEVEL  
BIT 16 20 24 32 DSD  
1
FS 32 48 96 192  
2
kHz 44.1 88.2 176.4  
CLOCK  
OL -0.1%  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
MARGIN  
RESET  
-INT-  
-EXT-  
WORD  
VIDEO  
DIGITAL  
FORMAT  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
3
4
SDII  
BWF  
DVD  
-
+
CHASE  
LIST PLAY  
DRIVE  
TAPE MODE  
PLAY  
CLR  
OUT  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
TC SETUP  
EDIT  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
1
4
7
2
5
8
3
6
9
RECORD  
STOP  
REWIND  
F
FWD  
TONE REC  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
TC RDY  
PQRS  
TUV  
AUDIO EDIT UNDO  
LOCATE  
symbol  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
STORE  
0
0
HOLD  
MONO  
TR4  
TR3  
TR2  
TR1  
176.4  
192  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
TR1,3+2,4  
TR3+4  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
TR1+2  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
MIN  
MAX  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
PHONES  
INPUT  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
TR MODE  
MOUSE  
CONTROL  
AUDIO FILE  
KEYBOARD  
Front panel part 3  
Rear panel  
ETHERNET  
ANALOG INPUT BALANCED  
TR3  
TIME CODE  
FAN  
ANALOG OUTPUT  
DIGITAL INPUT  
TR4-3  
VIDEO  
TR2-1  
TR1  
BAL [+4dBu]TR3  
TR1  
INPUT  
BAL [+4dBu]  
TR1  
TR2  
INPUT  
THRU  
75  
ON OFF  
LO HI  
DIGITAL OUTPUT  
WORD  
TR4-3  
TR2  
TR2-1  
TR1  
THRU  
UNBAL  
[-10dBV]  
UNBAL  
[-10dBV]  
INPUT  
THRU  
OUTPUT  
+4dBu  
+4dBu  
10/100  
LINK  
75Ω  
ON OFF  
-10dBV  
-10dBV  
BAL [+4dBu]  
TR4  
BAL [+4dBu]  
TR2  
TR2  
TR4  
TX/RX  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
OUTPUT  
AC IN  
GPI  
OUTPUT  
INPUT  
15P-REMOTE  
9P-REMOTE  
UNBAL  
UNBAL  
[-10dBV]  
+4dBu  
+4dBu  
-10dBV  
-10dBV  
[-10dBV]  
1: GND  
2: HOT  
3: COLD  
1: GND 2: HOT 3: COLD  
1: GND 2: HOT 3: COLD  
2-2  
Front panel part 1  
4
5
6
7
3
DVD MASTER RECORDER  
OPEN/CLOSE  
2
1
SKIP/CURSOR  
-
+
CHASE  
LIST PLAY  
DRIVE  
TAPE MODE  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
TC SETUP  
REWIND  
EDIT  
1
4
7
2
5
8
3
6
9
PLAY  
RECORD  
STOP  
F FWD  
PQRS  
TUV  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
0
0
MONO  
TR4  
TR3  
TR2  
TR1  
TR1,3+2,4  
TR3+4  
TR1+2  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
MIN  
MAX  
PHONES  
INPUT  
CONTROL  
AUDIO FILE  
MOUSE  
KEYBOARD  
9
8
11 10  
1. [POWER] switch  
POWER  
Turns on or off the power of the unit.  
2. Disk tray  
Loads a DVD-RAM disk. Use the [OPEN/CLOSE] key to open or close the tray.  
3. [DRIVE (DVD/HD)] indicators  
DRIVE  
The indicator for the current (currently selected) drive is lit.  
In the initial condition, the "DVD" drive is selected.  
DVD  
HD  
4. [TAPE MODE] indicator  
It is lit when a "TAPE mode" audio file is loaded.  
See "Chapter 1: Before using the DV40" for details about the format mode.  
5. [CHASE] ([TC SETUP]) key  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
CHASE  
When unSHIFTed:  
TC SETUP  
Turns on or off the chase mode.  
When on, "CHASE" flashes in red on the display, which lights steadily when the unit  
chase-locked to the external device.  
When SHIFTed:  
Enters the TC (Time code) setup mode, in which you can make settings for record-  
ing/playback of time code.  
See "Chapter 5:Time code recording" for details.  
2-3  
6. [LIST PLAY] ([EDIT]) key  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
LIST PLAY  
When unSHIFTed:  
EDIT  
Pressing this key allows you to select a list for executing the list play.  
You can select between “SongLink” and “LTC_Link” lists.  
After selecting the desired list, pressing the [PLAY] key starts the list play.  
See “Chapter 11: List Play function” for details.  
When SHIFTed:  
Pressing this key enables editing of the recorded play list (Not supported!).  
7. [OPEN/CLOSE] key  
OPEN/CLOSE  
Opens or closes the disk tray.  
8.Transport keys  
PLAY  
RECORD  
STOP  
F FWD  
REWIND  
SOURCE PLAY  
LOCATE ABS 0  
LOCATE REC END  
c d  
a
b
e
a. [RECORD] key  
Normally, pressing this key starts recording when one of the AUDIO RDY indicators  
([NEW FILE] or [INSERT]) is lit.  
• In the NEW FILE mode:  
Starts recording to a new file which is automatically created. If the "TC RDY" indicator  
is lit, time code is also recorded.  
• In the INSERT mode:  
Starts recording from the current position of the current file. If the "TC RDY" indica-  
tor is lit, time code is also recorded.  
See "Chapter 4: Audio recording/playback" and "Chapter 5:Time code recording" for de-  
tails.  
<Note>  
If you press the [RECORD] key when the "REC PROTECT" setting in the Utility mode is set to  
"On", "Protected!" is shown and you cannot start recording.  
b. [STOP] key  
Normally, pressing this key stops the recorder.  
In the Setup, Utility and all sort of editing mode, pressing this key exits the current  
mode.  
Also, pressing the [PLAY], [<< REWIND] or [>> F FWD] key while holding down this key  
executes the following.  
• [STOP] + [PLAY]  
Plays back sound data on the clipboard and stops the recorder.  
• [STOP] + [<< REWIND]  
Locates to ABS 0 (the beginning position of the file) and stops the recorder.  
• [STOP] + [>> F FWD]  
Locates to REC END and stops the recorder.  
2-4  
c. [PLAY] key  
Normally, pressing this key starts playback.  
Pressing this key during recording stores cross fade data to the memory and stops.  
If any sound data is available on the clipboard, pressing this key while holding down  
the [STOP] key plays back the sound data.  
d. [|<<REWIND] key  
Pressing this key while stopped rewinds the recorder at maximum 30 x speed.  
Pressing this key during playback rewinds with sound (cues backwards) at 2 x speed.  
Pressing this key while holding down the [STOP] key locates the "REC END" position  
(the last recording position).  
e. [>>| F FWD] key  
Pressing this key while stopped fast-forwards the recorder at maximum 30 x speed.  
Pressing this key during playback fast-forwards with sound (cues forwards) at 2 x  
speed.  
Pressing this key while holding down the [STOP] key locates the "ABS 0" position (the  
beginning position of the file).  
9. Monitor section  
MONO  
TR4  
TR1,3+2,4  
TR3+4  
TR3  
TR2  
TR1  
TR1+2  
MIN  
MAX  
PHONES  
a
c
b
d
a. PHONES jack  
Connects headphones for monitoring.  
b. Headphones level control  
Adjust the level of headphones.  
c. Monitor track selection switch  
Selects tracks to be monitored from among "1, 3+2, 4", "3+4" or "1+2"", or selects  
MONO. When selecting MONO, you can select any mono track by using the Mono  
track select switch.  
d. Mono track select switch  
Selects a track to be monitored from among tracks 1 through 4 when the Monitor  
track selection switch is set to MONO.  
10. [MOUSE] connector  
Connecting a mouse to this connector (Not supported!).  
MOUSE  
11. [KEYBOARD] connector  
Connecting a PS/2 keyboard to this connector.  
See “Chapter 13: FTP server function” for details.  
KEYBOARD  
2-5  
Front panel part 2  
15  
14 16  
19 21  
17  
13  
18  
22  
12  
20  
OPEN/CLOSE  
SKIP/CURSOR  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
SETUP  
LTC IN  
DATE  
Y
M
D
H
M
S
REMAIN  
LOCATE  
CUE ABS  
MEMORY GEN UB OFFSET CHASE  
1
%
H
M
S
F
SF  
dB  
UTILITY  
SHIFT  
DIRECTORY  
DISP  
PGM MB NEXT MARGIN LEVEL  
BIT 16 20 24 32 DSD  
DIGITAL TC RDY CHASE  
LEVEL  
FS 32 48 96 192  
kHz 44.1 88.2 176.4  
2
CLOCK  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
SDII  
BWF  
DVD  
MARGIN  
RESET  
-INT-  
-EXT-  
WORD  
VIDEO  
DIGITAL  
23  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
3
4
-
+
CLR  
OUT  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
24  
25  
1
4
7
2
5
8
3
6
9
TONE REC  
TC RDY  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
PQRS  
TUV  
AUDIO EDIT UNDO  
LOCATE  
symbol  
STORE  
HOLD  
0
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
176.4  
192  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
INPUT  
TR MODE  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
CONTROL  
AUDIO FILE  
34  
40  
36  
37  
32 30 28 26  
38  
42  
41  
35 33 31 29 27  
39  
12. [SKIP/CURSOR |<<, >>|] ([-], [+]) keys  
SKIP/CURSOR  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
-
+
• Skips to the next (>>|) or previous (|<<) "ABS 0" of an audio file, cue point or MEM  
point, depending on the setting of the "Skip Mode?" menu in the Setup mode.  
In the initial setting, "File" is selected, so each press of the key skips to the next or  
previous "ABS 0 (the beginning position)" of an audio file.  
• In a character entering mode in which you have to move the cursor to a position to  
be edited, pressing the key moves the cursor.  
• While executing the list play, pressing the key moves to the next (>>|) or previous  
(|<<) CUE point.  
When SHIFTed:  
• Enters the plus or minus sign while editing a time value.  
13. FL display  
Displays time information, track levels and other setting items, etc.  
14. [MARGIN RESET/CLR] key  
When the margin level is shown on the display, pressing this key resets the margin  
level.  
MARGIN  
RESET  
When editing a file name, volume name and cue name, pressing this key clears the  
character in the current cursor position.  
CLR  
2-6  
15. [DISPTIME] key  
DISP  
Cycles through the time display modes as follows.  
TIME  
REMAIN  
ABS  
INTTC GEN  
LTC IN  
LTC  
16. [DISP LEVEL] key  
DISP  
When selecting any time display mode except "REMAIN" using the [DISP TIME] key,  
this key cycles through the display mode as follows.  
LEVEL  
Margin level  
Time  
Track level  
The track level display varies depends on the track mode when recorded.  
For example, if it is recorded with the mono track mode, only the level for track 1 is  
shown.  
17. [SETUP] ([UTILITY]) key  
SETUP  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
UTILITY  
• Pressing this key while stopped enters the Setup mode, in which you can make  
Setup menu settings.  
When SHIFTed:  
• Pressing this key while stopped enters the Utility mode, in which you can make  
Utility menu settings.  
To exit the mode, press the [EXIT/NO] key or [STOP] key.  
See “Chapters 15 and 16” for details about the Setup and Utility modes.  
18. [FILE SEL] ([DIRECTORY]) key  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
FILE SEL  
When unSHIFTed:  
• Pressing this key while stopped enters the File select mode, in which you can select  
an audio file or create a new file in the directory ("SDII" or "BWF") the current file  
belongs to.  
DIRECTORY  
When SHIFTed:  
• Pressing this key while stopped enters the Directory mode, in which you can select  
an audio file from both "SDII" and "BWF" directories (Not supported!).  
See "Chapter 9: Audio file management" for details.  
19. [SHIFT] key  
SHIFT  
Turns the shift mode on or on. When on, the indicator is lit.  
You can execute a SHIFTed (secondary) function of a key which has dual functions.  
The SHIFTed functions are labeled inversely on the panel, such as (PREVIEW) and  
(HOLD).  
20. [VARI PITCH] key  
Turns the vari speed playback mode on or off. When on, the indicator is lit.  
When the vari speed playback mode is active, you can change the speed directly  
using the jog dial.  
VARI PITCH  
2-7  
21. [JOG] key  
JOG  
Pressing this key while stopped enters the jog mode, in which you can jog the re-  
corder as if operating an analog recorder. When the jog mode is active, the indicator  
is lit. To exit the jog mode, press any of the transport keys.  
22. [SHUTTLE] key  
SHUTTLE  
Pressing this key during playback or while stopped enters the shuttle mode, in which,  
using the jog dial, you can perform analog-tape-like shuttle at the speed between 0  
and double speed or high-speed shuttle (audio is muted) at the speed between 0 and  
32 times of the normal speed. When the shuttle mode is active, the indicator is lit.  
23. [ENTER/YES] key  
ENTER/YES  
Used to confirm a setting or data entry or execute an operation.  
24. [EXIT/NO] key  
EXIT/NO  
Used to cancel a setting or data entry or stop the current operation.  
25. Jog dial  
Used to jog or shuttle the recorder.  
It is also used for increasing or decreasing the numeric value when editing a memory,  
or used for selecting an item in the Setup mode.  
26. [MEMORY] ([PREVIEW]) key  
MEMORY  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
• In the normal display mode, pressing this key enters the memory edit mode, in  
which you can edit memory point data.  
Pressing this key after pressing the [STORE] key stores the holding time to a memory  
point.  
99 memory points (01 through 99) are available. You can give a name for each  
point. (Note that memory points 01 through 03 are fixed and the rest (04 through  
99) are user memory points.) See "Chapter 6: Storing time data" for details.  
When SHIFTed:  
• Pressing this key while stopped executes the fade-in preview at the desired memory  
point. See "Chapter 8: Preview function" for details.  
27. [STORE] ([HOLD]) key  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
STORE  
HOLD  
When unSHIFTed:  
• Pressing this key during playback or while stopped holds the displayed time and  
makes it possible to be edited. After editing the time, pressing this key again  
followed by any of location memory keys (the MEMORY, CUE POINT, DEST-OUT,  
DEST-IN, SOURCE-OUT and SOURCE-IN keys) stores the time to the appropriate  
memory. See "Chapter 6: Storing time data" for details.  
When SHIFTed:  
• Pressing this key during playback or while stopped holds the displayed time and  
makes it editable. After editing the time, pressing this key again and then any of  
keys that can store time data (the MEMORY, CUE POINT, DEST-OUT, DEST-IN,  
SOURCE-OUT and SOURCE-IN keys) stores the time to the appropriate memory.  
See "Chapter 6: Storing time data" for details.  
2-8  
28. [CUE POINT] ([PREVIEW]) key  
CUE POINT  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
• In the normal display mode, pressing this key enters the cue point edit mode, in  
which you can edit cue point data. Pressing this key after pressing the [STORE] key  
stores the holding time to a cue point.  
99 cue points (01 through 99) are available. You can give a name for each point.  
See "Chapter 6: Storing time data" for details.  
When SHIFTed:  
• Pressing this key while stopped executes the fade-in preview at the desired cue  
point. See "Chapter 8: Preview function" for details.  
29. [DEST-OUT] ([PREVIEW]/[TR 4]) key  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
IN  
DST  
OUT  
When unSHIFTed:  
PREVIEW  
TR4  
TR3  
• Displays time data stored in this key so that you can edit the data.  
• Pressing this key after pressing the [STORE] key stores the holding time or edited  
time to the DEST-OUT point.  
• When editing track data, this key selects track 4.  
When SHIFTed:  
• Pressing this key while stopped executes the fade-in preview at the DEST-OUT  
point.  
30. [LOCATE] key  
LOCATE  
Locates to the point where you pressed the [LOCATE] key last time.  
The data stored in this key is overwritten each time you press the key.  
31. [DEST-IN] ([PREVIEW]/[TR 3]) key  
IN  
DST  
OUT  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
PREVIEW  
TR4  
When unSHIFTed:  
TR3  
• Displays time data stored in this key so that you can edit the data.  
• Pressing this key after pressing the [STORE] key stores the holding time or edited  
time to the DEST-IN point.  
• When editing track data, this key selects track 3.  
When SHIFTed:  
• Pressing this key while stopped executes the fade-out preview at the DEST-OUT  
point.  
32. [UNDO] key  
UNDO  
By pressing this key, the history of the current audio file can be referred to, allowing  
execution of the multiple undo function.  
To execute the multiple undo function, select a desired history item using the jog  
dial and press the [ENTER/YES] key.  
See "Chapter 4: Audio recording/playback" for details.  
IN SOURCE OUT  
33. [SOURCE-OUT] ([PREVIEW]/[TR 2]) key  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
TR2  
TR1  
• Displays time data stored in this key so that you can edit the data.  
• Pressing this key after pressing the [STORE] key stores the holding time or edited  
time to the SOURCE-OUT point.  
• When editing track data, this key selects track 2.  
When SHIFTed:  
• Pressing this key while stopped executes the fade-in preview at the SOURCE-OUT  
point.  
2-9  
34. [AUDIO EDIT] key  
AUDIO EDIT  
pressing this key while stopped enters the menu selection mode for audio editing. In  
this mode, you can select the editing menu by pressing this key repeatedly or by  
using the jog dial. See "Chapter 9: Audio file management" and "Chapter 10: Editing track  
data" for details.  
35. [SOURCE-IN] ([PREVIEW]/[TR 1]) key  
IN SOURCE OUT  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
• Displays time data stored in this key so that you can edit the data.  
• Pressing this key after pressing the [STORE] key stores the holding time or edited  
time to the SOURCE-IN point.  
TR2  
TR1  
• When editing track data, this key selects track 1.  
When SHIFTed:  
• Pressing this key while stopped executes the fade-out preview at the SOURCE-IN  
point.  
36. [TC RDY] key  
TC RDY  
Only when the NEW FILE or INSERT mode is active, pressing this key arms or unarms  
the time code track.  
See "Chapter 5:Time code recording" for details.  
37. [SLATETONE] ([TONE REC]) key  
SLATE TONE  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
TONE REC  
• While pressing down this key, the 1-kHz slate tone is output from all the output  
connectors at the reference level.  
• During recording, the 1-kHz slate tone is recorded while pressing down this key.  
When SHIFTed:  
• During recording, pressing this key records the slate tone for the time set by the  
"Tone Rec?" menu in the Setup mode, and then continues normal recording.  
• When the INSERT mode is active, pressing this key while stopped records the slate  
tone for the time set by the "Tone Rec?" menu in the Setup mode, and then stops.  
38. [AUDIO RDY - INSERT] key  
Pressing this key alternates on and off of the INSERT mode.  
INSERT  
When the mode is active, you can turn on [TC RDY].  
By recording to an existing file in the INSERT mode, you can replace the current  
audio data with new one or add new audio data to the current one.  
If you are going to make recording in the INSERT mode when there is no audio file,  
the display shows "No Audio Files!".  
See "Chapter 4: Audio recording/playback" for details about how to use this key.  
39. [MUTE] ([MUTE REC]) key  
MUTE  
This key has primary (unSHIFTed) and secondary (SHIFTed) functions.  
When unSHIFTed:  
• While holding down this key during playback, both the analog and digital outputs  
except the PHONES output are muted.  
MUTE REC  
• While holding down this key during recording, audio is muted and silence is  
recorded.  
When SHIFTed:  
• During recording, pressing this key starts mute recording for the time set by the  
"Mute Rec?" menu in the Setup mode, and then continues normal recording.  
• When the INSERT mode is active, pressing this key while stopped starts mute  
recording for the time set by the "Mute Rec?" menu in the Setup mode, and then  
stops. See "Chapter 4: Audio recording/playback" for details about how to use this  
key.  
2-10  
40. [AUDIO RDY - NEW FILE] key  
NEW FILE  
Pressing this key alternates on and off of the NEW FILE mode.  
When the mode is active, you can turn on [TC RDY].  
In the NEW FILE mode, starting recording automatically creates a new file to be re-  
corded. If the time code track is armed then, time code is also recorded simulta-  
neously.  
Note that you cannot record to a "Tape mode" audio file in the NEW FILE mode.  
See "Chapter 4: Audio recording/playback" for details about how to use this key.  
INPUT MON  
41. [INPUT MON] key  
Turns on or off the input monitor mode. When on, the indicator is lit.  
During recording, you always monitor the input signals regardless of the status of  
the input monitor mode.  
Also, when the "Auto EE MD?" menu in the Setup mode is set to "On", you always  
monitor the input signals except for during playback, regardless of the status of the  
input monitor mode.  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
42. Alphanumeric keys  
These keys are used to directly enter alphanumeric characters when editing a name  
or time, or specifying a memory or cue point.  
For example, you can also use the "2" key to enter "a", "b", "c", "A", "B" and "C".  
After entering the desired character, pressing one of the other alphanumeric keys  
automatically moves the cursor to the next digit.  
1
4
7
2
5
8
3
6
9
PQRS  
TUV  
symbol  
0
a
FL display  
SETUP  
LTC IN  
DATE  
Y
M
D
H
M
S
REMAIN  
%
i
LOCATE  
CUE ABS  
MEMORY GEN  
b
H
M
S
F
SF  
dB  
UB  
OFFSET CHASE  
PGM MB NEXT MARGIN LEVEL  
DIGITAL TC RDY CHASE  
BIT  
16 20 24 32 SD  
c
d
1
2
h
FS  
kHz  
32 48 96 192  
44.1 88.2 176.4  
CLOCK  
60  
50 42 34 28  
2018  
12  
8
-0.1%  
6
5
4
3
2
1
0 OL  
-INT-  
-EXT-  
WORD  
VIDEO  
DIGITAL  
FORMAT  
BWF  
3
4
h
SDII  
g
e
f
f. Displays the current audio file format (“BWF” or  
“SDII”). If it does not match the setting of the  
[AUDIO FILE] switch on the front panel, the file  
format that matches the switch setting flashes for  
warning.  
a. Displays a file name, menu title, etc.  
b. Displays time data, system clock date, etc.  
c. Displays the quantization bit number of the  
current audio file. If it does not match the setting  
of the [SAMPLING FREQ] switch on the front panel,  
the bit number that matches the switch setting  
flashes.  
g. Displays the input/output levels of tracks 1  
through 4. When performing the preview  
function, it displays the status of the fade-in/out.  
d. Displays the sampling frequency of the current  
audio file. If it does not match the setting of the  
[SAMPLING FREQ] switch on the front panel, the  
sampling frequency that matches the switch  
setting flashes.  
h. Displays the track mode of the current audio file.  
If it does not match the setting of the [TR MODE]  
switch on the front panel, the track mode that  
matches the switch setting flashes for warning.  
i. Displays the current display content or status  
information.  
e. Displays the current system clock. You can set the  
system clock in the Setup mode.  
2-11  
Front panel part 3  
OPEN/CLOSE  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
SETUP  
LTC IN  
DATE  
Y
M
D
H
M
S
REMAIN  
LOCATE  
CUE ABS  
%
H
M
S
F
SF  
dB  
UTILITY  
SHIFT  
DIRECTORY  
DISP  
MEMORY GEN UB OFFSET CHASE  
1
PGM MB NEXT MARGIN LEVEL  
BIT 16 20 24 32 DSD  
DIGITAL TC RDY CHASE  
LEVEL  
SKIP/CURSOR  
FS 32 48 96 192  
kHz 44.1 88.2 176.4  
2
CLOCK  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
SDII  
BWF  
DVD  
MARGIN  
RESET  
-INT-  
-EXT-  
WORD  
VIDEO  
DIGITAL  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
3
4
-
+
CLR  
OUT  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
1
4
7
2
5
8
3
6
9
TONE REC  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
53  
TC RDY  
PQRS  
TUV  
AUDIO EDIT UNDO  
LOCATE  
symbol  
STORE  
0
HOLD  
176.4  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
192  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
INPUT  
TR MODE  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
CONTROL  
AUDIO FILE  
48  
47  
43  
44  
46  
52  
49  
51  
45  
50  
47. [PULL UP/DOWN] switch  
43. [CONTROL] switch  
Selects pull-up (+0.1 %) or pull-down (-0.1 %) of the  
Selects whether controlling the unit remotely or from  
sampling clock/TC frame rate.  
the panel.  
Pulls up the selected sampling clock/TC  
frame rate +0.1%.  
The unit is controlled remotely via the [9P-  
REMOTE] or [15P-REMOTE] connector on the  
+0.1%  
REMOTE  
LOCAL  
rear panel.  
Normal operation (0% = no pull-up or pull-  
down)  
NORM  
Also, you can send or receive file data using  
FTP via the ethernet.  
Pulls down the selected sampling clock/TC  
frame rate -0.1%.  
-0.1%  
The unit is controlled from the front panel con-  
trols.  
48. [SAMPLING FREQ] switch  
Selects the sampling frequency and quantization bit  
for recording.  
When selecting REMOTE, you can prohibit the key operation  
of the front panel controls. See "Chapter 15: Setup mode" for  
details.  
16BIT/44.1  
16BIT/48  
Up to 4 tracks of recording/playback  
Up to 4 tracks of recording/playback  
44. [AUDIO FILE] switch  
Selects the audio file format (“BWF” or “SDII”) when  
recording is made in the NEW FILE mode or when  
creating or selecting an audio file by the file select  
function.  
24BIT/44.1 Up to 4 tracks of recording/playback  
24BIT/48  
Up to 4 tracks of recording/playback  
Up to 2 tracks of recording, up to 4 tracks of  
playback  
24BIT/88.2  
• "OPTION" does not currently function.  
Up to 2 tracks of recording, up to 4 tracks of  
playback  
24BIT/96  
24BIT/176  
24BIT/192  
Up to 2 tracks of playback only  
Up to 2 tracks of playback only  
45. [INPUT] switch  
Selects the input between ANALOG and DIGITAL.  
• When selecting "DIGITAL", "DIGITAL" flashes on  
the display, which lights steadily when the unit  
receives a correct external digital signal.  
49. [FRAME RATE] switch  
Selects the frame rate for recording, playback and  
internal TC generator.  
OPTION  
46. [TR MODE] switch  
Selects the track mode for recording from among  
MONO, STEREO and MULTI (4-track).  
American motion picture -0.1%  
American motion picture  
23.976  
24  
European film/PAL-SECAM video EBU  
25  
• If "MONO" is selected when the [INPUT] switch is  
set to "DIGITAL", only the L-channel signal is re  
corded to the mono track.  
29.97DF  
NTSC color with real time adjust  
29.97  
30DF  
30  
NTSC color  
NTSC video/film  
NTSC video/film  
2-12  
50. [TC GEN MODE] switch  
Selects the generator mode for time code recording.  
The external time code value is recorded as  
the start time.  
EXT RUN  
Runs the internal generator by the free run  
mode, and records the current internal gen-  
FREE RUN  
erator time as the start time.  
When recording time code to a new file, the  
generator records time code from the value  
which continues to the last time code value  
of the previous file.  
REC RUN  
Time code starts from the current time of the  
internal clock of the unit.  
24H RUN  
51. [CLOCK] switch  
Selects the system master clock.  
The internal clock is the master. "-INT-" is lit  
on the display.  
INT  
The external word clock is the master. "-  
WORD  
VIDEO  
WORD-" flashes on the display, which lights  
steadily when the unit locks to the word clock.  
The external video clock is the master. "-  
VIDEO-" flashes on the display, which lights  
steadily when the unit locks to the video clock.  
The external clock available in the digital sig-  
nal received via the [DIGITAL INPUT] con-  
nector is the master. "-DIGITAL-" flashes on  
the display, which lights steadily when the unit  
locks to the clock.  
DIGITAL  
52. Analog Input Signal controls  
Adjust the input levels for tracks 1, 2, 3, and 4 when  
recording analog signals.  
The outer knob controls track 1 and 3, while the  
inner knob controls track 2 and 4.  
53. [BYPASS ON/OFF] switch  
Select whether bypassing the [INPUT LEVEL] controls  
or not when recording analog signals.  
When set to OFF, the corresponding [INPUT LEVEL]  
controls are active.  
When set to ON, the corresponding [INPUT LEVEL]  
controls are inactive.  
2-13  
Rear panel  
1
2
3 4  
6
7
5
TIME CODE  
INPUT  
ETHERNET  
VIDEO  
ANALOG INPUT BALANCED  
FAN  
ANALOG OUTPUT  
BAL [+4dBu]TR3  
DIGITAL INPUT  
TR4-3  
TR2  
TR2-1  
TR1  
TR1  
BAL [+4dBu]  
TR3  
TR1  
INPUT  
THRU  
75Ω  
ON OFF  
LO HI  
DIGITAL OUTPUT  
WORD  
TR4-3  
TR2  
TR2-1  
TR1  
THRU  
UNBAL  
[-10dBV]  
UNBAL  
[-10dBV]  
INPUT  
THRU  
OUTPUT  
+4dBu  
+4dBu  
10/100  
LINK  
75Ω  
ON OFF  
-10dBV  
-10dBV  
BAL [+4dBu]  
BAL [+4dBu]  
TR2  
TR4  
TR2  
TR4  
TX/RX  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
OUTPUT  
AC IN  
GPI  
OUTPUT  
INPUT  
15P-REMOTE  
9P-REMOTE  
UNBAL  
UNBAL  
[-10dBV]  
+4dBu  
+4dBu  
-10dBV  
-10dBV  
[-10dBV]  
1: GND  
2: HOT  
3: COLD  
1: GND 2: HOT 3: COLD  
1: GND 2: HOT 3: COLD  
12  
11  
10  
9
8
D. ANALOG OUTPUT (UNBAL) connectors (TR1 through  
TR4)  
1. Analog input/output section  
ANALOG OUTPUT  
ANALOG INPUT BALANCED  
• Each of these connectors outputs an unbalanced  
analog audio signal of the corresponding track.  
• Connectors: Phone type  
BAL [+4dBu] TR3  
TR1  
BAL [+4dBu]  
TR3  
TR1  
• Nominal output level: -10 dBV  
C
D
A
B
UNBAL  
[-10dBV]  
UNBAL  
+4dBu  
+4dBu  
-10dBV  
-10dBV  
[-10dBV]  
BAL [+4dBu]  
BAL [+4dBu]  
TR4  
TR2  
2.Time code input/output section  
TR2  
TR4  
TIME CODE  
INPUT  
A
B
A
C
D
UNBAL  
UNBAL  
[-10dBV]  
+4dBu  
+4dBu  
-10dBV  
-10dBV  
2
1
1
2
THRU  
[-10dBV]  
1: GND 2: HOT 3: COLD  
1: GND 2: HOT 3: COLD  
B
C
3
3
OUTPUT  
1
2
2
1
1: GND  
2: HOT  
3: COLD  
3
3
A. TIME CODE INPUT connector  
• Receives external SMPTE/EBU time code.  
• Connectors: XLR-3-31 type (#2 = hot)  
A. ANALOG INPUT (BALANCED) connectors (TR1 through  
TR4)  
• Each of these connectors receives a balanced  
analog audio signal, which is fed to the  
corresponding track.  
B. TIME CODETHRU connector  
• Echoes incoming SMPTE/EBU time code.  
• Connectors: XLR-3-32 type (#2 = hot)  
• Connectors: XLR-3-31 type (#2 = hot)  
• Nominal input level: +4 dBu/-10 dBV selectable  
C. TIME CODE OUTPUT connector  
• Outputs SMPTE/EBU time code from the unit.  
• Connectors: XLR-3-32 type (#2 = hot)  
B. Input level switches  
• Each of these switches selects the nominal input  
level between +4 dBu and -10 dBV for the  
corresponding ANALOG INPUT connector.  
3. Expansion slot  
C. ANALOG OUTPUT (BAL) connectors (TR1 throughTR4)  
• Each of these connectors outputs a balanced  
analog audio signal of the corresponding track.  
• Connectors: XLR-3-32 type (#2 = hot)  
• Nominal output level: +4 dBu  
This expansion slot is used to fit the optional card.  
Do not remove the blank panel unless you fit the  
optional card.  
2-14  
4. ETHERNET port  
7. Cooling fan motor speed select switch  
Switches the cooling fan motor speed between LOW  
and HI. Setting it to LOW lowers the motor noise.  
ETHERNET  
• Connects to an Ethernet network.  
• Connector: IEEE802.3, conformed  
to 10BASE-T/100BASE-T  
• LED indicators  
8. AC IN connector  
Connect the supplied power cord.  
* 10/100: When the connection to  
a network is established by  
100BASE-TX, this indicator is lit.  
(It is not lit when the connection  
is established by 10BASE-T.)  
* LINK: When the unit recognizes the  
network, this indicator is lit.  
* TX/RX: When data is transmitted  
or/and received, this indicator is  
lit.  
10/100  
LINK  
TX/RX  
9.Word clock section  
WORD  
INPUT  
THRU  
OUTPUT  
75  
OFF  
ON  
D
B
A
C
5. Digital input/output section  
A. WORD INPUT connector  
• Accepts a word clock signal.  
• Connector: BNC type  
A
DIGITAL INPUT  
TR4-3  
TR2  
TR2-1  
TR1  
B. 75(ON/OFF) switch  
• To terminates the word clock, set this switch to  
ON.  
2
1
1
2
DIGITAL OUTPUT  
C. WORDTHRU connector  
• Echoes an incoming word clock signal.  
• Connector: BNC type  
TR4-3  
TR2  
TR2-1  
TR1  
3
3
D. WORD OUTPUT connector  
• Outputs a word clock signal from the unit.  
• Connector: BNC type  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
B
10. GPI input/output connectors  
A. DIGITAL INPUT connectors  
• Each connector accepts a digital signal conformed  
to the IEC 60958 (AES/EBU) or IEC 60958 (S/P  
DIF) format. The unit can automatically detect the  
format.  
These connectors are active only when the "GPI ON/  
OFF" menu in the Setup mode is set to "On". It is set  
to "Off" in the initial setting, therefore, you have to  
change it to "On" before using the GPI connectors.  
• Connectors: XLR-3-31 type  
B. DIGITAL OUTPUT connectors  
GPI  
• Each connector outputs a digital signal conformed  
to the IEC 60958 (AES/EBU) or IEC 60958 (S/P  
DIF) format. The format is selected in the Setup  
mode.  
OUTPUT  
INPUT  
5
1
4
• Connectors: XLR-3-32 type  
2
3
B
A
6.Video clock section  
A. GPI INPUT connector  
• Connector: DIN-5 pin  
VIDEO  
INPUT  
THRU  
• The following table shows the pin assignment.  
A TTL-level, low active input signal activates the  
operation.  
75  
ON OFF  
Pin-1  
Pin-2  
GND  
C
A
B
STOP The low plus signal activates the operation  
equivalent to the STOP key operation.  
A.VIDEO INPUT connector  
• Accepts a video clock signal.  
• Connector: BNC type  
Pin-3  
PLAY The low pulse signal activates the operation  
equivalent to the PLAY key operation.  
B. 75(ON/OFF) switch  
Pin-4  
Pin-5  
>>  
<<  
The low pulse signal activates the operation  
equivalent to the SKIP >> key operation.  
• To terminates the video clock, set this switch to  
ON.  
The low pulse signal activates the operation  
equivalent to the SKIP << key operation.  
C.VIDEO THRU connector  
• Echoes an incoming video signal.  
• Connector: BNC type  
* The minimum input pulse width is 15 msec (except for Pin 2  
PLAY, whose minimum input pulse width is 5 msec).  
2-15  
B. GPI OUTPUT connector  
• Connector: DIN-5 pin  
Controller Out  
DATA OUT  
D-sub 9P  
DATA IN  
D-sub 15P  
DATA IN  
Pin No  
• The following table shows the pin assignment for  
event outputs.  
Frame Ground  
Receive A  
Frame Ground  
Transmit A  
1
2
Frame Ground  
Transmit A  
Pin-1  
GND  
Transmit B  
3
4
5
6
7
Receive B  
Receive B  
Transmit Common  
Receive Common  
Receive Common  
Pin-2  
Pin-3  
Pin-4  
Pin-5  
EVENT 1  
EVENT 0  
EVENT 2  
EVENT 3  
Outputs an event at Cue point 1.  
Outputs an event at Cue point 0.  
Outputs an event at Cue point 2.  
Outputs an event at Cue point 3.  
Spare  
Receive Common  
Receive B  
Spare  
Transmit Common  
Transmit B  
Spare  
Transmit Common  
Transmit B  
Receive A  
Transmit A  
8
Receive A  
Each event signal is output by a 60 msec width, low level pulse  
during recording/playback.  
Frame Ground  
Frame Ground  
Frame Ground  
NC  
9
10  
11  
12  
13  
14  
NC  
NC  
11. 9-pin remote connector  
12. 15-pin remote connector  
These connectors are used for controlling the unit  
from external devices.  
NC  
NC  
+12V  
15  
The 9-pin and 15-pin remote connectors are tied in  
parallel so you can use either of them depending on  
the controller's hardware.  
A and B in the table above are defined as follows.  
B
+
A<B -> “1” (Mark)  
B<A -> “0” (Space)  
R
T
The 15-pin connector can supply the DC 12 V power,  
so you can use it with a controller that requires the  
power supply via the remote connector.  
-
A
The hardware of these connectors conforms to the  
RS-422A, which can be selected in the Setup mode.  
Use a straight cable.  
5
1
9P-REMOTE  
9
6
1
8
15P-REMOTE  
15  
9
• Connector: 9-pin, D-sub connector (female)/9P-  
REMOTE  
15-pin, D-sub connector (female)/15P-REMOTE  
• Protocol: Conformed to Sony 9-pin protocol.  
2-16  
Chapter 3  
Reformatting/optimizing a disk  
This chapter describes how to reformat a formatted disk and optimize a disk.  
Reformatting a DVD-RAM disk  
The following describes how to reformat a used disk, while chapter 1 describes how to format  
a new disk. We assume that a used DVD-RAM disk is inserted in the tray and stopped.  
<Note for reformatting a disk in theTape mode>  
Before reformatting a used disk in the Tape mode, set the [AUDIO FILE], [SAMPLING FREQ] and [TR  
MODE] switches on the front panel appropriately, which determine the behavior of the newly cre-  
ated "Tape mode" file.  
<Note>  
Memory point data still remain after reformatting a disk.  
Therefore, if you do not need the old memory point data, delete them using the delete function.  
See "Chapter 6: Editing/storing time data" for details about how to delete memory point data.  
<Note>  
• Before reformatting, make sure that the DVD-RAM disk is not write-protected.  
• If you use an used DVD-RAM disk, we recommended to format the disk by a computer first, then  
format it by the DV40.  
1. While stopped, press the [SHIFT] key to turn on the indicator.  
2. Press the [SETUP] key.  
The unit enters the Utility mode and the display shows a setting menu.  
The first time the unit enters the Utility mode after turning on the unit, the "Rec Protect?" menu is  
shown. Otherwise, the previously used setting menu is shown.  
Flashing  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
3. Use the jog dial to select the "Format?" menu and press the [ENTER/YES] key.  
The display changes to show "Format Disk DVD".  
Flashing  
Flashing  
BIT  
24  
48  
BIT  
24  
48  
1
2
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
12  
60 50 42 34 28  
2018  
8
6
5
4
3
2
1
0
OL -0.1%  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
FORMAT  
BWF  
4. Press the [ENTER/YES] key again.  
The display shows the following and now you can edit the label name of the disk (which is tentatively  
named "DV40-DVD").  
See the next "Tips" about how to edit a label name, although you may go to the next step without  
editing the label name.  
Flashing  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
3-2  
Tips: How to edit a label name  
While the leftmost character of the tentative name is flashing, press the [MARGIN RESET/CLR] key  
repeatedly to delete the name. Then, enter the desired alphanumeric characters using the nu-  
meric keys or the jog dial.  
When using the numeric keys, the editing point (flashing point) moves by pressing any of the  
numeric keys after entering a character. When using the jog dial, you can move the editing point  
by using the [SKIP/CURSOR] ([|<<] and [>>|]) keys.  
5. Press the [ENTER/YES] key again.  
The display changes to show "Format Md?" with flashing "Norm". You can select the format mode  
between "Norm" (Normal) and "Tape" using the jog dial.  
See "Formatting a DVD-RAM disk" in "Chapter 1 Before using the DV40" for details about the format mode.  
Flashing  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
6. Select the format mode and press the [ENTER/YES] key.  
Depending on the format mode selected, the display shows as follows.  
• When selecting "Tape":  
• When selecting "Norm":  
The display shows "DiskType?" with flashing "New"  
for selecting disk type. Select "Used" using the  
jog dial, and then go to the next step.  
The display scrolls "If enter key is pushed, will  
start formatting and delete DVD area data. Are  
you sure?".  
Flashing  
BIT  
BIT  
24  
24  
1
1
FS  
48  
FS  
48  
2
kHz  
2
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
60  
50  
42 34 28  
2018  
12  
8
-0.1%  
6
5
4
3
2
1
0
OL  
FORMAT  
BWF  
FORMAT  
BWF  
If you select “Normal”, go to the next step after the message above is shown.  
When selecting “Tape”, select “New” or “Used” using the jog dial, and then press the [ENTER/YES] key.  
Go to the next step after the same message as above (shown when selecting “Norm”) is shown.  
<Note>  
When a used disk previously formatted in the Tape mode is reformatted in the Tape mode by  
selecting "New" for the disk type, the "Tape mode" file data is not erased (while "Normal mode" files  
are erased).  
Therefore, if you record a new material to the old "Tape mode" file, new and old materials may  
exist together.  
To erase all sound data when reformatting a disk in the Tape mode, make sure to select "Used" for  
the disk type.  
Tips: Special usage of "New"  
In general, "New" for the disk type is selected when formatting a new DVD-RAM disk.  
However, there is a special case. If you cannot playback a recorded "Tape mode" file for any  
reason, reformat the disk in the Tape mode by selecting "New" for the disk type.  
Audio data on the "Tape mode" file still remains after reformatting and can be played back cor-  
rectly.  
<Note>  
All the "Normal mode" files on the disk are erased.  
3-3  
7. Press the [ENTER/YES] key.  
• If you reformat the disk in the "Norm" mode, the formatting is completed quickly and "Fmt  
Completed!" is shown, followed by "No Audio Files!" showing that there is no audio file on the disk.  
LTC  
H
M
S
F
PGM  
BIT  
24  
48  
BIT  
24  
48  
1
2
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
FORMAT  
BWF  
• If you reformat a disk in the "Tape" mode with "Disk Type?" set to "Used", it takes some time for  
formatting. The display counts down the unformatted area as the format is in progress.  
When the format is completed, "Fmt Completed!" is shown, followed by the beginning of the "Tape  
mode" audio file ("BWF" or "SDII").  
REMAIN  
MB  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
3
4
BIT  
24  
48  
1
FS  
kHz  
2
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
BIT  
24  
48  
1
2
BIT  
24  
48  
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
SDII  
“BWF” audio file  
“SDII” audio file  
3-4  
Optimizing a disk  
By optimizing a used disk, the deleted files are completely erased and you can reserve maxi-  
mum free block space of the disk.  
<Note>  
After optimizing a disk, you cannot restore a deleted file.  
<Note>  
Before optimizing, make sure that the DVD-RAM disk is not write-protected.  
If it is write-protected, you cannot optimize the disk.  
1. While stopped, press the [SHIFT] key to turn on the indicator.  
2. Press the [SETUP] key.  
The unit enters the Utility mode and the display shows a setting menu.  
3. Use the jog dial to select the "Optimize Disk?" menu and press the [ENTER/YES] key.  
The display scrolls the warning message.  
Flashing  
REMAIN  
MB  
BIT  
BIT  
24  
48  
24  
48  
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
-0.1%  
60  
50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL  
FORMAT  
BWF  
FORMAT  
BWF  
If you push ENTER key, will be unable to restore  
delete file!. Are you sure?  
4. Press the [ENTER/YES] key.  
The unit starts optimizing.  
The display counts down the number as optimizing is in progress.  
When optimizing is completed, "Completed!" is shown.  
The number is counted down as optimizing is in progress.  
REMAIN  
%
REMAIN  
MB  
BIT  
BIT  
24  
48  
24  
48  
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
12  
8
-0.1%  
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
FORMAT  
BWF  
5. Press the [EXIT/NO] (or [STOP]) key.  
The unit quits the Utility mode and the display shows the previous screen before entering the Utility  
mode.  
3-5  
Chapter 4  
Audio recording/playback  
This chapter describes the basic audio recording/playback (for both analog and digital),  
mute recording, slate tone recording, cueing by the jog/shuttle mode, etc.  
• About the expression for audio files in this manual  
As described in chapter 1, there are two types of audio file; "Normal mode" audio file and "Tape mode" audio  
file. "Tape mode" audio file is rather special and can be created only when formatting. The following descrip-  
tions are mainly associated with a "Normal mode" audio file, therefore, a "Normal mode audio file" is some-  
times referred to as "audio file" in this manual.  
About the NEW FILE and INSERT mode  
There are two recording modes; NEW FILE and INSERT modes.  
• NEW FILE mode:  
When performing recording in the NEW FILE mode, a new audio file is created automatically. The  
recording is made from the beginning (ABS 0) of the new file, even if there is another audio file on the  
disk.  
• INSERT mode  
By recording to an existing file in the INSERT mode, you can replace the current audio data with new  
one or add new audio data to the current one. When recording to a “Tape mode” audio file, always use  
the INSERT mode.  
Recording/playback capabilities depending on the recording conditions (Fs/Bit/Track)  
The table below shows the recording and playback capabilities depending on the recording conditions  
(Fs, Bit length and the number of tracks) and the DVD-RAM disk capacity.  
<Recording capabilities>  
<Playback capabilities>  
4.7GB DVD  
4.7GB DVD  
Recording conditions  
44.1kHz/16Bit Mono  
48kHz/16Bit Mono  
Recording conditions  
44.1kHz/16Bit Mono  
48kHz/16Bit Mono  
44.1kHz/24Bit Mono  
48kHz/24Bit Mono  
44.1kHz/24Bit Mono  
48kHz/24Bit Mono  
88.2kHz/24Bit Mono  
96kHz/24Bit Mono  
88.2kHz/24Bit Mono  
96kHz/24Bit Mono  
176.4kHz/24Bit Mono  
192kHz/24Bit Mono  
44.1kHz/16Bit Stereo  
48kHz/16Bit Stereo  
44.1kHz/24Bit Stereo  
48kHz/24Bit Stereo  
88.2kHz/24Bit Stereo  
96kHz/24Bit Stereo  
176.4kHz/24Bit Stereo  
192kHz/24Bit Stereo  
44.1kHz/16Bit Multi (4)  
48kHz/16Bit Multi (4)  
44.1kHz/24Bit Multi (4)  
48kHz/24Bit Multi (4)  
88.2kHz/24Bit Multi (4)  
96kHz/24Bit Multi (4)  
176.4kHz/24Bit Multi (4)  
192kHz/24Bit Multi (4)  
176.4kHz/24Bit Mono  
192kHz/24Bit Mono  
44.1kHz/16Bit Stereo  
48kHz/16Bit Stereo  
44.1kHz/24Bit Stereo  
48kHz/24Bit Stereo  
88.2kHz/24Bit Stereo  
96kHz/24Bit Stereo  
176.4kHz/24Bit Stereo  
192kHz/24Bit Stereo  
44.1kHz/16Bit Multi (4)  
48kHz/16Bit Multi (4)  
44.1kHz/24Bit Multi (4)  
48kHz/24Bit Multi (4)  
88.2kHz/24Bit Multi (4)  
96kHz/24Bit Multi (4)  
176.4kHz/24Bit Multi (4)  
192kHz/24Bit Multi (4)  
X
X
X
X
: Verify Write: OFF  
4-2  
Recording an analog source in the NEW FILE mode  
When performing recording in the NEW FILE mode, an audio file is newly created automati-  
cally and the recording is made from the beginning (ABS 0) of the new file. Note that you  
cannot record to a "Tape mode" file or an existing "Normal mode" file in the NEW FILE mode.  
In the following description, we assume that we are going to record an analog audio source in  
stereo to a DVD-RAM disk just after formatted in the Normal mode.  
<Note>  
The first time you make recording to a disk just after formatted, the maximum recording size of  
the audio file to be created is 2GB (the maximum recording time depends on the track mode and  
Fs/bit settings). If the recording size exceeds 2GB during recording, the DV40 automatically stops  
recording.  
Preparation  
Connection to external devices  
1. Connect the external source outputs to the [TR 1] and [TR 2] connectors of the [ANALOG INPUT  
BALANCED] section of the unit.  
The connectors used varies depending on the track mode setting.  
2. Select the Input level switches appropriately according to the source output level.  
3. Connect a pair of monitor speakers with built-in amplifiers or an amplifier/speaker system to the [TR  
1] and [TR 2] connectors of the [ANALOG OUTPUT] section of the unit.  
Use either of BAL or UNBAL connectors according to the inputs of the monitor device.  
External Analog Audio Equipment  
Analog Audio Signal  
ANALOG INPUT BALANCED  
TR3  
TIME CODE  
INPUT  
ETHERNET  
FAN  
ANALOG OUTPUT  
BAL [+4dBu]TR3  
DIGITAL INPUT  
TR4-3  
VIDEO  
TR2-1  
TR1  
TR1  
BAL [+4dBu]  
TR1  
TR2  
INPUT  
THRU  
75  
ON OFF  
LO HI  
DIGITAL OUTPUT  
WORD  
TR4-3  
TR2  
TR2-1  
TR1  
THRU  
UNBAL  
[-10dBV]  
UNBAL  
INPUT  
THRU  
OUTPUT  
+4dBu  
+4dBu  
10/100  
LINK  
75Ω  
ON OFF  
-10dBV  
-10dBV  
[-10dBV]  
BAL [+4dBu] TR2  
BAL [+4dBu]  
TR4  
TR2  
TR4  
TX/RX  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
OUTPUT  
AC IN  
GPI  
OUTPUT  
INPUT  
15P-REMOTE  
9P-REMOTE  
UNBAL  
[-10dBV]  
UNBAL  
[-10dBV]  
+4dBu  
+4dBu  
-10dBV  
-10dBV  
1: GND  
2: HOT  
3: COLD  
1: GND 2: HOT 3: COLD  
1: GND 2: HOT 3: COLD  
4-3  
Preparation for recording  
7 9  
DVD MASTER RECORDER  
OPEN/CLOSE  
SKIP/CURSOR  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
LTC  
H
M
S
F
UTILITY  
SHIFT  
DIRECTORY  
DISP  
PGM  
LEVEL  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
MARGIN  
RESET  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
-
+
DRIVE  
TAPE MODE  
PLAY  
CHASE  
LIST PLAY  
EDIT  
CLR  
OUT  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
TC SETUP  
REWIND  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
1
4
7
2
5
8
3
6
9
RECORD  
STOP  
F
FWD  
MNO  
TONE REC  
TC RDY  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
PQRS  
TUV  
WXYZ  
AUDIO EDIT UNDO  
LOCATE  
symbol  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
STORE  
HOLD  
0
0
MONO  
TR4  
TR3  
TR2  
TR1  
176.4  
192  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
TR1,3+2,4  
TR3+4  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
TR1+2  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
MIN  
MAX  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
PHONES  
INPUT  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
TR MODE  
KEYBOARD  
MOUSE  
CONTROL  
AUDIO FILE  
1
2
4
5
6
3
9
8
1. Set the [CONTROL] switch to "LOCAL".  
2. Set the [AUDIO FILE] switch to "BWF" or "SDII" appropriately.  
When starting recording, an audio file with the selected file format is automatically created.  
3. Set the [INPUT] switch to "ANALOG".  
4. Set the [TR MODE] switch to "STEREO".  
5. Set the [SAMPLING FREQ] switch to the desired Fs/Bit position.  
6. Set the [CLOCK] switch to "INT".  
7. Press the [AUDIO RDY - NEW FILE] key to select the NEW FILE mode (the NEW FILE indicator is lit).  
If you wish to record time code simultaneously, press the [TC RDY] key to turn on the indicator.  
See "Chapter 5:Time code recording" for details about time code recording.  
8. Connect a pair of headphones to the [PHONES] jack, and set the monitor track select switch to "TR1  
+TR2" position.  
9. Press the [INPUT MON] key to turn on the indicator, and use the [INPUT LEVEL] (TR 1 andTR 2)  
controls to adjust the input levels of tracks 1 and 2.  
See "Tips" below for details about the input level adjustment.  
Even though you press the [INPUT MON] key to turn off the indicator after adjusting levels, the  
monitor source automatically switches to the input source during recording.  
From the "Auto EE MD?" menu in the Setup mode to "On" (which is defaulted to "Off"), you can set the  
condition in which the input source can be monitored automatically. See "Chapter 15: Setup mode".  
Tips: [BYPASS] switch  
By setting the [BYPASS] switches beside the INPUT LEVEL controls to "ON", the INPUT LEVEL  
controls are disabled.  
4-4  
Recording  
1. Press the [RECORD] key.  
"New File!" appears for a short time on the display and the unit starts recording on the newly created  
file with the file format set in the procedure described in the previous "Preparation for recording".  
A tentative title of the newly created audio file is automatically created and registered. The tentative  
title contains date/time information. In the following example, the tentative title shows that the  
recording started at 18H: 30M: 00S on 24th, December, 2001. The date/time is based on the internal  
clock, which should be adjusted before using the unit. (See "Setting the internal clock" in Chapter 1  
for details about how to set internal clock.)  
You can edit the tentative title using the "Edit File Name?" menu in the Utility mode.  
Tentative title  
The leftmost “B” shows  
LTC  
that the file is “BWF”.  
File number  
H
M
S
F
PGM  
0 OL  
The appropriate tracks  
according to the [TR  
MODE] switch setting is  
lit.  
BIT  
24  
48  
1
2
The appropriate Bit and  
Fs numbers according to  
the [SAMPLING FREQ]  
switch setting is lit.  
FS  
kHz  
CLOCK  
-INT-  
8
-0.1%  
60  
50 42 34 28  
2018  
12  
6
5
4
3
2
1
FORMAT  
BWF  
The appropriate file format according to  
the [AUDIO FILE] switch setting is lit.  
Tips: File number for a newly created file  
Audio files automatically created are internally counted independently by "BWF" and "SDII" files.  
For example, if you make recordings twice to a disk on which no audio file is available by setting the [AUDIO  
FILE] switch to "BWF", two "BWF" files are created, whose file numbers are "001" and "002". Then if you make  
a recording to this disk by setting the [AUDIO FILE] switch to "SDII", the file number of the newly created file  
is "001". In result, two BWF files and one SDII file are created. A new file number is one greater than the  
number of existing files of the same file format.  
2. After recording, press the [STOP] key to stop the unit.  
See the next page for details about how to playback a recorded audio file.  
Tips: Recording level adjustment of analog audio signals  
Each level meter on the display holds peak value of the corresponding input signal (see the display example  
below).  
The peak hold time is initially set to 3 seconds, however, you can select the time among from 0 to 9 seconds  
in 1 second steps and infinity using the "Peak Hold?" menu in the Setup mode. See "Chapter 15: Setup mode"  
for details.  
You can also check the margin between the allowable maximum input level (= 0 dB) and the actual loudest  
level. The margin value (in dB) is updated each time when the loudest signal is fed to the unit.  
So you can use the margin display function instead of setting the peak hold time to infinity. You can reset the  
current margin value by pressing the [MARGIN RESET/CLR] key.  
Using the [DISP LEVEL] key, you can choose what is shown on the display among the margin level, track level  
and time.  
Notes for level adjustment:  
ABS  
• Set the recording level with the [INPUT MON]  
H
M
S
F
indicator lit.  
PGM  
BIT  
24  
48  
1
2
• Adjust the recording level using the [INPUT  
LEVEL] control so that the "OL" indicator does  
not light at the loudest part of the signal (i.e.  
the margin value is larger than 00.0 dB).  
If the input signal is too high, it clips at the  
full scale level.  
FS  
kHz  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0 OL -0.1%  
FORMAT  
BWF  
the peak value is hold.  
4-5  
Playback of recorded audio  
To check the recorded audio file after recording, follow the procedure below.  
1. While holding down the [STOP] key, press the [REWIND] key.  
The unit immediately locates to the beginning of the audio file.  
2. Press the [PLAY] key to start playback from the beginning of the audio file.  
3. Monitor the playback audio via headphones or a monitor system.  
If the analog outputs are connected to a mixing console, adjust the monitor level using the control of  
the console. When the playback position reaches to the end of the audio file, the unit automatically  
stops.  
Tips:  
After the audio file is recorded in the NEW FILE mode, you can overwrite the file or make recording following  
the end of the file. See page 4-7 for details about the INSERT mode.  
You can create an audio file before recording.  
As explained earlier, when making recording in the NEW FILE mode, a new audio file is created on the  
disk. Therefore, each time you make recording in the NEW FILE mode, the number of audio files in-  
creases by one. However, you can create a new audio file before making recording regardless of whether  
"No Audio Files!" is shown or any audio file is already created. Note that you can only make recording to  
the existing file in the INSERT mode described later. To create an audio files before making recording,  
follow the procedure below.  
1. Set the [AUDIO FILE], [TR MODE] and [SAMPLING FREQ] switches to the desired positions.  
<Note>  
A new file will be created with the appropriate audio file format, track mode and sampling frequency/bit  
length combination according to the switch settings.  
2. Press the [FILE SEL] key.  
• When "No Audio Files!" is shown (i.e. there is no audio file on the disk), pressing the key brings up  
"New File?" with flashing "001" on the display.  
Flashing  
H
M
S
F
ABS  
PGM  
• If any audio file exists, the audio file number currently selected starts flashing.  
By rotating the jog dial in this condition, you can bring up "New File?" with flashing "**" on the display  
(where "***" is one greater than the number of the existing audio files).  
In the display examples on the right, the number "001" file is selected. The new file number is "003",  
because two audio files exist on the disk.  
Flashing  
LTC  
H
M
S
F
PGM  
PGM  
NEXT  
Flashing  
3. Press the [ENTER/YES] key.  
A new file is created and selected. The display shows the tentative title of the newly created file with  
"LTC" time. You can make recording in the INSERT mode to an audio file created before recording.  
You can also give a desired file title to the created file, or delete unnecessary files.  
See "Chapter 9: Audio file management" for details.  
<Note>  
If you create a new audio file when one or more audio files are available, the file number is counted indepen-  
dently by "BWF" and "SDII" files. For example, if you create an "SDII" file to a disk on which three "BWF" audio  
files are available, the file number of the created "SDII" file is "001".  
Therefore, when selecting a desired audio file from among more than one file, you must set the [AUDIO FILE]  
switch appropriately. See "Selecting a desired file on a disk" on page 4-9 for details.  
4-6  
Recording an analog source in the INSERT mode  
In the INSERT mode, recording is made to an existing audio file. You can overwrite the file from the  
beginning or in the middle of the file, as well as make recording following the end of the file.  
In the following description, as with the earlier description in “Recording an analog source in the NEW FILE  
mode”, we assume that we are going to record an external stereo analog audio source from the [ANALOG  
INPUT -TR1] and [ANALOG INPUT - 2] connectors to a DVD-RAM disk loaded in the tray.  
We also assume to perform recording from the end point of the current audio file.  
Tips:  
In the INSERT mode, recording is made to an existing audio file. Therefore, set the [AUDIO FILE], [TR  
MODE] and [SAMPLING FREQ] switches to the appropriate positions that match the audio file.  
If you set any of these switches inappropriately, the switch position name flashes on the display for  
warning.  
• Preparation for recording  
7
4 6  
DVD MASTER RECORDER  
OPEN/CLOSE  
SKIP/CURSOR  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
LTC  
H
M
S
F
UTILITY  
SHIFT  
DIRECTORY  
DISP  
PGM  
LEVEL  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
MARGIN  
RESET  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
-
+
DRIVE  
TAPE MODE  
CHASE  
LIST PLAY  
EDIT  
CLR  
OUT  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
TC SETUP  
REWIND  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
1
4
7
2
5
8
3
6
9
RECORD  
STOP  
PLAY  
F
FWD  
MNO  
TONE REC  
TC RDY  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
PQRS  
TUV  
WXYZ  
AUDIO EDIT UNDO  
LOCATE  
symbol  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
STORE  
HOLD  
0
0
MONO  
TR4  
TR3  
TR2  
TR1  
176.4  
192  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
TR1,3+2,4  
TR3+4  
TR1+2  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
MIN  
MAX  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
PHONES  
INPUT  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
TR MODE  
KEYBOARD  
MOUSE  
CONTROL  
AUDIO FILE  
1
3
2
6
5
1. Set the [CONTROL] select switch to "LOCAL".  
2. Set the [INPUT] select switch to "ANALOG".  
3. Set the [CLOCK] select switch to “INT”.  
4. Press the [AUDIO READY - INSERT] key to turn on the INSERT indicator.  
If you want to record a time code simultaneously, press the [TC RDY] key to turn on the indicator.  
See "Chapter 5:Time code recording" for details about time code recording.  
5. Connect a pair of headphones to the [PHONES] jack, and set the monitor track selection switch to  
"TR 1/TR 2".  
6. Press the [INPUT MON] key to turn on the indicator, and use the [INPUT LEVEL] (TR 1 andTR 2)  
controls to adjust the input levels of tracks 1 and 2.  
See "Tips" on page 4-5 for details about the input level adjustment.  
7. Press the [F FWD] key while holding down the [STOP] key.  
The recorder skips to the recording end point.  
• Recording  
1. Press the [RECORD] key.  
The recorder starts recording from the end point of the current file.  
2. After recording, press the [STOP] key to stop the unit.  
Play back and check the recorded sound. If you are not satisfied with the result, use the multiple  
undo function to go back to the previous condition and make recording again.  
4-7  
Multiple-undo function  
To undo recording, use the multiple-undo function.  
Tips:  
The history of takes starts by the date/time when the file was created, followed by the ending date/time of each  
recording take, as illustrated below. By selecting the desired history event and performing the undo function,  
you can recall the desired take.  
date/time of  
take-3 end point  
date/time of  
take-1 end point take-2 end point  
date/time of  
date/time of  
take-4 end point  
date/time when  
the file created  
Time  
<Notes for performing the multiple-undo function>  
• You cannot undo recording on a "Tape mode" audio file.  
• The ending date/time of each take is memorized based on the internal clock, therefore, it is important to  
adjust the date/time of the internal clock correctly.  
• The unit keeps all takes on the disk in order to make the multiple-undo function for all takes of the current  
audio file possible, therefore, the remaining disk space gets smaller each time you record another take.  
To release the unnecessary take history (= undo file), use the “Release Undo File?” menu in the Utility mode.  
See “Chapter 16: Utility mode” for details.  
1. Press the [UNDO] key.  
The display changes to show "Select History?", as below.  
The history keeps the date/time when the file was created and the ending date/time of each  
recording take.  
Flashing  
DATE  
Y
M
D
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
2. Select the desired event from the history using the [JOG] dial (or the [SKIP/CURSOR] |<</>>| keys),  
and press the [ENTER/YES] key.  
After the first take has been completed, if you wish to return to the condition before recording, select  
the date/time when the file was created.  
"Multi Undo!" appears for a short time on the display, followed by "Undo Completed!", showing that the  
undo operation is completed. The display changes to show the beginning of the audio file.  
4-8  
Selecting a desired file on a disk  
When there is more than one audio file (regardless of "BWF" or "SDII") on a disk, you can select a desired  
file using the file select function, or using the [SKIP/CURSOR] [I<<]/[>>I] keys if the “skip mode” menu is set  
to “File”.  
The following describes how to select an audio file using the file select function. See "Chapter 9: Audio file  
management" for details about how to select an audio file in the skip mode.  
The following assumes that there are five "BWF" and three "SDII" files on the disk.  
Tips:  
When setting a disk that contains both "BWF" and "SDII" audio files, the "001" file of the type ("BWF" and/or  
"SDII") set by the AUDIO FILE switch is selected.  
To select a file of the same file type  
Follow the procedure below.  
1. Press the [FILE SEL] key while stopped.  
The current file number starts flashing.  
2. Rotate the jog dial to select a desired file number, and press the [ENTER/YES] key.  
You can select from among files of the same file type. For example, if "001" of the five "BWF" files is  
currently selected, you can select among "001" through "005", as well as flashing "New File?" which  
appears by rotating the jog dial fully clockwise. As explained earlier, "New File?" should be selected  
when you create a new audio file.  
After selecting the desired file number, pressing the [ENTER/YES] key switches the current audio file  
to the selected one, and the display shows the beginning of the file.  
To select a file of the different file type  
Follow the procedure below.  
1. Set the [AUDIO FILE] switch to the desired position.  
For example, if you want to select an "SDII" file when a "BWF" file is currently selected, set the [AUDIO  
FILE] switch to "SDII".  
In the "FORMAT" section on the display, "BWF" is lit while "SDII" flashes.  
2. Press the [FILE SEL] key while stopped.  
The current file number starts flashing.  
3. Rotate the jog dial to select a desired file number, and press the [ENTER/YES] key.  
You can select from among files of the selected file type in step 1 above. For example, if selecting from  
among "SDII" files, you can select among "001" through "003", as well as flashing "New File?" which  
appears by rotating the jog dial fully clockwise. As explained earlier, "New File?" should be selected  
when you create a new audio file.  
After selecting the desired file number, pressing the [ENTER/YES] key switches the current audio file  
to the selected one, and the display shows the beginning of the file.  
<Note>  
When selecting an audio file, the track mode or Fs/bit shown on the display may flashes. This shows that the  
position of the [TR MODE] or [SAMPLING FREQ] switch does not match the selected file. In such a case, set the  
switch appropriately to match the file.  
Tips:  
See "Chapter 9: Audio file management" for details about how to create, select, delete an audio file or how to edit  
a file name.  
4-9  
Recording to a "Tape mode" audio file in the INSERT mode  
You can record to a "Tape mode" audio file only in the INSERT mode.  
If an accident may happens, such as a sudden power failure or shutdown of the unit, recorded data on  
a "Tape mode" audio file will survive. Therefore, it will be suitable for live recording or preserving data  
for a long period of time.  
<Note>  
• When formatting a disk in the Tape mode, two "Tape mode" audio files are created automatically.  
Unlike a "Normal mode" audio file, you cannot create more than one "Tape mode" audio file on a disk.  
however, note that you can create "Normal mode" audio files on a disk formatted in the Tape mode. (See the  
next page.)  
• You cannot undo a recording to a "Tape mode" file. If you press the [UNDO] key, "History File Non" is shown  
on the display and the key operation is ineffective.  
• When "Rec Protect" menu in the Utility mode is set to "ON", you cannot make recording. See "Chapter 16:  
Utility mode" for details about how to release the protection.  
You can record up to 2-GB audio data to a “Tape mode” audio file. The recorder automatically stops when it  
elapses the maximum recording time. You can check the maximum recording time by pressing the [F FWD]  
key while holding down the [STOP] key.  
You can record to a "Tape mode" audio file when either one of the displays below is shown.  
The recording procedure is same as described in "Recording an analog source in the INSERT mode" on page  
4-7.  
"SDII" audio file (file No.: 001)  
"BWF" audio file (file No.: 001)  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
BIT  
BIT  
24  
48  
24  
48  
1
2
1
2
or  
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
-0.1%  
60  
50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL  
FORMAT  
BWF  
SDII  
"SDII" audio file (file No.: 002)  
"BWF" audio file (file No.: 002)  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
BIT  
BIT  
24  
48  
24  
48  
or  
1
2
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
12  
8
50 42 34 28  
2018  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL  
60  
6
5
4
3
2
1
0
OL  
FORMAT  
BWF  
FORMAT  
SDII  
4-10  
Creating a "Normal mode" audio file on a disk formatted in theTape mode  
Two "Tape mode" audio files of approximately 2.0GB size are created on a disk formatted in the Tape  
mode, spending 4GB disk space. Therefore, in the remaining 0.7GB space, you can create "Normal mode"  
audio files.  
1. While a "Tape mode" audio file is selected, press the [FILE SEL] key.  
The current "Tape mode" file number flashes.  
2. Rotate the [JOG] dial to show "New File?" with the flashing file number.  
Depending on whether you change the [AUDIO FILE] switch setting or not before pressing the [FILE  
SEL] key, the file number shown is different.  
The following assumes that the current "Tape mode" file is "BWF".  
• When the [AUDIO FILE] switch is not changed (set to "BWF"):  
"003" is shown, because a new "Normal mode" file is the third "BWF" file on the disk.  
LTC  
H
M
S
F
PGM  
Flashing  
Flashing  
• When the [AUDIO FILE] switch is changed (set to "SDII"):  
"001" is shown, because a new "Normal mode" file is the first "SDII" file on the disk.  
LTC  
H
M
S
F
PGM  
Flashing  
3. Press the [ENTER/YES] key.  
A new "Normal mode" file is created.  
Tips:  
If more than one “Normal mode” audio file is created on a disk formatted in the Tape mode and any “Normal  
mode” audio file is currently selected, you can make recording in either the “NEW FILE” or “INSERT mode”.  
To select a desired audio file in the disk formatted in theTape mode  
Follow the same procedure as describe in "Selecting a desired file on a disk" on page 4-9.  
<Note>  
When loading a disk formatted in the Tape mode to the disk tray, the “001” audio file with the same type as  
[AUDIO FILE] switch setting (BWF or SDII) is selected.  
For example, if you load a disk which contains both “Tape mode” BWF and “Normal mode” SDII files, with the  
[AUDIO FILE] switch set to “SDII”, the latter is selected.  
4-11  
Recording a digital source in the NEW FILE mode  
The following describes how to record a digital source in the NEW FILE mode.  
In the same way as recording an analog source, you can record a digital source in the NEW FILE mode to  
a disk formatted in the Normal mode.  
We assume that we are going to record a digital audio source in stereo.  
<Note>  
The first time you make recording to a disk just after formatted, the maximum recording size of  
the audio file to be created is 2GB (the maximum recording time depends on the track mode and  
Fs/bit settings). If the recording size exceeds 2GB during recording, the DV40 automatically stops  
recording.  
Preparation  
Connection to external devices  
1. Connect the external digital source outputs to the [TR2-1] of the [DIGITAL INPUT] section of the unit.  
Channels L and R of the source are assigned to tracks 1 and 2 of the unit respectively.  
The digital input signal format (AES/EBU or S/P DIF) is automatically recognized.  
<Note>  
When receiving a stereo digital signal with 176.4 kHz or 192 kHz Fs, connect channels L and R of the source  
to [TR2-1] and [TR4-3] of the [DIGITAL INPUT] section respectively.  
2. Connect a pair of monitor speakers with built-in amplifiers or an amplifier/speaker system to the [TR  
1] and [TR 2] connectors of the [ANALOG OUTPUT] section of the unit.  
3. If you want to lock the unit to a word or video signal, feed an appropriate external clock signal to the  
[WORD IN] or [VIDEO IN].  
External Digital Device  
Word Clock  
or  
Video sync  
Digital Signal  
(AES/EBU or S/P DIF)  
ANALOG INPUT BALANCED  
TR3  
TIME CODE  
INPUT  
ETHERNET  
FAN  
ANALOG OUTPUT  
BAL [+4dBu]TR3  
DIGITAL INPUT  
TR4-3  
VIDEO  
TR2-1  
TR1  
TR1  
BAL [+4dBu]  
TR1  
TR2  
INPUT  
THRU  
75  
ON OFF  
LO HI  
DIGITAL OUTPUT  
WORD  
TR4-3  
TR2  
TR2-1  
TR1  
THRU  
UNBAL  
[-10dBV]  
UNBAL  
INPUT  
THRU  
OUTPUT  
+4dBu  
+4dBu  
10/100  
LINK  
75Ω  
ON OFF  
-10dBV  
-10dBV  
[-10dBV]  
BAL [+4dBu] TR2  
BAL [+4dBu]  
TR4  
TR2  
TR4  
TX/RX  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
OUTPUT  
AC IN  
GPI  
OUTPUT  
INPUT  
15P-REMOTE  
9P-REMOTE  
UNBAL  
[-10dBV]  
UNBAL  
[-10dBV]  
+4dBu  
+4dBu  
-10dBV  
-10dBV  
1: GND  
2: HOT  
3: COLD  
1: GND 2: HOT 3: COLD  
1: GND 2: HOT 3: COLD  
4-12  
Preparation for recording  
8
10  
5
DVD MASTER RECORDER  
OPEN/CLOSE  
SKIP/CURSOR  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
LTC  
H
M
S
F
UTILITY  
SHIFT  
DIRECTORY  
DISP  
PGM  
LEVEL  
BIT  
24  
1
2
FS  
kHz  
48 96  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
MARGIN  
RESET  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
-
+
DRIVE  
TAPE MODE  
PLAY  
CHASE  
LIST PLAY  
EDIT  
CLR  
OUT  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
TC SETUP  
REWIND  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
1
4
7
2
5
8
3
6
9
RECORD  
STOP  
F
FWD  
MNO  
TONE REC  
TC RDY  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
PQRS  
TUV  
WXYZ  
AUDIO EDIT UNDO  
LOCATE  
symbol  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
STORE  
HOLD  
0
0
MONO  
TR4  
TR3  
TR2  
TR1  
176.4  
192  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
TR1,3+2,4  
TR3+4  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
TR1+2  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
MIN  
MAX  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
PHONES  
INPUT  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
TR MODE  
KEYBOARD  
MOUSE  
CONTROL  
AUDIO FILE  
1
7
2
4
6
3
9
1. Set the [CONTROL] switch to "LOCAL".  
2. Set the [AUDIO FILE] switch to "BWF" or "SDII" appropriately.  
When starting recording, an audio file with the selected file format is automatically created.  
3. Set the [INPUT] switch to "DIGITAL".  
"DIGITAL" is shown on the display. It lights steadily or flashes depending on whether the appropriate  
digital signal is fed or not.  
4. Set the [TR MODE] switch to "STEREO".  
5. Select the digital input tracks using the "D. INTr?" menu in the Setup mode, if necessary.  
The "D. INTr?" menu is initially set to "Auto", in which the track numbers correspond to the input  
numbers. See "Chapter 15: Setup mode" for details about the "D. IN Tr?" menu.  
6. Set the [SAMPLING FREQ] switch to the desired Fs/Bit position.  
7. Set the [CLOCK] switch to "DIGITAL".  
"DIGITAL" and "-EXT-" light up in the "CLOCK" section on the display, showing that the system clock is  
derived from the digital input signal.  
If you wish to make the unit slaved to a video or word clock, select the [CLOCK] switch to "VIDEO" or  
"WORD" appropriately.  
8. Press the [AUDIO RDY - NEW FILE] key to select the NEW FILE mode (the NEW FILE indicator is lit).  
If you wish to record time code simultaneously, press the [TC RDY] key to turn on the indicator.  
See "Chapter 5:Time code recording" for details about time code recording.  
9. Connect a pair of headphones to the [PHONES] jack, and set the monitor track select switch to "TR1  
+TR2" position.  
10. Press the [INPUT MON] key to turn on the indicator.  
You do not need to adjust the input level for digital recording.  
You can check digital input levels from the level meters by activating the input monitor mode.  
Recording  
1. Press the [RECORD] key.  
"New File!" appears for a short time on the display and the unit starts recording on the newly created  
file.  
2. After recording, press the [STOP] key to stop the unit.  
If you are not satisfied with the result, undo the recording.  
4-13  
Recording a digital source in the INSERT mode  
In the following description, we assume to perform recording from the end point of the cur-  
rent audio file, as in the description of the “Recording an analog source in the INSERT mode”  
described earlier.  
Tips:  
In the INSERT mode, recording is made to an existing audio file. Therefore, set the [AUDIO FILE], [TR MODE] and  
[SAMPLING FREQ] switches to the appropriate positions that match the audio file.  
If you set any of these switches inappropriately, the switch position name flashes on the display for warning.  
• Preparation for recording  
7
8
3
DVD MASTER RECORDER  
OPEN/CLOSE  
SKIP/CURSOR  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
LTC  
H
M
S
F
UTILITY  
SHIFT  
DIRECTORY  
DISP  
PGM  
LEVEL  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
MARGIN  
RESET  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
-
+
DRIVE  
TAPE MODE  
PLAY  
CHASE  
LIST PLAY  
EDIT  
CLR  
OUT  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
TC SETUP  
REWIND  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
1
4
7
2
5
8
3
6
9
RECORD  
STOP  
F
FWD  
TONE REC  
TC RDY  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
PQRS  
TUV  
AUDIO EDIT UNDO  
LOCATE  
symbol  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
STORE  
HOLD  
0
0
MONO  
TR4  
TR3  
TR2  
TR1  
176.4  
192  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
TR1,3+2,4  
TR3+4  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
TR1+2  
(kHz)  
STEREO  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
MIN  
MAX  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
PHONES  
INPUT  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
TR MODE  
KEYBOARD  
MOUSE  
CONTROL  
AUDIO FILE  
1
4
2
5
6
1. Set the [CONTROL] select switch to "LOCAL".  
2. Set the [INPUT] select switch to "DIGITAL".  
3. Select the digital input tracks using the "D. INTr?" menu in the Setup mode, if necessary.  
The "D. INTr?" menu is initially set to "Auto", in which the track numbers correspond to the input  
numbers. See "Chapter 15: Setup mode" for details about the "D. INTr?" menu.  
4. Set the [CLOCK] switch to "DIGITAL".  
"DIGITAL" and "-EXT-" light up in the "CLOCK" section on the display, showing that the system clock is  
derived from the digital input signal.  
If you wish to make the unit slaved to a video or word clock, select the [CLOCK] switch to "VIDEO" or  
"WORD" appropriately.  
5. Press the [AUDIO READY - INSERT] key to turn on the INSERT indicator.  
If you want to record time code simultaneously, press the [TC RDY] key to turn on the indicator.  
See "Chapter 5:Time code recording" for details about time code recording.  
6. Connect a pair of headphones to the [PHONES] jack, and set the monitor track selection switch to  
"TR 1/TR 2".  
7. Press the [INPUT MON] key to turn on the indicator.  
You do not need to adjust the input level for digital recording.  
You can check digital input levels from the level meters by activating the input monitor mode.  
8. Press the [F FWD] key while holding down the [STOP] key to move to the record end point.  
Recording  
1. Press the [RECORD] key.  
The unit starts recording.  
2. After recording, press the [STOP] key to stop the unit.  
If you are not satisfied with the result, undo the recording.  
4-14  
MUTE recording  
You can make mute recording while maintaining the continuity of the ABS time (or LTC), or  
insert a mute space at the beginning of an audio file or between songs.  
• Creating a mute space during recording  
You can create a mute space during audio recording (analog or digital) in both the NEW FILE and INSERT  
mode.  
The following description assumes that all preparation for recording is made.  
1. Press the [RECORD] key to start recording.  
2. Press and hold down the [MUTE] key from the desired position (the MUTE indicator is lit).  
The unit mutes recording.  
The headphones and analog outputs are also muted.  
3. To stop muting, release the [MUTE] key (the MUTE indicator turns off).  
The unit continues recording a signal.  
Press and hold down  
the [MUTE] key.  
Release the [MUTE] key.  
mute space  
Time  
Tips:  
Pressing the [MUTE] key during playback mutes all the (both analog and digital) audio outputs  
except the monitor outputs (PHONES and MON OUT).  
• Inserting a mute space at the beginning of an audio file or between songs  
You can insert a mute space at the beginning of an audio file or between songs while stopped. This  
operation is possible only in the INSERT mode.  
The following assumes that the audio file is stopped at the beginning or at the end of the last recording.  
1. Press the [AUDIO RDY - INSERT] key to turn on the INSERT indicator.  
2. Press the [SHIFT] key to turn on the SHIFT indicator.  
3. Press the [MUTE] key to turn on the MUTE indicator.  
The unit performs mute recording for a duration set by the "Mute time setting" menu in the Setup  
mode. The Mute time is initially set to 3 seconds.  
After finishing mute recording, the unit stops.  
See "Chapter 15: Setup mode" for details about the "Mute time setting" menu.  
ABS 0  
Inserting a mute space at the  
beginning of an audio file or  
mute space  
between songs  
Time  
ABS 0  
Recording end position  
Recording a mute space fol-  
lowed to the end point of the  
last recording.  
mute space  
Time  
4-15  
Slate tone function  
During playback or while stopped, you can feed the 1-kHz slate tone from all the outputs, as  
well as record the slate tone for a specified duration at the beginning of an audio file or  
between songs.  
• Feeding the slate tone  
1. Press and hold down the [SLATE TONE] key during playback or while stopped (the SLATETONE  
indicator is lit).  
While holding down the [SLATETONE] key, the 1-kHz slate tone is fed from all the (digital and  
analog) outputs of the unit.  
2. To stop feeding the tone, release the [SLATE TONE] key (the SLATE TONE indicator turns off).  
Tips:  
During recording, pressing and holding down the [SLATETONE] key records the slate tone for the  
duration.  
• Recording the slate tone at the beginning of an audio file or between songs  
You can insert the slate tone at the beginning of an audio file or between songs while stopped. This  
operation is possible only in the INSERT mode.  
The following assumes that the audio file is stopped at the beginning or at the end of the last recording.  
1. Press the [AUDIO RDY - INSERT] key to turn on the INSERT indicator.  
2. Press the [SHIFT] key to turn on the SHIFT indicator.  
3. Press the [SLATETONE] key to turn on the SLATE TONE indicator.  
The unit performs slate tone recording for a duration set by the "Slate tone time setting" menu in the  
Setup mode. The Slate tone time is initially set to 10 seconds.  
After finishing slate tone recording, the unit stops.  
See "Chapter 15: Setup mode" for details about the "Slate tone time setting" menu.  
ABS 0  
Inserting the slate tone at the  
beginning of an audio file or  
between songs  
SLATE TONE  
Time  
ABS 0  
Recording end point  
Recording the slate tone fol-  
lowed to the end point of the  
last recording.  
SLATE TONE  
Time  
4-16  
Cueing by the jog function  
You can cue audio sound using the jog function as if you operate an analog tape recorder.  
1. While stopped, press the [JOG] key (the JOG indicator lights up).  
The jog mode is active.  
The  
indicator above the jog dial lights up, showing that the recorder stills.  
2. Rotate the jog dial to cue audio.  
You can cue audio as if you are using an analog tape recorder.  
While cueing, the appropriate < or > indicator above the jog dial is lit according to the rotating  
direction.  
3. To quit the jog mode, press any of the transport keys (the [STOP] key, etc.).  
Cueing/high speed shuttle by the shuttle function  
Using the shuttle function, you can perform the shuttle cueing or the high-speed search.  
• Shuttle cueing  
1. Press the [SHUTTLE] key during playback (the SHUTTLE indicator lights up).  
The shuttle mode is active.  
The  
indicator light up, showing that the recorder stills.  
2. Rotate the jog dial to start cueing.  
You can cue forward or backward at a speed between 0 and twice the normal speed as if you are using  
an analog tape recorder.  
While cueing, the appropriate < or > indicator above the jog dial is lit according to the rotating  
direction.  
3. To quit the shuttle mode, press any of the transport keys (the [STOP] key, etc.).  
If the cueing position comes to the ABS 0 or REC END point, the recorder automatically quits the  
shuttle mode and stops.  
• High-speed search  
1. Press the [SHUTTLE] key while stopped (the SHUTTLE indicator lights up).  
The shuttle mode is active.  
The  
indicator light up and the recorder stills.  
2. Rotate the jog dial to start searching.  
You can search forward or backward at a speed between 0 and 32 times of the normal speed.  
While searching, the appropriate < or > indicator above the jog dial is lit according to the rotating  
direction.  
3. To quit the shuttle mode, press any of the transport keys (the [STOP] key, etc.).  
If the cueing position comes to the ABS 0 or REC END point, the recorder automatically quits the  
shuttle mode and stops.  
4-17  
Chapter 5  
Time code recording  
This chapter describes how to record time code generated by the internal time code  
generator or external time code.  
Time code recording  
The unit can be referenced to SMPTE/EBU time code. SMPTE time code is applied to countries  
adopting the NTSC television system, while EBU time code is applied to countries adopting the  
PAL/SECAM system.  
Selecting the recording mode  
Two methods are available for recording time code.  
• Recording time code together with audio simultaneously  
When recording audio and time code while creating a new file:  
Use the [NEW FILE] mode.  
When recording new time code to an existing file:  
Use the [INSERT] mode to record both audio and time code simultaneously.  
Selecting source time code  
Two time code sources to be recorded are available.  
• Time code generated by the internal time code generator.  
• External time code received from the [TIME CODE INPUT] connector.  
<Note>  
Actually, the DV40 records only the starting time of time code in the dedicated area and does not  
stripe it throughout a track. Therefore, recording time code does not consume the recording  
space of a disk.  
<Notes about recordable time code value>  
Normally you can stripe any time code values in 24 hours to a file.  
However, with a high-sampling “SDII” file, the recordable time code values are limited.  
5-2  
Recording time code generated by the internal time code generator  
You can record time code generated by the internal time code generator together with audio  
simultaneously.  
This section describes settings and operations for time code recording. See "Chapter 4: Audio re-  
cording/playback" for details about settings and operations for audio recording.  
The following description assumes that one of the [AUDIO RDY] key indicators ([NEW FILE] or  
[INSERT]) is lit.  
Settings of the DV40  
• Front panel switch settings  
4
4
DVD MASTER RECORDER  
OPEN/CLOSE  
SKIP/CURSOR  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
LTC  
H
M
S
F
UTILITY  
SHIFT  
DIRECTORY  
DISP  
PGM  
LEVEL  
BIT  
24  
48  
1
FS  
kHz  
2
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
MARGIN  
RESET  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
-
+
DRIVE  
TAPE MODE  
CHASE  
LIST PLAY  
CLR  
OUT  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
TC SETUP  
EDIT  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
1
4
7
2
5
8
3
6
9
RECORD  
STOP  
PLAY  
REWIND  
F
FWD  
TONE REC  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
PREVIEW  
TR3  
TR4  
TR1  
TR2  
TC RDY  
PQRS  
TUV  
AUDIO EDIT UNDO  
LOCATE  
symbol  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
STORE  
0
0
HOLD  
MONO  
TR4  
TR3  
TR2  
TR1  
176.4  
192  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
TR1,3+2,4  
TR3+4  
TR1+2  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
MIN  
MAX  
PHONES  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
INPUT  
TR MODE  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
KEYBOARD  
MOUSE  
CONTROL  
AUDIO FILE  
3
1
2
1. Set the [FRAME RATE] switch appropriately according to time code to be recorded.  
2. Set the [TC GEN MODE] switch appropriately according to the situation.  
24H RUN  
REC RUN  
Time code starts from the current time of the internal clock of the unit.  
When recording time code to a new file, the generator records time code from the value  
which continues to the last time code value of the previous audio file.  
Runs the internal generator by the free run mode, and records the current internal generator  
time as the start time.  
FREE RUN  
EXT RUN  
The external time code value is recorded as the start time.  
<Note>  
Unlike time code striped on an audio or video tape, time code on a disk is not striped from the  
beginning to the end. Only the offset between the ABS time and time code at the recording  
start point is recorded.  
Therefore, if you record a discontinuous time code value in the middle, the unit cannot recog-  
nize it. Also, the user bit when time code starts recording is valid throughout the time code, so  
the unit cannot handle the user bit that changes in the middle.  
3. Press the [TC RDY] key to arm the time code track.  
The TC RDY indicator is lit while "TC RDY" is shown on the display.  
4. After pressing the [SHIFT] key to make the SHIFT mode active, press the [CHASE/(TC SETUP)] key to  
enter theTC SETUP mode, then preset the internal time code generator time if necessary.  
See page 5-6 for details about how to preset the internal time code generator time.  
5-3  
Recording external time code  
You can record time code together with audio while synchronizing the unit to external time  
code generated by an external generator or striped on a video/audio tape, etc.  
This section describes settings and operations for time code recording. See "Chapter 4: Audio  
recording/playback" for details about settings and operations for audio recording.  
The following description assumes that one of the [AUDIO RDY] key indicators ([NEW FILE] or  
[INSERT]) is lit.  
Connection to external devices/Settings of the DV40  
• Connection to external devices  
1. Connect the [ANALOG IN] (or [DIGITAL IN]) connectors to the audio outputs of a VCR.  
2. Connect the [TIME CODE IN] connector to the time code output of a VCR.  
3. If the video reference is available, connect it to the video inputs of both a VCR and the DV40.  
Reference  
VTR  
External TC Generator  
ANALOG INPUT BALANCED  
TR3  
TIME CODE  
INPUT  
ETHERNET  
FAN  
ANALOG OUTPUT  
BAL [+4dBu]TR3  
DIGITAL INPUT  
TR4-3  
VIDEO  
TR2-1  
TR1  
TR1  
BAL [+4dBu]  
TR1  
TR2  
INPUT  
THRU  
75  
ON OFF  
LO HI  
DIGITAL OUTPUT  
WORD  
TR4-3  
TR2  
TR2-1  
TR1  
THRU  
UNBAL  
[-10dBV]  
UNBAL  
INPUT  
THRU  
OUTPUT  
+4dBu  
+4dBu  
10/100  
LINK  
75Ω  
ON OFF  
-10dBV  
-10dBV  
[-10dBV]  
BAL [+4dBu]TR2  
BAL [+4dBu]  
TR4  
TR2  
TR4  
TX/RX  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
OUTPUT  
AC IN  
GPI  
OUTPUT  
INPUT  
15P-REMOTE  
9P-REMOTE  
UNBAL  
[-10dBV]  
UNBAL  
[-10dBV]  
+4dBu  
+4dBu  
-10dBV  
-10dBV  
1: GND  
2: HOT  
3: COLD  
1: GND 2: HOT 3: COLD  
1: GND 2: HOT 3: COLD  
• Front panel switch settings  
1. Set the [FRAME RATE] switch appropriately to match the external time code.  
2. Set the [TC GEN MODE] switch appropriately for recording the external time code.  
3. If the video reference is available, set the [CLOCK] switch to "VIDEO".  
If you record time code by synchronizing the unit to digital clock from a VCR, set the switch to  
"DIGITAL".  
4. Press the [TC RDY] key to arm the time code track.  
The TC RDY indicator is lit while "TC RDY" is shown on the display.  
5. After pressing the [SHIFT] key to make the SHIFT mode active, press the [CHASE/(TC SETUP)] key to  
enter theTC SETUP mode, then make the necessary settings for recording time code.  
See 5-5 and subsequent pages for details about the TC Setup mode.  
5-4  
TC Setup mode details  
The TC Setup mode allows you to set the following which are necessary for recording/play-  
back of time code or synchronizing the unit to external time code.  
1. Editing time code generated by the internalTC generator  
2. Editing the chase offset to external time code  
3. Trimming the chase offset  
4. Chase mode selection  
5. Capturing the LTC time for storing it as the chase offset (Catch offset)  
6. Editing the LTC start time  
7. Force jamming to external time code  
8. Selecting output time code  
9. Time code output on/off selection while paused  
10.TC user bit output selection  
To enter theTC Setup mode  
1. Press the [SHIFT] key to turn on the indicator, then press the [CHASE/(TC SETUP)] key.  
The unit enters the TC Setup mode and the display shows a menu. The first time the unit enters the  
TC Setup mode after turning on the power, the "Chase Offset?" menu is shown. Otherwise, the display  
shows the menu previously selected.  
H
M
S
F
SF  
OFFSET CHASE  
Flashing  
2. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select the desired menu.  
You can cycle through menus in the following order (or reverse order).  
H
M
S
F
SF  
OFFSET CHASE  
Flashing  
Flashing  
Flashing  
H
M
S
F
SF  
OFFSET CHASE  
Flashing  
Flashing  
Flashing  
H
M
S
F
H
M
S
F
SF  
GEN  
OFFSET  
Flashing  
Flashing  
H
M
S
F
H
M
S
F
SF  
GEN  
Flashing  
Flashing  
5-5  
• Setting the internalTC generator start time  
To set the internal TC generator start time, you must set the "TC GEN MODE" switch to "FREE  
RUN".  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "Set Gen.TC?".  
The display shows the internal TC generator time code running, together with "Set Gen.TC?".  
2. Press the [ENTER/YES] key.  
The current time is held and now it can be edited (with the flashing frame digit).  
H
M
S
F
H
M
S
F
GEN  
GEN  
Flashing  
Flashing  
3. Use the jog dial or numeric keys to enter a numeric value.  
When using the jog dial to enter a value, you can move the (flashing) digit to be edited by using  
the [SKIP/CURSOR] [|<<] / [>>|] keys.  
When using the numeric keys to enter a time value, each number is entered from the right digit,  
which moves left as additional digits are entered.  
You can enter up to "23H 59M 59S **F" (in which ** is one smaller than the frame rate number).  
4. After entering the time, press the [ENTER/YES] key.  
The internal generator starts from the entered time when the [TC GEN MODE] switch is set to  
“FREE RUN”.  
The DV40 can start recording from the entered time when the [TC GEN MODE] switch is set to  
“REC RUN”.  
• Force-jamming to external time code  
You can force-jam the internal generator time code to external time code.  
To force-jam to external time code, you must set the "TC GEN MODE" switch to "FREE RUN".  
The following procedure assumes that the unit receives external time code from the [TIME  
CODE INPUT] connector.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "Force JAM?" and press the  
[ENTER/YES] key.  
The unit force-jams to external time code and the force-jammed time code value is shown in  
realtime.  
H
M
S
F
GEN  
Flashing  
<Notes>  
• When carrying out the above operation, if the [FRAME RATE] switch setting on the front  
panel does not match the frame rate of external time code, "Illegal Frame!" appears and the  
operation is invalid.  
• When carrying out the above operation, if no external time code is available, "Void LTC In!"  
appears.  
H
M
S
F
H
M
S
F
GEN  
GEN  
5-6  
• Selecting output time code  
When setting the [TC GEN MODE] switch to "FREE RUN" or "24H RUN", you can output time code  
generated by the internal TC generator or recorded on the disk.  
<Notes>  
• The time code output selection is not effective when setting the [TC GEN MODE] switch to "REC  
RUN" or "EXT RUN".  
• While the unit outputs time code, the vari-pitch and word sync functions are not available.  
• By turning off the power of the unit and then on, the selection of the "TC OUT Sel?" menu returns  
to "REPRO" which is the default.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "TC OUT Sel?" and press the  
[ENTER/YES] key.  
The currently selected option (which is initially "Repro") starts flashing, showing it now can be  
edited.  
Flashing  
Flashing  
2. Use the jog dial to select the desired option and press the [ENTER/YES] key.  
You can select between "Repro" and "Gen.". Pressing the [ENTER/YES] key confirms the selection.  
Repro  
Gen.  
The recorded time code on the disk is output from the [TOME CODE OUTPUT] connector.  
The time code generated by the internal TC generator is output from the [TOME CODE  
OUTPUT] connector.  
3. To exit theTC Setup mode, press the [EXIT/NO] key (or the [STOP] key).  
• Editing the chase offset  
You can edit the current chase offset value. The edited value is stored to “CUE 00”.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "Chase Offset?".  
The current chase offset is shown.  
2. Press the [ENTER/YES] key.  
The subframe digit starts flashing, showing it now can be edited.  
H
M
S
F
SF  
H
M
S
F
SF  
OFFSET CHASE  
OFFSET CHASE  
Flashing  
Flashing  
3. Use the jog dial or numeric keys to enter a offset value.  
When using the jog dial to enter a value, you can move the (flashing) digit to be edited by using  
the [SKIP/CURSOR] [|<<] / [>>|] keys.  
When using the numeric keys to enter a time value, each number is entered from the right digit,  
which moves left as additional digits are entered.  
You can enter a value between "-12H 00M 00S **F 00SF" and "11H 59M 59S **F 99SF" (in which ** is  
one smaller than the frame rate number).  
4. After entering the offset value, press the [ENTER/YES] key.  
The offset is set and the display returns to show "Chase Offset?".  
If you enter an illegal value in step 3 and press the [ENTER/YES] key, "IllegalTime!" appears on the  
display and the operation is canceled.  
5. To exit theTC Setup mode, press the [EXIT/NO] key (or the [STOP] key).  
5-7  
Trimming the chase offset  
You can trim the chase offset set by the procedure described above in "Editing the chase offset".  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "Trim?".  
The current chase offset is shown.  
2. Press the [ENTER/YES] key.  
"+00s 00f 00sf" appears, in which "sf" flashes.  
Flashing  
H
M
S
F
SF  
H
M
S
F
SF  
OFFSET CHASE  
OFFSET CHASE  
Flashing  
3. Use the jog dial or numeric keys to trim the value.  
You can trim the value in sub-frame unit between "-59s **f 99sf" and "+59s **f 99sf" (in which ** is  
one smaller than the frame rate number).  
After trimming the value, do not forget the next step!  
4. After trimming the value, press the [ENTER/YES] key.  
The trimmed value is set and the display returns to show "Trim?".  
5. To exit the TC Setup mode, press the [EXIT/NO] key (or the [STOP] key).  
• Editing the LTC start time  
You can set the LTC start time at the "ABS 0" (beginning of an audio file) position to a desired  
value. The start time of time code recorded with the [TC READY] key set to ON can be edited  
later. If you record time code with the [TC READY] key set to OFF, “01H 00M 00S 00F 00SF”  
(default) is recorded as the start time.  
Tips:  
The unit records only the LTC start time. It generates and outputs time code in reference to the start time.  
In a BWF file, the start time is stored in "Time Reference" in "Broadcast Audio Extension Chunk", while, in a SDII file,  
it is stored in "Time Stamp" in "Region List Resource Spec".  
Therefore, if you want to use this LTC by the Digidesign Pro Tools, make the User Time Code valid after import-  
ing the audio file.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "Edit LTC Start?".  
The current LTC time is shown.  
2. Press the [ENTER/YES] key.  
The subframe value of the LTC starts flashing, showing that it now can be edited.  
H
M
S
F
SF  
H
M
S
F
SF  
Flashing  
Flashing  
3. Use the jog dial or numeric keys to enter a desired value.  
When using the jog dial to enter a value, you can move the (flashing) digit to be edited by using  
the [SKIP/CURSOR] [|<<] / [>>|] keys.  
When using the numeric keys to enter a time value, each number is entered from the right digit,  
which moves left as additional digits are entered.  
You can enter up to "23H 59M 59S **F" (in which ** is one smaller than the frame rate number).  
4. After editing the start time, press the [ENTER/YES] key.  
The start time is set and the display returns to show "Edit LTC Start?".  
5. To exit the TC Setup mode, press the [EXIT/NO] key (or the [STOP] key).  
To check the start time, press the [DISPTIME] key repeatedly until the display shows LTC.  
5-8  
• Catch offset  
you can capture the current LTC and store it as the chase offset by the "Catch Offset" function.  
This function is available both during playback and while stopped.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "Catch Offset?".  
The current LTC is shown. (During playback, you can see LTC running.)  
2. At the desired point, press the [ENTER/YES] key.  
The currently displayed LTC value is set as the chase offset.  
H
M
S
F
SF  
H
M
S
F
SF  
OFFSET  
OFFSET CHASE  
Flashing  
Flashing  
3. To exit theTC Setup mode, press the [EXIT/NO] key (or the [STOP] key).  
• Chase mode selection  
You can select the chase mode to the reference time code from among the following 3 modes.  
Tips:  
To make the unit chase to the reference time code, press the [CHASE] key to activate the chase mode.  
When activating the chase mode, the [CHASE] key flashes, as well as "CHASE" flashes in red on the display.  
When the unit locks to the reference time code, both the [CHASE] key and "CHASE" on the display are lit  
steadily.  
In this mode, once the unit locks to the incoming time code after activating the chase mode (by  
pressing the [CHASE] key), it stops chasing and runs freely, ignoring the incoming time code.  
Once  
The unit does not rechase the time code even if it runs out of sync to the time code.  
In this mode, once the unit locks to the incoming time code after activating the chase mode (by  
pressing the [CHASE] key), it stops chasing and runs freely, ignoring the incoming time code.  
The unit rechases the incoming time code if it runs out of sync to the time code.  
Continue  
In this mode, after the unit locks to the incoming time code, it continues to monitor the  
incoming time code and control the speed to keep locking to the incoming time code by using  
the small amount of vari speed which is inaudible.  
Frame Sync  
The unit rechases the incoming time code if it runs out of sync to the time code.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "Chase MD?".  
The current chase mode is shown.  
2. Press the [ENTER/YES] key.  
The current chase mode starts flashing.  
Flashing  
Flashing  
3. Use the jog dial to select a desired chase mode and press the [ENTER/YES] key.  
The selected chase made is set and the display returns to show "ChaseMD?".  
4. To exit theTC Setup mode, press the [EXIT/NO] key (or the [STOP] key).  
5-9  
Time code output on/off selection while paused  
you can select whether to output time code from the [TIME CODE OUTPUT] connector while  
paused.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "PauseTC?".  
The current setting is shown (the default is “Off”).  
2. Press the [ENTER/YES] key.  
The currently value flashes and you can now edit it.  
Flashing  
Flashing  
3. Use the jog dial (or [SKIP/CURSOR] [I<<] / [>>I] keys) to selectOnorOffand press the [ENTER/  
YES] key.  
Off (default setting) Time code is not output from the [TIME CODE OUTPUT] connector while paused.  
On  
Time code is output from the [TIME CODE OUTPUT] connector while paused.  
4. To exit theTC Setup mode, press the [EXIT/NO] key (or the [STOP] key).  
TC user bit output selection  
This menu allows to select the TIME CODE UBIT information attached to the time code output  
from the DV40.  
The date information on “MDYf” and “DMYf” is taken out from the internal clock on DV40 and  
is based on the time when the file is created. SRNo” information is derived from the 3-digit  
REEL NUMBER attached to the VOLUME LABEL set in the “Edit Volume Lbl?” Utility menu or  
SCENE/REEL NUMBER set in the “Set SCENE & REEL?” menu.  
1. Use the jog dial (or [SKIP/CURSOR] [|<<] / [>>|] keys) to select "TC UBIT Sel?".  
The current setting is shown (the default is “SRNo”).  
2. Press the [ENTER/YES] key.  
The currently value flashes and you can now edit it.  
Flashing  
Flashing  
3. Use the jog dial (or [SKIP/CURSOR] [I<<] / [>>I] keys) to select the desired option and press the  
[ENTER/YES] key.  
You can select from among the following options.  
BG_76543: SSSSS/BG_210: RRR  
SRNo (default setting)  
BG_76: MM (month)/BG_54: DD (day)/BG_32: YY (year)/BG_10: xx  
BG_76: DD (day)/BG_54: MM (month)/BG_32: YY (year)/BG_10: xx  
MDYf (for U.S.A.)  
DMYf (for European countries)  
SSSSS : SCENE No.  
*SSSSS = sssss (Volume Label sssss) + File No.  
: REEL No. (Tape No.)  
: File No. (Hexadecimal, 01 ~ c7)  
RRR  
xx  
5-10  
• Selecting “SRNo” as TC UBIT information  
If “SRNo” is selected, the following 8-digit TC UBIT information derived from the 3-digit REEL  
NUMBER attached to the VOLUME LABEL set in the “Edit Volume Lbl?” Utility menu or the SCENE/  
REEL NUMBER set in the “Set SCENE & REEL?” Utility menu will be output.  
SSSSSRRR  
SSSSS:  
RRR:  
SCENE No. derived from “Set SCENE & REEL?” Utility menu + File No.  
3-digit REEL No. derived from “Edit Volume Lbl?” Utility menu or “Set  
SCENE & REEL?” Utility menu.  
<Example-1>  
<Example-2>  
VOLUME LABEL:  
SCENE/REEL No.:  
File No.:  
DV40-002  
00000 / 002  
001  
VOLUME LABEL:  
SCENE/REEL No.:  
File No.:  
DV40-005  
00006 / 005  
002  
TC UBIT Information:  
00001002  
TC UBIT Information:  
00008005  
• Selecting “MDYf” asTC UBIT information  
If “MDYf” is selected, the following 8-digit TC UBIT information based on the date when the file is  
originally created will be output.  
MMDDYYff  
MM  
DD  
YY  
ff  
: Month by 2-digit (01~12)  
: Day by 2-digit (01~31)  
: Year by 2-digit (00~99)  
: File No. by 2-digit in hexadecimal (01~C7)  
<Example-1>  
File No.:  
<Example-2>  
File No.:  
001  
184  
Created date:  
July 4, 2002  
Created date:  
December 23, 2005  
TC UBIT Information:  
07040201  
TC UBIT Information:  
122305B8  
• Selecting “DMYf” as TC UBIT information  
If “DMYf” is selected, the following 8-digit TC UBIT information based on the date when the file is  
originally created will be output.  
DDMMYYff  
DD  
MM  
YY  
ff  
: Day by 2-digit (01~31)  
: Month by 2-digit (01~12)  
: Year by 2-digit (00~99)  
: File No. by 2-digit in hexadecimal (01~C7)  
<Example-1>  
File No.:  
<Example-2>  
File No.:  
001  
169  
Created date:  
6 June, 2001  
Created date:  
15 November, 2007  
TC UBIT Information:  
06060101  
TC UBIT Information:  
151107A9  
5-11  
Chapter 6  
Storing time data  
This chapter explains how to store time data to location memories for the  
track editing or locate functions.  
Location memory keys  
6 location memory keys are used to store location data for the track editing (for copy, paste,  
insert, erase, etc.) and locate functions.  
The location memory keys include four "edit point keys" and two "locate point keys".  
The table below shows their names and usage of the corresponding location memories.  
IN SOURCE OUT  
IN  
DST  
OUT  
CUE POINT MEMORY  
PREVIEW  
TR3  
TR4  
TR2  
TR1  
• Start point of a copy clip for copy operation  
• Start point of a copy clip for insert operation  
• Start point of a erase clip for erase operation  
• Start point of a cut clip for cut operation  
[SOURCE IN] key  
[SOURCE OUT] key  
[DEST IN] key  
• End point of a copy clip for copy operation  
• End point of a copy clip for insert operation  
• End point of a erase clip for erase operation  
• End point of a cut clip for cut operation  
• Paste start point for paste operation  
• Insert start point for insert operation  
• DEST OUT memory for Auto Edit operation when  
controlling the unit via the RS422 P2 protocol.  
[DEST OUT] key  
[CUE POINT] key  
[MEMORY] key  
• CUE points 01 through 99 for location  
• MEMORY points 00 through 99 for location (MEMORY  
points 01 through 03 are assigned for the specific time  
data.)  
Tips:  
The CUE points can be used only for the current audio file, while the edit points and MEMORY  
points are common to all audio files.  
When turning off the power, the CUE and MEMORY point data do not disappear, while the edit  
point data are cleared and reset to the initial value (00H 00M 00S 00F 00SF).  
Tips:  
See "Chapter 7: Locate functions" for details about comprehensive locate functions using loca-  
tion memories.  
6-2  
Storing a time to an edit point memory  
The following describes how to store a time to an edit point memory required for track edit-  
ing. There are two methods for enter a time; "on the fly" and "numerical entry".  
<Notes>  
• If you want to store a time based on LTC instead of ABS time, select the displayed time to LTC using the  
[DISP TIME] key in advance.  
• Edit point memories can be used by all audio files, however, turning off the power clears all the  
memories and resets them to the initial value (00H 00M 00S 00F 00SF).  
• Capturing a time "on the fly"  
During playback, you can capture a time at the desired point "on the fly" and store it to an edit point  
memory.  
1. Press the [PLAY] key to start playback.  
2. Press the [STORE] key at the point you want to capture the time.  
The time data at the point when pressing the key is held and the display shows something like the example  
below. To store the time to any of the edit point memories, ignore the display and go to step 3.  
Flashing  
H
M
S
F
SF  
NEXT  
CUE ABS  
"CUE" or "MEMORY" is lit.  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
-0.1%  
60  
50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL  
FORMAT  
BWF  
Tips:  
The display example shown above is used to select a memory when storing the time to a locate point  
memory, which will be described later. To store the time to any of the edit point memories, ignore this  
display and go to step 3.  
Tips:  
In the above step, if you press the [STORE] key when the  
[SHIFT] indicator is lit, the current time is held and the  
H
M
S
F
SF  
ABS  
MEMORY  
subframe digit flashes. In this condition, you can edit the  
value before storing the data. Use the [SKIP/CURSOR] |<</  
>>| keys to move the flashing digit and use the jog dial to  
Flashing  
enter the value. (Or you can directly enter the time data using the numeric keys.)  
To store edited data, press the [STORE] key again, followed by a desired edit point key.  
3. Press a desired edit point key ([SOURCE IN], [SOURCE OUT], [DEST IN] or [DEST OUT]).  
The time data held is stored to the appropriate edit point memory. The display returns to the previous screen  
and the unit resumes playback.  
<Note>  
You must always set an IN point earlier than the corresponding OUT point. (i.e. SOURCE IN < SOURCE  
OUT, DEST IN < DEST OUT)  
4. To store another edit point time, repeat steps 2 and 3 above.  
5. After completing data entry, press the [STOP] key to stop playback.  
Tips:  
To check the edit point time stored, press the desired edit point key while stopped. The time data is  
shown on the display.  
The edit point memories are used for the audio data editing (such as copy, paste, insert, erase and cut)  
and the direct locate function. See "Chapter 10: Editing track data" for details.  
6-3  
• Storing a time to an edit point using the numeric keys  
You can recall and edit an edit point time and store the edited time.  
1. While stopped, press a desired edit point key.  
The display shows the appropriate edit point time.  
You can now edit the time.  
The following example shows the display after pressing the [SOURCE IN] key, in which the subframe value  
is flashing, showing that it can be edited.  
Flashing  
H
M
S
F
SF  
ABS  
MEMORY  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
Tips:  
If you press an edit point key whose corresponding memory does not hold data, "00H 00M 00S 00SF" is  
shown. You can enter the desired time from this condition and store it to the edit point memory.  
2. Enter the desired time.  
There are two methods for time entry as below.  
• Use the |<</>>| keys to move the flashing (edit) point, and use the jog dial to enter a value.  
If the value of the edit point overruns or underruns, the value of the left digit increments or decre-  
ments respectively.  
• Use the numeric keys to enter a time directly.  
Each number is entered from the right digit, which moves left as additional digits are entered.  
For example, to enter "00H 12M 15S 00F 00SF", press 0 -> 0 -> 1 -> 2 -> 1 -> 5 -> 0 -> 0 -> 0 -> 0.  
<Note>  
You must always set an IN point earlier than the corresponding OUT point. (i.e. SOURCE IN <  
SOURCE OUT, DEST IN < DEST OUT)  
Tips:  
If you enter an inappropriate value to one of these digits, the unit automatically calculates and set  
the proper time.  
For example, if you enter "00H 12M 75S 00F 00SF", the stored time value is "00H 13M 15S 00S  
00SF".  
3. Press the [STORE] key.  
"Select Memories?" is shown on the display, as in step 2 on the previous page.  
Ignore the display and go to the next step.  
4. Press a desired edit point key.  
The edited time data is stored to the appropriate memory.  
6-4  
Storing a time to a locate point memory (CUE/MEMORY)  
Using the [CUE POINT] or [MEMORY] key, you can store a desired point time to a locate point  
memory, and use it to locate there later. You can also give desired names to them or clear the  
data.  
In the same way as with edit point memories, there are two methods for storing a time data to  
a locate point memory; "on the fly" and "numerical entry".  
<Notes>  
• If you want to store a locate point based on LTC instead of ABS time, select the displayed time to LTC  
using the [DISP TIME] key in advance.  
• 99 CUE point memories (01 through 99) are available in the CUE bank.  
The CUE point memories can be used only for the current audio file.  
• 99 MEMORY points (01 through 99) are available in the MEMORY bank, however, you can freely store  
a desired time to MEMORY points 04 through 99. MEMORY points 01 through 03 are reserved for the  
specific points as below and data are automatically stored.  
MEMORY 01: Last Play Memory  
The last playback start time is automatically stored. This memory is overwritten each time playback  
starts.  
MEMORY 02: Last Record In  
The last recording start time is automatically stored. This memory is overwritten each time recording  
starts.  
MEMORY 03: Last Record Out  
The last recording end time is automatically stored. This memory is overwritten each time recording  
ends.  
The MEMORY point data are stored to the flash ROM in the unit, therefore, you can use the MEMORY  
data with any audio files on any disks.  
Tips:  
If you change the current audio file to another one and store a time to a new MEMORY point, the MEMORY  
point numbers used in the previous file(s) cannot be used, as shown below. However, All the MEMORY  
points can be used with any audio files.  
Mem 04  
Mem 05  
Mem 07  
Mem 06  
Audio File 001  
Audio File 002  
Audio File 003  
Mem 10  
Mem 08  
Mem 09  
Mem 12  
Mem 11  
In the diagram above, MEMORY points 04 through 07 were stored when Audio File 001 was selected.  
However, you can use MEMORY points 04 through 11 with Audio File 001.  
However, only the MEMORY points within the recorded area are effective, so MEMORY points 07 and 10  
are not effective with Audio File 003.  
If you select Audio File 003 and check MEMORY 07 or 10, "--H--M--S--F--SF" is shown.  
MEMORY point data are not cleared when reformatting a disk. To clear unnecessary MEMORY point, see  
"Clearing a CUE or MEMORY point".  
As shown in the above drawings, if you have stored MEMORY point data on more than one audio file, the  
MEMORY points are not always numbered in order of ABS time.  
In the above example, the MEMORY points in order of ABS time are; MEMORY 08 -> 04 -> 09 -> 05 -> 11  
-> 06 -> 12 -> 10 -> 07 .  
6-5  
• Storing a time to a locate point memory (CUE or MEMORY point memory) "on the fly"  
During playback, you can store a desired time to a locate point memory (CUE or MEMORY  
point memory) "on the fly".  
1. Press the [PLAY] key to start playback.  
2. Press the [STORE] key at the point you want to store.  
The time data at the point when pressing the key is held and the display shows "Select Memories?" with a  
flashing point number. The first time you press the [STORE] key after turning on the power, "CUE" is lit and  
"01" flashes, showing that the time data is going to be stored to CUE "01".  
If one or more CUE points already hold data, one greater than the highest CUE point number which holds  
data is shown.  
flashing  
H
M
S
F
SF  
NEXT  
CUE ABS  
"CUE" is lit  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
Tips: Bank selection  
When storing time data to a locate point memory "on the fly" by pressing the [STORE] key, the destina-  
tion bank (the CUE or MEMORY bank) is initially selected to the one previously used for storing time  
data. The first time you press the [STORE] key after turning on the power, the CUE bank is selected  
(shown by "CUE" lit on the display).  
If you store time data to a locate point memory in the currently selected bank, go to step 3-1.  
If you store time data to a locate point memory in the bank which is not currently selected, go to step  
3-2. (Pressing the appropriate locate point key for the first time switches the bank.)  
flashing  
H
M
S
F
SF  
NEXT  
ABS  
MEMORY  
"MEMORY" is lit  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
3-1.To store the time data to a locate point memory in the current bank, press the appropriate locate  
point key ([MEMORY] or [CUE POINT] key).  
The time data is stored to the flashing locate point memory in the current bank, and the display returns to  
the previous screen.  
Tips:  
You can select the locate point memory number using the jog dial while the memory number is flash-  
ing.  
3-2.To store the time data to a locate point memory in the bank which is not currently selected, press the  
appropriate locate point key ([MEMORY] or [CUE POINT] key) twice.  
Pressing the key for the first time switches the current bank. Pressing the key again stores the time data to  
the flashing locate point memory in the newly selected bank, and the display returns to the previous  
screen.  
Tips:  
If you store another time data to a locate point memory in the newly selected bank, you do not need  
to press the appropriate key twice.  
6-6  
• Storing a time to a locate point using the numeric keys  
You can recall and edit a locate point (CUE or MEMORY point) time and store the edited time.  
1. While stopped, press a desired locate point key ([CUE POINT] or [MEMORY] key).  
The display shows the locate bank and memory number (e.g. "Cue 03"), and a locate point time with  
flashing memory number.  
When pressing a locate point key ([CUE POINT] or [MEMORY] key) for the first time after turning on the  
power, locate point memory "01" of the appropriate locate bank is shown.  
Flashing  
Flashing  
H
M
S
F
SF  
H
M
S
F
SF  
ABS  
CUE ABS  
MEMORY  
BIT  
BIT  
24  
48  
24  
48  
1
2
1
2
FS  
kHz  
FS  
kHz  
CLOCK  
-INT-  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
12  
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
FORMAT  
BWF  
Example after pressing the [MEMORY] key  
Example after pressing the [CUE POINT] key  
2. Use the jog dial (or the numeric keys) to select a desired locate point memory number, and press a  
desired locate point key ([CUE POINT] or [MEMORY] key) again.  
The subframe value of the selected memory data starts flashing, showing that it can be edited.  
There are two methods for time entry as described below.  
Flashing  
H
M
S
F
SF  
CUE ABS  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
<Note>  
If you select a locate point memory number that does not hold time data, "--H--M--S--F--SF" is shown  
and you cannot edit the time.  
• Use the [SKIP/CURSOR] |<</>>| keys to move the flashing (edit) point, and use the jog dial to enter  
a value.  
If the value of the edit point overruns or underruns, the value of the left digit increments or decrements  
respectively.  
• Use the numeric keys to enter a time directly.  
Each number is entered from the right digit, which moves left as additional digits are entered.  
For example, to enter "00H 12M 15S 00F 00SF", press 0 -> 0 -> 1 -> 2 -> 1 -> 5 -> 0 -> 0 -> 0 -> 0.  
3. After completing time entry, press the [ENTER/YES] key.  
The edited time data is stored to the selected locate point memory and the display returns to the Normal  
screen.  
6-7  
Editing a name of CUE or MEMORY point  
When storing time data to a locate point memory, the tentative name, such as "Cue 01" and  
"Mem 05", is given to the memory. You can edit the name later.  
<Note>  
You cannot edit/change the names for MEMORY 01 (Last Play), 02 (Last Record In) and 03 (Last Record  
Out).  
1. While stopped, press a desired locate point key ([CUE POINT] or [MEMORY] key).  
The display shows the locate bank and memory number (e.g. "Cue 03"), and a locate point time with  
flashing memory number.  
The following is a display example when pressing the [CUE POINT] key.  
Flashing  
H
M
S
F
SF  
CUE ABS  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
2. Use the jog dial (or the numeric keys) to select a locate point memory number whose name you want  
to edit, and press a desired locate point key ([CUE POINT] or [MEMORY] key) twice.  
Pressing the key twice moves the flashing (edit) point to the left-hand character of the name, showing that  
it can be edited.  
Flashing  
H
M
S
F
SF  
CUE ABS  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
3. Press the [MARGIN RESET/CLR] key repeatedly until all characters are deleted.  
Each press of the [MARGIN RESET/CLR] key deletes a left-hand character and moves the character string to  
the left. When all characters are deleted, "_" flashes.  
Flashing  
H
M
S
F
SF  
CUE ABS  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
4. Use the jog dial or the numeric keys to enter a desired character at the flashing point.  
When using the jog dial to enter a character, you can move the flashing point using the [SKIP/CURSOR] I<</  
>>I keys. When using the numeric keys, each entry moves the flashing point to the right.  
5. After completing the name entry, press the [ENTER/YES] key.  
The new name is stored and the display returns to the Normal screen.  
6-8  
Clearing a CUE or MEMORY point memory  
You can clear an unnecessary locate point memory (CUE or MEMORY).  
1. While stopped, press a desired locate point key ([CUE POINT] or [MEMORY] key).  
The display shows the locate bank and memory number (e.g. "Cue 03"), and a locate point time with  
flashing memory number.  
The following is a display example when pressing the [CUE POINT] key.  
Flashing  
H
M
S
F
SF  
CUE ABS  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
2. Use the jog dial (or the numeric keys) to select a locate point memory you want to clear, and press a  
desired locate point key ([CUE POINT] or [MEMORY] key) three times.  
"CUE Delete" is shown with flashing "Sure?".  
Flashing  
H
M
S
F
SF  
CUE ABS  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
3. Press the [ENTER/YES] key.  
The selected locate point memory is cleared and the display returns to the Normal screen.  
Tips:  
After a memory is cleared, "--H --M --S --F --SF" (showing that the memory is vacant) is shown on the  
display.  
When locate point memory numbers are not continuous after some are cleared, or when memories are  
not numbered in order of ABS time, you can renumber them continuously in order of ABS time.  
6-9  
Chapter 7  
Locate functions  
This chapter describes various locate functions including direct location to the  
beginning or end of an audio file, location to a locate or edit point, and skip  
location between locate points or audio files.  
A variety of locate functions  
The following locate functions are available.  
1. Location to the beginning (ABS0) of the current audio file  
2. Location to the end (REC END) of the current audio file  
3. Location to the last playback start position  
4. Location to the last recording start position  
5. Location to the last recording end position  
6. Location to the point where the recorder located last time  
7. Location to an audio edit point  
8. Location to a CUE point  
9. Location to a MEMORY point  
10. Location to the next or previous CUE/MEMORY point using the skip mode  
• Location to the beginning (ABS0) of an audio file  
Regardless of the current position, you can locate to the beginning (ABS0) of the current  
audio file.  
1. When the recorder is stopped, press the [REWIND] key while holding down the [STOP] key.  
The recorder locates to the beginning (ABS0) of the current audio file and the display shows ABS 00H:  
00M: 00S: 00F".  
PLAY  
RECORD  
STOP  
F FWD  
REWIND  
SOURCE PLAY  
LOCATE ABS 0  
LOCATE REC END  
• Location to the end (REC END) of the current audio file  
Regardless of the current position, you can locate to the end (REC END) of the current audio  
file.  
1. When the recorder is stopped, press the [E FWD] key while holding down the [STOP] key.  
The recorder locates to the end (REC END) of the current audio file and the display shows the  
appropriate time.  
PLAY  
RECORD  
STOP  
F FWD  
REWIND  
SOURCE PLAY  
LOCATE ABS 0  
LOCATE REC END  
<Notes>  
• With a "Tape mode" audio file, the recorder locates to the end of the audio file. It is equivalent to  
winding an analog tape to the end. Therefore, regardless of whether recording is made or not, you  
can check the maximum recording time of the "Tape mode" audio file.  
• To locate to the record end point of a "Tape mode" audio file, use the locate function using the  
[MEMORY] key described later.  
7-2  
• Location to the last playback start position  
You can locate to the point between ABS 0 and REC END where playback started last time.  
1. When the recorder is stopped, press the [MEMORY] key.  
The display shows the screen for recalling a locate point memory.  
The first time you press the [MEMORY] key after turning on the power, "Last Play" is shown with flashing  
"01". This shows that locate memory "01" of the MEMORY bank holds time data of the point where  
playback started last time.  
H
M
S
F
SF  
ABS  
MEMORY  
Flashing  
2. Press the [LOCATE] key.  
The recorder locates to the MEMORY "01" point and the display returns to the Normal screen.  
Each time the recorder is played back, the MEMORY "01" point is overwritten.  
• Location to the last recording start position  
You can locate to the point between ABS 0 and REC END where recording started last time.  
1. When the recorder is stopped, press the [MEMORY] key and use the jog dial to select "02".  
When "02" is selected, "Last Record In" is shown, as MEMORY "02" holds time data of the point where  
recording started last time.  
H
M
S
F
SF  
ABS  
MEMORY  
Flashing  
2. Press the [LOCATE] key.  
The recorder locates to the MEMORY "02" point and the display returns to the Normal screen.  
Each time you make recording, the MEMORY "02" point is overwritten.  
• Location to the last recording end position  
You can locate to the point between ABS 0 and REC END where recording ended last time.  
1. When the recorder is stopped, press the [MEMORY] key and use the jog dial to select "03".  
When "03" is selected, "Last Record Out" is shown, as MEMORY "03" holds time data of the point where  
recording ended last time.  
H
M
S
F
SF  
ABS  
MEMORY  
Flashing  
2. Press the [LOCATE] key.  
The recorder locates to the MEMORY "03" point and the display returns to the Normal screen.  
Each time you make recording, the MEMORY "03" point is overwritten.  
<Note>  
The recorder does not always locate to the REC END of an audio file when selecting MEMORY "03".  
If you started insert recording and stopped recording before the REC END point last time, the re-  
corder locates to the point where recording ended last time, instead of the REC END point.  
7-3  
• Location to the point where the recorder located last time  
You can locate to the point between ABS 0 and REC END where the recorder located last time.  
1. When the recorder is stopped, press only the [LOCATE] key.  
The recorder locates to the point where the recorder located last time.  
Note that the [LOCATE] key always holds the time data of the point where the recorder located last time.  
• Location to an audio edit point  
You can locate to an edit point by pressing the corresponding edit point key ([SOURCE IN],  
[SOURCE OUT], [DEST IN], or [DEST OUT] key).  
1. When the recorder is stopped, press a desired edit point key.  
The display shows the edit point time assigned to the key you pressed.  
The display below shows an example when pressing the [SOURCE OUT] key.  
H
M
S
F
SF  
ABS  
MEMORY  
Flashing  
2. Press the [LOCATE] key.  
The recorder locates to the edit point and the display returns to the Normal screen.  
Tips:  
You can edit the time shown on the display after carrying out step 1 above.  
By pressing the [LOCATE] key after editing the time, you can locate to the edited time. See "Chapter  
6: Storing time data" for details about how to edit time data.  
• Location to a CUE point  
By specifying a desired CUE point memory (among 01 through 99), you can locate to the  
point.  
1. When the recorder is stopped, press the [CUE POINT] key.  
The display shows a CUE point time with the flashing point number.  
H
M
S
F
SF  
CUE ABS  
Flashing  
2. Use the jog dial to select a desired CUE point memory (between "01" and "99") and press the  
[LOCATE] key.  
The recorder locates to the CUE point and the display returns to the Normal screen.  
If you select a CUE point memory which does not hold time data, "--H--M--S--F--SF" is shown on the  
display.  
Tips:  
You can edit the time shown on the display after carrying out step 1 above.  
By pressing the [LOCATE] key after editing the time, you can locate to the edited time. See "Chapter 6:  
Storing time data" for details about how to edit time data.  
7-4  
• Location to a MEMORY point  
By specifying a desired MEMORY point memory (among 04 through 99), you can locate to the  
point.  
1. When the recorder is stopped, press the [MEMORY] key.  
The display shows a MEMORY point time with the flashing point number.  
H
M
S
F
SF  
ABS  
MEMORY  
Flashing  
2. Use the jog dial to select a desired MEMORY point number (between "04" and "99") and press the  
[LOCATE] key.  
The recorder locates to the MEMORY point and the display returns to the Normal screen.  
If you select a MEMORY point which does not hold time data, "--H--M--S--F--SF" is shown on the display.  
Tips:  
You can edit the time shown on the display after carrying out step 1 above. By pressing the [LOCATE]  
key after editing the time, you can locate to the edited time. See "Chapter 6: Storing time data" for details  
about how to edit time data.  
• Location to the next or previous CUE/MEMORY point using the skip mode  
(Skip locate function)  
By setting the "Skip Mode?" menu in the Setup mode appropriately, you can locate to a CUE or  
MEMORY point quickly.  
1. Set the "Skip Mode?" menu in the Setup mode to "CUE" or "MEM".  
The "Skip Mode?" menu is initially set to "FILE". See "Chapter 15: Setup mode" for details.  
2. Press [SKIP/CURSOR] I<< or >>I key.  
Each time you press the key, the display shows something like the examples below and the recorder  
locates the next or previous locate point (CUE or MEMORY point depending on the selection in step 1).  
• If the skip mode is set to "MEM":  
or  
H
M
S
F
SF  
H
M
S
F
SF  
ABS  
ABS  
MEMORY  
MEMORY  
• If the skip mode is set to "CUE":  
or  
H
M
S
F
SF  
H
M
S
F
SF  
ABS  
ABS  
MEMORY  
MEMORY  
<Notes for location to a MEMORY point>  
You can locate (including the skip locate function) to a desired time assigned to any of MEMORY points 04  
through 99.  
MEMORY points holding time data can be used in common by all audio files, however, you cannot locate  
to a MEMORY point which holds a time greater then the REC END time (except for "Tape mode" files).  
If you are going to locate to a such point, the display shows "Out of Zone!" and the operation is ignored.  
In the following example, if file 002 is currently selected, you cannot locate to MEMORY 07 or 08.  
In other words, you can locate to MEMORY points 04 through 06 and 09 through 11. If file 002 is currently  
selected, you can locate all MEMORY points 04 through 11).  
Mem 04  
Mem 05  
Mem 08  
Mem 06  
Mem 07  
File 001  
Mem 11  
Mem 09  
Mem 10  
File 002  
7-5  
Chapter 8  
Preview function  
This chapter describes the fade-in/fade-out preview function at the edit or lo-  
cate points assigned to the location memory keys.  
Preview function  
The preview (point rehearsal) function allows you to preview (monitor) an edit or locate point  
assigned to the [SOURCE IN], [SOURCE OUT], [DEST IN], [DEST OUT], [CUE POINT] or [MEMORY]  
key.  
When previewing an edit IN or locate point, you can monitor audio faded in from the point  
(fade-in preview). When previewing an edit OUT point, you can monitor audio faded out to  
the point (fade-out preview).  
You can not only preview (monitor) audio from or to a point but also trim the point.  
• Preview at an edit point  
The following procedure is assumed that the edit point you want to preview is stored.  
At the SOURCE IN or DEST IN point, you can preview audio faded in.  
At the SOURCE OUT or DEST OUT point, you can hear audio faded out to the point.  
1. Press the [SHIFT] key to turn on the indicator.  
2. Press a desired edit point key.  
The recorder repeatedly previews the edit point assigned to the key pressed until stopped.  
During preview, you can monitor audio via the monitor speaker or headphones, while the level  
meter indicators runs from left to right.  
<Display example of the fade-in preview at the SOURCE IN point>  
During preview, the level meter indicators runs from left to right.  
H
M
S
F
SF  
MEMORY  
1
BIT  
24  
48  
8
60  
50 42 34 28  
2018  
12  
6
5
4
3
2
1
0 OL  
FS  
kHz  
2
CLOCK  
-INT-  
60  
50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0 OL  
FORMAT  
SDII  
3
4
approx. 1 second (playback)  
approx. 1 second (muted)  
edit point  
<Display example of the fade-out preview at the SOURCE OUT point>  
During preview, the level meter indicators runs from left to right.  
H
M
S
F
SF  
MEMORY  
1
8
BIT  
60  
50 42 34 28  
2018  
12  
6
5
4
3
2
1
0 OL  
24  
48  
FS  
kHz  
2
CLOCK  
-INT-  
60  
50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0 OL  
FORMAT  
SDII  
3
4
approx. 1 second (muted)  
approx. 1 second (playback)  
edit point  
<Note>  
At the edit point where no time data is stored (i.e. "00H 00M 00S 00F 00SF", the initial setting),  
the fade-out preview cannot be performed. If you press the [SOURCE OUT] or [DEST OUT] key in  
step 2 above in such a condition, "Void!" appears on the display and the operation is ignored.  
3. To stop preview, press the [STOP] (or [EXIT/NO]) key.  
The preview function is canceled and the display returns to the previous screen.  
8-2  
• Preview at a locate point  
You can preview audio faded in from a desired locate point (selected from among CUE  
points 01 through 99 and MEMORY point 01 through 99).  
The following procedure is assumed that the locate point you want to preview is stored.  
<Note>  
You cannot preview a locate point (CUE or MEMORY point) with a "Tape mode" audio file.  
1. Press the [CUE POINT] or [MEMORY] key.  
The display shows a locate point with flashing point number.  
Screen example when pressing the [CUE POINT] key.  
Flashing  
H
M
S
F
SF  
ABS  
MEMORY  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
Screen example when pressing the [MEMORY] key.  
Flashing  
H
M
S
F
SF  
ABS  
MEMORY  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
2. Use the jog dial to select a desired point number you want to preview.  
3. Press the [SHIFT] key to turn on the indicator and press the [CUE POINT] or [MEMORY] key  
again.  
The display shows something like below and the unit performs the fade-in preview at the selected  
point. During preview, the level meter indicators runs from left to right.  
<Display example of preview at the CUE point>  
H
M
S
F
SF  
MEMORY  
1
BIT  
24  
48  
FS  
kHz  
2
CLOCK  
-INT-  
50 42 34 28  
2018  
12  
8
60  
6
5
4
3
2
1
0
OL  
FORMAT  
BWF  
3
4
<Display example of preview at the MEMORY point>  
H
M
S
F
SF  
ABS  
MEMORY  
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
4. To stop preview, press the [STOP] (or [EXIT/NO]) key.  
The preview function is canceled and the display returns to the previous screen.  
8-3  
Trimming while previewing audio  
You can trim time data using the jog dial while previewing audio, allowing the fine  
adjustment of an edit or locate point.  
<Note>  
• When trimming time data while previewing, the trimmed data is reflected from the next pre  
view. Therefore, you can check the result in the next preview.  
• While trimming time data, if the point moves out of the preview playback area, "Void Data!"  
appears on the display. When it appears, you cannot continue preview, therefore, move back the  
point to the playback area.  
1. Start preview by following the procedure shown in the previous page.  
2. Use the jog dial to trim the point during preview,  
You can trim the point in subframe unit.  
subframe  
H
M
S
F
SF  
MEMORY  
1
BIT  
24  
48  
FS  
kHz  
2
CLOCK  
-INT-  
8
60  
50 42 34 28  
2018  
12  
6
5
4
3
2
1
0 OL  
FORMAT  
BWF  
3
4
3. After trimming, press the [ENTER/YES] key.  
The trimmed time data is stored to the point and the unit exits the preview mode.  
8-4  
Chapter 9  
Audio file management  
This chapter describes the management of audio files.  
Creating a new audio file  
Regardless of whether a disk is formatted in the Normal or Tape mode, you can newly create  
only a "Normal mode" audio file by using the file select function.  
<Note>  
To record to an audio file created by the file select function, use the INSERT mode.  
• Creating a new file on a disk just after formatted in the Normal mode  
In the following procedure, we assume that a disk just after formatted is loaded and the  
display shows "No Audio Files!".  
1. Select a desired audio file format between "BWF" and "SDII" using the [AUDIO FILE] switch.  
2. Select a desired track mode using the [TR MODE] switch.  
3. Select a desired sampling frequency/bit length combination using the [SAMPLING FREQ] switch.  
4. Press the [FILE SEL] key.  
"New FIle?" appears with flashing "001", showing that audio file "001" is newly created.  
Flashing  
LTC  
H
M
S
F
PGM  
PGM  
NEXT  
5. Press the [ENTER/YES] key.  
Audio file "001" is created and the display shows the tentative file name, as well as the beginning of the  
file. The tentative name begins by "S" or "B" which shows the file format ("S" for "SDII" and "B" for "BWF")  
selected by the [AUDIO FILE] switch in step 1 above, followed by the time and date when the file is created.  
The display example below left shows that an SDII file is created at 11h: 23m: 09s on the 24th of December.  
A tentative name can be edited. See "Editing a file name" described later.  
Also "FORMAT", "FS kHz" and "BIT" information according to the switch settings in steps 1 through 3 above  
are shown appropriately on the display.  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
0 OL  
BIT  
24  
24  
48  
BIT  
1
2
1
FS  
kHz  
FS  
kHz  
48  
2
CLOCK  
-INT-  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
50 42 34 28  
2018  
12  
8
-0.1%  
60  
6
5
4
3
2
1
FORMAT  
BWF  
SDII  
If you create another audio file, carry out steps 1 through 4 above and then use the jog dial to show "New  
File?", followed by pressing the [ENTER/YES] key.  
Tips:  
File numbers are managed separately by the file  
format.  
*************.wav (001)  
One higher that the number of existing files of  
the same format is assigned to the file number  
of a newly created audio file.  
*************.wav (002)  
bwff  
*************.wav (003)  
*************.wav (004)  
*************.wav (005)  
For example, if five "BWF" and a single "SDII"  
files are created on a disk, the BWF files ("001"  
through "005") are stored in the "bwff" direc-  
*************.sd2 (001)  
tory, while the SDII file ("001") is stored in the  
"sd2f" directory.  
sd2f  
9-2  
• Creating a new file on a disk just after formatted in theTape mode  
You can create more than one "Normal mode" audio file (of the "BWF" or "SDII" format) on a  
disk formatted in the Tape mode.  
In the following procedure, we assume that a disk just after formatted in the Tape mode is  
loaded and a "Tape mode" audio file of the "BWF" format is selected.  
<Note>  
"Normal mode" audio files are created in the remaining area of a disk after two "Tape mode" audio files  
(occupying approximately 2 GB per each file) are created when the disk is formatted in the Tape mode.  
Therefore, approximately 0.7 GB space can be used by "Normal mode" audio files.  
1. Select a desired audio file format between "BWF" and "SDII" using the [AUDIO FILE] switch.  
2. Select a desired track mode using the [TR MODE] switch.  
3. Select a desired sampling frequency/bit length combination using the [SAMPLING FREQ] switch.  
4. Press the [FILE SEL] key.  
"New FIle?" appears with flashing "001" or "003", depending on the [AUDIO FILE] switch selection in step 1  
above.  
If you select "SDII", "001" flashes because this will be the first "SDII" file in the "sd2f" directory.  
If you select "BWF", "003" flashes because this will be the third "BWF" file in the "bwff" directory (two "Tape  
mode" BWF files are already created).  
Flashing  
PGM  
NEXT  
LTC  
H
M
S
F
Flashing  
PGM  
PGM  
NEXT  
5. Press the [ENTER/YES] key.  
A "Normal mode" audio file is created and the display shows the tentative file name, as well as the "ABS 0"  
time (the beginning of the file). The tentative name begins by "S" or "B" which shows the file format ("S"  
for "SDII" and "B" for "BWF") selected by the [AUDIO FILE] switch in step 1 above, followed by the time and  
date when the file is created.  
A tentative name can be edited. See "Editing a file name" described later.  
If you create another audio file, regardless of whether the currently selected audio file is "Tape mode" or  
"Normal mode", carry out steps 1 through 4 above and then use the jog dial to show "New File?", followed  
by pressing the [ENTER/YES] key.  
Tips:  
The file number of a newly created  
"Normal mode" audio file depends  
on the format of the two "Tape  
mode" audio files.  
If you create a "Normal mode" au-  
dio file of the same format as the  
"Tape mode" audio files, "003" is as-  
signed to the file number.  
If you create a "Normal mode" au-  
dio file of the different format from  
the "Tape mode" audio files, "001" is  
assigned to the file number.  
Tape_mode1.wav (001)  
Tape_mode2.wav (002)  
************.wav (001)  
************.wav (002)  
bwff  
bwff  
*************.wav (003)  
*************.wav (004)  
*************.wav (005)  
************.wav (003)  
************.wav (004)  
************.wav (005)  
*************.sd2 (001)  
*************.sd2 (002)  
Tape_mode1.sd2 (001)  
Tape_mode2.sd2 (002)  
sd2f  
sd2f  
*************.sd2 (003)  
*************.sd2 (004)  
*************.sd2 (005)  
*************.sd2 (003)  
*************.sd2 (004)  
*************.sd2 (005)  
9-3  
Selecting an audio file  
You can select an audio file by using the file select or skip function.  
Tips:  
By using the "File Sort?" menu in the Setup mode, you can sort audio files by name or date, allowing file  
selection easier. See "Chapter 15: Setup mode" for details.  
• Selecting a file using the file select function  
The following assumes that three "BWF" and two "SDII" files are created on a disk and the "BWF  
001" file is currently selected.  
1. Select a desired audio file format between "BWF" and "SDII" using the [AUDIO FILE] switch.  
If you select "SDII", "SDII" is lit instead of "BWF" in the FORMAT information area on the display.  
2. Press the [FILE SEL] key.  
"001", the audio file number of the selected file format in step 1, flashes on the display, showing that a file  
number can be selected.  
Flashing  
LTC  
H
M
S
F
PGM  
PGM  
NEXT  
3. Use the jog dial or [SKIP/CURSOR] [|<<] / [>>|] keys to select a desired file number, and press the  
[ENTER/YES] key.  
The display shows the beginning of the selected audio file.  
Tips:  
By pressing the [FILE SEL] key after pressing the [SHIFT] key (to turn on the indicator), you can select  
audio files from among both the file directories ("bwff" and "sd2f").  
• Selecting a file using the skip function  
You can select an audio file using the [SKIP/CURSOR] ([|<<] / [>>|]) keys by setting the "Skip  
Mode?" menu in the Setup mode to "File". "File" is the initial setting, therefore, as long as you  
keep this setting, you can carry out the file selection using the skip function.  
If the "Skip Mode?" menu is set to "CUE" or "MEM", change the option to "File".  
See "Chapter 15: Setup mode" for details about how to set the "Skip Mode?" menu.  
<Note>  
Using the skip function, you can select an audio file among those in the same directory ("bwff" or "sd2f").  
1. While stopped, press the [SKIP/CURSOR] [|<<] or [>>|] key.  
Pressing the [|<<] key skips to the beginning of the previous audio file, while pressing the [>>|] key skips to  
the beginning of the next audio file.  
You can skip to the beginning of a desired file by pressing [|<<] or [>>|] key repeatedly as many times as  
required.  
When the file is skipped, the display shows the beginning of the selected audio file, as shown in the  
examples below. where *********** shows a file name.  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
Skipped from "004" to "003".  
Skipped from "004" to "005".  
9-4  
Editing an audio file name  
You can edit a name of the current audio file.  
Before carrying out the following, select an audio file whose name you want to edit as the  
current file.  
1. While stopped, press the [SHIFT] key to turn on the indicator.  
2. Press the [SETUP] key.  
The unit enters the Utility mode.  
The first time the unit enters the mode after turning on the power, the "Rec Protect?" menu appears.  
Flashing  
3. Use the jog dial to select the "Edit File Name?" menu and press the [ENTER/YES] key.  
The current file name is shown, in which the leftmost character flashes. In this condition, you can edit the  
name.  
The example below shows the tentative name (B11h23m09s24dec2) automatically given when the file was  
created.  
Flashing  
Flashing  
4. Press the [MARGIN RESET/CLR] key repeatedly until all the characters shown are deleted.  
Each press of the key deletes the leftmost character and moves the rest of the characters left.  
Flashing  
Tips: File extension  
Generally, each file has a file extension; ".wav" for a "BWF" file, or ".sd2" for a "SDII" file.  
When editing the name of a "BWF" file, if you enter a name without the file extension, ".wav" is auto-  
matically added.  
".sd2" is not automatically added to the name of a "SDII".  
Note that the display only shows up to 16 characters, therefore, if an edited name has 17 or more  
characters, only the first 16 characters are shown.  
5. Enter a desired name.  
You can enter characters by two ways as below.  
• Use the jog dial to enter a character at the flashing point. You can move the flashing point to the  
right using the [SKIP/CURSOR] [>>|] key.  
• Use the numeric keys at the flashing point. When pressing another numeric key, the flashing point  
moves to the right.  
6. After you finish entering the desired name, press the [ENTER/YES] key.  
After showing "Please Wait!" followed by "Completed!", the display returns to show the beginning of the  
audio file.  
LTC  
file extension  
H
M
S
F
PGM  
9-5  
Deleting an audio file  
You can delete an unnecessary audio file.  
Before carrying out the following, select an audio file you want to delete as the current file.  
1. While stopped, press the [SHIFT] key to turn on the indicator.  
2. Press the [SETUP] key.  
The unit enters the Utility mode.  
The first time the unit enters the mode after turning on the power, the "Rec Protect?" menu appears.  
Flashing  
3. Use the jog dial to select the "Delete File?" menu and press the [ENTER/YES] key.  
"Sure?" flashes to confirm deleting the current file.  
To cancel deleting, press the [EXIT/NO] key while "Sure?" flashing.  
Flashing  
Flashing  
4. Press the [ENTER/YES] key.  
The audio file is deleted. The display shows "Completed!" momentarily, followed by the ABS 0 point (the  
beginning) of the next audio file.  
Tips: Restoring a deleted file  
A deleted file still remains on the disk as a hidden file, therefore, you can restore a deleted file.  
See "Restoring a deleted audio file" on the next page.  
When selecting an audio file using the file select function, the deleted file is shown on the display as  
"<<Hidden File>>". The display example below shows that audio file 008 which has been deleted still  
remains on the disk as a hidden file.  
PGM  
NEXT  
<Note>  
If you optimize the disk when any deleted audio file is hidden, the hidden audio file is completely  
deleted from the disk and you cannot restore the file anymore.  
If you select the completely deleted file using the file select function, "<<Deleted File>>" is shown,  
instead of "<<Hidden File>>", indicating that the file is completely deleted.  
Tips:  
If you delete all the (two) "Tape mode" audio files on a disk formatted in the Tape mode and then  
optimize the disk, the disk becomes equivalent to the one formatted in the "Normal" mode.  
9-6  
Restoring a deleted audio file  
You can restore a deleted audio file.  
<Note>  
The restored audio file returns to the position where it was before the delete operation.  
However, the editing data carried out before deleting the file does not remain, therefore, you cannot  
carry out the undo operation with the restored file.  
1. While stopped, press the [SHIFT] key to turn on the indicator.  
2. Press the [SETUP] key.  
The unit enters the Utility mode.  
The first time the unit enters the mode after turning on the power, the "Rec Protect?" menu appears.  
Flashing  
3. Use the jog dial to select the "Restore DelFile?" menu and press the [ENTER/YES] key.  
The name of a deleted audio file flashes on the display.  
Flashing  
Flashing  
4. Use the jog dial to select the file you want to restore and press the [ENTER/YES] key.  
If there is more than one deleted audio file, you can select a desired file using the jog dial.  
Pressing the [ENTER/YES] key restores the file immediately and the display shows "Completed!" followed  
by "Restore DelFile?".  
5. Press the [EXIT/NO] or [STOP] key to exit the Utility mode.  
The display shows the beginning of the restored file.  
Tips:  
The restored file is numbered the same as before it was deleted.  
9-7  
Duplicating an audio file  
You can duplicate the currently selected audio file.  
By making a duplication of the current audio file before executing the undo operation, you  
do not lose the current file.  
Tips: File number of the duplication file  
The duplication file is numbered one more than the number of existing files of the same format ("BWF"  
or "SDII").  
<Note>  
You cannot duplicate a "Tape mode" audio file.  
1. While stopped, press the [AUDIO EDIT] key repeatedly until "Duplicate File?" appears on the display  
and press the [ENTER/YES] key.  
"Sure?" flashes on the display.  
To stop duplication, press the [EXIT/NO] key while "Sure?" flashes.  
Flashing  
Flashing  
2. Press the [ENTER/YES] key.  
The unit starts duplication of the current file.  
The display shows the required time for duplicating the file, which is counted down while duplication is in  
progress.  
When completed, "Dupl. completed!" is shown on the display.  
MB  
3. Press the [EXIT/NO] or [STOP] key.  
The unit exits the Audio edit mode, and the display shows the beginning of the duplication file.  
The name of a duplication file has "_**" (** refers to the duplication number) added to the original file  
name, in order to distinguish it from the original.  
LTC  
LTC  
H
M
S
F
H
M
S
F
PGM  
PGM  
9-8  
Chapter 10  
Editing track data  
This chapter describes how to edit track data using the paste, insert, cut and  
erase functions.  
Pasting track data  
You can copy track data between the "SOURCE IN" and "SOURCE OUT" points to the clipboard  
and paste it from the "DEST IN" point on the same or a different track.  
Sound data A  
Paste to the same track  
Sound data A  
SOURCE IN  
point  
SOURCE OUT  
point  
DEST IN  
point  
Sound data A  
Paste to the other track  
Sound data A  
SOURCE IN  
point  
SOURCE OUT  
point  
DEST IN  
point  
<Note>  
The table below shows the relations among the track modes, selectable source tracks and selectable  
destination tracks. You can paste data to a different track only when selecting a single track in a STEREO  
or MULTI (4TR) file as the source track. When selecting 2 or 4 tracks in a STEREO or MULTI (4TR) file, you  
can paste data only to the same tracks.  
Track mode  
Selectable destination tracks  
track 1  
Selectable source tracks  
track 1 only  
MONO mode  
track 1 or 2  
track 1 or 2 freely  
STEREO mode  
tracks 1 and 2  
same tracks as the source  
any one of tracks 1 through 4  
any two of tracks 1 through 4  
any one of tracks 1 through 4 freely  
same 2 tracks as the source  
MULTI (4TR) mode  
same tracks as the source  
tracks 1 through 4  
1. Store the "SOURCE IN", "SOURCE OUT" and "DEST IN" points.  
See "Chapter 6: Storing time data" for details about how to store edit points.  
2. If necessary, trim these edit points using the preview function.  
See "Chapter 8: Preview function" for details about how to trim edit points.  
3. While stopped, press the [AUDIO EDIT] key to show "Copy Clip?" on the display, followed by the  
[ENTER/YES] key.  
If you press the [AUDIO EDIT] key once for the first time after turning on the power, "Copy Clip?" is shown  
on the display. By pressing the [ENTER/YES] key, "Sel.Copy TRK?" appears on the display.  
Flashing  
Flashing  
4. Press the appropriate edit point key(s) ([SOURCE IN], [SOURCE OUT], [DEST IN] or [DEST OUT] keys)  
to select the copy source track(s), and press the [ENTER/YES] key.  
*These edit point keys are used to select tracks 1 through 4 (TR 1 through TR 4), as labeled below the keys.  
Depending on the track mode of the audio file, the selectable tracks are restricted (see the <note> above).  
Pressing the [ENTER/YES] key copies data to the clipboard immediately.  
The display shows "Completed!" momentarily followed by "Paste Clip?".  
Note that the clipped data also can be used for the cut, erase and insert function.  
Flashing  
10-2  
Tips: SOURCE-PLAY  
You can monitor the track data copied to the clipboard us-  
ing the SOURCE-PLAY function before carrying out the paste  
operation.  
Pressing the [PLAY] key while holding down the [STOP] key  
caries out the SOURCE-PLAY function, which plays back the  
track data on the clipboard and stops.  
H
M
S
F
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
OL -0.1%  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
FORMAT  
BWF  
After finishing the SOURCE-PLAY, press the [AUDIO EDIT] key  
to show "Paste Clip?" on the display.  
5. While "Paste Clip?" is shown on the display, press the [ENTER/YES] key.  
"Sel. PasteTRK?" appears on the display, in which you can select the destination track(s) to be pasted.  
Flashing  
Flashing  
6. If you select a single track as a copy source, select a destination track for paste by pressing the  
appropriate edit point keys (as step 4) and press the [ENTER/YES] key.  
If you select 2 or 4 tracks as copy sources, simply press the [ENTER/YES] key again.  
"Paste Clip" is shown with flashing "Sure?".  
Flashing  
Flashing  
7. Press the [ENTER/YES] key again.  
The unit starts pasting the copied track data on the clipboard to the specified track(s) from the "DEST IN"  
point.  
The display shows the required time together with the achieved percentage for paste.  
The time is counted down while the percentage is counted up as the paste operation is in progress.  
Also, the status is graphically shown by the track 1 level indicators which gradually light up from left to  
right. When all the data is pasted, "Paste Completed!" is shown and the unit stops.  
REMAIN  
%
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
REMAIN  
%
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
8. Press the [EXIT/NO] or [STOP] key repeatedly to exit the AUDIO EDIT mode.  
Tips:  
If you are not satisfied with the result, you can undo the paste operation.  
Note that, however, you cannot undo the paste operation with a "Tape mode" audio file.  
10-3  
Inserting track data  
You can copy track data between the "SOURCE IN" and "SOURCE OUT" points to the clipboard  
and insert it to the "DEST IN" point on the same or a different track.  
Sound data A  
Sound data A  
SOURCE IN  
point  
SOURCE OUT  
point  
DEST IN  
point  
Tips:  
The REC END point of the file to which track data is inserted to moves backward.  
<Note>  
You cannot carry out the insert operation with a "Tape mode" audio file.  
<Note>:The source and destination  
The table below shows the relations among the track modes, selectable source tracks and selectable  
destination tracks. You can insert data to a different track only when selecting a single track in a STEREO  
or MULTI (4TR) file as the source track . When selecting 2 or 4 tracks in a STEREO or MULTI (4TR) file, you  
can insert data only to the same tracks.  
Track mode  
Selectable destination tracks  
track 1  
Selectable source tracks  
track 1 only  
MONO mode  
track 1 or 2  
track 1 or 2 freely  
STEREO mode  
tracks 1 and 2  
same tracks as the source  
any one of tracks 1 through 4  
any two of tracks 1 through 4  
any one of tracks 1 through 4 freely  
same 2 tracks as the source  
MULTI (4TR) mode  
same tracks as the source  
tracks 1 through 4  
1. Store the "SOURCE IN", "SOURCE OUT" and "DEST IN" points.  
See "Chapter 6: Storing time data" for details about how to store edit points.  
2. If necessary, trim these edit points using the preview function.  
See "Chapter 8: Preview function" for details about how to trim edit points.  
3. While stopped, press the [AUDIO EDIT] key to show "Copy Clip?" on the display, followed by the  
[ENTER/YES] key.  
By pressing the [ENTER/YES] key, "Sel.CopyTRK?" appears on the display.  
Flashing  
Flashing  
4. Press the appropriate edit point key(s) ([SOURCE IN], [SOURCE OUT], [DEST IN] or [DEST OUT] keys)  
to select the copy source track(s), and press the [ENTER/YES] key.  
These edit point keys are used to select tracks 1 through 4 (TR 1 through TR 4), as labeled below the keys.  
Depending on the track mode of the audio file, the selectable tracks are restricted (see the <note> above).  
Pressing the [ENTER/YES] key copies data to the clipboard immediately. The display shows "Completed!"  
momentarily followed by "Paste Clip?".  
10-4  
Flashing  
Tips:  
You can monitor the track data copied to the clipboard using the SOURCE-PLAY function before carry-  
ing out the insert operation. See "Tips: SOURCE-PLAY" on page 10-3.  
5. Use the jog dial to select "Insert Clip?" and press the [ENTER/YES] key.  
"Sel.InsertTRK?" appears on the display, in which you can select the destination track(s) to be inserted.  
If you select a single track as a copy source, you can select the same or a different track as a destination.  
If you select 2 or 4 tracks as copy sources, the destination are restricted to the same tracks.  
Flashing  
Flashing  
6. If you select a single track as a copy source, select a destination track for insert by pressing the  
appropriate edit point keys (as step 4) and press the [ENTER/YES] key.  
If you select 2 or 4 tracks as copy sources, simply press the [ENTER/YES] key again.  
"Insert Clip" is shown with flashing "Sure?".  
Flashing  
Flashing  
7. Press the [ENTER/YES] key again.  
The unit starts inserting the copied track data on the clipboard to the specified track(s) from the "DEST IN"  
point. The display shows the required time together with the achieved percentage for insert.  
The time is counted down while the percentage is counted up as the insert operation is in progress.  
Also, the status is graphically shown by the track 1 level indicators which gradually light up from left to  
right. When all the data is inserted, "Insert Completed!" is shown and the unit stops.  
%
REMAIN  
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
%
REMAIN  
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
8. Press the [EXIT/NO] or [STOP] key repeatedly to exit the AUDIO EDIT mode.  
Tips:  
If you are not satisfied with the result, you can undo the insert operation.  
10-5  
Erasing track data  
You can erase track data between the "SOURCE IN" and "SOURCE OUT" points.  
REC END  
ABS 0  
Sound data  
Silence  
SOURCE IN  
point  
SOURCE OUT  
point  
REC END  
ABS 0  
Sound data  
Silence  
SOURCE IN  
point  
SOURCE OUT  
point  
Tips:  
The erase operation erases only sound data, therefore, by erasing track data of a specified area between  
"ABS 0" and "REC END", the REC END point does not change and the time code is not affected.  
1. Store the "SOURCE IN" and "SOURCE OUT" points.  
See "Chapter 6: Storing time data" for details about how to store these points.  
2. If necessary, trim these edit points using the preview function.  
See "Chapter 8: Preview function" for details about how to trim edit points.  
3. While stopped, press the [AUDIO EDIT] key to show "Erase & Clip?" (or "Erase?" when selecting a  
"Tape mode" audio file) on the display, followed by the [ENTER/YES] key.  
By pressing the [ENTER/YES] key, "Sel.Erase TRK?" appears on the display.  
Flashing  
Flashing  
Tips:  
You can select any one or more tracks to be erased available in the file. With a MONO file, only track 1  
can be selected.  
4. Press the appropriate edit point key(s) ([SOURCE IN], [SOURCE OUT], [DEST IN] or [DEST OUT] keys)  
to select the track(s) to be erased, and press the [ENTER/YES] key.  
*These edit point keys are used to select tracks 1 through 4 (TR 1 through TR 4), as labeled below the keys.  
The selected track number(s) surrounding by a box flash(es) in red.  
By pressing the [ENTER/YES] key, "Erase & Clip" (or "Erase" when selecting a "Tape mode" audio file) with  
flashing "Sure?" appears on the display.  
Flashing  
Flashing  
10-6  
5. Press the [ENTER/YES] key.  
The unit starts erasing track data between the "SOURCE IN" and "SOURCE OUT" points of the specified  
track(s).  
The display shows the required time together with the achieved percentage for erase.  
The time is counted down while the percentage is counted up as the erase operation is in progress.  
Also, the status is graphically shown by the track 1 level indicators which gradually light up from left to  
right. When all the data is erased, "Erase Completed!" is shown and the unit stops.  
%
REMAIN  
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
Tips:  
When a "Tape mode" audio file is  
selected, "Erase!" appears.  
%
REMAIN  
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
6. Press the [EXIT/NO] or [STOP] key repeatedly to exit the AUDIO EDIT mode.  
Tips:  
If you are not satisfied with the result, you can undo the erase operation.  
Note that, however, you cannot undo the erase operation with a "Tape mode" audio file.  
Tips:  
The erased track data still remains in the clipboard after the erase operation is completed.  
To check the erased track data, press the [PLAY] key while holding down the [STOP] key to perform the  
"SOURCE PLAY" function.  
While the erased data remains in the clipboard, you can paste or insert the erased data by executing  
"Clip Paste?" or "Clip Insert?" described earlier in this chapter.  
<Note>  
With a "Tape mode" audio file, the erased track data does not remain in the clipboard. Therefore, if  
you are going to perform the paste or "SOURCE PLAY" function, "Empty Clipboard!" appears and the  
operation is canceled.  
10-7  
Cutting track data  
You can cut track data between the "SOURCE IN" and "SOURCE OUT" points.  
<Note>  
You cannot cut operation with a “Tape mode” audio file.  
REC END  
Cut data  
REC END  
SOURCE IN  
point  
SOURCE OUT  
point  
Tips:  
If you cut data for all tracks, the REC END point of the file moves forward.  
If you cut data for some of tracks, “0” data replaces the previous data, and the file length does not change.  
REC END  
<Note>  
If only data on a single track of a STE-  
REO audio file is cut, the REC END point  
Track 1  
of the file does not changed.  
For example, if only data on track 2 is  
Cut data  
Track 2  
cut as illustrated on the right, the REC  
REC END  
END point of the audio file does not  
changed because the REC END point of  
track 1 does not change.  
Track 1  
data "0"  
Track 2  
1. Store the "SOURCE IN" and "SOURCE OUT" points.  
See "Chapter 6: Storing time data" for details about how to store these points.  
2. If necessary, trim these edit points using the preview function.  
See "Chapter 8: Preview function" for details about how to trim edit points.  
3. While stopped, press the [AUDIO EDIT] key to show "Cut & Clip?" on the display, followed by the  
[ENTER/YES] key.  
By pressing the [ENTER/YES] key, "Sel.Cut TRK?" appears on the display.  
Flashing  
Flashing  
Tips:  
You can select any one or more tracks to be cut available in the file. With a MONO file, only track 1 can  
be selected.  
10-8  
4. Press the appropriate edit point key(s) ([SOURCE IN], [SOURCE OUT], [DEST IN] or [DEST OUT] keys)  
to select the track(s) to be cut, and press the [ENTER/YES] key.  
* These edit point keys are used to select tracks 1 through 4 (TR 1 through TR 4), as labeled below the keys.  
Depending on the track mode of the audio file, the selectable tracks are restricted.  
By pressing the [ENTER/YES] key, "Cut & Clip" with flashing "Sure?" appears on the display.  
Flashing  
Flashing  
5. Press the [ENTER/YES] key.  
The unit starts cutting track data between the "SOURCE IN" and "SOURCE OUT" points of the specified  
track(s).  
The display shows the required time together with the achieved percentage for cut.  
The time is counted down while the percentage is counted up as the cut operation is in progress.  
Also, the status is graphically shown by the track 1 level indicators which gradually light up from left to  
right. When all the data is cut, "Cut Completed!" is shown and the unit stops.  
%
REMAIN  
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
REMAIN  
%
H
M
S
BIT  
24  
48  
1
2
FS  
kHz  
CLOCK  
-INT-  
12  
8
60 50 42 34 28  
2018  
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
6. Press the [EXIT/NO] or [STOP] key repeatedly to exit the AUDIO EDIT mode.  
Tips:  
If you are not satisfied with the result, you can undo the cut operation.  
Tips:  
The cut track data still remains in the clipboard after the cut operation is completed.  
While the cut data remains in the clipboard, you can paste or insert the data by executing "Paste Clip?"  
or "Insert Clip?" described earlier in this chapter.  
10-9  
Chapter 11  
LIST PLAY function  
This chapter describes the list play function, by which you can play back  
more than one recorded audio file continuously.  
LIST PLAY function  
The LIST PLAY function allows to link multiple audio files recorded by the same condition  
(e.g. TR MODE, Fs, AUDIO FILE) and reproduce the files continuously while maintaining TC  
continuity. There are two LIST PLAY modes; One is the “LTC_Link” and the other the “SongLink”  
available on DV40.  
LTC_Link  
In the “LTC_Link” mode, based on the recorded LTC Start Time in each file, multiple files are linked and  
reproduced continuously. This mode should be used when the LTC address has to be matched in conjunc-  
tion with other equipment such as a video camera.  
SongLink  
The “SongLink” mode links audio files in the file number ascending order (e.g. file No.1 -> file No.2 -> file  
No.3 ...). LTC Start Time will be set according to the one recorded in the first link file (default setting: 01h  
00m 00s 00f) and the LTC will be jammed regardless of recorded LTC Start Time in the following linked  
files. This mode is convenient when reproducing multiple audio files continuously.  
<CAUTION 1>  
In order to link multiple audio files recorded on DV40, each SW setting, audio file format (BWF or SDII),  
sampling frequency, resolution (quantization bits) and track mode (mono, stereo or multi) must be the  
same in all the files to be kinked.  
<CAUTION 2>  
The message “<<Silent Area>>” indicating no audio to be reproduced exists will be displayed on the DV40  
FL display when in the following condition.  
• If there is an overlapping LTC address between the files in the LTC_Link mode, <<Silent Area>> is  
displayed while reproducing the overlapped latter file.  
• There are hidden files (deleted files) in the LTC_Link mode.  
• When the last linked file finishes reproducing.  
Presume that the following six files (including deleted File No.5) recorded by the same condition (Fs,  
resolution, etc.) exist on the DVD-RAM disk.  
File No.  
LTC Start Time 01h00m00s00f 01h01m00s00f 01h01m25s00f 01h02m00s00f  
Duration 30 sec 30 sec 30 sec 30 sec  
001  
002  
003  
004  
005 (DELETED)  
006  
-
-
01h03m00s00f  
30 sec  
When executing the LIST PLAY function in the “LTC_Link” and “SongLink” mode, the linked files and the  
order are indicated in the drawing below.  
File No. 001  
<<Silent Area>>  
File No. 002 <<Silent Area>> File No. 004 <<Silent Area>> File No. 006 <<Silent Area>>  
LTC_Link  
01h00m00s00f 01h00m30s00f 01h01m00s00f 01h01m30s00f 01h02m00s00f 01h02m30s00f 01h03m00s00f 01h03m00s00f  
File No. 001  
File No. 002  
File No. 003  
File No. 004  
File No. 006 <<Silent Area>>  
SongLink  
01h00m00s00f 01h00m30s00f 01h01m00s00f 01h01m30s00f 01h02m00s00f 01h02m30s00f  
In the LTC_Link mode, there is a gap of LTC address (01h00m30s00f ~ 01h01m00s00f) between the File No.  
001 and 002. Although LTC is continuously output in this section, <<Silent Area>> is displayed.  
There is an overlapping LTC address between the File No. 002 and 003. Since a smaller File No. has a  
priority, File No. 002 is reproduced and File No. 003 will not be reproduced. Thus, <<Silent Area>> is  
displayed from 01h01m30s00f ~ 01h02m30s00f.  
<<Silent Area>> is also displayed in the deleted File No. 005 LTC section (01h02m30s00f ~ 01h03m00s00f).  
In the SongLink mode, DV40 just simply links the File No. 001 ~ 004 and 006 regardless of LTC START  
address setting on the File No. 002 ~ 004 and 006. Then, it reproduces each file continuously.  
In both Link modes, DV40 keeps on playing and outputting LTC even after reproducing the last link file is  
completed. In this section, <<Silent Area>> is displayed.  
Refer to the following explanation to turn on the LIST PLAY mode.  
11-2  
Turning On LIST PLAY mode  
1. Press the [LIST PLAY/(EDIT)] key and rotate the jog dial.  
When the [LIST PLAY/(EDIT)] key is pressed, the following appears on the DV40 FL display.  
The default setting of the LIST PLAY mode is “LTC_Link”. By rotating the jog dial C.W., you can choose  
the “SongLink” mode.  
Flashing  
Flashing  
2. Press the [ENTER/YES] key.  
After pressing the [ENTER/YES] key, “<<Wait!>>” message starts flashing for a short while indicating  
that DV40 is creating a linked file list on the DV40 FL display. Then, the [LIST PLAY/(EDIT)] key will be lit  
solid. This indicates that the selected LIST PLAY mode is turned ON.  
3. Press the [PLAY] key.  
Pressing the [PLAY] key allows to reproduce the linked multiple files.  
<Note>  
Pressing the [FILE SEL] key when the LIST PLAY mode is on allows to select either the “LTC_Link” or  
SongLink” mode.  
Confirming Linked Files  
Pressing the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key allows to locate to the beginning of  
each linked file in the ascending/descending order respectively. When the files 001 ~ 006  
are linked as shown in the drawing below.  
File No. 001  
File No. 002  
File No. 003  
File No. 004  
File No. 006  
<<Silent Area>>  
SongLink  
01h00m00s00f  
01h00m30s00f  
01h01m00s00f  
01h01m30s00f  
01h02m00s00f  
01h02m30s00f  
by pressing the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key, the followings appear on the DV40 FL  
display.  
LTC  
H
M
S
F
Press [SKIP/CURSOR >>I] key  
Press [SKIP/CURSOR I<<] key  
LTC  
H
M
S
F
Press [SKIP/CURSOR I<<] key  
Press [SKIP/CURSOR >>I] key  
LTC  
H
M
S
F
Press [SKIP/CURSOR I<<] key  
Press [SKIP/CURSOR >>I] key  
LTC  
H
M
S
F
Press [SKIP/CURSOR >>I] key  
Press [SKIP/CURSOR I<<] key  
LTC  
H
M
S
F
11-3  
Reprogramming PLAY LIST  
If you find that there are unnecessary linked files exist, you can reprogram the PLAY LIST  
by deleting them.  
1. Turn off the LIST PLAY mode.  
If the LIST PLAY LED is lit solid, press the [LIST PLAY/(EDIT)] key to turn the mode off.  
2. Recall the File you would like to delete.  
Press either the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key and recall the file you would like to delete.  
3. Press the [SHIFT] key and then [SETUP] key to enter the Utility mode.  
4. Rotate the jog dial or press the [SKIP/CURSOR >>I] / [SKIP/CURSOR I<<] key to select the  
“Delete File?” menu.  
The following appears on the FL display. (“?” is flashing.)  
Flashing  
5. Press the [ENTER/YES] key.  
Sure?” message starts flashing.  
Flashing  
6. Press the [ENTER/YES] key.  
The file is deleted.  
<CAUTION>  
Even after unnecessary files are deleted, they can be restored by the “Restore DelFile?” Utility menu.  
This indicates that the files have not been completely erased from the DVD-RAM disk yet.  
However, if you optimize the DVD-RAM disk by the “Optimize Disk?” Utility menu, deleted files are  
completely erased from the DVD-RAM disk. After optimizing, they can be no longer restored.  
<Note>  
A deleted file before optimizing on DV40 is categorized as a “hidden file”. It can be seen as a  
translucent file on a personal computer. (If the folder option “A hidden files are not displayed.” on  
the computer is selected, change the folder option setting to allow to display hidden files.)  
In the condition that the translucent hidden file can be seen on the computer, display the file  
property and uncheck the “check mark” on the “hidden file”. By doing so, can restore the deleted file  
even on the computer.  
Locating to Beginning of PLAY LIST  
While the LIST PLAY mode is on ([LIST PLAY/(EDIT)] key is lit), executing “LOCATE ABS 0”  
(pressing the [<< REWIND] key while holding down the [STOP] key) allows to locate to the  
beginning of the first linked file (the closest file to the LTC 00h00m00s00f).  
Locating to End of PLAY LIST  
While the LIST PLAY mode is on ([LIST PLAY/(EDIT)] key is lit), executing “LOCATE REC END”  
(pressing the [F FWD >>] key while holding down the [STOP] key) allows to locate to the end  
of the last linked file.  
11-4  
Chapter 12  
Using a PS/2 keyboard  
This chapter describes how to control the DV40 using a PS/2 keyboard con-  
nected to the [KEYBOARD] terminal.  
Controlling the DV40 from a PS/2 keyboard  
By connecting a PS/2 keyboard to the [KEYBOARD] terminal on the front panel of the DV40,  
you can easily carry out various operation such as file name or volume label editing.  
DVD MASTER RECORDER  
OPEN/CLOSE  
DISP  
SETUP  
FILE SEL  
VARI PITCH  
JOG  
SHUTTLE  
TIME  
LTC  
H
M
S
F
UTILITY  
SHIFT  
DIRECTORY  
DISP  
PGM  
LEVEL  
BIT  
24  
48  
1
2
SKIP/CURSOR  
FS  
kHz  
CLOCK  
-INT-  
60 50 42 34 28  
2018  
12  
8
6
5
4
3
2
1
0
OL -0.1%  
FORMAT  
BWF  
MARGIN  
RESET  
EXIT/NO ENTER/YES  
CUE POINT MEMORY  
3
4
-
+
DRIVE  
TAPE MODE  
PLAY  
CHASE  
LIST PLAY  
POWER  
DVD  
HD  
space  
GHI  
ABC  
JKL  
DEF  
MNO  
WXYZ  
TC SETUP  
EDIT  
INPUT MON MUTE SLATE TONE  
IN SOURCE OUT  
IN  
DST  
OUT  
1
4
7
2
5
8
3
6
9
RECORD  
STOP  
REWIND  
F
FWD  
TONE REC  
PREVIEW  
TR3  
TR4  
MUTE REC  
AUDIO RDY  
NEW FILE INSERT  
TR1  
TR2  
TC RDY  
PQRS  
TUV  
AUDIO EDIT UNDO  
LOCATE  
symbol  
SOURCE PLAY  
LOCATE ABS  
LOCATE REC END  
STORE  
0
0
HOLD  
MONO  
TR4  
TR3  
TR2  
TR1  
176.4  
192  
30  
30DF  
29.97  
24H RUN  
REC RUN  
INT  
ON  
OFF  
ON  
TR1,3+2,4  
TR3+4  
OFF  
WORD  
VIDEO  
96  
88.2  
48  
24BIT  
MONO  
STEREO  
+0.1%  
NORM  
-0.1%  
ANALOG  
DIGITAL  
BWF  
SDII  
REMOTE  
LOCAL  
29.97DF  
FREE RUN  
EXT RUN  
BY-  
PASS  
BY-  
PASS  
TR1+2  
(kHz)  
25  
DIGITAL  
MULTI(4TR)  
44.1  
48  
24  
16BIT  
MIN  
MAX  
PHONES  
44.1 RSVD  
23.97  
MIN  
TR1  
MAX  
TR2  
MIN  
INPUT LEVEL  
MAX  
TR3 TR4  
PULL  
UP/DOWN  
INPUT  
TR MODE  
SAMPLING FREQ  
FRAME RATE  
TC GEN MODE  
CLOCK  
KD  
MOUSE  
CONTROL  
AUDIO FILE  
DV40  
Print  
Screen  
SysReq  
Scroll Pause  
Lock Break  
F1  
ESC  
F2  
F3  
F5  
F7  
F9 F10 F11 F12  
F4  
F6  
F8  
Help  
_
Page  
~
`
Num  
Lock  
$
4
%
5
^
6
&
(
)
+
=
!
1
@
2
#
3
*
Insert Home  
Up  
Back Space  
-
/
*
9
8
7
9
0
-
Page  
Down  
7
8
{
[
}
]
Q
W
E
R
T
Y
U
I
O
P
|
/
End  
Delete  
TAB  
Home  
Pg Up  
+
4
5
6
A
S
D
F
G
H
J
K
L
J
K
Caps Lock  
SHIFT  
Ctrl  
ENTER  
2
3
1
<
,
>
.
Z
X
C
V
B
N
M
?
/
SHIFT  
Ctrl  
End  
Pg Dn  
Enter  
0
Ins  
.
Alt  
Alt  
Del  
PS/2 keyboard  
<Ineffective keys>  
F12  
Insert  
In the following figure, the keys with an underline, such as  
and  
do not function.  
Print  
Scroll Pause  
Lock Break  
F1  
Screen  
ESC  
F2  
F3 F4  
F5 F6 F7 F8  
F9 F10  
F11 F12  
SysReq  
Help  
_
Page  
~
`
Num  
Lock  
$
4
%
5
^
6
&
7
(
)
+
=
!
1
@
2
#
*
Insert Home  
Up  
Back Space  
-
/
*
8
9
0
-
3
Page  
Down  
7
8
9
{
[
}
]
|
/
Q
W
E
R
T
Y
U
I
O
P
End  
Delete  
TAB  
Home  
Pg Up  
+
4
5
6
A
S
D
F
G
H
J
K
L
J
K
Caps Lock  
SHIFT  
Ctrl  
ENTER  
2
3
1
<
,
>
.
Z
X
C
V
B
N
M
?
/
SHIFT  
Ctrl  
End  
Pg Dn  
Enter  
0
Ins  
.
Alt  
Alt  
Del  
<Note>  
During controlling the DV40 from a keyboard, if the DV40 does not accept key operations,  
unplug then plug the keyboard cable connector.  
12-2  
The common functions between keys on the DV40 and a PS/2 keyboard  
The PS/2 keyboard keys shown below act the same function as the associated keys or jog  
dial on the DV40 front panel.  
PS/2 keyboard  
DV40  
ESC  
ENTER  
Pressing the  
[SKIP/CURSOR [SKIP/CURSOR  
>>I] key I<<] key  
Pressing the  
Rotating the Jog  
dial counter  
clockwise  
Pressing the  
Pressing the  
[ENTER/YES] key [EXIT/NO] key  
Rotating the Jog  
dial clockwise  
Accessing setting menus using the [Alt] key  
Pressing the [Alt] key together with the following keys access the appropriate setting menus.  
U
S
T
PS/2 keyboard  
DV40  
Alt  
Alt  
+
+
+
Alt  
Accesses the Utility mode  
Accesses the Setup mode  
Accesses the TC Setup mode  
Tips:  
Pressing the [F1] key on the PS/2 keyboard directly accesses the “Edit File Name?” menu in the  
Utility mode.  
Flashing  
Print  
Scroll Pause  
F1  
Screen  
ESC  
F2  
F11 F12  
Back Space  
F3 F4  
F5 F6 F7 F8  
F9 F10  
Lock Break  
SysReq  
Help  
_
Page  
Up  
~
`
Num  
Lock  
$
4
%
5
^
6
&
7
(
9
)
0
+
=
!
1
@
2
#
3
*
Insert Home  
-
/
*
8
-
Page  
Down  
7
8
9
{
[
}
]
|
/
Q
W
E
R
T
Y
U
I
O
P
End  
Delete  
TAB  
Home  
Pg Up  
+
4
5
6
A
S
D
F
G
H
J
K
L
J
K
Caps Lock  
SHIFT  
Ctrl  
ENTER  
2
3
1
<
,
>
.
Z
X
C
V
B
N
M
?
/
SHIFT  
Ctrl  
End  
Pg Dn  
Enter  
0
Ins  
.
Alt  
Alt  
Del  
12-3  
Chapter 13  
FTP Server Function  
This chapter describes the FTP server function using the ETHER card  
mounted on the DV40.  
FTP Server Function  
Working as a FTP (File Transfer Protocol) server, DV40 can send and receive BWF and SDII  
files to and from a client PC using TCP/IP (Transmission Control Protocol/Internet Protocol).  
When sending and receiving data, a FTP client application is required.  
<Notes>  
• Audio file can be transferred only while the DV40 is stopped (however, it is possible to log in only  
while the DV40 is running).  
• Set the [CONTROL] switch on the DV40 front panel to "REMOTE" when using the FTP function. If  
the [CONTROL] switch is set to "LOCAL", the FTP function does not work (however, you can log in  
even if the switch is set to "LOCAL").  
• While transferring audio file data, the display shows "TCP CONNECTED" and all key operations are  
disabled. To interrupt the data transfer, send the "abort" command from the FTP client or alter  
the [CONTROL] switch on the DV40 front panel to "LOCAL".  
• When the DV40 is in the initial condition, you can log in even if you do not enter the login name  
and password.  
To control logging in, enter the desired login name and password in the TCP/IP Setup menu.  
See "Chapter 15: Setup mode" for details about how to set them.  
Connection  
When connecting DV40 to a client PC, a “Category 5” cable which complies to 10BASE-T and  
100BASE-TX must be used. If DV40 is directly connected to a client PC, a cross cable must be  
used. In the case DV40 is connected to a client PC via hub, a straight cable must be used.  
When DV40 recognizes a client PC, the “LINK” LED on the DV40 rear panel is lit solid.  
Category 5 LAN Cross Cable  
<DV40 Direct Connection>  
ETHERNET  
DIGITAL INPUT  
TR4-3  
VIDEO  
FAN  
TR2-1  
TR1  
TR2  
INPUT  
THRU  
75  
ON OFF  
LO HI  
DIGITAL OUTPUT  
WORD  
TR4-3  
TR2  
TR2-1  
TR1  
INPUT  
THRU  
OUTPUT  
10/100  
LINK  
75Ω  
ON OFF  
To a PC LAN port  
TX/RX  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
AC IN  
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
GPI  
OUTPUT  
INPUT  
15P-REMOTE  
9P-REMOTE  
LINK LED is lit solid.  
<DV40 Connection via Hub>  
Hub  
Category 5 LAN Straight Cable  
Category 5 LAN Straight Cable  
ETHERNET  
DIGITAL INPUT  
TR4-3  
VIDEO  
FAN  
TR2-1  
TR1  
TR2  
INPUT  
THRU  
75  
ON OFF  
LO HI  
DIGITAL OUTPUT  
WORD  
TR4-3  
TR2  
TR2-1  
TR1  
INPUT  
THRU  
OUTPUT  
10/100  
LINK  
75Ω  
ON OFF  
To a PC LAN port  
TX/RX  
1:GND  
2:HOT  
3:COLD  
TR1  
TR2  
192kHz  
176.4kHz  
AC IN  
1
2
3
4
5
6
7
8
1
2
3
4
5
6
7
8
GPI  
OUTPUT  
INPUT  
15P-REMOTE  
9P-REMOTE  
LINK LED is lit solid.  
13-2  
FTP Command Compliance  
The following FTP commands can be used when DV40 works as a FTP server.  
USER  
PASS  
QUIT  
PORT  
Identifying user name.  
Identifying password.  
Terminating FTP connection. TCP connection for Control is also cut off.  
When transferring data, relay the connection state open port number for data transferring at client side  
to server.  
Format: PORT IP1, IP2, IP3, IP4, P1, P2  
(IPx: IP address, Px: port number represented by decimal number in every 1 byte unit)  
Designating data type (ASCII, BECIDIC, BINARY, LOCAL).  
Instructing server to transfer file through data connection.  
Instructing server to write data transferred through data connection into a new file.  
Requesting server to send a list of files.  
TYPE  
RETR  
STOR  
LIST  
NLST  
CWD  
CDUP  
PWD  
Requesting server to send a detailed list of files.  
Changing current directory.  
Changing current directory to upper level.  
Displaying current directory.  
NOOP  
SYST  
Doing nothing.  
Acquire server OS type.  
The following FTP commands cannot be used when DV40 works as a FTP server.  
APPE  
DELE  
RNFR  
RNTO  
HELP  
ACCT  
PASV  
STRU  
MODE  
RMD  
Instructing server to write data transferred through data connection into an existing file additionally.  
Deleting designated file.  
Designating current file name for renaming.  
Changing current file name for renaming.  
Displaying command description.  
Identifying user account.  
Opening command state designated port except default data port (No. 20) on server.  
Designating file structure.  
Designating file transfer mode (Stream, Block, Compressed).  
Deleting designated directory.  
MKD  
Creating designated directory.  
STAT  
Requesting server condition.  
Note that  
• Deleting files  
• Renaming files  
• Creating a new directory  
cannot be executed when using a FTP client application.  
Saved File Location  
BWF File  
The files recorded by BWF AUDIO FILE SW setting are saved in the “bwff” folder. Note that onlya  
file with “.wav” extension can be saved in the “bwff” folder.  
SDII File  
The files recorded by SDII AUDIO FILE SW are saved in the “sd2f” folder. Note that the file type to  
send and received data is “MacBinary version 2”. Because of this, the “*,bin” file extension is added  
to a file name.  
FTP Client Applicationº  
The FTP client applications we confirmed the operation are  
Fetch (Shareware for Macintosh computer)  
WS FTP (Shareware for Windows computer)  
The FTP client application we found inoperative is  
FTP Explorer (Shareware for Windows computer)  
13-3  
CheckingTCP/IP Menus  
There are several menus in the TCP/IP settings on DV40. First, press the [SETUP] key and  
then rotate the jog dial. While the menu “TCP/IP Setup?” is displayed, press the [ENTER/YES]  
key.  
SETUP  
Flashing  
By rotating the Jog dial, the menu changes as shown below.  
SETUP  
Flashing  
SETUP  
Flashing  
SETUP  
Flashing  
SETUP  
Flashing  
SETUP  
Flashing  
LoginName User 02  
LoginName User 14  
SETUP  
Flashing  
SETUP  
13-4  
Changing theTCP/IP setting  
There are cases that the TCP/IP settings must be changed. For example, if 2 x DV40s exist in  
a single network environment, the IP Address on one of the DV40s must be changed. This  
section describes how to change the TCP/IP settings.  
• IP Address  
The IP Address on DV40 is set in this menu.  
1. Rotate the jog dial to select “IP Addr.? [192.16” and press the [ENTER/YES] key.  
SETUP  
Flashing  
To check the full digits of IP address, press the [SKIP/CURSOR >>I] key once. If you do so, the  
following will appear on the DV40 FL display.  
SETUP  
Now you can see that the current IP Address setting on DV40 is [192. 168. 1. 64].  
2. Press the [ENTER/YES] key.  
If the [ENTER/YES] key is pressed, the section “192” starts flashing.  
SETUP  
Flashing  
3. Move the cursor and change the IP Address.  
Move the cursor by the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key and rotate the jog dial to  
change the IP Address. The alphanumeric keys can be also used to change the IP Address.  
4. Press the [ENTER/YES] key.  
Pressing the [ENTER/YES] key defines the change on the IP Address.  
• Gateway  
The Gateway should be set when the Gateway server exists in the network DV40 is con-  
nected. If there is no Gateway server exists, you do not have to set the Gateway.  
1. Rotate the jog dial to select “Gateway? [192. 16” and press the [ENTER/YES] key.  
SETUP  
Flashing  
To check the full digits of Gateway, press the [SKIP/CURSOR >>I] key once. If you do so, the  
following will appear on the DV40 FL display.  
Now you can see that the current Gateway setting on DV40 is [192. 168. 1. 2].  
SETUP  
13-5  
2. Press the [ENTER/YES] key.  
If the [ENTER/YES] key is pressed, the section “192” starts flashing.  
SETUP  
Flashing  
3. Move the cursor and change the Gateway.  
Move the cursor by the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key and rotate the jog dial to  
change the Gateway. The alphanumeric keys can be also used to change the Gateway.  
4. Press the [ENTER/YES] key.  
Pressing the [ENTER/YES] key defines the change on the Gateway.  
• Sub net  
The Sub net mask value in the network DV40 exists should be set. In the case the Sub net  
mask is not used, you do not have to set this value.  
1. Rotate the jog dial to select “Subnet? [255.25” and press the [ENTER/YES] key.  
SETUP  
Flashing  
To check the full digits of Sub net value, press the [SKIP/CURSOR >>I] key once. If you do so, the  
following will appear on the DV40 FL display.  
Now you can see that the current Subnet setting on DV40 is [255. 255. 255. 0].  
SETUP  
2. Press the [ENTER/YES] key.  
If the [ENTER/YES] key is pressed, the section “255” starts flashing.  
SETUP  
Flashing  
3. Move the cursor and change the Sub net mask.  
Move the cursor by the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key and rotate the jog dial to  
change the Sub net value. The alphanumeric keys can be also used to change the Sub net value.  
4. Press the [ENTER/YES] key.  
Pressing the [ENTER/YES] key defines the change on the Sub net value.  
• Login Name (Administrator)  
Using the Login Name and the Password set in this menu, log in from a FTP client appli-  
cation.  
1. Rotate the jog dial to select “LoginName Admin?” and press the [ENTER/YES] key.  
The first letter “d” of default login name “dv40” starts flashing.  
SETUP  
Flashing  
13-6  
2. Press the [ENTER/YES] key.  
Move the cursor by the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key and rotate the jog dial to  
change the Login Name to a desired one. The alphanumeric keys can be also used to change the  
Login Name.  
3. Press the [ENTER/YES] key.  
Pressing the [ENTER/YES] key defines the Login Name. Then the first letter “d” of default  
password “dv40” starts flashing.  
SETUP  
Flashing  
4. Move the cursor and change the Password.  
Move the cursor by the [SKIP/CURSOR >>I] or [SKIP/CURSOR I<<] key and rotate the jog dial to  
change the Password to a desired one. The alphanumeric keys can be also used to change the  
Password.  
5. Press the [ENTER/YES] key.  
Pressing the [ENTER/YES] key defines the change on the Password.  
6. Press the [EXIT/NO] key.  
Pressing the [EXIT/NO] key goes back to the normal display.  
• Login Name (Usr 01 ~ 15)  
Set the Usr (User 01 ~ 15) Login Name and the Password in the same manner as explained  
in the section LogIn Name.  
• MAC Address  
The MAC (Machine Access Control) address is the 48-bit machine-specific fixed address,  
so that DV40 used in a network environment can be identified. It can be checked but not  
changed.  
1. Rotate the jog dial to select “Mac Addr. [00. 06..  
SETUP  
2. Press the [SKIP/CURSOR >>I] key several times.  
Pressing the [SKIP/CURSOR >>I] key several times allows to check the full digits of machine-  
specific MAC address. The MAC address of the example below is [00. 06. 64. 01. 00. 14].  
SETUP  
13-7  
Chapter 14  
Importing an audio file to a computer  
This chapter describes how to import an audio file created by the DV40 to  
a computer.  
Importing an audio file to the Digidesign ProTools  
You can import an audio file to the Digidesign Pro Tools on your computer.  
In the following description, we assumes that the Pro Tools application program for Macintosh  
is running on a Macintosh computer and a recorded DVD-RAM disc is set on the DVD-RAM  
drive connected to the computer. For details about the Pro Tools, see the documentation  
attached to the Pro Tools.  
1. Click on "Audio" in the ProTools window to popup the audio region list.  
2. In the popup menu, select and click on "Import Audio".  
Click on "Audio".  
Select and click on  
"Import Audio".  
3. Select and double-click on "DV40-DVD" on the desktop.  
The disc volume name in the following example shows the default tentative name.  
If you edited the volume name during formatting of the DVD-RAM disc by the DV40, the edited name is  
shown.  
Select and double-  
click on "DV40-DVD"  
on the desktop.  
14-2  
4. Select the desired directory ("bwff" or "sd2f") on the disc.  
5. Double-click on a desired audio file in the selected directory.  
The selected audio file is shown in the "Region in current file" box.  
6. Click on "Convert->", followed by "Done".  
The window for selecting a destination folder for the saved file appears.  
Select "bwff" or "sd2f".  
Double-click on it.  
The selected audio  
file is shown.  
Click on "Convert->"  
Click on "Done".  
7. Select a desired directory to which the audio file is saved, and click on "Select".  
The computer starts saving the file.  
Click on "Select".  
14-3  
The saved file is shown in the Audio region list.  
The saved file is shown.  
8. Click on "Spot" to make it active, and drag & down the Audio region list to the track area.  
The Spot Dialog window  
appears.  
14-4  
9. Click on  
in the Spot Dialog window, followed by "OK".  
Clicking on  
sets the currently displayed time of "Original Time Stamp" to the "Start" time.  
Then clicking on "OK" imports audio data from the "Start" time position.  
The currently displayed time of  
"Original Time Stamp" is set to  
the "Start" time.  
Click on  
.
Click on "OK".  
The audio data is imported to the specified position.  
14-5  
Chapter 15  
Setup mode  
In the Setup mode, you can set preferences, etc. of the unit as below.  
1. Internal clock time adjustment (see chapter 1 for details.)  
2. Display contrast setting  
3. Reference level setting  
4. Digital input track selection  
5. Digital output signal format selection  
6. Skipped item selection for the skip mode  
7. Self diagnoses on/off  
8. Auto EE mode on/off  
9. Panel lock on/off  
10. RS-422 setting  
11. Peak hold time setting  
12. GPI on/off  
13. Slate tone recording time  
14. Mute recording time  
15. File name mode setting  
16. Default file name setting  
17. Saving setup data to a User box  
18. Loading setup data from a User box  
19.TCP/IP settings  
20. Main CPU version display  
21. Ethernet version display  
How to access and set a Setup menu  
SETUP  
<Note>  
You can access the Setup menu while the unit is  
stopped and is not in the Utility or TC Setup mode.  
SETUP  
Note that the operation procedure shown below is  
not applied to the "RS422 Setup" and "TCP/IP Setup"  
menus. See the explanations described later about  
how to access and set those menus.  
SETUP  
SETUP  
SETUP  
SETUP  
1. While the unit is stopped and the SHIFT indicator  
is unlit, press the [SETUP] key.  
The unit enters the Setup mode.  
The first time the unit enters the Setup mode after  
turning on the power, the first level of the "Adjust RTC?"  
menu is shown on the display. Otherwise, the first level  
of the Setup menu previously accessed is shown.  
SETUP  
SETUP  
SETUP  
SETUP  
SETUP  
Flashing  
SETUP  
Y
M
D
H
M
S
2. Use the jog dial (or the [SKIP/CURSOR |<<] / [SKIP/  
CURSOR >>|] keys) to select a desired Setup  
menu, and press the [ENTER/YES] key.  
You can now set the selected menu.  
The Setup menu changes in the order shown on the  
right.  
SETUP  
3. Use the jog dial (or the [SKIP/CURSOR |<<] / [SKIP/  
CURSOR >>|] keys) to select a desired option, and  
press the [ENTER/YES] key.  
SETUP  
The selected option is confirmed and the display  
returns to the first level.  
SETUP  
SETUP  
SETUP  
4. Press the [EXIT/NO] or [STOP] key to exit the Setup  
mode.  
SETUP  
SETUP  
SETUP  
SETUP  
SETUP  
15-2  
Display contrast setting  
Digital input track selection  
You can control the display contrast via the "Con-  
trast?" menu.  
This setting is global and is not dependent on files.  
The setting is maintained after you turn off the  
power. You can save or load the setting.  
You can select tracks which record digital input sig-  
nals. With a MULTI-track audio file, the tracks which  
are not selected here can record analog input sig-  
nals at the same time while the selected tracks record  
digital input signals.  
This setting is dependent on files and is maintained  
after you turn off the power. You can save or load  
the setting.  
SETUP  
SETUP  
Flashing  
SETUP  
Flashing  
SETUP  
Flashing  
The lower value softens the contrast and the higher  
"00" - "15"  
Flashing  
value hardens the contrast.  
The default setting is "11".  
The tracks which receive digital inputs and are locked  
“Auto”  
are automatically selected to record digital input signals.  
This is the default setting.  
Tracks 1-2 are selected to record digital input signals,  
“1-2” while tracks 3-4 are selected to record analog input sig-  
Reference level setting  
You can set the reference level of the unit.  
This setting is global and is not dependent on files.  
The setting is maintained after you turn off the  
power. You can save or load the setting.  
nals.  
Tracks 3-4 are selected to record digital input signals,  
while tracks 1-2 are selected to record analog input sig-  
nals.  
“3-4”  
SETUP  
Digital output signal format selection  
Flashing  
You can select the digital format of signals output  
from the DIGITAL OUT connector.  
SETUP  
This setting is dependent on files and is maintained  
after you turn off the power.  
You can save or load the setting.  
SETUP  
Flashing  
The reference level is -12 dB.  
“-12dB”  
“-18dB” The reference level is -18 dB.  
Flashing  
“-20dB” The reference level is -20 dB (the default setting).  
SETUP  
You can see the reference level by red bars above and  
below the appropriate numerical value of the level meter  
on the display.  
Flashing  
1
2
Signals conformed to the IEC 60958 (AES/EBU)  
format are output from the DIGITAL OUT connector.  
This is the default setting.  
8
60  
50 42 34 28  
2018  
12  
6
5
4
3
2
1
0 OL  
“AES/EBU”  
“S/P DIF”  
3
4
Signals conformed to the IEC 60958 (S/P DIF) for-  
mat are output from the DIGITAL OUT connector.  
12  
15-3  
Skipped item selection for the skip mode  
Self diagnoses on/off  
You can create and store self diagnoses files which  
record errors detected during recording.  
This setting is dependent on files and is maintained  
after you turn off the power.  
You can select the item to be skipped in the skip  
mode.  
This setting is dependent on files and is maintained  
after you turn off the power.  
You can save or load the setting.  
You can save or load the setting.  
SETUP  
You can see the associated self diagnoses file by ex-  
porting an audio file to your computer.  
SETUP  
Flashing  
SETUP  
Flashing  
SETUP  
Flashing  
Skips through audio files currently created. This is the  
default setting.  
“File”  
Flashing  
Skips through the CUE points stored in ABS time order.  
“CUE”  
A self diagnoses file is stored on a DVD-RAM disk.This  
“Off”  
“On”  
is the default. Note that if "Verify Write" is set to OFF,  
the file is not stored.  
Skips through the MEMORY points stored in ABS time  
order.  
“MEM”  
Self diagnoses files are created.This is the default set-  
ting.  
A self diagnoses file is stored on a disk with the ".dia"  
extension.  
A file is created in the text format so you can open it  
with a text editor.  
Auto EE mode on/off  
You can set the auto EE mode to "On" or "Off".  
When set it to "On", you can always monitor the  
input signal except during playback or cueing.  
This setting is dependent on files and is maintained  
after you turn off the power.  
Diagnoses list file  
S18h 48m 49s 02 nov2001.sd2  
2001-11-03 16:53:38  
You can save or load the setting.  
ABS time 00: 00: 04 Rec time-out error!  
ABS time 00: 00: 09 Rec time-out error!  
ABS time 00: 00: 15 Rec time-out error!  
ABS time 00: 00: 21 Rec time-out error!  
SETUP  
Flashing  
Diagnoses list file  
S18h 48m 49s 02 nov2001.sd2  
2001-11-03 17:51:22  
SETUP  
ABS time 00: 00: 12 Rec time-out error!  
ABS time 00: 00: 23 Rec time-out error!  
ABS time 00: 00: 37 Rec time-out error!  
ABS time 00: 00: 45 Rec time-out error!  
Flashing  
You can monitor the input signal by using the INPUT  
MON key.This is the default setting.  
“Off”  
You can always monitor the input signal except during  
playback or cueing.  
“On”  
15-4  
To make setting, select the desired setting items and  
press the [ENTER/YES] key, then select the desired  
option using the jog dial and press the [ENTER/YES]  
key.  
Panel lock on/off  
You can select whether or not the keys/controls on  
the front panel of the unit are disabled (locked) when  
setting the [CONTROL] key to "REMOTE".  
1. Device code  
You can emulate the device code of the DV40 to the  
other device.  
This setting is global and is not dependent on files.  
The setting is maintained after you turn off the  
power. You can save or load the setting.  
SETUP  
SETUP  
Flashing  
Flashing  
SETUP  
SETUP  
Flashing  
Flashing  
“DV40”  
Device code is “DV40” (default setting).  
Device code is “BVW-75”. The unit emulates the BVW-  
75.  
The keys/controls on the front panel of the unit are not  
“Off”  
“BVW-75”  
disabled (locked).This is the default setting.  
The keys/controls on the front panel of the unit are  
disabled (locked).  
“On”  
2. Sync play On/Off  
This items sets whether or not to lock to the incom-  
ing video reference frame when receiving the RS-  
422 play command. If you connect the DV40 to an  
editor, set it to "On".  
Setting RS-422  
You can set the following items related with the RS-  
422.  
SETUP  
1. Device code  
2. Sync Play On/Off  
3. Editor preset  
Flashing  
These setting items are dependent on files and are  
maintained after you turn off the power. You can  
save or load the settings.  
SETUP  
By pressing the [ENTER/YES] key while "RS422 Setup?"  
is shown, "Device?DV40" appears (in the initial con-  
dition). Pressing the jog dial switches between the  
setting items.  
Flashing  
The Sync play function is not active.  
“Off”  
“On”  
The Sync play function is active (default setting).  
SETUP  
3. Editor Preset  
Set this item appropriately to match the editor con-  
nected, so that the DV40 can response correctly.  
Flashing  
SETUP  
SETUP  
Flashing  
Flashing  
SETUP  
SETUP  
Flashing  
SETUP  
Flashing  
for connecting with a video editor (default setting).  
“Lynx” for connecting with a Lynx synchronizer.  
“Video”  
Flashing  
15-5  
GPI OUT ports  
The following events can be output during playback.  
Peak hold time setting  
You can set the peak hold time of the level meters  
on the display.  
This setting is global and is not dependent on files.  
The setting is maintained after you turn off the  
power. You can save or load the setting.  
GND  
Pin 1  
Pin 2  
EVENT 1  
EVENT 0  
The event is output at CUE point 1.  
The event is output at CUE point 0.  
Pin 3  
Pin 4  
Pin 5  
EVENT 2 The event is output at CUE point 2.  
EVENT 3  
The event is output at CUE point 3.  
SETUP  
A low level, 60 msec width pulse is output during recording and play-  
back.  
Flashing  
Slate tone recording time  
SETUP  
You can set the recording time of the slate tone when  
the SHIFT indicator is lit.  
This setting is dependent on files and is maintained  
after you turn off the power.  
Flashing  
You can save or load the setting.  
The default is "3sec".  
“0 sec” ~ “9sec” or “”  
SETUP  
Flashing  
GPI on/off  
You can activate or deactivate the GPI function.  
This setting is global and is not dependent on files.  
The setting is maintained after you turn off the  
power. You can save or load the setting.  
SETUP  
Flashing  
SETUP  
Default: 10 sec.  
“0 sec”~ “30sec”  
Flashing  
SETUP  
Mute recording time  
You can set the mute recording time when the SHIFT  
indicator is lit.  
Flashing  
This setting is dependent on files and is maintained  
after you turn off the power.  
You can save or load the setting.  
“Off” The GPI function is deactivated.This is the default.  
“On” The GPI function is activated.  
SETUP  
GPI IN ports  
By making "TTL level, low active" ports to low, the follow-  
ing functions are took place.  
Flashing  
GND  
STOP  
Pin 1  
Pin 2  
Feeding the "low" pulse signal is equivalent  
to pressing the [STOP] key.  
SETUP  
Feeding the "low" pulse signal is equivalent  
to pressing the [PLAY] key.  
Pin 3  
Pin 4  
Pin 5  
PLAY  
Feeding the "low" pulse signal is equivalent  
to pressing the [>>] key.  
>>  
<<  
Flashing  
Feeding the "low" pulse signal is equivalent  
to pressing the [<<] key.  
“0 sec”~”30sec”  
Default: 5 sec.  
The minimum input pulse width:15 msec (except for Pin 3/PLAY, whose  
minimum input pulse width is 5 msec).  
15-6  
File name mode setting  
Default file name setting  
When creating a new audio file, you can give a name  
in either of two formats; a desired file name followed  
by a take number which automatically increments,  
or a name including date/time information.  
When creating a new audio file, you can specify a  
desired file name (default file name) followed by a  
take number which automatically increments. The  
default file name and starting take number can be  
set in the "DefaultFileName?" menu and are effective  
only when setting "F.Name MD?" to "TAKE".  
If you create a new audio file, the DV40 gives a file  
name starting by the specified file name, followed  
by the take number and ended by the file exten-  
sion. Each time recording in the NEW FILE mode is  
made, a new audio file with an incremented take  
number is created.  
This setting is dependent on files and stored in the  
Flash ROM.  
SETUP  
Flashing  
See Tips on the next page.  
SETUP  
<Note>  
You do not need to set the file extension (".sd2" or  
".wav"), which is automatically added to the file name/  
take number.  
Flashing  
Each name starts by the file type ("S" for SD2 or "B" for  
BWF), followed by time and date information and ends  
by the file extension. This is the default.  
For example, if you create a new SDII audio file at  
15H:30M:40S on the 10th of May in 2002, the file name  
will be "S15h 30m 40s may 2002.sd2". If a new BWF  
audio file is created at the same date/time, the file name  
will be "B15h 30m 40s may 2002.wav".  
Setting a file name and take number  
1. Bring up "Default File Name?" menu and press  
“DATE”  
the [ENTER/YES] key.  
The following appears on the DV40 FL display. (“_”  
flashes.)  
SETUP  
Each name starts by the file name which can be set in  
the "Default File Name?" menu described below, followed  
by a Take number which automatically increments, and  
ends by the file extension.  
“TAKE”  
Flashing  
SETUP  
<Note>  
If you do not set the default file name correctly in the  
"Default File Name?" menu (described below), the DV40  
automatically gives a name to a newly created file in  
the "DATE" mode regardless of the "F.Name MD?" set-  
ting.  
Flashing  
2. Input a desired file name.  
Using alphanumerical keys, jog dial and [SKIP/CURSOR  
>>I] / [SKIP/CURSOR I<<] key, input a desired file name.  
The following example names the file as “DV40”.  
SETUP  
Flashing  
3. Press the [ENTER/YES] key.  
By pressing the [ENTER/YES] key, the file name is  
defined as “DV40” and 3-digit number “-001” start  
flashing.  
SETUP  
Flashing  
15-7  
<CAUTION>  
Save/load of setup data  
When naming a file using PS/2 keyboard, be careful  
about the use of special characters. The file name  
with the following characters are not correctly rec-  
ognized by the Windows OS platform.  
you can save a set of setup data to a User Box and  
load it whenever you want.  
All data for 12 items explained above can be saved  
to a User Box, to which you can give a desired user  
name.  
“/”, “?”, “.”, “<“, “>“, “|”, “¥”, “-”  
Remember that the 1st character of the file name  
must start from an alphabet and the following use  
only ASCII characters. Although up to 247 num-  
bers of characters can be used as a file name, the  
maximum number of characters recognized by SDII  
and BWF specifications are 23 and 55 respectively.  
• Saving setup data  
1. Select "Save User Setup?" and press the [ENTER/  
YES] key.  
Now you can select a User Box to which the data is saved.  
The first time you enter this menu, "BoxNo1[User1]" is  
shown where "1" is flashing, as below. "User1" is the  
tentative name.  
4. Set the 3-digit number and press the [ENTER/YES]  
key.  
Set the 3-digit number by rotating the jog dial and/or  
using the 10 alphanumeric keys (001~999). The input  
3-digit number sets the number attached to the default  
file name. The following example sets the default file  
name as “DV40-005”.  
SETUP  
Flashing  
SETUP  
SETUP  
Flashing  
<Note>  
Flashing  
If you enter "000" using the numeric (0) key then  
press the [ENTER/YES] key, the take number is auto-  
matically set to "001".  
While the display above is shown, you can select a User  
Box from among Box numbers 1 through 9 by using the  
jog dial (or the [SKIP/CURSOR >>|]/[SKIP/CURSOR |<<]  
keys). If you select any of Box numbers 2 through 9,  
"--------" is shown in the bracket as below, showing that  
the tentative name is not specified.  
5. Press the [EXIT/NO] key or [STOP] key.  
DefaultFileName?” appears again. Pressing the [EXIT/NO]  
key or [STOP] key goes back to the normal display.  
By the above procedures, the default file name is set to  
DV40-005”. If the “TAKE” File Name Mode is selected,  
every time a file is newly created, it will be named as  
“DV40-5”, “DV40-6”, ......”DV40-9”, “DV40-10”, “DV40-  
11”, ......”DV40-111”, ......”DV40-999”.  
SETUP  
Flashing  
<Example>  
2. Select a desired Box number and press the  
[ENTER/YES] key.  
The leftmost character of the tentative name flashes,  
• After recording the first take:  
LTC  
showing that you can edit the name.  
H
M
S
F
SETUP  
PGM  
• After recording the second take:  
Flashing  
LTC  
3. Enter the desired Box name.  
H
M
S
F
PGM  
• You can erase the tentative name by pressing the  
[MARGIN RESET/CLR] key repeatedly.  
SETUP  
• After recording the third take:  
LTC  
H
M
S
F
Flashing  
PGM  
• Use the jog dial (or the numeric keys) to enter the  
desired characters. A name can be up to 8  
characters.  
15-8  
4. After entering a desired name, press the [ENTER/  
2. Select a desired box and press the [ENTER/YES]  
YES] key.  
key.  
"Sure?" flashes on the display.  
"Sure?" flashes on the display ("*" shows the selected  
box number).  
SETUP  
SETUP  
Flashing  
Flashing  
5. Press the [ENTER/YES] key again.  
The unit immediately saves the name and shows  
"Completed!", followed by "Save Use Setup?".  
3. Press the [ENTER/YES] key again.  
The unit immediately loads the data and shows  
"Completed!", followed by "User Setup Load?".  
SETUP  
SETUP  
SETUP  
SETUP  
Flashing  
6. To exit the Setup mode, press the [EXIT/NO] key  
(or the [STOP] key).  
Flashing  
4. To exit the Setup mode, press the [EXIT/NO] key  
(or the [STOP] key).  
• Loading setup data  
You can load a setup data box from among the default  
box (Box number 0) and user boxes (Box numbers 1  
through 9) which holds data you saved.  
Tips:  
Normally, when making recording in the NEW FILE  
mode or creating a new audio file in the file select  
mode, the setup data of the file previously selected  
is copied to the new file.  
Therefore, if you want to work with the new file  
with a desired setup data set saved in a box, load  
the box after creating the file.  
1. Select "Load User Setup?" and press the [ENTER/  
YES] key.  
"BoxNo0" is shown where "0" is flashing.  
You can now select a desired box by using the jog dial  
(or the [SKIP/CURSOR >>|]/[SKIP/CURSOR |<<] keys).  
If you select "BoxNo0[Default]", the default settings will  
be loaded.  
If you select any of User Boxes, an appropriate user  
setup data set is loaded.  
SETUP  
Flashing  
SETUP  
Flashing  
15-9  
• Showing and setting the IP address  
You can check or/and assign the IP address for the  
DV40.  
TCP/IP settings  
The "TCP/IP Setup?" menu allows you to set param-  
eters for transferring audio file data between the  
DV40 and your personal computer via the TCP/IP.  
Showing the IP address  
<Note>  
1. Select "IP Addr.?" and press the [SKIP/CURSOR  
When changing the TCP/IP setting, turn the DV40  
power off then on. Otherwise, the new setting is not  
effective.  
>>I] key.  
The current IP address is shown (the default is  
192. 168. 1 .64).  
Pressing the [SKIP/CURSOR |<<] or [SKIP/CURSOR >>|] key  
alternates the following screens.  
By selecting the “TCP/IP setup?” menu and pressing  
the [ENTER/YES] keys, the IP address setting sub-  
menu is shown  
SETUP  
SETUP  
Flashing  
Flashing  
SETUP  
SETUP  
Flashing  
You can now use the jog dial to select a sub-menu in  
the following order. You can check or/and edit the  
setting of each sub-menu.  
Setting the IP address  
1. While either of the screen above is shown, press  
the [ENTER/YES] key.  
The leftmost three-digit value of the current IP address  
SETUP  
starts flashing, showing that you can now edit it.  
SETUP  
SETUP  
Flashing  
SETUP  
2. Use the [SKIP/CURSOR |<<]/[SKIP/CURSOR >>|]  
keys to move the flashing  
(editing) point and use the jog dial or numeric keys  
to enter a desired value.  
SETUP  
3. After entering the desired value, press the  
SETUP  
[ENTER/YES] key.  
"Wait!" flashes for a while, and the new IP address is set.  
LoginName User02?  
4. To exit the Setup mode, press the [EXIT/NO] key  
or [STOP] key.  
LoginName User14?  
SETUP  
SETUP  
15-10  
• Showing and setting the router IP address  
• Showing and setting the subnet mask  
You can check or/and assign the IP address for a  
gateway server in the network. If a gateway server is  
not used, this setting is not necessary.  
You can check or/and set values for the subnet mask  
in the network. If a subnet mask is not used, this  
setting is not necessary.  
Showing the router IP address  
Showing the subnet mask  
1. Select "Gateway?" and press the [SKIP/CURSOR  
1. Select "Sub net?" and press the [SKIP/CURSOR  
>>I] key.  
>>I] key.  
The current IP address is shown (the default is 192.  
The current subnet mask is shown (the default is 0. 0.  
168. 1 . 1).  
0. 0).  
Pressing the [SKIP/CURSOR |<<] or [SKIP/CURSOR >>|] key  
alternates the following screens.  
Pressing the [SKIP/CURSOR |<<] or [SKIP/CURSOR >>|] key  
alternates the following screens.  
SETUP  
SETUP  
Flashing  
Flashing  
SETUP  
SETUP  
Setting the router IP address  
Setting the subnet mask  
1. While either of the screen above is shown, press  
1. While either of the screen above is shown, press  
the [ENTER/YES] key.  
the [ENTER/YES] key.  
The leftmost three-digit value of the current IP address  
The leftmost value of the current subnet mask starts  
starts flashing, showing that you can now edit it.  
flashing, showing that you can now edit it.  
SETUP  
SETUP  
Flashing  
Flashing  
2. Use the [SKIP/CURSOR |<<]/[SKIP/CURSOR >>|]  
keys to move the flashing (editing) point and use  
the jog dial or numeric keys to enter a desired  
value.  
2. Use the [SKIP/CURSOR |<<]/[SKIP/CURSOR >>|]  
keys to move the flashing (editing) point and use  
the jog dial or numeric keys to enter a desired  
value.  
3. After entering the desired value, press the  
3. After entering the desired value, press the  
[ENTER/YES] key.  
[ENTER/YES] key.  
"Wait!" is shown for a while, and the new subnet mask  
"Wait!" is shown for a while, and the new IP address is  
is set.  
set.  
4. To exit the Setup mode, press the [EXIT/NO] key  
or [STOP] key.  
4. To exit the Setup mode, press the [EXIT/NO] key  
or [STOP] key.  
15-11  
Setting the log-in names and passwords  
• Login name/password settings  
You can check or/and set a login name and pass-  
word, which are used for logging in from the FTP  
client.  
1. While the login name is shown, enter the desired  
login name.  
You can enter up to 8 characters for a login name.  
• Press the [MARGIN RESET/CLR] key repeatedly to erase  
In the initial condition, you can log in if both the  
login name and password are not entered. If you  
want to restrict logging in, set the login name and  
password of Administrator or User 01 through 15.  
the current login name completely.  
• Enter characters using the jog dial or numeric keys.  
2. After entering the name, press the [ENTER/YES]  
key.  
Showing the login name/password  
The entered login name is now valid, while the display  
shows the password (the default is "fostex").  
1. Select "Login Name Admin?" and press the  
[ENTER/YES] key.  
The current login name for the administrator is shown  
(the default is "DV40"). The leftmost character of the  
name is flashing.  
3. Enter the desired password using the same  
method as step 1 above.  
You can enter up to 8 characters for a passwords.  
SETUP  
4. After entering the password, press the [ENTER/  
YES] key.  
"Wait!" flashes on the display for a while until the new  
login name and password are valid, and the display  
returns to show "Login Name Admin?".  
Flashing  
SETUP  
5. Press the [EXIT/NO] or [STOP] key to exit the Setup  
mode.  
Flashing  
2. Press the [ENTER/YES] key again.  
The current password is shown (the default is "fostex").  
SETUP  
Flashing  
Tips:  
To check the user login name and password,  
first select a desired user number (between  
"Usr01" and "Usr15") by rotating the jog dial (or  
pressing the [SKIP/CURSOR >>|] key) when the  
display shows "Login Name Admin?".  
The display shows something like the example  
below.  
When the desired user number is shown, press  
the [ENTER/YES] key once or twice to check the  
login name or password of the selected user  
menu.  
SETUP  
Flashing  
15-12  
• Showing the MAC address  
Showing the main software version  
1. Select "MAC Addr.?" and press the  
You can check the main software version of the unit  
by selecting "Version Main".  
When you have any trouble or question and contact  
our service section, you may be asked the main soft-  
ware version.  
[SKIP/CURSOR >>I] key repeatedly.  
The assigned MAC address shown on the display scrolls  
left.  
Pressing the [SKIP/CURSOR |<<] key scrolls right.  
SETUP  
SETUP  
Y
M
D
SETUP  
Showing the ethernet software version  
You can check the ethernet software version of the  
unit by selecting "Version Ethernet".  
When you have any trouble or question and contact  
our service section, you may be asked the ethernet  
software version.  
SETUP  
SETUP  
Y
M
D
2. To exit the Setup mode, press the [EXIT/NO] key  
or [STOP] key.  
15-13  
Chapter 16  
Utility mode  
This chapter describes details about the Utility mode.  
This mode deals with preference menus, as well as execution menus for disc format-  
ting, optimizing, etc.  
<Note>  
There are 11 menus in the Utility mode, however, this chapter describes details  
about only "Menu 1" through "Menu 6". See the appropriate sections indicated in  
parentheses for details about menu items 7 through 11.  
1. Selecting Rec protect On or Off  
2. Renumbering CUE points  
3. Releasing undo files  
4. Selecting On or Off of the resume function  
5. Editing a Volume label  
6. Setting User Bit data  
7. Editing a file name (See "Chapter 9: Audio file management")  
8. Deleting an audio file (See "Chapter 9: Audio file management")  
9. Restoring a deleted file (See "Chapter 9: Audio file management")  
10. Formatting a disk (See "Chapter 3: Reformatting/optimizing a disk")  
11. Optimizing a disk (See "Chapter 3: Reformatting/optimizing a disk")  
Selecting Rec Protect On or Off  
How to select a Utility menu  
You can protect a file from being recorded or ed-  
ited.  
This setting is dependent on files and is maintained  
after you turn off the power.  
<Note>  
You can enter the Utility mode while the unit is  
stopped and is not in the Setup or TC Setup mode.  
1. While the unit is stopped, press the [SHIFT] key to  
enter the shift mode (the SHIFT indicator lights up).  
1. Select the first level of the "Rec Protect?" menu, and  
2. Press the [SETUP] key (the SHIFT indicator turns off).  
The unit enters the Utility mode.  
press the [ENTER/YES] key.  
The current option (On or Off) flashes. You can now  
select the desired one.  
The first time the unit enters the Utility mode after  
turning on the power, the first level of the "Rec Protect?"  
menu appears. Or if it is not the first time the unit  
enters the Utility mode after turning on the power, the  
first level of the previously selected menu appears.  
Flashing  
Flashing  
3. Rotate the jog dial (or use the [SKIP/CURSOR |<<] /  
[SKIP/CURSOR >>|] keys) to select a desired menu item  
and press the [ENTER/YES] key.  
Flashing  
Now you can edit the menu item.  
2. Use the jog dial to select On or Off and press the  
[ENTER/YES] key.  
The setting is completed and the display returns to show  
the first level.  
Rotating the jog dial or pressing the [SKIP/CURSOR |<<]  
(or [>>|]) key cycles through the Utility menu items in  
the following order. See the following description for  
details about each Utility menu item.  
The current file is protected. You  
cannot make recording or edit  
(copy, paste, insert, erase and cut)  
“On”  
track data.  
You can make recording or edit  
track data.  
“Off” (default)  
Tips:  
You can also use the [SKIP/CURSOR] |<</>>| keys  
to select an option, instead of the jog dial.  
3. Press the [EXIT/NO] or [STOP] key to exit the Utility  
mode.  
Tips:  
When the Rec Protect menu is set to On, if you try  
to make recording or edit track data, "Rec Pro-  
tected!" is shown and the operation is ignored.  
16-2  
Renumbering CUE points  
Releasing undo files  
This menu allows renumbering CUE points.  
When CUE points are renumbered, CUE points are  
numbered in order of time.  
This function is useful after deleting a CUE point or  
the current CUE points are not stored in order of  
time.  
You can release all undo files of the currently se-  
lected file to keep more recording space of the disk.  
You can release undo files by file.  
You can renumber CUE points of the currently se-  
lected file.  
1. Select the first level of the "Release Undo File?" menu,  
and press the [ENTER/YES] key.  
The following warning message scrolls horizontally, while  
the remaining space value is shown.  
1. Select the first level of the "Renumber CUE?" menu,  
and press the [ENTER/YES] key.  
"Sure?" flashes.  
Flashing  
Flashing  
REMAIN  
MB  
<Message>  
If you push ENTER key will be unable to undo for cur-  
rent file! Are you sure?  
Flashing  
2. Press the [ENTER/YES] key again.  
"Release Undo File" appears momentarily followed by  
"Completed!", showing that all the undo files have been  
released.  
2. Press the [ENTER/YES] key again.  
The unit starts renumbering CUE points.  
While executing renumbering, "Please Wait!" is shown.  
When completed, "RNM Completed!" appears  
momentarily and the display returns to the previous  
screen before entering the Utility mode.  
REMAIN  
MB  
3. Press the [EXIT/NO] or [STOP] key to exit the Utility  
mode.  
The display returns to the previous screen before  
entering the Utility mode.  
16-3  
Selecting On or Off of the resume function  
Editing a Volume Label  
This menu selects On or Off of the resume function.  
If it is set to On, the file that was selected when turn-  
ing off the power last time is selected when starting  
up the unit.  
The “Volume Label” is name which is used to iden-  
tify a disk. It is normally named when formatting a  
disk. As mentioned in the DV40 owner’s manual  
page 1-5, the default name of Volume Label to be  
attached to the DVD-RAM disk is “DV40-DVD”.  
This menu allows you to edit the volume label of a  
DVD-RAM disk and rename it.  
This menu is global and the setting is maintained  
after you turn off the power.  
This menu is global and the setting is maintained  
after you turn off the power.  
1. Select the first level of the "Resume?" menu, and press  
the [ENTER/YES] key.  
The current option (On or Off) flashes. You can now  
select the desired one.  
Tips:  
By entering a volume label in the following for-  
mat, the unit can recognize it as a Reel number.  
If you set the "TC UBIT Sel?" menu in the TC Setup  
mode to "SRNo" (Scene number/Reel number),  
you can output the Reel number in the lower  
three digits of the User Bits.  
Flashing  
Example: ******-XXX  
******:  
Volume name  
XXX:  
a three-digit numeral between 000  
through 999. It must end with a Null  
character. The unit recognizes a  
three-digit ASCII BCD that follows to  
"-" as a Reel number.  
Flashing  
2. Use the jog dial to select On or Off and press the  
[ENTER/YES] key.  
The setting is completed and the display returns to show  
the first level.  
A Windows 98/NT computer supports up to 10  
characters for a volume label, while a Macintosh  
computer supports up to 27 characters and UDF  
format supports up to 127 characters.  
To maintain the compatibility among comput-  
ers, we recommend to set a volume label within  
10 characters.  
The file that was selected when turn-  
ing off the power last time is selected  
when turning on the unit.  
“On”  
<Note>  
The "01" file in the "bwff" or "sd2f"  
“Off” (default) directory is selected when turning  
You can also set a Reel number in the "Set SCENE  
& REEL?" menu described later.  
Therefore, if you edit a Volume label with the for-  
mat above so that the unit can recognize it as a  
Reel number, the Reel number is automatically  
rewritten.  
on the unit.  
Tips:  
You can also use the [SKIP/CURSOR] |<</>>| keys to  
select an option, instead of the jog dial.  
<CAUTION>  
• Due to the limitation of the number of  
alphanumeric characters used for VOLUME  
LABEL recognized on Windows OS, using up to  
10 alphanumeric characters including the 3-digit  
REEL NUMBER are recommended.  
<Note>  
When turning on the power, if the setting of the [AU-  
DIO FILE], [TR MODE] or [SAMPLING FREQ] switch does  
not match the selected audio file, the currently se-  
lected option flashes in the "FORMAT", "BIT" or "FS"  
section on the display.  
• The REEL NUMBER XXX is just a character string.  
Please remember that it does not roll over to  
the next digit or roll back to the previous digit.  
In such a case, set the corresponding switch to the  
appropriate position.  
3. Press the [EXIT/NO] or [STOP] key to exit the Utility  
mode.  
16-4  
1. Select the first level of the "Edit Volume Lbl?" menu,  
and press the [ENTER/YES] key.  
Setting User bit data  
The leftmost character of the current volume label  
flashes. You can now edit it.  
You can make settings for the user bit which is out-  
put when the "TC UBIT Sel?" menu in the TC Setup  
mode is set to "SRNo" (Scene number/Reel number).  
The following example shows the default volume label.  
This menu is global and the setting is maintained  
after you turn off the power.  
<Notes>  
• The Reel number can be also set in the "Edit Volume  
Lbl?" menu described earlier, whose setting is  
reflected here.  
Flashing  
• The setting here is stored in the RESUME file  
regardless of the "RESUME ON/OFF" setting in the  
Setup mode.  
• If the Scene number exceeds 99999, the lower five  
digits are output.  
Flashing  
• The values set in this menu affect all files.  
2. Press the [MARGIN RESET/CLR] key repeatedly until  
the current volume label is all erased.  
Each press of the key erases the rightmost character.  
1. Select the first level of the "Set SCENE & REEL?" menu,  
and press the [ENTER/YES] key.  
The Scene number offset currently set flashes (the  
default value is "00000"). You can now edit it.  
Flashing  
3. Enter a new volume label.  
You can use either of the following two methods.  
Flashing  
• Rotate the jog dial to select a desired character at the  
flashing point, then press the [SKIP/CURSOR >>|] key  
to move the flashing point to right.  
Repeat this procedure until the desired volume label  
is entered.  
• Use an appropriate numeric key to enter a desired  
character directly at the flashing point. Pressing an  
other numeric key move the flashing point to right.  
Flashing  
Tips:  
4. After entering the desired volume label, press the  
The screen displayed when selecting the "Set SCENE  
& REEL?" menu shows the following (the examples  
below shows the default settings).  
[ENTER/YES] key.  
The entered volume label is stored and the display shows  
"Edit Volume Lbl?".  
Sc00000: Scene number offset (in five digits)  
The Scene number to be output via TC UBIT  
data is "00000 + File number".  
5. Press the [EXIT/NO] or [STOP] key to exit the Utility  
mode.  
r001:  
Reel number (in three digits)  
<Note>  
When formatting the DVD-RAM disk, renaming the  
VOLUME LABEL with 3-dogit number (e.g. DV40-  
005) from the default name (DV40-DVD) is pos-  
sible, so that the 3-digit number can be recognized  
as a REEL NUMBER which allows to output as a TC  
UBIT information.  
2. Use the [SKIP/CURSOR |<</>>|] keys to move the edit  
point (scene number or reel number) and use the jog  
dial to select a desired Scene number offset or Reel  
number.  
3. After entering the desired values, press the [ENTER/  
YES] key.  
The entered values are stored and the display shows  
"Set SCENE & REEL?". Also these values can be sent out  
as TC UBIT information.  
4. Press the [EXIT/NO] or [STOP] key to exit the Utility  
mode.  
16-5  
Chapter 17  
Specifications  
Specifications  
<Inputs/Outputs>  
*0 dBu - 0.775 Vrms, 0 dBV = 1 Vrms.  
Reference level  
: -12 dB/-18 dB/-20 dB (default: -18 dB, selectable from  
the "Reference Level?" menu in the Setup mode)  
: +4 dBu/-10 dBV (balanced), selectable using the input  
level select switch on the rear panel  
Nominal input level  
ANALOG INPUTs (TR 1 throughTR 4)  
• Connector  
: XLR-3-31 type (balanced, pin 2: hot)  
• Input impedance  
• Nominal input level  
• Maximum input level  
: 10k or more  
: +4 dBu  
: +24 dBu  
ANALOG OUTPUTs (TR 1 throughTR 4)  
• Connector  
: XLR-3-32 type (balanced, pin 2: hot)  
• Applicable load impedance : 600 or more  
• Nominal output level  
: +4 dBu  
• Maximum output level  
: +24 dBu  
Monitor OUTPUTs (TR 1 throughTR 4)  
• Connector  
: 1/4" phone jack (unbalanced)  
• Applicable load impedance : 10k or more  
• Nominal output level  
: -10 dBV  
• Maximum output level  
: +10 dBV  
PHONES output  
• Connector  
: 1/4" phone jack  
• Applicable load impedance : 8 or more  
• Maximum output level  
: 100 mW (into 32 ohms)  
* Monitor track(s) selectable using the [PHONES] switches on the front panel.  
DIGITAL INPUTs (TR 1-2,TR 3-4)  
• Connector  
: XLR-3-31 type  
• Format  
: IEC 60958 (S/PDIF) or IEC 60958 (AES/EBU),  
automatically detected  
DIGITAL OUTPUTs (TR 1-2,TR 3-4)  
• Connector  
: XLR-3-32 type  
• Format  
: IEC 60958 (S/PDIF) or IEC 60958 (AES/EBU), selectable  
by the "D. OUT?" menu in the Setup mode  
* When dealing with a digital signal at 176.4 kHz or 192 kHz sampling rate, channels L  
and R are assigned to TR 1-2 and TR 3-4 respectively.  
GPI IN/OUT  
• Connector  
: DIN 5-pin  
* ON or OFF selectable by the "GPI?" setting menu in the Setup mode.  
GPI IN  
Pin 1:  
GND  
Pin 2:  
Pin 3:  
Pin 4:  
STOP  
The "low" pulse activates the function equivalent to the [STOP] key.  
PLAY  
The "low" pulse activates the function equivalent to the [PLAY] key.  
>>  
The "low" pulse activates the function equivalent to the [>>|] key.  
17-2  
Pin 5: <<  
The "low" pulse activates the function equivalent to the [|<<] key.  
* The minimum effective input pulse width is 15 milliseconds (except Pin 2 [PLAY]  
whose minimum pulse width is 5 milliseconds).  
GPI OUT  
Pin 1: GND  
Pin 2: EVENT 1  
Outputs the event of CUE POINT 1  
Pin 3: EVENT 0  
Outputs the event of CUE POINT 0  
Pin 4: EVENT 2  
Outputs the event of CUE POINT 2  
Pin 5: EVENT 3  
Outputs the event of CUE POINT 3  
* A 60-msec width low level pulse can be output from each event output during play  
back or recording.  
TIME CODE INPUT  
• Connector  
• Format  
: XLR-3-31 type (balanced, pin 2: hot)  
: SMPTE/EBU  
• Nominal input  
• Transmission rate  
• Input impedance  
• Minimum input level  
: 2 V p-p  
: 2.4 kbit/sec (SMPTE)  
: 20k or more  
: 0.25 V p-p  
TIME CODE OUTPUT  
• Connector  
: XLR-3-32 type (balanced, pin 2: hot)  
: SMPTE/EBU  
• Format  
• Nominal input  
: 2 V p-p  
• Output impedance  
• Applicable load impedance  
: 1k or less  
: 600 or more  
TIME CODETHRU  
• Connector  
: XLR-3-32 type (balanced, pin 2: hot)  
* Directly feeds the timecode received from the TIME CODE INPUT connector.  
VIDEO INPUT  
• Connector  
: BNC type  
• Nominal input level  
: 1 V p-p (* with 75 termination switch)  
VIDEOTHRU  
• Connector  
: BNC type  
* Directly feeds the video signal received from the VIDEO INPUT connector.  
WORD INPUT  
• Connector  
: BNC type  
• Nominal input level  
: TTL level (* with 75 termination switch)  
WORD OUTPUT  
• Connector  
: BNC type  
: TTL level  
• Nominal output level  
WORDTHRU  
• Connector  
: BNC type  
* Directly feeds the word clock received from the WORD INPUT connector.  
17-3  
9P-REMOTE/15P-REMOTE  
• Connectors  
: D-sub 9-pin (9P-REMOTE)  
D-sub 15-pin (15P-REMOTE)  
• Protocol  
: RS-232C, conformed to the Sony 9-pin (P2) protocol  
(The DV40 is a controlled device.)  
* The 9P-REMOTE and 15P-REMOTE connectors are connected in parallel.  
D-sub 15P  
DATA IN  
Controller Out  
DATA OUT  
D-sub 9P  
DATA IN  
Pin No  
1
2
Frame Ground  
Frame Ground  
Transmit A  
Frame Ground  
Transmit A  
Receive A  
Transmit B  
Receive B  
Receive B  
3
4
5
6
7
Transmit Common  
Spare  
Receive Common  
Spare  
Receive Common  
Spare  
Receive Common  
Transmit Common  
Transmit Common  
Transmit B  
Transmit B  
Receive A  
Frame Ground  
NC  
Receive B  
Transmit A  
8
Receive A  
9
Frame Ground  
Frame Ground  
A and B are defined as shown below.  
10  
11  
12  
13  
14  
NC  
NC  
B
+
R
T
-
A
NC  
A<B -> “1” (Mark)  
B<A -> “0” (Space)  
NC  
+12V  
15  
Use a straight type cable.  
ETHERNET  
• Connector  
: RJ-45  
* Conformed to IEEE 802.3, 10BASE-T and 100BASE-TX standards.  
<Recording/playback>  
• Recording drives  
: E-IDE standard, DVD-RAM drive installed as a  
standard.  
2.5-inch hard disk drive also can be installed as an  
option.  
• Fs/quantization:  
: 44.1/48kHz 16bit  
44.1/48/88.2/96/176.4/192kHz 24bit  
• Recording/playback freq. range: 20Hz~20kHz +/-1dB (FS 44.1/48kHz)  
20Hz~40kHz +/-2dB (FS 88.2/96kHz)  
20Hz~80kHz +/-3dB (FS 176.4/192kHz)  
• S/N ratio  
: 150 dB or more, 110 dB (typically)  
: 105 dB or more, 110 dB (typically)  
: +/-6% in 0.1 % steps  
• Dynamic range  
• Pitch control  
• Crossfade  
: default: 10 msec.  
• Locate memories  
: MEMORY points: 100, CUE points: 99  
<General>  
• External dimensions  
• Weight  
: 141 (H) x 482 (W) x 381 (D) mm  
: Approx. 7.4kg  
• Power requirement  
• Power consumption  
: 120VAC 60Hz, 230V~ 50/60Hz (AC inlet type)  
: 50W  
* Specifications and appearance are subject to change without notice for product improvement.  
17-4  
Memo  
Declaration of EC Directive  
This equipment is compatible with the EMC Directive (89/336/EEC) - Directive on approximation of member  
nation's ordinance concerning the electromagnetic compatibility and with the Low Voltage Directive (73/23/EEC)  
- Directive on approximation of member nation's ordinance concerning electric equipment designed to be used  
within the specified voltage range.  
The Affect of Immunity on This Equipment  
The affect of the European Specification EN50082-1 (coexistence of electromagnetic waves - common  
immunity specification) on this equipment are as shown below.  
In the electrical fast transient/burst requirements, surge, conducted disturbances by radio-frequency fields, power  
frequency magnetic field, radiate electromagnetic field requirements and static electricity discharging environment,  
this could be affected by generation of noise in some cases.  
FOSTEX DISTRIBUTORS LIST IN EUROPE  
* Including non-EU countries (as of January, 2002)  
<AUSTRIA>  
<THE NETHERLANDS>  
NAME: ATEC Audio-u. Videogeraete VertriebsgesmbH.  
ADD: Im Winkel 5, A-2325 Velm, Austria  
TEL: (+43) 2234-74004, FAX: (+43) 2234-74074  
NAME: IEMKE ROOS AUDIO B. V.  
ADD: Kuiperbergweg 20, 1101 AG Amsterdam, The  
Netherlands  
TEL: (+31) 20-697-2121, FAX: (+31) 20-697-4201  
<BELGIUM>  
NAME: EML Sound Industries NV  
ADD: Bijvennestraat 1A, B3500 Hasselt, Belgium  
TEL: (+32) 11-232355, FAX: (+32) 11-232172  
<NORWAY>  
NAME: Siv. Ing. Benum A/S  
ADD: P. O. Box 145 Vinderen, 0319 Oslo 3, Norway  
TEL: (+47) 22-139900, FAX: (+47) 22-148259  
<DENMARK>  
NAME: SC Sound ApS  
ADD: Malervej 2, DK-2630 Taastrup, Denmark  
TEL: (+45) 4399-8877, FAX: (+45) 4399-8077  
<PORTUGAL>  
NAME: Caius - Tecnologias Audio e Musica, Lda.  
ADD: Rua de Santa Catarina, 131 4000 Porto, Portugal  
TEL: (+351) 2-2086009/2001394,  
FAX: (+351) 2-2054760/2087488  
<FINLAND>  
NAME: Noretron Oy Audio  
ADD: P. O. Box 22, FIN-02631 Espoo, Finland  
TEL: (+358) 9-5259330, FAX: (+358) 9-52593352  
<SPAIN>  
NAME: Multitracker, S. A.  
ADD: C/Garcilaso No.9, Madrid 28010, Spain  
TEL: (+34) 91-4470700, 91-4470898, FAX: (+34) 91-5930716  
<FRANCE>  
NAME: Guillard Musiques  
ADD: ZAC de Folliouses, B. P. 609, Les Echets, 01706 Miribel,  
France  
<SWEDEN>  
NAME: TTS Scandinavia AB  
TEL: (+33) 472 26 27 00, FAX: (+33) 472 26 27 01  
ADD: Kavallerivagen 24, 172 48 Sundbyberg, Sweden  
TEL: (+46) 8-59798000, FAX: (+46) 8-59798001  
<GERMANY>  
NAME: Studiosound & Music GmbH  
ADD: Industriestrasse 20, D-35041 Marburg, F. R. Germany  
TEL: (+49) 6421-92510, FAX: (+49) 6421-925119  
<SWITZERLAND>  
NAME: Audio Bauer Pro AG  
ADD: Bernerstrasse-Nord 182, CH-8064 Zurich, Switzerland  
TEL: (+41) 1-4323230, FAX: (+41) 1-4326558  
<GREECE>  
NAME: Bon Studio S. A.  
ADD: 6 Zaimi Street, Exarchia, 106.83 Athens, Greece  
TEL: (+30) 1-3809605-8, 3302059, FAX: (+30) 1-3845755  
<UK>  
NAME: SCV London  
ADD: 40 Chigwell Lane, Oakwood Hill Industrial Estate,  
Loughton, Essex IG10 3NY U. K.  
TEL: (+44) 020-8418-0778, FAX: (+44) 020-8418-0624  
<ICELAND>  
NAME: I. D. elrf. electronic Ltd.  
ADD: ARMULA 38 108 REYKJAVIK, ICELAND  
TEL: (+354) 588 5010, FAX: (+354) 588 5011  
<ITALY>  
NAME: Proel S. p. A.  
ADD: Zona Artigianale 64047 - Sant'Omero (Teramo), Italy  
TEL: (+39) 0861-81241, FAX: (+39) 0861-887862  
FOSTEX CORPORATION  
3-2-35 Musashino, Akishima-shi, Tokyo, Japan 196-0021  
FOSTEX AMERICA  
15431, Blackburn Ave., Norwalk, CA 90650, U. S. A.  
© PRINTED IN JAPAN APRIL 2002 8288 486 000 FX  

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