AJ-HDC27H
Variable Frame-Rate HD Camera-Recorder
3
Offers Advanced Speed Effects and
Produces All Types of Content – Only the VariCam
Variable Frame Rate
The Panasonic VariCam is the world's first video camera
capable of emulating the "undercranking" and "overcranking"
technique of film cameras to slow down or speed up images.
By varying the frame rate from 4 to 60 fps and adjusting the
shutter speed from 0.8% to 97.2% (3deg to 350deg) of the
frame rate, you can create a wide range of cinematic effects.
And since the VTR section records at a constant 60 fps, you
can edit offline with a conventional DVCPRO HD VTR. This
lets you build a powerful 24p production system without a
huge investment in equipment.
4-fps
12-fps
Undercranking
24-fps
36-fps
48-fps
Overcranking
60-fps
Normal
Recording
Playback
Quick Motion
Normal Speed
Slow Motion
6X
2X
1X
0.67X
0.5X
0.4X
4
Lower-speed shooting at 4 to 23* fps
For example, shooting at 12 fps lets you attain a 2x fast-
motion effect with playback at the cinema speed of 24 fps.
This technique can be combined with zooming to create a
warp-speed effect, such as for giving special emphasis to
flowing water, fast-moving clouds, or a person standing still
amid a bustling crowd. Decrease the shutter speed for a
strobe effect, or increase it for a ghost effect. The expressive
possibilities are endless.
Normal shooting at 24 fps
Normal cinematic shooting is done at
24 fps, the same rate as in film
cameras. Discrete 720p images
and a specially developed film
gamma curve create images
with the same tonal
*When the standard speed is 24 fps. For a standard speed of 30 fps, anything under 29 fps
will be undercranked.
characteristics as film.
Higher-speed shooting at 25* to 60 fps
For example, shoot at 48 fps to attain a 1/2x slow-motion
effect with playback at the cinema speed of 24 fps. This is
especially effective for high-action scenes such as car chases
or spectacular crashes, or for scenes with great dramatic
impact. Unlike the slow motion captured at playback speed by
ordinary video cameras, the Varicam captures highly dense
frames to provide a smooth, naturally flowing slow-motion
effect with vivid picture quality.
*When the standard speed is 24 fps. For a standard speed of 30 fps, anything over 31 fps
will be overcranked.
5
Video with the Same Latitude as Film – Only VariCam
Film Gamma Selectable
The extremely wide reproductive range of film is the key to its
lush expression. Panasonic's new gamma curves —
developed specifically to allow a CCD camera to produce the
tonal qualities of film — now bring film's natural shading and
rich coloration to the video camera.The Varicam also lets you
switch between video and film gamma modes. Film modes
include "Cine Gamma" for film using ARRI laser recorder and
"Tele Gamma" for monitor viewing and CRT base film
recorders. Select the mode that suits your production. The
ISO640-equivalent sensitivity combines with the Varicam's
brightness and superior picture quality to produce an
essentially "grainless, high-sensitivity film" effect.
V
6
100%
80%
60%
40%
20%
0%
Video
Tele (V. Rec)
Cine (F. Rec)
Video Ganmma Image
Film Ganmma Image
0%
100%
200%
300%
Input
400%
500%
600%
Ganmma Curve
Three Gamma Curves
• Video gamma: The conventional gamma curve
used for broadcast video cameras. Includes a
low setting for clipping.
• Cine gamma (V.REC): Designed for creating
film-like TV programs or videos, with virtually
the same recording style that you
currently use.
• Cine gamma (F.REC): Designed for movie-
making or creating film-like commercial or
episodic TV programs. Takes full advantage of
cine gamma capabilities to let you shoot in the
same way as when using a film camera.
Film User Menu
The AJ-HDC27H Varicam is like a film camera
not only in functions and performance, but in
operation as well. The settings you need are
conveniently grouped in a single-page menu.
Use the menu below to select or adjust gamma,
scan reverse ON/OFF, hardness/softness,
shadow gradation, and latitude. Just as with a
film camera, you can also select tungsten or
daylight type lighting.
Film User Menu Screen
7
A Total VariCam System – For Producing All Types of Image Content
The optional HD gamma corrector and frame rate converter
give you total operating ease with the Varicam's two key
features – the cine gamma curves and variable frame rate.
Add a DVCPRO HD VTR with the HD/SD multi-format function
and IEEE 1394 and HD-SDI digital interfaces, and a nonlinear
editing system that supports DVCPRO HD, and you're fully
equipped to use Varicam-recorded content in a wide variety of
productions – movies, HD theater, HD/SD TV broadcasts
and more.
AJ-FRC27
HD Gamma Corrector
8
Film Theater
Frame Rate
Converter
DVCPRO HD
Studio VTR
NLE
HD Theater
Varicam
Gamma
corrector
”Varicam“ System
HD TV
Speed Effects Achieved with Frame Rate Conversion
You can create a variety of speed effects by running sources recorded with the variable frame
rate function through the frame rate converter. The AJ-FRC27 Frame Rate Converter extracts the
effective frames from the input source, then outputs the data at the desired frame rate. It also
includes a built-in line conversion function for converting to 1080/24p images.
Gamma Corrector for Easier Recording and Editing
Images recorded in cine gamma (F.REC) mode are flat and low in contrast, similar to a direct
negative-to-positive reversal. This produces an excellent film-like quality, but it's difficult to
check the images on a TV monitor. The AJ-GBX27 HD Gamma Corrector greatly improves
acquisition and editing ease by giving F.REC images a telecine look for monitor use.
The AJ-GBX27 also makes it easier to produce TV broadcast clips from movie content.
Varicam Content for a Host of Uses
By freely combining the Varicam's 24/30-fps frame rate, gamma curves, and variable frame rate
functions, you can create virtually any type of image content.
• Movie film use: Post-edited images can be printed onto film for cinema viewing. The resulting
images have almost the same tonal quality and undercranking or overcranking speed effects as
footage from a film camera, but with higher sensitivity and lower cost.
• HD theater use: Varicam sources are ideal for use in HD theaters that use a high-brightness,
high-resolution HD projector. Because it does not use film, Varicam footage offers greater
flexibility in program changes and inserts. It also offers low-cost production and use.
• Commercial and music clip use: The combination of Varicam and a nonlinear editing system
offers many advantages, including film-like images, easy content changes, and low overall
costs.
• TV program use: The 30-fps frame rate and conventional video gamma curve also let you
create video-based TV programs.
AJ-GBX27
BT-LH1700W
AJ-HD1700
AJ-HD3700B
HD-D5 VTR
PT-D7700
HD Gamma Corrector
BT-LH900P
AJ-HD1200A
DVCPRO HD VTR
PT-DW7000
HD/SD LCD Video Monitor
Large-Venue DLP Projector
9
Combining Advanced Digital Recording
and Cinema Know-How — Only VariCam
• Up to 10 gain values ranging from –3 dB (–6 dB in video
Camera section: Captures a wide range of images
for use in cinematic or broadcast productions.
• Newly developed 3CCD system provide F12 (2,000-lux)
sensitivity, minimum illumination of 0.7 lux
menu) to +30 dB; 3 values can be saved as presets. Super
Gain instantly increases gain to +36 dB.
• 6 shutter speeds (1/100, 1/120, 1/250, 1/500, 1/1000, 1/2000
sec), plus 0.8%-97.2% variable
• 12-bit A/D converter improves gradation
• Auto Black Balance (ABB) and Auto White Balance (AWB).
AWB stores two values for each set of four CC filter
positions.
• Selectable frame frequency (59.94/60.0 Hz)
• Same tungsten/daylight selection as in film cameras. Also
comes standard with two ND and CC optical filter wheels
• Picture-enhancing circuits: Auto knee, detailing, shading
compensation, 12-pole color correction, matrix
• New high-resolution emulation mode (switchable with normal
mode)
• “Y Get” makes spot meter function realized on EVF
• Digital setup for numeric image control. Easy jog dial and
menu-driven operation.
• Simple cinematic settings via the Film User Menu
Front view
Side view
Extension control unit
DVCPRO HD Casstte tape
10
Side view
Rear view
Specifications
• Variable frame rate from 4 to 60 fps, including the traditional
"film look" rate of 24 fps
General
Power Supply
DC 11V to 17V
36 W
• Up to 8 setup data files can be stored on an SD Memory
Card (optional RP-SD008B)
Power Consumption
conditions
Operating Temperature 32˚ F to 104˚ F (0˚ C to 40˚ C)
• Up to 64 lens files can be written to an SD Memory Card
(optional RP-SD008B)
Operating Humidity
Weight
Less than 85%
About 10.4 lbs (4.7 kg) , About 16.8 lbs (7.6 kg) in operation
Dimensions (W x H x D) 5-1/4" x 8" x 12-5/16" (132 x 204 x 313mm)
• The following functions can be assigned to the
USER1/USER2 buttons: Rec SW, Y-GET, Frame Rate, Super
Iris, Super Gain, Super Black, Black Stretch, and Front/Rear
Mic input
Camera Section
CCD Elements
2/3" IT 3-CCD (RGB)
Picture Elements
1,019,280 pixels (total, 1,370 x 744)
921,600 pixels (effective, 1,280 x 720)
CC: Cross, 3200K, 4300K, 6300K ND: CLEAR, 1/4ND, 1/16ND, 1/64ND
12 bits
Optical Filters
Quantization
• ECU menu On/Off selectable on EVF
• 2-level zebra pattern and spot zebra
• State, alert display on EVF screen
Processing
74.1758MHz (59.94Hz), 74.25MHz (60Hz)
–6/–3/0/+3/+6/+9/+12/+18/+24/+30 dB (–6dB in video menu)
+18/+24/+30/+36dB
Programmable Gain
Super Gain
Shutter Speed
1/100, 1/120, 1/250, 1/500, 1/1000 and 1/2000sec.
Syncro Scan Shutter 0.8 % to 97.2 % (3°to 350°)
VTR section: High-quality recording
of progressive scan images.
Frame Rate
Sensitivity
4 fps to 60 fps (in single increments)
2000 Lux at F12 (89.9% reflection, 23.98 p, 50% shutter)
Minimum Illumination 0.7 lux (F1.4, +36 dB gain 59.94 p)
Video S/N 54 dB (typical)
Horizontal Resolution 700 TV lines at center
• Records up to 32 minutes on a compact DVCPRO HD
cassette
• Recorded results can be checked on location via the
viewfinder (black & white) or monitored in color through the
HD SDI out terminal
Registration Error
Less than 0.03 % (whole zone, without lens distortion)
Geometric Distortion Below measurable limit
Lens Mount
Viewfinder
2/3" Bayonet type
AJ-HVF27BP (Option)
• Two channels of 16-bit/48-kHz digital audio
• Two audio A/V timing modes (select conventional timing or
just-before timing)
VTR Section
Recording Format
Tape
DVCPRO HD (720p, 59.94Hz/720 p, 60Hz)
1/4" DVCPRO HD cassette tape
Tape Speed
135.28 mm/s (59.94Hz), 135.42 mm/s (60Hz)
Max. 32 minutes using AJ-HP64ELG
About 2.5 minutes using AJ-HP64ELG
Recording Time
FF/REW Time
• Audio input selectable from the front mic or rear panel
line input
VTR Section-Video
• NEWS REC function prevents start/stop mistakes
• RETAKE function simplifies retakes of NG cuts
• REC REVIEW allows instant checking of recorded end
• Interval recording, with intervals from 2 seconds to 24 hours
• One-Shot recording for making animation
• Users Bit Data for post-process
Sampling Frequency
Y: 74.1758MHz, Pb/Pr: 37.088MHz (59.94Hz)
Y: 74.25MHz, Pb/Pr: 37.125MHz (60Hz)
Quantization
Error Correction
Compression Ratio
Bit Rate
8 bits
Reed-Solomon product code
6.7:1
100Mbps
Video Band
Y: 20MHz, Pb/Pr: 10MHz
Audio
Sampling Frequency
48kHz (59.94Hz) /48.048kHz (60Hz)
16 bits/sample
*The videotape recorded in DVCPRO HD EX format cannot be played back on this camera-
recorder.
Quantization
Frequency response* 20Hz to 20kHz, ±1.0dB (reference level)
Dynamic range*
Distortion*
More than 85dB (1 kHz, AWTD)
Within 0.1% (1 kHz, reference level)
Below measurable limit
20 dB
The functions that professionals need, in a
compact, lightweight unit with low power
consumption.
Wow & Flutter*
Headroom*
Input
• Scan Reverse function for cinematic lens adapter
• Two isolated HD-SDI outputs. For monitor (super,status
display switch) and for camera output (fixation).
• Handheld control of camera settings and VTR section
remote control using the AJ-EC3P Extension Control Unit
• High-resolution 2-inch HD viewfinder (optional AJ-HVF27BP).
New, sturdier 2-point locking viewfinder mount.
• Built-in color bar, reference audio signal generator
• Accommodates super-directional mic with phantom
power supply
Audio IN
XLR x 2 (CH1/CH2), MIC/LINE/MIC+48V switchable
MIC: –60 dBu, LINE: +4 dBu
MIC IN
XLR x 1, balanced, Phantom +48V (On/Off)
BNC x 1, 1.0Vp-p 75Ω
BNC x 1, 0.5 to 7Vp-p, High-impedance
Genlock IN
TC IN
Output
HD SDI OUT
Audio OUT
TC OUT
BNC x 2, 0.8Vp-p 75Ω
XLR-5pin x 1, +4dBu
BNC x 1, 2.0Vp-p low-impedance
Stereo mini-jack x 1
Phones
Others
DC IN
DC OUT
Lens
XLR-4pin x 1 DC11V to 17V
4P x 1, DC11V to 17V, 1.5 A
12P x 1
6P x 1
• Compact size, light weight - approx. 10.4 lbs (16.8 lbs in
operating condition)
ECU
EVF
20P x 1
• Consumes only 36 W to minimize battery drain
• Built-in monitor speaker
*The above specifications were measured by playing back tapes recorded by this unit on
standard DVCPRO HD VTRs.
Weight and dimensions shown are approximate. Features and specifications are subject to
change without notice. These products may be subject to export regulations.
• Reinforced lens hood
11
Auto REC Function (in Recording)
AJ-FRC27
HD Gam m a Corrector
Camera
Action
Cut 1
Cut 2
Cut 3
Cut 4
STRAT MARK
END MARK
Recording
Action
Cut 1
Clip1
Cut 2
Clip 2
Cut 3
Clip 3
Cut 4
Clip 4
FRC Recording
(to HDD)
Pre-Roll Image Insertion (in Playback)
Pre-Roll Image (0 to 10 sec, by 2 sec step）
FRC Playback
(from HDD)
Clip1
Clip 2
Clip 3
Clip 4
Seamless Time Code
During playback, a pre-roll image of up to 10 seconds in length can be
automatically inserted and output with a continuous time code. This helps
to speed up shooting by letting you use the leading/trailing parts of each
cut as editing material, something that was difficult to do in conventional
HD cinema production.
The AJ-FRC27's compact, half-rack size and 5U profile makes it good fit
for applications ranging from studio use to EFP or relay use.
AJ-FRC27 Specifications
Power Source:
AC100V±10%, 50/60Hz
98W
Power Consumption:
Operating Temperature/Humidity: 5°C to 35°C/10% to 80%
Dimensions:
Weight:
210 (W) x 222 (H) x 492 (D)mm
15.0 kg
Check Variable Frame Rate Effects
On-Site, Line-Convert from 720p to 1080p,
and Down-Convert to SD
The AJ-FRC27 converts the frame rates of images recorded using
the AJ-HDC27H. It extracts the frames you designate, records them to an
internal HDD, and plays them back. This lets you play fast-motion or slow-
motion effects in their actual, intended timeframes.
Recording Format:
HDD:
DVCPRO HD (720/60p)
36GB, 68-pin connector
40 min (at 720/60p), 100 min (at 720/24p)
BNC x 1 (throughout x 1)
BNC x 1, with Enbeded Audio in EE mode
BNC x 1
Recording Time:
HD-SDI Input:
HD-SDI Output:
Monitor Output:
Remote Input:
Option Board:
You can select the playback frame rate from 24-, 25- or 60-fps, up-convert
to 1080/24psF or 1080/60i, down-convert to SDTV (480/60i), working either
on-line or off. If frame rate conversion is not required, you can also directly
convert the input signal into EE-through for output.
RS-422A (D-sub 9P)
AJ-YA27G SD Output Interface Board
Playback Image Signal
AJ-YA27G
NTSC (59.94p) sauce:
720xp over 59.94p(ｘ= 24, 25, 30, 60)
1080/23.98psF, 1080/59.94i (23.98p), 480/59.94i
SD O utput Interface Board
PAL (60p) sauce:
720xp over 60p(ｘ= 24, 25, 30, 60)
1080/24psF, 1080/25psF, 1080/50i,
1080/60i (24p), 576/50i
Plugging this board into the AJ-FRC27 lets you convert playback or input
HD signals into SD signals and output them (see table below). Select from
five aspect ratio conversion modes: Crop, Letterbox, Squeeze, 14:9, and
13:9. You can also choose either wide or standard frequency
Data can be automatically recorded by connecting to the AJ-HDC27H via
HD-SDI, and clip files of cuts that you designate by linking to the camera's
REC/STOP control can be stored to an HDD for backup. These functions
are also supported during studio editing, and the resulting tapes can be
played on a DVCPRO HD VTR, making it possible to automatically create
a clip of each cut by simple frame rate converter recording. Management
of OK/NG cuts is fast and easy.
characteristics settings. The AJ-FRC27 includes an edge emphasis
function for outputting SD images, with settings of 0, +1, +1.5, and +2 dB.
Playback or Input HD Images
720/60p, 1080/24p, 1080/60i
1080/25p, 1080/50i
SD Converted Output Images
480/60i
576/50i
12
Field mode corrects underexposed and low-contrast F.REC gamma images,
and outputs monitor images with full film texture that can be used to check
the lighting. There's a setting for ordinary daylight and one for
nighttime shooting.
AJ-GBX27
HD Gam m a Corrector
Telecine mode is a post-processing mode that uses movie footage to
produce TV content with a film-like texture (a telecine look). This mode
preserves the high image quality by correcting intermediate gradation while
maintaining highlights and shadows.
The Video Rec and Video modes convert images with F.REC gamma
characteristics to V.REC gamma or video gamma characteristics.
CG mode is a film production mode that reverse-converts images into
F.REC images after they were previously converted to telecine mode and
CG-processed for production ease. Also provided is a user mode that lets
you install any desired conversion table from a PC.
Use Monitor and Movie Content for TV
Production by Giving F.REC Mode Images
a Telecine Look
The AJ-GBX27 corrects images recorded in cine gamma (F.REC mode) for
converting monitor and content data, and for a variety of other uses.
The AJ-GBX27 is extremely easy to use -- simply choose the desired
correction mode.
In addition to 720p (59.94/60 Hz), the AJ-GBX27 is compatible with 1080i
(59.94/60/50 Hz) and 1080p (23.97/24 Hz) HD formats.* This makes it ideal
for VARICAM recording and for editing, package production, and a host of
other applications. The 12-VDC power supply (XLR 4-pin terminal) lets you
take the AJ-GBX27 into the field. One HD-SDI input, two HD-SDI outputs,
and an analog HD (Y/Pb/Pr) output are provided for convenient monitor
connection. Make contacts let you control conversion ON/OFF from a
switcher.
*This is not a format conversion function. It allows input/output of the same format only.
Video
100%
80%
60%
40%
20%
0%
Tele (V. Rec)
Specifications
Cine (F. Rec)
Telecine
Power Source:
Power Consumption:
Dimensions:
DC11 to 17V (EXT DC Input)
25W
213 (W) x 43.5 (H) x 330 (D)mm
Approx. 3 kg
Weight:
0%
100%
200%
300%
Input
400%
500%
600%
Video Format:
720/59.94p, 720/60p, 1080/24psF, 1080/23.97psF,
1080/59.94i, 1080/60i, 1080/50i
Gamma Table:
Input:
R.G.B. each x 16 set (preset:12/user:4)
HD SDI Input (BNC x 1)
HD SDI Input (BNC x 2)
Y/Pb/Pr (BNC x 3)
Output:
Analog HD Output:
Data Input:
Remote:
RS-232C (D-sub 9P)
Control (make-connector)
CG Mode
Field Mode
Telecine Mode
STEP 1
AJ-HD1700
STEP 2
AJ-HDC27H
F.REC Gamma
Mix
AJ-GBX27
（Telecine Mode）
BT-LH1700W
BT-LH900
HD/SD LCD Monitor
BT-LH1700W
HD/SD LCDMonitor
RAW Data
Film Recording
Gamma Correction built-in
Work with
Telecine Look
F.REC Gamma
Work Station
HD-D5 VTR
(DVCPRO HD)
TV Broadcast
Footage
package
Reverse-Convert
Mix
Telecine Look
Telecine Look
AJ-GBX27
(CG Mode)
AJ-GBX27
HD Gammma Corrector
Film Recording
AJ-GBX27
HD Gamma Corrector
HD Monitor
AJ-HD1700
RAW Data
13
The AJ-HD1700 is a DVCPRO HD high-end studio master VTR that answers
today’s most advanced needs in high-definition production and
broadcasting.
AJ-HD1700
Full-Featured Studio VTR
Featuring the new DVCPRO HD-LP format, the AJ-HD1700 records and
plays up to 126 minutes with an XL cassette. It can record three types of
HD images — 1080/60i, 720/60p, and 1080/50i — and is equipped with
eight digital audio channels for 5.1-channel surround sound.
The AJ-HD1700 plays all DVCPRO HD, DVCPRO50, DVCPRO P, DVCPRO,
DV, and DVCAM tapes. It has an advanced HD-SD conversion function that
provides simultaneous output of HD/SD signals from a wide variety of
sources.
The AJ-HD1700 can even output a 1080/24p signal from a 720/24p over 60
VARICAM source tape for convenient editing in 1080/24p such as mastering
to D-5 HD on the AJ-HD3700B VTR.
The AJ-HD1700 can also output a 1080/25p and 576/50i signal from a
720/50p over 60 VARICAM source tape for PAL editing.
AJ-HD1700
Plays/Records 720p and 1080i
Playback all DV-based formats 2-hour rec. time
1080/24p output fromVaricam™ 8-ch audio
The compact, AC/DC-powered AJ-HD1200A is ready for a host of active
uses. This versatile HD VTR plays all DVCPRO formats (both NTSC and
PAL), including DVCPRO HD-LP, and can down-convert HD signals for
output as SD signals, allowing its use as both an HD and SD viewer. With
its 1080/24p (25p) conversion and output function for Varicam sources, the
AJ-HD1200A also meets needs in HD cinema production.
AJ-HD1200A
Full-Featured Studio VTR
Mount an optional board, and the AJ-HD1200A can serve as a recorder in a
space-saving, low-cost HD production system. Choose either an SDI type
optional board (HD-SDI in/out, SDI out) or an IEEE 1394 type board. With
the IEEE 1394 board, the AJ-HD1200A HD becomes the world's first VTR to
offer HD input and output via an IEEE 1394 digital interface. This allows the
AJ-HD1200A to connect to next generation NLE (Non-Linear Editing)
systems, or IEEE 1394 equipped Video Servers.
AJ-HD1200A Plays/Records 720p and 1080i
Playback all DV-based formats IEEE 1394 I/F
1080/24p output fromVaricam™ Compact Size
The AJ-HD3700B VTR meets all high quality HD and SD production
requirements in one VTR. HD studio quality is assured by full band width
(1920 x 1080) in 1080i, and 4:2:2 digital 10-bit component recording, plus
1080/24p, 1080/25p, as well as standard definition non-compressed 480i.
Metadata recording and playback is built in without sacrificing audio
channels and conversion between formats is as simple as an optional
converter card set. With an easy-to-use front panel operation and full
editing capability, the AJ-HD3700B is designed for integration into today's
modern post and production facilities.
AJ-HD3700B
Multi-Form at/Multi-Standard Mastering VTR
The AJ-HD3700B provides the flexibility of having a single machine function
in both HD and SD, plus the popular 1080/24p and 1080/24psF. With the
optional built-in format converter card, SD to HD and HD to SD conversions
are handled internally - without the need for outboard gear.
AJ-HD3700B HD-D5 Plays/Records ATSC formats
Supports multiple frame rates 10-bit recording
Format Conversion Metadata
8-Ch audio
14
Equipped with an F.REC gamma corrector, these 16:9, HD-ready monitors
convert images recorded with VariCam in F.REC mode into the appropriate
gamma curves for viewing. This simplifies F.REC acquisition, eliminating the
need for a separate HD gamma corrector.
BT-LH1700W
17" HD/SD LCD Video Monitor
The BT-LH1700W offers the superior image quality and advanced functions
needed for HD production. It features the industry's first non-delay IP circuit
to assure natural viewing, plus a diagonal line processing circuit that
smoothes out jaggies. Its fast response with intermediate gradations helps
provide clear, blur-free images. The BT-LH1700W also offers a 176° viewing
angle both vertically and horizontally – one of the best in the industry
among LCDs. It features SDI input with automatic HD/SD switching,
component input, and composite input. The BT-LH1700W body is designed
for rack mounting using the optional adapter.
BT-LH900P
8.4" HD/SD LCD Video Monitor
The BT-LH900P takes full advantage of the LCD panel's space-saving
design to offer a slim 65-mm profile and light weight of only 4.4 pounds
(2.0kg). With DC drive, low 22.8-watt power consumption and a separate
control panel that can be mounted on the monitor's top, side or bottom, the
BT-LH900P can serve as a camera-top EVF. The BT-LH900P also has
among the industry's widest viewing angles, 170° both vertically and
horizontally. It offers SDI input with automatic HD/SD switching, component
input and composite input, and it's designed for side-by-side rack mounting
using the optional adapter.
BT-LH1700W 1,280 x 768 WXGA display
AC100V/DC12V operation Light weight 14.52 pounds (6.6kg)
430 (W) x 309 (H) x 79 (D) mm compact size
BT-LH900P
1,024 x 768 XGA display
DC12V (11-17V) operation Light weight 4.4 pounds (2.0kg)
218 (W) x 176 (H) x 65 (D) mm compact size
Each of these projectors features a 3-chip DLP™ (Digital Light Processing)
system for superior brightness, image quality and reliability. An original
Panasonic optical system with dual-lamp technology combines with
Dynamic Iris to deliver brightness of 7,000 ANSI lumens (6,000 for the
PT-DW7000) and outstanding 4,000:1 contrast. A number of unique picture-
enhancing circuits also helps assure superior image reproduction.
PT-D7700
PT-DW7000
Large-Venue DLP™ Projector
Each model has a 2:2 pulldown mode for reproducing high-quality 30p
(480i) images. Each is equipped with video, S-Video and RGB inputs, and
an HD/SD SDI input is available as an option. Remote control via a PC is
possible over a LAN network. Several projectors can be combined for use
in a multi-screen system.
The PT-D7700 has native SXGA+ (1400 x 1050) resolution for projecting
sharp, detailed images onto a 4:3 screen. The PT-DW7000 has native
WXGA (1366 x 768) resolution for projecting bright, high-quality wide
images onto a 16:9 screen.
PT-D7700
1,400 x 1,050 SXGA+ display
7,000 ANSI lumens 70" to 600" of screen size
4,000:1 contlast ratio
HD/SD multi-format
PT-DW 7000
1,366 x 768 WXGA display
6,000 ANSI lumens 70" to 600" of screen size
4,000:1 contlast ratio HD/SD multi-format
15
“VARICAM” 24P SystemFlow
1. Shooting and On-Site Previewing
2. VARICAM-Compatible Non-Linear Editing
3.Film Recording
LAN (FTP)
LASER
AJ-FRC27
BT-LH1700W
BT-LH900P
Film Printer
HD-SD LCD Monitor
720/60p
1080/24p
AJ-HD1700
HD-D5 VTR
AJ-FRC27
AJ-GBX27
HD Monitor
VARICAM-Compatible
Non Linear Editor
Package
All Materials
5. 24 fps Non-linear Editing
4.TV Broadcast Footage
720/24p over 60p Materials
Gamma Correction
Off-Line Editing (Standard Definition)
Variable Frame
Rate Materials
24p Materials
Frame-Rate Conversion
HD-D5 VTR
AJ-GBX27
DVCPRO
Active Frame
Record 24p over 60p
DVCPRO HD VTR
Non Linear Editor
Downconvert
DVCPRO HD VTR
DVCPRO HD VTR
AJ-FRC27
On-Line Editing
Upconvert to 1080/24p
EDL (24fps)
1080/24p
1080/24p
AJ-HD1700
HD-D5 VTR
Package
Non Linear Editor
“VARICAM” 30P SystemFlow
D-1 Environment
6.Producing TV Content with 30p Recording
Format Conversion
720/30p over 60p
AJ-FRC27
HD Monitor
480/60i
AJ-HD1700
30p Materials
Frame-Rate Conversion
Active Frame
Record 30p over 60p
Variable Frame
Rate Materials
DVCPRO HD VTR
DVCPRO HD VTR
AJ-FRC27
7.Recording in 30p and Cine Gammma (F.REC Mode)
BT-LH1700W
BT-LH900P
HD/SD LCD Monitor
Format and Gamma Conversion
480/60i
1080/60i
Telecine-Look Correction
720/30p over 60p
AJ-FRC27
HD Monitor
AJ-GBX27
AJ-HD1700
AJ-GBX27
HD-D5 VTR
30p Materials
Frame-Rate Conversion
Active Frame
Record 30p over 60p
Variable Frame
Rate Materials
DVCPRO HD VTR
DVCPRO HD VTR
AJ-FRC27
“VARICAM” & IEEE 1394 Non-linear SystemFlow
Previewing
BT-LH1700W
BT--LH900P
AJ-FRC27
HD/SD LCD Monitor
HD SDI
Input/
Output
Board
8.IEEE 1394 HD Non Linear Editor
9.Multi Format Output
HD Monitor
AJ-FRC27
AJ-GBX27G
HD Monitor
720/60p
1080/60i
IEEE 1394
IEEE 1394
1080/24p
720
（24P・30P
over 60P）
720（24P・30P
over 60P）
480/60i
24P/30p Materials
AJ-HD1200A
DVCPRO HD VTR
IEEE 1394 HD
AJ-HD1200A
All Materials
(Down Convert)
Non-linear SystemFlow
24P/30P Time Line
DVCPRO HD VTR
+Option Board
AJ-YAD120AG
+Option Board
AJ-YAD120AG
Variable Frame
Rate Materials
Xp over 60P
24P・30P
over 60P
AJ-FRC27
16
1.On-site previewing
7. Recording in 30p and Cine Gamma (F.REC
Mode)
Use the AJ-FRC27 Frame Rate Converter to check the results
of fast-motion or slow-motion effects right after recording.
Combine it with the BT-LH900 HD LCD Monitor (which
features gamma correction) or the AJ-GBX27 HD Gamma
Corrector, and you can view images with gradation that closely
approximates that of the finished images.
The AJ-GBX27 HD Gamma Corrector smoothly handles
footage recorded in F.REC mode, with its distinctive film-like
look. It also lets you check images and lighting on the spot
with an ordinary HD monitor. Handling everything from format
conversion to final production, the AJ- GBX27 gives telecine-
look gamma characteristics to raw camera data, allowing you
to produce TV content with a film-like texture.
2.VARICAM-compatible nonlinear editing
The AJ-FRC27 lets you play VARICAM tapes recorded at 60
fps directly on a DVCPRO HD VTR. Using a VARICAM-
compatible nonlinear editing system with an effective frame
extraction function, you can directly upload undercranked or
overcranked footage for use in 1080/24p or 720/60p
(24p over 60p).
8. IEEE 1394 HD Nonlinear Editing
The AJ-HD1200A DVCPRO HD Camera/Recorder (equipped
with the optional AJ-YAD120AG board) is the world's first
camera/recorder to provide native HD data transfer with an
IEEE 1394 digital interface. In this system, the AJ-HD1200A
teams up with any of various makes of IEEE 1394 HD-
compatible nonlinear editors. The result is a compact,
affordable HD production system at a cost that has never been
possible before.
3.Film recording
By printing onto film using the conversion table, you can
produce a gradation that's appropriate for screen projection.
The gradation characteristics of F.REC gamma materials are
equivalent to digital scanning. Those of V.REC are equivalent
to telecine.
Compatible Systems
Apple:
Avid:
Final Cut Pro 5
Avid Xpress Pro HD, Avid NewsCutter family,
Avid Media Composer Adrenaline HD
EDIUS HD/SD,EDIUS SP/NX
Canopus:
4.Conversion to TV broadcast footage
Compared with telecine systems, the AJ-GBX27 HD Gamma
Corrector offers a cheaper and easier way to convert movie
content into high-quality TV content with a film-like texture.
9. Multi-Format Output
The down-converter integrated into the AJ-HD1200A lets you
down-convert and output SD footage from an HD package.
Plugging in the optional AJ-YA120AG board also enables
720/1080 line converting as well as conversion and output of
1080/24p footage from a Varicam 720/24p over 59.94p (60p)
source. This function allows multi-format output for HD
broadcasting, cinema, and SD broadcasting.
Frame Rate Conversion (Ex. 40-fps)
★＝Active Frame Frag
AJ-HDC27F
Camera-Recorder
1
1
2
2
2
3
3
4
4
5
4
6
5
7
6
8
6
9
7
8
8
9
AJ-FRC27
(HDD Recording)
DVCPRO HD
(720/60p)
1
1
2
2
2
3
3
4
4
4
5
5
6
HD-D5
（1080/24p）
1
2
3
4
5
6
5.24 fps non-linear editing systems
First, use off-line editing to convert the frame rate of
undercranked or overcranked footage, then down-convert to
the SD (480/60i) format. Next, use the EDL from the off-line
editing for 1080/24p online editing. The AJ-HD1700 DVCPRO
HD VTR lets you play back a 720/24p over 60p source and
directly convert it to 1080/24p output.
Apple Final Cut Pro 5 (Power Mac G5)
6.Producing TV content with 30p recording
It's even simpler to use 30p and V.REC gamma recording to
produce TV (60i) content or commercial footage with a film-like
texture. Simply play the recorded source on a DVCPRO HD
VTR to down-convert to 480/60i output. The 480/60i output
will flow smoothly into a component video environment.
Avid Xpress Pro HD
Avid NewsCutter family
Avid Media Composer Adrenaline HD
Canopus EDIUS HD/SD/SP/NX
17
AJ-HVF27BP
2.0" HD EVF
AJ-MC700P
Microphone Kit
AJ-MH800G
Microphone Holder
CLA35HD
Cine Lens Adapter
AJ-EC3P
Extension Control Unit
ABUL2S
AntonBauer Ultra Light
AJ-B95/AJ-B75
AC Adapter
31162
Anton Bauer Battery
ABUL2S
Anton/Bauer
Ultra light
Microphone
AJ-MH800G
Microphone
Holder
BT-LH1700W
HD LCD Monitor
BT-LH900P
HD LCD Monitor
AJ-MC700P
Microphone Kit
DC Cable (XLR)
AJ-B75P
AC Adaptor
AJ-HVF27BP
2.0" HD VF
AJ-HP64ELG
DVCPRO HD Cassette Tape
2/3" HDTV Lens
HD Cine Lens
Anton/Bauer
Gold Mount Plate
Anton/Bauer
Batteries
Anton/Bauer
Battery Charger
AJ-HDC27H
Camera/Recorder
6-Pin Remote Cable
35mm Cinema Lens
CLA35HD
Cine Lens Adaptor
AJ-EC3P
Extension
Control Unit
SHAN-TM700
Tripod Adaptor
Cinema Accessories
Multi Media Card
SD Memory Card
• Optical Filter and Mat Box
• Lens Control System
• Follow Focus System
• EVF Extender
• Bridge Plate and Adaptor Plate
• CIne Style Tripod System
Tripod
Shoulder Strap
SHAN-RC700
Rain Cover
AJ-SC900
AJ-HT901G
Standard Accessories
Soft Carrying Case Hard Carrying Case
18
19
PANASONIC BROADCAST & TELEVISION SYSTEMS COMPANY
UNIT OF PANASONIC CORPORATION OF NORTH AMERICA
Matsushita Electric Industrial Co., Ltd.
Systems Business Group
2-15 Matsuba-cho, Kadoma, Osaka, 571-8503 Japan
Tel. 81-6-6905-4650 Fax. 81-6-6908-5969
Panasonic Latin America S.A.
(
Caribe,Centro America, Venezuela, Colombia, Ecuador, Bolivia,
Uruguay, Paraguay, Chile
)
Tel. 507-229-2955 Fax. 507-229-2536
Executive Office:
One Panasonic Way, 4E-7, Secaucus, NJ 07094
(201) 348-5300
Panasonic del Peru S.A.
Tel. 51-1-614-0000 Fax. 51-1-452-9415
Panasonic Systems Sales Taiwan Co.,Ltd.
5F, 2 Sec. 5 Hsin I Road Taipei, Taiwan
Tel. 886-2-2725-9100 Fax. 886-2-2725-9291
EASTERN ZONE:
One Panasonic Way 4E-7, Secaucus, NJ 07094
Panasonic do Brasil Ltda
Tel. 55-11-3889-4035 Fax. 55-11-3889-4004
(including Southeast) (201) 348-7196
WESTERN ZONE: 3330 Cahuenga Blvd W., Los Angeles, CA 90068
(including Southwest) (323) 436-3608
Government Sales: (201) 348-5300 (Eastern U.S.),
(323) 436-3608 (Western U.S.)
Panasonic Korea Ltd.
Seohyun B/D, 1718-9, Seocho-Dong, Seocho-Gu,
Seoul, Korea
Tel. 82-2-2106-6641 FAX. 82-2-533-8766
Broadcast and Communication Company of Asia, Inc.
R-1902A Tektite Tower II Exchange Road Ortigas Center Posig
City, Philippines
Panasonic Canada Inc.
5770 Ambler Drive, Mississauga, Ontario L4W 2T3 (905) 624-5010
Panasonic Puerto Rico, Inc.
San Gabriel Industrial Park, 65th Infantry Ave., Km. 9.5, Carolina,
Puerto Rico 00630 (787) 750-4300
Tel. 63-2-633-6162 Fax. 63-2-631-1861
Panasonic de Mexico, S.A. de C.V.
Tel. 52-55-5488-1000 Fax. 52-55-5575-6763
SP-HDC27HP1
17K506ZM-1 Printed in Japan
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