Zenith Projector PRO895X User Manual

HD Projection Display  
Installation and Setup Guide  
for System Installer  
Model  
PRO895X  
®
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CONTENTS  
Safety Warnings  
Safety Warnings . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Monitor Top/ Inside View . . . . . . . . . . . . . . . . . . . . 12  
Installation Overview Setup  
Monitor Rear View . . . . . . . . . . . . . . . . . . . . . . . . 11  
Installer’s Experience Level . . . . . . . . . . . . . . . . . . . 4 Setup Remote Control Key Functions . . . . . . . . . . . . . 13  
Installation Considerations . . . . . . . . . . . . . . . . . . . . 4 Setup Mode Notes and Cautions . . . . . . . . . . . . . . . . 14  
Power Cord Requirements . . . . . . . . . . . . . . . . . . . . . 4 Specifications for RGB Sync Inputs . . . . . . . . . . . . . . 15  
Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16  
Screen Size Selection . . . . . . . . . . . . . . . . . . . . . . 17  
Specifications  
Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5  
Setup and Alignment Procedure  
Standard Connections  
Procedure Overview . . . . . . . . . . . . . . . . . . . . . . . . 18  
Connecting Computer Video Sources . . . . . . . . . . . . . . 6  
I. Installation Prerequisites . . . . . . . . . . . . . . . . . . 18  
Connecting Video and S-Video Sources . . . . . . . . . . . . 6  
II. System Check and Physical Setup . . . . . . . . . . . . . 18  
Connector Pin Wiring Reference . . . . . . . . . . . . . . . . . 7  
Setup Reference Illustrations . . . . . . . . . . . . . . . . . 19  
Connection / Control Panel . . . . . . . . . . . . . . . . . . . 8  
Physical Setup . . . . . . . . . . . . . . . . . . . . . . . . . . . 20  
Selecting Input Source . . . . . . . . . . . . . . . . . . . . . . 8  
III. Preliminary Alignment Setup . . . . . . . . . . . . . . . 22  
Remote Control  
Battery Installation . . . . . . . . . . . . . . . . . . . . . . . . 9  
IV. Final Detailed Geometry Convergence Setup . . . . . . 24  
V. Geometry/Convergence of Other Aspect Ratios . . . . . 24  
Choosing the Setup Function . . . . . . . . . . . . . . . . . . 9  
Convergence Setup Controls . . . . . . . . . . . . . . . . . . 25  
Product Overview  
Product Overview . . . . . . . . . . . . . . . . . . . . . . . . . 10  
Monitor Cabinet Removal . . . . . . . . . . . . . . . . . . . . 10  
Geometry Convergence . . . . . . . . . . . . . . . . . . . . . . 26  
Convergence of Red and Blue onto Green . . . . . . . . . . 27  
Notes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28  
PLACEMENT CONSIDERATIONS  
Room Light  
Viewing Surface  
We recommend a good quality screen having a matte white  
Ideally, the PRO895X should be placed in a low-light envi-  
ronment. Picture quality and the ability to see the project- finish, which measures 80” in width (or more) diagonally.  
ed images are adversely affected by bright-light conditions. Contact your local dealer for assistance in purchasing an  
appropriate screen.  
Placement  
Note: Use of a projection screen designed for a single  
light source projection system may result in significant  
side-to-side color distortion.  
Your PRO895X is shipped from the factory to provide an  
image with an 80” width as a ceiling-mounted front projec-  
tor. To ensure proper placement of the unit or to change  
the size of the projection image, refer to the “Physical  
Setup” section.  
Note to Installer  
The purpose of this installation guide is to provide general guidelines for the proper installation and setup of the  
PRO895X. Actual operation of the unit is described in the separately supplied Operating Guide and Warranty.  
This guide has been prepared for properly trained installers.  
Note: Design and specifications are subject to change without prior notification  
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©Copyright 2001 Zenith Electronics Corporation  
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INSTALLATION OVERVIEW  
Installer’s Experience Level  
The PRO895X is a sophisticated Entertainment  
MachineTM. In addition to making the necessary  
connections, installation will most likely require  
a series of adjustments to ensure the projected  
image is not distorted. If these adjustments are not accu-  
rate, the operation of the PRO895X could be adversely  
affected. For this reason, installation and setup should be  
performed by a qualified service person and should con-  
form to all local codes. The installer must also adhere to  
the pertinent Articles of the National Electrical Code (NEC),  
pertinent Regulations of the Federal Communications  
Commission (FCC), and all relevant codes of local regulat-  
ing agencies.  
National Power Cord Requirements U.S. / Canada  
• The power cord must be UL listed and CSA certified.  
• The minimum specifications for the power cord are as  
follows: No. 18 AWG, Type SV or SJ, 3 conductor.  
• The power cord must have a rated cur-  
rent capacity of at least 10 amperes.  
Installation Considerations  
Before you install the PRO895X...  
Standard North  
America (120 VAC)  
• The attachment plug must be an  
earth-grounding type with a NEMA 5-15P  
(15A, 125V) or NEMA 6-15P (15A, 250V)  
configuration.  
Ventilation -- Proper ventilation keeps the  
PRO895X running cool. Air circulates through  
perforations on the sides of the cabinet. Do not  
block these vents or you will shorten the life of  
the PRO895X.  
Power Cord -- The PRO895X has a three-wire  
grounding-type plug having a third (grounding)  
pin. This plug will only fit into a grounding-type  
power outlet.  
North America  
(240 VAC)  
Other Countries  
• The cord set fittings must bear the  
certification mark of the agency responsible for evaluation  
in a specific country. Acceptable agencies include the fol-  
lowing:  
BSI (United Kingdom)  
CEBEC (Belgium)  
DEMKO (Denmark)  
EANSW (Australia)  
SETI (Finland)  
Nemko (Norway)  
OVE (Austria)  
SEMKO (Sweden)  
SEV (Switzerland)  
UTE (France)  
This is a safety feature. If you are unable to insert the  
plug into the outlet, contact an electrician to replace the  
obsolete outlet. Do not defeat the safety purpose of the  
grounding-type plug.  
Power Source -- The PRO895X is designed to  
operate on standard current, 120 volt 60 Hertz  
AC or 230 volt 50/60 Hertz AC. Do not attempt  
to operate it on DC current.  
IMQ (Italy)  
KEMA (The Netherlands)  
VDE (Germany)  
MITI (Japan)  
• The flexible cord must be of a HAR (harmonized) type  
HO5VV-F 3-conductor cord with a minimum conductor size  
of .03 square inches (1.0 square millimeter).  
• The cord set must have a current capacity of at least 10  
amperes and a nominal voltage rating of 125 or 250 VAC, as  
required by the specific country’s power system.  
The PRO895X is configured at the factory for 120 volt, 60  
Hz operation. A service adjustment is necessary to permit  
the unit to operate on 230 volt, 50/60 Hz. See Changing  
From 120 VAC To 230 VAC in the Setup and Alignment sec-  
tion for details.  
Entertainment MachineTM is a registered trademark of Zenith Electronics Corporation  
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SPECIFICATIONS  
PRO895X  
General  
Note: Specifications are subject to change without prior notice.  
HORIZONTAL SCAN FREQUENCY — 15.0 - 40.0 kHz.  
VERTICAL SCAN FREQUENCY — 40.0 - 100 Hz.  
RETRACE TIME — Horizontal: < 3.5 µS (15.0 - 40.0 kHz).  
Vertical: 450 µS (40.0 - 100 Hz).  
Optical  
PROJECTION SYSTEM — CRT; 7-inch High Performance Liquid  
Cooled Tubes, 5-inch active phosphor area, 90 degree deflection  
angle, Super Oxide Cathodes.  
BANDWIDTH — 37.5 MHZ (-3dB).  
RGB RESOLUTION — 1920 x 1080 (interlace).  
VIDEO RESOLUTION — 800 TV Lines.  
SIZE ADJUSTABLE — 48 - 192 inches wide.  
SCREEN CONFIGURATION — Front or rear, floor or ceiling mount,  
with simple scan reversal.  
COLOR BALANCE — Four user selectable settings:  
3200/6500/9300/Custom.  
HIGH VOLTAGE — 32 kV.  
LENSES — High resolution color corrected multi-layered coating  
hybrid lens system. fl.03 Aperture.  
LIGHT OUTPUT — 700 Lumens peak light output.  
CONVERGENCE — Digitally controlled analog with 10 factory pre-  
set options, 5 customer memory locations plus a copy function  
feature.  
CONVERGENCE LIMITS — Less than 0.2% of vertical height.  
SELF-GENERATED SET UP PATTERNS — Cross Hatch (coarse and  
fine), convergence color pattern, static adjust.  
SCHIEMPFLUG FOCUS — For edge focusing.  
POWER CONSUMPTION — 600 Watts max.  
AC POWER CORD — 3 meters.  
WEIGHT — 43.13 kg / 95 lbs.  
ENVIRONMENT — Operating Temperature: 0 to 40º C (degrees);  
Humidity: 0 to 90 percent non-condensing;  
Storage: 10 to 50º C (degrees)  
Inputs  
RGB INPUTS — 5 - BNC analog (RGB H/V) with full VGA and  
VESA Super VGA tracking compatibility.  
COMPOSITE VIDEO INPUT — 1.0 Vp-p, 75 ohm (BNC jack), loop  
through (NTSC 3.58, NTSC 4.43, PAL M/N, PAL B/G).  
S-VIDEO INPUT — Y: 1.0 Vp-p 75 ohm; C: 0.28 Vp-p color burst  
level (via mini DIN) connector.  
DATA COMMUNICATIONS PORT — RS232 serial port.  
POWER INPUT — Dual-range power supply 90-137 Vac, 180-264  
Vac, 47-63 Hz.  
SAFETY AND REGULATION —  
• UL: Complies with UL 1950.  
• CSA: Complies with CSA C22.2 No. 950.  
• FCC: Complies with FCC Class B Regulations.  
• European: CE Mark. Complies with IEC 950.  
• DHHS: Complies with X-Ray Emission Regulations.  
• NOM: Complies with Mexico Standards.  
Video Features  
• Three-dimensional Digital Comb Filter.  
• Two-dimensional Picture Sharpness Circuitry.  
• Digital Dynamic Video Noise Reduction.  
• Color Transient Improvement.  
• Black Level Expansion.  
MECHANICAL DIMENSIONS — 12.90 inches (H), 25.75 inches (W),  
33.28 inches (D).  
REMOTE CONTROL SYSTEM — Two IR receivers for front and rear  
remote access. Installer’s remote provides full control of menus  
and convergence. Operators remote is a Universal multi-brand  
remote control.  
• Auto Flesh Tone Correction.  
• Video Edge Enhancement.  
• Color Noise Reduction.  
• Advanced Video DSP with 5 megabit memory.  
• Extra Wide-band Video Amplifiers.  
• High Resolution AKB with programmable white balance  
control.  
• Picture setup via source selection.  
• World Wide Multi-standard Video System  
(PAL M/N, PAL B/G, NTSC).  
• Aspect Ratio Correction.  
Formats Supported  
NTSC  
NTSC  
PAL  
3.58  
4.43  
M, N, B, G.  
IBM Standard  
VGA  
Mac II 640 x 480, 35kHz  
Grand  
HDTV Formats. 1280 x 720, progressive,  
Alliance 16 x 9 aspect ratio. 1920 x 1080, interlaced, 16 x 9  
aspect ratio, per SMPTE specification, tri-level sync.  
• Multi-Frequency, Multi-Format High Definition System (15 to  
40 kHz, 75 MHz dot clock).  
• Addressability via IR for multiple projection unit applications.  
• On-Screen Display capable of 13 x 32 character display  
resolution.  
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STANDARD CONNECTIONS  
CONNECTING COMPUTER VIDEO SOURCES  
Connect a video source such as a computer: PC, Laptop, or Notebook type.  
To hook up a laptop or computer, use a cable with a  
15-pin D-type connector on one end and BNC connectors  
on the other end.  
Note: Any special adapters, cables, or connectors shown  
are not provided with the PRO895X. See your computer  
dealer for your special requirements.  
CONNECTING VIDEO AND S-VIDEO SOURCES  
Connect video sources with a tuner, (VCR) or other video sources such as a DVD player  
or satellite receiver.  
To hook up a VCR, DVD play-  
er, or other video source,  
use standard video connec-  
tors as needed.  
Connect the video source to  
the Video In jack on the  
PRO895X. If the video source  
has an S-Video connector,  
then connect to the S-Video  
jack on the PRO895X.  
Notes: For audio capability,  
connect your Video sources’  
Audio output to a separate  
audio amplifier like a stereo  
system; no audio capability  
is provided with the  
PRO895X. Use cables and  
adapters with the connector  
types and jacks available on  
the video source.  
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STANDARD CONNECTIONS  
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CONNECTIONS / CONTROL PANEL  
ENTER  
Shows Source/Time Display  
SELECTS MENU OPTIONS  
REMOTE CONTROL WINDOW  
S-VIDEO INPUT JACK  
MENU  
Accesses on-screen menus  
POWER ON INDICATOR  
COMMUNICATIONS PORT  
INTER-CONNECT JACK  
(RJ-11)  
POWER  
On/Off Switch  
Red, Green, Blue (RGB)  
Horizontal/Vertical input jacks  
Loop Out, Loop In,  
Setup Switch  
(Set LOOP switch to “Out” if  
routing composite video to a  
second projector.)  
COMPOSITE VIDEO INPUT  
COMPOSITE VIDEO LOOP  
OUT JACK  
(Set LOOP switch to “Out” if  
using loop through.)  
Selecting the Input Source  
The type of input signal determines which source is being  
viewed. Use the Source Menu to select the source you want  
to view. The options in the menu correspond to the connec-  
tors on the connection panel.  
Current Source: Video  
Press to Select Input  
Press ENTER to change.  
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REMOTE CONTROL  
REMOTE CONTROL MBR3470T  
The MBR3470T remote control is used specifically for servicing and setup adjustment. It provides the special functions  
needed for geometry, convergence, and system setup that other remotes cannot perform.  
Red, Green, Blue  
Selects formats, sets  
Vertical and Horizontal  
Adjusts selected  
Adjustment Select Keys  
Adjusts selected  
Floor/Ceiling or a specific  
color convergence.  
geometry/convergence  
characteristics.  
geometry/convergence  
characteristics.  
BATTERY INSTALLATION  
CHOOSING THE SETUP FUNCTION  
Press SETUP to set the remote control in “setup” mode.  
In the setup mode, you have the following choice of  
which setup functions to perform:  
Batteries are provided, but they must be installed before  
using the remote control. When it no longer functions  
normally, or when it loses memory, replace the batteries  
with two high-quality, alkaline, size AAA batteries.  
Geometry Convergence -- Press SETUP, then RED.  
Single Color Convergence -- Press SETUP, then RED, and a  
color key (Red, Green or Blue) to select color to converge.  
To Install the Batteries  
Forced Signal Formats -- Press SETUP, then GREEN.  
Ceiling/Floor Select -- Press SETUP, then BLUE.  
1. Open the battery compartment by pressing in on  
the tab and lifting the cover off.  
2. Place the batteries into the compartment according  
to the markings shown in the compartment.  
3. Replace the battery compartment cover.  
Red, Green, Blue  
Setup  
Notes  
• Do not place heavy objects on top of the remote control keys.  
Prolonged unintentional operation of the remote shortens the  
usable life of the batteries.  
• Remove the batteries if the remote control will not be used for  
a month or more.  
• The remote manufacturer is not responsible for damage caused  
by battery leakage.  
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PRODUCT OVERVIEW  
The PRO895X HD Projection Display system is a high reso-  
lution multiple signal format display monitor. It uses 7”  
high performance liquid cooled CRTs. Each CRT has a 5”  
cannot be altered in the field. Each preset format has a  
custom memory location to store customized setup data.  
Each customized setup has a separated memory location  
active phosphor area and a 90 degree deflection angle. The for each aspect ratio (4 X 3, letter box, compressed, and  
CRTs use high-resolution color corrected multi-layered  
hybrid lens assemblies.  
16 X 9). You must set up and converge the system for each  
aspect ratio that will be used. The five customer memory  
locations are for signal formats that do not match the ten  
factory preset signal formats. There is also the option to  
copy the stored format data from one memory location to  
another. This allows faster setup when several similar for-  
mats are used. Internally generated signal patterns also  
aid with setup of convergence. The internal pattern gener-  
ator may sync from the internally preset signal formats or  
it will sync from an external signal source. This is helpful  
for on-site full convergence or just a touch up. You must  
use the customer’s signal source to perform blanking and  
phase adjustments.  
Horizontal scan frequency is from 15 to 40 KHz. Vertical  
scan frequency is from 40 to 100 Hz. Video system signal  
bandwidth is 35 MHz. The projected display diagonal size  
(4:3 aspect ratio) is adjustable from 60” to 240.  
Supported signal formats include NTSC (3.58 and 4.43),  
PAL (M,N,B, and G), VGA, Mac II, and Grand Alliance HDTV.  
Signal input options include 5 BNC connectors (R,G,B,V,H),  
composite video, S-Video (Y-C), and an RS232 serial data  
port. The IR control format is addressable (0 - 99) for use  
with multiple unit installations. Each PRO895X comes with  
a Universal customer remote control and a service/align-  
ment 5-function MBR3470 remote control.  
The PRO895X cabinet is comprised of three pieces.  
Removal of the case allows full maintenance access to the  
systems electronic and mechanical assemblies. Front and  
rear mounted IR detector assemblies allow almost no inter-  
ference to IR control. There are adjustable (and removable)  
feet on the bottom of the case.  
From the factory, the PRO895X comes aligned for a 80”  
wide display. The preset projection distance is 96 3/8” and  
configured for a ceiling mount. You may customize the  
setup to be floor or ceiling mounted and rear or front pro-  
jected. Refer to the setup section before attempting an  
installation.  
CABINET REMOVAL  
Note the location of the screws which need to be removed  
to allow access to the components.  
Caution:  
The convergence system is a digital controlled analog sys-  
tem with 10 signal format preset and 5 customer option  
memory locations. The preset format memory locations  
Disconnect the PRO895X from power before  
attempting to remove the cabinet.  
Standard Signal Format Modes  
Mode Name  
Freq.  
Signal Type  
Video - NTSC  
Video - PAL  
RGB  
1. ** Factory 1  
2. Factory 2  
15.7Khz  
15.62khz  
31.46khz  
31.46khz  
31.46khz  
31.75khz  
35.0khz  
15.7khz  
15.7khz  
15.7Khz  
3. * VGA 400  
4. * VGA480  
5. VGA350  
RGB  
RGB  
6. *# HDTV 33  
7. MAC II 35  
8. ** NTSC-SOG  
9. ** NTSC-RGB  
10. ** Factory 10  
RGB  
RGB  
RGB  
RGB  
Video - SVHS  
11. Return To Normal Viewing  
* = 4:3 factory setup  
** = 4:3, 16:9 factory setup  
*# = 16:9 factory setup  
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REAR VIEW  
Be sure to read and understand the setup section before  
Warranty is included with the PRO895X. Read the user  
menu section to understand the features and functions for  
normal system operation. There are no field required  
adjustments to the service menu.  
you attempt to install a PRO895X system; you will find  
tables and examples of the required installation data for a  
successful installation. Also, the user Operating Guide and  
Vertical Active - vertical deflection yoke drive is present in the 9-1510 module.  
Video Enable - all conditions are ready for high voltage to turn on via the 9-1504 mo  
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TOP / INSIDE VIEW  
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SETUP REMOTE CONTROL  
The PRO895X is supplied with the MBR3470T / 3468PT and  
setup / convergence use. To use the normal “user menu”  
a universal customer remote control. For most servicing sit- (Source, Setup, or Video), press the TV Mode Switch. The  
uations, the MBR3470T / 3468PT is required. The MBR3470T user menus indicate the current setting by highlighted text  
/ 3468PT has the special functions needed for geometry /  
or a bar / number indication in the dialog box at the bot-  
convergence adjustments and system setup functions which tom of the screen. The exception is the Source menu, which  
the Universal customer remote cannot perform.  
has the three choices with the currently selected source  
being highlighted and control instructions in the dialog  
box.  
When using the MBR3470T / 3468PT, press the Convergence  
Setup Mode Switch. The SETUP mode is only for PRO895X  
TV  
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SETUP MODE NOTES AND CAUTIONS  
1. When you enter the setup mode, the system is in the  
changes, press the “Quit” key twice.  
“Geometry Mode” (the shape controls adjust all three  
colors at the same time). To adjust an individual color  
(i.e. Red to adjust SKEW), you must press the “Red”  
key. This will put the system into the “Convergence  
Mode” (the shape controls adjust one color at a time).  
To return to the Geometry Mode, you must press the  
“Red” key a second time.  
8. Caution - shut all the PRO895X timers and signal source  
power conserve features off before starting  
convergence. If the video signal is lost, you will quit  
convergence mode with no chance to save your work.  
9. To display the Forced Mode Menu press “SETUP” and  
“GREEN SELECT.  
10. To display the current sync and video format being used  
press, “GREEN MUTE.  
2. When you are adjusting all colors (“geometry mode”),  
the little arrow keys at the bottom are for video phase  
adjust only. When they are pressed, the remote will  
switch the geometry control to phase. If the arrow keys  
have not been touched for a few seconds, the remote  
will automatically switch back to the geometry control  
you were last using before using the small arrows.  
11.To see the elapsed time display, press and hold “LIN  
C/LI-LIN”, until the regular menu disappears, and then  
press the “TIMER” or “H-Pulse” key.  
12.To set the unit IR Code (for use when multiple units are  
in the area), press and hold “LIN C/LI-LIN”, until the  
regular menu disappears, and then press “T/LS”, “T/LS”,  
“T/LS”, “T/LS”, and “ADJ TOGGLE.  
3. When you are adjusting an individual color (“conver-  
gence mode”), the little arrow keys at the bottom are  
for DC Centering only. When they are pressed, the  
remote will switch the convergence control to DC  
Centering. If the arrow keys have not been touched for  
a few seconds, the remote will automatically switch  
back to the convergence control you were last using  
before using the small arrows.  
13.Copying Formats Procedure  
Copy the setup information (Convergence, blanking,  
phase, chromatics, and aspect ratio) from one defined  
format to another defined format. The procedure quickly  
copies unrecognized new formats or existing formats to  
one of the five available “Customer” defined format  
spaces. The ten factory format presets cannot be over-  
written. To display the Copy Format Menu, press  
“R-MUTE. Use the Left/Right arrows to select the for-  
mat you want to copy. Use the Up/Down arrows to  
change the menu option from “Copy From” to “Copy To.  
Use ENTER to initiate copying the format to the newly  
specified customer format (Customer 1, Customer 2,  
etc.) If a format already exists in the selected Customer  
format space, it will be overwritten by the new format  
when ENTER is pressed. QUIT exits the menu without  
making any changes.  
4. The setup controls, in the on screen display, are usually  
labeled with Horz/Vert, T/L (top/left), or B/R  
(bottom/right) and a number value indicating the  
current setting.  
5. If you want to see what effect the “new setting”  
compared to the “stored setting” has on the display,  
press the “ADJ TOGGLE” key on the remote. Adjust tog-  
gle will allow you to switch between the two settings  
before committing to a change.  
6. After making your changes and adjustments, be sure  
you SAVE THE NEW SETTINGS. If a major change has  
been made, new module, new CRT, or a change in the  
physical setup, you must re-adjust and store the  
geometry/setup for each of the formats and aspect  
ratios being used.  
14. To aid with the alignment procedure, it is recommended  
that you mark the center of the screen and the center  
of all four sides with masking tape. Use “drafting” type  
tape that will not leave any marks. This will give you  
calibration points for convergence and CRT alignments.  
7. To escape from the setup mode without saving any  
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SPECIFICATIONS FOR RGB SYNC INPUTS  
Version 2.1 December 21, 1995  
I. SYNC INPUTS  
IV. AMPLITUDE  
There are three Sync signal inputs for use with RGB sources: 1. SYNC-ON-GREEN - - Sync portion: 300mV, +/- 150mV.  
1. SYNC-ON-GREEN (SOG) - - this is through the Green  
video input BNC jack, terminated 75 ohms.  
2. HORIZONTAL/COMPOSITE (H / Comp) - - through a BNC  
jack on the 9-1515 Combo module, software switchable  
termination 2K/75 ohms.  
2. HORIZONTAL/COMPOSITE  
a. Analog/TTL Mode - - 0.7Vp-p to 5Vp-p.  
b. Special Composite Mode - - 300mV, +/- 150mV.  
3. VERTICAL - - 0.7Vp-p to 5Vp-p.  
3. VERTICAL (V) - - through a BNC jack on the 9-1515  
Combo module, software switchable termination 2K/75  
ohms.  
V. POLARITY  
1. SYNC-ON-GREEN - - negative.  
2. HORIZONTAL/COMPOSITE  
a. Analog/TTL Mode - - positive or negative.  
b. Special Composite Mode - - negative.  
II. COMPATIBILITY  
1. SYNC-ON-GREEN - - negative-going sync on Green video 3. VERTICAL - - positive or negative.  
input, either EIA or SMPTE (HD) spec compatible.  
2. HORIZONTAL/COMPOSITE  
VI. PULSE WIDTH OR DUTY CYCLE  
a. Analog/TTL Mode - - TTL-level computer syncs (VGA,  
Macintosh), NTSC/PAL/SECAM studio/commer-  
cial horizontal/composite analog sync.  
b. Special Composite Mode - - NTSC/PAL/SECAM or  
SMPTE HD studio/commercial negative  
1. SYNC-ON-GREEN - - Minimum sync pulse width = 400nS.  
2. HORIZONTAL/COMPOSITE  
a. Analog/TTL Mode. - - Max duty cycle of sync pulse  
(Vsync in = 0.7Vp-p) = 15% Max duty cycle of sync  
pulse (Vsync in 1.4Vp-p) = 30%.  
composite or tri-level analog sync (Black Video).  
3. VERTICAL - - TTL-level computer syncs (VGA,  
Macintosh), NTSC/PAL/SECAM studio/commercial nega-  
tive vertical analog sync.  
b. Special Composite Mode - - Minimum sync pulse  
width = 400nS.  
3. VERTICAL - - Max duty cycle of sync pulse (Vsync in =  
0.7Vp-p) = 15% Max duty cycle of sync pulse (Vsync in  
1.4Vp-p) = 30%.  
III. FREQUENCY RANGE  
1. SYNC-ON-GREEN - - Horizontal component: 15kHz to  
40kHz. Vertical component: 50 to 100 Hz.  
2. HORIZONTAL/COMPOSITE - - Horizontal component:  
15kHz to 40kHz. Vertical component: 50 to 100 Hz.  
3. VERTICAL - - 50 to 100 Hz.  
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NOTES  
3276-A  
P A G E 1 6  
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SCREEN SIZE SELECTION  
Courtesy of Draper Shade & Screen  
Note - Vertical presentation of a slide reverses its aspect ratio. To  
allow this, use a 1.00: 1.00 aspect ratio for any type slide.  
One of the most important decisions in screen selection is to  
determine the correct size of screen based upon-  
Projection Formats  
1. The dimensions of the audience area.  
2. The projection format, or formats, to be used.  
Most models of DRAPER screens are offered in both audio visual  
and 3:4 video formats. Certain models are also offered in HDTV  
and WideScreen formats. The differences between these formats  
are stated below.  
In some situations, these two questions yield the same answer; in  
others they do not and compromises must be made. Here are the  
key considerations:  
We are glad to provide any DRAPER screen in the size and projec-  
tion format of your choice. We can provide any size up to and  
including the largest published size. If you do not find the size  
and format you need listed, please call or fax your requirement to  
us, and we will be delighted to quote.  
Audience Area-In determining the correct size of screen in rela-  
tion to the audience area, the goal is to make the size large  
enough so those in the rear of the audience area can see the sub-  
ject matter easily, but not so large that those in the front of the  
audience area have difficulty seeing the full width of the project-  
ed image.  
Audiovisual (or AV) format screens are intended for general use.  
They accommodate a variety of projector types and range from  
square to wide horizontal in aspect ratio.  
Width-The generally accepted guideline in determining the screen  
width is the Two and Six Rule:  
A. Screen width should equal the distance from the screen to the  
first row of seats, divided by two.  
AV format screens are described in terms of height x width, and  
are standardly furnished without black borders, although borders  
are optionally available.  
B. Screen width should equal the distance from the screen to the  
last row of seats, divided by six.  
Video format screens, on the other hand, are specifically  
designed for use with video projectors. Their format is strictly  
defined as a 3:4 rectangle, and the size is usually described in  
terms of a nominal diagonal. Conventional models of video format  
screens are standardly furnished with black borders to frame the  
image on all four sides, allowing for video projector overscan. Tab  
Tensioned electric screens are routinely furnished with black bor-  
ders at the sides and bottom, although black masking at the top  
is optionally available.  
In case of a difference between these two guidelines, the one  
yielding the larger size should prevail.  
Height-As a rule of thumb, the screen height should equal or  
exceeding the distance from the screen to the last row of seats,  
divided by eight. Ceiling height and projection format considera-  
tions may modify this standard.  
Ceiling Height-The bottom of the screen should be approximately  
48” above the floor to allow all members of the audience to see  
the bottom of the projected image.  
HDTV format (9 high by 16 wide) is also available for high-defi-  
nition television projection, Anamorphic Video and Wide Screen  
format (1: 1.85).  
Projection Format-Once you have determined the correct size of  
the screen based upon the audience area, that size may be based  
upon the type, or types, of projection equipment to be used. If  
the screen will only be used with one type of projector of (over-  
head projector, CRT video projector, etc.), it is easy to determine  
the exact screen dimensions based upon the projection format of  
How to Calculate a Custom Size  
Draper also manufactures custom size screens to meet your speci-  
fication. Virtually any size within the maximum shown for a given  
model is available. Please call for pricing on special sizes. If you  
need to calculate a custom size, these formulas may be useful (D  
that projector. Projection formats are expressed in terms of aspect = exact diagonal; H viewing area height; W = viewing area width):  
ratio, which is the relationship of the height of the projected  
image to its width. Aspect ratios of common projection formats  
are listed below.  
3:4 Video:  
H = D x.6  
If it is necessary to modify the screen dimensions based upon the  
formats of projectors to be used, it is preferable to hold the  
screen height constant and increase the screen width as neces-  
sary, rather than to hold the width constant and decrease the  
height.  
W = D x.8  
D = H x 1.667,  
D = W x 1.25  
9:16 HDTV:  
H = D x.49  
ASPECT RATIOS OF COMMON PROJECTION FORMATS  
H:W  
W = D x.87146  
D = H x 2.04  
D = W x 1.1475  
1.00:1.00  
Overhead and opaque projection,  
1.00:1.78 or 9:16 High Definition Television (HDTV) Anamorphic  
1:1.85 wide screen:  
Video  
H = D x.4762,  
W = D x.881,  
D = H x 2.1,  
D = W x 1.135  
1.00:1.33 or 3:4 LCD and CRT video and data-graphics  
projection  
1.00:1.85  
1.00:2.35  
Wide Screen  
CinemaScope  
1.00:1.48 or 2:3 2x2 standard slides (35mm DF)  
3276-A  
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SETUP AND ALIGNMENT PROCEDURE  
c. Set Blue CRT point angle according to the display width.  
PROCEDURE OVERVIEW  
Refer to the figures on page 20.  
There are several situations to consider when performing the setup  
procedure for the PRO895X System. The setup procedure will vary  
depending on the required physical and signal configuration.  
Note: The PRO895X unit is shipped with spacer shims between  
the CRT and lens assemblies, these must be removed to set up the  
“Scheimpflug (spring/edge)” focus. Refer to the figure on page 23  
for the edge focus procedure.  
The simplest setup is that of a “factory configured” projector  
which will use the preset conditions. Factory configured means it  
has been aligned for ceiling/front projection and a 80” wide dis-  
play at a projected distance of 96 3/8. (See pages 20 and 21.) In  
this case, using the customer’s signal source, only minor blanking,  
phase, and convergence touch up is required.  
4. Mount the projector system.  
Mount the PRO895X system according to the prearranged plans  
agreed upon between the installer and end user. Verify the mount-  
ing point, hardware, signal connections, and power connections.  
If the display size is changed, to other than 80” width or the unit  
is to be floor-mounted, completion of the full setup procedure is  
required.  
Note: It is recommended that preliminary setup be done on the  
floor before hanging a ceiling-configured system.  
5. Projector/Display Surface Physical Setup  
a. Set the projector to screen distance according to display  
width. Refer to the figures on pages 20 and 21.  
b. Set projector height according to display size. Refer to the  
figures on pages 20 and 21.  
Setup, after a hardware repair, is the other condition.  
Replacement of a CRT usually requires minor alignment steps  
(yoke, astigmatator, focus, and re-convergence only for that  
color). Replacement of modules, in the vertical, horizontal deflec-  
tion, or convergence systems, usually requires that most all align-  
ment steps are to be performed.  
c. Adjust the projector’s position for no horizontal skew to  
the display screen.  
d. Verify that the Green CRT center is centered to the screen  
horizontal center.  
e. Stabilize the projector and screen mounting hardware.  
f. Verify that the setup of steps “a” through “d” has not  
changed.  
I. INSTALLATION PREREQUISITES  
1. Mounting Configuration - Floor or Ceiling.  
2. Projection Configuration - Front or Rear.  
3. Determine Display Size and Aspect Ratio (Shape).  
4. List All Signal Source(s) and Format(s).  
5. Check Projection Installation Area - Before Installation.  
6. Set Up Signal Sources  
a. Connect the RGB and/or Video Source(s) to the PRO895X  
jackpack.  
b. Reconnect the AC power.  
c. Turn on the PRO895X and the Signal Source(s).  
d. Verify that the PRO895X recognizes all the source signals.  
e. Set the “Ceiling/Floor” setup menu option.  
Text continues on page 21  
6. Survey Installation Area For Power and Signal Source  
Requirements.  
7. Test PRO895X system before modifying its configuration.  
8. Modify, Install, and Set Up the PRO895X system.  
II. SYSTEM CHECK AND PHYSICAL SETUP  
1. PRO895X Check Out Before Changes to Configuration  
IMPORTANT Do Not Connect Power until you verify cor-  
rect setup of the 120/230 VAC jumper on the 9-1500  
power supply. Refer to the illustration at the right.  
a. Connect all the customer’s RGB and Video  
Source(s) to the PRO895X jackpack.  
b. Turn on the PRO895X and the Signal Source(s).  
c. Verify that the PRO895X recognizes all the source signals.  
d. Verify that the PRO895X operates correctly.  
e. Turn the PRO895X off and disconnect the AC power.  
2. Set Floor/Ceiling and Front/Rear Configuration. Refer to the  
figures on page 19.  
a. Remove the PRO895X top cover.  
b. 9-1510 Module set vertical deflection and  
horizontal/vertical convergence connectors.  
c. 9-1505 module set horizontal deflection connectors.  
d. 9-1509 module set dynamic focus switch SW7001.  
3. Set Red and Blue CRT Point Angles Set angles only if the setup  
is a non-factory configuration (other than 80” wide image.)  
a. Remove the nylon rod shipping spacers (or shipping  
wedges).  
b. Set Red CRT point angle according to the display width.  
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SETUP REFERENCES  
9 - 1505 Module  
Top View  
9 - 1510 Module  
Setup Menus  
9 - 1509 Module Top Edge  
206-3634  
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PHYSICAL SETUP  
EXAMPLES OF DISPLAY SETUP DISTANCES  
AND CENTER POINTS  
“A”*  
“B”  
Screen Projection  
Width Distance  
Display  
Center  
26 3/8”  
30 3/4”  
38”  
43 5/8”  
52 3/8”  
61”  
“Peerless”  
Mount Center  
Note: Distance “A” is measured from the cabinet panel  
front directly below the green CRT lens.  
2. Calculate the Display Center “B” from a reference line  
projected from the bottom of the cabinet. Display  
Center “B” = A x 0.3057) + 8.44.  
3. Set the projector’s height using measurement “B. This  
references the bottom of the cabinet to the display  
center. When doing a ceiling mount, be sure to allow for  
the dimensions of the mounting bracket hardware.  
4. Ensure that the projector is mounted horizontally  
centered and perpendicular to the screen.  
48”  
60”  
80”  
96”  
120”  
144”  
160”  
200”  
58 5/8”  
72 7/8”  
96 3/8”  
115 1/4”  
143 1/2”  
171 7/8”  
190 5/8”  
237 7/8”  
11”  
11”  
11”  
11”  
11”  
11”  
11”  
11”  
66 3/4”  
81 1/8”  
PHYSICAL SETUP TO THE SCREEN (for all aspect ratios)  
5. The Peerless ceiling-mount center is 11” from the “A”  
distance reference point on the PRO895X front.  
1. Set distance “A” according to the selected display width  
(* or calculate the distance in inches “A” = 1.179 x  
width) +2.063  
CRT Front View  
206-3634  
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SYSTEM ALIGNMENT  
Mount Bracket Center  
11" from Front Panel  
Under the Green CRT  
Center  
11  
Text continued from page 18  
b. Set Vertical DC centering:  
III. PRELIMINARY ALIGNMENT SETUP  
Floor: Red = -30; Green = -20; Blue = -30.  
Ceiling : Red = 30; Green = 20; Blue = 30.  
The following procedures are intended for complete  
“Geometry/Convergence” setup. Use the customer’s signal for  
doing phase, and size adjustments. You can use the internal  
patterns for shape and convergence if the customer signal  
sources do not have a cross-hatch pattern.  
c. In geometry mode and convergence mode (green, red, and  
blue) set “SKEW” H = 0 and “SKEW” V = 0.  
d. Adjust the Red, Green, and Blue yokes for no horizontal  
tilt or twist.  
If you are realigning a single CRT, due to replacement, or doing  
alignment touch up, perform the following steps as needed.  
2. Yoke Ring Magnet and Astigmatator Alignment  
Verify Only - This is not a normal field adjustment.  
1. Yoke Tilt Alignment  
The astigmatator assembly should be mounted 62.5 mm from  
the video output module (from the front edge of the video out-  
put module to the six pole rings). Refer to figure on page 24.  
Use a cross-hair or cross-hatch pattern. Monitor only the cen-  
ter- most horizontal line of the pattern to check yoke tilt.  
Do not use SW9501, on the 9-1510 module, to disable conver-  
gence. The vertical circuit is not disabled, only the horizontal is  
disabled.  
Astigmatator Alignment Verification Test  
Adjust for the best electrical and mechanical focus.  
Continued on next page  
a. Set Horizontal DC centering to “0” (red, green, blue).  
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SYSTEM ALIGNMENT  
Continued from previous page  
h. Verify spot alignment by rotating Green electrical focus slightly  
CW to CCW. The Dot shape should not tail or flair. The bright  
area should remain in the center of the haloed area.  
i. Repeat steps “c” thru “h” as needed to obtain the smallest and  
best round Green center dot with no shape flaring.  
j. Adjust for the best electrical and mechanical focus.  
k. Repeat steps “c” - “j” for the Red and Blue displays.  
l. Exit forced mode 6 and return to normal video. Set  
Brightness and Contrast to 50.  
Verify spot alignment by rotating Green electrical focus slightly  
clock-wise to counter clock-wise. The Dot shape should not tail or  
flair. The bright area should remain in the center of the haloed  
area. Refer to the figure below.  
Note: The yoke adjustments should not be touched during the  
remaining setup steps.  
FOCUS PROCEDURE USING SPRING SYSTEM  
Changing Preset 80 inch Width Image Screen Size  
Note: The PRO895X is shipped preadjusted for an 80 inch project-  
ed screen size image.  
To set up a screen size other than 80 inch width, you must  
remove the shims from each of the 3 lens assemblies.  
Note: Remove AC Power. Be careful not to damage  
the lens assembly or scratch the lens surface. The  
lenses can be easily damaged during removal and  
reinstallation.  
1. Each 80 inch width image focus shim (shown below) can be  
removed from each lens by first loosening and removing the 4-  
lens mounting screws, in the order shown below.  
2. Carefully remove the lens assembly, remove, and discard shim.  
If this test shows a need for astimatator alignment perform steps  
“a” - “l” below.  
Astigmatator Alignment Procedure  
a. Set the display/sync mode to Forced Mode 6 (HDTV33) and  
select a cross-hatch or dot pattern.  
b. Cut off Red and Blue video or cover the CRT lens  
assemblies.  
c. Set Green electrical focus slightly CCW. This is to make a dot  
near the display center dimly haloed with a bright center. The  
haloed effect will also be visible with the cross-hatch lines.  
1
4
3
d. Use the astigmatator 4-pole magnet to shape the halo and  
bright spot as round as possible.  
e. Use the astigmatator 6-pole magnet, if needed, to help shape  
the halo and spot round.  
2
f. Use the astigmatator 2-pole magnet (refer to the figure at  
bottom left of this page) to center the bright spot within the  
halo. You may also use an intersection, of the cross-hatch, to  
center the bright area within the haloed area.  
g. Use the main yoke magnets to position the signal raster center  
to the CRT face center. Refer to figure below.  
3. Reinstall lens using the screw installation sequence shown  
above; hand-tighten the screws.  
4. Follow the same procedure to remove the two remaining lens  
shims.  
5. Tighten and adjust the lens mounting screws following  
the instructions described in the following section.  
3. Ceiling/Front Projection Lens Angle Focus Alignment  
If this PRO895X system is equipped with the “lens assembly  
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SYSTEM ALIGNMENT  
sharp all the way across (top to bottom and left to right). If  
not, you can fine adjust with this same procedure.  
Note: Throughout this procedure pay no attention to the  
corners of the image.  
g. Adjust the focus mechanically and electrically to get the  
best overall image.  
h. Cover the Green lens and uncover the Red lens.  
i. Repeat step “b” - “g” for Red.  
j. Cover the Red lens and uncover the Blue lens.  
k. Repeat steps “b” - “g” for Blue.  
l. Re-install PRO895X top cover.  
m. Turn off the sync forced mode 9 and return to normal video  
viewing or sync forced mode 11.  
4. Rough Geometry/Convergence Setup of Green  
When aligning Green, some controls are enabled in Geometry only.  
This is why the alignment starts by using Green in the geometry  
mode of setup.  
a. Using the setup remote control, press “SETUP” and “RED.  
This will put the system into the “GEOMETRY MODE.  
b. Using the setup remote control press “RED MUTE” and  
“BLUE MUTE. You should see only the Green video.  
c. Roughly set up the shape of the Green display using the  
appropriate Skew, Bow, Key, etc. controls. Adjust size, or  
phase using the customer’s video signal. Refer to pages 25,  
26, and 27 for the convergence remote control and  
procedure notes.  
focus” spring, the following procedure must be completed. This  
procedure must be completed as part of the system mechanical  
focus procedure. See the figure above.  
a. Turn on the projector, project a cross-hatch pattern on the  
screen. Cover up both the Blue and Red lenses. Work only on  
the Green lens.  
b. Tighten all 4 lens mounting screws.  
c. Loosen all 4 lens mounting screws 3 full turns.  
d. Adjust the mechanical and electrical focus to get the best  
image possible in the center of the picture.  
5. Rough Geometry/Convergence of Red and Blue  
e. Loosen the lens focus adjustment knob. Fully extend the lens  
barrel. Adjust mechanical focus while observing the center  
horizontal line. Adjust until one side (left or right) comes  
sharply into focus. Adjust the two screws opposite the side  
that is in focus (i.e., if the left side of the center horizontal  
line is in focus, adjust the two screws on the right side of the  
lens). Turn each screw 1/4 - 1/2 turn at-a-time in the same  
direction (in or out) while observing the focus of the center  
horizontal line. If the sharp focus begins to move towards the  
center of the image, you are going in the wrong direction (in or  
out). Adjust in the correct direction until the entire line  
achieves a uniform soft focus from left to right. You should  
then be able to adjust the barrel focus to get the center  
horizontal line sharp all the way across. If not, you can fine  
adjust with this same procedure.  
f. Loosen the lens focus adjustment knob. Fully extend the lens  
barrel. Adjust mechanical focus while observing the center  
vertical line. Adjust until one side (top or bottom) comes  
sharply into focus. Adjust the two screws opposite the side  
that is in focus (i.e., if the bottom of the center vertical  
line is in focus, adjust the two screws on the top of the  
lens). Turn each screw 1/4 - 1/2 turn at a time in the same  
direction (in or out) while observing the focus of the center  
vertical line. If the sharp focus begins to move towards the  
center of the image, you are going in the wrong direction (in or  
out). Adjust in the correct direction until the entire line  
achieves a uniform soft focus from top to bottom. You should  
then be able to adjust the barrel focus to get the entire image  
a. Using the remote control, return to the SETUP Mode and  
select the internal cross-hatch pattern.  
b. Press “RED” and mute the Blue video.  
c. Using the “Point Angle” adjustment screws, align the Red  
center point horizontally with the Green center point.  
d. Using DC vertical center, align the horizontal center line of  
the Red pattern to the horizontal center line of the Green  
pattern.  
e. Adjust Red “Size” and “Lin T/B - L/R “ to roughly match  
the Green pattern size. Refer to pages 25, 26, and 27.  
f. Roughly set up the shape of the Red display using the  
appropriate Skew, Bow, Key, etc. controls. Refer to  
pages 25, 26, and 27.  
g. Press “BLUE” and mute the Red video.  
h. Using the “Point Angle” adjustment screws, align the Red  
center point horizontally with the Green center point.  
i. Using DC vertical center, align the horizontal center line of  
the Blue pattern to the horizontal center line of the Green  
pattern.  
j. Adjust Blue “Size” and “Lin T/B - L/R “ to roughly match  
the Green pattern size. Refer to pages 25, 26, and 27.  
k. Roughly set up the shape of the blue display using the  
appropriate Skew, Bow, Key, etc. controls. Refer to pages 25,  
26, and 27.  
l. Press “QUIT” and “ADJ TOGGLE” to store the adjustments.  
Continued on next page  
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SYSTEM ALIGNMENT  
Continued from previous page  
IV. Final Detailed Geometry/Convergence Setup  
b. Now store the completed setup.  
5. Video Blanking Setup Using the Customer’s Signal  
a. Access the Blanking/Phase feature of the setup menu.  
b. Select the TOP/LEFT BLANKING feature.  
c. Using the small arrows adjust the top and left edges  
(increasing the setting number) until the edge begins to  
crop or frame the video. Decease the number until the  
cropping just stops. Now decease the number value two  
more.  
Use the video patterns generated by the customer’s signal source  
for final alignment. If this is not possible, use the internal cross  
hatch pattern only to do the geometry and convergence. The cus-  
tomer’s signal must be used for blanking, size, centering and  
phase.  
1. Green Geometry Setup  
a. Return to the geometry and convergence modes and set up  
the Green display with precision. Each step should be done  
by measuring the display and not guess work.  
b. Now store the Green setup.  
d. Select the BOTTOM/RIGHT BLANKING feature, repeat step c.  
e. Press ADJ TOGGLE and save the settings.  
2. Red to Green Convergence Setup  
a. Return to the convergence mode and set up the red display  
with precision. Converge the Red display to the Green  
display using all necessary controls.  
V. Geometry/Convergence of Other Aspect Ratios  
1. Geometry/Convergence setup must be accomplished for each  
required aspect ratio of each signal format used (Video,  
S-Video, RGB, VGA400, VGA480, etc.).  
b. Now store the Red setup.  
3. Blue to Green Convergence Setup  
2. Each of the ten standard signal format memory “custom” loca-  
tions also has a “custom” location for each of associated  
aspect ratios.  
a. Return to the convergence mode and set up the Blue display  
with precision. Converge the Red display to the Green  
display using all necessary controls.  
b. Now store the Blue setup.  
3. The five “customer” format memory locations also store the  
aspect ratio information separately.  
4. Red to Green to Blue Convergence Setup  
a. Return to the convergence mode and set up the Red and  
Blue display with precision. Converge the Red display to the  
Green display using all necessary controls.  
4. RGB sources use the 4 x 3, letter box, or 16 x 9 aspect ratios.  
5. Video and S-Video sources use the 4 x 3, letter box,  
Compressed, and 16 x 9 aspect ratios.  
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SYSTEM ALIGNMENT  
DIGITAL DISPLAY SETUP PROCEDURE GEOMETRY CONVERGENCE  
Geometry controls all three colors at the same time. January 1998  
Remote  
Key  
Adjustment Goal  
Remote  
Key  
Adjustment Goal  
1. SIZE  
H. Size  
V. Size  
Set to fill screen at C and D. (Use  
external source not internal test  
pattern)  
19. T/L KEY  
V. Top Key  
Set top edge E-F straight with respect  
to screen border.  
20. T/L PIN  
21. T/L S  
V. Top Pin  
V. Left S  
Set for straight top edge, line E-F.  
2. SIZE  
Set to fill Screen at A and B. (Use  
external source not internal test  
pattern.)  
Set for straight edge, line E-F (middle  
areas J & L move opposite; center A  
and ends E & F are stable).  
3. LIN TB LR  
4. LIN TB LR  
5. LIN C  
H. Lin L-R  
V. Lin T-B  
H. Lin C  
Set equal widths CZ=ZD  
Set equal height AZ=ZB  
22. T/L KEY  
H. Left Key  
Set left edge E-G straight with respect to  
screen border top and bottom move in  
opposite directions, center C is stable).  
Set box width at center equal to  
average of left and right box widths  
and size.  
23. T/L PIN  
24. T/L S  
H. Left Pin  
H. Left S  
Set for straight left edge, line E-G  
(corners E & G move, center C is stable).  
6. LIN C  
V. Lin C  
Set box heights at center equal to  
average of top and bottom box widths  
and size.  
Set for straight left edge, line E-G  
(middle areas N & P move opposite; center  
C and ends E & G are stable).  
7. SMALL  
ARROWS  
H&V Video  
Phase  
Set the position of the external source  
to be centered on the screen.  
25. IN-KEY  
H. In Key  
Set J-K and L-M straight with respect to  
line E-G, A-B, and F-H (adjust for  
minimal internal keystone; top bottom  
move in opposite directions; centers 3 and  
4 are stable).  
8. SKEW  
9. BOW  
V. Skew  
Bow V.  
Level line C-D.  
Straighten line C-D (note that some  
screen frames are curved).  
26. IN-PIN  
27. W-MV  
H. In Pin  
W-M  
Set J-K and L-M straight (adjust for  
minimal internal pincushion).  
10. SKEW  
H. Skew  
Line A-B edges equal distance to  
screen edge.  
Average error for straightest lines G-H  
and E-F (middle areas K & M, and J & L  
move in same direction; center B, A and  
ends G & H, are stationary).  
11. BOW  
12. KEY  
H. Bow  
V. Key  
Straighten Line A-B  
Set bottom edge G-H straight with  
respect to screen border.  
28. Touch up all controls  
Due to the interaction of IN-XXX con-  
trols, key controls, and pin controls for  
best overall convergence, it may be  
necessary to ‘tweak’ the other controls.  
13. PIN  
V. Pin  
V. S’  
Set for straight bottom edge, line G-H  
(corners G & H move, center B is  
stable.)  
14. S-ING  
Set for straight bottom edge, line G-H  
(middle areas K & M move in opposite  
direction, center B; and ends G & H are  
stable).  
15. W-M  
16. KEY  
V. W-M  
H. Key  
Adjust for straightest line G-H (middle  
areas K & M move in same direction,  
center B and ends G & H are  
stationary).  
Set right edge F-H straight with respect  
to screen border (top and bottom move  
in opposite directions; center D is  
stable.)  
17. PIN  
H. Pin  
H. ‘S’  
Set for straight right edge, line F-H  
(corner F&H move, center D is stable.)  
18. S-ING  
Set for straight right edge, line F-H  
(middle areas O & Q move opposite and  
center D and ends F & H are stable.)  
206-3634  
P A G E 2 5  
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206-3634  
P A G E 2 6  
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SYSTEM ALIGNMENT  
DIGITAL DISPLAY SETUP PROCEDURE CONVERGENCE OF RED AND BLUE ONTO GREEN  
It is desirable to Mute color you are not adjusting. Select the color you want to adjust by pressing the RED or BLUE key.  
Remote  
Key  
Adjustment  
Goal  
Remote  
Key  
Adjustment  
Goal  
1. SMALL  
ARROWS  
H. & V. Statics Set center of video for best overlap  
with Green (this may have to be  
‘tweaked’ during this alignment  
procedure.)  
19. S-ING  
H. ‘S’  
Balance error at right edge in areas &  
Q (middle areas O & Q move in opposite  
direction; center D and ends F & H are  
stationary).  
2. SIZE  
H. Size  
Set to match Green at C and D.  
Set to match Green at A and B.  
20. T/L KEY  
V. Top Key  
Balance error with Green at top corners  
E & F straight with respect to screen  
border (left and right move in opposite  
directions; center A is stable).  
3. SIZE  
V. Size  
4. LIN T-B L-R  
H. Lin L-R  
Match Green at C and D; Iterate with  
H. Size if necessary.  
21. T/L KEY  
V. Top Pin  
V. S’  
Match Green at top edge comers E & F  
(comers E & F move in same direction;  
center A is stable).  
5. LIN T,B L-R  
V. Lin T-B  
Match Green at A and B iterate with  
V. Size if necessary.  
6. LIN C and  
H. SIZE  
Lin C and  
SIZE  
Match Green at 4, center line vertical  
axis, midway between Z and D.  
22. T/L S-ING  
Balance error at bottom edge in areas J  
& L (middle areas J & L move in oppo-  
site directions; center A and ends E & F  
are stationary).  
7. LI-LIN  
H. LI LIN  
Match Green at 3, center line vertical  
axis, midway between C & Z and LI-LIN  
(Press key twice to get the second  
function.) Caution: H. LIN C also  
affects this; adjust in correct order  
above.)  
23. T/L KEY  
24. T/L PIN  
25. T/L S-ING  
H. Left Key  
H. Left Pin  
H. ‘S’  
Balance error with Green at left corners  
E & G (top and bottom move in oppo-  
site directions; center C is stable).  
Match Green at left edge corners E & G  
(corners E & G move in same direction,  
center C is stable).  
8. LIN C  
9. SKEW  
10. BOW  
11. SKEW  
12. BOW  
13. KEY  
V. Lin C  
V. Skew  
V. Bow  
H. Skew  
H. Bow  
V. Key  
Match Green at 7 and 8.  
Match Green at C and D.  
Match Green at C and D.  
Match Green at A and B.  
Match Green at A and B.  
Balance error at left edge in areas N & P  
(middle areas N & P move in opposite  
directions; center C and ends E & G are  
stationary).  
26. IN KEY  
27. IN PIN  
28. IN KEY  
29. IN-PIN  
H. In Key  
H. In Pin  
V. In Key  
V. In Pin  
Average error with Green in middle areas  
J, K, and L, M (ends move in opposite  
direction centers 3 & 4 are stable, may  
require iteration with H. Skew, H. Key).  
Balance error with Green at bottom  
edge G-H (left and right edges move  
in opposite directions; center is  
stable).  
Match Green in middle areas J, K, and L,  
M (ends move in same direction: center  
is stable; may require iteration with H.  
Bow, H. Pin).  
14. PIN  
V. Pin  
V. S’  
Match Green at right edge corners G  
& H (corners G & H move in same  
direction; center B is stable).  
15. S-ING  
Balance error at bottom edge in areas  
K & M (middle areas K & M move  
in opposite directions; center B and  
ends G & H are stationary).  
Average error with Green in middle areas  
N, O, and P, Q (ends move in opposite  
direction centers 7 & 8 are stable, may  
require iteration with V. Skew, V. Key).  
16. W-M  
17. KEY  
18. PIN  
V. W-M  
H. key  
H. Pin  
Balance error at bottom edge in  
areas K & M (middle areas K & M move  
in same direction, center B and ends  
G & H are stationary).  
Match Green in middle areas N, O and P,  
Q (may require iteration with V. Bow, V.  
Pin)  
30. Touch up all controls  
Due to the interaction of IN-Controls,  
Key Controls and Pin controls for best  
overall convergence, it may be necessary  
to tweak the other controls. This should  
only require minor adjustments of each  
control.  
Balance error with Green at right  
edge corners F & H (top and bottom  
move in opposite directions; center D  
is stable).  
Match Green at F & H (corners F & H  
move in same direction; center D is  
stable).  
It may be necessary to perform this  
procedure twice to get optimal  
performance.  
206-3634  
P A G E 2 7  
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NOTES  
206-3700  
© Copyright 2001 Zenith Electronics Corporation  
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