Yamaha Stereo Receiver HTR 5140RDS User Manual

G
HTR-5140RDS  
Natural Sound AV Receiver  
Ampli-Tuner Audio-Video  
OWNER’S MANUAL  
MODE D’EMPLOI  
BEDIENUNGSANLEITUNG  
BRUKSANVISNING  
MANUALE DI ISTRUZIONI  
MANUAL DE INSTRUCCIONES  
GEBRUIKSAANWIJZING  
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• After unpacking, check that the following parts are included.  
• Après le déballage, vérifier que les pièces suivantes sont incluses.  
• Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.  
• Kontrollera efter uppackningen att följande delar finns med.  
SUPPLIED ACCESSORIES  
ACCESSOIRES FOURNIS  
MITGELIEFERTE ZUBEHÖRTEILE  
MEDFÖLJANDE TILLBEHÖR  
ACCESSORI IN DOTAZIONE  
ACCESORIOS INCLUIDOS  
BIJGELEVERDE ACCESSOIRES  
Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.  
• Desembalar el aparato y verificar que los siguientes accesorios están en la caja.  
• Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.  
• Remote control transmitter  
• Télécommande  
• Fernbedienung  
• Fjärrkontroll  
Telecomando  
• Indoor FM Antenna  
• Antenne FM intérieure  
• UKW-Innenantenne  
• Inomhus-FM-antenn  
• Antenna FM interna  
• Antena FM interior  
• FM-binnenantenne  
• Transmisor de control remoto  
• Afstandsbediening  
• AM Loop Antenna  
• Cadre-antenne AM  
• MW-Rahmenantenne  
• AM-ramantenn  
• Antenna AM ad anello  
• Antena de cuadro de AM  
• AM-raamantenne  
• 75-ohm/300-ohm antenna adapter (U.K. model only)  
• Adaptateur d’antenne 75 ohms/300 ohms  
(Modèle Royaume-Uni seulement)  
• 75-Ohm/300-Ohm Antennenstecker  
(nur Großbritannien-Modell)  
• 75 ohm/300 ohm antennadapter  
(gäller endast modellen för Storbritannien)  
• Adattatore per antenna da 75 e 300 ohm  
(Soltanto il modello per la Gran Bretagna)  
• Adaptador de antena de 75-ohmios/300-ohmios  
(Sólo el modelo para el Reino Unido)  
• 75 ohm/300 ohm antenneadapter  
(Alleen modellen voor Verenigd Koninkrijk)  
• Batteries (size AAA, R03, UM-4)  
• Piles (taille AAA, R03, UM-4)  
• Batterien (Größe AAA, R03, UM-4)  
• Batterier  
(storlek AAA, R03, UM-4)  
• Batterie  
(formato AAA, R03, UM-4)  
• Pilas (tamaño AAA, R03, UM-4)  
• Batterijen (maat AAA, R03, UM-4)  
2
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FEATURES  
5-Channel Power Amplification  
Minimum RMS Output Power  
<0.04%THD, 20 Hz – 20 kHz>  
Main: 60 W + 60 W (8 )  
Center: 60 W (8 )  
Automatic Input Balance Control for  
Dolby Pro Logic Surround  
Test Tone Generator for Easier Speaker  
Balance Adjustment  
Speaker Output Mode Changing  
Rear: 60 W + 60 W (8 )  
Capability  
Digital Sound Field Processor  
Dolby Digital Decoder  
40-Station Random Access Preset Tuning  
Automatic Preset Tuning  
Dolby Pro Logic Surround Decoder  
Preset Station Shifting Capability  
CINEMA DSP:Theater-like Sound  
Experience by the Combination of Dolby  
Surround andYAMAHA DSP Technology  
(Preset Editing)  
Video Signal Input/Output Capability  
SLEEP Timer  
6-Channel External Decoder Input for DTS  
Universal Remote Control  
Transmitter with Preset Manufacturer  
Codes  
and other future formats  
CONTENTS  
Information about DSP  
USING THE DIGITAL SOUND FIELD  
SUPPLIED ACCESSORIES........................................... 2  
FEATURES .................................................................... 3  
CAUTION ....................................................................... 4  
PROCESSOR (DSP) .............................................. 41  
Introduction  
FEATURES OF SOUND EFFECTS ............................... 5  
CONTROLS AND THEIR FUNCTIONS ......................... 7  
Advanced Information  
ADJUSTMENTS  
IN THE “SET MENU” MODE................................... 47  
Preparation  
Remote Control Transmitter  
SPEAKER SETUP ....................................................... 12  
CONNECTIONS........................................................... 14  
ADJUSTMENTS  
REMOTE CONTROL TRANSMITTER ......................... 49  
SETUP CODES ........................................................... 56  
BEFORE USING THIS UNIT .................................. 21  
TROUBLESHOOTING ................................................. 57  
SPECIFICATIONS ....................................................... 59  
Basic Operation  
BASIC OPERATIONS .................................................. 26  
TUNING OPERATIONS ............................................... 30  
RECEIVING RDS STATIONS ...................................... 35  
SETTING THE SLEEP TIMER..................................... 40  
LIST OF MANUFACTURER’S CODES...................... 411  
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CAUTION: READ THIS BEFORE OPERATINGYOUR UNIT.  
1. To assure the finest performance, please read this manual  
For U.K. customers  
If the socket outlets in the home are not suitable for the plug  
carefully. Keep it in a safe place for future reference.  
2. Install this unit in a cool, dry, clean place – away from  
windows, heat sources, sources of excessive vibration,  
dust, moisture and cold. Avoid sources of humming  
(transformers, motors). To prevent fire or electrical shock,  
do not expose the unit to rain or water.  
supplied with this appliance, it should be cut off and an  
appropriate 3 pin plug fitted. For details, refer to the instructions  
described below.  
Note: The plug severed from the mains lead must be  
destroyed, as a plug with bared flexible cord is hazardous if  
engaged in a live socket outlet.  
3. Never open the cabinet. If something drops into the set,  
contact your dealer.  
4. Do not use force on switches, controls or connection wires.  
When moving the unit, first disconnect the power plug and  
the wires connected to other equipment. Never pull the  
wires themselves.  
Special Instructions for U.K. Model  
IMPORTANT  
THE WIRES IN MAINS LEAD ARE COLOURED IN  
ACCORDANCE WITH THE FOLLOWING CODE:  
5. The openings on the unit cover assure proper ventilation of  
the unit. If these openings are obstructed, the temperature  
inside the unit will rise rapidly. Therefore, avoid placing  
objects against these openings, and install the unit in a  
well-ventilated area to prevent fire and damage.  
Blue: NEUTRAL  
Brown: LIVE  
Be sure to allow a space of at least 20 cm behind, 20 cm  
on the both sides and 30 cm above the top panel of the unit  
to prevent fire and damage.  
As the colours of the wires in the mains lead of this  
apparatus may not correspond with the coloured markings  
identifying the terminals in your plug, proceed as follows:  
The wire which is coloured BLUE must be connected to the  
terminal which is marked with the letter N or coloured  
BLACK. The wire which is coloured BROWN must be  
connected to the terminal which is marked with the letter L or  
coloured RED.  
6. The voltage used must be the same as that specified on  
this unit. Using this unit with a higher voltage than  
specified is dangerous and may result in fire or other  
accidents. YAMAHA will not be held responsible for any  
damage resulting from use of this unit with a voltage other  
than specified.  
Making sure that neither core is connected to the earth  
terminal of the three pin plug.  
7. Digital signals generated by this unit may interfere with  
other equipment such as tuners, receivers or TVs. Move  
this unit farther away from such equipment if interference is  
observed.  
This unit is not disconnected from the AC power source as  
long as it is connected to the wall outlet, even if this unit  
itself is turned off. This state is called the standby mode. In  
this state, this unit is designed to consume a very small  
quantity of power.  
8. Always set the VOLUME control to “ ” before starting the  
audio source play. Increase the volume gradually to an  
appropriate level after playback has been started.  
9. Do not attempt to clean the unit with chemical solvents; this  
might damage the finish. Use a clean, dry cloth.  
10. Be sure to read the “TROUBLESHOOTING” section  
regarding common operating errors before concluding that  
the unit is faulty.  
11. When not planning to use this unit for long periods of time  
(ie., vacation, etc.), disconnect the AC power plug from the  
wall outlet.  
12. To prevent lightning damage, disconnect the AC power  
plug and disconnect the antenna cable when there is an  
electrical storm.  
13. Grounding or polarization – Precautions should be taken so  
that the grounding or polarization of an appliance is not  
defeated.  
14. AC outlet  
Do not connect audio equipment to the AC outlet on the  
rear panel if that equipment requires more power than the  
outlet is rated to provide.  
4
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FEATURES OF SOUND EFFECTS  
Introduction  
Welcome to the exciting world of digital home entertainment.  
This unit is one of the most complete and advanced AV  
receivers available. Some of the more advanced features may  
not be familiar to you, but they are easy to use. State-of-the-art  
technologies such as Dolby Digital and Digital Theater Systems  
(DTS) may be new to your home, but you have probably  
experienced the amazing realism they bring to feature films in  
theaters around the world.  
To make the listening experience even more enjoyable, this unit  
includes a number of exclusive, digitally created listening  
environments known as digital sound fields. Choosing a sound  
field program is like transporting yourself to such venues as an  
outdoor arena, a European church, or a cozy jazz club. Take  
some time now to read more about these features and enjoy  
the new experiences this unit brings to your home theater.  
Digital Sound Field Processing  
What is it that makes live music so good? Today’s advanced  
sound reproduction technology lets you get extremely close to  
the sound of a live performance, but the chances are that you’ll  
still notice something missing — the acoustic environment of  
the live concert hall. Extensive research into the exact nature  
of the sonic reflections that create the ambience of a large hall  
has made it possible for YAMAHA engineers to bring you this  
same sound to your listening room, so you’ll feel all the sound  
of a live concert.  
Furthermore, our technicians, armed with sophisticated  
measuring equipment, have even made it possible to capture  
the acoustics of a variety of actual concert halls, theaters, etc.  
from around the world, to allow you to accurately re-create any  
one of these live performance environments, all in your own  
home.  
Dolby Pro Logic Surround  
Dolby Surround has been used in movie theaters since the mid-  
seventies. It has also been available in home entertainment  
systems since the late eighties and continues to be a popular  
format for home theater systems. It uses four discrete channels  
and five speakers to reproduce realistic and dynamic sound  
effects: two main channels (left and right), a center channel for  
dialog, and a rear channel for special sound effects. The rear  
channel reproduces sound within a narrow frequency range.  
Most video tapes and laser discs include Dolby Surround  
encoding, as do many TV and cable broadcasts. The Dolby Pro  
Logic Surround decoder built into this unit employs a digital  
signal processing system that stabilizes each channel for even  
more accurate sound positioning than is available with standard  
analog processors.  
Dolby Digital  
The built-in Dolby Digital decoder leads you into a totally new  
sound experience.  
Compared to Dolby Pro Logic, which is referred to a “3/1”  
system (left front, center, right front and just one surround  
channel), Dolby Digital features two surround channels, called  
stereo or split surrounds, each offering the same full-range  
fidelity as the three front channels.  
Dolby Digital is a new generation of multi-channel digital audio  
technology, or the newest spatial sound processing format  
developed for 35 mm-film movies by employing a new kind of  
low bit-rate audio coding.  
Sound of wide dynamic range reproduced by the 5 full-range  
channels provides listeners with excitement that has never  
been experienced before. Precise sound orientation by  
discrete digital sound processing expands the realism that the  
original movie possesses.  
Dolby Digital is a digital surround sound system that provides  
completely independent multi-channel audio to listeners. In  
multi-channel form, Dolby Digital provides 5 full-range channels  
in what is sometimes referred to as a “3/2” configuration: three  
front channels (left, center and right), plus two surround  
channels. A sixth bass-only effect channel is also provided for  
output of LFE (low frequency effect), or low bass effects that  
are independent of other channels. This channel is counted as  
0.1, thus giving rise to the term 5.1 channels in total.  
LD and DVD are home audio/video program source that could  
benefit from Dolby Digital. In the near future, Dolby Digital will  
also be applied to DBS, CATV and HDTV. The ongoing release  
of Dolby Digital theatrical films now underway will provide an  
immediate source of Dolby Digital encoded video software.  
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The following original functions make the surround-sound effect  
of Dolby Digital become the most suitable for your audio  
system and the listening conditions.  
Manufactured under license from Dolby Laboratories. “Dolby”,  
“Pro Logic” and the double-D symbol are trademarks of Dolby  
Laboratories.  
CINEMA DSP: Dolby Surround + DSP  
The Dolby Surround sound system shows its full ability in a  
large movie theater, because movie sounds are originally  
designed to be reproduced in a large movie theater using many  
speakers. It is difficult to create a sound environment similar to  
that of a movie theater in your listening room, because the  
room size, materials of inside walls, the number of speakers,  
etc. of your listening room are very different from those of a  
movie theater.  
YAMAHA DSP technology made it possible to present you with  
nearly the same sound experience as that of a large movie  
theater in your listening room by compensating for the lack of  
presence and dynamics in your listening room with its original  
digital sound fields combined with the Dolby Surround sound  
system.  
CINEMA DSP  
The YAMAHA “CINEMA DSP” logo indicates those programs  
that are created by the combination of Dolby Surround and  
YAMAHA DSP technology.  
Dolby Pro Logic + 2 Digital Sound Fields  
Dolby Digital + 3 Digital Sound Fields  
Digital sound fields are created on the presence side and the  
rear surround side of the Dolby Pro Logic Surround-decoded  
sound field, respectively. They create a wide acoustic  
environment and emphasize the surround effect in the room,  
letting you feel as much presence as if you are watching a  
movie in a popular Dolby Stereo theater.  
Digital sound fields are created on the presence side and the  
independent left and right surround sides of the Dolby Digital-  
decoded sound field, respectively. They create a wide  
acoustic environment and strong surround effect in the room  
without losing high-channel separation. With the wide  
dynamic range of Dolby Digital sound, this sound field  
combination lets you feel as if you are watching a movie in the  
newest Dolby Stereo Digital theater. This will be the most  
ideal home theater sound at the present time.  
This combination is available when the DOLBY PRO LOGIC  
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE  
THEATER/DIGITAL MOVIETHEATER or TV SPORTS sound  
field program is selected, and the input signal of source is  
analog, PCM audio or encoded with Dolby Digital sound in  
2-channel.  
This combination is available when the DOLBY PRO LOGIC  
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE  
THEATER/DIGITAL MOVIETHEATER or TV SPORTS sound  
field program is selected, and the input signal of source is  
encoded with Dolby Digital sound (except in 2-channel).  
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CONTROLS AND THEIR FUNCTIONS  
FRONT PANEL  
6 TUNING MODE (AUTO/MAN’L MONO)  
1 STANDBY/ON  
Press this switch to turn on the power to this unit. Press it  
again to set this unit to the standby mode.  
Press this button to switch the tuning mode to automatic or  
manual. To select the automatic tuning mode, press this button  
so that the “AUTO TUNING” indicator lights up on the display.  
To select the manual tuning mode, press this button so that the  
“AUTO TUNING” indicator goes off.  
Standby mode  
In this state, this unit consumes a very small quantity of  
power to receive infrared-signals from the remote control  
transmitter.  
7 FM/AM  
Press this button to switch the reception band to FM or AM.  
8 TUNING UP/DOWN  
2 Remote control sensor  
This receives signals from the remote control transmitter.  
This button is used for tuning. Press the UP side to tune in to  
higher frequencies, and press the DOWN side to tune in to  
lower frequencies.  
3 Display  
This shows various information. (Refer to page 9 for details.)  
9 TAPE/MD MON / EXT. DECODER  
Press this button to play a tape or an MD. The “TAPE/MD  
MON” indicator lights up on the display.  
4 MEMORY (MAN’L/AUTO FM)  
Press this button to store the broadcasting stations.  
When this button is pressed and held for more than three  
seconds, the automatic preset tuning begins.  
When you press the button next, the “TAPE/MD MON” indicator  
goes off, “EXT. DECDR” appears on the display and you can  
play the signal connected to the EXTERNAL DECODER  
INPUT terminals.  
5 EDIT  
This button is used to exchange the assignment of two preset  
stations with each other.  
0 INPUT  
Turn this selector to select the program source (VCR, VIDEO  
AUX, TV/DBS, DVD/LD, CD, TUNER, PHONO) to listen to or  
watch.  
The name of the selected program source appears on the  
display.  
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q INPUT MODE  
This button switches the DVD/LD and TV/DBS input signal  
mode (AUTO/ANALOG).  
o RDS MODE  
When an RDS station is received, pressing this button changes  
the display into the PS mode, PTY mode, RT mode and/or CT  
mode (if the station employs those RDS data services) in turn.  
w VOLUME  
This control is used to raise or lower the volume level.  
p PTY SEEK MODE  
When this button is pressed, the unit is set in the PTY SEEK  
mode.  
e PHONES jack  
When you use headphones, connect the headphones to the  
PHONES jack. You can listen to the sound to be output from  
the main speakers through the headphones.  
When using headphones only, set both SPEAKERS A and B to  
the OFF position and switch off the digital sound field processor  
(so that no DSP program name appears on the display) by  
pressing EFFECT.  
a PTY SEEK START  
Press this button to begin searching for a station after the  
desired program type has been selected in the PTY SEEK  
mode.  
s EON  
Press this button to select the desired program type (NEWS,  
INFO, AFFAIRS, SPORT) when you want to call a radio  
program of that type automatically.  
r SPEAKERS  
Set A or B (or both A and B) to the ON position for the main  
speaker system (connected to this unit) that you want to use.  
Set the button(s) for the main speaker system you don’t want to  
use to the OFF position.  
d TIME/LEVEL  
Press this button to select the item in the TIME/LEVEL mode.  
t A/B/C/D/E  
f +/–  
Press this button to select one of a group (A to E) of preset  
stations.  
These buttons are used to adjust the settings of the SET MENU  
mode and the TIME/LEVEL mode. In the TIME/LEVEL mode,  
press + to increase the delay time or speaker output level.  
Press to decrease the delay time or speaker output level.  
y Preset station number selector  
Each of these buttons selects a preset station number  
(1 to 8).  
g SET MENU  
Press this button to select functions in the SET MENU mode.  
u Tone controls  
These controls are only effective for the sound from the main  
speakers.  
h PROGRAM selector  
Press or to select the DSP program.  
The name of the selected program appears on the display.  
BASS  
Use this control to increase or decrease the low-frequency  
response. The “0” position produces flat response.  
TREBLE  
Use this control to increase or decrease the high-frequency  
response. The “0” position produces flat response.  
j EFFECT  
This button switches on and off the output from the center and  
rear speakers so that the sound becomes the normal  
2-channel.  
* Even if the output from the center and rear speakers is off,  
when the Dolby Digital is decoded, the signals on all  
channels are distributed to the main channels and output  
from the main speakers.  
i BALANCE  
This control is only effective for the sound from the main  
speakers.  
Turn the control to adjust the balance of the output volume to  
the left and right speakers to compensate for sound imbalance  
caused by the speaker location or listening room conditions.  
k VIDEO AUX terminals  
Connect an auxiliary video or audio input source unit such as a  
camcorder to these terminals. The source connected to these  
terminals can be selected by INPUT.  
8
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DISPLAY PANEL  
1 Multi-information display  
8
,
and  
” lights up when the built-in Dolby Digital decoder is  
on and the signal of the selected source encoded in Dolby  
Digital sound is not in 2-channel. “ ” lights up when the  
built-in digital sound field processor is on, and “  
lights up when the built-in Dolby Pro Logic Surround decoder is  
on. Depending on the selected DSP program, both “  
and “ ”, or both “ ” and “ ” will light up.  
indicators  
This displays various information, for example the station  
frequency, preset station number and name of the selected  
program source.  
2 MEMORY indicator  
When MEMORY is pressed, this indicator flashes for about five  
seconds. During this period, the displayed station can be  
stored in the memory.  
9 PTY HOLD indicator  
This lights up while a search is being performed in the PTY  
SEEK mode.  
3 AUTO TUNING indicator  
This lights up when the unit is in the automatic tuning mode.  
4 TAPE/MD MON indicator  
0 EON indicator  
This lights up when the tape deck (or MD recorder, etc.) is  
selected as the program source by pressing TAPE/MD MON /  
EXT. DECODER on the front panel or TAPE/MD on the remote  
control transmitter.  
This lights up when an RDS station that employs the EON data  
service is being received.  
q Program type name indicators  
The name selected in the EON mode lights up.  
5 STEREO indicator  
This lights up when an FM stereo broadcast with sufficient  
signal strength is being received.  
w SLEEP indicator  
This lights up while the built-in SLEEP timer is functioning.  
6 Signal-level meter  
This indicates the signal level of the station being received.  
If multipath interference is detected, the indication decreases.  
7 RDS mode indicators  
The name(s) of RDS mode(s) employed by the currently  
received RDS station light(s) up. Illumination of one of the  
named indicators shows that the corresponding RDS mode is  
now selected.  
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REMOTE CONTROL TRANSMITTER  
See “REMOTE CONTROL TRANSMITTER” on page 49 for full details.  
1 Component selector  
Press the button for the component you want to control with the  
remote control transmitter. (The proper code must be set for  
your component. See “SETUP CODES” on page 56.)  
When the component selector has been pressed, the remote  
control transmitter is set to operate that component.  
2 POWER  
When you have preset the code for a YAMAHA component, this  
button switches between the power on and standby mode.  
When you have preset the code for another manufacturer’s  
component, this button turns on that component if it has a  
remote control transmitter with a power button.  
* It only functions when AMP<TUNER>, TAPE/MD, CD, DVD/LD or  
DVD MENU on the component selector has been pressed.  
3 TEST  
Press this button to output the test tone for each speaker.  
* It only functions when AMP<TUNER> on the component selector has  
been pressed.  
4 A/B/C/D/E, PRESET +/–  
These buttons are used to select a preset station.  
* They only function when AMP<TUNER> on the component selector  
has been pressed.  
5 MUTE  
Press this button to mute the sound.  
6 VOLUME  
These buttons are used to adjust the volume.  
: Turns up the volume.  
: Turns down the volume.  
7 SLEEP  
This button is used to set the SLEEP timer.  
8 PRG+, PRG–  
These buttons are used to select a DSP program.  
* They only function when AMP<TUNER> on the component selector  
has been pressed.  
9 Indicator  
This flashes in red when a button on the remote control  
transmitter is pressed. When it flashes rapidly several times,  
press the selected button again.  
0 Input selector (1 to 9)1)/Numeric buttons2)  
1) These buttons are used to select the program source to be  
played.  
* They only function when AMP<TUNER>, TAPE/MD, CD or  
DVD/LD on the component selector has been pressed.  
2) These buttons are used to select the menu or channel.  
* They only function when DVD MENU, VCR, CBL/DBS or TV on  
the component selector has been pressed.  
10  
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q EFFECT1)/CLEAR2)/+1003)  
1) This button is used to switch the DSP program on or off.  
* It only functions when AMP<TUNER>, TAPE/MD, CD, DVD/LD,  
VCR or TV on the component selector has been pressed.  
2) This button is used to clear the settings.  
* It only functions when DVD MENU on the component selector  
has been pressed.  
3) This button is used to select the channel.  
* It only functions when CBL/DBS on the component selector has  
been pressed.  
w ENTER1)/+102)  
1) This button is used to enter the channel.  
* It only functions when VCR, CBL/DBS or TV on the component  
selector has been pressed.  
2) This button is used to select the menu.  
* It only functions when DVD MENU on the component selector  
has been pressed.  
e DISC SKIP +/–1)/CH +/–2)  
1) These buttons are used to skip to the next or previous disc.  
* They only function when CD, DVD/LD or DVD MENU on the  
component selector has been pressed.  
2) These buttons are used to select the next or previous  
channel.  
* They only function when VCR, CBL/DBS or TV on the  
component selector has been pressed.  
r Operation buttons1)/Setup buttons2)  
1) These buttons function as play, stop, skip, etc. for  
operating the component.  
* They only function when TAPE/MD, CD, DVD/LD, VCR or TV on  
the component selector has been pressed.  
2) These buttons are for adjusting various settings.  
* They only function when AMP<TUNER>, DVD MENU or CBL/  
DBS on the component selector has been pressed.  
11  
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SPEAKER SETUP  
SPEAKERS TO BE USED  
This unit is designed to provide the best sound-field quality with  
a 5-speaker configuration, using main speakers, rear speakers  
and a center speaker.  
The main speakers are used for the main source sound plus  
the effect sounds. They will probably be the speakers from  
your present stereo system. The rear speakers are used for  
the effect and surround sounds, and the center speaker is for  
the center sounds (dialog, vocals, etc.). If for some reason it is  
not practical to use a center speaker, you can do without it.  
Best results, however, are obtained with the full system.  
Use of a subwoofer expands your sound field  
It is also possible to further expand your system with the  
addition of a subwoofer and amplifier. The use of a subwoofer  
is effective not only for reinforcing bass frequencies from any or  
all channels, but also for reproducing the LFE (low frequency  
effect) sound with high fidelity when playing back a source that  
is Dolby Digital-decoded. You may wish to choose the  
convenience of a YAMAHAActive Servo Processing Subwoofer  
System, which has its own built-in power amplifier.  
The main speakers should be high-performance models and  
have enough power-handling capacity to accept the maximum  
output of your audio system.  
The other speakers do not have to be equal to the main  
speakers. For precise sound localization, however, it is ideal to  
use high-performance models that can reproduce sounds over  
the full-range for the center speaker and the rear speakers.  
SPEAKER CONFIGURATION  
5-Speaker Configuration  
4-Speaker Configuration  
This configuration is the most effective and recommended one.  
When playing back a source using the DSP program,  
DOLBY PRO LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC  
ENHANCED/DOLBY DIGITAL ENHANCED, 70 mm MOVIE  
THEATER/DIGITAL MOVIE THEATER, MONO MOVIE or TV  
SPORTS, or when playing back a source which contains  
center-channel signals (dialog, vocals, etc.) using any DSP  
program that is Dolby Digital-decoded, conversations will be  
output from the center speaker and the ambience will be  
excellent.  
The center speaker is not used in this configuration. When  
playing back a source using the DSP program, DOLBY PRO  
LOGIC/DOLBY DIGITAL, DOLBY PRO LOGIC ENHANCED/  
DOLBY DIGITAL ENHANCED, 70 mm MOVIE THEATER/  
DIGITAL MOVIETHEATER, MONO MOVIE or TV SPORTS, or  
when playing back a source which contains center-channel  
signals (dialog, vocals, etc.) using any DSP program that is  
Dolby Digital-decoded, the center sound is output from the left  
and the right main speakers. However, the sound effect of  
other programs will be the same as that of the 5-speaker  
configuration.  
Note: Set the CNTR (CENTER SPEAKER) mode to the  
LARGE” or “SMALL” position. (See page 21 for  
details.)  
Note: Be sure to set the CNTR (CENTER SPEAKER) mode to  
the “NONE” position. (See page 21 for details.)  
Main L  
Main R  
Main L  
Center  
Dialog  
Main R  
Dialog  
Surround sound  
Surround sound  
Rear L  
Rear R  
Rear L  
Rear R  
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SPEAKER PLACEMENT  
Refer to the following diagram when you place the speakers.  
Main:  
Rear:  
The position of your present stereo speaker  
system.  
Main  
speaker (R)  
Behind your listening position, facing slightly  
inward. Nearly 1.8 m (approx. 6 feet) up from the  
floor.  
Subwoofer  
Rear  
Center:  
Precisely between the main speakers. (To avoid  
interference with TV sets, use a magnetically  
shielded speaker.)  
Center speaker  
speaker (R)  
Main  
speaker (L)  
Subwoofer: The position of the subwoofer is not as critical,  
because low bass tones are not highly directional.  
Rear  
speaker  
(L)  
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CONNECTIONS  
Never plug in this unit and other components until all connections have been completed.  
CONNECTIONS WITH OTHER COMPONENTS  
When making connections between this unit and other components, be sure all connections are made correctly, that is to say L  
(left) to L, R (right) to R, “+” to “+” and “” to “”. Also, refer to the owner’s manual for each component to be connected to this unit.  
* If you have YAMAHA components numbered as !, #, $, etc. on the rear panel, connections can be made easily by making sure  
to connect the output (or input) terminals of each component to the same-numbered terminals of this unit.  
SWITCHED AC OUTLET(S)  
Europe model..................................... 2 SWITCHED OUTLETS  
U.K. model ............................................1 SWITCHED OUTLET  
Use these to connect the power cords from your components to  
this unit.  
DVD player,  
The power to the SWITCHED AC OUTLET(S) is controlled by  
this unit’s STANDBY/ON or the provided remote control  
transmitter’s POWER. These outlets will supply power to any  
component whenever this unit is turned on.  
The maximum power (total power consumption of components)  
that can be connected to the SWITCHED AC OUTLET(S) is  
100 watts.  
LD player, etc.  
Turntable  
Monitor TV  
(Europe model)  
To AC outlet  
VCR  
CD player  
Tape deck,  
MD recorder, etc.  
TV/DBS tuner  
(Video cassette recorder)  
GND terminal (for turntable use)  
Connecting the ground (earth) wire of the turntable to the GND terminal will normally minimize hum, but in some cases, better  
results may be obtained with the ground wire disconnected.  
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CONNECTING TO VIDEO AUX TERMINALS (ON THE FRONT PANEL)  
These terminals are used to connect any video input source, such as a camcorder, to this unit.  
VIDEO AUX  
Camcorder  
CONNECTING TO AN EXTERNAL DECODER  
When using the DTS or other decoder with 6-channel discrete outputs, connect the 6CH DISCRETE OUTPUT terminals of the  
decoder to the EXTERNAL DECODER INPUT terminals of this unit.  
DTS or other decoder with 6-channel  
discrete outputs  
L
L
R
R
(Europe model)  
DVD player, LD player or other  
unit with digital outputs  
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CONNECTING TO DIGITAL (COAXIAL AND/OR OPTICAL) TERMINALS  
If your DVD (LD) player, TV/DBS tuner, etc. are equipped with  
coaxial or optical digital audio signal output terminals, they can  
be connected to this unit’s COAXIAL and/or OPTICAL digital  
signal input terminals.  
Notes  
• When connecting an audio/video unit to both the digital and  
analog terminals of this unit, make sure to connect between  
terminals of the same name.  
• Be sure to attach the covers when the OPTICAL terminals  
are not being used in order to protect them from dust.  
• The input signal from the DVD/LD input terminals is selected  
in the following order of priority with the input mode set to the  
AUTO position:  
To make a connection between optical digital audio signal  
terminals, remove the cover from each terminal, and then  
connect them by using a commercially available optical fiber  
cable that conforms to EIAJ standards. Other cables might not  
function correctly.  
1 COAXIAL terminal  
2 OPTICAL terminal  
3 Analog terminal  
Even if you connect an audio/video unit to the COAXIAL (or  
OPTICAL) terminal of this unit, you must keep the unit  
connected with the same named analog audio signal terminals  
of this unit, because a digital signal cannot be recorded by a  
tape deck, MD recorder or VCR connected to this unit. You can  
easily switch the selection of input signals between “digital” and  
“analog”. (See page 28 for details.)  
• All digital audio signal input terminals are applicable to  
sampling frequencies of 32 kHz, 44.1 kHz and 48 kHz.  
• If your LD player has Dolby Digital RF signal output terminal,  
use the RF demodulator (separate purchase).  
DVD or LD player  
TV/DBS tuner  
(Europe model)  
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CONNECTING SPEAKERS  
Main speakers A  
Main speakers B  
Right  
Left  
Right  
Left  
SPEAKERS  
MAIN  
L
R
REAR  
(SURROUND)  
CENTER  
L
R
Rear speakers  
OUTPUT  
Left  
Right  
SUB  
WOOFER  
Center speaker  
Subwoofer system  
Subwoofer connection  
Note  
You may wish to add a subwoofer to reinforce low frequencies  
or to output low bass sound from the subwoofer channel.  
If you have a subwoofer with built-in amplifier, including the  
YAMAHAActive Servo Processing Subwoofer System, connect  
the SUBWOOFER OUTPUT terminal of this unit to the input  
terminal of the subwoofer system.  
If you have a separate amplifier and subwoofer, connect the  
SUBWOOFER OUTPUT terminal of this unit to the input  
terminal of the subwoofer amplifier, and then connect the  
speaker terminals of the subwoofer amplifier to the subwoofer.  
When the input signals to this unit are for normal 2-channel  
stereo, this terminal outputs only frequencies below 90 Hz from  
the main and center channels. When discrete signals are input  
to this unit and are selected as the input source, this terminal  
outputs signals from the subwoofer channel.  
Use speakers with the specified impedance shown on the  
rear panel of this unit.  
Main speaker connections  
One or two speaker systems can be connected to this unit. If  
you use only one speaker system, connect it to either of the  
SPEAKERS A or B terminals.  
Rear speaker connections  
A rear speaker system can be connected to this unit. Place  
them to the rear of your listening position.  
Center speaker connection  
A center speaker can be connected to this unit. Place it on or  
under the TV.  
Note: The output level of signals from this terminal is adjusted  
by VOLUME on the front panel or VOLUME (  
) on  
the remote control transmitter.  
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How to connect  
Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are  
faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –  
markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.  
Caution  
Do not let the bare speaker wires touch each other and do not let them touch any metal part of this unit. This could  
damage the unit and/or speakers.  
Connecting to the MAIN SPEAKERS terminals  
Connecting to the REAR and CENTER  
SPEAKERS terminals  
Red: positive (+)  
Red: positive (+)  
Black: negative (–)  
Black: negative (–)  
1 Press the tab.  
1 Unscrew the knob.  
2 Remove approx. 5 mm  
2 Remove approx. 5 mm  
(1/4”) of insulation from  
each of the speaker  
wires and insert the bare  
wire into the terminal.  
3 Release the tab to  
secure the wire.  
(1/4”) of insulation from  
each of the speaker  
wires and insert the bare  
wire into the terminal.  
1
2
1
3
3 Tighten the knob to  
3
secure the wire.  
2
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IMPEDANCE SELECTOR SWITCH  
Select the position whose requirements your speaker system  
meets.  
WARNING  
Do not change the IMPEDANCE SELECTOR switch setting  
while the power to this unit is on, otherwise this unit may be  
damaged.  
(Upper position)  
If this unit fails to turn on when the STANDBY/ON switch is  
pressed, the IMPEDANCE SELECTOR switch may not be  
fully set to either end. If so, set the switch to either end fully  
when this unit is in the standby mode.  
Main: If you use one pair of main speakers, the impedance of  
each speaker must be 4 or higher.  
If you use two pairs of main speakers, the impedance  
of each speaker must be 8 or higher.  
Center: The impedance of the speaker must be 6 or higher.  
IMPEDANCE SELECTOR  
(Europe model)  
Rear: The impedance of each speaker must be 6 or  
higher.  
(Lower position)  
Main: If you use one pair of main speakers, the impedance of  
each speaker must be 8 or higher.  
If you use two pairs of main speakers, the impedance  
of each speaker must be 16 or higher.  
Center: The impedance of the speaker must be 8 or higher.  
Rear: The impedance of each speaker must be 8 or  
higher.  
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ANTENNA CONNECTIONS  
Each antenna should be correctly connected to the designated terminals, referring to the following diagram.  
Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal  
strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor  
reception quality, an outdoor antenna may result in improvement.  
Indoor FM  
antenna  
Outdoor AM antenna  
Outdoor FM antenna  
(included)  
AM loop  
antenna  
(included)  
75-ohm/300-ohm  
antenna adapter  
75-ohm coaxial cable  
75-ohm/300-ohm  
antenna adapter  
300-ohm feeder  
Ground  
Connecting the AM loop antenna  
1
2
3
1
3
Orient so that the best  
reception is obtained.  
2
* The AM loop antenna should be placed away from this unit. The antenna may be hung on a wall.  
* The AM loop antenna always should be connected, even if an outdoor AM antenna is connected to this unit.  
Notes  
GND TERMINAL  
• When connecting the indoor FM  
antenna, firmly insert its connector  
into the FM ANT terminal.  
For maximum safety and minimum interference, connect the  
GND terminal to a good earth ground. A good earth ground is a  
metal stake driven into moist earth.  
• If you need an outdoor FM antenna to  
improve FM reception quality, either  
300-ohm feeder or coaxial  
cable may be used. In locations  
troubled by electrical interference, coaxial cable is preferable.  
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ADJUSTMENTS BEFORE USING THIS UNIT  
SELECTING THE OUTPUT MODES  
This unit provides you the following five functions to determine the method of distributing output signals to speakers suitable for  
your audio system. When speaker connections have all been completed, select the proper setting for each function to make the  
best use of your speaker system. (See “ADJUSTMENTS IN THE ‘SET MENU’ MODE” on page 47.)  
1. CNTR (CENTER SPEAKER)  
4. BASS (LFE/BASS OUT)  
2. REAR (REAR SPEAKERS)  
5. M.LVL (MAIN LEVEL)  
3. MAIN (MAIN SPEAKERS)  
DESCRIPTION OF EACH FUNCTION  
CNTR (CENTER SPEAKER)  
BASS (LFE/BASS OUT)  
Choices: SW/MAIN/BOTH  
Preset position: SW  
Choices: LARGE/SMALL/NONE  
Preset position: LARGE  
MAIN:  
Select this position if your system does not include a  
subwoofer.  
LARGE: Select this position when your center speaker is  
approximately the same size as the main speakers.  
SMALL: Select this position when you use a center speaker  
that is smaller than the main speakers.  
In this position, full-range signals present on the  
main channels, signals from the LFE channel and  
other low bass signals that are selected for “CNTR”  
to “MAIN” to be distributed from other channels are  
output from the main speakers.  
In this position, low bass signals (below 90 Hz) on the  
center channel are output from the main speakers (or  
the SUBWOOFER OUTPUT terminal if the SMALL  
position is selected for “MAIN” and the SW position is  
selected for “BASS”).  
SW/BOTH:  
Select either the SW or BOTH position if your  
NONE: Select this position when you do not have a center  
speaker. The center channel sound will be output  
from the left and right main speakers.  
system includes a subwoofer.  
In either position, signals on the LFE channel and  
other low bass signals that are selected for “CNTR”  
to “MAIN” to be distributed from other channels are  
output from the SUBWOOFER OUTPUT terminal.  
When the LARGE position is selected for “MAIN”, in  
the SW position, no signal is distributed from the  
main channels to the SUBWOOFER OUTPUT  
terminal; however, in the BOTH position, low bass  
signals from the main channels are output to both  
the main speakers and the SUBWOOFER OUTPUT  
terminal.  
REAR (REAR SPEAKERS)  
Choices: LARGE/SMALL  
Preset position: LARGE  
LARGE: Select this position if your rear speakers have high  
ability for bass reproduction, or a subwoofer is  
connected to the rear speaker in parallel.  
In this position, full-range signals are output from the  
rear speakers.  
SMALL: Select this position if your rear speakers do not have  
high ability for bass reproduction.  
M.LVL (MAIN LEVEL)  
Choices: NRML (NORMAL)/–10 dB  
Preset position: NRML (NORMAL)  
In this position, low bass signals (below 90 Hz) on  
the rear channels are output from the SUBWOOFER  
OUTPUT terminal (or the main speakers if the MAIN  
position is selected for “BASS”).  
NRML (NORMAL):  
Normally select this position.  
–10 dB: Select this position if the sound output from the main  
speakers is too loud and cannot be balanced with  
the sound output from the center and rear speakers.  
In this position, the sound output from the main  
speakers is attenuated.  
MAIN (MAIN SPEAKERS)  
Choices: LARGE/SMALL  
Preset position: LARGE  
LARGE: Select this position if your main speakers have high  
ability for bass reproduction.  
In this position, full-range signals present on the  
main channels are output from the main speakers.  
SMALL: Select this position if your main speakers do not  
have high ability for bass reproduction. However, if  
your system does not include a subwoofer, do not  
select this position.  
In this position, low bass signals (below 90 Hz) on  
the main channels are output from the  
SUBWOOFER OUTPUT terminal if the SW or BOTH  
position is selected for “BASS”.  
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ADJUSTING METHOD  
Adjustments should be made while watching the information on this unit’s display.  
1
2
3
2
1
3
When adjusting with the remote control transmitter, press  
AMP<TUNER> on the component selector on the remote  
control transmitter.  
3
Press + or once or more to select the setting you  
want.  
Front panel  
Remote control  
or  
1
2
Turn the power on.  
Front panel  
Remote control  
or  
Press SET MENU once or more to select the function  
“CNTR” on the display.  
4
Repeat steps 2 and 3 to change the setting for  
“REAR”, “MAIN”, “BASS” and/or “M.LVL” in the same  
way.  
Front panel  
Remote control  
or  
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SPEAKER BALANCE ADJUSTMENT  
This procedure lets you adjust the sound output level balance between the main, center and rear speakers by using the built-in test  
tone generator. When this adjustment is performed, the sound output level heard at the listening position will be the same from  
each speaker. This is important for the best performance of the digital sound field processor, the Dolby Digital decoder and the  
Dolby Pro Logic Surround decoder.  
The adjustment of each speaker output level should be done at your listening position with the remote control transmitter.  
After completing the adjustment of the output level for each speaker, use VOLUME (  
transmitter at your listening position to check if the adjustments are satisfactory.  
) on the remote control  
5,9  
6
2
1
2
8
4 4,7  
3
Press AMP<TUNER> on the component selector on the  
remote control transmitter.  
2
Turn the power on.  
Front panel  
Remote control  
or  
1
Set VOLUME to the “ ” position.  
3
Select the main speakers to be used.  
Front panel  
Front panel  
* If you use two main speaker systems, press both A and B.  
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4
5
Set BASS, TREBLE and BALANCE to the “0” position.  
6
Turn up the volume.  
Front panel  
Remote control  
Press TEST so that “TEST LEFT” appears on the  
display.  
You will hear a test tone (like pink noise) from each  
speaker for about two seconds in following order: left main  
speaker, center speaker, right main speaker, right rear  
speaker and left rear speaker. The display changes as  
shown below.  
Remote control  
Main (L)  
Center  
Main (R)  
Rear (R)  
Rear (L)  
* If the function “CNTR” in the SET MENU mode is set to  
the NONE position, you will hear the center channel test  
tone from the left and right main speakers.  
7
Adjust BALANCE so that the sound output level of the  
left main speaker and the right main speaker is the  
same.  
Front panel  
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Notes  
• Once you have completed these adjustments, you can only  
adjust the overall sound level of your audio system by using  
8
Adjust the sound output levels of the center speaker  
and the rear speakers so that they become almost the  
same as that of the main speakers.  
VOLUME (or VOLUME (  
) on the remote control  
transmitter).  
Press TIME/LEVEL once or more to select the speaker  
to be adjusted so that “CENTER”, “R SUR.”, “L SUR.”  
or “SWFR” appears on the display.  
• If you use external power amplifiers, you may also use their  
volume controls to achieve the proper balance.  
• If the function “CNTR” in the SET MENU mode is set to the  
NONE position, the sound output level of the center speaker  
cannot be adjusted in step 8. The center sound is  
automatically output from the left and right main speakers.  
• If there is insufficient sound output from the center and rear  
speakers, you may decrease the main speaker output level  
by setting “M.LVL” to “–10 dB”.  
Remote control  
* You cannot adjust the delay time while the test tone is  
sounding even if “DELAY” appears on the display  
after pressing TIME/LEVEL once or more.  
Adjust the level.  
* Pressing + raises and lowers the level.  
* While adjusting, the test tone is fixed on the selected  
speaker.  
Remote control  
9
Press TEST again to stop the test tone.  
Remote control  
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BASIC OPERATIONS  
TO PLAY A SOURCE  
2
3 1,7  
7
2
3,4  
4
5
8
When using the remote control transmitter  
3
Select the desired program source by using INPUT.  
(Turn on the TV/monitor for video sources.)  
• Press AMP<TUNER> on the component selector.  
• When controlling an audio/visual component (tape deck,  
MD recorder, CD player, DVD/LD player, etc.), press the  
button on the component selector, TAPE/MD, CD, DVD/  
LD, etc., for the component you want to control. (See  
“SETUP CODES” on page 56.)  
Front panel  
Remote control  
or  
1
Set VOLUME to the “ ” position.  
Front panel  
The name of the selected program source will appear on  
the display.  
To play a tape or an MD  
Front panel  
Press TAPE/MD MON / EXT. DECODER  
on the front panel or TAPE/MD on the  
remote control transmitter so that the  
“TAPE/MD MON” indicator lights up on  
the display.  
2
Turn the power on.  
Front panel  
Remote control  
or  
To use a decoder connected to the EXTERNAL  
DECODER INPUT terminals  
Press TAPE/MD MON / EXT. DECODER once or more on  
the front panel or EXT. DEC. on the remote control  
transmitter so that “EXT. DECDR” appears on the display.  
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4
For a DVD/LD or TV/DBS source, the current input  
mode is also shown.  
7
8
Adjust the volume to the desired output level.  
Front panel  
Remote control  
* To change the input mode for the DVD/LD or TV/DBS  
source, press INPUT MODE (or the button that you  
have pressed to select the program source in step 3  
on the remote control transmitter) once or more until  
the desired input mode (AUTO or ANALOG) is shown  
on the display. (See page 28 for details on switching  
the input mode.)  
or  
Front panel  
Remote control  
If desired, adjust BASS, TREBLE, BALANCE, etc.  
and use the digital sound field processor (see  
page 41).  
or  
BASS:  
Turn this control clockwise to increase (or  
counterclockwise to decrease) the low-  
frequency response.  
TREBLE: Turn this control clockwise to increase (or  
counterclockwise to decrease) the high-  
frequency response.  
Input mode  
BALANCE: Adjust the balance of the output volume  
from the left and right speakers to  
compensate for sound imbalance caused  
by the speaker location or listening room  
conditions.  
5
Select the main speakers to be used.  
Front panel  
Front panel  
* If you use two main speaker systems, press both A and B.  
* These controls are only effective for the sound from the  
main speakers.  
6
Play the source. (See page 30 for detailed information  
on tuning.)  
When you have finished using this unit  
Press STANDBY/ON on the front panel again or POWER on  
the remote control transmitter to set this unit to the standby  
mode.  
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Notes on using INPUT  
Switching the input mode  
(for DVD/LD and TV/DBS)  
• The audio source selected by INPUT will not be played if the  
“TAPE/MD MON” indicator lights up or if “EXT. DECDR” is  
displayed.  
This unit allows you to switch the input mode only for those  
sources connected to the DVD/LD and TV/DBS input terminals  
(on the rear panel of this unit) that input two or three types of  
signal.  
• If you select INPUT for a video source without canceling the  
selection of TAPE/MD MON / EXT. DECODER on the front  
panel (or TAPE/MD or EXT. DEC. on the remote control  
transmitter), the play back result will be a video image from  
the video source and the sound from the audio source  
selected by TAPE/MD MON / EXT. DECODER on the front  
panel (or TAPE/MD or EXT. DEC. on the remote control  
transmitter).  
• Once you start playing a video source, the video image will  
not be interrupted even if INPUT for an audio source is  
selected.  
• When you select a program source by using INPUT, the DSP  
program (or no DSP program) that was being used when the  
same program source was selected the last time, will be  
automatically recalled.  
The following two input modes are provided:  
AUTO For a source connected to the DVD/LD input  
terminals  
This mode is automatically selected when you turn on  
the power to this unit. In this mode, the input signal is  
automatically selected in the following order of priority:  
1. Digital input signal from the COAXIAL terminal  
2. Digital input signal from the OPTICAL terminal  
3. Analog input signal  
For a source connected to the TV/DBS input  
terminals  
This mode is selected when you turn on the power to  
this unit if the AUTO position is selected for “INPUT” in  
the SET MENU mode. (See page 48 for details.) In  
this mode, the input signal is automatically selected in  
the following order of priority:  
1. Digital input signal from the OPTICAL terminal  
2. Analog input signal  
ANALOG  
In this mode, only an analog input signal is selected,  
even if a digital signal is input at the same time.  
Select this mode when you want to use the analog  
input signal instead of the digital input signal.  
Notes on input mode selection  
To play back a source that is Dolby Digital-decoded, set the  
input mode to AUTO.  
• For the TV/DBS source only, the input mode selected for  
“INPUT” in the SET MENU mode is effective when you turn  
on the power to this unit.  
• When you want to enjoy a source which has normal  
2-channel signals with a Dolby Pro Logic Surround program,  
select the ANALOG mode.  
• In the AUTO mode, there may be a case, depending on the  
LD player or DVD player, that when you search for a source  
encoded with Dolby Digital during play and then play is  
restored, the sound output is interrupted for a moment  
because the digital input signal is selected again.  
28  
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TO RECORD A SOURCE ON TAPE OR MD  
4 1 2  
2
1,4  
1
2
Select the source to be recorded.  
4
When a tape deck or MD recorder is being used for  
recording, you can monitor the sounds being recorded  
by pressing TAPE/MD MON / EXT. DECODER on the  
front panel or TAPE/MD on the remote control  
transmitter so that the “TAPE/MD MON” indicator lights  
up on the display.  
Front panel  
Remote control  
Front panel  
Remote control  
or  
or  
Play the source and then turn up the volume to confirm  
the program source. (See page 30 for detailed  
information on tuning.)  
Notes  
• The settings of DSP and VOLUME, BASS, TREBLE and  
BALANCE have no effect on the material being recorded.  
• A source that is connected to this unit only through the digital  
terminals cannot be recorded by a tape deck, MD recorder or  
VCR connected to this unit.  
Front panel  
Remote control  
• Please check the copyright laws in your country to record  
from records, compact discs, radio, etc. Recording of  
copyright material may infringe copyright laws.  
or  
If you use a video source that has scrambled or encoded  
signals to prevent it from being dubbed, there may be a case  
that the picture itself will be affected by those signals.  
3
Begin recording on the tape deck, MD recorder or VCR  
connected to this unit.  
29  
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TUNING OPERATIONS  
Set INPUT on the front panel to the TUNER position. When using the remote control transmitter, press AMP<TUNER> on the  
component selector and then press TUNER on the input selector.  
Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is  
possible. However, if the signal from the station you want to select is weak, you must tune in to it manually (MANUAL TUNING).  
2 3  
1
AUTOMATIC TUNING  
MANUAL TUNING  
1
Select the reception band (FM or AM) and confirm it on  
the display.  
1
Select the reception band (FM or AM) and confirm it on  
the display.  
Front panel  
Front panel  
or  
or  
2
Press TUNING MODE so that the “AUTO TUNING”  
indicator lights up on the display.  
2
3
Press TUNING MODE.  
Front panel  
Front panel  
Confirm that the “AUTO  
TUNING” indicator goes off.  
Lights up  
Tune in manually to the desired station.  
3
To tune in to a higher frequency, press the UP side of  
TUNING once.  
Front panel  
To tune in to a lower frequency, press the DOWN side  
of TUNING once.  
Front panel  
* To continue the tuning search, press and hold the button.  
Notes  
• If you tune in manually to an FM station, it will be  
automatically received in monaural mode to increase the  
signal quality.  
• If an RDS station that employs the PS data service is being  
received, the station name is shown on the display.  
* If the station where the tuning search stops is not the  
desired one, press once more.  
* If the tuning search does not stop at the desired station  
(because the signal from the station is weak), take the  
manual tuning procedure.  
30  
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MANUAL PRESET TUNING  
This unit can store station frequencies to be selected by tuning. With this function, you can recall any desired station simply by  
selecting the preset station number with which it was stored. Up to 40 stations (8 stations x 5 groups) can be stored.  
3
2 4  
To store stations  
1
2
Tune in to the desired station.  
(See the previous page for the tuning procedure.)  
4
Select the preset station number with which you want to  
store the station before the “MEMORY” indicator goes  
off from the display.  
Front panel  
Press A/B/C/D/E once or more to select the desired  
group (A to E) of preset stations and confirm it on the  
display.  
Front panel  
The displayed station has been stored as A1.  
3
Press MEMORY so that the “MEMORY” indicator  
flashes for about five seconds.  
* In the same way, store other stations as A2, A3 ... A8.  
* You can store more stations as preset station numbers in  
other groups in the same way by selecting another group  
in step 2.  
Front panel  
Flashes  
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1 2  
1
2
To recall a preset station  
Notes  
• A new setting can be stored in place of the former one.  
• For presets, the setting of the reception mode (stereo or  
monaural) is stored along with the station frequency.  
1
Select the group of preset stations.  
Front panel  
Remote control  
Memory back-up  
or  
The memory back-up circuit prevents the stored data from  
being lost when this unit is set in the standby mode. If,  
however, the power plug is disconnected from the AC outlet or  
the power is cut due to temporary power failure for more than  
one week, the memory will be erased. If so, it can be re-stored  
by simply following the preset tuning procedure.  
2
Select the preset station number.  
Front panel  
Remote control  
or  
32  
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AUTOMATIC PRESET TUNING (for RDS stations only)  
You can also make use of the automatic preset tuning function for RDS stations only. This function enables the unit to perform  
automatic tuning and to sequentially store RDS stations with strong signals. Up to 40 stations can be stored automatically in the  
same way as that for manual preset tuning on page 31. Note that a new setting can be stored in place of the former one.  
* See pages 35 to 39 for details on RDS stations.  
3 1  
2 4  
To store stations  
1
Select the FM band.  
4
To tune in to higher frequencies, press the UP side of  
TUNING once.  
To tune in to lower frequencies, press the DOWN side  
of TUNING once.  
Front panel  
Front panel  
2
Press TUNING MODE so that the “AUTO TUNING”  
indicator lights up on the display.  
* If TUNING is not pressed, the automatic preset tuning  
soon begins automatically toward higher frequencies.  
Front panel  
Automatic preset tuning begins from the frequency currently  
displayed. Received stations are sequentially stored as A1,  
A2 ... A8.  
* If more than 8 stations are received, they are stored as the  
preset station numbers in other groups (B, C, D and E) in  
that order.  
Lights up  
3
Press MEMORY and hold for about three seconds.  
If you want to store the first station received by automatic  
preset tuning as a desired preset station number  
For example, if you want to store the first received station as C5,  
select “C5” while “A1”, the “MEMORY” indicator and the “AUTO  
TUNING” indicator flash after pressing MEMORY in step 3. Then  
press TUNING. The first received station is stored as C5, and the  
next stations as C6, C7 ... sequentially.  
Front panel  
Flashes  
If stations have been stored up to E8, automatic preset tuning  
automatically stops.  
When automatic preset tuning is complete  
The display shows the frequency of the last preset station.  
Check the contents and the number of preset stations by  
following the procedure in the section “To recall a preset  
station” on page 32.  
33  
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Notes  
• You can manually replace a preset station with another FM or AM station by simply following the procedure in the section “To  
store stations” on page 31.  
• An automatic preset tuning search will be performed through all RDS network frequencies until stations have been stored up to  
E8. Even if the number of received stations is not enough to be stored up to E8, the search is automatically ended after  
searching all frequencies.  
• With this function, only RDS stations with sufficient signal strength are automatically stored. If the station you want to store is  
weak in signal strength, tune in to it manually in monaural sound and store it by following the procedure in the section “To store  
stations” on page 31.  
* There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This  
is because this function receives a large volume of PI (Program Identification) data along with the station.  
EXCHANGING PRESET STATIONS  
You can exchange the assigment of two preset stations with each other as shown below.  
2,4  
Example  
If you want to change the preset station from “E1” to “A5”, or vice versa.  
3
Next, recall preset station “A5” by following the same  
procedure as in step 1.  
1
2
Recall preset station “E1” by following the procedure in  
the section “To recall a preset station” on page 32.  
Press EDIT.  
Front Panel  
Flashes  
4
Press EDIT once more.  
Flashes  
Front Panel  
Shows the exchange of  
stations has been  
completed.  
34  
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The RDS broadcast functions do not operate in areas where RDS broadcasts cannot be received. (In such case, the  
procedure from pages 35 to 39 is not necessary.)  
RECEIVING RDS STATIONS  
Radio Data System (RDS) is a data transmission system gradually being introduced by FM stations in many countries. Stations  
using this system transmit an inaudible stream of data in addition to the normal radio signal.  
RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT  
(Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc.  
The RDS function is used by network stations.  
DESCRIPTION OF RDS DATA  
This unit can receive PI, PS, PTY, RT, CT, and EON data when receiving RDS broadcast stations.  
PS (Program Service name) mode:  
The name of the RDS station being received is displayed.  
RT (Radio Text) mode:  
Information about the program (such as the title of a song,  
name of the singer, etc.) on the RDS station being received is  
displayed by a maximum of 64 alphabetical characters,  
including the umlaut sign. If other characters are used for the  
RT data, they are displayed with under-bars.  
PTY (Program Type) mode:  
The type of program on the RDS station being received is  
displayed. There are 15 program types to classify RDS  
stations. You can make this unit search for a station which is  
broadcasting a program of the desired type. See page 37 for  
details.  
CT (Clock Time) mode:  
The current time is displayed in the following form and updated  
every minute.  
Hour  
Minute  
If the data is accidentally cut off, “CT WAIT” may appear.  
EON (Enhanced Other Networks):  
See page 39.  
35  
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CHANGING THE RDS MODE  
When an RDS station is received, PS, PTY, RT and/or CT that correspond to the RDS data services employed by the station light  
up on the display. By pressing RDS MODE, you can change the display mode among the RDS modes employed by the received  
station in the order shown below. Illumination of the RDS mode indicator shows that the corresponding RDS mode has been  
selected.  
* When an RDS station is received, do not press RDS MODE until one or more names of RDS modes light up on the display. If the  
button is pressed before one or more names light up on the display, the mode cannot be changed. This is because the unit has  
not yet received all of the RDS data on the station.  
* If no RDS mode lights up on the display, the mode cannot be changed.  
* An RDS mode not employed by the station cannot be selected.  
Front panel  
PS  
mode  
PTY  
mode  
RT  
mode  
CT  
mode  
Notes  
• The RDS data service cannot be utilized by this unit if the received signal is not strong enough. In particular, the RT mode  
requires a large amount of data to be received, so it is possible that the RT mode cannot be displayed even if other RDS modes  
(PS, PTY, etc.) are displayed.  
• There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press TUNING MODE so  
that the “AUTO TUNING” indicator goes off from the display. Although the reception mode is changed to monaural by this  
operation, when you change the display to RDS mode, RDS data may be displayed.  
• If the signal strength is weakened by external interference during the reception of an RDS station, the RDS data service may be  
...  
cut off suddenly and “ WAIT” will appear on the display.  
36  
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PTY SEEK  
By designating a program type, the unit automatically searches all preset RDS stations that are broadcasting a program of that  
type.  
* There are 15 program types to classify RDS stations. See page 38 for details.  
1 2  
3
1
2
Press PTY SEEK MODE to set the unit in the PTY  
SEEK mode.  
3
Press PTY SEEK START to begin searching all preset  
RDS stations.  
Front panel  
Front panel  
The program type of the station  
being received or “NEWS”  
flashes on the display.  
Press TUNING (Up side or Down side) to select the  
desired program type.  
Flashes  
Front panel  
* The “PTY HOLD” indicator lights up on the display.  
* If the station that is broadcasting a program of the required  
type is found, the unit stops at the station and displays the  
frequency of the station.  
* If the called station is not the desired one, press PTY  
SEEK START once more.  
The unit begins searching for another station that is  
broadcasting a program of the same type.  
To cancel this function  
Press PTY SEEK MODE twice.  
37  
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PROGRAM TYPES IN THE PTY MODE  
News:  
Pop:  
NEWS  
POP M  
Short accounts of facts, events and publicly  
expressed views, reportage and actuality.  
Commercial music, which would generally be  
considered to be of current popular appeal,  
often featuring in current or recent record  
sales charts.  
Current affairs:  
AFFAIRS  
Topical program expanding or enlarging upon  
the news, generally in different presentation  
style or concept, including documentary  
debate, or analysis.  
Rock:  
ROCK M  
M.O.R. M  
Contemporary modern music, usually written  
and performed by young musicians.  
Information:  
M.O.R.:  
INFO  
Program whose purpose is to impart advice in  
the widest sense, including meteorological  
reports and forecasts, consumer affairs,  
medical help, etc.  
(Middle of the Road Music). Common term to  
describe music considered to be “easy-  
listening”, as opposed to Pop, Rock or  
Classical. Music in this category is often but  
not always, vocal, and usually of short  
duration (<5 min.)  
Sport:  
SPORT  
Program concerned with any aspect of sport.  
Light classics:  
LIGHT M  
Education:  
Program intended primarily to educate, of  
which the formal element is fundamental.  
Classical Musical for general, rather than  
specialist appreciation. Examples of music in  
this category are instrumental music, and  
vocal or choral works.  
EDUCATE  
Drama:  
All radio plays and serials.  
DRAMA  
Serious classics:  
CLASSICS  
OTHER M  
Performances of major orchestral works,  
symphonies, chamber music etc., and  
including Grand Opera.  
Culture:  
CULTURE  
Programs concerned with any aspect of  
national or regional culture, including religious  
affairs, philosophy, social science, language,  
theatre, etc.  
Other music:  
Musical styles not fitting into any of the above  
categories. Particularly used for specialist  
music, of which Jazz, Rhythm & Blues, Folk,  
Country, and Reggae are examples.  
Science:  
SCIENCE  
Programs about the natural sciences and  
technology.  
Varied:  
VARIED  
Used for mainly speech-based programs  
usually of light-entertainment nature, not  
covered by above categories. Examples are:  
quizzes, panel games, personality interviews,  
comedy and satire.  
38  
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EON FUNCTION  
This function uses the EON data service on the RDS station network.  
By simply selecting the desired program type (NEWS, INFO, AFFAIRS or SPORT), the unit will automatically monitor all preset  
RDS stations that broadcast a program of that type and switch from the program being currently received to that program when the  
broadcast starts.  
* This function can only be used when an RDS station that employs the EON data service is being received. (When such a station  
is received, the “EON” indicator lights up on the display.)  
2
1
Make sure that the “EON” indicator lights up on the  
display.  
3
When broadcasting of the selected program ends, the  
previously received program (or another program on  
the same station) is recalled.  
Lights up  
* If the “EON” indicator does not light up on the display, tune  
in to another RDS station so that the “EON” indicator lights  
up.  
To cancel this function  
Press EON once or more so that no program type name lights  
up on the display.  
2
Press EON once or more to select the desired program  
type, NEWS, INFO, AFFAIRS or SPORT.  
Front panel  
Lights up  
If a preset RDS program of the designated type starts  
broadcasting, the unit will automatically switch from the  
program being currently received to that program.  
Flashes  
39  
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SETTING THE SLEEP TIMER  
The SLEEP timer can be used to make this unit automatically switch to the standby mode. When you are going to sleep while  
enjoying a broadcast or other desired program source, this timer function is useful. The SLEEP timer can only be controlled with  
the remote control transmitter.  
Notes  
To set the SLEEP timer for this unit, press AMP<TUNER>, TAPE/MD, CD or DVD/LD on the component selector.  
• The components for which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear  
panel of this unit.  
1
To set the SLEEP time  
To cancel the selected SLEEP time  
Remote control  
1
Press SLEEP once or more to select the desired  
SLEEP time.  
Remote control  
Press SLEEP once or more so that “SLEEP OFF” appears on  
the display. (It will soon disappear and the “SLEEP” indicator  
will go off from the display.)  
The SLEEP time is displayed.  
Note  
The SLEEP timer setting can also be canceled by setting the  
unit in the standby mode with STANDBY/ON on the front panel  
(or POWER on the remote control transmitter) or by  
disconnecting the power plug of the unit from the AC outlet.  
Flashes  
Each time you press SLEEP, the SLEEP time will change as  
follows:  
(Minutes)  
120  
90  
60  
30  
The SLEEP timer is off (SLEEP OFF).  
(This is the state before SLEEP is  
pressed.)  
The “SLEEP” indicator soon lights up and the display returns  
to the indication before the SLEEP timer was set.  
2
The unit will be switched to the standby mode  
automatically at the selected SLEEP time.  
40  
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(
)
USINGTHE DIGITAL SOUND FIELD PROCESSOR DSP  
This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically  
expand and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in  
your listening room. You can create outstanding audio sound by selecting a suitable sound field program (this will, of course,  
depend on what you are listening to) and adding any desired adjustments.  
The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most  
of these are precise digital re-creations of actual acoustic environments. The data for these sound fields were recorded at actual  
locations using sophisticated sound field measurement equipment.  
Note  
The channel level balance between the left and right rear speakers may vary depending on the sound field you are  
listening to. This is due to the fact that most of these sound fields are a re-creation of actual acoustic environments.  
BRIEF OVERVIEW OF DIGITAL SOUND FIELD PROGRAMS  
No.  
1
PROGRAM  
DOLBY PRO LOGIC (  
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
FEATURES  
)
This reproduces video discs, video tapes and similar sources  
which are Dolby Surround encoded and bear the “DOLBY  
SURROUND” logo.  
Speaker output: main, center, rear  
The built-in Dolby Pro Logic Surround decoder or Dolby Digital  
decoder precisely reproduces the sounds and sound effects of  
a source encoded with Dolby Surround. The realization of a  
highly efficient decoding process improves crosstalk and  
channel separation and makes sound positioning smoother  
and more precise.  
DOLBY DIGITAL (  
)
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
Note: If the main channel sound is considerably altered by  
overadjusting BASS or TREBLE, it may not produce suitable  
surround sound.  
2
DOLBY PRO LOGIC ENHANCED  
This reproduces video discs, video tapes and similar sources  
which are Dolby Surround encoded and bear the “DOLBY  
SURROUND” logo.  
(
)
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
This program ideally simulates the multi-surround speaker  
systems of the 35 mm film theater. Dolby Surround decoding  
is precisely performed without altering the original sound  
orientation. The surround effects produced by this sound field  
fold around the viewer naturally from the rear to the left and  
right and toward the screen.  
Speaker output: main, center, rear  
DOLBY DIGITAL ENHANCED  
(
)
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
3
70 mm MOVIE THEATER  
This is ideal for reproducing video discs, video tapes and  
similar sources which are Dolby Surround encoded and bear  
the “DOLBY SURROUND” logo.  
(
)
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
This program is ideal for precisely reproducing the sound  
design of the newest 70 mm/Dolby Digital multi-track films.  
The sound field is similar to that of the newest movie theaters,  
so the reverberations of the sound field itself are restrained as  
much as possible. The three-dimensional feeling of the sound  
field is emphasized, and dialog is precisely oriented on the  
screen. You can enjoy watching Sci-Fi, adventure movies, etc.  
with considerable presence.  
Speaker output: main, center, rear  
DIGITAL MOVIE THEATER  
(
)
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
41  
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No.  
4
PROGRAM  
FEATURES  
MONO MOVIE  
This program is designed specifically to enhance mono audio  
sources. Compared to a strictly mono setting, the sound image  
created in this mode is wider and slightly forward of the speaker  
pair, lending an immediacy to the overall sound. It is particularly  
effective when used with old mono movies, news broadcasting  
and dialog.  
(
)
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
Speaker output: main, center, rear  
)
(
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
5
6
7
8
TV SPORTS  
This program is furnished with a tight sound field in which the  
sound will not spread excessively on the front side, but the rear  
surround side produces dynamic sound expansion. This  
program is the most suitable for sports events.  
(
)
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
Speaker output: main, center, rear  
)
(
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
This program re-creates the acoustic environment of a lively  
disco in the heart of a very lively city. The sound is dense and  
highly concentrated. It is also characterized by a high-energy,  
“immediate” sound.  
DISCO  
(
)
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
Speaker output: main, rear  
(
)
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
ROCK CONCERT  
This program is ideally suited for rock music. You will  
experience a very dynamic and lively sound field.  
(
)
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
Speaker output: main, rear  
)
(
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
CONCERT HALL  
In this program, the center will appear to be deep behind the  
main speakers, creating an expansive, large hall ambience.  
Orchestra and opera music are suited to this sound field.  
(
)
This functions when the input signal is analog or  
PCM audio, or encoded with Dolby Digital in  
2-channel.  
Speaker output: main, rear  
)
(
This functions when the input signal is encoded  
with Dolby Digital (not in 2-channel).  
Speaker output: main, center, rear  
Note: When the NONE position is selected for “CNTR” in the SET MENU mode, no sound is output from the center speaker(s).  
42  
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PLAYING AN AUDIO/VIDEO SOURCE WITH THE DIGITAL SOUND FIELD  
PROCESSOR (DSP) EFFECT  
2
2
1
2
Follow steps 1 to 7 shown in “BASIC OPERATIONS” on  
pages 26 to 27.  
3
If desired, adjust the delay time and the output level of  
each speaker. (See pages 45 and 46 for details.)  
Select the desired DSP program that is suitable for the  
source. When using the remote control transmitter,  
press AMP<TUNER> on the component selector first.  
Notes  
You can select a program for each of the program sources.  
Once you select a program, it is linked with the program  
source selected at that time. So, when you select the  
program source next time, the same program is automatically  
called.  
Front panel  
Remote control  
• If you prefer to cancel the DSP function, press EFFECT. The  
sound will be that of normal 2-channel stereo without a  
surround sound effect.  
or  
• When a monaural sound source is played with DOLBY PRO  
LOGIC or DOLBY PRO LOGIC ENHANCED, no sound can  
be heard from the main speakers and the rear speakers.  
Sound is heard only from the center speaker. However, if the  
NONE position is selected for “CNTR” in the SET MENU  
mode, the main speakers output the sound of the center  
channel.  
The name of the selected program appears  
on the display.  
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This unit incorporates a Dolby Digital decoder and a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of  
sources encoded with Dolby Surround. The operation of these decoders can be controlled by selecting a corresponding DSP  
program including the combined operation of YAMAHA DSP and Dolby Digital or Dolby Pro Logic Surround.  
To enjoy a video source with Dolby Pro Logic  
Surround or Dolby Digital-decoded  
To cancel the sound effect  
EFFECT on the front panel and on the remote control  
transmitter make it simple to compare the normal stereo sound  
with the fully processed sound effect.  
When you select the DOLBY PRO LOGIC/DOLBY DIGITAL,  
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL  
ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE  
THEATER program, and the input signal of the source is  
2-channel stereo, Dolby Pro Logic Surround is decoded. When  
a program is selected and the input signal of the source is  
encoded with Dolby Digital, Dolby Digital is automatically  
decoded.  
To cancel the sound effect and monitor only the main sound,  
press EFFECT. Press EFFECT once more to turn sound effect  
on.  
Front panel  
Remote control  
* The following indicators on the display show you what sound  
processing is being undertaken.  
or  
This lights up when Dolby Digital is being decoded and the  
input signal of the selected source encoded with Dolby Digital  
is not in 2-channel.  
Notes  
• If the sound effect is canceled when signals encoded with  
Dolby Digital are input to this unit, the signals of all channels  
are mixed and are output from the main speakers.  
• If EFFECT is pressed to turn sound effects off when Dolby  
Digital is decoded, it may happen that the sound is output  
faintly or not output normally, depending on the source. In  
that case, press EFFECT to turn sound effects on, or use  
input signals not encoded with Dolby Digital.  
This lights up when the digital sound  
field processor is turned on.  
This lights up when Dolby Pro  
Logic Surround is being decoded.  
* In addition, for the DOLBY PRO LOGIC/DOLBY DIGITAL,  
DOLBY PRO LOGIC ENHANCED/DOLBY DIGITAL  
ENHANCED or 70 mm MOVIE THEATER/DIGITAL MOVIE  
THEATER program, the name of the program on the display  
will change according to the type of decoding. (See page 41  
for details.)  
Note  
If the input signal of the source is encoded with Dolby Digital in  
2-channel only, their sound processing is similar to that for  
analog or PCM audio signals.  
44  
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ADJUSTING THE DELAY TIME AND SPEAKER OUTPUT LEVELS  
When using the digital sound field processor with the Dolby Pro Logic Surround decoder or the Dolby Digital decoder, you can  
adjust the delay time between the main sound and sound effect, and each speaker’s output level as you prefer.  
1
2
1
2
Adjusting method  
When adjusting with the remote control transmitter, press  
AMP<TUNER> on the component selector.  
2
3
Press + or to adjust the settings for the delay time or  
speaker output levels.  
Front panel  
Remote control  
or  
1
Press TIME/LEVEL once or more until the name of the  
item which you want to adjust appears on the display.  
Front panel  
Remote control  
Repeat steps 1 to 2 to adjust the settings of any other  
item.  
or  
When pressed, the selection changes as follows:  
D E L A Y  
Delay time  
C E N T E R  
Center speaker output level  
R
L
S U R .  
S U R .  
Right rear speaker output level  
Left rear speaker output level  
Subwoofer output level  
S W F R  
* Depending on the setting in the SET MENU mode, you  
may not be able to select all items.  
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Notes  
Adjusting the delay time  
• Adding too much delay will cause an unnatural effect with  
some sources.  
• When + or is pressed, the sound is momentarily  
interrupted.  
You can adjust the time difference between the beginning of the  
sound from the main speakers and the beginning of the sound  
effect from the rear speakers.  
The larger the value, the later the sound effect is generated.  
This adjustment can be individually made to all programs.  
Program  
Control range (ms)  
15 to 30  
0 to 15  
Preset value  
1. DOLBY PRO LOGIC  
DOLBY DIGITAL  
20  
5
2. DOLBY PRO LOGIC ENHANCED  
DOLBY DIGITAL ENHANCED  
3. 70 mm MOVIE THEATER  
DIGITAL MOVIE THEATER  
4. MONO MOVIE  
15 to 30  
0 to 15  
20  
5
15 to 30  
1 to 99  
20  
16  
49  
9
1 to 99  
5. TV SPORTS  
1 to 99  
6. DISCO  
1 to 99  
40  
16  
44  
7. ROCK CONCERT  
8. CONCERT HALL  
1 to 99  
1 to 99  
Adjusting the output level of the center, right rear and left rear speakers, and subwoofer  
If desired, you can adjust the sound output level of each  
speaker even if the output level has already been set in  
“SPEAKER BALANCE ADJUSTMENT” on pages 23 to 25.  
• If the function “CNTR” in the SET MENU mode is set to the  
NONE position, the sound output level of the center speaker  
cannot be adjusted. This is because, in this mode, the center  
sound is automatically output from the left and right main  
speakers.  
Notes  
• The output level of the center speaker cannot be adjusted  
when the DISCO, ROCK CONCERT or CONCERT HALL  
program is selected, and the input signal is analog, PCM  
audio, or encoded with Dolby Digital in 2-channel format.  
• Once the output level has been adjusted, the level will be the  
same for all digital sound field programs.  
Speakers  
Control range (dB)  
MIN, –20 to +10  
Preset value  
CENTER  
0
0
0
0
RIGHT REAR  
LEFT REAR  
SUBWOOFER  
MIN, –20 to +10  
MIN, –20 to +10  
MIN, –20 to 0  
Memory back-up  
The memory back-up circuit prevents the stored data from being lost when this unit is set in the standby mode. If, however, the  
power plug is disconnected from the AC outlet or the power is cut due to temporary power failure for more than one week, the  
values for the delay time and the center/rear/subwoofer output levels you set the last time will automatically return to the preset  
values. If so, they can be re-set by simply following the adjusting method on page 45.  
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ADJUSTMENTS IN THE “SET MENU” MODE  
The following ten types of functions maximize the performance of your system and expand your enjoyment for audio listening and  
video watching.  
1. CNTR (CENTER SPEAKER)  
2. REAR (REAR SPEAKERS)  
3. MAIN (MAIN SPEAKERS)  
4. BASS (LFE/BASS OUT)  
5. M.LVL (MAIN LEVEL)  
6. LFE (LFE LEVEL)  
7. D.RNG (DYNAMIC RANGE)  
8. C.DELAY (CENTER DELAY)  
9. GUARD (MEMORY GUARD)  
10. INPUT (INPUT MODE)  
For details on “CNTR”, “REAR”, “MAIN”, “BASS” and “M.LVL”,  
see page 21. (Once you have selected the appropriate modes,  
you do not have to change settings unless any alteration is  
made in your speaker system.)  
D.RNG (Adjusting the dynamic range)  
Choices: MAX/STD/MIN  
Preset position: MAX  
LFE [Adjusting the output level of the LFE  
(low frequency effect) channel]  
* This adjustment is effective only when Dolby Digital is  
decoded.  
MAX:  
“Dynamic range” is the difference between the  
maximum level and the minimum level of sounds.  
Sounds on a movie originally designed for movie  
theaters feature very wide dynamic range. Dolby  
Digital technology can modify the original sound  
track into a home audio format with this wide  
dynamic range unchanged.  
Control range: –20 dB to 0 dB (in 1 dB steps)  
Preset value: 0 dB  
* This adjustment is effective only when Dolby Digital is  
decoded and the signals of the selected source encoded with  
Dolby Digital contain LFE signals.  
In this position, a source encoded with Dolby Digital  
is reproduced in the original sound track’s wide  
dynamic range providing you with powerful sounds  
just like those in a movie theater. Selecting this  
position will be even better if you can listen to a  
source at a high output level in a room specially  
soundproofed for audio/video enjoyment.  
This adjusts the output level of the LFE channel. If the LFE  
signals are mixed with signals of other channels to output them  
from the same speakers, the ratio of the LFE signal level to the  
level of the other signals is adjusted.  
(See page 5 for details about the LFE channel.)  
STD (Standard):  
Powerful sounds of extremely wide dynamic range  
are not always suitable for home use. Depending on  
the condition of your listening environment, it may  
not be possible to increase the sound output level as  
high as that in a movie theater. However, at the  
normal level suitable for listening to in your room, the  
low-level parts of source sound often cannot be  
heard well because they will be lost among noise in  
your environment. Dolby Digital technology has also  
made it possible to reduce an original sound track’s  
dynamic range for a home audio format by  
“compressing” the sound data.  
In this position, a source encoded with sound Dolby  
Digital is reproduced in the “compressed” dynamic  
range of sound that is suitable for low-level listening.  
In this position, the dynamic range is more reduced  
than in the STD position.  
MIN:  
Selecting this position will be effective when you  
must listen to a source at a low level.  
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Adjusting method  
C.DELAY [Adjusting the delay of  
center sounds (dialog, etc.)]  
Adjustments should be made while watching the information on  
this unit’s display.  
Control range: 0 ms to 5 ms (in 1 ms steps)  
Preset value: 0 ms  
When adjusting with the remote control transmitter, press  
AMP<TUNER> on the component selector.  
* This adjustment is effective only when Dolby Digital is  
decoded and the signals of the selected source encoded with  
Dolby Digital contain center-channel signals.  
This adjusts the delay between the main sound (on the main  
channels) and dialog, etc. (on the center channel).  
The larger the value, the later the dialog, etc. is generated.  
Press SET MENU once or more so that the function which you  
want to change appears on the display.  
This is for making sounds from the left main, center and right  
main speakers reach your listening position at the same time.  
This is achieved by delaying the sound from the center speaker  
if the distance from the center speaker to your listening position  
is shorter than the distance from the left or right main speaker  
to your listening position.  
Front panel  
Remote control  
or  
Press + or to select any desired setting or to edit parameters  
of the function.  
GUARD  
Choices: ON/OFF  
Preset position: OFF  
Front panel  
Remote control  
If you wish to prevent accidental alterations to SET MENU and  
other adjustments on this unit, select ON. The following  
functions on this unit can be locked by this operation:  
• Functions in the SET MENU mode  
or  
• Functions in the TIME/LEVEL mode  
• Functions when using TEST  
Repeat these steps to change or adjust the settings of any  
other function.  
INPUT (Selecting the initial input mode of  
the sources connected to the TV/DBS  
input terminals)  
Memory back-up  
Choices: AUTO/LAST  
Preset position: AUTO  
The memory back-up circuit prevents the stored data from  
being lost when this unit is set in the standby mode. If,  
however, the power plug is disconnected from the AC outlet or  
the power is cut due to temporary power failure for more than  
one week, the settings of the SET MENU mode will  
automatically return to the factory settings. If so, they can be  
re-set by simply following the procedure above.  
You can designate the input mode that is automatically selected  
when the power for this unit is switched on for only the sources  
connected to the TV/DBS input terminals of this unit.  
AUTO:  
LAST:  
In this position, the AUTO input mode is always  
selected when the power for this unit is switched on.  
In this position, the input mode you selected last time  
is memorized and will not be changed when the  
power is switched on again.  
* See page 28 for details on switching the input mode.  
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REMOTE CONTROL TRANSMITTER  
You can use the remote control transmitter to control not only this unit but also other components connected to it. The remote  
control transmitter is factory set to control this unit and most YAMAHA audio components. To control other brands of components,  
you must preset the remote control transmitter with manufacturers’ codes listed on pages 411 to 416.  
Components which can be controlled  
There are eight buttons on the component selector that you can select to control connected components with this remote control  
transmitter. For example, if CD on the component selector is pressed, the remote control transmitter selects the CD operation  
mode, allowing the CD player to be operated by the buttons on the remote control transmitter.  
AMP<TUNER>  
TAPE/MD  
You can perform the basic operations of this unit,  
set the speaker level, and set the DSP level and  
delay time in the AMP<TUNER> mode.  
The code for a YAMAHA tape deck is  
preset. (The code for the YAMAHA MD  
recorder can also be preset.)  
CD  
VCR  
The code for a YAMAHA CD player is preset.  
A VCR can be controlled.  
DVD/LD & DVD MENU  
CBL/DBS  
An LD player can be controlled in the DVD/LD  
mode. A DVD player can be controlled in the  
DVD/LD and DVD MENU modes. The code for  
a YAMAHA DVD player is preset. If the remote  
control transmitter will not operate your  
YAMAHA DVD player, you need to preset code  
number “0048”.  
A cable television or DBS tuner can be  
controlled.  
TV  
A television can be controlled.  
Notes  
1. You can preset the code for the manufacturer of your component after pressing the shaded buttons in the illustration above.  
Note that you can preset only one code for one mode. See “SETUP CODES” on page 56 for details.  
2. In the DVD/LD and DVD MENU modes:  
• Be sure to press DVD/LD on the component selector before presetting the code for the DVD/LD player. The code preset in  
the DVD/LD mode is also simultaneously preset in the DVD MENU mode. You cannot preset the code for a DVD player in  
the DVD MENU mode.  
• DVD MENU operations cannot be performed for some DVD players.  
3. When using a second (and third) VCR: (See “To use a second (and third) VCR” on page 56 for details.)  
• If you are not using a CBL/DBS (cable TV or DBS tuner), the second (or third) VCR can be preset in the CBL/DBS mode.  
• If you are not using a DVD player, the second (or third) VCR can be preset in the DVD MENU mode. Note that in this case  
you must preset the code for an LD player in the DVD/LD mode even if an LD player is not being used.  
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The lightly marked buttons do not function.  
Note: TV VOLUME and TV INPUT function if you have preset the code for your TV.  
AMP<TUNER> MODE  
Press AMP<TUNER>.  
Input selector  
These buttons select the program source.  
CD:  
To play a CD  
TUNER:  
To listen to an FM (RDS) or  
AM broadcast  
TAPE/MD: To play a tape or MD  
DVD/LD:  
TV/DBS:  
To play a DVD or LD  
To watch a television or  
satellite broadcast  
To play a video tape  
To play an analog record  
To use a camcorder  
POWER  
Each time this button is pressed, the unit  
will switch between the power on and  
standby modes.  
VCR:  
PHONO:  
V-AUX:  
EXT. DEC.: To output the signals of a DTS  
or other multi-channel  
TEST  
This button outputs a test tone for adjusting  
the output levels of the speakers.  
decoder  
A/B/C/D/E & PRESET +/–  
These buttons select a preset FM (RDS)  
or AM broadcast.  
A/B/C/D/E: To select a group of preset  
stations.  
PRESET +/–: To select the preset station  
number.  
EFFECT  
This button switches the DSP  
program on or off.  
MUTE  
This button mutes the sound. To cancel mute,  
press this button once more, or press any  
operation buttons of this unit.  
TV VOLUME  
TV INPUT  
VOLUME (  
)
These buttons adjust the volume level.  
SLEEP  
This button sets the SLEEP timer.  
+/–  
These buttons adjust the settings of the SET  
MENU mode and the TIME/LEVEL mode.  
PRG+/PRG–  
These buttons select a DSP program.  
TIME/LEVEL  
SET MENU  
This button selects the item in the TIME/LEVEL  
mode.  
This button selects functions in the SET  
MENU mode.  
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.  
Notes: TV VOLUME functions if you have preset the code for your TV.  
TAPE/MD MODE  
• The code for the YAMAHA MD recorder can be preset.  
Press TAPE/MD.  
POWER  
(TAPE) When you have preset the code for  
a YAMAHA tape deck, this button turns the  
unit on. When you have preset the code for  
another manufacturer, this button turns on  
INPUT  
that component if it has a remote control  
transmitter with a power button.  
(MD) When you have preset the code for the  
YAMAHA MD recorder, this button turns the  
unit on.  
EFFECT  
VOLUME  
MUTE  
TV VOLUME  
DISPLAY (MD)  
DECK A/B (TAPE)  
This button selects double-cassette tape  
deck A or B.  
SLEEP  
REC/PAUSE  
This button pauses recording on a tape  
deck or MD recorder.  
PAUSE (MD)  
This button gives a pause in operation.  
PLAY  
This button plays a tape or an MD.  
DIR B (TAPE)  
This button selects the playing direction of  
deck B.  
SKIP+ (MD)  
DIR A (TAPE)  
This button selects the playing direction of  
deck A.  
This button skips to the next track.  
SKIP– (MD)  
This button skips to the previous track.  
STOP  
This button stops operation of a tape or  
MD.  
REWIND (TAPE)  
This button rewinds a tape.  
SEARCH (MD)  
This button initiates a backward on the track  
that is playing to find the point from which  
you want to listen.  
FAST FORWARD (TAPE)  
This button winds a tape fast forward.  
SEARCH (MD)  
This button initiates a fast-forward search  
on the track that is playing to find the point  
from which you want to listen.  
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.  
Note: TV VOLUME and TV INPUT function if you have preset the code for your TV.  
CD MODE  
Press CD.  
POWER  
When you have preset the code for a  
YAMAHA CD player, this button turns the  
unit on. When you have preset the code for  
another manufacturer, this button turns on  
INPUT  
that component if it has a remote control  
transmitter with a power button.  
EFFECT  
DISC SKIP +/–  
(for the CD player with CD changer)  
These buttons skip to the next or previous  
CD.  
VOLUME  
TV VOLUME  
MUTE  
DISPLAY  
TV INPUT  
PAUSE  
SLEEP  
This button gives a pause in operation.  
The button functions as PAUSE/STOP* for  
operating YAMAHA CD player under factory  
setting.  
PLAY  
This button plays a CD.  
SKIP+  
SKIP–  
This button skips to the next track.  
STOP  
This button skips to the previous track.  
This button stops operation. The button  
functions as PAUSE/STOP* for operating  
YAMAHA CD players.  
SEARCH  
This button initiates a backward search on  
the track that is playing to find the point from  
which you want to listen.  
SEARCH  
This button initiates a fast-forward search  
on the track that is playing to find the point  
from which you want to listen.  
* PAUSE/STOP function ... Press the button once to give a pause in operation and once more to stop operation.  
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.  
DVD/LD MODE  
Note: TV VOLUME and TV INPUT function if you have  
preset the code for your TV.  
Press DVD/LD.  
POWER  
(DVD) When you have preset the code for  
a YAMAHA DVD player, this button turns  
the unit on. When you have preset the  
INPUT  
code for another manufacturer, this button  
turns on that component if it has a remote  
control transmitter with a power button.  
(LD) When you have preset the code for a  
YAMAHA LD player, this button turns the  
unit on. When you have preset the code  
for another manufacturer, this button turns  
on that component if it has a remote  
EFFECT  
DISC SKIP +/–  
VOLUME  
MUTE  
TV VOLUME  
SLEEP  
DISPLAY  
control transmitter with a power button.  
TV INPUT  
PAUSE  
SKIP+  
SKIP–  
STOP  
PLAY  
SEARCH  
SEARCH  
DVD MENU MODE  
Note: TV VOLUME and TV INPUT function if you have  
preset the code for your TV.  
Press DVD MENU.  
POWER  
When you have preset the code for a YAMAHA  
DVD player, this button turns the unit on. When  
you have preset the code for another  
manufacturer, this button turns on that  
component if it has a remote control transmitter  
with a power button.  
Numeric buttons  
CLEAR  
+10  
DISC SKIP +/–  
VOLUME  
TV VOLUME  
MUTE  
INDEX  
RETURN  
MENU UP  
TV INPUT  
MENU LEFT  
MENU RIGHT  
MENU SELECT  
MENU DOWN  
MENU  
TITLE  
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The lightly marked buttons do not function. Please refer to the owner’s manual for details of each component.  
VCR MODE  
TV MODE  
Note: TV VOLUME, TV INPUT and TV SLEEP function if you  
Note: You can control your VCR if you have preset the code for  
have preset the code for your TV.  
it.  
Press VCR.  
PressTV.  
TV POWER  
CHANNEL  
VCR POWER  
CHANNEL  
EFFECT  
EFFECT  
CHANNEL ENTER  
TV CHANNEL +/–  
CHANNEL ENTER  
VCR CHANNEL +/–  
VOLUME  
VOLUME  
TV VOLUME  
TV VOLUME  
MUTE  
TV MUTE  
TV SLEEP  
DISPLAY  
TV INPUT  
TV SLEEP  
DISPLAY  
TV INPUT  
VCR REC  
VCR REC  
Press this button twice  
to start recording.  
VCR PAUSE  
Press this button twice.  
VCR PAUSE  
VCR STOP  
VCR PLAY  
VCR PLAY  
VCR STOP  
VCR  
VCR REWIND  
VCR REWIND  
VCR  
FAST FORWARD  
FAST FORWARD  
CBL/DBS MODE  
Note: TV VOLUME, TV INPUT and TV SLEEP  
function if you have preset the code for your TV.  
Press CBL/DBS.  
CBL/DBS POWER  
CHANNEL  
+100  
CHANNEL ENTER  
CBL/DBS CHANNEL +/–  
VOLUME  
TV VOLUME  
MUTE  
DISPLAY  
TV SLEEP  
TV INPUT  
MENU UP  
MENU LEFT  
MENU RIGHT  
MENU SELECT  
RECALL  
MENU DOWN  
MENU  
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NOTES ABOUT THE REMOTE CONTROL TRANSMITTER  
Battery installation  
Remote control transmitter operation range  
Remote control  
sensor  
2
1
Within approximately  
6 m (20 feet)  
3
Notes  
Battery replacement  
• There should be no large obstacles between the remote  
control transmitter and the unit.  
If the remote control transmitter operates only when it is close  
to the unit, the batteries are weak. Replace all batteries with  
new ones.  
• If the remote control sensor is directly illuminated by strong  
lighting (especially an inverter type of fluorescent lamp, etc.),  
it might cause the remote control transmitter not to work  
correctly. In this case, reposition the unit to avoid direct  
lighting.  
Be sure to replace batteries within about two minutes. If it  
takes longer than two minutes, the codes preset for the  
remote control transmitter will return to the factory-set.  
Notes  
• Use only AAA, R03, UM-4 batteries for replacement.  
• Be sure the battery polarity is correct. (See the illustration  
inside the battery compartment.)  
• Remove the batteries if the remote control transmitter will not  
be used for an extended period of time.  
• If the batteries have leaked, dispose of them immediately.  
Avoid touching the leaked material or letting it come into  
contact with clothing, etc. Clean the battery compartment  
thoroughly before installing new batteries.  
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SETUP CODES  
Presetting the remote control transmitter  
Perform the presetting procedure for each component you want to control with the remote control transmitter.  
Note: If your component does not respond to any of the codes listed for the manufacturer, use the original remote control  
transmitter that was supplied with the component.  
To control your components  
(MD recorder, DVD player,  
TV, etc.)  
To use a second (and third) VCR  
Returning to the factory-set  
codes  
You can control a second (and/or third)  
VCR in the CBL/DBS and DVD MENU  
modes if a CBL (or DBS) or DVD player  
is not being used.  
To return all components to the factory-  
set codes, follow these steps.  
1. Press a button on the component  
selector other than AMP<TUNER>.  
2. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
1. Turn on the component to be used.  
2. Press the component selector which  
matches the component to be  
controlled (TAPE/MD, DVD/LD, TV  
etc.).  
If you want to control a second (and/or  
third) VCR in the DVD MENU mode, you  
must preset the code for an LD player in  
that mode.  
3. Enter the code number “9990”.  
4. Make sure that the indicator flashes  
twice.  
1. Turn on the VCR to be used.  
2. Press CBL/DBS or DVD MENU on  
the component selector.  
3. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
To return each component to the factory-  
set codes, follow these steps.  
1. Press the component selector which  
matches the component to be  
returned to the factory-set codes.  
2. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
3. Press both VOLUME buttons (  
) for about four seconds at the  
same time so that the indicator  
flashes twice.  
3. Enter the code number “0000”.  
4. Make sure that the indicator flashes  
twice.  
4. Use the numeric buttons to enter the  
four-digit manufacturer’s code for  
the component to be used. Make  
sure that the indicator flashes twice.  
If the indicator does not flash, repeat  
step 3 and re-enter the code.  
The following codes are preset by the  
factory.  
4. Use the numeric buttons to enter the  
four-digit code for the second (or  
third) VCR. Make sure that the  
indicator flashes twice. If the  
Factory-set codes  
Component  
Component Code  
selector  
indicator does not flash, repeat step  
3 and re-enter the code.  
TV  
TV  
0101  
5. Press POWER (or any other button)  
on the remote control transmitter to  
check if you have preset the code  
correctly. If the component cannot  
be controlled by the remote control  
transmitter, try entering another  
CBL/DBS DBS tuner 0006  
VCR  
VCR  
0002  
DVD/LD  
CD  
DVD player 0008 YAMAHA  
CD player 0005 YAMAHA  
TAPE/MD Tape deck 0004 YAMAHA  
code for the same manufacturer.  
5. Press POWER (or any other button)  
on the remote control transmitter to  
check if you have preset the code  
correctly. If the VCR cannot be  
controlled by the remote control  
transmitter, try entering another  
code for the same manufacturer.  
We recommend that you write all code  
numbers you have preset on the “Quick  
Reference Card”.  
56  
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TROUBLESHOOTING  
If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple  
measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and  
contact your authorized YAMAHA dealer or service center for help.  
SYMPTOM  
CAUSE  
REMEDY  
The unit fails to turn on when  
The power cord is not plugged in or the  
plug is not completely inserted.  
Firmly plug in the power cord.  
STANDBY/ON is pressed, or set in  
the standby mode suddenly soon  
after the power has been turned on.  
The IMPEDANCE SELECTOR switch  
on the rear panel is not fully set at the  
upper or lower end.  
Slide the switch fully to the upper or  
lower end.  
The unit does not work normally.  
The internal microcomputer has been  
frozen by an external electric shock  
(lightning, excessive static electricity,  
etc.) or by a power supply with low  
voltage.  
Set the unit in the standby mode and  
disconnect the AC power cord from the  
AC outlet. After about 30 seconds have  
passed, connect the power cord and  
operate the unit again.  
No sound or no picture.  
Incorrect output cord connections.  
Connect the cords properly. If the  
problem persists, the cords may be  
defective.  
Appropriate program source has not  
been selected.  
Select an appropriate program source  
by INPUT.  
SPEAKERS have not been set  
Set SPEAKERS corresponding to the  
properly.  
speakers in use to the ON position.  
The speaker connections are not  
secure.  
Secure the connections.  
The sound suddenly goes off.  
The protection circuit has been  
Set the unit in the standby mode and  
activated because of a short circuit, etc. then switch on again to reset the  
protection circuit.  
The SLEEP timer has functioned.  
Incorrect setting of BALANCE.  
Incorrect cord connections.  
Cancel the SLEEP timer.  
Only one side speaker outputs  
sound.  
Adjust it to the appropriate position.  
Connect the cords properly. If the  
problem persists, the cords may be  
defective.  
A “humming” sound can be heard.  
Incorrect cord connections.  
Firmly connect the audio plugs. If the  
problem persists, the cords may be  
defective.  
No connection from the turntable to the  
GND terminal.  
Make the GND connection between the  
turntable and this unit.  
The volume level is low while playing The record is being played on a  
The turntable should be connected to  
the unit through the MC head amplifier.  
a record.  
turntable with an MC cartridge.  
The volume level cannot be  
increased, or the sound is distorted.  
The component connected to the REC  
OUT terminals of this unit is in the  
standby mode.  
Turn on the power to the component.  
No sound from the effect speakers.  
No sound from the rear speakers.  
The sound effect is set off.  
Press EFFECT to turn it on.  
A Dolby Surround decoding program is  
being used with material not encoded  
with Dolby Surround.  
Use a different sound field program.  
The sound output level of the rear  
speakers is set to minimum.  
Raise the sound output level of the rear  
speakers.  
A monaural sound source is being  
played in the DOLBY PRO LOGIC or  
DOLBY PRO LOGIC ENHANCED  
program.  
Select another sound field program  
suitable for the monaural sound source.  
57  
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SYMPTOM  
CAUSE  
REMEDY  
No sound from the center speaker.  
The input signals of the source encoded Refer to the instruction for the source  
with Dolby Digital do not have center  
channel signals.  
being currently played.  
The sound output level of the center  
speaker is set to minimum.  
Raise the sound output level of the  
center speaker.  
The function “CNTR” in the SET MENU  
is set to the NONE position.  
Select the LARGE or SMALL position.  
Incorrect sound field program selection.  
Select the appropriate program.  
The sound field cannot be recorded.  
It is not possible to record the sound  
field on a tape deck or MD recorder  
connected to the unit’s REC OUT  
terminals.  
The DVD/LD,TV or DBS source  
cannot be recorded on a tape deck,  
MD recorder or VCR connected to  
this unit.  
The DVD/LD player, TV or DBS tuner is  
connected to the unit by only the digital  
terminals.  
Make additional connections between  
the analog terminals.  
FM stereo reception is noisy.  
The characteristics of FM stereo  
broadcasts may cause this problem  
when the transmitter is too far away or  
the antenna input is poor.  
Check the antenna connections.  
Try using a high-quality directional FM  
antenna.  
Set TUNING MODE to the manual  
tuning mode.  
There is distortion and clear  
reception cannot be obtained even  
with a good FM antenna.  
There is multipath interference.  
The station is too weak.  
Adjust antenna position to eliminate  
multipath interference.  
The desired station cannot be tuned  
in with the automatic tuning method.  
Use the manual tuning method.  
Use a high-quality directional FM  
antenna.  
Previously preset stations can no  
longer be tuned in.  
This unit has been unplugged for a long  
period.  
Repeat the presetting procedure.  
The desired station cannot be tuned  
in with the automatic tuning method. connections are loose.  
The signal is weak or antenna  
Tighten the AM loop antenna  
connections and rotate it for best  
reception.  
Use the manual tuning method.  
There are continuous crackling and  
hissing noises.  
Noise will result from lightning,  
fluorescent lamps, motors, thermostats  
and other electrical equipment.  
Use an outdoor antenna and a ground  
wire. This will help somewhat, but it is  
difficult to eliminate all noise.  
There are buzzing and whining  
A television set is being used nearby.  
Relocate this unit away from the TV.  
noises (especially in the evening).  
The remote control transmitter does  
not work.  
Direct sunlight or lighting (from an  
inverter type of fluorescent lamp, etc.) is  
striking the remote control sensor of the  
this unit.  
Change the position of the unit.  
The manufacturer’s code has not been  
set properly.  
Set the code again.  
The proper manufacturer’s code for the  
component to be controlled has not  
been set.  
Try entering another code for the same  
manufacturer.  
The component to be controlled has not Press the component selector which  
been selected.  
matches the component to be  
controlled.  
58  
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SYMPTOM  
CAUSE  
REMEDY  
The sound is degraded when  
listening with the headphones to a  
CD player or tape deck that is  
connected to this unit.  
The unit is in the standby mode.  
Turn on the power to the unit.  
There is noise interference from  
digital or high-frequency equipment  
or the unit.  
The unit is too close to the digital or  
high-frequency equipment.  
Move the unit further away from those  
equipment.  
SPECIFICATIONS  
Maximum Input Signal  
Residual Noise (IHF-A Network)  
AUDIO SECTION  
Minimum RMS Output Power  
PHONO MM  
MAIN L/R SP OUT................ 150 µV or less  
1 kHz, 0.1% THD .............100 mV or more  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX (EFFECT ON)  
8 ohms, 20 Hz to 20 kHz, 0.04% THD  
MAIN L/R ............................. 60 W + 60 W  
CENTER ........................................... 60 W  
REAR L/R ............................ 60 W + 60 W  
8 ohms, 1 kHz, 0.07% THD  
Channel Separation  
(Vol. –30 dB, EFFECT OFF)  
PHONO MM  
1 kHz, 0.5% THD .................2.2 V or more  
(Input Shorted, 1 kHz/10 kHz)  
.................... 60 dB or more/55 dB or more  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX  
Output Level/Impedance  
MAIN L/R ............................. 70 W + 70 W  
CENTER ........................................... 70 W  
REAR L/R ............................ 70 W + 70 W  
REC OUT ..................... 150 mV/1.2 k-ohms  
SUBWOOFER  
(MAIN SP: SMALL) ........ 4.0 V/1.2 k-ohms  
(Input 5.1 k-ohms Terminated, 1 kHz/10 kHz)  
.................... 60 dB or more/45 dB or more  
Dynamic Power per Channel  
(by IHF Dynamic Headroom measuring  
method)  
Headphones Jack Rated Output/Impedance  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX input,  
Tone Control Characteristics  
BASS:  
Boost/cut ............. ±10 dB (50 Hz)  
Turnover Frequency ......... 350 Hz  
MAIN L/R  
1 kHz, 150 mV, 8 ohms ...... 0.4 V/390 ohms  
8/6/4/2 ohms ................ 80/100/120/145 W  
TREBLE: Boost/cut ........... ±10 dB (20 kHz)  
Turnover Frequency ........ 3.5 kHz  
Frequency Response (20 Hz to 20 kHz)  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX to MAIN L/R SP OUT  
DIN Standard Output Power per Channel  
[Europe model only]  
Filter Characteristics  
4 ohms, 1 kHz, 0.7% THD ................. 100 W  
.................................................... 0±0.5 dB  
MAIN L/R, REAR L/R (SPEAKER: SMALL)  
(H.P.F) ..................... fc = 90 Hz, 12 dB/oct.  
SUBWOOFER  
IEC Power  
RIAA Equalization Deviation  
[Europe model only]  
PHONO MM .................................. 0±0.5 dB  
(L.P.F) ..................... fc = 90 Hz, 18 dB/oct.  
8 ohms, 1 kHz, 0.04% THD .... 65 W + 65 W  
Total Harmonic Distortion (20 Hz to 20 kHz)  
PHONO MM to REC OUT  
Power Band Width  
VIDEO SECTION  
8 ohms, 30 W, 0.1% THD ... 10 Hz to 50 kHz  
1 V........................................0.02% or less  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX (EFFECT OFF) to MAIN SP OUT  
30 W/8 ohms .....................0.025% or less  
Video Signal Type .................................... PAL  
Damping Factor  
MAIN L/R  
Video Signal Level ................ 1 Vp-p/75 ohms  
Maximum Input Level .......... 1.5 Vp-p or more  
Signal-to-Noise Ratio ...............50 dB or more  
8 ohms, 20 Hz to 20 kHz.......... 60 or more  
Signal-to-Noise Ratio (IHF-A Network)  
PHONO MM to REC OUT  
Input Sensitivity/Impedance  
PHONO MM ................... 2.5 mV/47 k-ohms  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX ................... 150 mV/47 k-ohms  
EXT. DECODER  
(5 mV, Input Shorted) ..........81 dB or more  
CD/TAPE·MD/DVD·LD/TV·DBS/VCR/  
VIDEO AUX (EFFECT OFF) to MAIN SP  
OUT  
Monitor Out Frequency Response  
.............................. 5 Hz to 10 MHz, –3 dB  
MAIN L/R .................... 150 mV/47 k-ohms  
CENTER/SURROUND L/R/SUBWOOFER  
.................................... 150 mV/40 k-ohms  
(150 mV, Input Shorted) ......96 dB or more  
59  
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FM SECTION  
GENERAL  
Tuning Range................ 87.50 to 108.00 MHz  
Power Supply ....................... AC 230 V, 50 Hz  
Usable Sensitivity (DIN)  
Power Consumption............................. 230 W  
Mono (S/N 26 dB) .............................. 0.9 µV  
Stereo (S/N 46 dB) ............................. 28 µV  
AC Outlets  
2 SWITCHED OUTLETS  
Selectivity  
[Europe model]............... 100 W max. total  
1 SWITCHED OUTLET  
(two signals, 40 kHz Dev. ±300 kHz)  
......................................................... 55 dB  
[U.K. model] ........................... 100 W max.  
Signal-to-Noise Ratio  
Dimensions (W x H x D)  
(DIN-Weighted, 40 kHz Dev.)  
Mono/Stereo .............................75 dB/69 dB  
.................................. 435 x 151 x 391 mm  
(17-1/8” x 5-15/16” x 15-3/8”)  
Harmonic Distortion (1 kHz)  
Weight .......................... 11.5 kg (25 lbs. 6 oz.)  
Mono/Stereo ............................... 0.1%/0.2%  
Accessories......................... AM loop antenna  
Indoor FM antenna  
Stereo Separation (1 kHz) .................... 48 dB  
75-ohm/300-ohm antenna adapter  
(U.K. model only)  
Frequency Response  
20 Hz to 15 kHz ................................ 0±1 dB  
Remote control transmitter  
Batteries  
Antenna Input.............. 75 ohms, Unbalanced  
Specifications are subject to change without  
notice.  
Output Level  
(40 kHz Dev., 1 kHz)........................ 550 mV  
AM SECTION  
Tuning Range...................... 531 to 1,611 kHz  
Usable Sensitivity............................ 300 µV/m  
Signal-to-Noise Ratio ............................ 52 dB  
Antenna.................................... Loop antenna  
Output Level  
(30% mod., 1 kHz) ........................... 150 mV  
60  
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LIST OF MANUFACTURER’S CODES  
LISTES DES CODES FABRICANT  
VERZEICHNIS DER HERSTELLERCODES  
LISTA ÖVER TILLVERKARKODER  
ELENCO DEI CODICI DEL FABBRICANTE  
LISTA DE CÓDIGOS DE FABRICANTES  
LIJST VAN CODES VAN FABRIKANT  
Clarivox  
Clatronic  
Concerto  
0821, 0961, 1971  
1181, 1331  
0791  
Fisher  
0021, 0091, 0141, 0511,  
0601, 0801, 0821, 0981,  
1021, 1081, 1981, 2091  
2281  
0451, 0491, 0761, 1081,  
1451, 1541, 1981  
TV  
Admiral 0411, 0451, 0911, 1021, 1081  
Condor  
0761  
Forgestone  
Formenti  
Aiko  
Akai  
0891  
Contec  
Continental Edison  
Craig  
Crosley 0021, 0491, 1021, 1081, 1401,  
1981, 2201, 2251, 2271  
Crown  
Ctc Clatronic  
CXC  
Daewoo  
Dansai  
Decca  
0151, 1171  
0571, 0651, 0901  
1171  
0061, 0101, 0231, 1191, 1351,  
1591, 1641, 1791, 1891, 1981  
Formenti-phoenix  
0021, 0431, 0451,  
0591, 1411  
1081  
0451, 1181, 1981  
1261  
Akura  
Alba  
Albiral  
Amstrad  
Anam  
Arc En Ciel  
Arcam  
Aristona  
Arthur Martin  
ASA  
1331  
1241, 1331, 2361  
1971  
Fortress  
Frontech  
Fujitsu  
Funai  
Futuretech  
GBC  
2541  
0261  
1171  
1301, 1511  
1171  
0571  
0571, 0761  
0751  
0451, 1641  
0391, 0691, 1171, 1181, 1261  
1171  
0101, 1501, 1511, 2611  
0101  
0021, 0141, 1321,  
1511, 1621, 1981  
0451, 1101, 1281, 2321  
0031, 0081, 0581, 0601,  
1101, 1281, 1561  
0271, 0581, 0601,  
0971, 1101, 1691  
0271, 0581, 0601,  
1101, 1681  
0451, 1351  
0991, 1511  
0101  
GEC  
GEC (UK)  
0411, 0451, 0521, 0781,  
0871, 1021, 1081, 1421,  
2051, 2091, 2151, 2551  
1511  
Decca (UK)  
Degraaf  
Dixi  
Domeos  
Doric  
Dual  
Dual-Tec  
Dumont  
Geloso  
0021, 0411, 0451, 1321,  
1511, 1621, 1981  
Astra  
Atantic  
Atlantic  
Atori  
Audiosonic  
Ausind  
Autovox  
0761  
0761  
1511  
General Technic  
Genexxa  
GoldStar  
2681  
0451, 1331  
1031  
0091, 0601, 1611, 1641, 2101  
0601, 1511, 1621, 2111  
0261, 0521, 0781, 1021,  
1081, 1981, 2121, 2151  
0101  
0591, 0601, 0761, 0791,  
1371, 1491, 1511,  
1561, 1621, 1641  
0141, 1101, 1371,  
1641, 2301  
1181, 1321, 1511  
0491, 1411  
0091, 0351, 0481, 0491,  
0601, 0781, 0951, 1051,  
1081, 1391, 1421  
1101, 1351  
Goodmans  
Dynatron  
Elbe  
Electro Tech  
Elektronska  
Elman  
1551, 1971, 2031  
Gorenje  
Graetz  
Granada  
0981, 1061  
Baird  
1511  
0771  
0261, 1621  
0451  
Bang & Olufsen  
Basic Line  
Bauer  
1081  
1321, 1331  
0141, 0451, 0491, 0581,  
0601, 1101, 1111,  
1351, 1981, 2321  
1451  
Elta  
Emerson  
1511  
Baur  
0041, 0061, 0121,  
0131, 0221, 1561  
2491, 2501  
0921, 1021, 1081, 1121,  
1171, 1261, 1301  
0101  
Granada (UK) 0081, 0141, 0451, 0491,  
0581, 0601, 1031, 1311,  
Beko  
Blaupunkt  
Erres  
Etron  
Europhon  
1521, 1561, 1641  
0221, 0231, 0241, 0251,  
0471, 0741, 2201, 2211,  
2221, 2231, 2241,  
2261, 2571, 2581  
1981  
Grundig  
0221, 0231, 0471, 0491,  
0711, 0741, 1381, 2021,  
2041, 2141, 2151  
0021, 0121, 0141,  
0431, 0591, 1561  
0581  
0261, 0581, 0601, 0771,  
1091, 1621, 2001  
0101, 1511  
0281, 0371, 0551, 0651,  
0781, 0861, 0881, 1131,  
1181, 1361, 1461, 1971,  
1991, 2281, 2311, 2341  
0451, 0761, 2281  
0561, 0591, 1931, 2281  
1141  
Fenner  
Ferguson  
Hanseatic  
Brandt  
Brionvega  
Britannia  
Bruns  
BSR  
Bush  
0571, 0651, 0731, 0901, 1821  
1021, 1051, 1081  
0761  
0821, 0991, 1021, 1081  
0391, 0691, 1621, 1901, 1981  
0451, 1241, 1331, 1641,  
1741, 2131, 2151  
0481, 1561, 1611  
0791  
Hantarex  
Hemmermann  
Hifivox  
0061  
0331, 0571  
Fidelity  
Fidelity (UK)  
Filmnet  
Finlandia  
Finlux  
Hinari  
0071, 0141, 0451, 1261, 1351,  
1511, 1641, 1981, 2011  
0001, 0011, 0031, 0081,  
0141, 0291, 0331, 0341,  
0451, 0601, 0631, 0701,  
1281, 1561, 1601, 1821,  
1831, 1841, 1861, 1871,  
1881, 1891, 1941, 1981,  
2051, 2321, 2341  
Hitachi  
Bush (UK)  
Candle  
Century  
CGE  
0451, 2321  
0021, 0261, 0491, 0521,  
0781, 0811, 0871, 1081,  
1411, 1421, 1981, 2051,  
2091, 2121, 2151, 2551  
1981  
1021, 1081  
0491, 0811, 0981, 1401,  
1531, 1611, 1621, 1981,  
2201, 2251, 2271  
0791  
First Line  
Citizen  
411  
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Hyper  
Imperial  
0591, 0601, 1511, 1621  
0451, 0491, 0811, 0981,  
1401, 1611, 1621,  
2201, 2251, 2271  
Magnafon  
0261, 0491, 0581, 0591,  
0641, 0761, 1091, 2001  
Orion  
0061, 0391, 0691, 0851, 1211,  
1241, 1251, 1301, 1481, 1511,  
1681, 1691, 1981, 2371, 2421  
2011  
Manesth  
Marantz  
Marelli  
Mark  
0101  
0101  
1081  
0101  
Osaka  
Osaki  
Osume  
Ingersol  
Inno Hit  
1511  
1101, 1331, 2011  
0581, 0601, 0841, 1101,  
1331, 1371, 1511, 2011  
2591, 2601, 2611, 2621,  
2641, 2651, 2661, 2711,  
2721, 2761, 2771, 2781  
0031, 0041, 0061, 0121,  
0181, 0451, 0491, 1081,  
1641, 1791, 1821,  
1981, 2231  
0151  
Matsui 0061, 0451, 0601, 0691, 1101,  
1151, 1241, 1271, 1301, 1511,  
1561, 1681, 1691  
Maximal  
McMichael  
Medion 2591, 2601, 2611, 2621, 2641,  
2651, 2661, 2671, 2681, 2691,  
2711, 2721, 2761, 2771, 2781  
Otto Versand 0021, 0121, 0141, 0221,  
0601, 1561, 1741, 1981  
Pael  
Innovation  
Interfunk  
0591, 1411  
0031, 0201, 0211, 0451,  
0701, 1311, 1751,  
1961, 2561, 2741  
2351  
0071, 1981  
1281  
Panasonic  
Panoramic  
Pathe Marconi  
0571  
Irradio  
Isukai  
0491, 1321, 1331, 1371,  
1411, 1511, 2011  
Memorex  
Metz  
1511  
0231, 0741, 1001, 1041,  
1081, 1481, 2071, 2081  
1231  
2591, 2621, 2641, 2651,  
2711, 2761, 2771, 2781  
0221, 0231, 0491,  
1381, 2141, 2151  
2281  
Pathe’ Cinema (F)  
0431, 0591, 1621,  
1661, 1971  
1511  
1331  
Pausa  
Pauza  
Perdio  
ITT  
0031, 0041, 0051, 0061, 0071,  
0081, 0181, 0411, 0451, 0491,  
1241, 1291, 1351, 1501, 1601,  
1641, 1741, 1921, 1981,  
2091, 2331, 2431  
MGA  
Micromaxx  
1511  
0891, 1101  
Philco  
0021, 0491, 0811, 0981,  
1021, 1081, 1401, 1611,  
1621, 1751, 2201, 2251,  
2271, 2451, 2471  
Minerva  
ITT-nokia  
0031, 0041, 0051, 0061,  
0071, 0081, 0181, 0411,  
0451, 0491, 1241, 1291,  
1351, 1501, 1601, 1641,  
1741, 1921, 1981, 2091,  
2331, 2431  
Mistral  
Mitsubishi  
0141, 0201, 0231, 0661,  
1191, 1201, 1231,  
1671, 1691, 1741  
Philips 0101, 0361, 0591, 0621, 0681,  
0751, 0761, 1021, 1081,  
1281, 2031, 2281, 2291,  
2431, 2441, 2511, 2731  
Mivar  
0491, 0501, 0581, 0591, 0761,  
0771, 1371, 1431, 2031  
0791  
Phoenix  
Phonola  
1081  
0751, 1081  
JVC  
0071, 0721, 1441, 1581,  
1591, 1741, 1791  
MTC  
Multitech  
0261, 0581, 0601, 0641,  
0981, 1321, 1511  
0451, 2091  
Pioneer  
Prandoni-prince  
0291, 0451, 1341, 1821  
0411, 0451, 0491,  
0581, 1411  
Kaisui  
Kamosonic  
Karcher  
0591, 1321, 1331  
0601  
0591, 0601, 0841, 1091,  
1321, 1511, 1561, 2051  
0761  
Murphy  
Murphy (UK)  
N.E.I.  
NAD  
NEC  
0081, 1031  
0101, 0961  
Prandoni-promce  
Prima  
Profex  
0451, 0491, 0581  
0451  
1981  
0641, 1181, 1981  
Kawasho  
Kendo  
1341  
0261  
0141, 1711, 1721, 1731  
Protech  
Kennedy  
Konka  
Korting  
KTV  
Lenoir  
Leyeo  
0021, 0351, 0951, 1981  
2701  
0431, 1011, 1021, 1081, 1541  
Neckermann 0451, 0601, 0981, 1081,  
1561, 1931, 1981,  
Quelle 0041, 0061, 0121, 0221, 0231,  
0391, 0491, 0521, 0601, 0781,  
1371, 1381, 1411, 1421, 1641,  
1681, 2051, 2091, 2141, 2151,  
2201, 2211, 2231, 2241, 2251,  
2271, 2551, 2571, 2581  
2211, 2231, 2241  
0601, 1171  
0601, 1511  
1181  
Nediator  
Nicamagic  
Nikkai  
0101  
0761  
1101, 1331, 1641, 1701, 2011  
0261, 0491, 0591,  
Lifetec 2591, 2601, 2611, 2621, 2641,  
2651, 2661, 2671, 2681, 2691,  
2711, 2761, 2771, 2781  
Nobliko  
Radiomarelli  
0101, 0451, 0661,  
0771, 1081  
0641, 1381, 1411  
Nogamatic  
Nokia  
0571  
Radionette  
Radiola  
Rank  
0031, 2051, 2091  
2291  
Loewe Opta  
0121, 0131, 0581,  
0611, 1081  
1691, 2281  
0551, 1681, 2281  
0831  
0031, 0041, 0051, 0061,  
0071, 0081, 0181, 0411,  
0451, 0491, 1241, 1291,  
1351, 1501, 1601, 1641,  
1741, 1921, 1981, 2091,  
2331, 2431, 2461, 2791  
0481, 2151  
Logic  
Logik  
Lowewe  
Luma  
Luxman  
Rbm  
2131, 2151  
Rbm (UK)  
Rediffusion  
0481  
0451, 0661, 1641,  
1981, 2331  
0351, 0451, 1901  
0791  
Nordmende  
0031, 0291, 0331, 0451,  
0531, 0541, 0571, 1051,  
1131, 1591, 1791, 1811,  
1821, 1891, 1941, 2631  
0321, 1651, 1981  
0031, 0061, 0321,  
0441, 1661  
Rediffusion (UK)  
0061, 0081, 1031  
Luxman Stereo Tuner  
Luxor  
0791  
Rex  
0071, 0101, 0351, 0411, 0451,  
0951, 1901, 2061, 2101, 2111  
0991, 2511  
0001, 0061, 0181, 0341, 0421,  
0451, 0461, 0491, 0601, 0671,  
1351, 1371, 1561, 1601,  
1911, 1921, 1981  
Rft  
Oceanic  
Oceanic (F)  
Roadstar  
Rotel  
Saba  
1321, 1511  
0151  
Lyco  
Magnadyne  
1181  
0291, 0331, 0421, 0451, 0531,  
0541, 0571, 0581, 0651, 0731,  
0931, 1021, 1071, 1081, 1131,  
1791, 1811, 1821,  
0021, 0061, 0261, 0581,  
0641, 0771, 1021,  
Onceas  
Onwa  
0601  
1171  
1081, 1621, 1981  
1891, 1941, 2631  
412  
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Saccs  
1971  
Tashiko  
Tatung  
0141  
0271, 0581, 0601, 0971,  
1101, 1681, 1691  
2621, 2641, 2711,  
2761, 2771, 2781  
1311  
White Westinghouse  
Yoko  
0101, 0261,  
0431, 0591,  
0761, 1401, 1541  
0601, 1511  
Saisho 0451, 0601, 1161, 1241, 1301,  
1511, 1671, 1681, 1691  
Salora  
0011, 0041, 0061, 0071, 0341,  
0451, 0671, 1291, 1351, 1521,  
1561, 1601, 1641, 1911, 1921,  
1931, 1981, 2321  
Tcm  
Zanussi  
0071, 0101, 0351, 0411,  
0451, 0951, 1901,  
2061, 2101, 2111  
0451  
Technics  
Techwood  
Teknika  
Tele  
Teleavia  
Telefunken  
0791  
1171, 1231, 1261  
1141  
Sambers  
Samsung  
0261, 0491, 0581, 0641,  
1091, 1371, 1411, 2001  
0101, 0601, 0841,  
Zoppas  
0571, 0651, 0731, 1821  
0291, 0301, 0311, 0551,  
0731, 1131, 1471, 1591,  
1791, 1801, 1811, 1821,  
1991, 2161, 2171, 2181,  
2191, 2201, 2251,  
2271, 2521, 2631  
1511  
CABLE  
0981, 1101, 1181,  
1371, 1511, 2011  
0141, 0151, 0401, 0601, 0801,  
0821, 0981, 1021, 1101, 1111,  
1291, 1351, 1691, 1741, 2051,  
2091, 2551  
Cabletime  
Clyde Cablevision  
Filmnet  
France Telecom  
GEC  
Jerrold  
Movie Time  
NSC  
Philips  
1446, 1456, 1476  
Sanyo  
1426  
1396, 1436  
1386  
1426  
1416  
1466  
1466  
1386  
0006  
1496  
SBR  
Schaub Lorenz  
Schneider  
0681, 0751, 1281, 2281  
Teletech  
Tempest  
Tensai  
Texet  
Thomson  
0451  
0021, 0071, 0091, 0451,  
0511, 0591, 0601, 0751,  
1321, 1361, 1621, 1641,  
2101, 2111, 2291  
2381, 2391, 2401, 2411  
1331, 2091  
0601  
0331, 0481, 0531, 0571,  
0631, 0651, 0731, 0901,  
1241, 1571, 1591, 1791,  
1811, 1821, 1891,  
1941, 2531  
Pioneer  
Samsung  
Scientific Atlanta  
Starcom  
STS  
Tele  
Tele+1  
Teleservice  
Tudi  
United Cable  
Zenith  
Scott  
SEG  
SEI  
1171, 1261  
1486, 1506  
1416  
0261, 0601, 0821, 0991  
0641, 0691, 1081,  
1301, 1481, 1981  
0071, 0101, 0351, 0411,  
0451, 0951, 1901,  
2061, 2101, 2111  
1466  
1436  
1436  
Thorn  
0741, 0861, 2091,  
2251, 2271, 2281  
0281, 0371, 0551,  
0651, 0781, 0861,  
0881, 1131, 1181,  
1361, 1461, 1971,  
1991, 2281  
Seleco  
Thorn-Ferguson  
1406, 1476  
1376  
Sentra  
Sharp  
Siarem  
1601  
1416  
1406  
0141, 0151, 0191, 1761, 1781  
0021, 0261, 0581, 0641,  
1021, 1081, 1981  
1971  
TMK  
Toshiba  
0141, 0791, 1471  
0141, 0381, 0481, 1221,  
1271, 1701, 1741, 1851,  
2151, 2801, 2811  
0451  
Sicatel  
Siemens  
DBS TUNER  
0151, 0221, 0231, 0451,  
0741, 2011, 2201, 2211,  
2221, 2231, 2241,  
2261, 2571, 2581  
1181  
0021, 0261, 1021, 1081  
0101, 0021, 0061, 0261,  
0391, 0641, 0691, 0851,  
0941, 1021, 1081, 1241,  
1301, 1321, 1481,  
1631, 1981  
Akai  
Alba  
Amstrad  
1276  
0826, 1276  
0166, 0796, 1016,  
1026, 1296  
0476  
Trans Continens  
Tristar  
Triumph  
Uher  
2281  
Silver  
Singer  
Sinudyne  
0481, 0581, 2121  
0431, 0451, 0481, 0491,  
0511, 1311, 1541  
0021, 0261, 0591,  
1021, 1081, 1981  
1181, 2051  
Ankaro  
Ast  
Astra  
Barcom  
0406  
0126  
0476  
0966  
0106  
1276  
0826  
0956  
Ultravox  
Universum  
Univox  
Vegavox  
Vexa  
Victor  
Videoton  
Vortec  
Voxson 0411, 0451, 0491, 1021, 1081  
Waltham  
Watson  
Blaupunkt  
Bmc Satellite  
British Telecom  
Bush  
Bush (UK)  
Cambridge  
Chaparral  
Columbus  
Connexions  
Discus Elipse  
Diskxpress  
Drake  
1971  
0811  
0101, 1511  
1441, 1591  
2481  
0101, 0651  
Skantic  
Solavox  
Sonoko  
Sony  
0451  
0451, 1641, 2011  
1181, 1511, 0101  
0141, 0171, 1121,  
1681, 1691, 2751  
0196, 1276  
0016, 0696, 1006  
0616  
Soundesign  
SSS  
Stern  
1171  
1171  
0451  
0431, 2201, 2241  
0021, 0061, 0261, 0591,  
0641, 0761, 1091,  
1971, 1981, 2001  
0141, 1081, 1981  
1021  
0306, 0426  
0856, 0866  
0426, 0476  
1516  
0071, 0101, 0351, 0411, 0451,  
0951, 1901, 2061, 2101, 2111  
0691  
Watt Radio  
Sunkai  
Supra  
Tandberg  
0791  
Echostar  
0226, 0236, 0606, 0626,  
0666, 0926, 0996, 1046,  
1056, 1066, 1106  
1286  
0161, 0331, 0611, 1021,  
1421, 1771, 1791, 2081  
0451, 0191, 1331, 1531  
Wega  
Wega Color  
Weltblick  
Weston  
Tandy  
0101  
1621  
Elta  
Elta Sat  
0146  
413  
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Eurodec  
Ferguson  
1226, 1236, 1246  
0046, 0176, 0186, 0296,  
0846, 0956, 1306  
0976  
0026, 0536, 0776  
0476, 0616, 0636, 1056  
0206, 0336  
Salora  
0066, 0126, 0136, 0446,  
Bush (UK)  
Capehart  
CGE  
Craig  
Crown  
Daewoo  
Dansai  
Daytron  
Decca  
Decca (UK)  
Degraaf  
0812  
0112  
0456, 0486, 0496, 0576  
0746, 0756  
0406  
Samsung  
Sat  
0042, 0432, 0762  
0072, 0482  
0112, 0282, 0622  
0112, 0282, 0622  
0012  
Finlux  
Fracarro  
Fuba  
Giucar Record  
Grundig  
High Performance  
Hirschmann  
Satcom  
Sateco  
Sector  
Sedea  
Sentra  
Siemens  
Sintrack  
Skylab  
Skyscan  
Sony  
Stella  
Strong  
Stv  
Tandberg  
Tandy  
Tantec  
Tatung  
Technisat  
0896  
0646  
1266  
1096  
0176, 0946, 0956, 0966  
0112  
0916  
0756, 0966  
0446, 0516, 0706, 0946  
0886  
0066, 0126, 0176, 0446, 1156  
0416  
0042, 0052, 0432, 0942  
0052  
0896, 0966  
0906  
Hitachi  
Icx International  
0052, 0132, 0432,  
0532, 0602  
0442  
0042, 0632  
0052, 0432, 0532  
0432  
0476  
0876  
ITT  
ITT/Nokia 0066, 0126, 0176, 0446, 1156  
Jeemon  
Jerrold  
Johansson  
JVC  
Kathrein  
Kosmos  
Kyostar  
Leng  
Lifesat  
Luxor  
Dixi  
Dual  
Dumont  
Dynatech  
Dynatron  
Elbe  
0736, 0946  
0306  
0156, 0396, 1036, 1086  
0636  
0146  
0846, 0986  
0246  
0012  
0122  
0072  
1276  
0116, 0266, 0276, 0366  
0266  
1116, 1366  
0916  
Elin  
Emerson  
0616  
0012, 0162, 0202,  
0432, 0512, 0522  
0012  
1036, 1086  
0516, 0546  
0086, 0096, 0526,  
0556, 1056  
0306  
0246  
Erres  
Ferguson  
1326, 1346, 1356  
0126, 0136, 0446,  
0466, 0506, 1156  
0356  
0042, 0712, 0722, 0852,  
0902, 1012, 1022, 1082  
0432  
Telecom  
Telemax  
Thorn-Ferguson  
0586  
Fidelity  
Finlandia  
Macab  
Maspro  
Medion  
Metz  
Micromaxx  
Mitsubishi  
Morgans  
Muratto  
NEC  
0046, 0076, 0176,  
0186, 0956  
0946  
0052, 0532  
0016, 0116, 0256, 0956  
1326, 1346  
Finlux  
0012, 0042, 0052, 0082, 0262,  
0382, 0432, 0462, 0492,  
0532, 0572, 0602, 0912  
0002, 0912  
Toshiba  
Triad  
0966  
1326, 1346  
0406  
Uniden 0036, 0216, 0676, 0716, 0726  
US Electronics  
Vortec  
Vtech  
Winersat  
First Line  
Fisher  
0966  
0596  
0406  
0886  
0756, 1036, 1076  
0436  
0162, 0482, 0532,  
0542, 0572, 0592  
Formenti-Phoenix  
Frontech  
Funai  
GBC  
GEC (UK)  
Geloso  
0012, 0052  
0112  
0432  
0002  
0022, 0052  
0002  
0286, 0316, 0766, 0786, 0836  
0046  
0246  
Network  
Nikko  
Nokia  
Wisi  
0056, 0356, 0376, 0386, 0406,  
1136, 1146  
0656, 1056, 1156  
0916  
0066, 0126, 0176, 0446,  
1156, 1166, 1336  
0786  
Wolsey  
Zehnder  
Zender  
0266, 0406  
0406  
Norsat  
General Technic  
1172  
Otto Versand  
Pace  
0966  
0046, 0176, 0296,  
0936, 0956, 1306  
0946  
0616, 0686, 0706  
0396  
GoldStar  
Goodmans  
0012, 0122, 0812, 0952  
0002, 0072, 0282,  
0432, 0502  
VCR  
Pace Mss  
Palcom  
Palsat  
Paltec  
Panasonic  
Pansat  
Goodmans (UK)  
Graetz  
Granada  
0002  
0022, 0042  
Aiwa  
Akai  
0042, 0352, 0432  
0042, 0422, 0492, 0582, 0612,  
0642, 0652, 0762, 0912  
0002, 0112, 0282,  
0332, 0342, 0972  
0322, 0432, 0452  
0002  
0052, 0132, 0532, 0572  
0052, 0092, 0462,  
0602, 0812, 0822  
0052, 0062, 0092, 0232,  
0252, 0262, 0752, 0802  
0052, 0812  
0706  
0806, 1306  
Granada (UK)  
Alba  
1076  
Grundig  
Amstrad  
Anitech  
Anitsch  
ASA  
Audiosonic  
Baird  
Bang & Olufsen  
Baur  
Blaupunkt  
Philips  
0326, 0346, 0476, 0956,  
1126, 1186, 1196, 1206,  
1216, 1306, 1316  
1176  
Hanseatic  
Harman/Kardon  
Hcm  
Hinari  
Hitachi  
1002  
0012, 0052  
0122, 0922  
Prosat  
Ptt Telecom  
Quelle  
Radix  
Rediffusion  
Rft  
0002  
0002  
0042, 0282, 0492  
0042  
0052, 0062, 0812  
0062, 0092, 0252,  
0462, 0672, 0992  
0032  
0306, 0896  
0002, 0202, 0412, 0442, 0522  
0042, 0172, 0292, 0432,  
0602, 0662, 0812, 1022  
0072, 0432  
0966  
1056  
0316, 0786  
1186, 1196, 1206, 1216  
1256  
Imperial  
Ingersol  
Inno Hit  
Innovation  
Interfunk  
0442  
Sagem  
Sakura  
0002, 0052, 0072  
1142, 1162, 1172  
0022, 0052  
Brionvega  
Bush  
0566, 0816  
0002, 0282, 0332,  
0342, 0512, 0972  
414  
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Irradio  
ITT  
0002, 0012  
0022, 0032, 0042, 0072, 0292,  
0492, 0532, 0572, 0762  
0022, 0032, 0042, 0072,  
0292, 0492, 0532,  
0572, 0762  
Osaka  
Osaki  
Otto Versand  
Panasonic  
0432  
0002, 0012, 0432  
0052, 0062, 0812  
0022, 0212, 0462, 0672,  
0992, 1092, 1102, 1182  
0172, 0602  
TCM  
Teac  
Technics  
Teknika  
Telefunken  
1142, 1162, 1172  
0042, 0432  
0462  
0012, 0432  
0042, 0192, 0632, 0732,  
0742, 0762, 0782,  
0882, 0892  
1032, 1042, 1052  
0002  
0042, 0102, 0142, 0192,  
0402, 0632, 0762  
0042, 0902  
ITT-Nokia  
Pentax  
Perdio  
Philco  
Philips  
Jensen  
JVC  
0042  
0432  
1062  
0042, 0102, 0142, 0272,  
0742, 0762, 0782, 0902  
0052, 0072, 0812  
0492  
Tempest  
Tenosal  
Thomson  
0052, 0082, 0092, 0152,  
0182, 0362, 0372, 0382,  
0472, 0502, 1072  
0052, 0152  
Karcher  
Kendo  
Kenwood  
Lifetec  
Lloyd  
Loewe Opta  
Logik  
Luma  
0042, 0142, 0572  
1142, 1162, 1172  
0432  
0052, 0092, 0152  
0002, 0072, 0442  
0162  
Phonola  
Pilot  
Pioneer  
Portland  
Proline  
Pye  
Thorn  
Thorn-Ferguson  
0012  
0042, 0222, 0302,  
0712, 0722, 0742,  
0762, 0852, 0862,  
0872, 0902  
0052, 0142, 0372, 0472  
0112  
0432  
0052, 0152  
TMK  
0522  
Luxor  
0492, 0572, 0812  
0432  
Quartz  
Quelle  
0572  
Tonsai  
0002  
M Electronic  
Magnadyne  
Magnasonic  
Manesth  
Marantz 0012, 0052, 0092, 0122, 0502  
Mark  
0012, 0032, 0042, 0052,  
0062, 0072, 0092, 0202,  
0462, 0552, 0942  
0022  
0012, 0072, 0132, 0432,  
0482, 0502, 0532, 0572  
1072  
Toshiba  
Totevision  
Triumph  
Uher  
Ultravox  
Unitech  
Vector Research  
Victor  
Videon  
Weltblick  
White Westinghouse  
Xenon  
Yoko  
0042, 0622, 0912, 1212  
0012, 0072  
0052  
0572  
0012  
0922  
0042, 0072  
Radionette  
Realistic  
0032  
0072  
0122  
0012  
0012  
Marta  
Matsui  
Ret  
Rex  
Ricoh  
Saba  
0012, 0442, 0512,  
0522, 0812, 0972  
1142, 1162, 1172  
0012, 0132, 0432,  
0482, 0532, 0572  
0062, 0092, 0932  
0912  
0042, 0742, 0782  
0952  
0042, 0102, 0142  
1162, 1172  
Medion  
Memorex  
0042, 0142, 0192, 0222, 0242,  
0392, 0632, 0732, 0742,0762,  
0772, 0782, 0792, 0872  
0162, 0202, 0292, 0442,  
0512, 0522, 0972  
0012  
0032  
0162  
Metz  
MGA  
Saisho  
0012, 0062, 0072  
Micromaxx  
Minerva  
Minolta  
Mitsubishi  
1142, 1162, 1172  
0062, 0092, 0252  
0172, 0602  
0052, 0062, 0142,  
0912, 0922  
0072, 0432  
0002, 0052, 0062,  
0282, 0432  
Salora  
Samsung  
0192, 0572, 0812, 0822, 0912  
0052, 0072, 0622,  
DVD PLAYER  
0652, 1192  
0042, 0142  
0482, 0532, 0562, 0572  
0052, 0152, 0182  
Akai  
JVC  
0108  
0168  
0128  
0048  
0188  
Sansui  
Sanyo  
SBR  
Schaub Lorenz  
Schneider  
Onkyo  
Panasonic  
Philips  
Pioneer  
Samsung  
Sharp  
Sony  
Toshiba  
Yamaha  
MTC  
Multitech  
0022, 0042  
0002, 0012, 0052,  
0072, 0432  
0208, 0228  
0148  
Murphy  
N.E.I.  
National  
NEC  
0432  
0012, 0052  
SEG  
Sei-Sinudyne  
Seleco  
Sentra  
Sharp  
Shintom  
Siemens  
Sinudyne  
Sonoko  
0002, 0072  
0068  
0028  
0088  
0462  
0442  
0042  
0112  
0042, 0122, 0142, 1202  
Neckermann 0032, 0042, 0052, 0072,  
0092, 0202, 0522,  
0008, 0048  
0132, 0502, 0702  
0002  
0062, 0092, 0252, 0572  
0052, 0382, 0442, 0932  
0282  
0572, 0762, 0812  
Nikkai  
Nobliko  
Nokia  
0112  
0092  
LD PLAYER  
0022, 0032, 0042, 0072, 0292,  
0492, 0532, 0572, 0762, 1152  
Aiwa  
Funai  
0137  
0137  
Sony  
0432, 0552, 0682, 0692, 0942,  
Nordmende  
0042, 0102, 0142, 0192,  
0222, 0242, 0392, 0402,  
0632, 0732, 0742, 0762,  
0782, 0792, 0832,  
0842, 0872  
0952, 0962, 1122, 1132  
Hitachi  
0047  
0077  
0027  
0037  
STS  
0602  
0512  
0432  
Magnavox  
Panasonic  
Pioneer  
RCA  
Sunkai  
Sunstar  
Sylvania  
0432, 0912  
0067  
Olympus  
Optonica  
Orion  
0462  
0132, 0502  
0162, 0202, 0312, 0442,  
0512, 0522, 0982  
Symphonic  
Tandberg  
Tashiko  
0432, 0912  
0062, 0162, 0522, 0932  
0132, 0432  
Realistic  
Samsung  
Sony  
Victor  
Yamaha  
0137  
0017, 0087  
0057, 0097, 0107, 0117  
Tatung  
0042, 0052, 0432, 0922  
0127  
0007  
415  
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Light Control  
Linn  
Luxman  
1155, 1645, 1655, 1665  
0165, 1875  
0265, 0275, 0795, 0805,  
1295, 1305, 1555, 1925  
0185, 1895, 1905  
1865, 1875  
0165, 0175, 0545, 0665,  
1275, 1335, 1405, 1505,  
1875, 1955  
Scott  
Sharp  
1285, 1675  
0025, 0035, 1025, 1115, 1275,  
1635, 1785, 1815, 1825, 1835  
1275, 1445  
CD PLAYER  
Accuphase  
Adc  
Adcom  
0315  
0865  
0785, 1015  
Sherwood  
Siemens  
Signature  
Sony  
Luxor  
Magnavox  
Marantz  
1085  
1155  
Akai  
0115, 0125, 0725, 0735,  
0745, 0935, 1155  
1875  
0345, 0355, 0365, 0375, 0865,  
1685, 1695, 1705, 1715, 1725,  
1735, 1745  
Arcam  
Arcam-Rotel  
Audio-Technica  
Audiosonic  
Awia  
0165  
0835  
0155  
Matsushita  
MCS  
Medion  
1095, 1605  
Sytvania  
Tandberg  
Tashiko  
TCM  
1875  
1885  
1525  
0535  
0075, 1995, 2005, 2015  
0525, 1015, 1265, 1275,  
1285, 1675  
1105, 1235, 1245,  
1765, 1915, 1935  
0875  
Memorex  
1985, 2015  
0235, 0245, 1275, 1365, 1375,  
1395, 1435, 1465, 1475  
Teac  
BSR  
MGA  
Micromaxx  
Mission  
1125  
2015  
0165, 1875  
1125, 1205  
California Audio Lab  
Carrera  
Carver  
Cyrus-Rotel  
Denon  
1075  
0555, 0875  
0825, 1415  
Technics 0465, 0475, 1065, 1075, 1625  
Telefunken  
Theta Digital  
Thomson  
Toshiba  
Vector Research  
Victor  
1005  
1865  
1005  
Mitsubishi  
0205  
NAD  
0255, 0285, 0295, 0305, 0345,  
0135, 0755, 0765, 1315, 1325  
0045, 0955, 1045,  
1595, 1795, 1805  
1005  
0755, 0765  
0555, 0865  
0575  
Nakamichi  
NEC  
Neckerman  
Nikko  
Oceanic  
Okano  
0635, 0645, 1565  
0405, 0535, 0775, 0785  
0155, 0225  
Dual  
Elin  
Emerson  
Fisher  
0185  
Yamaha  
0005, 0015, 0895, 1815  
1015, 1285, 1675  
0105, 0595, 0605,  
0825, 1165, 1175  
0835, 1165  
0185  
0155, 0225  
MD RECORDER  
Genexxa  
0525, 0825, 0855, 0875,  
0995, 1265, 1285, 1345,  
1355, 1485, 1575, 1675,  
1715, 1825  
Onkyo  
Panasonic  
Philips  
0885, 1385, 1425, 1455, 1515  
1055, 1075, 1615, 1625  
0165, 0175, 0195, 1865, 1875  
Yamaha  
0024  
Pioneer 0095, 0335, 0425, 0435, 0445,  
0525, 0855, 1035, 1945  
Proton  
Quasar  
Radiola  
Radiotone  
Realistic  
TAPE DECK  
GoldStar  
Grundig  
0555, 1185, 1195, 1585  
0175  
0905, 1875  
1075  
1845, 1855  
Akai  
0124  
0204  
0134  
0044  
0194  
0164  
0134  
Harman Kardon  
0495, 0565, 0325,  
1135, 1145, 1155  
0065, 0585, 0685, 0945,  
1005, 1015, 1225, 1545  
1995, 2005, 2015  
0185  
Denon  
Grundig  
Harman  
JVC  
Kenwood  
Korting  
Luxman  
Marantz  
NAD  
Onkyo  
Philips  
Pioneer  
Sony  
Hitachi  
0485  
0825, 1015, 1265,  
1275, 1285, 1575  
1875  
Innovation  
ITT-Nokia  
Rotel  
Saba  
SAE  
Salora  
Sansui  
JVC  
Karcher  
Kenwood  
0385, 0395, 0455, 0575, 0585  
0485  
1005  
1875  
0185  
0054, 0064, 0074, 0084  
0134, 0144  
0174  
0025, 0055, 0145, 0215,  
0595, 0675, 0695, 0705,  
0715, 0925, 1355, 1485,  
1575, 1675, 1715, 1825  
0175  
0415, 0965, 0975, 0985,  
1255, 1675, 1875  
0625, 0825, 0845, 0915  
1845, 1855  
0184  
0134, 0144, 0154  
0034, 0114  
0094, 0104  
0004, 0014  
Sanyo  
Schneider  
Korting  
Lifetec  
2015  
Yamaha  
YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.  
YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA  
YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY  
YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE  
YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND  
YAMAHA SCANDINAVIA A.B.  
J
A
WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN  
YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA  
Printed in Malaysia ID  
V343270  
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Quick Reference Card  
AMP<TUNER>  
TAPE/MD  
CD  
DVD/LD  
POWER  
POWER  
POWER  
POWER  
Input selector  
EFFECT  
Input selector  
EFFECT  
Input selector  
Input selector  
TEST  
EFFECT  
EFFECT  
DISC SKIP +/–  
DISC SKIP +/–  
A/B/C/D/E &  
PRESET +/–  
MUTE  
VOLUME  
MUTE  
VOLUME  
MUTE  
VOLUME  
MUTE  
TV VOLUME  
TV INPUT  
TV VOLUME  
TV VOLUME  
TV VOLUME  
VOLUME  
SLEEP  
DISPLAY (MD)  
DISPLAY  
SLEEP  
SLEEP  
SLEEP  
DISPLAY  
TV INPUT  
PAUSE  
TV INPUT  
REC/PAUSE  
PLAY  
DECK A/B (TAPE)  
PAUSE (MD)  
+/–  
PAUSE  
PLAY  
DIR A (TAPE)  
SKIP– (MD)  
DIR B (TAPE)  
SKIP+ (MD)  
STOP  
SKIP+  
SKIP+  
PLAY  
PRG+/PRG–  
SET MENU  
SKIP–  
SKIP–  
STOP  
STOP  
SEARCH  
REWIND (TAPE)  
SEARCH (MD)  
TIME/LEVEL  
SEARCH  
SEARCH  
FAST  
FORWARD (TAPE)  
SEARCH (MD)  
SEARCH  
V342650  
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Quick Reference Card  
DVD MENU  
VCR  
CBL/DBS  
TV  
VCR POWER  
CHANNEL  
POWER  
CBL/DBS POWER  
CHANNEL  
TV POWER  
CHANNEL  
Numeric  
buttons  
EFFECT  
CHANNEL  
ENTER  
+100  
CLEAR  
+10  
EFFECT  
CHANNEL  
ENTER  
VCR  
CHANNEL +/–  
CHANNEL  
ENTER  
TV  
CBL/DBS  
CHANNEL +/–  
CHANNEL +/–  
DISC SKIP+/–  
VOLUME  
MUTE  
VOLUME  
MUTE  
VOLUME  
VOLUME  
TV VOLUME  
TV VOLUME  
TV VOLUME  
TV VOLUME  
DISPLAY  
TV MUTE  
MUTE  
TV SLEEP  
RETURN  
DISPLAY  
INDEX  
DISPLAY  
TV SLEEP  
TV SLEEP  
TV INPUT  
VCR REC (*1)  
VCR REC (*1)  
MENU UP  
TV INPUT  
TV INPUT  
TV INPUT  
MENU RIGHT  
VCR PAUSE  
MENU UP  
VCR PAUSE  
VCR STOP  
MENU LEFT  
MENU LEFT  
MENU RIGHT  
MENU DOWN  
VCR PLAY  
VCR PLAY  
MENU SELECT  
TITLE  
MENU SELECT  
RECALL  
MENU DOWN  
MENU  
VCR STOP  
VCR REWIND  
VCR FAST  
FORWARD  
VCR REWIND  
VCR FAST  
FORWARD  
MENU  
*1: Press this button twice to start recording.  
Appuyer deux fois sur cette touche pour lancer l’enregistrement.  
Diese Taste zweimal drücken, um die Aufnahme zu starten.  
Premere due volte questo tasto per iniziare la registrazione.  
Presione dos veces este botón para comenzar a grabar.  
Druk tweemaal op deze toets om te beginnen met opnemen.  
Tryck två gånger på den här knappen för att börja spela in på videobandspelaren.  
V342650  
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