Yamaha Stereo Receiver HTR 5130RDS User Manual

H T R -5 1 3 0

H T R -5 1 3 0 R D S

NATURAL SOUND AV RECEIVER

AMP LI-TUNER AUDIO-VIDEO

OWNER’S MANUAL

MODE D’EMPLOI

BEDIENUNGSANLEITUNG

BRUKSANVISNING

MANUALE DI ISTRUZIONI

MANUAL DE INSTRUCCIONES

GEBRUIKSAANWIJZING

YAMAHA ELECTRONICS CORPORATION, USA 6660 ORANGETHORPE AVE., BUENA PARK, CALIF. 90620, U.S.A.

YAMAHA CANADA MUSIC LTD. 135 MILNER AVE., SCARBOROUGH, ONTARIO M1S 3R1, CANADA

YAMAHA ELECTRONIK EUROPA G.m.b.H. SIEMENSSTR. 22-34, 25462 RELLINGEN BEI HAMBURG, F.R. OF GERMANY

YAMAHA ELECTRONIQUE FRANCE S.A. RUE AMBROISE CROIZAT BP70 CROISSY-BEAUBOURG 77312 MARNE-LA-VALLEE CEDEX02, FRANCE

YAMAHA ELECTRONICS (UK) LTD. YAMAHA HOUSE, 200 RICKMANSWORTH ROAD WATFORD, HERTS WD1 7JS, ENGLAND

YAMAHA SCANDINAVIA A.B.

WETTERGRENS GATA 1, BOX 30053, 400 43 VÄSTRA FRÖLUNDA, SWEDEN

YAMAHA MUSIC AUSTRALIA PTY, LTD. 17-33 MARKET ST., SOUTH MELBOURNE, 3205 VIC., AUSTRALIA

Printed in Malaysia

V339080

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SUPPLIED ACCESSORIES

ACCESSORIES FOURNIS

●

After unpacking, check that the following parts are included.

Après le déballage, vérifier que les pièces suivantes sont incluses.

Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind.

Kontrollera efter det apparaten packats upp att följande delar finns med.

Verificare che tutte le parti seguenti siano contenute nell’imballaggio dell’apparecchio.

Desembalar el aparato y verificar que los siguientes accesorios están en la caja.

Controleer na het uitpakken of de volgende onderdelen voorhanden zijn.

MITGELIEFERTE ZUBEHÖRTEILE

MEDFÖLJANDE TILLBEHÖR

ACCESSORI IN DOTAZAIONE

ACCESORIOS INCLUIDOS

BIJGELEVERDE ACCESSOIRES

●

Indoor FM Antenna

Antenne FM intérieure

UKW-Innenantenne

FM inomhusantenn

Antenna FM interna

Antena FM interior

FM Binnenantenne

●

Remote Control Transmitter

Emetteur de télécommande

Fernbedienung

Fjärrkontroll

Telecomando

Transmisor de control remoto

Afstandbediening

–

●

AM Loop Antenna

Cadre-antenne AM

MW-Rahmenantenne

AM ramantenn

Antenna AM ad anello

Antena de cuadro de AM

AM Lusantenne

A/ B/ C/ D/

–

●

75-ohm/300-ohm antenna adapter <U.K. model only>

Adaptateur d’antenne 75 ohms/300 ohms <Modèle pour le

Royaume-Uni seulement>

●

Batteries (size AA, R6, UM-3)

Piles (taille AA, R6, UM-3)

Batterien (Größe AA, R6, UM-3)

Batterier (storlek AA, R6, UM-3)

Batterie (dimensioni AA, R6, UM-3)

Pilas (tamaño AA, R6, UM-3)

Batterijen (maat AA, R6, UM-3)

●

75 Ohm/300 Ohm Antennenstecker <nur Großbritannien-

Modell>

75 ohm/300 ohm antennadapter <Endast modell för

brittisk>

Adattatore per antenna da 75 e 300 ohm <Solo modello

per la Gran Bretagna>

Adaptador de antena de 75 ohmios/300 ohmios <Modelo

para Reino Unido sólo>

75 ohm/300 ohm antenne-adapter <Alleen modellen voor

Groot-Brittannië>

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Thank you for selecting this YAMAHA AV receiver.

FEATURES

● 5 Speaker Configuration

(Power Amp. Section)

Main: 60W + 60W (8Ω) RMS Output

Power, 0.04% THD, 20–20,000 Hz

● 3 Center Channel Modes

(NORMAL/WIDE/PHANTOM)

● Multi-Functions for RDS Broadcast

Reception HTR-5130RDS only

Center: 60W (8Ω) RMS Output Power,

● 40-Station Random Access Preset Tuning

● Automatic Preset Tuning

0.04% THD, 20–20,000 Hz

Rear:

60W + 60W (8Ω) RMS Output

Power, 0.04% THD, 20–20,000 Hz

● Preset Station Shifting Capability (Preset

Editing)

● Digital Sound Field Processor

● IF Count Direct PLL Synthesizer Tuning

● Dolby Pro Logic Surround Decoder

System

● Theater-like Sound Experience by the

Combination of Dolby Pro Logic and

YAMAHA DSP Technology (CINEMA DSP)

● 6-Channel External Decoder Input for

Dolby Digital, DTS, and Other Future

Formats

● Automatic Input Balance Control for

● Video Signal Input/Output Capability

● SLEEP Timer

Dolby Pro Logic Surround

● Test Tone Generator for Easier Speaker

Balance Adjustment

● Remote Control Capability

CONTENTS

BASIC OPERATIONS ................................... 22

TUNING OPERATIONS ................................ 26

PRESET TUNING ......................................... 27

RECEIVING RDS STATIONS ....................... 30

SUPPLIED ACCESSORIES............................ 2

FEATURES ..................................................... 3

CAUTION ........................................................ 4

NOTES ABOUT THE REMOTE CONTROL

TRANSMITTER............................................... 5

USING DIGITAL SOUND FIELD

PROCESSOR (DSP) .................................... 35

PROFILE OF THIS UNIT ................................ 6

SPEAKER SETUP .......................................... 7

CONNECTIONS.............................................. 8

CONTROLS AND THEIR FUNCTIONS ........ 14

SPEAKER BALANCE ADJUSTMENT .......... 19

SETTING THE SLEEP TIMER...................... 39

TROUBLESHOOTING .................................. 40

SPECIFICATIONS ........................................ 41

Illustrations in this manual show the HTR-5130RDS model. Functions and parts

applicable only to the HTR-5130RDS are clearly specified.

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CAUTION : READ THIS BEFORE OPERATINGYOUR UNIT.

1. To assure the finest performance, please read this manual

IMPORTANT

carefully. Keep it in a safe place for future reference.

Please record the serial number of this unit in the space

below.

2. Install this unit in a cool, dry, clean place – away from

windows, heat sources, sources of excessive vibration,

Model:

dust, moisture and cold. Avoid sources of humming

(transformers, motors). To prevent fire or electrical shock,

do not expose the unit to rain or water.

Serial No.:

The serial number is located on the rear of the unit.

Retain this Owner’s Manual in a safe place for future

reference.

3. Never open the cabinet. If something drops into the set,

contact your dealer.

WARNING

4. Do not use force on switches, controls or connection wires.

When moving the unit, first disconnect the power plug and

the wires connected to other equipment. Never pull the

wires themselves.

TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK,

DO NOT EXPOSE THIS UNIT TO RAIN OR MOISTURE.

5. The openings on the unit cover assure proper ventilation of

the unit. If these openings are obstructed, the temperature

inside the unit will rise rapidly. Therefore, avoid placing

objects against these openings, and install the unit in a

well-ventilated area to prevent fire and damage.

This unit is not disconnected from the AC power source as

long as it is connected to the wall outlet, even if this unit

itself is turned off. This state is called the standby mode.

In this state, this unit is designed to consume a very small

quantity of power.

<China, U.K. and Europe models only>

Be sure to allow a space of at least 20 cm behind, 20 cm

on the both sides and 30 cm above the top panel of the

unit to prevent fire and damage.

FREQUENCY STEP switch <China and General models

only>

Because the interstation frequency spacing differs in

different areas, set the FREQUENCY STEP switch (located

on the rear panel) according to the frequency spacing in

your area.

6. Always set the VOLUME control to “– ∞” before starting

the audio source play. Increase the volume gradually to an

appropriate level after playback has been started.

Before setting this switch, disconnect the AC power plug of

this unit from the AC outlet.

7. Do not attempt to clean the unit with chemical solvents;

this might damage the finish. Use a clean, dry cloth.

For Canadian Customers

To prevent electric shock, match wide blade of plug to wide

slot and fully insert.

8. Be sure to read the “TROUBLESHOOTING” section

regarding common operating errors before concluding that

the unit is faulty.

This Class B digital apparatus complies with CANADIAN

ICES-003

9. When not planning to use this unit for long periods of time

(i.e., vacation, etc.), disconnect the AC power plug from

the wall outlet.

10.To prevent lightning damage, disconnect the AC power

plug and antenna cable when there is an electrical storm.

11.Grounding or polarization – Precautions should be taken

so that the grounding or polarization of an appliance is not

defeated.

12.Do not connect audio equipment to the AC outlet on the

rear panel if the equipment requires more power than the

outlet is rated to provide.

13.Voltage Selector <China and General models only>

The voltage selector on the rear panel of this unit must

be set for your local main voltage BEFORE plugging

into the AC power supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

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For U.K. customers

Special Instructions for U.K. Model

If the socket outlets in the home are not suitable for the plug

supplied with this appliance, it should be cut off and an

appropriate 3 pin plug fitted. For details, refer to the

instructions described on the right.

IMPORTANT

THE WIRES IN MAINS LEAD ARE COLOURED IN

ACCORDANCE WITH THE FOLLOWING CODE:

Blue: NEUTRAL

Brown: LIVE

Note: The plug severed from the mains lead must be

destroyed, as a plug with bared flexible cord is hazardous if

engaged in a live socket outlet.

As the colours of the wires in the mains lead of this

apparatus may not correspond with the coloured markings

identifying the terminals in your plug, proceed as follows:

The wire which is coloured BLUE must be connected to the

terminal which is marked with the letter N or coloured

BLACK. The wire which is coloured BROWN must be

connected to the terminal which is marked with the letter L

or coloured RED. Making sure that neither core is

connected to the earth terminal of the three pin plug.

NOTES ABOUT THE REMOTE CONTROL TRANSMITTER

Remote control transmitter operation range

Battery installation

–d

Remote control

sensor

Within approximately

6 m (19.7 feet)

Battery replacement

When you notice a decrease in the operating range of the

remote control transmitter, the batteries are weak. Replace

both batteries with new ones.

Notes

●

There should be no large obstacles between the remote

control transmitter and the main unit.

●

Use only AA, R6, UM-3 batteries for replacement.

Be sure the polarities are correct. (See the illustration inside

the battery compartment.)

●

If the remote control sensor is directly illuminated by strong

lighting (especially an inverter type of fluorescent lamp,

etc.), it might cause the remote control transmitter not to

work correctly. In this case, reposition the main unit to avoid

direct lighting.

●

Remove the batteries if the remote control transmitter will

not be used for an extended period of time.

If batteries leak, dispose of them immediately. Avoid

touching the leaked material or letting it come in contact with

clothing, etc. Clean the battery compartment thoroughly

before installing new batteries.

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PROFILE OF THIS UNIT

You are the proud owner of a Yamaha stereo receiver – an extremely sophisticated audio component. The Digital Sound Field

Processor (DSP) built into this unit takes advantage of Yamaha’s undisputed leadership in the field of digital audio processing to

bring you a whole new world of listening experiences. Follow the instructions in this manual carefully when setting up your system,

and this unit will sonically transform your room into a wide range of listening environments – movie theater, concert hall, and so on.

In addition, you get incredible realism from sources encoded with Dolby Surround using the built-in Dolby Pro Logic Surround

decoder.

Please read this owner’s manual carefully and store it in a safe place for later reference.

Digital Sound Field Processing

What is it that makes live music so good? Today’s advanced

sound reproduction technology lets you get extremely close to

the sound of a live performance, but chances are you’ll still

notice something missing: the acoustic environment of the live

concert hall. Extensive research into the exact nature of the

sonic reflections that create the ambience of a large hall has

made it possible for Yamaha engineers to bring you this same

sound in your own listening room, so you’ll feel all the sound of

a live concert.

Furthermore, our technicians, armed with sophisticated

measuring equipment, have even made it possible to capture

the acoustics of a variety of venues such as an actual concert

hall, theater, etc. to allow you to accurately recreate one of

several actual live performance environments, all in your own

home.

Dolby Pro Logic Surround

This unit employs a Dolby Pro Logic Surround decoder similar

to professional Dolby Stereo decoders used in many movie

theaters. By using the Dolby Pro Logic Surround decoder, you

can experience the dramatic realism and impact of Dolby

Surround movie theater sound in your own home. Dolby Pro

Logic employs a four channel five speaker system. The Pro

Logic Surround system divides the input signal into four levels:

the left and right main channels, the center channel (used for

dialog), and the rear surround sound channel (used for sound

effects, background noise, and other ambient noises). The

center channel allows listeners seated in even less-than-ideal

positions to hear the dialog originating from the action on the

screen while experiencing good stereo imaging.

This Dolby Pro Logic Surround Decoder employs a digital

signal processing system. This system improves the stability of

sound at each channel and minimizes crosstalk between

channels, so that positioning of sounds around the room is

more accurate compared with conventional analog signal

processing systems.

In addition, this unit features a built-in automatic input balance

control. This always assures you the best performance without

manual adjustment.

Manufactured under license from Dolby Laboratories. “Dolby”,

“AC-3”, “Pro Logic” and the double-D symbol are trademarks of

Dolby Laboratories.

Dolby Surround is encoded on the sound track of pre-recorded

video tapes, laser discs, and some TV/cable broadcasts. When

you play a source encoded with Dolby Surround on this unit,

the Dolby Pro Logic Surround decoder decodes the signal and

distributes the surround-sound effects.

Dolby Pro Logic Surround + DSP

The combination of Dolby Pro Logic Surround and DSP is used

on the sound field program “ PRO LOGIC ENHANCED”.

A Dolby Surround sound system shows its full ability in a large

movie theater, because movie sounds are originally designed

to be reproduced in a large movie theater using many

speakers. It is difficult to create a sound environment similar to

that of a movie theater in your listening room, because the

room size, materials of inside walls, the number of speakers,

etc. of your listening room is much different from those of a

movie theater.

Yamaha DSP technology made it possible to present you with

nearly the same sound experience as that of a large movie

theater in your listening room by compensating for lack of

presence and dynamics in your listening room with its original

digital sound fields combined with Dolby Surround sound field.

C IN E M A D S P

The YAMAHA “CINEMA DSP” logo indicates these programs

are created by the combination of Dolby Pro Logic and

YAMAHA DSP technology.

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SPEAKER SETUP

SPEAKERS TO BE USED

This unit is designed to provide the best sound-field quality with a 5 speaker configuration. The most effective speakers to use with

this unit are main speakers, rear speakers and a center speaker. You may omit the center speaker. (Refer to the “4-Speaker

Configuration” shown below.)

The main speakers are used for the majority of the sound output as well as effect sounds. The rear speakers are used for the effect

and surround sounds, and the center speaker is for the center sounds (dialog, etc.) within programs encoded with Dolby Surround.

The center speaker needs to be equal in power to the main speakers, though the rear speakers should be slightly lower in power.

However, all the speakers should have high enough power handling to accept the maximum output of this unit.

SPEAKER CONFIGURATION

5-Speaker Configuration

4-Speaker Configuration

This configuration is the most effective and recommended one.

In this configuration, the center speaker is necessary as well as

the rear speakers. If the program DOLBY PRO LOGIC or

DOLBY PRO LOGIC ENHANCED is selected, conversations

will be output from the center speaker and the ambience will be

excellent.

The center speaker is not used in this configuration. If the

program DOLBY PRO LOGIC or DOLBY PRO LOGIC

ENHANCED is selected, the center sound is output from the

left and the right main speakers. However, the sound effect of

other programs can be the same as that of the 5-speaker

configuration.

●

Set the center channel mode to the “NORMAL” or “WIDE”

●

Be sure to set the center channel mode to the “PHANTOM”

position. (For details, refer to page 20.)

Main L

Center

Main R

Main L

Main R

Dialogue

Surround sound

Rear L

Surround sound

Rear L

Rear R

SPEAKER PLACEMENT

The recommended 5-speaker configuration requires a pair of main speakers, a center speaker, and a pair of rear speakers

(sometimes referred to as surround speakers). When arranging your speakers, refer to the illustration and information below.

Main:

Rear:

Position the main speakers at equal distances away

from the listening position and at equal distances on

either side of the center speaker.

Position rear speakers directly behind the listening

position at a height of approximately 1.8m (6 feet) up

from the floor, facing slightly inward. If the speakers

cannot be placed behind the listening position, they

may also be placed at the side of the listening

position, facing toward the listening position.

Main R

Center

Main L

TV set

Rear R

Center: Position the center speaker directly in front of the

listening position between the main speakers. (When

placing on or near a television, use a magnetically

shielded speaker to avoid unwanted interference.)

Rear L

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CONNECTIONS

CONNECTIONS WITH OTHER COMPONENTS

Never plug in this unit and other components until all connections are completed.

When making connections between this unit and other components, be sure all connections are made correctly; that is to say L (left)

to L, R (right) to R, “+” to “+” and “–” to “–”. Also, refer to the owner’s manual for each component to be connected to this unit.

* If you have YAMAHA components numbered as 1, 3, 4, etc. on the rear panel, connections can be made easily by connecting

the output (or input) terminals of each component to the same-numbered terminals on this unit.

Monitor TV

TV/Satellite tuner

Video cassette recorder

Turntable

LT A

L E

6 CH DIS CRETE INP UT

7 5 ΩUNBAL.

L E

Ω

O U T

Ω

(

)

Ω

M AIN

LEVEL

O U T

-1 0 dB 0 dB

I0 0 W M AX. TOTAL

S W ITCHED

(

)

(

)

HTR-5130RDS

only

To AC outlet

CD player

Tape deck,

MD recorder, etc.

LD player,

DVD player, etc.

*1 Ground (GND) terminal (For turntable use)

Connecting the ground wire of the turntable to the GND

terminal will normally minimize hum, but in some cases

better results may be obtained with the ground wire

disconnected.

*4 AC OUTLETS (SWITCHED)

<Europe, Canada, U.S.A., China and General models>

.....................................................2 SWITCHED OUTLETS

<U.K. and Australia models> .......... 1 SWITCHED OUTLET

Use these to connect the power cords from your

components to this unit.

The power to the SWITCHED AC OUTLETS is controlled

by this unit’s STANDBY/ON switch or the provided remote

control transmitter’s POWER /I key. These outlets will

supply power to any component whenever this unit is

turned on.

*2 Voltage Selector <China and General models only>

The voltage selector on the rear panel of this unit must be

set for your local main voltage BEFORE plugging into the

AC power supply.

Voltages are 110/120/220/240 V AC, 50/60 Hz.

*3 MAIN LEVEL Switch HTR-5130RDS only

Normally set to “0 dB”. If desired, you can decrease the

output level of the MAIN SPEAKERS terminals by 10 dB by

setting this switch to “–10 dB”.

The maximum power (total power consumption of

components) that can be connected to the SWITCHED AC

OUTLETS is 100 watts.

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Connecting an external decoder for Dolby Digital, DTS and other future formats

or a DVD player, etc.

If you have a separate Dolby Digital, DTS or other format decoder, or if you have a DVD player or other component which

incorporates a Dolby Digital, DTS, or other format decoder, its 6 channel discrete outputs can be connected to the 6CH DISCRETE

INPUT terminals of this unit.

(Example)

T E

T P

M AIN

CENTER

S URROUND

Dolby Digital decoder

DIGITAL

6 CH DIS CRETE INP UT

DIGITAL

OUT

7 5 ΩUNBAL.

RF Demodulator

DOLBY DIGITAL

RF (AC-3 RF) IN

(

)

(

)

DOLBY DIGITAL

RF (AC-3 RF) OUT

VIDEO OUT

AUDIO OUT

Laserdisc player or other unit with

Dolby Digital RF (AC-3 RF) output

Notes

●

If you made no connection to the SUB WOOFER input

terminal of this unit or you will not use a subwoofer, you

should be able to make a setting on the decoder to

distribute SUB WOOFER channel signals to the right and

left MAIN output terminals.

●

The laserdisc player (or other unit) must be also connected

to the DVD/LD (or TV/DBS) AUDIO SIGNAL input terminals

of this unit to play a source encoded with Dolby Pro Logic

Surround or in normal stereo (or monaural).

The discrete signals input to this unit cannot be recorded by

a tape deck, MD recorder or VCR. To record a source

played on the laserdisc player (or another unit), it must be

connected to the DVD/LD (or TV/DBS) AUDIO/VIDEO

SIGNAL input terminals of this unit.

●

For details, refer to the owner’s manual supplied with the

decoder.

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CONNECTING SPEAKERS

Main speakers A

Main speakers B

Right

Left

Right

L E

Ω

Subwoofer system

(

)

Ω

Right

Left

Center speaker

Rear speakers

Note

Use speakers with the specified impedance shown on the

rear of this unit.

Note on main speaker connections:

One or two speaker systems can be connected to this unit. If

you use only one speaker system, connect it to either the

SPEAKERS A or B terminals.

Note on subwoofer connection:

You may wish to add a subwoofer to reinforce low frequencies

or to output low bass sound from the subwoofer channel when

reproducing discrete signals.

Connect the SUBWOOFER OUTPUT terminal of this unit to

the input terminal of the subwoofer amplifier, and connect the

speaker terminals of the subwoofer amplifier to the subwoofer.

With some subwoofers, including the Yamaha Active Servo

Processing Subwoofer System, the amplifier and subwoofer

are in the same unit.

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How to Connect:

Connect the SPEAKERS terminals to your speakers with wire of the proper gauge, cut as short as possible. If the connections are

faulty, no sound will be heard from the speakers. Make sure that the polarity of the speaker wires is correct, that is the + and –

markings are observed. If these wires are reversed, the sound will be unnatural and lack bass.

Caution

Do not let the bare speaker wires touch each other or any metal part of this unit.This could damage this unit and/or

speakers.

To connect to the MAIN SPEAKERS terminals

<U.S.A., Canada, Australia, China and General models

only>

Red: positive (+)

Black: negative (–)

Banana Plug connections are also possible. Simply insert the

Banana Plug connector into the corresponding terminal.

1 Unscrew the knob.

2 Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

3 Tighten the knob and

secure the wire.

To connect to the REAR and CENTER SPEAKERS

terminals

Red: positive (+)

Black: negative (–)

1 Press the tab.

2 Insert the bare wire.

[Remove approx. 5mm

(1/4”) insulation from

the speaker wires.]

3 Release the tab and

secure the wire.

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SUBWOOFER OUTPUT terminal

This terminal is for connecting to the input terminal of an

amplifier driving a subwoofer.

This terminal outputs low frequencies from the main and center

channels. (The cut-off frequency of signals output from this

terminal is 150 Hz.)

When 6 channel discrete signals are input to this unit and are

selected as the input source, this terminal outputs signals from

the subwoofer channel.

IMPEDANCE SELECTOR switch

Be sure to switch this only when the power to this unit is not

on.

(Left position)

Select the position whose requirements your speaker system

meets.

Main: If you use one pair of main speakers, the impedance

of each speaker must be 4Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 8Ω or higher.

WARNING

Do not change the IMPEDANCE SELECTOR switch

setting while the power to this unit is on, otherwise this

unit may be damaged.

Center: The impedance of the speaker must be 6Ω or higher.

Rear:

The impedance of each speaker must be 6Ω or

higher.

IF THIS UNIT FAILS TO TURN ON WHEN THE STANDBY/

ON SWITCH IS PRESSED, the IMPEDANCE SELECTOR

switch may not be set to either end closely. If so, set the

switch to either end closely.

(Right position)

Main: <Except for Canada model>

If you use one pair of main speakers, the impedance

of each speaker must be 8Ω or higher.

If you use two pairs of main speakers, the impedance

of each speaker must be 16Ω or higher.

LT A

L E

The impedance of each speaker must be 8Ω or

higher.

Center: The impedance of the speaker must be 8Ω or higher.

L E

Rear: The impedance of each speaker must be 8Ω or

Ω

higher.

Ω

I0 0 W M AX. TOTAL

S W ITCHED

IMPEDANCE SELECTOR

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ANTENNA CONNECTIONS

●

Each antenna should be connected to the designated terminals correctly, referring to the following diagram.

Both AM and FM indoor antennas are included with this unit. In general, these antennas will probably provide sufficient signal

strength. Nevertheless, a properly installed outdoor antenna will give clearer reception than an indoor one. If you experience poor

reception quality, an outdoor antenna may result in improvement.

●

Outdoor FM antenna

Outdoor AM antenna

Indoor FM

antenna

(included)

AM loop

antenna

(included)

7 5 Ω

UNBAL.

75-ohm/300-ohm

antenna adapter

75-ohm coaxial cable

75-ohm/300-ohm

antenna adapter

300-ohm feeder

Ground

Connecting the AM loop antenna

Orient so that the best

reception is obtained.

The AM loop antenna should be placed apart from the main unit. The antenna may be hung on a wall.

The AM loop antenna should be kept connected, even if an outdoor AM antenna is connected to this unit.

GND terminal

For maximum safety and minimum interference, connect the

GND terminal to a good earth ground. A good earth ground is a

metal stake driven into moist earth.

Notes

●

When connecting the indoor FM

antenna, insert its connector into

the FM ANT terminal firmly.

If you need an outdoor

●

FM antenna to improve

FM reception quality, either

300-ohm feeder or coaxial cable

may be used. In locations

troubled by electrical interference, coaxial cable is

preferable.

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CONTROLS AND THEIR FUNCTIONS

FRONT PANEL

⁄@ ¤#

‹

L U

/L D

TAP E/ M D

M ONITOR

–d

L E

L A

OFF

‡ *

° (

· ) ‚ _ —

›

ﬂ

ﬁ

¤ TUNING MODE (AUTO/MAN’L MONO) button

~ STANDBY/ON switch

Press this button to switch the tuning mode to automatic or

manual. To select the automatic tuning mode, press this button

so that the AUTO indicator lights up on the display. To select

the manual tuning mode, press this button so that the AUTO

indicator goes off.

Press this switch to turn the power to this unit on. Press it again

to put this unit in the standby mode.

In STANDBY, this unit consumes a very small quantity of

power to receive infrared signals from the remote control

transmitter.

# FM/AM button

Press this button to switch the reception band to FM or AM.

Ÿ Remote control sensor

Receives signals from the remote control transmitter.

‹ Input selector buttons

Select a program source to listen to or watch. When a button is

pressed, the name of selected source appears on the display.

! Display panel

Shows various information. (Refer to page 16.)

When either the TV/DBS or DVD/LD input source is selected,

pressing the same selector button repeatedly switches the

input signals between 2 channel stereo signals and 6 channel

discrete signals. When switched to “6ch”, discrete signals from

the unit connected to the 6CH DISCRETE INPUT terminals of

this unit are selected as the input signals.

⁄ MEMORY (MAN’L/AUTO FM) button

Press this button to preset AM and FM radio frequencies

manually. (Refer to page 27.)

When this button is pressed and held for more than 3 seconds,

automatic preset tuning begins. (Refer to page 28.)

$ VOLUME control

Use to raise or lower the volume level.

@ EDIT button

This button is used to exchange the places of two preset

stations with each other. (Refer to page 29.)

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› PHONES jack

To listen with headphones, connect the headphones to the

PHONES jack. The sound output from the PHONES jack is the

same as that from the main speakers.

( EON button HTR-5130RDS only

Press this button to select a specified program type (NEWS,

INFO, AFFAIRS, SPORT) when you want to locate a radio

program of that type automatically. (Refer to page 34.)

When listening with headphones privately, set both the

SPEAKERS A and B switches to the OFF position and switch

off the digital sound field processor (so that no DSP program

indicator is lit in the display) by pressing the EFFECT button.

· TUNING DOWN/UP button

Use for tuning radio stations. Press the UP side to tune in to

higher frequencies, and press the DOWN side to tune in to

lower frequencies.

E S

HTR-5130RDS only When this unit is in the PTY SEEK mode,

press either side of this button to change the currently selected

program type.

) DSP program selector buttons

Select a DSP program. When a button is pressed, the name of

selected program lights up on the display. (Refer to page 35.)

% SPEAKERS switches

‚ EFFECT button

Set the switch A or B (or both A and B) for the main speaker

system (connected to this unit) you will use to the ON position.

Set the switch for the main speaker system you will not use to

the OFF position. (Refer to page 25.)

Switches the digital sound field processor on and off (including

the Dolby Pro Logic Surround decoder). (Refer to page 36.)

_ CENTER MODE button

Selects a center channel output mode (NORMAL, WIDE or

PHANTOM). (Refer to page 20.)

ﬁ A/B/C/D/E button

Press this button to select a desired group (A–E) of preset

stations. (Refer to page 27.)

— DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/–

buttons

^ Preset station number selector buttons

Adjust the delay time (DELAY), the center channel output level

(CENTER), the rear channel output level (REAR) and the

output level to the SUBWOOFER OUTPUT terminal (SWFR).

Select the item which you want to adjust by pressing the

DELAY/CENTER/REAR/SWFR button and adjust its time or

level by pressing the TIME/LEVEL +/– button. (Refer to pages

25, 37, and 38.)

Press to select a preset station number (1 to 8). (Refer to page

27.)

ﬂ Tone controls

These controls are effective only for the sound from the main

speakers. (Refer to page 25.)

BASS

Used to increase or decrease the low frequency response.

The 0 position produces flat response.

TREBLE

Used to increase or decrease the high frequency response.

The 0 position produces flat response.

& BALANCE control

This control is effective only for the sound from the main

speakers.

Adjusts the balance of the output volume to the left and right

speakers to compensate for sound imbalance caused by

speaker location or listening room conditions. (Refer to page

25.)

‡ RDS MODE/FREQ button HTR-5130RDS only

When an RDS station is received, pressing this button

repeatedly changes the display to the PS mode, PTY mode,

RT mode, CT mode (RDS services subject to availability), and

station frequency in turn. (Refer to page 32.)

* PTY SEEK MODE button HTR-5130RDS only

When this button is pressed, the unit turns into the PTY SEEK

mode. (Refer to page 33.)

° PTY SEEK START button HTR-5130RDS only

Press this button to begin searching for a station after the

desired program type is selected in the PTY SEEK mode.

(Refer to page 33.)

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DISPLAY PANEL

Ÿ ! ⁄

@ ¤

S L E E P

S TEREO

N O R M

W ID E

m s dB

k H z

P H A N T O M

E F F E C T O F F

M H z

P RO LOGIC CONCERT M ONO DIS CO

ROCK CONCERT

M E M O R Y A U T O P T Y H O L D

ENHANCED VIDEO M OVIE TV S P ORTS CONCERT HALL

T A P E M O N

T Y

R T

C T E O N

‹

ﬂ

› % ﬁ

~ Multi-information display

‹ MEMORY indicator

Displays various information, for example station frequency,

preset station number and name of selected input source.

When the MEMORY button is pressed, this indicator flashes for

about 5 seconds. During this period, the displayed station can

be programmed to the memory by using the A/B/C/D/E button

and the preset station number selector buttons.

Ÿ STEREO indicator

Lights up when an FM stereo broadcast with sufficient signal

strength is received.

$ RDS mode indicators HTR-5130RDS only

The name(s) of RDS mode(s) employed by the currently

received RDS station light(s) up. Illumination of the indicator on

the head of a name shows that the corresponding RDS mode

is now selected.

! Signal-level meter

Indicates the signal level of the received station.

If multipath interference is detected, the indication decreases.

› PTY HOLD indicator HTR-5130RDS only

Lights up while the search is performed in the PTY SEEK

mode.

⁄ SLEEP indicator

Lights up while the built-in SLEEP timer is functioning.

@ Center channel mode indicators

The name of a selected center channel mode lights up only

when a program which uses Dolby Pro Logic Surround is

selected.

% EON indicator HTR-5130RDS only

Lights up when an RDS station that employs the EON data

service is received.

ﬁ Program type name indicators HTR-5130RDS only

¤ EFFECT OFF indicator

Lights up if neither the digital sound field processor nor the

Dolby Pro Logic Surround decoder is on. In this state, sound

output is 2-channel stereo.

The name selected in the EON mode lights up.

^ TAPE MON indicator

Lights up when the tape deck (or MD recorder, etc.) is selected

as the input source by pressing the TAPE/MD MONITOR

button.

# AUTO indicator

Lights up when this unit is in the automatic tuning mode.

ﬂ DSP program indicators

The name of a selected DSP program lights up when the built-

in digital sound field processor or the Dolby Pro Logic Surround

decoder is on.

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REMOTE CONTROL TRANSMITTER

The remote control transmitter provided with this unit is designed to control all the most commonly used functions of this unit. If the

CD player and tape deck connected to this unit are YAMAHA components designed for remote control compatibility, then this remote

control transmitter will also control various functions of each component.

L A

–

L E

‹

/L D

L A

A/ B/ C/ D/

–

L A

L U

L E

⁄

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For Control of This Unit

# Program selector keys

~ DELAY/CENTER/REAR/SWFR and TIME/LEVEL +/–

keys

PROGRAM:

Adjust the delay time (DELAY), the center channel output level

(CENTER), the rear channel output level (REAR) and the

output level to the SUBWOOFER OUTPUT terminal (SWFR).

Select the item which you want to adjust by pressing the

DELAY/CENTER/REAR/SWFR key and adjust the time or

level by pressing the TIME/LEVEL +/– key. (Refer to pages 25,

37 and 38.)

When the built-in digital sound field processor (including the

Dolby Pro Logic Surround decoder) is on, this key changes the

currently selected DSP program whenever the right or left side

of this key is pressed.

PROLOGIC:

Directly selects the

PRO LOGIC program.

Ÿ Tuner keys

ENHANCED:

Directly selects the

Use to tune stations or to select a preset station.

PRESET +: Selects higher preset station number.

PRESET –: Selects lower preset station number.

A/B/C/D/E: Selects the group (A-E) of preset station numbers.

PRO LOGIC ENHANCED program.

‹ EFFECT ON/OFF key

Switches the digital sound field processor on and off (including

the Dolby Pro Logic Surround decoder). (Refer to page 36.)

! SLEEP timer key

Use to turn the built-in SLEEP timer on and off, and to set the

SLEEP time. (Refer to page 39.)

$ TEST key

Used for speaker balance adjustment. (Refer to pages 19–21.)

⁄ POWER /I key

Turns the power to this unit on and puts this unit into the

standby mode alternately.

For Other Component Control

@ VOLUME +/– keys

Turn the volume level up and down.

Identify the remote control transmitter keys with your

component’s keys. If these keys are identical, their functions

will be the same. For each key function, refer to the instruction

manual supplied with the appropriate component.

¤ Input selector keys

Use to select the input source.

When the TV/DBS or DVD/LD input source is selected,

pressing the same key (TV/DBS or DVD/LD) switches the input

signals between 2 channel stereo signals and 6 channel

discrete signals. When switched to “6ch”, discrete signals from

the unit connected to the 6CH DISCRETE INPUT terminals of

this unit are selected as the input signals.

1 Tape deck keys

Use to control a cassette deck.

* DIR A, B and A/B are applicable only to double

cassette tape deck.

* For a single cassette deck with automatic reverse

function, pressing DIR A will reverse the direction of

tape running.

2 CD player keys

Use to control a compact disc player.

* DISC is applicable only to a compact disc changer.

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SPEAKER BALANCE ADJUSTMENT

This procedure lets you adjust the sound output level balance between the main, center, and rear speakers using the built-in test

tone generator. When this adjustment is performed, the level heard at the listening position should sound the same from each

speaker. This is important for the best performance of the digital sound field processor and the Dolby Pro Logic Surround decoder.

–

A/ B/ C/ D/

–

L U

Select the main speakers to be used.

E A K E R S

OFF

–d

If you use two main speaker systems, press both the A

and B switches.

Set VOLUME to the minimum level (– ∞ dB).

Turn the power on.

T R E B L E

L A

T A N

Y /O

Set BASS, TREBLE and BALANCE to the “0” position.

T E

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–

A/ B/ C/ D/

–

6 7

Turn up the volume.

Select the center channel output mode suitable for your

speaker configuration.

(Refer to “SPEAKER CONFIGURATION” on page 7.)

L U

NORMAL

WIDE

–d

PHANTOM

You will hear a test tone (like pink noise) in order from the

left main speaker, the center speaker, the right main

speaker, and then the rear speakers for about two seconds

each. The display changes as shown below.

On the feature of each mode, refer to the “Note” shown

below.

Main (L)

Center

Note

In step 6, when you select a center channel output mode, note

the following.

For 5 speaker configuration

NORMAL: Select this mode when you use a center speaker

that is smaller than the main speakers. In this

mode, the bass tone will be output from the main

speakers.

Rear (L and R)

Main (R)

WIDE:

Select this mode when you use a center speaker

approximately the same size as the main

speakers.

The test tone from the left rear speaker and the right rear

speaker will be heard at the same time.

For 4 speaker configuration

PHANTOM: Select this mode when you do not use the center

speaker. The center speaker sound will be output

from the left and right main speakers.

Adjust the BALANCE control so that the sound output

level of the left main speaker and the right main

speaker are the same.

L A

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MAIN LEVEL switch HTR-5130RDS only

If the main speakers are distinctly louder than the rear

speakers even after making balance adjustments, it is

possible to decrease the output level of the MAIN SPEAKERS

terminals by 10 dB by setting this switch to “–10 dB”.

Otherwise, keep this switch set to “0 dB”.

Adjust the sound output levels of the center speaker

and the rear speakers so that they sound as similar as

possible to the level of the main speakers.

M AIN

LEVEL

Make the adjustment of each speaker output level at your

listening position with the remote control transmitter.

-1 0 dB 0 dB

a) Press once or more so that “CENTER” or “REAR”

appears on the display.

* Select “CENTER” to adjust the output level of the

center speaker, and select “REAR” to adjust the

output level of the rear speakers.

L A

T E

b) Adjust the level.

* Pressing the + side raises the level and the – side

lowers the level.

T IM

L E

–

Cancel the test tone.

T E

Disappears.

Notes

●

Once you have completed these adjustments, you can

adjust the overall sound level of your audio system by using

the VOLUME control (or the VOLUME keys on the remote

control transmitter) only.

●

If you use external power amplifiers, you may also use their

volume controls to achieve proper balance.

In step 9, if the center channel mode is in the “PHANTOM”

position, the sound output level of the center speaker cannot

be adjusted, because the center sound is automatically

output from the left and right main speakers.

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From page 22 to 38, this manual describes how to operate this unit mainly by using the front panel control parts.

To operate this unit on the remote control transmitter, use the corresponding keys on the remote control transmitter.

BASIC OPERATIONS

TO PLAY A SOURCE

1, 6

L U

Play the source. (For detailed information on tuning

operations, refer to page 26.)

L U

–d

Set VOLUME to the minimum level (– ∞ dB).

Turn the power on.

–d

Adjust to the desired output level.

T A N

Y /O

If desired, adjust BASS, TREBLE and BALANCE (refer

to page 25), and/or use the digital sound field

processor. (Refer to page 36.)

Select the desired input source by using the input

selector buttons.

(For video sources, turn the TV/monitor ON.)

Notes on using the input selector buttons

●

Note that pressing each input selector button selects the

source which is connected to the corresponding input

terminals on the rear panel.

TAP E/ M D

M ONITOR

T U N E R

H O

●

The selection of TAPE/MD MONITOR cannot be canceled

by pressing another input selector button. To cancel it, press

TAPE/MD MONITOR again so that the TAPE MON indicator

disappears from the display.

The name of the selected input source will appear on

the display.

When you select a button other than TAPE/MD

MONITOR, make sure that the TAPE MON indicator is not

illuminated on the display.

●

If you select the input selector button for a video source

without canceling the selection of TAPE/MD MONITOR, the

playback result will be the video image from the video

source and the sound from the audio tape (or MD, etc.).

Once you play a video source, its video image will not be

interrupted even if the input selector button for an audio

source is selected.

Select the main speakers to be used.

E A K E R S

OFF

When you finish using this unit

Press the STANDBY/ON switch on the front panel again or the

If you use two main speaker systems, press both the

A and B switches.

POWER /I key on the remote control transmitter to put this

unit in the standby mode.

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To listen to a source with Dolby Digital, DTS or other future format by reproducing the

decoded signals input at the 6CH DISCRETE INPUT terminals of this unit.

In step 3 on page 22, press either the DVD/LD or TV/DBS

button once or more so that “6ch” appears in the display.

Discrete signals from the component connected to the 6CH

DISCRETE INPUT terminals of this unit are selected as the

input signals.

To stop listening to a decoded source with Dolby

Digital, DTS, or other future format

Press the DVD/LD or TV/DBS button again to switch the input

from six channel input to two channel input or select another

input source. When two channel input is selected, the 6CH

DISCRETE INPUT terminals are not used.

Notes on reproducing discrete signals with Dolby Digital,

DTS, or other future format:

D V D /L D

D V D

T V

D B

T V

D B

V C

1. Your speaker system must include a center speaker.

2. Your speaker system should include a subwoofer.

* Connect a subwoofer which has a built-in amplifier

directly to the SUBWOOFER OUTPUT terminal of this

unit. For more details on hooking up a subwoofer to this

unit, refer to pages 10 and 12.

TAP E/ M D

M ONITOR

M O

H O

U N E R

H O

* If you do not have a subwoofer in your system, it may be

possible to make a setting on the Dolby Digital, DTS, or

other future format decoder to distribute LFE channel

signals to the right and left MAIN output terminals.

For details, refer to the owner’s manual supplied with

your decoder.

Notes

●

When you switch to the “6ch” mode, the built-in digital sound

field processor (DSP) will not work and adjustments to delay

time settings cannot be made.

●

Switching this unit to the “6ch” mode will input no signal to

this unit if there is no connection made to the 6CH

DISCRETE INPUT terminals of this unit.

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TO RECORD A SOURCE TO TAPE OR MD

4 2

Select the source to be recorded.

Begin recording on the tape deck (or MD recorder, etc.)

or VCR connected to this unit.

TAP E/ M D

M ONITOR

T U N E R

H O

If the tape deck (or MD recorder, etc.) is used for

recording, you can monitor the sounds being recorded

by pressing TAPE/MD MONITOR so that the “TAPE

MON” indicator lights up on the display.

D V D /L D

T V

D B

Play the source and then turn the VOLUME control up

to confirm the input source. (For detailed information

on tuning operations, refer to the page 26.)

TAP E/ M D

M ONITOR

H O

L U

Notes

●

The settings of DSP and the VOLUME, BASS, TREBLE and

BALANCE controls have no effect on the material being

recorded.

–d

●

In step 1, do not make an input source selection so that

“6ch” appears on the display. Signals input to this unit’s 6CH

DISCRETE INPUT terminals cannot be recorded by a tape

deck, MD recorder or VCR.

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Selecting the SPEAKER system

Adjusting the BASS and TREBLE

controls

Because one or two speaker systems (as main speakers) can

be connected to this unit, the SPEAKERS switches allow you

English

to select speaker system A or B, or both at once.

T R E B L E

E A K E R S

OFF

BASS

: Turn this clockwise to increase (or counterclockwise

to decrease) the low frequency response.

TREBLE : Turn this clockwise to increase (or counterclockwise

Adjusting the BALANCE control

to decrease) the high frequency response.

Adjust the balance of the output volume to the left and right

speakers to compensate for sound imbalance caused by

speaker location or listening room conditions.

Note

These controls are effective only for the sound from the main

speakers.

L A

Note

This control is effective only for the sound from the main

speakers.

Adjusting the subwoofer output level

If your audio system includes a subwoofer, and an amplifier driving the subwoofer (or a subwoofer system including an amplifier) is

connected to the SUBWOOFER OUTPUT terminal on the rear of this unit, you can adjust the subwoofer output level on this unit.

1 Press once or more so that “SWFR” appears on the display.

L A

2 By continuously pressing the “+” or “–” side of the TIME/

LEVEL button, the level value changes continuously.

If you feel that bass tone is insufficient, increase the level,

and if you feel that bass tone is overly emphasized,

decrease the level.

Adjustable

Control range: MIN, –20 to 0 dB

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TUNING OPERATIONS

Normally, if station signals are strong and there is no interference, quick automatic-search tuning (AUTOMATIC TUNING) is

possible. However, if signals of the station you want to select are weak, you must tune to it manually (MANUAL TUNING).

3 2

MANUAL TUNING

AUTOMATIC TUNING

Select “TUNER” as the input source.

TAP E/ M D

M ONITOR

T U N E R

H O

TAP E/ M D

M ONITOR

T U N E R

H O

Select the reception band (FM or AM) confirming it in

the display.

Select the reception band (FM or AM) confirming it in

the display.

F M

T U

A U T O

Turn the “AUTO”

indicator off.

Tune to a desired station manually.

To tune to a higher frequency, press the right side once.

To tune to a lower frequency, press the left side once.

For a continuous tuning search, press and hold the

button.

* If the station where tuning search stops is not the desired

one, press again.

Notes

* If the tuning search does not stop at the desired station

(because the signals of the station are weak), change to

the MANUAL TUNING method.

●

If you tune to an FM station manually, it is received in

monaural mode automatically to increase the signal quality.

HTR-5130RDS only When tuned to a station, the

frequency of the received station is shown on the display. If

an RDS station that employs PS data service is received,

the frequency is then replaced by the station name. Refer to

page 32 for details.

●

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PRESET TUNING

English

MANUAL PRESET TUNING

This unit can store station frequencies selected by tuning operation. With this function, you can recall any desired station by

selecting the preset station number where it is stored. Up to 40 stations (5 groups of 8 stations) can be stored.

2 , 1 4 , 2

To store stations

To recall a preset station

Select the group of preset stations.

Tune to a desired station.

(Refer to the previous page for tuning procedure.)

A /B /C /D /E

Select a desired group (A – E) of preset stations

confirming it in the display.

A /B /C /D /E

Select the preset station number.

E M

M E M O R Y

' L

Notes

Flashes on and off for

about 5 seconds.

●

A new setting can be programmed to replace a former

setting.

●

For presets, the setting of the reception mode (stereo or

monaural) is stored along with the station frequency.

Select a preset station number where you want to

program the station while the “MEMORY” indicator

appears in the display.

Memory back-up

The memory back-up circuit prevents the programmed data

from being lost even if this unit is put in the standby mode, the

power plug is disconnected from the AC outlet, or the power is

cut due to temporary power failure. If, however, the power is

cut for more than one week, the memory may be erased. If so,

it can be re-programmed by simply following the PRESET

TUNING steps.

S TEREO

CONCERT HALL

Shows the displayed station has been

programmed to A1.

In the same way, program other stations to A2, A3 ... A8.

You can program more stations to preset station numbers

on other groups in the same way by selecting other

groups in step 2.

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AUTOMATIC PRESETTUNING

You can also make use of an automatic preset tuning function for FM stations only. With this function, this unit performs automatic

tuning and stores stations with strong signals sequentially. Up to 40 stations are stored automatically in the same way as in the

manual preset tuning method on page 27.

HTR-5130RDS only Automatic preset tuning stores only RDS stations. Refer to pages 30 to 34 for details on RDS stations.

2 1 3

To store stations

When the automatic preset tuning concludes

The display shows the frequency of the last preset station.

Check the contents and the number of preset stations by

following the procedure of the section “To recall a preset

station” on page 27.

F M

To recall a preset station

Follow the procedure in the section “To recall a preset station”

on page 27.

E M

HTR-5130RDS only A recalled station is shown by the

frequency or station name in the display.

HTR-5130 only A recalled station is shown by the

frequency in the display.

' L

E M

AUTO

Press and hold for

more than 3 seconds.

Flashes.

Notes

●

You can replace a preset station with another FM or AM

station manually by following the procedure in the section

“To store stations” on page 27.

If the number of received stations is not enough to be stored

up to E8, the search is finished automatically after searching

all frequencies.

With this function, only stations with sufficient signal strength

are stored automatically. If the station you want to program

is weak in signal strength, tune to it in monaural manually

and program it by following the procedure in the section “To

store stations” on page 27.

To tune to higher frequencies, press right side once.

To tune to lower frequencies, press left side once.

* If the TUNING button is not pressed for a while, automatic

preset tuning begins automatically toward higher

frequencies.

HTR-5130RDS only There may be a case that this

function cannot receive a station which could be received

by the automatic tuning method. This is because this

function receives a large volume of PI (Program

Identification) data along with the station.

Automatic preset tuning begins from the frequency currently

displayed. Received stations are programmed to A1, A2 ...

A8 sequentially.

* If more than 8 stations are received, they are programmed

to the preset station numbers in other groups in

alphabetical order.

If you want to store the first station received by the

automatic preset tuning to a desired preset station

number.

If, for example, you want to store the first received station to

C5, select “C5” by using the A/B/C/D/E button and the preset

station number selector buttons after pressing the MEMORY

button in step 2. Then press the TUNING button. The first

received station is stored to C5, and next stations to C6, C7 ...

sequentially.

If stations are stored up to E8, the automatic preset tuning is

automatically concluded.

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EXCHANGING PRESET STATIONS

You can exchange the places of two preset stations with each other as shown below.

English

2, 4

Example)

If you want to shift the preset station on E1 to A5, and vice

versa.

Recall the preset station on E1 (by following the

method in “To recall a preset station” on page 27).

E D IT

E M

Flashes.

Next, recall the preset station on A5 by following the

same method as step 1.

Shows the exchange of stations is completed.

E M

Flashes.

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In areas where RDS broadcasts cannot be received, the RDS broadcast functions do not operate. (The procedures from page 30 to

page 34 are not necessary.)

RECEIVING RDS STATIONS (HTR-5130RDS only)

RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations

using this system transmit an inaudible stream of data in addition to the normal radio signal.

RDS data contains various information, such as PI (Program Identification), PS (Program Service name), PTY (Program Type), RT

(Radio Text), CT (Clock Time), EON (Enhanced Other Networks), etc.

RDS function is carried out among the network stations.

* This unit utilizes PI, PS, PTY, RT, CT and EON to receive RDS broadcast stations.

Displaying RDS data

L E

S TEREO

m s dB

k H

P RO LOGIC CONCERT M ONO DIS CO

ROCK CONCERT

ENHANCED VIDEO M OVIE S TADIUM CONCERT HALL

_ET_OA P_F

_IRM_S

_ON

This unit can be turned into the following five modes to display

RDS data.

CT (Clock Time) mode:

PS (Program Service name) mode:

Displays current time. This signal comes from the RDS station

currently being received.

Displays the name of the RDS station currently being received

instead of the frequency.

EON (Enhanced Other Networks)

mode:

PTY (Program Type) mode:

Displays the type of the program on the RDS station currently

being received. There are 15 program types to classify RDS

stations. Refer to the next page for details.

Automatically receives a program of the designated program

type when its broadcast starts in place of the program currently

being received. When the broadcast of the called program

ends, the previously received program (or another program on

the same station) is recalled.

RT (Radio Text) mode:

Displays information about the program (such as title of the

song, name of the singer, etc.) on the RDS station currently

being received.

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English

Program types in the PTY mode

News:

Varied:

NEWS

VARIED

POP M

Short accounts of facts, events and publicly

expressed views, reportage and actuality.

Used for mainly speech-based programs

usually of light-entertainment nature, not

covered by above categories. Examples

are: quizzes, panel games, personality

interviews, comedy and satire.

Current affairs:

AFFAIRS

INFO

Topical program expanding or enlarging

upon the news, generally in different

presentation style or concept, including

documentary debate, or analysis.

Pop:

Commercial music, which would generally

be considered to be of current popular

appeal, often featuring in current or recent

record sales charts.

Information:

Program whose purpose is to impart advice

in the widest sense, including

meteorological reports and forecasts,

consumer affairs, medical help, etc.

Rock:

ROCK M

M.O.R. M

Contemporary modern music, usually

written and performed by young musicians.

Sport:

SPORT

Program concerned with any aspect of

sport.

M.O.R.:

(Middle of the Road Music). Common term

to describe music considered to be “easy-

listening”, as opposed to Pop, Rock or

Classical. Music in this category is often but

not always, vocal, and usually of short

duration (<5 min.).

Education:

Program intended primarily to educate, of

which the formal element is fundamental.

EDUCATE

Drama:

All radio plays and serials.

DRAMA

Light classics:

LIGHT M

Classical Musical for general, rather than

specialist appreciation. Examples of music

in this category are instrumental music, and

vocal or choral works.

Culture:

CULTURE

Programs concerned with any aspect of

national or regional culture, including

religious affairs, philosophy, social science,

language, theatre, etc.

Serious classics:

CLASSICS

OTHER M

Performances of major orchestral works,

symphonies, chamber music, etc., including

Grand Opera.

Science:

SCIENCE

Programs about the natural sciences and

technology.

Other music:

Musical styles not fitting into any of the

above categories. Particularly used for

specialist music, of which Jazz, Rhythm &

Blues, Folk, Country, and Reggae are

examples.

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Changing the RDS modes

When an RDS station is received, “PS”, “PTY”, “RT” and/or “CT” that correspond to the RDS data services employed by the station

light up in the display. By pressing the RDS MODE/FREQ button once or more, you can change the display mode among the RDS

modes employed by the received station in the order shown below. (The RDS mode not employed by the station cannot be

selected.) Illumination of the indicator at the head of a name of an RDS mode shows that the corresponding RDS mode is selected.

* When an RDS station is received, do not press the RDS MODE/FREQ button until one or more RDS mode names light up in the

display. If the button is pressed before one or more names light up in the display, the mode cannot be changed because the unit

has not received all of the RDS data on the station yet.

* If no RDS mode name lights up in the display, the mode cannot be changed.

PS mode

The name of the station being received is displayed.

If the station does not employ the PS data service, this mode cannot be

selected.

➤

PTY mode

The type of the program on the station being received is displayed. If

the station does not employ the PTY data service, this mode cannot be

selected.

(You can make this unit search for a station which is broadcasting a

program of your desired program type. For details, refer to the next

page.)

RT mode

Information about the program on the station being received is

displayed. Information is displayed by a maximum of 64 Roman

Alphabets including umlaut sign. If other characters are used on the RT

data, they are displayed with under-bars.

If the station does not employ the RT data service, this mode cannot be

selected.

CT mode

Current time is displayed in the following form. The CT data from the

station being received changes every minute.

Minute

Hour

If the data is accidentally cut off, “CT WAIT” may light up. If the station

does not employ the CT data service, this mode cannot be selected.

Frequency

The frequency of the station being received is displayed.

display mode

Notes

●

RDS data service cannot be utilized by this unit if the received signal is not strong enough. The RT (Radio Text) in particular

transmits a great deal of data and needs strong signal reception to be successfully transmitted, so it may occur that RT mode

cannot be displayed even if other RDS modes (PS, PTY, etc.) are displayed.

There may be a case that RDS data reception is not possible due to poor reception conditions. If so, press the TUNING MODE

button so that the “AUTO” indicator goes off from the display. Though the reception mode is changed to monaural by this

operation, when you change the display to an RDS mode, RDS data may be displayed.

If the signal strength becomes weakened by external interference during RDS station reception, the RDS data service may be cut

off suddenly and “...WAIT” will be displayed.

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Calling a program of your desired program type

from among preset RDS stations (PTY SEEK) (HTR-5130RDS only)

By designating a program type, the unit automatically searches all preset stations for an RDS station which broadcasts a program of

that program type.

* There are 15 program types to classify RDS stations. For details, refer to page 31.

1 3

Begin searching all preset RDS stations.

Put the unit in the PTY SEEK mode.

T Y

E E K

T Y

E E K

Flashes.

The program type of the station now being received or

“NEWS” flashes in the display.

Flashes.

Select the desired program type.

The PTY HOLD indicator lights up in the display.

●

If a station which broadcasts a program of the program

type is found, the unit stops at the station and the station

name (Program Service name) lights in the display.

If a station found is not one you want, press the PTY

SEEK START button once more. The unit begins

searching for another station which brodcasts a program

of the same program type.

●

To stop the search, press the PTY SEEK START button

once more.

To cancel this mode

If the PTY SEEK MODE button is pressed once more, the PTY

SEEK mode is canceled.

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Setting this unit to automatically tune a specified program type

when its broadcast starts (HTR-5130RDS only)

This function uses the EON (Enhanced Other Networks) data service on the RDS station network.

By selecting a desired program type (NEWS, INFO, AFFAIRS or SPORT), this unit automatically searches all preset RDS stations

for a station that broadcasts that type of program in the background of tuner operations. If found, the desired program type is

received when its broadcast starts in place of the program which was being received.

* This function can be used only when an RDS station that employs the EON data service is received. (When such a station is

received, the “EON” indicator lights up in the display.)

Make sure that the “EON” indicator is illuminated in the

display.

When the broadcast of the program ends, the

previously received program (or another program on

the same station) is recalled.

L E

TEREO

m s dB

L E

TEREO

m s dB

P RO LOGIC CONCERT

ENHANCED VIDEO

ONO DIS CO

ROCK CONCERT

OVIE

TADIUM CONCERT HALL

P RO LOGIC CONCERT

ENHANCED VIDEO

ONO DIS CO ROCK CONCERT

OVIE

TADIUM CONCERT HALL

* If the “EON” indicator is not illuminated in the display,

receive an (or another) RDS station so that the “EON”

indicator lights up in the display.

To cancel this function

Press the EON button once or more, so that no program type

name lights up in the display.

Select a desired program type, NEWS, INFO, AFFAIRS

or SPORT.

E O

TEREO

m s dB

P RO LOGIC CONCERT

ENHANCED VIDEO

Lights up.

Press once

or more.

The search is performed among all preset RDS stations in

the background. If a program is found, the program is

automatically received when its broadcast starts.

L E

TEREO

m s dB

P RO LOGIC CONCERT

ENHANCED VIDEO

ONO DIS CO ROCK CONCERT

OVIE

TADIUM CONCERT HALL

Flashes.

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USING DIGITAL SOUND FIELD PROCESSOR (DSP)

This unit incorporates a sophisticated, multi-program digital sound field processor. The processor allows you to electronically expand

and change the shape of the audio sound field from both audio and video sources, creating a theater-like experience in your

listening room. You can create an excellent audio sound field by selecting a suitable sound field program (this will, of course, depend

on what you will be listening to), and adding desired adjustments.

In addition, this unit incorporates a Dolby Pro Logic Surround decoder for multi-channel sound reproduction of sources encoded with

Dolby Surround. The operation of the Dolby Pro Logic Surround decoder can be controlled by selecting a corresponding DSP

program including a combined operation of Yamaha DSP and Dolby Pro Logic Surround.

Brief Overview of Digital Sound Field Programs

The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of

these are precise digital recreations of actual acoustic environments. The data for these sound fields was recorded at actual

locations using sophisticated sound field measurement equipment.

Note

The channel level balance between the left and right rear effect speakers may vary depending on the sound field you are

listening to.This is due to the fact that most of these sound field recreations are actual acoustic environments.

FEATURE

PROGRAM

PRO LOGIC

This program is used for playback of sources encoded with Dolby Surround.

The application of a sophisticated digital signal processing system reduces crosstalk and directs or steers

the sound source more smoothly and precisely, as compared to conventional types.

This program is also used for playback of sources encoded with Dolby Surround.

Enhancing the “Normal” Dolby Pro Logic, the DSP technology simulates the multi-surround speaker

systems of a 35 mm movie theater. This effect creates a wide surround sound field, and expands the

sound stage with an improved presence image. This program is used for musical based movies, as well

as drama and comedy based movies.

PRO LOGIC

ENHANCED

This program is effective for music videos and gives excellent depth and clarity for vocals. For opera, the

orchestra and stage are ideally recreated, letting you feel as if you were in an actual concert hall.

CONCERT VIDEO

MONO MOVIE

This program is designed specifically to enhance mono source programs. Compared to a strictly mono

setting, the sound image created in this mode is wider and slightly forward of the speaker pair, lending an

immediacy to the overall sound. It is particularly effective when used with old mono movies, news

broadcasts and dialog.

This program is furnished with a tight sound field in which the sound will not spread excessively on the

front side, but the rear surround side produces a dynamic sound expansion. This program is the most

suitable for sports programs.

TV SPORTS

DISCO

This program recreates the acoustic environment of a lively disco in the heart of a very lively city. The

sound is dense and highly concentrated. It is also characterized by a high-energy, “immediate” sound.

This program is ideally suited for rock music. You will experience a very dynamic or lively sound field.

ROCK CONCERT

CONCERT HALL

In this program, the center will appear to be deep behind the main speakers, creating an expansive large

hall ambience. Orchestra and opera music are suited for this sound field.

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Applying a digital sound field processor (DSP) effect to an audio source

–

–d

A/ B/ C/ D/

–

Notes

●

Program selection can be made to individual input sources.

Once you select a program, it is linked with the input source

selected at that time. So, the next time you select the input

source, the same program is automatically recalled.

If you prefer to cancel the DSP, press the EFFECT button.

The sound will be the normal 2-channel stereo without

surround sound effect.

When CONCERT VIDEO, MONO MOVIE, TV SPORTS,

DISCO, ROCK CONCERT or CONCERT HALL is selected,

no sound is heard from the center speaker.

When a monaural sound source is played with DOLBY PRO

LOGIC or DOLBY PRO LOGIC ENHANCED, no sound is

heard from the rear speakers.

When this unit’s Dolby Pro Logic Surround decoder is used,

if the main-source sound is considerably altered by

overadjustment of the BASS or TREBLE control, the

relationship between the center and rear channels may

produce an unnatural effect.

Follow steps 1 to 6 of the procedure shown in “TO

PLAY A SOURCE” on page 22.

●

Select a program that is suitable for the source.

L O

R O L O G IC

●

To select a DSP program on the remote control transmitter,

first turn the DSP on so that a program name lights up on

the display by pressing the EFFECT key. Next, select a

desired DSP program by pressing the

PROGRAM key.

side of

The selected mode indicator lights in the display.

If desired, adjust the delay time and the output level of

each speaker. (For details, refer to the descriptions on

pages 37 and 38.)

G R

Pressing the

PROLOGIC or ENHANCED key turns the

DSP on and selects the corresponding program directly.

L O

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Adjustment of the CENTER LEVEL

If desired, you can adjust the sound output level of the center

speaker even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on page 19.

Notes

●

This adjustment can be made only when the digital sound

field program DOLBY PRO LOGIC or DOLBY PRO LOGIC

ENHANCED is selected.

●

Once the output level is adjusted, the level value will be the

same in all the digital sound field programs mentioned

above.

1 Press repeatedly until “CENTER” appears on the display.

L A

2 Pressing and holding the “+” or “–” side of the TIME/LEVEL

button continuously changes the level value.

The value stops changing momentarily at the preset point

(0 dB).

Adjustable

Control range: MIN, –20 to +10 dB

Adjustment of the REAR LEVEL

If desired, you can adjust the sound output level of the rear

speakers even if the output level is already set in “SPEAKER

BALANCE ADJUSTMENT” on page 19.

Notes

●

This adjustment can be made only when the built-in digital

sound field processor is on.

●

Once the output level is adjusted, the level value will be the

same in all the digital sound field programs.

1 Press repeatedly until “REAR” appears on the display.

L A

2 Pressing and holding the “+” or “–” side of the TIME/LEVEL

button continuously changes the level value.

The value stops changing momentarily at the preset point

(0 dB).

Adjustable

Control range: MIN, –20 to +10 dB

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Adjustment of DELAY TIME

You can adjust the time difference between the beginning of

the sound from the main speakers and the beginning of the

effect sound from the rear speakers.

1 Press repeatedly until “DELAY” appears on the display.

L A

The larger the value, the later the effect sound is generated.

This adjustment can be made to all programs individually.

PRO LOGIC : from 15 to 30 milliseconds

(Preset value: 20 milliseconds)

PRO LOGIC : from 15 to 30 milliseconds

2 Pressing and holding the “+” or “–” side of the TIME/LEVEL

button continuously changes the value.

ENHANCED

(Preset value: 20 milliseconds)

The value stops changing momentarily at the preset point.

CONCERT VIDEO: from 1 to 100 milliseconds

(Preset value: 28 milliseconds)

MONO MOVIE

TV SPORTS

DISCO

: from 1 to 100 milliseconds

(Preset value: 20 milliseconds)

: from 1 to 50 milliseconds

(Preset value: 45 milliseconds)

: from 1 to 100 milliseconds

(Preset value: 14 milliseconds)

Adjustable

ROCK CONCERT : from 1 to 100 milliseconds

(Preset value: 17 milliseconds)

CONCERT HALL : from 1 to 100 milliseconds

(Preset value: 30 milliseconds)

Notes

●

When the TIME/LEVEL button is pressed, sound is

momentarily interrupted.

●

Adding too much delay will cause an unnatural effect with

some sources.

Note

The values of the delay time, center level, rear level and

subwoofer output level you set will remain memorized even

when this unit is in the standby mode.

However, if the power cord is kept disconnected for more than

one week, these values will be automatically changed back to

the original factory settings.

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SETTING THE SLEEP TIMER

If you use the SLEEP timer of this unit, you can have this unit automatically put in the standby mode after a set period of time.

When you want to go to sleep while enjoying a broadcast or other desired input source, this timer function is helpful.

Notes

●

The SLEEP timer can be controlled only with the remote control transmitter.

The components on which the SLEEP timer is effective are the sources connected to the SWITCHED AC OUTLET(S) on the rear

panel of this unit.

●

To set the SLEEP time

To cancel the selected SLEEP time

S LEEP

Press repeatedly until “SLEEP OFF” appears in the display. (It

will soon disappear and the “SLEEP” indicator will go off from

the display.)

Press repeatedly to select the desired

SLEEP time.

Note

The SLEEP timer setting can also be canceled by putting this

unit into the standby mode with the STANDBY/ON switch on

the front panel (or the POWER /I key on the remote control

transmitter) or disconnecting the power plug of this unit from

the AC outlet.

Indicates the SLEEP time.

L E

CONCERT HALL

Lights up.

Whenever the SLEEP key is pressed, the SLEEP time

will change as follows.

(Minutes)

120

The SLEEP timer is off (OFF).

(The state before the SLEEP

key is pressed.)

After a while, the display returns to the indication

displayed before the SLEEP timer was set.

The unit will be turned into the standby mode

automatically at the selected SLEEP time.

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TROUBLESHOOTING

If the unit fails to operate normally, check the following points to determine whether the fault can be corrected by the simple

measures suggested. If it cannot be corrected, or if the fault is not listed in the SYMPTOM column, disconnect the power cord and

contact your authorized YAMAHA dealer or service center for help.

SYMPTOM

CAUSE

REMEDY

Firmly plug in the power cord.

The unit fails to turn on when the

STANDBY/ON switch is pressed, or

turns into the standby mode suddenly

soon after the power is turned on.

Power cord is not plugged in or is not completely

inserted.

The IMPEDANCE SELECTOR switch on the rear

panel is not set to the right or the left end firmly.

Set the switch to the right or the left end firmly.

It happens that this unit does not work

normally.

There is an influence of strong external noise

(lightning, excessive static electricity, etc.) or a

misoperation on this unit while using this unit.

Turn this unit into the standby mode and disconnect the

AC power cord from the AC outlet. After about 30

seconds, connect the power and operate this unit again.

No sound or no picture.

Incorrect output cord connections.

Connect the cords properly. If the problem persists, the

cords may be defective.

Appropriate input source is not selected.

The SPEAKERS switches are not set properly.

Speaker connections are not secure.

Select an appropriate input source with the input

selector buttons.

Set the SPEAKERS switch which corresponds to the

speakers to be used to the ON position.

Secure the connections.

The sound suddenly goes off.

The protection circuit has been activated because of

short circuit etc.

Turn this unit into the standby mode, and then turn on

to reset the protection circuit.

The SLEEP timer has functioned.

Incorrect setting of the BALANCE control.

Incorrect cord connections.

Cancel the SLEEP timer function.

Adjust it to the appropriate position.

Only one side speaker outputs the

sound.

Connect the cords properly. If the problem persists, the

cords may be defective.

Incorrect cord connections.

Firmly connect the audio plugs. If the problem persists,

the cords may be defective.

Sound “hums”.

No connection from the turntable to the GND terminal.

Make the GND connection between the turntable and

this unit.

The record is being played on a turntable with an MC

cartridge.

The player should be connected to the unit through the

MC head amplifier.

The volume level is low while playing a

record.

The component connected to the REC OUT terminals

of this unit is turned off.

Turn the power to the component on.

The volume level cannot be increased,

or sound is distorted.

The sound output level to the rear speakers is set to

minimum.

Raise the sound output level to the rear speakers.

No sound from the rear speakers.

The monaural sound source is played in DOLBY PRO

LOGIC or DOLBY PRO LOGIC ENHANCED mode.

Select another program suitable for the monaural sound

source.

The sound output level to the center speaker is set to

minimum.

Raise the sound output level to the center speaker.

No sound from the center speaker.

The center channel mode is in PHANTOM mode.

Incorrect sound field program selection.

Select NORMAL or WIDE.

Select the appropriate program.

Because of the characteristics of FM stereo

broadcasts, this is limited to cases where the

transmitter is too far away or the antenna input is poor.

Check the antenna connections.

Try using a high quality directional FM antenna.

Set the TUNING MODE button to the manual tuning

mode.

FM stereo reception is noisy.

There is multipath interference.

Adjust antenna placement to eliminate multipath

interference.

There is distortion and clear reception

cannot be obtained even with a good

FM antenna.

The station is too weak.

Use the manual tuning method.

Use a high quality directional FM antenna.

A desired station cannot be tuned in

with the automatic tuning method.

This unit has been unplugged for a long period.

Weak signal or loose antenna connections.

Repeat the presetting procedure.

Previously preset stations can no

longer be tuned in.

Tighten the AM loop antenna connections and rotate it

for best reception.

A desired station cannot be tuned in

with the automatic tuning method.

Use the manual tuning method.

Noises will result from lightning, fluorescent lamps,

motors, thermostats and other electrical equipment.

Use an outdoor antenna and a ground wire. This will

help somewhat but it is difficult to eliminate all noise.

There are continuous crackling and

hissing noises.

A television set is being used nearby.

Relocate this unit away from the TV.

There are buzzing and whining noises

(especially in the evening).

Direct sunlight or lighting (of an inverter type of

fluorescent lamp etc.) is striking the remote control

sensor of the main unit.

Change the position of the main unit.

The remote control transmitter does not

work.

The batteries of this remote control transmitter are too

weak.

Replace the batteries with new ones.

Turn the power to this unit on.

This unit is in the standby mode.

The sound is degraded when listening

with the headphones connected to the

compact disc player or cassette deck

that are connected with this unit.

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SPECIFICATIONS

Input Sensitivity/Impedance

AUDIO SECTION

PHONO (MM) ...................................................... 2.5 mV/47 k-ohms

CD/TAPE·MD/DVD·LD/TV·DBS/VCR ................. 150 mV/47 k-ohms

6CH DISCRETE INPUT (EXTERNAL DECODER)

Minimum RMS Output Power per Channel (Power Amp. Section)

(When both channels are driven)

Main L, R

MAIN L/R ......................................................... 150 mV/47 k-ohms

CENTER ......................................................... 150 mV/40 k-ohms

REAR L/R ........................................................ 150 mV/40 k-ohms

SUBWOOFER................................................. 150 mV/40 k-ohms

8 ohms, 20 Hz to 20 kHz, 0.04% THD ......................... 60 W + 60 W

Center

8 ohms, 20 Hz to 20 kHz, 0.04% THD ......................................60 W

Rear L, R

8 ohms, 20 Hz to 20 kHz, 0.04% THD ......................... 60 W + 60 W

Maximum Input Signal

PHONO (MM)

Minimum RMS Output Power per Channel (Power Amp. Section)

1 kHz, 0.1% THD ................................................ 100 mV or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR (EFFECT ON)

1 kHz, 0.5% THD .................................................... 2.2 V or more

(When both channels are driven)

Main L, R

8 ohms, 1 kHz, 0.07% THD ......................................... 70 W + 70 W

Center

Output Level/Impedance

8 ohms, 1 kHz, 0.07% THD ......................................................70 W

Rear L, R

REC OUT ........................................................... 150 mV/2.7 k-ohms

SUBWOOFER (EFFECT OFF) ................................. 5 V/1.2 k-ohms

8 ohms, 1 kHz, 0.07% THD ......................................... 70 W + 70 W

Headphone Jack Rated Output Level/Impedance

Maximum Power (EIAJ) [China and General models only]

(1 kHz, 8 ohms, 150 mV) ..................................... 0.43 V/ 330 ohms

(When both channels are driven)

Main L, R

Frequency Response (20 Hz to 20 kHz)

8 ohms, 1 kHz, 10% THD ............................................ 95 W + 95 W

CD/TAPE·MD/DVD·LD/TV·DBS/VCR ...............................0 ± 0.5 dB

Center

8 ohms, 1 kHz, 10% THD .........................................................95 W

Rear L, R

RIAA Equalization Deviation

PHONO (MM) ...................................................................0 ± 0.5 dB

8 ohms, 1 kHz, 10% THD ............................................ 95 W + 95 W

Total Harmonic Distortion (20 Hz to 20 kHz)

Dynamic Power per Channel

PHONO (MM) to REC OUT

(by IHF Dynamic Headroom measuring method)

Main L, R

1 V ........................................................................... 0.02% or less

CD/TAPE·MD/DVD·LD/TV·DBS/VCR (EFFECT OFF) to SP OUT

30 W/8 ohms ......................................................... 0.025% or less

8 ohms ......................................................................... 80 W + 80 W

6 ohms ..................................................................... 100 W + 100 W

4 ohms ..................................................................... 120 W + 120 W

2 ohms .................................................................... 145 W + 145 W

Signal-to-Noise Ratio (IHF-A Network)

PHONO (MM) to REC OUT (5 mV Input Shorted)

[U.S.A., Canada, China, and General models] ...... 86 dB or more

[Australia, U.K., and Europe models] ..................... 81 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR to MAIN SP OUT

(150 mV Input Shorted, EFFECT OFF).................. 96 dB or more

DIN Standard Output Power per Channel [Europe model only]

Main L, R

4 ohms, 1 kHz, 0.7% THD ....................................... 100 W + 100 W

Center

4 ohms, 1 kHz, 0.7% THD ......................................................100 W

Rear L, R

Residual Noise (IHF-A Network)

MAIN L/R to SP OUT ................................................. 150 µV or less

4 ohms, 1 kHz, 0.7% THD ....................................... 100 W + 100 W

Channel Separation (Vol. –30 dB, EFFECT OFF)

PHONO

Dynamic Headroom [U.S.A. and Canada models only]

8 ohms ..................................................................................1.55 dB

(Input Shorted, 1 kHz/10 kHz) ........ 60 dB or more/55 dB or more

CD/TAPE·MD/DVD·LD/TV·DBS/VCR

IEC Power [Europe model only]

(Input 5.1 k-ohms shorted, 1 kHz/10 kHz)

....................................................... 60 dB or more/45 dB or more

Main L, R

8 ohms, 1 kHz, 0.04% THD ......................................... 65 W + 65 W

Tone Control Characteristics

Power Band Width

BASS:

Boost/cut ................................................... ±10 dB, 50 Hz

Turnover Frequency ..............................................350 Hz

Main L, R

8 ohms, 30 W, 0.1% THD ....................................... 10 Hz to 50 kHz

TREBLE: Boost/cut ................................................. ±10 dB, 20 kHz

Turnover Frequency ............................................. 3.5 kHz

Damping Factor (SPEAKERS A)

Main L, R

Filter Characteristics

8 ohms, 20 Hz to 20 kHz..................................................60 or more

Subwoofer (L.P.F.).........................................fc = 150 kHz, 6 dB/oct.

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VIDEO SECTION

AM SECTION

Video Signal Level ........................................................1 Vp-p/75 ohms

Tuning Range

[U.S.A. and Canada models] ....................................... 530 to 1710 kHz

[China and General models]

Maximum Input Level .................................................. 1.5 Vp-p or more

Signal-to-Noise Ratio ...................................................... 50 dB or more

Monitor Output Frequency Response ................ 5 Hz to 10 MHz, –3 dB

(frequency step 10 kHz) .......................................... 530 to 1710 kHz

(frequency step 9 kHz) ............................................ 531 to 1611 kHz

[Australia, U.K., and Europe models] ........................... 531 to 1611 kHz

Usable Sensitivity................................................................... 300 µV/m

FM SECTION

Tuning Range

Output Level

[U.S.A. and Canada models] ....................................87.5 to 107.9 MHz

[China and General models]

(30% mod., 1 kHz) ................................................................150 mV

(frequency step 100 kHz) .....................................87.5 to 108.0 MHz

(frequency step 50 kHz) ...................................87.50 to 108.00 MHz

[Australia, U.K., and Europe models] ................... 87.50 to 108.00 MHz

Signal-to-Noise Ratio ....................................................................52 dB

Antenna Input................................................................... Loop antenna

50 dB Quieting Sensitivity (S/N 50 dB, 1 kHz, 100% Mod.)

[U.S.A., Canada, China and General models only]

GENERAL

Power Supply

IHF, Mono............................................................................... 1.6 µV

IHF, Stereo .............................................................................. 23 µV

[U.K. and Europe models] ........................................... AC 230 V, 50 Hz

[U.S.A. and Canada models] ...................................... AC 120 V, 60 Hz

[Australia model] ......................................................... AC 240 V, 50 Hz

[China model] .............................................................. AC 220 V, 50 Hz

[General model] ................................. AC 110/120/220/240 V, 50/60 Hz

Usable Sensitivity (75 ohms)

[Australia, U.K., and Europe models only]

DIN, Mono (S/N 26 dB) .......................................................... 0.9 µV

DIN, Stereo (S/N 46 dB) ......................................................... 28 µV

Power Consumption

[U.K., Europe, China, Australia and General models] ..................260 W

[U.S.A. model] ..............................................................................240 W

[Canada model] ............................................................... 260 W/340 VA

Alternate Channel Selectivity (±400 kHz)

[U.S.A., Canada, China and General models only].......................75 dB

Selectivity (two signals, 40 kHz Dev. ±300 kHz)

Maximum Power Consumption (10% THD, When 5 channels are driven)

[General model only] ....................................................................630 W

[Australia, U.K., and Europe models only] ....................................55 dB

Signal-to-Noise Ratio (DIN-Weighted, 40 kHz Dev.)

[Australia, U.K., and Europe models only]

AC Outlets

2 SWITCHED OUTLETS

Mono/Stereo ................................................................. 75 dB/69 dB

[Europe, Canada, U.S.A., China and General models]

............................................................................... 100 W max. total

1 SWITCHED OUTLET

Signal-to-Noise Ratio (IHF)

[U.S.A., Canada, China and General models only]

Mono/Stereo ................................................................. 81 dB/75 dB

[U.K. and Australia models].................................... 100 W max. total

Dimensions (W x H x D) ........................................ 435 x 151 x 391 mm

(17-1/8” x 5-15/16” x 15-3/8”)

Harmonic Distortion

Mono/Stereo (1 kHz) ....................................................... 0.1%/0.2%

Weight ................................................................. 10.5 kg (23 lbs. 2 oz.)

Stereo Separation (1 kHz) ............................................................48 dB

Accessories ................................................................. AM loop antenna

Indoor FM antenna

Frequency Response

(20 Hz to 15 kHz) ..................................................................0 ±1 dB

75-ohm/300-ohm antenna adapter [U.K. model only]

Antenna adapter [U.S.A. and Canada models only]

Remote control transmitter

Output Level

[Australia, U.K., and Europe models]

Batteries

(40 kHz Dev., 1 kHz) .............................................................550 mV

[U.S.A., Canada, China and General models]

(100% mod., 1 kHz) ..............................................................550 mV

Specifications are subject to change without notice.

Antenna Input........................................................75 ohms unbalanced

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