DIGITAL PIANO
H01
Owner’s Manual
Bedienungsanleitung
Mode d’emploi
Manual de instrucciones
EN
DE
FR
ES
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IMPORTANT SAFETY INSTRUCTIONS
INFORMATION RELATING TO PERSONAL INJURY, ELECTRICAL SHOCK,
AND FIRE HAZARD POSSIBILITIES HAS BEEN INCLUDED IN THIS LIST.
8.
This product was NOT designed for use in wet/damp loca-
WARNING- When using any electrical or electronic product,
basic precautions should always be followed. These precautions
include, but are not limited to, the following:
tions and should not be used near water or exposed to rain.
Examples of wet/damp locations are; near a swimming pool,
spa, tub, sink, or wet basement.
1.
Read all Safety Instructions, Installation Instructions, Spe-
9.
This product should be used only with the components
cial Message Section items, and any Assembly Instructions
found in this manual BEFORE making any connections, includ-
ing connection to the main supply.
supplied or; a cart, rack, or stand that is recommended by the
manufacturer. If a cart, rack, or stand is used, please observe all
safety markings and instructions that accompany the accessory
product.
2.
Main Power Supply Verification: Yamaha products are
manufactured specifically for the supply voltage in the area
where they are to be sold. If you should move, or if any doubt
exists about the supply voltage in your area, please contact your
dealer for supply voltage verification and (if applicable) instruc-
tions. The required supply voltage is printed on the name plate.
For name plate location, please refer to the graphic found in the
Special Message Section of this manual.
10. The power supply cord (plug) should be disconnected
from the outlet when electronic products are to be left unused for
extended periods of time. Cords should also be disconnected
when there is a high probability of lightning and/or electrical
storm activity.
11. Care should be taken that objects do not fall and liquids are
not spilled into the enclosure through any openings that may exist.
3.
This product may be equipped with a polarized plug (one
blade wider than the other). If you are unable to insert the plug
into the outlet, turn the plug over and try again. If the problem
persists, contact an electrician to have the obsolete outlet
replaced. Do NOT defeat the safety purpose of the plug.
12. Electrical/electronic products should be serviced by a
qualified service person when:
a. The power supply cord has been damaged; or
b. Objects have fallen, been inserted, or liquids have been
spilled into the enclosure through openings; or
c. The product has been exposed to rain: or
d. The product dose not operate, exhibits a marked change
in performance; or
4.
Some electronic products utilize external power supplies
or adapters. Do NOT connect this type of product to any power
supply or adapter other than one described in the owners manual,
on the name plate, or specifically recommended by Yamaha.
e. The product has been dropped, or the enclosure of the
product has been damaged.
5.
WARNING: Do not place this product or any other
objects on the power cord or place it in a position where anyone
could walk on, trip over, or roll anything over power or connect-
ing cords of any kind. The use of an extension cord is not recom-
mended! If you must use an extension cord, the minimum wire
size for a 25’ cord (or less) is 18 AWG. NOTE: The smaller the
AWG number, the larger the current handling capacity. For
longer extension cords, consult a local electrician.
13. Do not attempt to service this product beyond that
described in the user-maintenance instructions. All other servic-
ing should be referred to qualified service personnel.
14. This product, either alone or in combination with an
amplifier and headphones or speaker/s, may be capable of pro-
ducing sound levels that could cause permanent hearing loss.
DO NOT operate for a long period of time at a high volume level
or at a level that is uncomfortable. If you experience any hearing
loss or ringing in the ears, you should consult an audiologist.
IMPORTANT: The louder the sound, the shorter the time period
before damage occurs.
6.
Ventilation: Electronic products, unless specifically
designed for enclosed installations, should be placed in locations
that do not interfere with proper ventilation. If instructions for
enclosed installations are not provided, it must be assumed that
unobstructed ventilation is required.
15. SomeYamaha products may have benches and/or accessory
mounting fixtures that are either supplied as a part of the product
or as optional accessories. Some of these items are designed to be
dealer assembled or installed. Please make sure that benches are
stable and any optional fixtures (where applicable) are well
secured BEFORE using. Benches supplied by Yamaha are
designed for seating only. No other uses are recommended.
7.
Temperature considerations: Electronic products should
be installed in locations that do not significantly contribute to
their operating temperature. Placement of this product close to
heat sources such as; radiators, heat registers and other devices
that produce heat should be avoided.
PLEASE KEEP THIS MANUAL
92-469-2
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PRECAUTIONS
PLEASE READ CAREFULLY BEFORE PROCEEDING
* Please keep this manual in a safe place for future reference.
WARNING
Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical
shock, short-circuiting, damages, fire or other hazards. These precautions include, but are not limited to, the following:
Power supply/Power cord
Water warning
• Only use the voltage specified as correct for the instrument. The required voltage
is printed on the name plate of the instrument.
• Do not expose the instrument to rain, use it near water or in damp or wet
conditions, or place containers on it containing liquids which might spill into
any openings.
• Check the electric plug periodically and remove any dirt or dust which may have
accumulated on it.
• Never insert or remove an electric plug with wet hands.
• Use only the supplied power cord/plug.
Fire warning
• Do not place the power cord near heat sources such as heaters or radiators, and
do not excessively bend or otherwise damage the cord, place heavy objects on
it, or place it in a position where anyone could walk on, trip over, or roll anything
over it.
• Do not put burning items, such as candles, on the unit.
A burning item may fall over and cause a fire.
If you notice any abnormality
Do not open
• If the power cord or plug becomes frayed or damaged, or if there is a sudden
loss of sound during use of the instrument, or if any unusual smells or smoke
should appear to be caused by it, immediately turn off the power switch,
disconnect the electric plug from the outlet, and have the instrument inspected
by qualified Yamaha service personnel.
• Do not open the instrument or attempt to disassemble the internal parts or
modify them in any way. The instrument contains no user-serviceable parts. If it
should appear to be malfunctioning, discontinue use immediately and have it
inspected by qualified Yamaha service personnel.
CAUTION
Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others, or damage
to the instrument or other property. These precautions include, but are not limited to, the following:
Power supply/Power cord
Location
• When removing the electric plug from the instrument or an outlet, always hold
the plug itself and not the cord. Pulling by the cord can damage it.
• Do not expose the instrument to excessive dust or vibrations, or extreme cold or
heat (such as in direct sunlight, near a heater, or in a car during the day) to
prevent the possibility of panel disfiguration or damage to the internal
components.
• Remove the electric plug from the outlet when the instrument is not to be used
for extended periods of time, or during electrical storms.
• Do not use the instrument in the vicinity of a TV, radio, stereo equipment, mobile
phone, or other electric devices. Otherwise, the instrument, TV, or radio may
generate noise.
• Do not connect the instrument to an electrical outlet using a multiple-connector.
Doing so can result in lower sound quality, or possibly cause overheating in the
outlet.
• Do not place the instrument in an unstable position where it might accidentally
fall over.
Assembly
• Before moving the instrument, remove all connected cables.
• Read carefully the attached documentation explaining the assembly process.
Failure to assemble the instrument in the proper sequence might result in
damage to the instrument or even injury.
• When setting up the product, make sure that the AC outlet you are using is easily
accessible. If some trouble or malfunction occurs, immediately turn off the
power switch and disconnect the plug from the outlet. Even when the power
switch is turned off, electricity is still flowing to the product at the minimum
level. When you are not using the product for a long time, make sure to unplug
the power cord from the wall AC outlet.
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H01 Owner’s Manual
4
Connections
Using the bench (If included)
• Before connecting the instrument to other electronic components, turn off the
power for all components. Before turning the power on or off for all components,
set all volume levels to minimum. Also, be sure to set the volumes of all
components at their minimum levels and gradually raise the volume controls
while playing the instrument to set the desired listening level.
• Do not place the bench in an unstable position where it might accidentally fall
over.
• Do not play carelessly with or stand on the bench. Using it as a tool or step-
ladder or for any other purpose might result in accident or injury.
• Only one person should sit on the bench at a time, in order to prevent the
possibility of accident or injury.
Maintenance
• If the bench screws become loose due to extensive long-term use, tighten them
periodically using the included tool.
• In the case of a model with a polished finish, gently remove dust and dirt with a
soft cloth. Do not wipe too hard since small particles of dirt can scratch the
instrument's finish.
Saving data
• When cleaning the instrument, use a soft, dry or slightly damp cloth. Do not use
paint thinners, solvents, cleaning fluids, or chemical-impregnated wiping
cloths.
Backing up the USB storage device
• To protect against data loss through media damage, we recommend that you
save your important data onto two USB storage devices.
Handling caution
• Take care that the key cover does not pinch your fingers, and do not insert a
finger or hand in any gaps on the key cover or instrument.
• Never insert or drop paper, metallic, or other objects into the gaps on the key
cover, panel or keyboard. If this happens, turn off the power immediately and
unplug the power cord from the AC outlet. Then have the instrument inspected
by qualified Yamaha service personnel.
• Do not place vinyl, plastic or rubber objects on the instrument, since this might
discolor the panel or keyboard.
• In the case of a model with a polished finish, bumping the surface of the
instrument with metal, porcelain, or other hard objects can cause the finish to
crack or peel. Use caution.
• Do not rest your weight on, or place heavy objects on the instrument, and do not
use excessive force on the buttons, switches or connectors.
• Do not use the instrument/device or headphones for a long period of time at a
high or uncomfortable volume level, since this can cause permanent hearing
loss. If you experience any hearing loss or ringing in the ears, consult a
physician.
Yamaha cannot be held responsible for damage caused by improper use or modifications to the instrument, or data that is lost or destroyed.
Always turn the power off when the instrument is not in use.
*
*
The illustrations as shown in this owner’s manual are for instructional purposes only, and may appear somewhat different from those on
your instrument.
Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except
for your personal use.
This product incorporates and bundles computer programs and contents in which Yamaha owns copyrights or with respect to which it has
license to use others’ copyrights. Such copyrighted materials include, without limitation, all computer software, style files, MIDI files,
WAVE data, musical scores and sound recordings. Any unauthorized use of such programs and contents outside of personal use is not per-
mitted under relevant laws. Any violation of copyright has legal consequences. DON’T MAKE, DISTRIBUTE OR USE ILLEGAL COPIES.
•
The company names and product names in this Owner’s Manual are the trademarks or registered trademarks of their respective companies.
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H01 Owner’s Manual
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Introduction
Thank you for purchasing the Yamaha Digital Piano H01!
We recommend that you read this manual carefully so that you can
fully take advantage of the advanced and convenient functions of the
H01.
We also recommend that you keep this manual in a safe and handy
place for future reference.
Main Features
Stylish and sophisticated digital piano
The H01 combines true piano sound in a modern, attractive cabinet that evokes the beauty of a real acoustic grand
piano—adding sophistication and musical expressiveness to your living space.
Authentic Acoustic Piano—like Touch Natural Wood Keyboard
The special Natural Wood keyboard uses real wood (on the white keys), to reproduce as closely as possible the experi-
ence of playing an actual acoustic grand piano. The authentic touch and feel of the keys goes far beyond existing elec-
tronic keyboards, realistically recreating the hardness of the keys, the balance between the weight of the key and
hammer, and the characteristic weight gradations of the keys—heavy in the low end, light in the high register—to
make you feel as if you’re playing a real grand piano. Moreover, this specially crafted keyboard lets you use techniques
only possible on grand pianos, such as playing the same note successively and having the sounds blend smoothly even
without use of the damper pedal, or playing the same key quickly and having perfect articulation without the sound
cutting off unnaturally.
AWM Dynamic Stereo Sampling
The Yamaha H01 offers unmatched sonic realism and natural grand-piano type playability as well as Yamaha’s original
AWM Dynamic Stereo Sampling tone generation technology for rich, musical voices.
The Grand Piano 1 feature totally new samples painstakingly recorded from a full concert grand piano.
And the voice feature three velocity-switched samples (Dynamic Sampling), special Sustain Sampling (page 15) that
samples the unique resonance of an acoustic grand piano’s soundboard and strings when the sustain pedal is pressed,
and Keyoff Samples that add the subtle sound produced when the keys are released. The H01 comes much closer to the
sound of a true acoustic piano.
Accessories
• Owner’s Manual
This manual contains complete instructions for operating your H01.
• Quick Operation Guide
• Bench (included or optional depending on local)
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Table of Contents
Closing the key cover and lid........................................................................................ 9
Setting the Volume...................................................................................................... 10
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Panel Controls and Terminals
Panel Controls and Terminals
q
w
e
r
t
y
u
i
o
For connecting a set of stereo headphones, allowing
private practice.
For turning the power on or off.
7 [AUX OUT] jack
For adjusting the volume level of the entire sound.
For outputting the sound of the instrument to an
external audio system.
For playing the 50 piano preset songs.
For connecting a USB storage device and playing song
data from the device.
For selecting voices from 10 internal sounds including
selected voice for your keyboard performance
For producing a range of expressive effects similar to
those produced by the pedals on an acoustic piano.
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Before Using the H01
Before Using the H01
Opening the key cover and lid
1.
Lift open the key cover and fold it back-
ward.
q
CAUTION
Hold the cover with both hands when opening or closing it.
CAUTION
Do not release the cover until it is fully folded back or closed.
CAUTION
Be careful to avoid catching your fingers (yours or others, especially
children’s) when opening the cover.
2.
Raise and hold the lid up as shown.
CAUTION
e
Raising the lid past the normal height can result in damage to the
instrument.
w
Do not lift the lid any higher
than necessary.
3.
Raise the lid stay and carefully lower the
lid so that the end of the stay fits into the
recess in the lid and holds it in place.
Closing the key cover and lid
1.
2.
Hold the lid stay and carefully raise the lid.
w
Hold the lid in its raised position and
lower the lid stay.
e
3.
4.
Carefully lower the lid.
Close the key cover.
r
CAUTION
Be careful to avoid catching your fingers (yours or others, especially
children’s) when opening the cover.
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Before Using the H01
Turning the Power On
1.
Insert the plug of the power cable into the
AC connector on the instrument, then
plug the other end of the cable into the
proper AC outlet on the wall.
CAUTION
Never interrupt the power supply during the instrument load opera-
tion! Doing so can result in loss of data.
2.
Press the [POWER] switch to turn the
power on.
The power indicator located to the right of the [POWER] switch
lights up.
(The shape of plug differs
depending on locale.)
NOTE
All current panel settings will be changed to the initial settings when turn-
ing the power off and on.
CAUTION
Never interrupt the power supply while the instrument is loading
data from a USB device! Doing so can result in loss of data.
CAUTION
Even when the instrument is turned off, electricity is still flowing to
the instrument at the minimum level. When you are not using the
H01 for a long time or during electrical storms, make sure you
unplug the AC power plug from the wall AC outlet.
Setting the Volume
Initially set the [MASTER VOLUME] slider about halfway
between the “MIN” and “MAX” settings. Then, when you
start playing, re-adjust the [MASTER VOLUME] slider to the
most comfortable listening level.
The level decreases.
The level increases.
MASTER VOLUME:
TERMINOLOGY
The volume level of the entire keyboard sound.
Using Headphones
Connect a set of headphones to one of the
[PHONES] jacks.
Two [PHONES] jacks are provided. You can
connect two sets of stereo headphones. (If
you are using only one set of headphones,
you can plug them into either jack.) It can also
connect to an amplifier/speaker system.
CAUTION
Stereo mini
plug
To protect your hearing, avoid listening to the H01 at a
high volume level for long periods of time.
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Reference
Listening to the 50 Piano Preset Songs
Listening to the 50 Piano Preset Songs
The H01 features a variety of preset songs specially recorded to showcase the capabilities of the
instrument.
1.
2.
Press the [POWER] switch to turn the power on.
When the power is turned ON, the power indicator
located to the right of the [POWER] switch lights up.
TERMINOLOGY
Song:
On the H01, performance data is
called a “Song.”
Preset:
Preset Data supplied with the
internal memory of the H01
shipped from the factory.
Adjust the volume.
Initially set the [MASTER VOLUME] slider about half
way between the “MIN” and “MAX” settings. Then,
when you start playing, re-adjust the [MASTER VOL-
UME] slider to the most comfortable listening level.
3.
Listen the preset songs.
Listening to the preset songs in random order
TERMINOLOGY
Random order:
The 50 Piano songs are selected
and played back randomly by the
instrument—similar to the shuf-
fling of a deck of cards—when
pressing the [BGM] button.
Press the [BGM] button to play the songs in random
order.
Press the SELECT [-]/[+] button to jump to the next
song in random order.
Selecting and listening to a favorite preset song
NOTE
You can select and play a favorite song.
The 50 Piano Preset songs can-
not be played when a USB stor-
age device is connected to the
[USB DEVICE] terminal.
Press one of the C2–C#6 keys while holding down the [BGM] button. Refer to
sponding keys for selecting them.
1st
song
10th
song
20th
song
30th
song
40th
song
50th song
(C#6)
For safety’s sake, when you dis-
connect a USB device, make sure
to wait for at least six seconds
before reconnecting it.
TERMINOLOGY
C2
C3
C4
C5
Scene:
The 50 Piano Preset songs have
been divided into thirteen groups
or categories, to match a variety
of listening preferences and to let
you select your favorite songs
based on a scene description.
For instance, if you want to listen
to some “Elegant” songs, select
scene number 4. The songs that
match that category will play
sequentially.
Selecting a favorite scene and listening to the songs
Preset songs are also divided into scene categories (for different music listening
preferences). While holding down the [BGM] button, press one of the C0–C1
keys to select a favorite scene. Press the SELECT [-]/[+] button to jump to the
next song in the selected scene.
Scene Titles:
1. Home Party
2. Morning
3. Upbeat
4. Elegant
C0
C1
5. Relaxing
6. Nighttime
7. Melancholy
8. Mood Music
9. Fantasy
10. Baroque and Pre-romantic
Music
11. Pre-romantic (Chopin)
12. Post-romantic
13. Modern French
4.
Press the [BGM] button to stop playback.
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Listening to songs in the USB Flash Memory
Listening to songs in the USB Flash Mem-
ory
Save the song data to a USB storage device by using the computer and then connect the device to
the instrument. The song data can be automatically loaded.
CAUTION
While loading the data from USB Flash Memory (LED flashes) or playing the USB song, never pull out the device or turn the
power off. Doing so can result in a loss of data.
When loading of the data is complete,
the LED will light continuously.
USB Flash Memory
1.
2.
Start/Stop the song.
Press the [BGM] button to play the songs in random
NOTE
Certain songs may take more
time than others to start playback.
Keep in mind that this also affects
the time between playback of
successively played songs.
order.
USB song data can be played back only in random
order.
Press the SELECT [-]/[+] button to
jump to the next song in random
order.
If you don’t have a USB flash memory, you will need to purchase one (or more, as needed).
The instrument does not necessarily support all commercially available USB storage devices.
Yamaha cannot guarantee operation of USB storage devices that you purchase.
Before purchasing USB storage devices, please consult yourYamaha dealer, or an authorized
Yamaha distributor (see list at end of the Owner’s Manual) for advice.
Data format
TERMINOLOGY
This instrument can play back SMF Format 0 (Standard MIDI file) and DOC
(Disk Orchestra Collection) song data.
What is SMF (Standard MIDI
File)?
The SMF (Standard MIDI File) for-
mat is one of the most common
and widely compatible sequence
formats used for storing
sequence data. There are two
variations: Format 0 and Format
1. A large number of MIDI
When copying song data from computer to USB flash memory, make sure to
save it by using SMF Format 0.
Keep in mind that songs recorded on other devices may use a variety of voices
not available on this instrument and hence may sound different than the origi-
nal songs. In general, this instrument should be used to play back piano songs.
devices are compatible with SMF
Format 0, and most commercially
available MIDI sequence data is
provided in SMF Format 0.
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Listening to songs in the USB Flash Memory
USB Flash Memory
To protect your data (write-protect switch)
Even though this instrument does not have a save operation and data cannot be
saved to a USB storage device, there is still a possibility of data loss caused by
improper use (for example, turning the power off while loading data, etc.).
Some USB flash memory devices are equipped with a write-protect switch. To
prevent accidental erasure of important data saved in USB flash memory, slide
the write-protect switch on the device to the “protect” position. When saving
data, make sure that the write-protect switch is set to the “overwrite” position.
To connect the USB Flash Memory
Connect the USB Flash Memory device with the proper orientation; do not
force a wrong connection.
IMPORTANT
The playing songs copied to a USB flash memory from a computer
or other device, the songs must be stored either in the USB flash memory’s root
directory or a first-level/second-level folder in the root directory. Songs stored
in these location can be played as song data.
Songs stored in third-level-folders created inside a second-level folder cannot be
played by this instrument.
USB flash memory
Song
File
Song
Folder
Song
File
Can be played.
Song
Folder
Song
File
(Root)
Cannot be played.
Song
Folder
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Specify the Song Track and Play the Song
Specify the Song Track and Play the Song
When playing song data from a USB memory device, you can specify the song tracks in this setting.
The “ALL” setting plays back all 16 tracks, while “1+2” plays back tracks 1 and 2.
Since piano songs are generally recorded to tracks 1 and 2 exclusively, the “1+2” setting is best
used with only the piano voice.
Default setting is “1+2.”
(ALL)
Track 1
Track 2
Track 3
Piano voices
Other voices
(1+2)
Specify the track to all tracks (ALL)
While holding down [BGM] and [VOICE] buttons simultaneously, press the B6
key.
B6
Specify the track to 1 and 2 tracks (1+2)
While holding down [BGM] and [VOICE] buttons simultaneously, press the C7
key.
C7
Keep in mind that songs recorded on other devices may use a variety of voices
not available on this instrument and hence may sound different than the origi-
nal songs. In general, this instrument should be used to play back piano songs.
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Selecting & Playing Voices
Selecting & Playing Voices
Selecting Voices
1.
While holding down the [VOICE] button, press one
of the C1–A1 keys to select a voice.
C0
C1
A1
While holding down the [VOICE] button, use the SELECT [-]/[+] buttons to
switch among the following ten voices. Pressing the [VOICE] button automati-
cally calls up the first voice, Grand Piano 1.
TERMINOLOGY
Key Voice Name
Description
Voice:
C1 GrandPiano Recorded samples from a full concert grand piano. Also includes three
On the H01, the term “voice”
means “instrument sound.”
1
levels of dynamic sampling, sustain samples, and key-off samples for
exceptionally realistic acoustic grand piano sound. Perfect for classical
compositions as well as any other style that requires acoustic piano.
NOTE
C#1
GrandPiano Spacious and clear piano with bright reverb. Good for popular music.
2
When you select a voice, an
appropriate reverb type will be
selected automatically (page 18).
D1 Piano
&
A Dual voice combining grand piano and strings – perfect for slow,
orchestral piano music.
Strings
D
#
1
E. Piano
1
2
An electronic piano sound created by FM synthesis.
Exceptional musical response with varying timbre according to key-
board dynamics. Good for standard popular music.
E1 E. Piano
The sound of an electric piano using hammer-struck metallic tines. Soft
tone when played lightly, and an aggressive tone when played hard.
F1 Church
Organ
This is a typical pipe organ sound (8 feet + 4 feet + 2 feet).
Good for sacred music from the Baroque period.
F#1
Jazz Organ The sound of a tonewheel type electric organ. Often heard in jazz and
rock idioms.
G1 Strings
Stereo-sampled, large-scale strings ensemble with realistic reverb. Try
combining this voice with piano in the DUAL.
G#1
Harpsichord The definitive instrument for baroque music. Since harpsichord uses
plucked strings, there is no touch response.
There is, however, a characteristic additional sound when the keys are
released.
A1 Vibraphone Vibraphone played with relatively soft mallets.The tone becomes more
metallic the harder you play.
2.
Adjust the volume.
Re-adjust the [MASTER VOLUME] slider for the most comfortable listening
level during your performance.
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Selecting & Playing Voices
Using the Pedals
The H01 has three foot pedals: damper
(right) pedal, sostenuto (center) pedal,
and soft (left) pedal that produce a
range of expressive effects similar to
those produced by the pedals on an
acoustic piano.
Damper (Right) Pedal
NOTE
The damper pedal functions in the
same way as a damper pedal on an
acoustic piano. When the damper
pedal is pressed, notes sustain longer.
Releasing the pedal immediately stops
(damps) any sustained notes.
If the damper pedal doesn’t work,
make sure that the pedal cord is
properly plugged into the main
When you press the damper pedal
here, the notes you play before you
release the pedal sustain longer.
Sostenuto (Center) Pedal
NOTE
If you play a note or chord on the key-
board and press the sostenuto pedal
while the note(s) are held, those notes
will sustain as long as you hold the
pedal (as if the damper pedal had
been pressed) but all subsequently
played notes will not be sustained.
This makes it possible to sustain a
chord, for example, while other notes
are played “staccato.”
Organ and string voices will con-
tinue to sound for as long as the
sostenuto pedal is depressed.
When you press the sostenuto
pedal here while holding the note,
the note will sustain as long as you
hold the pedal.
Soft (Left) Pedal
The soft pedal reduces the volume and slightly changes the timbre of notes
played while the pedal is pressed. The soft pedal will not affect notes that are
already playing when it is pressed.
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Selecting & Playing Voices
Combining Voices (Dual)
You can play voices simultaneously across the entire range of the keyboard. In this way, you can
combine similar voices to create a thicker sound.
1.
While holding down the [VOICE] button, press two
keys in the range of C1 through A1 simultaneously
(or press one key while holding another) to engage
Dual.
are assigned to the keys.
C0
C1
A1
NOTE
The voice assigned to the lower key will be designated as Voice 1, and the voice
assigned to the higher key will be designated as Voice 2.
Reverb in Dual
The reverb type assigned to
Voice 1 will take priority. If the
reverb assigned to Voice 1 is set
to OFF, the reverb assigned to
Voice 2 will be in effect.
You can make the following settings for Voices 1 and 2 in Dual:
Setting the Octave
You can shift the pitch up and down in octave steps for Voice 1 and Voice 2 inde-
pendently. Depending on which voices you combine in Dual, the combination
may sound better if one of the voices is shifted up or down an octave.
While holding down the [VOICE] button, press one of the C5–F5 keys.
Voice 1 Voice 2
C5 F5
C6
C7
C5
-1
0
+1
D#5
-1
0
+1
Voice 1
C#5
Voice 2
E5
F5
D5
Setting the Balance
You can adjust the volume balance between two voices. For example, you can set
one voice as the main voice with a louder setting, and make the other voice softer.
While holding down the [VOICE] button, press one of the F#5–F#6 keys.
A setting of “0” produces an equal balance between the two Dual voices. Settings
below “0” increase the volume of Voice 2 in relation to Voice 1, and settings above
“0” increase the volume of Voice 1 in relation to Voice 2.
F#5 (-6)
F#6 (+6)
C5
C6 (0)
C7
2.
While holding down the [VOICE] button, press one
of the C1–A1 keys (or press the [VOICE] button) to
exit Dual and return to the normal single-voice play.
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Selecting & Playing Voices
Adding Variations to the Sound – Reverb
This control enables you to select four different types of reverb effect that add extra depth and
expression to the sound to create a realistic acoustic ambience.
Key
Reverb Type
Room
Description
C2
This setting adds a continuous reverb effect to the sound, similar to the
acoustic reverberation you would hear in a room.
C#2
Hall1
Hall2
For a “bigger” reverb sound, use the HALL 1 setting. This effect simulates
the natural reverberation of a small-size concert hall.
D2
For a truly spacious reverb sound, use the HALL 2 setting.This effect sim-
ulates the natural reverberation of a large concert hall.
D#2
E2
Stage
Off
Simulates the reverb of a stage environment.
No effect is applied.
Selecting a Reverb Type
While holding down the [VOICE] button, press one of the C2–E2 keys to select a
reverb type.
C0
C1
C2 E2
Adjusting Reverb Depth
NOTE
While holding down the [VOICE] button, press one of the C3–G#4 keys to
adjust the reverb depth for the selected voice.
Reverb depth range:
0 (no effect)–
20 (maximum depth)
G#4 (Depth=0)
C0
C1
C2
C3 (Depth=0) C4
A4
The depth value increases as you press higher keys.
NOTE
While holding down the [VOICE] button, press the A4 key to set the reverb to
the depth most suitable for the selected voice.
The default reverb type (including
OFF) and depth settings are dif-
ferent for each voice.
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Selecting & Playing Voices
Transposition
The Transpose function makes it possible to shift the pitch of the entire keyboard up or down in
semitone intervals to facilitate playing in difficult key signatures, and to let you easily match the
pitch of the keyboard to the range of a singer or other instruments. For example, if you set the
transposition amount to “+5,” playing key C produces pitch F. In this way, you can play a song as
though it were in C major, and the H01 will transpose it to the key of F.
Setting the amount of transposition
TERMINOLOGY
While holding down the [BGM] and [VOICE] buttons, press one of the F#2–F#3
keys to set the desired amount of transposition.
Transpose:
Changing the key signature. On
the H01, transposing shifts the
pitch of the entire keyboard.
F#2
F#3
C0
C1
C2
-6 -4 -2 +1 +3 +6
-5 -3 -1 0 +2+4+5
To transpose the pitch down (in semitone steps)
While holding down the [BGM] and [VOICE] buttons, press any key between
F#2 and B2.
To transpose the pitch up (in semitone steps)
While holding down the [BGM] and [VOICE] buttons, press any key between
C#3 and F#3.
NOTE
Transposition range:
F#2 (-6 semitones)–
C3 (normal pitch)–
F#3 (+6 semitones)
To restore the normal pitch
While holding down the [BGM] and [VOICE] buttons, press the C3 key.
Fine tuning of the Pitch
You can fine tune the pitch of the entire instrument. This function is useful when you play the
instrument along with other instruments or CD music.
Setting the Pitch
To raise the pitch
A-1 B-1
C3
B3
in about 1cent steps (100
cents = 1 semitone):
NOTE
Setting range: -65–+65 cents
Hold down the A-1 and B-1
keys simultaneously and press
any key between C3 and B3.
C0
C1
C2
The default setting (0 cent) is
A3=440Hz. In the 440Hz region,
1Hz=approximately 4 cents.
Pressing the key 8 times for
example, will set A3 at approxi-
mately 442Hz.
To lower the pitch
in about 1cent steps (100
cents = 1 semitone):
A#-1
A-1
C3
B3
Hold down the A-1 and A#-1
TERMINOLOGY
keys simultaneously and press
Default setting:
C0
C1
C2
any key between C3 and B3.
The “Default setting” refers to the
factory setting obtained when you
first turn on the power to the
instrument.
To restore standard pitch:
Hold down the A-1, A#-1 and
B-1 simultaneously and press
A#-1
A-1 B-1
C3
B3
any key between C3 and B3.
C0
C1
C2
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Selecting & Playing Voices
Touch Sensitivity
You can adjust the volume level that changes depending on how fast or strong you hit the keys.
The following four settings are available.
Key
Touch Sensitivity
Description
A6
FIXED
The volume level does not change at all regardless of whether you play
the keyboard soft or hard.
A#6
SOFT
The volume level does not change much when you play the keyboard soft
or hard.
B6
C7
MEDIUM
HARD
This is the standard piano touch response (default setting).
The volume level changes very widely from pianissimo to fortissimo to
facilitate dynamic and dramatic expression.You have to hit the keys hard
to produce a loud sound.
Setting the Touch Sensitivity Type
NOTE
While holding down the [VOICE] button, press one of the A6–C7 keys to select
the desired touch sensitivity.
The touch sensitivity settings may
have little or no effect with Church
Organ and Harpsichord voices
that are not normally responsive
to keyboard dynamics.
Default setting:
B6 (Medium)
A6 C7
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Troubleshooting
Troubleshooting
Problem
Possible Cause and Solution
The H01 does not turn on.
The H01 has not been plugged in properly. Securely insert the female plug into the
socket on the H01, and the male plug into a proper AC outlet (page 10).
A click or pop is heard when the power is
turned on or off.
This is normal when electrical current is being applied to the instrument.
Noise is heard from the speakers or head-
phones.
The noise may be due to interference caused by the use of a mobile phone in close
proximity to the H01. Turn off the mobile phone, or use it further away from the H01.
The overall volume is low, or no sound is
heard.
• The Master Volume is set too low; set it to an appropriate level using the [MASTER
VOLUME] control.
• Make sure a pair of headphones is not connected to the headphones jack
The 50 Piano Preset songs cannot be
played.
Make sure that a USB storage device is not connected to the [USB TO DEVICE] ter-
minal.
The sustain pedal has no effect.
The pedal cable/plug may not be properly connected. Make sure to securely insert
the pedal plug into the proper jack (page 24).
There is a slight difference in sound quality
among different notes played on the key-
board.
This is normal and is a result of the sampling system.
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Keyboard Stand Assembly
Keyboard Stand Assembly
CAUTION
• Be careful not to confuse parts, and be sure to install all parts in the correct direction. Please assemble the unit in the appropri-
ate sequence.
• Assembly should be carried out by at least two persons.
• Be sure to use the included screws only, and insert screws of the correct size in the correct hole locations. Do not use any other
screws. Use of incorrect screws can cause damage or malfunction of the product.
• Be sure to tighten all screws upon completing assembly of each unit.
• To disassemble, reverse the assembly sequence.
Have a Phillips-head (+) screwdriver ready.
Remove all parts from the box. Confirm that all parts shown in the illustration are provided.
CAUTION
Be careful not to pinch your fin-
gers when setting the instrument
on the floor.
A
C
D
E
B
Before starting installation, remove the vinyl ties that
bundle the pedal cord and AC power cord.
6 x 30 mm long screws x 4
6 x 20 mm short screws x 10
F
Remove two rectangle pads (800 x 130 mm) from the
packing box.
4 x 6 mm small screws x 6
1-2
Place A on top of the pads.
1.
Place A on top of the pads.
1-1
Locate two pads (F) so that they will be posi-
tioned about 30 cm inside from the left and right
edges of A.
CAUTION
Do not position the pad under the control panel.
A
30 cm
30 cm
pads
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Keyboard Stand Assembly
4-3
Tighten the screws securely.
2.
Raise A to the vertical position.
2-1
Raise A to the vertical position, with the keyboard
side on the bottom, and hold A securely.
A
CAUTION
Do not release A until you
finish Step 4.
C
A
CAUTION
5.
Assemble the pedal structure.
Do not tip A further than 90 degrees to avoid stress to the
key cover and lid.
5-1
Pass the pedal cord (that comes out from the rear
of pedal box E) through a hole on the bracket of
D, then pass it through the pipe.
3.
Attach B.
D
3-1
Align the holes on A with those on B and hold A
and B together.
3-2
3-3
Finger-tighten six short screws (6x20 mm) start-
ing with the top hole.
E
Tighten the screws securely.
5-2
5-3
Align the holes on the bottom of E with the holes
on the bracket of D, then attach E and D by tight-
ening six small screws (4x6 mm). At this time,
first tighten the two center screws, then tighten
the rest of the screws.
B
A
Pull the end of the pedal cord to eliminate any
slack inside the bracket on D.
D
4.
Attach C.
E
4-1
Hold C so that the notch on the bracket will face
toward left, then align the holes on A with those
on C.
4-2
Finger-tighten four short screws (6x20 mm) start-
ing with the top hole.
CAUTION
Hold E securely to avoid slippage.
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Keyboard Stand Assembly
6.
Install the pedal structure.
7.
Connect the cords.
6-1
Remove the covers from the grooves on the bot-
tom surface of A.
7-1
Connect the pedal cord plug to the pedal connec-
tor in the correct orientation.
A
7-2
Connect the power cord plug to the power con-
nector in the correct orientation.
6-2
6-3
Align the pedal power cords (that come out from
the pipes of D) along with the grooves on the bot-
tom surface of A.
Align the holes on the bracket of D with the holes
on A, then attach D to A by tightening four long
screws (6x30 mm).
A
D
8.
Replace the groove covers.
8-1
Insert the pedal cord and power cords into the
grooves securely, then attach the groove covers.
CAUTION
Be careful not to pinch the cords between the bracket and
the surface of A.
Correct
A
Incorrect
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Keyboard Stand Assembly
9.
Raise A.
After completing the assembly, please check the fol-
lowing.
• Are there any parts left over?
→ Review the assembly procedure and correct any
errors.
9-1
Securely hold the front side of A (the side cur-
rently facing toward the floor), then raise A.
• Is the instrument clear of doors and other movable
fixtures?
→ Move the instrument to an appropriate loca-
tion.
A
• Does the instrument make a rattling noise when
you shake it?
→ Tighten all screws.
• Does the pedal box rattle or give way when you step
on the pedals?
→ Turn the adjuster so that it is set firmly against
the floor.
• Are the pedal and power cords inserted securely
into the sockets?
CAUTION
• Do not hold the control panel area.
• Be careful not to drop the instrument on your foot.
→ Check the connection.
CAUTION
If the main unit creaks or is otherwise unsteady when
you play on the keyboard, refer to the assembly dia-
grams and retighten all screws.
10.Rotate the adjuster.
10-1Rotate the pedal height adjuster until the bot-
tom of the pedal reaches the floor.
CAUTION
When you relocate the unit after assembling it, be sure
to hold the bottom of the main unit. In particular, hold
the left side of the main unit along with the bottom of
the upper frame of the left leg.
CAUTION
Do not hold the key cover
or lid.
CAUTION
• Do not hold the control
panel area.
• Be careful not to drop the
instrument on your foot.
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Appendix
Song List / Song-Liste / Liste des morceaux /
Lista de canciones
Scene No.
Note
1
2
3
4
5
6
7
8
9
10
11
12
13
C0 C#0 D0 D#0 E0
F0 F#0 G0 G#0 A0 A#0 B0
C1
Scene Title
Song
No.
Note
Song Name
(Composer)
1
C2
C#2
D2
Sonate, K.380, L.23 (D. Scarlatti)
✓
✓
✓
✓
2
Aria, Goldberg-Variationen, BWV.988 (J.S. Bach)
The harmonious blacksmith (G.F. Händel)
Sonate für Klavier Nr.5, K.283 (W.A. Mozart)
Sonate für Klavier Nr.12, K.332 (W.A. Mozart)
Sonate für Klavier Nr.8 “Pathétique”, op.13 (L.v. Beethoven)
Sonate für Klavier Nr.14 “Mondschein”, op.27-2 (L.v. Beethoven)
Frühlingslied, op.62-6 (F. Mendelssohn)
Prélude, op.28-7 (F.F. Chopin)
✓
✓
✓
✓
✓
✓
✓
✓
3
4
D#2
E2
✓
✓
✓
✓
5
✓
✓
✓
✓
6
F2
✓
✓
✓
✓
7
F#2
G2
8
✓
9
G#2
A2
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
Prélude “Raindrop”, op.28-15 (F.F. Chopin)
Etude “Chanson de l’adieu”, op.10-3 (F.F. Chopin)
Etude “Aeolian Harp”, op.25-1 (F.F. Chopin)
Valse, op.64-2 (F.F. Chopin)
✓
✓
✓
✓
✓
✓
✓
✓
A#2
B2
✓
C3
✓
✓
✓
✓
C#3
D3
Valse “L’adieu”, op.69-1 (F.F. Chopin)
Valse, op.69-2 (F.F. Chopin)
✓
✓
D#3
E3
Nocturne, op.9-1 (F.F. Chopin)
✓
✓
✓
✓
Nocturne, op.9-2 (F.F. Chopin)
✓
✓
✓
F3
Nocturne, op.15-2 (F.F. Chopin)
F#3
G3
Nocturne, op.27-2 (F.F. Chopin)
✓
✓
Nocturne No.20 (F.F. Chopin)
✓
✓
G#3
A3
Berceuse, op.57 (F.F. Chopin)
✓
✓
✓
✓
✓
Von fremden Ländern und Menschen, op.15-1 (R. Schumann)
Träumerei, op.15-7 (R. Schumann)
Des Abends, Phantasiestücke, op.12-1 (R. Schumann)
Eintritt, Waldszenen, op.82-1 (R. Schumann)
Consolation No.3 (F. Liszt)
✓
✓
✓
✓
✓
✓
✓
✓
A#3
B3
✓
✓
C4
✓
✓
C#4
D4
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
Melody in F, op.3-1 (A. Rubinstein)
✓
✓
✓
D#4
E4
Walzer, op.39-15 (J. Brahms)
✓
✓
✓
✓
✓
La poupée, Jeux d’enfants, op.22-3 (G. Bizet)
ˆ
✓
✓
✓
✓
F4
Humoresque, op.101-7 (A. Dvorák)
Arietta, Lyriske småstykker I, op.12-1 (E.H. Grieg)
Sommerfugl, Lyriske stykker III, op.43-1 (E.H. Grieg)
Notturno, Lyriske stykker V, op.54-4 (E.H. Grieg)
Sommeraften, Lyriske stykker X, op.71-2 (E.H. Grieg)
Romance sans paroles, op.17-3 (G. Fauré)
Berceuse, Dolly, op.56-1 (G. Fauré)
Salut d’amour, op.12 (E. Elgar)
✓
✓
✓
F#4
G4
✓
G#4
A4
✓
✓
✓
✓
✓
A#4
B4
✓
✓
✓
✓
✓
✓
✓
✓
✓
C5
✓
✓
✓
✓
✓
✓
✓
C#5
D5
To a wild rose, Woodland sketches, op.51-1 (E.A. MacDowell)
Tango, España, op.165-2 (I. Albéniz)
La fille aux cheveux de lin (C.A. Debussy)
Arabesque 1 (C.A. Debussy)
✓
✓
✓
✓
✓
✓
D#5
E5
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
✓
F5
Clair de lune (C.A. Debussy)
✓
✓
F#5
G5
Rêverie (C.A. Debussy)
✓
✓
La plus que lente (C.A. Debussy)
✓
G#5
A5
En bateau, Petite suite (C.A. Debussy)
Gymnopédie No.1 (E. Satie)
✓
✓
✓
✓
✓
A#5
B5
Je te veux (E. Satie)
✓
✓
✓
Pavane pour une infante défunte (M. Ravel)
Menuet, Le tombeau de Couperin (M. Ravel)
A la manière de Borodine (M. Ravel)
✓
✓
✓
C6
C#6
✓
H01 Owner’s Manual / Bedienungsanleitung / Mode d’emploi / Manual de instrucciones
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Specifications / Technische Daten /
Caractéristiques techniques / Especificaciones
88 keys (A-1–C7), Natural Wood keyboard
Keyboard
(real wood on white keys only)
Sound Source
Polyphony (Max.)
Voice Selection
Effect
AWM Dynamic Stereo Sampling
64
10
Reverb
Volume
Master Volume
Controls
Dual, Transpose, Touch (Hard/Medium/Soft/Fixed)
Damper (with half-pedal), Sostenuto, Soft
50 preset Songs
Pedal
Songs
Jacks/Connectors
Main Amplifiers
Speakers
PHONES × 2, USB TO DEVICE, AUX OUT
40 W × 2
Oval (13 cm × 6 cm) × 2, (16 cm + 2.5 cm) × 2
Dimensions (W × D × H)
(Lid up)
1,461 mm × 750 mm × 761 mm [57-1/2" × 29-1/2" × 30"]
(1,487 mm × 760 mm × 1200 mm [58-1/2" × 30" × 47-1/4"])
Weight
82 kg (180 lbs. 12 oz.)
Owner’s Manual, Quick Operation Guide,
Bench (included or optional depending on local)
Accessories
*
*
*
*
Specifications and descriptions in this owner’s manual are for information purposes only. Yamaha Corp. reserves the right to change or modify
products or specifications at any time without prior notice. Since specifications, equipment or options may not be the same in every locale, please
check with your Yamaha dealer.
Die technischen Daten und Beschreibungen in dieser Bedienungsanleitung dienen nur der Information. Yamaha Corp. behält sich das Recht vor,
Produkte oder deren technische Daten jederzeit ohne vorherige Ankündigung zu verändern oder zu modifizieren. Da die technischen Daten, das
Gerät selbst oder Sonderzubehör nicht in jedem Land gleich sind, setzen Sie sich im Zweifel bitte mit Ihrem Yamaha-Händler in Verbindung.
Les caractéristiques techniques et les descriptions du mode d’emploi ne sont données que pour information. Yamaha Corp. se réserve le droit de
changer ou modifier les produits et leurs caractéristiques techniques à tout moment sans aucun avis. Du fait que les caractéristiques techniques, les
équipements et les options peuvent différer d’un pays à l’autre, adressez-vous au distributeur Yamaha le plus proche.
Las especificaciones y descripciones de este manual del propietario tienen sólo el propósito de servir como información. Yamaha Corp. se reserva el
derecho a efectuar cambios o modificaciones en los productos o especificaciones en cualquier momento sin previo aviso. Puesto que las especifica-
ciones, equipos u opciones pueden no ser las mismas en todos los mercados, solicite información a su distribuidor Yamaha.
Optional Equipment / Optionales Zubehör /
Equipements en option / Equipo opcional
Music Rest / Notenablage / Pupitre / Atril (YMR-01)
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FCC INFORMATION (U.S.A.)
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!
other electronic devices. Compliance with FCC regula-
tions does not guarantee that interference will not occur
in all installations. If this product is found to be the
source of interference, which can be determined by
turning the unit “OFF” and “ON”, please try to eliminate
the problem by using one of the following measures:
This product, when installed as indicated in the instruc-
tions contained in this manual, meets FCC require-
ments. Modifications not expressly approved by
Yamaha may void your authority, granted by the FCC, to
use the product.
Relocate either this product or the device that is being
affected by the interference.
2. IMPORTANT: When connecting this product to acces-
sories and/or another product use only high quality
shielded cables. Cable/s supplied with this product
MUST be used. Follow all installation instructions. Fail-
ure to follow instructions could void your FCC authori-
zation to use this product in the USA.
Utilize power outlets that are on different branch (circuit
breaker or fuse) circuits or install AC line filter/s.
In the case of radio or TV interference, relocate/reorient
the antenna. If the antenna lead-in is 300 ohm ribbon
lead, change the lead-in to co-axial type cable.
3. NOTE: This product has been tested and found to com-
ply with the requirements listed in FCC Regulations,
Part 15 for Class “B” digital devices. Compliance with
these requirements provides a reasonable level of
assurance that your use of this product in a residential
environment will not result in harmful interference with
other electronic devices. This equipment generates/
uses radio frequencies and, if not installed and used
according to the instructions found in the users manual,
may cause interference harmful to the operation of
If these corrective measures do not produce satisfac-
tory results, please contact the local retailer authorized
to distribute this type of product. If you can not locate
the appropriate retailer, please contact Yamaha Corpo-
ration of America, Electronic Service Division, 6600
Orangethorpe Ave, Buena Park, CA90620
The above statements apply ONLY to those products
distributed by Yamaha Corporation of America or its
subsidiaries.
* This applies only to products distributed by YAMAHA CORPORATION OF AMERICA.
(class B)
IMPORTANT NOTICE FOR THE UNITED KINGDOM
Connecting the Plug and Cord
IMPORTANT. The wires in this mains lead are coloured in accordance
with the following code:
BLUE
: NEUTRAL
BROWN : LIVE
As the colours of the wires in the mains lead of this apparatus may not
correspond with the coloured makings identifying the terminals in your
plug proceed as follows:
The wire which is coloured BLUE must be connected to the terminal
which is marked with the letter N or coloured BLACK.
The wire which is coloured BROWN must be connected to the termi-
nal which is marked with the letter L or coloured RED.
Making sure that neither core is connected to the earth terminal of the
three pin plug.
• This applies only to products distributed by Yamaha-Kemble Music (U.K.) Ltd.
(2 wires)
CAUTION: TO PREVENT ELECTRIC SHOCK, MATCH WIDE
BLADE OF PLUG TO WIDE SLOT, FULLY INSERT.
ATTENTION: POUR ÉVITER LES CHOCS ÉLECTRIQUES,
INTRODUIRE LA LAME LA PLUS LARGE DE LA FICHE DANS LA
BORNE CORRESPONDANTE DE LA PRISE ET POUSSER JUSQU’AU
FOND.
• This applies only to products distributed by Yamaha Canada Music Ltd.
• Ceci ne s’applique qu’aux produits distribués par Yamaha Canada Musique Ltée.
(polarity)
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For details of products, please contact your nearest Yamaha
representative or the authorized distributor listed below.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten
Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen
Bestimmungsländern erhältlich.
Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou
au distributeur le plus proche de vous figurant dans la liste suivante.
Para detalles sobre productos, contacte su tiendaYamaha más cercana
o el distribuidor autorizado que se lista debajo.
THE NETHERLANDS/
NORTH AMERICA
ASIA
BELGIUM/LUXEMBOURG
CANADA
THE PEOPLE’S REPUBLIC OF CHINA
Yamaha Music Central Europe GmbH,
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, The Netherlands
Tel: 0347-358 040
Yamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Yamaha Music & Electronics (China) Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 416-298-1311
Tel: 021-6247-2211
FRANCE
U.S.A.
HONG KONG
Yamaha Musique France
Yamaha Corporation of America
6600 Orangethorpe Ave., Buena Park, Calif. 90620,
U.S.A.
Tom Lee Music Co., Ltd.
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
11/F., Silvercord Tower 1, 30 Canton Road,
Tsimshatsui, Kowloon, Hong Kong
Tel: 2737-7688
Tel: 714-522-9011
ITALY
Yamaha Musica Italia S.P.A.
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
INDONESIA
PT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
CENTRAL & SOUTH AMERICA
MEXICO
Gedung Yamaha Music Center, Jalan Jend. Gatot
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
SPAIN/PORTUGAL
Yamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600
Yamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230
Las Rozas (Madrid), Spain
Tel: 91-639-8888
KOREA
Yamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F 23-8Yoido-dong,
Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
GREECE
Philippos Nakas S.A. The Music House
147 Skiathou Street, 112-55 Athens, Greece
Tel: 01-228 2160
BRAZIL
Yamaha Musical do Brasil Ltda.
Av. Reboucas 2636-Pinheiros CEP: 05402-400
Sao Paulo-SP. Brasil
MALAYSIA
Yamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya,
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
Tel: 011-3085-1377
SWEDEN
Yamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
ARGENTINA
Yamaha Music Latin America, S.A.
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053,
Buenos Aires, Argentina
Tel: 1-4371-7021
PHILIPPINES
Yupangco Music Corporation
339 Gil J. Puyat Avenue, P.O. Box 885 MCPO,
Makati, Metro Manila, Philippines
Tel: 819-7551
DENMARK
YS Copenhagen Liaison Office
PANAMA AND OTHER LATIN
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES
Yamaha Music Latin America, S.A.
Torre Banco General, Piso 7, Urbanización Marbella,
Calle 47 y Aquilino de la Guardia,
Ciudad de Panamá, Panamá
Generatorvej 6A
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
SINGAPORE
Yamaha Music Asia Pte., Ltd.
#03-11 A-Z Building
FINLAND
F-Musiikki Oy
Kluuvikatu 6, P.O. Box 260,
SF-00101 Helsinki, Finland
Tel: 09 618511
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
Tel: +507-269-5311
TAIWAN
Yamaha KHS Music Co., Ltd.
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
NORWAY
EUROPE
THE UNITED KINGDOM
Yamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes,
MK7 8BL, England
Norsk filial av Yamaha Scandinavia AB
Tel: 02-2511-8688
Grini Næringspark 1
N-1345 Østerås, Norway
Tel: 67 16 77 70
THAILAND
Siam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
ICELAND
Skifan HF
Skeifan 17 P.O. Box 8120
IS-128 Reykjavik, Iceland
Tel: 525 5000
Tel: 01908-366700
IRELAND
Danfay Ltd.
61D, Sallynoggin Road, Dun Laoghaire, Co. Dublin
Tel: 01-2859177
Tel: 02-215-2626
OTHER ASIAN COUNTRIES
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2317
OTHER EUROPEAN COUNTRIES
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
GERMANY
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEIN
OCEANIA
AFRICA
Yamaha Music Central Europe GmbH,
Branch Switzerland
AUSTRALIA
Yamaha Corporation,
Yamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank,
Victoria 3006, Australia
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIA
Tel: 3-9693-5111
Yamaha Music Central Europe GmbH,
Branch Austria
NEW ZEALAND
Music Houses of N.Z. Ltd.
146/148 Captain Springs Road, Te Papapa,
Auckland, New Zealand
MIDDLE EAST
TURKEY/CYPRUS
Yamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH,
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-602039025
Tel: 9-634-0099
COUNTRIES AND TRUST
OTHER COUNTRIES
TERRITORIES IN PACIFIC OCEAN
Yamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2312
POLAND
Yamaha Music Central Europe GmbH
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
HEAD OFFICE Yamaha Corporation, Pro Audio & Digital Musical Instrument Division
Nakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-3273
[CL] 37
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Clavinova Web site
Yamaha Manual Library
U.R.G., Pro Audio & Digital Musical Instrument Division, Yamaha Corporation
© 2006 Yamaha Corporation
WG91890 004POAP?.?-??C0
Printed in Vietnam
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