W H A R F E D A L E P R O
S P X 6 1 3 / S P X 8 1 5
,
O W N E R S M A N U A L
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SPX613 & SPX815
Powered Mixers
Introduction
Thank you for your purchase of a Wharfedale Pro SPX613 / SPX815 powered mixer.
Please read this manual completely to ensure proper operation and complete understanding of the
features of these products.
The Wharfedale Pro SPX Series powered mixers are designed for ease of use and quality audio
performance in portable sound reinforcement applications.
UNIQUE FEATURES BY MODEL
SPX613
7 Mono balanced / unbalanced mic / line input channels
SPX815
9 Mono balanced / unbalanced mic / line input channels
COMMON FEATURES TO BOTH MODELS:
Variable Trim control on each mono channel.
Built-in low-noise / high-output dual channel power amplifier.
Rugged injection molded housing.
Two high quality 9 band graphic equalizers for mains and monitors
Assignable signal routing allows amplifiers to power main speakers only or main and
monitor speakers.
Massive toroidal power transformer for high current output.
3 band equalization (EQ) on each mono channel.
2 band equalization (EQ) on each stereo channel.
High-headroom, low-noise preamps with switchable global phantom power.
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Super Hi-Z input channels for instrument level signals.
Built-in signal limiting circuit to prevent signal clipping.
Peak indication LED on mono channels.
Independent Monitor and Effects sends on each channel.
Built-in 8 preset, 24 bit digital effects unit.
8 segment bar-graph LED meters indicating amplifier output signal levels.
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Two stereo channels with dual 1 /4 (Left & Right) and dual RCA (Left & Right) input jacks.
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One stereo channel with dual 1 /4 (Left & Right) and USB stereo digital input and output.
External and internal effects sends and returns.
Global mono channel Mute / Standby button.
Stereo line level outputs.
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Dual 1 /4 inputs to the power amp for connection of external signal sources.
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Powered Mixers
Getting Started
1. Power Supply
SPX613 & SPX815
The SPX Series powered mixers are supplied with an internal AC power supply. Connect the
appropriate grounded IEC power cable to the SPX mixer BEFORE connecting it to the power source
outlet. It is important to allow for adequate ventilation for the powered mixer as it may become warm
during long periods of operation. Be sure to allow for free air flow around the powered mixer to
minimize excessive heat build-up.
Each SPX mixer is shipped with the correct power supply and cable for the country in which it is to be
used. The SPX mixer is NOT to be used in a country using a different source supply voltage other than
for which it is designed. Note the operating voltage shown near the AC power cord jack and ONLY
connect this unit to the appropriate AC source voltage.
2. Packing
The exterior and interior packaging has been designed to protect the mixer during transit. If any
shipping damage has occurred, consult your dealer and the shipping provider.
3. Safety
Avoid excessive heat, humidity, dust and vibration. Store and operate the powered mixer away from
locations where it is likely to be exposed to lack of ventilation, high temperatures or humidity. Also,
avoid locations which may be subject to excessive dust and lint or vibration / physical shocks that
could cause mechanical damage to the powered mixer.
WARNING: REFER ALL MAINTENANCE, REPAIRS AND MODIFICATIONS TO QUALIFIED
SERVICE PERSONNEL! THIS PRODUCT CONTAINS NO USER-SERVICEABLE PARTS!
For the protection of the powered mixer and other audio equipment, always turn off the power on the
powered mixer and other system components before connecting or disconnecting audio cables.
4. Warranty
The SPX Series mixers are covered, by limited warranty, of any defects in workmanship for a period of
one year from the date of purchase. This warranty is non-transferable and applies only to the original
purchaser. If any warranty related issues occur, contact your dealer.
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SPX613 & SPX815
Powered Mixers
FEATURES AND CONTROLS
Mono Mic/Line Input Channels :
1. Low Impedance (Low Z) Mic Input jacks with s witchable global phantom
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power: The low noise, high headroom Low Z mic inputs are for use with balanced, low impedance
microphones.
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2. Hi-Z Line Level Input jacks : These /4 Tip, Ring, Sleeve (TRS) jacks are designed to be
connected to (-10 to +4dBu) balanced or unbalanced line level sources.
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3. Super Hi-Z inputs : Channels 6 & 7 on the SPX613 and Channels 8 & 9 on the SPX815 for
connection of unbalanced, low level instrument signals such as an electric guitar or electric bass.
4. Stereo Line Level Input jacks : Channels 8 & 10 on the SPX613 and Channels 10 & 12 on
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the SPX815. These dual 1 /4 Tip, Ring, Sleeve (TRS) and dual RCA phono jacks are designed to be
connected to (-10 to +4dBu) balanced or unbalanced line level sources. A mono signal can be
connected by using only the left input jack. The mono signal, connected like this, will be routed to both
left and right outputs and will be controlled by the position of the pan knob of that channel.
5. USB Stereo Input and Output
This digital input and output is provided to allow for the direct digital connection to a computer USB
port for both the playback and recording of signals to and from a digital audio software program. The
output signal is derived from the stereo Main Mix, pre master level, and the input signal is routed to
channel input 9-10 on the SPX613 and channel 12-13 on the SPX815. Consult the manufacturer of
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your software for details. The USB input is not disabled by the input of line level signals to the /4
jacks on the channel. Both the analog and digital signal can be used simultaneously.
6. Level Control: Adjusts the level of the input signal to the mixer.
7. TRIM Control: In order to achieve the best signal to noise ratio and adequate dynamic range,
the input preamp level of each mono channel is controlled by the TRIM control knob on each channel.
To set the TRIM control, watch the PEAK LED while the signal source for that channel is active
(whether it be a singer using a microphone or an instrument connected to the LINE INPUT of the
channel). If the PEAK LED (#8) on the channel lights up consistently, the Gain Control is set too high.
The ideal setting is obtained, when the PEAK LED only flashes periodically.
8. PEAK indicator LED: The PEAK indicator LED will illuminate when the input signal level is
3dB before clipping (signal distortion).
9. PAN Control: On the mono channels, the PAN control adjusts the balance of the signal being
sent to the left and right MAIN MIX. Turning the PAN control fully left on a stereo channel will cause
the right input's signal level to decrease. Turning the PAN control fully right on a stereo channel will
cause the left input's signal level to decrease.
10. EQ (Equalization): Each mono channel on the SPX Series mixers features a three band
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Equalization ( EQ ) section. Each band allows for up to 15 decibels of boost (increase) or cut
(decrease) of the signal in the tone range for which it controls (HI, MID, LOW). In the center detented
position, the equalizer is bypassed (FLAT) and the control has no effect on the tonal characteristics of
the signal. The HI EQ control is centered at 12kHz, the MID EQ control is centered at 2.5kHz and the
LOW EQ control is centered at 80Hz. Stereo channels have two band equalization with the HI EQ
control is centered at 10kHz and the LOW EQ control is centered at 100Hz.
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SPX613 & SPX815
LOW EQ control is centered at 80Hz. Stereo channels have two band equalization with the HI EQ
control is centered at 10kHz and the LOW EQ control is centered at 100Hz.
11. EFX (Effects ) Send
12
Controls : Each EFX control is post
channel level and post EQ. Any
11
changes made to the channel level
and/or the equalizer section of a
channel will affect the EFX SEND
10
signals. There is 15 dB of signal gain
available for each EFX SEND knob.
12. MONITOR Send Controls :
The MON send control determines the
9
8
amount of signal that is fed to the
7
monitor buss. This control is Pre-fader
and derives its signal independent
6
from the channel level control. Any
changes made on the channel fader
do not affect the signal that is sent to
5
4
3
2
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the MON buss. This send is
commonly used for a stage monitor
mix in sound reinforcement
applications.
1
13. Power ON LED: This LED
lights when the power is on for the
mixer.
SPX613 / SPX815 FEATURES
14. EFX TO MAIN: This knob is
the level control for the internal effects
unit and the EFX Return Jack (when
an external device is connected to this
jack). This knob controls the amount of
the effects signal that is mixed with the
+12
+9
+6
13
15
+3
-3
-6
-9
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-12
unprocessed, clean signal of the
main mix.
+12
+9
15. EFX TO MONITOR: This knob
is the level control for the internal
effects unit and the EFX Return Jack
(when an external device is connected
to this jack) that is routed to the
14
+6
+3
-3
-6
-9
-12
MONITOR buss of the mixer. This knob
controls the amount of the effects
signal that is mixed with the
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unprocessed, clean signal of the
monitor mix.
SPX613 / SPX815 FEATURES
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SPX613 & SPX815
Powered Mixers
16. Internal EFFECT Pres et Select Knob: This knob allows the selection of the desired
digital effect. The level of the chosen effect is controlled by the EFX RETURN knobs explained in #14
and #15. The signal from the digital effects unit is disabled when a cable is connected to the EFX
Return Jacks.
LIST OF AVAILABLE EFFECTS
+12
VOCAL DELAY
+9
+6
VOCAL DELAY 1
+3
19
VOCAL DELAY 2
-3
-6
ROOM 1
-9
23
-12
ROOM 2
26
MEDIUM HALL
LARGE HALL
+12
+9
+6
+3
21
17. EFX mas ter Send: This knob
controls the overall level of the signal of
the EFX buss (the mix of the individual
EFX levels of each channel). This signal
is routed to the internal digital effects
unit as well as the EFFECT SEND jack.
20
-3
-6
-9
-12
22
18
24
25
18. EFX BYPASS: This switch is for
muting the return signal of the internal
digital effects unit. The LED above the
switch will illuminate when the signal
muting is active.
16
17
SPX613 / SPX815 FEATURES
30
19. LEFT/MONITOR Equalizer:
This 9 band graphic equalizer allows for
detailed equalization of the signal for the
Main Left Output or, if the
MAIN/MONITOR switch is engaged it
will equalize the overall signal from the
Monitor mix of the input channels. It
affects the MAIN LEFT OUTPUT signal
and the Left speaker output (on the rear
of the mixer). Each vertical slider on the
27
28
32
33
31
SPX613 / SPX815 FEATURES
equalizer provides plus or minus (+/-) 12 decibels of signal gain or reduction, to the specified frequency
centers. When the slider is in the middle, detented position, no gain or reduction of signal is applied to
that slider's frequency point. The specified frequencies for each frequency band are: 63Hz, 125 Hz,
250Hz, 500Hz, 1kHz, 2kHz, 4kHz, 8kHz, and 16kHz.
20. RIGHT/MAIN Equalizer: Like the LEFT/MONITOR Equalizer, this 9 band graphic equalizer
allows for detailed equalization of the signal for the Main Right Output. It affects the MAIN RIGHT
OUTPUT signal and the Right speaker output (on the rear of the mixer). The function and frequency
points are the same as the LEFT/MONITOR Equalizer.
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SPX613 & SPX815
21. STEREO MIX - MAIN / MONITOR Switch: As described in #19, the position of this
switch determines whether the mixer is used in STEREO mode (the up position) or as a mono mixer
with a separate monitor output fed by the channel MONITOR mix (the down position).
22. MAIN MASTER Level: This control adjusts the overall stereo Main Left and Right volume to
the MAIN OUT jacks (on the front of the mixer) and the speaker outputs (on the rear of the mixer).
23. MONITOR MASTER Level: This control adjusts the overall MONITOR output volume to the
MONITOR OUT jack (on the front of the mixer) and the LEFT/MONITOR speaker outputs (on the rear
of the mixer) when the MAIN / MONITOR switch (#21) is engaged.
24. PHANTOM +48V Switch: When engaged, this switch provides +48 Volts DC to each
microphone input jack to allow for the use of condenser microphones.
25. MUTE CHANNEL 1-7 Switch (SPX 613) / MUTE CHANNEL 1-9 Switch (SPX 815):
When engaged, this switch will mute channels 1-7 on the SPX613 and channels 1-9 on the SPX815.
26. LED Bar-Graph Meter: These dual, 5 segment bar-graph LED meters indicate the output
signal levels of the mixer in all output modes.
27. LIMITER LED Indicators : These dual LED indicators illuminate when the built in limiting
circuit is activated. The limiter automatically engages to prevent signal clipping (distortion) of the
output signal of the mixer.
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28. EFFECT SEND / RETURN J acks : The EFFECTS SEND jack is an unbalanced /4 Tip /
Sleeve (TS) jack that allows for the connection to the input of an external effects processing unit (such
as a reverb or delay or multi-effects processor). The signal for this jack is derived from the internal
EFX buss and is controlled by the EFX MASTER volume control. The EFFECTS RETURN jack
provides an input to the mixer from the output of an external effects processor.
29. EFFECT FOOT SW: This jack provides a method of remotely switching the internal digital
effects unit on and off with a footswitch.
30. RECORD OUT: These dual RCA phono jacks provide the pre-graphic EQ signal, controlled by
the MAIN MASTER volume control. A stereo recording device can be connected to these jacks.
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31. L/MONITOR OUT R/MAIN OUT: These dual unbalanced /4 jacks provide a post graphic
EQ signal from the Main mix buss. It is controlled by the MAIN MASTER volume control. This output
can be used to connect to additional external amplifiers or recording devices.
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32. MONITOR OUT: This unbalanced /4 jack provides a mix from the channel MON buss for
connection to an external stage monitor amplifier. The signal is pre-graphic EQ and controlled by the
MONITOR MASTER volume control.
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33. POWER AMP IN: These dual 1 /4 unbalanced Tip/Sleeve (TS) jacks allows for the connection
of an external stereo line level signal to the internal amplifier of the SPX613
SPX 815. This input can be used for connection of the line level outputs of an additional mixer.
34. A/C INPUT: Plug the appropriate A/C power cord to this connector. WARNING: DO NOT
ATTEMPT TO BYPASS THE GROUND CONNECTION OF THE POWER CORD.
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SPX613 & SPX815
Powered Mixers
35. POWER ON / OFF Switch: Located on the rear of the mixer, this switch turns the power on
and off. The POWER LED (#13), on the front of the mixer, will illuminate when the power is on.
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36. Speaker Connections : Two 1 /4 and two Speakon-type connectors are provided for
connection of the output of the amplifier to speakers. These outputs are rated for speaker connections
of 4 to 8 ohms. Do not connect a speaker load of less than 4 ohms (each) to these outputs or it could
result in damage to the amplifier.
37. Cooling Fan: This fan provides cooling to the internal amplifier. To prevent overheating, do not
obstruct airflow to the back of the mixer.
34
35
36
37
COOLING VENT.DO NOT OBS TRUCT!
MINIUM S P EAKER LOAD
4
OHM/CHANNEL
300W/4
300W/4
HOT AIR EXHAUST
!!!STAY CLEAR !!!
SPX613 / SPX815 FEATURES
GENERAL OPERATING INSTRUCTIONS
1.
2.
3.
Make sure that the power switch is set to the OFF position while making connections to
and from the powered mixer.
Connect all external components. Speakers, microphones, instruments, etc. Check for
secure connections. Be sure to engage the PHANTOM POWER switch if any
condenser microphones are going to be used.
Turn all level controls down (on each channel and in the master section of the mixer)
and center all EQ knobs.
4.
5.
Connect the A/C power cord to the power outlet.
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Turn the power to the ON position and verify that the POWER LED is lit.
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6..
7.
Turn the MAIN MASTER volume control up to the
0
setting.
With the source signal present (a person singing in to a microphone or and instrument
playing), one channel at a time, adjust the TRIM control so the PEAK LED flashes.
Once the TRIM is adjusted, bring up each channel LEVEL control to a comfortable
level being careful not to set levels too high, causing feedback. Repeat these steps for
all input channels.
8. Make any necessary adjustments for monitor sends and master, effects sends and
returns, and equalization settings as needed.
9.
Make any needed overall volume adjustments with the MAIN MASTER volume control.
When powering down, make sure any external power amps are switched off first.
10.
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SPX613 & SPX815
SPX Powered Mixer USB Operation
General USB Operation
With the introduction of the SPX Powered Mixer with USB, Wharfedale Pro enters the realm of digital
audio recording and reproduction. Now, with the connectivity offered by the bi-directional USB port, the
SPX powered mixer can be used as a digital interface to any computer allowing for full digital audio
recording and playback. In order to get the most from this powerful new feature please read the
following instructions carefully.
The USB port on the SPX series is a fully 2.0 compliant interface that is recognized under
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Windows , Mac OS-X and other operating systems. As a Plug-and-Play device, the interface
requires no drivers or additional software to function. Simply connect the device to the computer using
a standard USB A-to-B cable, power the mixer on and follow any on-screen prompts. Once the
operating system recognizes the USB device it is ready for use.
The computer's operating system will recognize the USB device as a virtual sound card with Stereo
Output and Stereo Input. You can then play sounds out through the SPX mixer just as if it were your
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computer's sound card. Simply open any audio software application (such as Windows Media Player)
and play an audio file. Note that you may have to change the audio properties to send the signal to
the SPX.
The USB port allows for the export of the Stereo mix from the SPX into the computer for recording.
The SPX output signal is derived from the Stereo Main Mix and is Pre-Fader. The signal level sent to
the computer is not affected by the SPX Main Master level control. In order to receive a signal from the
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SPX simply open any audio recording application (such as Windows Sound Recorder) and set the
audio recording properties to the SPX.
Bonus Software included with the SPX
SPX models are shipped with a CD-ROM containing free audio recording and editing software. This
software is included at no charge to illustrate the power and functionality of the USB recording and
playback feature in the SPX series. It is not required for proper operation of the SPX, nor is it
necessary to use the supplied application. It is included as an introduction to digital audio recording
and editing.
Software Ins tallation
NOTE: The bonus recording and editing software is supplied on a CD-ROM for computers using the
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Windows operating system. Users of other operating systems may visit the developer's website for
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the appropriate files. The following instructions are for Windows users.
Insert the CD-ROM into the computer's drive. The Audacity Installer will start automatically. Please
read the license and support information carefully. Wharfedale Pro does not offer support for the
Audacity audio recording and editing software, so users should be capable of using the program
without technical support. The developer's website offers a tutorial and FAQ section for user inquiries.
Accept the Audacity License Agreement and the software will install automatically to the default hard
drive. Once the software is installed start the program by either clicking the desktop icon or through
the Start menu. Once Audacity is open select Edit from the menu bar, then Preferences. The Audacity
Preferences window will open. Select the Audio I/O tab and then select the SPX for both Playback
Device and Recording Device. Click OK. You are now ready to start using Audacity with your SPX
Powered Mixer!
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Powered Mixers
Us ing Audacity s oftware
NOTE: It is strongly recommended that you review the supplied Audacity Help file. Simply select Help
from the menu bar, then Contents. Users should also visit the Audacity website at
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Audacity is a free, easy-to-use audio editor and recorder for Windows , Mac
OS-X , GNU/Linux
and other operating systems. You can use Audacity to:
Record Live Audio
Convert tapes and records into digital recordings or CDs
Edit Ogg Vorbis, MP3 and WAV sound files
Cut, copy, splice and mix sounds together
Change the speed or pitch of a recording
Following is a list of features offered by Audacity, the free audio editor:
Recording
Audacity can record live audio through the SPX mixer, or digitize recordings from cassette tapes, vinyl
records, or minidiscs.
Record from microphone, line input, or other sources.
Dub over existing tracks to create multi-track recordings.
Record up to 16 channels at once (requires multi-channel hardware).
Level meters can monitor volume levels before, during, and after recording.
Import and Export
Import sound files, edit them, and combine them with other files or new recordings. Export your
recordings in several common file formats.
Import and export WAV, AIFF, AU, and Ogg Vorbis files.
Import MPEG audio (including MP2 and MP3 files) with libmad.
Export MP3s with the optional LAME encoder library.
Create WAV or AIFF files suitable for burning to CD.
Import and export all file formats supported by libsndfile.
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Open raw (headerless) audio files using the Import Raw command.
Note: Audacity does not currently support WMA, AAC, or most other proprietary or restricted
file formats.
Editing
Easy editing with Cut, Copy, Paste, and Delete.
Use unlimited Undo (and Redo) to go back any number of steps.
Very fast editing of large files.
Edit and mix an unlimited number of tracks.
Use the Drawing tool to alter individual sample points.
Fade the volume up or down smoothly with the Envelope tool.
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SPX613 & SPX815
Effects
Change the pitch without altering the tempo, or vice-versa.
Remove static, hiss, hum, or other constant background noises.
Alter frequencies with Equalization, FFT Filter, and Bass Boost effects.
Adjust volumes with Compressor, Amplify, and Normalize effects.
Other built-in effects include:
Echo
Phaser
Wahwah
Reverse
Sound Quality
Record and edit 16-bit, 24-bit, and 32-bit (floating point) samples.
Record at up to 96 KHz.
Sample rates and formats are converted using high-quality resampling and dithering.
Mix tracks with different sample rates or formats, and Audacity will convert them automatically
in realtime.
Plug-Ins
Add new effects with LADSPAplugins.
Audacity includes some sample plugins by Steve Harris.
Load VST plugins for Windows and Mac, with the optional VST Enabler.
Write new effects with the built-in Nyquist programming language.
Analys is
Spectrogram mode for visualizing frequencies.
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Plot Spectrum command for detailed frequency analysis.
Free and Cros s -Platform
Licensed under the GNU General Public License (GPL).
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Runs on Mac OSX ,Windows , and GNU/Linux.
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Powered Mixers
CLUB STEREO PA SYSTEM SETUP
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SPX613 & SPX815
CLUB STEREO PA SYSTEM WITH SUBWOOFER
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Powered Mixers
GENERAL SPECIFICATIONS
SPX613: 300W/4W, 200W/8W @ (1% THD at 1kHz)
Output Power:
SPX815: 400W/4W, 300W/8W @ (1% THD at 1kHz)
20Hz-20KHz +1dB, -3dB@1W output into 8W (speakers out)
20Hz-30KHz+1dB, -3dB@+4dB output into 10KW
(Main Out, Monitor Out, Effects Out)
Frequency Response:
Less than 0.3%@20Hz-30kHz, (Main Out, Monitor Out, Effects Out)
-58dB residual output noise (Speaker Output)
Total Harmonic Distortion:
Hum & Noise:
-100dB residual output noise (Main Out, Monitor Out)
Channel Level Control: minimum
Master Level Control: nominal level
-90dB
(Main Out, Monitor Out)
-75dB
Master Level Control: nominal level
Channel Level Control: nominal
EFX Master Level Control: nominal
Channel Level Control: minimum
EFX Master Level Control: nominal
Channel Level Control: nominal
(Main Out, Monitor Out)
-78dB
(Effects Out)
-74dB
(Effects Out)
Mic to Main and Monitor Out: 75dB
Mic to Effects Out: 90dB
Mic to Record Out: 60dB
Hi-z to Main and Monitor Out: 60dB
Maximum Voltage Gain:
Crosstalk at 1KHz:
Input Super Hi-Z to Main Monitor Out: 40dB
Left / Right Line to Main and Monitor Out: 24dB
70dB adjacent input
3 band EQ:
High Frequency: 12kHz shelving
Mid Frequency: 2.5kHz shelving
Low Frequency: 80Hz shelving
2 band EQ:
Input Channel Equalization:
(+/-15dB maximum)
High Frequency: 10kHz shelving
Low Frequency: 100Hz shelving
Record input: -20dBm, 44.1kHz, 16bit, 172kB/s
USB Record
Record Frequency: 1kHz, Master Out: 0dBm
7 segment LED Bar Graph Meters at Main and Monitor Outputs
9 bands Main / Monitor Out (+/-12dB maximum)
Level Meters
Graphic Equalizer:
Channel Peak LED:
Phantom Power:
Illuminates at 3dB below clipping
+48VDC (balanced mic input only)
8 preset effects: VOCAL 1, VOCAL 2, VOCAL3, ROOM 1, ROOM 2,
MEDIUM HALL, LARGE HALL, VOCAL DELAY
Digital Effect:
Protection Circuit
(Power Amp):
Short circuit, Power switch On / Off mute, DC detection,
Temp (Heat sink Temp>/=90OC)
Stop - low speed(50oC) - high speed(70oC)
Digital Effects Mute on / off
Fan circuit
Foot Switch:
Digital Effects on / off
EFX Bypass:
Power Consumption:
SPX613SD: 800W / SPX815SD: 1000W
310 x 526 x 347mm / 12.2 x 20.7 x 13.7
SPX613: 20.5kg / 45.1 lbs, SPX815: 21.4kg / 47.1 lbs
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Dimensions(HxWxD):
Weight:
Supplied accessories:
AC power cord & owners manual
Product detalls and specifications are subject to change without notice.
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INPUT SPECIFICATIONS
Connecter
Input Level
Gain/Trim
Actual load
Input
Type
Nominal level
Max Before Clipping
Mono Channel
max
-66dBm(0.36mv)
-23dBm(55mV)
-32dBm(19mV)
+10dBm(2.5V)
-40dBm(8mV)
+4dBm(1.2V)
-5dBm(440mV)
NA
XLR
Mono Channel
(MIC)
Balanced
min
max
Phone jack
Unbalanced
Phone jack
Balanced
min
(SUPER Hi-Z)
Mono Channel
(Hi-Z)
max
-60dB (0.8mV)
+12dBm(3V)
-33dBm (17mV)
min
no
Stereo Channel
Line Input
Phone jack
Unbalanced
-12dB(195mV)
-12dB(195mV)
NA
NA
Stereo RCA
input
no
no
RCA
Effect
Phone jack
Unbalanced
-12dB(195mV)
NA
Return
1. Sensitivity is the lowest level that can produce an output of +4 dB (1.23 V) or the nominal output level when the unit is set at maximum gain.
*
(All level controls are at maximum position.)
2. Balanced.
*
*
3. Unbalanced.
0 dB=0.775 Vrms, 0 dBV=1 Vrms.
OUTPUT SPECIFICATIONS:
Output level
Connecter
Actual source
Impedance
Nominal
Impedance
Output
Type
Nominal
Max Before Clipping
SPX613
300W/4W
SPX815
400W/4W
Phone
jack or
Speakon
type connecter
Speakers
out (L/R)
4/8W speaker
10KW lines
0.1W
NA
Main out
(L/R)
Unbalanced
Phone jack
Unbalanced
Phone jack
Unbalanced
Phone jack
+4dB (1.23V)
+4dB (1.23V)
+20dB (7.75V)
+20dB (7.75V)
600W
600W
600W
Monitor
Out
10KW lines
10KW lines
10KW lines
Effect
Out
+4dB (1.23V)
+20dB (7.75V)
+20dB (7.75V)
REC out
(L/R)
RCA jack
-10dB (240mV)
All output jacks are unbalanced.
0 dB=0.775Vrms, 0 dBV=1 Vrms.
,
WHARFEDALE PRO SPX613 / SPX815 OWNER S MANUAL
Page 15
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SPX613 & SPX815
Powered Mixers
Signal Flow Diagram
,
WHARFEDALE PRO SPX613 / SPX815 OWNER S MANUAL
Page 16
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WHARFEDALE PROFESSIONAL
IAG HOUSE, SOVEREIGN COURT, ERMINE BUSINESS PARK
HUNTINGDON, PE29 6XU, UNITED KINGDOM
Email: [email protected]
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